1 00:00:00,720 --> 00:00:17,600 Speaker 1: I Am all in Again. Oh that's you. I Am 2 00:00:17,600 --> 00:00:22,320 Speaker 1: all in Again with Scott Patterson and iHeartRadio Podcast. 3 00:00:22,520 --> 00:00:25,000 Speaker 2: Hey everybody, Scott Patterson, I Am all In Podcast one 4 00:00:25,040 --> 00:00:29,240 Speaker 2: eleven productions, iHeartRadio Media, iHeart Podcast Season two, Episode three, 5 00:00:29,800 --> 00:00:34,200 Speaker 2: Red Light on Wedding Night, Air date October sixteenth, two 6 00:00:34,240 --> 00:00:38,239 Speaker 2: thousand and one. Have a very very special guest. She 7 00:00:38,360 --> 00:00:42,559 Speaker 2: played Summer and her name is Jacqueline Michelle. Jacqueline, welcome 8 00:00:42,880 --> 00:00:43,520 Speaker 2: to the show. 9 00:00:44,080 --> 00:00:45,680 Speaker 3: Thank you so much. I'm so honored. 10 00:00:46,720 --> 00:00:49,839 Speaker 1: It's great to have you. Let's jump into this. We 11 00:00:49,960 --> 00:00:52,600 Speaker 1: got a lot lot to get to here with this episode, 12 00:00:52,640 --> 00:00:53,760 Speaker 1: a very busy episode. 13 00:00:55,240 --> 00:00:59,440 Speaker 2: The synopsis is Suki throws a wild bachelorette party for Lourlei, 14 00:01:00,040 --> 00:01:03,320 Speaker 2: who has a sudden impulse to call Rory's father, Christopher 15 00:01:03,360 --> 00:01:07,959 Speaker 2: when it comes to a startling realization about her wedding day. 16 00:01:08,760 --> 00:01:13,600 Speaker 2: All right, so, Jacqueline Max Medina is back and he's 17 00:01:13,640 --> 00:01:17,440 Speaker 2: he's back with a vengeance and Laura Lai invites him 18 00:01:17,480 --> 00:01:20,360 Speaker 2: for a sleepover, but he feels weird having a She 19 00:01:20,480 --> 00:01:23,840 Speaker 2: feels weird having a boy in her bed and has 20 00:01:23,880 --> 00:01:26,760 Speaker 2: to hide in Rory's for a bit, which was actually 21 00:01:26,760 --> 00:01:28,160 Speaker 2: really funny. 22 00:01:29,360 --> 00:01:32,039 Speaker 1: The nature of their relationship on full display. 23 00:01:32,280 --> 00:01:33,840 Speaker 2: And the next morning they go to Luke's and Mac 24 00:01:33,920 --> 00:01:38,920 Speaker 2: needs Max needs a moment to browse the menu. So 25 00:01:39,240 --> 00:01:41,679 Speaker 2: now we're starting to see a little bit of separation 26 00:01:42,640 --> 00:01:44,800 Speaker 2: between these two and maybe it's not going to be 27 00:01:44,880 --> 00:01:49,520 Speaker 2: so such a smooth transition. And later Max hammers at 28 00:01:49,560 --> 00:01:53,440 Speaker 2: Laura l for a set of keys at the house. 29 00:01:56,280 --> 00:01:59,320 Speaker 2: Jacqueline was was Max right or wrong to push Flora 30 00:01:59,400 --> 00:02:00,720 Speaker 2: I to get the k's the house? 31 00:02:02,000 --> 00:02:03,920 Speaker 4: I mean, I think he has every right to get 32 00:02:04,000 --> 00:02:06,200 Speaker 4: the key to the house. He's about to marry her, 33 00:02:06,320 --> 00:02:09,640 Speaker 4: and so I would imagine if I was Max, I 34 00:02:09,639 --> 00:02:12,960 Speaker 4: would be feeling similar feelings, like, come on, I'm about 35 00:02:13,000 --> 00:02:13,800 Speaker 4: to marry you. 36 00:02:13,800 --> 00:02:15,560 Speaker 3: You can't even give me the keys to the front 37 00:02:15,680 --> 00:02:16,239 Speaker 3: to the house. 38 00:02:17,200 --> 00:02:20,679 Speaker 1: Were you? Were you a bit taken to Barrack? What 39 00:02:20,880 --> 00:02:21,120 Speaker 1: I mean? 40 00:02:21,120 --> 00:02:23,160 Speaker 2: He really lit into her a little bit, you know, 41 00:02:23,240 --> 00:02:26,200 Speaker 2: he said, well, you know, called her selfish, and you know, 42 00:02:26,240 --> 00:02:29,880 Speaker 2: had some real bite to his tone. 43 00:02:30,480 --> 00:02:32,400 Speaker 1: What'd you think of that? You think that was a 44 00:02:32,440 --> 00:02:32,960 Speaker 1: little much? 45 00:02:34,120 --> 00:02:36,520 Speaker 4: You know, I think maybe he could have expressed it 46 00:02:36,560 --> 00:02:40,400 Speaker 4: a little kinder, But I mean they were about to 47 00:02:40,440 --> 00:02:43,600 Speaker 4: get married, So I would imagine if you're about to 48 00:02:43,639 --> 00:02:45,880 Speaker 4: marry someone and they're not willing to give you the 49 00:02:45,919 --> 00:02:49,200 Speaker 4: front door key. That's a little bit of a I 50 00:02:49,200 --> 00:02:52,799 Speaker 4: don't know, that would alarm something within myself, like, oh, 51 00:02:52,960 --> 00:02:54,160 Speaker 4: maybe she doesn't trust me. 52 00:02:54,200 --> 00:02:55,720 Speaker 3: Why does she not want to give me the front 53 00:02:55,720 --> 00:02:56,160 Speaker 3: door key? 54 00:02:56,760 --> 00:02:58,200 Speaker 1: Right? But do you think that? 55 00:02:59,200 --> 00:03:01,240 Speaker 2: I mean, he was kind kind of coming on Glude 56 00:03:01,560 --> 00:03:04,480 Speaker 2: even the night before with how do I handle the 57 00:03:04,560 --> 00:03:08,000 Speaker 2: Rory Christopher thing if you're not here? And he just 58 00:03:08,080 --> 00:03:12,000 Speaker 2: seems to sort of become unhinged a little bit and panicked, 59 00:03:12,000 --> 00:03:15,160 Speaker 2: and he wants answers and this is this is how 60 00:03:15,160 --> 00:03:17,120 Speaker 2: it's got to be. And then he and then he 61 00:03:17,400 --> 00:03:19,440 Speaker 2: and then he lays into her with the key thing. 62 00:03:20,240 --> 00:03:22,280 Speaker 2: Do you think that he was the one that was 63 00:03:22,320 --> 00:03:25,760 Speaker 2: responsible for getting Lauralai to start having second thoughts? 64 00:03:27,240 --> 00:03:30,440 Speaker 4: I mean, maybe a little bit, But I ultimately think 65 00:03:30,520 --> 00:03:34,000 Speaker 4: Laura l I just knew deep down that she didn't 66 00:03:34,000 --> 00:03:37,560 Speaker 4: want to that it just wasn't right, that that wasn't 67 00:03:37,720 --> 00:03:39,960 Speaker 4: the the person she was supposed to. 68 00:03:39,880 --> 00:03:44,400 Speaker 2: Marry, right, because this is maybe his true self was 69 00:03:44,440 --> 00:03:46,640 Speaker 2: coming out, like he was going to turn into a nag. 70 00:03:50,880 --> 00:03:52,680 Speaker 1: Okay, do you. 71 00:03:52,640 --> 00:03:57,840 Speaker 2: Think Luke was being rude to Max when he breakfast 72 00:03:58,040 --> 00:03:59,480 Speaker 2: when he came in to the diner. 73 00:04:00,240 --> 00:04:01,360 Speaker 1: I think that was rudeness. 74 00:04:02,600 --> 00:04:03,880 Speaker 3: I think Luke being Luke. 75 00:04:03,920 --> 00:04:06,000 Speaker 4: I thought that there was a really funny line where 76 00:04:06,000 --> 00:04:09,640 Speaker 4: he said something about three newspapers and that's really good 77 00:04:09,680 --> 00:04:12,440 Speaker 4: for the trees or something like that. I think he's 78 00:04:12,520 --> 00:04:16,240 Speaker 4: just you know, being a friend to Laura Lei and 79 00:04:17,720 --> 00:04:18,600 Speaker 4: he's just being Luke. 80 00:04:18,680 --> 00:04:21,120 Speaker 3: I don't think he was necessarily being rude. 81 00:04:21,800 --> 00:04:25,520 Speaker 1: Some competitive yeah if going on there? 82 00:04:27,240 --> 00:04:27,680 Speaker 3: Yeah. 83 00:04:27,760 --> 00:04:31,520 Speaker 2: I think Luke subtly and not so subtly sabotaged that 84 00:04:31,600 --> 00:04:34,400 Speaker 2: relationship in the way that he could. And I think 85 00:04:34,400 --> 00:04:37,680 Speaker 2: it ended with the hoopa do you think you know, 86 00:04:37,720 --> 00:04:40,839 Speaker 2: you hate to think that anybody is cynical here, but 87 00:04:41,480 --> 00:04:45,920 Speaker 2: you know, love is a battleground? As who said that 88 00:04:46,000 --> 00:04:49,320 Speaker 2: in that famous song from the eighties, Love is a battle? 89 00:04:49,480 --> 00:04:52,760 Speaker 2: Is it Deborah Harry? Something like that? We all know 90 00:04:53,440 --> 00:04:55,960 Speaker 2: all's fair in love and war. Do you think Luke 91 00:04:56,120 --> 00:05:01,880 Speaker 2: was launching his version of a love war for Laura's heart? 92 00:05:02,040 --> 00:05:05,440 Speaker 4: Sweet moment where they're sitting on the stairs and you know, 93 00:05:05,880 --> 00:05:08,320 Speaker 4: Luke says, you know, and Laura I ask him, do 94 00:05:08,360 --> 00:05:10,560 Speaker 4: you really think that you can you know, evolve with 95 00:05:10,640 --> 00:05:12,960 Speaker 4: another partner? And I think if you find the right 96 00:05:13,000 --> 00:05:16,800 Speaker 4: person and they don't try to change you, or he 97 00:05:16,839 --> 00:05:17,960 Speaker 4: says a few other things, I. 98 00:05:17,960 --> 00:05:19,560 Speaker 3: Think it's like a really beautiful moment. 99 00:05:19,680 --> 00:05:23,520 Speaker 4: And I think Lorala I just realizes that, yeah, Max 100 00:05:23,600 --> 00:05:26,919 Speaker 4: isn't really the one. I think deep down she knows 101 00:05:27,680 --> 00:05:30,880 Speaker 4: that he's he's she's not ready to marry him because 102 00:05:30,880 --> 00:05:33,080 Speaker 4: he's not the one. And I think that is a 103 00:05:33,120 --> 00:05:37,720 Speaker 4: really beautiful moment that Luke and Laura I share. After 104 00:05:38,200 --> 00:05:40,559 Speaker 4: you he gives her the hoop up and they're sitting 105 00:05:40,600 --> 00:05:41,400 Speaker 4: on the stairs. 106 00:05:41,760 --> 00:05:44,080 Speaker 2: That was quite a hippo, wasn't it. I mean the 107 00:05:44,160 --> 00:05:50,400 Speaker 2: detail on that thing. That's Luke the artisan. I mean, boy, 108 00:05:50,480 --> 00:05:53,360 Speaker 2: that that thing must have taken some time. I mean 109 00:05:53,360 --> 00:06:00,520 Speaker 2: that looked like it took years. It's all right, Now 110 00:06:00,560 --> 00:06:04,560 Speaker 2: we're gonna go and we're doing storylines. We're gonna we're 111 00:06:04,560 --> 00:06:09,719 Speaker 2: gonna hit on storylines. Another storyline in this is the 112 00:06:09,839 --> 00:06:13,600 Speaker 2: double date, okay, which is very telling. So Dean gives 113 00:06:13,600 --> 00:06:16,560 Speaker 2: Max some guidance on how to handle the go more 114 00:06:16,640 --> 00:06:19,560 Speaker 2: girls and they're eating habits And I really enjoyed this, 115 00:06:20,360 --> 00:06:24,960 Speaker 2: the Dean Max dynamic. I thought it was really a 116 00:06:25,080 --> 00:06:29,760 Speaker 2: nice switcheroo. And unexpected and really fun and it really 117 00:06:29,800 --> 00:06:34,800 Speaker 2: made Dean look good. Max talks about wanting to be 118 00:06:34,839 --> 00:06:37,520 Speaker 2: a parent to Rory, and then we have Dean's monologues 119 00:06:37,560 --> 00:06:40,680 Speaker 2: and they're reading habits are are just the start of 120 00:06:40,680 --> 00:06:41,239 Speaker 2: what you're. 121 00:06:41,040 --> 00:06:42,240 Speaker 1: Going to have to get used to. 122 00:06:42,400 --> 00:06:45,400 Speaker 2: There's tons of stuff you should be aware of, and 123 00:06:45,440 --> 00:06:48,320 Speaker 2: Max is really, oh yeah, like don't ever use the 124 00:06:48,400 --> 00:06:50,400 Speaker 2: last of the parmesan cheese, and never get into a 125 00:06:50,400 --> 00:06:53,480 Speaker 2: heavy discussion late at night, because that's when they're at 126 00:06:53,480 --> 00:06:56,960 Speaker 2: their crankiest at Oh you know, go with their bits, 127 00:06:56,960 --> 00:06:59,160 Speaker 2: their bits, Yeah, like if you're eating pizza with them 128 00:06:59,200 --> 00:07:01,280 Speaker 2: and Laurel I decide that the pepperoni is angry at 129 00:07:01,279 --> 00:07:05,240 Speaker 2: the mushroom, so all that great dialogue, just answer the pepperoni, 130 00:07:05,760 --> 00:07:08,160 Speaker 2: Max answered the pepperonie, and don't let him get near 131 00:07:08,200 --> 00:07:09,800 Speaker 2: puppies because they't want to take them. All, you know, 132 00:07:09,880 --> 00:07:13,840 Speaker 2: all this wonderful Gillmore stuff. And this is where I 133 00:07:13,880 --> 00:07:18,280 Speaker 2: think Gilmore Girls really lives with this great detail and 134 00:07:18,280 --> 00:07:21,360 Speaker 2: this this this wonderful humor. What do you think about 135 00:07:21,520 --> 00:07:25,600 Speaker 2: all that's coming out of Dean? Was was Dean? Was 136 00:07:25,680 --> 00:07:28,200 Speaker 2: Dean resigned to the fact and so in love with 137 00:07:28,280 --> 00:07:31,600 Speaker 2: Rory that he was. He's now adapted and he's going 138 00:07:31,640 --> 00:07:34,120 Speaker 2: to help his older friend to a doubt. What did 139 00:07:34,160 --> 00:07:35,000 Speaker 2: you think of that scene? 140 00:07:35,040 --> 00:07:37,040 Speaker 4: I think he was just educating him and trying to 141 00:07:37,040 --> 00:07:40,760 Speaker 4: give him a heads up and trying to you know, 142 00:07:40,880 --> 00:07:44,200 Speaker 4: I mean the appetite and the ice cream and how 143 00:07:44,480 --> 00:07:47,600 Speaker 4: just say okay, chocolate ice cream, chocolate chip ice cream, 144 00:07:47,600 --> 00:07:52,560 Speaker 4: and just I guess happy wife, a happy life, right right? 145 00:07:52,680 --> 00:07:54,840 Speaker 1: For that is that is true? 146 00:07:55,600 --> 00:07:59,120 Speaker 2: And look, this is this is old territory for me 147 00:08:00,200 --> 00:08:03,560 Speaker 2: about the appropriate appropriateness of this relationship to begin with. 148 00:08:03,640 --> 00:08:06,280 Speaker 2: I in the beginning, in the first go round four 149 00:08:06,320 --> 00:08:11,920 Speaker 2: years ago this podcast, I was just totally against this relationship. 150 00:08:11,960 --> 00:08:12,480 Speaker 1: I thought it was. 151 00:08:12,520 --> 00:08:16,720 Speaker 2: Bad for Rory all the way around. Really, and why 152 00:08:16,800 --> 00:08:22,120 Speaker 2: is Laurlai doing this? Don't you think it relationships appropriate 153 00:08:22,120 --> 00:08:22,400 Speaker 2: at all? 154 00:08:23,280 --> 00:08:23,720 Speaker 3: With Dean? 155 00:08:24,640 --> 00:08:25,720 Speaker 1: With Max? 156 00:08:26,120 --> 00:08:26,880 Speaker 3: Oh? Max? 157 00:08:27,120 --> 00:08:27,280 Speaker 1: Right? 158 00:08:27,800 --> 00:08:31,720 Speaker 4: Yeah, it's Rory's teacher, So I mean you're starting off 159 00:08:31,760 --> 00:08:35,439 Speaker 4: off the bat where you're dating your your daughter's teacher. 160 00:08:35,600 --> 00:08:40,120 Speaker 3: So that's a little tricky. And I mean, I think 161 00:08:40,160 --> 00:08:40,960 Speaker 3: it was sweet for. 162 00:08:40,880 --> 00:08:43,480 Speaker 4: A while, but I think we realized, I mean, for me, 163 00:08:43,559 --> 00:08:46,160 Speaker 4: I was always rooting for Luke and Laurli to be together. 164 00:08:46,200 --> 00:08:48,319 Speaker 4: There was just no other person I wanted Laura I 165 00:08:48,480 --> 00:08:50,520 Speaker 4: to be with so and I think most fans would 166 00:08:50,559 --> 00:08:51,839 Speaker 4: probably feel. 167 00:08:51,600 --> 00:08:52,280 Speaker 3: The same way. 168 00:08:52,880 --> 00:08:56,880 Speaker 4: So I think it was just a relationship on the 169 00:08:56,920 --> 00:08:58,760 Speaker 4: way for her to get to you. 170 00:08:59,640 --> 00:09:02,719 Speaker 3: In my personal experience, you know. 171 00:09:02,760 --> 00:09:08,800 Speaker 2: Max seems to be very kind of masterful and loose 172 00:09:09,880 --> 00:09:14,640 Speaker 2: in his life, right and when he's relating to Lauraai. 173 00:09:14,679 --> 00:09:17,800 Speaker 1: But when they're together and alone, he gets tight. 174 00:09:18,640 --> 00:09:19,080 Speaker 3: Yeah. 175 00:09:19,120 --> 00:09:20,400 Speaker 1: And Lucas the opposite. 176 00:09:20,559 --> 00:09:24,000 Speaker 2: Lucas seems to be very tight in his life and 177 00:09:24,120 --> 00:09:29,920 Speaker 2: very constricted and restricted and frustrated, but when he's with her, 178 00:09:30,679 --> 00:09:32,199 Speaker 2: it all seems to flow, doesn't it. 179 00:09:32,400 --> 00:09:34,440 Speaker 4: I feel like the best of each other comes out 180 00:09:34,440 --> 00:09:37,880 Speaker 4: when they're together. They're just so natural and real and 181 00:09:37,920 --> 00:09:42,199 Speaker 4: there's no pretending or you know, I mean the fact 182 00:09:42,200 --> 00:09:45,880 Speaker 4: that Loralai went into Rory's room the first we're having 183 00:09:45,920 --> 00:09:48,520 Speaker 4: a man's sleepover, I just wanted to, you know, the 184 00:09:48,520 --> 00:09:51,360 Speaker 4: fact that she went in there, and then the scene cuts, 185 00:09:51,360 --> 00:09:53,880 Speaker 4: so you don't know whether she actually just slept in 186 00:09:53,920 --> 00:09:55,959 Speaker 4: the bed with Rory that night, you know, like they 187 00:09:56,679 --> 00:09:59,440 Speaker 4: fell asleep, or if she actually went back into the 188 00:09:59,480 --> 00:10:02,880 Speaker 4: bedroom with Max. But I'm imagining if Max woke up 189 00:10:02,920 --> 00:10:05,680 Speaker 4: in the morning and Laura I wasn't there and she 190 00:10:05,880 --> 00:10:09,120 Speaker 4: was snuggling Rory at he would probably be pretty upset. 191 00:10:09,200 --> 00:10:13,600 Speaker 4: But yeah, Loreli and Luke they just bring out the 192 00:10:13,640 --> 00:10:14,640 Speaker 4: best in each other. 193 00:10:14,640 --> 00:10:17,880 Speaker 3: And yeah, I think that's a great observation. That gets tight. 194 00:10:18,720 --> 00:10:29,400 Speaker 1: Yeah, he's a little tight. All right. 195 00:10:29,440 --> 00:10:32,200 Speaker 2: Now the traffic light, all right, this was very funny. 196 00:10:34,040 --> 00:10:38,160 Speaker 2: Love love Michael Winters, just love the Taylor Dosy stuff 197 00:10:38,240 --> 00:10:40,840 Speaker 2: is so much fun. So Taylor has a traffic light 198 00:10:40,920 --> 00:10:45,240 Speaker 2: and a crosswalk place right outside of Luke Steiner, right 199 00:10:45,240 --> 00:10:47,560 Speaker 2: there on the corner. And we all know what's going 200 00:10:47,640 --> 00:10:53,559 Speaker 2: to happen now, the fireworks, the Luke fireworks and this 201 00:10:53,640 --> 00:10:58,360 Speaker 2: traffic light really summarizes small time life. When when you're watching, 202 00:10:58,480 --> 00:11:02,880 Speaker 2: tell me what you think think about this small town life, 203 00:11:02,880 --> 00:11:05,120 Speaker 2: Taylor being Taylor, Kirk being Kirk, etc. 204 00:11:05,960 --> 00:11:07,199 Speaker 1: What do you think of this? You think this was 205 00:11:07,240 --> 00:11:07,839 Speaker 1: a big deal. 206 00:11:08,440 --> 00:11:12,040 Speaker 3: It's like Taylor just trying to express his you know, power. 207 00:11:12,160 --> 00:11:15,920 Speaker 3: He loves to have the power, and it's like so absurd. 208 00:11:16,320 --> 00:11:19,840 Speaker 3: They don't need a stop sign and then it's not 209 00:11:20,040 --> 00:11:24,359 Speaker 3: something that's necessary. I think it's just him trying to 210 00:11:24,440 --> 00:11:25,560 Speaker 3: express his power. 211 00:11:26,679 --> 00:11:29,960 Speaker 4: I don't think the town really cares. And the fact 212 00:11:30,000 --> 00:11:32,319 Speaker 4: that they had that elderly lady. I can't remember the. 213 00:11:32,280 --> 00:11:35,520 Speaker 3: Name of her active She's going to be the first 214 00:11:35,559 --> 00:11:40,040 Speaker 3: person to cross the street, right, hilarious. It's really fun. 215 00:11:40,320 --> 00:11:46,600 Speaker 2: Yeah, great stuff, classic Luke and Taylor, friction, sparks fly and. 216 00:11:48,120 --> 00:11:51,280 Speaker 1: Just loved working with that man. Miss him dearly. 217 00:11:52,320 --> 00:11:57,600 Speaker 2: All right, now, let's go to the bachelorette party. Suki 218 00:11:57,640 --> 00:12:02,079 Speaker 2: takes Michelle miss Patty Rory to a bar for Lorelei's 219 00:12:02,120 --> 00:12:07,880 Speaker 2: bachelorette with a surprise appearance from Emily, and Laurel steps 220 00:12:07,920 --> 00:12:13,360 Speaker 2: away from the party to call Christopher after Emily's very 221 00:12:13,400 --> 00:12:17,760 Speaker 2: touching speech about you know, the week before she was 222 00:12:17,800 --> 00:12:21,080 Speaker 2: to marry Richard and how and love she was and 223 00:12:21,120 --> 00:12:24,200 Speaker 2: how she tried on her wedding dress every day every 224 00:12:24,360 --> 00:12:30,760 Speaker 2: night and anticipated the big day. And Laurela I wasn't 225 00:12:30,760 --> 00:12:35,400 Speaker 2: experiencing any of that. So she stepped away from the party. 226 00:12:35,920 --> 00:12:38,480 Speaker 2: She had a couple of drinks in her and she 227 00:12:38,559 --> 00:12:39,439 Speaker 2: called Christopher. 228 00:12:39,800 --> 00:12:41,680 Speaker 1: This was a big deal. I mean, that was a 229 00:12:41,720 --> 00:12:43,600 Speaker 1: big reveal. Were you were you shocked? 230 00:12:44,720 --> 00:12:44,880 Speaker 5: Yes? 231 00:12:44,920 --> 00:12:46,760 Speaker 1: When the camera hit Christopher. 232 00:12:47,280 --> 00:12:50,360 Speaker 4: Yes, I thought maybe she was going to call Luke Joe, 233 00:12:50,920 --> 00:12:54,280 Speaker 4: And I think the fact that she called him it 234 00:12:54,400 --> 00:12:56,240 Speaker 4: was just kind of like a cry, like do you 235 00:12:56,240 --> 00:12:58,920 Speaker 4: think I'm making the right decision? She was almost asking 236 00:12:58,960 --> 00:13:01,800 Speaker 4: that question. I think she's said something similar to you 237 00:13:01,840 --> 00:13:05,600 Speaker 4: know that? And I think that it was very telling 238 00:13:05,640 --> 00:13:08,120 Speaker 4: in that moment. I think we realized, what is she 239 00:13:08,160 --> 00:13:08,360 Speaker 4: you know? 240 00:13:08,440 --> 00:13:08,920 Speaker 3: She doesn't? 241 00:13:08,960 --> 00:13:12,440 Speaker 4: Really this is she doesn't. This is not gonna be 242 00:13:12,520 --> 00:13:15,719 Speaker 4: good if she's calling her her ex. 243 00:13:17,000 --> 00:13:18,000 Speaker 1: Party, right. 244 00:13:18,400 --> 00:13:24,560 Speaker 2: And this, here's here's a prime example of how Amy 245 00:13:24,640 --> 00:13:30,880 Speaker 2: and Dan Pelatino get the audience to participate in the proceedings. Here, 246 00:13:31,000 --> 00:13:33,040 Speaker 2: they're not in. The audience is on the edge of 247 00:13:33,080 --> 00:13:37,720 Speaker 2: their seat because who's Laura gonna call? Right, because nobody knows. 248 00:13:38,000 --> 00:13:41,440 Speaker 2: That's that's actively participating in the narrative. That's getting an 249 00:13:41,480 --> 00:13:45,880 Speaker 2: audience really to lean lean into this show. And like 250 00:13:45,920 --> 00:13:48,360 Speaker 2: you said, and I agree, I thought I thought she 251 00:13:48,480 --> 00:13:49,320 Speaker 2: was going to call Luke. 252 00:13:49,480 --> 00:13:53,080 Speaker 1: Was surprised. So did you wish she called Luke? Do 253 00:13:53,160 --> 00:13:54,840 Speaker 1: you think she should have called Luke or was it 254 00:13:54,840 --> 00:13:55,640 Speaker 1: two on the nose? 255 00:13:55,920 --> 00:13:59,319 Speaker 4: Yeah, I think maybe it was a little bit. People 256 00:13:59,320 --> 00:14:01,319 Speaker 4: would expect that, so I think it was a little 257 00:14:01,679 --> 00:14:04,920 Speaker 4: I think she called Christopher because you know, maybe she's 258 00:14:05,160 --> 00:14:06,160 Speaker 4: known him the longest. 259 00:14:06,160 --> 00:14:09,480 Speaker 3: It's the father of the older, and she just needed that. 260 00:14:11,400 --> 00:14:14,800 Speaker 3: I don't know that supporter. She just needed to. 261 00:14:14,200 --> 00:14:16,480 Speaker 4: Share with him what was going on. And I think 262 00:14:16,880 --> 00:14:19,440 Speaker 4: maybe she wanted him to say, like, don't do it. 263 00:14:20,600 --> 00:14:22,680 Speaker 4: I don't know who knows, but I think she just 264 00:14:22,720 --> 00:14:25,000 Speaker 4: needed to talk to somebody that she'd known to a lot, 265 00:14:25,320 --> 00:14:26,000 Speaker 4: known a long. 266 00:14:25,920 --> 00:14:29,760 Speaker 2: Time, because she's had those conversations when she was Christopher before, 267 00:14:29,800 --> 00:14:32,200 Speaker 2: when she was sixteen about her own family. 268 00:14:33,000 --> 00:14:34,800 Speaker 1: And are we doing the right thing here? 269 00:14:34,960 --> 00:14:37,840 Speaker 2: You know, she had many conversations with Christopher about that 270 00:14:37,920 --> 00:14:42,520 Speaker 2: when she was pregnant with Rory. Did you realize that 271 00:14:42,600 --> 00:14:48,600 Speaker 2: the bachelorette party, Jacqueline that Laurel I wasn't going to 272 00:14:48,680 --> 00:14:49,320 Speaker 2: marry Max. 273 00:14:49,920 --> 00:14:52,000 Speaker 4: I think you could tell that she was doubting it, 274 00:14:52,080 --> 00:14:56,400 Speaker 4: but I don't think that it was one hundred percent 275 00:14:56,640 --> 00:14:58,400 Speaker 4: revealed that she wasn't going to do it. I mean, 276 00:14:58,440 --> 00:15:01,360 Speaker 4: I think the moment she called Chris that was definitely 277 00:15:01,480 --> 00:15:05,240 Speaker 4: like okay, a little bit of a red flag. And 278 00:15:05,320 --> 00:15:07,200 Speaker 4: I do think he could see in her face a 279 00:15:07,240 --> 00:15:10,400 Speaker 4: little bit when she when her mother was talking and 280 00:15:10,560 --> 00:15:12,440 Speaker 4: she was saying how she would put the dress on 281 00:15:12,520 --> 00:15:15,840 Speaker 4: and the tiar on, and then when when she wasn't 282 00:15:15,840 --> 00:15:18,360 Speaker 4: with Richard, she was always thinking about where he was. 283 00:15:18,440 --> 00:15:20,120 Speaker 4: And so I think that you could tell a little 284 00:15:20,120 --> 00:15:22,320 Speaker 4: bit on her face that maybe she was having doubts. 285 00:15:22,760 --> 00:15:25,920 Speaker 4: But I don't think as just a fan and watching that, 286 00:15:26,040 --> 00:15:28,000 Speaker 4: I would know in that moment that she was going 287 00:15:28,080 --> 00:15:28,960 Speaker 4: to call the wedding off. 288 00:15:29,240 --> 00:15:31,520 Speaker 1: Were you happy that it was starting to go south 289 00:15:31,520 --> 00:15:32,000 Speaker 1: a little bit? 290 00:15:33,000 --> 00:15:35,560 Speaker 4: Yes, because I was always a fan of I just 291 00:15:35,600 --> 00:15:39,000 Speaker 4: wanted my daughter and I, you know, we just recently 292 00:15:39,000 --> 00:15:41,160 Speaker 4: watched the whole series. That was a beautiful experience for 293 00:15:41,240 --> 00:15:43,880 Speaker 4: us to watch together. And from the beginning, we always 294 00:15:43,920 --> 00:15:46,880 Speaker 4: wanted Luke and Laura I to get back to be together. 295 00:15:46,960 --> 00:15:49,440 Speaker 4: That was just that's what was meant to be. 296 00:15:50,120 --> 00:15:55,240 Speaker 2: Mm hmmm yeah, yeah, Well, now that takes us to 297 00:15:55,280 --> 00:15:59,120 Speaker 2: the hoopah. Luke makes a hooper for Laura Lyon Max 298 00:15:59,240 --> 00:16:03,040 Speaker 2: to get married under and as we see that last shot, 299 00:16:03,120 --> 00:16:09,000 Speaker 2: Lucan Lorelai are standing under it. The love this man 300 00:16:09,080 --> 00:16:11,600 Speaker 2: has for Laura Li. What kind of strength is that 301 00:16:12,600 --> 00:16:13,360 Speaker 2: tell us about that? 302 00:16:14,240 --> 00:16:18,120 Speaker 4: I feel like it's what all relationships should be based on, 303 00:16:18,200 --> 00:16:21,600 Speaker 4: and that's a friendship. I feel like at the end 304 00:16:21,640 --> 00:16:24,000 Speaker 4: of the day, Luke and Laura Lai are just great 305 00:16:24,160 --> 00:16:28,680 Speaker 4: friends and that's where their relationship started. And even though 306 00:16:28,680 --> 00:16:32,320 Speaker 4: maybe he hadn't responded to the invitation of the wedding, 307 00:16:32,560 --> 00:16:35,320 Speaker 4: he shows up with this grand gesture of not just 308 00:16:35,360 --> 00:16:35,680 Speaker 4: like a. 309 00:16:35,680 --> 00:16:37,760 Speaker 3: Normal looking simple hoopae. 310 00:16:37,800 --> 00:16:41,920 Speaker 4: I mean, he carved much detail into this hoopa, was 311 00:16:42,000 --> 00:16:44,560 Speaker 4: really beautiful hoopa. And I think in that moment you 312 00:16:44,640 --> 00:16:49,040 Speaker 4: realize that Luke's love for Laura Lai is more than 313 00:16:49,080 --> 00:16:50,840 Speaker 4: maybe like the jealousy. 314 00:16:50,520 --> 00:16:52,239 Speaker 1: Or he right possessive. 315 00:16:53,560 --> 00:16:55,320 Speaker 3: He loves her as a person. 316 00:16:55,360 --> 00:16:57,480 Speaker 4: He respects her as a person, and I think in 317 00:16:57,520 --> 00:17:00,920 Speaker 4: that moment you really see that that he's accept what 318 00:17:01,040 --> 00:17:03,960 Speaker 4: Laura La wants to do and he will support her, 319 00:17:04,240 --> 00:17:06,560 Speaker 4: and he will show up with this beautiful hoopa that's 320 00:17:06,600 --> 00:17:09,160 Speaker 4: carved and would have taken him so long to do. 321 00:17:09,720 --> 00:17:12,040 Speaker 4: And I think that's a really beautiful moment where you 322 00:17:12,080 --> 00:17:15,000 Speaker 4: just see that what a great friend, what a great 323 00:17:15,040 --> 00:17:16,120 Speaker 4: relationship they have. 324 00:17:16,359 --> 00:17:21,040 Speaker 2: You know, it really really is, because you know what 325 00:17:21,080 --> 00:17:24,679 Speaker 2: are the percentages of you know, how men respond in 326 00:17:24,720 --> 00:17:27,119 Speaker 2: these situations when the love of their life are the 327 00:17:27,160 --> 00:17:31,359 Speaker 2: people that they idealize as their wife and their entire 328 00:17:31,440 --> 00:17:35,879 Speaker 2: future doesn't choose them in a small town especially, and 329 00:17:37,080 --> 00:17:40,119 Speaker 2: you have to sort of suffer through watching. 330 00:17:39,800 --> 00:17:42,320 Speaker 1: Her become betrothed to somebody else. 331 00:17:42,480 --> 00:17:44,000 Speaker 3: I mean, says a lot about Luke. 332 00:17:44,640 --> 00:17:44,840 Speaker 1: Yeah. 333 00:17:45,840 --> 00:17:49,840 Speaker 2: Yeah, Well, seeing them stand under the hoop is it's 334 00:17:49,880 --> 00:17:55,680 Speaker 2: a very powerful piece of foreshattering for what's to come, 335 00:17:56,600 --> 00:18:03,919 Speaker 2: and it's an image that's iconic in the show. And again, 336 00:18:04,200 --> 00:18:09,760 Speaker 2: here's the Palladino's just putting a stamp on the relationship, 337 00:18:10,040 --> 00:18:13,520 Speaker 2: their stamp of approval almost right, all right? 338 00:18:13,520 --> 00:18:17,119 Speaker 1: Now the road trip. Yeah, so Louray barges. 339 00:18:16,760 --> 00:18:19,920 Speaker 2: Into Rory's room and they packed for a road trip, 340 00:18:20,000 --> 00:18:24,080 Speaker 2: and they're gonna leave five five am. She's not getting married, 341 00:18:24,720 --> 00:18:28,440 Speaker 2: And I just thought Lauren played that beautifully with the hesitation. 342 00:18:29,000 --> 00:18:31,520 Speaker 1: But then no, I'm. 343 00:18:31,359 --> 00:18:36,080 Speaker 2: Not getting married. We're going on a road trip. What 344 00:18:36,119 --> 00:18:39,040 Speaker 2: do you feel about her decision to leave? Was she 345 00:18:39,160 --> 00:18:43,040 Speaker 2: running because she wasn't ready to get married or because 346 00:18:43,080 --> 00:18:45,120 Speaker 2: Max just wasn't the right guy. 347 00:18:45,720 --> 00:18:46,880 Speaker 3: I think maybe a bit of both. 348 00:18:46,960 --> 00:18:51,240 Speaker 4: I think she makes a decision and it's kind of 349 00:18:51,640 --> 00:18:54,320 Speaker 4: shocking to Rory at first, but then Rory accepts it 350 00:18:54,359 --> 00:18:58,880 Speaker 4: and goes with it, and I think she believes deep 351 00:18:58,920 --> 00:19:01,480 Speaker 4: down in her heart that isn't truly the one. 352 00:19:01,560 --> 00:19:02,680 Speaker 3: And I also feel like. 353 00:19:04,200 --> 00:19:07,400 Speaker 4: Because he's not the one, she's it just doesn't feel right. 354 00:19:07,640 --> 00:19:11,840 Speaker 4: She's not ready. Yeah, so I feel like it's a 355 00:19:11,840 --> 00:19:14,400 Speaker 4: bit of both. But I think she just goes with the. 356 00:19:14,359 --> 00:19:16,679 Speaker 3: Decision and it's a beautiful decision to get on the 357 00:19:16,720 --> 00:19:20,240 Speaker 3: road and yes, in some way, you know, run away 358 00:19:20,280 --> 00:19:20,919 Speaker 3: and get away. 359 00:19:21,600 --> 00:19:23,400 Speaker 4: But I think that that helps her to get more 360 00:19:23,400 --> 00:19:27,040 Speaker 4: clarity on her decision of this is not right, it's 361 00:19:27,080 --> 00:19:28,840 Speaker 4: not the right timing, it's not the right person. 362 00:19:29,359 --> 00:19:31,080 Speaker 1: And again, here we are. 363 00:19:32,680 --> 00:19:37,480 Speaker 2: With this image, the shot at the end of the 364 00:19:37,560 --> 00:19:42,120 Speaker 2: show where they're stuck at Taylor's red light in front 365 00:19:42,160 --> 00:19:47,240 Speaker 2: of Luke's. It's almost like Luke Steiner is alive, he 366 00:19:47,320 --> 00:19:53,840 Speaker 2: knows they're coming. It switches red, right, I mean, just remarkable, 367 00:19:54,000 --> 00:19:55,119 Speaker 2: impactful shot. 368 00:19:55,240 --> 00:20:00,040 Speaker 1: It just says so much, just great right. 369 00:20:01,680 --> 00:20:02,440 Speaker 3: Writing. 370 00:20:02,880 --> 00:20:07,639 Speaker 2: It really is thrilling to go back and relive this 371 00:20:08,160 --> 00:20:12,200 Speaker 2: and just sort of see. 372 00:20:15,040 --> 00:20:17,520 Speaker 1: The situations that I was able. 373 00:20:17,200 --> 00:20:20,200 Speaker 2: To be put in by these writers, you know, because 374 00:20:20,200 --> 00:20:22,600 Speaker 2: you're only as good as is what the writing is. 375 00:20:23,720 --> 00:20:28,320 Speaker 2: And what a privilege it was to be a part 376 00:20:28,359 --> 00:20:31,640 Speaker 2: of this and to be in those situations and they Gosh, 377 00:20:31,720 --> 00:20:35,320 Speaker 2: they really set this relationship up beautifully. I don't know 378 00:20:35,400 --> 00:20:40,320 Speaker 2: that any other show has done it like this. I'm 379 00:20:40,320 --> 00:20:42,320 Speaker 2: not a great watcher of television, so I wouldn't know, 380 00:20:42,400 --> 00:20:44,520 Speaker 2: but I'm sure there are some examples. 381 00:20:44,520 --> 00:20:46,960 Speaker 1: But really feel lucky to be a part of that. 382 00:20:47,880 --> 00:20:51,720 Speaker 3: Yeah, the writing was an acting, and I just find 383 00:20:51,760 --> 00:20:55,720 Speaker 3: that it's timeless, you know, twenty five I'm watching it 384 00:20:55,760 --> 00:20:58,320 Speaker 3: with my daughter, and it's timeless. 385 00:20:58,359 --> 00:21:01,720 Speaker 4: It's like the writing, the care characters. It's going to 386 00:21:01,800 --> 00:21:04,600 Speaker 4: leave on forever and ever and be one of the 387 00:21:04,600 --> 00:21:07,520 Speaker 4: greatest shows ever. And a big part of that is 388 00:21:08,160 --> 00:21:10,480 Speaker 4: the writing and the acting and the characters. 389 00:21:10,880 --> 00:21:15,680 Speaker 2: Oh, it's just amazing, amazing, gift to humanity. So on 390 00:21:16,800 --> 00:21:21,200 Speaker 2: Gilmore Girls, because that Amy and Danielle Okay, my contemporaries 391 00:21:21,280 --> 00:21:23,520 Speaker 2: ran through the list of Gilmore Girls couples. They were 392 00:21:23,600 --> 00:21:31,360 Speaker 2: ranked seventeen out of nineteen. Okay, Max and Laura life 393 00:21:31,440 --> 00:21:35,520 Speaker 2: seventeen out of nineteen couples on the show. What'd you 394 00:21:35,520 --> 00:21:37,360 Speaker 2: think of him as a couple? Would you rank them higher? 395 00:21:37,440 --> 00:21:37,840 Speaker 5: Lower? What? 396 00:21:39,000 --> 00:21:45,360 Speaker 3: I think that's about right? All the relationships right A right. 397 00:21:45,840 --> 00:21:49,200 Speaker 4: I think it was good for when it was and 398 00:21:49,600 --> 00:21:54,359 Speaker 4: I think it really showed Lorli, you know, and and 399 00:21:54,400 --> 00:21:57,040 Speaker 4: everybody watching that, Okay, it's just one step closer to 400 00:21:57,080 --> 00:22:01,199 Speaker 4: her getting with Luke, so. 401 00:22:02,480 --> 00:22:04,080 Speaker 1: Right, exactly exactly. 402 00:22:05,280 --> 00:22:07,840 Speaker 2: It's almost as if they well, it was as if 403 00:22:07,880 --> 00:22:11,879 Speaker 2: they used these characters to just enhance the Luke and 404 00:22:11,920 --> 00:22:15,640 Speaker 2: Lorelei vibe. Right, But boy, the detail with which they 405 00:22:15,720 --> 00:22:19,160 Speaker 2: do it and the way they mess with the audience's emotions, 406 00:22:19,359 --> 00:22:22,680 Speaker 2: it's it's just it's such a roller coaster, right. 407 00:22:22,840 --> 00:22:27,440 Speaker 1: But it's a joyful one. So your character, Okay, Summer 408 00:22:27,880 --> 00:22:30,040 Speaker 1: was very flirty with Tristan. 409 00:22:30,400 --> 00:22:32,720 Speaker 3: First day at work, let me tell you, so. 410 00:22:32,760 --> 00:22:33,840 Speaker 1: Go ahead, tell us about that. 411 00:22:34,119 --> 00:22:36,520 Speaker 3: So, actually I was cast in the pilot. I was 412 00:22:36,600 --> 00:22:37,440 Speaker 3: girl number four. 413 00:22:37,920 --> 00:22:40,080 Speaker 1: Oh really Online. 414 00:22:41,640 --> 00:22:46,240 Speaker 4: The costing directors just pulled me back and said, we 415 00:22:46,280 --> 00:22:50,800 Speaker 4: have a role for you for Summer. I remember my 416 00:22:50,920 --> 00:22:55,200 Speaker 4: first day. I'm from Australia, originally I was eighteen years old. 417 00:22:55,240 --> 00:22:58,399 Speaker 4: I'd moved straight off to high school. Was my first job. 418 00:22:59,080 --> 00:23:03,879 Speaker 4: My first day on set was kissing Chad Michael Maray 419 00:23:03,920 --> 00:23:05,760 Speaker 4: and not just like you know, a little kiss, It's 420 00:23:05,800 --> 00:23:12,280 Speaker 4: like major makeout session. And being eighteen year old, you know, 421 00:23:12,400 --> 00:23:14,639 Speaker 4: fresh off the plane from Australia. I was like, Okay, 422 00:23:14,760 --> 00:23:18,000 Speaker 4: this is pretty uh, this is pretty fun. It was 423 00:23:18,000 --> 00:23:22,359 Speaker 4: a pretty first day at work for me on the guild. 424 00:23:22,440 --> 00:23:22,720 Speaker 1: Right. 425 00:23:23,520 --> 00:23:27,040 Speaker 2: Do you remember walking around stars Hollow when you were 426 00:23:27,080 --> 00:23:27,720 Speaker 2: filming the show. 427 00:23:27,840 --> 00:23:29,280 Speaker 1: What were your impressions. 428 00:23:29,960 --> 00:23:32,680 Speaker 4: I just felt so grateful and I felt and I 429 00:23:32,720 --> 00:23:37,560 Speaker 4: could tell that it was an amazing production and everybody 430 00:23:37,600 --> 00:23:41,480 Speaker 4: was so kind and helpful, and it was very professional, 431 00:23:41,600 --> 00:23:44,719 Speaker 4: and it just felt there was just like something in 432 00:23:44,760 --> 00:23:47,080 Speaker 4: the air. It just felt special and I knew I 433 00:23:47,160 --> 00:23:49,120 Speaker 4: was being part of something that was. 434 00:23:50,720 --> 00:23:52,879 Speaker 3: That was that was going to live on for a while. 435 00:23:53,359 --> 00:23:53,520 Speaker 5: Right. 436 00:23:53,600 --> 00:23:56,800 Speaker 2: It did feel that way, didn't it. Because they'd gone 437 00:23:56,840 --> 00:24:01,840 Speaker 2: to such lengths and expense in such detail to rebuild 438 00:24:02,760 --> 00:24:07,920 Speaker 2: what was you know, what is Unionville up in Toronto. 439 00:24:09,359 --> 00:24:15,359 Speaker 2: They rebuilt the entire town and you have the entire 440 00:24:15,480 --> 00:24:19,680 Speaker 2: back lot at Warner Brothers and it's huh us with 441 00:24:19,880 --> 00:24:22,320 Speaker 2: this little show on the WB and then the CW 442 00:24:22,440 --> 00:24:27,280 Speaker 2: what so. Yeah, it was quite something, quite a great feeling, 443 00:24:27,640 --> 00:24:29,600 Speaker 2: I mean, talk about feelings supported. 444 00:24:31,359 --> 00:24:33,600 Speaker 1: Can you relate to Summer's character at all? 445 00:24:34,760 --> 00:24:38,560 Speaker 2: Have you ever been in those situations before with a 446 00:24:38,600 --> 00:24:41,119 Speaker 2: boyfriend or guy you were dating? 447 00:24:41,760 --> 00:24:43,360 Speaker 3: Yeah, I guess I can. I definitely. 448 00:24:43,400 --> 00:24:45,600 Speaker 4: At the time, I was very young. I was eighteen, 449 00:24:45,680 --> 00:24:47,800 Speaker 4: and so yeah, I could definitely relate to that. I 450 00:24:47,840 --> 00:24:51,960 Speaker 4: don't necesssarily see myself as like the mean girl or 451 00:24:52,040 --> 00:24:56,000 Speaker 4: like the kind of I feel like she was a 452 00:24:56,040 --> 00:24:58,920 Speaker 4: little she knew that he liked her, and she knew 453 00:24:59,359 --> 00:25:04,600 Speaker 4: kind of play with him and use your power. So yeah, 454 00:25:04,600 --> 00:25:06,640 Speaker 4: I think I've been in similar circumstances. 455 00:25:06,840 --> 00:25:10,480 Speaker 3: But I could relate to it definitely being so young, 456 00:25:10,520 --> 00:25:13,240 Speaker 3: and you know, at the time, I had a boyfriend 457 00:25:13,320 --> 00:25:19,000 Speaker 3: and so being in love and young, and yeah, it 458 00:25:19,040 --> 00:25:20,600 Speaker 3: was definitely a fun experience. 459 00:25:21,080 --> 00:25:23,480 Speaker 1: You can get recognized a lot for being on the show. 460 00:25:24,080 --> 00:25:26,760 Speaker 3: Do you know what I actually do, It's more with 461 00:25:27,520 --> 00:25:28,080 Speaker 3: my kids. 462 00:25:28,119 --> 00:25:30,040 Speaker 4: I have a son and a daughter, and so over 463 00:25:30,080 --> 00:25:32,240 Speaker 4: the years, so many people have come up to me 464 00:25:32,280 --> 00:25:34,439 Speaker 4: and said, I saw you on Gilmore Girls and my 465 00:25:34,560 --> 00:25:37,560 Speaker 4: daughter and I so many people expressed to me that 466 00:25:37,720 --> 00:25:39,840 Speaker 4: it's the show that they watch with their daughter. And 467 00:25:40,119 --> 00:25:41,880 Speaker 4: you know, this day and age, there's not a lot 468 00:25:41,880 --> 00:25:43,840 Speaker 4: of shows you can sit down and watch with your 469 00:25:43,920 --> 00:25:46,600 Speaker 4: kids that's like appropriate that the mother will like and 470 00:25:46,640 --> 00:25:50,359 Speaker 4: the daughter will like. Even my son and my husband 471 00:25:50,359 --> 00:25:52,440 Speaker 4: would watch some episodes with this but it was really 472 00:25:52,440 --> 00:25:54,080 Speaker 4: something special that I share with. 473 00:25:54,000 --> 00:25:58,600 Speaker 3: My daughter, and I have so many women and daughters 474 00:25:58,600 --> 00:26:00,360 Speaker 3: have expressed that to me too, and I'm like, how 475 00:26:00,359 --> 00:26:02,879 Speaker 3: did you recognize me? I was eighteen years old. They're like, 476 00:26:02,960 --> 00:26:06,600 Speaker 3: we just it's pretty sweet. 477 00:26:06,880 --> 00:26:10,480 Speaker 1: What characters do you relate to the most in the show. 478 00:26:12,240 --> 00:26:15,120 Speaker 4: I think I relate to Rory. I think I could 479 00:26:15,119 --> 00:26:20,760 Speaker 4: say that when I was younger filming it. I love 480 00:26:20,920 --> 00:26:23,480 Speaker 4: Laura's character. I mean, I just think she's so fun 481 00:26:23,760 --> 00:26:27,320 Speaker 4: and I hope I'm as fun of a mom as 482 00:26:27,359 --> 00:26:28,760 Speaker 4: she is to my daughter. 483 00:26:30,840 --> 00:26:33,159 Speaker 2: So of all the characters, who would you want to 484 00:26:33,200 --> 00:26:34,639 Speaker 2: be friends with in real life? 485 00:26:35,480 --> 00:26:36,320 Speaker 3: That's a good question. 486 00:26:36,400 --> 00:26:38,919 Speaker 4: Well, I would love to be friends with Laura II, 487 00:26:39,280 --> 00:26:42,880 Speaker 4: but I have a very special connection. I think Babet 488 00:26:43,040 --> 00:26:43,880 Speaker 4: is hilarious. 489 00:26:45,160 --> 00:26:46,040 Speaker 3: Just think that she. 490 00:26:46,119 --> 00:26:49,159 Speaker 4: Is so funny and when you would come on the screen, 491 00:26:49,280 --> 00:26:52,040 Speaker 4: she would just her voice, her lines. 492 00:26:53,200 --> 00:26:55,640 Speaker 3: Love to hang out with her. I think she would 493 00:26:55,680 --> 00:26:56,359 Speaker 3: be really fun. 494 00:26:57,880 --> 00:27:01,200 Speaker 2: She was terrific on set, just so much fun to 495 00:27:01,240 --> 00:27:04,840 Speaker 2: be around, the stories, the songs, just the humor and 496 00:27:04,880 --> 00:27:06,360 Speaker 2: the love and the life coming. 497 00:27:06,160 --> 00:27:07,840 Speaker 1: Out of her as very special. 498 00:27:08,720 --> 00:27:12,040 Speaker 2: All right, So other than Luke, Okay, we've established that 499 00:27:12,119 --> 00:27:15,000 Speaker 2: you like that relationship best. 500 00:27:15,800 --> 00:27:17,960 Speaker 1: Who was your favorite boyfriend of Lorealize? 501 00:27:18,520 --> 00:27:21,959 Speaker 3: Oh? Okay, other than Luke, Other than Luca. I mean 502 00:27:22,000 --> 00:27:24,040 Speaker 3: I think I loved the Christopher. 503 00:27:27,000 --> 00:27:30,560 Speaker 4: I like that because I felt like it was sweet 504 00:27:30,640 --> 00:27:33,560 Speaker 4: that they kind of came together, and even though deep 505 00:27:33,600 --> 00:27:35,800 Speaker 4: down I always wanted her to be with Luke, I 506 00:27:35,840 --> 00:27:38,520 Speaker 4: did like the Christopher dynamic. I thought that that was 507 00:27:38,800 --> 00:27:42,159 Speaker 4: sweet and served its purpose throughout the show, So I 508 00:27:42,400 --> 00:27:46,520 Speaker 4: play that would be my second favorite. 509 00:27:54,040 --> 00:27:57,040 Speaker 2: Okay, you're ready for rapid fire. Here we go, let's 510 00:27:57,080 --> 00:28:01,680 Speaker 2: do it fast in your seatbelt. Pop tarts or pancakes? Oh, pancakes, 511 00:28:01,960 --> 00:28:02,960 Speaker 2: parasital Lane? 512 00:28:03,400 --> 00:28:06,040 Speaker 3: Oh Lane? 513 00:28:06,760 --> 00:28:07,600 Speaker 1: Who talks faster? 514 00:28:07,720 --> 00:28:14,040 Speaker 2: Roy Or Lorelai, Loralai, Chiltern or Yale, Chilton, Paul or 515 00:28:14,040 --> 00:28:16,840 Speaker 2: Winter follow Winter Fallower Winter? 516 00:28:16,920 --> 00:28:19,440 Speaker 3: Yeah, oh okay fall. 517 00:28:19,640 --> 00:28:20,639 Speaker 1: Least favorite character. 518 00:28:21,480 --> 00:28:28,160 Speaker 3: Oh, I don't think that's That's a tough question. There's 519 00:28:28,200 --> 00:28:30,680 Speaker 3: no no one. I didn't. I liked everybody. 520 00:28:31,359 --> 00:28:31,600 Speaker 1: Huh. 521 00:28:32,320 --> 00:28:36,359 Speaker 2: That's actually an easy, easy answer for most fans. But 522 00:28:36,400 --> 00:28:38,760 Speaker 2: I'm not going to tell you Luke's Diner or Friday 523 00:28:38,800 --> 00:28:40,160 Speaker 2: Night dinner. 524 00:28:41,080 --> 00:28:42,880 Speaker 1: Lukes Diner is what you said? Okay? Good? 525 00:28:43,080 --> 00:28:43,400 Speaker 2: Uh? 526 00:28:43,520 --> 00:28:47,240 Speaker 1: Team Dean jess Er Logan Dean. Dean why. 527 00:28:48,000 --> 00:28:50,520 Speaker 4: I just always loved their relationship. I just thought it 528 00:28:50,600 --> 00:28:53,120 Speaker 4: was really sweet. I felt like he always treated her 529 00:28:53,200 --> 00:28:57,200 Speaker 4: like the way that she should be treated, and I 530 00:28:57,240 --> 00:28:59,440 Speaker 4: just I just thought it was sweet and innocent. 531 00:28:59,480 --> 00:29:01,280 Speaker 3: He was always my favorite with her. 532 00:29:01,840 --> 00:29:03,880 Speaker 1: He was. He was very sweet with her. 533 00:29:03,960 --> 00:29:06,600 Speaker 2: He's always sweet with her, isn't he. He gets a 534 00:29:06,640 --> 00:29:09,840 Speaker 2: little unhinged too, don't he. But he stands his ground, 535 00:29:09,880 --> 00:29:12,960 Speaker 2: does he. Sometime He might be a little harsh sometimes, 536 00:29:13,000 --> 00:29:16,160 Speaker 2: but he is. He is very doting, isn't he. He really, 537 00:29:16,520 --> 00:29:17,400 Speaker 2: he really loves her. 538 00:29:18,320 --> 00:29:18,960 Speaker 3: He treated her. 539 00:29:19,040 --> 00:29:19,720 Speaker 5: Yeah. 540 00:29:19,760 --> 00:29:21,840 Speaker 2: Wow, what do you think You remember that scene where 541 00:29:21,920 --> 00:29:25,800 Speaker 2: Richard when Dean was she brought Dean to Friday night 542 00:29:25,800 --> 00:29:28,400 Speaker 2: dinner and Richard really gave him the once over? 543 00:29:28,520 --> 00:29:30,360 Speaker 1: What'd you think of that? Was that uncomfortable for you? 544 00:29:30,760 --> 00:29:30,960 Speaker 2: Yeah? 545 00:29:31,000 --> 00:29:32,560 Speaker 3: I felt bad for him for sure. 546 00:29:33,560 --> 00:29:35,080 Speaker 1: All Right, Well, that's going to wrap it up for 547 00:29:35,120 --> 00:29:36,240 Speaker 1: this episode. Jacqueline. 548 00:29:36,360 --> 00:29:39,240 Speaker 2: It has been a pleasure meeting you and talking to 549 00:29:39,320 --> 00:29:43,840 Speaker 2: you and going through this quite wonderful episode. What'd you 550 00:29:43,840 --> 00:29:46,040 Speaker 2: think of this episode overall compared to the rest of 551 00:29:46,080 --> 00:29:46,880 Speaker 2: the seasons. 552 00:29:47,320 --> 00:29:48,080 Speaker 3: It was a big one. 553 00:29:48,120 --> 00:29:50,840 Speaker 4: I think it was really it was a big moment 554 00:29:50,880 --> 00:29:52,880 Speaker 4: in time as the first time that we all saw 555 00:29:53,120 --> 00:29:55,320 Speaker 4: you know this, Okay, she's not going to get married, 556 00:29:55,400 --> 00:29:59,000 Speaker 4: And I think the bachelor Thrette potty was funny in 557 00:29:59,000 --> 00:30:03,440 Speaker 4: its own way, and having her mother there and then yeah, 558 00:30:03,440 --> 00:30:06,400 Speaker 4: I think it was definitely you know, it begins with 559 00:30:06,560 --> 00:30:10,760 Speaker 4: them tasting all the cakes and that sweet relationship they have, 560 00:30:10,880 --> 00:30:13,320 Speaker 4: that back and forth, and then it ends with them together, 561 00:30:13,920 --> 00:30:16,600 Speaker 4: you know, and it just really is an episode where 562 00:30:16,600 --> 00:30:19,920 Speaker 4: you just really see how close Laura and Rory are there, their. 563 00:30:19,800 --> 00:30:22,360 Speaker 3: Bonds so special, and it's so inspiring. 564 00:30:22,840 --> 00:30:23,160 Speaker 1: It is. 565 00:30:24,880 --> 00:30:28,760 Speaker 2: Yeah, I agree, big episode Pivotal really puts the wind 566 00:30:28,760 --> 00:30:30,920 Speaker 2: in the sails and the Luke Lorelai thing, but it's 567 00:30:30,960 --> 00:30:36,120 Speaker 2: more importantly the relationship between Rory and Laurlai right because. 568 00:30:35,880 --> 00:30:37,280 Speaker 1: They're there their relationship. 569 00:30:37,320 --> 00:30:40,640 Speaker 2: I think that's really Ultimately what laurla I was deciding 570 00:30:40,720 --> 00:30:44,360 Speaker 2: is like, I have limited time with my daughter and 571 00:30:44,480 --> 00:30:46,760 Speaker 2: that time is so valuable. 572 00:30:46,280 --> 00:30:48,440 Speaker 1: To me, so special to us. 573 00:30:48,960 --> 00:30:51,080 Speaker 2: Why am I sharing it with this man that we're 574 00:30:51,080 --> 00:30:52,680 Speaker 2: not just not clicking on all levels? 575 00:30:52,760 --> 00:30:52,920 Speaker 1: Right? 576 00:30:53,040 --> 00:30:58,640 Speaker 2: So great decision anyway, Really enjoyed speaking with you. Good 577 00:30:58,720 --> 00:31:03,200 Speaker 2: luck on your world Trek. I wish you the best 578 00:31:03,200 --> 00:31:04,680 Speaker 2: to you you and your family. Say hi to your 579 00:31:04,760 --> 00:31:08,320 Speaker 2: daughter for me, and all the best to you, Jacqueline. 580 00:31:08,560 --> 00:31:11,160 Speaker 3: Thank you so much, such an take. 581 00:31:11,000 --> 00:31:41,000 Speaker 5: Care, hey everybody, and up again. 582 00:31:41,080 --> 00:31:45,160 Speaker 2: Follow us on Instagram at i Am All In podcast 583 00:31:45,240 --> 00:31:59,400 Speaker 2: and email us at Gilmore at iHeartRadio dot com