WEBVTT - #285 - Mack 10

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<v Speaker 1>Bulet cav show special guests a legend, ladies and gentlemen.

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<v Speaker 1>Mac one Ozh for show. Mac Tanner is in the building, Man,

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<v Speaker 1>what's up with how you doing? I'm such a big

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<v Speaker 1>fan of yours that I own Thicker than Water on VHS.

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<v Speaker 1>You has seen a couple of them in the garage

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<v Speaker 1>on VHS. Yeah, yeah, yeah. I always tell people, I'm like,

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<v Speaker 1>y'all understand, like when you had like who Banging Records

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<v Speaker 1>like c Mac and you were dropping movies and shit,

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<v Speaker 1>like I felt like you were kind of doing this

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<v Speaker 1>like real independent West Coast it before everybody, like kind

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<v Speaker 1>of like, you know, obviously you were doing your thing

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<v Speaker 1>on the major level, but you also had like who

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<v Speaker 1>Banging Records was going. I remember every damn Source magazine

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<v Speaker 1>and Double XL y'all had the full ads and everything. Man,

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<v Speaker 1>That's how you had to do it. Then, you know

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<v Speaker 1>what I'm saying? So shit, you know when when when

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<v Speaker 1>I play, I'm gonna play? Yeah, So you know I

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<v Speaker 1>wouldn't you know, cutting no corners or nothing. We was

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<v Speaker 1>trying to get to it. Yes, sir, What have you

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<v Speaker 1>been up too lately? Man? I feel like you've obviously

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<v Speaker 1>kind of taking a step back. You got the new

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<v Speaker 1>single album. You kind of have been you know, I

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<v Speaker 1>feel like you've been kind of away from music for

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<v Speaker 1>a while. I have, uh the artist side of it,

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<v Speaker 1>you know what I'm saying. But I've been really involved

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<v Speaker 1>with you know, as being like a concert promoter. You

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<v Speaker 1>know what I'm saying. I heard that. Yeah, since like

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<v Speaker 1>twenty ten or eleven like that, been like my bread

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<v Speaker 1>and butter, Like I do a couple of hundred shows

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<v Speaker 1>a year, wow that I promote. So you know, I've

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<v Speaker 1>been in the music business. But I just making Yeah,

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<v Speaker 1>you know what I'm saying, I've been putting shows on man,

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<v Speaker 1>you know what, like because obviously from an artist's perspective,

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<v Speaker 1>you see you be like, damn, Okay, I got paid

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<v Speaker 1>this much, but the show sold out, so the promoter

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<v Speaker 1>made this much. So what made you kind of get

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<v Speaker 1>into the promoter game? Shit? I done have nights where

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<v Speaker 1>I had four and five shows going in one night

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<v Speaker 1>in different states just as a promoter. Just as a promoter,

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<v Speaker 1>I might have had Keith sweating, uh Kansas City or something. Right,

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<v Speaker 1>you know, somebody else's somewhere and somebody else somewhere and

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<v Speaker 1>somewhere and I might have been doing crush groove or something,

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<v Speaker 1>you know what I'm saying. It's just I Dodn't it

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<v Speaker 1>have been situations like that where I really had like

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<v Speaker 1>four or five shows going in one night, damn dude. Yeah.

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<v Speaker 1>The promoter game is do you feel like, because I

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<v Speaker 1>do feel like there's kind of probably a saturated market

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<v Speaker 1>in people trying to throw shows, do you feel like

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<v Speaker 1>you found like a niche and the type of artists

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<v Speaker 1>and type of shit you're doing well. The thing is

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<v Speaker 1>is that anybody could try to do it, but you

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<v Speaker 1>gotta get good at it in order for it to

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<v Speaker 1>be you know, and you gotta be willing you you

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<v Speaker 1>gotta have enough to lose. Yep. It's like going like

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<v Speaker 1>if you stand at the craft table, you shouldn't be

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<v Speaker 1>standing there with nothing that you you care if you

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<v Speaker 1>lose it straight up you feel me so so like

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<v Speaker 1>that's the same thing with this. You know it's a gamble,

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<v Speaker 1>but but like you know, as you as you get

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<v Speaker 1>good at it, you learn like what's a smart bet?

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<v Speaker 1>Was not a smart bed? You know what I'm saying.

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<v Speaker 1>But you got to be able to like, uh, you know,

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<v Speaker 1>with Stan losing you you got to be able to

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<v Speaker 1>deal with that because that's a part of the game.

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<v Speaker 1>So are you this tour that you just announced, Uh,

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<v Speaker 1>it's you. I saw a man in perezz on. A

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<v Speaker 1>lot of people think dog Pounds on the tour, dog Pound,

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<v Speaker 1>Warney Quick, Yeah, sugar Free, that's your tour. That are you?

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<v Speaker 1>Like you're the promoter as well? Yeah, doubling up? Why not?

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<v Speaker 1>Why not? Man? Why not? Yo? I just got to say, dude, like, uh,

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<v Speaker 1>you're like, there's not a lot of people I'll call legend,

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<v Speaker 1>but I do feel like you are one of the

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<v Speaker 1>greatest to ever come out of the West Coast. Wow.

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<v Speaker 1>I appreciate that bang or Ball is low key, You're

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<v Speaker 1>most slept on album. That was a high record, yo.

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<v Speaker 1>That dude, that dude the damn day Yeah, man, that.

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<v Speaker 1>I just feel like you have so much catalog. I

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<v Speaker 1>like today I was like riding around like, God, damn man,

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<v Speaker 1>I forgot about hating your eyes and there's so much

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<v Speaker 1>shit for you. Do you feel like because you're kind

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<v Speaker 1>of like behind the scenes now, you're not as visible

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<v Speaker 1>as maybe some of your peers when we think of

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<v Speaker 1>West Coast legends these days, do you feel like you

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<v Speaker 1>get the love and respect you you deserve and when

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<v Speaker 1>we talk about that, yeah, but most of all, I

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<v Speaker 1>feel like I get the money. That's all that matters,

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<v Speaker 1>you feel me. That's the kind of guy. Yep, they

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<v Speaker 1>could have all that other shit, give me the bag.

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<v Speaker 1>I respect that. I don't give a fuck about famous

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<v Speaker 1>and none of that. You care about the bag. That's

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<v Speaker 1>some real shit, you know, that's some real shit. So

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<v Speaker 1>so like, if I cared about famous, it would have

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<v Speaker 1>took me fourteen years to do another record, right, It's

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<v Speaker 1>been that long, Yeah, two thousand and nine. That was

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<v Speaker 1>the last time you put out music. Yeah, I put

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<v Speaker 1>an album all yeah, Jesus. So if I cared about

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<v Speaker 1>famous and with this internet shit and everything, how it is,

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<v Speaker 1>you know, I would have been in front of the camera. Yeah.

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<v Speaker 1>But I've been getting to the bag, so you know

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<v Speaker 1>that's that's you know, I feel good about that. You

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<v Speaker 1>were the first guy I ever heard talk about Inglewood

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<v Speaker 1>on records. And now obviously Inglewood is blown up. A

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<v Speaker 1>lot of people are saying has become gentrified, SOFI stadiums

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<v Speaker 1>over there. How do you feel about Inglewood these days? Man?

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<v Speaker 1>Because it is kind of the it's city now in

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<v Speaker 1>La been to. It's city for me my whole life,

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<v Speaker 1>of course, you know, but that's for like everybody. The

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<v Speaker 1>Clippers are gonna play there. I mean, you know, we

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<v Speaker 1>we welcome everybody with open arms. It's all good. You know.

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<v Speaker 1>I love Inglewood, man, Yeah, you know that's that's that's

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<v Speaker 1>that's always home at the end of the day. There's

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<v Speaker 1>a dope obviously a lot of dope artists coming out

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<v Speaker 1>of Inglewood. Are you hit to like guys like Roucci

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<v Speaker 1>and like that kind of yeah, yeah, oh yeah. And

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<v Speaker 1>I love to see Little Roccie in them getting theirs,

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<v Speaker 1>you know what I'm saying, Like, like I'm I'm a

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<v Speaker 1>real like fan the of the youngsters, you know, because

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<v Speaker 1>everybody had a time yep. And you know I've been blessed. Man,

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<v Speaker 1>God has been good to me in this game. So like,

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<v Speaker 1>I ain't the kind of guy that like not want

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<v Speaker 1>everybody to win. You know what I'm saying, You a

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<v Speaker 1>sucker if you don't want everybody to win. That's hater

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<v Speaker 1>type shit. It's real shit, man, you feel me so

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<v Speaker 1>so like it's enough money for everybody printed every day.

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<v Speaker 1>That's some real shit. Uh. You know, I think back

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<v Speaker 1>to like some of your catalog, You've been a part

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<v Speaker 1>of so many dope projects obviously, uh, man, the recipe.

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<v Speaker 1>I mean, I've the West Coast, the West Side Connection. Shit.

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<v Speaker 1>Like when you think back of your catalog, what's your

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<v Speaker 1>favorite mac ten album that you've got part of? Man,

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<v Speaker 1>they all like feel different because I was at different

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<v Speaker 1>times in my life, you know, with them. But like,

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<v Speaker 1>let me see, uh, based on the true story. One

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<v Speaker 1>of my one of my favorite records, Banga Ball is

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<v Speaker 1>one of my favorite records because I went about it different.

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<v Speaker 1>I had never made a record like that. I made

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<v Speaker 1>bang a Ball in two weeks, two weeks, two weeks

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<v Speaker 1>from start to finish. Literally wow, literally hating your eyes,

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<v Speaker 1>pud By dre Right, Yeah, doctor Drake did that. Yeah,

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<v Speaker 1>so you just got a dre bat like in the

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<v Speaker 1>two week process. He just sent a pack over and

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<v Speaker 1>that was one of them. Yeah yeah, yeah yeah, Well

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<v Speaker 1>I actually went it said with him. He played me

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<v Speaker 1>some stuff and I like that when he said, all right,

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<v Speaker 1>this one you if you want it, you can get it.

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<v Speaker 1>So you know what I'm saying. And then I flew

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<v Speaker 1>I did it, and then I flew back to Houston

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<v Speaker 1>to finish my album because I was working with Many Fresh.

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<v Speaker 1>You know what I'm saying. So Fresh work like that,

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<v Speaker 1>like Do the Damn Thing was a freestyle. I didn't

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<v Speaker 1>even write that because he wouldn't let me write it.

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<v Speaker 1>He was like this, going there, you listen to the

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<v Speaker 1>rhyme pattern and everything. He was like, just going there

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<v Speaker 1>and you a pro just going there and just rhyme.

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<v Speaker 1>That kind of makes six. I do the Damn Thing.

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<v Speaker 1>I let my nuts hang. Yeah, it was a straight

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<v Speaker 1>free style. He said, I don't want it if you

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<v Speaker 1>write it like just going there and just whatever you say,

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<v Speaker 1>just just make the next word rhyme if you can.

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<v Speaker 1>You know what I'm saying. He said, I'm telling you

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<v Speaker 1>it's gonna come out hard like that. Just do it

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<v Speaker 1>like that. So, you know, Many Fresh one of the

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<v Speaker 1>best ever. So I listened to him and I did it,

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<v Speaker 1>and Do the Damn Thing is one of them records.

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<v Speaker 1>That was a good one. Me and my small group

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<v Speaker 1>of friends in Phoenix had an actual funny dance we

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<v Speaker 1>would do when that song came on that we still like,

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<v Speaker 1>if I play that song right now. My best friend

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<v Speaker 1>Ram was here. He would do it. What was like,

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<v Speaker 1>first of all, talk about like how you ended up

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<v Speaker 1>on Cash Money for that one project. It was just

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<v Speaker 1>a situation, man, I mean, you know, Priority was uh,

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<v Speaker 1>you know, making some some changes at the time, and

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<v Speaker 1>me and Stunner was already homies, and so it really

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<v Speaker 1>was just a move. It was just a play, you

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<v Speaker 1>know what I'm saying. It was just a move like

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<v Speaker 1>like that was already my homeboy. And so when I

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<v Speaker 1>had to, I had a choice either sign a new

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<v Speaker 1>deal with Priority or sign this deal. You know, I

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<v Speaker 1>just wanted to try something different. And Cash Money is

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<v Speaker 1>like the hottest label in the world at the moment. Yeah,

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<v Speaker 1>and like yeah, yeah, but but but most of all

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<v Speaker 1>them dudes was like solid dudes with me, you know

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<v Speaker 1>what I'm saying. We clicked as people. They was you know,

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<v Speaker 1>I would go to New Orleans and it was all

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<v Speaker 1>open arms, like we was family, you know what I'm saying,

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<v Speaker 1>and vice versa. When they was out here, it was

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<v Speaker 1>like that. So this was something man, that we was

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<v Speaker 1>really trying. I just wanted to like do something different.

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<v Speaker 1>I had been putting. I had put a lot of

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<v Speaker 1>records out on Priority already. Yeah, you know, so you know,

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<v Speaker 1>when the when, when the opportunity came and that bag

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<v Speaker 1>was silly. For that one record, I had to do it. Yeah,

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<v Speaker 1>what was it? What was that creative process like working

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<v Speaker 1>with a guy like Manny Fresh, because you've been in

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<v Speaker 1>obviously in the studio with so many other legends like

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<v Speaker 1>Doctor Dramon. Yeah, what was the difference between the Manny

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<v Speaker 1>Fresh and some of the other guys. Fresh is like,

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<v Speaker 1>like I said, he the first one to get me

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<v Speaker 1>to just go in there and just rap, just don't

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<v Speaker 1>write nothing, just going there and just say it, you

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<v Speaker 1>know what I'm saying. And Fresh work faster than anybody

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<v Speaker 1>I've ever seen. He had cooked the beat up right

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<v Speaker 1>in front of you, like in a few minutes, and

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<v Speaker 1>it's a hit, it's connected for life, it's do the

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<v Speaker 1>damn thing is whatever. But he cook it up right

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<v Speaker 1>there like quick, like right in front of you, you

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<v Speaker 1>know what I'm saying. So, you know, Fresh one of

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<v Speaker 1>the best ever man for real for sure, you know,

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<v Speaker 1>Like I remember at one point Fresh had missed platinum

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<v Speaker 1>in a couple of it was some years had went

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<v Speaker 1>by and everything was platinum. You know that's crazy. Yeah, No,

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<v Speaker 1>I think I think Fresh when we think, when we

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<v Speaker 1>always talk about the goats I feel like we got

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<v Speaker 1>to keep his name in that conversation because he kind

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<v Speaker 1>of formed the whole sound kicked off Wayne Juvie, every human.

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<v Speaker 1>It's crazy, Yo. You have always been really good at expanding,

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<v Speaker 1>like the West Coast shit to like other areas we

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<v Speaker 1>talk about obviously the cash money situation. You had a

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<v Speaker 1>great relationship with Fat Joe back in the day. What

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<v Speaker 1>do you like a tribute to that? Because I do

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<v Speaker 1>feel like you kind of like a lot of LA

0:10:28.040 --> 0:10:30.400
<v Speaker 1>guys were just kind of like working with other LA guys,

0:10:30.400 --> 0:10:32.720
<v Speaker 1>but you did a really good job of like breaking

0:10:32.800 --> 0:10:36.000
<v Speaker 1>out of that mold and just working with everybody from

0:10:36.040 --> 0:10:39.880
<v Speaker 1>all over the place. I'm a player. You know, players

0:10:39.960 --> 0:10:43.920
<v Speaker 1>is internationally known, nationally recognized, and locally accepted. You feel me.

0:10:44.640 --> 0:10:47.000
<v Speaker 1>I'm a player, man. If you're trying to get to it,

0:10:47.040 --> 0:10:50.920
<v Speaker 1>you you got to step outside your neighborhood, you feel me. So,

0:10:50.920 --> 0:10:53.240
<v Speaker 1>so I fuck with who fucked with me, you know,

0:10:53.400 --> 0:10:56.760
<v Speaker 1>regardless of where they're from or any of that. If

0:10:56.800 --> 0:10:59.320
<v Speaker 1>you fuck with me, I'll fuck with you, you know. So,

0:10:59.320 --> 0:11:01.440
<v Speaker 1>So I always had that kind of mentality, you know.

0:11:01.600 --> 0:11:04.840
<v Speaker 1>So I was always trying to expand, and I you know,

0:11:04.880 --> 0:11:06.880
<v Speaker 1>it's good to have allies everywhere. Man, you know what

0:11:06.920 --> 0:11:11.000
<v Speaker 1>I'm saying, I'm thinking, like I've always thought big Yeah,

0:11:11.400 --> 0:11:13.400
<v Speaker 1>was there ever anybody you tried to sign to Who Banging?

0:11:13.559 --> 0:11:16.120
<v Speaker 1>That was like that ended up going on to be

0:11:16.240 --> 0:11:18.760
<v Speaker 1>like really big that like maybe it almost happened or didn't,

0:11:19.040 --> 0:11:20.640
<v Speaker 1>you know, almost got to the finish line, but maybe

0:11:20.640 --> 0:11:24.080
<v Speaker 1>for whatever reason it didn't work out. Snoop, Snoop. Yeah,

0:11:24.320 --> 0:11:26.360
<v Speaker 1>was this after Yeah, he was already. It was when

0:11:26.400 --> 0:11:28.199
<v Speaker 1>when death Row was like you know, when he was

0:11:28.280 --> 0:11:30.080
<v Speaker 1>before he went to no limits. So before he went

0:11:30.120 --> 0:11:34.800
<v Speaker 1>to no limit, you guys had those combos, paperwork was done. Wow. Yeah,

0:11:34.880 --> 0:11:39.079
<v Speaker 1>that's crazy. So death Rows obviously a rap, Snoops, a

0:11:39.120 --> 0:11:42.719
<v Speaker 1>free agent and you approach him to come on, who

0:11:42.760 --> 0:11:45.640
<v Speaker 1>Banging and it almost happens. I mean, if he a

0:11:45.679 --> 0:11:48.000
<v Speaker 1>free agent and I'm in the game, you know what

0:11:48.080 --> 0:11:49.920
<v Speaker 1>kind of motherfucker would I be not to shoot for

0:11:49.960 --> 0:11:53.480
<v Speaker 1>the biggest free agent out there? That's real shit. You know,

0:11:53.720 --> 0:11:56.280
<v Speaker 1>Jerry Jones gonna shoot for the Kohlers motherfucker out there

0:11:56.440 --> 0:11:58.520
<v Speaker 1>if he if he can get his hands on it. Yeah,

0:11:58.559 --> 0:12:00.839
<v Speaker 1>you feel me? So how close it was really close

0:12:00.880 --> 0:12:03.240
<v Speaker 1>to happening? When it is the paperwork literally was done.

0:12:03.320 --> 0:12:05.559
<v Speaker 1>It's just you know, some things you know went on,

0:12:05.679 --> 0:12:09.280
<v Speaker 1>but like it was, it was done. That had been crazy, Yeah, yeah,

0:12:09.320 --> 0:12:12.320
<v Speaker 1>Snoop on who Banging Record? Yeah, Who's Done? That had

0:12:12.400 --> 0:12:15.240
<v Speaker 1>been crazy too, just for like the perceived politics of that,

0:12:15.240 --> 0:12:17.000
<v Speaker 1>because like Snoop's a big grip you know, we know

0:12:17.160 --> 0:12:20.720
<v Speaker 1>you are. That had been crazy, especially in the nineties.

0:12:20.800 --> 0:12:23.240
<v Speaker 1>But listen, I feel like he would have probably put

0:12:23.240 --> 0:12:24.800
<v Speaker 1>out some better music too, because I didn't like the

0:12:24.800 --> 0:12:26.679
<v Speaker 1>first I didn't like the game is to be Sold

0:12:26.679 --> 0:12:28.240
<v Speaker 1>not to be Sold. I didn't like that album. I

0:12:28.280 --> 0:12:31.000
<v Speaker 1>did like No Limit Top Talk, but yeah, shout out

0:12:31.040 --> 0:12:33.600
<v Speaker 1>to Snoop, that'd have been crazy. Are you going to

0:12:33.679 --> 0:12:37.040
<v Speaker 1>be putting out a body of work obviously the singles out?

0:12:37.240 --> 0:12:39.679
<v Speaker 1>Are you following this up with the actual body of work? Yeah, yeah,

0:12:39.679 --> 0:12:41.840
<v Speaker 1>I'm gonna do. I'm gonna put an album out. Is

0:12:41.880 --> 0:12:45.960
<v Speaker 1>it done? It's almost done? The red print, the red print, Yeah,

0:12:46.120 --> 0:12:51.800
<v Speaker 1>that's fire. Yeah, it's almost done. Features. I got some

0:12:51.840 --> 0:12:53.520
<v Speaker 1>secret features. You know what I'm saying. I got it.

0:12:53.559 --> 0:12:55.360
<v Speaker 1>I can't really speak on it right now, you know

0:12:55.400 --> 0:12:57.720
<v Speaker 1>what I'm saying, because uh, you know, I'm still in

0:12:57.760 --> 0:13:00.920
<v Speaker 1>the process of doing it, but like it's a hot album,

0:13:01.000 --> 0:13:04.200
<v Speaker 1>like the records, and shit is one of them good ones.

0:13:04.280 --> 0:13:06.880
<v Speaker 1>I mean, fourteen years is a long time man. People

0:13:06.920 --> 0:13:09.679
<v Speaker 1>want to hear from you. Yeah, yeah, I understand, Yo.

0:13:09.840 --> 0:13:13.000
<v Speaker 1>Do you still go back and listen to any like

0:13:13.160 --> 0:13:14.959
<v Speaker 1>of your old catalog like on a regular basis. I

0:13:14.960 --> 0:13:17.440
<v Speaker 1>always wondered that as an artist like you got classics,

0:13:17.480 --> 0:13:18.920
<v Speaker 1>do you got to go back and bump your own shit?

0:13:20.320 --> 0:13:23.319
<v Speaker 1>Not really every now and then. Every now and then

0:13:23.400 --> 0:13:25.840
<v Speaker 1>I'll run across something and I had to rewind Black

0:13:25.880 --> 0:13:27.680
<v Speaker 1>Shit was hard right there, you know, and I turn

0:13:27.679 --> 0:13:30.400
<v Speaker 1>it up. But like usually, I really don't don't listen

0:13:30.480 --> 0:13:32.920
<v Speaker 1>to my music. Really, I heard it so many times

0:13:32.920 --> 0:13:35.600
<v Speaker 1>making it until I'm you know, I really don't listen

0:13:35.640 --> 0:13:39.520
<v Speaker 1>to my music. I'm wondering when. Okay, you obviously are

0:13:39.600 --> 0:13:43.800
<v Speaker 1>part in my opinion of the best supergroup in rap history,

0:13:44.320 --> 0:13:49.280
<v Speaker 1>west Side Connection. Yeah. I think Boutdown is the top

0:13:49.320 --> 0:13:53.760
<v Speaker 1>five rap album in West Coast history. It's up there, man.

0:13:54.920 --> 0:13:57.920
<v Speaker 1>Gangs to killing a Dope Dealers fucking you know one

0:13:57.960 --> 0:14:01.200
<v Speaker 1>of my favorite songs ever? Right? Do you give Mount

0:14:01.240 --> 0:14:04.920
<v Speaker 1>Wesmore a listen? When they dropped their super album like

0:14:04.960 --> 0:14:06.880
<v Speaker 1>do you check it out as a fan, like just

0:14:06.880 --> 0:14:08.400
<v Speaker 1>to see like, oh, you know, we kind of did

0:14:08.440 --> 0:14:10.440
<v Speaker 1>our supergroup, like let me see what these guys are doing.

0:14:11.320 --> 0:14:16.680
<v Speaker 1>Uh not really yeah, not really. I mean, uh, I've

0:14:16.720 --> 0:14:18.920
<v Speaker 1>heard bits and pieces of it, you know what I'm saying,

0:14:18.960 --> 0:14:24.160
<v Speaker 1>But not not really. Yeah. West Side Connection was a movement,

0:14:24.600 --> 0:14:27.880
<v Speaker 1>a movement. Yeah, it was a little different a movement. Yeah.

0:14:27.840 --> 0:14:29.920
<v Speaker 1>And it's crazy too because like if you think about

0:14:29.960 --> 0:14:32.720
<v Speaker 1>like from like bow Down to terrorist Threats? How many

0:14:32.800 --> 0:14:35.440
<v Speaker 1>years was that? Was that? Like nine or ten years different?

0:14:35.480 --> 0:14:38.200
<v Speaker 1>Seven years of five something like something like that. Yeah, yeah,

0:14:38.520 --> 0:14:40.240
<v Speaker 1>something like yeah yeah, And it felt like y'all kind

0:14:40.240 --> 0:14:42.200
<v Speaker 1>of like picked up right where y'all left off with

0:14:42.280 --> 0:14:45.520
<v Speaker 1>those like right bow Down. Would you put that up

0:14:45.520 --> 0:14:47.240
<v Speaker 1>there with any one of your solo albums in terms

0:14:47.280 --> 0:14:49.240
<v Speaker 1>of just bodies of work? Oh yeah, oh yeah, that's

0:14:49.280 --> 0:14:51.760
<v Speaker 1>a complete body of work. Yeah. And it was sincere

0:14:52.280 --> 0:14:54.720
<v Speaker 1>what were like those studio sessions like when you guys

0:14:54.720 --> 0:14:57.240
<v Speaker 1>do like Gangsters make the World go Round? Like tell

0:14:57.320 --> 0:15:02.520
<v Speaker 1>me about that record, like that studio session. Uh you

0:15:02.560 --> 0:15:05.480
<v Speaker 1>know it was like uh any other West Side Connects

0:15:05.480 --> 0:15:09.040
<v Speaker 1>studio session. I mean it was always friendly competition. You know,

0:15:09.280 --> 0:15:12.840
<v Speaker 1>your verse had to be hot, you know, period just

0:15:12.880 --> 0:15:16.600
<v Speaker 1>every it was friendly competition. It was friendly competition for sure,

0:15:16.680 --> 0:15:19.000
<v Speaker 1>you know, but your your your verse, your verse had

0:15:19.040 --> 0:15:21.280
<v Speaker 1>to be hot, you know. And if your ship wasn't hot,

0:15:22.600 --> 0:15:26.880
<v Speaker 1>somebody might say, oh man, man, you might go back

0:15:26.880 --> 0:15:28.520
<v Speaker 1>and write that ship over something. Did you have to

0:15:28.520 --> 0:15:31.560
<v Speaker 1>say that to? I mean, you know, every every every

0:15:31.640 --> 0:15:35.800
<v Speaker 1>every everybody. If if you being honest with somebody and

0:15:36.080 --> 0:15:40.520
<v Speaker 1>you done did as many records as we have together,

0:15:40.960 --> 0:15:44.440
<v Speaker 1>everybody respect everybody's opinion. You know what I'm saying. They

0:15:44.440 --> 0:15:46.760
<v Speaker 1>could be a little homey in the room that that

0:15:46.760 --> 0:15:50.240
<v Speaker 1>that might say to me, You sure you want to

0:15:50.240 --> 0:15:51.600
<v Speaker 1>say it? Like you know what I'm saying, and and

0:15:51.600 --> 0:15:54.120
<v Speaker 1>and and and if and if you open minded, dude,

0:15:54.120 --> 0:15:57.600
<v Speaker 1>and and you know everybody got your best interest, you

0:15:57.640 --> 0:16:00.160
<v Speaker 1>at least gonna gonna hear what you gotta say. You

0:16:00.240 --> 0:16:03.040
<v Speaker 1>know what I'm saying. You might not always go back

0:16:03.040 --> 0:16:07.480
<v Speaker 1>and change it, but if you're trying to make classics,

0:16:07.480 --> 0:16:09.520
<v Speaker 1>you at least gotta open mind. You know, you at

0:16:09.600 --> 0:16:13.120
<v Speaker 1>least open to listen. Do you look at today's because

0:16:13.120 --> 0:16:17.120
<v Speaker 1>like today's, like hip hop or just world climate is

0:16:17.320 --> 0:16:20.480
<v Speaker 1>very different than when you were really like peak mac

0:16:20.560 --> 0:16:24.520
<v Speaker 1>ten era in terms of social media. Everyone's got a

0:16:24.560 --> 0:16:27.000
<v Speaker 1>camera phone, and you obviously were a part of like

0:16:27.040 --> 0:16:28.880
<v Speaker 1>a hip hop power couple when you and T Bars

0:16:28.880 --> 0:16:31.840
<v Speaker 1>were together, Like I can only imagine if that would

0:16:31.840 --> 0:16:34.520
<v Speaker 1>have been happening in today's era, the blogs and the

0:16:34.560 --> 0:16:37.560
<v Speaker 1>Hollywood unlocks and you know all that, Like are you

0:16:37.640 --> 0:16:39.640
<v Speaker 1>are you thankful that like you kind of got to

0:16:39.680 --> 0:16:41.720
<v Speaker 1>come up in the era you did, because nowadays it

0:16:41.720 --> 0:16:43.440
<v Speaker 1>feels like it's got to be tough to be famous

0:16:43.480 --> 0:16:47.240
<v Speaker 1>because everything's scrutinized. Man, it is, it is, you know.

0:16:47.720 --> 0:16:50.840
<v Speaker 1>But I'm still a little old school in a way

0:16:50.880 --> 0:16:54.920
<v Speaker 1>that I ain't gonna participate all the way like like everybody, yeah,

0:16:55.000 --> 0:16:56.920
<v Speaker 1>I ain't gonna do that shit, Like you ain't finna

0:16:56.960 --> 0:16:59.960
<v Speaker 1>post everywhere I'm at right taking pictures of my plate

0:17:00.000 --> 0:17:01.960
<v Speaker 1>and shit when they bring it at the restaurant, Well,

0:17:02.040 --> 0:17:04.600
<v Speaker 1>what like what part of the game was that homee? Right?

0:17:04.720 --> 0:17:06.400
<v Speaker 1>You know what I'm saying, Like like I didn't really

0:17:06.480 --> 0:17:08.360
<v Speaker 1>come from that, right right, right, right right. I came

0:17:08.400 --> 0:17:10.240
<v Speaker 1>from when you had money and when you got up,

0:17:10.640 --> 0:17:13.040
<v Speaker 1>you tucked off. You didn't you didn't want to just

0:17:13.080 --> 0:17:17.120
<v Speaker 1>be eating steaks and dangling show people where you are. Yeah,

0:17:17.160 --> 0:17:20.480
<v Speaker 1>you didn't want to be you know, danglar stakes at Hyenas, right,

0:17:20.560 --> 0:17:24.040
<v Speaker 1>you feel me? You kind of like, yeah, yeah, I

0:17:24.040 --> 0:17:26.680
<v Speaker 1>mean it's people have lost their lives because they show

0:17:26.720 --> 0:17:30.639
<v Speaker 1>where they are. They it's it's unfortunate. Listen, do you

0:17:30.680 --> 0:17:32.960
<v Speaker 1>want to win some money? Got to stop the interview,

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<v Speaker 1>What is your take on like kind of no man,

0:20:00.760 --> 0:20:02.879
<v Speaker 1>because obviously we got out of a pandemic. A lot

0:20:02.920 --> 0:20:05.639
<v Speaker 1>of people are running up the ed, you know, people

0:20:05.640 --> 0:20:09.400
<v Speaker 1>of the robberies. We always see it online, people getting

0:20:09.440 --> 0:20:11.080
<v Speaker 1>robbed out here all the time. People losing their lives

0:20:11.080 --> 0:20:13.399
<v Speaker 1>out here, Artists getting killed out here, Like do you

0:20:13.560 --> 0:20:15.840
<v Speaker 1>I mean it's not like it wasn't always lit out here,

0:20:15.840 --> 0:20:17.280
<v Speaker 1>you know what I'm saying. But I feel like now

0:20:17.520 --> 0:20:20.040
<v Speaker 1>it seems like it's just more publicized. How do you

0:20:20.040 --> 0:20:21.440
<v Speaker 1>feel about this kind of the states of the city

0:20:21.520 --> 0:20:24.200
<v Speaker 1>right now? I think it's just more publicized because it's

0:20:24.200 --> 0:20:26.640
<v Speaker 1>a lot more ways that you could find everything out.

0:20:27.480 --> 0:20:31.040
<v Speaker 1>You know, it been dangerous, you know, it been dangerous.

0:20:31.200 --> 0:20:32.760
<v Speaker 1>I look at it. I've been looking at it like

0:20:32.800 --> 0:20:36.240
<v Speaker 1>it was dangerous. But you know, now, like you said,

0:20:36.280 --> 0:20:38.960
<v Speaker 1>you got camera, phones, you got the Internet, you got everything.

0:20:39.000 --> 0:20:42.480
<v Speaker 1>So you know, it's just you know, but but but

0:20:42.680 --> 0:20:45.600
<v Speaker 1>I think you know what's going on, like been going

0:20:45.680 --> 0:20:49.560
<v Speaker 1>on now, you know, Yeah, you know that is true.

0:20:50.119 --> 0:20:53.439
<v Speaker 1>Hey as a as a guy from Inglewood who to

0:20:53.480 --> 0:20:55.560
<v Speaker 1>me was the first guy I ever heard really rep

0:20:55.720 --> 0:20:59.840
<v Speaker 1>Inglewood Tupac saying Inglewood was always up to no good?

0:21:00.800 --> 0:21:02.719
<v Speaker 1>Was that? How big was that for Inglewood? I mean

0:21:02.760 --> 0:21:05.560
<v Speaker 1>in California love? I mean it's cool. That was That

0:21:05.640 --> 0:21:08.360
<v Speaker 1>was cool? And Madre whoever said it like like that

0:21:08.440 --> 0:21:11.080
<v Speaker 1>was that was? That was a That was love? You know.

0:21:11.119 --> 0:21:13.399
<v Speaker 1>We you know what I'm saying. We like to be

0:21:13.480 --> 0:21:16.760
<v Speaker 1>recognized amongst the best. Yeah, yeah, for sure. Shout out

0:21:16.760 --> 0:21:20.920
<v Speaker 1>to park Man. Do you feel like for you when

0:21:20.960 --> 0:21:23.080
<v Speaker 1>you put an album out in twenty twenty three, right

0:21:23.119 --> 0:21:26.040
<v Speaker 1>you're working on an album, are you paying attention to

0:21:26.119 --> 0:21:28.200
<v Speaker 1>what's hot right now? Are you just doing MAC ten?

0:21:28.359 --> 0:21:31.160
<v Speaker 1>I'm doing mac ten, which is smart because this shit

0:21:31.280 --> 0:21:34.119
<v Speaker 1>is fun to me. Yeah, you feel me. If it

0:21:34.160 --> 0:21:36.240
<v Speaker 1>ain't fun, I don't even want to do it like this.

0:21:36.240 --> 0:21:39.359
<v Speaker 1>This is literally Kevin, I'm really just having fun and

0:21:39.440 --> 0:21:41.400
<v Speaker 1>I'm doing MAC ten. Like when you listen to King

0:21:41.440 --> 0:21:44.400
<v Speaker 1>of Chevys that don't sound like I listen to whoever

0:21:44.480 --> 0:21:46.239
<v Speaker 1>out now and say, Okay, this is what they doing now,

0:21:46.280 --> 0:21:48.160
<v Speaker 1>this is what I'm gonna do. Fuck all that. I'm

0:21:48.200 --> 0:21:49.960
<v Speaker 1>a real you know, I mean, I'll do me. I

0:21:49.960 --> 0:21:52.280
<v Speaker 1>think that's smart too, because most artists they get away

0:21:52.280 --> 0:21:54.800
<v Speaker 1>from like Yo, this reason why people love you. Yeah,

0:21:55.240 --> 0:21:58.840
<v Speaker 1>if you accepted me like this, I would I would

0:21:58.880 --> 0:22:01.479
<v Speaker 1>be like a piece the ship to give you something different.

0:22:02.119 --> 0:22:04.639
<v Speaker 1>Why you you didn't? That ain't what you ordered? You

0:22:04.760 --> 0:22:07.359
<v Speaker 1>know what I'm saying? That's crazy? Yeah? So for you,

0:22:07.800 --> 0:22:09.320
<v Speaker 1>do you listen to the New Ship? Like are you

0:22:09.359 --> 0:22:11.600
<v Speaker 1>listening to like Little Baby? Are you listening to? Yeah?

0:22:11.600 --> 0:22:15.720
<v Speaker 1>He hard hard, hard as fuck you nigga can rap? Yeah,

0:22:15.760 --> 0:22:17.880
<v Speaker 1>he cald he called. I listened to the New Ship,

0:22:18.040 --> 0:22:22.160
<v Speaker 1>but I'm still me. I can't do nothing but be me. Bro,

0:22:22.280 --> 0:22:24.879
<v Speaker 1>I'm good at being me. You feel me, and so

0:22:25.080 --> 0:22:27.160
<v Speaker 1>you're gonna get the best of me if I'm If

0:22:27.200 --> 0:22:29.600
<v Speaker 1>I'm me, I don't care what nobody else is doing.

0:22:29.960 --> 0:22:33.439
<v Speaker 1>I've been a trendsetter and a and a leader my

0:22:33.520 --> 0:22:36.800
<v Speaker 1>whole life. You feel me so so so you know,

0:22:37.119 --> 0:22:39.120
<v Speaker 1>I really don't give a fuck what other people doing.

0:22:39.160 --> 0:22:42.520
<v Speaker 1>I kind of just do me and disrespect everybody and

0:22:42.640 --> 0:22:44.959
<v Speaker 1>what they doing. That's fair. Any of the young la

0:22:45.080 --> 0:22:47.000
<v Speaker 1>guys that you're you're a fan of that, you're checking

0:22:47.840 --> 0:22:50.760
<v Speaker 1>all of the little youngsters they like like like I

0:22:50.880 --> 0:22:52.720
<v Speaker 1>like them lit dudes, you know, I like y G,

0:22:53.000 --> 0:22:56.159
<v Speaker 1>I like Mustard. You know, my little son District is

0:22:56.240 --> 0:23:02.880
<v Speaker 1>cold as fuck. Uh shit, tie Dollar like like all

0:23:02.920 --> 0:23:05.760
<v Speaker 1>of them. I mean everybody really, all the little dudes

0:23:05.840 --> 0:23:08.439
<v Speaker 1>is doing it right now and it stay tied like.

0:23:08.480 --> 0:23:11.040
<v Speaker 1>I'm proud of them, dudes because because I know how

0:23:11.040 --> 0:23:14.280
<v Speaker 1>that is. You know what I'm saying. That's a good situation, yo.

0:23:14.359 --> 0:23:17.200
<v Speaker 1>When you were making like independent movies in the nineties

0:23:18.000 --> 0:23:19.919
<v Speaker 1>for people who don't know, we started off talking about

0:23:20.440 --> 0:23:22.399
<v Speaker 1>Blue Blood Thicker Than Water. That was a movie with

0:23:22.440 --> 0:23:26.399
<v Speaker 1>you and Fat Joe. What was like the budget for

0:23:26.480 --> 0:23:31.240
<v Speaker 1>a who Banging film back then. I mean I was

0:23:31.320 --> 0:23:35.080
<v Speaker 1>just doing them films like that for you know, like

0:23:35.160 --> 0:23:37.840
<v Speaker 1>I was shooting doing doing a record, you know, so

0:23:37.920 --> 0:23:39.920
<v Speaker 1>I probably put a million aside or something, you know

0:23:39.920 --> 0:23:43.359
<v Speaker 1>what I'm saying, And that's a good budget for yeah. Yeah, yeah, yeah,

0:23:43.359 --> 0:23:45.760
<v Speaker 1>but like I'm gonna do the movie in a soundtrack

0:23:45.800 --> 0:23:48.240
<v Speaker 1>to it. At the same time there was the soundtrack. Yeah,

0:23:48.280 --> 0:23:50.080
<v Speaker 1>so it was the one two punch, the one two,

0:23:50.400 --> 0:23:53.600
<v Speaker 1>the double up, the double up man. Yeah, would you still,

0:23:53.720 --> 0:23:56.320
<v Speaker 1>like like ever like do the label thing and try

0:23:56.359 --> 0:23:57.760
<v Speaker 1>to sign artists or are you kind of like I

0:23:57.760 --> 0:23:59.840
<v Speaker 1>mean obviously once you kind of you're in your bag

0:23:59.840 --> 0:24:01.200
<v Speaker 1>as a promoter now, you know what I mean. I

0:24:01.200 --> 0:24:03.920
<v Speaker 1>don't know if it's kind of worth a headache that

0:24:04.000 --> 0:24:06.840
<v Speaker 1>part right there? You feel me. But but but like

0:24:08.440 --> 0:24:11.199
<v Speaker 1>I'm always I'm I'm such a music guy tho in

0:24:11.240 --> 0:24:13.640
<v Speaker 1>a in a good sport that that if I could

0:24:13.680 --> 0:24:16.560
<v Speaker 1>help somebody out that that that you know, if it's

0:24:16.560 --> 0:24:19.520
<v Speaker 1>something I could do, I'll do it. Yeah. But you

0:24:19.520 --> 0:24:21.280
<v Speaker 1>know what I'm saying, if I could help somebody'll give

0:24:21.320 --> 0:24:23.640
<v Speaker 1>them a shot to win, you know, shit, I will,

0:24:23.680 --> 0:24:25.720
<v Speaker 1>But it got to be like that though, you know

0:24:25.760 --> 0:24:27.480
<v Speaker 1>what I'm saying, It got to be something that you know,

0:24:28.800 --> 0:24:30.399
<v Speaker 1>you know, we feel like we could win with you

0:24:30.480 --> 0:24:34.200
<v Speaker 1>know what I'm saying. Yo, Back in the day, there

0:24:34.320 --> 0:24:38.240
<v Speaker 1>was west Side Slaughterhouse, which, correct me if I'm wrong,

0:24:39.119 --> 0:24:42.200
<v Speaker 1>was a bit of a response to Commons. I used

0:24:42.240 --> 0:24:45.280
<v Speaker 1>to love her, Am I right about that? Yeah? It

0:24:45.320 --> 0:24:48.240
<v Speaker 1>was west Side slaughter House and West Side Connection. Period

0:24:48.440 --> 0:24:55.120
<v Speaker 1>was just it was just you know, uh uh, we

0:24:55.160 --> 0:24:59.159
<v Speaker 1>was reacting to that Common actor. Yeah, Common and whoever

0:24:59.200 --> 0:25:01.840
<v Speaker 1>else so Common. That's, by the way, it's one of

0:25:01.880 --> 0:25:03.720
<v Speaker 1>my favorite songs ever. Common I Still Lover is such

0:25:03.720 --> 0:25:06.200
<v Speaker 1>a beautiful record if you actually you know. But at

0:25:06.200 --> 0:25:09.680
<v Speaker 1>the time, he pretty much said it that the girl

0:25:09.720 --> 0:25:13.000
<v Speaker 1>went to the West Coast, and you know, he said

0:25:13.080 --> 0:25:17.840
<v Speaker 1>unfavorable things, right, So what are you saying that that

0:25:17.920 --> 0:25:20.640
<v Speaker 1>record inspired the group to come together. I ain't gonna

0:25:20.640 --> 0:25:22.560
<v Speaker 1>say that, Okay. I just said when it came to

0:25:22.600 --> 0:25:25.280
<v Speaker 1>West Side Connection, we was reacting. It wasn't just Common,

0:25:25.320 --> 0:25:27.840
<v Speaker 1>whoever had a problem, right, whoever was out of line,

0:25:27.880 --> 0:25:29.800
<v Speaker 1>whoever said something that we could have took as a

0:25:29.840 --> 0:25:33.000
<v Speaker 1>disc or disrespect we was. It wasn't no running from

0:25:33.040 --> 0:25:35.879
<v Speaker 1>nothing or hiding from nothing, it was. We was responding,

0:25:35.960 --> 0:25:38.520
<v Speaker 1>Yeah what what west Side slaughter House? Fucking classic record.

0:25:38.560 --> 0:25:43.160
<v Speaker 1>But did you ever like cross paths with common ever

0:25:43.200 --> 0:25:45.280
<v Speaker 1>in the like at any point in time, Like you

0:25:45.359 --> 0:25:47.679
<v Speaker 1>didn't have heard them stories? You something else? You'll pro

0:25:47.760 --> 0:25:49.760
<v Speaker 1>it this shit though you didn't heard them stories though, Well,

0:25:49.800 --> 0:25:52.480
<v Speaker 1>for people who don't know the stories, it's retell them. Yeah,

0:25:52.520 --> 0:25:54.560
<v Speaker 1>you know what it is. You know what I'm saying. Yeah,

0:25:55.000 --> 0:25:57.480
<v Speaker 1>but you know it's all good man, you know, shout

0:25:57.520 --> 0:26:00.000
<v Speaker 1>out the common man? What's up with you, homie? He's

0:26:00.760 --> 0:26:04.080
<v Speaker 1>he's on movies? Shot out the coming Man? Yeah, yeah, yeah, yeah, yeah,

0:26:04.119 --> 0:26:06.320
<v Speaker 1>you know, but we was young man and active man.

0:26:06.359 --> 0:26:08.080
<v Speaker 1>You know how that go, you know what I'm saying.

0:26:08.119 --> 0:26:10.639
<v Speaker 1>So yeah, yeah, you know you've had your life, I

0:26:10.680 --> 0:26:12.640
<v Speaker 1>mean because you and Cypres still had a thing, right,

0:26:13.640 --> 0:26:16.080
<v Speaker 1>yeah of course, yeah, of course people know about that.

0:26:16.240 --> 0:26:18.840
<v Speaker 1>Was that something that ever got resolved? Like? You know,

0:26:18.840 --> 0:26:21.679
<v Speaker 1>because I fuck would be real because you guys are

0:26:21.680 --> 0:26:25.600
<v Speaker 1>both O G s. Yeah we laugh about it. Yeah,

0:26:25.680 --> 0:26:28.040
<v Speaker 1>I fuck would be real. What was like the origid

0:26:28.119 --> 0:26:31.720
<v Speaker 1>like origin of y'all's issues for people who needn't I

0:26:31.720 --> 0:26:34.159
<v Speaker 1>didn't have no problem with him. I didn't have no

0:26:34.200 --> 0:26:37.199
<v Speaker 1>issues with him. Cube had an issue with them. But

0:26:37.240 --> 0:26:39.000
<v Speaker 1>I'm a common mother fucker. Like if I'm with you,

0:26:39.080 --> 0:26:41.200
<v Speaker 1>I'm with you. You know what I'm saying. So Cube

0:26:41.280 --> 0:26:44.199
<v Speaker 1>had the issue and so I just like jumped in

0:26:44.240 --> 0:26:45.840
<v Speaker 1>it when it came to Cypress Hill, you know what

0:26:45.880 --> 0:26:49.520
<v Speaker 1>I'm saying. But you know I didn't have no issues

0:26:49.520 --> 0:26:52.520
<v Speaker 1>with him. Yeah. So now nowadays, fast forward, you guys

0:26:52.560 --> 0:26:55.560
<v Speaker 1>are solid laugh about that. We laugh about it for real. Yeah,

0:26:55.720 --> 0:26:58.399
<v Speaker 1>have you have you? Uh, you might you might already

0:26:58.400 --> 0:27:01.440
<v Speaker 1>be involved and I might not know, but are you

0:27:01.440 --> 0:27:03.639
<v Speaker 1>you know, would you get involved in the cannabis industry?

0:27:03.640 --> 0:27:04.879
<v Speaker 1>It seems like a lot of if you're in LA,

0:27:04.920 --> 0:27:06.800
<v Speaker 1>it's kind of, you know, a natural thing to try

0:27:06.800 --> 0:27:08.600
<v Speaker 1>to get involved with. You know that red gas was

0:27:08.600 --> 0:27:13.120
<v Speaker 1>the best weed on the street, you know what I'm saying, Like, Yeah, yeah, yeah, yeah,

0:27:13.240 --> 0:27:17.480
<v Speaker 1>red gas was a line I got, you know, but yeah, yeah,

0:27:17.520 --> 0:27:22.400
<v Speaker 1>I mean, you know, but even the cannabis industry ain't

0:27:22.440 --> 0:27:25.080
<v Speaker 1>what it was. Sure, ain't what it was. Everyone thinks

0:27:25.080 --> 0:27:27.399
<v Speaker 1>you just print money. That's not how it goes. It

0:27:27.440 --> 0:27:29.560
<v Speaker 1>ain't what it was a few years ago. But yeah,

0:27:29.600 --> 0:27:32.240
<v Speaker 1>I got a good product, though, is it still out

0:27:32.240 --> 0:27:34.399
<v Speaker 1>in like dispensaries and ship Yeah, can you get it

0:27:34.440 --> 0:27:36.840
<v Speaker 1>at doctor green Thum because that would be kind of ironic.

0:27:37.280 --> 0:27:40.439
<v Speaker 1>It's been there, it's been there. Yeah, that's what's up.

0:27:41.080 --> 0:27:42.960
<v Speaker 1>What's your relationship? I mean we always hear that you

0:27:43.040 --> 0:27:45.480
<v Speaker 1>and Q don't have much of a relationship, But is

0:27:45.520 --> 0:27:48.240
<v Speaker 1>there any sort of like world in which you guys

0:27:48.320 --> 0:27:51.359
<v Speaker 1>get together, maybe do another west side connection, have a conversation.

0:27:51.920 --> 0:27:54.000
<v Speaker 1>Like I said earlier, I fuck with who fucked with me?

0:27:54.560 --> 0:27:57.719
<v Speaker 1>M you did. That's where I'm at with it. If

0:27:57.760 --> 0:28:00.639
<v Speaker 1>you fuck with me, I'll fuck with you. But if

0:28:00.720 --> 0:28:02.760
<v Speaker 1>it's fucked me, as fuck you, Like I don't, I

0:28:02.880 --> 0:28:04.600
<v Speaker 1>fuck with who fuck with me? Caah, you know what

0:28:04.640 --> 0:28:07.960
<v Speaker 1>I'm saying. And I ain't seen him or talk to

0:28:08.040 --> 0:28:10.240
<v Speaker 1>him and damn near twenty years. So there it is.

0:28:10.520 --> 0:28:15.719
<v Speaker 1>That's so crazy. What about who fuck with me? Man? Wow? Yeah?

0:28:16.000 --> 0:28:19.399
<v Speaker 1>So man, it's just man, y'all got classics together. Bro.

0:28:19.720 --> 0:28:23.159
<v Speaker 1>I totally understand classics. I totally get it. But you know,

0:28:23.640 --> 0:28:25.320
<v Speaker 1>I'm just the kind of guy that you know, I

0:28:25.480 --> 0:28:28.320
<v Speaker 1>rock with who rock with me? I respect that, man. Yeah,

0:28:28.480 --> 0:28:32.240
<v Speaker 1>I think most people should live by that, by that law, Yeah,

0:28:32.280 --> 0:28:36.080
<v Speaker 1>for sure, Yeah, there's a right size of bag. Though

0:28:36.160 --> 0:28:38.360
<v Speaker 1>someone comes in with the right bag, you know, to

0:28:39.240 --> 0:28:43.120
<v Speaker 1>do bow down two point Oh. I mean I'm a businessman. Yeah,

0:28:43.720 --> 0:28:45.280
<v Speaker 1>you get the bag. You said you get to get

0:28:45.320 --> 0:28:48.400
<v Speaker 1>to the bag. I'm a business man. And it ain't

0:28:48.400 --> 0:28:51.600
<v Speaker 1>never been me, you know, with the hold up. It

0:28:51.640 --> 0:28:54.160
<v Speaker 1>ain't never been my personality or or who I am.

0:28:54.200 --> 0:28:57.360
<v Speaker 1>With the hold up of us doing something. It ain't

0:28:57.400 --> 0:28:59.160
<v Speaker 1>never been me as the whole up. You feel me?

0:28:59.760 --> 0:29:04.880
<v Speaker 1>But I fuck with who fucked with me? Ye? It

0:29:04.960 --> 0:29:09.120
<v Speaker 1>is what it is. Hey respects man for you? Are

0:29:09.120 --> 0:29:13.720
<v Speaker 1>you doing this new album straight indie? Yeah? Everything? Yeah? Everything?

0:29:13.760 --> 0:29:17.320
<v Speaker 1>What producers are you working with? I mean I'm working

0:29:17.320 --> 0:29:19.440
<v Speaker 1>with quite a few producers, you know what I'm saying.

0:29:19.520 --> 0:29:22.120
<v Speaker 1>Some guys from the East. I got a tray and

0:29:22.160 --> 0:29:23.880
<v Speaker 1>some of them guys that did like, you know, some

0:29:23.920 --> 0:29:25.920
<v Speaker 1>of my shit on my on my older projects. You

0:29:25.960 --> 0:29:28.640
<v Speaker 1>know what I'm saying. Mustard, I did you know your

0:29:28.680 --> 0:29:32.000
<v Speaker 1>record with Mustard? Yeah? I did one? Yeah? Is that

0:29:32.040 --> 0:29:37.080
<v Speaker 1>gonna be a single? Uh? Probably? Like you get a

0:29:37.160 --> 0:29:39.280
<v Speaker 1>Mustard beat? I mean I mean yeah, you know, I'm

0:29:39.320 --> 0:29:40.959
<v Speaker 1>still putting it together, you know what I'm saying. I'm

0:29:41.000 --> 0:29:43.240
<v Speaker 1>still putting the whole album together. I like to finish

0:29:43.800 --> 0:29:46.560
<v Speaker 1>like everything, you know, and then and then I always

0:29:46.600 --> 0:29:48.840
<v Speaker 1>been the kind of guy that finished everything and and

0:29:48.880 --> 0:29:51.320
<v Speaker 1>then picked my singles. Except for like King of Chevyes,

0:29:51.360 --> 0:29:53.040
<v Speaker 1>I was just like, you know, it was on the

0:29:53.080 --> 0:29:55.360
<v Speaker 1>podcast first and everything, you know, it was just one

0:29:55.400 --> 0:29:57.240
<v Speaker 1>of them records. We were just having fun, you know.

0:29:57.480 --> 0:30:01.880
<v Speaker 1>But the Red printer Is is a good, solid project. Hey,

0:30:01.880 --> 0:30:03.360
<v Speaker 1>we gotta stop the interview to tell you about our

0:30:03.360 --> 0:30:05.600
<v Speaker 1>good folks at blue Chew Baby. That's right. A lot

0:30:05.600 --> 0:30:07.800
<v Speaker 1>of people keep asking me does blue Choo work? Fuck?

0:30:07.880 --> 0:30:09.840
<v Speaker 1>Yeah does And if you don't believe me, they'll give

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<v Speaker 1>you a whole month for free right now. If you

0:30:12.080 --> 0:30:14.400
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<v Speaker 1>your fucking house. All you do is pay five dollars

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<v Speaker 1>in shipping. What is blue Cheo, you ask, Well, let

0:30:25.320 --> 0:30:27.080
<v Speaker 1>me tell you. It has the same active ingredient as

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<v Speaker 1>You would prefer not to do that. I know, I'd

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<v Speaker 1>prefer not to do that, you know. But you can

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0:30:55.400 --> 0:30:58.560
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0:30:58.640 --> 0:31:02.000
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<v Speaker 1>your partner gonna be coming? Not with the noodle dick.

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0:31:52.160 --> 0:31:54.240
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0:31:54.240 --> 0:31:57.680
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0:31:57.800 --> 0:32:01.480
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0:32:13.240 --> 0:32:15.480
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<v Speaker 1>get back to the interview when you guys drop well, boutdown.

0:33:10.480 --> 0:33:12.640
<v Speaker 1>Was ninety six? Right? Am I tripping? Or is that

0:33:12.760 --> 0:33:15.480
<v Speaker 1>ninety six? You can tell me more than what it

0:33:15.520 --> 0:33:18.040
<v Speaker 1>was about ninety six or ninety seven, Probably like ninety six,

0:33:18.440 --> 0:33:21.320
<v Speaker 1>ninety six, probably a ninety seven, probably. Yeah. Do you

0:33:21.400 --> 0:33:23.520
<v Speaker 1>feel like when you look back at those days that

0:33:23.680 --> 0:33:29.040
<v Speaker 1>like the media, like the source, the vibes of the

0:33:29.080 --> 0:33:33.360
<v Speaker 1>worlds were kind of like creating this East coast West

0:33:33.400 --> 0:33:37.160
<v Speaker 1>coast narrative that necessarily was not as big as it

0:33:37.240 --> 0:33:44.680
<v Speaker 1>really was. I think we I mean to a certain

0:33:44.720 --> 0:33:47.520
<v Speaker 1>to a certain extent, but at the same time it

0:33:47.680 --> 0:33:50.280
<v Speaker 1>was going on, it was actually going it was going on,

0:33:50.480 --> 0:33:52.840
<v Speaker 1>you know what I'm saying. But yeah, like of course,

0:33:54.160 --> 0:33:57.040
<v Speaker 1>you know, beefs and shit like that. You know, it

0:33:57.080 --> 0:34:00.640
<v Speaker 1>makes for better press. You know, ain't nobody gonna say that,

0:34:00.680 --> 0:34:02.960
<v Speaker 1>you know, everything is cool that ain't that ain't a

0:34:02.960 --> 0:34:06.160
<v Speaker 1>good story. It's only a story of everybody like feud

0:34:06.200 --> 0:34:07.720
<v Speaker 1>and shit, you know what I'm saying. But yeah, it

0:34:07.760 --> 0:34:11.440
<v Speaker 1>definitely was a situation going on, and yeah, all media

0:34:11.520 --> 0:34:15.000
<v Speaker 1>outlets do that to a certain extent, but there it.

0:34:15.360 --> 0:34:17.239
<v Speaker 1>You know, we did feel some kind of way at

0:34:17.239 --> 0:34:19.080
<v Speaker 1>the time. Yeah, it felt like it was like, you know,

0:34:19.120 --> 0:34:21.160
<v Speaker 1>there was like certain artists kind of taking like subs

0:34:21.560 --> 0:34:23.520
<v Speaker 1>at each other back then, and then they'd be like

0:34:23.960 --> 0:34:26.600
<v Speaker 1>but then you see like you know, method Man pop

0:34:26.719 --> 0:34:29.080
<v Speaker 1>pop up with Tupac, you know what I'm saying. Or

0:34:29.320 --> 0:34:31.480
<v Speaker 1>I mean, even a little after that, you were obviously

0:34:31.640 --> 0:34:35.799
<v Speaker 1>real tight with Fat Joe. Yeah, because players recognize players. Man,

0:34:35.880 --> 0:34:40.839
<v Speaker 1>game recognized game. You feel me like man it's it's

0:34:40.880 --> 0:34:43.920
<v Speaker 1>players everywhere, you know, And like I said, I ain't.

0:34:44.440 --> 0:34:46.759
<v Speaker 1>I wouldn't be the kind of guy to have this

0:34:46.920 --> 0:34:50.000
<v Speaker 1>a problem with an entire set. I got a problem

0:34:50.080 --> 0:34:52.680
<v Speaker 1>with who got a problem with me? Straight? Just like

0:34:52.719 --> 0:34:55.560
<v Speaker 1>you fuck with who fucks with you? Period? You know

0:34:55.600 --> 0:34:58.640
<v Speaker 1>what I'm saying. And you know that's it. I got

0:34:58.640 --> 0:35:01.600
<v Speaker 1>some real sould the dudes that that that I've met

0:35:01.680 --> 0:35:03.839
<v Speaker 1>over the years from New York and from the East Coast,

0:35:03.920 --> 0:35:08.000
<v Speaker 1>you know, some solid guys. Yeah. Do you uh think

0:35:08.200 --> 0:35:10.080
<v Speaker 1>thinking back to two thousand and one, right, you end

0:35:10.120 --> 0:35:13.240
<v Speaker 1>up signing with cash Money putting out banger Ball. That's

0:35:13.280 --> 0:35:17.960
<v Speaker 1>around like right before we get like peak little Wayne,

0:35:18.000 --> 0:35:20.200
<v Speaker 1>like Superstar Wayne. I feel like it was like four

0:35:20.239 --> 0:35:22.359
<v Speaker 1>oh five when he dropped the first carters when that

0:35:22.440 --> 0:35:25.280
<v Speaker 1>kind of started. But like, were you around Wayne back then? Yeah,

0:35:25.480 --> 0:35:28.160
<v Speaker 1>he was a kid like like fourteen fifteen years old

0:35:28.239 --> 0:35:30.000
<v Speaker 1>or something when I was around. Yeah, I feel like

0:35:30.000 --> 0:35:32.359
<v Speaker 1>it's crazy people don't even understand that. Like back then,

0:35:32.440 --> 0:35:35.759
<v Speaker 1>like obviously Juvi was Juvie, but the big timers were

0:35:35.800 --> 0:35:38.960
<v Speaker 1>the biggest shit on Cash Money out once juvenile kind

0:35:38.960 --> 0:35:41.200
<v Speaker 1>of like you know, four hundred Degrees came out and

0:35:41.200 --> 0:35:43.239
<v Speaker 1>like I felt like soldier Rag came out or not

0:35:43.280 --> 0:35:46.000
<v Speaker 1>sold ks sol dregs before that g code. But uh,

0:35:46.440 --> 0:35:49.920
<v Speaker 1>the big Timers were fucking lit. Big Timers was good.

0:35:50.080 --> 0:35:52.880
<v Speaker 1>Big Times was good. But but but but Junior was

0:35:52.920 --> 0:35:56.239
<v Speaker 1>a special talent, like a like a different kind of motherfucker.

0:35:56.320 --> 0:35:59.640
<v Speaker 1>Like he was. I knew he was incredible. Like when

0:35:59.680 --> 0:36:01.920
<v Speaker 1>he was a kid, I told Stunning that boy here

0:36:01.920 --> 0:36:04.359
<v Speaker 1>gonna be the business. He gonna be the ship for real.

0:36:04.520 --> 0:36:06.480
<v Speaker 1>You guys have sessions together back then and all that.

0:36:06.560 --> 0:36:08.920
<v Speaker 1>Oh yeah, yeah, it was like a family right, Like

0:36:08.960 --> 0:36:11.560
<v Speaker 1>I was around, like around around, and we was all

0:36:11.640 --> 0:36:13.680
<v Speaker 1>around each other like for real, and you know, Wang

0:36:13.840 --> 0:36:16.840
<v Speaker 1>was young, but I could tell at a young age

0:36:16.880 --> 0:36:22.560
<v Speaker 1>he was gonna be probably the best ever. Obviously, Birdman

0:36:22.760 --> 0:36:24.839
<v Speaker 1>is like one of the most pro prolific CEOs ever.

0:36:25.160 --> 0:36:27.040
<v Speaker 1>We hear like mixed things though when it comes like

0:36:27.239 --> 0:36:30.319
<v Speaker 1>signing with cash money, there's people who have complaints, people saying,

0:36:30.360 --> 0:36:34.040
<v Speaker 1>went great, your your experience was great. I don't got

0:36:34.120 --> 0:36:37.560
<v Speaker 1>nothing to say. Yeah, you know my experience was was

0:36:37.560 --> 0:36:40.759
<v Speaker 1>was was was player. It was a player situation. I

0:36:40.800 --> 0:36:44.560
<v Speaker 1>can't do nothing but but but but have a you know,

0:36:44.719 --> 0:36:47.799
<v Speaker 1>love and respect for for for him and Slim, you know,

0:36:48.280 --> 0:36:50.839
<v Speaker 1>and all of the guys that that that I've met

0:36:50.880 --> 0:36:53.640
<v Speaker 1>through them or you know, everybody associated with cash money

0:36:53.640 --> 0:36:56.719
<v Speaker 1>has been all open arms with me for you know,

0:36:57.000 --> 0:37:00.400
<v Speaker 1>since the beginning. For sure. Who you put on your

0:37:00.480 --> 0:37:07.640
<v Speaker 1>Mount Rushmore of La rap, not California, l A, your

0:37:07.680 --> 0:37:10.080
<v Speaker 1>personal Mount Rushmore. It don't got to be like who,

0:37:10.200 --> 0:37:15.279
<v Speaker 1>like the you know, the the publicly politically correct list,

0:37:15.400 --> 0:37:19.719
<v Speaker 1>just your personal list. That's a hell of a question, bro,

0:37:21.640 --> 0:37:23.439
<v Speaker 1>you know what I'm saying, that's a really good question.

0:37:23.520 --> 0:37:26.040
<v Speaker 1>It don't matter what era, no, not. We're talking about

0:37:26.120 --> 0:37:29.279
<v Speaker 1>rap music from l A, the LA area, the Los

0:37:29.320 --> 0:37:32.600
<v Speaker 1>Angeles metropolitan area. You're personal, Well, well, I'm putting Easy

0:37:32.800 --> 0:37:34.719
<v Speaker 1>at the top of the list for any motherfucking thing

0:37:34.800 --> 0:37:36.799
<v Speaker 1>they want to come to rap straight up, that's me.

0:37:37.560 --> 0:37:41.440
<v Speaker 1>Erica is number one, right and then go for sure

0:37:41.800 --> 0:37:46.440
<v Speaker 1>this gangster ship for sure. And so I'm gonna start

0:37:46.440 --> 0:37:55.280
<v Speaker 1>with Easy. Uh, you know, I gotta mention myself. Of course,

0:37:58.239 --> 0:38:01.640
<v Speaker 1>Dog been one of the greats. You know what I'm saying,

0:38:01.800 --> 0:38:05.279
<v Speaker 1>could have been on who band? Yeah, yeah, almost yeah.

0:38:05.400 --> 0:38:08.000
<v Speaker 1>I mean, but like it's hard, bro, because like you know,

0:38:08.680 --> 0:38:12.480
<v Speaker 1>forty and short, you know, about l A, just l A,

0:38:12.719 --> 0:38:16.880
<v Speaker 1>just l A, no California, just La La Eric, I

0:38:16.960 --> 0:38:26.719
<v Speaker 1>mean easy easy U snoop one more Ice Tea, Iced

0:38:26.800 --> 0:38:29.719
<v Speaker 1>Tea not the ice I expected, but a good ice

0:38:29.800 --> 0:38:32.719
<v Speaker 1>nonetheless because Ice Tea kind of it is like, in

0:38:32.840 --> 0:38:35.040
<v Speaker 1>my opinion, Ice Tea was hard for six in the

0:38:35.120 --> 0:38:36.800
<v Speaker 1>Morning and all that ship. Well, I also feel like

0:38:36.920 --> 0:38:40.400
<v Speaker 1>he was like the pioneer of like, yeah, it's like

0:38:40.520 --> 0:38:43.160
<v Speaker 1>him and easy Elow like Ice Tea was before Easy

0:38:43.320 --> 0:38:47.080
<v Speaker 1>right in terms of just like I mean, I mean,

0:38:52.080 --> 0:38:53.800
<v Speaker 1>I'm not trying to age Paula, but I feel like

0:38:53.840 --> 0:38:58.359
<v Speaker 1>she would know. Yeah, no ice Ty definitely, I feel

0:38:58.400 --> 0:39:01.359
<v Speaker 1>like it was before. I mean Ice team was, Yeah,

0:39:01.520 --> 0:39:03.600
<v Speaker 1>and then album covers like the Power album cover yeah

0:39:03.719 --> 0:39:05.879
<v Speaker 1>with him and his lady with the shotgun. Yeah. Ice

0:39:05.960 --> 0:39:09.839
<v Speaker 1>was an innovator bro. Yeah, and he's twenty three years

0:39:09.840 --> 0:39:12.600
<v Speaker 1>straight on SVU. Yeah. It's you know, and when you

0:39:12.680 --> 0:39:14.560
<v Speaker 1>sit down and have a conversation with him, he's like

0:39:14.640 --> 0:39:17.279
<v Speaker 1>one of my favorite people to sit down and talk to. Yeh,

0:39:17.560 --> 0:39:20.839
<v Speaker 1>Ice be popping that ship like you'll still like you're

0:39:20.840 --> 0:39:23.040
<v Speaker 1>gonna leave with some jewels fucking with Ice. You know

0:39:23.080 --> 0:39:25.640
<v Speaker 1>what I'm saying. You gonna say some players. The man,

0:39:26.040 --> 0:39:29.200
<v Speaker 1>he's gonna say some fly ship for sure. Oh, what

0:39:29.400 --> 0:39:33.080
<v Speaker 1>is your Chevy collection like these days? I mean, you

0:39:33.160 --> 0:39:41.040
<v Speaker 1>know the Chevy collection fifty seven, uh, sixty four h

0:39:42.760 --> 0:39:47.560
<v Speaker 1>fifty two and I got a Tudor Brawl a Cadillac.

0:39:47.840 --> 0:39:50.600
<v Speaker 1>You know what I'm saying. Have you, like, can you

0:39:50.680 --> 0:39:53.359
<v Speaker 1>tell me the most First of all, I'm sure you've

0:39:53.440 --> 0:39:56.520
<v Speaker 1>you've bought fixed up cars, sold cars, gone in and

0:39:56.600 --> 0:39:59.359
<v Speaker 1>out of a lot of vehicles. What was the most

0:39:59.600 --> 0:40:10.279
<v Speaker 1>expec if Chevy you flipped ship? That I that I

0:40:10.520 --> 0:40:12.680
<v Speaker 1>that I that I flipped? Like so then you sold

0:40:12.719 --> 0:40:15.439
<v Speaker 1>to someone else? Because I mean I'm sure you've gone

0:40:15.480 --> 0:40:19.279
<v Speaker 1>through a ton of impalas over the years. Oh yeah, yeah, yeah, yeah,

0:40:19.640 --> 0:40:26.040
<v Speaker 1>uh about two hundred two Jesus. But now but like

0:40:26.160 --> 0:40:28.839
<v Speaker 1>now that ain't ship now because it's like now now

0:40:29.120 --> 0:40:31.959
<v Speaker 1>now the ship I got, Now, if I was selling,

0:40:32.280 --> 0:40:34.760
<v Speaker 1>I couldn't sell nothing for less than three hundred Wow,

0:40:35.200 --> 0:40:37.200
<v Speaker 1>you know what I'm saying. Yeah, I don't feel like

0:40:37.239 --> 0:40:39.960
<v Speaker 1>I see like sixty four polos anymore. I remember, like

0:40:40.920 --> 0:40:42.560
<v Speaker 1>it was such a big part of the culture when

0:40:42.560 --> 0:40:45.040
<v Speaker 1>I was a kid man like you. Yeah, but like

0:40:45.120 --> 0:40:47.279
<v Speaker 1>the King of Chevys build my ship. So like they ship,

0:40:47.640 --> 0:40:50.040
<v Speaker 1>they set the bar at a different standard, you know

0:40:50.080 --> 0:40:52.320
<v Speaker 1>what I'm saying. It's like it's all the way like

0:40:52.440 --> 0:40:56.160
<v Speaker 1>showroom floor like like like like the simile line. You

0:40:56.200 --> 0:40:58.919
<v Speaker 1>feel me like it's your car. All of my ship

0:40:59.040 --> 0:41:01.520
<v Speaker 1>is like clean like that? Is that? Like do you

0:41:01.680 --> 0:41:03.800
<v Speaker 1>take like pride and rebuilding the car like that getting

0:41:03.800 --> 0:41:05.440
<v Speaker 1>it back to kind of how it came. Because that's

0:41:05.440 --> 0:41:07.120
<v Speaker 1>got to be expensive, It's got to be hard to get.

0:41:07.120 --> 0:41:09.520
<v Speaker 1>It's expensive and time consuming for sure, you know what

0:41:09.560 --> 0:41:14.279
<v Speaker 1>I'm saying. But that brings me way more satisfaction than

0:41:14.320 --> 0:41:16.520
<v Speaker 1>the new ship, you know what I'm saying. And I

0:41:16.680 --> 0:41:19.120
<v Speaker 1>got every none had everything, got everything like all the

0:41:19.200 --> 0:41:23.680
<v Speaker 1>new ship, but like that old ship is special. How

0:41:23.719 --> 0:41:27.680
<v Speaker 1>do you like a Tesla though? Because models? How do

0:41:27.680 --> 0:41:29.880
<v Speaker 1>you feel about the Tesla is the fastest car in

0:41:29.920 --> 0:41:31.520
<v Speaker 1>the world. I know what's the fact, but like do

0:41:31.560 --> 0:41:33.960
<v Speaker 1>you fuck with it? Like I mean, you're shot. I'm

0:41:34.000 --> 0:41:36.399
<v Speaker 1>a Chevy guy, but I'm just a car guy. I'm

0:41:36.440 --> 0:41:38.160
<v Speaker 1>a car guy. Like you could have one of them

0:41:38.200 --> 0:41:40.160
<v Speaker 1>if you got some other shit, right, you know what

0:41:40.200 --> 0:41:44.440
<v Speaker 1>I'm saying. But like, but like that model s plaid

0:41:44.600 --> 0:41:47.040
<v Speaker 1>is it's a fun car to drive, Like I heard

0:41:47.080 --> 0:41:48.839
<v Speaker 1>that sh it's like zero to sixty and like, don't

0:41:49.000 --> 0:41:53.560
<v Speaker 1>one point nine seconds insane? Yeah, like twelve twelve hundred horsepower.

0:41:54.000 --> 0:41:57.640
<v Speaker 1>So anything somebody pull up on it ain't never gonna

0:41:57.640 --> 0:41:59.359
<v Speaker 1>be able to fuck with you. Although I ain't even

0:41:59.400 --> 0:42:01.799
<v Speaker 1>trying to go that fast like that. I'm I'm I'm

0:42:01.920 --> 0:42:03.239
<v Speaker 1>just trying to just you know what I'm saying. I'm

0:42:03.239 --> 0:42:05.360
<v Speaker 1>miss a car guy, like all the new ship that

0:42:05.480 --> 0:42:07.880
<v Speaker 1>come out, Like, I'm a car dude. So you know

0:42:07.920 --> 0:42:09.759
<v Speaker 1>I'm gonna have something. They gotta start giving cops these

0:42:09.760 --> 0:42:12.680
<v Speaker 1>teslas because if I'm in the fucking tesla, I'm smoking

0:42:12.760 --> 0:42:15.279
<v Speaker 1>the cop. I'm out of there. Yeah, it's like you

0:42:15.320 --> 0:42:18.600
<v Speaker 1>can't keep up with me. I got twelve hundred horses here, sir. Yeah, yeah,

0:42:19.040 --> 0:42:22.759
<v Speaker 1>you gotta have. It's like it's like any car, thh

0:42:22.840 --> 0:42:24.640
<v Speaker 1>you gotta have the right one, though, you know, the

0:42:24.920 --> 0:42:26.719
<v Speaker 1>right one, because if you got the wrong shit, you

0:42:26.880 --> 0:42:29.600
<v Speaker 1>you look like a square. You gotta have like the

0:42:29.760 --> 0:42:33.320
<v Speaker 1>right car. So what's the right tesla to have? Motos plaid?

0:42:33.680 --> 0:42:40.239
<v Speaker 1>We gotta be a plaid fifty no at least yeah, yeah, yeah,

0:42:40.280 --> 0:42:43.360
<v Speaker 1>but a plaid if a plaid is the is the

0:42:44.160 --> 0:42:48.080
<v Speaker 1>that's it. As a businessman, besides throwing shows and building

0:42:48.120 --> 0:42:51.600
<v Speaker 1>this other empire outside of music, congrats on that too.

0:42:52.880 --> 0:42:54.640
<v Speaker 1>What else are you doing? You're doing real estate or

0:42:54.680 --> 0:42:56.400
<v Speaker 1>you're getting it involved in any of their Yeah, I've

0:42:56.400 --> 0:42:59.000
<v Speaker 1>been doing real estate since the nineties, since the mid nineties,

0:42:59.080 --> 0:43:01.840
<v Speaker 1>like since our first got in the in the in

0:43:01.920 --> 0:43:04.600
<v Speaker 1>the game. Really, I've been fucking with real estate tough

0:43:04.680 --> 0:43:10.080
<v Speaker 1>since then. I mean consistently. How many houses in Inglewood

0:43:10.080 --> 0:43:12.320
<v Speaker 1>did you hold onto because right now they got to

0:43:12.360 --> 0:43:14.840
<v Speaker 1>be booming. I didn't hold on the no houses in

0:43:15.000 --> 0:43:18.200
<v Speaker 1>Inglewood now now, I didn't hold on another he wish

0:43:18.239 --> 0:43:20.880
<v Speaker 1>you would have not really, God, really, I mean I

0:43:20.960 --> 0:43:24.120
<v Speaker 1>got relatives over there that that yeah. Yeah, but like, man,

0:43:25.000 --> 0:43:29.080
<v Speaker 1>I've bought shit in in areas that that like you know, balls, shipping,

0:43:29.160 --> 0:43:31.320
<v Speaker 1>flipping in the areas where that where the value like

0:43:31.719 --> 0:43:35.600
<v Speaker 1>super low, you know, where the value like quadrupled, like

0:43:35.719 --> 0:43:39.319
<v Speaker 1>what areas? I mean anywhere? And what real estate? It's

0:43:39.320 --> 0:43:42.160
<v Speaker 1>all about location, location, location, straight up? You feel me?

0:43:42.320 --> 0:43:46.000
<v Speaker 1>So so so me. I was always trying to buy houses.

0:43:46.120 --> 0:43:47.920
<v Speaker 1>I done did a couple in the in the neighborhood.

0:43:47.960 --> 0:43:51.240
<v Speaker 1>But like you know, you know some of that Wool

0:43:51.280 --> 0:43:54.040
<v Speaker 1>and Hills ship. Oh the value is crazy, you know,

0:43:54.200 --> 0:43:56.360
<v Speaker 1>like the ship costs four five times more than what

0:43:56.480 --> 0:43:58.719
<v Speaker 1>you paid for You feel me so so so you

0:43:58.800 --> 0:44:02.120
<v Speaker 1>know it's located location, location with real estate for you

0:44:02.320 --> 0:44:04.200
<v Speaker 1>being an OG somebody who's kind of been through so

0:44:04.320 --> 0:44:06.200
<v Speaker 1>much in this city. Man, been through so much in

0:44:06.239 --> 0:44:12.520
<v Speaker 1>the rap game, you know, hits issues, drama, fucking peaks

0:44:12.560 --> 0:44:18.440
<v Speaker 1>of success. What would be your advice to artists who

0:44:18.480 --> 0:44:21.719
<v Speaker 1>come out here to LA because you know, there's like

0:44:22.120 --> 0:44:25.560
<v Speaker 1>we talked about earlier, people are definitely getting targeted out

0:44:25.560 --> 0:44:27.480
<v Speaker 1>here now. You know, I always tell people, if you

0:44:27.560 --> 0:44:28.960
<v Speaker 1>canna come out here and move around like a dickcad,

0:44:28.960 --> 0:44:30.640
<v Speaker 1>they're gonna treat you like a dickhead, right Like, if

0:44:30.640 --> 0:44:33.240
<v Speaker 1>you're gonna come out here and where two hundred thousand

0:44:33.239 --> 0:44:35.800
<v Speaker 1>dollars in jewelry and just think, shits sweet? That's what

0:44:35.920 --> 0:44:37.279
<v Speaker 1>do you want people to do if they're hungry? You

0:44:37.320 --> 0:44:39.240
<v Speaker 1>know what I'm saying. But how would you advise people

0:44:39.400 --> 0:44:44.759
<v Speaker 1>to move in Cali based on the OG perspective? You know,

0:44:46.920 --> 0:44:50.440
<v Speaker 1>you know shit, you gotta know where you at. You

0:44:50.480 --> 0:44:54.840
<v Speaker 1>know what I'm saying, Move accordingly, you know, move according

0:44:54.960 --> 0:44:58.880
<v Speaker 1>to to to where you at. I mean, be smart,

0:44:59.400 --> 0:45:01.279
<v Speaker 1>be smart for sure, you know what I'm saying. And

0:45:01.400 --> 0:45:05.160
<v Speaker 1>respect the situation. Because any city did I go to,

0:45:05.760 --> 0:45:09.600
<v Speaker 1>I respect the situation. That's that's somebody else town and

0:45:09.680 --> 0:45:12.279
<v Speaker 1>somebody else city. You feel me. So I'm gonna come in,

0:45:12.480 --> 0:45:16.320
<v Speaker 1>you know, and and and you know, conduct myself like

0:45:16.400 --> 0:45:19.600
<v Speaker 1>a player and respect the situation. Respectful. Yeah, I mean,

0:45:19.640 --> 0:45:21.240
<v Speaker 1>you know what I'm saying. You do. You gotta respect

0:45:21.239 --> 0:45:23.560
<v Speaker 1>the situation and be smart about what you're doing. I mean,

0:45:23.680 --> 0:45:26.279
<v Speaker 1>some ship ain't gonna fly straight up, straight up, it

0:45:26.400 --> 0:45:29.000
<v Speaker 1>just ain't gonna fly. That's real ship. You know. As

0:45:29.040 --> 0:45:31.239
<v Speaker 1>a promoter, who's been the artist you booked the most?

0:45:33.520 --> 0:45:37.839
<v Speaker 1>I don't know, bro, Like that's a hard question. Give

0:45:37.880 --> 0:45:39.600
<v Speaker 1>me like the top two or three that come to mind.

0:45:39.840 --> 0:45:42.239
<v Speaker 1>That guys did a lot of little Wayne shows, lots

0:45:42.239 --> 0:45:44.120
<v Speaker 1>of Wayne shows. I did a lot of Wayne shows.

0:45:45.400 --> 0:45:47.640
<v Speaker 1>I did a lot of Snoop shows. Good business to

0:45:47.680 --> 0:45:50.280
<v Speaker 1>be in. I heard Snoops price is shot up recently.

0:45:50.800 --> 0:45:54.480
<v Speaker 1>Once you get in that crypto money asked. Yeah. Yeah,

0:45:54.719 --> 0:45:57.080
<v Speaker 1>On all the R and B guys, I've I've done them,

0:45:57.200 --> 0:46:00.799
<v Speaker 1>like you know, over and over and keep sweat all

0:46:00.880 --> 0:46:03.920
<v Speaker 1>them guys a million times. Yeah, you know what I'm saying. Hey,

0:46:04.000 --> 0:46:07.040
<v Speaker 1>how important has the Latin fan base been to you, man?

0:46:07.080 --> 0:46:10.840
<v Speaker 1>Because I feel like you're heavily uh embraced by you know,

0:46:10.960 --> 0:46:13.600
<v Speaker 1>the Brown community. Hey man, I love the Brown community.

0:46:14.120 --> 0:46:16.879
<v Speaker 1>Been like my number one bass, my number one fan base.

0:46:16.960 --> 0:46:20.080
<v Speaker 1>You feel me so like mag Ten is down with

0:46:20.160 --> 0:46:22.840
<v Speaker 1>the Brown like a motherfucker, like straight up yeah, Like

0:46:23.040 --> 0:46:26.640
<v Speaker 1>like I keep them in mind when I'm doing music

0:46:27.800 --> 0:46:30.640
<v Speaker 1>because I look at I look at the Hispanish is

0:46:30.760 --> 0:46:34.680
<v Speaker 1>like my core fans, like my real fans. You know

0:46:34.719 --> 0:46:36.480
<v Speaker 1>what I'm saying. And before I put a record out,

0:46:36.520 --> 0:46:39.040
<v Speaker 1>I think to myself, like, well, my fans like this.

0:46:39.200 --> 0:46:42.400
<v Speaker 1>You know what I'm saying, right, and if you know,

0:46:42.600 --> 0:46:45.600
<v Speaker 1>if the if, if the answer is no, then it

0:46:45.640 --> 0:46:48.520
<v Speaker 1>probably won't make the cut. That's what's up, man. We'll listen.

0:46:48.640 --> 0:46:53.000
<v Speaker 1>You're a fucking legend. Appreciate appreciate you pulling up new song.

0:46:53.160 --> 0:46:58.080
<v Speaker 1>King of Chevies is out? Uh the Red Print coming soon? Yes, sir?

0:46:58.200 --> 0:47:01.000
<v Speaker 1>How soon before the end of the year, before summer, yeah, summertime,

0:47:01.040 --> 0:47:05.640
<v Speaker 1>summertime probably sometime. You're already getting music videos together, doing that,

0:47:06.000 --> 0:47:08.439
<v Speaker 1>doing that, now, doing all of that. Dude, it's finish.

0:47:08.440 --> 0:47:10.279
<v Speaker 1>Shoot a couple of more videos coming up here in

0:47:10.320 --> 0:47:13.160
<v Speaker 1>the next few weeks. Uh. My last question, if you

0:47:13.239 --> 0:47:18.759
<v Speaker 1>were to put together your own supergroup right now, who

0:47:19.120 --> 0:47:21.680
<v Speaker 1>who's in the mac ten supergroup in twenty twenty three?

0:47:22.160 --> 0:47:26.200
<v Speaker 1>Who are you calling? They don't got to be anybody

0:47:26.239 --> 0:47:28.200
<v Speaker 1>from anywhere in particular. It could be it be fucking

0:47:28.440 --> 0:47:33.319
<v Speaker 1>twenty twenty three. Yeah shit, I'm a one man band.

0:47:33.360 --> 0:47:37.440
<v Speaker 1>I'm calling solo, calling me, you me in twenty three.

0:47:37.840 --> 0:47:42.640
<v Speaker 1>Just you like that? Okay, Well there it is. Man. Well,

0:47:42.640 --> 0:47:44.840
<v Speaker 1>I appreciate you pulling up Mac ten man, run up

0:47:44.840 --> 0:47:47.360
<v Speaker 1>the new singero my guy boom right on fire.