WEBVTT - QLS Classic: Kwamé (Part 1)

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<v Speaker 1>Of Course, Love Supreme is a production of iHeartRadio. This

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<v Speaker 1>classic episode was produced by the team at Pandora Ladies

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<v Speaker 1>and Gentlemen. This is part one of two.

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<v Speaker 2>Part QLs classic with the Man We All Know and

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<v Speaker 2>Love Kwame. One of those.

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<v Speaker 1>Bugged out illicit stories in classic hip hop. Every story

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<v Speaker 1>Kwame tells, I mean, he goes through it all man

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<v Speaker 1>has to be heard to be believed without further ado.

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<v Speaker 1>This is part one Kwame's interview on QLs from October third,

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<v Speaker 1>twenty eighteen.

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<v Speaker 3>Enjoy Supremo, Supremo, Ro Supremo, Supremo, Ro Suprema Supremo, Ro

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<v Speaker 3>Supremo Supremo. Roll call.

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<v Speaker 4>Yeah yeah, kitchen, Yeah, it was cool.

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<v Speaker 5>Supremo roll So Supremo.

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<v Speaker 3>Roll Call.

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<v Speaker 2>My name is Fante. Yeah, Joe texts I got you. Yeah,

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<v Speaker 2>my only question? Yeah, where's Tasha? Roll roll call Bremo.

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<v Speaker 2>Roll Call. My name is Sugar. Yeah, I'm a sweet thing.

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<v Speaker 2>Yeah like Hawaiian Punch, Yeah, kool aid or Tang Supremo,

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<v Speaker 2>roll So Son Supremo, roll call Unpaid Bill. Yeah, and

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<v Speaker 2>we've gone too far.

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<v Speaker 6>Yeah.

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<v Speaker 2>When quest love eats dinner, Yeah at an oatmeal.

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<v Speaker 5>But come Supremo roll call.

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<v Speaker 2>That was all talking about rolls. My name yeah and

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<v Speaker 2>the mic is mine.

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<v Speaker 6>Yeah.

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<v Speaker 2>I've been a fan of Kwame. Yeah since eighty nine.

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<v Speaker 5>Supremo roll call, s agreement something Supremo roll.

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<v Speaker 7>I'm like em yeah Kwame, Yeah, thank God for him.

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<v Speaker 8>Yeah, talking about some day roll.

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<v Speaker 5>So Supremo roll Supremo son s Supremo roll.

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<v Speaker 4>No, my name is Kuame, y'all see me while Yeah,

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<v Speaker 4>Quest put me on this spot with this free style.

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<v Speaker 5>Roll Supremo Supremo roll call, Supremo Supremo roll call, Suprema

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<v Speaker 5>So Sun Subpremo roll called Suprema.

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<v Speaker 2>So sure, okay, So Bill just out at me. Yeah,

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<v Speaker 2>I was eating oatmeal for your choices. Man, that's great. Yeah,

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<v Speaker 2>that's fantastic. I saw eat oatmeal and I ordered a

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<v Speaker 2>chicken a grilled chicken salad. Wait a minute, we're healthy.

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<v Speaker 6>Yeah yeah yeah I can. I can eat now, you

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<v Speaker 6>know what I mean? He just puts clothes, told me

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<v Speaker 6>your tooth still hurting?

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<v Speaker 2>No? No, no, no, no not now. Yeah. Weeks ago when

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<v Speaker 2>I was absent, my bambacay kicked. Then I'm good. We

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<v Speaker 2>were having the all important cream of weed versus steel

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<v Speaker 2>cut oatmeal question. Wondering what exactly the steel cut referred to.

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<v Speaker 1>I just don't like the marketing steel cut like. There's

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<v Speaker 1>nothing tasty or advertising about.

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<v Speaker 4>It's not try to market steal cut like free range.

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<v Speaker 4>You know what I'm saying.

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<v Speaker 8>Fifty for some not for nothing.

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<v Speaker 7>There's a frozen version of still cut oatmell. You can

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<v Speaker 7>get it a trader jails. It's really good. You just

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<v Speaker 7>mirk away for two minutes. It was that trader Joe.

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<v Speaker 4>You go, you can't get it an MP.

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<v Speaker 7>Still something, yes, man, they call Audas in the East Coast,

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<v Speaker 7>the A M p ouds.

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<v Speaker 8>These is the place.

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<v Speaker 1>Town you got associated, you know, yeah, the only place

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<v Speaker 1>where we could talk about super market and markets before

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<v Speaker 1>we even introduced our guests. Ladies to tell me this

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<v Speaker 1>is another episode of course Love Supreme Quest Love, Say

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<v Speaker 1>what's up?

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<v Speaker 2>Team Supreme Solid okay uh.

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<v Speaker 1>Today we have a favorite, a personal favorite of mine.

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<v Speaker 8>He don't get bailed.

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<v Speaker 2>But bigger than everybody, yeah, you know, and on the

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<v Speaker 2>low for all of.

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<v Speaker 1>The no, but for for all the props that I

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<v Speaker 1>give to Daylight transforming my life.

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<v Speaker 2>If you really.

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<v Speaker 1>Inspect a lot of photos of me between eighty nine

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<v Speaker 1>and I will say that our guests had a big

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<v Speaker 1>hen and life and fashion choices. Yeah, I proudly rock that. Actually, Yeah,

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<v Speaker 1>Teka and I. At one point the the U when

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<v Speaker 1>we were Black to the Future, we went to hats

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<v Speaker 1>and the bell for you to buy those hats with

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<v Speaker 1>the hind with a propeller on it.

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<v Speaker 2>Because Kwame rocked it.

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<v Speaker 1>Ladies and gentlemen, welcome the legendary yo yo yeah kwalm course, yes,

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<v Speaker 1>the man we all know love.

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<v Speaker 2>What's up?

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<v Speaker 4>Brood Man? How are you? Thank you for having me?

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<v Speaker 2>Man? Thank you for doing this. You know this, this,

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<v Speaker 2>this is this is honor for all of us. Thank you. Yeah.

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<v Speaker 2>So where'd you grow up? Where did you grow up?

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<v Speaker 2>I grew up in now is that my? How you're doing?

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<v Speaker 2>Where'd you grow up? Let's go back to the beginning.

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<v Speaker 2>Let's go back to the beginning. Where are you from?

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<v Speaker 2>I don't know where you're from.

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<v Speaker 4>I am from East Elmhurst slash Corona, Queens, New York.

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<v Speaker 1>So you started out as in New York? Yes, okay, okay,

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<v Speaker 1>you were born.

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<v Speaker 4>Born in Queens. My whole family is in Queens. When

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<v Speaker 4>I got my deal, I was in Queens and in

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<v Speaker 4>height Seeing.

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<v Speaker 2>And Philly a lot because it was and.

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<v Speaker 4>They liked me, so I would be here a lot.

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<v Speaker 1>No, seriously, at one point I was just like, maybe

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<v Speaker 1>he's from Yayden.

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<v Speaker 2>No, you know what it is.

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<v Speaker 4>My manager Dave, who's here, he's from Yayden. And Tap

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<v Speaker 4>Money who's also from yad and he wanted to say

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<v Speaker 4>he's from West Philly, but he's lived in Yden more

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<v Speaker 4>than West Philly. But anyway, Tat, Tat Money, I forgot right.

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<v Speaker 8>You saw the video and I was.

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<v Speaker 4>Like, is that yeah, so Tat was. I met Tat.

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<v Speaker 4>I met Tat, Steady B and Cool C before I

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<v Speaker 4>came out. I was tagging along with Kidd and Play

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<v Speaker 4>and Herbie love Bug and they had a show in Richmond,

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<v Speaker 4>Virginia with Steady and the show got snowed out so

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<v Speaker 4>we were stuck in this We couldn't even get to

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<v Speaker 4>the hotel, were stuck in the venue overnight, and we

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<v Speaker 4>all just got cool and Tat was real cool, and

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<v Speaker 4>I was like, hey, man, you know I got this,

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<v Speaker 4>And I pulled out the poster board of the mock

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<v Speaker 4>up of my first album cover. Yeah, you know, about

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<v Speaker 4>to be coming out. Hopefully I can get to do

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<v Speaker 4>shows with you. Guys and everything and steady and cool.

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<v Speaker 4>See they were all right, but Tat was more personable,

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<v Speaker 4>and then we just hung out. We wrapped all just

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<v Speaker 4>pretty much all night. And then when my original DJ

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<v Speaker 4>B flat wasn't able to rock with a anymore, our

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<v Speaker 4>first person I called was Tack, So that became my

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<v Speaker 4>Philly connection. And then I got went, started hanging out

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<v Speaker 4>and Philly with Tack, got very cool with Eest chuck

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<v Speaker 4>nice what he would and we all just was a

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<v Speaker 4>little click. They were all yep.

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<v Speaker 2>Leading to doom.

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<v Speaker 4>They were all coming to my house. They would stay

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<v Speaker 4>weeks at my house. I would stay weeks to their house.

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<v Speaker 4>My mother wud be like, okay, one of your friends

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<v Speaker 4>going back to Philly because we were like sixteen, seventeen,

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<v Speaker 4>eighteen years old. So that was that's y'all.

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<v Speaker 2>Were you You guys were like our native tongues.

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<v Speaker 4>Yeah yeah, yeah.

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<v Speaker 2>So when you came and co.

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<v Speaker 1>Signed Philly me, that's the first time I felt like, Okay,

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<v Speaker 1>Philly can be cool. Because again, I mean, you're you're

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<v Speaker 1>not saying what you really want to say about cool

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<v Speaker 1>and steady, but.

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<v Speaker 2>No, they were just they were post drug dealer cool,

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<v Speaker 2>like you know, no.

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<v Speaker 4>No, you know what it is, it's nothing. It's nothing

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<v Speaker 4>to say good or bad about them. But they just

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<v Speaker 4>weren't the kind of guys that I was. You know

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<v Speaker 4>what I'm saying. You know, we're not from we didn't

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<v Speaker 4>have the same way, so it wasn't I would never

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<v Speaker 4>be hanging I would never hang out with them where

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<v Speaker 4>Tat is cut from that same cloth. So you know,

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<v Speaker 4>I would definitely hang with Tat and and you.

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<v Speaker 2>Know, so that's how that's pretty explains why I saw

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<v Speaker 2>you and Philly a lot. Yeah, okay, I just thought

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<v Speaker 2>you have property and.

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<v Speaker 4>I should have had Robberty if I was smart.

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<v Speaker 2>Now I get it, not Philly. So in Queens, what

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<v Speaker 2>was your what was your experiences of music?

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<v Speaker 4>See my neighborhood. You know, you know everybody likes to

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<v Speaker 4>really big up their neighborhoods, But for me, I think

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<v Speaker 4>my neighborhood is a very special place in Queens and

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<v Speaker 4>anybody can look it up. So if you go the

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<v Speaker 4>history of East Elmhurst Corona, it's right next to LaGuardia Airport,

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<v Speaker 4>so literally you can, like my grandmother's house, my house,

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<v Speaker 4>I can walk to the airport and within that neighborhood post,

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<v Speaker 4>I mean pre rap. You had el Fitzgerald, Harry Belafonte,

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<v Speaker 4>Louis arm Strong. Uh, James Brown was in St. Albans,

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<v Speaker 4>but but he wasn't. He wasn't in that. I'm sorry.

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<v Speaker 4>I want to say Dinah Washington and a lot of

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<v Speaker 4>a lot of influential blacks moved to this area of Queens.

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<v Speaker 4>But then when you get into the hip hop era,

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<v Speaker 4>you had kidd and play Herbie Lovebug, Eric b Cool,

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<v Speaker 4>g Rap, Myself, Salt and Pepper. We were all within

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<v Speaker 4>a three to five block radius. Nokay, No, it's closer

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<v Speaker 4>to the city. So we're like fifteen minutes the most

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<v Speaker 4>into New York City. So we're Northern Queens. Jamaica's Southern Queens.

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<v Speaker 2>So how is on the lawn like?

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<v Speaker 4>It's it's I would say the equivalent of Winfield maybe

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<v Speaker 4>Winfield's slash, you know West Philly area. Yeah, but it's

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<v Speaker 4>not Overbrook Farms. You know what I'm saying. It's not that,

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<v Speaker 4>but it's pretty cool. And then you have some see

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<v Speaker 4>East Elmhurst is more of the homes with front yards

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<v Speaker 4>and backyards. I lived in a row home, so most

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<v Speaker 4>like the Philly homes. My grandmother would have a house

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<v Speaker 4>with a front and backyard. But then you have Corona,

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<v Speaker 4>and that side is Northern Boulevard. You cross Northern Boulevard.

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<v Speaker 4>Corona's a little bit more grittier than East Elmhurst. So

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<v Speaker 4>I lived in between both neighborhoods, you know, my whole

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<v Speaker 4>childhood pretty much. And so from there, my parents got

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<v Speaker 4>a divorced I was fourteen. A couple of years later,

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<v Speaker 4>my father got remarried and moved to Inglewood, New Jersey.

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<v Speaker 4>So now I'm in Inglewood, New Jersey. And in Inglewood,

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<v Speaker 4>New Jersey, my best friend was Redhead Kingpin, and so

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<v Speaker 4>I had all of those Queen's guys next to me.

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<v Speaker 4>And then my best friend that I first, first kid

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<v Speaker 4>I meet when I moved to Inglewood is Redhead. And

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<v Speaker 4>then you have Big bubb from today and Redhead introduce.

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<v Speaker 4>He said, Yo, this lady's gonna give me a deal

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<v Speaker 4>and you should come too, all right, who we go

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<v Speaker 4>to Sylvia Robinson's house. So Sylvia Robinson offered me a

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<v Speaker 4>deal at fifteen. So and it was so funny because

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<v Speaker 4>at the same time I'm saving up money, I'm you know,

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<v Speaker 4>I'm making demos. I'm trying to impress Herbie and he

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<v Speaker 4>runs around with my demo.

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<v Speaker 2>Sylvia.

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<v Speaker 4>Here's the demo and the deals coming at the same time.

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<v Speaker 4>But the difference between Atlantic Records, Sony Columbia then Sylvia.

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<v Speaker 4>Sylvia's was like a one page note.

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<v Speaker 9>And so, you know, just to you know, just to

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<v Speaker 9>give a quick recap, those are like the different people

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<v Speaker 9>I feel like, mister Rogers, those are the people in

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<v Speaker 9>my neighborhood.

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<v Speaker 2>Those so before the rabbit Hole nerd him right now,

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<v Speaker 2>we're hanging on everywhere. So were you signed before Redhead

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<v Speaker 2>or did he sign his deal?

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<v Speaker 4>For Red Redhead and a group called New Style later

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<v Speaker 4>known as Naughty by Nature, they decided to sign and

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<v Speaker 4>they she wanted to change sugar Hill Records to Bone

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<v Speaker 4>of Me and I was like, I don't even know

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<v Speaker 4>that even sounds hip hop.

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<v Speaker 2>You know, she owned Bone of Me Records. Yes, I

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<v Speaker 2>remember that label.

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<v Speaker 4>Yes, So she was boning me and New Style came

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<v Speaker 4>out on Bone of Me. Red got out of it

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<v Speaker 4>because he was underage and he lied about his age

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<v Speaker 4>and he was sixteen as well, and he got out

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<v Speaker 4>of it. I never signed then. We was we weren't

0:13:47.400 --> 0:13:48.920
<v Speaker 4>good kids, you know, I'll be honest.

0:13:48.960 --> 0:13:49.079
<v Speaker 2>With you.

0:13:49.440 --> 0:13:51.800
<v Speaker 4>I'm not even an lie of you. We weren't. We

0:13:51.800 --> 0:13:54.320
<v Speaker 4>were good kids, but we didn't always do good things.

0:13:54.520 --> 0:13:56.280
<v Speaker 4>So we got in trouble, all of us. Like at

0:13:56.320 --> 0:13:58.359
<v Speaker 4>the same time we were running around.

0:13:58.080 --> 0:14:02.080
<v Speaker 2>In the street. Yes, we got, we got. It was

0:14:02.120 --> 0:14:03.640
<v Speaker 2>like stupid, like stupidity.

0:14:03.640 --> 0:14:06.680
<v Speaker 4>It's something I would never even talk about in detail.

0:14:06.960 --> 0:14:09.040
<v Speaker 4>But it was me, Read and a couple other guys

0:14:09.200 --> 0:14:13.080
<v Speaker 4>and we did something stupid. And at that point my

0:14:13.200 --> 0:14:17.160
<v Speaker 4>father was like, some of the guys actually got into

0:14:17.200 --> 0:14:20.520
<v Speaker 4>real trouble. Some of us didn't get thank god, didn't

0:14:20.560 --> 0:14:24.480
<v Speaker 4>get into any major anything. But the thing was, you're

0:14:24.520 --> 0:14:27.000
<v Speaker 4>moving out of Jersey. This is the wrong environment for you.

0:14:27.280 --> 0:14:31.920
<v Speaker 4>Mind you, this was a very nice neighborhood. It wasn't

0:14:32.000 --> 0:14:36.320
<v Speaker 4>anything grimy in the stretch. It was just board kids

0:14:36.680 --> 0:14:41.440
<v Speaker 4>doing stupid stuff. Yeah, so he moved. I moved back

0:14:41.480 --> 0:14:46.160
<v Speaker 4>to Queens. So now I'm in Southside Jamaica, Queens with

0:14:46.200 --> 0:14:49.960
<v Speaker 4>my mother. And then in that neighborhood you have a

0:14:50.080 --> 0:14:52.600
<v Speaker 4>different type of element. The block was cool, but then

0:14:52.640 --> 0:14:58.040
<v Speaker 4>you had like you had you know, real killer drug

0:14:58.080 --> 0:15:01.640
<v Speaker 4>dealers and you know, these type of people that were.

0:15:01.640 --> 0:15:04.280
<v Speaker 1>That everybody was safer for you to be in that

0:15:04.560 --> 0:15:06.400
<v Speaker 1>in Queens than it was to be an English.

0:15:06.480 --> 0:15:10.840
<v Speaker 4>Well here's the other side. He decided to move to

0:15:12.480 --> 0:15:14.360
<v Speaker 4>I have a farm in Virginia. He moved on to

0:15:14.440 --> 0:15:17.840
<v Speaker 4>the farm. So when he moved on to the farm

0:15:17.880 --> 0:15:22.240
<v Speaker 4>in Virginia, I was there was no way I was

0:15:22.280 --> 0:15:24.240
<v Speaker 4>gonna move on a farm. I just got a record deal.

0:15:24.720 --> 0:15:26.240
<v Speaker 4>There's no way I'm living on a farm.

0:15:26.280 --> 0:15:26.880
<v Speaker 2>Said well you can.

0:15:27.200 --> 0:15:29.480
<v Speaker 4>You can wrap from the farm and you just come

0:15:29.520 --> 0:15:29.920
<v Speaker 4>to New York.

0:15:29.920 --> 0:15:31.560
<v Speaker 2>When I was like, there's no.

0:15:31.480 --> 0:15:34.680
<v Speaker 4>Way I'm doing that. So I ended up backing Queens

0:15:34.720 --> 0:15:37.920
<v Speaker 4>with my mother. And like I said, that close area

0:15:37.960 --> 0:15:41.480
<v Speaker 4>where my mother was was cool, but the surrounding, like

0:15:41.600 --> 0:15:44.000
<v Speaker 4>everybody that like fifty cent raps about and all this

0:15:44.040 --> 0:15:46.440
<v Speaker 4>kind of stuff. Those were people that came to my

0:15:46.480 --> 0:15:49.960
<v Speaker 4>house that I knew like they were actually that part

0:15:50.000 --> 0:15:53.600
<v Speaker 4>of Queen. So so it was a whole nother environment

0:15:54.400 --> 0:15:55.200
<v Speaker 4>living there.

0:15:55.960 --> 0:15:59.960
<v Speaker 2>And so, okay, Queen. There's such a folk glory about Queen.

0:16:00.800 --> 0:16:05.800
<v Speaker 1>When so you're saying that there's multiple sections of Queens,

0:16:05.840 --> 0:16:10.600
<v Speaker 1>like the tripod quest Queens versus the Rundiom Sea Queens versus.

0:16:10.800 --> 0:16:13.520
<v Speaker 4>So I lived in the Quist. So my part of

0:16:13.600 --> 0:16:18.040
<v Speaker 4>Queens was q Tip, Sweet Tea. We all lived in

0:16:18.080 --> 0:16:23.080
<v Speaker 4>the same little section. Tip was a little bit further out.

0:16:23.440 --> 0:16:26.800
<v Speaker 4>Tea was in between me and where Queue Tip was.

0:16:26.880 --> 0:16:33.120
<v Speaker 4>So that section is south Jamaica, right where Rundium cll

0:16:33.200 --> 0:16:36.240
<v Speaker 4>cool j Ja Rule. They're in Hollis. They're on the

0:16:36.280 --> 0:16:38.680
<v Speaker 4>south side of jama but they're not the furthest south

0:16:38.880 --> 0:16:41.560
<v Speaker 4>part of Jamaica. And if anybody needs to understand Queens,

0:16:41.800 --> 0:16:43.480
<v Speaker 4>look at a map, look at Long Island. At the

0:16:43.560 --> 0:16:47.120
<v Speaker 4>end of Long Island is Brooklyn and Queens. They're literally together.

0:16:47.160 --> 0:16:51.680
<v Speaker 4>It's one thing. But then you have Northern Queens. So

0:16:51.800 --> 0:16:54.800
<v Speaker 4>for example, you have parts of Queens and Northern Queens,

0:16:56.400 --> 0:16:59.280
<v Speaker 4>say Flushing Queens. If I take any of you guys

0:16:59.360 --> 0:17:01.840
<v Speaker 4>the Flushing Queen, knock you out and drop you in

0:17:01.880 --> 0:17:04.600
<v Speaker 4>the street, you would think you were in Hong Kong.

0:17:05.840 --> 0:17:07.480
<v Speaker 4>Hong Kong. If you've ever been to Hong Kong, you

0:17:07.520 --> 0:17:13.520
<v Speaker 4>would literally it's the same thing, the exact same airport.

0:17:13.600 --> 0:17:15.920
<v Speaker 2>Sometimes yeah, but go in.

0:17:16.280 --> 0:17:19.359
<v Speaker 4>And when I was a kid, it was white, it

0:17:19.440 --> 0:17:24.560
<v Speaker 4>was Italian and black. So flash forward, say thirty years,

0:17:24.840 --> 0:17:29.520
<v Speaker 4>it's all one section Korean, one section Chinese, and then

0:17:29.560 --> 0:17:32.679
<v Speaker 4>a small section Japanese. All the street signs are in

0:17:32.760 --> 0:17:38.080
<v Speaker 4>Asian all the stores. It's one thousand percent. So that's

0:17:38.119 --> 0:17:43.280
<v Speaker 4>that's Flushing Queens. But then you go further toward Brooklyn

0:17:43.280 --> 0:17:46.520
<v Speaker 4>and you say you're in Richmond Hill. Richmond Hill is

0:17:47.440 --> 0:17:50.520
<v Speaker 4>it was when I was a kid, predominantly all Irish.

0:17:50.880 --> 0:17:54.480
<v Speaker 4>Now it's all South American, so it's Peruvian and stuff

0:17:54.520 --> 0:17:58.159
<v Speaker 4>like so. And when I was my neighborhood, Corona, it

0:17:58.280 --> 0:18:04.120
<v Speaker 4>was all black. Now it's probably thirty percent black, mostly

0:18:05.000 --> 0:18:07.680
<v Speaker 4>South and Central American, you know.

0:18:07.840 --> 0:18:10.000
<v Speaker 2>So it's Queen.

0:18:10.080 --> 0:18:13.160
<v Speaker 4>Yeah, beet nuts are from Corona as well. So Queens

0:18:13.280 --> 0:18:17.120
<v Speaker 4>is such a diverse area. And then there's a part

0:18:17.119 --> 0:18:19.640
<v Speaker 4>of Queens that most Queens people don't even know about

0:18:19.680 --> 0:18:24.520
<v Speaker 4>called Malba. Malba is if you know, the White Stone

0:18:24.520 --> 0:18:27.040
<v Speaker 4>Bridge is right under the white Stone Bridge. If I

0:18:27.080 --> 0:18:28.879
<v Speaker 4>take you to Malbury, you would think you were in

0:18:29.000 --> 0:18:36.280
<v Speaker 4>bel Air or or Beverly Hill, somewhere off the water.

0:18:38.640 --> 0:18:40.840
<v Speaker 4>For neighbor seas you're driving, the cops will be there

0:18:40.880 --> 0:18:43.439
<v Speaker 4>in one point four seconds. If you are off of

0:18:43.480 --> 0:18:49.360
<v Speaker 4>a darker shade. To me, specifically, there's no dark shaded

0:18:49.560 --> 0:18:53.680
<v Speaker 4>people in that area. And that's by whites. That's that's

0:18:53.720 --> 0:18:55.359
<v Speaker 4>next to the white Stone Bridge, and then you have

0:18:55.800 --> 0:18:59.240
<v Speaker 4>other real diverse areas like Bayside and you know the

0:18:59.359 --> 0:19:03.080
<v Speaker 4>city left Rack is left Rack is one neighborhood from

0:19:03.119 --> 0:19:07.520
<v Speaker 4>mine that goes into mass Beth and mass Beth is

0:19:07.560 --> 0:19:11.600
<v Speaker 4>another very diverse area. This it's it's crazy if I

0:19:11.720 --> 0:19:15.960
<v Speaker 4>take you on a Queen's Toys because everybody that's a.

0:19:16.000 --> 0:19:20.320
<v Speaker 6>Queen's Bridge, right, queens Bridge, Yeah, you know queens Bridge. Okay,

0:19:20.320 --> 0:19:23.920
<v Speaker 6>where there's not and that's its Manhattan, right.

0:19:24.080 --> 0:19:27.439
<v Speaker 4>Yeah, Queen's Bridges. You can walk to Manhattan from from

0:19:27.560 --> 0:19:29.320
<v Speaker 4>queens Bridge. You can walk over the bridge. It'll take

0:19:29.359 --> 0:19:32.280
<v Speaker 4>you five minutes and you're on fifty sixth Street and

0:19:32.400 --> 0:19:34.439
<v Speaker 4>First Avenue. So you know, what were you?

0:19:35.119 --> 0:19:35.280
<v Speaker 2>So?

0:19:35.400 --> 0:19:39.320
<v Speaker 1>How did hip hop reach you at a young age?

0:19:39.560 --> 0:19:43.560
<v Speaker 1>Because I'm almost certain that other boroughs were like another

0:19:43.600 --> 0:19:46.520
<v Speaker 1>world to you, or another city of hip.

0:19:46.440 --> 0:19:49.680
<v Speaker 4>Hop reached me. In nineteen seventy nine, I can remember

0:19:49.880 --> 0:19:53.280
<v Speaker 4>exactly what I was doing where I was at. I

0:19:53.400 --> 0:19:56.760
<v Speaker 4>was playing with Star Wars men on the floor with

0:19:56.880 --> 0:19:59.399
<v Speaker 4>my best friend's name is Dak Carr, and me and

0:19:59.480 --> 0:20:01.840
<v Speaker 4>Dak called blaming Star Wars and Rappers. The light came

0:20:01.840 --> 0:20:05.399
<v Speaker 4>on the radio and from that point. Literally from that

0:20:05.480 --> 0:20:09.560
<v Speaker 4>point begged my mother to buy the record. My you know,

0:20:09.840 --> 0:20:12.879
<v Speaker 4>I'm six years old. I see the recognition of you know,

0:20:12.920 --> 0:20:15.359
<v Speaker 4>sugar Hill the label. So anytime I go to a

0:20:15.400 --> 0:20:19.040
<v Speaker 4>record store, anything that said sugar Hill was bought. And

0:20:19.080 --> 0:20:22.840
<v Speaker 4>that's from six years old. Anything affiliated with sugar Hill,

0:20:22.880 --> 0:20:25.879
<v Speaker 4>which was Enjoy Records was bought period.

0:20:25.880 --> 0:20:26.159
<v Speaker 2>It was.

0:20:26.200 --> 0:20:28.400
<v Speaker 4>I didn't have to hear it. I didn't know it.

0:20:28.560 --> 0:20:31.800
<v Speaker 4>My favorite record to this day is Freedom Series five

0:20:32.880 --> 0:20:36.720
<v Speaker 4>and eighth Wonder, the second and the third record I've

0:20:36.720 --> 0:20:40.760
<v Speaker 4>ever bought, still have the exact records. So hip hop,

0:20:41.240 --> 0:20:45.919
<v Speaker 4>but I never understood that hip hop was an actual

0:20:47.560 --> 0:20:50.040
<v Speaker 4>It's weird, you know. It became a culture. It became

0:20:50.200 --> 0:20:52.520
<v Speaker 4>what I was doing, what all the kids were doing.

0:20:52.600 --> 0:20:54.959
<v Speaker 4>We were all breaking, we were all doing graffiti, we

0:20:54.960 --> 0:20:58.480
<v Speaker 4>were all you know, everybody wanted two turntables, you know,

0:20:58.520 --> 0:21:04.000
<v Speaker 4>everybody wanted the whole elemental aspect of hip hop. And

0:21:04.040 --> 0:21:07.000
<v Speaker 4>then there was a guy on my grandmother's block, rest

0:21:07.040 --> 0:21:10.520
<v Speaker 4>in Peace's name was Messiah, and Messiah was partners with

0:21:10.720 --> 0:21:13.600
<v Speaker 4>Red Alert. So I used to beat box as a

0:21:13.640 --> 0:21:15.919
<v Speaker 4>little kid. So I would go to Messiah's house and

0:21:15.920 --> 0:21:20.000
<v Speaker 4>Messiah would put me on the phone with like uh

0:21:20.280 --> 0:21:22.399
<v Speaker 4>Africa Islam or people like that.

0:21:22.520 --> 0:21:24.320
<v Speaker 2>Look at this little kid beatbox.

0:21:24.680 --> 0:21:27.720
<v Speaker 4>I had no I have no clue what it was.

0:21:28.119 --> 0:21:32.400
<v Speaker 4>But it was just all immersing, you know what I'm saying,

0:21:32.480 --> 0:21:35.880
<v Speaker 4>and and and you know, running around the neighborhoods looking

0:21:35.960 --> 0:21:42.720
<v Speaker 4>for uh uh refrigerator boxes to break on, you know,

0:21:43.359 --> 0:21:46.600
<v Speaker 4>tying or tying our jeans up with shoelaces and and

0:21:46.640 --> 0:21:51.120
<v Speaker 4>putting on uh union Jack Katson and getting our our

0:21:51.359 --> 0:21:52.880
<v Speaker 4>you know, the the what do you call those things?

0:21:52.880 --> 0:21:58.120
<v Speaker 4>The press on letters on our sweatshirts and spiked spiked, very.

0:21:58.119 --> 0:22:00.840
<v Speaker 1>Fable, even way before you have a record budget to

0:22:00.960 --> 0:22:01.600
<v Speaker 1>even start.

0:22:01.720 --> 0:22:02.320
<v Speaker 2>Oh no, I was.

0:22:02.600 --> 0:22:04.880
<v Speaker 4>I was all into the gear everything, you know, getting

0:22:04.920 --> 0:22:08.160
<v Speaker 4>your name belt, that was like that was one hundred

0:22:08.200 --> 0:22:12.680
<v Speaker 4>percent life for us in the fifth, sixth, seventh, eighth grade.

0:22:12.720 --> 0:22:14.080
<v Speaker 4>You know, that's that's what we did.

0:22:14.320 --> 0:22:15.840
<v Speaker 7>So can I ask what your parents did because you

0:22:15.920 --> 0:22:17.560
<v Speaker 7>mentioned your dad went to a farm and that just

0:22:17.600 --> 0:22:18.720
<v Speaker 7>really threw me for a second.

0:22:18.880 --> 0:22:23.080
<v Speaker 4>Well, my father, my father, you know, my father recently

0:22:23.080 --> 0:22:26.560
<v Speaker 4>passed not even a month ago. So so my father

0:22:28.520 --> 0:22:33.720
<v Speaker 4>was a very incredible person. My father, he worked for

0:22:34.520 --> 0:22:37.359
<v Speaker 4>the light company Conditisent, but My father was like the

0:22:37.640 --> 0:22:43.280
<v Speaker 4>weirdest hustler type dude ever, and we didn't understand it

0:22:43.400 --> 0:22:46.320
<v Speaker 4>as kids. Just to give you a quick view of

0:22:46.400 --> 0:22:49.840
<v Speaker 4>my pops. Pops used to push a seventy eight VW

0:22:50.160 --> 0:22:53.680
<v Speaker 4>red and white van. It had no heat.

0:22:54.240 --> 0:22:55.639
<v Speaker 2>Yeah wait here, I can see this.

0:22:56.240 --> 0:22:59.000
<v Speaker 4>And no air conditioning. So in the middle of the winter,

0:23:00.119 --> 0:23:05.400
<v Speaker 4>he would line the van with quilts and and plastic

0:23:06.440 --> 0:23:10.440
<v Speaker 4>and put a kerosene heater in the middle in the

0:23:10.560 --> 0:23:16.080
<v Speaker 4>middle of the van and would tell us, y'all hold

0:23:16.119 --> 0:23:18.480
<v Speaker 4>on to that so it don't tip over and around.

0:23:21.240 --> 0:23:23.040
<v Speaker 4>So and these are things that my father would do.

0:23:23.119 --> 0:23:25.480
<v Speaker 4>But there's a reason that I didn't know at the time.

0:23:25.640 --> 0:23:27.159
<v Speaker 4>So you know, it's gonna be a funny story that

0:23:27.200 --> 0:23:28.480
<v Speaker 4>turns into a tragic story.

0:23:28.720 --> 0:23:31.200
<v Speaker 2>So so it's one of those stories.

0:23:31.240 --> 0:23:35.440
<v Speaker 4>So we would come home and it would be no

0:23:35.720 --> 0:23:39.880
<v Speaker 4>phone service. So my father would climb up the phone pole,

0:23:41.320 --> 0:23:46.040
<v Speaker 4>do some jiggery and be like, okay, look, if you

0:23:46.080 --> 0:23:48.239
<v Speaker 4>pick up the phone, don't say nothing. If you hear

0:23:48.280 --> 0:23:49.320
<v Speaker 4>people talking, just hang.

0:23:49.280 --> 0:23:50.680
<v Speaker 2>It up now.

0:23:50.920 --> 0:23:52.719
<v Speaker 4>If you hear two rings, that's your grandmother, and then

0:23:52.760 --> 0:23:55.000
<v Speaker 4>you pick up the phone. If you hear three rings,

0:23:55.280 --> 0:23:59.800
<v Speaker 4>that's your aunt, I'm like, wow, So but my all

0:24:00.040 --> 0:24:01.760
<v Speaker 4>all is while my pops had a job. You know,

0:24:01.840 --> 0:24:03.760
<v Speaker 4>it wasn't like he was on drugs or anything crazy.

0:24:03.760 --> 0:24:06.040
<v Speaker 4>He had a job. My mother. I'll get into my

0:24:06.080 --> 0:24:08.120
<v Speaker 4>mother in a second. So the reason why all these

0:24:08.160 --> 0:24:10.280
<v Speaker 4>crazy things would happen all Like I remember one time

0:24:10.640 --> 0:24:17.199
<v Speaker 4>we came home and the whole basement was ransacked, just wrecked,

0:24:18.119 --> 0:24:20.600
<v Speaker 4>and we were like so my mother thought, mind you,

0:24:20.640 --> 0:24:22.800
<v Speaker 4>I used to sneak my friends into breakdance. We all

0:24:22.840 --> 0:24:25.639
<v Speaker 4>have breakdance battles in my basement. So she thought that

0:24:25.920 --> 0:24:30.200
<v Speaker 4>that's what I did. And apparently my father designed some

0:24:30.480 --> 0:24:34.159
<v Speaker 4>pipe to plug into the wall so we would get

0:24:34.560 --> 0:24:36.240
<v Speaker 4>free gas like you would getting.

0:24:39.800 --> 0:24:41.840
<v Speaker 2>So we were getting free gas for a whole year.

0:24:41.880 --> 0:24:44.320
<v Speaker 4>He made some pipe, and the gas company found out,

0:24:44.359 --> 0:24:46.720
<v Speaker 4>broke into the house and ripped the whole thing out.

0:24:47.200 --> 0:24:50.200
<v Speaker 4>So I got in trouble because my mother thought one

0:24:50.240 --> 0:24:52.520
<v Speaker 4>of my friends did this, Like she thought that I

0:24:52.720 --> 0:24:56.359
<v Speaker 4>was responsible for somebody breaking into the home. So long

0:24:56.440 --> 0:25:00.800
<v Speaker 4>story short. He was putting his mother his money aside

0:25:01.480 --> 0:25:05.320
<v Speaker 4>because his sister was dying of lupus and he was

0:25:05.400 --> 0:25:09.800
<v Speaker 4>paying for all of the medical bills. But we didn't

0:25:09.840 --> 0:25:11.720
<v Speaker 4>know that, you know, and his sister was like, you know,

0:25:11.800 --> 0:25:14.200
<v Speaker 4>pretty much a surrogate mother. Her kids were like my

0:25:14.359 --> 0:25:17.600
<v Speaker 4>brother and sister. So you know, that was a weird thing.

0:25:17.800 --> 0:25:20.600
<v Speaker 4>And it kind of like that was like the strain

0:25:21.359 --> 0:25:24.560
<v Speaker 4>that kind of broke my parents' marriage up, because it

0:25:24.680 --> 0:25:27.600
<v Speaker 4>was just like, look, man, I can't keep living like this.

0:25:27.720 --> 0:25:29.320
<v Speaker 4>And my pops was like, well, look I'm trying to,

0:25:29.640 --> 0:25:33.320
<v Speaker 4>you know. So then on my mother's side, my mother,

0:25:34.080 --> 0:25:38.240
<v Speaker 4>my grandparents on my mother's side came from a different

0:25:38.760 --> 0:25:41.040
<v Speaker 4>type of situation where my grandparents on my father's side

0:25:41.080 --> 0:25:46.000
<v Speaker 4>were more blue collar. My my grandfather, he was a

0:25:46.119 --> 0:25:49.520
<v Speaker 4>newspaper publisher, so he had a one of the first

0:25:49.600 --> 0:25:51.920
<v Speaker 4>black newspapers in New York called the New York Voice.

0:25:52.119 --> 0:25:53.880
<v Speaker 4>It was a New York Voice in the Amsterdam News.

0:25:54.480 --> 0:25:57.880
<v Speaker 4>And he was from He was from Iowa. He lived

0:25:57.920 --> 0:26:00.920
<v Speaker 4>on He grew up on an Indian reservation, actually Native

0:26:00.920 --> 0:26:03.920
<v Speaker 4>American reservation. He worked his way. He was a porter.

0:26:04.080 --> 0:26:08.800
<v Speaker 4>Then he became a roadie for Benny Goodman. So we

0:26:08.880 --> 0:26:12.800
<v Speaker 4>started rolling with Benny Goodman and he started then he

0:26:12.880 --> 0:26:20.840
<v Speaker 4>started rocking with I'm losing my plays, the vibes, I'm sorry.

0:26:21.080 --> 0:26:24.359
<v Speaker 4>So he started rocking with Lionel Hampton, which gave me

0:26:24.480 --> 0:26:27.640
<v Speaker 4>my first drum set. So my first my first instrument

0:26:28.160 --> 0:26:31.080
<v Speaker 4>was from Lionel Hampton. But that's a whole, So that's

0:26:31.119 --> 0:26:32.600
<v Speaker 4>a supreme thing.

0:26:32.720 --> 0:26:37.439
<v Speaker 1>Yeah, everyone's grandfather always rolls with trickles down to the grandson.

0:26:37.600 --> 0:26:40.600
<v Speaker 4>And he met my grandmother because my grandmother was a

0:26:40.680 --> 0:26:44.080
<v Speaker 4>show singer. So so they met on the road and

0:26:45.200 --> 0:26:47.879
<v Speaker 4>you know, he was the type of dude that you

0:26:47.960 --> 0:26:50.000
<v Speaker 4>know when he met her. She was real pretty she

0:26:50.440 --> 0:26:53.840
<v Speaker 4>and also my grandmother was the first black Pepsi model.

0:26:54.640 --> 0:26:57.320
<v Speaker 4>So so he was the kind of guy that he

0:26:57.520 --> 0:27:00.560
<v Speaker 4>bagged a bad chick, but then he wanted to do

0:27:00.640 --> 0:27:03.639
<v Speaker 4>bad chick things anymore. So he brought to the queens

0:27:03.680 --> 0:27:05.800
<v Speaker 4>and gave a bunch of babies and one of the babies.

0:27:05.600 --> 0:27:06.000
<v Speaker 2>Was my mother.

0:27:06.240 --> 0:27:07.880
<v Speaker 8>Wait what's what's name's name?

0:27:08.000 --> 0:27:10.000
<v Speaker 4>Kryan Drew Kriyan Davis.

0:27:10.840 --> 0:27:12.439
<v Speaker 2>And you're gonna look at that right now.

0:27:14.800 --> 0:27:15.879
<v Speaker 8>I wanted to see her.

0:27:19.040 --> 0:27:22.879
<v Speaker 4>Everybody else is listening, is I'm like so so you know,

0:27:23.359 --> 0:27:28.720
<v Speaker 4>you know at that time, did you have you saying

0:27:29.440 --> 0:27:34.080
<v Speaker 4>I can ramble so you can askage so so so

0:27:34.800 --> 0:27:37.920
<v Speaker 4>that so and on my grand my father's side, my

0:27:38.000 --> 0:27:41.320
<v Speaker 4>grandfather was a detective and my grandmother was a social worker.

0:27:41.600 --> 0:27:44.520
<v Speaker 4>So it was just two different types of family and

0:27:44.800 --> 0:27:47.920
<v Speaker 4>they all support it in a different way, you know.

0:27:48.080 --> 0:27:51.920
<v Speaker 4>So like my grandmother has you know, both grandmothers have

0:27:52.000 --> 0:27:54.399
<v Speaker 4>grand pianos in there in their in their house. So

0:27:54.680 --> 0:27:57.359
<v Speaker 4>you know, I'm I'm teaching myself how to play stuff.

0:27:58.200 --> 0:27:58.359
<v Speaker 2>You know.

0:27:58.440 --> 0:28:02.080
<v Speaker 4>My grandfather very encouraging with music. Like I said, takes

0:28:02.119 --> 0:28:04.399
<v Speaker 4>me to Lonel Hampton's house. First time I ever been

0:28:04.440 --> 0:28:07.159
<v Speaker 4>to a house with a person had a butler. I

0:28:07.280 --> 0:28:08.760
<v Speaker 4>was like, yo, the only person I thought would have

0:28:08.800 --> 0:28:11.359
<v Speaker 4>a butler was like Bruce Wayne. And I get to

0:28:11.440 --> 0:28:14.480
<v Speaker 4>this man's apartment which looks just like the building looked

0:28:14.520 --> 0:28:17.200
<v Speaker 4>just like George Jefferson's apartment. We get up there and

0:28:17.280 --> 0:28:20.720
<v Speaker 4>the butler comes with a tray and I'm like, where

0:28:20.760 --> 0:28:23.440
<v Speaker 4>are we at? He and mister Hampton comes out and

0:28:23.560 --> 0:28:25.440
<v Speaker 4>you know, and he just talks to me about music

0:28:25.480 --> 0:28:27.680
<v Speaker 4>and I'm talking to him and I'm talking about run

0:28:27.760 --> 0:28:32.160
<v Speaker 4>DMC and he's looking at me like what At this point,

0:28:33.320 --> 0:28:37.320
<v Speaker 4>nine had to have been like eight or nine talking

0:28:37.320 --> 0:28:39.080
<v Speaker 4>to about you know, like, hey, man, who do you like?

0:28:39.320 --> 0:28:42.480
<v Speaker 2>Grant Master Flint fires five Man the message.

0:28:42.520 --> 0:28:46.600
<v Speaker 4>He's like, what, yeah, you know, so he gives me

0:28:46.680 --> 0:28:48.440
<v Speaker 4>the drums and the only thing I play on the

0:28:48.520 --> 0:28:56.280
<v Speaker 4>drums is Planet Rock, Yeah, the message freedom, eighth wonder.

0:28:56.600 --> 0:28:58.360
<v Speaker 4>And then because a lot of them had horns, I

0:28:58.400 --> 0:28:59.959
<v Speaker 4>would go to school and learn how to play the trumpet,

0:29:00.120 --> 0:29:02.000
<v Speaker 4>so all I would play was just I would just

0:29:02.040 --> 0:29:03.000
<v Speaker 4>play the rap records.

0:29:08.200 --> 0:29:10.280
<v Speaker 2>After I learned how to play Freedom.

0:29:10.120 --> 0:29:11.520
<v Speaker 4>That I don't want to play the one anymore. I

0:29:11.680 --> 0:29:13.920
<v Speaker 4>just stopped playing the trumpet, you know so, And even

0:29:13.960 --> 0:29:16.920
<v Speaker 4>with the piano, it's like I heard the rap, different

0:29:16.960 --> 0:29:20.520
<v Speaker 4>rap records or just different records in general, and I

0:29:20.720 --> 0:29:24.200
<v Speaker 4>loved just playing that. And then but I hated lessons.

0:29:24.280 --> 0:29:26.040
<v Speaker 4>I just hated the lessons part.

0:29:26.160 --> 0:29:28.960
<v Speaker 2>But you know, so, you didn't want to practice that much.

0:29:29.800 --> 0:29:32.920
<v Speaker 4>I wanted to practice what I made up. I didn't

0:29:32.920 --> 0:29:35.440
<v Speaker 4>want to do scales. I didn't want to do fertile least,

0:29:35.440 --> 0:29:37.720
<v Speaker 4>so I don't want to do none of that fingering

0:29:38.120 --> 0:29:38.400
<v Speaker 4>all that.

0:29:38.520 --> 0:29:39.560
<v Speaker 2>I hated that.

0:29:40.000 --> 0:29:42.880
<v Speaker 4>And my teacher, Miss Punter, she was the type you know,

0:29:43.000 --> 0:29:46.600
<v Speaker 4>you play and you use the wrong finger. Fingers, that's

0:29:46.600 --> 0:29:48.560
<v Speaker 4>all she was saying. I would have to do like,

0:29:48.920 --> 0:29:52.360
<v Speaker 4>you know, like piano recitals. It was probably the most

0:29:52.480 --> 0:29:54.360
<v Speaker 4>nervous I've ever been in my Like my legs were

0:29:54.400 --> 0:29:56.680
<v Speaker 4>shake hated it, hated it.

0:29:57.000 --> 0:30:02.480
<v Speaker 2>You mentioned I dubbed that the Alicia Keys nock tune.

0:30:03.120 --> 0:30:11.520
<v Speaker 1>Right, okay, I'll go no, I love you believe that

0:30:11.640 --> 0:30:13.840
<v Speaker 1>was this one time when I seen the show, it

0:30:13.960 --> 0:30:16.200
<v Speaker 1>was just going to start off real deep, like you know,

0:30:16.280 --> 0:30:18.160
<v Speaker 1>all these all these courts and defense and they just.

0:30:18.280 --> 0:30:24.240
<v Speaker 8>Lowse down, knocking down. I'm trying to help.

0:30:24.520 --> 0:30:33.440
<v Speaker 2>It was like, you know, seconds and sudden audience. Yeah,

0:30:34.120 --> 0:30:37.800
<v Speaker 2>we love you. I love that. Come on now, I

0:30:38.240 --> 0:30:40.160
<v Speaker 2>love this ship. I'll leave you. That's what That's my home.

0:30:44.920 --> 0:30:49.440
<v Speaker 2>So you're you're saying that a hip hop, I mean

0:30:49.520 --> 0:30:55.280
<v Speaker 2>as an m C. When did you figure out this

0:30:55.480 --> 0:30:56.560
<v Speaker 2>is this is my path?

0:30:56.720 --> 0:31:01.480
<v Speaker 4>My well, first of like you know, just as a kid,

0:31:01.520 --> 0:31:07.680
<v Speaker 4>I would write and compose things, but I knew I

0:31:07.800 --> 0:31:11.720
<v Speaker 4>couldn't sing anything. So you know, rapping was like the

0:31:11.840 --> 0:31:15.840
<v Speaker 4>best case scenario at that point. And you know, I

0:31:16.000 --> 0:31:19.200
<v Speaker 4>loved Mellie mel I loved Tela Rock, you know I

0:31:19.280 --> 0:31:22.880
<v Speaker 4>loved and then and then somebody came to my house

0:31:23.000 --> 0:31:25.120
<v Speaker 4>with a tape said you got to hear this guy,

0:31:25.320 --> 0:31:28.600
<v Speaker 4>and he put the tape in and it was Lotty Dotty,

0:31:28.800 --> 0:31:32.320
<v Speaker 4>not the record, It was just Lotty Dotty somewhere in

0:31:32.400 --> 0:31:35.520
<v Speaker 4>the park. And then it went into treat it like

0:31:35.560 --> 0:31:39.760
<v Speaker 4>a prostitute, and I was like, what did I just

0:31:40.320 --> 0:31:44.240
<v Speaker 4>witness just now? And then I started getting I started

0:31:44.240 --> 0:31:46.200
<v Speaker 4>getting stuff that me and Rick are very cool, Me

0:31:46.240 --> 0:31:48.920
<v Speaker 4>and dougle cool. I got stuff from Rick that he

0:31:49.080 --> 0:31:51.520
<v Speaker 4>doesn't even remember. I was said, Yo, there's this one

0:31:51.680 --> 0:31:54.160
<v Speaker 4>thing where you I say the whole rhyme to him

0:31:54.200 --> 0:31:56.680
<v Speaker 4>and somebody's on a drum machine and he and it

0:31:56.800 --> 0:32:03.160
<v Speaker 4>turns into like Indian what's the what's the song? Davy Crockett?

0:32:04.000 --> 0:32:08.360
<v Speaker 4>So some of those rhymes Davy Crockett, I definitely do.

0:32:08.440 --> 0:32:12.600
<v Speaker 4>I just gotta find them, but I definitely. But I

0:32:12.800 --> 0:32:18.600
<v Speaker 4>just got so immersed into Rick and then on one

0:32:18.760 --> 0:32:20.640
<v Speaker 4>end Rick, and then on the other end cool g

0:32:20.880 --> 0:32:25.680
<v Speaker 4>rap and because I knew g it was just another thing.

0:32:26.200 --> 0:32:29.280
<v Speaker 4>So so then you know, the sound immersions. It is like, Okay,

0:32:29.400 --> 0:32:32.760
<v Speaker 4>you know, I'm starting to write stories. And the funny

0:32:32.800 --> 0:32:35.200
<v Speaker 4>thing is I'm writing these stories and they're just dirty,

0:32:35.360 --> 0:32:39.080
<v Speaker 4>just nasty, dirty stories. And I would do these rap

0:32:39.120 --> 0:32:41.280
<v Speaker 4>battles and I would win with the stories and stuff,

0:32:41.280 --> 0:32:43.000
<v Speaker 4>and it was you know, it would call me baby

0:32:43.120 --> 0:32:45.400
<v Speaker 4>Rick and this that and the third and or you

0:32:45.480 --> 0:32:48.840
<v Speaker 4>know I would I would definitely like I would interweave

0:32:48.960 --> 0:32:51.280
<v Speaker 4>slick Rick and cool g Rap if that makes any

0:32:51.360 --> 0:32:55.640
<v Speaker 4>kind of sense. So so, and then you know, being

0:32:55.680 --> 0:32:58.440
<v Speaker 4>around her being and Dana Dane came around, and Dana

0:32:58.520 --> 0:33:01.280
<v Speaker 4>Dane to me, was just as greatest slick Rick. So

0:33:01.400 --> 0:33:06.360
<v Speaker 4>I started shadowing Dana all the time. And but I

0:33:06.440 --> 0:33:09.280
<v Speaker 4>think the click was two things that happened.

0:33:09.320 --> 0:33:09.600
<v Speaker 7>It was a.

0:33:11.080 --> 0:33:14.080
<v Speaker 4>Place I wish it still existed called USA United States

0:33:14.080 --> 0:33:18.920
<v Speaker 4>of America. In Queens. Every Sunday somebody would perform. I'm

0:33:18.920 --> 0:33:22.400
<v Speaker 4>talking about Eric being rock Him this Sunday, New Edition,

0:33:22.520 --> 0:33:26.880
<v Speaker 4>Next Sunday, l O Cuja next Sunday, Every Sunday Light Clockwork.

0:33:27.320 --> 0:33:29.000
<v Speaker 2>It was the greatest breakdance place.

0:33:29.080 --> 0:33:30.520
<v Speaker 4>If you ever watch B Street when they go to

0:33:30.600 --> 0:33:33.840
<v Speaker 4>the Rocky and Battle, just picture that with just in Queens.

0:33:34.000 --> 0:33:37.280
<v Speaker 4>It was that And that's why B Street resonates with

0:33:37.360 --> 0:33:39.640
<v Speaker 4>me so much, because it was something that was actually

0:33:39.720 --> 0:33:44.000
<v Speaker 4>real for me. And so we went to see Coolgie

0:33:44.080 --> 0:33:47.760
<v Speaker 4>Rap perform. He had twenty two records. It's demo and

0:33:48.760 --> 0:33:51.560
<v Speaker 4>I'm flying I'm Fly with the flip side, and that's

0:33:51.560 --> 0:33:56.840
<v Speaker 4>only two records yet. And he got up there and

0:33:57.160 --> 0:33:58.720
<v Speaker 4>to see the girls in.

0:33:58.800 --> 0:34:03.240
<v Speaker 2>The that I in the neighborhood, can you curse? Yes,

0:34:03.520 --> 0:34:04.240
<v Speaker 2>absolutely so.

0:34:04.400 --> 0:34:07.280
<v Speaker 4>Girls in the neighborhood that wouldn't do nothing, would be like,

0:34:07.480 --> 0:34:11.879
<v Speaker 4>I want to fuck him now hearing like the good

0:34:12.000 --> 0:34:15.439
<v Speaker 4>girls that that I just go to school with, saying, wait,

0:34:15.560 --> 0:34:16.960
<v Speaker 4>we see him every day.

0:34:17.160 --> 0:34:20.399
<v Speaker 2>We used to call him Abdul. We see Abduel every day.

0:34:21.120 --> 0:34:21.799
<v Speaker 4>And all of a.

0:34:21.800 --> 0:34:23.399
<v Speaker 2>Sudden he come.

0:34:23.520 --> 0:34:25.640
<v Speaker 4>He came out, I remember this in a dapper dand

0:34:25.760 --> 0:34:32.200
<v Speaker 4>Louis suit. Now you know everybody had a Muslim. I

0:34:32.280 --> 0:34:36.080
<v Speaker 4>never knew what, but we back in the days that

0:34:36.160 --> 0:34:36.400
<v Speaker 4>he was.

0:34:36.440 --> 0:34:36.880
<v Speaker 2>Up doing.

0:34:39.000 --> 0:34:43.520
<v Speaker 4>Sorry g and and he came out in this. He

0:34:43.640 --> 0:34:46.680
<v Speaker 4>came out in this uh Louis Vatan suit. You got

0:34:46.719 --> 0:34:52.160
<v Speaker 4>a Gucci link on with some medallion, a head full

0:34:52.200 --> 0:34:55.520
<v Speaker 4>of Jervy curls with a fade what gold teeth.

0:34:57.560 --> 0:34:58.319
<v Speaker 8>But that was the thing.

0:34:58.400 --> 0:35:00.200
<v Speaker 4>You don't believe he thought that was you know, she

0:35:00.360 --> 0:35:03.000
<v Speaker 4>rapped with the curl and you know, and and and

0:35:03.200 --> 0:35:04.279
<v Speaker 4>he's rhyming on fly.

0:35:04.760 --> 0:35:08.719
<v Speaker 2>Then he throws out these dollars and then he threw out.

0:35:09.320 --> 0:35:13.280
<v Speaker 2>Then he threw out roses and you all these.

0:35:16.600 --> 0:35:21.160
<v Speaker 4>This is pre king. So we're like that, what the

0:35:21.680 --> 0:35:24.759
<v Speaker 4>fuck and the girl, but it still didn't click. So

0:35:24.840 --> 0:35:27.040
<v Speaker 4>then I asked my father. Then a couple of like

0:35:27.200 --> 0:35:31.240
<v Speaker 4>in the summer, this was the winter, that summertime. I'm sorry,

0:35:31.400 --> 0:35:33.880
<v Speaker 4>this was later. Second, the first thing that happened was

0:35:33.920 --> 0:35:36.279
<v Speaker 4>I asked my father to take me to a Slick

0:35:36.400 --> 0:35:42.000
<v Speaker 4>Rick Dougie Fresh concert at City College in Harlem. So

0:35:42.120 --> 0:35:44.800
<v Speaker 4>my pops would take me anywhere anything music related.

0:35:45.000 --> 0:35:45.600
<v Speaker 2>He was witted.

0:35:45.680 --> 0:35:47.440
<v Speaker 4>He take me. We get in that bus, and he

0:35:47.640 --> 0:35:50.520
<v Speaker 4>was witted. He bought me turntables. He was one thousand percent.

0:35:51.000 --> 0:35:55.719
<v Speaker 4>I'll get into him, but you know, and I'm gonna

0:35:55.719 --> 0:35:57.200
<v Speaker 4>tell the story. I know you can relate to this one.

0:35:57.480 --> 0:35:58.960
<v Speaker 4>So we get into the store, we get to the

0:35:59.080 --> 0:36:05.000
<v Speaker 4>City College and Doug comes on. He's doing his Dougie

0:36:05.000 --> 0:36:07.319
<v Speaker 4>Fresh records. He had a couple of records before the show.

0:36:08.239 --> 0:36:10.120
<v Speaker 4>Then he then a magician comes out.

0:36:10.640 --> 0:36:17.560
<v Speaker 2>Wait what a hip hop magician? So the magician comes

0:36:17.640 --> 0:36:19.239
<v Speaker 2>out and to.

0:36:19.320 --> 0:36:22.719
<v Speaker 4>The beat, he's like throwing fire out his hands and

0:36:23.719 --> 0:36:24.719
<v Speaker 4>all the crazy shit.

0:36:24.800 --> 0:36:25.839
<v Speaker 2>So I'm like, all right, that's cool.

0:36:26.000 --> 0:36:28.000
<v Speaker 4>And then the music stops and all you hear from

0:36:28.000 --> 0:36:31.399
<v Speaker 4>the back is one two, one two, y'all the chicks win.

0:36:34.040 --> 0:36:39.480
<v Speaker 4>Rick saunters out in this FeelA suit and ballys his

0:36:40.480 --> 0:36:43.560
<v Speaker 4>his cano and shades, and he was just like, yo,

0:36:43.640 --> 0:36:46.920
<v Speaker 4>what's up, y'all? And all the chicks was losing their brains.

0:36:47.160 --> 0:36:50.440
<v Speaker 2>I was like, that is it. I have been sanctified.

0:36:50.440 --> 0:36:52.360
<v Speaker 2>It's like Jesus touched me.

0:36:52.520 --> 0:36:55.480
<v Speaker 4>At that one. I was like, fuck anything I want.

0:36:55.520 --> 0:36:57.279
<v Speaker 4>I was going to school to be an illustrator.

0:36:57.320 --> 0:36:57.480
<v Speaker 2>I was.

0:36:57.760 --> 0:37:00.400
<v Speaker 4>I was in art school, and I'm like, I'm not

0:37:00.560 --> 0:37:04.040
<v Speaker 4>doing no art. I was a science major. Also a

0:37:04.280 --> 0:37:12.640
<v Speaker 4>fuck science touched by the devil. No way, I'm not

0:37:12.840 --> 0:37:14.879
<v Speaker 4>doing this for a living for the rest of my life.

0:37:14.880 --> 0:37:18.200
<v Speaker 4>There's no way. Rick she did, Lotty Dotty did the show.

0:37:19.000 --> 0:37:23.360
<v Speaker 4>He bounced, chicks was losing their absolute minds. I was like,

0:37:23.400 --> 0:37:25.120
<v Speaker 4>oh no, this this gotta be my life.

0:37:25.200 --> 0:37:25.359
<v Speaker 3>Man.

0:37:25.440 --> 0:37:29.200
<v Speaker 4>I can't. I can'tnot not do that. But like the

0:37:29.320 --> 0:37:31.880
<v Speaker 4>touch on my post real quick. He this is how

0:37:31.960 --> 0:37:35.800
<v Speaker 4>my father was. I'm a heavy Prince fan, and so

0:37:36.800 --> 0:37:40.880
<v Speaker 4>you know, I'm like Prince Like. I relate to the

0:37:41.000 --> 0:37:43.880
<v Speaker 4>musicality of Prince, but I relate to the style of

0:37:44.000 --> 0:37:47.759
<v Speaker 4>Morris Day. So I'm all, I remember seven seven seven

0:37:47.840 --> 0:37:49.800
<v Speaker 4>ninety three eleven. That's like one of my first records

0:37:49.840 --> 0:37:53.080
<v Speaker 4>also that I ever bought, I bought. You know, I

0:37:53.120 --> 0:37:57.920
<v Speaker 4>don't think my father let me buy Dirty Mind album

0:37:58.000 --> 0:38:01.840
<v Speaker 4>because of him in the drawgs. No, but you know,

0:38:02.040 --> 0:38:04.880
<v Speaker 4>like and I remember bringing Home nineteen ninety nine. It's like, yo,

0:38:04.920 --> 0:38:06.080
<v Speaker 4>why is there a dick going to cover?

0:38:06.280 --> 0:38:06.680
<v Speaker 2>Like? What is it?

0:38:07.960 --> 0:38:08.120
<v Speaker 6>You know?

0:38:08.320 --> 0:38:11.759
<v Speaker 4>So, so I was doing a talent show and I

0:38:11.920 --> 0:38:14.840
<v Speaker 4>was gonna be It was a toss up between getting

0:38:14.840 --> 0:38:16.719
<v Speaker 4>my boys together and be coming the time or just

0:38:16.800 --> 0:38:20.120
<v Speaker 4>doing it alone and being prince. So my mother had

0:38:20.120 --> 0:38:22.880
<v Speaker 4>a purple raincoat. Put the purple coat on, she had

0:38:22.920 --> 0:38:26.800
<v Speaker 4>this blouse, put the blouse on, Put on my jeans.

0:38:27.480 --> 0:38:29.840
<v Speaker 4>She had these purple suede boots. Put them boots on.

0:38:31.120 --> 0:38:32.879
<v Speaker 2>Put this little thing around my hair.

0:38:32.920 --> 0:38:36.880
<v Speaker 4>I had a bush and I'm downstairs practicing Let's go crazy,

0:38:37.400 --> 0:38:39.120
<v Speaker 4>and my father walks in the baby.

0:38:39.320 --> 0:38:46.080
<v Speaker 8>The fuck I feel like building and mir stories like that.

0:38:53.560 --> 0:38:55.480
<v Speaker 2>So he was like, what the fuck are you doing.

0:38:57.000 --> 0:38:59.919
<v Speaker 2>It's prince man, he said, Prince what the fuck?

0:39:00.440 --> 0:39:02.319
<v Speaker 4>And I'm like, yo, it's Prince. So I show him

0:39:02.960 --> 0:39:06.880
<v Speaker 4>purple Rain. He said this bullshit and come with me.

0:39:07.280 --> 0:39:08.960
<v Speaker 4>He took me to the He took me to the

0:39:09.120 --> 0:39:11.279
<v Speaker 4>video store. You know there was no Blockbuster. They took

0:39:11.320 --> 0:39:13.279
<v Speaker 4>me to the video store and it's like, give me

0:39:13.400 --> 0:39:17.920
<v Speaker 4>whatever you have on Jimmy Hendrix, James Brown and Little Richard.

0:39:18.000 --> 0:39:18.239
<v Speaker 7>Wow.

0:39:18.520 --> 0:39:21.759
<v Speaker 4>And he made me sit down and watch every documentary

0:39:22.120 --> 0:39:24.560
<v Speaker 4>on those trees. Said, now there goes Prince. That's what

0:39:24.719 --> 0:39:26.160
<v Speaker 4>you want to do, that's what you want to be.

0:39:26.520 --> 0:39:28.040
<v Speaker 4>You got to know who these guys are.

0:39:28.080 --> 0:39:30.839
<v Speaker 2>And so you know that was his thing. Wait, can

0:39:30.920 --> 0:39:33.840
<v Speaker 2>we stop for all of you that are listening to

0:39:33.960 --> 0:39:37.440
<v Speaker 2>this episode. This is why we do this episode.

0:39:38.080 --> 0:39:42.200
<v Speaker 1>Parents, I want you to teach your children do exactly

0:39:42.920 --> 0:39:50.040
<v Speaker 1>what he said. Musical punishments are great, John Coltrane.

0:39:50.520 --> 0:39:52.279
<v Speaker 2>I wish I had musical punishments great.

0:39:52.640 --> 0:39:54.520
<v Speaker 6>My parents knew you couldn't punish me with music. They

0:39:54.560 --> 0:39:59.480
<v Speaker 6>said to then, okay, okay, yeah, give me more of that. No, dude,

0:40:00.280 --> 0:40:02.719
<v Speaker 6>you know, listen to him. Two man got me John

0:40:02.800 --> 0:40:03.640
<v Speaker 6>Coltrane for a month.

0:40:05.560 --> 0:40:07.600
<v Speaker 2>So you know, it's like even with Mars Day.

0:40:07.640 --> 0:40:08.359
<v Speaker 4>He saw Mars Day.

0:40:08.360 --> 0:40:09.600
<v Speaker 2>He say, you like what he has on?

0:40:09.800 --> 0:40:11.560
<v Speaker 4>I can take you to where exactly. You can buy

0:40:11.640 --> 0:40:13.560
<v Speaker 4>every one of those things. We went to Stacey Adams

0:40:13.600 --> 0:40:16.719
<v Speaker 4>I got, you know, and so my eighth grade prime

0:40:16.800 --> 0:40:18.880
<v Speaker 4>I pretty much had with Marris Day had because he

0:40:19.040 --> 0:40:21.880
<v Speaker 4>took me to the actual place. So so you know,

0:40:22.880 --> 0:40:24.560
<v Speaker 4>that's the type of you know, pops he was. And

0:40:24.680 --> 0:40:27.200
<v Speaker 4>I'm not saying my mother wasn't as encouraging, but my

0:40:27.280 --> 0:40:31.399
<v Speaker 4>mom's was the type of person was like, stop doing

0:40:31.520 --> 0:40:34.440
<v Speaker 4>that beat stuff with your mouth. It's gonna mess your

0:40:34.480 --> 0:40:38.160
<v Speaker 4>mouth up. Your lips are gonna be distorted, it's not

0:40:38.280 --> 0:40:41.759
<v Speaker 4>gonna look right. Tie your shoes. You're gonna get flat feet.

0:40:41.800 --> 0:40:44.960
<v Speaker 4>You're not gonna be able to walk right. Stop moving

0:40:45.000 --> 0:40:47.319
<v Speaker 4>your body like that. You're gonna get stuck that way.

0:40:47.400 --> 0:40:50.279
<v Speaker 4>Your head is gonna break. Don't spin on your head.

0:40:50.360 --> 0:40:54.000
<v Speaker 2>It will break it. We can't afford the hospital, you can.

0:40:54.040 --> 0:40:56.279
<v Speaker 2>I ask? Are you the only child?

0:40:56.560 --> 0:40:56.600
<v Speaker 6>No?

0:40:57.239 --> 0:40:58.000
<v Speaker 4>I had a little brother.

0:40:58.800 --> 0:41:00.080
<v Speaker 2>Oh okay, yeah, okay.

0:41:00.440 --> 0:41:04.920
<v Speaker 4>So so you know so and that was cool because

0:41:05.120 --> 0:41:07.400
<v Speaker 4>you know, I had a little brother and my little cousins.

0:41:07.880 --> 0:41:10.320
<v Speaker 4>If I couldn't get like a record or whatever, I

0:41:10.360 --> 0:41:14.160
<v Speaker 4>would like, look my brother's three. Tell them you want funk,

0:41:14.280 --> 0:41:19.920
<v Speaker 4>you right on up. Tell them you want super rhymes,

0:41:21.080 --> 0:41:23.440
<v Speaker 4>super but you know, so my brother would go ask

0:41:23.480 --> 0:41:25.759
<v Speaker 4>for super rhymes while I went and got these are the.

0:41:25.760 --> 0:41:26.960
<v Speaker 2>Breaks, you know what I'm saying.

0:41:27.040 --> 0:41:30.920
<v Speaker 4>So so yeah, and then you know, then then we

0:41:31.000 --> 0:41:32.880
<v Speaker 4>would do like we were the type we were like

0:41:32.960 --> 0:41:34.719
<v Speaker 4>the Double Trouble or something. We would come out, we

0:41:34.760 --> 0:41:36.400
<v Speaker 4>got to show for you, and then we put on

0:41:36.520 --> 0:41:39.360
<v Speaker 4>the breaks and we would perform the breaks for you know,

0:41:39.800 --> 0:41:41.839
<v Speaker 4>for dinner and stuff like that. So we were those kids,

0:41:43.640 --> 0:41:46.439
<v Speaker 4>and yeah, you know, so so that back to your question,

0:41:46.440 --> 0:41:48.920
<v Speaker 4>because I went around it that slick Rick moment, that

0:41:49.120 --> 0:41:52.000
<v Speaker 4>cool Gie Rat moment, was like, all right, yeah, this

0:41:52.200 --> 0:41:52.640
<v Speaker 4>is okay.

0:41:52.760 --> 0:41:55.680
<v Speaker 1>So how far was it in the future until you

0:41:56.840 --> 0:41:59.960
<v Speaker 1>were on stage for the first time doing your ship

0:42:00.200 --> 0:42:01.319
<v Speaker 1>pre deal like pre.

0:42:01.320 --> 0:42:04.280
<v Speaker 4>Deal immediately No no, no, no, no immediately.

0:42:04.280 --> 0:42:06.439
<v Speaker 2>It wasn't you'll get your deal at sixteen, right, yeah,

0:42:06.520 --> 0:42:09.120
<v Speaker 2>so so safe that was marketing. You were really sixteen

0:42:09.120 --> 0:42:09.520
<v Speaker 2>when you did.

0:42:09.800 --> 0:42:11.799
<v Speaker 4>I got my deal at sixteen. By the time Boy

0:42:11.880 --> 0:42:14.239
<v Speaker 4>Genius came out, I was about to be seventeen. But

0:42:15.960 --> 0:42:20.359
<v Speaker 4>I always did shows like you know, I hate saying

0:42:20.400 --> 0:42:22.399
<v Speaker 4>it in front of you, but you know I used

0:42:22.400 --> 0:42:24.840
<v Speaker 4>to kill the drums man like I'm seriously, I was like,

0:42:25.000 --> 0:42:27.120
<v Speaker 4>all my things, so my thing I used to be

0:42:27.640 --> 0:42:30.840
<v Speaker 4>good enough to wear my school would pimp me out and.

0:42:32.840 --> 0:42:35.040
<v Speaker 2>Drum at the same time. Sometimes I would that would

0:42:35.040 --> 0:42:37.080
<v Speaker 2>have been such a dope marketing angle for.

0:42:37.239 --> 0:42:38.960
<v Speaker 8>You saying Anderson Park is the only person that has

0:42:38.960 --> 0:42:39.400
<v Speaker 8>ever done that.

0:42:41.400 --> 0:42:43.480
<v Speaker 2>What I'm saying is that was a joke when I

0:42:43.640 --> 0:42:44.160
<v Speaker 2>was a kid.

0:42:44.320 --> 0:42:46.359
<v Speaker 4>When I was when I was a kid, fifth sixth,

0:42:46.560 --> 0:42:49.560
<v Speaker 4>seventh grade, and they got win that I did. I

0:42:49.680 --> 0:42:53.359
<v Speaker 4>play like that. It would be just like showtime at

0:42:53.520 --> 0:42:56.000
<v Speaker 4>Kwame's Apollo. They would just say, okay, today you're going

0:42:56.080 --> 0:42:57.600
<v Speaker 4>to the fourth grade class and you're gonna play the

0:42:57.680 --> 0:43:00.920
<v Speaker 4>drums for them, and they set up way planning rock.

0:43:01.360 --> 0:43:03.160
<v Speaker 2>You need to get out of the fourth period. Yeah

0:43:03.600 --> 0:43:03.800
<v Speaker 2>you know.

0:43:04.000 --> 0:43:08.040
<v Speaker 4>So so you know, me performing that was like, that's

0:43:08.080 --> 0:43:09.960
<v Speaker 4>what I love to do. So you know, when it

0:43:10.040 --> 0:43:12.840
<v Speaker 4>time when it was time to rhyme, like literally, the

0:43:12.920 --> 0:43:16.480
<v Speaker 4>teacher would be like, look, we're going to roller skating

0:43:16.640 --> 0:43:19.919
<v Speaker 4>today and there's going to be a DJ and a microphone. Kwame,

0:43:20.160 --> 0:43:24.160
<v Speaker 4>don't rap that that would be the prerequisite. And this is,

0:43:24.480 --> 0:43:27.480
<v Speaker 4>you know, sixth seventh grade. So you know, the first

0:43:27.719 --> 0:43:30.680
<v Speaker 4>time I was really like serious serious is that same

0:43:30.719 --> 0:43:35.440
<v Speaker 4>place USA? There was a rap contest every month or something,

0:43:35.840 --> 0:43:41.479
<v Speaker 4>and so the winner would get to go on tour

0:43:41.840 --> 0:43:44.480
<v Speaker 4>to all the other USA's. There was probably four more,

0:43:44.560 --> 0:43:47.880
<v Speaker 4>like one in Rhode Island, one in Boston, there was

0:43:47.920 --> 0:43:52.160
<v Speaker 4>a Philly one there was, and you know, so it

0:43:52.280 --> 0:43:54.200
<v Speaker 4>was like an East Coast thing and I was like, God,

0:43:55.160 --> 0:43:58.360
<v Speaker 4>So just to give you the people in this contest

0:43:58.520 --> 0:44:02.640
<v Speaker 4>was myself. I won one, Master Ace won the one

0:44:02.719 --> 0:44:05.759
<v Speaker 4>before that. For the them, c won the one before that.

0:44:07.160 --> 0:44:09.520
<v Speaker 4>I can't remember, super lovec casts and Overrudd won the

0:44:09.560 --> 0:44:11.839
<v Speaker 4>one before that. So it was all it was four

0:44:11.920 --> 0:44:15.880
<v Speaker 4>of us that would be out doing these USA shows.

0:44:16.400 --> 0:44:16.560
<v Speaker 2>You know.

0:44:16.680 --> 0:44:18.400
<v Speaker 4>So if say, if if it was the month that

0:44:18.480 --> 0:44:21.160
<v Speaker 4>I was in my competition, the special guests would be

0:44:21.200 --> 0:44:25.600
<v Speaker 4>Super Levec Father them See or Master Ace.

0:44:25.960 --> 0:44:26.120
<v Speaker 2>You know.

0:44:26.200 --> 0:44:29.520
<v Speaker 4>But we all, you know, we all got cool pretty

0:44:29.600 --> 0:44:33.480
<v Speaker 4>much from the from that experience. And then you know,

0:44:33.600 --> 0:44:36.560
<v Speaker 4>Suit got they got their deal first, and then you know,

0:44:36.680 --> 0:44:39.360
<v Speaker 4>Ace got his thing with the Juice Crew, you know

0:44:39.440 --> 0:44:42.279
<v Speaker 4>for them see he came after me. But no one

0:44:42.400 --> 0:44:45.880
<v Speaker 4>got deals per se from it. But that was the

0:44:46.080 --> 0:44:50.080
<v Speaker 4>performing experience, like the biggest, the most coveted thing that

0:44:50.200 --> 0:44:52.880
<v Speaker 4>I have is the trophy from that USA. It's in

0:44:53.000 --> 0:44:55.880
<v Speaker 4>my case I still have. It's broken. It looks like

0:44:55.960 --> 0:45:00.279
<v Speaker 4>a piece of garbage, but you know, no one will

0:45:00.320 --> 0:45:01.799
<v Speaker 4>know what it was. But you know, they're like, why

0:45:01.920 --> 0:45:04.040
<v Speaker 4>is this thing sitting You got all these plaques, why

0:45:04.160 --> 0:45:04.759
<v Speaker 4>is it sitting right?

0:45:05.160 --> 0:45:05.279
<v Speaker 2>Yo?

0:45:05.400 --> 0:45:05.560
<v Speaker 1>Man?

0:45:05.640 --> 0:45:07.880
<v Speaker 4>That's that's my first award.

0:45:08.520 --> 0:45:09.759
<v Speaker 2>What would you perform at that time?

0:45:10.480 --> 0:45:11.240
<v Speaker 4>Story rhymes?

0:45:11.719 --> 0:45:13.480
<v Speaker 2>It was like it was your own material. You just

0:45:13.560 --> 0:45:15.279
<v Speaker 2>had a beat box. Yeah. I was gonna say, did

0:45:15.320 --> 0:45:17.560
<v Speaker 2>you have a foil to do music for you?

0:45:17.760 --> 0:45:18.239
<v Speaker 4>Or yeah?

0:45:18.360 --> 0:45:21.920
<v Speaker 2>I had. I had the beat box, and then you

0:45:21.920 --> 0:45:24.320
<v Speaker 2>should have drumming run I used to.

0:45:24.440 --> 0:45:28.359
<v Speaker 4>I used to use this doctor rhythm drummers. I would

0:45:28.400 --> 0:45:30.920
<v Speaker 4>make a beat and I, you know, if the beat

0:45:30.960 --> 0:45:33.319
<v Speaker 4>box wouldn't come or I would have the doctor rhythm

0:45:34.640 --> 0:45:36.239
<v Speaker 4>whatever the beat was, and then he would beat on

0:45:36.360 --> 0:45:38.360
<v Speaker 4>top of it, and then you know, and then and

0:45:38.400 --> 0:45:40.560
<v Speaker 4>then I would rhyme. But it was mainly like story

0:45:41.800 --> 0:45:44.600
<v Speaker 4>nasty dirty story rhymes and get people.

0:45:44.440 --> 0:45:45.839
<v Speaker 2>To go six years old.

0:45:46.960 --> 0:45:50.080
<v Speaker 4>Yeah, and then to the point where I remember my

0:45:50.440 --> 0:45:54.360
<v Speaker 4>father and mother found one of.

0:45:54.360 --> 0:45:56.800
<v Speaker 2>The rhymes and this is after they they find the

0:45:56.840 --> 0:45:57.359
<v Speaker 2>story book.

0:45:57.440 --> 0:46:00.680
<v Speaker 4>Yeah, so they find around it fell out and it

0:46:00.840 --> 0:46:04.839
<v Speaker 4>was just like pussy bitch, fuck o, you know, all

0:46:04.920 --> 0:46:07.920
<v Speaker 4>this stuff and you know, being like trying to be

0:46:08.000 --> 0:46:11.200
<v Speaker 4>like stick you know, always has like a song that

0:46:11.680 --> 0:46:14.160
<v Speaker 4>is attached to it. You know, fun is so good.

0:46:14.200 --> 0:46:16.640
<v Speaker 4>She was like dag old dad, so.

0:46:18.320 --> 0:46:23.920
<v Speaker 2>So like that. But my min was the actual day.

0:46:24.320 --> 0:46:29.640
<v Speaker 4>So so my father was like my mother and father

0:46:29.719 --> 0:46:31.520
<v Speaker 4>sat me down and this is I can remember it

0:46:31.640 --> 0:46:34.040
<v Speaker 4>so vividly because they were split up for a while

0:46:34.440 --> 0:46:37.200
<v Speaker 4>and this was the one time they were together and

0:46:37.320 --> 0:46:40.800
<v Speaker 4>they sat me down and said, would you say this?

0:46:41.040 --> 0:46:44.600
<v Speaker 2>My mother's like, what you say this filth to me? Like, no,

0:46:45.320 --> 0:46:47.520
<v Speaker 2>what you say it to your grandmother? No?

0:46:47.840 --> 0:46:50.319
<v Speaker 4>And we're in my grandmother's house. Get your grandmother right

0:46:50.360 --> 0:46:57.080
<v Speaker 4>now and read this time. So my grandma's like, what's

0:46:57.120 --> 0:46:58.399
<v Speaker 4>going on? Like, sit down?

0:47:01.560 --> 0:47:05.839
<v Speaker 2>The bitch was sitting on my lap and I began

0:47:05.960 --> 0:47:08.480
<v Speaker 2>to rap what whatever in mine was.

0:47:08.760 --> 0:47:12.279
<v Speaker 4>And my grandmother was like, she just got up and

0:47:12.360 --> 0:47:12.839
<v Speaker 4>walked away.

0:47:15.760 --> 0:47:23.040
<v Speaker 1>Let's hear it for hip hop humiliation, that's weird. I

0:47:23.160 --> 0:47:28.600
<v Speaker 1>got it for honing it, got it right, you know.

0:47:29.080 --> 0:47:31.640
<v Speaker 2>Did you so to get a record though?

0:47:31.680 --> 0:47:36.640
<v Speaker 1>Did you finally feel like vindicated? Like, okay, now I'm this,

0:47:36.880 --> 0:47:40.239
<v Speaker 1>this is paid off well before before I get to that.

0:47:40.680 --> 0:47:44.279
<v Speaker 1>My rap name that was the big issue. Oh my

0:47:44.480 --> 0:47:50.520
<v Speaker 1>rap name was sweet Daddy Jazzy k g Q. That

0:47:50.719 --> 0:47:53.840
<v Speaker 1>was your whole, whole thing, whole name, Sweet Daddy Jazzy

0:47:53.960 --> 0:47:58.160
<v Speaker 1>k GQ. Everyone's first name. What was your first rap name?

0:47:58.200 --> 0:47:59.840
<v Speaker 1>Fante before Little Brother Fante?

0:48:00.080 --> 0:48:05.400
<v Speaker 6>It was psychological that's not even that bad, but it was.

0:48:05.480 --> 0:48:08.440
<v Speaker 2>But the real comedy called Yeah, you already know. It

0:48:08.560 --> 0:48:14.239
<v Speaker 2>was p s y k A L O g I

0:48:14.480 --> 0:48:16.400
<v Speaker 2>K A L with a question mark.

0:48:18.800 --> 0:48:19.160
<v Speaker 4>Backward.

0:48:21.960 --> 0:48:23.760
<v Speaker 2>Yeah it was. Yeah, it was horrible.

0:48:23.960 --> 0:48:26.279
<v Speaker 4>Yeah, I remember, man, it was like being in the

0:48:26.320 --> 0:48:29.040
<v Speaker 4>studio one time and Dana Dana Dane was like, look, man,

0:48:29.800 --> 0:48:31.120
<v Speaker 4>I don't know how to tell you this, but that's

0:48:31.160 --> 0:48:34.200
<v Speaker 4>the stupidest name I never heard. And I looked up

0:48:34.239 --> 0:48:36.520
<v Speaker 4>to Dana so much. I was like heartbroken. I was like,

0:48:36.600 --> 0:48:39.880
<v Speaker 4>for real, man, He's like, yo, I don't know anybody

0:48:39.960 --> 0:48:42.520
<v Speaker 4>with the name Kwame. I don't anybody with that name.

0:48:43.000 --> 0:48:43.879
<v Speaker 2>Just use your name.

0:48:44.320 --> 0:48:46.359
<v Speaker 4>And Salt, which was WIBB, was in the next one,

0:48:46.480 --> 0:48:55.600
<v Speaker 4>going yeah that's a stupid ass name. Yeah, so Sault

0:48:55.680 --> 0:48:58.640
<v Speaker 4>and Dana killing me and Saul is like, you know you,

0:48:59.120 --> 0:49:01.279
<v Speaker 4>we know what you're doing. We know when we go away,

0:49:01.280 --> 0:49:03.400
<v Speaker 4>you coming here and you steal the drum machines and

0:49:03.920 --> 0:49:06.399
<v Speaker 4>you make this music and everything. You like a little

0:49:06.560 --> 0:49:08.760
<v Speaker 4>little boy genius. Why don't you just call yourself Kwame

0:49:08.920 --> 0:49:12.239
<v Speaker 4>the damn boy Genius or something not sweet Daddy jazzy k.

0:49:12.360 --> 0:49:17.120
<v Speaker 4>I'm like, and that's how the whole thing started.

0:49:17.080 --> 0:49:19.239
<v Speaker 6>Honestly, man like really like you were one of the

0:49:19.280 --> 0:49:21.839
<v Speaker 6>first nerds. Yeah, the first nerds. Like when I bought

0:49:22.040 --> 0:49:23.800
<v Speaker 6>The Boy Genius, I mean that came in. I was

0:49:23.840 --> 0:49:27.480
<v Speaker 6>like ten, I think and seeing you know Kuame, but

0:49:27.560 --> 0:49:29.319
<v Speaker 6>then reading the credits and seeing your name was Kwame

0:49:29.440 --> 0:49:31.719
<v Speaker 6>Holland that was one of the early times I saw.

0:49:31.760 --> 0:49:33.320
<v Speaker 6>I was like, man, I could just be fante. I

0:49:33.320 --> 0:49:35.960
<v Speaker 6>could just wrap under my name. The first Cats inspired

0:49:36.000 --> 0:49:38.919
<v Speaker 6>me to do that. You were the first hip hop nerd,

0:49:39.520 --> 0:49:40.920
<v Speaker 6>so that that's probably what it was.

0:49:41.320 --> 0:49:44.680
<v Speaker 2>Okay, So there's an associate of.

0:49:44.719 --> 0:49:49.080
<v Speaker 1>Yours that I've been dying to interview, and I really

0:49:49.160 --> 0:49:50.640
<v Speaker 1>don't know that much about him.

0:49:50.840 --> 0:49:52.719
<v Speaker 2>Okay, can you speak of.

0:49:54.680 --> 0:49:59.520
<v Speaker 1>One of my hip hop idols as a producer, Herbie

0:49:59.560 --> 0:50:00.560
<v Speaker 1>love Buf Yeah.

0:50:00.719 --> 0:50:05.000
<v Speaker 4>Please. Herbie is the most elusive man on the planet.

0:50:05.200 --> 0:50:07.800
<v Speaker 4>You do not know what country he is now. It

0:50:07.880 --> 0:50:10.840
<v Speaker 4>could be anywhere. Literally, he's the He's the male Carmen

0:50:10.920 --> 0:50:13.480
<v Speaker 4>san Diego. Like, I can text Herbie, where are you.

0:50:13.640 --> 0:50:16.560
<v Speaker 4>I'm in Haiti. Where are you? I'm in France, Africa.

0:50:16.640 --> 0:50:17.359
<v Speaker 8>Spoke to him.

0:50:18.280 --> 0:50:20.120
<v Speaker 4>He was where Miami.

0:50:20.440 --> 0:50:24.560
<v Speaker 1>Okay, that's that's one of my dreams, my personal top

0:50:24.680 --> 0:50:25.839
<v Speaker 1>five interview goals.

0:50:25.880 --> 0:50:27.840
<v Speaker 2>It is definitely Herbie Love. Yeah, I want to. I

0:50:27.960 --> 0:50:29.440
<v Speaker 2>wanted Herbie too. Herbie.

0:50:29.560 --> 0:50:34.359
<v Speaker 4>I'm telling you, Herbie is like to run into herb.

0:50:35.000 --> 0:50:39.960
<v Speaker 4>It's just you'll run into Herbie in the weirdest places, like,

0:50:40.000 --> 0:50:42.840
<v Speaker 4>for example, you know I keep in touch with you know,

0:50:42.960 --> 0:50:44.839
<v Speaker 4>my old crew of Salt and Pepper, kidd and Play,

0:50:44.960 --> 0:50:49.640
<v Speaker 4>Dana Danes Sweet Tea, and so most of us still

0:50:49.760 --> 0:50:51.960
<v Speaker 4>keep in touch in some way, shape or form. So

0:50:52.280 --> 0:50:52.880
<v Speaker 4>it'll be like.

0:50:54.440 --> 0:50:54.600
<v Speaker 2>One.

0:50:54.760 --> 0:50:57.759
<v Speaker 4>It was like sometime last year, I'm talking to Play.

0:50:58.480 --> 0:51:00.960
<v Speaker 4>He's in La I'm in New York and we're talking

0:51:01.000 --> 0:51:02.640
<v Speaker 4>on the phone and we're like, man, we should find

0:51:02.680 --> 0:51:06.600
<v Speaker 4>Herbie and throw him at dinner, an appreciation dinner. I

0:51:06.680 --> 0:51:07.800
<v Speaker 4>was like, yeah, if you can find him, It's like

0:51:07.800 --> 0:51:09.759
<v Speaker 4>everybody has his number, but you just gotta find him,

0:51:10.400 --> 0:51:14.080
<v Speaker 4>and I swear to you, like forty five minutes later,

0:51:15.200 --> 0:51:17.719
<v Speaker 4>Play calls me up, yo, I'm walking down the fucking block,

0:51:17.760 --> 0:51:19.640
<v Speaker 4>and here goes Herbie and he puts Herbie on the phone,

0:51:20.560 --> 0:51:22.359
<v Speaker 4>and then I talked to Herbie for a minute. Play

0:51:22.440 --> 0:51:24.040
<v Speaker 4>talks to him for a minute, and then nobody sees

0:51:24.120 --> 0:51:28.600
<v Speaker 4>him again after that, just some It's like random. So

0:51:29.120 --> 0:51:32.320
<v Speaker 4>I have not physically seen Herbie. The last time I

0:51:32.360 --> 0:51:34.719
<v Speaker 4>physically saw him was when Viehron was doing these hip

0:51:34.760 --> 0:51:40.040
<v Speaker 4>Hop honors and they were honoring Salt and Pepper and

0:51:40.640 --> 0:51:46.080
<v Speaker 4>we were going down the the step and repeat and

0:51:46.200 --> 0:51:50.800
<v Speaker 4>Herbie wasn't invited, but Herbie was on the in the

0:51:50.960 --> 0:51:54.000
<v Speaker 4>press line with a camera crew and a and a

0:51:54.200 --> 0:51:58.560
<v Speaker 4>microphone that said HTV. He's like, yo, you want to

0:51:58.600 --> 0:51:59.880
<v Speaker 4>do an interview. I'm like, what the hell are you

0:52:00.160 --> 0:52:04.839
<v Speaker 4>doing it? He was, yeah, you were there, he was there,

0:52:04.880 --> 0:52:07.440
<v Speaker 4>and he said, I own a TV station.

0:52:08.080 --> 0:52:09.279
<v Speaker 2>So that sounds about right.

0:52:09.480 --> 0:52:12.800
<v Speaker 4>I'm doing I'm gonna do. I'm doing interviews. I was like,

0:52:13.600 --> 0:52:15.439
<v Speaker 4>are you coming inside? And I ain't going in there.

0:52:16.960 --> 0:52:17.640
<v Speaker 2>It's crazy.

0:52:18.760 --> 0:52:22.160
<v Speaker 4>This is let me, Herbie is, let me, let me

0:52:22.200 --> 0:52:25.960
<v Speaker 4>get you to understand Herbie. Herbie is the type of guy.

0:52:26.960 --> 0:52:31.560
<v Speaker 4>He is the template for any ball out producer.

0:52:32.719 --> 0:52:33.640
<v Speaker 2>He is the template.

0:52:33.760 --> 0:52:37.400
<v Speaker 4>Like when I say the template puff Jermaine used to

0:52:38.120 --> 0:52:42.120
<v Speaker 4>shadow Herbie all the time, you know, and Herbie is

0:52:42.160 --> 0:52:48.080
<v Speaker 4>the only person I've literally like, Herbie would pick me

0:52:48.160 --> 0:52:50.440
<v Speaker 4>up one time, like we were just hanging out. This

0:52:50.600 --> 0:52:53.000
<v Speaker 4>is like in the mid nineties, we reconnected and we

0:52:53.040 --> 0:52:55.439
<v Speaker 4>would just hang out every day for stupid stuff. Let's

0:52:55.440 --> 0:52:57.000
<v Speaker 4>call get White Castle, let's do this, let's do it.

0:52:57.280 --> 0:53:00.239
<v Speaker 4>And every single day a different brand new car would

0:53:00.280 --> 0:53:02.160
<v Speaker 4>pick me up. It would be a Hummer, it would

0:53:02.160 --> 0:53:05.920
<v Speaker 4>be whatever was hot at the time. But I've never

0:53:06.040 --> 0:53:11.520
<v Speaker 4>met a person with forty cars. Like literally, no I'm not,

0:53:11.560 --> 0:53:14.920
<v Speaker 4>I'm being literal. I've been in a garage that a

0:53:15.000 --> 0:53:18.239
<v Speaker 4>friend of ours own and I was like nine eleven's

0:53:18.360 --> 0:53:21.200
<v Speaker 4>bens is like like who he said, all this is

0:53:21.280 --> 0:53:23.920
<v Speaker 4>this is what Herbie stores all his cars. But then

0:53:24.640 --> 0:53:27.360
<v Speaker 4>go to La and see the same amount of cars,

0:53:28.440 --> 0:53:31.719
<v Speaker 4>same amount of cars in La, you know it was

0:53:32.000 --> 0:53:34.640
<v Speaker 4>didn't go to Miami and see the same I was like,

0:53:34.880 --> 0:53:35.880
<v Speaker 4>what are you doing?

0:53:36.480 --> 0:53:37.680
<v Speaker 2>But he was not.

0:53:40.239 --> 0:53:42.279
<v Speaker 4>But when I say, when I say that, it wasn't

0:53:42.320 --> 0:53:44.240
<v Speaker 4>like he was the type of person that would super

0:53:44.320 --> 0:53:47.640
<v Speaker 4>blowers money. He would just come up on I don't

0:53:47.680 --> 0:53:50.400
<v Speaker 4>know how he did it, and he made You got

0:53:50.520 --> 0:53:54.800
<v Speaker 4>to understand Salt and Pepper has sold a lot of records,

0:53:55.520 --> 0:53:58.680
<v Speaker 4>more than any female rapper. And they never want to

0:53:58.719 --> 0:54:02.520
<v Speaker 4>say this, but like those albums sold five six seven

0:54:02.600 --> 0:54:07.000
<v Speaker 4>million copies, and Herbie wrote all the rhymes and did them,

0:54:07.520 --> 0:54:13.000
<v Speaker 4>did all the music. So you're getting one hundred and

0:54:13.200 --> 0:54:17.839
<v Speaker 4>you're getting those that royalty. That's a lot of money.

0:54:17.880 --> 0:54:20.319
<v Speaker 4>And then you have push it Pushes now a commercial song.

0:54:20.640 --> 0:54:24.040
<v Speaker 4>So it's like and and he's the only producer that

0:54:24.160 --> 0:54:28.640
<v Speaker 4>I know that was able to have say because there

0:54:28.719 --> 0:54:31.080
<v Speaker 4>was some acts that people just never heard of anymore

0:54:31.360 --> 0:54:34.000
<v Speaker 4>or heard of period. But he would have ten separate

0:54:34.080 --> 0:54:39.480
<v Speaker 4>acts with ten separate deals, commanding ten budgets at the

0:54:39.560 --> 0:54:46.279
<v Speaker 4>same time. Yeah, you know, and and and I think

0:54:46.440 --> 0:54:50.280
<v Speaker 4>that the one thing that I, you know, always respected

0:54:50.360 --> 0:54:53.120
<v Speaker 4>and he puts the battery in my back as a producer,

0:54:53.640 --> 0:54:56.600
<v Speaker 4>you know, always respected him. As a producer. A lot

0:54:56.640 --> 0:54:59.680
<v Speaker 4>of people think he produced my stuff, and that's that's

0:54:59.760 --> 0:55:05.839
<v Speaker 4>for he never did. But as a producer, I had

0:55:05.880 --> 0:55:07.759
<v Speaker 4>to give him so much respect for doing that, but

0:55:07.840 --> 0:55:13.840
<v Speaker 4>I never understood why it never left his camp, Like

0:55:14.280 --> 0:55:17.399
<v Speaker 4>you were secret, right, why didn't you produce a record

0:55:17.440 --> 0:55:20.040
<v Speaker 4>for Madonna? You know, why didn't you produce a record

0:55:20.160 --> 0:55:22.279
<v Speaker 4>for I remember he did a remix for R. E. M.

0:55:22.400 --> 0:55:23.880
<v Speaker 4>One time, and you know, we thought that was a

0:55:23.920 --> 0:55:28.960
<v Speaker 4>big deal. But it never went past that. But did

0:55:29.000 --> 0:55:31.680
<v Speaker 4>it really have to because he had he had his

0:55:31.800 --> 0:55:36.080
<v Speaker 4>own and and I never understood why if you were

0:55:36.120 --> 0:55:40.200
<v Speaker 4>a captain of a ship, why not make everybody be

0:55:40.320 --> 0:55:46.719
<v Speaker 4>on a record together. Everybody was so about themselves, including me,

0:55:47.640 --> 0:55:53.160
<v Speaker 4>that we never figured that that switch out.

0:55:53.440 --> 0:55:55.240
<v Speaker 2>You know what I'm saying, each other's videos.

0:55:56.000 --> 0:55:58.080
<v Speaker 1>That's how you guys are down with each other because

0:55:58.239 --> 0:56:02.320
<v Speaker 1>when you're debut you Yeah, my god, Tarik loss his

0:56:02.560 --> 0:56:05.440
<v Speaker 1>mind when he first saw it's the man we all

0:56:05.480 --> 0:56:08.640
<v Speaker 1>know love like because he was trying to describe I

0:56:08.680 --> 0:56:12.480
<v Speaker 1>didn't have uh MTV in my part of town, so

0:56:12.600 --> 0:56:16.279
<v Speaker 1>basically would recorded for me and then give me the

0:56:16.360 --> 0:56:18.279
<v Speaker 1>tape on Monday, so he would describe it to me,

0:56:19.160 --> 0:56:20.840
<v Speaker 1>and he was just like, Yo, this is is video.

0:56:21.320 --> 0:56:24.400
<v Speaker 2>Malcolm Jamal warners in it, kidding plays in it.

0:56:24.600 --> 0:56:28.719
<v Speaker 1>And he's he's re enacting being tired vidic like, so

0:56:28.880 --> 0:56:32.600
<v Speaker 1>Tarik I had already from and he.

0:56:32.640 --> 0:56:35.080
<v Speaker 2>Starts with the same street thing. One of these kids

0:56:35.680 --> 0:56:36.920
<v Speaker 2>don't think he's like he's like.

0:56:37.560 --> 0:56:40.560
<v Speaker 1>He basically said, it was like a cross between because

0:56:40.680 --> 0:56:43.839
<v Speaker 1>like I was, like, you know, the premise of Class Act,

0:56:43.960 --> 0:56:45.840
<v Speaker 1>the movie that was.

0:56:45.920 --> 0:56:48.720
<v Speaker 2>Me and I was the nerve that new break beats

0:56:48.880 --> 0:56:50.120
<v Speaker 2>was Duncan Penner hughes.

0:56:50.400 --> 0:56:54.600
<v Speaker 4>Yes, I got a great Class Act. I want to

0:56:54.640 --> 0:56:57.719
<v Speaker 4>hear it please, I'm in Class Act. You know you

0:56:57.760 --> 0:57:01.000
<v Speaker 4>wouldn't get it was sleeping right, No, I got it

0:57:01.160 --> 0:57:03.440
<v Speaker 4>was the worst best experience in my life. So I

0:57:03.600 --> 0:57:07.759
<v Speaker 4>was supposed to be Dougie Doug's character. I got the role.

0:57:07.840 --> 0:57:10.279
<v Speaker 4>I actually got the role. I flew to La to

0:57:10.400 --> 0:57:13.640
<v Speaker 4>start shooting and play goes, what are you doing here?

0:57:14.239 --> 0:57:14.920
<v Speaker 4>I'm here to work.

0:57:15.000 --> 0:57:15.640
<v Speaker 2>He said, no, you're not.

0:57:15.960 --> 0:57:21.600
<v Speaker 4>He we wanted him, so so they they chose Dougie Doug,

0:57:21.800 --> 0:57:22.640
<v Speaker 4>which was a good choice.

0:57:22.640 --> 0:57:23.280
<v Speaker 2>He's a comedian.

0:57:23.360 --> 0:57:28.160
<v Speaker 4>I'm so not so that was cool. Yes, So they

0:57:28.320 --> 0:57:33.040
<v Speaker 4>they lobbied for him that and so they said it

0:57:33.080 --> 0:57:36.680
<v Speaker 4>had no idea that I even tried out. So they said, well,

0:57:36.720 --> 0:57:38.520
<v Speaker 4>we will write apart for you. So they wrote a

0:57:38.560 --> 0:57:43.320
<v Speaker 4>part called Squirrelly Kid. Yeah, I had to wear my

0:57:43.400 --> 0:57:47.280
<v Speaker 4>own clothes. I wore my propeller hat and the the

0:57:47.360 --> 0:57:52.600
<v Speaker 4>premise was the bully guy he I'm tired of him

0:57:52.640 --> 0:57:56.640
<v Speaker 4>bullying me, so I pulled out a thirty eight real, yeah,

0:57:56.800 --> 0:57:58.880
<v Speaker 4>and he's supposed to knock the thirty eight out in

0:57:58.920 --> 0:58:02.000
<v Speaker 4>my hand, pick me up, throw me out the window.

0:58:02.280 --> 0:58:02.960
<v Speaker 2>So he does that.

0:58:03.280 --> 0:58:08.600
<v Speaker 4>So in rehearsal, instead of him knocking the gun he

0:58:08.680 --> 0:58:11.000
<v Speaker 4>was supposed to knock the gun this way out, he

0:58:11.160 --> 0:58:12.920
<v Speaker 4>does it to where the gun comes this way and

0:58:13.000 --> 0:58:19.240
<v Speaker 4>it whole side of my face, like the blood everywhere.

0:58:20.280 --> 0:58:23.040
<v Speaker 4>Everything was crazy. So they had to shoot me from

0:58:23.120 --> 0:58:27.560
<v Speaker 4>one side. And then this random stunt guy was the

0:58:27.640 --> 0:58:29.440
<v Speaker 4>do they threw out the window. But I was like

0:58:29.640 --> 0:58:31.920
<v Speaker 4>it was like, you know, it's a mistake. They thought

0:58:31.960 --> 0:58:34.360
<v Speaker 4>I was going to shoot the movie company. I was

0:58:34.400 --> 0:58:35.720
<v Speaker 4>just so hyped to be in a movie. I was

0:58:35.760 --> 0:58:39.680
<v Speaker 4>like whatever, And then you know, I had a busted

0:58:39.720 --> 0:58:42.080
<v Speaker 4>lip for like two weeks and then kept it pushing

0:58:42.440 --> 0:58:46.280
<v Speaker 4>and so you know, but you know, that was an

0:58:46.360 --> 0:58:50.160
<v Speaker 4>example of how you could be in the same crew

0:58:51.040 --> 0:58:54.480
<v Speaker 4>but yet you're still doing your your your thing, you know,

0:58:54.640 --> 0:58:58.080
<v Speaker 4>because can't play a lobby for me to be in

0:58:58.120 --> 0:58:59.600
<v Speaker 4>the movie. A little bit more, I could say that

0:58:59.640 --> 0:59:02.280
<v Speaker 4>I'm not I'm not bitter about it, and we've talked

0:59:02.320 --> 0:59:05.560
<v Speaker 4>about it, so it's nothing against them. They were on

0:59:05.880 --> 0:59:07.880
<v Speaker 4>a path that they wanted to be on. But I

0:59:07.960 --> 0:59:10.760
<v Speaker 4>can't understand, like why why wouldn't Salt and Pepper be

0:59:10.960 --> 0:59:14.320
<v Speaker 4>to Sena Arnold and I mean Tisha Campbell and aj

0:59:14.520 --> 0:59:17.600
<v Speaker 4>sunders like why why.

0:59:17.720 --> 0:59:18.920
<v Speaker 2>Why wouldn't that be Salt and Pepper?

0:59:18.960 --> 0:59:20.160
<v Speaker 8>Wait, because Harvey did it.

0:59:21.240 --> 0:59:23.600
<v Speaker 4>But but I do know that story, that story was,

0:59:23.720 --> 0:59:28.240
<v Speaker 4>that movie was made for Prince. No, it was originally

0:59:28.320 --> 0:59:34.080
<v Speaker 4>written for Groove be Chill, but Groove be Chill wasn't

0:59:35.360 --> 0:59:37.240
<v Speaker 4>big enough. They didn't they you know, they didn't think

0:59:37.280 --> 0:59:39.320
<v Speaker 4>that was gonna be big enough to carry a movie.

0:59:39.560 --> 0:59:42.280
<v Speaker 4>So then it was submitted to Jeff and Prince. And

0:59:42.720 --> 0:59:44.040
<v Speaker 4>I don't know what that politic was.

0:59:44.640 --> 0:59:48.040
<v Speaker 8>Okay, So real quick house party.

0:59:48.640 --> 0:59:51.360
<v Speaker 1>You remember when Will and Jeff had their own Freddy

0:59:51.440 --> 0:59:56.720
<v Speaker 1>song night Mare Online Street, Well, New Line Cinema had

0:59:56.760 --> 0:59:58.520
<v Speaker 1>already designated who's the.

0:59:58.560 --> 1:00:01.760
<v Speaker 2>Most popular rap group out there? Yeah, the Fat Boys.

1:00:02.280 --> 1:00:08.400
<v Speaker 1>So basically Will and Jeff, Will and Jeff have basically

1:00:08.640 --> 1:00:12.040
<v Speaker 1>messed up the Fat Boys Nightmare theme because their ship

1:00:12.160 --> 1:00:16.040
<v Speaker 1>was way bigger than that. So New Line Cinema tried

1:00:16.080 --> 1:00:19.320
<v Speaker 1>to sue Will and just yes, yep. And then this

1:00:19.520 --> 1:00:24.000
<v Speaker 1>movie comes up because the Hutler brothers really want Jazzy

1:00:24.040 --> 1:00:27.600
<v Speaker 1>Jeff and the Fresh Prince based on parents just don't understand, yeah,

1:00:27.960 --> 1:00:30.840
<v Speaker 1>and so a bunch of irritate whatever, and you know,

1:00:30.880 --> 1:00:32.400
<v Speaker 1>they're like, no, they're trying to sue us anyway for

1:00:32.560 --> 1:00:33.160
<v Speaker 1>Nightmare Online.

1:00:33.240 --> 1:00:35.160
<v Speaker 2>We don't want New Line Cinema. So then they went

1:00:35.200 --> 1:00:35.800
<v Speaker 2>to kitt and Play.

1:00:36.800 --> 1:00:39.400
<v Speaker 4>But but so what I'm talking about with grooveby Chill

1:00:39.520 --> 1:00:42.680
<v Speaker 4>is pre all of that. It's the inception writing a

1:00:42.720 --> 1:00:45.560
<v Speaker 4>script and with them in mind, I think it was

1:00:45.600 --> 1:00:50.920
<v Speaker 4>like Groovy grooveby Chill and Finessence and Quiz like that

1:00:51.160 --> 1:00:54.280
<v Speaker 4>was like the inception of the script from from what

1:00:54.400 --> 1:00:56.440
<v Speaker 4>I was told. You know, I could be wrong, so

1:00:57.760 --> 1:01:00.280
<v Speaker 4>you know, so so, but just imagine it was a

1:01:00.360 --> 1:01:02.720
<v Speaker 4>salt and pepper kid and play movie or you know.

1:01:02.840 --> 1:01:06.480
<v Speaker 4>And then another thing with House Party, that was my

1:01:06.600 --> 1:01:09.800
<v Speaker 4>other movie failure. I guess I was. I went to

1:01:10.040 --> 1:01:11.680
<v Speaker 4>l A. I went to live in l A to

1:01:11.840 --> 1:01:15.080
<v Speaker 4>be in House Party. You know, Herbie gasped me up,

1:01:15.120 --> 1:01:17.400
<v Speaker 4>you can make your second album, you can make music

1:01:17.480 --> 1:01:22.400
<v Speaker 4>for the movie, and you beloud yeah, And then I

1:01:22.480 --> 1:01:25.520
<v Speaker 4>get to the set, there's no nothing for me to do.

1:01:25.720 --> 1:01:27.560
<v Speaker 4>But yet if you look at the movie, just like

1:01:28.640 --> 1:01:31.760
<v Speaker 4>ten kwame look alikes in the house party, oh yeah,

1:01:33.240 --> 1:01:37.440
<v Speaker 4>dancing and all the stuff, and I'm like, so I

1:01:37.480 --> 1:01:41.320
<v Speaker 4>couldn't have done that, Like really, y'all couldn't have.

1:01:41.760 --> 1:01:43.240
<v Speaker 2>Y'all couldn't said okay home and you can go.

1:01:43.400 --> 1:01:43.640
<v Speaker 8>I can.

1:01:43.800 --> 1:01:46.360
<v Speaker 4>I can dance, and you know I could have danced

1:01:46.400 --> 1:01:49.520
<v Speaker 4>well enough for the movie. So so it was things

1:01:49.600 --> 1:01:50.520
<v Speaker 4>like that, even if.

1:01:50.720 --> 1:01:51.560
<v Speaker 2>Y'all were family.

1:01:52.200 --> 1:01:54.560
<v Speaker 1>Are you saying that there was just in house competition

1:01:54.760 --> 1:01:57.960
<v Speaker 1>with this is my Dodaine like, yeah, go get your

1:01:58.880 --> 1:02:02.280
<v Speaker 1>don't use my platform, worm to so they couldn't see

1:02:02.280 --> 1:02:03.000
<v Speaker 1>the bigger pictures.

1:02:03.080 --> 1:02:05.680
<v Speaker 4>I think the biggest picture was Salt and Pepper, and

1:02:05.880 --> 1:02:09.760
<v Speaker 4>Salt and Pepper's platform allowed everybody else to be on

1:02:09.840 --> 1:02:12.640
<v Speaker 4>a platform. For example, that n W a movie that

1:02:12.760 --> 1:02:15.200
<v Speaker 4>you everybody saw straight out of Compton, that tour that

1:02:15.280 --> 1:02:20.600
<v Speaker 4>they were on. That was me n W. A easy

1:02:21.440 --> 1:02:22.960
<v Speaker 4>kidn't play Salt and Pepper.

1:02:24.360 --> 1:02:28.480
<v Speaker 2>That night I was on that tour. Yeah, so so.

1:02:29.480 --> 1:02:35.560
<v Speaker 4>But but that took place because the power of Salt

1:02:35.600 --> 1:02:37.800
<v Speaker 4>and Pepper was like, well, if you want Salt and

1:02:37.800 --> 1:02:41.320
<v Speaker 4>Pepper on this tour, you gotta take Kwame and can play.

1:02:41.680 --> 1:02:44.040
<v Speaker 4>But it was cool, you know, and the cool thing

1:02:44.280 --> 1:02:48.760
<v Speaker 4>was that's how my my record sales grew because in

1:02:48.840 --> 1:02:50.560
<v Speaker 4>the beginning of the tour they had no idea who

1:02:50.600 --> 1:02:51.880
<v Speaker 4>the hell I was. By the end of the tour,

1:02:52.320 --> 1:02:55.720
<v Speaker 4>you know, things were popping and that to honestly, the

1:02:55.800 --> 1:02:57.800
<v Speaker 4>tour was only two weeks, week and a half.

1:02:57.880 --> 1:02:59.560
<v Speaker 8>It wasn't even it was supposed to be two weeks

1:02:59.640 --> 1:03:00.360
<v Speaker 8>or got yeah.

1:03:00.200 --> 1:03:00.880
<v Speaker 2>No, no, no, that was it.

1:03:01.720 --> 1:03:05.480
<v Speaker 4>But two weeks to a kid that doing something they've

1:03:05.720 --> 1:03:08.919
<v Speaker 4>never done before on tour, it was so dope because

1:03:08.960 --> 1:03:13.000
<v Speaker 4>it was like, you know, the ordinances, they're you know,

1:03:13.160 --> 1:03:15.440
<v Speaker 4>no curse and no you know all these ordinances. So

1:03:15.560 --> 1:03:18.320
<v Speaker 4>we would do things like all right, easy would come

1:03:18.360 --> 1:03:20.760
<v Speaker 4>into our dress room, we'll all do things together. If

1:03:20.800 --> 1:03:24.600
<v Speaker 4>anybody knows about tours, sometimes the closing acts always have

1:03:24.720 --> 1:03:28.840
<v Speaker 4>the louder music, always have the better everything. But they

1:03:28.920 --> 1:03:31.560
<v Speaker 4>did not want to do everybody had an equal sound,

1:03:31.640 --> 1:03:36.760
<v Speaker 4>everybody at equal stage, free to rome. But the plan was, Okay, look,

1:03:36.840 --> 1:03:40.720
<v Speaker 4>this is how we're gonna do it. Kwame, You're gonna

1:03:40.800 --> 1:03:44.520
<v Speaker 4>go on and then you're gonna run off, and then

1:03:45.680 --> 1:03:51.600
<v Speaker 4>Easy's gonna come on. Easy's gonna say all types of craziness,

1:03:51.680 --> 1:03:54.000
<v Speaker 4>and WA's gonna come in. We're gonna say all types

1:03:54.040 --> 1:03:58.760
<v Speaker 4>of craziness. And on the last song, Kidn't play, run

1:03:58.840 --> 1:04:02.040
<v Speaker 4>on stage, Easy and them are gonna jump in the

1:04:02.120 --> 1:04:06.840
<v Speaker 4>crowd and run out straight out the arena. And this

1:04:07.000 --> 1:04:10.400
<v Speaker 4>is thirty thirty, twenty thousand Seed arenas every night, so

1:04:12.160 --> 1:04:16.360
<v Speaker 4>that's too avoid that we were playing trickery on the

1:04:16.480 --> 1:04:20.360
<v Speaker 4>local police. We couldn't, and it got to the point

1:04:20.400 --> 1:04:22.840
<v Speaker 4>because of the police. It got to the point that

1:04:23.440 --> 1:04:28.600
<v Speaker 4>we all no hotel within that city would accept us,

1:04:29.200 --> 1:04:31.200
<v Speaker 4>so we would have to go to outlying cities and

1:04:31.360 --> 1:04:35.960
<v Speaker 4>change our names. And it got even worse. Imagine a

1:04:36.120 --> 1:04:41.959
<v Speaker 4>thirty thousand cedar no security because all the local cops,

1:04:43.960 --> 1:04:46.800
<v Speaker 4>all cops boycotted, so they're like, look, y'all want to

1:04:46.800 --> 1:04:49.480
<v Speaker 4>say fuck us, fuck y'all, hope y'all die in there.

1:04:50.680 --> 1:04:51.640
<v Speaker 2>So we would have to get on.

1:04:51.680 --> 1:04:53.600
<v Speaker 4>Stage and be like look, it was like local security

1:04:53.640 --> 1:04:56.040
<v Speaker 4>guards with like yellow shirts and shit. And we would

1:04:56.080 --> 1:04:58.960
<v Speaker 4>have to be like, look, they want us to kill

1:04:59.000 --> 1:05:03.160
<v Speaker 4>ourselves tonight, so what are y'all gonna do? We know

1:05:03.280 --> 1:05:06.400
<v Speaker 4>this gangs in here, we know, we know what the type.

1:05:06.520 --> 1:05:08.760
<v Speaker 4>We know there's all types of people in here, but

1:05:09.440 --> 1:05:11.640
<v Speaker 4>they want us to die. You know, Pe was on

1:05:11.720 --> 1:05:13.280
<v Speaker 4>some of the shows, so you know, Chuck would get

1:05:13.320 --> 1:05:14.880
<v Speaker 4>in and say what he had to say.

1:05:15.040 --> 1:05:16.439
<v Speaker 8>I got to say that everybody speak.

1:05:16.480 --> 1:05:22.480
<v Speaker 4>They piece like, yeah, but but but we we It

1:05:22.640 --> 1:05:27.560
<v Speaker 4>was so cool because the cleaner acts did pick up

1:05:27.640 --> 1:05:30.280
<v Speaker 4>for the for the quote unquote dirtier acts. You know,

1:05:30.400 --> 1:05:33.560
<v Speaker 4>too Short was on the show, so whoever dirty comes on,

1:05:33.800 --> 1:05:35.960
<v Speaker 4>has a clean guy gotta come on right after that.

1:05:36.280 --> 1:05:39.000
<v Speaker 2>So it was just flash.

1:05:40.840 --> 1:05:45.480
<v Speaker 4>But it was never it was never. It was never

1:05:45.600 --> 1:05:49.200
<v Speaker 4>a thing where it was like I sold this mini

1:05:49.280 --> 1:05:51.880
<v Speaker 4>record so I'm going on last or anything. It was

1:05:52.000 --> 1:05:55.200
<v Speaker 4>nothing like that because we understood it was us against

1:05:55.280 --> 1:05:57.640
<v Speaker 4>them at this point. So we're on this, We're on

1:05:57.720 --> 1:06:01.240
<v Speaker 4>this crazy tour and you know, probably the best two

1:06:01.240 --> 1:06:01.919
<v Speaker 4>weeks of my life.

1:06:01.960 --> 1:06:05.720
<v Speaker 1>You know, imagine an n W A and Cann't play

1:06:05.760 --> 1:06:09.560
<v Speaker 1>tour like I mean, I mean, it makes sense. But

1:06:09.840 --> 1:06:15.280
<v Speaker 1>because hip hop got so divided, was before the early nineties.

1:06:15.320 --> 1:06:17.200
<v Speaker 7>Yes, what about the fans who just came to see

1:06:17.240 --> 1:06:18.920
<v Speaker 7>the good and fans who just came to see the

1:06:19.280 --> 1:06:20.760
<v Speaker 7>There was no such thing the thing.

1:06:21.960 --> 1:06:24.200
<v Speaker 2>The roots in future perform you know what I mean?

1:06:24.920 --> 1:06:26.160
<v Speaker 4>But see you Gotta, you gotta.

1:06:26.680 --> 1:06:29.320
<v Speaker 1>Was there any nervousness over territories? So like if you

1:06:29.440 --> 1:06:31.880
<v Speaker 1>were I mean, you could be hitting in New York

1:06:32.200 --> 1:06:33.920
<v Speaker 1>you know you played.

1:06:34.320 --> 1:06:36.200
<v Speaker 4>It happened for NW like that. By the time we

1:06:36.320 --> 1:06:40.200
<v Speaker 4>reached we did the spectrum in Philly, it was cool.

1:06:40.280 --> 1:06:45.280
<v Speaker 4>But once we went past Philly kind of all bets

1:06:45.440 --> 1:06:48.280
<v Speaker 4>was off a little bit for for well, at least

1:06:48.320 --> 1:06:50.880
<v Speaker 4>too short n w A. It was a different story,

1:06:51.280 --> 1:06:54.320
<v Speaker 4>but too short. Like them records never really reached the

1:06:54.360 --> 1:07:01.920
<v Speaker 4>East Coast, but anywhere pre Philly, from l A to DC, Virginia.

1:07:03.480 --> 1:07:03.959
<v Speaker 2>Two shows.

1:07:04.080 --> 1:07:06.720
<v Speaker 4>Was the first rapper I've ever seen get on stage

1:07:07.440 --> 1:07:11.959
<v Speaker 4>and never say a word. Thirty thousand people knew every

1:07:12.080 --> 1:07:14.840
<v Speaker 4>line to every song and at the end of the show,

1:07:15.360 --> 1:07:18.920
<v Speaker 4>what's my favorite work? And that was the end of

1:07:18.960 --> 1:07:19.240
<v Speaker 4>the show.

1:07:25.440 --> 1:07:28.520
<v Speaker 1>Okay, Now, oh god, Now I got someone that has

1:07:28.600 --> 1:07:30.600
<v Speaker 1>been in front of thirty thousand people doing the classic

1:07:30.680 --> 1:07:34.960
<v Speaker 1>hip hop era. My version of touring is very blue

1:07:35.000 --> 1:07:39.480
<v Speaker 1>collar you know. I mean you've seen it, you know, yeah, Granola,

1:07:39.600 --> 1:07:43.040
<v Speaker 1>cereal and oatmeal. Dave Matthews playing on the.

1:07:44.760 --> 1:07:47.760
<v Speaker 2>K Mathew's playing on the PA system in between acts.

1:07:49.000 --> 1:07:57.280
<v Speaker 2>What give me? Just give me life on tour in

1:07:57.680 --> 1:08:02.480
<v Speaker 2>nineteen eighty nine, what's going on? So let me know everything.

1:08:02.960 --> 1:08:08.640
<v Speaker 4>From women on down. It's like, I'll give you like

1:08:08.840 --> 1:08:10.880
<v Speaker 4>my stories, man, I'm telling you these things are crazy.

1:08:11.000 --> 1:08:16.040
<v Speaker 4>Like it'll be things like you pull up to a city.

1:08:16.960 --> 1:08:19.800
<v Speaker 4>The reason why we were doing arenas because rap was

1:08:19.880 --> 1:08:23.599
<v Speaker 4>so rap was like, I don't know if anybody's ever

1:08:23.800 --> 1:08:29.839
<v Speaker 4>experienced a Mexican act that comes to like say Madison

1:08:29.880 --> 1:08:33.639
<v Speaker 4>Square Garden or something like that, they don't because it's

1:08:33.720 --> 1:08:37.960
<v Speaker 4>so compartmentalized. Everybody just goes to one place to see it.

1:08:38.680 --> 1:08:40.519
<v Speaker 4>There were no clubs, you know, there was no club

1:08:40.600 --> 1:08:43.040
<v Speaker 4>dates or anything. It was just like, all right, there's

1:08:43.080 --> 1:08:45.840
<v Speaker 4>these rappers. How do we get everybody who likes rapping

1:08:45.880 --> 1:08:48.519
<v Speaker 4>one place at one time? Do the basketball arena?

1:08:48.880 --> 1:08:49.040
<v Speaker 2>You know.

1:08:49.160 --> 1:08:52.720
<v Speaker 4>So it was like that. So we would get to

1:08:52.840 --> 1:08:59.639
<v Speaker 4>town and it would be things like just personal experience.

1:08:59.680 --> 1:09:03.880
<v Speaker 4>I got pull in and there will be a girl

1:09:04.320 --> 1:09:09.840
<v Speaker 4>standing in front of the hotel where's Carmel, Like, who's Carmel?

1:09:09.880 --> 1:09:13.160
<v Speaker 4>And we wearing the poke dot got the street, where's.

1:09:12.920 --> 1:09:21.960
<v Speaker 2>Carmel and ready to put out It's literally literally it'll

1:09:22.000 --> 1:09:22.840
<v Speaker 2>be something.

1:09:22.560 --> 1:09:25.840
<v Speaker 4>Where my boy he's in the back of that bus

1:09:26.520 --> 1:09:28.479
<v Speaker 4>and by the time she got to the back of

1:09:28.520 --> 1:09:32.320
<v Speaker 4>the bus, she was butt naked, like butt naked, big

1:09:33.080 --> 1:09:35.640
<v Speaker 4>three hundred pounds. I want to Carmel where he had

1:09:35.760 --> 1:09:38.960
<v Speaker 4>rotten now and see and it would be like it

1:09:39.000 --> 1:09:41.840
<v Speaker 4>would be weird things like that, or I'll give you

1:09:42.280 --> 1:09:45.200
<v Speaker 4>a Milwaukee story.

1:09:46.439 --> 1:09:49.240
<v Speaker 2>So so the smaller obscure towns are the more craziest.

1:09:50.120 --> 1:09:53.920
<v Speaker 4>Yeah, Calama Zoo, Madison, Wisconsin.

1:09:54.760 --> 1:10:04.160
<v Speaker 2>The craziest place the Calama Zoo. That way, Michigan. So

1:10:04.400 --> 1:10:04.720
<v Speaker 2>like in.

1:10:04.840 --> 1:10:10.719
<v Speaker 4>Milwaukee, imagine like you know, we weren't in the fly hotels.

1:10:10.760 --> 1:10:12.760
<v Speaker 4>We didn't get boutique hotels or anything. We were in

1:10:12.880 --> 1:10:18.040
<v Speaker 4>holiday inns and Best Westerns or whatever. So the only

1:10:18.200 --> 1:10:22.479
<v Speaker 4>people that could even match up with rappers at the

1:10:22.560 --> 1:10:25.360
<v Speaker 4>time were drug dealers. Where you have like, say you know,

1:10:25.479 --> 1:10:27.000
<v Speaker 4>you come to a say a Root show, you'll be

1:10:27.240 --> 1:10:32.040
<v Speaker 4>have actors there, You'll have athletes there. At this time,

1:10:32.479 --> 1:10:37.040
<v Speaker 4>we weren't necessarily cool to like Michael Jordan would never

1:10:37.120 --> 1:10:38.160
<v Speaker 4>show up better rap show.

1:10:38.600 --> 1:10:40.799
<v Speaker 2>Malcolm Jamal Warner would yeah, yeah.

1:10:40.680 --> 1:10:42.560
<v Speaker 4>But he was our aide, so it doesn't count. But

1:10:42.720 --> 1:10:46.360
<v Speaker 4>Michael Jorgan somebody like a baseball player, basketball player, an actor.

1:10:46.680 --> 1:10:49.120
<v Speaker 4>For the most part, the biggest person that would ever

1:10:49.200 --> 1:10:51.840
<v Speaker 4>show up to anything would be Bobby Brown and Mike Tyson,

1:10:51.960 --> 1:10:54.280
<v Speaker 4>So you know that those guys would be the ones

1:10:54.320 --> 1:10:57.120
<v Speaker 4>that would run with us. But anybody else we were

1:10:57.240 --> 1:11:04.800
<v Speaker 4>like those nasty ass rappers they hudlums in so so

1:11:05.800 --> 1:11:08.760
<v Speaker 4>so we weren't ever any in anything posh. So we

1:11:08.800 --> 1:11:11.080
<v Speaker 4>would get to like say the holiday in and the

1:11:11.160 --> 1:11:13.800
<v Speaker 4>only people that would be around us were the local

1:11:13.880 --> 1:11:17.920
<v Speaker 4>drug dealers. So you know, like we knew them all,

1:11:18.000 --> 1:11:20.639
<v Speaker 4>we were friends with them all. So those are all

1:11:20.720 --> 1:11:22.680
<v Speaker 4>of them, all of them, Jay Prince, everybody you just

1:11:22.840 --> 1:11:25.439
<v Speaker 4>run down the line. Whoever was hot at the time

1:11:26.320 --> 1:11:30.080
<v Speaker 4>was popping. Everybody who was popping, and they were young

1:11:30.200 --> 1:11:31.799
<v Speaker 4>enough to like rap.

1:11:33.720 --> 1:11:37.040
<v Speaker 2>Very well. But see.

1:11:39.360 --> 1:11:42.240
<v Speaker 4>You know, but that's when we go to Houston, that's

1:11:42.240 --> 1:11:44.360
<v Speaker 4>who who took care of everybody? You know, that's not

1:11:45.320 --> 1:11:47.280
<v Speaker 4>see I don't want to stand this is the before

1:11:47.320 --> 1:11:50.280
<v Speaker 4>I get into the story. I don't understand the the

1:11:50.600 --> 1:11:54.800
<v Speaker 4>the flashing lights over the name J Prince, I don't get.

1:11:54.880 --> 1:11:58.880
<v Speaker 4>I don't personally understandstand because he was just homie when

1:11:58.920 --> 1:12:03.040
<v Speaker 4>we got to He had the Rolex hookup, he had

1:12:03.120 --> 1:12:06.320
<v Speaker 4>the club hook up, he had the girl hookup. He

1:12:06.360 --> 1:12:10.240
<v Speaker 4>would show you know, you know, uh Scarface, he was

1:12:10.320 --> 1:12:13.080
<v Speaker 4>the man in Houston. Yes, Scarface would come. He would

1:12:13.080 --> 1:12:16.560
<v Speaker 4>be at every show before he was Scarface. Scarface and

1:12:16.600 --> 1:12:19.679
<v Speaker 4>Bushwick Bill. We would know them because they had a laminate.

1:12:19.720 --> 1:12:22.400
<v Speaker 4>They used to rock lamin. It's from every single show

1:12:22.439 --> 1:12:25.760
<v Speaker 4>that ever happened in Houston. Ever, they would always be in.

1:12:26.200 --> 1:12:28.160
<v Speaker 4>You know, Dana used to live with J. Prince, so

1:12:28.479 --> 1:12:32.760
<v Speaker 4>you know, I don't. Yeah, so so you know, and

1:12:32.880 --> 1:12:34.680
<v Speaker 4>Dana would call it, man, this dude got elevated in

1:12:34.720 --> 1:12:38.800
<v Speaker 4>his house like for real. So so you know, and

1:12:39.120 --> 1:12:40.920
<v Speaker 4>all we knew was JA Prince had rap a lot

1:12:41.000 --> 1:12:44.880
<v Speaker 4>records and you know, like, Okay, So I don't I

1:12:45.120 --> 1:12:46.680
<v Speaker 4>personally don't understand.

1:12:48.400 --> 1:12:48.679
<v Speaker 2>Prince.

1:12:48.760 --> 1:12:49.599
<v Speaker 4>Yeah I don't.

1:12:49.600 --> 1:12:51.240
<v Speaker 8>That's good that you don't because it might.

1:12:53.920 --> 1:12:56.840
<v Speaker 2>And it's maybe I don't. I don't. Yeah.

1:12:56.880 --> 1:12:59.160
<v Speaker 4>No, No, I'm saying as maybe my lack of my

1:12:59.320 --> 1:13:02.439
<v Speaker 4>my ignorance and research I can only go I can

1:13:02.520 --> 1:13:04.920
<v Speaker 4>always you know, go back and see. Okay, what do I.

1:13:05.080 --> 1:13:07.519
<v Speaker 8>Maybe you was a dude everybody loves, But it's just

1:13:07.680 --> 1:13:08.080
<v Speaker 8>it was just.

1:13:08.200 --> 1:13:10.360
<v Speaker 4>Never a situation. You never had to check in with

1:13:10.439 --> 1:13:12.680
<v Speaker 4>anybody when you got to a certain time. You never

1:13:12.800 --> 1:13:15.560
<v Speaker 4>it was just everybody. So I'm saying the people that,

1:13:16.960 --> 1:13:18.240
<v Speaker 4>so to add.

1:13:18.120 --> 1:13:21.760
<v Speaker 1>On to that or ask going too that, when did

1:13:21.880 --> 1:13:26.280
<v Speaker 1>you lose that feeling? Like when did hip hop suddenly

1:13:26.400 --> 1:13:30.280
<v Speaker 1>become a foreign city to you? Like, oh wait, what's

1:13:30.280 --> 1:13:30.880
<v Speaker 1>going on here?

1:13:31.080 --> 1:13:34.240
<v Speaker 4>Like I wanted to tell my Milwaukee story. No no, no, no,

1:13:34.320 --> 1:13:37.560
<v Speaker 4>no no, but that's scond that's so Milwaukee. So so

1:13:37.680 --> 1:13:39.640
<v Speaker 4>we're all in this holiday inn and it's nothing but

1:13:39.720 --> 1:13:44.800
<v Speaker 4>the local hustlers in the hotel with us. So imagine

1:13:44.840 --> 1:13:46.479
<v Speaker 4>you have one side of a hall and all the

1:13:46.560 --> 1:13:49.840
<v Speaker 4>rooms are connected. So it's my room here, Tasha, who

1:13:49.880 --> 1:13:53.519
<v Speaker 4>sings only you here, tap money here, you know, everybody

1:13:53.600 --> 1:13:56.160
<v Speaker 4>and all of and how we usually do it to

1:13:56.240 --> 1:13:57.800
<v Speaker 4>a bus leaves at six in the morning. If you

1:13:57.920 --> 1:14:02.559
<v Speaker 4>missed the bus, you left, and so flavor, flavor, somebody

1:14:02.560 --> 1:14:04.280
<v Speaker 4>will always be on our bus because they would always

1:14:04.280 --> 1:14:08.800
<v Speaker 4>miss But we have these connecting rooms and so at

1:14:08.920 --> 1:14:11.360
<v Speaker 4>some point all of us could be in one room

1:14:12.320 --> 1:14:15.800
<v Speaker 4>and the other four rooms could be empty. So I'm

1:14:15.840 --> 1:14:18.800
<v Speaker 4>in my room packing. Tasha's in one of the rooms.

1:14:18.840 --> 1:14:21.479
<v Speaker 4>She comes back to my room. She goes back to

1:14:21.520 --> 1:14:24.320
<v Speaker 4>her room and she starts crying, what's happening. Bought this

1:14:24.439 --> 1:14:26.960
<v Speaker 4>brand new Louis Vuitton bag and my shit is gone?

1:14:27.360 --> 1:14:30.080
<v Speaker 4>Like how who could have gotten into your room? But basically,

1:14:30.160 --> 1:14:32.960
<v Speaker 4>somebody went into one room, got and started robbing room.

1:14:33.680 --> 1:14:39.559
<v Speaker 4>So the hotel manager brings her license up. They found

1:14:40.640 --> 1:14:44.519
<v Speaker 4>the bag and the license on the ground in the lobby,

1:14:45.280 --> 1:14:48.479
<v Speaker 4>so they bring it back up. She puts the bag away,

1:14:49.040 --> 1:14:52.479
<v Speaker 4>goes like a dumb ass, goes into another room. They

1:14:52.560 --> 1:14:54.719
<v Speaker 4>come back into her room, steal the bag again.

1:14:55.000 --> 1:14:55.479
<v Speaker 2>Oh shit.

1:14:56.840 --> 1:15:00.599
<v Speaker 4>So we're like, all right, we gotta find his back.

1:15:01.200 --> 1:15:04.080
<v Speaker 4>She's hysterical, her mother gave her his bag, blah blah blah.

1:15:04.720 --> 1:15:08.479
<v Speaker 4>So we start knocking on every door. Mind you, there

1:15:08.560 --> 1:15:10.639
<v Speaker 4>was a guy that would come knocking on the way,

1:15:10.720 --> 1:15:12.439
<v Speaker 4>Man where the party at? Man where the party at?

1:15:12.640 --> 1:15:15.120
<v Speaker 4>So he was the scout. You know, nobody's paying attention.

1:15:15.920 --> 1:15:20.960
<v Speaker 4>So we're knocking on the doors and we opened one

1:15:21.040 --> 1:15:25.120
<v Speaker 4>door and I see the scout dude, and I'm like, yo, man,

1:15:25.160 --> 1:15:27.680
<v Speaker 4>you was in my room and so little me, I'm

1:15:27.720 --> 1:15:30.280
<v Speaker 4>popping shit. He don't know that I got like twenty

1:15:30.520 --> 1:15:33.439
<v Speaker 4>dudes in the hallway behind me. So I bust open

1:15:33.520 --> 1:15:37.439
<v Speaker 4>the door and her bag is hanging on the on

1:15:37.600 --> 1:15:38.760
<v Speaker 4>the door on the side door.

1:15:39.080 --> 1:15:41.080
<v Speaker 2>So I say, you got my shit. You came in

1:15:41.160 --> 1:15:42.200
<v Speaker 2>my room. You violated.

1:15:42.320 --> 1:15:43.559
<v Speaker 4>I'm doing all this New York shit.

1:15:43.640 --> 1:15:45.160
<v Speaker 2>He's like, man, you better back up.

1:15:45.200 --> 1:15:47.120
<v Speaker 4>I said, if anybody comes to me and punch him

1:15:47.120 --> 1:15:49.880
<v Speaker 4>in the face. So one guy comes up, whoop knock

1:15:49.960 --> 1:15:51.840
<v Speaker 4>him and all I hear they had a suite. All

1:15:51.880 --> 1:15:52.320
<v Speaker 4>I hear is.

1:15:55.520 --> 1:15:55.880
<v Speaker 2>There you go?

1:15:56.560 --> 1:16:00.160
<v Speaker 4>I kid you not like seven dudes came out of

1:16:00.200 --> 1:16:03.599
<v Speaker 4>this back bedroom with guns.

1:16:03.720 --> 1:16:14.760
<v Speaker 2>But this is the the click speedos on wait what speedos?

1:16:15.920 --> 1:16:20.400
<v Speaker 4>Cowboy booth, oh god, and the cowboy hat and sub

1:16:21.080 --> 1:16:22.240
<v Speaker 4>automatic machine guns.

1:16:23.920 --> 1:16:29.320
<v Speaker 2>Yeah, I'm like you. I was like, what yo. Ever

1:16:29.400 --> 1:16:35.720
<v Speaker 2>see that that gift where Homo Simpson just back the

1:16:35.840 --> 1:16:37.560
<v Speaker 2>Irish exit, Yo, I was like.

1:16:39.920 --> 1:16:43.559
<v Speaker 4>But it was things like that that would always Besides

1:16:43.600 --> 1:16:46.120
<v Speaker 4>the girl, there was like so many weird girl stories,

1:16:46.200 --> 1:16:52.200
<v Speaker 4>Like girls it'll be like pulling up and doing in

1:16:52.360 --> 1:16:55.599
<v Speaker 4>store when there were record stores to do in stores

1:16:55.640 --> 1:16:57.519
<v Speaker 4>at and you do the instore and there's like little

1:16:57.600 --> 1:17:01.640
<v Speaker 4>kids being in, little girls and being in and and

1:17:01.800 --> 1:17:04.240
<v Speaker 4>then like two hours later, you get a knock on

1:17:04.320 --> 1:17:06.840
<v Speaker 4>the door and his grown woman to show up to

1:17:06.880 --> 1:17:09.639
<v Speaker 4>the to the room in this nice dress. She's like, yeah,

1:17:09.760 --> 1:17:12.120
<v Speaker 4>I found out you were hearing. And then you know,

1:17:12.240 --> 1:17:15.439
<v Speaker 4>you're like seventeen, you're ready to get in, and then

1:17:15.479 --> 1:17:17.320
<v Speaker 4>she goes, you know, you don't remember me, I was

1:17:17.360 --> 1:17:19.639
<v Speaker 4>the girl you met at the in store, the twelve

1:17:19.720 --> 1:17:20.040
<v Speaker 4>year old.

1:17:20.120 --> 1:17:22.880
<v Speaker 2>She's like, what it was like a.

1:17:23.000 --> 1:17:26.000
<v Speaker 4>Whole lot and it was like and it was like, yeah,

1:17:26.000 --> 1:17:28.400
<v Speaker 4>I stole my mom's she worked nice and she don't

1:17:28.439 --> 1:17:30.240
<v Speaker 4>know I took her dress, blah blah blah, like we

1:17:30.520 --> 1:17:32.680
<v Speaker 4>got to get you home, you know, and you know

1:17:32.720 --> 1:17:37.640
<v Speaker 4>what it was like. It was so crazy. It was

1:17:38.880 --> 1:17:41.639
<v Speaker 4>and it started to be known that these young girls

1:17:41.680 --> 1:17:43.360
<v Speaker 4>were doing it or it was and I don't know,

1:17:43.560 --> 1:17:45.840
<v Speaker 4>it might happen still like this today, but it'll be

1:17:45.960 --> 1:17:48.280
<v Speaker 4>things where girls are being in the room and you

1:17:48.439 --> 1:17:53.559
<v Speaker 4>hear husbands just knocking on every door crying where's mother.

1:17:56.040 --> 1:17:56.479
<v Speaker 2>Exactly.

1:17:57.280 --> 1:18:01.160
<v Speaker 4>It'll be things like and this was the crazy thing.

1:18:03.400 --> 1:18:08.200
<v Speaker 4>Whole moms would bring their daughters and like, because the

1:18:08.320 --> 1:18:13.200
<v Speaker 4>mom wanted to meet say Ll, the daughter wanted to

1:18:13.280 --> 1:18:15.519
<v Speaker 4>meet me. So the mom would be like, I'm gonna

1:18:15.520 --> 1:18:16.560
<v Speaker 4>just leave her here in the room with you.

1:18:16.640 --> 1:18:18.000
<v Speaker 2>I'm gonna go go beet l.

1:18:19.280 --> 1:18:21.880
<v Speaker 4>It was stuff like that, the mom wanted to meet

1:18:21.920 --> 1:18:29.400
<v Speaker 4>Alby Shaw, Bobby Brown or Keith Sway strain up. And

1:18:29.479 --> 1:18:32.400
<v Speaker 4>then then and then the worst then the craziest thing,

1:18:33.240 --> 1:18:36.960
<v Speaker 4>you know, because back then music literally at this point

1:18:37.240 --> 1:18:41.120
<v Speaker 4>before ninety i say, pre ninety two, music was just hot.

1:18:41.240 --> 1:18:43.759
<v Speaker 4>Music was hot music, and anybody went on tour with anybody,

1:18:44.479 --> 1:18:47.439
<v Speaker 4>you would have the whole Sheriff's department. They know somebody

1:18:47.560 --> 1:18:49.439
<v Speaker 4>was in town. The whole sheriff's department would show up

1:18:49.439 --> 1:18:53.240
<v Speaker 4>at the hotel, knock on every door and check I D.

1:18:54.439 --> 1:19:00.160
<v Speaker 4>And there's been many specially roadies, many roadies arrested for

1:19:00.560 --> 1:19:02.920
<v Speaker 4>suspicion of statutory rate because they would have a girl

1:19:02.960 --> 1:19:06.800
<v Speaker 4>in the room. The girl would be fourteen, the roady

1:19:06.840 --> 1:19:09.800
<v Speaker 4>would be twenty something. It would check ID. The girl

1:19:09.840 --> 1:19:11.680
<v Speaker 4>wouldn't have any ID, so the girl would have to

1:19:11.720 --> 1:19:15.559
<v Speaker 4>call the parents. The parents was superheated at the fact

1:19:15.600 --> 1:19:19.720
<v Speaker 4>that this random guy from Bushwick or whatever it is

1:19:19.760 --> 1:19:22.200
<v Speaker 4>with their daughter. You know, it was crazy stuff like that.

1:19:22.720 --> 1:19:25.720
<v Speaker 4>You know, you know, nobody was smart in any such

1:19:25.880 --> 1:19:26.479
<v Speaker 4>sense of the word.

1:19:26.520 --> 1:19:30.160
<v Speaker 8>It was just like Pete Bobby Brown, prebody, No, this

1:19:30.320 --> 1:19:31.720
<v Speaker 8>is pre.

1:19:31.760 --> 1:19:35.400
<v Speaker 4>This is current Bobby, this is Bobby Brown, is Bobby

1:19:35.479 --> 1:19:38.439
<v Speaker 4>Brown was this was during the same time. This was

1:19:38.600 --> 1:19:39.760
<v Speaker 4>all at the same time.

1:19:39.800 --> 1:19:41.880
<v Speaker 7>I feel like during that's when it's got shut down,

1:19:41.960 --> 1:19:44.800
<v Speaker 7>like nineties between.

1:19:44.600 --> 1:19:49.840
<v Speaker 2>Bobby Brown and Luke Luke. I feel like, really, yeah,

1:19:50.560 --> 1:19:52.960
<v Speaker 2>the idea thing like yeah, so so.

1:19:53.840 --> 1:19:59.680
<v Speaker 4>But but to your question about what, hey, I know.

1:19:59.760 --> 1:20:03.320
<v Speaker 2>I women, I know women. I mean, you know it was.

1:20:03.479 --> 1:20:07.120
<v Speaker 4>But see the thing is, it wasn't. We look at

1:20:07.200 --> 1:20:10.400
<v Speaker 4>it as a certain way now, But I think back

1:20:10.520 --> 1:20:16.800
<v Speaker 4>then it was just I want to liken it to Woodstock,

1:20:17.240 --> 1:20:19.720
<v Speaker 4>you know how everybody wild out in Woodstock and no

1:20:19.840 --> 1:20:22.160
<v Speaker 4>one put you know, like there was sex on the

1:20:22.200 --> 1:20:24.439
<v Speaker 4>lawn and in the mud and all that. But nobody said, oh,

1:20:24.520 --> 1:20:26.439
<v Speaker 4>that was a whole doing it. You know, nobody did that.

1:20:26.560 --> 1:20:30.439
<v Speaker 4>It was just like people doing sex and drugs. So

1:20:30.720 --> 1:20:33.639
<v Speaker 4>in the eighties, I would say, I would think from

1:20:33.760 --> 1:20:36.320
<v Speaker 4>Mellion Mail's time all the way up to say ninety

1:20:36.360 --> 1:20:40.120
<v Speaker 4>one ninety two, there was no definition of it. It

1:20:40.280 --> 1:20:44.439
<v Speaker 4>was just kids gone wild. It was literally that. Because

1:20:44.439 --> 1:20:47.799
<v Speaker 4>then after that, then the label started and Freaknick started

1:20:47.800 --> 1:20:50.960
<v Speaker 4>to come and in, and then all this all this

1:20:51.080 --> 1:20:51.759
<v Speaker 4>crazy stuff.

1:20:51.960 --> 1:20:52.759
<v Speaker 2>Then things started.

1:20:52.800 --> 1:20:55.479
<v Speaker 4>It started to have an ugly face to a lot

1:20:55.560 --> 1:20:57.920
<v Speaker 4>of things that were going on. But I think to

1:20:58.040 --> 1:21:02.840
<v Speaker 4>answer your question, when I think the end of I

1:21:02.880 --> 1:21:05.519
<v Speaker 4>would say an era, a golden era, I would say

1:21:08.880 --> 1:21:14.040
<v Speaker 4>with death row with with NWA. Honestly, with the beginning

1:21:14.400 --> 1:21:20.599
<v Speaker 4>of bad Boy, with that, it started to put things

1:21:20.680 --> 1:21:27.120
<v Speaker 4>in boxes and rappers. We definitely all wore our costumes

1:21:27.160 --> 1:21:31.560
<v Speaker 4>at the time, but now there were designated costumes that

1:21:31.720 --> 1:21:34.160
<v Speaker 4>you had to wear. If you were from the East coast,

1:21:34.200 --> 1:21:36.400
<v Speaker 4>you had to look like this and you had to

1:21:36.560 --> 1:21:38.760
<v Speaker 4>rap like this. If you were from the West coast,

1:21:38.800 --> 1:21:43.639
<v Speaker 4>you had to look and rap like this. And MTV

1:21:45.000 --> 1:21:47.680
<v Speaker 4>came into full stream, like every neighborhood started to have

1:21:47.840 --> 1:21:51.080
<v Speaker 4>that cable now and your MTV ra apps is now

1:21:51.680 --> 1:21:56.519
<v Speaker 4>really at its height. And that was the imagery that

1:21:56.720 --> 1:21:59.640
<v Speaker 4>was pushed across the world. So that's why a lot

1:21:59.680 --> 1:22:02.719
<v Speaker 4>of people will think rap starts with Tupac and Biggie,

1:22:02.760 --> 1:22:07.400
<v Speaker 4>because that at that point is where it turned into

1:22:08.120 --> 1:22:14.400
<v Speaker 4>a corporate hydra and and I don't think people understood

1:22:14.960 --> 1:22:17.920
<v Speaker 4>what they were falling into because it was now now

1:22:18.000 --> 1:22:18.679
<v Speaker 4>there was money.

1:22:18.640 --> 1:22:19.240
<v Speaker 2>You know, think about it.

1:22:19.240 --> 1:22:20.120
<v Speaker 8>I got a Sprit commercial.

1:22:20.280 --> 1:22:23.800
<v Speaker 4>Yeah, you understand what a top artist gets on tour, right,

1:22:23.880 --> 1:22:28.640
<v Speaker 4>quest So the top, the top pay for somebody in

1:22:28.760 --> 1:22:32.240
<v Speaker 4>nineteen eighty nine, nineteen ninety was maybe I remember Salt

1:22:32.240 --> 1:22:36.439
<v Speaker 4>and Pepper was getting twenty two thousand a show a show,

1:22:36.720 --> 1:22:37.519
<v Speaker 4>you know, and that was like.

1:22:37.680 --> 1:22:41.120
<v Speaker 2>Oh shit, twenty But in nineteen eighty nine that was major.

1:22:41.280 --> 1:22:42.200
<v Speaker 8>Yeah, no, that sounds great.

1:22:43.439 --> 1:22:47.960
<v Speaker 4>Mc hammer was probably the top and he was at

1:22:49.000 --> 1:22:50.320
<v Speaker 4>twenty three to twenty five.

1:22:50.960 --> 1:22:51.639
<v Speaker 2>That's crazy.

1:22:52.040 --> 1:22:54.840
<v Speaker 4>A good a good rapper, like if you're really popping

1:22:54.840 --> 1:22:57.080
<v Speaker 4>and you had like maybe a gold out because like

1:22:57.479 --> 1:23:00.679
<v Speaker 4>selling gold is now the equivalent of like two times platinum.

1:23:01.160 --> 1:23:03.080
<v Speaker 4>So if you had a goal to platinum album, you

1:23:03.160 --> 1:23:06.639
<v Speaker 4>can probably get twelve to fifteen thousand.

1:23:07.880 --> 1:23:12.679
<v Speaker 1>Your agent nor well, no, no, I see him, Mark

1:23:12.880 --> 1:23:16.960
<v Speaker 1>Mark Mark At, I see him was was my agent

1:23:17.000 --> 1:23:17.360
<v Speaker 1>at the time.

1:23:17.439 --> 1:23:19.360
<v Speaker 4>But you know, there was several agencies that we would

1:23:19.400 --> 1:23:21.120
<v Speaker 4>just bounce from. You know, there was all these weird

1:23:21.560 --> 1:23:25.599
<v Speaker 4>little agencies and but you know, so the money wasn't

1:23:25.640 --> 1:23:28.080
<v Speaker 4>you know, the hottest you know, I was pushing a Volkswagon.

1:23:28.200 --> 1:23:30.720
<v Speaker 4>You know, that was like the hottest whip you know,

1:23:30.920 --> 1:23:33.600
<v Speaker 4>and you know, the only person that had like a

1:23:33.800 --> 1:23:37.160
<v Speaker 4>super ill car besides Herbie. Every Beat for some some

1:23:37.320 --> 1:23:40.759
<v Speaker 4>reason pulled out of Rolls Royce one day and everybody

1:23:40.880 --> 1:23:43.920
<v Speaker 4>was like, how the hell, how the hell? It was

1:23:43.960 --> 1:23:46.200
<v Speaker 4>an old one, but it was like, how did you

1:23:46.280 --> 1:23:53.479
<v Speaker 4>get that? You know, no, no, no, you would be surprised.

1:23:54.720 --> 1:24:02.479
<v Speaker 4>And I think that I think that at the glow

1:24:02.720 --> 1:24:05.640
<v Speaker 4>of hip hop and being a rapper and being in

1:24:05.840 --> 1:24:09.960
<v Speaker 4>hip hop at the time was a full body experience,

1:24:10.040 --> 1:24:13.559
<v Speaker 4>so people just acted that way. Then once ninety two

1:24:13.680 --> 1:24:21.200
<v Speaker 4>ninety three came along and you started following the mega trends,

1:24:22.400 --> 1:24:25.240
<v Speaker 4>it just it just turned. It turned everything into a

1:24:25.479 --> 1:24:27.599
<v Speaker 4>big money game. People made a lot of money.

1:24:31.520 --> 1:24:32.280
<v Speaker 2>Ladies and gentlemen.

1:24:32.400 --> 1:24:34.400
<v Speaker 1>I hate to do this to you, but you're gonna

1:24:34.400 --> 1:24:37.080
<v Speaker 1>have to wait for part two with our interview with

1:24:37.160 --> 1:24:39.960
<v Speaker 1>Kwame on Quest Love Supreme and which he gets into

1:24:40.040 --> 1:24:43.680
<v Speaker 1>it about the big Ee situation and produce him for

1:24:43.720 --> 1:24:44.960
<v Speaker 1>a lot of hip hop notable.

1:24:46.000 --> 1:24:48.120
<v Speaker 2>So we'll see you on the next go ROUNDO Quest

1:24:48.160 --> 1:24:51.720
<v Speaker 2>Love Supreme only on Pandora. Sorry, See You.

1:24:53.000 --> 1:24:56.759
<v Speaker 1>Quest Love Supreme is a production of iHeartRadio. This classic

1:24:56.800 --> 1:25:03.320
<v Speaker 1>episode was produced by the team at Pandora. For more

1:25:03.400 --> 1:25:07.880
<v Speaker 1>podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

1:25:07.880 --> 1:25:09.519
<v Speaker 1>wherever you listen to your favorite shows.