WEBVTT - What is "Colored People Time?"

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<v Speaker 1>Hey everyone, it's Manny here with a special announcement. Some

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<v Speaker 1>of you may remember that I recently wrote and published

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<v Speaker 1>a book. It's called Colored People Time, A Case for

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<v Speaker 1>Casual Rebellion, and it's a collection of humorous essays about

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<v Speaker 1>the way time wraps itself around our lives. Don't be

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<v Speaker 1>fooled by the title. There's a lot of content for

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<v Speaker 1>the whites in this book. That's true, and I'm happy

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<v Speaker 1>to announce now that one hundred percent of the proceeds

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<v Speaker 1>from this book will go to Penguin Random House Publishing,

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<v Speaker 1>because that's how book deals work. Anyway, if you like

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<v Speaker 1>this podcast, I genuinely think you're going to like this book,

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<v Speaker 1>and the link to purchases in the show description below. Now,

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<v Speaker 1>what you're about to hear is a conversation between Devin

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<v Speaker 1>Noah and I about my book. It was recorded live

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<v Speaker 1>at Caveat in New York City. Shout out to Caveat

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<v Speaker 1>for hosting and enjoy today's episode.

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<v Speaker 2>Please welcome Manny Noah Devin from the No Such Thing Podcast.

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<v Speaker 1>All Right, how's it going everyone? Thanks for coming. So

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<v Speaker 1>we've got a Devin and no are leading the show today.

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<v Speaker 1>I'm actually gonna not yet as much as I normally do.

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<v Speaker 3>Yeah, stop talking, Manny, No, we're here to celebrate, Manny.

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<v Speaker 4>You wrote a book.

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<v Speaker 1>Man, it's true.

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<v Speaker 4>You did it.

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<v Speaker 1>Hanguin, Penguin, Random House. That's right. Yeah, they're one world imprint.

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<v Speaker 1>It's the same imprint as a Tana Hesse Coats and

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<v Speaker 1>Trevor Noah and Steph Curry. And so I'm excited to

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<v Speaker 1>be like the worst person on that list. Yeah, it's fun.

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<v Speaker 5>Steph Curry is one of my favorite writers. Do you

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<v Speaker 5>want to describe what the book is a little bit?

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<v Speaker 1>Yeah, I think I can just start by explaining the

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<v Speaker 1>concept of the title Colored People Time. I'm sure most

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<v Speaker 1>of you have heard this phrase used before. It's essentially

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<v Speaker 1>just the idea that people of color are kind of

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<v Speaker 1>working on a maybe different time frame than than the

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<v Speaker 1>rest of the world in terms of lateness, in terms

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<v Speaker 1>of tardiness. As a quick example, you know, if I

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<v Speaker 1>invited both Devin and Noah to dinner at my place tonight,

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<v Speaker 1>Noah would be showing up first. That's basically what this

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<v Speaker 1>concept is. And yeah, and so it's just basic. It's

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<v Speaker 1>a kind of a tongue in cheek way to uh

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<v Speaker 1>introduce people to this book. Only one of the chapters

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<v Speaker 1>is actually about like the tardiness aspect of this, but it's,

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<v Speaker 1>you know, largely about my personal life, about politics, about

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<v Speaker 1>a bunch of things, video games, video games, sports, gardening.

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<v Speaker 1>There's a lot packed into this.

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<v Speaker 5>So you're gonna read a little bit from the first chapter. Yeah,

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<v Speaker 5>this chapter, it's very it's a good example of the

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<v Speaker 5>rest of the book. You started the very beginning of time,

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<v Speaker 5>arguably before it the big Bang, and you kind of

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<v Speaker 5>take us all the way through to the present and

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<v Speaker 5>the future. And the book does a great job of

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<v Speaker 5>kind of having these huge ideas but also zooming in

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<v Speaker 5>on very small, particular things.

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<v Speaker 1>Wow, thank you. I didn't feed that to him.

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<v Speaker 6>No.

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<v Speaker 5>Yeah, I'm reading my script. But can you talk a

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<v Speaker 5>little bit about how you approached this writing this first

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<v Speaker 5>chapter before you get into it.

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<v Speaker 1>Yeah, for sure.

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<v Speaker 4>So.

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<v Speaker 1>I think normally in journalism or in storytelling, it's quite

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<v Speaker 1>common to start with a very specific thing and explain

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<v Speaker 1>to people the thing you want to talk about and

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<v Speaker 1>then zoom out. I like to do the reverse, for

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<v Speaker 1>whatever reason. I like to get very big picture before

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<v Speaker 1>I go into into the specific ideas I'm talking about.

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<v Speaker 1>That's been very annoying for my editor's son, who who

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<v Speaker 1>I think is in the crowd. She's like, Okay, you're

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<v Speaker 1>writing a book about politics, but you spent ten pages

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<v Speaker 1>talking about like the formation of the earth, and that

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<v Speaker 1>was like tough for her. So shout out to her.

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<v Speaker 1>She saved you. She saved you from like a much longer,

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<v Speaker 1>much more head scratching book. I think I haven't seen

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<v Speaker 1>that movie, but I'll circle back on that, okay.

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<v Speaker 4>And you're like, why and this it makes more sense.

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<v Speaker 1>Before I do this reading, though, I was curious, have

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<v Speaker 1>either of you like, what's like the worst thing you've

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<v Speaker 1>ever been late to? So read this book a deep

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<v Speaker 1>sigh to start.

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<v Speaker 4>I'm not usually late.

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<v Speaker 1>Okay, that's true. Yeah, that example I used earlier was

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<v Speaker 1>actually not that, no.

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<v Speaker 4>Would be no, one would be early.

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<v Speaker 1>Yeah.

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<v Speaker 4>I used to show up on so.

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<v Speaker 3>When you asked a late story, I've never been late,

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<v Speaker 3>so I can't say meet myself.

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<v Speaker 1>Well, that's just not true.

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<v Speaker 3>But one of the first music videos I worked on

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<v Speaker 3>was with Nicki Minaj, whoa yeah, and.

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<v Speaker 1>She was Trump's number one fan, Trump's.

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<v Speaker 4>Number one fan. She was very late.

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<v Speaker 3>She was actually a feature in the music video, so

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<v Speaker 3>it wasn't her video, okay, it was supposed to be

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<v Speaker 3>like a six hour shoot. She showed up about four

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<v Speaker 3>hours late and says she was leaping in thirty minutes.

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<v Speaker 1>Oh so you had thirty minutes to kind of get hurt.

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<v Speaker 3>And she walked in first ball. It was a music

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<v Speaker 3>video with Nicki Minaj. We're you know, they're filming her.

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<v Speaker 3>The team comes out and says, when she comes out here,

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<v Speaker 3>do not look at her, do not make on contact. Yeah,

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<v Speaker 3>speak to her. And after every take, she would take

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<v Speaker 3>about five ten minutes to look in the mirror do

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<v Speaker 3>her glam. So they up getting about thirty minutes.

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<v Speaker 4>Of usable footage. They had to change the whole concept

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<v Speaker 4>of the music video.

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<v Speaker 1>And you can't even complain. No, it's not like who

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<v Speaker 1>are you going to write to? It's just that's it.

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<v Speaker 1>That's the music video.

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<v Speaker 4>It makes sense though, it's like, how long is the song?

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<v Speaker 4>Three minutes? How much time do you need? At least

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<v Speaker 4>once the whole thing, at least once that's around. You know,

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<v Speaker 4>she had a crazy writer.

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<v Speaker 3>So I was running around the city getting all the stuff.

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<v Speaker 3>She never even went in the trailer.

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<v Speaker 1>Oh my god, that's I don't have a I should,

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<v Speaker 1>I should come up with a writer. Yeah, something soon,

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<v Speaker 1>Yeah yeah. Nicki Minaj does not appear in my book.

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<v Speaker 1>Rihanna does that way at one point in a chapter.

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<v Speaker 1>But I'll go ahead and start reading this first chapter.

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<v Speaker 1>It's called from Time. It's dark. And when I say

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<v Speaker 1>it's dark, it's dark everywhere and anywhere, perpetually and all encompassing.

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<v Speaker 1>Nothing exists yet, but nothing exists existing, doesn't even exist yet,

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<v Speaker 1>But the absence of existing does It is emptiness. If

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<v Speaker 1>something that doesn't exist can be empty the most brutal

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<v Speaker 1>or gentlest of realities, depending on your perspective. But your

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<v Speaker 1>perspective doesn't exist yet. And then in a split second,

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<v Speaker 1>everything a giant explosion, a big bang. Galaxies are now

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<v Speaker 1>zooming through an infantile universe, whatever that is. These galaxies

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<v Speaker 1>flow and expand in incomprehensible ways. They seem random, but

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<v Speaker 1>are also the exact shape they need to be. This

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<v Speaker 1>is infinity. It's awesome, not in the way that the

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<v Speaker 1>NBA playoffs are awesome, but in the literal sense of

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<v Speaker 1>the word awe inspiring. Only there's no one to inspire

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<v Speaker 1>just yet. There are no mailmen or teachers or police

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<v Speaker 1>officers or politicians or pundits. There are no children, no teenagers,

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<v Speaker 1>no adults, no elders. There are no feelings, no emotions,

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<v Speaker 1>no conflicts, no wrongdoings, no good deeds. There are no

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<v Speaker 1>good times or bad times. There's no justice and no peace,

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<v Speaker 1>Just time from time. Stardust is flowing through the clouds

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<v Speaker 1>on adolescent planets, like mountain dew through the veins of

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<v Speaker 1>a call of duty enthusiast in two thousand and nine,

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<v Speaker 1>who will try not to call me the N word

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<v Speaker 1>after losing in an online match. He will fail, But

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<v Speaker 1>these planets, in their apparent mission to sustain life, will not.

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<v Speaker 1>At least one planet will succeed and set forth a

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<v Speaker 1>derivative series of events that could be described as beautiful

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<v Speaker 1>or regrettable, depending on your perspective, which for the record,

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<v Speaker 1>will exist soon. Relatively speaking, the planet Earth, our home,

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<v Speaker 1>does not begin in a calmer manner. We start off

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<v Speaker 1>with molten rock. Seas of lava crash into one another

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<v Speaker 1>like patrons at an overrated bar on the lower east side.

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<v Speaker 1>This is Earth's least habitable form, as extreme as the

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<v Speaker 1>start of the universe. A smaller planet lunges into Earth

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<v Speaker 1>and ejects continent sized pieces of rock into space. These

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<v Speaker 1>massive boulders come together and form the Moon, which sways

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<v Speaker 1>Earth's oceans. A billion years after, the curtains fall on

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<v Speaker 1>their teenage magma phase, and then the first sign of

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<v Speaker 1>life microbial organisms or microbes. They just sit there and

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<v Speaker 1>writhe in the dirt, pulsating and throbbing, without a s

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<v Speaker 1>single thought in their minds, pushing ahead for reasons unknown

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<v Speaker 1>to them. I'm envious. Eventually they become mushrooms and plants

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<v Speaker 1>and vegetables and at some point fish. Narratively speaking, the

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<v Speaker 1>fish flop out of the water and grow legs, running

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<v Speaker 1>around the world reproducing. They create a web of different

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<v Speaker 1>hideous creatures, born with the mission to keep remaking themselves.

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<v Speaker 1>Different climates affect these creatures and change them, making them

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<v Speaker 1>even bigger and even uglier. Some of them grow wings

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<v Speaker 1>and fly away, untethered to the drama on the ground.

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<v Speaker 1>The dinosaurs arrive and rule the Earth for one hundred

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<v Speaker 1>and sixty five million years. They are wiped out by

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<v Speaker 1>an asteroid that is approximately six miles long. The rock

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<v Speaker 1>came from the depths of the universe that, in the

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<v Speaker 1>meantime has been endlessly unfurling, stretching, and expanding. As the

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<v Speaker 1>universe is infinite, there are infinite places. Sorry, there are

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<v Speaker 1>infinite planets going through these similar growing pains. I wonder

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<v Speaker 1>if any of the infinite options will end up as

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<v Speaker 1>tedious as ours On Earth. We're back to chaos. Millions

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<v Speaker 1>of animals are obliterated in an instant in, millions more

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<v Speaker 1>starved to death due to the extreme conditions caused by

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<v Speaker 1>the asteroid annihilation for seventy five percent of living species.

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<v Speaker 1>The remaining twenty five percent bounce back. They're not just

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<v Speaker 1>the stepfathers of life. They're the fathers who stepped up

0:11:36.600 --> 0:11:41.640
<v Speaker 1>the first primates begin to evolve over time, first gorillas

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<v Speaker 1>and then chimps. The ancestors of humans diverged from the

0:11:45.760 --> 0:11:50.000
<v Speaker 1>chimp lineage. One such creature from this new lineage lives

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<v Speaker 1>in what will become Ethiopia. For some reason, millions of

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<v Speaker 1>years later, scientists will name her Lucy. Luam or lem

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<v Speaker 1>Lem would have been a more geographically apt option, but

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<v Speaker 1>I digress. Lucy's nieces and nephews migrate across the globe

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<v Speaker 1>and become Homo sapiens. Depending on where the Homo sapiens settle,

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<v Speaker 1>their skin color begins to change. The less the sun

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<v Speaker 1>rules your land, the lighter your skin becomes. I pause

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<v Speaker 1>here for a moment of silence. The Earth's most intellectually

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<v Speaker 1>advanced creatures are about to become really stupid, and I'll

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<v Speaker 1>stop there.

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<v Speaker 3>Well done, so many How did you decide what to

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<v Speaker 3>include in that chapter and what to leave out?

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<v Speaker 4>Because you do zero some interesting things there.

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<v Speaker 1>I don't know, I did a lot of I took

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<v Speaker 1>about like a weekend to kind of go through Wikipedia pages, encyclopedia,

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<v Speaker 1>like just really wanting to understand the trajectory of life.

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<v Speaker 1>And obviously I skipped probably millions of years here and there,

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<v Speaker 1>and each paragraph I really just extracted what struck out

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<v Speaker 1>to me, like the most interesting things about evolution or

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<v Speaker 1>the way that like planets were formed. So it was

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<v Speaker 1>kind of ViBe's based. To answer your question.

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<v Speaker 3>You do this thing too where you'll say something, you

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<v Speaker 3>say something really deep, hmm, but.

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<v Speaker 4>Then you'll make a little joke, okay, and then you say.

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<v Speaker 3>Something really deep. So you have this section here, Let's

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<v Speaker 3>see if I can read it. There is some pain

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<v Speaker 3>in knowing that the names of the ships that trafficked

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<v Speaker 3>human beings for profit were likely created by the dorkiest

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<v Speaker 3>guys imaginable. I can't help but picture a rosy cheeked

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<v Speaker 3>Londoner dipping his feathered quill pen and ink and being

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<v Speaker 3>proud of himself after writing down a name like the

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<v Speaker 3>Brilliant Hog.

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<v Speaker 4>And I feel like that's like the book itself.

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<v Speaker 3>You do a good job of like balancing some things

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<v Speaker 3>that are like, oh god.

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<v Speaker 4>You know when you really thinking about them. Yeah, there's

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<v Speaker 4>just humor.

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<v Speaker 1>Yeah, there's like there there ends up being a lot

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<v Speaker 1>of dark topics in the book, and I always try

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<v Speaker 1>to kind of inject some levity into those just to

0:14:12.320 --> 0:14:14.760
<v Speaker 1>make them more consumable. I feel like a lot of

0:14:14.760 --> 0:14:19.160
<v Speaker 1>times when you talk about race and politics, it's it's

0:14:19.240 --> 0:14:22.040
<v Speaker 1>presented in packaged to you in a way that makes

0:14:22.080 --> 0:14:25.960
<v Speaker 1>it feel like homework. You know, we've we've seen this

0:14:26.040 --> 0:14:28.680
<v Speaker 1>during like Black History Month, when you're in elementary school.

0:14:28.760 --> 0:14:30.760
<v Speaker 1>You just get things that you're like, okay, okay, I

0:14:30.800 --> 0:14:32.960
<v Speaker 1>know this, I know this. I wanted to present a

0:14:32.960 --> 0:14:34.640
<v Speaker 1>lot of the stuff in this book in a way

0:14:34.680 --> 0:14:40.000
<v Speaker 1>that made it feel fun and relatable, and so I do.

0:14:40.000 --> 0:14:46.840
<v Speaker 4>That, all right? Should we do chas favorite chapters?

0:14:47.080 --> 0:14:48.800
<v Speaker 1>Yeah, where we starting all right.

0:14:48.800 --> 0:14:51.920
<v Speaker 3>My favorite chapter is called Ticking time Bomb. Okay, you

0:14:51.920 --> 0:14:53.440
<v Speaker 3>want to set up with ticking time Bomb?

0:14:53.800 --> 0:14:58.080
<v Speaker 1>Yeah, yeah, okay, So this is chapter two. It's called

0:14:58.080 --> 0:15:02.280
<v Speaker 1>Ticking time Bomb, and it is essentially a story about

0:15:02.880 --> 0:15:05.840
<v Speaker 1>how many of us have to grow up a little

0:15:05.840 --> 0:15:10.240
<v Speaker 1>bit earlier than we'd like to. For me, specifically, this

0:15:10.240 --> 0:15:14.120
<v Speaker 1>this came in the wake of nine to eleven. Uh

0:15:14.440 --> 0:15:17.280
<v Speaker 1>we I grew up in Ohio and even over there

0:15:17.720 --> 0:15:21.520
<v Speaker 1>we face a lot of this kind of the after

0:15:21.760 --> 0:15:25.120
<v Speaker 1>math of like bigotry to that a lot of families

0:15:25.120 --> 0:15:29.400
<v Speaker 1>face in this country afterwards. And so yeah, for me,

0:15:29.480 --> 0:15:31.880
<v Speaker 1>it made me think about I had to start thinking

0:15:31.920 --> 0:15:35.760
<v Speaker 1>about interactions I had and breaking them down in an

0:15:35.800 --> 0:15:39.560
<v Speaker 1>analytical way that that only now I realized was like,

0:15:39.560 --> 0:15:41.400
<v Speaker 1>oh man, I should have been more worried about like

0:15:41.480 --> 0:15:44.280
<v Speaker 1>power rangers or something. And so that's what the chapter

0:15:44.360 --> 0:15:45.120
<v Speaker 1>is about largely.

0:15:45.320 --> 0:15:47.840
<v Speaker 3>All right, Before we get into the chapter, let's talk

0:15:47.840 --> 0:15:49.720
<v Speaker 3>about our nine to eleven stories.

0:15:50.600 --> 0:15:51.200
<v Speaker 4>I thought nine.

0:15:51.120 --> 0:15:53.400
<v Speaker 1>Eleven is one of the rare everyone's got.

0:15:53.640 --> 0:15:56.160
<v Speaker 4>Everyone knows what they were, what they were doing.

0:15:56.600 --> 0:15:58.400
<v Speaker 3>Yeah, you know, we're I feel like we're just at

0:15:58.440 --> 0:16:00.600
<v Speaker 3>that age too, where he was just a little bit

0:16:00.640 --> 0:16:01.240
<v Speaker 3>younger than us.

0:16:01.680 --> 0:16:02.800
<v Speaker 4>Don't remember that.

0:16:02.960 --> 0:16:05.240
<v Speaker 1>We're about I think we're the cutoff kind of.

0:16:05.200 --> 0:16:06.120
<v Speaker 4>Because we were nine.

0:16:06.440 --> 0:16:08.720
<v Speaker 1>Yeah, yeah, around nine, and I think out of the

0:16:08.720 --> 0:16:10.360
<v Speaker 1>three of us, you're the only one who was in

0:16:10.400 --> 0:16:10.840
<v Speaker 1>New York.

0:16:10.920 --> 0:16:11.920
<v Speaker 4>Yeah, I was in Long Island.

0:16:12.080 --> 0:16:13.240
<v Speaker 1>So what was what happened?

0:16:14.040 --> 0:16:17.120
<v Speaker 4>Similar to you, A lot of people just started going home.

0:16:17.400 --> 0:16:18.600
<v Speaker 4>My teacher was crying.

0:16:18.640 --> 0:16:23.400
<v Speaker 3>But that wasn't really like she cried a lot, you know,

0:16:23.520 --> 0:16:25.880
<v Speaker 3>So it wasn't like we were just like like, Okay,

0:16:25.920 --> 0:16:27.200
<v Speaker 3>here's michu macher crying again.

0:16:27.760 --> 0:16:28.040
<v Speaker 7>What else?

0:16:28.320 --> 0:16:29.240
<v Speaker 5>What else did she cry about?

0:16:29.280 --> 0:16:29.640
<v Speaker 2>She cried.

0:16:29.680 --> 0:16:31.560
<v Speaker 4>She she loved that we were a good class. You know,

0:16:31.640 --> 0:16:33.720
<v Speaker 4>we were one of her first classes. She got emotional.

0:16:33.880 --> 0:16:34.320
<v Speaker 1>She was crying.

0:16:34.960 --> 0:16:35.200
<v Speaker 7>Good.

0:16:35.360 --> 0:16:35.800
<v Speaker 4>Yeah, she.

0:16:37.320 --> 0:16:39.120
<v Speaker 1>Expecting you to be Jack. No.

0:16:39.120 --> 0:16:40.560
<v Speaker 4>No, So like that wasn't the.

0:16:40.520 --> 0:16:43.200
<v Speaker 1>Gut That's why my teachers cried because you were so bad.

0:16:43.320 --> 0:16:44.360
<v Speaker 1>The class was just terrible.

0:16:45.440 --> 0:16:48.080
<v Speaker 3>I did make a teacher, well not me, but I

0:16:48.160 --> 0:16:50.479
<v Speaker 3>was a part of a class that made it substitute

0:16:50.480 --> 0:16:51.240
<v Speaker 3>cry in high school.

0:16:51.320 --> 0:16:52.760
<v Speaker 1>Oh wow, but we can get to that later.

0:16:52.840 --> 0:16:57.640
<v Speaker 3>Okay, so kids started going home early. I was one

0:16:57.640 --> 0:17:00.280
<v Speaker 3>of the last kids to go home. But yeah, it

0:17:00.280 --> 0:17:03.120
<v Speaker 3>was destorted thing where, you know, I went home watching

0:17:03.160 --> 0:17:06.640
<v Speaker 3>TV trying to make sense of what is happening.

0:17:07.359 --> 0:17:08.760
<v Speaker 4>Like I knew this, it was a thing that was

0:17:08.800 --> 0:17:09.360
<v Speaker 4>happening in.

0:17:09.320 --> 0:17:13.440
<v Speaker 3>The city, but like, yeah, I had a cousin who

0:17:13.480 --> 0:17:15.760
<v Speaker 3>was in one of the towers, so like they were

0:17:16.000 --> 0:17:17.920
<v Speaker 3>looking for her for a few weeks, so it was

0:17:17.960 --> 0:17:20.359
<v Speaker 3>like it was like a whole while. But it is

0:17:20.400 --> 0:17:22.760
<v Speaker 3>one of the like I remember so much from that

0:17:22.880 --> 0:17:24.879
<v Speaker 3>day in a way that I can't recall what happened

0:17:24.880 --> 0:17:25.800
<v Speaker 3>like last week.

0:17:26.359 --> 0:17:29.200
<v Speaker 1>Yeah, it makes sense for obviously people to be worried

0:17:29.240 --> 0:17:29.840
<v Speaker 1>here in New York.

0:17:29.880 --> 0:17:30.080
<v Speaker 4>Yeah.

0:17:30.119 --> 0:17:33.000
<v Speaker 1>Now I'm in Ohio and people are freaking out, and

0:17:33.040 --> 0:17:35.439
<v Speaker 1>I'm you know, even as a kid, I'm like, guys relaxed, Like.

0:17:35.520 --> 0:17:37.439
<v Speaker 4>Well, that was funny. You mentioned that You're like your

0:17:37.520 --> 0:17:40.040
<v Speaker 4>parents were like, I'm not picking you up, You're not

0:17:40.040 --> 0:17:41.200
<v Speaker 4>coming out. Yeah.

0:17:41.240 --> 0:17:44.080
<v Speaker 1>I remember, as I write, as I write in the chapter,

0:17:44.200 --> 0:17:46.800
<v Speaker 1>you know, everyone in our school was getting called home

0:17:46.840 --> 0:17:50.280
<v Speaker 1>from their parents. Uh me, but me, my siblings and

0:17:50.320 --> 0:17:52.280
<v Speaker 1>like a few other kids who were just like, Okay,

0:17:52.320 --> 0:17:54.840
<v Speaker 1>I guess we're sticking around. We didn't. We didn't really

0:17:54.920 --> 0:17:57.919
<v Speaker 1>know what was happening until we got home. But yeah,

0:17:58.080 --> 0:18:00.760
<v Speaker 1>it was kind of surreal, like the teacher brought in

0:18:01.240 --> 0:18:03.600
<v Speaker 1>one of those we old TVs and just like made

0:18:03.680 --> 0:18:06.080
<v Speaker 1>us watch not crazy. Yeah, it was like the nuts.

0:18:08.000 --> 0:18:10.000
<v Speaker 4>You know, is your teacher put on the TV for

0:18:10.040 --> 0:18:10.560
<v Speaker 4>you to watch?

0:18:10.760 --> 0:18:10.920
<v Speaker 2>No?

0:18:11.040 --> 0:18:11.600
<v Speaker 4>They they?

0:18:11.760 --> 0:18:14.000
<v Speaker 5>I mean I was in Connecticut, close to New York,

0:18:14.040 --> 0:18:16.160
<v Speaker 5>so there are people whose parents commute into the city,

0:18:16.240 --> 0:18:18.680
<v Speaker 5>so I think they were just like I just noticed

0:18:18.680 --> 0:18:20.720
<v Speaker 5>all the teachers like hushed talking to each other, like

0:18:20.760 --> 0:18:24.239
<v Speaker 5>what's going on? Then kids started going home. But then

0:18:24.280 --> 0:18:26.040
<v Speaker 5>I went home and I my dad's watching TV and

0:18:26.080 --> 0:18:28.920
<v Speaker 5>he's just like, oh, this happened. I was like, oh, interesting,

0:18:28.960 --> 0:18:30.440
<v Speaker 5>that's that's odd.

0:18:30.760 --> 0:18:32.040
<v Speaker 4>Like why would someone do that?

0:18:33.680 --> 0:18:36.200
<v Speaker 5>So yeah, no, it was just a day of confusion.

0:18:36.440 --> 0:18:37.040
<v Speaker 4>Yeah.

0:18:37.600 --> 0:18:41.159
<v Speaker 3>Yeah, especially as a kid, you know, trying to understand

0:18:41.280 --> 0:18:42.640
<v Speaker 3>you know, people did a bad thing.

0:18:42.760 --> 0:18:44.040
<v Speaker 4>Why did they do a bad thing?

0:18:44.280 --> 0:18:48.399
<v Speaker 1>Yeah, And I write about like learning what it was.

0:18:48.760 --> 0:18:52.080
<v Speaker 1>So my dad, who's in the crowd here tonight, was

0:18:52.119 --> 0:18:54.720
<v Speaker 1>trying to explain to me as like a kid like

0:18:55.240 --> 0:18:59.800
<v Speaker 1>kind of international geopolitics, and it probably didn't land the

0:18:59.800 --> 0:19:02.919
<v Speaker 1>way he was supposed to, but you know, he was

0:19:03.040 --> 0:19:06.159
<v Speaker 1>giving me kind of the kids bop version of you know,

0:19:06.359 --> 0:19:10.040
<v Speaker 1>what's happening in the Middle East. And I remember that

0:19:10.160 --> 0:19:13.479
<v Speaker 1>vividly because he always speaks in such a wise tone,

0:19:14.160 --> 0:19:16.840
<v Speaker 1>and uh, you know, we come from an East African

0:19:16.840 --> 0:19:20.399
<v Speaker 1>household slightly different view about the world than what we

0:19:20.480 --> 0:19:23.240
<v Speaker 1>learned here in the West. And yeah, and I just

0:19:23.320 --> 0:19:27.199
<v Speaker 1>remember going to so he's he's trying to explain to me,

0:19:27.240 --> 0:19:30.120
<v Speaker 1>you know, sometimes big world powers we go to places

0:19:30.200 --> 0:19:32.720
<v Speaker 1>we kind of mess things up. It's not a it's

0:19:32.760 --> 0:19:35.679
<v Speaker 1>not condoning what's happening, but it's important, I think, to

0:19:36.520 --> 0:19:39.520
<v Speaker 1>try to understand why things happen so that you know,

0:19:39.560 --> 0:19:41.160
<v Speaker 1>in the future we can try to avoid them, although

0:19:41.200 --> 0:19:43.160
<v Speaker 1>that doesn't seem to be happening right now in this moment.

0:19:44.480 --> 0:19:46.680
<v Speaker 1>And yeah, I remember going to school the next day

0:19:46.720 --> 0:19:48.840
<v Speaker 1>being like, if we just left people alone, and it

0:19:48.920 --> 0:19:57.159
<v Speaker 1>wasn't it didn't land as well. So it was an

0:19:57.240 --> 0:19:58.960
<v Speaker 1>interesting experience for me for sure.

0:20:01.000 --> 0:20:03.000
<v Speaker 3>But you talk about I think it was like a

0:20:03.040 --> 0:20:06.240
<v Speaker 3>year later, you're having a discussion, you know, ten year

0:20:06.280 --> 0:20:07.760
<v Speaker 3>old Manny about nine to eleven.

0:20:07.880 --> 0:20:08.919
<v Speaker 4>Teacher overhears you.

0:20:09.240 --> 0:20:14.080
<v Speaker 3>Yeah, and it sort of like confirms sonodobiases that she, yeah,

0:20:14.400 --> 0:20:15.600
<v Speaker 3>something she may have thought about you.

0:20:15.720 --> 0:20:18.800
<v Speaker 1>I just remember, you know, we're not even Arab, like

0:20:18.840 --> 0:20:22.200
<v Speaker 1>we're we have East African last name. And but people

0:20:22.320 --> 0:20:25.000
<v Speaker 1>just I think in the form especially exactly, they just

0:20:25.040 --> 0:20:27.560
<v Speaker 1>look at something that looks kind of different, and but

0:20:28.119 --> 0:20:30.960
<v Speaker 1>you know, they assume things. But yeah, I think.

0:20:30.880 --> 0:20:31.600
<v Speaker 4>Were around then.

0:20:32.320 --> 0:20:34.160
<v Speaker 1>That was like kind of the first time I was like, oh,

0:20:34.200 --> 0:20:38.199
<v Speaker 1>this person thinks something else of me. And you know,

0:20:38.240 --> 0:20:40.280
<v Speaker 1>I was, I guess ten years old. That was a

0:20:40.359 --> 0:20:42.760
<v Speaker 1>year after nine to eleven, and that was just an

0:20:42.800 --> 0:20:44.680
<v Speaker 1>experience that really stuck with me. I was like, why

0:20:44.760 --> 0:20:47.200
<v Speaker 1>isn't she being as kind of friendly as she used

0:20:47.200 --> 0:20:51.000
<v Speaker 1>to be? Uh, you know, and so it made me

0:20:51.000 --> 0:20:51.480
<v Speaker 1>think a lot.

0:20:52.080 --> 0:20:54.560
<v Speaker 3>All right, I'm going to ask you to read, Okay,

0:20:54.560 --> 0:21:02.000
<v Speaker 3>fair enough, page twenty nine, page nine. Like halfway through

0:21:02.880 --> 0:21:05.600
<v Speaker 3>that paragraph into page thirty.

0:21:05.600 --> 0:21:07.960
<v Speaker 1>I'm still finding twenty nine. Give me a second. Here, okay,

0:21:07.960 --> 0:21:08.399
<v Speaker 1>here we go.

0:21:09.400 --> 0:21:10.720
<v Speaker 4>So it's starting facing.

0:21:10.520 --> 0:21:13.120
<v Speaker 1>Okay, and how long do you want me to read?

0:21:14.320 --> 0:21:17.680
<v Speaker 4>I want you to read until read the whole next pitche.

0:21:17.640 --> 0:21:20.679
<v Speaker 1>Okay, all right, here we go. Facing bigotry at a

0:21:20.720 --> 0:21:25.000
<v Speaker 1>young age forces people of color into analytical thinking before

0:21:25.040 --> 0:21:27.880
<v Speaker 1>they should ever be burdened by it. As time went on,

0:21:28.000 --> 0:21:32.399
<v Speaker 1>I started wondering where my classmates had learned their colorful insults.

0:21:32.920 --> 0:21:36.040
<v Speaker 1>I thought about their older siblings and their parents. The

0:21:36.080 --> 0:21:39.240
<v Speaker 1>Internet was still relatively young then, but maybe they'd seen

0:21:39.280 --> 0:21:42.280
<v Speaker 1>the words on some forum or in a comment section.

0:21:43.080 --> 0:21:46.400
<v Speaker 1>Were these kids just products of their environment or had

0:21:46.400 --> 0:21:49.560
<v Speaker 1>they made an active decision to be mean? And if

0:21:49.560 --> 0:21:53.200
<v Speaker 1>they were just parrotying others, did that even matter? Did

0:21:53.200 --> 0:21:56.080
<v Speaker 1>it make it better? It didn't change all that much

0:21:56.119 --> 0:22:00.320
<v Speaker 1>from my point of view. These invasive contemplations provide, and me,

0:22:00.600 --> 0:22:03.600
<v Speaker 1>in scores of other black and brown kids, a regrettable

0:22:03.640 --> 0:22:07.600
<v Speaker 1>early path to understanding nuance, to look at a situation

0:22:07.800 --> 0:22:12.439
<v Speaker 1>and understand its context as a child, to think in

0:22:12.480 --> 0:22:15.600
<v Speaker 1>the face of a hurtful encounter that there was something

0:22:15.920 --> 0:22:19.440
<v Speaker 1>more under the surface of it. Far too soon in life,

0:22:19.600 --> 0:22:23.160
<v Speaker 1>I and others like me developed sixth sense that many

0:22:23.160 --> 0:22:26.520
<v Speaker 1>people don't ever have to develop. How did we get

0:22:26.520 --> 0:22:30.000
<v Speaker 1>to this moment? Growing up as a black or brown

0:22:30.080 --> 0:22:33.320
<v Speaker 1>kid requires a level of hyper awareness, and at a

0:22:33.359 --> 0:22:36.119
<v Speaker 1>time when we should be chiefly concerned with whether the

0:22:36.200 --> 0:22:39.280
<v Speaker 1>main characters and power Rangers will defeat the latest alien

0:22:39.359 --> 0:22:43.600
<v Speaker 1>sludge monster in the next episode, they will In the

0:22:43.600 --> 0:22:46.720
<v Speaker 1>Western world, we have to navigate societies that see us

0:22:46.760 --> 0:22:50.119
<v Speaker 1>as others, while also appealing to the sensibilities of the

0:22:50.200 --> 0:22:53.960
<v Speaker 1>systems ruling those societies. This was a burden on me

0:22:54.359 --> 0:22:57.600
<v Speaker 1>in the breezy innocence that defined much of my adolescence

0:22:58.040 --> 0:23:02.400
<v Speaker 1>was replaced, in part by a pinching sense of consciousness.

0:23:03.240 --> 0:23:06.359
<v Speaker 1>In this way, critical thinking wasn't just an academic skill

0:23:06.520 --> 0:23:09.760
<v Speaker 1>learned over the course of a boring semester in middle school.

0:23:10.200 --> 0:23:13.119
<v Speaker 1>It became a tool for walking through a world riddled

0:23:13.160 --> 0:23:14.520
<v Speaker 1>with implicit bias.

0:23:16.760 --> 0:23:22.719
<v Speaker 3>Wow, I just think you summarize that so Like I

0:23:22.800 --> 0:23:26.159
<v Speaker 3>was literally the week before I read this talking to

0:23:26.200 --> 0:23:27.159
<v Speaker 3>my therapist about this.

0:23:27.200 --> 0:23:27.920
<v Speaker 4>I was like, I.

0:23:27.840 --> 0:23:31.399
<v Speaker 3>Feel like I overanalyzed everything people say, like I'm super

0:23:31.440 --> 0:23:33.640
<v Speaker 3>aware like social cues, and like I don't know where

0:23:33.640 --> 0:23:34.160
<v Speaker 3>that comes from.

0:23:34.320 --> 0:23:35.440
<v Speaker 4>Yeah, And then I read that.

0:23:35.359 --> 0:23:39.520
<v Speaker 1>Chap You're get a refund money.

0:23:43.080 --> 0:23:45.480
<v Speaker 3>But is this feeling that you you talk about of

0:23:45.600 --> 0:23:48.200
<v Speaker 3>just like as a kid even and you know your

0:23:48.240 --> 0:23:49.960
<v Speaker 3>parents talk to you a lot as a kid too,

0:23:50.000 --> 0:23:52.280
<v Speaker 3>as a black kid, of being just like, hey, when

0:23:52.320 --> 0:23:56.240
<v Speaker 3>you're in public areas, you need to be aware, yes, hinting,

0:23:56.440 --> 0:24:00.160
<v Speaker 3>and aware of how what people are doing around you.

0:23:59.840 --> 0:24:01.800
<v Speaker 4>I think you just summarized that just like.

0:24:02.480 --> 0:24:06.120
<v Speaker 1>Really yeah, And of course you know, other people, other races,

0:24:06.160 --> 0:24:09.919
<v Speaker 1>demographics go through other things that might make them do

0:24:10.040 --> 0:24:12.240
<v Speaker 1>the same thing earlier than they should be. But I

0:24:12.240 --> 0:24:15.880
<v Speaker 1>think that's really what what struck me about that time,

0:24:15.960 --> 0:24:19.720
<v Speaker 1>the early two thousands, us growing up, us being in

0:24:19.760 --> 0:24:22.920
<v Speaker 1>our most formative years in the early two thousands.

0:24:24.240 --> 0:24:29.320
<v Speaker 4>Yeah, hm a right now, any thought? Yeah, yeah, as

0:24:29.320 --> 0:24:30.040
<v Speaker 4>a white boy.

0:24:29.880 --> 0:24:32.399
<v Speaker 1>And what were you bullying? I did under Connecticut?

0:24:32.480 --> 0:24:34.680
<v Speaker 5>I did underline And then I think in the next

0:24:34.680 --> 0:24:36.600
<v Speaker 5>paragraph you talk about you know, it's like most of

0:24:36.640 --> 0:24:39.720
<v Speaker 5>your peers who you know, didn't just approach the world

0:24:39.720 --> 0:24:42.679
<v Speaker 5>with a trust in institutions, And it's like, yeah, yeah,

0:24:42.720 --> 0:24:44.440
<v Speaker 5>like that did come much later where it's like, oh

0:24:44.520 --> 0:24:46.600
<v Speaker 5>maybe you know, or even just what you're explaining with

0:24:46.880 --> 0:24:52.000
<v Speaker 5>getting explained why not eleven happened? It's like, yeah, there's

0:24:52.000 --> 0:24:58.040
<v Speaker 5>a logic to it. Yeah, So that was nothing else

0:24:58.040 --> 0:24:58.439
<v Speaker 5>to say there.

0:24:59.119 --> 0:24:59.960
<v Speaker 1>That's good, that's good.

0:25:00.040 --> 0:25:02.880
<v Speaker 3>Well, Gas, you learned now, yeah, yeah, yeah, I learned

0:25:02.880 --> 0:25:03.520
<v Speaker 3>this last week.

0:25:06.760 --> 0:25:07.760
<v Speaker 4>Should we go to my chapter?

0:25:07.880 --> 0:25:10.280
<v Speaker 5>Yeah, I'm realizing the favorite trap because I picked well,

0:25:10.400 --> 0:25:12.439
<v Speaker 5>I give you an option for which one we discussed.

0:25:12.480 --> 0:25:13.880
<v Speaker 5>But I'm realizing it makes it look like we only

0:25:13.880 --> 0:25:16.320
<v Speaker 5>read the first three chapters because minus the one minus

0:25:16.400 --> 0:25:19.240
<v Speaker 5>chapter three, okay, And it's called how to Grow a

0:25:19.280 --> 0:25:23.480
<v Speaker 5>Lemon Tree. Takes place during twenty twenty, and do you

0:25:23.480 --> 0:25:27.920
<v Speaker 5>want to explain a little bit about Yeah.

0:25:27.200 --> 0:25:29.000
<v Speaker 1>At the beginning, I don't know if it manuals here,

0:25:29.000 --> 0:25:33.080
<v Speaker 1>but at the beginning of the pandemic, my one of

0:25:33.080 --> 0:25:37.440
<v Speaker 1>my best friends and roommate at the time, like temporarily

0:25:37.480 --> 0:25:39.919
<v Speaker 1>moved to d C to be with his partner at

0:25:39.960 --> 0:25:42.359
<v Speaker 1>the time. And then a couple of days later, he

0:25:42.400 --> 0:25:45.359
<v Speaker 1>got this big package that was a lemon tree. And

0:25:45.400 --> 0:25:49.000
<v Speaker 1>he was that package, you don't know, like as tall

0:25:49.040 --> 0:25:51.200
<v Speaker 1>as me. I think it was like a six feet

0:25:51.400 --> 0:25:59.800
<v Speaker 1>a six eight package. Yeah, muscular package. Yeah. And and

0:26:00.400 --> 0:26:02.040
<v Speaker 1>you know he called me the next day and he's like,

0:26:02.160 --> 0:26:03.960
<v Speaker 1>I'm so sorry I forgot to tell you about this,

0:26:04.040 --> 0:26:05.600
<v Speaker 1>but I need you to take care of this lemon

0:26:05.640 --> 0:26:08.600
<v Speaker 1>tree until I get back. And it was right at

0:26:08.640 --> 0:26:13.560
<v Speaker 1>the kind of the most unhinged part of the pandemic.

0:26:13.640 --> 0:26:16.959
<v Speaker 1>It was like that April or May when we're like

0:26:17.040 --> 0:26:21.199
<v Speaker 1>stuck inside and like everything's closed, and uh, yeah, the

0:26:21.280 --> 0:26:23.879
<v Speaker 1>chapter is about me literally growing the lemon tree and

0:26:23.960 --> 0:26:25.800
<v Speaker 1>just what it taught me about myself.

0:26:26.960 --> 0:26:28.440
<v Speaker 5>I think you did a great job of kind of

0:26:28.480 --> 0:26:30.719
<v Speaker 5>revisiting this time. I feel like we're only kind of

0:26:30.760 --> 0:26:32.760
<v Speaker 5>just at the point where people are able to kind

0:26:32.760 --> 0:26:36.240
<v Speaker 5>of reflect on this, you know, maybe more cool calm

0:26:36.240 --> 0:26:39.760
<v Speaker 5>collected way with some distance, but it seems like everyone

0:26:39.800 --> 0:26:41.680
<v Speaker 5>kind of has their own you know, lemon tree, Devin,

0:26:41.680 --> 0:26:43.159
<v Speaker 5>did you have a lemon.

0:26:42.880 --> 0:26:47.280
<v Speaker 4>Tree still with you?

0:26:47.359 --> 0:26:47.560
<v Speaker 7>Yeah?

0:26:48.280 --> 0:26:52.000
<v Speaker 4>He made it through. But yeah, we're similar to Manny.

0:26:52.000 --> 0:26:53.359
<v Speaker 3>It was a similar sort of thing of just like

0:26:53.400 --> 0:26:55.320
<v Speaker 3>I need to put my energy into something if I'm

0:26:55.320 --> 0:26:56.399
<v Speaker 3>going to be stuck in a house.

0:26:56.640 --> 0:26:59.240
<v Speaker 4>Yeah, it's like I don't know the dog.

0:26:59.440 --> 0:27:01.639
<v Speaker 1>A lot of peopleur sourdough breads.

0:27:01.720 --> 0:27:04.760
<v Speaker 5>Yeah, sour dough. I tried relearning saxophone for the first

0:27:04.760 --> 0:27:05.680
<v Speaker 5>time in twenty years.

0:27:05.720 --> 0:27:08.800
<v Speaker 1>Oh wow, lasted about I tried it, like based it for.

0:27:08.720 --> 0:27:10.040
<v Speaker 5>Two days, and I was like, all right, this is

0:27:10.040 --> 0:27:13.560
<v Speaker 5>pretty hard, but maybe now a few years of past,

0:27:13.600 --> 0:27:15.399
<v Speaker 5>maybe I'll try to get give me a shot.

0:27:15.520 --> 0:27:18.200
<v Speaker 3>I did play the Sims for like a week because

0:27:18.200 --> 0:27:19.439
<v Speaker 3>I used to play that a lot as a kid,

0:27:19.440 --> 0:27:20.560
<v Speaker 3>and I was like, maybe I'll get back in the

0:27:20.640 --> 0:27:21.160
<v Speaker 3>video games.

0:27:21.240 --> 0:27:25.560
<v Speaker 1>Yeah, I'm gaming, whether there's a pandemic or not that

0:27:25.680 --> 0:27:26.280
<v Speaker 1>wasn't for me.

0:27:27.880 --> 0:27:28.400
<v Speaker 4>And the chapter.

0:27:28.400 --> 0:27:29.760
<v Speaker 5>I think the chapter is a great job because you

0:27:29.760 --> 0:27:34.320
<v Speaker 5>reflect on kind of this. You know, everyone's alone together

0:27:34.359 --> 0:27:37.520
<v Speaker 5>in this right their own ways. And then I like,

0:27:37.600 --> 0:27:40.959
<v Speaker 5>kind of you're talking to your roommate distantly as he's

0:27:41.040 --> 0:27:43.119
<v Speaker 5>kind of coaching through how to grow this lemon tree,

0:27:43.160 --> 0:27:45.840
<v Speaker 5>and he's, you know, and this is true to what

0:27:45.880 --> 0:27:47.600
<v Speaker 5>I know of him in real life. He's quite you know,

0:27:47.640 --> 0:27:49.679
<v Speaker 5>wise and sage, and it's like he's kind of this

0:27:49.880 --> 0:27:52.480
<v Speaker 5>like omnipresent person you're reaching out to.

0:27:52.560 --> 0:27:54.960
<v Speaker 1>For advice throughout this, which is nice. It was almost

0:27:54.960 --> 0:27:56.880
<v Speaker 1>it was felt like praying and word yeah.

0:27:56.920 --> 0:27:59.280
<v Speaker 5>And it's like I like, how do I pollinate this thing?

0:27:59.720 --> 0:27:59.879
<v Speaker 6>You know?

0:28:00.040 --> 0:28:01.399
<v Speaker 5>And he's like it's okay, Like you can do it,

0:28:01.400 --> 0:28:02.960
<v Speaker 5>Like you got this, like he's just like a voice

0:28:02.960 --> 0:28:05.520
<v Speaker 5>in your head and not like a real person. And

0:28:05.560 --> 0:28:07.520
<v Speaker 5>then you do, you know, you go through stuff by

0:28:07.520 --> 0:28:09.080
<v Speaker 5>step how to do this, and then you'll get to

0:28:09.119 --> 0:28:12.919
<v Speaker 5>a pretty sensual scene where you're pollinating this tree. We

0:28:12.920 --> 0:28:15.480
<v Speaker 5>don't need to get into the details, but I would

0:28:15.520 --> 0:28:17.280
<v Speaker 5>like to know kind of how what was your process

0:28:17.320 --> 0:28:18.159
<v Speaker 5>like actually writing that?

0:28:18.720 --> 0:28:19.480
<v Speaker 4>How did you approach.

0:28:19.800 --> 0:28:20.920
<v Speaker 5>Yeah, intimacy.

0:28:21.040 --> 0:28:24.040
<v Speaker 1>Noah's referring to that. You know, you grow the tree

0:28:24.080 --> 0:28:27.960
<v Speaker 1>to a point where it needs to be pollinated. Now

0:28:28.240 --> 0:28:30.679
<v Speaker 1>like out in the wild or on a farm or whatever,

0:28:30.760 --> 0:28:34.680
<v Speaker 1>that that happens naturally, like bees will come and take

0:28:34.880 --> 0:28:36.840
<v Speaker 1>some parts from some part of the plant and put

0:28:36.840 --> 0:28:38.560
<v Speaker 1>it on the other part of the plant. But am

0:28:38.600 --> 0:28:42.320
<v Speaker 1>my bedsty apartment. I had to do that by myself,

0:28:42.560 --> 0:28:46.080
<v Speaker 1>and so it involves like kind of using your hands

0:28:46.120 --> 0:28:48.920
<v Speaker 1>and in a way that I thought would be fun

0:28:48.920 --> 0:28:51.960
<v Speaker 1>to write about, like as a young adult novel, Like

0:28:52.520 --> 0:28:55.000
<v Speaker 1>I just take like a quick pivot into one of

0:28:55.040 --> 0:28:58.160
<v Speaker 1>those like fake Harry Potter books where it's about that

0:28:59.040 --> 0:29:04.360
<v Speaker 1>the fan fictions. Yeah and so yeah exactly, but for

0:29:04.440 --> 0:29:08.800
<v Speaker 1>like five sentences and yeah, I just thought it would

0:29:08.800 --> 0:29:11.680
<v Speaker 1>be a cool kind of writing exercise to you know,

0:29:12.040 --> 0:29:13.560
<v Speaker 1>quickly visit that type of writing.

0:29:13.800 --> 0:29:15.560
<v Speaker 5>I'd love to see the kind of Google doc with

0:29:15.600 --> 0:29:18.160
<v Speaker 5>all the revisions, because it was there ever a time

0:29:18.160 --> 0:29:20.320
<v Speaker 5>when it was a little racier and then you pulled

0:29:20.320 --> 0:29:20.640
<v Speaker 5>it back.

0:29:21.640 --> 0:29:22.200
<v Speaker 1>It was there, was it?

0:29:22.320 --> 0:29:22.400
<v Speaker 7>No?

0:29:22.520 --> 0:29:25.479
<v Speaker 1>It started off tamer? Yeah, edits was like, if you're

0:29:25.520 --> 0:29:27.120
<v Speaker 1>gonna do that, we're gonna try to sell some books.

0:29:27.240 --> 0:29:31.160
<v Speaker 5>Yeah, HBO is not buying this one. Yeah, okay, that

0:29:31.200 --> 0:29:33.600
<v Speaker 5>makes sense, I get. I guess more on just the

0:29:33.720 --> 0:29:36.840
<v Speaker 5>overall kind of COVID point, like how did you approach

0:29:37.160 --> 0:29:40.520
<v Speaker 5>actually tackling this time where it's like all right, Like,

0:29:40.760 --> 0:29:42.800
<v Speaker 5>how'd you feel about kind of revisiting that.

0:29:42.880 --> 0:29:46.320
<v Speaker 1>Yeah, it's weird. I mean we there are, like we've

0:29:46.360 --> 0:29:48.080
<v Speaker 1>had a couple of movies that have attempted to do

0:29:48.120 --> 0:29:50.880
<v Speaker 1>that since I wrote this, and like it's just impossible,

0:29:50.920 --> 0:29:53.360
<v Speaker 1>Like I think you can't really do it. It was such

0:29:53.360 --> 0:29:57.760
<v Speaker 1>a surreal moment, especially in a bigger metropolitan city like

0:29:57.800 --> 0:29:59.360
<v Speaker 1>New York. I know there are other parts of the

0:29:59.360 --> 0:30:03.120
<v Speaker 1>country that like barely changed the way they lived, but

0:30:03.600 --> 0:30:07.520
<v Speaker 1>it's just such a stark like a time that feels

0:30:07.520 --> 0:30:09.960
<v Speaker 1>like it was one hundred years ago. Sometimes it feels

0:30:10.000 --> 0:30:12.800
<v Speaker 1>like it was yesterday. And so I thought the best

0:30:12.800 --> 0:30:15.680
<v Speaker 1>way I could kind of process it was literally go

0:30:15.800 --> 0:30:18.440
<v Speaker 1>through what I was doing and trying to figure out

0:30:18.480 --> 0:30:20.920
<v Speaker 1>if I could like extract any meaning from it, and

0:30:20.960 --> 0:30:23.480
<v Speaker 1>so that I'm actually, really, as I write in the chapter,

0:30:24.000 --> 0:30:27.520
<v Speaker 1>so happy that the lemon tree was there. In retrospect,

0:30:27.560 --> 0:30:33.760
<v Speaker 1>there's a moment before the lemonry arrived where Emmanuel called

0:30:33.800 --> 0:30:38.080
<v Speaker 1>me because I had posted something on Instagram that was like,

0:30:38.360 --> 0:30:41.960
<v Speaker 1>I was like trying to teach people how Cleopatra used

0:30:41.960 --> 0:30:43.160
<v Speaker 1>to bathe in milk.

0:30:43.400 --> 0:30:45.760
<v Speaker 4>Okay, where you're really trying to teach people.

0:30:46.040 --> 0:30:49.840
<v Speaker 1>You teach, that's probably twenty percent of it. Yeah, And

0:30:49.880 --> 0:30:52.960
<v Speaker 1>so I posted like this step by step process and

0:30:53.080 --> 0:30:54.560
<v Speaker 1>I thought it was cool and funny. And then he

0:30:54.600 --> 0:30:56.920
<v Speaker 1>called me and he was like, is everything okay over there?

0:30:58.120 --> 0:31:00.400
<v Speaker 1>And so then the lemon tree came out kind of

0:31:00.400 --> 0:31:02.400
<v Speaker 1>the perfect time for me to like focus on something

0:31:02.440 --> 0:31:09.160
<v Speaker 1>real and tangible until it bore fruit. Eventually it's beautiful.

0:31:09.440 --> 0:31:12.360
<v Speaker 4>How many how many you say, how many cups of lemonade? Yeah?

0:31:12.440 --> 0:31:15.760
<v Speaker 1>I actually the amount I knew about like lemon trees

0:31:15.880 --> 0:31:18.920
<v Speaker 1>or just I mean, any plants in general was really embarrassing.

0:31:18.920 --> 0:31:21.880
<v Speaker 1>At the time, I kind of thought that it would have,

0:31:22.040 --> 0:31:24.960
<v Speaker 1>you know, twenty thirty lemons coming out of it, but

0:31:25.000 --> 0:31:27.960
<v Speaker 1>it was three, I think three, three or three or four.

0:31:28.120 --> 0:31:30.920
<v Speaker 1>We squeezed them out to like two glasses of lemonade

0:31:31.040 --> 0:31:33.320
<v Speaker 1>and that took eight months. It just gave me, It

0:31:33.760 --> 0:31:37.840
<v Speaker 1>gave me such respect for the farming All the farmers

0:31:38.120 --> 0:31:41.680
<v Speaker 1>farming community are great farmers. Yeah, have you continued?

0:31:41.760 --> 0:31:43.280
<v Speaker 5>Have you continued to farm?

0:31:43.640 --> 0:31:46.120
<v Speaker 1>I have not farmed since then, but the lemon tree

0:31:46.400 --> 0:31:49.760
<v Speaker 1>does live at Emanual's apartment. It's looking much better under

0:31:49.760 --> 0:31:50.120
<v Speaker 1>his care.

0:31:50.440 --> 0:31:50.600
<v Speaker 8>Good.

0:31:50.680 --> 0:31:52.400
<v Speaker 5>Yeah, Okay, I'm glad to hear.

0:31:52.320 --> 0:31:55.600
<v Speaker 4>That you have plants. I'm a plant.

0:31:56.200 --> 0:31:57.800
<v Speaker 1>What are we working with?

0:31:58.840 --> 0:31:59.680
<v Speaker 4>I love at those?

0:32:00.120 --> 0:32:02.080
<v Speaker 1>Okay, you know that's everyone's got those.

0:32:02.200 --> 0:32:03.000
<v Speaker 4>I mean they're easy.

0:32:03.600 --> 0:32:06.120
<v Speaker 3>I actually have I have an app for my plants

0:32:06.160 --> 0:32:07.360
<v Speaker 3>that tells me when to water them.

0:32:07.680 --> 0:32:10.560
<v Speaker 1>Oh what do you take a picture and.

0:32:09.760 --> 0:32:11.920
<v Speaker 3>You just put what plant you got where it's why

0:32:11.960 --> 0:32:12.840
<v Speaker 3>are we talking about this here?

0:32:13.280 --> 0:32:15.680
<v Speaker 4>Where it is in your apartment? Curious?

0:32:15.720 --> 0:32:17.960
<v Speaker 3>And then it tells you when to fertilize it, yeah,

0:32:18.200 --> 0:32:20.680
<v Speaker 3>when to water it, yeah, when to repot it, which

0:32:20.720 --> 0:32:21.160
<v Speaker 3>I never do.

0:32:21.360 --> 0:32:21.719
<v Speaker 9>Mmm.

0:32:22.360 --> 0:32:24.000
<v Speaker 1>My snake plant is going through that right.

0:32:24.080 --> 0:32:24.280
<v Speaker 4>Yeah.

0:32:24.320 --> 0:32:26.480
<v Speaker 1>I also buy plants that are you basically don't have

0:32:26.560 --> 0:32:29.640
<v Speaker 1>to take care of. Yeah, but somehow they still get.

0:32:29.560 --> 0:32:33.560
<v Speaker 4>That underwortered and over water yeah yeah yeah, yeah.

0:32:33.600 --> 0:32:35.600
<v Speaker 1>Anyway, curious.

0:32:38.960 --> 0:32:40.160
<v Speaker 4>Plant habits.

0:32:41.320 --> 0:32:45.080
<v Speaker 3>Just more general many what what were was there anything

0:32:45.120 --> 0:32:46.840
<v Speaker 3>that was cut? Any essays that you had in here

0:32:46.960 --> 0:32:48.080
<v Speaker 3>before it and you were yeah?

0:32:48.240 --> 0:32:52.640
<v Speaker 1>Actually it so originally it was ten kind of like

0:32:52.720 --> 0:32:55.800
<v Speaker 1>more writerly essays which are still in the book.

0:32:56.320 --> 0:32:56.520
<v Speaker 7>Uh.

0:32:56.560 --> 0:32:59.120
<v Speaker 1>And then there was some more kind of creative like writing.

0:32:59.160 --> 0:33:03.160
<v Speaker 1>There was short story worries. Yeah, mostly just short stories.

0:33:04.440 --> 0:33:04.680
<v Speaker 4>Yeah.

0:33:04.720 --> 0:33:07.000
<v Speaker 1>Fiction There was like I was gonna do like an

0:33:07.360 --> 0:33:10.280
<v Speaker 1>excerpt of a screenplay I had, but then we I

0:33:10.320 --> 0:33:12.160
<v Speaker 1>was reading through it and I just I was like, Okay,

0:33:12.160 --> 0:33:13.680
<v Speaker 1>this is going to take a whole other two years

0:33:13.680 --> 0:33:16.480
<v Speaker 1>if I had at the pace that I'm writing this at,

0:33:16.520 --> 0:33:19.680
<v Speaker 1>which is very slowly. Uh So we decided to kind

0:33:19.720 --> 0:33:21.840
<v Speaker 1>of condense things and make it just the essays.

0:33:22.520 --> 0:33:25.160
<v Speaker 4>But yeah, I think that was a solid choice.

0:33:25.160 --> 0:33:30.280
<v Speaker 3>But yeah, I was telling her yesterday, this is a

0:33:30.360 --> 0:33:30.880
<v Speaker 3>type book.

0:33:31.200 --> 0:33:34.360
<v Speaker 1>Honestly, she deserves like a co author and credit. She

0:33:34.440 --> 0:33:35.600
<v Speaker 1>saved you guys from There's.

0:33:35.360 --> 0:33:36.479
<v Speaker 4>Not a waste of shigne in it.

0:33:36.480 --> 0:33:40.200
<v Speaker 3>It's just like everything feels necessary because wow, usually.

0:33:39.920 --> 0:33:44.840
<v Speaker 5>When wanted off the dome, we're getting paid very well

0:33:44.880 --> 0:33:45.120
<v Speaker 5>for this.

0:33:46.320 --> 0:33:47.840
<v Speaker 4>It's one hundred dollars per.

0:33:49.440 --> 0:33:51.720
<v Speaker 3>Uh No, no, I feel like usually but yeah, you

0:33:51.720 --> 0:33:53.520
<v Speaker 3>get a book of essays, there usually like two or

0:33:53.560 --> 0:33:56.040
<v Speaker 3>three that you're like, all right, they need to fill

0:33:56.160 --> 0:33:56.960
<v Speaker 3>some pages here.

0:33:57.120 --> 0:33:59.880
<v Speaker 1>Yeah, I did feel I felt strongly that it should

0:33:59.880 --> 0:34:01.880
<v Speaker 1>be a pretty quick light read.

0:34:02.040 --> 0:34:02.280
<v Speaker 4>Yeah.

0:34:02.320 --> 0:34:07.200
<v Speaker 1>I keep telling people because that's what I liked two hours.

0:34:08.080 --> 0:34:10.920
<v Speaker 4>If you haven't bought it yet, exactly, it's very quick.

0:34:10.960 --> 0:34:11.160
<v Speaker 7>You know.

0:34:11.880 --> 0:34:14.839
<v Speaker 4>We got it but a week or so ago, yeah,

0:34:15.120 --> 0:34:15.720
<v Speaker 4>last weekend.

0:34:15.960 --> 0:34:21.400
<v Speaker 1>Yeah. Yeah, and it was I mean I signed the

0:34:21.600 --> 0:34:25.080
<v Speaker 1>deal to write the book like almost three years ago,

0:34:26.400 --> 0:34:29.440
<v Speaker 1>and then, you know, topical to the title, I was

0:34:30.000 --> 0:34:33.960
<v Speaker 1>a year late and turning in the in the manuscript.

0:34:34.040 --> 0:34:37.000
<v Speaker 4>Yeah, I remember you talking about.

0:34:38.080 --> 0:34:40.160
<v Speaker 1>It was a whole year. But because like we were,

0:34:40.200 --> 0:34:42.359
<v Speaker 1>we were, you know, we were doing the podcast. I'm

0:34:42.400 --> 0:34:44.279
<v Speaker 1>going to blame it on.

0:34:47.680 --> 0:34:49.480
<v Speaker 4>Yeah, I remember you went to a cabin with me

0:34:49.560 --> 0:34:50.280
<v Speaker 4>at one point.

0:34:50.400 --> 0:34:52.520
<v Speaker 1>Yeah, I wrote probably half of a chapter up there.

0:34:53.480 --> 0:34:54.600
<v Speaker 1>We've got a lot of work done.

0:34:55.600 --> 0:34:57.840
<v Speaker 5>When when you first kind of sold the book, what

0:34:57.840 --> 0:35:01.239
<v Speaker 5>what did you have at that point? I Typically the

0:35:01.239 --> 0:35:02.759
<v Speaker 5>way it works is like, if you're going to do

0:35:02.880 --> 0:35:08.480
<v Speaker 5>a nonfiction, you can you propose like a publisher that

0:35:08.520 --> 0:35:11.200
<v Speaker 5>comes with like an overview, so you describe what the

0:35:11.200 --> 0:35:14.840
<v Speaker 5>book is, and then you typically include a few chapters.

0:35:15.960 --> 0:35:19.640
<v Speaker 5>If you want to sell a novel, it's much more

0:35:19.680 --> 0:35:22.160
<v Speaker 5>common to actually have to write the whole thing before

0:35:22.200 --> 0:35:24.960
<v Speaker 5>you propose it, which I'm kind of working on so

0:35:25.920 --> 0:35:26.560
<v Speaker 5>little tease.

0:35:29.480 --> 0:35:30.600
<v Speaker 1>Did you did you so?

0:35:30.640 --> 0:35:32.680
<v Speaker 5>Which of these did you have written first? I guess

0:35:32.719 --> 0:35:33.880
<v Speaker 5>this is my next question.

0:35:33.960 --> 0:35:38.120
<v Speaker 1>Great started. The first three chapters were the first one

0:35:38.680 --> 0:35:42.359
<v Speaker 1>Summer sixteen, which is a chapter trying to figure out

0:35:42.400 --> 0:35:45.839
<v Speaker 1>why we all missed that summer of twenty sixteen. It's good,

0:35:46.160 --> 0:35:50.080
<v Speaker 1>thank you. And the third one was the third one

0:35:50.080 --> 0:35:52.440
<v Speaker 1>was a chapter that didn't make it. So there's a

0:35:52.520 --> 0:35:55.040
<v Speaker 1>quick paragraph that you'd referred to in the first chapter

0:35:55.080 --> 0:35:58.520
<v Speaker 1>about the names of the slave ships that came to

0:35:58.560 --> 0:36:01.080
<v Speaker 1>the US. There was a whole chapter about like how

0:36:01.160 --> 0:36:04.400
<v Speaker 1>embarrassing some of those names are. It didn't end up

0:36:04.400 --> 0:36:06.920
<v Speaker 1>making the final cut, but it's a good paragraph.

0:36:06.960 --> 0:36:07.239
<v Speaker 4>Thank you.

0:36:07.320 --> 0:36:11.640
<v Speaker 1>Yeah, it makes a great paragraph.

0:36:11.680 --> 0:36:15.080
<v Speaker 4>What was the hardest essay for you to short? A crack?

0:36:17.280 --> 0:36:20.840
<v Speaker 1>Great? These are great questions, guys. Give it up for

0:36:20.920 --> 0:36:25.280
<v Speaker 1>knowing that. I think the hardest one. There's a chapter

0:36:25.320 --> 0:36:28.000
<v Speaker 1>in here called Ocarina of Time, which is a reference

0:36:28.040 --> 0:36:32.120
<v Speaker 1>to one of my favorite video games called The Legend

0:36:32.160 --> 0:36:35.320
<v Speaker 1>of Zelda Ocerna of Time, and the chapter is about

0:36:36.160 --> 0:36:39.720
<v Speaker 1>a near drowning incident I had when I was a kid.

0:36:39.800 --> 0:36:42.520
<v Speaker 4>Which is something I heard about obviously.

0:36:42.640 --> 0:36:44.080
<v Speaker 1>Yeah, I've told you. I've told you guys about this.

0:36:44.840 --> 0:36:46.720
<v Speaker 4>A lot more detail in the book, a lot more detail.

0:36:47.480 --> 0:36:51.000
<v Speaker 1>You learn how much closer to death I was, probably.

0:36:54.160 --> 0:36:56.759
<v Speaker 3>But now it made so much more sense more around

0:36:56.840 --> 0:36:58.880
<v Speaker 3>bodies of water, You're like, I need a life jacket.

0:36:58.880 --> 0:37:01.120
<v Speaker 4>I'm like, dude, like not getting into water. But now

0:37:01.200 --> 0:37:03.800
<v Speaker 4>that makes.

0:37:03.320 --> 0:37:05.520
<v Speaker 1>Yeah, it still affects me to this day, like big

0:37:05.560 --> 0:37:08.160
<v Speaker 1>bodies of water are just kind of like I have

0:37:08.160 --> 0:37:10.320
<v Speaker 1>a lot more respect for them after writing this chapter

0:37:10.520 --> 0:37:15.919
<v Speaker 1>and say that, yeah, yeah, exactly, Yeah, this is like metaphysical.

0:37:16.080 --> 0:37:17.080
<v Speaker 4>Yeah, this could be a movie.

0:37:17.120 --> 0:37:21.200
<v Speaker 1>It was, thank you, I'll pitch it. The chapter is

0:37:21.239 --> 0:37:25.520
<v Speaker 1>about that, and like there's a there's a mechanic in

0:37:25.600 --> 0:37:27.800
<v Speaker 1>the video game where you go back and forth in time,

0:37:28.239 --> 0:37:30.960
<v Speaker 1>and so it's about me trying to escape that moment.

0:37:31.760 --> 0:37:34.600
<v Speaker 1>But it was really hard to kind of nail because

0:37:34.760 --> 0:37:37.120
<v Speaker 1>the game itself, like the plot in the game is

0:37:37.200 --> 0:37:41.200
<v Speaker 1>quite confusing, and and then this exercise in and of

0:37:41.239 --> 0:37:44.160
<v Speaker 1>itself is kind of confusing, but hopefully it landed in

0:37:44.200 --> 0:37:44.759
<v Speaker 1>a place that.

0:37:44.880 --> 0:37:47.520
<v Speaker 4>Was making consumable video games.

0:37:47.560 --> 0:37:53.160
<v Speaker 5>So that chapter, yeah, it was in the.

0:37:53.200 --> 0:37:55.640
<v Speaker 1>Chapter as trying to save my life, but not really

0:37:55.680 --> 0:37:56.120
<v Speaker 1>doing it.

0:37:56.160 --> 0:38:00.120
<v Speaker 4>Well enough, raising your hands.

0:38:00.120 --> 0:38:02.560
<v Speaker 1>But we we obviously I'm here today. It worked out.

0:38:03.600 --> 0:38:07.920
<v Speaker 4>Yep, you made it, you made it. Yeah, what is

0:38:08.000 --> 0:38:09.200
<v Speaker 4>the movie there?

0:38:09.280 --> 0:38:11.919
<v Speaker 3>It's a doc where this guy, like a kid goes

0:38:11.960 --> 0:38:14.840
<v Speaker 3>missing and then a guy comes back and he pretends

0:38:14.840 --> 0:38:19.759
<v Speaker 3>to be that kid of the chameleon. No, no, all right,

0:38:20.040 --> 0:38:24.040
<v Speaker 3>well to be it reminded me of that, okay, for

0:38:24.040 --> 0:38:27.040
<v Speaker 3>like seven years, and then somebody was pretending to.

0:38:27.040 --> 0:38:29.600
<v Speaker 1>Be very similar. Okay, it's very similar. I'm gonna check

0:38:29.640 --> 0:38:30.280
<v Speaker 1>your chatter.

0:38:30.120 --> 0:38:30.840
<v Speaker 4>But it would be crazy.

0:38:30.840 --> 0:38:32.600
<v Speaker 5>What if this isn't Manny?

0:38:33.640 --> 0:38:35.680
<v Speaker 4>Who knows if this is the real Manny?

0:38:35.800 --> 0:38:39.880
<v Speaker 1>I just got chills, goose scared?

0:38:40.800 --> 0:38:43.839
<v Speaker 4>All right, should we do okay? Yeah, well we got

0:38:43.880 --> 0:38:44.440
<v Speaker 4>like ten minutes.

0:38:44.560 --> 0:38:46.359
<v Speaker 1>Oh well should I read first?

0:38:46.560 --> 0:38:48.239
<v Speaker 4>Yeah? Oh yeah, read last?

0:38:48.320 --> 0:38:49.160
<v Speaker 1>Okay, I'll read last.

0:38:49.640 --> 0:38:50.040
<v Speaker 4>Yeah.

0:38:50.200 --> 0:38:51.120
<v Speaker 1>Are there any questions?

0:38:51.120 --> 0:38:51.480
<v Speaker 4>Any question?

0:38:52.280 --> 0:38:53.280
<v Speaker 1>Come out here with the lights.

0:38:53.360 --> 0:38:55.360
<v Speaker 3>But I know you guys haven't read the book. So

0:38:55.400 --> 0:38:57.760
<v Speaker 3>if you don't have any questions, just keep asking more questions,

0:39:00.080 --> 0:39:02.399
<v Speaker 3>any questions? Yeah, you got a question.

0:39:02.600 --> 0:39:04.800
<v Speaker 1>I'm scared. I'm actually scared of Sarah's question.

0:39:05.360 --> 0:39:06.400
<v Speaker 7>I have two questions.

0:39:06.440 --> 0:39:09.239
<v Speaker 4>Okay, one question is the audiobook was great?

0:39:10.480 --> 0:39:14.160
<v Speaker 1>The narration Oh, it was really hard. Actually, I thought

0:39:14.239 --> 0:39:16.560
<v Speaker 1>I could walk in there. I mean I I yap

0:39:16.680 --> 0:39:18.920
<v Speaker 1>for a living, so I thought this would be easy.

0:39:19.000 --> 0:39:22.239
<v Speaker 1>But it was a grueling process. It took three sessions

0:39:22.719 --> 0:39:26.000
<v Speaker 1>and each session was like eight hours long. Yeah, so

0:39:26.239 --> 0:39:29.359
<v Speaker 1>thank you for reading the audiobook. Yes, and please read

0:39:29.400 --> 0:39:32.320
<v Speaker 1>the audio. Thank you for listening to the audiobook, I

0:39:32.320 --> 0:39:33.440
<v Speaker 1>should say, and.

0:39:33.320 --> 0:39:35.480
<v Speaker 6>For those of us that know you, we are dying

0:39:35.480 --> 0:39:37.720
<v Speaker 6>to know who Rihanna was in the book.

0:39:38.280 --> 0:39:40.719
<v Speaker 1>Oh interesting, there may be some people in the crowd

0:39:40.760 --> 0:39:42.800
<v Speaker 1>who knows who she is, but I'm not going to reveal.

0:39:43.200 --> 0:39:46.200
<v Speaker 1>I'm you know, this is a journalistic endeavor. I can't

0:39:46.440 --> 0:39:50.520
<v Speaker 1>I can't reveal my sources. Thank you.

0:39:51.680 --> 0:39:55.240
<v Speaker 4>Any other questions the audience, Oh no, I'm.

0:39:55.080 --> 0:39:57.320
<v Speaker 1>Only getting questions from people. I'm scared to get questions.

0:39:59.040 --> 0:40:00.000
<v Speaker 4>I have two questions.

0:40:00.160 --> 0:40:03.040
<v Speaker 9>Yeah, First is what was the hardest editing feedback that

0:40:03.120 --> 0:40:04.000
<v Speaker 9>you had to receive.

0:40:04.560 --> 0:40:08.120
<v Speaker 1>That's a really good question. You do get some feedback

0:40:08.160 --> 0:40:10.680
<v Speaker 1>that's like this kind of sucks. Cut this one out. Yeah,

0:40:11.120 --> 0:40:13.239
<v Speaker 1>you get like you get feedback that's like, I don't

0:40:13.280 --> 0:40:15.359
<v Speaker 1>know why this is in the chapter really, and if

0:40:15.360 --> 0:40:17.319
<v Speaker 1>you can't explain it, then it shouldn't be in here,

0:40:17.480 --> 0:40:20.040
<v Speaker 1>but it was really helpful for just the writing process

0:40:20.080 --> 0:40:20.560
<v Speaker 1>in general.

0:40:20.920 --> 0:40:22.400
<v Speaker 9>Was there one that you were like that was like

0:40:22.480 --> 0:40:24.920
<v Speaker 9>really tough, that you really didn't want to cut, but

0:40:24.960 --> 0:40:26.560
<v Speaker 9>that you at the end you realized it was the

0:40:26.640 --> 0:40:27.240
<v Speaker 9>right decision.

0:40:28.200 --> 0:40:31.520
<v Speaker 1>There were, Yeah, like once basically once we decided to

0:40:31.560 --> 0:40:33.960
<v Speaker 1>get rid of the kind of short story stuff, like

0:40:34.040 --> 0:40:37.080
<v Speaker 1>I had an attachment to those, but they'll come out

0:40:37.120 --> 0:40:39.040
<v Speaker 1>in some form sooner or later.

0:40:39.600 --> 0:40:39.920
<v Speaker 7>Okay.

0:40:39.920 --> 0:40:42.240
<v Speaker 9>My other question is that I had a writing teacher

0:40:42.280 --> 0:40:45.319
<v Speaker 9>once who was like, if you're afraid to write, you're

0:40:45.320 --> 0:40:46.480
<v Speaker 9>afraid of being alone.

0:40:47.000 --> 0:40:48.960
<v Speaker 1>If you're afraid to write, you're afraid of being alone.

0:40:48.960 --> 0:40:51.240
<v Speaker 9>I don't know if I agree with that, but either way,

0:40:52.000 --> 0:40:54.560
<v Speaker 9>was there times where you were like feeling fear of

0:40:54.640 --> 0:40:55.320
<v Speaker 9>like writing?

0:40:56.360 --> 0:40:59.880
<v Speaker 1>There is? Yeah, I mean there's there's fear of like

0:41:00.160 --> 0:41:04.120
<v Speaker 1>how people will receive the writing. Of course it's been

0:41:04.840 --> 0:41:07.720
<v Speaker 1>it's been great so far, thankfully, but what if it sucked.

0:41:07.760 --> 0:41:08.960
<v Speaker 1>I don't know how that's going to feel.

0:41:09.400 --> 0:41:12.680
<v Speaker 9>How do you get over like kind of like being

0:41:12.680 --> 0:41:15.319
<v Speaker 9>afraid to start writing and like just actually like okay,

0:41:15.440 --> 0:41:16.160
<v Speaker 9>let me just write.

0:41:16.280 --> 0:41:18.160
<v Speaker 1>Yeah, there's a huge like you always hear about the

0:41:18.160 --> 0:41:21.080
<v Speaker 1>writing bump, but it's so real, like it's it's a

0:41:21.160 --> 0:41:23.720
<v Speaker 1>huge challenge to figure out where to start an idea.

0:41:25.200 --> 0:41:28.719
<v Speaker 1>But yeah, honestly, sometimes I'll just go to like a

0:41:28.760 --> 0:41:33.200
<v Speaker 1>bar nearby and have a couple of beers and like nice,

0:41:33.360 --> 0:41:37.080
<v Speaker 1>did juices start flowing after that? Yeah, it's quite like

0:41:37.160 --> 0:41:41.680
<v Speaker 1>Hemingway esque. I think we've got some more questions.

0:41:43.760 --> 0:41:48.120
<v Speaker 8>Hello, many My question is about the concept of time.

0:41:48.280 --> 0:41:50.799
<v Speaker 8>When did that start to fully come together? Like when,

0:41:50.880 --> 0:41:53.319
<v Speaker 8>like when those essays start to all become the core

0:41:53.440 --> 0:41:55.880
<v Speaker 8>ten when. Yeah, I'm such a standout as like the

0:41:55.920 --> 0:41:57.000
<v Speaker 8>thing that you want to feel.

0:41:56.880 --> 0:41:59.320
<v Speaker 1>Great question. I mean, it's how I start, Like I

0:41:59.400 --> 0:42:03.839
<v Speaker 1>every idea came from that idea. For whatever reason, I've

0:42:03.880 --> 0:42:06.799
<v Speaker 1>always been fascinated about, like the passage of time, Like

0:42:06.960 --> 0:42:10.239
<v Speaker 1>all my favorite movies have the the time loop kind

0:42:10.280 --> 0:42:15.600
<v Speaker 1>of mechanic Christopher in Time with justin Timberlane. Yeah, Tenant,

0:42:16.120 --> 0:42:19.480
<v Speaker 1>that's a real deep cut Tenant of course. Yeah, so

0:42:19.520 --> 0:42:22.160
<v Speaker 1>there's like even back to the future like that, all

0:42:22.200 --> 0:42:26.279
<v Speaker 1>of these kind of looping scenarios I've always been really

0:42:26.360 --> 0:42:31.359
<v Speaker 1>fascinated by. And yeah, each chapter kind of deals with

0:42:32.160 --> 0:42:36.520
<v Speaker 1>that format in its own way, which I thought was

0:42:36.520 --> 0:42:39.920
<v Speaker 1>really which helped me write it. Like, there's so many

0:42:39.920 --> 0:42:43.920
<v Speaker 1>different ways you could approach different subjects. So thanks, thanks,

0:42:44.440 --> 0:42:45.120
<v Speaker 1>thank you, Jordan.

0:42:47.600 --> 0:42:50.719
<v Speaker 6>What's up man, Congratulations on the book. This is great,

0:42:51.880 --> 0:42:55.360
<v Speaker 6>and congratulations on this event. Really interesting and very entertaining.

0:42:56.200 --> 0:43:03.280
<v Speaker 6>So so you've explained the first part of the title,

0:43:03.600 --> 0:43:06.880
<v Speaker 6>Colored People Time, which makes a lot of sense, but

0:43:06.960 --> 0:43:09.480
<v Speaker 6>you haven't explained the second part, which is a case

0:43:09.560 --> 0:43:14.400
<v Speaker 6>for in quotation works casual in parentheses, casual rebellion.

0:43:14.719 --> 0:43:17.160
<v Speaker 4>What's the what does that mean?

0:43:17.239 --> 0:43:19.160
<v Speaker 6>And why the casual?

0:43:19.400 --> 0:43:22.160
<v Speaker 1>It's a part. It's a great question. It's also a

0:43:22.160 --> 0:43:25.000
<v Speaker 1>great segue into the reading. I'm gonna end up doing

0:43:25.840 --> 0:43:28.840
<v Speaker 1>the subtitle. Both the title and the subtitle refer to

0:43:29.920 --> 0:43:33.160
<v Speaker 1>just one of the chapters. Actually it's not titular because

0:43:33.160 --> 0:43:34.720
<v Speaker 1>it doesn't have the same name, but it's the chapter

0:43:34.800 --> 0:43:37.359
<v Speaker 1>that's kind of best represents of the book, I think,

0:43:37.400 --> 0:43:42.719
<v Speaker 1>and it's called pro the procrastination reparation, and it's it's

0:43:42.840 --> 0:43:47.600
<v Speaker 1>essentially a sarcastic argument for a new kind of reparation

0:43:47.960 --> 0:43:51.759
<v Speaker 1>for black and brown people in the US, and that

0:43:51.880 --> 0:43:55.160
<v Speaker 1>reparation is just like being allowed to be late to things.

0:43:55.960 --> 0:43:59.320
<v Speaker 1>Uh So I write about like how that should be

0:43:59.360 --> 0:44:01.840
<v Speaker 1>like kind of a led lative thing that we should

0:44:01.880 --> 0:44:06.720
<v Speaker 1>pass from the Supreme Court. Basically, the idea being like, Okay,

0:44:06.960 --> 0:44:09.080
<v Speaker 1>if you know, I'm sure you run into this in

0:44:09.120 --> 0:44:12.440
<v Speaker 1>New York where you have a group dinner somewhere and

0:44:12.480 --> 0:44:15.000
<v Speaker 1>they won't see you until everyone in your party arrives.

0:44:15.040 --> 0:44:17.600
<v Speaker 1>And I argue that if the last person who isn't

0:44:17.600 --> 0:44:19.560
<v Speaker 1>there is a person of color, they should see you

0:44:20.040 --> 0:44:21.799
<v Speaker 1>until they show up. And so there's all these like

0:44:21.800 --> 0:44:24.760
<v Speaker 1>different kind of scenarios like that, and so the casual

0:44:24.840 --> 0:44:28.960
<v Speaker 1>rebellion is it's just kind of a reference to the argument,

0:44:29.520 --> 0:44:33.000
<v Speaker 1>the sarcastic argument. I'll say that I make in that

0:44:33.120 --> 0:44:36.319
<v Speaker 1>chapter that I'm about to read from, but we've got

0:44:36.360 --> 0:44:40.200
<v Speaker 1>one more question over here, and then I'll just reading.

0:44:43.239 --> 0:44:43.479
<v Speaker 7>Thanks.

0:44:43.520 --> 0:44:45.680
<v Speaker 4>I thought question time was over, but thank you.

0:44:48.120 --> 0:44:51.600
<v Speaker 9>I wanted to know how you knew when you were finished.

0:44:52.560 --> 0:44:57.520
<v Speaker 1>Wow, great question. Interesting. I did write it kind of

0:44:57.600 --> 0:45:01.600
<v Speaker 1>like the first chapter was the first one I wrote,

0:45:01.640 --> 0:45:03.319
<v Speaker 1>in the last chapter's last one I wrote, and then

0:45:03.320 --> 0:45:06.560
<v Speaker 1>everything in between was kind of out of order. But

0:45:06.640 --> 0:45:08.799
<v Speaker 1>I always knew the last chapter, which is the one

0:45:08.800 --> 0:45:12.520
<v Speaker 1>that's the most important to me, is about the country

0:45:12.640 --> 0:45:17.279
<v Speaker 1>that my family comes from Eritrea, and it's about like

0:45:17.440 --> 0:45:20.880
<v Speaker 1>how the country has progressed over the past three decades

0:45:21.000 --> 0:45:23.719
<v Speaker 1>or so. And I always knew that I wanted to

0:45:23.719 --> 0:45:27.120
<v Speaker 1>write that one to end the book. And so I

0:45:27.120 --> 0:45:29.480
<v Speaker 1>guess when I wrote the last sentence of that essay,

0:45:29.719 --> 0:45:32.720
<v Speaker 1>I knew I was done with the book. But good question.

0:45:33.000 --> 0:45:35.160
<v Speaker 1>We've got one more from my father.

0:45:41.920 --> 0:45:42.280
<v Speaker 6>Money.

0:45:44.320 --> 0:45:48.080
<v Speaker 7>I am so proud of your book. I read it twice.

0:45:48.480 --> 0:45:51.680
<v Speaker 1>Wow, thank you.

0:45:51.719 --> 0:45:58.799
<v Speaker 7>Now I went back to your second year in college. Man,

0:45:58.920 --> 0:46:02.640
<v Speaker 7>you have the a little bit of discussion. I want

0:46:02.719 --> 0:46:09.040
<v Speaker 7>you to go to science or engineering, but he said, no, no,

0:46:09.320 --> 0:46:13.000
<v Speaker 7>this is my my career. I want get involved to

0:46:14.520 --> 0:46:22.839
<v Speaker 7>the movie, editing or doing these stings. So while I'm

0:46:22.920 --> 0:46:27.680
<v Speaker 7>happy of your career, now do you do you still

0:46:27.800 --> 0:46:32.080
<v Speaker 7>get involved? Do you still plan to get involved into

0:46:32.800 --> 0:46:33.440
<v Speaker 7>a movie?

0:46:33.760 --> 0:46:36.640
<v Speaker 1>Wow? This is a great question. This is a good

0:46:36.760 --> 0:46:38.319
<v Speaker 1>question that.

0:46:38.560 --> 0:46:38.799
<v Speaker 6>Yeah.

0:46:38.920 --> 0:46:41.600
<v Speaker 1>So my passion kind of since I was a teenager,

0:46:41.719 --> 0:46:46.000
<v Speaker 1>has always been getting into the film industry. And uh,

0:46:46.080 --> 0:46:48.920
<v Speaker 1>I remember when I was trying to pick my college

0:46:49.160 --> 0:46:54.400
<v Speaker 1>uh degree. You know, it's quite common for immigrants to

0:46:54.560 --> 0:46:58.160
<v Speaker 1>want their kids to do something practical, obviously, uh, and

0:46:58.239 --> 0:47:00.200
<v Speaker 1>I wanted to do film and that was just kind

0:47:00.239 --> 0:47:03.240
<v Speaker 1>of a kind of a shaky concept for my parents.

0:47:03.360 --> 0:47:06.560
<v Speaker 1>So I had to do some convincing, uh. And then

0:47:06.680 --> 0:47:10.040
<v Speaker 1>eventually I did buy a plane ticket to Los Angeles

0:47:10.040 --> 0:47:12.360
<v Speaker 1>and I was gonna live with my friend, try to

0:47:12.400 --> 0:47:14.680
<v Speaker 1>get try to be a production assistant here and there.

0:47:14.719 --> 0:47:17.640
<v Speaker 1>But then eventually came to New York anyway and did

0:47:17.640 --> 0:47:20.520
<v Speaker 1>a journalism uh internship.

0:47:22.120 --> 0:47:23.840
<v Speaker 4>It seems like your brother may have had something to

0:47:23.880 --> 0:47:24.080
<v Speaker 4>do with it.

0:47:24.160 --> 0:47:26.399
<v Speaker 1>Yeah, my older brother actually sent me the I don't

0:47:26.400 --> 0:47:28.480
<v Speaker 1>even know if you remember this. You sent me a

0:47:28.560 --> 0:47:32.120
<v Speaker 1>link to the the Business Insider internship and I was like,

0:47:32.160 --> 0:47:35.320
<v Speaker 1>what is this? Then I applied on me. I applied

0:47:35.360 --> 0:47:37.480
<v Speaker 1>on a whim and then I was all of a sudden,

0:47:37.480 --> 0:47:39.880
<v Speaker 1>I was talking to Devin in an interview, talking to

0:47:40.040 --> 0:47:42.400
<v Speaker 1>Justin in an interview. Who's who's right behind my brother?

0:47:44.000 --> 0:47:49.040
<v Speaker 1>And But but to answer your question, I think I do. Yeah,

0:47:49.200 --> 0:47:52.120
<v Speaker 1>I still want to be involved in filmmaking in some way.

0:47:52.520 --> 0:47:55.359
<v Speaker 1>I no longer see it as like the number one

0:47:55.600 --> 0:47:58.640
<v Speaker 1>kind of uh way for me to make a living.

0:47:59.480 --> 0:48:03.040
<v Speaker 1>But yeah, I think if this becomes so successful that

0:48:03.080 --> 0:48:05.680
<v Speaker 1>we have time to go do other things, and I'll

0:48:05.680 --> 0:48:07.399
<v Speaker 1>make a short film or something.

0:48:07.160 --> 0:48:08.840
<v Speaker 4>They do want us to pivot to video.

0:48:08.960 --> 0:48:18.040
<v Speaker 1>So yeah, exactly, so video video production. I'm still very

0:48:18.040 --> 0:48:21.840
<v Speaker 1>heavily involved with that filmmaking. You know, I'll try in

0:48:21.880 --> 0:48:22.360
<v Speaker 1>the future.

0:48:22.560 --> 0:48:24.000
<v Speaker 4>Yeah, definitely write a screenplay.

0:48:24.120 --> 0:48:26.200
<v Speaker 1>Yeah, I've written some screenplays. They're not that good, but

0:48:26.280 --> 0:48:30.080
<v Speaker 1>we'll work on we'll get better. Yeah. All right, So

0:48:30.160 --> 0:48:33.640
<v Speaker 1>we'll just end this event with a reading from the

0:48:33.880 --> 0:48:39.480
<v Speaker 1>chapter I was mentioning earlier, called, uh, the Procrastination Reparation.

0:48:39.560 --> 0:48:42.879
<v Speaker 1>I'll just read the first couple pages. Now, let's see

0:48:42.920 --> 0:48:45.040
<v Speaker 1>if I can remember where in the book this is?

0:48:45.320 --> 0:48:47.359
<v Speaker 3>Yeah, say what page? For the audience with all their

0:48:47.360 --> 0:48:48.439
<v Speaker 3>books many so they turned.

0:48:48.960 --> 0:48:51.600
<v Speaker 1>Yeah, I'll find out here in a second. Okay, here

0:48:51.680 --> 0:48:54.480
<v Speaker 1>we go. This is page The page number is not

0:48:54.520 --> 0:49:00.760
<v Speaker 1>on the page. Okay, it's eighty three. When the Zulu

0:49:00.800 --> 0:49:04.680
<v Speaker 1>warriors of South Africa learned that British forces wanted to

0:49:04.719 --> 0:49:10.000
<v Speaker 1>capture their territories, they must have been pretty bummed. After all,

0:49:10.480 --> 0:49:14.560
<v Speaker 1>they were equipped mostly with shields and spears, and they

0:49:14.560 --> 0:49:18.120
<v Speaker 1>had heard of the weapons the British used, metallic beasts

0:49:18.160 --> 0:49:21.480
<v Speaker 1>that ejected death with a force so fast it couldn't

0:49:21.520 --> 0:49:25.280
<v Speaker 1>be seen. The warriors knew that when the rosy cheeked

0:49:25.320 --> 0:49:29.839
<v Speaker 1>British troops raised their arms that that invisible power would

0:49:29.840 --> 0:49:33.320
<v Speaker 1>strike them before it even made a sound. The idea

0:49:33.360 --> 0:49:37.160
<v Speaker 1>of resistance was silly, but the Zulu king felt otherwise,

0:49:37.400 --> 0:49:42.800
<v Speaker 1>so they prepared to fight. One specific Zulu regiment, which

0:49:42.840 --> 0:49:46.160
<v Speaker 1>for the purposes of this story will call Bravo Team,

0:49:46.520 --> 0:49:50.839
<v Speaker 1>was stationed some miles away from the impending battle, sequestered

0:49:50.880 --> 0:49:55.239
<v Speaker 1>at the mountain of Essendlwana. As a unit, they were

0:49:55.280 --> 0:49:58.440
<v Speaker 1>steadfast in their goal to defeat the British forces, but

0:49:58.600 --> 0:50:03.400
<v Speaker 1>individually they quivered barefoot. They marched for miles, and during

0:50:03.400 --> 0:50:06.000
<v Speaker 1>the long journey they thought about what the battle would

0:50:06.040 --> 0:50:10.880
<v Speaker 1>yield for their destinies. Would they die, If so, how

0:50:11.640 --> 0:50:17.319
<v Speaker 1>mutilation decapitation by bullet or by knife. Would they need

0:50:17.400 --> 0:50:20.040
<v Speaker 1>to drop their spears and come to their comrade's aid.

0:50:21.360 --> 0:50:24.480
<v Speaker 1>Some of them might draw their final breaths defending their friends.

0:50:25.400 --> 0:50:27.800
<v Speaker 1>Some of them could be tasked with flanking the enemy

0:50:27.840 --> 0:50:33.839
<v Speaker 1>in a suicide mission intended to divert attention. Meanwhile, explosions

0:50:33.880 --> 0:50:37.040
<v Speaker 1>of fire and dirt would riddle the hills. But maybe

0:50:37.080 --> 0:50:40.719
<v Speaker 1>Bravo Team, in the face of ostensible doom, would start

0:50:40.760 --> 0:50:44.520
<v Speaker 1>to see the momentum shift. Maybe whatever atrocities they faced

0:50:44.520 --> 0:50:47.640
<v Speaker 1>in battle would be worth it. A pile of their

0:50:47.680 --> 0:50:50.200
<v Speaker 1>bodies could be used as a backdrop in front of

0:50:50.239 --> 0:50:52.960
<v Speaker 1>which their king could announce the defeat of the British,

0:50:53.640 --> 0:50:56.959
<v Speaker 1>and that alone would be an honor. Maybe they'd die

0:50:57.000 --> 0:50:59.200
<v Speaker 1>by the time of the delivery of the victory speech,

0:50:59.480 --> 0:51:03.120
<v Speaker 1>but back in their hometowns and villages they would become heroes,

0:51:03.680 --> 0:51:08.399
<v Speaker 1>legends whose achievements were sung in annual celebrations. The thought

0:51:08.440 --> 0:51:12.600
<v Speaker 1>of this legacy was more than enough motivation to fuel them.

0:51:13.000 --> 0:51:16.440
<v Speaker 1>They marched across the final stretch to the battlefields, ready

0:51:16.440 --> 0:51:21.320
<v Speaker 1>for the inferno. But they were late as hell in

0:51:21.480 --> 0:51:25.040
<v Speaker 1>Alpha tem the comrades that had so nobly been tasked

0:51:25.040 --> 0:51:28.120
<v Speaker 1>with supporting them had not only already won the battle,

0:51:28.239 --> 0:51:32.319
<v Speaker 1>but had left the area entirely. Bravo teams morale was

0:51:32.360 --> 0:51:36.120
<v Speaker 1>completely deflated. They slowly made their way across the grounds,

0:51:36.239 --> 0:51:39.359
<v Speaker 1>walking around or over the scores of British soldiers who

0:51:39.360 --> 0:51:42.600
<v Speaker 1>were woefully unprepared for the might of the Zulu warriors.

0:51:43.239 --> 0:51:48.040
<v Speaker 1>Minus Bravo Team, the firm confines of punctuality robbed them

0:51:48.080 --> 0:51:51.280
<v Speaker 1>of their glory. But to be fair, they were alive.

0:51:52.600 --> 0:51:55.920
<v Speaker 1>The Zulus obviously didn't mean to be late. Things happened.

0:51:56.480 --> 0:51:58.960
<v Speaker 1>Maybe they got a bit lost along the way, scratching

0:51:59.000 --> 0:52:01.320
<v Speaker 1>their heads while trying to figure out which way was west?

0:52:01.920 --> 0:52:05.200
<v Speaker 1>Where does the sun set anyway? Maybe they broke out

0:52:05.280 --> 0:52:07.400
<v Speaker 1>into song during a break and needed to get to

0:52:07.440 --> 0:52:10.880
<v Speaker 1>the good part before continuing. Just wait until you hear

0:52:10.920 --> 0:52:13.560
<v Speaker 1>the chorus, one Bravo, Team Warrior must have said to another.

0:52:14.480 --> 0:52:17.160
<v Speaker 1>Or maybe they wanted to be a little wanted to

0:52:17.200 --> 0:52:20.880
<v Speaker 1>be a little late fashionably. So I never intend to

0:52:20.920 --> 0:52:23.040
<v Speaker 1>be late to a party, But when I am, I

0:52:23.160 --> 0:52:26.080
<v Speaker 1>like to imagine everyone twiddling their thumbs waiting for me

0:52:26.120 --> 0:52:31.040
<v Speaker 1>to enter and revitalize a move that isn't necessarily dull

0:52:31.440 --> 0:52:35.759
<v Speaker 1>but could be better. This categorically never happens, but I

0:52:35.840 --> 0:52:38.719
<v Speaker 1>like to imagine it does. It's okay to be late

0:52:38.719 --> 0:52:42.040
<v Speaker 1>to parties sometimes, but I am no Zulu warrior, and

0:52:42.160 --> 0:52:45.520
<v Speaker 1>neither are you, and I'll stop there. Yeah, thank you,

0:52:47.000 --> 0:52:51.279
<v Speaker 1>bar There's nothing better in our podcast saying something and

0:52:51.320 --> 0:52:58.719
<v Speaker 1>getting a mm a deep deep him. So I think

0:52:58.760 --> 0:53:01.960
<v Speaker 1>that's it for our show, is am I right? I

0:53:02.000 --> 0:53:04.960
<v Speaker 1>think I'm right? Yeah, thank you, thank you, thank you

0:53:05.000 --> 0:53:08.600
<v Speaker 1>everyone for coming. We've got a few more books that

0:53:08.920 --> 0:53:12.120
<v Speaker 1>uh that for sale if you haven't, if you haven't

0:53:12.120 --> 0:53:15.279
<v Speaker 1>grabbed one yet, and we do have a heart out

0:53:15.440 --> 0:53:19.760
<v Speaker 1>in this room at one thirty, so please so please

0:53:19.960 --> 0:53:24.960
<v Speaker 1>adhere to that timing and thanks for coming.