1
00:00:01,000 --> 00:00:04,800
Speaker 1: Look man, oh I see you? Why why and look

2
00:00:04,840 --> 00:00:13,640
Speaker 1: over there? How is that culture? Yes? Goodness, sang Dons falling. Wow,

3
00:00:14,280 --> 00:00:20,960
Speaker 1: I feel truly unmuzzled and I feel like a lightness. Deviously,

4
00:00:21,239 --> 00:00:24,520
Speaker 1: it feels very good to be back, to be back.

5
00:00:24,520 --> 00:00:26,880
Speaker 1: So we're just gonna get down to brass tacks. We've

6
00:00:27,080 --> 00:00:29,840
Speaker 1: already recorded a couple episodes and they're good, and they're

7
00:00:29,840 --> 00:00:33,360
Speaker 1: good at our new home here at I heart. I mean,

8
00:00:33,680 --> 00:00:35,720
Speaker 1: you know where you love her. This is where we're

9
00:00:35,720 --> 00:00:39,919
Speaker 1: at ended, and honestly, we're so happy. Everyone here is

10
00:00:40,120 --> 00:00:43,440
Speaker 1: the best, the best. Engineer Doug is in there, slaying it.

11
00:00:43,800 --> 00:00:46,559
Speaker 1: Engineer Doug is slaying it. Head of content Hans, Yes,

12
00:00:46,640 --> 00:00:51,519
Speaker 1: Head of content Hans. Producer Anna, absolutely incredible. Executive producer.

13
00:00:52,040 --> 00:00:54,200
Speaker 1: I'm so sorry, and that that's the thing is actually

14
00:00:54,400 --> 00:00:59,080
Speaker 1: it's real culture number ten, executive producer, Anna. I mean

15
00:00:59,160 --> 00:01:01,960
Speaker 1: that was disrespect full of me, very disrespectful. I just

16
00:01:02,080 --> 00:01:04,480
Speaker 1: love the team here so much. The snacks and the

17
00:01:05,720 --> 00:01:09,280
Speaker 1: stalked the house down boots. Oh yeah, and there's string cheese.

18
00:01:09,480 --> 00:01:12,479
Speaker 1: String cheese, which is fatal for me. Actually not because

19
00:01:12,480 --> 00:01:13,760
Speaker 1: I have anything against that. I just been once I

20
00:01:13,760 --> 00:01:16,800
Speaker 1: started can't stop it's like that thing you pop, like

21
00:01:16,800 --> 00:01:20,039
Speaker 1: the pringles exactly like you know for me, you know

22
00:01:20,120 --> 00:01:23,560
Speaker 1: what the thing is for me? The baby bells, those

23
00:01:23,600 --> 00:01:28,280
Speaker 1: little cheese. They're freakishly addictive, so addictive, and they they

24
00:01:28,360 --> 00:01:34,080
Speaker 1: really revisit me at the most, at my most vulnerable times.

25
00:01:34,200 --> 00:01:36,200
Speaker 1: I had no idea what they even were until I

26
00:01:36,319 --> 00:01:38,759
Speaker 1: came to l A and started working in writer's rooms,

27
00:01:38,760 --> 00:01:41,319
Speaker 1: and they're like a fixture there, these baby bells and

28
00:01:41,360 --> 00:01:44,360
Speaker 1: they pop off and they pop off, and you look

29
00:01:44,360 --> 00:01:46,440
Speaker 1: at them and you're like, what's this wax? What is

30
00:01:46,480 --> 00:01:48,520
Speaker 1: this cheese? I don't know. And then once you figure

31
00:01:48,560 --> 00:01:52,120
Speaker 1: it out, honey, it's like it's like riding a bike.

32
00:01:52,200 --> 00:01:54,760
Speaker 1: It's likece you figure it out, you're doing it. That's

33
00:01:54,800 --> 00:01:58,240
Speaker 1: actually a culture number nineteen. Yeah, it's like riding a bike.

34
00:01:58,400 --> 00:02:01,960
Speaker 1: Once you figure it out, you're okay. We would we

35
00:02:02,000 --> 00:02:03,760
Speaker 1: should bring everyone up to speed, all the readers to

36
00:02:03,760 --> 00:02:06,200
Speaker 1: speed on our new home. So yeah, I mean, we

37
00:02:06,200 --> 00:02:07,960
Speaker 1: weren't kidding when we told you we weren't sure where

38
00:02:07,960 --> 00:02:11,320
Speaker 1: we were going to land after our last episode. It

39
00:02:11,360 --> 00:02:13,639
Speaker 1: took a lot of thought to disfigure out where our

40
00:02:13,639 --> 00:02:15,080
Speaker 1: new home was going to be. But we're happy. And

41
00:02:15,120 --> 00:02:17,520
Speaker 1: we're recording in Los Angeles right now. So we've answered

42
00:02:17,560 --> 00:02:20,720
Speaker 1: the question that you picked two that we floated to everyone.

43
00:02:20,800 --> 00:02:23,560
Speaker 1: We decided that it is best for my sister Bowen

44
00:02:23,639 --> 00:02:25,560
Speaker 1: and I to be in the same city looking at

45
00:02:25,560 --> 00:02:28,200
Speaker 1: each other in the damn eyes. We don't want to

46
00:02:28,200 --> 00:02:32,040
Speaker 1: be trifling with this across the country. Wait, what did

47
00:02:32,080 --> 00:02:36,800
Speaker 1: you say it again? Non? So? Yeah, we lost, we lost, Matt.

48
00:02:37,080 --> 00:02:40,400
Speaker 1: We can make the commitment to fly to each other. Yes,

49
00:02:40,880 --> 00:02:42,519
Speaker 1: like you have made the commitment this time, and I

50
00:02:42,520 --> 00:02:44,240
Speaker 1: will come to you next month and you will do

51
00:02:44,280 --> 00:02:47,119
Speaker 1: it in kind. And we backlog Mother and we backlock Mother.

52
00:02:47,160 --> 00:02:50,600
Speaker 1: But that's not to say it won't always be topical. Yeah. No,

53
00:02:50,840 --> 00:02:53,000
Speaker 1: I think this episode, this is our our fun little

54
00:02:53,040 --> 00:02:57,000
Speaker 1: return reunion. Um, we're gonna we're gonna talk talk about

55
00:02:57,040 --> 00:03:00,639
Speaker 1: some culture that we've messed. We basically have been having

56
00:03:00,720 --> 00:03:04,200
Speaker 1: a pain in our stomach's, hearts and brains because we

57
00:03:04,200 --> 00:03:05,760
Speaker 1: haven't been able to talk about all the cults that's

58
00:03:05,760 --> 00:03:07,799
Speaker 1: been happening. And I just want to say one one

59
00:03:07,840 --> 00:03:11,640
Speaker 1: thing before we um begin the episode. I have to

60
00:03:11,639 --> 00:03:16,360
Speaker 1: say something. I'm very angry at some listeners the readers

61
00:03:16,400 --> 00:03:18,799
Speaker 1: because they have been saying we don't believe Matt and

62
00:03:18,840 --> 00:03:20,640
Speaker 1: Bonon that they're going to come back. And this was

63
00:03:20,680 --> 00:03:25,239
Speaker 1: a betrayal because I have done nothing but be supportive.

64
00:03:25,320 --> 00:03:27,600
Speaker 1: I have done nothing but be supportive the readers, and

65
00:03:27,639 --> 00:03:29,000
Speaker 1: for you to get in my d m s and

66
00:03:29,000 --> 00:03:31,880
Speaker 1: get into my instagrams and say Bowen won't respond to me,

67
00:03:32,440 --> 00:03:34,760
Speaker 1: but I don't believe. Well, they threw you under the bus.

68
00:03:34,840 --> 00:03:38,480
Speaker 1: Damn what did they say? Damn they said? Damn they said,

69
00:03:38,800 --> 00:03:41,360
Speaker 1: they said, well, Bowen did not respond to my d M.

70
00:03:41,400 --> 00:03:43,240
Speaker 1: So I'm asking you, by the way, thank you for

71
00:03:43,320 --> 00:03:46,920
Speaker 1: letting me know, I'm officially the second choice. And they

72
00:03:46,920 --> 00:03:50,600
Speaker 1: said that's not it's actually really rude. And I'm and

73
00:03:50,640 --> 00:03:53,400
Speaker 1: I'm angry at the readers, and we're and you're angry,

74
00:03:53,400 --> 00:03:55,560
Speaker 1: and I'm angry at them and furious, I would say,

75
00:03:55,600 --> 00:03:59,400
Speaker 1: I'm angry and the addition furious, and here I am,

76
00:03:59,480 --> 00:04:02,160
Speaker 1: and I say to them, you know what, I hope

77
00:04:02,160 --> 00:04:06,080
Speaker 1: it's okay that I'm back, that you were wrong. This

78
00:04:06,120 --> 00:04:09,360
Speaker 1: is the thing. It's meaningful when you make the decision

79
00:04:09,400 --> 00:04:14,560
Speaker 1: to believe podcasters absolutely for you too, not not give

80
00:04:14,640 --> 00:04:18,920
Speaker 1: us the benefit of the d disgusting. Well, guess what,

81
00:04:19,600 --> 00:04:22,600
Speaker 1: I'm actually vitamin D deficient and I found that out

82
00:04:22,640 --> 00:04:25,640
Speaker 1: and it was really painful. It was really painful to

83
00:04:25,680 --> 00:04:27,919
Speaker 1: find that out. So then what's what's the what's the

84
00:04:27,960 --> 00:04:30,640
Speaker 1: what's the course of action for you to take a

85
00:04:30,760 --> 00:04:36,440
Speaker 1: huge pill in the morning. And I've also gone non prep.

86
00:04:37,000 --> 00:04:41,120
Speaker 1: So that's two pills, yes, dask O VI four prep

87
00:04:41,880 --> 00:04:47,120
Speaker 1: and I have to swallow two large pills. And your criticism.

88
00:04:47,160 --> 00:04:50,039
Speaker 1: I am having a very difficult time and I haven't

89
00:04:50,040 --> 00:04:54,560
Speaker 1: been able to talk about culture. I see you genuinely hurt.

90
00:04:54,800 --> 00:04:57,440
Speaker 1: I see I'm genuinely hurting. But this is the thing

91
00:04:57,800 --> 00:05:01,160
Speaker 1: we will never do wrong by the reader. Oh truly,

92
00:05:01,200 --> 00:05:03,200
Speaker 1: this is this is our life. This is our life.

93
00:05:03,240 --> 00:05:05,360
Speaker 1: Our life is to connect with you the cultures that

94
00:05:05,600 --> 00:05:08,359
Speaker 1: I have missed this so much. It's really got to say.

95
00:05:08,480 --> 00:05:11,279
Speaker 1: So anyway, I'm not actually mad. We're not actually mad.

96
00:05:11,320 --> 00:05:13,880
Speaker 1: And we're doing this episode especially for everyone. We're going

97
00:05:13,920 --> 00:05:16,799
Speaker 1: to do a culture catch up, culture catch up, culture

98
00:05:16,839 --> 00:05:18,560
Speaker 1: catch up. I mean, if you want to know our

99
00:05:18,600 --> 00:05:20,280
Speaker 1: thoughts on on on the things that we've missed in

100
00:05:20,279 --> 00:05:23,400
Speaker 1: the last nine ten weeks. Um, A lot has happened.

101
00:05:23,520 --> 00:05:26,160
Speaker 1: A lot has actually happened. It's actually been an incredible

102
00:05:26,240 --> 00:05:30,400
Speaker 1: time for culture in both negative and positive ways. Of course,

103
00:05:30,440 --> 00:05:34,279
Speaker 1: the world continues to absolutely burn, but there's been some

104
00:05:34,560 --> 00:05:37,039
Speaker 1: real moments of coach that have shown through, that have

105
00:05:37,120 --> 00:05:39,960
Speaker 1: cut through the terror. Yeah. I mean there's and I

106
00:05:40,080 --> 00:05:41,840
Speaker 1: have some stuff to say about some of the terror

107
00:05:41,920 --> 00:05:46,039
Speaker 1: going on, some of the fear that's being you know, spread.

108
00:05:46,360 --> 00:05:48,160
Speaker 1: It's great to know that you have something to say.

109
00:05:48,200 --> 00:05:49,640
Speaker 1: I have something to say about. I think we look

110
00:05:49,680 --> 00:05:53,600
Speaker 1: to you, everyone looks to me. So I think that

111
00:05:53,720 --> 00:05:55,760
Speaker 1: if we're going to start this culture catch up, yeah,

112
00:05:56,480 --> 00:05:59,680
Speaker 1: I I would personally move that we just dive into

113
00:05:59,720 --> 00:06:03,279
Speaker 1: one topic head on. Okay. I have a connection to

114
00:06:04,080 --> 00:06:07,320
Speaker 1: and you have a connection to Taylor Taylor. Her name

115
00:06:07,400 --> 00:06:11,120
Speaker 1: is Taylor Swift, Taylor Swift, and she actually she brush

116
00:06:11,200 --> 00:06:13,479
Speaker 1: back onto the scene with a Netflix documentary. It's called

117
00:06:13,480 --> 00:06:18,159
Speaker 1: Miss Americana. Miss Americana, with the accompanying single Only the Young,

118
00:06:18,400 --> 00:06:21,400
Speaker 1: Only the Young, And I just want to throw it

119
00:06:21,480 --> 00:06:24,680
Speaker 1: to Bowen. Yes, your review of Miss Americana, how did

120
00:06:24,720 --> 00:06:27,039
Speaker 1: you feel? What were you what were you thinking? You know,

121
00:06:27,360 --> 00:06:32,520
Speaker 1: it's really stuck with me. An effective, effective documentary, I

122
00:06:32,560 --> 00:06:38,440
Speaker 1: would say, very specific, Yeah, very specific window into like

123
00:06:38,480 --> 00:06:40,960
Speaker 1: her life in a way that feels intentional, like you

124
00:06:41,000 --> 00:06:43,960
Speaker 1: could tell that she I thought back to that conversation

125
00:06:43,960 --> 00:06:46,520
Speaker 1: that she has with her dad and her mom's it's

126
00:06:46,680 --> 00:06:48,920
Speaker 1: Taylor and her mom sitting next to each other and

127
00:06:49,600 --> 00:06:52,680
Speaker 1: they're trying to convince Taylor's father Um that she should

128
00:06:52,800 --> 00:06:57,440
Speaker 1: post this um endorsement endorse Well, were you know Um

129
00:06:57,720 --> 00:06:59,520
Speaker 1: of the Tennessee of it all? The Senate race, the

130
00:06:59,560 --> 00:07:02,360
Speaker 1: Senate race, it all very moving, very effective. But then

131
00:07:02,400 --> 00:07:04,480
Speaker 1: it's like, oh, but then they know that there's cameras

132
00:07:04,480 --> 00:07:06,880
Speaker 1: in front of them, and do you know what I mean?

133
00:07:07,040 --> 00:07:08,440
Speaker 1: And we can talk about this, and I'm sure you

134
00:07:08,440 --> 00:07:09,800
Speaker 1: you have something to say about that, but it's like

135
00:07:09,840 --> 00:07:13,640
Speaker 1: it's I am holding too sort of multitudinous thoughts in

136
00:07:13,640 --> 00:07:16,440
Speaker 1: my head where it's like I enjoyed it. I gave

137
00:07:16,480 --> 00:07:18,960
Speaker 1: a nice glimpse into her process and and and sort

138
00:07:19,000 --> 00:07:22,000
Speaker 1: of her struggles, and she has a very particular set

139
00:07:22,000 --> 00:07:24,160
Speaker 1: of struggles. But then it's also like I also see it.

140
00:07:24,120 --> 00:07:28,880
Speaker 1: It's like a very very sort of cleverly timed pr

141
00:07:29,080 --> 00:07:32,760
Speaker 1: move as well. Yeah, I mean every single thing she

142
00:07:32,800 --> 00:07:35,720
Speaker 1: does I always think of as being calculated, but also

143
00:07:35,880 --> 00:07:38,920
Speaker 1: I act think I think it's fine and that's like

144
00:07:39,000 --> 00:07:41,320
Speaker 1: part of being a huge brand because of course you're

145
00:07:41,360 --> 00:07:43,520
Speaker 1: going to calculate your moves. Of course the thing, but

146
00:07:43,720 --> 00:07:45,880
Speaker 1: just fine, and like you have to calculate your moves

147
00:07:45,880 --> 00:07:48,360
Speaker 1: when you when everything that you do is scrutinize. And

148
00:07:48,400 --> 00:07:50,880
Speaker 1: I also thought to myself throughout the documentary watching it,

149
00:07:50,880 --> 00:07:52,680
Speaker 1: I'm like, well, she's on camera's on camera. I'm like, yeah,

150
00:07:52,720 --> 00:07:54,440
Speaker 1: she knows. She's like she knows. It's like, of course

151
00:07:54,440 --> 00:07:56,920
Speaker 1: she's gonna know. She's on camera. And every time I

152
00:07:56,960 --> 00:07:59,600
Speaker 1: reminded myself, like, well, you know, don't believe this all

153
00:07:59,600 --> 00:08:01,960
Speaker 1: the way because you know, she's a documentary and she's

154
00:08:01,960 --> 00:08:03,440
Speaker 1: putting it out and it's part of her brand. I'm

155
00:08:03,480 --> 00:08:05,640
Speaker 1: like yeah, blah blah blah. It's like, also, you have

156
00:08:05,680 --> 00:08:07,840
Speaker 1: to give her she is also a human being and

157
00:08:08,320 --> 00:08:11,640
Speaker 1: in addition to being a brand. I really thought it

158
00:08:11,760 --> 00:08:13,600
Speaker 1: made a lot of sense to me that she had

159
00:08:13,720 --> 00:08:15,720
Speaker 1: sort of a light. It made a lot of sense

160
00:08:15,720 --> 00:08:17,720
Speaker 1: to me that she felt like frozen in time by

161
00:08:17,720 --> 00:08:22,400
Speaker 1: the Kanye That must have been freakish. And also constant

162
00:08:22,440 --> 00:08:24,720
Speaker 1: reminders about what happened with the Dixie Chicks when they

163
00:08:24,720 --> 00:08:28,240
Speaker 1: made a political statement. Now, of course you want to

164
00:08:28,800 --> 00:08:30,640
Speaker 1: think of yourself that if you ever get in a

165
00:08:30,640 --> 00:08:33,200
Speaker 1: position of power and you're able to make a political statement,

166
00:08:33,240 --> 00:08:36,800
Speaker 1: that you will do the right thing. But culturally and

167
00:08:36,920 --> 00:08:40,000
Speaker 1: you know, financially, she's in an extremely different situation, and

168
00:08:40,040 --> 00:08:42,280
Speaker 1: so she had seen it really not work out for

169
00:08:42,520 --> 00:08:45,880
Speaker 1: someone where it was a similar situation, and so I

170
00:08:45,960 --> 00:08:50,120
Speaker 1: thought that it really tracked narratively to see she was

171
00:08:50,200 --> 00:08:52,360
Speaker 1: frozen in time by the Kanye thing that freaked the

172
00:08:52,400 --> 00:08:55,160
Speaker 1: funk out and she could never get a real control on,

173
00:08:55,240 --> 00:08:58,560
Speaker 1: like a good narrative now because to this day it's

174
00:08:58,600 --> 00:09:01,200
Speaker 1: like this, because the ground keeps shifting underneath her and

175
00:09:01,240 --> 00:09:04,079
Speaker 1: it's still a Kanye tailor visual tailor thing to this day,

176
00:09:04,120 --> 00:09:07,079
Speaker 1: which is nuts. She never asked for it until she

177
00:09:07,480 --> 00:09:11,880
Speaker 1: did likely um yeah, yeah, yeah. But I thought that

178
00:09:11,960 --> 00:09:15,720
Speaker 1: in conjunction with the trial being the light bulb moment

179
00:09:16,000 --> 00:09:19,199
Speaker 1: for her, I really understood that because it's not it

180
00:09:19,240 --> 00:09:21,760
Speaker 1: wasn't about it wasn't even really about her assault that

181
00:09:21,800 --> 00:09:23,360
Speaker 1: made her say I have to speak up. It was

182
00:09:23,400 --> 00:09:27,360
Speaker 1: the specifically the tru where they had photographic evidence of

183
00:09:27,400 --> 00:09:31,920
Speaker 1: her being assaulted, and witnesses and still people in this courtroom,

184
00:09:32,000 --> 00:09:34,920
Speaker 1: men in this courtroom were like, well, why didn't you

185
00:09:34,920 --> 00:09:38,679
Speaker 1: say anything at the time, or was it really a groping, etcetera, etcetera.

186
00:09:38,679 --> 00:09:40,679
Speaker 1: And I bought all of it. I bought all of it,

187
00:09:40,720 --> 00:09:42,400
Speaker 1: and truly, like, of course, it was a light bulb

188
00:09:42,440 --> 00:09:45,240
Speaker 1: moment for the trial to be that sort of catalyst,

189
00:09:45,280 --> 00:09:48,480
Speaker 1: because for her to be like, oh, I'm famous and

190
00:09:48,679 --> 00:09:51,719
Speaker 1: I have evidence and all these things going for me,

191
00:09:51,800 --> 00:09:54,520
Speaker 1: but this is still a shitty fucking right, And it's

192
00:09:54,520 --> 00:09:57,800
Speaker 1: got to be incredibly enlightening in like a very dark

193
00:09:57,880 --> 00:10:00,800
Speaker 1: way to know that you could be one, literally one

194
00:10:00,800 --> 00:10:02,640
Speaker 1: of the most famous people in the world and have

195
00:10:02,840 --> 00:10:05,559
Speaker 1: all the evidence you need and they're still going to

196
00:10:05,679 --> 00:10:08,440
Speaker 1: be like the raised eyebrow at you. That's had to

197
00:10:08,440 --> 00:10:11,880
Speaker 1: be very very enlightening. And I mean study and I

198
00:10:11,920 --> 00:10:13,679
Speaker 1: watched it together, and the thing that we were both

199
00:10:13,720 --> 00:10:15,720
Speaker 1: struck by was at the end, towards the end, she goes,

200
00:10:16,400 --> 00:10:18,240
Speaker 1: you know, I'm I'm in my thirties now, and there's

201
00:10:18,280 --> 00:10:20,200
Speaker 1: only so much more time that the world will allow

202
00:10:20,240 --> 00:10:23,640
Speaker 1: me to be success success, which is and the way

203
00:10:23,679 --> 00:10:25,800
Speaker 1: she she made a face about it like and I

204
00:10:26,200 --> 00:10:29,400
Speaker 1: know I might, and you know, it's right, really crazy,

205
00:10:29,440 --> 00:10:31,160
Speaker 1: and also you have to you have to think like

206
00:10:31,440 --> 00:10:34,679
Speaker 1: she probably also knew that when she was weighing whether

207
00:10:34,760 --> 00:10:37,640
Speaker 1: or not to speak out about her political beliefs, because

208
00:10:37,640 --> 00:10:39,559
Speaker 1: it's like she is a certain kind of artist, and

209
00:10:40,040 --> 00:10:42,599
Speaker 1: you know what's so different when you say anything and

210
00:10:42,640 --> 00:10:46,040
Speaker 1: you're a woman, So definitely all that, and I was

211
00:10:46,040 --> 00:10:50,280
Speaker 1: really on her side personally now now professionally with the

212
00:10:50,320 --> 00:10:52,120
Speaker 1: kind of music she's making, like, for example, this song

213
00:10:52,200 --> 00:10:54,240
Speaker 1: Only the Young. Another thing I picked up on in

214
00:10:54,240 --> 00:10:57,079
Speaker 1: this documentary is I think she needs to shake up

215
00:10:57,080 --> 00:11:00,440
Speaker 1: her producers because I think she's got yes people. She's

216
00:11:00,440 --> 00:11:03,240
Speaker 1: got yes people she the you know, the that are

217
00:11:03,440 --> 00:11:06,600
Speaker 1: hurting her, you think yes, because I think Only the

218
00:11:06,640 --> 00:11:10,240
Speaker 1: Young needed a lyrics pass bad, because I mean, if

219
00:11:10,320 --> 00:11:12,520
Speaker 1: the documentary is to be believed, she just kind of

220
00:11:12,559 --> 00:11:15,080
Speaker 1: notes apps that for about ten minutes and was like, Okay,

221
00:11:15,080 --> 00:11:18,080
Speaker 1: I've got it. Only the Young can Run. Like there's

222
00:11:18,080 --> 00:11:20,320
Speaker 1: a moment and where she's writing it, and she said

223
00:11:20,320 --> 00:11:23,600
Speaker 1: only the Young can Run and she makes a face

224
00:11:23,679 --> 00:11:26,600
Speaker 1: like I'm sort of behind this, and her producer you

225
00:11:26,640 --> 00:11:29,640
Speaker 1: hear him go yeah, and it's like no, dude, Like

226
00:11:29,720 --> 00:11:32,880
Speaker 1: that's that doesn't really make sense. Can run? I mean,

227
00:11:32,960 --> 00:11:36,680
Speaker 1: it's it's a call to action like people running for office.

228
00:11:36,760 --> 00:11:41,160
Speaker 1: Maybe I just think, like because there's weird, like like

229
00:11:41,280 --> 00:11:43,280
Speaker 1: there's not clarity about it. It could have just used

230
00:11:43,280 --> 00:11:45,160
Speaker 1: another lyrics pass or like looked at the song one

231
00:11:45,160 --> 00:11:47,200
Speaker 1: more time, because I think the song is like songs

232
00:11:47,240 --> 00:11:50,680
Speaker 1: great great, just lyrically it's like this is like kind

233
00:11:50,679 --> 00:11:54,600
Speaker 1: of weird and could have used another past likewise the

234
00:11:54,640 --> 00:11:59,520
Speaker 1: song me wait. But interestingly though, and like other people

235
00:11:59,520 --> 00:12:03,280
Speaker 1: have observed this in the writing of it, it sounds

236
00:12:03,280 --> 00:12:06,560
Speaker 1: like a very compelling song, and that's another part of it.

237
00:12:06,600 --> 00:12:09,800
Speaker 1: I was like, I can see why I love watching

238
00:12:09,840 --> 00:12:13,920
Speaker 1: her process. It's incredible because she's actually doing yes, you

239
00:12:13,920 --> 00:12:15,600
Speaker 1: know what I mean, Like you're actually watching her work

240
00:12:15,600 --> 00:12:18,000
Speaker 1: and it actually like has reminded me of when I've

241
00:12:18,000 --> 00:12:21,040
Speaker 1: seen this happen or have have done it. Like I'm like, yes,

242
00:12:21,200 --> 00:12:24,720
Speaker 1: she is so uniquely good at this, and I buy

243
00:12:24,720 --> 00:12:27,560
Speaker 1: this percent and love watching her process. And I really

244
00:12:27,559 --> 00:12:30,200
Speaker 1: like her bts when she like notes Apple or when

245
00:12:30,240 --> 00:12:33,680
Speaker 1: she voice records herself and deluxe albums. I love that ship.

246
00:12:34,080 --> 00:12:36,240
Speaker 1: So my thing was the videos during reputation, when she

247
00:12:36,440 --> 00:12:38,959
Speaker 1: put out videos of her like trying to crack the

248
00:12:39,720 --> 00:12:42,199
Speaker 1: chord progressions and the melanies and the lyrics too gorgeous.

249
00:12:42,800 --> 00:12:44,680
Speaker 1: It's like over like the course of like ten weeks,

250
00:12:44,920 --> 00:12:46,959
Speaker 1: she's recording herself in front of a keyboard at a piano,

251
00:12:47,000 --> 00:12:50,600
Speaker 1: being like and then she's just like, it's so interesting.

252
00:12:51,120 --> 00:12:54,400
Speaker 1: So I was watching her writing me and you see

253
00:12:54,400 --> 00:12:56,120
Speaker 1: them get excited and they're like, it's a hit. It's

254
00:12:56,120 --> 00:12:58,160
Speaker 1: a hit, we know it. And then I'm like, but

255
00:12:58,200 --> 00:13:01,880
Speaker 1: what did happen? Because it's between Maybe it was like

256
00:13:01,920 --> 00:13:03,640
Speaker 1: an imaging thing. Maybe it was the fact that it

257
00:13:03,679 --> 00:13:06,840
Speaker 1: was the first thing we heard something about it, and

258
00:13:06,880 --> 00:13:10,400
Speaker 1: maybe it was just did too much, but like something

259
00:13:10,440 --> 00:13:13,960
Speaker 1: about it, like it's just not one of her, It's

260
00:13:13,960 --> 00:13:17,320
Speaker 1: not Cannon for her, for not Cannon. It's it felt

261
00:13:17,360 --> 00:13:21,040
Speaker 1: like an anomaly. Um. Yeah, but you and I talked

262
00:13:21,120 --> 00:13:22,959
Speaker 1: checked in on Lover the other day. You're still listening

263
00:13:22,960 --> 00:13:25,440
Speaker 1: to it, listening to it. I'm listening to Cruel Summer

264
00:13:25,559 --> 00:13:28,439
Speaker 1: basically every day. I mean, for me, I would have

265
00:13:28,720 --> 00:13:31,080
Speaker 1: and this guy get us into another topic. I would

266
00:13:31,120 --> 00:13:34,320
Speaker 1: have voted for Lover for Song of the Year just

267
00:13:34,360 --> 00:13:36,440
Speaker 1: because for the Grammys, which it didn't win. It was

268
00:13:36,480 --> 00:13:38,960
Speaker 1: a bad Guy by Billie Eilish along with everything else.

269
00:13:39,360 --> 00:13:43,880
Speaker 1: Because I feel like when you're giving an Awards song

270
00:13:44,000 --> 00:13:47,840
Speaker 1: of the Year, that should mean like you're introducing a

271
00:13:47,840 --> 00:13:50,160
Speaker 1: beautiful new song that can be performed by many people

272
00:13:50,200 --> 00:13:53,880
Speaker 1: to the cannon and Billie Eilish Bad Guy is like,

273
00:13:54,200 --> 00:13:57,040
Speaker 1: sure it was an important record of the year, like

274
00:13:57,080 --> 00:14:01,600
Speaker 1: it says two like doubt, yes, but in terms of

275
00:14:01,640 --> 00:14:04,880
Speaker 1: like song of the year, in terms of like lyrical

276
00:14:05,120 --> 00:14:09,200
Speaker 1: construction and like like actually being a song, I don't know.

277
00:14:09,320 --> 00:14:11,520
Speaker 1: And I think that Lover is like such a gorgeous

278
00:14:12,720 --> 00:14:14,960
Speaker 1: In Billy's defense, I feel like there was other There

279
00:14:15,000 --> 00:14:18,520
Speaker 1: are other songs on UM on that album that are

280
00:14:19,120 --> 00:14:23,800
Speaker 1: beautiful works of songwriting. Not incredible, yes, incredible. And she

281
00:14:23,880 --> 00:14:27,200
Speaker 1: did sweep the damn Grammys. She swept. She is She

282
00:14:27,280 --> 00:14:29,840
Speaker 1: is an icon. She is a nicon. She is the moment.

283
00:14:29,920 --> 00:14:33,440
Speaker 1: She is the moment. Darling, um are we? Are we?

284
00:14:33,440 --> 00:14:35,560
Speaker 1: Anything else you want to say about Miss American? Miss

285
00:14:35,560 --> 00:14:40,000
Speaker 1: Americana was probably one of the better pop star documentaries. Sure,

286
00:14:40,280 --> 00:14:43,480
Speaker 1: I think I'd rank it above two is a little

287
00:14:43,520 --> 00:14:46,040
Speaker 1: a little scattered. It's a little scattered and like it

288
00:14:46,120 --> 00:14:49,480
Speaker 1: was fascinating to watch, like her physical struggles, but then

289
00:14:49,680 --> 00:14:51,760
Speaker 1: I could sort of do without the like her smoking

290
00:14:51,760 --> 00:14:54,400
Speaker 1: a cigarette talking about Madonna. You know what I mean? Like,

291
00:14:54,440 --> 00:15:00,320
Speaker 1: I'm like, okay, okay, Stephanie Germanada. It is that definitely

292
00:15:00,320 --> 00:15:03,200
Speaker 1: Germanano was in some ways a little more aware that

293
00:15:03,240 --> 00:15:05,040
Speaker 1: the camera was in front of her him right right,

294
00:15:05,800 --> 00:15:07,600
Speaker 1: So I don't know. Um, oh, well we've got to

295
00:15:07,720 --> 00:15:09,400
Speaker 1: we got a choosing adventure to be talking about Gaga.

296
00:15:09,440 --> 00:15:11,400
Speaker 1: Do we talk about Grammys? Well, it looks like we

297
00:15:11,440 --> 00:15:15,360
Speaker 1: can talk about what we're here. We're here at Gaga.

298
00:15:14,640 --> 00:15:18,960
Speaker 1: We're feeling excited, We're very excited for New Gaga. Stupid

299
00:15:19,000 --> 00:15:22,360
Speaker 1: Love is you know, I love very good and miss

300
00:15:22,440 --> 00:15:25,760
Speaker 1: Josh Sharpen Aaron Jackson saying stupid love and in a fun,

301
00:15:25,800 --> 00:15:31,120
Speaker 1: little like broken down version for all people to open

302
00:15:31,160 --> 00:15:33,280
Speaker 1: with that. For the Valentine's Day show perfect I would

303
00:15:33,320 --> 00:15:36,200
Speaker 1: love So fun, they dressed up as cupids and they

304
00:15:36,240 --> 00:15:40,760
Speaker 1: sang stupid Love and live band like guitar drums sounds

305
00:15:40,760 --> 00:15:43,800
Speaker 1: so good comes up. But musically You're like, oh, yes,

306
00:15:43,880 --> 00:15:46,640
Speaker 1: this is a very well constructed So I'm excited. I'm

307
00:15:46,640 --> 00:15:50,120
Speaker 1: really pumped. I want her to be dancing again. I

308
00:15:50,120 --> 00:15:52,760
Speaker 1: want her to absolutely stomp the yard. I want I

309
00:15:52,800 --> 00:15:56,400
Speaker 1: want her to sort of create an army of gaze. Again,

310
00:15:56,640 --> 00:16:00,880
Speaker 1: we've been talking about this insane to watch, not in

311
00:16:01,000 --> 00:16:03,120
Speaker 1: terms of like it's insane that Gaga is doing this

312
00:16:03,160 --> 00:16:05,960
Speaker 1: because it's like crack pop Gaga what we've always expected,

313
00:16:06,320 --> 00:16:09,440
Speaker 1: but it's fascinating to see her post Star is Born

314
00:16:09,640 --> 00:16:12,880
Speaker 1: kind of dig her heels deeper into like the weird,

315
00:16:13,560 --> 00:16:17,400
Speaker 1: the weirdness that Gaga is to revisit like Gaga being

316
00:16:17,480 --> 00:16:20,040
Speaker 1: Gaga in a post Star is Born world where she

317
00:16:20,160 --> 00:16:23,360
Speaker 1: was like tearfully accepting awards all season like, and we

318
00:16:23,440 --> 00:16:25,600
Speaker 1: saw this other side to her. It's just so funny

319
00:16:25,600 --> 00:16:28,040
Speaker 1: because you're like, oh, you're truly nuts. No, But I

320
00:16:28,080 --> 00:16:30,240
Speaker 1: don't think it's that she's nuts. It's that it just

321
00:16:30,280 --> 00:16:33,760
Speaker 1: reinforces this whole her whole sort of like her whole

322
00:16:34,000 --> 00:16:37,360
Speaker 1: organizing principle around her fame, which is to perform performed,

323
00:16:37,760 --> 00:16:41,800
Speaker 1: and her doing the award circuit last year was her

324
00:16:41,840 --> 00:16:45,000
Speaker 1: performing like oh my god, I can't believe I want

325
00:16:45,000 --> 00:16:47,560
Speaker 1: like she Do you think that's true? Yes, I absolutely

326
00:16:47,600 --> 00:16:51,520
Speaker 1: think that's true. Her just performing the funk out of

327
00:16:51,560 --> 00:16:56,600
Speaker 1: that trope of like a famous person. She's just she's trying,

328
00:16:56,640 --> 00:16:58,840
Speaker 1: She's putting on different fame drag. That's all she's been

329
00:16:58,880 --> 00:17:01,520
Speaker 1: doing her whole career. That's a fucking amazing take. I

330
00:17:01,520 --> 00:17:05,600
Speaker 1: think that that's because even like the classic screen couple

331
00:17:05,640 --> 00:17:08,240
Speaker 1: of it all, Yes, that's that's exactly what it is.

332
00:17:08,760 --> 00:17:11,199
Speaker 1: Her and Bradley like this man like every speech was

333
00:17:11,200 --> 00:17:14,080
Speaker 1: her being like and Bradley you believe you know, and

334
00:17:14,119 --> 00:17:16,320
Speaker 1: then the people think it's a hundred people. It's like,

335
00:17:16,400 --> 00:17:20,000
Speaker 1: it's so, it's so deliberate. It has to be deliberate.

336
00:17:20,560 --> 00:17:22,760
Speaker 1: She is a genius. She's a genius. And for her

337
00:17:22,920 --> 00:17:25,840
Speaker 1: and her doing Enigma and her doing this Super Saturday thing,

338
00:17:25,840 --> 00:17:30,080
Speaker 1: it's like, it's so I don't know what the references exactly,

339
00:17:30,119 --> 00:17:34,840
Speaker 1: but it's her truly being like I mean, she was

340
00:17:34,920 --> 00:17:41,359
Speaker 1: back to like dick out, have some big cocks and

341
00:17:42,240 --> 00:17:46,719
Speaker 1: South out, bath fast, get your dicks out. I had

342
00:17:46,760 --> 00:17:50,919
Speaker 1: it got big cock here in Northern Ireland. It's I

343
00:17:51,000 --> 00:17:53,400
Speaker 1: miss Fay Monster Gaga so much any too. I hope

344
00:17:53,400 --> 00:17:54,520
Speaker 1: we get it back. I want her to get a

345
00:17:54,680 --> 00:17:57,920
Speaker 1: crazy as. I want her coming out like in Cover.

346
00:17:58,040 --> 00:18:01,080
Speaker 1: I want her coming out on the red carpet wearing

347
00:18:01,760 --> 00:18:05,480
Speaker 1: you know, two band aids and a cork and covering

348
00:18:05,520 --> 00:18:08,600
Speaker 1: herself and catch up and being like this is for

349
00:18:08,680 --> 00:18:12,880
Speaker 1: the Middle East, Like I want I want that insanity.

350
00:18:12,960 --> 00:18:17,000
Speaker 1: I want like messaging that's messy and fucking crazy. And

351
00:18:17,280 --> 00:18:22,160
Speaker 1: I think it's genius that she performed Starlet. Yes, Oscar

352
00:18:22,240 --> 00:18:25,000
Speaker 1: because I'll tell you, for her to actually give a

353
00:18:25,080 --> 00:18:29,160
Speaker 1: performance that was that good, like the performance and Amance. Yes,

354
00:18:29,680 --> 00:18:32,600
Speaker 1: because she's stunning in Stars Warring. And when she got

355
00:18:32,640 --> 00:18:36,080
Speaker 1: nominated for the Oscar, no one was like. Everyone was like, yeah,

356
00:18:36,119 --> 00:18:37,680
Speaker 1: she's great. Yeah, You're like, yeah, I give it. I

357
00:18:37,680 --> 00:18:40,600
Speaker 1: mean even though that is such a in many ways

358
00:18:40,600 --> 00:18:46,639
Speaker 1: a sloppy film, and she's wonderfully slopping. I mean, like

359
00:18:46,800 --> 00:18:53,480
Speaker 1: seeing Ninet, what is it? It's likely improvised, it's so

360
00:18:54,400 --> 00:19:00,800
Speaker 1: and it's but it's so good, and you're like, what,

361
00:19:04,480 --> 00:19:09,639
Speaker 1: get out? Honestly, get out, get out, Get the funk out. Also,

362
00:19:09,720 --> 00:19:12,960
Speaker 1: I will say this, this is shameful. Right after this

363
00:19:13,440 --> 00:19:15,920
Speaker 1: and we're back. The other day, I tweeted, why did

364
00:19:15,920 --> 00:19:18,119
Speaker 1: you do that? Do that? Do that? Do that? Do that?

365
00:19:18,200 --> 00:19:20,880
Speaker 1: To me? It was my most successful tweet I've had

366
00:19:20,880 --> 00:19:23,040
Speaker 1: in months. I was I read that tweet from the

367
00:19:23,119 --> 00:19:26,240
Speaker 1: last culture his account and I cried in bad It's

368
00:19:26,359 --> 00:19:28,160
Speaker 1: I don't know what about it from me? Why did

369
00:19:28,200 --> 00:19:30,480
Speaker 1: you do that? To do that? Do that? Do that

370
00:19:31,320 --> 00:19:34,560
Speaker 1: to me? It's iconic culture. It's so fun. And we're

371
00:19:34,640 --> 00:19:37,880
Speaker 1: standing here in still talking about stars Born and that's

372
00:19:37,880 --> 00:19:39,960
Speaker 1: something my favorite partist, Diane Warren being like, know you

373
00:19:40,000 --> 00:19:41,359
Speaker 1: guys that we were trying to write it like a

374
00:19:41,400 --> 00:19:44,960
Speaker 1: good bops. They were like all reports, like we love

375
00:19:45,040 --> 00:19:47,439
Speaker 1: that this song is horseship. Can you talk to us

376
00:19:47,440 --> 00:19:49,760
Speaker 1: about your process of writting a bad song to show

377
00:19:49,800 --> 00:19:55,560
Speaker 1: that Ali's bad and to sell out And she was like, oh,

378
00:19:55,880 --> 00:19:59,080
Speaker 1: we were like what is that that? I'm actually proud

379
00:19:59,119 --> 00:20:03,879
Speaker 1: of the song. But um, yes, did you did you

380
00:20:03,920 --> 00:20:09,280
Speaker 1: see my insane new Oscar nominated song from the movie Breakthrough,

381
00:20:09,920 --> 00:20:13,080
Speaker 1: performed by Christie Mets What is our life? I don't know,

382
00:20:13,200 --> 00:20:15,959
Speaker 1: but I mean Diane Warren at the Oscars is its

383
00:20:16,000 --> 00:20:20,080
Speaker 1: own performance. But back to Diane Warren and from the

384
00:20:20,080 --> 00:20:23,679
Speaker 1: audience after that song, and she's fully sobbing. She knew

385
00:20:23,720 --> 00:20:26,600
Speaker 1: that she had moved the world. She knew that I'm

386
00:20:26,640 --> 00:20:30,199
Speaker 1: standing with you from Breakthrough had changed the world. And

387
00:20:30,320 --> 00:20:32,160
Speaker 1: I think she was I thought she had a chance

388
00:20:32,200 --> 00:20:35,120
Speaker 1: of winning. I don't know, you can't win against um

389
00:20:35,280 --> 00:20:38,960
Speaker 1: wait who won again. Well, it was oh my god,

390
00:20:38,960 --> 00:20:44,000
Speaker 1: this is how much this category is. Like, I mean, honestly, honestly,

391
00:20:44,040 --> 00:20:47,399
Speaker 1: Into the Unknown should have won if they weren't going

392
00:20:47,440 --> 00:20:50,920
Speaker 1: to nominate that song that Mary Steinbergen wrote. Do you

393
00:20:50,960 --> 00:20:54,040
Speaker 1: care about this? Mary Steinbergan wrote a song Shoot, okay,

394
00:20:54,080 --> 00:21:01,280
Speaker 1: this is a psychotic story. Mary Steenbergen. Yeah, had surgery

395
00:21:02,240 --> 00:21:05,560
Speaker 1: on something something she needs to go and then she

396
00:21:05,600 --> 00:21:08,240
Speaker 1: woke up. She woke up and was a musical genius.

397
00:21:08,400 --> 00:21:13,040
Speaker 1: She had never This is fucking insane. It's like within

398
00:21:13,160 --> 00:21:16,199
Speaker 1: the last like five years it happened. And then she

399
00:21:16,240 --> 00:21:18,560
Speaker 1: hasn't been acting as much because all she can do

400
00:21:18,640 --> 00:21:22,800
Speaker 1: is think of music. So there's like, this is insane,

401
00:21:22,840 --> 00:21:26,560
Speaker 1: you guys. Musical thoughts attack her in the middle of

402
00:21:26,640 --> 00:21:28,800
Speaker 1: the night and she has to write her music because

403
00:21:28,960 --> 00:21:33,000
Speaker 1: after her surgery she's now thinks in musical terms and

404
00:21:33,040 --> 00:21:37,160
Speaker 1: I can't stop. So she wrote a gorgeous song that's

405
00:21:37,160 --> 00:21:42,719
Speaker 1: at the end of wild Rose called Glasgow and um

406
00:21:43,200 --> 00:21:45,880
Speaker 1: it was like it won like all sorts of awards,

407
00:21:45,920 --> 00:21:47,600
Speaker 1: and then it got snub for the Oscar and it

408
00:21:47,680 --> 00:21:50,920
Speaker 1: was actually like one of the biggest Oscar snubs and

409
00:21:50,960 --> 00:21:53,080
Speaker 1: then um, and it could have won if it was

410
00:21:53,119 --> 00:21:54,680
Speaker 1: in the category. Oh you know what one was the

411
00:21:54,720 --> 00:22:01,800
Speaker 1: Elton Johnson, which literally what a good story to have

412
00:22:02,160 --> 00:22:05,960
Speaker 1: them both when Yeah, definitely wonderful, but um, we should

413
00:22:05,960 --> 00:22:08,159
Speaker 1: say that as we were watching the Oscars. I was

414
00:22:08,200 --> 00:22:11,040
Speaker 1: here in l A watching the Oscars. I was watching

415
00:22:11,080 --> 00:22:13,399
Speaker 1: the Best Original Song nomine performances, and I was like,

416
00:22:13,440 --> 00:22:15,399
Speaker 1: why do we even have this category at this point?

417
00:22:15,440 --> 00:22:17,840
Speaker 1: And then I remember because every few years we get

418
00:22:18,320 --> 00:22:20,280
Speaker 1: you get a shower or I'll let it go and

419
00:22:20,359 --> 00:22:23,640
Speaker 1: you need it. But it's like sometimes these nominees, it's

420
00:22:23,680 --> 00:22:25,800
Speaker 1: like you could tell. It's like Diane Warren is gonna

421
00:22:25,880 --> 00:22:28,159
Speaker 1: poop out and I'm standing with you from Breakthrough and

422
00:22:28,160 --> 00:22:31,000
Speaker 1: it's gonna get nominated on her name alone, and like

423
00:22:31,600 --> 00:22:33,679
Speaker 1: why do we have this? And why? Um? But that

424
00:22:33,760 --> 00:22:37,159
Speaker 1: Mary Stanberg thing is funny. I mean, it happens with

425
00:22:37,200 --> 00:22:39,840
Speaker 1: people who wake up and learn of know a full

426
00:22:39,880 --> 00:22:43,240
Speaker 1: new language. It's crazy. What can happen to your brain?

427
00:22:43,240 --> 00:22:46,320
Speaker 1: It's actually real culture number. It's crazy what can happen

428
00:22:46,400 --> 00:22:50,560
Speaker 1: to your brain? Hashtag during surgery? Hashtag during surgery. Now

429
00:22:50,880 --> 00:22:54,400
Speaker 1: let's move on to a wider OSCARS conversation. I feel

430
00:22:54,400 --> 00:22:56,760
Speaker 1: like we've moved well before we move away from this

431
00:22:56,960 --> 00:22:59,680
Speaker 1: original song, I want to say, did you see Adina's

432
00:22:59,680 --> 00:23:03,560
Speaker 1: perform It's along with every other international as absolutely what

433
00:23:03,640 --> 00:23:07,760
Speaker 1: a beautiful safety nut literally genius way to do that,

434
00:23:08,000 --> 00:23:11,000
Speaker 1: because it's like a nod to how internationally like it's

435
00:23:11,119 --> 00:23:15,040
Speaker 1: huge important and like move it's I was moved watching

436
00:23:15,040 --> 00:23:18,040
Speaker 1: it because I was like wow, like girls all the

437
00:23:18,080 --> 00:23:21,040
Speaker 1: world over like are watching this movie and that's great.

438
00:23:21,040 --> 00:23:23,359
Speaker 1: And I did not love Frozen two, but like whatever,

439
00:23:23,800 --> 00:23:28,359
Speaker 1: um the Frozen cannon. I think it's positive. Um, but

440
00:23:29,040 --> 00:23:32,880
Speaker 1: her Adina's notes were right, but she was rushing through

441
00:23:32,920 --> 00:23:35,639
Speaker 1: her fucking trip. That's I felt that too. She was,

442
00:23:36,000 --> 00:23:39,359
Speaker 1: she was about three hours ahead of the music. What

443
00:23:39,560 --> 00:23:43,160
Speaker 1: is it about aDNA gets nervous on TV? I think

444
00:23:43,200 --> 00:23:47,159
Speaker 1: she gets nervous, but she's a damn Broadway that's true.

445
00:23:47,280 --> 00:23:50,560
Speaker 1: But I think when something is televised, get it, movie people,

446
00:23:50,760 --> 00:23:54,000
Speaker 1: and I freaks out, get it. I totally get it.

447
00:23:55,119 --> 00:23:57,800
Speaker 1: She doesn't look calm and there's This is not to

448
00:23:57,840 --> 00:24:01,320
Speaker 1: say that she is not that those performances aren't successful

449
00:24:01,320 --> 00:24:05,960
Speaker 1: on some level. No, they keep us talking absolutely, but

450
00:24:07,680 --> 00:24:10,720
Speaker 1: I pray for her. I pray for her yeah, And

451
00:24:10,760 --> 00:24:12,800
Speaker 1: I famously said on this podcast at Zina is a

452
00:24:12,840 --> 00:24:15,160
Speaker 1: base and I have to say she was hitting her.

453
00:24:15,240 --> 00:24:18,040
Speaker 1: She was hitting her solid tent, you know, ten or

454
00:24:18,119 --> 00:24:22,360
Speaker 1: one notes and we support her and the notes were good.

455
00:24:22,760 --> 00:24:25,119
Speaker 1: Just it was a little fast this time, a little fast.

456
00:24:25,359 --> 00:24:28,480
Speaker 1: Um okay. So I mean speaking of best original song,

457
00:24:28,600 --> 00:24:31,120
Speaker 1: that eminem performance, we don't. I mean, there's what hell?

458
00:24:31,320 --> 00:24:36,280
Speaker 1: What hasn't been? Sad girl? What? It felt so desperate?

459
00:24:37,200 --> 00:24:39,399
Speaker 1: I mean, no one still, no one knows why not

460
00:24:39,440 --> 00:24:44,359
Speaker 1: even Marshall Mathers himself, what was going on? All of

461
00:24:44,440 --> 00:24:46,080
Speaker 1: a sudden he came out. I was like, what is

462
00:24:46,080 --> 00:24:50,800
Speaker 1: his sports? Not even an anniversary because I was about

463
00:24:50,800 --> 00:24:53,480
Speaker 1: two thousand three. Or tell you what, I would have

464
00:24:53,520 --> 00:24:55,760
Speaker 1: respected it more if they had booked him to come out,

465
00:24:56,400 --> 00:24:59,439
Speaker 1: just say the word faggot and then leave, because then

466
00:24:59,440 --> 00:25:01,640
Speaker 1: I would have said, you know what, it's art, it's

467
00:25:01,680 --> 00:25:06,359
Speaker 1: confronting the artist, it's confronting the culture now, which is

468
00:25:06,359 --> 00:25:09,000
Speaker 1: so sensitive. And never forget that he called his faggots

469
00:25:09,080 --> 00:25:12,800
Speaker 1: every day. Every day he called specifically reached out to

470
00:25:12,880 --> 00:25:15,560
Speaker 1: us and called his bag. He actually texted me, He

471
00:25:15,680 --> 00:25:20,119
Speaker 1: texted me every day, Marshall, I say, girl, girl, what

472
00:25:20,160 --> 00:25:22,040
Speaker 1: are you doing because think he doesn't text me. But

473
00:25:22,080 --> 00:25:24,720
Speaker 1: it's important that we don't erase the fact that that

474
00:25:24,800 --> 00:25:28,280
Speaker 1: Marshall Mathers a k a. Eminem was the most famous

475
00:25:28,280 --> 00:25:31,000
Speaker 1: homophobe in the world. Yes, and um, you know, now

476
00:25:31,040 --> 00:25:35,280
Speaker 1: we kind of throw around this uh sort of eligibility.

477
00:25:35,320 --> 00:25:37,840
Speaker 1: We go, oh, you know, Laura Doran can say faggot whatever,

478
00:25:38,920 --> 00:25:41,439
Speaker 1: it's well, it's it's we're beyond that with Eminem. We're like,

479
00:25:41,560 --> 00:25:43,520
Speaker 1: it's not that Eminem can't say fagets that he has

480
00:25:43,920 --> 00:25:46,119
Speaker 1: has done it many times in a malicious and a

481
00:25:46,200 --> 00:25:50,479
Speaker 1: hurtful way. And I can, who was felt confronted by

482
00:25:50,520 --> 00:25:52,960
Speaker 1: it every single day and whose life was worse for

483
00:25:53,040 --> 00:25:55,240
Speaker 1: having him in the media, that I don't want to

484
00:25:55,280 --> 00:25:58,400
Speaker 1: see him at the Oscars, something pretty much exclusively watched

485
00:25:58,600 --> 00:26:01,480
Speaker 1: by gay men and women who he also talked about

486
00:26:01,520 --> 00:26:05,959
Speaker 1: beating exclusively in his music. So I don't understand really

487
00:26:06,080 --> 00:26:10,080
Speaker 1: why we're doing this, you cause and actually we can

488
00:26:10,119 --> 00:26:12,680
Speaker 1: say that the friendship with him and Elton John makes

489
00:26:12,720 --> 00:26:16,640
Speaker 1: no sense either. And I don't think John. I don't

490
00:26:16,640 --> 00:26:20,400
Speaker 1: think so, honey, Elton John is friends of Eminem. Girl. Honestly,

491
00:26:20,520 --> 00:26:22,760
Speaker 1: I don't need it. I don't need it. Okay, let's

492
00:26:22,760 --> 00:26:25,479
Speaker 1: talk with the oscars as a whole. So no, I

493
00:26:25,480 --> 00:26:29,520
Speaker 1: mean the gag. Since we've last spoken, I don't know

494
00:26:29,720 --> 00:26:31,960
Speaker 1: you said you were about to watch Parasite on a plane.

495
00:26:32,000 --> 00:26:34,160
Speaker 1: I did watch it. I have not heard your thoughts,

496
00:26:34,160 --> 00:26:37,640
Speaker 1: and I'm truly shocked that you have not spilled forth

497
00:26:37,760 --> 00:26:40,960
Speaker 1: and told me what you thought about the film. Shocking film,

498
00:26:41,600 --> 00:26:47,119
Speaker 1: a fantastic film, impactful. I thought, the real announcement of

499
00:26:47,119 --> 00:26:50,879
Speaker 1: a new directorial voice, Like I know he's done so

500
00:26:50,920 --> 00:26:52,840
Speaker 1: many films and people have been a fan of his films,

501
00:26:52,880 --> 00:26:55,400
Speaker 1: but now like for this to be this mainstream thing

502
00:26:55,480 --> 00:26:59,080
Speaker 1: like Pung Jung Ho. I believe this makes him truly

503
00:26:59,160 --> 00:27:04,359
Speaker 1: an international, an old brand, because I was what I'll

504
00:27:04,400 --> 00:27:06,080
Speaker 1: tell you what I watched after I watched the film

505
00:27:06,119 --> 00:27:09,280
Speaker 1: is I often like to go back and see, like

506
00:27:09,600 --> 00:27:11,560
Speaker 1: I'll go on YouTube and following a little wormhole about

507
00:27:11,600 --> 00:27:13,920
Speaker 1: takes on the film, and you know, there's this really

508
00:27:13,960 --> 00:27:16,560
Speaker 1: good piece and I wish I could recall off the

509
00:27:16,560 --> 00:27:18,159
Speaker 1: top of my head what YouTube channel it is, but

510
00:27:18,200 --> 00:27:22,399
Speaker 1: that really walks through the sequence which is spoiler alert,

511
00:27:22,560 --> 00:27:28,520
Speaker 1: getting um the mother to replace their housekeeper, about the

512
00:27:28,520 --> 00:27:31,560
Speaker 1: pace at which that sequence moves and how it's all

513
00:27:31,720 --> 00:27:35,160
Speaker 1: very timed down. He's obsessed with rhythm. I thought, this

514
00:27:35,240 --> 00:27:38,240
Speaker 1: is really amazing. This is someone who's like brain is

515
00:27:38,240 --> 00:27:40,800
Speaker 1: connected to their talent and in a way and and

516
00:27:40,880 --> 00:27:43,879
Speaker 1: like can really articulate the way they want things to

517
00:27:43,880 --> 00:27:45,720
Speaker 1: play out on screen in a way that I feel

518
00:27:46,600 --> 00:27:49,640
Speaker 1: is worthy of being in the same name recognition as

519
00:27:49,640 --> 00:27:52,080
Speaker 1: those directors he was nominated with. And I think, after

520
00:27:52,160 --> 00:27:57,280
Speaker 1: having watched it, that is a very good screenplay, win director,

521
00:27:57,320 --> 00:28:04,399
Speaker 1: win and win. Now the the for me, it's just

522
00:28:04,520 --> 00:28:07,280
Speaker 1: so crazy and I did not. I was I got

523
00:28:07,359 --> 00:28:09,440
Speaker 1: chills when he won the Best Original screen because I

524
00:28:09,480 --> 00:28:11,120
Speaker 1: was like, oh, he might win this, he might say

525
00:28:11,119 --> 00:28:14,040
Speaker 1: I actually I predicted it for a picture. I kind

526
00:28:14,040 --> 00:28:15,399
Speaker 1: of had a feeling for picture too, and I was like,

527
00:28:15,560 --> 00:28:17,080
Speaker 1: just in a perfect right that it's either that or

528
00:28:17,119 --> 00:28:20,240
Speaker 1: I mean, based on prognosticators, it was down between. It

529
00:28:20,280 --> 00:28:23,359
Speaker 1: was between Parasite, That's what they were saying, and there

530
00:28:23,400 --> 00:28:28,600
Speaker 1: was like spoiler was once upon a time, if there

531
00:28:28,680 --> 00:28:30,760
Speaker 1: was like if there was gonna be something cuckoo happening.

532
00:28:31,640 --> 00:28:34,239
Speaker 1: And I was like, you know, I think that the

533
00:28:34,240 --> 00:28:38,480
Speaker 1: Parasite film was going to win because you saw the

534
00:28:38,520 --> 00:28:42,520
Speaker 1: way that everyone reacted when they won, like the sag Award,

535
00:28:43,120 --> 00:28:45,320
Speaker 1: that was a moment everyone's like and like watching them

536
00:28:45,320 --> 00:28:49,000
Speaker 1: all on stage, did the like the ensemble, You're like, yes,

537
00:28:49,120 --> 00:28:54,280
Speaker 1: this movie and I was really the acting snubs, these

538
00:28:54,320 --> 00:28:57,480
Speaker 1: snubs and it is a raiser because well that's what

539
00:28:57,600 --> 00:29:01,640
Speaker 1: it is, because I mean, we can say pretty definitively

540
00:29:01,720 --> 00:29:04,680
Speaker 1: that the reason why none of those actors were nominated

541
00:29:04,800 --> 00:29:09,840
Speaker 1: is probably because the overwhelmingly white voting body did not

542
00:29:09,920 --> 00:29:13,360
Speaker 1: bother to learn their names. But it's also like, I mean,

543
00:29:13,560 --> 00:29:17,200
Speaker 1: you nominated Rinko Cokuchi, Sure did, but I think that

544
00:29:17,280 --> 00:29:20,920
Speaker 1: Rinco Cockuchi was one of the only Asian actresses in

545
00:29:21,360 --> 00:29:24,160
Speaker 1: the film, and I think I honestly think they just

546
00:29:24,320 --> 00:29:26,840
Speaker 1: saw Asian like, okay, we can't tell them. And it

547
00:29:26,840 --> 00:29:31,880
Speaker 1: contributes to the faces narrative which I believe the Western

548
00:29:31,920 --> 00:29:34,120
Speaker 1: world puts on the Eastern world because we don't put

549
00:29:34,120 --> 00:29:36,800
Speaker 1: the time and effort into Oh and I can get

550
00:29:36,800 --> 00:29:41,400
Speaker 1: into this later about a fucking disease that's spreading through

551
00:29:41,400 --> 00:29:44,840
Speaker 1: the world and how we're kind of very casually dehumanizing

552
00:29:44,840 --> 00:29:48,200
Speaker 1: the people who are dying. Anyway, absolutely, and this would

553
00:29:48,240 --> 00:29:50,440
Speaker 1: not be something that would happen if it was happening

554
00:29:50,440 --> 00:29:54,080
Speaker 1: in Connecticut a coronavirus. Yes, I mean we we would

555
00:29:54,160 --> 00:29:57,600
Speaker 1: not be even making a joke about it anyway. Um,

556
00:29:57,640 --> 00:30:00,920
Speaker 1: but I'll get into that later. But I'm so glad

557
00:30:00,960 --> 00:30:04,240
Speaker 1: you liked it. I would have given two nominous to

558
00:30:04,320 --> 00:30:08,960
Speaker 1: the cast. I would have given Mrs Park absolutely to me.

559
00:30:09,400 --> 00:30:12,800
Speaker 1: The performance of the film that I will remember is

560
00:30:13,320 --> 00:30:16,959
Speaker 1: the Mrs Park the rich Mother, because the film doesn't

561
00:30:16,960 --> 00:30:20,320
Speaker 1: really work without that performance being like so you're like,

562
00:30:20,360 --> 00:30:23,600
Speaker 1: oh you like her, and you so funny you like her,

563
00:30:23,720 --> 00:30:27,040
Speaker 1: but you are like you understand, like you're frustrated with her,

564
00:30:27,120 --> 00:30:30,920
Speaker 1: but also like you get it. The specific things in

565
00:30:30,960 --> 00:30:36,320
Speaker 1: the script like buy me drugs. They worked so well

566
00:30:36,400 --> 00:30:39,080
Speaker 1: because she was giving such a specific performance her like

567
00:30:39,680 --> 00:30:44,200
Speaker 1: sexual chemistry with her husband. Loved it, her weird little

568
00:30:44,240 --> 00:30:46,200
Speaker 1: relationships with everyone in the movie, Like this is a

569
00:30:46,240 --> 00:30:49,320
Speaker 1: woman who's like that sort of rich woman who nothing

570
00:30:49,360 --> 00:30:51,040
Speaker 1: really bad has really ever happened to her, and so

571
00:30:51,120 --> 00:30:54,040
Speaker 1: she's able to open up to people like she kind

572
00:30:54,040 --> 00:30:55,920
Speaker 1: of loved the attentions, the whole thing where it's like

573
00:30:56,040 --> 00:30:58,440
Speaker 1: they're like when the family, when the Kims are like

574
00:30:58,520 --> 00:31:01,120
Speaker 1: eating and drinking at the in the living room. They're

575
00:31:01,160 --> 00:31:03,640
Speaker 1: like they're so nice, but it's like they can afford

576
00:31:03,680 --> 00:31:06,840
Speaker 1: to be that blew my mind. Oh my god. The

577
00:31:06,920 --> 00:31:09,440
Speaker 1: movie made me think so many I've not been able

578
00:31:09,480 --> 00:31:13,440
Speaker 1: to stop thinking. It's an amazing performance and sun Kano.

579
00:31:13,800 --> 00:31:16,400
Speaker 1: I have given him the nomination for a Supporting Actor

580
00:31:16,480 --> 00:31:20,680
Speaker 1: just because I feel that he you really, he's one

581
00:31:20,680 --> 00:31:26,480
Speaker 1: of those actors where you remember his face. He's such

582
00:31:26,480 --> 00:31:31,680
Speaker 1: an emotional face, like little things like like like anguish

583
00:31:31,800 --> 00:31:37,880
Speaker 1: and also like um, self satisfication, self satisfaction, like it's

584
00:31:37,920 --> 00:31:40,920
Speaker 1: all there. There's so much going on. And I would also,

585
00:31:41,320 --> 00:31:44,040
Speaker 1: you know, say the entire cast is amazing, entire cast

586
00:31:44,120 --> 00:31:46,320
Speaker 1: is great, and like I would say, the protagonist of

587
00:31:46,360 --> 00:31:48,440
Speaker 1: the movie is probably the son. The son, and I

588
00:31:48,480 --> 00:31:52,960
Speaker 1: thought he was great and you know, um housekeeper. Though

589
00:31:53,080 --> 00:31:57,480
Speaker 1: I'm liking on the actresses, yeah, obsessed, like it was

590
00:31:57,520 --> 00:32:01,480
Speaker 1: able to portray like Asian female all suffering such a

591
00:32:02,960 --> 00:32:05,960
Speaker 1: fun I must say, fun way. Yes, it was kind

592
00:32:05,960 --> 00:32:09,120
Speaker 1: of fun to see her like gravel, gravel, gravel, and

593
00:32:09,160 --> 00:32:10,640
Speaker 1: then when when and then when the rest of the

594
00:32:10,720 --> 00:32:12,920
Speaker 1: Kimes fall, it just immediately turned and sho records and

595
00:32:12,960 --> 00:32:17,280
Speaker 1: she's like, I'll send this and so fun. You know,

596
00:32:17,680 --> 00:32:21,120
Speaker 1: so hard to with a script that really takes big

597
00:32:21,120 --> 00:32:25,160
Speaker 1: swings keep the tone because even when the tone quote

598
00:32:25,200 --> 00:32:28,400
Speaker 1: unquote tone shifted and it became not really a comedy

599
00:32:28,480 --> 00:32:32,280
Speaker 1: more it became a tragedy um and very dark at

600
00:32:32,280 --> 00:32:36,959
Speaker 1: the end and violent. Yes, um, I still felt like

601
00:32:37,040 --> 00:32:39,920
Speaker 1: it was within the voice. Yes it's and that is

602
00:32:39,920 --> 00:32:42,800
Speaker 1: a real achievement. It reminds me it's like a it's

603
00:32:42,800 --> 00:32:45,640
Speaker 1: like a Jordan Peel movie and it's very that. Um.

604
00:32:45,720 --> 00:32:48,600
Speaker 1: And anyway, I I'm so glad you liked it, and

605
00:32:48,640 --> 00:32:50,320
Speaker 1: I just I just thrilling to watch it. When the

606
00:32:50,360 --> 00:32:53,280
Speaker 1: Oscar thrilling every New Award, I was like, yes, and

607
00:32:53,360 --> 00:32:56,040
Speaker 1: I just kept believing and believing, especially because the acting

608
00:32:56,040 --> 00:32:59,400
Speaker 1: reasons were so fun, so boring. Um. But I mean,

609
00:32:59,760 --> 00:33:03,120
Speaker 1: I think was Jason kim Um, who has just his

610
00:33:03,280 --> 00:33:05,840
Speaker 1: journey all Awards season of just being so obsessed with

611
00:33:05,840 --> 00:33:08,720
Speaker 1: parasite is. She was truly so fun to track. But

612
00:33:08,840 --> 00:33:13,800
Speaker 1: he commented on miss Jane Fond his breathwork an incredible

613
00:33:13,840 --> 00:33:16,280
Speaker 1: performance because she opens the envelope and you can tell

614
00:33:16,360 --> 00:33:19,600
Speaker 1: that like she understood this is miss Hannoy Jane we're

615
00:33:19,600 --> 00:33:22,560
Speaker 1: talking about. She saw she saw this and she was like,

616
00:33:22,600 --> 00:33:28,160
Speaker 1: oh my god, I took a breath parasite, like, what

617
00:33:28,280 --> 00:33:29,880
Speaker 1: a moment. And she knew it was going to be

618
00:33:29,960 --> 00:33:32,520
Speaker 1: a moment and so fun. And she reword that dress

619
00:33:32,520 --> 00:33:34,840
Speaker 1: that she's worn in the past, sustainable fashion, Thank you.

620
00:33:35,160 --> 00:33:37,120
Speaker 1: She also brought that red coat out that she's been

621
00:33:37,160 --> 00:33:39,800
Speaker 1: getting arrested in. You notice that she was holding her

622
00:33:40,240 --> 00:33:42,720
Speaker 1: iconic redcoat that she's gotten arrested in like twelve What

623
00:33:43,000 --> 00:33:47,480
Speaker 1: an icon Jane fund did you see? Jane. Yes, I

624
00:33:47,520 --> 00:33:50,360
Speaker 1: can't recommend this enough to the readers. You must. It

625
00:33:50,600 --> 00:33:54,240
Speaker 1: is so good, you guys, I mean, and you cannot

626
00:33:54,320 --> 00:33:57,040
Speaker 1: do anything but respect and stand. And the thing is

627
00:33:57,040 --> 00:33:59,800
Speaker 1: it's also you get an understanding and and it's also

628
00:33:59,880 --> 00:34:04,320
Speaker 1: a film about the difficulty of being a woman in

629
00:34:04,360 --> 00:34:08,919
Speaker 1: this or any industry, just about like how culturally like

630
00:34:09,080 --> 00:34:11,920
Speaker 1: it is very difficult to get out of the shadow

631
00:34:12,040 --> 00:34:15,279
Speaker 1: of men who dominate you. And it is about men.

632
00:34:15,480 --> 00:34:17,719
Speaker 1: It is about it is about the relationship to men,

633
00:34:18,880 --> 00:34:21,440
Speaker 1: and just not no spoilers, but every it's it's like

634
00:34:21,520 --> 00:34:24,800
Speaker 1: five chapterion Jane Jane, and five acts, and the first

635
00:34:24,840 --> 00:34:27,799
Speaker 1: four acts are all names of the men in her

636
00:34:27,840 --> 00:34:29,759
Speaker 1: life that were that were her husbands or her father.

637
00:34:29,840 --> 00:34:32,799
Speaker 1: And then the last one is called Jane, and it's like, what,

638
00:34:33,160 --> 00:34:36,479
Speaker 1: it's very very good, Jane fond It is an icon.

639
00:34:36,840 --> 00:34:38,640
Speaker 1: I knew when I saw the list of presenters. I'm like,

640
00:34:38,680 --> 00:34:40,880
Speaker 1: she'll be presenting the best picture. I had the feeling,

641
00:34:40,880 --> 00:34:44,400
Speaker 1: and then she did. Before we go to break what

642
00:34:44,520 --> 00:34:48,640
Speaker 1: your thoughts on um at acting winners? I thought about

643
00:34:48,640 --> 00:34:53,319
Speaker 1: this today and someone pointing this out to I mean,

644
00:34:53,520 --> 00:34:57,400
Speaker 1: we love that Ms Dern has an Oscar. Strange that

645
00:34:57,440 --> 00:34:59,680
Speaker 1: that was the roles that she got it for. And

646
00:34:59,680 --> 00:35:01,960
Speaker 1: you know, I've talked about this like ad nauseum, like

647
00:35:02,000 --> 00:35:04,040
Speaker 1: while we've been off the air. It feels insane to

648
00:35:04,080 --> 00:35:06,480
Speaker 1: still be talking about it. But I'll just wrap this.

649
00:35:07,360 --> 00:35:12,120
Speaker 1: My thoughts on it are you can't tell me that

650
00:35:12,120 --> 00:35:17,120
Speaker 1: that was not an Oscar win for someone that we

651
00:35:17,320 --> 00:35:20,080
Speaker 1: the Royal we are all obsessed with right now. We are,

652
00:35:20,160 --> 00:35:22,239
Speaker 1: I mean, that's should we We saw an opportunity to

653
00:35:22,239 --> 00:35:24,239
Speaker 1: give her an Oscar and we gave her one that

654
00:35:24,360 --> 00:35:27,239
Speaker 1: wasn't performance. Wasn't the performance. But it happens all the time,

655
00:35:27,880 --> 00:35:29,960
Speaker 1: and it's and we're not saying that it's it's it's

656
00:35:30,000 --> 00:35:33,080
Speaker 1: not earned or anything it's just it's interesting, and it

657
00:35:33,120 --> 00:35:34,879
Speaker 1: sort of peels back the layer of the whole sort

658
00:35:34,880 --> 00:35:38,840
Speaker 1: of facade of the meritocracy of awards. It's like, Okay,

659
00:35:38,920 --> 00:35:42,880
Speaker 1: it's not it's not like a direct correlation. There's a

660
00:35:43,000 --> 00:35:45,719
Speaker 1: million other factors that are outside of it. And I

661
00:35:45,719 --> 00:35:48,239
Speaker 1: also feel like it just goes to show that like

662
00:35:48,360 --> 00:35:51,200
Speaker 1: how much further ahead and how much better television is

663
00:35:51,200 --> 00:35:54,200
Speaker 1: than film right now, because we can see her do

664
00:35:54,280 --> 00:35:58,640
Speaker 1: that literally fourteen times on every episode of Big Little

665
00:35:58,640 --> 00:36:03,640
Speaker 1: Lies Better, like blow that ship away, and I I

666
00:36:03,719 --> 00:36:06,000
Speaker 1: just feel like, you know, I hope it's not that

667
00:36:06,080 --> 00:36:09,720
Speaker 1: thing where in five years, like she gives a performance

668
00:36:09,719 --> 00:36:13,120
Speaker 1: that's like truly amazing and we feel like we gave

669
00:36:13,120 --> 00:36:15,279
Speaker 1: it to her already, because that's how you get the

670
00:36:15,360 --> 00:36:20,000
Speaker 1: thing of Renee wins for Cold Mountain right when she

671
00:36:20,000 --> 00:36:24,640
Speaker 1: should have won for Chicago and right, and and it's

672
00:36:24,680 --> 00:36:27,680
Speaker 1: like that's how you pick the can further down the road,

673
00:36:28,360 --> 00:36:31,279
Speaker 1: and then like you're like, who cares about this? You

674
00:36:31,320 --> 00:36:34,680
Speaker 1: know what I mean? It kind of takes some value away.

675
00:36:34,680 --> 00:36:37,160
Speaker 1: I don't know. Um. And then good for Brad Loved

676
00:36:37,400 --> 00:36:41,800
Speaker 1: Loved Him in Once Upon, Um, good for miss Joaquin,

677
00:36:42,040 --> 00:36:46,440
Speaker 1: miss Wain is certainly a performance. And we stand Renee,

678
00:36:46,560 --> 00:36:48,360
Speaker 1: We stand Renee, And I don't know about that speech.

679
00:36:48,400 --> 00:36:50,080
Speaker 1: They're gonna have to pass on that. We're gonna have

680
00:36:50,160 --> 00:36:52,759
Speaker 1: to get a writer for that one. We're gonna have

681
00:36:52,800 --> 00:36:55,279
Speaker 1: to whittle down that list of name drops. He's gonna

682
00:36:55,320 --> 00:36:56,840
Speaker 1: have to edit that one. I'm gonna have to edit that.

683
00:36:56,880 --> 00:36:59,440
Speaker 1: We're gonna have to uh two times speed that one. Okay,

684
00:36:59,440 --> 00:37:01,839
Speaker 1: So we once, we're gonna, we're gonna go. We're gonna

685
00:37:01,880 --> 00:37:03,319
Speaker 1: go to a break with them. We're back. We've got

686
00:37:03,320 --> 00:37:06,680
Speaker 1: to talk about this thing that's poisoned our brains. This

687
00:37:06,760 --> 00:37:09,279
Speaker 1: means that I wouldn't say poison, but it's truly it's

688
00:37:09,320 --> 00:37:11,200
Speaker 1: added something. And we'll talk about it. But we're gonna

689
00:37:11,200 --> 00:37:14,520
Speaker 1: go to break and we'll be right back. Okay, we're back. So, Matt,

690
00:37:14,640 --> 00:37:17,360
Speaker 1: before we went to break, we sort of dipped into

691
00:37:17,440 --> 00:37:22,560
Speaker 1: this new vernacular way of this this this way that

692
00:37:22,600 --> 00:37:26,279
Speaker 1: we speak now, which is so it's so interesting that

693
00:37:26,520 --> 00:37:31,399
Speaker 1: it's happening now. Basically, you guys, we've become um powerless

694
00:37:31,440 --> 00:37:35,680
Speaker 1: against the Aretha Franklin interview where she says good gowns beautiful.

695
00:37:35,960 --> 00:37:37,600
Speaker 1: I mean, that's the that's the poll quote. We all

696
00:37:37,600 --> 00:37:43,719
Speaker 1: know writer young producer Whitney was a talent, and this

697
00:37:44,120 --> 00:37:47,400
Speaker 1: that we've we've become. We went to Puerta Viarda with

698
00:37:47,440 --> 00:37:52,240
Speaker 1: some friends time and just sat around and watch this interview.

699
00:37:52,280 --> 00:37:54,040
Speaker 1: And then I don't know if this ever happens to

700
00:37:54,080 --> 00:37:57,320
Speaker 1: you guys, the readers, but like something will just become

701
00:37:57,480 --> 00:37:59,880
Speaker 1: so fun and stupid to say that it's all you

702
00:38:00,040 --> 00:38:03,359
Speaker 1: can say. That's become us with this. This is different though,

703
00:38:03,440 --> 00:38:08,719
Speaker 1: this is really my personality. Yeah, same and and so

704
00:38:08,760 --> 00:38:11,480
Speaker 1: she has this one line in it, this is the

705
00:38:11,560 --> 00:38:13,840
Speaker 1: locust that you're focusing on? Is that? Um? You know,

706
00:38:13,880 --> 00:38:17,239
Speaker 1: the interviewer asks her about Nikim Minash and she goes,

707
00:38:17,640 --> 00:38:20,759
Speaker 1: Nicki Minaj, I'm gonna have to pass on that one.

708
00:38:21,120 --> 00:38:23,680
Speaker 1: So now it's just become I'm gonna have to stand

709
00:38:23,719 --> 00:38:25,920
Speaker 1: on that one. It's gonna have to admire that one's

710
00:38:25,920 --> 00:38:27,600
Speaker 1: gonna have to be skeptical on that one. I'm gonna

711
00:38:27,600 --> 00:38:29,400
Speaker 1: have to ride that one. Um. And we went to

712
00:38:29,440 --> 00:38:31,520
Speaker 1: Disneyland recently and we had to put on ponchos for

713
00:38:31,520 --> 00:38:33,160
Speaker 1: the river right the Grizzly River and have to put

714
00:38:33,160 --> 00:38:36,000
Speaker 1: a punch on for that one. But my favorite distillation

715
00:38:36,040 --> 00:38:38,040
Speaker 1: of it is going, I'm gonna have to put that

716
00:38:38,480 --> 00:38:39,879
Speaker 1: you gonna have to put on that one. I'm gonna

717
00:38:39,880 --> 00:38:41,640
Speaker 1: have to put on that one. I'm gonna have to

718
00:38:41,640 --> 00:38:45,320
Speaker 1: sit on that one. It's we are becoming the stupidest

719
00:38:45,360 --> 00:38:49,239
Speaker 1: people in America, and it's happening at a very quick rate.

720
00:38:49,320 --> 00:38:51,520
Speaker 1: So I want to tell you all, if it gets

721
00:38:51,520 --> 00:38:53,759
Speaker 1: to the point where we are doing this podcast and

722
00:38:53,800 --> 00:39:00,120
Speaker 1: it's musha, musha, musha, understand it's a wreatha Franklin's for

723
00:39:00,200 --> 00:39:03,840
Speaker 1: being too iconic, but for just just the way she's

724
00:39:03,920 --> 00:39:10,800
Speaker 1: like is struggling through this interview being like okay, Alesia Key, okay,

725
00:39:11,000 --> 00:39:15,920
Speaker 1: good producer, young producer, good writer, young performer, young performer.

726
00:39:16,880 --> 00:39:20,280
Speaker 1: And it got to the point where me, you, Patrick Rodgers,

727
00:39:20,320 --> 00:39:22,960
Speaker 1: and Jared took a car back from this new yest

728
00:39:22,960 --> 00:39:27,439
Speaker 1: part was sick, a lovely talkative driver. I was talking

729
00:39:27,480 --> 00:39:31,120
Speaker 1: us all about, you know, the sort of the changing

730
00:39:31,200 --> 00:39:35,799
Speaker 1: dynamics of taxis in Puerto Vierta, and just talking us

731
00:39:35,800 --> 00:39:38,800
Speaker 1: about all the new writers and stuff. And we truly

732
00:39:39,000 --> 00:39:42,520
Speaker 1: all we only spoke to him in Aretha Franklin sound bite. Well,

733
00:39:42,560 --> 00:39:45,040
Speaker 1: no one in the car could understand each other anymore

734
00:39:45,040 --> 00:39:47,239
Speaker 1: because of the language barriers and because of the just

735
00:39:47,320 --> 00:39:52,200
Speaker 1: the substances that were we were extremely on substances. And um,

736
00:39:52,239 --> 00:39:55,600
Speaker 1: he was like saying how it was busy night for him.

737
00:39:55,640 --> 00:39:57,640
Speaker 1: We were just like stand on that one to stand

738
00:39:57,680 --> 00:40:01,000
Speaker 1: on the good driver rights. And then he would just

739
00:40:01,040 --> 00:40:03,480
Speaker 1: be like people, yes, very young drivers and would be

740
00:40:03,520 --> 00:40:06,840
Speaker 1: like and he and it was psycho psycho he he

741
00:40:06,880 --> 00:40:09,320
Speaker 1: would not stop talking. No, he was the most talkative

742
00:40:09,920 --> 00:40:12,640
Speaker 1: lift driver. So truly, it meant that we had openings

743
00:40:12,680 --> 00:40:14,439
Speaker 1: to say anything we wanted any time, and it would

744
00:40:14,440 --> 00:40:16,480
Speaker 1: not would not have been heard. So we so me,

745
00:40:16,719 --> 00:40:21,280
Speaker 1: you and Patrick just in the backseats would just be like, okay, okay,

746
00:40:21,320 --> 00:40:25,520
Speaker 1: stand good roads, good roads, good roads, young road, long roads.

747
00:40:25,760 --> 00:40:28,360
Speaker 1: And and since his baby and baby, and we can't

748
00:40:28,400 --> 00:40:33,040
Speaker 1: stop and we can't stop, and so sorry that was

749
00:40:33,120 --> 00:40:36,120
Speaker 1: a talent. That driver was a talent and Sissy's baby

750
00:40:36,120 --> 00:40:39,759
Speaker 1: and baby, and unfortunately we will try our best to

751
00:40:40,000 --> 00:40:41,960
Speaker 1: not have that perfected the rest of the episode. But

752
00:40:42,320 --> 00:40:44,880
Speaker 1: don't trust that. Don't trust you can't trust ourselves. But

753
00:40:44,920 --> 00:40:47,719
Speaker 1: before we move on from the oscars too too much, okay,

754
00:40:48,120 --> 00:40:51,040
Speaker 1: I think this is something to say about the oscars,

755
00:40:51,040 --> 00:40:53,200
Speaker 1: which spend segways into what I think was a cultural

756
00:40:53,200 --> 00:40:56,920
Speaker 1: mamma for our lifetimes. The j Los J Los, Okay,

757
00:40:57,000 --> 00:40:58,560
Speaker 1: you're gonna have to pass on that. I have to

758
00:40:58,560 --> 00:41:02,320
Speaker 1: pass them, Gonna have to um turn off the oscars

759
00:41:02,400 --> 00:41:05,400
Speaker 1: on that one. I'm gonna have to disagree with that

760
00:41:05,440 --> 00:41:07,759
Speaker 1: one's gonna have to fight for that one, gonna have

761
00:41:07,920 --> 00:41:12,040
Speaker 1: to I'm gonna have to slam the Academy, say Academy

762
00:41:12,080 --> 00:41:17,600
Speaker 1: on that particular one, because thanks for making it way

763
00:41:17,680 --> 00:41:22,600
Speaker 1: less fun y'all. We could have seen the dress we

764
00:41:22,920 --> 00:41:24,960
Speaker 1: play dress, not even the dress, you know what I'm saying,

765
00:41:25,000 --> 00:41:27,520
Speaker 1: Like you needed to invite Kathy Bates what to bring

766
00:41:27,560 --> 00:41:32,799
Speaker 1: the glamour bitch. Miss Bates didn't even want to be there.

767
00:41:33,040 --> 00:41:35,520
Speaker 1: She got to see Jerry from Cheer on the red

768
00:41:35,560 --> 00:41:37,520
Speaker 1: carpet and that was like truly the highlight. Verson she

769
00:41:37,560 --> 00:41:39,880
Speaker 1: did not want to be there. She probably wasn't shocked

770
00:41:39,880 --> 00:41:43,640
Speaker 1: as anyone else. What is going on? Just let Kathy

771
00:41:43,719 --> 00:41:48,759
Speaker 1: spend a Sunday night at home, don't drag her out

772
00:41:48,800 --> 00:41:54,160
Speaker 1: to fucking you know will be there J LO after

773
00:41:54,200 --> 00:41:57,200
Speaker 1: the year she's had. Oh my god, I can tell

774
00:41:57,320 --> 00:41:59,160
Speaker 1: you way to stick it in and break it off

775
00:42:00,520 --> 00:42:03,600
Speaker 1: when she hosted Can I tell you I went to

776
00:42:03,640 --> 00:42:06,200
Speaker 1: that damn dinner? Yeah? Can you talk about that? It

777
00:42:06,320 --> 00:42:08,520
Speaker 1: was I can't say too much, but she you could

778
00:42:08,520 --> 00:42:12,360
Speaker 1: tell she was very excited for the years. She dropped

779
00:42:12,360 --> 00:42:14,279
Speaker 1: a little hints about the Super Bowl perform and she

780
00:42:14,320 --> 00:42:18,359
Speaker 1: had just FaceTime with Secure's team, and so Bowen went

781
00:42:18,400 --> 00:42:21,040
Speaker 1: to the SNL has a dinner with the host and

782
00:42:21,040 --> 00:42:22,279
Speaker 1: some of the cats get to go, and bow And

783
00:42:22,280 --> 00:42:24,480
Speaker 1: went to the one with Jayla and it was truly wild,

784
00:42:24,640 --> 00:42:27,319
Speaker 1: and you could just tell that she was excited, and

785
00:42:27,320 --> 00:42:29,600
Speaker 1: she was like, you know, I'm She's like, she was like,

786
00:42:29,680 --> 00:42:32,719
Speaker 1: you know, I'm you know, I'm in a very fun

787
00:42:32,760 --> 00:42:34,560
Speaker 1: place in my career. It's like, oh my god, like

788
00:42:34,600 --> 00:42:37,240
Speaker 1: and she deserves it, Yeah, and I was. And also

789
00:42:37,280 --> 00:42:39,560
Speaker 1: the performance deserved to be nominated with the rest of those.

790
00:42:41,120 --> 00:42:43,239
Speaker 1: I mean, I personally would have voted for it, but

791
00:42:43,280 --> 00:42:45,520
Speaker 1: it cleared the way from Mrs Durrance, and I did vibe.

792
00:42:45,560 --> 00:42:48,640
Speaker 1: I did vote for her for SAG, but anyone went

793
00:42:48,719 --> 00:42:51,640
Speaker 1: to lordn someone I love, someone you love and it's like,

794
00:42:51,840 --> 00:42:54,520
Speaker 1: I also love fairness. So there you go. It's it's

795
00:42:54,520 --> 00:42:57,000
Speaker 1: really tough to sort of weigh your your value, your

796
00:42:57,040 --> 00:42:59,160
Speaker 1: values in this way. Yeah, because it's like then you're

797
00:42:59,200 --> 00:43:01,560
Speaker 1: then you're the gay who's saying that Laura Dern didn't

798
00:43:01,560 --> 00:43:04,560
Speaker 1: deserve it. But I'm just sorry. I will continue to

799
00:43:04,640 --> 00:43:07,920
Speaker 1: be the truth teller, a seer. I will continue to

800
00:43:07,920 --> 00:43:10,279
Speaker 1: be a seer, thank you, and we will do that,

801
00:43:10,320 --> 00:43:12,040
Speaker 1: and we will do that on this podcast and we

802
00:43:12,080 --> 00:43:15,480
Speaker 1: have the platform. Now let's move towards joy and talk

803
00:43:15,520 --> 00:43:20,240
Speaker 1: about this god damn super Bowl halftime one of the best.

804
00:43:20,640 --> 00:43:23,799
Speaker 1: I would say, maybe I'm actually going to be hyperbolic.

805
00:43:23,880 --> 00:43:27,640
Speaker 1: Maybe I can't remember enjoying one more. And this does

806
00:43:27,680 --> 00:43:30,120
Speaker 1: not take anything away from Beyonce, who is the queen

807
00:43:30,960 --> 00:43:32,920
Speaker 1: of both times she did the super Bowl, but it

808
00:43:32,920 --> 00:43:36,239
Speaker 1: was a different flavor. Oh my god, what they were

809
00:43:36,440 --> 00:43:40,880
Speaker 1: so good? Was exceeded my act my very high expectations, girl,

810
00:43:41,280 --> 00:43:45,560
Speaker 1: My expecitions were very high. She Wolf was the first

811
00:43:46,120 --> 00:43:49,600
Speaker 1: song performed at the halftime Super Bowl, and that's gay rights,

812
00:43:49,600 --> 00:43:52,560
Speaker 1: and that's gay rights, that's gay rights. I'm gonna have

813
00:43:52,640 --> 00:43:58,160
Speaker 1: to gonna have to stand on that one. Her fucking

814
00:43:58,880 --> 00:44:01,920
Speaker 1: shredding that good are I'm gonna have to stand on

815
00:44:01,960 --> 00:44:04,080
Speaker 1: that and I have to gonna have to watch that one.

816
00:44:04,960 --> 00:44:07,839
Speaker 1: I'm gonna have to be impressed by that one. And

817
00:44:07,880 --> 00:44:10,640
Speaker 1: then when she did her belly dance, I was like,

818
00:44:10,760 --> 00:44:14,680
Speaker 1: this is so and the lightning was perfect. When they

819
00:44:14,719 --> 00:44:17,879
Speaker 1: did the close up of Shakira's face, she looked so

820
00:44:17,960 --> 00:44:21,000
Speaker 1: fucking stunning. I was like, this wacko that she looks

821
00:44:21,040 --> 00:44:24,359
Speaker 1: as beautiful. And to bring her just because we're staying

822
00:44:24,360 --> 00:44:27,759
Speaker 1: on Shakira for now, but to reincorporate her into the

823
00:44:27,840 --> 00:44:33,160
Speaker 1: performance on the drums, oh my god, genius truly well,

824
00:44:33,239 --> 00:44:34,760
Speaker 1: And when they cut to her and she was playing

825
00:44:34,760 --> 00:44:37,279
Speaker 1: those drums, I fell out. I felt like, that is

826
00:44:37,320 --> 00:44:40,719
Speaker 1: the funniest shot I've ever seen. It's so cool, so good.

827
00:44:40,800 --> 00:44:46,919
Speaker 1: And also you forget whenever, wherever, and that was a

828
00:44:46,920 --> 00:44:50,359
Speaker 1: cultural moment. Oh yeah. When that song came out, we

829
00:44:50,640 --> 00:44:53,320
Speaker 1: and I had just started taking sixth grade Spanish Bitch,

830
00:44:53,320 --> 00:44:57,200
Speaker 1: which and it was huge for that class. You actually

831
00:44:57,200 --> 00:45:00,760
Speaker 1: better count yourself as lucky that your breath are small

832
00:45:00,760 --> 00:45:05,880
Speaker 1: and humble. They would be confused with mountains. It's actually

833
00:45:05,880 --> 00:45:11,520
Speaker 1: real culture number thirty. You're actually as lucky that your

834
00:45:11,560 --> 00:45:17,760
Speaker 1: breaths are humble so that they are not confused with mountains. Lucky,

835
00:45:18,080 --> 00:45:21,400
Speaker 1: and that's a message. Gonna have to read the text

836
00:45:21,480 --> 00:45:24,120
Speaker 1: on that gonna have to examine the text on that one.

837
00:45:25,320 --> 00:45:27,320
Speaker 1: I'm gonna have to gonna have to say the lyrics

838
00:45:27,360 --> 00:45:32,640
Speaker 1: on that one. It's stupid. We cannot turn back from

839
00:45:32,719 --> 00:45:39,040
Speaker 1: that son crying. It's so suddenly out of nowhere. It's

840
00:45:39,160 --> 00:45:46,759
Speaker 1: the funniest thing that we can no longer think for ourselves. Yeah, well,

841
00:45:46,760 --> 00:45:48,560
Speaker 1: it's actually on track with the rest of the world.

842
00:45:48,600 --> 00:45:51,480
Speaker 1: How it's going seventy degrees in ANARCA the other day

843
00:45:51,719 --> 00:45:54,600
Speaker 1: you told me I'm fine sinking And the last thing

844
00:45:54,640 --> 00:45:57,359
Speaker 1: I says, like gas for breath is gonna have to

845
00:45:57,360 --> 00:46:01,600
Speaker 1: try to Likena, have to gonna have to gas for

846
00:46:01,680 --> 00:46:04,200
Speaker 1: breath on that one. I'm gonna have to grow some

847
00:46:04,239 --> 00:46:06,760
Speaker 1: gills on that one. Good about to become a cuser

848
00:46:06,840 --> 00:46:09,920
Speaker 1: in a water world of film on on that one. Okay, well,

849
00:46:09,960 --> 00:46:14,160
Speaker 1: but we got from Jo now, Okay, So first of all,

850
00:46:14,800 --> 00:46:16,560
Speaker 1: just to put a period on it, Shakira one of

851
00:46:16,600 --> 00:46:20,160
Speaker 1: the best performers alive. Unbelievable, unbelievable. Then Jlo comes to

852
00:46:20,200 --> 00:46:23,400
Speaker 1: funk out. Well, first of all, I've never seen anyone

853
00:46:23,440 --> 00:46:26,040
Speaker 1: more beautiful that pose. Oh my god, the way the

854
00:46:26,120 --> 00:46:30,440
Speaker 1: skirt flowed out, just someone who was so amned to

855
00:46:30,520 --> 00:46:36,960
Speaker 1: do the super Bowl and every moment, Oh my god,

856
00:46:37,320 --> 00:46:40,360
Speaker 1: what an icon when an icon gave you full Kylie Minogue,

857
00:46:40,360 --> 00:46:42,960
Speaker 1: all the Lover's music video fantasy bodies piled on top

858
00:46:43,000 --> 00:46:48,320
Speaker 1: of each other, the boys beautiful that just were nuts.

859
00:46:48,640 --> 00:46:52,600
Speaker 1: They were killing it so good. We got get right

860
00:46:52,800 --> 00:47:00,000
Speaker 1: at the super Bowl jagged. When that happened, I was like, absolutely,

861
00:47:00,480 --> 00:47:03,080
Speaker 1: We're so lucky on the floors one of my favorite

862
00:47:03,080 --> 00:47:07,839
Speaker 1: songs of all time. Play it at my wedding, funeral, graduation, graduation.

863
00:47:08,680 --> 00:47:12,040
Speaker 1: Stay tuned for a future episode where we referenced this.

864
00:47:13,480 --> 00:47:17,160
Speaker 1: But oh my god, um also just waiting for tonight.

865
00:47:17,360 --> 00:47:19,359
Speaker 1: When she got up on the pole. First of all,

866
00:47:19,440 --> 00:47:22,080
Speaker 1: no one can ever do that green light again. That's

867
00:47:22,120 --> 00:47:25,720
Speaker 1: her light, that color of the greenes. You knew exactly

868
00:47:25,800 --> 00:47:28,440
Speaker 1: what it was. I was like, this, she owns this

869
00:47:28,520 --> 00:47:33,759
Speaker 1: light and truly, like, has she laid claim to polls now?

870
00:47:33,880 --> 00:47:35,600
Speaker 1: No one can pull dance again, No one can pull

871
00:47:35,680 --> 00:47:38,359
Speaker 1: dance on ever again. And she was like, by the way,

872
00:47:38,680 --> 00:47:41,160
Speaker 1: never forget hustlers. I remember I was watching with Jared

873
00:47:41,160 --> 00:47:45,560
Speaker 1: and he goes, never forget hustlers. Truly, never forget never forget,

874
00:47:46,040 --> 00:47:48,080
Speaker 1: and the Academy forgot. And then she said, I'm actually

875
00:47:48,120 --> 00:47:51,439
Speaker 1: gonna pull dance at the super Bowl. You Fox, Yeah,

876
00:47:51,600 --> 00:47:54,319
Speaker 1: it's actually watched by more people, and Laura Dern could

877
00:47:54,320 --> 00:47:56,640
Speaker 1: never do it. Can I say something? You can say

878
00:47:56,640 --> 00:47:59,439
Speaker 1: whatever you want. Actually I was. I watched the Super

879
00:47:59,480 --> 00:48:02,840
Speaker 1: Bowl quite frankly at Miss Heidi Gardner's apartments. We actually

880
00:48:02,880 --> 00:48:05,520
Speaker 1: stand Gardner and we're going to have to stand on

881
00:48:05,719 --> 00:48:07,520
Speaker 1: We're gonna have to stand on stand on that one.

882
00:48:07,960 --> 00:48:11,200
Speaker 1: She was feeling the chief spirits she had. She shared

883
00:48:11,200 --> 00:48:14,120
Speaker 1: her Kansas City friends who are so sweet, who took

884
00:48:14,160 --> 00:48:17,080
Speaker 1: the time to really explain the rules of football to me.

885
00:48:18,000 --> 00:48:19,319
Speaker 1: I did you know do you know the rules of

886
00:48:19,320 --> 00:48:21,160
Speaker 1: You're pretty familiar with the rules of What happens in

887
00:48:21,160 --> 00:48:24,400
Speaker 1: football is you throw the ball to each other and

888
00:48:24,920 --> 00:48:26,960
Speaker 1: men try to run across the line at the end

889
00:48:27,000 --> 00:48:28,759
Speaker 1: of the field. And that's literally not even at the

890
00:48:28,800 --> 00:48:31,960
Speaker 1: end of the field. It kind of moves. That's what happens.

891
00:48:32,040 --> 00:48:34,840
Speaker 1: Is the first down line, Yes, and you need to

892
00:48:34,920 --> 00:48:36,719
Speaker 1: keep getting the first down so that you can have

893
00:48:36,760 --> 00:48:39,960
Speaker 1: more chances to get that. Okay, so you've known this

894
00:48:40,080 --> 00:48:41,719
Speaker 1: for a long time. I've actually known this for a

895
00:48:41,719 --> 00:48:43,880
Speaker 1: long time because my father was a varsity football You

896
00:48:43,880 --> 00:48:46,200
Speaker 1: have to remember I once was a babyhood a little

897
00:48:46,239 --> 00:48:48,239
Speaker 1: jersey that said little Rogers on the back of My

898
00:48:48,320 --> 00:48:52,239
Speaker 1: dad was actually known as a quote defensive coordinator genius

899
00:48:52,360 --> 00:48:55,320
Speaker 1: on the Long Island I believe, okay, and an award

900
00:48:55,360 --> 00:49:00,160
Speaker 1: winning defensive coordinator at that. That being said, that is

901
00:49:00,160 --> 00:49:02,160
Speaker 1: going on with most of the Why are the plays

902
00:49:02,200 --> 00:49:04,359
Speaker 1: so complicated with the little men like oh that it's

903
00:49:04,400 --> 00:49:07,520
Speaker 1: like the xs and ohs that you draw. You're trying

904
00:49:07,560 --> 00:49:09,560
Speaker 1: to run to the other side because either you throw it,

905
00:49:09,760 --> 00:49:12,759
Speaker 1: someone has the option to, like girl, throw it to

906
00:49:12,800 --> 00:49:14,880
Speaker 1: one person or another person. I look and then at

907
00:49:14,880 --> 00:49:18,160
Speaker 1: times the QB runs himself. Sometimes he's just giving the

908
00:49:18,160 --> 00:49:20,080
Speaker 1: ballow to someone else. I gotta do a deeper dive.

909
00:49:20,120 --> 00:49:23,040
Speaker 1: But really, all it took because Sudy and I were

910
00:49:23,080 --> 00:49:25,000
Speaker 1: there at this party together and we were like, wait

911
00:49:25,040 --> 00:49:26,960
Speaker 1: a minute, we kind of get we kind of get

912
00:49:27,000 --> 00:49:29,319
Speaker 1: what's going on, and this is this is very fun

913
00:49:29,320 --> 00:49:31,600
Speaker 1: to watch all these straight men have figured it out.

914
00:49:31,960 --> 00:49:34,359
Speaker 1: I don't I'm not gonna make a comment on that. Okay,

915
00:49:34,400 --> 00:49:36,000
Speaker 1: you're gonna pass on that. I'm gonna have to pass

916
00:49:36,000 --> 00:49:37,120
Speaker 1: on that one. But then the next day I go

917
00:49:37,120 --> 00:49:40,480
Speaker 1: into work and then I literally google football rules yeah,

918
00:49:41,120 --> 00:49:43,160
Speaker 1: and like watching at two time speed because I was like,

919
00:49:43,200 --> 00:49:45,640
Speaker 1: I don't have a lot of time, let's go and

920
00:49:45,920 --> 00:49:48,560
Speaker 1: absorbed at all, not all, but I was just like, oh,

921
00:49:48,600 --> 00:49:50,640
Speaker 1: I get it now, and this is fun and interesting,

922
00:49:50,640 --> 00:49:52,960
Speaker 1: and I thank god for j Loo Shicure because if

923
00:49:52,960 --> 00:49:54,880
Speaker 1: if it was and miss Heidi Gardner, which who I

924
00:49:54,920 --> 00:49:57,640
Speaker 1: put on the same pedestals those are actually the three three.

925
00:49:59,400 --> 00:50:01,560
Speaker 1: But I was like, thank God for this because now

926
00:50:01,600 --> 00:50:05,920
Speaker 1: I'm interested in this. My horizons have expanded, and I'm

927
00:50:06,040 --> 00:50:08,880
Speaker 1: kind of into this new thing called new culture. Culture.

928
00:50:08,880 --> 00:50:10,319
Speaker 1: I would say this, I have a couple of notes

929
00:50:10,360 --> 00:50:13,200
Speaker 1: for football, and it's just thoughts and and people. Costumes

930
00:50:13,200 --> 00:50:15,560
Speaker 1: are better, should be better. I would say that I

931
00:50:16,080 --> 00:50:18,960
Speaker 1: could we could use an update on the cost Yes, yes, yes,

932
00:50:19,239 --> 00:50:23,040
Speaker 1: one thing. There's a quarterback and a cornerback. I feel

933
00:50:23,080 --> 00:50:24,920
Speaker 1: these two words are too similar, as I think we

934
00:50:24,920 --> 00:50:29,239
Speaker 1: should just change um. I think yeah, like quarterback, I

935
00:50:29,280 --> 00:50:31,600
Speaker 1: think should we should keep calling him a quarterback because

936
00:50:32,160 --> 00:50:35,440
Speaker 1: that's the culture. Cornerback should be like quarterbacks should be

937
00:50:35,480 --> 00:50:38,600
Speaker 1: like angle angle back or something or just I don't know.

938
00:50:38,640 --> 00:50:41,080
Speaker 1: I would just call him like back. I would I

939
00:50:41,239 --> 00:50:43,040
Speaker 1: was miss back, I would say, well, what does the

940
00:50:43,080 --> 00:50:45,040
Speaker 1: cornerback do? Do you know that? I don't think I

941
00:50:45,080 --> 00:50:46,480
Speaker 1: know that? Is he the one who snaps the ball?

942
00:50:46,520 --> 00:50:50,359
Speaker 1: Call him the snapper snapper? That's much easier. But so

943
00:50:50,719 --> 00:50:53,800
Speaker 1: that's one of my notes. Also, these brains are becoming

944
00:50:53,840 --> 00:50:58,799
Speaker 1: mush This is so my my, my, My small thing

945
00:50:58,920 --> 00:51:01,480
Speaker 1: is we have to change quarter back in cornerback. My

946
00:51:01,640 --> 00:51:06,200
Speaker 1: big thing is their brains were coming us and we're not.

947
00:51:06,280 --> 00:51:09,200
Speaker 1: We're there're nothing's being done about it. I mean, outside

948
00:51:09,200 --> 00:51:12,160
Speaker 1: of Will Smith making a movie about Doug's laughing, it's

949
00:51:12,200 --> 00:51:15,160
Speaker 1: not it's no laughing. It's actually not funny. I'm actually

950
00:51:15,200 --> 00:51:17,120
Speaker 1: not funny at all. I'm going to have to disapprove

951
00:51:17,120 --> 00:51:18,759
Speaker 1: on them. I have to disapprove on that one. We

952
00:51:18,800 --> 00:51:20,839
Speaker 1: have straight people in the booth who are I guess

953
00:51:20,960 --> 00:51:24,360
Speaker 1: laughing at us, And I'm sorry, but I mean, there's

954
00:51:24,400 --> 00:51:26,880
Speaker 1: there's things to point out that costumes need an upgrade

955
00:51:27,160 --> 00:51:29,880
Speaker 1: quarterback cornerback. It needs to be a snapper quarterback, and

956
00:51:29,920 --> 00:51:32,239
Speaker 1: the brains should We should do something about them. If

957
00:51:32,239 --> 00:51:34,399
Speaker 1: you're gonna talk to queer people about football, the last

958
00:51:34,400 --> 00:51:37,080
Speaker 1: thing we're gonna do is dehumanize the player, right exactly.

959
00:51:37,480 --> 00:51:39,759
Speaker 1: I also think that we actually, you know, how they're

960
00:51:39,800 --> 00:51:43,120
Speaker 1: actually moving to cut the dancing and celebrations when they

961
00:51:43,160 --> 00:51:47,640
Speaker 1: do a touchdown before well, that's that's that's that's how

962
00:51:47,680 --> 00:51:50,560
Speaker 1: you end up having like personalities in football and like hello,

963
00:51:51,080 --> 00:51:53,840
Speaker 1: like you end up loving the people because they're of

964
00:51:53,880 --> 00:51:56,600
Speaker 1: the dancing girl. You know, Ticky Barber. You've heard of

965
00:51:56,600 --> 00:52:00,560
Speaker 1: this pros dancer, a dancer, and we need more of that.

966
00:52:00,920 --> 00:52:03,160
Speaker 1: I think miss j J. Watt was a dancer. Well

967
00:52:03,320 --> 00:52:06,000
Speaker 1: you know her. I listen. I gotta say J. J.

968
00:52:06,160 --> 00:52:10,640
Speaker 1: Watt lovely had a very good experience. I love that

969
00:52:10,680 --> 00:52:13,600
Speaker 1: for you. I did not know who J. J. Watt

970
00:52:13,680 --> 00:52:15,800
Speaker 1: was when it was announced and I looked at it,

971
00:52:15,840 --> 00:52:18,000
Speaker 1: said host J J. Watt, And I said, is there

972
00:52:18,040 --> 00:52:19,759
Speaker 1: someone in the culture that I do not know? And

973
00:52:19,760 --> 00:52:22,959
Speaker 1: that I said, of course an athlete, very very fun,

974
00:52:23,239 --> 00:52:26,720
Speaker 1: very fun person. I'll say, this hot and could snap

975
00:52:26,760 --> 00:52:29,479
Speaker 1: me in half if he wanted, could take my neck

976
00:52:29,960 --> 00:52:33,520
Speaker 1: and rip my head clear off my body, and I'd

977
00:52:33,520 --> 00:52:36,000
Speaker 1: be fine. I gonna have to gonna have to agree

978
00:52:36,040 --> 00:52:39,120
Speaker 1: on that. One could break my arm. Um on him

979
00:52:39,160 --> 00:52:41,359
Speaker 1: breaking your arm, I agree with that. Yeah, Okay, So

980
00:52:41,400 --> 00:52:42,759
Speaker 1: I just know that I will know it wouldn't be

981
00:52:42,840 --> 00:52:44,440
Speaker 1: upset about it. I'd be happy. Okay. Anything else to

982
00:52:44,440 --> 00:52:47,040
Speaker 1: cover on super Bowl I don't think so Okay. Um,

983
00:52:47,160 --> 00:52:50,240
Speaker 1: So that's the super Bowl. Amazing slay and we should

984
00:52:50,239 --> 00:52:54,160
Speaker 1: say that incredible chill inducing moment when she revealed the

985
00:52:54,160 --> 00:52:57,000
Speaker 1: Puerto Rican fly. Oh my god born in the USA

986
00:52:58,080 --> 00:53:02,359
Speaker 1: pages Jayla Wins j Lo Wins. Um. So super Bowl

987
00:53:02,520 --> 00:53:05,839
Speaker 1: was incredible. Now we've spoken about the Grammys a little

988
00:53:05,840 --> 00:53:07,200
Speaker 1: bit billy that I just took over. I don't know

989
00:53:07,239 --> 00:53:10,120
Speaker 1: what anyone, to be honest, I didn't watch well. It

990
00:53:10,280 --> 00:53:14,480
Speaker 1: was a sad event because that was the day of Kobe. Yes,

991
00:53:14,680 --> 00:53:15,960
Speaker 1: and can I tell you where I was when I

992
00:53:15,960 --> 00:53:18,840
Speaker 1: found out that Kobe Bryant has passed away. So Patrick

993
00:53:18,920 --> 00:53:21,680
Speaker 1: Rodgers and I who has become my sister? He is

994
00:53:21,760 --> 00:53:25,400
Speaker 1: and the thing is like I love him, We love

995
00:53:25,680 --> 00:53:28,120
Speaker 1: and we are the house because we have the same

996
00:53:28,200 --> 00:53:31,160
Speaker 1: last name and he's become a sister. And so now

997
00:53:31,200 --> 00:53:33,680
Speaker 1: we have a ritual where we go to the wee Spa.

998
00:53:34,480 --> 00:53:37,239
Speaker 1: I won't say when we go because then people, well

999
00:53:37,320 --> 00:53:40,719
Speaker 1: we'll follow. I don't know, um, but I like going

1000
00:53:40,719 --> 00:53:44,840
Speaker 1: to this we spa and to be in the sauna

1001
00:53:45,560 --> 00:53:47,399
Speaker 1: and it's not a crauzy thing, no, no, no no, it's

1002
00:53:47,440 --> 00:53:49,759
Speaker 1: just like a nice, like family oriented. Chloe was telling

1003
00:53:49,760 --> 00:53:52,080
Speaker 1: me about how she loves it. Yeah, So we spas

1004
00:53:52,160 --> 00:53:54,279
Speaker 1: fucking great. And we were sitting there and we were

1005
00:53:54,360 --> 00:53:57,120
Speaker 1: in the sauna and we were watching television and it

1006
00:53:57,200 --> 00:54:00,320
Speaker 1: was breaking news that this tragedy had happened with Kobe

1007
00:54:00,320 --> 00:54:03,920
Speaker 1: Bryant and one of the most met in America, especially

1008
00:54:03,960 --> 00:54:07,839
Speaker 1: in Los Angeles, Jesus Christ. And so watching men Los

1009
00:54:07,920 --> 00:54:12,320
Speaker 1: Angeles based men come into the sauna fully naked, seeing

1010
00:54:12,360 --> 00:54:14,600
Speaker 1: them turn to the screen and realize what was happening,

1011
00:54:14,840 --> 00:54:19,600
Speaker 1: and watching these more nude realized that Kobe Bryant had died,

1012
00:54:19,719 --> 00:54:22,720
Speaker 1: was like, there's never nothing, but I've never seen anything

1013
00:54:22,719 --> 00:54:26,480
Speaker 1: more vulnerable. My god, it was I'll never forget where

1014
00:54:26,520 --> 00:54:28,399
Speaker 1: I was when that happened. Oh my god. We were

1015
00:54:28,440 --> 00:54:30,520
Speaker 1: like gags who were like, how does this happen? And

1016
00:54:30,800 --> 00:54:34,600
Speaker 1: so crazy not to bring it down, but no, no, no, no, no,

1017
00:54:34,640 --> 00:54:39,160
Speaker 1: it's it's you forget man, well, truly accident. The thing

1018
00:54:39,280 --> 00:54:41,600
Speaker 1: that I was sort of like taking away from it

1019
00:54:41,680 --> 00:54:44,120
Speaker 1: was that it's just like, for no reason, these things

1020
00:54:44,160 --> 00:54:47,640
Speaker 1: just happen for truly no reason, and it's it just

1021
00:54:47,719 --> 00:54:49,680
Speaker 1: it just like speaks to like the fragility of it all.

1022
00:54:49,680 --> 00:54:52,080
Speaker 1: The fact that he went to church and like we

1023
00:54:52,120 --> 00:54:54,840
Speaker 1: can't even realize the last week was to Lebron and

1024
00:54:54,880 --> 00:54:57,000
Speaker 1: it's just like, yeah, it's like crazy. I mean, when

1025
00:54:57,000 --> 00:54:58,560
Speaker 1: you get into the pacifics of the rest of it,

1026
00:54:58,560 --> 00:55:01,239
Speaker 1: it's just too sad. So obviously that was a very

1027
00:55:01,520 --> 00:55:04,719
Speaker 1: very very bad day. And um, watching the Grammy's that night,

1028
00:55:04,760 --> 00:55:07,560
Speaker 1: like I almost was happy that it was Alicia Keys.

1029
00:55:07,640 --> 00:55:09,799
Speaker 1: Like I don't love Alicia Keys as a Grammy's host,

1030
00:55:09,800 --> 00:55:13,800
Speaker 1: Like I'm over like the let's do good vibes hosting.

1031
00:55:13,880 --> 00:55:15,440
Speaker 1: I think that we should have jokes. I think we

1032
00:55:15,440 --> 00:55:17,640
Speaker 1: should be laughing and we watch those things. So I

1033
00:55:17,640 --> 00:55:19,560
Speaker 1: don't love her as a host, but you almost that

1034
00:55:19,640 --> 00:55:22,480
Speaker 1: day was were like it's kind of good, you know,

1035
00:55:22,560 --> 00:55:24,520
Speaker 1: because I think all we need is just to like

1036
00:55:24,840 --> 00:55:29,040
Speaker 1: settle into the problem reality of this. I'm like, you know,

1037
00:55:29,200 --> 00:55:32,160
Speaker 1: move through it. Um, But that was that was a

1038
00:55:32,200 --> 00:55:35,640
Speaker 1: crazy evening. That was one where I woke up and

1039
00:55:35,800 --> 00:55:38,080
Speaker 1: was just like went to the bathroom and just like

1040
00:55:38,200 --> 00:55:41,240
Speaker 1: scrolled through my phone and it was like wait, wait,

1041
00:55:41,320 --> 00:55:44,200
Speaker 1: what is crazy. I didn't believe it was happening for

1042
00:55:44,200 --> 00:55:46,600
Speaker 1: a while. Yeah, it was weird to be here too,

1043
00:55:46,640 --> 00:55:49,239
Speaker 1: because I I think I didn't grasp like what I

1044
00:55:49,320 --> 00:55:52,719
Speaker 1: thought he was in Los Angeles, like I've never cared

1045
00:55:52,719 --> 00:55:57,680
Speaker 1: about basketball. But yeah, um well, outside of that, the

1046
00:55:57,680 --> 00:56:00,080
Speaker 1: Grammys were fun and wait, oh this is what I

1047
00:56:00,080 --> 00:56:05,200
Speaker 1: wanted to say, Demi, Demi. God. Now there was just

1048
00:56:05,239 --> 00:56:07,000
Speaker 1: it was the battle of the ballads at this mine.

1049
00:56:07,080 --> 00:56:11,200
Speaker 1: It felt like which Camilla Okay, the Camilla First Man performance.

1050
00:56:11,280 --> 00:56:14,279
Speaker 1: I actually stabbed that song. Okay, And I'm gonna have

1051
00:56:14,320 --> 00:56:18,600
Speaker 1: to cry for my father on I'm kind of you

1052
00:56:18,880 --> 00:56:23,640
Speaker 1: ll the first Man love Me. I'm a little chilled.

1053
00:56:23,680 --> 00:56:25,680
Speaker 1: I'm not chilled. I just find it very interesting how

1054
00:56:25,960 --> 00:56:28,560
Speaker 1: And I'm not saying that it's irredeemable. She's irredeemable, but

1055
00:56:28,560 --> 00:56:31,439
Speaker 1: it's we're we've all kind of very quickly moved from

1056
00:56:31,680 --> 00:56:33,839
Speaker 1: the unword of it all. Right, But here's my thing

1057
00:56:33,880 --> 00:56:35,839
Speaker 1: with her and the N word of it all. It's

1058
00:56:35,880 --> 00:56:40,359
Speaker 1: like I think that she seemed like someone who culturally

1059
00:56:40,680 --> 00:56:43,359
Speaker 1: like was not it was just not aware she could.

1060
00:56:43,880 --> 00:56:47,920
Speaker 1: But I don't know about that because the normanity the

1061
00:56:48,080 --> 00:56:52,120
Speaker 1: normany thing, what kind of creeps me the funk out.

1062
00:56:52,160 --> 00:56:54,560
Speaker 1: What happened with the Normandy is like on his interviews

1063
00:56:54,600 --> 00:56:59,480
Speaker 1: now being like yeah, like they were coordinated like online

1064
00:56:59,560 --> 00:57:05,120
Speaker 1: like campaigns, attack campaigns that she kind of like sort

1065
00:57:05,120 --> 00:57:09,759
Speaker 1: of like dog whistled, like like like I'm butchering it.

1066
00:57:09,800 --> 00:57:11,600
Speaker 1: But like but Normani has basically been out there like

1067
00:57:11,600 --> 00:57:13,520
Speaker 1: when the whole like Nward thing, like the Tumbler thing

1068
00:57:13,560 --> 00:57:16,080
Speaker 1: like came out, like apparently Normani was just like yeah,

1069
00:57:16,160 --> 00:57:20,360
Speaker 1: I mean, I was getting fucking vile ship from Camilla

1070
00:57:20,440 --> 00:57:23,919
Speaker 1: fans and it seemed like it was like from the sword,

1071
00:57:24,000 --> 00:57:27,600
Speaker 1: like it was coming from one place. So I'm I'm

1072
00:57:27,600 --> 00:57:30,040
Speaker 1: gonna I'm gonna have to stay team Romany on that one.

1073
00:57:30,240 --> 00:57:32,360
Speaker 1: I mean, yeah, I mean if we're picking, so I

1074
00:57:32,400 --> 00:57:34,040
Speaker 1: don't know, I mean not that we're picking, but it's

1075
00:57:34,080 --> 00:57:36,840
Speaker 1: just like I feel that bums me out because I

1076
00:57:36,880 --> 00:57:40,040
Speaker 1: was really liking Camilla and there's room to like her

1077
00:57:40,040 --> 00:57:42,120
Speaker 1: and I'm not and I'm not saying that it's I'm

1078
00:57:42,160 --> 00:57:44,640
Speaker 1: not saying like cancel, cancel, cancel, because that's like also

1079
00:57:44,760 --> 00:57:48,160
Speaker 1: like such so absolute and stupid, but like it's it's

1080
00:57:48,200 --> 00:57:50,600
Speaker 1: just like wait a minute, Well, bottom line is she's

1081
00:57:50,600 --> 00:57:54,560
Speaker 1: still Cinderella. That's the thing too. I'm like, okay, and

1082
00:57:54,640 --> 00:57:58,520
Speaker 1: we're like, we're like very like casually announcing all these

1083
00:57:58,560 --> 00:58:00,680
Speaker 1: new casting things that are how thing with this movie,

1084
00:58:00,680 --> 00:58:02,680
Speaker 1: and I think it probably would be too much to

1085
00:58:02,840 --> 00:58:05,040
Speaker 1: like do anything with that. I also, I'm saying there's

1086
00:58:05,040 --> 00:58:07,400
Speaker 1: a lot of Chamilla news that like is being like

1087
00:58:07,680 --> 00:58:10,560
Speaker 1: kind of like celebrated, not celebrated. We're just like cool.

1088
00:58:10,760 --> 00:58:13,400
Speaker 1: My thing too with the whole First Man performance was

1089
00:58:13,400 --> 00:58:15,120
Speaker 1: like she's singing the song to her dad about how

1090
00:58:15,120 --> 00:58:16,680
Speaker 1: like it's time to give me up to the man

1091
00:58:16,680 --> 00:58:18,880
Speaker 1: of my dreams who I've met and I'm with, and

1092
00:58:18,920 --> 00:58:25,920
Speaker 1: it's like Sean, Okay, here we go. She thinks Mentis

1093
00:58:26,000 --> 00:58:30,240
Speaker 1: is the one. Oh my god, whose disease is this?

1094
00:58:30,480 --> 00:58:33,520
Speaker 1: What do we do? Oh wow, I don't know. I'm

1095
00:58:33,520 --> 00:58:36,320
Speaker 1: gonna have to pass. I'm gonna have to question question

1096
00:58:36,400 --> 00:58:41,840
Speaker 1: that one. But anyway, um and DEMI I thought, I yeah,

1097
00:58:42,120 --> 00:58:46,040
Speaker 1: I live. She sucking slay the super Bowl Slay the

1098
00:58:46,040 --> 00:58:51,240
Speaker 1: super Bowl was wide open at the Grammys. Hey, he

1099
00:58:53,320 --> 00:58:56,480
Speaker 1: she was giving you the notes. She's never sounding better,

1100
00:58:56,840 --> 00:59:00,600
Speaker 1: a full gape of a mouth, the lyrics that lyrics.

1101
00:59:00,680 --> 00:59:05,720
Speaker 1: I feel stupid when I sing that is that's real raw.

1102
00:59:07,640 --> 00:59:09,360
Speaker 1: Wait to see what she has. We have a lot

1103
00:59:09,360 --> 00:59:11,640
Speaker 1: of respect for her and also Billie Eilish one a

1104
00:59:11,680 --> 00:59:16,280
Speaker 1: approximately seventeen Grammys and um slay on Silver Girl, Play

1105
00:59:16,320 --> 00:59:19,120
Speaker 1: on Silver Girl, Green Girl, Green Green Girl. You're gonna

1106
00:59:19,160 --> 00:59:21,080
Speaker 1: have to like your bond theme on that one. Gonna

1107
00:59:21,120 --> 00:59:22,960
Speaker 1: have to love the Gucci on the um. Speaking of

1108
00:59:23,040 --> 00:59:27,600
Speaker 1: music news, uh Adelway's eight pounds Okay, where are you

1109
00:59:27,600 --> 00:59:31,600
Speaker 1: with this? I'm sort of like concerned it's okay, and

1110
00:59:31,920 --> 00:59:35,080
Speaker 1: I'm concerned about the coverage of it because like they're

1111
00:59:35,120 --> 00:59:37,240
Speaker 1: literally like reaching out to her friends or truly who

1112
00:59:37,280 --> 00:59:39,400
Speaker 1: knows if they're her friends, if they're just like fucking acquaintances.

1113
00:59:39,440 --> 00:59:41,520
Speaker 1: Were like, yeah, the divorce is actually really good for

1114
00:59:41,520 --> 00:59:43,560
Speaker 1: her in terms of her body. It's like, shut up.

1115
00:59:43,880 --> 00:59:48,320
Speaker 1: I don't like the whole discourse around it. She definitely

1116
00:59:48,320 --> 00:59:51,120
Speaker 1: has lost a ton of weight. I hope that she's

1117
00:59:51,160 --> 00:59:54,240
Speaker 1: doing it in a healthy way. I just it's always

1118
00:59:54,240 --> 00:59:58,000
Speaker 1: shocking to me to see such a dramatic weight loss

1119
00:59:58,200 --> 01:00:03,440
Speaker 1: because she didn't need to know whatever. I hope that

1120
01:00:03,480 --> 01:00:06,560
Speaker 1: she's I just hope she's happy. That's all. Whenever whenever

1121
01:00:06,600 --> 01:00:10,080
Speaker 1: I see someone who's appearance has drastically changed, and you

1122
01:00:10,080 --> 01:00:12,360
Speaker 1: know they've had a hard time. I just say, I

1123
01:00:12,440 --> 01:00:14,560
Speaker 1: hope they're happy. Yeah, you know what I mean. Like

1124
01:00:14,600 --> 01:00:17,320
Speaker 1: it doesn't rule it out right, and just it doesn't

1125
01:00:17,360 --> 01:00:20,360
Speaker 1: rule out that that it's all buttressed by like good stuff,

1126
01:00:20,800 --> 01:00:25,400
Speaker 1: by like healthy behaviors. Um. Looking forward to the music,

1127
01:00:25,520 --> 01:00:27,120
Speaker 1: looking forward to the music, and when the narrative can

1128
01:00:27,120 --> 01:00:28,920
Speaker 1: be about the music is sure. And she leaked that

1129
01:00:28,960 --> 01:00:31,040
Speaker 1: it's coming out in September, Yeah, which we love, which

1130
01:00:31,040 --> 01:00:34,240
Speaker 1: we love. And I've been listening to Skyfall a lot

1131
01:00:34,240 --> 01:00:37,960
Speaker 1: because of the billy song coming out, and I'm still

1132
01:00:38,000 --> 01:00:43,000
Speaker 1: in love. Classic voices, haunting, I mean, and and that's

1133
01:00:43,000 --> 01:00:46,880
Speaker 1: why you have. Best original song is for the Skyfall years,

1134
01:00:46,920 --> 01:00:49,840
Speaker 1: for yours, your your your strally for your sky falls. Um,

1135
01:00:49,880 --> 01:00:58,200
Speaker 1: so listen, speaking of um, speaking of moments, moments, what

1136
01:00:58,280 --> 01:01:03,000
Speaker 1: a transition, what a segue, Jamila, jim Oh, I thought

1137
01:01:03,040 --> 01:01:05,400
Speaker 1: you were gonna go somewhere else, Jimmy, we gotta talk

1138
01:01:05,400 --> 01:01:09,720
Speaker 1: about so let's just let's just try and wrap this

1139
01:01:09,800 --> 01:01:12,360
Speaker 1: up in as tight a boon as possible. Jamie Jamil.

1140
01:01:12,960 --> 01:01:17,080
Speaker 1: Literally seconds after the Good Place Sence has revealed her

1141
01:01:17,120 --> 01:01:21,480
Speaker 1: full crazy, she gets announced as a like m C

1142
01:01:21,840 --> 01:01:27,160
Speaker 1: and like head judge on this show. Apparently the first

1143
01:01:27,200 --> 01:01:29,800
Speaker 1: press press release was wrong because it said she was

1144
01:01:29,800 --> 01:01:31,800
Speaker 1: the MC. So she comes out, but how is the

1145
01:01:31,800 --> 01:01:35,440
Speaker 1: press release from from HBO Max. So then she comes

1146
01:01:35,440 --> 01:01:37,640
Speaker 1: as and then she gets all this flak for not

1147
01:01:37,720 --> 01:01:39,920
Speaker 1: being this queer person who is like the face of

1148
01:01:39,920 --> 01:01:44,000
Speaker 1: this voguing show, this ballroom show. And then the next

1149
01:01:44,440 --> 01:01:47,840
Speaker 1: sort of day, Yeah, this sort of whips ode of

1150
01:01:47,880 --> 01:01:51,360
Speaker 1: this is that she says, I'm allowed to do this

1151
01:01:51,400 --> 01:01:54,120
Speaker 1: because I'm queer, and yeah, I wish it wasn't like this,

1152
01:01:54,200 --> 01:01:56,720
Speaker 1: and I wish it didn't come to this, but so

1153
01:01:56,800 --> 01:02:00,320
Speaker 1: that so that and then she correctly cam queer. She

1154
01:02:00,400 --> 01:02:02,240
Speaker 1: corrected the press release too by saying I'm not the

1155
01:02:02,320 --> 01:02:05,000
Speaker 1: m C, I am the head head judge. Doesn't make

1156
01:02:05,000 --> 01:02:07,640
Speaker 1: a difference to me, it makes less sense because there's

1157
01:02:07,680 --> 01:02:10,720
Speaker 1: no reason she should be judging it if she were

1158
01:02:10,760 --> 01:02:13,880
Speaker 1: a presenter of it. Well that's something that she does,

1159
01:02:14,040 --> 01:02:16,880
Speaker 1: like you don't necessarily need to have know how about

1160
01:02:16,960 --> 01:02:20,480
Speaker 1: the voguing and ball season if you're the host, but

1161
01:02:20,600 --> 01:02:22,640
Speaker 1: to be a judge and then to correct and be

1162
01:02:22,680 --> 01:02:24,720
Speaker 1: like no, no, no no, I'm not the host. I'm just

1163
01:02:24,920 --> 01:02:30,320
Speaker 1: a judge. That's not anyway. That's really annoying. But she

1164
01:02:30,360 --> 01:02:32,720
Speaker 1: can't have her cake any two where she's going, Um,

1165
01:02:32,760 --> 01:02:34,760
Speaker 1: I'm queer, I'm allowed to do this, But then she

1166
01:02:34,800 --> 01:02:38,400
Speaker 1: also goes, but I'm also not part of this ballroom scene,

1167
01:02:38,400 --> 01:02:40,440
Speaker 1: and so that actually makes me an entry point for

1168
01:02:40,440 --> 01:02:43,120
Speaker 1: other people who aren't into who aren't into voguing as well.

1169
01:02:43,440 --> 01:02:45,880
Speaker 1: It's like, okay, so then either you're standing with the

1170
01:02:45,960 --> 01:02:50,400
Speaker 1: queer sort of shade of this or you're just being

1171
01:02:50,920 --> 01:02:53,720
Speaker 1: I don't know. It's She's like, I'm going to say anything,

1172
01:02:53,760 --> 01:02:56,360
Speaker 1: and of course it makes sense, and you're like, the wait,

1173
01:02:57,040 --> 01:02:59,840
Speaker 1: it feels like a gas lady on like a mass level.

1174
01:03:00,600 --> 01:03:03,760
Speaker 1: And then did you see her get into it with

1175
01:03:03,760 --> 01:03:06,440
Speaker 1: Trace La Set No, I didn't see that, Okay, So

1176
01:03:06,560 --> 01:03:11,160
Speaker 1: Tracey La set tweets that she was up for all

1177
01:03:11,200 --> 01:03:14,000
Speaker 1: the same ship that Jamila was up for. I didn't

1178
01:03:14,040 --> 01:03:17,880
Speaker 1: get it despite actually being a house mother from the

1179
01:03:17,920 --> 01:03:21,800
Speaker 1: ball scene and like like a true queen from that scene,

1180
01:03:21,840 --> 01:03:26,440
Speaker 1: like authentically from that culture. And she was like, well,

1181
01:03:26,480 --> 01:03:28,560
Speaker 1: I auditioned for this ship and didn't get it, so

1182
01:03:28,680 --> 01:03:31,480
Speaker 1: this is weird. And Jamila responded to Trace and be

1183
01:03:31,560 --> 01:03:34,280
Speaker 1: like Hey, babe, I think what you auditioned for was this?

1184
01:03:34,440 --> 01:03:36,360
Speaker 1: Not this? We were up for the same thing. And

1185
01:03:36,400 --> 01:03:39,240
Speaker 1: she goes, no, girl, I know what I auditioned for. Also,

1186
01:03:39,320 --> 01:03:41,200
Speaker 1: I don't need to audition to be a housemother. I

1187
01:03:41,240 --> 01:03:44,080
Speaker 1: am one, so et cetera. This is like like step back.

1188
01:03:44,320 --> 01:03:49,560
Speaker 1: She set her absolutely right. But then the kness about

1189
01:03:49,960 --> 01:03:54,520
Speaker 1: the parade of illnesses and diseases and accidents. She said, She's, oh,

1190
01:03:54,560 --> 01:03:57,560
Speaker 1: I see, I fully disengaged and checked out at this point.

1191
01:03:57,600 --> 01:04:01,880
Speaker 1: I just I if I like starre to, if I

1192
01:04:01,920 --> 01:04:03,680
Speaker 1: stare too long at this kind of thing, it just

1193
01:04:03,760 --> 01:04:06,360
Speaker 1: it just it stares back. What is this? She's she's

1194
01:04:06,360 --> 01:04:08,920
Speaker 1: got a bunch of diseases. She's like, I've had cancer

1195
01:04:08,960 --> 01:04:12,560
Speaker 1: a million times. I was hitting. It's like she's like

1196
01:04:12,800 --> 01:04:15,160
Speaker 1: talks about like things that have happened in you gotta

1197
01:04:15,520 --> 01:04:18,000
Speaker 1: if you search it. There's like Instagram threads where they

1198
01:04:18,040 --> 01:04:20,200
Speaker 1: collect all of the things that she has said about

1199
01:04:20,240 --> 01:04:22,440
Speaker 1: herself and things that she's gone through and they put

1200
01:04:22,480 --> 01:04:26,080
Speaker 1: them all together and it's shocking, No, this is this.

1201
01:04:27,200 --> 01:04:29,640
Speaker 1: And the thing is like she's like, come after the

1202
01:04:29,640 --> 01:04:31,800
Speaker 1: people that are like reporting on it are like talking

1203
01:04:31,800 --> 01:04:34,000
Speaker 1: about it um and been like, how dare you? How

1204
01:04:34,040 --> 01:04:36,120
Speaker 1: dare your dare you? And I'm like, how come no

1205
01:04:36,560 --> 01:04:39,200
Speaker 1: part of the narrative here isn't you saying I know

1206
01:04:39,360 --> 01:04:41,400
Speaker 1: it's crazy, all these things have happened to me, but

1207
01:04:41,440 --> 01:04:45,320
Speaker 1: it's true. Like there's no call out of like how

1208
01:04:45,440 --> 01:04:49,520
Speaker 1: it's an insane amount of things to happen to one person.

1209
01:04:49,960 --> 01:04:52,720
Speaker 1: It's just her presenting it all this fact and saying, Yep,

1210
01:04:52,840 --> 01:04:55,240
Speaker 1: it's true and if you believe me. If you don't

1211
01:04:55,280 --> 01:04:58,480
Speaker 1: believe me, you are insane. And it's like, no, girl,

1212
01:04:58,520 --> 01:05:01,120
Speaker 1: and this stuff has all happened to you. That is wild.

1213
01:05:01,560 --> 01:05:04,320
Speaker 1: You should be studied. You should be studied as the

1214
01:05:04,400 --> 01:05:07,760
Speaker 1: unluckiest woman in the world. Oh my god, as opposed

1215
01:05:07,800 --> 01:05:16,600
Speaker 1: to Shakira. You're gonna have to raise that one. Listen

1216
01:05:17,200 --> 01:05:22,200
Speaker 1: that it's tough. It's tough. It's like, clearly this person

1217
01:05:24,560 --> 01:05:29,480
Speaker 1: needs a resource, reach out, reach out. That's what we'll

1218
01:05:29,480 --> 01:05:32,600
Speaker 1: say about that. Let's talk about the two are actually

1219
01:05:32,680 --> 01:05:38,160
Speaker 1: three three Netflix moments. Okay, here Circle, which I'm still

1220
01:05:38,240 --> 01:05:40,439
Speaker 1: I'm only I'm only an episode two of and so

1221
01:05:40,800 --> 01:05:43,560
Speaker 1: I think you have not watched The Circle and I

1222
01:05:43,560 --> 01:05:46,240
Speaker 1: have not watched Cheer. Okay, great, So then let's let's

1223
01:05:46,280 --> 01:05:48,480
Speaker 1: just educate each other. So you educate me on The Circle.

1224
01:05:48,640 --> 01:05:53,080
Speaker 1: The Circle, I think is an incredible, important, um reality

1225
01:05:53,080 --> 01:05:57,440
Speaker 1: show on Netflix that has gotten the closest to satirizing

1226
01:05:57,520 --> 01:06:01,920
Speaker 1: and examining social media in terms of entertainment and the

1227
01:06:02,040 --> 01:06:04,640
Speaker 1: artifics the artifice of it and what we can get

1228
01:06:04,680 --> 01:06:08,400
Speaker 1: away with and what people, um people's fears are about

1229
01:06:08,440 --> 01:06:11,400
Speaker 1: social media and peoples like advantages are on social media

1230
01:06:11,520 --> 01:06:14,720
Speaker 1: based on their real personality. It's very interesting and I

1231
01:06:14,760 --> 01:06:17,439
Speaker 1: really like it and I think it ends very satisfied. Great,

1232
01:06:17,480 --> 01:06:19,760
Speaker 1: I should finish it because right now I'm just having

1233
01:06:19,760 --> 01:06:24,280
Speaker 1: a hard time with like then being like, hey, private message, Mercedes,

1234
01:06:24,800 --> 01:06:26,960
Speaker 1: we should form in your lines love you girl. Like

1235
01:06:27,040 --> 01:06:28,760
Speaker 1: it's just like, wait, this is this is how people

1236
01:06:28,760 --> 01:06:30,960
Speaker 1: talk with that. That's the whole point. So basically you

1237
01:06:31,000 --> 01:06:33,680
Speaker 1: have to get through those first few episodes because the

1238
01:06:33,720 --> 01:06:35,480
Speaker 1: people that are bad at playing the game sort of

1239
01:06:35,480 --> 01:06:38,280
Speaker 1: get weeded out, and therefore it becomes all people that

1240
01:06:38,320 --> 01:06:41,200
Speaker 1: are good at it or authentically being themselves and are

1241
01:06:41,240 --> 01:06:45,080
Speaker 1: getting played by it. And that's what it gets. And

1242
01:06:45,280 --> 01:06:47,440
Speaker 1: we love that. I love that show. And talk to

1243
01:06:47,440 --> 01:06:51,120
Speaker 1: me about Cheer because I tried and um, Oh I

1244
01:06:51,160 --> 01:06:52,760
Speaker 1: loved it. Was it the Trump stuff? Was it like

1245
01:06:52,760 --> 01:06:54,200
Speaker 1: the Texas of it all? A little bit of that?

1246
01:06:54,280 --> 01:06:59,360
Speaker 1: And also, um, I don't like seeing the girls get hurt. Yeah,

1247
01:06:59,400 --> 01:07:02,880
Speaker 1: well ends up not even being gender specific by the end.

1248
01:07:02,920 --> 01:07:07,439
Speaker 1: It's like everybody gets hurt. Um. Anyway, Cheer is this

1249
01:07:07,560 --> 01:07:10,640
Speaker 1: documentary series on Netflix that I'm sure a lot of

1250
01:07:10,640 --> 01:07:14,160
Speaker 1: you have seen by these uh, I think one or

1251
01:07:14,200 --> 01:07:17,240
Speaker 1: two great sports documentarians, um, who have gone on record

1252
01:07:17,280 --> 01:07:19,560
Speaker 1: to say that they that then mar Share team is

1253
01:07:19,760 --> 01:07:22,640
Speaker 1: comprised of the hardest working athletes, the most intense athletes

1254
01:07:22,680 --> 01:07:27,439
Speaker 1: they've ever seen. Um, and a real cultural moment. I mean, yeah,

1255
01:07:27,920 --> 01:07:31,760
Speaker 1: it's something about like the way that these narratives sort

1256
01:07:31,760 --> 01:07:33,960
Speaker 1: of we're told and spun out and just it all

1257
01:07:34,080 --> 01:07:39,400
Speaker 1: it all builds up towards Tona, towards Daytona, UM Tona,

1258
01:07:40,240 --> 01:07:44,680
Speaker 1: and the stakes are also intricately and elegantly laid. Monaco

1259
01:07:44,680 --> 01:07:48,480
Speaker 1: A Dama is this wonderful mogul of a woman who

1260
01:07:48,520 --> 01:07:51,120
Speaker 1: has led this team to victory so many times and

1261
01:07:51,640 --> 01:07:54,560
Speaker 1: really nurtures them but also keeps them in arms length,

1262
01:07:54,880 --> 01:07:56,840
Speaker 1: and it's just so interesting. Her leadership style is so

1263
01:07:56,920 --> 01:07:59,760
Speaker 1: interesting and uh, and also What Josh Sharp has pointed

1264
01:07:59,760 --> 01:08:01,840
Speaker 1: out to me, which I love, is that and what

1265
01:08:02,080 --> 01:08:04,040
Speaker 1: some of our readers probably have picked up on it

1266
01:08:04,040 --> 01:08:06,400
Speaker 1: is that it's sort of kind of Trojan horses black

1267
01:08:06,440 --> 01:08:09,480
Speaker 1: queerness in this very cool way that it's just like

1268
01:08:09,720 --> 01:08:11,959
Speaker 1: it's it's it's it's so it's a junior college where

1269
01:08:12,040 --> 01:08:14,560
Speaker 1: everyone goes there just for the sports, the athletics of

1270
01:08:14,640 --> 01:08:17,560
Speaker 1: the ball. But yeah, I mean these like black cheerleaders,

1271
01:08:17,560 --> 01:08:19,680
Speaker 1: these guys who like go to the school because like

1272
01:08:19,720 --> 01:08:22,920
Speaker 1: Monica has seen them or something, or they get yeah,

1273
01:08:22,920 --> 01:08:24,800
Speaker 1: they get scouted, or they just go and they try

1274
01:08:24,840 --> 01:08:28,200
Speaker 1: out for it. Jerry Harris Ladarius I forget his last name,

1275
01:08:28,200 --> 01:08:31,320
Speaker 1: but Um sort of like the two like stars. We

1276
01:08:31,320 --> 01:08:34,320
Speaker 1: can't forget to te Um, but they are all. I mean,

1277
01:08:34,520 --> 01:08:36,240
Speaker 1: it all sort of like is a way to sort

1278
01:08:36,240 --> 01:08:39,439
Speaker 1: of like show America because I mean, sheer. It's like

1279
01:08:39,720 --> 01:08:42,479
Speaker 1: Republicans want to see it because it's like Texas and

1280
01:08:42,479 --> 01:08:44,479
Speaker 1: there's a lot of Texas dning in it, and then

1281
01:08:44,880 --> 01:08:47,160
Speaker 1: Liberals want to see it because it's like, oh, it's

1282
01:08:47,200 --> 01:08:49,559
Speaker 1: like dance music. I mean's like there's something for everybody.

1283
01:08:49,560 --> 01:08:51,080
Speaker 1: There's an entry point for everybody, which is kind of

1284
01:08:51,080 --> 01:08:53,559
Speaker 1: I think why it became such a moment. It's great,

1285
01:08:53,560 --> 01:08:55,760
Speaker 1: It's so good. I mean, the last episode is the

1286
01:08:55,840 --> 01:08:58,679
Speaker 1: nail biter of all nail biters. So good, I'll check

1287
01:08:58,680 --> 01:09:01,120
Speaker 1: it out. Um. It picks up after I would say

1288
01:09:01,160 --> 01:09:03,720
Speaker 1: the third episode, I think that I was watching The

1289
01:09:03,760 --> 01:09:06,120
Speaker 1: Circle and the and so I didn't I tried to

1290
01:09:06,120 --> 01:09:07,360
Speaker 1: watch Cheer, but I feel like it was going to

1291
01:09:07,479 --> 01:09:09,479
Speaker 1: demand a lot of time for me, and because I

1292
01:09:09,520 --> 01:09:13,280
Speaker 1: also was watching at the same time, Google Labs. Okay,

1293
01:09:13,280 --> 01:09:15,759
Speaker 1: now talk to me. But I've only seen the Shroom's

1294
01:09:15,760 --> 01:09:18,320
Speaker 1: episode whom episode is the first episode, and then the

1295
01:09:18,760 --> 01:09:21,360
Speaker 1: second and third episodes I feel like are like the ones.

1296
01:09:22,400 --> 01:09:25,560
Speaker 1: So the second episode deals with cold water plunge therapy.

1297
01:09:25,760 --> 01:09:27,960
Speaker 1: Have you heard of this? I've heard of this. Fascinating.

1298
01:09:28,400 --> 01:09:31,680
Speaker 1: So there's this guy who suffered a personal tragedy and

1299
01:09:31,760 --> 01:09:33,880
Speaker 1: then he started this movement of like cold water. I

1300
01:09:34,160 --> 01:09:35,760
Speaker 1: don't know he picked it up somewhere, but now it's

1301
01:09:35,800 --> 01:09:38,240
Speaker 1: like he's like a guru of plunging yourself in cold water,

1302
01:09:38,360 --> 01:09:42,160
Speaker 1: like drive your maladies away. Fascinating. And then and Gwyneth

1303
01:09:42,240 --> 01:09:46,800
Speaker 1: like has her like very thin employees go with yes. Um.

1304
01:09:46,920 --> 01:09:52,000
Speaker 1: Then the third episode is about um female orgasm and

1305
01:09:52,560 --> 01:09:55,000
Speaker 1: with a specific doctor, with this ninety year old woman

1306
01:09:55,040 --> 01:09:59,959
Speaker 1: who looks who is like passionate about all women achieved

1307
01:10:00,040 --> 01:10:04,360
Speaker 1: thing orgasms and like not being afraid of themselves down there.

1308
01:10:05,160 --> 01:10:08,200
Speaker 1: And there's a sequence where you see ten different volvas

1309
01:10:08,280 --> 01:10:10,960
Speaker 1: and they talk about how many women believe that they're

1310
01:10:11,000 --> 01:10:15,400
Speaker 1: deformed because pornography has made it's so impossible to like

1311
01:10:15,479 --> 01:10:18,840
Speaker 1: see yourself and you know, so it's I thought it

1312
01:10:18,880 --> 01:10:21,519
Speaker 1: was really this is where Goop Labs to me got

1313
01:10:21,560 --> 01:10:23,920
Speaker 1: really useful. I was like, well, I'm happy that women

1314
01:10:23,960 --> 01:10:26,000
Speaker 1: are seeing this because I think it will alert some

1315
01:10:26,040 --> 01:10:28,200
Speaker 1: women to the fact that like they're not deformed because

1316
01:10:28,200 --> 01:10:31,160
Speaker 1: they don't like a porn star. Um. So that's when

1317
01:10:31,200 --> 01:10:33,960
Speaker 1: the show, I think is powerful. When it's not powerful

1318
01:10:34,040 --> 01:10:36,599
Speaker 1: is when the show becomes about dieting and it's trying

1319
01:10:36,640 --> 01:10:40,400
Speaker 1: to normalize Gwyneth Paltrow's diet of like deprivation, and it's

1320
01:10:40,520 --> 01:10:44,080
Speaker 1: not healthy the way that those women try to keep

1321
01:10:44,080 --> 01:10:46,400
Speaker 1: your bodies and ship. I mean, that's all. It's not

1322
01:10:46,439 --> 01:10:48,599
Speaker 1: a lot of awareness about the whole ethos of Goop

1323
01:10:48,720 --> 01:10:51,920
Speaker 1: is like pseudoscience bullshit, that right, right, And they do say,

1324
01:10:51,960 --> 01:10:54,080
Speaker 1: like in the beginning of every episode where there's like

1325
01:10:54,120 --> 01:10:56,880
Speaker 1: a medical moment, they're like, please see a doctor. This

1326
01:10:56,920 --> 01:11:00,439
Speaker 1: would not be endorsed by any medical profession. Yeah, and

1327
01:11:00,560 --> 01:11:05,400
Speaker 1: they are accountable in that way, like you're still showing

1328
01:11:05,400 --> 01:11:08,519
Speaker 1: that it's aspirational and yeah, such a fifty fifty show

1329
01:11:08,560 --> 01:11:11,840
Speaker 1: for me where it's like it definitely is. I enjoyed it,

1330
01:11:11,880 --> 01:11:13,800
Speaker 1: and I think I think Gwyneth like comes off like

1331
01:11:13,920 --> 01:11:18,120
Speaker 1: kind of interesting and even more compelling, like it's a star,

1332
01:11:18,200 --> 01:11:21,040
Speaker 1: Gweneth the star, but it's triggering. It's a triggering show,

1333
01:11:21,040 --> 01:11:23,040
Speaker 1: and I would I would imagine that it's very hard

1334
01:11:23,080 --> 01:11:25,519
Speaker 1: for a lot of people to watch and like funk,

1335
01:11:25,560 --> 01:11:28,439
Speaker 1: I'd say it to Gwyneth's damn face. But she knows,

1336
01:11:28,479 --> 01:11:32,160
Speaker 1: she knows. So that's the Arnold Netflix moment. Now here's

1337
01:11:32,160 --> 01:11:37,200
Speaker 1: the thing. Speaking of gay icons, we met one. We

1338
01:11:37,320 --> 01:11:41,000
Speaker 1: met one on separate occasions, separate occasions. Um we talked

1339
01:11:41,040 --> 01:11:45,000
Speaker 1: about each other to them, Um did it? We're talking

1340
01:11:45,000 --> 01:11:47,960
Speaker 1: about RuPaul? Talking about RuPaul. Matt, you were on What's

1341
01:11:48,000 --> 01:11:50,240
Speaker 1: the Tea? I was almost the tea and truly one

1342
01:11:50,240 --> 01:11:52,920
Speaker 1: of the craziest days of my life. And I gotta

1343
01:11:52,960 --> 01:11:56,240
Speaker 1: say surreal for an outside person to listen to. I

1344
01:11:56,240 --> 01:12:00,640
Speaker 1: spent about three hours through pall and can you can you?

1345
01:12:00,840 --> 01:12:03,160
Speaker 1: Can you talk? Asked me in this well we had

1346
01:12:03,320 --> 01:12:05,479
Speaker 1: we had a we had like me had a meeting

1347
01:12:06,120 --> 01:12:08,960
Speaker 1: and then um, which was insane. And then during the meeting,

1348
01:12:09,040 --> 01:12:10,439
Speaker 1: he was like, you gotta come be on my podcast

1349
01:12:10,439 --> 01:12:12,919
Speaker 1: because we're hitting it off. So I went into the podcast,

1350
01:12:12,920 --> 01:12:14,840
Speaker 1: which you can listen to my episode What's the Team.

1351
01:12:15,520 --> 01:12:18,600
Speaker 1: Surreal just to be sitting there with Rue and have

1352
01:12:18,960 --> 01:12:22,080
Speaker 1: talking to him interested in my life at all, and

1353
01:12:22,120 --> 01:12:23,639
Speaker 1: I was talking to him and I was like, wow,

1354
01:12:23,680 --> 01:12:26,439
Speaker 1: like this is truly insane, Like to get to the

1355
01:12:26,439 --> 01:12:28,759
Speaker 1: point where like, truly one of my ails. You heroes

1356
01:12:29,720 --> 01:12:31,960
Speaker 1: think like you know, like probably him and like Kelly

1357
01:12:32,000 --> 01:12:34,280
Speaker 1: and like Mariah are like the people that I would

1358
01:12:34,400 --> 01:12:36,880
Speaker 1: and we might have to talk to rule about math

1359
01:12:37,840 --> 01:12:39,519
Speaker 1: and you guys like went like on an album by

1360
01:12:39,560 --> 01:12:44,360
Speaker 1: album breakdown, just like I got children bagging out with

1361
01:12:44,640 --> 01:12:50,120
Speaker 1: Rue about Mariah carry Like I mean, you guys really

1362
01:12:50,160 --> 01:12:52,640
Speaker 1: ran the gamut there in terms of like the biography

1363
01:12:52,640 --> 01:12:54,519
Speaker 1: of Matt Rodgers, because he talked about Katrina for a

1364
01:12:54,560 --> 01:12:57,559
Speaker 1: long It was so crazy. I felt like we really

1365
01:12:58,080 --> 01:13:00,000
Speaker 1: got a chance to like you get to know each other,

1366
01:13:00,200 --> 01:13:01,800
Speaker 1: and he's I mean, you're both good at this, but

1367
01:13:01,800 --> 01:13:05,800
Speaker 1: you're both gonna facilitating those meaningful, those meaningful nuggets out

1368
01:13:05,800 --> 01:13:08,280
Speaker 1: of each other. And then I I didn't know at

1369
01:13:08,280 --> 01:13:09,880
Speaker 1: the time that he was going to go do SNL,

1370
01:13:10,040 --> 01:13:12,120
Speaker 1: but when I found that out, I was like, oh

1371
01:13:12,160 --> 01:13:14,880
Speaker 1: my god, like, you're gonna have that moment. You guts

1372
01:13:14,920 --> 01:13:17,400
Speaker 1: to do that incredible sketch with him. Yeah, you want

1373
01:13:17,400 --> 01:13:19,400
Speaker 1: me to talk about my mien? Tell me. I mean,

1374
01:13:19,479 --> 01:13:24,599
Speaker 1: I guess really haven't gotten talking about it. Rue notes

1375
01:13:24,640 --> 01:13:27,680
Speaker 1: Sudie tells me that he's hosting and over Christmas. I

1376
01:13:27,720 --> 01:13:32,080
Speaker 1: was like, oh my god, my god, yeah and whatever,

1377
01:13:32,120 --> 01:13:35,840
Speaker 1: And so all this anticipation builds up and then Monday pitch,

1378
01:13:35,920 --> 01:13:37,640
Speaker 1: you know, we all wait outside Lawren's office and we

1379
01:13:37,680 --> 01:13:41,000
Speaker 1: go in and then you know, the door opens and

1380
01:13:41,240 --> 01:13:44,000
Speaker 1: people file in and then normally it's like very quiet

1381
01:13:44,040 --> 01:13:46,479
Speaker 1: and everyone's just very respectable and polite and sits down

1382
01:13:46,479 --> 01:13:48,640
Speaker 1: and whatever, and the host just sits there quietly and

1383
01:13:48,680 --> 01:13:52,120
Speaker 1: like nods of people coming in and it's great. Um,

1384
01:13:52,200 --> 01:13:54,040
Speaker 1: the door opens and people start filing in and Rude

1385
01:13:54,080 --> 01:13:56,920
Speaker 1: just goes, hey kitty girl, oh hey, squirrel friend, like

1386
01:13:57,000 --> 01:14:00,960
Speaker 1: just like starts to like enthusiastically greet people like I

1387
01:14:01,000 --> 01:14:04,479
Speaker 1: love just like people. You have to understand the energy

1388
01:14:04,600 --> 01:14:07,000
Speaker 1: then person energy is real. It's real. And then me

1389
01:14:07,040 --> 01:14:10,479
Speaker 1: and Alison Gates like stop in our tracks. We hear

1390
01:14:10,640 --> 01:14:13,120
Speaker 1: like rue Ru's voice coming out of the room and

1391
01:14:13,120 --> 01:14:15,080
Speaker 1: we're just like and I turned to her and I

1392
01:14:15,120 --> 01:14:17,040
Speaker 1: was like, I can't go in there. I was like,

1393
01:14:17,200 --> 01:14:21,120
Speaker 1: this is crazy to sing for people that actually get

1394
01:14:21,200 --> 01:14:23,800
Speaker 1: the Ruth yes, So I walked and so then we

1395
01:14:23,840 --> 01:14:27,839
Speaker 1: finally walk in and then Ruth sees me and goes say, dunaway,

1396
01:14:28,120 --> 01:14:30,920
Speaker 1: and then the whole room is like, oh my god.

1397
01:14:31,080 --> 01:14:34,519
Speaker 1: That was the first of many communal like room reactions

1398
01:14:34,520 --> 01:14:37,759
Speaker 1: of like oh because then he sees because then he starts,

1399
01:14:37,840 --> 01:14:39,639
Speaker 1: because then there's a some moment where everyone sits down

1400
01:14:39,640 --> 01:14:41,960
Speaker 1: and like the room like settles and he's just like,

1401
01:14:42,160 --> 01:14:44,000
Speaker 1: oh my god, you I know you and I know you,

1402
01:14:44,080 --> 01:14:45,960
Speaker 1: and then he points to eight way in the back.

1403
01:14:46,000 --> 01:14:48,639
Speaker 1: He goes and you, and then eight goes and then

1404
01:14:48,680 --> 01:14:51,519
Speaker 1: everyone in the room screams and like laughs and giggles.

1405
01:14:51,520 --> 01:14:56,720
Speaker 1: It's it was this infectious like carbonated energy and it

1406
01:14:56,760 --> 01:14:58,960
Speaker 1: was the funnest pitch ever. We all walk out and

1407
01:14:59,240 --> 01:15:01,200
Speaker 1: you know, calm and like, well that was the funnest

1408
01:15:01,200 --> 01:15:06,880
Speaker 1: pitch I've ever been a part of. It was joyful, joyful. Um.

1409
01:15:06,960 --> 01:15:09,200
Speaker 1: And then the next day he comes in. You know,

1410
01:15:10,080 --> 01:15:13,040
Speaker 1: we're we're, we're, we're we're pitching him stuff more stuff.

1411
01:15:13,080 --> 01:15:17,120
Speaker 1: And first he met with uh, Tom Campbell, his friend,

1412
01:15:17,160 --> 01:15:19,000
Speaker 1: the guy who came up with drag Grace was kind

1413
01:15:19,040 --> 01:15:22,200
Speaker 1: of there, I've met Tom. Yes, he's wonderful. Um was

1414
01:15:22,200 --> 01:15:26,480
Speaker 1: was was his pal who after the Emmys. Yeah, um,

1415
01:15:26,560 --> 01:15:28,960
Speaker 1: And we sat down so ruined. Tom sit down with

1416
01:15:29,000 --> 01:15:32,559
Speaker 1: me and Ego and Ago and Rue hit it off

1417
01:15:33,320 --> 01:15:37,800
Speaker 1: just gangbusters, so fun. And then Rue is like, well

1418
01:15:37,800 --> 01:15:40,320
Speaker 1: I can do this chard Australian accents. And then he

1419
01:15:40,320 --> 01:15:42,560
Speaker 1: turns to me. He goes, Brizzie, you were born in

1420
01:15:42,640 --> 01:15:47,639
Speaker 1: Brazzie Brisbane, Like he knew shit about so I'm guessing

1421
01:15:47,680 --> 01:15:50,240
Speaker 1: he probably he read the he read the article, and

1422
01:15:50,280 --> 01:15:51,599
Speaker 1: then I and then I and then I brought you up.

1423
01:15:51,600 --> 01:15:53,880
Speaker 1: I was like, you're what's the t episode with my

1424
01:15:53,960 --> 01:15:56,040
Speaker 1: best friend in the world. Matt Rodgers just came out.

1425
01:15:56,080 --> 01:15:59,320
Speaker 1: He He's like he, me and Sudie are like a

1426
01:15:59,479 --> 01:16:02,000
Speaker 1: trio and like blah blah, blah. He was like, yes,

1427
01:16:02,080 --> 01:16:04,479
Speaker 1: I loved him. It was just so so like it

1428
01:16:04,600 --> 01:16:07,760
Speaker 1: was just like just softened as soon as I mentioned you,

1429
01:16:07,800 --> 01:16:09,880
Speaker 1: and he was like, yes, just very fondly like thought

1430
01:16:09,880 --> 01:16:12,960
Speaker 1: of you. But but seeing RW and Ego like hit

1431
01:16:13,000 --> 01:16:14,479
Speaker 1: it off, I was like, this is gonna be a

1432
01:16:14,479 --> 01:16:17,559
Speaker 1: good week for them. And it absolutely. I got two

1433
01:16:17,560 --> 01:16:20,719
Speaker 1: sketches on did Throsty Cops with him. It was beautiful, beautiful,

1434
01:16:20,720 --> 01:16:22,880
Speaker 1: And then and then me and James were working on

1435
01:16:23,040 --> 01:16:24,760
Speaker 1: had this coal miner's idea. We were like we wanted

1436
01:16:25,160 --> 01:16:27,720
Speaker 1: to do some Dynasty like parody for the longest time.

1437
01:16:27,720 --> 01:16:29,759
Speaker 1: We ruse perfect for it. And then like I texted

1438
01:16:29,880 --> 01:16:31,760
Speaker 1: James on Monday, I was like, maybe like maybe we're

1439
01:16:31,760 --> 01:16:34,719
Speaker 1: coal miners, like something super like blue collar and gritty,

1440
01:16:35,360 --> 01:16:36,720
Speaker 1: and he was like I love that. And so then

1441
01:16:37,000 --> 01:16:39,320
Speaker 1: James and I meet with RU and a different meeting

1442
01:16:39,360 --> 01:16:42,679
Speaker 1: that night. It was just four fucking gay men squawk

1443
01:16:42,760 --> 01:16:48,719
Speaker 1: met James, Tom Brew squawking, quoting fucking you know, Liz

1444
01:16:48,800 --> 01:16:52,920
Speaker 1: Taylor and Kim Novak like throwing shade at each other, Dyan,

1445
01:16:53,120 --> 01:16:58,439
Speaker 1: Carol Must It was so so so fun and I

1446
01:16:58,479 --> 01:17:01,000
Speaker 1: was just like this. I was like and and so

1447
01:17:01,040 --> 01:17:03,000
Speaker 1: That's when I started like I was putting pleasure myself

1448
01:17:03,040 --> 01:17:05,600
Speaker 1: the whole time, and I was I was like this,

1449
01:17:05,600 --> 01:17:08,800
Speaker 1: this never happens, even even though I'm like on my

1450
01:17:08,840 --> 01:17:10,760
Speaker 1: second year here. It's like I know that this is

1451
01:17:10,800 --> 01:17:13,320
Speaker 1: not a not a lot of crest. I was like,

1452
01:17:13,400 --> 01:17:16,160
Speaker 1: this is so like infectious, and this is the week

1453
01:17:16,200 --> 01:17:21,560
Speaker 1: to like go like yeah, like fire on all cylinders.

1454
01:17:21,640 --> 01:17:25,600
Speaker 1: And so I stayed there on Tuesday night to like

1455
01:17:25,720 --> 01:17:30,320
Speaker 1: six am, longer than I've ever stayed ever, just writing writing, writing, UM.

1456
01:17:30,560 --> 01:17:33,720
Speaker 1: Went home Wednesday was a great table read. And then

1457
01:17:33,760 --> 01:17:35,160
Speaker 1: like throughout the course of the week, like things just

1458
01:17:35,200 --> 01:17:36,679
Speaker 1: kind of fell through. And then the call Miner sketch

1459
01:17:36,720 --> 01:17:39,719
Speaker 1: got cut for time UM, and that really just bumped

1460
01:17:39,760 --> 01:17:41,360
Speaker 1: me out. And it was a lesson. It was a

1461
01:17:41,439 --> 01:17:44,840
Speaker 1: lesson where I was like I I both allowed myself

1462
01:17:44,880 --> 01:17:46,639
Speaker 1: to be bummed up because it was like this, there's

1463
01:17:46,680 --> 01:17:49,559
Speaker 1: not gonna be another host. I grew until Rue comes

1464
01:17:49,560 --> 01:17:53,400
Speaker 1: back um. And then so I allowed myself to be disappointed.

1465
01:17:53,439 --> 01:17:55,080
Speaker 1: But then I also was like, you know, like this

1466
01:17:55,160 --> 01:17:58,800
Speaker 1: is this is a lesson, this is I'm not going

1467
01:17:58,840 --> 01:18:01,320
Speaker 1: to internalize this in any bitter way. I'm just gonna

1468
01:18:01,360 --> 01:18:04,920
Speaker 1: like no this feeling and just sort of like let

1469
01:18:04,920 --> 01:18:07,439
Speaker 1: it sort of enrich my whole, like and ultimately you

1470
01:18:07,479 --> 01:18:11,640
Speaker 1: are slaying well, it's just I was just like, I

1471
01:18:11,760 --> 01:18:14,479
Speaker 1: just I mean, we can say you're doing really well.

1472
01:18:14,560 --> 01:18:16,519
Speaker 1: I just put a lot of pressure on myself because

1473
01:18:16,520 --> 01:18:19,000
Speaker 1: it was rude. Yeah that's all it hoarse, but you can't.

1474
01:18:19,000 --> 01:18:20,439
Speaker 1: I mean, it had nothing to do with I know,

1475
01:18:20,600 --> 01:18:22,880
Speaker 1: it's just bad luck. It's just bad luck. And then

1476
01:18:22,960 --> 01:18:25,519
Speaker 1: we still that job. It's still sucking hard totally. And

1477
01:18:25,520 --> 01:18:27,760
Speaker 1: then the week before with miss watt Miss j J.

1478
01:18:27,880 --> 01:18:31,880
Speaker 1: Watt Um wrote a sketch that fucking slated table and

1479
01:18:31,920 --> 01:18:35,680
Speaker 1: then bombed a dress and of course he got caught

1480
01:18:35,720 --> 01:18:37,200
Speaker 1: and I was not surprised, but that was But then

1481
01:18:37,280 --> 01:18:38,960
Speaker 1: I told myself after that I was not too upset.

1482
01:18:38,960 --> 01:18:40,640
Speaker 1: I was like, you know what that was, like the

1483
01:18:40,680 --> 01:18:42,680
Speaker 1: full Like that was the biggest gap I could have

1484
01:18:42,720 --> 01:18:47,879
Speaker 1: experienced where something killed, killed, killed at table, bombed, no laughs,

1485
01:18:47,920 --> 01:18:49,559
Speaker 1: silent address. I was like, it's not going to get

1486
01:18:49,560 --> 01:18:51,920
Speaker 1: any worse than that, Like that chasm is not going

1487
01:18:51,960 --> 01:18:54,040
Speaker 1: to get any bigger, like the difference, and like now

1488
01:18:54,080 --> 01:18:55,360
Speaker 1: I know what that feels like, and I can just

1489
01:18:55,400 --> 01:18:57,559
Speaker 1: like move move about my life. But then the next

1490
01:18:57,560 --> 01:18:58,960
Speaker 1: week with through, it was just like I just put

1491
01:18:59,000 --> 01:19:00,720
Speaker 1: so much pressure on myself and then I was my

1492
01:19:00,800 --> 01:19:02,680
Speaker 1: body was falling apart, right, But I was like, I

1493
01:19:02,720 --> 01:19:04,800
Speaker 1: gotta like from this. And then you guys were off

1494
01:19:04,800 --> 01:19:06,400
Speaker 1: the next week, and we're off the next week and

1495
01:19:06,400 --> 01:19:09,000
Speaker 1: then and then and then I'm here. But anyway, that

1496
01:19:09,040 --> 01:19:10,280
Speaker 1: was a long that was a lot of room. No,

1497
01:19:10,400 --> 01:19:13,519
Speaker 1: but I mean the fact that Rue came into both

1498
01:19:13,560 --> 01:19:16,200
Speaker 1: of our alives around the same time, that was so

1499
01:19:16,240 --> 01:19:19,360
Speaker 1: wild and truly it was so easy to talk to. Yeah,

1500
01:19:19,360 --> 01:19:21,679
Speaker 1: I couldn't believe it. I mean. And also the first

1501
01:19:21,720 --> 01:19:23,240
Speaker 1: time we sat down and it was like a meeting,

1502
01:19:23,880 --> 01:19:26,080
Speaker 1: so I said how are you and he goes, I

1503
01:19:26,120 --> 01:19:28,960
Speaker 1: don't see how that's any of your business. And I

1504
01:19:29,080 --> 01:19:32,439
Speaker 1: laughed and I was like, you're right, it's not, and

1505
01:19:32,479 --> 01:19:35,760
Speaker 1: I'm bad for asking. And then he laughed and he

1506
01:19:35,840 --> 01:19:37,640
Speaker 1: was like I do that to everyone, and I was

1507
01:19:37,680 --> 01:19:41,320
Speaker 1: like yeah, and I basically like, I don't know, it's

1508
01:19:41,360 --> 01:19:43,200
Speaker 1: like you would imagine that people a lot of people

1509
01:19:43,200 --> 01:19:46,759
Speaker 1: probably are like weird around him, Like sure, I'm so sorry,

1510
01:19:46,800 --> 01:19:49,760
Speaker 1: I asked, yeah, yeah, yeah, weeks and he's just like

1511
01:19:49,800 --> 01:19:52,719
Speaker 1: a goof he doesn't take left too seriously, which we love, etcetera.

1512
01:19:52,800 --> 01:19:56,160
Speaker 1: We love. We know that's um um we I want

1513
01:19:56,160 --> 01:19:58,920
Speaker 1: to talk. Well, we talked a little bit about Rue Rue,

1514
01:19:59,080 --> 01:20:02,200
Speaker 1: so now we should talk about I have news. I

1515
01:20:02,200 --> 01:20:04,400
Speaker 1: have theme park news the own and I went to

1516
01:20:04,439 --> 01:20:06,120
Speaker 1: Disneyland the other day. It's trying to get a Rise

1517
01:20:06,120 --> 01:20:08,320
Speaker 1: of the Resistance. We did not get on. But one

1518
01:20:08,360 --> 01:20:10,680
Speaker 1: has not done Rise of the Resistance at Disney's all right,

1519
01:20:10,720 --> 01:20:15,440
Speaker 1: I have done it and have my review. Come on, gag.

1520
01:20:15,960 --> 01:20:18,040
Speaker 1: I'm gonna have to ride that one. Gonna have to

1521
01:20:18,040 --> 01:20:20,120
Speaker 1: get on that one. I'm gonna have to enjoy that

1522
01:20:20,160 --> 01:20:22,599
Speaker 1: One'm gonna have to say there's ray on that One's

1523
01:20:22,600 --> 01:20:24,720
Speaker 1: gonna have to get very scared of Kylo Ren on

1524
01:20:24,760 --> 01:20:27,559
Speaker 1: that one. I'm gonna have to do a little drop

1525
01:20:27,680 --> 01:20:29,559
Speaker 1: on that one. I'm gonna have to get my life

1526
01:20:29,640 --> 01:20:32,719
Speaker 1: on that one. I'm gonna have to get very early,

1527
01:20:32,840 --> 01:20:36,559
Speaker 1: get there very early in the morning on that one.

1528
01:20:37,800 --> 01:20:40,479
Speaker 1: So I was at Walt disney World after we were

1529
01:20:40,520 --> 01:20:43,400
Speaker 1: in Porto Viar and I went with my boyfriend Jared,

1530
01:20:44,680 --> 01:20:48,599
Speaker 1: and he could not wake up early enough. Then you

1531
01:20:48,600 --> 01:20:50,559
Speaker 1: went got yourself. So I went by myself. But at

1532
01:20:50,560 --> 01:20:52,680
Speaker 1: the same system where you book a boarding yes, And

1533
01:20:52,720 --> 01:20:55,800
Speaker 1: I was literally I was there at literally six thirty

1534
01:20:55,840 --> 01:20:59,360
Speaker 1: in the morning and I got yeah, park opens it well,

1535
01:20:59,360 --> 01:21:01,360
Speaker 1: that park up in a day at like seven. So

1536
01:21:01,360 --> 01:21:03,800
Speaker 1: I ended up getting there getting a boarding group because

1537
01:21:03,960 --> 01:21:06,280
Speaker 1: it's like getting to the park signing to get up

1538
01:21:06,640 --> 01:21:09,200
Speaker 1: and then maybe you get on the right. It's insane.

1539
01:21:10,200 --> 01:21:12,840
Speaker 1: I got on it. Wow. The whole thing is like

1540
01:21:12,880 --> 01:21:15,400
Speaker 1: twenty one minutes long. I love that there's like three

1541
01:21:15,400 --> 01:21:18,040
Speaker 1: different pre shows. All the characters are there, Like Galaxy's Edge,

1542
01:21:18,040 --> 01:21:20,080
Speaker 1: I've been saying, kind of sucks because like where are

1543
01:21:20,120 --> 01:21:22,960
Speaker 1: the characters, where's the fun Millennium Falcon Right, it sucks.

1544
01:21:23,520 --> 01:21:26,840
Speaker 1: Rise in the Resistance makes the whole God, I mean,

1545
01:21:26,880 --> 01:21:28,840
Speaker 1: like it's so good. Really try to go. And Bowen

1546
01:21:28,880 --> 01:21:31,200
Speaker 1: and I were there the other day at eight am

1547
01:21:31,479 --> 01:21:33,840
Speaker 1: when the park opened to Disneyland, and we still did

1548
01:21:33,840 --> 01:21:35,680
Speaker 1: not get We got we got there at seven five

1549
01:21:35,720 --> 01:21:37,759
Speaker 1: the park of day. We still didn't get truly crazy,

1550
01:21:37,960 --> 01:21:40,040
Speaker 1: but but we went to Galaxy Sager and I gotta say,

1551
01:21:40,080 --> 01:21:42,280
Speaker 1: you're you're saying we are the characters. We literally saw

1552
01:21:42,320 --> 01:21:44,800
Speaker 1: Ray and Chewy, but that was like, not that's not

1553
01:21:44,840 --> 01:21:48,680
Speaker 1: the norm. That's not the norm. But anyway, I saw Stormtroopers,

1554
01:21:48,720 --> 01:21:50,640
Speaker 1: I was like, oh, I'm there. This right is the

1555
01:21:50,680 --> 01:21:52,920
Speaker 1: next level. I got. I can't wait. This right is

1556
01:21:53,000 --> 01:21:56,840
Speaker 1: the next level. And you gasped many times, and I

1557
01:21:56,840 --> 01:21:59,439
Speaker 1: feel bad that we went and then's gone. But we'll

1558
01:21:59,439 --> 01:22:01,960
Speaker 1: get John. I I'm not I'm not quite Rodger's level

1559
01:22:01,960 --> 01:22:05,120
Speaker 1: in my life. Anyway, devotion to the part, I had

1560
01:22:05,160 --> 01:22:07,720
Speaker 1: to give my update on that one. Um, and I

1561
01:22:07,840 --> 01:22:11,160
Speaker 1: just want to say, UM, to wrap things up, there's

1562
01:22:11,160 --> 01:22:15,000
Speaker 1: a development coming and you may have been seeing, yes,

1563
01:22:15,600 --> 01:22:21,240
Speaker 1: the Quimby of it all. What now Quimby Quimby Quick Bites.

1564
01:22:21,479 --> 01:22:26,240
Speaker 1: Quick Bites is an app y'all that's going to be

1565
01:22:26,280 --> 01:22:29,720
Speaker 1: like a stream that Flix for apps. But it is

1566
01:22:29,960 --> 01:22:33,400
Speaker 1: all eight episodes roughly, and I have a show coming

1567
01:22:33,400 --> 01:22:35,519
Speaker 1: out on it that Bone is on called game It's

1568
01:22:35,560 --> 01:22:38,519
Speaker 1: called Game Show. And I'm gonna be talking about this

1569
01:22:38,560 --> 01:22:42,799
Speaker 1: on the podcast because I want any readers to download Quimby.

1570
01:22:42,840 --> 01:22:45,320
Speaker 1: I support this. You've got to download Quibby because I

1571
01:22:45,320 --> 01:22:47,280
Speaker 1: think Game Show could pop off you if you guys

1572
01:22:47,400 --> 01:22:50,880
Speaker 1: absolutely support. It's very good, very fun, and we'll talk

1573
01:22:50,920 --> 01:22:52,479
Speaker 1: more about it. But the Quimby of it all is

1574
01:22:52,520 --> 01:22:54,200
Speaker 1: something that's happening in the culture and I had to

1575
01:22:54,240 --> 01:22:57,000
Speaker 1: mention and we saw it on Oscar's Night when every

1576
01:22:57,040 --> 01:22:59,680
Speaker 1: other ad was Quimby and the super Bowl and the

1577
01:22:59,680 --> 01:23:04,599
Speaker 1: sea and there's going to be more coming. But listen

1578
01:23:04,720 --> 01:23:06,679
Speaker 1: and there's more. There's there are there is more Quimby

1579
01:23:06,720 --> 01:23:12,519
Speaker 1: news um to be announced in both of our lives, honey, honey,

1580
01:23:11,960 --> 01:23:15,960
Speaker 1: just do wait. Um but anyway, that was our culture

1581
01:23:15,960 --> 01:23:17,400
Speaker 1: catch up and we are going to do I don't

1582
01:23:17,400 --> 01:23:19,360
Speaker 1: think so, honey, absolutely, because it is an episode of

1583
01:23:19,400 --> 01:23:23,200
Speaker 1: Lost Cultures Us after all, Um, let's go. Let's go.

1584
01:23:24,360 --> 01:23:25,720
Speaker 1: Just so you guys know if you guys are just

1585
01:23:25,840 --> 01:23:28,920
Speaker 1: joining us here on our new family, our new home

1586
01:23:29,000 --> 01:23:32,880
Speaker 1: and radio. Um, we are Lost Culture Raised Us and

1587
01:23:32,960 --> 01:23:36,000
Speaker 1: we do a segment, one segment called I don't think

1588
01:23:36,760 --> 01:23:39,120
Speaker 1: we take one minute to rant against something in pop culture.

1589
01:23:39,439 --> 01:23:42,360
Speaker 1: We also do live shows, um but and I are

1590
01:23:42,360 --> 01:23:45,479
Speaker 1: going to announce some live shows soon, probably a New

1591
01:23:45,520 --> 01:23:48,559
Speaker 1: York and Los Angeles, no promises, but we are really

1592
01:23:48,960 --> 01:23:52,439
Speaker 1: looking forward to getting back on the road and doing more.

1593
01:23:52,479 --> 01:23:54,640
Speaker 1: I don't think so, honey, because they are our favorite thing.

1594
01:23:54,720 --> 01:23:57,400
Speaker 1: There are our favorite thing, and just too, I might

1595
01:23:57,400 --> 01:24:01,080
Speaker 1: as well sort of make a little statement on this. UM.

1596
01:24:01,120 --> 01:24:02,680
Speaker 1: A lot of the touring cities that we went to

1597
01:24:02,800 --> 01:24:07,120
Speaker 1: last year, the recordings UM ended up sort of at

1598
01:24:07,120 --> 01:24:10,360
Speaker 1: one changer or another being compromised or unusable, and it

1599
01:24:10,520 --> 01:24:13,439
Speaker 1: ended up ultimately being a network issue where they didn't

1600
01:24:13,479 --> 01:24:15,640
Speaker 1: publish them even though they had the audio. True. I mean,

1601
01:24:15,680 --> 01:24:18,479
Speaker 1: that's just what it is. Yeah. Um so if you're

1602
01:24:18,600 --> 01:24:22,479
Speaker 1: looking for those episodes to come out, unfortunately I don't

1603
01:24:22,479 --> 01:24:24,960
Speaker 1: think they were going to come out, and it truly

1604
01:24:25,000 --> 01:24:27,280
Speaker 1: breaks my heart and I but it was lose. I

1605
01:24:27,320 --> 01:24:30,040
Speaker 1: do lose. I actually sleep over because there's shows where

1606
01:24:30,080 --> 01:24:32,519
Speaker 1: all every one of those shows was killed and we

1607
01:24:32,560 --> 01:24:35,000
Speaker 1: just want to let everyone know like it wasn't because

1608
01:24:35,320 --> 01:24:38,200
Speaker 1: any like city wasn't like a good show. They were

1609
01:24:38,200 --> 01:24:40,800
Speaker 1: all such good shows and we were so excited to

1610
01:24:40,840 --> 01:24:43,960
Speaker 1: have every single one of them on the podcast. Then um,

1611
01:24:44,000 --> 01:24:47,560
Speaker 1: it just didn't happen. But you know, we're sorry about that.

1612
01:24:47,600 --> 01:24:49,679
Speaker 1: If you were a performer on one of our shows

1613
01:24:49,720 --> 01:24:52,640
Speaker 1: that didn't get published, but we probably were excited about it.

1614
01:24:52,680 --> 01:24:56,519
Speaker 1: But you get back, you killed. So let me just

1615
01:24:56,640 --> 01:24:59,840
Speaker 1: quickly quickly, quickly, quickly shout out all of the city

1616
01:25:00,800 --> 01:25:05,880
Speaker 1: very quickly. Uh So, Portland Seattle, San Francisco, Vancouver, Boston, Philly,

1617
01:25:06,080 --> 01:25:09,320
Speaker 1: d C, Dallas, Houston. I'm sorry DC and Houston we

1618
01:25:09,479 --> 01:25:11,880
Speaker 1: ended up canceling. Dallas were so sorry. Um, we will

1619
01:25:11,920 --> 01:25:14,760
Speaker 1: be back and all the shows were so much fun

1620
01:25:14,800 --> 01:25:17,800
Speaker 1: and we had a true blast and so we'll be

1621
01:25:17,840 --> 01:25:20,160
Speaker 1: back very soon. We'll be back. Okay, But this is

1622
01:25:20,200 --> 01:25:21,760
Speaker 1: I don't think so, honey, Matt, I have one. Do

1623
01:25:21,760 --> 01:25:23,760
Speaker 1: you have one? Um? I do have one? Okay, why

1624
01:25:23,760 --> 01:25:25,680
Speaker 1: don't you start this one? Okay? Cool, Okay, this is

1625
01:25:25,720 --> 01:25:27,439
Speaker 1: Matt Rogers. I don't think so many time starts now.

1626
01:25:27,680 --> 01:25:30,559
Speaker 1: I don't think so, honey, that everyone I've ever hooked

1627
01:25:30,640 --> 01:25:34,360
Speaker 1: up with in my life gets uh literally the hottest

1628
01:25:34,760 --> 01:25:37,760
Speaker 1: um face and body two and a half years later.

1629
01:25:38,560 --> 01:25:41,920
Speaker 1: But this is a phenomenon that is happening to just me. Unfortunately,

1630
01:25:41,960 --> 01:25:44,200
Speaker 1: I have an affliction where I am sort of like

1631
01:25:44,280 --> 01:25:46,719
Speaker 1: Dane Cook and good Luck Chuck, but instead of getting married,

1632
01:25:46,760 --> 01:25:48,640
Speaker 1: you get an incredible face and body that you do

1633
01:25:48,720 --> 01:25:51,640
Speaker 1: not have prior. Um. This does not go to This

1634
01:25:51,680 --> 01:25:53,960
Speaker 1: is not saying that you were not attractive at the time.

1635
01:25:54,000 --> 01:25:56,520
Speaker 1: It's just that after you hook up with me, approximately

1636
01:25:56,560 --> 01:25:58,960
Speaker 1: twenty four months later, you will be the hottest person

1637
01:25:59,000 --> 01:26:02,840
Speaker 1: of all time, a model like Linda Evangelie stuff. I

1638
01:26:02,840 --> 01:26:05,040
Speaker 1: don't think so, honey, that this is happening. I don't

1639
01:26:05,080 --> 01:26:07,639
Speaker 1: like that I am magic, but I am. I'm sort

1640
01:26:07,680 --> 01:26:10,120
Speaker 1: of like Harry Budini and will kill me one day.

1641
01:26:10,200 --> 01:26:15,200
Speaker 1: Of course Harry Hoosini famously and incorrectly died and um

1642
01:26:15,400 --> 01:26:21,120
Speaker 1: magic accident. Yes, UM, I support people becoming hot uh

1643
01:26:21,479 --> 01:26:24,120
Speaker 1: in their life, but it frustrates me. I think we

1644
01:26:24,160 --> 01:26:26,360
Speaker 1: should time this out better. If you're gonna hook up

1645
01:26:26,400 --> 01:26:29,280
Speaker 1: with me, you should be hot now. UM. I promised

1646
01:26:29,280 --> 01:26:32,160
Speaker 1: to stay the same um seven that I am now

1647
01:26:32,320 --> 01:26:34,479
Speaker 1: and that's one minute. So you better not hook up

1648
01:26:34,479 --> 01:26:36,960
Speaker 1: with mount unless you're at your fucking peak. Well, I

1649
01:26:37,000 --> 01:26:39,600
Speaker 1: feel like here's the thing. It's just frustrating because some

1650
01:26:39,760 --> 01:26:42,400
Speaker 1: something like I'll see someone I hooked up with, like

1651
01:26:42,439 --> 01:26:44,680
Speaker 1: in Outside of the year two thousand and eleven, and

1652
01:26:44,720 --> 01:26:48,240
Speaker 1: I see them now and I'm like, oh you are, Um,

1653
01:26:48,320 --> 01:26:50,680
Speaker 1: you've made a deal with the devil. Okay, I want

1654
01:26:50,680 --> 01:26:52,840
Speaker 1: to know, can you can you well believe we can

1655
01:26:52,840 --> 01:26:54,960
Speaker 1: bleep this out? Um, I'll tell you off, my okay,

1656
01:26:54,960 --> 01:26:57,040
Speaker 1: tell me off. But literally I just scrolled through my

1657
01:26:57,080 --> 01:26:59,080
Speaker 1: phone and it's like maybe this is just the disease

1658
01:26:59,120 --> 01:27:01,679
Speaker 1: of Instagram and every ones like like like just posting

1659
01:27:01,720 --> 01:27:06,240
Speaker 1: only good to them. But it's shocking what happens when, um,

1660
01:27:06,280 --> 01:27:09,439
Speaker 1: you hook up with me, because years later in your life, um,

1661
01:27:09,560 --> 01:27:14,639
Speaker 1: you will be Samahi beautiful. That's and that's the that's

1662
01:27:14,680 --> 01:27:17,240
Speaker 1: the end, that's the end point. Anyway, that's my I

1663
01:27:17,280 --> 01:27:19,400
Speaker 1: don't think so. I love that. I'm sorry, but you

1664
01:27:19,400 --> 01:27:21,960
Speaker 1: know what, You're in a beautiful relationship now, Yes, And

1665
01:27:22,040 --> 01:27:27,439
Speaker 1: I love my man and I am and I love

1666
01:27:27,520 --> 01:27:31,640
Speaker 1: with him. That's good. I remain so so safe. I

1667
01:27:31,680 --> 01:27:32,960
Speaker 1: just said I'm in love with him, and you go,

1668
01:27:33,520 --> 01:27:41,040
Speaker 1: that's good, that's great. I'm really happy for you. Um

1669
01:27:41,320 --> 01:27:45,000
Speaker 1: felt me. Well, I basically, oh, well, actually I should

1670
01:27:45,000 --> 01:27:46,559
Speaker 1: have done my I don't think so, honey to Ryah,

1671
01:27:46,560 --> 01:27:48,680
Speaker 1: who still pop? You on the goddamn wait list? And

1672
01:27:49,439 --> 01:27:52,439
Speaker 1: let's well we have our theories about why. Yeah, well,

1673
01:27:53,240 --> 01:27:56,719
Speaker 1: I'm very upset they wait listed me. They are still

1674
01:27:56,720 --> 01:28:00,000
Speaker 1: wait listing me. And miss Phoebe Robinson is she's still

1675
01:28:00,000 --> 01:28:01,880
Speaker 1: wait It was well she was wait listed for a while.

1676
01:28:01,960 --> 01:28:03,920
Speaker 1: Well now she's got a great now she's in a

1677
01:28:03,920 --> 01:28:07,200
Speaker 1: great relationship. But um, you know is something's going on.

1678
01:28:07,240 --> 01:28:10,200
Speaker 1: Something might be going on there, Riya, I don't know, um,

1679
01:28:10,200 --> 01:28:12,920
Speaker 1: But anyway, this is bone I don't think so. And

1680
01:28:12,960 --> 01:28:14,840
Speaker 1: the thing about bone NS, I don't think so, honey,

1681
01:28:14,920 --> 01:28:16,759
Speaker 1: is his time starts now? I don't think so, honey.

1682
01:28:16,880 --> 01:28:20,320
Speaker 1: The casual way we are talking about coronavirus, I mean

1683
01:28:20,520 --> 01:28:25,960
Speaker 1: it's both being sensationalized to completely completely be driven by

1684
01:28:26,520 --> 01:28:30,439
Speaker 1: it's it's it's capitalizing on fear, and it's also in

1685
01:28:30,479 --> 01:28:33,679
Speaker 1: this weird way like twisting it, where it's like, okay,

1686
01:28:33,720 --> 01:28:36,559
Speaker 1: but the casualties that are happening all across Asia don't

1687
01:28:36,600 --> 01:28:41,160
Speaker 1: really matter, and it's completely trivial. Literally, my cousin is

1688
01:28:41,160 --> 01:28:43,760
Speaker 1: in Wuhan right now. He's a journalist. He went with

1689
01:28:43,800 --> 01:28:47,040
Speaker 1: a bunch of doctors from Leon. He is at risk

1690
01:28:47,120 --> 01:28:48,920
Speaker 1: and it's really shaking up my family. And it's like,

1691
01:28:48,960 --> 01:28:51,920
Speaker 1: oh yeah, so you guys should all just remember that

1692
01:28:52,000 --> 01:28:55,000
Speaker 1: there are real fucking human beings who are going into

1693
01:28:55,080 --> 01:29:00,320
Speaker 1: these insane, insane, insane environments and settings and in their

1694
01:29:00,439 --> 01:29:02,320
Speaker 1: lives on the line to like try to fix this.

1695
01:29:02,439 --> 01:29:04,040
Speaker 1: It's gonna get a little worse before it gets better.

1696
01:29:04,080 --> 01:29:05,720
Speaker 1: But I promise and I hope and I pray that

1697
01:29:05,760 --> 01:29:08,200
Speaker 1: it will all end soon. But you guys have to

1698
01:29:08,200 --> 01:29:12,599
Speaker 1: stop casually like making fucking jokes about like wearing dumb

1699
01:29:12,640 --> 01:29:15,960
Speaker 1: face masks and ship and like it's so sad to

1700
01:29:16,000 --> 01:29:21,400
Speaker 1: me and truly this is weird. But like it's tough

1701
01:29:21,520 --> 01:29:24,680
Speaker 1: to like bring this up in certain settings where I

1702
01:29:24,680 --> 01:29:28,280
Speaker 1: would you would think that, like the humanity wouldn't be

1703
01:29:28,280 --> 01:29:31,439
Speaker 1: lost on certain people, but it's it so is, and

1704
01:29:31,560 --> 01:29:37,439
Speaker 1: like close friends of mine just are are We're just

1705
01:29:37,479 --> 01:29:40,320
Speaker 1: are so quick to like again trivialize it. And I'm like,

1706
01:29:40,360 --> 01:29:44,320
Speaker 1: you guys, well, it's racism, and it's it's I don't

1707
01:29:44,360 --> 01:29:46,040
Speaker 1: I believe that for a lot of people, it's not

1708
01:29:46,080 --> 01:29:49,679
Speaker 1: conscious racism, but that's racism. It's ingrained. And so basically

1709
01:29:49,720 --> 01:29:52,120
Speaker 1: because this is happening in a world where like we

1710
01:29:52,160 --> 01:29:54,120
Speaker 1: said before, it's the reason why you know, this is

1711
01:29:54,200 --> 01:29:56,680
Speaker 1: very trivial to mention in the same breath as this,

1712
01:29:56,760 --> 01:30:00,639
Speaker 1: But it's like why we're not recognizing like people from

1713
01:30:00,640 --> 01:30:02,880
Speaker 1: the parasite cast who should be it's because there is

1714
01:30:02,920 --> 01:30:06,439
Speaker 1: a facelessness. And when it's part of Western culture, is

1715
01:30:06,439 --> 01:30:09,320
Speaker 1: you completely wash out and humanize a part of the world.

1716
01:30:09,560 --> 01:30:11,559
Speaker 1: There's something that goes on in like the sort of

1717
01:30:12,320 --> 01:30:15,840
Speaker 1: colonized brain, let's say, where you just don't register an

1718
01:30:15,840 --> 01:30:20,200
Speaker 1: Asian face, like dying or being a good actor. Right,

1719
01:30:20,240 --> 01:30:23,240
Speaker 1: it's it's it's it's why it's honestly, it's why the attacks,

1720
01:30:23,840 --> 01:30:26,280
Speaker 1: the atom bombs, that's why it's like, let's talk about it.

1721
01:30:26,360 --> 01:30:30,839
Speaker 1: And yes, and here's the fundation. I'm gonna get fucking

1722
01:30:30,840 --> 01:30:35,000
Speaker 1: real for just a quick little second. The people who

1723
01:30:35,040 --> 01:30:38,759
Speaker 1: fucking say that all I do is play Asian characters

1724
01:30:38,800 --> 01:30:41,800
Speaker 1: on SNL. It probably has to do with the fact

1725
01:30:41,800 --> 01:30:43,840
Speaker 1: that I'm Asian, But the fact that you guys think

1726
01:30:43,880 --> 01:30:46,160
Speaker 1: that all I do is play Asian characters as a

1727
01:30:46,280 --> 01:30:49,280
Speaker 1: joke means that you think that being Asian is an

1728
01:30:49,360 --> 01:30:54,000
Speaker 1: unusual character trait. So it collapses down to you seeing

1729
01:30:54,040 --> 01:30:56,759
Speaker 1: me on screen and going, well, that person is weird

1730
01:30:56,840 --> 01:30:59,559
Speaker 1: because they're Asian, I guess, and that's all that this

1731
01:30:59,600 --> 01:31:04,879
Speaker 1: person can do. Fuck off. It is a bad faith

1732
01:31:05,360 --> 01:31:07,760
Speaker 1: thought for you to think. It's just a bad faith

1733
01:31:07,840 --> 01:31:10,280
Speaker 1: argument for you to think, well, bone doesn't have the range,

1734
01:31:10,280 --> 01:31:14,280
Speaker 1: But that's because you're selectively choosing to look at the

1735
01:31:14,280 --> 01:31:17,040
Speaker 1: parts where it has happened to have, like, like the

1736
01:31:17,120 --> 01:31:20,439
Speaker 1: characters that I play have happened to do with my race?

1737
01:31:21,000 --> 01:31:23,040
Speaker 1: Does that make sense? Yes, of course it does. I

1738
01:31:23,080 --> 01:31:27,840
Speaker 1: think that that there's a lot of examination that could

1739
01:31:27,840 --> 01:31:30,160
Speaker 1: happen right now on this moment, like and I really

1740
01:31:30,200 --> 01:31:36,599
Speaker 1: think that, like like it's it's sometimes like it feels

1741
01:31:36,680 --> 01:31:40,400
Speaker 1: like there's an opportunity right now for people to step

1742
01:31:40,439 --> 01:31:44,559
Speaker 1: back and not feel like attacked or offended because like

1743
01:31:44,640 --> 01:31:46,800
Speaker 1: these things are being called out, but it's like these

1744
01:31:46,880 --> 01:31:49,320
Speaker 1: things need to be examined and my words, because it's

1745
01:31:49,360 --> 01:31:51,640
Speaker 1: it's it's it's very real what Bone is saying, and

1746
01:31:51,720 --> 01:31:54,920
Speaker 1: my words examine them. So I'm in that, as I've

1747
01:31:54,920 --> 01:31:57,680
Speaker 1: said to miss Matt Rodgers, but I wanted to this is,

1748
01:31:57,720 --> 01:31:59,400
Speaker 1: this is, this is. But also I want to make

1749
01:31:59,439 --> 01:32:03,120
Speaker 1: clear I mean basically passed it. I'm a little deader

1750
01:32:03,160 --> 01:32:05,840
Speaker 1: inside than I was before, and so it's not really

1751
01:32:05,880 --> 01:32:09,120
Speaker 1: getting to me anymore. I'm truly that well, you left Twitter,

1752
01:32:09,320 --> 01:32:11,920
Speaker 1: I left. These people are in my but my sort

1753
01:32:11,960 --> 01:32:14,040
Speaker 1: of the thing that I keep reminding myself going forward

1754
01:32:14,200 --> 01:32:16,519
Speaker 1: is I'm like, oh, well, people out there have septic

1755
01:32:16,560 --> 01:32:19,400
Speaker 1: tanks for brains, and it's not my business to like

1756
01:32:20,200 --> 01:32:23,439
Speaker 1: try to like mold that poop water into like actual

1757
01:32:23,479 --> 01:32:30,200
Speaker 1: Gray Manner. Look anyway, the world, the world, she cray

1758
01:32:30,320 --> 01:32:32,600
Speaker 1: and gonna have to keep my distance, Gonna have to

1759
01:32:32,640 --> 01:32:33,960
Speaker 1: keep my diston's on that one. I'm gonna have to

1760
01:32:34,040 --> 01:32:36,559
Speaker 1: call out that to call out. But the good news

1761
01:32:36,680 --> 01:32:41,679
Speaker 1: is is back to give you a healthy mix of

1762
01:32:41,720 --> 01:32:47,519
Speaker 1: what is football and fuck you for being racistic that

1763
01:32:47,840 --> 01:32:51,240
Speaker 1: those are truly the two poles of this show. Um Uh,

1764
01:32:51,400 --> 01:32:53,800
Speaker 1: We're so happy to be back. We're so having back,

1765
01:32:53,840 --> 01:32:57,080
Speaker 1: so excited to be back. We're so we were on fire.

1766
01:32:57,360 --> 01:33:00,360
Speaker 1: We're on fire. We love, love love our new friends

1767
01:33:00,360 --> 01:33:04,320
Speaker 1: at I Heeart, our new family. Um and we have

1768
01:33:04,320 --> 01:33:06,120
Speaker 1: a very good feeling about this. Oh, we've got such

1769
01:33:06,120 --> 01:33:10,360
Speaker 1: good episodes coming up. Let's just say that the episodes upcoming. Baby,

1770
01:33:10,720 --> 01:33:14,639
Speaker 1: we got Nicole Buyer, we got Gayly Admit, we got

1771
01:33:14,760 --> 01:33:19,400
Speaker 1: a Bryant and back to you next month. And maybe,

1772
01:33:19,479 --> 01:33:22,200
Speaker 1: just maybe, Bone and I will stick a couple of

1773
01:33:22,240 --> 01:33:26,040
Speaker 1: these solo episodes in there. I think that there would

1774
01:33:26,040 --> 01:33:27,760
Speaker 1: be It would feel good to hear us get a

1775
01:33:27,800 --> 01:33:30,080
Speaker 1: little bit topical every now and I like that, and

1776
01:33:30,080 --> 01:33:31,760
Speaker 1: I just like the kids that you know, just the

1777
01:33:31,800 --> 01:33:34,040
Speaker 1: tone of these is a little more looser, yes, and

1778
01:33:34,120 --> 01:33:36,240
Speaker 1: we love the culture catch up and we love enjoy

1779
01:33:36,360 --> 01:33:40,559
Speaker 1: doing them. Sometimes during speaking and exchanging cultural ideas with

1780
01:33:40,600 --> 01:33:43,840
Speaker 1: my friend, you can you can stumble upon truth. You

1781
01:33:43,840 --> 01:33:48,559
Speaker 1: didn't know that you felt. I love that beautifully. I'm

1782
01:33:48,600 --> 01:33:50,720
Speaker 1: gonna have to reward that one. Gonna have to know,

1783
01:33:50,800 --> 01:33:52,800
Speaker 1: we kind of have to confirm the wording on that one.

1784
01:33:53,000 --> 01:33:55,760
Speaker 1: I loved lock it in on that one. Here's the thing.

1785
01:33:56,080 --> 01:33:58,640
Speaker 1: We end up with the song. We end every episode

1786
01:33:58,880 --> 01:34:03,200
Speaker 1: with a song. RS B City? Why do I want

1787
01:34:03,240 --> 01:34:09,640
Speaker 1: to be a supy R S B City? Dozy? Oh,

1788
01:34:09,880 --> 01:34:12,280
Speaker 1: we didn't even talk about the Jennifer Hudson Andreath the trailer.

1789
01:34:12,360 --> 01:34:24,840
Speaker 1: It's good, we'll talk about it. Bye bye,