WEBVTT - Is This Really Me?

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<v Speaker 1>Mordeo is a production of I Heart Radio, Blumhouse Television

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<v Speaker 1>and Crypt TV in association with Wolf at the Door.

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<v Speaker 1>What is this? What am I doing? Oh? All right?

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<v Speaker 1>M hm hm shot, this is really happening. This is

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<v Speaker 1>really me. This is shi Jocolin. I need your side

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<v Speaker 1>back to one in five minutes. Come on, the girl,

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<v Speaker 1>it's just a dream man. You've got blood in your shirts.

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<v Speaker 1>Jesus Christ, join, blood all over your shirt? Oh ship,

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<v Speaker 1>it's just old paint stains. Throw me that hoodie away. Thanks,

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<v Speaker 1>It's coffee everywhere. It's gonna put your mom over the edge,

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<v Speaker 1>paper towels by the mat wave. Thanks, you're excited. Can't

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<v Speaker 1>you tell about this? Who dressed my mom picked out?

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<v Speaker 1>It's supposed to tell everyone. I'm button? Uh, come on,

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<v Speaker 1>I distinctly remember seventh grade was at least less miserable

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<v Speaker 1>than six. Lasa Carrigan said, the boys get sweaty and smelly.

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<v Speaker 1>To the lazy Karrigan, They're only gonna get sweatier and smellier. Cross,

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<v Speaker 1>you're weird of goods there. Dad probably gave you better

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<v Speaker 1>pep talks on your first day of schools. Jocelyn shoes on.

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<v Speaker 1>Let's go on. Relax, they're slip on, then go slip

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<v Speaker 1>them on. M I swear she didn't get the assass

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<v Speaker 1>from me or your brother. Don't sell yourself too short,

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<v Speaker 1>Ashley ship a luncheon. I forgot actually packed something for you,

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<v Speaker 1>just a couple of P B and j's, but should

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<v Speaker 1>do the trick? Oh? Thanks? Sorry? What was this? Not? Okay? No,

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<v Speaker 1>it's it's fine. Jocelyn said, it's something Gabe dead. I

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<v Speaker 1>thought it would be helpful, and it is helpful. It's okay, really,

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<v Speaker 1>thank you. I imagine it's strange living here without him.

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<v Speaker 1>But you don't have to walk on eggshells around us.

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<v Speaker 1>I don't want to be a burden. You made it

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<v Speaker 1>out of those woods alive, Isaiah, make no mistake. We're

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<v Speaker 1>thankful for that. Shoes on, backpack on. Now? Can we

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<v Speaker 1>get this over with nice attitude? Missy? Whatever? Can we go?

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<v Speaker 1>Good luck today at your interview? You too? That's cool?

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<v Speaker 1>I mean, oh, and you might want to check for

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<v Speaker 1>the aftermath in those pbjs. Looks like you've got some

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<v Speaker 1>strawberry jelly on your neck. Mom h I say I

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<v Speaker 1>had another count that last night? Is he okay? Shut out?

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<v Speaker 1>That's all this blood come on us there. I'm not

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<v Speaker 1>dragging you the whole way byr bitch, askar carry what

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<v Speaker 1>was that? I'm coming gay all right, check the glove

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<v Speaker 1>box for the GPS. GPS always following trails fourteen miles

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<v Speaker 1>to the first site. This is some of rode and

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<v Speaker 1>realize your idea of a brother bonding trip when involved

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<v Speaker 1>trying to kill me. Funny, Glad the court didn't beat

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<v Speaker 1>that out of you. It makes me a cripple, though,

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<v Speaker 1>so it's always thanks for the consideration. If you don't

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<v Speaker 1>want to do this, let's turn back now because that no,

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<v Speaker 1>I'm not dealing with that whole weekend. You sound like mom.

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<v Speaker 1>That's because you're still picking fights like a little bit yass.

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<v Speaker 1>We're teen miles into the Bermuda. Try and go to

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<v Speaker 1>the northeast. Huh, it's good. No, I'm gonna enjoy proving

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<v Speaker 1>those stories of yours are full of ship there. Listen,

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<v Speaker 1>all right, play your games, but if it goes down,

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<v Speaker 1>I'm leaving your ass beyond brother or no, brother, don't worry.

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<v Speaker 1>Like you said, I'm probably full of ship. Cho God damnit,

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<v Speaker 1>maybe I can burn it. How the hell do you

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<v Speaker 1>start this like that? I guess hey there, neighbor. A

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<v Speaker 1>little early to fire up the grill, isn't it? Hey, Paul,

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<v Speaker 1>what you're cooking? Nothing? Just swapping the propane tank and

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<v Speaker 1>start turning my keep around here before I actually decided

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<v Speaker 1>to kick me out. Something I can help you with.

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<v Speaker 1>I heard you coming home last night. Trucks louder than hazies.

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<v Speaker 1>Notice something when you pulled in? What what was that

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<v Speaker 1>the tail lights out? Left side? Did you get that fixed? Oh?

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<v Speaker 1>Left side? Got it? I'll take care of that. Something

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<v Speaker 1>to matter? No, just I'm ringing in my ears. You

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<v Speaker 1>gotta stop burning that candle with both vans stretch as

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<v Speaker 1>a killer. Where are you coming from so late? Anyway? Damn,

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<v Speaker 1>I gotta run job interview. I'm sorry, of course, but

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<v Speaker 1>before you go, you might want to check out nothing

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<v Speaker 1>in the grill. It smells like it's burning. Yeah, just

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<v Speaker 1>keep walking on. Here we are first day of school.

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<v Speaker 1>I just think two years will be in the same building.

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<v Speaker 1>Are you sure you don't want a picture? Y'all look

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<v Speaker 1>so pretty? Nat, I'm okay. Hey wait, so uh, I

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<v Speaker 1>know today might be hard. Some kids might wanna ask

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<v Speaker 1>about dad, but you don't have to talk about it.

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<v Speaker 1>Not if you don't want to, I know, all right, good,

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<v Speaker 1>But if you want to talk about it, you can.

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<v Speaker 1>It's up to you. Mom. I got to go have fun,

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<v Speaker 1>knock their socks off. Love you two. Bug. Oh there

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<v Speaker 1>you are, come on in, I said, I want to

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<v Speaker 1>thank you for considering me for the position. Mrs Marshall,

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<v Speaker 1>Oh hush. I've been looking for an overnight god for

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<v Speaker 1>some time, someone trustworthy, not like those mcnathan boys, liars,

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<v Speaker 1>the lot of them. Frankly, when I sold the name

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<v Speaker 1>Isaiah Williams, I was over the moon. Yeah, I don't

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<v Speaker 1>think I forgot that other worldly fastball. Hit ninety as

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<v Speaker 1>a sophomore, most strikeouts in the state, first one I

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<v Speaker 1>ever had hopes for something big. It seems like another life. Then,

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<v Speaker 1>of course you hit a bumpy road after your mother

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<v Speaker 1>and all a damned shame. Gigi was a rare angel. Now,

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<v Speaker 1>don't worry. I wouldn't trust you if you hadn't fallen

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<v Speaker 1>apart after something like that. Sign of a good heart

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<v Speaker 1>letting tragedy hit you wear at shot sit. You became

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<v Speaker 1>an army boy after that, didn't you. That's where you

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<v Speaker 1>got that limp. Shouldn't get in the way with any

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<v Speaker 1>of the work here. Nah, If locking doors and mopping

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<v Speaker 1>floors are easy enough for these old bones, you'll finish

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<v Speaker 1>in half the time. Isn't it over kill hiring a

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<v Speaker 1>full time guard at a library in the town as

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<v Speaker 1>small as this. Between the artifacts we store and the

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<v Speaker 1>Historical Society archive, I don't take any chances. Once they're lost,

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<v Speaker 1>they're gone forever. So you really think people were breaking

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<v Speaker 1>here for this stuff. Elk Credge Falls dates back to

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<v Speaker 1>the first English colonists. That's why you have pretentious legacy

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<v Speaker 1>ass hats like the Reed family. Michele read still the

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<v Speaker 1>detective on your brother's case. Ah, yeah, she is a

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<v Speaker 1>viper without any venom. That one means she bites twice

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<v Speaker 1>as hard. I'll argue with you on that. Honest and

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<v Speaker 1>tactful I like that anyway. As I was saying, Elk

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<v Speaker 1>Ridge Falls has a long history, and that history is valuable.

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<v Speaker 1>Not honetarily maybe, but what's past down is important. Our

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<v Speaker 1>very survival depends on it. Oh dear, I'm not talking

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<v Speaker 1>about those racist statues. To hell with those bigots. I'm

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<v Speaker 1>also not talking about the kind of history they teach

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<v Speaker 1>at those fancy schools. That's an appetizer at best. I'm

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<v Speaker 1>talking about the nitty gritty corners of what we choose

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<v Speaker 1>to leave behind, the threads of truth we disguise in

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<v Speaker 1>the stories we tell each other, the darkest corner of

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<v Speaker 1>ourselves we turn away from. You know, the darkness I'm

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<v Speaker 1>talking about, first your mother, now you and your brother

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<v Speaker 1>out there in the wilderness, all that time, a loan,

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<v Speaker 1>afraid memories you wish you could forget. I live by

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<v Speaker 1>the darkness as much as the light. I respect it's

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<v Speaker 1>equal power over us, the way it takes hold and

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<v Speaker 1>grows like a weed, digging its roots inside of us.

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<v Speaker 1>Until are you feeling okay? I say you're the pale

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<v Speaker 1>as death? Who WHOA? Are you all right? Just a

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<v Speaker 1>little dizzy? I guess damn heat air conditionings out and

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<v Speaker 1>Marty has been waiting on a part since Jesus was born.

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<v Speaker 1>I should go. Let's get you a glass of water.

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<v Speaker 1>I'm fine, really, I just have to pick my knees

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<v Speaker 1>up from school. It's barely new. No, I really have

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<v Speaker 1>to go. If you say so, I'll see you Monday, though,

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<v Speaker 1>bright and early, to show you the ropes round here. Yes,

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<v Speaker 1>the Monday. Thank you Mrs Marshall. Thank you still by

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<v Speaker 1>time by Friday, spare packets on the front table. Thanks Ashley.

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<v Speaker 1>But I survived freshman history while ago two disks behind,

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<v Speaker 1>you have memory, serves Michelle on duty detective read. Is

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<v Speaker 1>there news about Gabe? No? Sorry, nothing new came about

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<v Speaker 1>to tell you. We're doing a sweep in the Manonga

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<v Speaker 1>Hilla today, west of the river. You think you'd have

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<v Speaker 1>gone that far. We've exhausted the initial search area. No

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<v Speaker 1>choice but to expand. Okay, good, Then your father in

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<v Speaker 1>law will be there. I'm sure he will be, and

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<v Speaker 1>I will be picking up my daughter at school. I

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<v Speaker 1>didn't mean to imply that we're on the same side here, Ashley.

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<v Speaker 1>We both want to know what happened to Gabe. How

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<v Speaker 1>are you and johceon doing? Been hearing things around town?

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<v Speaker 1>What kind of things? Nothing bad, per se, Just that

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<v Speaker 1>things have been difficult after losing my husband. Yeah, I'd

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<v Speaker 1>say things been pretty difficult. He's still a missing person's case.

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<v Speaker 1>Don't underestimate hope, and look, I have study hall duty.

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<v Speaker 1>Is there something else you need, Michelle? No, I'll let

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<v Speaker 1>you get to it. Oh. Actually, and to ask, how's Isaiah?

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<v Speaker 1>Since he came back. He's recovering, at least he seems

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<v Speaker 1>to be. He still doesn't remember any more details about

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<v Speaker 1>I think he's trying to put it behind him. I'm

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<v Speaker 1>sure he is. I'll call you if we find anything. Hm,

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<v Speaker 1>No one, Hey, you got any more change down here? Thanks?

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<v Speaker 1>Trying to keep something out, neighbor trying to keep something in,

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<v Speaker 1>pom As she's saying you again, there was are a

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<v Speaker 1>lot of change working on a project for the house. Right.

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<v Speaker 1>You know your brother, he wasn't a very handed guy.

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<v Speaker 1>He didn't even own his own drill. My old man

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<v Speaker 1>used to say a man can't run a home if

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<v Speaker 1>he don't know how to build it. And his wife, Ashley,

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<v Speaker 1>she's quiet the home. Where are you getting that? Oh?

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<v Speaker 1>I don't mean anything by just locker room talk, you know, No,

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<v Speaker 1>I don't. Are you're gonna be able to load all

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<v Speaker 1>those with your leg and on? Man, I can manage.

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<v Speaker 1>I guess I'll see you around a neighborhood. I'm sure

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<v Speaker 1>you will have a good day. Paum All right, what's

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<v Speaker 1>your space? And everyone? We passed the perimeter half my

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<v Speaker 1>back in the show. Just a little further. Storms are

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<v Speaker 1>rolling them too. We've got time. I know I'm not

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<v Speaker 1>your partner anymore, but little advice. Respect your fellow officers.

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<v Speaker 1>Time talk, if games alive? Every second count. It's been

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<v Speaker 1>eight weeks. Both of us know better than the believis.

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<v Speaker 1>It's okay, haven't failed. Let's regroup. We double back in

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<v Speaker 1>the morning over Nobody just vanishes into thin air. What

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<v Speaker 1>am I missing? I wish you knew years on the force,

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<v Speaker 1>and I can't even find my own son. They found something?

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<v Speaker 1>Talk to me ready. Rokey's got one looks like a

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<v Speaker 1>backpack slashed to hell? What that looks like? It's covered

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<v Speaker 1>in one? Nobody moved. We're coming to you. Sorry you guys.

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<v Speaker 1>I promise this is the last cast role from the Neighbors.

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<v Speaker 1>Not entirely were what's in this one? But it was

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<v Speaker 1>pretty easy. So m hmm, Isaiah, how the interview go?

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<v Speaker 1>Oh um? She offered me to job. That's great? Really, congrats?

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<v Speaker 1>What about your first day, Jocelyn? How'd it go? Fine?

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<v Speaker 1>Just fine? Nothing else to share? No, come on, there's

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<v Speaker 1>got to be something any new friends? The appy excuse

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<v Speaker 1>if you're finished? Mh I'm gonna talk to her. Let

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<v Speaker 1>me try be my guests? Go away? Mom? What about

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<v Speaker 1>your grumpy uncle, how sorry any time? What? Anytime? You

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<v Speaker 1>want to start talking? I don't want to talk. Sure, okay,

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<v Speaker 1>it's just the kids at school. They've been mean to you, No,

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<v Speaker 1>the opposite, their own nasts to nass, holding doors open

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<v Speaker 1>and let me skip in line at lunch and stuff.

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<v Speaker 1>And I never wanted to talk to me, not really,

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<v Speaker 1>I see. I kept thinking it's gonna be my whole laugh,

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<v Speaker 1>everyone smiling with nothing to say. That happened to me

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<v Speaker 1>when my mom died. It was like if they said

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<v Speaker 1>the wrong thing, I cried or scream or or whatever else.

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<v Speaker 1>I ain't want to deal with it. I remember wishing

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<v Speaker 1>they're just teasing bullet me, but at least feel normal.

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<v Speaker 1>If my dad doesn't combat, it's never gonna be normal again.

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<v Speaker 1>Is it the normally? You remember? No? But the good

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<v Speaker 1>news is this part ends. They'll be back to pushing

0:20:22.600 --> 0:20:25.080
<v Speaker 1>you into your lockers and giving you swirlies in no time.

0:20:25.800 --> 0:20:27.920
<v Speaker 1>You know, Boo didn't have his own line now, right.

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<v Speaker 1>The point is life will move on, and I think

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<v Speaker 1>that's the hardest part sometimes, making peace with the fact

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<v Speaker 1>your life keeps going. Sometimes I dream about what might

0:20:44.280 --> 0:20:50.159
<v Speaker 1>have happened to my dad. I think I must have

0:20:50.240 --> 0:20:56.159
<v Speaker 1>been scared, will be scared in the woods when you

0:20:56.240 --> 0:21:08.200
<v Speaker 1>thought you were gonna die, I told you to grab

0:21:08.280 --> 0:21:10.400
<v Speaker 1>the GPS. Now we stuck out here in the dark.

0:21:10.800 --> 0:21:13.080
<v Speaker 1>Don't you dare blame this on me. I'm not the

0:21:13.160 --> 0:21:16.080
<v Speaker 1>one who left behind. Fuck you, I didn't even want

0:21:16.119 --> 0:21:18.880
<v Speaker 1>to do this. Coom by your eagle scout. Bullshit. Hey,

0:21:19.160 --> 0:21:22.080
<v Speaker 1>I gave you anol really, because if I didn't come,

0:21:22.119 --> 0:21:24.160
<v Speaker 1>it would just be Isaiah the funk up backing out

0:21:24.200 --> 0:21:28.560
<v Speaker 1>on his perfect brother. Man, that's bullshit. Look what was that?

0:21:30.200 --> 0:21:36.440
<v Speaker 1>Probably just said adm Man. Yeah, big animal, bro, stop panicking,

0:21:36.600 --> 0:21:40.040
<v Speaker 1>all right, we're not lost. If we heard duties, well

0:21:40.119 --> 0:21:43.480
<v Speaker 1>rose straight into County Road. There that is again, you

0:21:43.600 --> 0:21:48.800
<v Speaker 1>hear that? Whatever? Man, it's probably just a dear So

0:21:48.880 --> 0:21:50.600
<v Speaker 1>I need you to stop acting like a little baby.

0:21:58.840 --> 0:22:18.360
<v Speaker 1>D I damn hey if I'm down here, ah, hey, hey,

0:22:18.400 --> 0:22:34.240
<v Speaker 1>I'm here. I don't unclass there. You're sweating in your face.

0:22:34.520 --> 0:22:41.359
<v Speaker 1>It's a zel. What's happening to you? Stay here, justin,

0:22:41.400 --> 0:22:55.520
<v Speaker 1>don't move you understand me, Leave me along, Jesus, I said, look,

0:22:55.560 --> 0:23:08.720
<v Speaker 1>class ship, I gotta go. Wait, but keep goings, don't stop.

0:23:11.119 --> 0:23:37.080
<v Speaker 1>You can do this be quiet ship. I told you

0:23:37.280 --> 0:23:40.080
<v Speaker 1>you gotta fix that tail life, neighbor, Paul, were you

0:23:40.160 --> 0:23:43.399
<v Speaker 1>following me? Trucks louder than haighties. You've got to get

0:23:43.440 --> 0:23:45.720
<v Speaker 1>out of here now, moving muscle more and I'll shoot

0:23:45.760 --> 0:23:48.440
<v Speaker 1>your knee. Cops out. What the funk are you doing?

0:23:48.800 --> 0:23:53.320
<v Speaker 1>Those chains won't hold you, not long anyway. What No

0:23:53.440 --> 0:23:58.280
<v Speaker 1>one's what they see, Isaiah, especially not you. You may

0:23:58.320 --> 0:24:00.360
<v Speaker 1>have walked into these woods to human, but you walk

0:24:00.440 --> 0:24:03.000
<v Speaker 1>down something else. I don't know what you're talking about,

0:24:03.040 --> 0:24:05.760
<v Speaker 1>my Paul. You need to leave. They say it's the

0:24:05.840 --> 0:24:10.679
<v Speaker 1>worst pain a man can feel. Your bones breaking, skin

0:24:10.840 --> 0:24:15.320
<v Speaker 1>tearing off your body, fangs growing in your mouth, and

0:24:15.440 --> 0:24:22.280
<v Speaker 1>those handlers splitting right through your scalp. Show me. I

0:24:22.480 --> 0:24:42.000
<v Speaker 1>sad so much you become must Him must story. Good bye,

0:24:42.400 --> 0:24:53.480
<v Speaker 1>man Ship. Come on, you fucking thing. Fuck me head

0:24:54.000 --> 0:25:06.880
<v Speaker 1>if you can hear me, If you're still in, we're

0:25:06.960 --> 0:25:23.240
<v Speaker 1>coming for you. We're coming for the more Day. What

0:25:23.560 --> 0:25:32.360
<v Speaker 1>is this? What am I doing? Oh m hm hmm,

0:25:32.920 --> 0:25:40.600
<v Speaker 1>stop stop, this is really happening. This this really me?

0:25:56.480 --> 0:25:59.959
<v Speaker 1>Next time on more Dale. You're the one who dry

0:26:00.160 --> 0:26:03.600
<v Speaker 1>me into this raging dumpster fire. I'm not stopping until

0:26:03.640 --> 0:26:09.960
<v Speaker 1>we find the rest of that body good whole days

0:26:13.160 --> 0:26:23.160
<v Speaker 1>where those stories are true, the sequencing doesn't match any

0:26:23.400 --> 0:26:32.920
<v Speaker 1>known species human or otherwise. I Heart Radio, blom House

0:26:33.000 --> 0:26:38.320
<v Speaker 1>Television and Crypt TV in association with Wolf at the

0:26:38.400 --> 0:26:45.200
<v Speaker 1>Door Present Mordo Executive produced by Jack Davis, Kate Krantz,

0:26:45.840 --> 0:26:52.240
<v Speaker 1>Darren Brandel, Jason Blum, Chris Dicky, Matt Frederick and Alex Williams.

0:26:53.160 --> 0:26:59.479
<v Speaker 1>Written by Caitlin Crab, directed by Alex Kemp. Produced by

0:27:00.040 --> 0:27:06.440
<v Speaker 1>Toby Lawless, Winnie Kemp, Daniel Pearson's co producers ben So Tech,

0:27:07.160 --> 0:27:15.119
<v Speaker 1>Anthony Mgnolo, Associate producer Federico Torrado. Starring j L. Fons

0:27:15.200 --> 0:27:22.840
<v Speaker 1>Nicholson as Isaiah, Ashley Platts as Ashley, Olivia Lott as Jocelyn,

0:27:23.760 --> 0:27:30.560
<v Speaker 1>Yvonne Angoulo as Michelle, with performances by Real Michael Scott,

0:27:31.480 --> 0:27:39.720
<v Speaker 1>Tacy Adams, James Brewster, Kim Estes, Patty Wilkins. Sound designed

0:27:39.840 --> 0:27:45.439
<v Speaker 1>by Dean Hovey, Original score by Christopher Kemp, mixing by

0:27:45.520 --> 0:27:52.560
<v Speaker 1>Mark Scarce, edited by Fernando Diaz. Assistant engineer Noah Sour

0:27:53.640 --> 0:27:59.520
<v Speaker 1>Recorded at Wolf at the Door Studios. Casting consultant Michelle LeWitt,

0:28:00.359 --> 0:28:06.119
<v Speaker 1>Production assistants Hayley mc Keeckney and Sophia Guilberto, studio teacher

0:28:06.600 --> 0:28:13.680
<v Speaker 1>Pearl Hika, Writing assistant Bill Hanson. This podcast was recorded

0:28:13.960 --> 0:28:18.800
<v Speaker 1>under a SAG after collective bargaining Agreement. Mordeo is a

0:28:18.880 --> 0:28:23.159
<v Speaker 1>production of I Heart Radio Blumhouse Television, crypt t V.

0:28:24.200 --> 0:28:27.440
<v Speaker 1>For more podcasts from I heart Radio, visit the I

0:28:27.640 --> 0:28:32.320
<v Speaker 1>heart Radio app, Apple Podcasts, or wherever you listen to

0:28:32.480 --> 0:28:33.439
<v Speaker 1>your favorite shows.