1 00:00:00,160 --> 00:00:04,640 Speaker 1: Mordeo is a production of I Heart Radio, Blumhouse Television 2 00:00:05,120 --> 00:00:09,040 Speaker 1: and Crypt TV in association with Wolf at the Door. 3 00:00:18,440 --> 00:00:25,319 Speaker 1: What is this? What am I doing? Oh? All right? 4 00:00:25,960 --> 00:00:35,400 Speaker 1: M hm hm shot, this is really happening. This is 5 00:00:35,440 --> 00:01:13,160 Speaker 1: really me. This is shi Jocolin. I need your side 6 00:01:13,280 --> 00:01:16,679 Speaker 1: back to one in five minutes. Come on, the girl, 7 00:01:25,280 --> 00:01:30,160 Speaker 1: it's just a dream man. You've got blood in your shirts. 8 00:01:30,560 --> 00:01:37,040 Speaker 1: Jesus Christ, join, blood all over your shirt? Oh ship, 9 00:01:37,920 --> 00:01:43,400 Speaker 1: it's just old paint stains. Throw me that hoodie away. Thanks, 10 00:01:47,080 --> 00:01:50,640 Speaker 1: It's coffee everywhere. It's gonna put your mom over the edge, 11 00:01:51,080 --> 00:01:57,680 Speaker 1: paper towels by the mat wave. Thanks, you're excited. Can't 12 00:01:57,720 --> 00:01:59,840 Speaker 1: you tell about this? Who dressed my mom picked out? 13 00:02:00,360 --> 00:02:05,120 Speaker 1: It's supposed to tell everyone. I'm button? Uh, come on, 14 00:02:05,280 --> 00:02:08,960 Speaker 1: I distinctly remember seventh grade was at least less miserable 15 00:02:09,000 --> 00:02:13,440 Speaker 1: than six. Lasa Carrigan said, the boys get sweaty and smelly. 16 00:02:14,160 --> 00:02:18,480 Speaker 1: To the lazy Karrigan, They're only gonna get sweatier and smellier. Cross, 17 00:02:19,600 --> 00:02:23,600 Speaker 1: you're weird of goods there. Dad probably gave you better 18 00:02:23,600 --> 00:02:31,040 Speaker 1: pep talks on your first day of schools. Jocelyn shoes on. 19 00:02:31,160 --> 00:02:35,640 Speaker 1: Let's go on. Relax, they're slip on, then go slip 20 00:02:35,680 --> 00:02:40,280 Speaker 1: them on. M I swear she didn't get the assass 21 00:02:40,360 --> 00:02:43,240 Speaker 1: from me or your brother. Don't sell yourself too short, 22 00:02:43,280 --> 00:02:52,560 Speaker 1: Ashley ship a luncheon. I forgot actually packed something for you, 23 00:02:53,919 --> 00:02:55,640 Speaker 1: just a couple of P B and j's, but should 24 00:02:55,639 --> 00:03:03,240 Speaker 1: do the trick? Oh? Thanks? Sorry? What was this? Not? Okay? No, 25 00:03:03,480 --> 00:03:06,040 Speaker 1: it's it's fine. Jocelyn said, it's something Gabe dead. I 26 00:03:06,200 --> 00:03:12,400 Speaker 1: thought it would be helpful, and it is helpful. It's okay, really, 27 00:03:13,160 --> 00:03:18,480 Speaker 1: thank you. I imagine it's strange living here without him. 28 00:03:18,520 --> 00:03:21,720 Speaker 1: But you don't have to walk on eggshells around us. 29 00:03:23,000 --> 00:03:25,880 Speaker 1: I don't want to be a burden. You made it 30 00:03:25,919 --> 00:03:30,040 Speaker 1: out of those woods alive, Isaiah, make no mistake. We're 31 00:03:30,040 --> 00:03:34,760 Speaker 1: thankful for that. Shoes on, backpack on. Now? Can we 32 00:03:34,800 --> 00:03:43,400 Speaker 1: get this over with nice attitude? Missy? Whatever? Can we go? 33 00:03:43,400 --> 00:03:47,840 Speaker 1: Good luck today at your interview? You too? That's cool? 34 00:03:47,920 --> 00:03:51,880 Speaker 1: I mean, oh, and you might want to check for 35 00:03:51,880 --> 00:03:55,360 Speaker 1: the aftermath in those pbjs. Looks like you've got some 36 00:03:55,640 --> 00:04:04,160 Speaker 1: strawberry jelly on your neck. Mom h I say I 37 00:04:04,200 --> 00:04:18,080 Speaker 1: had another count that last night? Is he okay? Shut out? 38 00:04:20,160 --> 00:04:33,800 Speaker 1: That's all this blood come on us there. I'm not 39 00:04:33,920 --> 00:04:37,600 Speaker 1: dragging you the whole way byr bitch, askar carry what 40 00:04:37,839 --> 00:04:44,480 Speaker 1: was that? I'm coming gay all right, check the glove 41 00:04:44,560 --> 00:04:49,760 Speaker 1: box for the GPS. GPS always following trails fourteen miles 42 00:04:49,839 --> 00:04:55,360 Speaker 1: to the first site. This is some of rode and 43 00:04:55,520 --> 00:04:57,960 Speaker 1: realize your idea of a brother bonding trip when involved 44 00:04:57,960 --> 00:05:01,360 Speaker 1: trying to kill me. Funny, Glad the court didn't beat 45 00:05:01,400 --> 00:05:04,200 Speaker 1: that out of you. It makes me a cripple, though, 46 00:05:04,680 --> 00:05:08,280 Speaker 1: so it's always thanks for the consideration. If you don't 47 00:05:08,279 --> 00:05:11,840 Speaker 1: want to do this, let's turn back now because that no, 48 00:05:12,560 --> 00:05:15,440 Speaker 1: I'm not dealing with that whole weekend. You sound like mom. 49 00:05:15,920 --> 00:05:18,440 Speaker 1: That's because you're still picking fights like a little bit yass. 50 00:05:19,880 --> 00:05:21,800 Speaker 1: We're teen miles into the Bermuda. Try and go to 51 00:05:21,880 --> 00:05:28,320 Speaker 1: the northeast. Huh, it's good. No, I'm gonna enjoy proving 52 00:05:28,360 --> 00:05:34,640 Speaker 1: those stories of yours are full of ship there. Listen, 53 00:05:35,160 --> 00:05:37,840 Speaker 1: all right, play your games, but if it goes down, 54 00:05:37,920 --> 00:05:41,640 Speaker 1: I'm leaving your ass beyond brother or no, brother, don't worry. 55 00:05:42,240 --> 00:05:59,400 Speaker 1: Like you said, I'm probably full of ship. Cho God damnit, 56 00:06:00,200 --> 00:06:13,360 Speaker 1: maybe I can burn it. How the hell do you 57 00:06:13,440 --> 00:06:20,960 Speaker 1: start this like that? I guess hey there, neighbor. A 58 00:06:21,040 --> 00:06:23,919 Speaker 1: little early to fire up the grill, isn't it? Hey, Paul, 59 00:06:24,839 --> 00:06:29,440 Speaker 1: what you're cooking? Nothing? Just swapping the propane tank and 60 00:06:29,640 --> 00:06:31,799 Speaker 1: start turning my keep around here before I actually decided 61 00:06:31,839 --> 00:06:34,400 Speaker 1: to kick me out. Something I can help you with. 62 00:06:35,279 --> 00:06:38,760 Speaker 1: I heard you coming home last night. Trucks louder than hazies. 63 00:06:40,600 --> 00:06:45,680 Speaker 1: Notice something when you pulled in? What what was that 64 00:06:47,040 --> 00:06:52,360 Speaker 1: the tail lights out? Left side? Did you get that fixed? Oh? 65 00:06:54,080 --> 00:06:58,520 Speaker 1: Left side? Got it? I'll take care of that. Something 66 00:06:58,600 --> 00:07:03,680 Speaker 1: to matter? No, just I'm ringing in my ears. You 67 00:07:03,800 --> 00:07:06,400 Speaker 1: gotta stop burning that candle with both vans stretch as 68 00:07:06,440 --> 00:07:11,440 Speaker 1: a killer. Where are you coming from so late? Anyway? Damn, 69 00:07:12,320 --> 00:07:15,920 Speaker 1: I gotta run job interview. I'm sorry, of course, but 70 00:07:16,240 --> 00:07:18,480 Speaker 1: before you go, you might want to check out nothing 71 00:07:18,520 --> 00:07:25,040 Speaker 1: in the grill. It smells like it's burning. Yeah, just 72 00:07:25,320 --> 00:07:44,520 Speaker 1: keep walking on. Here we are first day of school. 73 00:07:45,520 --> 00:07:48,040 Speaker 1: I just think two years will be in the same building. 74 00:07:51,680 --> 00:07:53,840 Speaker 1: Are you sure you don't want a picture? Y'all look 75 00:07:53,960 --> 00:08:00,760 Speaker 1: so pretty? Nat, I'm okay. Hey wait, so uh, I 76 00:08:00,880 --> 00:08:04,200 Speaker 1: know today might be hard. Some kids might wanna ask 77 00:08:04,280 --> 00:08:07,760 Speaker 1: about dad, but you don't have to talk about it. 78 00:08:08,280 --> 00:08:13,080 Speaker 1: Not if you don't want to, I know, all right, good, 79 00:08:14,160 --> 00:08:15,600 Speaker 1: But if you want to talk about it, you can. 80 00:08:15,680 --> 00:08:20,640 Speaker 1: It's up to you. Mom. I got to go have fun, 81 00:08:21,680 --> 00:08:38,680 Speaker 1: knock their socks off. Love you two. Bug. Oh there 82 00:08:38,760 --> 00:08:42,160 Speaker 1: you are, come on in, I said, I want to 83 00:08:42,200 --> 00:08:44,560 Speaker 1: thank you for considering me for the position. Mrs Marshall, 84 00:08:44,920 --> 00:08:48,160 Speaker 1: Oh hush. I've been looking for an overnight god for 85 00:08:48,400 --> 00:08:54,560 Speaker 1: some time, someone trustworthy, not like those mcnathan boys, liars, 86 00:08:54,720 --> 00:08:57,720 Speaker 1: the lot of them. Frankly, when I sold the name 87 00:08:57,840 --> 00:09:03,360 Speaker 1: Isaiah Williams, I was over the moon. Yeah, I don't 88 00:09:03,400 --> 00:09:07,520 Speaker 1: think I forgot that other worldly fastball. Hit ninety as 89 00:09:07,600 --> 00:09:13,400 Speaker 1: a sophomore, most strikeouts in the state, first one I 90 00:09:13,600 --> 00:09:19,120 Speaker 1: ever had hopes for something big. It seems like another life. Then, 91 00:09:19,240 --> 00:09:22,880 Speaker 1: of course you hit a bumpy road after your mother 92 00:09:23,040 --> 00:09:30,320 Speaker 1: and all a damned shame. Gigi was a rare angel. Now, 93 00:09:30,400 --> 00:09:33,400 Speaker 1: don't worry. I wouldn't trust you if you hadn't fallen 94 00:09:33,440 --> 00:09:37,160 Speaker 1: apart after something like that. Sign of a good heart 95 00:09:37,800 --> 00:09:45,360 Speaker 1: letting tragedy hit you wear at shot sit. You became 96 00:09:45,440 --> 00:09:48,679 Speaker 1: an army boy after that, didn't you. That's where you 97 00:09:48,800 --> 00:09:51,120 Speaker 1: got that limp. Shouldn't get in the way with any 98 00:09:51,160 --> 00:09:55,240 Speaker 1: of the work here. Nah, If locking doors and mopping 99 00:09:55,320 --> 00:09:58,520 Speaker 1: floors are easy enough for these old bones, you'll finish 100 00:09:58,559 --> 00:10:01,880 Speaker 1: in half the time. Isn't it over kill hiring a 101 00:10:02,000 --> 00:10:04,160 Speaker 1: full time guard at a library in the town as 102 00:10:04,160 --> 00:10:08,400 Speaker 1: small as this. Between the artifacts we store and the 103 00:10:08,559 --> 00:10:15,080 Speaker 1: Historical Society archive, I don't take any chances. Once they're lost, 104 00:10:15,400 --> 00:10:19,199 Speaker 1: they're gone forever. So you really think people were breaking 105 00:10:19,280 --> 00:10:23,000 Speaker 1: here for this stuff. Elk Credge Falls dates back to 106 00:10:23,120 --> 00:10:28,280 Speaker 1: the first English colonists. That's why you have pretentious legacy 107 00:10:28,400 --> 00:10:32,319 Speaker 1: ass hats like the Reed family. Michele read still the 108 00:10:32,400 --> 00:10:37,719 Speaker 1: detective on your brother's case. Ah, yeah, she is a 109 00:10:37,960 --> 00:10:42,240 Speaker 1: viper without any venom. That one means she bites twice 110 00:10:42,320 --> 00:10:47,040 Speaker 1: as hard. I'll argue with you on that. Honest and 111 00:10:47,600 --> 00:10:54,040 Speaker 1: tactful I like that anyway. As I was saying, Elk 112 00:10:54,120 --> 00:10:58,480 Speaker 1: Ridge Falls has a long history, and that history is valuable. 113 00:10:59,520 --> 00:11:04,840 Speaker 1: Not honetarily maybe, but what's past down is important. Our 114 00:11:05,160 --> 00:11:12,880 Speaker 1: very survival depends on it. Oh dear, I'm not talking 115 00:11:12,920 --> 00:11:17,600 Speaker 1: about those racist statues. To hell with those bigots. I'm 116 00:11:17,640 --> 00:11:20,800 Speaker 1: also not talking about the kind of history they teach 117 00:11:20,880 --> 00:11:27,600 Speaker 1: at those fancy schools. That's an appetizer at best. I'm 118 00:11:27,720 --> 00:11:31,280 Speaker 1: talking about the nitty gritty corners of what we choose 119 00:11:31,400 --> 00:11:36,959 Speaker 1: to leave behind, the threads of truth we disguise in 120 00:11:37,080 --> 00:11:41,679 Speaker 1: the stories we tell each other, the darkest corner of 121 00:11:41,800 --> 00:11:46,640 Speaker 1: ourselves we turn away from. You know, the darkness I'm 122 00:11:46,679 --> 00:11:55,480 Speaker 1: talking about, first your mother, now you and your brother 123 00:11:55,920 --> 00:12:00,280 Speaker 1: out there in the wilderness, all that time, a loan, 124 00:12:01,160 --> 00:12:09,600 Speaker 1: afraid memories you wish you could forget. I live by 125 00:12:09,679 --> 00:12:15,000 Speaker 1: the darkness as much as the light. I respect it's 126 00:12:15,080 --> 00:12:19,319 Speaker 1: equal power over us, the way it takes hold and 127 00:12:19,520 --> 00:12:23,600 Speaker 1: grows like a weed, digging its roots inside of us. 128 00:12:23,720 --> 00:12:28,839 Speaker 1: Until are you feeling okay? I say you're the pale 129 00:12:28,880 --> 00:12:38,839 Speaker 1: as death? Who WHOA? Are you all right? Just a 130 00:12:38,920 --> 00:12:43,199 Speaker 1: little dizzy? I guess damn heat air conditionings out and 131 00:12:43,320 --> 00:12:45,880 Speaker 1: Marty has been waiting on a part since Jesus was born. 132 00:12:47,920 --> 00:12:50,560 Speaker 1: I should go. Let's get you a glass of water. 133 00:12:51,240 --> 00:12:54,640 Speaker 1: I'm fine, really, I just have to pick my knees 134 00:12:54,720 --> 00:12:58,920 Speaker 1: up from school. It's barely new. No, I really have 135 00:12:59,080 --> 00:13:02,600 Speaker 1: to go. If you say so, I'll see you Monday, though, 136 00:13:02,920 --> 00:13:06,480 Speaker 1: bright and early, to show you the ropes round here. Yes, 137 00:13:07,040 --> 00:13:27,840 Speaker 1: the Monday. Thank you Mrs Marshall. Thank you still by 138 00:13:27,920 --> 00:13:34,000 Speaker 1: time by Friday, spare packets on the front table. Thanks Ashley. 139 00:13:34,360 --> 00:13:37,920 Speaker 1: But I survived freshman history while ago two disks behind, 140 00:13:38,040 --> 00:13:45,559 Speaker 1: you have memory, serves Michelle on duty detective read. Is 141 00:13:45,600 --> 00:13:49,920 Speaker 1: there news about Gabe? No? Sorry, nothing new came about 142 00:13:49,960 --> 00:13:51,720 Speaker 1: to tell you. We're doing a sweep in the Manonga 143 00:13:51,800 --> 00:13:55,240 Speaker 1: Hilla today, west of the river. You think you'd have 144 00:13:55,280 --> 00:13:58,640 Speaker 1: gone that far. We've exhausted the initial search area. No 145 00:13:58,840 --> 00:14:04,360 Speaker 1: choice but to expand. Okay, good, Then your father in 146 00:14:04,440 --> 00:14:06,319 Speaker 1: law will be there. I'm sure he will be, and 147 00:14:06,480 --> 00:14:09,079 Speaker 1: I will be picking up my daughter at school. I 148 00:14:09,160 --> 00:14:13,560 Speaker 1: didn't mean to imply that we're on the same side here, Ashley. 149 00:14:14,280 --> 00:14:17,679 Speaker 1: We both want to know what happened to Gabe. How 150 00:14:17,720 --> 00:14:20,800 Speaker 1: are you and johceon doing? Been hearing things around town? 151 00:14:21,120 --> 00:14:25,040 Speaker 1: What kind of things? Nothing bad, per se, Just that 152 00:14:25,240 --> 00:14:29,640 Speaker 1: things have been difficult after losing my husband. Yeah, I'd 153 00:14:29,640 --> 00:14:32,440 Speaker 1: say things been pretty difficult. He's still a missing person's case. 154 00:14:32,960 --> 00:14:36,200 Speaker 1: Don't underestimate hope, and look, I have study hall duty. 155 00:14:37,240 --> 00:14:40,640 Speaker 1: Is there something else you need, Michelle? No, I'll let 156 00:14:40,680 --> 00:14:49,400 Speaker 1: you get to it. Oh. Actually, and to ask, how's Isaiah? 157 00:14:49,960 --> 00:14:55,440 Speaker 1: Since he came back. He's recovering, at least he seems 158 00:14:55,480 --> 00:14:59,720 Speaker 1: to be. He still doesn't remember any more details about 159 00:15:01,280 --> 00:15:04,960 Speaker 1: I think he's trying to put it behind him. I'm 160 00:15:05,040 --> 00:15:12,640 Speaker 1: sure he is. I'll call you if we find anything. Hm, 161 00:15:15,560 --> 00:15:27,240 Speaker 1: No one, Hey, you got any more change down here? Thanks? 162 00:15:30,000 --> 00:15:33,400 Speaker 1: Trying to keep something out, neighbor trying to keep something in, 163 00:15:34,240 --> 00:15:37,840 Speaker 1: pom As she's saying you again, there was are a 164 00:15:37,920 --> 00:15:41,840 Speaker 1: lot of change working on a project for the house. Right. 165 00:15:43,320 --> 00:15:46,560 Speaker 1: You know your brother, he wasn't a very handed guy. 166 00:15:47,360 --> 00:15:50,400 Speaker 1: He didn't even own his own drill. My old man 167 00:15:50,520 --> 00:15:52,240 Speaker 1: used to say a man can't run a home if 168 00:15:52,280 --> 00:15:56,040 Speaker 1: he don't know how to build it. And his wife, Ashley, 169 00:15:57,360 --> 00:16:00,440 Speaker 1: she's quiet the home. Where are you getting that? Oh? 170 00:16:00,640 --> 00:16:04,840 Speaker 1: I don't mean anything by just locker room talk, you know, No, 171 00:16:05,120 --> 00:16:08,280 Speaker 1: I don't. Are you're gonna be able to load all 172 00:16:08,320 --> 00:16:13,480 Speaker 1: those with your leg and on? Man, I can manage. 173 00:16:14,440 --> 00:16:16,520 Speaker 1: I guess I'll see you around a neighborhood. I'm sure 174 00:16:16,600 --> 00:16:28,680 Speaker 1: you will have a good day. Paum All right, what's 175 00:16:28,680 --> 00:16:34,760 Speaker 1: your space? And everyone? We passed the perimeter half my 176 00:16:34,960 --> 00:16:37,440 Speaker 1: back in the show. Just a little further. Storms are 177 00:16:37,480 --> 00:16:40,840 Speaker 1: rolling them too. We've got time. I know I'm not 178 00:16:40,960 --> 00:16:45,480 Speaker 1: your partner anymore, but little advice. Respect your fellow officers. 179 00:16:45,520 --> 00:16:49,680 Speaker 1: Time talk, if games alive? Every second count. It's been 180 00:16:50,000 --> 00:16:54,160 Speaker 1: eight weeks. Both of us know better than the believis. 181 00:16:57,640 --> 00:17:05,840 Speaker 1: It's okay, haven't failed. Let's regroup. We double back in 182 00:17:05,920 --> 00:17:14,000 Speaker 1: the morning over Nobody just vanishes into thin air. What 183 00:17:14,240 --> 00:17:19,320 Speaker 1: am I missing? I wish you knew years on the force, 184 00:17:19,440 --> 00:17:25,200 Speaker 1: and I can't even find my own son. They found something? 185 00:17:26,000 --> 00:17:29,000 Speaker 1: Talk to me ready. Rokey's got one looks like a 186 00:17:29,080 --> 00:17:35,280 Speaker 1: backpack slashed to hell? What that looks like? It's covered 187 00:17:35,320 --> 00:17:54,240 Speaker 1: in one? Nobody moved. We're coming to you. Sorry you guys. 188 00:17:54,400 --> 00:17:57,480 Speaker 1: I promise this is the last cast role from the Neighbors. 189 00:17:58,920 --> 00:18:01,840 Speaker 1: Not entirely were what's in this one? But it was 190 00:18:01,920 --> 00:18:10,960 Speaker 1: pretty easy. So m hmm, Isaiah, how the interview go? 191 00:18:12,240 --> 00:18:18,600 Speaker 1: Oh um? She offered me to job. That's great? Really, congrats? 192 00:18:19,880 --> 00:18:24,320 Speaker 1: What about your first day, Jocelyn? How'd it go? Fine? 193 00:18:26,280 --> 00:18:31,640 Speaker 1: Just fine? Nothing else to share? No, come on, there's 194 00:18:31,680 --> 00:18:36,680 Speaker 1: got to be something any new friends? The appy excuse 195 00:18:38,040 --> 00:18:46,359 Speaker 1: if you're finished? Mh I'm gonna talk to her. Let 196 00:18:46,400 --> 00:18:55,600 Speaker 1: me try be my guests? Go away? Mom? What about 197 00:18:55,640 --> 00:19:08,560 Speaker 1: your grumpy uncle, how sorry any time? What? Anytime? You 198 00:19:08,600 --> 00:19:15,240 Speaker 1: want to start talking? I don't want to talk. Sure, okay, 199 00:19:17,760 --> 00:19:23,040 Speaker 1: it's just the kids at school. They've been mean to you, No, 200 00:19:23,960 --> 00:19:30,200 Speaker 1: the opposite, their own nasts to nass, holding doors open 201 00:19:30,280 --> 00:19:32,520 Speaker 1: and let me skip in line at lunch and stuff. 202 00:19:33,720 --> 00:19:37,720 Speaker 1: And I never wanted to talk to me, not really, 203 00:19:39,359 --> 00:19:45,120 Speaker 1: I see. I kept thinking it's gonna be my whole laugh, 204 00:19:46,040 --> 00:19:50,399 Speaker 1: everyone smiling with nothing to say. That happened to me 205 00:19:50,480 --> 00:19:53,960 Speaker 1: when my mom died. It was like if they said 206 00:19:54,000 --> 00:19:58,359 Speaker 1: the wrong thing, I cried or scream or or whatever else. 207 00:20:00,359 --> 00:20:03,320 Speaker 1: I ain't want to deal with it. I remember wishing 208 00:20:03,359 --> 00:20:06,600 Speaker 1: they're just teasing bullet me, but at least feel normal. 209 00:20:09,359 --> 00:20:13,879 Speaker 1: If my dad doesn't combat, it's never gonna be normal again. 210 00:20:14,119 --> 00:20:18,800 Speaker 1: Is it the normally? You remember? No? But the good 211 00:20:18,880 --> 00:20:22,560 Speaker 1: news is this part ends. They'll be back to pushing 212 00:20:22,600 --> 00:20:25,080 Speaker 1: you into your lockers and giving you swirlies in no time. 213 00:20:25,800 --> 00:20:27,920 Speaker 1: You know, Boo didn't have his own line now, right. 214 00:20:29,400 --> 00:20:34,600 Speaker 1: The point is life will move on, and I think 215 00:20:34,640 --> 00:20:37,480 Speaker 1: that's the hardest part sometimes, making peace with the fact 216 00:20:37,560 --> 00:20:44,199 Speaker 1: your life keeps going. Sometimes I dream about what might 217 00:20:44,280 --> 00:20:50,159 Speaker 1: have happened to my dad. I think I must have 218 00:20:50,240 --> 00:20:56,159 Speaker 1: been scared, will be scared in the woods when you 219 00:20:56,240 --> 00:21:08,200 Speaker 1: thought you were gonna die, I told you to grab 220 00:21:08,280 --> 00:21:10,400 Speaker 1: the GPS. Now we stuck out here in the dark. 221 00:21:10,800 --> 00:21:13,080 Speaker 1: Don't you dare blame this on me. I'm not the 222 00:21:13,160 --> 00:21:16,080 Speaker 1: one who left behind. Fuck you, I didn't even want 223 00:21:16,119 --> 00:21:18,880 Speaker 1: to do this. Coom by your eagle scout. Bullshit. Hey, 224 00:21:19,160 --> 00:21:22,080 Speaker 1: I gave you anol really, because if I didn't come, 225 00:21:22,119 --> 00:21:24,160 Speaker 1: it would just be Isaiah the funk up backing out 226 00:21:24,200 --> 00:21:28,560 Speaker 1: on his perfect brother. Man, that's bullshit. Look what was that? 227 00:21:30,200 --> 00:21:36,440 Speaker 1: Probably just said adm Man. Yeah, big animal, bro, stop panicking, 228 00:21:36,600 --> 00:21:40,040 Speaker 1: all right, we're not lost. If we heard duties, well 229 00:21:40,119 --> 00:21:43,480 Speaker 1: rose straight into County Road. There that is again, you 230 00:21:43,600 --> 00:21:48,800 Speaker 1: hear that? Whatever? Man, it's probably just a dear So 231 00:21:48,880 --> 00:21:50,600 Speaker 1: I need you to stop acting like a little baby. 232 00:21:58,840 --> 00:22:18,360 Speaker 1: D I damn hey if I'm down here, ah, hey, hey, 233 00:22:18,400 --> 00:22:34,240 Speaker 1: I'm here. I don't unclass there. You're sweating in your face. 234 00:22:34,520 --> 00:22:41,359 Speaker 1: It's a zel. What's happening to you? Stay here, justin, 235 00:22:41,400 --> 00:22:55,520 Speaker 1: don't move you understand me, Leave me along, Jesus, I said, look, 236 00:22:55,560 --> 00:23:08,720 Speaker 1: class ship, I gotta go. Wait, but keep goings, don't stop. 237 00:23:11,119 --> 00:23:37,080 Speaker 1: You can do this be quiet ship. I told you 238 00:23:37,280 --> 00:23:40,080 Speaker 1: you gotta fix that tail life, neighbor, Paul, were you 239 00:23:40,160 --> 00:23:43,399 Speaker 1: following me? Trucks louder than haighties. You've got to get 240 00:23:43,440 --> 00:23:45,720 Speaker 1: out of here now, moving muscle more and I'll shoot 241 00:23:45,760 --> 00:23:48,440 Speaker 1: your knee. Cops out. What the funk are you doing? 242 00:23:48,800 --> 00:23:53,320 Speaker 1: Those chains won't hold you, not long anyway. What No 243 00:23:53,440 --> 00:23:58,280 Speaker 1: one's what they see, Isaiah, especially not you. You may 244 00:23:58,320 --> 00:24:00,360 Speaker 1: have walked into these woods to human, but you walk 245 00:24:00,440 --> 00:24:03,000 Speaker 1: down something else. I don't know what you're talking about, 246 00:24:03,040 --> 00:24:05,760 Speaker 1: my Paul. You need to leave. They say it's the 247 00:24:05,840 --> 00:24:10,679 Speaker 1: worst pain a man can feel. Your bones breaking, skin 248 00:24:10,840 --> 00:24:15,320 Speaker 1: tearing off your body, fangs growing in your mouth, and 249 00:24:15,440 --> 00:24:22,280 Speaker 1: those handlers splitting right through your scalp. Show me. I 250 00:24:22,480 --> 00:24:42,000 Speaker 1: sad so much you become must Him must story. Good bye, 251 00:24:42,400 --> 00:24:53,480 Speaker 1: man Ship. Come on, you fucking thing. Fuck me head 252 00:24:54,000 --> 00:25:06,880 Speaker 1: if you can hear me, If you're still in, we're 253 00:25:06,960 --> 00:25:23,240 Speaker 1: coming for you. We're coming for the more Day. What 254 00:25:23,560 --> 00:25:32,360 Speaker 1: is this? What am I doing? Oh m hm hmm, 255 00:25:32,920 --> 00:25:40,600 Speaker 1: stop stop, this is really happening. This this really me? 256 00:25:56,480 --> 00:25:59,959 Speaker 1: Next time on more Dale. You're the one who dry 257 00:26:00,160 --> 00:26:03,600 Speaker 1: me into this raging dumpster fire. I'm not stopping until 258 00:26:03,640 --> 00:26:09,960 Speaker 1: we find the rest of that body good whole days 259 00:26:13,160 --> 00:26:23,160 Speaker 1: where those stories are true, the sequencing doesn't match any 260 00:26:23,400 --> 00:26:32,920 Speaker 1: known species human or otherwise. I Heart Radio, blom House 261 00:26:33,000 --> 00:26:38,320 Speaker 1: Television and Crypt TV in association with Wolf at the 262 00:26:38,400 --> 00:26:45,200 Speaker 1: Door Present Mordo Executive produced by Jack Davis, Kate Krantz, 263 00:26:45,840 --> 00:26:52,240 Speaker 1: Darren Brandel, Jason Blum, Chris Dicky, Matt Frederick and Alex Williams. 264 00:26:53,160 --> 00:26:59,479 Speaker 1: Written by Caitlin Crab, directed by Alex Kemp. Produced by 265 00:27:00,040 --> 00:27:06,440 Speaker 1: Toby Lawless, Winnie Kemp, Daniel Pearson's co producers ben So Tech, 266 00:27:07,160 --> 00:27:15,119 Speaker 1: Anthony Mgnolo, Associate producer Federico Torrado. Starring j L. Fons 267 00:27:15,200 --> 00:27:22,840 Speaker 1: Nicholson as Isaiah, Ashley Platts as Ashley, Olivia Lott as Jocelyn, 268 00:27:23,760 --> 00:27:30,560 Speaker 1: Yvonne Angoulo as Michelle, with performances by Real Michael Scott, 269 00:27:31,480 --> 00:27:39,720 Speaker 1: Tacy Adams, James Brewster, Kim Estes, Patty Wilkins. Sound designed 270 00:27:39,840 --> 00:27:45,439 Speaker 1: by Dean Hovey, Original score by Christopher Kemp, mixing by 271 00:27:45,520 --> 00:27:52,560 Speaker 1: Mark Scarce, edited by Fernando Diaz. Assistant engineer Noah Sour 272 00:27:53,640 --> 00:27:59,520 Speaker 1: Recorded at Wolf at the Door Studios. Casting consultant Michelle LeWitt, 273 00:28:00,359 --> 00:28:06,119 Speaker 1: Production assistants Hayley mc Keeckney and Sophia Guilberto, studio teacher 274 00:28:06,600 --> 00:28:13,680 Speaker 1: Pearl Hika, Writing assistant Bill Hanson. This podcast was recorded 275 00:28:13,960 --> 00:28:18,800 Speaker 1: under a SAG after collective bargaining Agreement. Mordeo is a 276 00:28:18,880 --> 00:28:23,159 Speaker 1: production of I Heart Radio Blumhouse Television, crypt t V. 277 00:28:24,200 --> 00:28:27,440 Speaker 1: For more podcasts from I heart Radio, visit the I 278 00:28:27,640 --> 00:28:32,320 Speaker 1: heart Radio app, Apple Podcasts, or wherever you listen to 279 00:28:32,480 --> 00:28:33,439 Speaker 1: your favorite shows.