1 00:00:00,320 --> 00:00:05,320 Speaker 1: Night, the Baby Boss Laney Wilson coming in studio in 2 00:00:05,360 --> 00:00:08,360 Speaker 1: about twenty minutes. So excited about that. So what we're 3 00:00:08,360 --> 00:00:11,600 Speaker 1: gonna do is do the anonymous inbox now. So let's 4 00:00:11,600 --> 00:00:14,960 Speaker 1: start the show with that. It's anonymous sin. 5 00:00:17,040 --> 00:00:18,560 Speaker 2: Anonymous inbox. 6 00:00:19,840 --> 00:00:27,840 Speaker 1: There's a question to be because, hello, Bobby Bones, my 7 00:00:27,960 --> 00:00:30,120 Speaker 1: sister announced with the family that she and her boyfriend 8 00:00:30,480 --> 00:00:32,919 Speaker 1: were pregnant. She just found out they're having a girl. 9 00:00:32,920 --> 00:00:36,839 Speaker 1: They're gonna name her Savory s A V. E. R Y. 10 00:00:37,280 --> 00:00:39,479 Speaker 1: Apparently she liked the name Avery, but wanted to make 11 00:00:39,520 --> 00:00:43,320 Speaker 1: it unique, hence the extra letter. Obviously, I don't need 12 00:00:43,400 --> 00:00:44,800 Speaker 1: to tell you, but this is a terrible name for 13 00:00:44,880 --> 00:00:49,080 Speaker 1: a baby, Savory and it's spelt like slavery without the 14 00:00:49,240 --> 00:00:52,360 Speaker 1: l oh. No, I know, Okay, sorry, let me go 15 00:00:52,400 --> 00:00:54,960 Speaker 1: back to the email. Obviously, it's a terrible name for 16 00:00:55,000 --> 00:00:57,920 Speaker 1: a baby. I politely asked they were considering any other names. 17 00:00:58,520 --> 00:01:03,640 Speaker 1: She said no, they already decided recently. I gently suggested 18 00:01:03,720 --> 00:01:05,800 Speaker 1: other options as I'm trying to get closer to my sister. 19 00:01:06,760 --> 00:01:10,280 Speaker 1: We warmed up to different names, and she finally chose Margo. 20 00:01:10,640 --> 00:01:14,360 Speaker 1: After we bonded over a new baby name book. I 21 00:01:14,520 --> 00:01:16,720 Speaker 1: was relieved until I got to her boyfriend. He sent 22 00:01:16,760 --> 00:01:19,800 Speaker 1: me an angry text accusing me of meddling. He claimed 23 00:01:19,800 --> 00:01:22,399 Speaker 1: he chose the name Savory. I had no right to interfere, 24 00:01:22,680 --> 00:01:25,520 Speaker 1: I fired back. Am I wrong for convincing my sister 25 00:01:25,640 --> 00:01:27,880 Speaker 1: to change her baby's name? What can I do now 26 00:01:28,040 --> 00:01:30,760 Speaker 1: that they're mad at me? Signed a future aunt to 27 00:01:30,800 --> 00:01:31,560 Speaker 1: baby Savory? 28 00:01:31,840 --> 00:01:32,720 Speaker 3: I mean you did meddle. 29 00:01:33,120 --> 00:01:36,960 Speaker 4: You'd for sure medal old time. Yeah, so he has 30 00:01:37,000 --> 00:01:40,720 Speaker 4: a right to be irritated at you. It's his baby, yeah, 31 00:01:41,280 --> 00:01:44,520 Speaker 4: you more than yours. Yeah, I agree with that. So 32 00:01:44,959 --> 00:01:46,479 Speaker 4: you meddled with good intentions. 33 00:01:47,800 --> 00:01:49,880 Speaker 1: We all say the Savory pretty dumb name, but it's 34 00:01:49,920 --> 00:01:51,560 Speaker 1: not her job as a sister to decide if it's 35 00:01:51,560 --> 00:01:53,600 Speaker 1: a pretty umb name or not. Right, honestly, it's a 36 00:01:53,600 --> 00:01:57,480 Speaker 1: pretty dumb name, though he's pretty name on multiple levels. 37 00:01:57,480 --> 00:01:59,960 Speaker 1: Because against Savory, it's like, can that be like it's 38 00:02:00,120 --> 00:02:02,560 Speaker 1: it tastes good, Yeah, exactly what it is, but it's 39 00:02:02,560 --> 00:02:06,480 Speaker 1: also spelled like slavery, Like it's wrong in so many ways, 40 00:02:06,720 --> 00:02:07,080 Speaker 1: Like if. 41 00:02:07,000 --> 00:02:09,160 Speaker 5: You like the name Avery, just go with that. Like 42 00:02:09,240 --> 00:02:10,519 Speaker 5: I know you want to make a different but what 43 00:02:10,639 --> 00:02:12,960 Speaker 5: about you know, salty bravery. 44 00:02:13,280 --> 00:02:14,119 Speaker 1: Oh, bravery. 45 00:02:14,280 --> 00:02:15,640 Speaker 2: Oh, Bravery's pretty. 46 00:02:15,360 --> 00:02:18,200 Speaker 3: Good, davery sweetness, slavery. 47 00:02:18,120 --> 00:02:21,799 Speaker 1: Go out, you medled, now suffer the consequences. That's basically it. 48 00:02:21,880 --> 00:02:23,440 Speaker 1: You probably should have tried to convince your sister to 49 00:02:23,520 --> 00:02:26,280 Speaker 1: change the baby name to begin with. You could have said, hey, 50 00:02:26,919 --> 00:02:29,040 Speaker 1: that's tough name. You understand the kid's gonna be called 51 00:02:29,040 --> 00:02:32,880 Speaker 1: a little slavery or taste savory. That's gonna be how 52 00:02:32,960 --> 00:02:35,119 Speaker 1: the kid lives its life. And once she here, here's 53 00:02:35,160 --> 00:02:36,440 Speaker 1: that an accepts that you just got to move on. 54 00:02:37,480 --> 00:02:39,079 Speaker 6: So are you? 55 00:02:39,160 --> 00:02:41,400 Speaker 1: Were you wrong? I think you had good intentions, but 56 00:02:41,480 --> 00:02:43,680 Speaker 1: the husband has the right to be mad. We can 57 00:02:43,720 --> 00:02:47,679 Speaker 1: all agree on that. Justice for baby Savory now, I 58 00:02:47,760 --> 00:02:50,639 Speaker 1: wanted to be named Savory again because that was the 59 00:02:50,680 --> 00:02:53,639 Speaker 1: baby's original name. Thank you for the email. That one's 60 00:02:53,680 --> 00:02:56,560 Speaker 1: on you. But she might just be taking one for 61 00:02:56,639 --> 00:03:00,440 Speaker 1: the team here because little Margo will have an easier 62 00:03:00,520 --> 00:03:02,840 Speaker 1: life than little baby Savory. Can we all agree? 63 00:03:03,000 --> 00:03:03,200 Speaker 3: Yeah? 64 00:03:04,480 --> 00:03:05,720 Speaker 2: On the Bobby Bone. 65 00:03:05,480 --> 00:03:08,160 Speaker 1: Show, Now, Lanie Wilson, Lanny, how you've been. 66 00:03:08,400 --> 00:03:08,799 Speaker 3: I'm good. 67 00:03:09,320 --> 00:03:12,040 Speaker 1: I feel like Instagram's never a true indicator of how 68 00:03:12,080 --> 00:03:12,720 Speaker 1: somebody really is. 69 00:03:12,880 --> 00:03:13,639 Speaker 3: It's all a lie. 70 00:03:13,760 --> 00:03:16,400 Speaker 1: But it's been like awesome, like it's you're doing such 71 00:03:16,520 --> 00:03:19,200 Speaker 1: cool things now. It's pretty cool. You've always been cool, 72 00:03:19,240 --> 00:03:21,519 Speaker 1: but now it's like you're like hanging out with really 73 00:03:21,560 --> 00:03:23,760 Speaker 1: cool people as well. Like the Miley Cyrn thing was 74 00:03:23,800 --> 00:03:26,400 Speaker 1: super cool. Oh dude, we played a clip of you 75 00:03:26,680 --> 00:03:28,720 Speaker 1: when you were at my house like five years ago. 76 00:03:29,200 --> 00:03:31,040 Speaker 1: You were talking about the first time I'd ever heard 77 00:03:31,040 --> 00:03:33,520 Speaker 1: the story about you doing that as a job, right, 78 00:03:34,000 --> 00:03:36,880 Speaker 1: and then to actually see you doing that, Like, I 79 00:03:36,920 --> 00:03:38,680 Speaker 1: don't know, I kind of felt emotional just because you 80 00:03:38,720 --> 00:03:40,040 Speaker 1: and I talked about that and I'm. 81 00:03:39,880 --> 00:03:42,160 Speaker 3: Not even you well, I'll tell you how crazy. 82 00:03:42,920 --> 00:03:45,240 Speaker 7: Like last week was just a like full circle for 83 00:03:45,360 --> 00:03:48,560 Speaker 7: me because I got to go back to Saint Jude, 84 00:03:48,560 --> 00:03:51,160 Speaker 7: which was the very last place that I impersonated Hannah 85 00:03:51,200 --> 00:03:53,560 Speaker 7: Montana and play a little show for the kids in 86 00:03:53,680 --> 00:03:57,120 Speaker 7: the exact same spot, and the same week as that, 87 00:03:58,040 --> 00:04:02,920 Speaker 7: I got to honor Milly and Miley's like icon she is. 88 00:04:03,680 --> 00:04:07,200 Speaker 1: I mean, yeah, is it nerve wracking to you? Did 89 00:04:07,240 --> 00:04:08,160 Speaker 1: you see her seeing you? 90 00:04:09,360 --> 00:04:13,520 Speaker 7: Yes, and like watching her crime and stuff like she 91 00:04:13,640 --> 00:04:15,400 Speaker 7: don't even know how much of an influence that she 92 00:04:15,680 --> 00:04:17,760 Speaker 7: was to me. I mean I did that for five years. 93 00:04:18,160 --> 00:04:20,400 Speaker 7: We've talked about this but like just to make money, 94 00:04:20,440 --> 00:04:22,520 Speaker 7: to have a chance at a dream, that's it. I 95 00:04:22,600 --> 00:04:27,400 Speaker 7: did three or four birthday parties a weekend, and so 96 00:04:27,520 --> 00:04:28,800 Speaker 7: I felt like I knew her, you know. 97 00:04:29,720 --> 00:04:33,400 Speaker 1: Did you have the clarity while it was happening, because again, 98 00:04:33,400 --> 00:04:36,200 Speaker 1: it's so big and it's there are cameras and television. 99 00:04:36,400 --> 00:04:40,280 Speaker 1: Did you have the clarity to actually go, Man, how 100 00:04:40,320 --> 00:04:43,320 Speaker 1: about my freaking life right now? And how far I've 101 00:04:43,440 --> 00:04:46,120 Speaker 1: come and have great people around me and I've worked 102 00:04:46,160 --> 00:04:50,280 Speaker 1: really hard and right now is really bizarrely wonderful as 103 00:04:50,320 --> 00:04:52,280 Speaker 1: it was happening, were able to think about that presenty. 104 00:04:52,400 --> 00:04:54,800 Speaker 7: So we were actually like backstage while they were like 105 00:04:54,960 --> 00:04:57,280 Speaker 7: playing a clip of her video and stuff, and they 106 00:04:57,360 --> 00:04:59,360 Speaker 7: had us on this platform that was going to eventually 107 00:04:59,400 --> 00:05:01,680 Speaker 7: kind of roll out, and we stood up there for 108 00:05:01,760 --> 00:05:04,680 Speaker 7: a good like seven minutes. And as I was up there, 109 00:05:04,760 --> 00:05:07,279 Speaker 7: I had slowed down for like seven minutes that day 110 00:05:08,040 --> 00:05:08,680 Speaker 7: to really just. 111 00:05:08,720 --> 00:05:09,440 Speaker 3: Kind of like take it in. 112 00:05:09,560 --> 00:05:12,800 Speaker 7: I was like, Oh, this is what's happened, and how 113 00:05:13,480 --> 00:05:17,720 Speaker 7: insane full circle. I don't think I'll ever get used 114 00:05:17,720 --> 00:05:20,000 Speaker 7: to stuff like that. One of the highlights so far. 115 00:05:20,760 --> 00:05:23,120 Speaker 1: Did you feel like, because again, you have forever to 116 00:05:23,240 --> 00:05:25,200 Speaker 1: do your first and second albums. You know, you have 117 00:05:25,279 --> 00:05:28,360 Speaker 1: your whole life to come up with songs, and yeah, 118 00:05:28,720 --> 00:05:33,000 Speaker 1: reasons to write songs, and but you know, the last 119 00:05:33,240 --> 00:05:35,360 Speaker 1: year and a half or so two years, it's been 120 00:05:35,560 --> 00:05:40,760 Speaker 1: like such a massive success, like you really caught on 121 00:05:40,920 --> 00:05:43,160 Speaker 1: to the point where now you got to get music out, 122 00:05:43,600 --> 00:05:45,960 Speaker 1: you got to think of stuff to write and sing. 123 00:05:46,720 --> 00:05:49,800 Speaker 1: Was this a little different, like come up with all 124 00:05:49,839 --> 00:05:51,120 Speaker 1: these songs now that meant something to you? 125 00:05:51,880 --> 00:05:56,040 Speaker 7: So I will say, normally I write two hundred songs 126 00:05:56,080 --> 00:05:57,840 Speaker 7: to get my twelve or whatever it is. And this 127 00:05:58,000 --> 00:06:00,760 Speaker 7: was definitely like quality over quantity to like sit down 128 00:06:01,240 --> 00:06:03,640 Speaker 7: and wrap my head around what is it that I 129 00:06:03,720 --> 00:06:04,480 Speaker 7: hadn't shared yet? 130 00:06:04,600 --> 00:06:06,240 Speaker 1: And also you're so busy, right, that's it. 131 00:06:06,640 --> 00:06:08,200 Speaker 7: I was having to bring a lot of writers out 132 00:06:08,240 --> 00:06:11,240 Speaker 7: to me. A lot of these songs were written at 133 00:06:11,279 --> 00:06:14,040 Speaker 7: my house here in Nashville, out on like our writer's retreat. 134 00:06:14,720 --> 00:06:19,560 Speaker 7: And I'm the thing that kept me halfway sane during 135 00:06:19,600 --> 00:06:22,359 Speaker 7: this crazy time of my life that is constantly changing 136 00:06:22,440 --> 00:06:25,599 Speaker 7: every day and still continues to was making this. 137 00:06:25,760 --> 00:06:29,320 Speaker 1: Music because it felt consistent, like it's the one consistent 138 00:06:29,360 --> 00:06:30,880 Speaker 1: thing that's been happening over the past ten years that 139 00:06:30,920 --> 00:06:32,839 Speaker 1: you've been trying to make music. 140 00:06:32,960 --> 00:06:35,159 Speaker 7: It brought me like a lot of peace and comfort. 141 00:06:35,240 --> 00:06:37,680 Speaker 7: It made me feel like I had one foot on 142 00:06:37,720 --> 00:06:38,120 Speaker 7: the ground. 143 00:06:38,839 --> 00:06:41,840 Speaker 1: I always am curious about the why people put number 144 00:06:41,880 --> 00:06:44,320 Speaker 1: one songs number one on a track list, and so 145 00:06:44,360 --> 00:06:45,680 Speaker 1: I'm gonna play a little bit of a keep up 146 00:06:45,680 --> 00:06:48,120 Speaker 1: with the Jones real quick. Why when you're thinking about 147 00:06:48,360 --> 00:06:50,160 Speaker 1: songs going where? Why was this the very first song 148 00:06:50,160 --> 00:06:50,880 Speaker 1: you put on the record? 149 00:06:51,040 --> 00:06:53,640 Speaker 7: Because when we sat down to do this record in 150 00:06:53,720 --> 00:06:55,839 Speaker 7: the studio, my band got to play on this record. 151 00:06:55,880 --> 00:06:58,279 Speaker 7: This is the first record that they have ever done. 152 00:06:58,360 --> 00:07:02,000 Speaker 7: And we have played, oh my god, hundreds of shows 153 00:07:02,040 --> 00:07:04,800 Speaker 7: together in the past two years since bel Botom Country, 154 00:07:05,320 --> 00:07:08,080 Speaker 7: and it's almost like we knew what was missing from 155 00:07:08,120 --> 00:07:11,320 Speaker 7: our live show without even talking about it. And so 156 00:07:11,440 --> 00:07:13,840 Speaker 7: we went into doing this record really wanting to kind 157 00:07:13,840 --> 00:07:16,280 Speaker 7: of show that like a little extra thump, I guess 158 00:07:16,320 --> 00:07:19,400 Speaker 7: you could say, And I wanted to kind of feel 159 00:07:19,440 --> 00:07:21,280 Speaker 7: like you are listening to a live show. 160 00:07:22,080 --> 00:07:24,440 Speaker 1: Will you explain what you mean by your band finally 161 00:07:24,480 --> 00:07:26,240 Speaker 1: got to play. Because most people may think, well, wait, 162 00:07:26,360 --> 00:07:29,880 Speaker 1: I thought your band would play every song you've ever done. Yeah, 163 00:07:30,040 --> 00:07:31,920 Speaker 1: why was this a big deal that your band got 164 00:07:31,960 --> 00:07:33,640 Speaker 1: to play in this record with you, as opposed in 165 00:07:33,720 --> 00:07:35,800 Speaker 1: the past when your band didn't play yep. 166 00:07:36,280 --> 00:07:38,280 Speaker 7: So one of my band members has played on my 167 00:07:38,400 --> 00:07:42,920 Speaker 7: last two records. But I feel like, my gosh, you 168 00:07:43,200 --> 00:07:45,320 Speaker 7: spend time with people on the road, you get to 169 00:07:45,360 --> 00:07:47,680 Speaker 7: know them, they get to know you. You communicate on 170 00:07:47,800 --> 00:07:50,160 Speaker 7: stage without even talking, even just when it comes to 171 00:07:50,240 --> 00:07:53,160 Speaker 7: stage presence, and we might change up a little something here, 172 00:07:53,200 --> 00:07:54,680 Speaker 7: and we just kind of riff off of each other. 173 00:07:54,840 --> 00:07:57,360 Speaker 7: And I think that chemistry has grown so much that 174 00:07:57,480 --> 00:07:59,640 Speaker 7: I was like, I want to take a chance on 175 00:07:59,720 --> 00:08:02,560 Speaker 7: this by putting them in the studio. Every other record 176 00:08:02,560 --> 00:08:06,600 Speaker 7: we've done, we've used studio musicians which are absolutely incredible, 177 00:08:06,640 --> 00:08:09,080 Speaker 7: and we still did. We have double drums on the record, 178 00:08:09,160 --> 00:08:12,440 Speaker 7: so we brought in Fred Eltringham and Rob McNelly, so 179 00:08:12,520 --> 00:08:13,960 Speaker 7: we had a couple of guitars too. 180 00:08:14,400 --> 00:08:16,920 Speaker 1: Gotta be cool for your band that they know you 181 00:08:17,040 --> 00:08:19,320 Speaker 1: have the confidence in them because this is going to 182 00:08:19,360 --> 00:08:21,320 Speaker 1: be around forever, Like, well, you just did this record. 183 00:08:21,400 --> 00:08:23,480 Speaker 1: Regardless of what happens to you, you go way up, 184 00:08:23,520 --> 00:08:27,200 Speaker 1: you go way down, both, this is always going to exist. Yeah, 185 00:08:27,320 --> 00:08:29,120 Speaker 1: and for you to go I want you guys to 186 00:08:29,160 --> 00:08:30,720 Speaker 1: do this to be forever with me, Like, this's got 187 00:08:30,800 --> 00:08:31,880 Speaker 1: to give them a ton of confidence. 188 00:08:32,160 --> 00:08:34,319 Speaker 7: Oh and when I tell you, they truly are like 189 00:08:34,480 --> 00:08:39,680 Speaker 7: incredible musicians. Probably after some folks hear this, they'll they'll 190 00:08:39,760 --> 00:08:41,520 Speaker 7: probably want them to go play on their record. 191 00:08:41,600 --> 00:08:42,240 Speaker 3: They're that good. 192 00:08:43,280 --> 00:08:45,120 Speaker 1: Pretty cool. Last song, I do want to talk about 193 00:08:45,120 --> 00:08:48,719 Speaker 1: Whiskey Colored Crayon. Why would you in the record with 194 00:08:48,880 --> 00:08:49,360 Speaker 1: that song? 195 00:08:49,840 --> 00:08:53,240 Speaker 7: Because when I think about why I fell in love 196 00:08:53,360 --> 00:08:57,040 Speaker 7: with country music as a whole, it is truly the 197 00:08:57,160 --> 00:08:58,520 Speaker 7: storytelling and. 198 00:09:00,120 --> 00:09:01,120 Speaker 3: From a family of teachers. 199 00:09:01,200 --> 00:09:03,360 Speaker 7: My mom was a teacher, all of my aunts, my 200 00:09:03,480 --> 00:09:08,000 Speaker 7: daddy even taught for a second, my grandma. I think 201 00:09:08,040 --> 00:09:11,360 Speaker 7: it's just a it's a good like teacher appreciation kind 202 00:09:11,400 --> 00:09:14,760 Speaker 7: of song to like tag on the end and really 203 00:09:14,840 --> 00:09:17,400 Speaker 7: just kind of sum up the why I love country 204 00:09:17,480 --> 00:09:18,640 Speaker 7: music so much, and in the. 205 00:09:18,600 --> 00:09:21,599 Speaker 1: Way the music affects everybody differently, like I hear the 206 00:09:21,640 --> 00:09:25,360 Speaker 1: story from somebody that had all alcoholic parents, and like 207 00:09:25,480 --> 00:09:28,120 Speaker 1: from the kids version more than the teacher version. Yep. 208 00:09:28,480 --> 00:09:30,640 Speaker 1: And so yeah, that song, that's a really good one. 209 00:09:30,720 --> 00:09:32,959 Speaker 1: You guys had to finish that song and be like, 210 00:09:33,280 --> 00:09:35,280 Speaker 1: I think we just did something. Did you feel that way? 211 00:09:35,559 --> 00:09:36,440 Speaker 3: Yes, yep. 212 00:09:36,520 --> 00:09:38,400 Speaker 7: They had started the song and I and I had 213 00:09:38,440 --> 00:09:40,520 Speaker 7: to like kind of come in and and help like 214 00:09:40,600 --> 00:09:45,160 Speaker 7: finish the story, and we knew it was special. I 215 00:09:45,280 --> 00:09:47,280 Speaker 7: think you kind of know when you when you're like 216 00:09:47,840 --> 00:09:50,360 Speaker 7: sitting down and you get those feels, you kind of 217 00:09:50,360 --> 00:09:52,240 Speaker 7: feel like the tingle, and you're like, is that the 218 00:09:52,280 --> 00:09:52,839 Speaker 7: Holy Spirit? 219 00:09:52,960 --> 00:09:53,319 Speaker 6: What is it? 220 00:09:53,720 --> 00:09:55,839 Speaker 5: But I had the feelings for sure even in that 221 00:09:55,960 --> 00:10:01,920 Speaker 5: clip thing that I have goosebumping, Like I was all. 222 00:10:02,000 --> 00:10:03,079 Speaker 5: I felt all of the emotion. 223 00:10:03,400 --> 00:10:06,439 Speaker 1: You say goose pumps and that's what I heard, goosebumps 224 00:10:06,520 --> 00:10:10,320 Speaker 1: and chills, oh chill like you said you had goose pumps, and. 225 00:10:11,280 --> 00:10:12,280 Speaker 3: Yeah, I was like wow. 226 00:10:17,160 --> 00:10:18,640 Speaker 5: I just thought, I feel like that's just going to 227 00:10:18,720 --> 00:10:20,760 Speaker 5: hit people from alling those like you. You have the 228 00:10:20,840 --> 00:10:23,920 Speaker 5: teacher's side, the child's side, a parent side, maybe someone 229 00:10:24,000 --> 00:10:27,280 Speaker 5: that's now sober that's like, oh wow, you know, now 230 00:10:27,320 --> 00:10:29,840 Speaker 5: my kids are gonna have different memories of me instead 231 00:10:29,880 --> 00:10:31,400 Speaker 5: of just that's right alcohol On. 232 00:10:33,040 --> 00:10:36,840 Speaker 1: The Bobby Bone Show. Now, Amy Wilson, the Good Horses 233 00:10:36,880 --> 00:10:38,320 Speaker 1: with you and Miranda, you guys write that together. 234 00:10:38,520 --> 00:10:38,839 Speaker 6: We did. 235 00:10:39,200 --> 00:10:41,240 Speaker 1: Do you set a time on a calendar when you're 236 00:10:41,280 --> 00:10:43,000 Speaker 1: both in town to get together to write or is 237 00:10:43,040 --> 00:10:44,600 Speaker 1: it one of those hair are you in town? Let's 238 00:10:44,679 --> 00:10:45,959 Speaker 1: try it? How did that come together? 239 00:10:46,520 --> 00:10:49,400 Speaker 7: She she called me one day and she's like, I 240 00:10:49,480 --> 00:10:51,400 Speaker 7: want you to come out to my farm. I want 241 00:10:51,440 --> 00:10:53,679 Speaker 7: you to take a nap. We're gonna fij you because 242 00:10:53,679 --> 00:10:56,520 Speaker 7: her husband can cook. And uh, and she said, and 243 00:10:56,559 --> 00:10:58,120 Speaker 7: if we get around to it, let's write a song. 244 00:10:58,679 --> 00:11:01,880 Speaker 7: And our buddy Luke Duke was out there and I 245 00:11:02,000 --> 00:11:03,679 Speaker 7: took like a thirteen hour and now if I'm not 246 00:11:03,720 --> 00:11:04,600 Speaker 7: even playing, she. 247 00:11:04,760 --> 00:11:07,000 Speaker 3: Like took me in. She's a go to bed girl. 248 00:11:07,600 --> 00:11:11,280 Speaker 7: And uh, we just have so much fun, like living 249 00:11:11,360 --> 00:11:14,040 Speaker 7: that western way of life that me and her both 250 00:11:14,200 --> 00:11:16,520 Speaker 7: both loved just so much and connect on. 251 00:11:16,720 --> 00:11:20,079 Speaker 3: And as we were sitting there writing this song, we 252 00:11:20,200 --> 00:11:20,760 Speaker 3: were sitting. 253 00:11:20,559 --> 00:11:23,520 Speaker 7: On like the balcony of her cabin, and three bluebirds 254 00:11:23,720 --> 00:11:26,520 Speaker 7: flew up and landed on the balcony, and her and 255 00:11:26,640 --> 00:11:28,560 Speaker 7: Luke kind of looked at each other crazy and said 256 00:11:28,600 --> 00:11:31,000 Speaker 7: that when they were writing her song Bluebird, that the 257 00:11:31,080 --> 00:11:32,000 Speaker 7: same exact thing. 258 00:11:31,920 --> 00:11:33,679 Speaker 1: Happened, like it was it. Do they feel like it 259 00:11:33,760 --> 00:11:36,200 Speaker 1: was a sign yecause obviously didn't write about birds, it's 260 00:11:36,240 --> 00:11:38,959 Speaker 1: good horses. But they saw that as some sort of 261 00:11:39,040 --> 00:11:43,000 Speaker 1: indicator of something positive. Yeah, about the same free years. 262 00:11:43,120 --> 00:11:44,640 Speaker 3: Yes, yeah it felt special. 263 00:11:45,080 --> 00:11:47,480 Speaker 1: Yes. She have a bunch of animals up there, she does. 264 00:11:47,800 --> 00:11:51,000 Speaker 7: She's got tons of horses and a little bit of everything, 265 00:11:51,080 --> 00:11:51,960 Speaker 7: little mini horses. 266 00:11:52,000 --> 00:11:52,760 Speaker 3: They are so cute. 267 00:11:53,400 --> 00:11:57,000 Speaker 1: This record as a whole was fourteen songs. Yep. What different? 268 00:11:57,040 --> 00:12:00,960 Speaker 1: What's sonically different is is on this? What instruments did 269 00:12:01,000 --> 00:12:03,840 Speaker 1: you use differently? How did you feel like you matured 270 00:12:03,880 --> 00:12:04,400 Speaker 1: with your sound? 271 00:12:04,679 --> 00:12:06,679 Speaker 7: There's been times in my show where I was like, man, 272 00:12:06,760 --> 00:12:08,719 Speaker 7: I wish I had a song like this to kind 273 00:12:08,720 --> 00:12:11,320 Speaker 7: of glue these parts together. And so I really thought 274 00:12:11,360 --> 00:12:13,640 Speaker 7: about that. I mean, I'm gonna be singing these songs 275 00:12:13,720 --> 00:12:16,680 Speaker 7: for a really long time, and I want my live 276 00:12:16,760 --> 00:12:18,360 Speaker 7: show to be badass. 277 00:12:18,840 --> 00:12:21,360 Speaker 1: And what song do people sing back the loudest? Now? 278 00:12:21,720 --> 00:12:23,920 Speaker 7: Man, I'll tell you what. They love them some watermelon moonshine. 279 00:12:24,880 --> 00:12:27,840 Speaker 7: You gotta almost just start it. Yeah they can take it. Yeah, 280 00:12:28,320 --> 00:12:29,160 Speaker 7: it's pretty sweet. 281 00:12:29,440 --> 00:12:31,920 Speaker 1: That's great. How often do you take your ears down 282 00:12:31,960 --> 00:12:32,720 Speaker 1: and listen to the crowd? 283 00:12:33,280 --> 00:12:35,240 Speaker 7: Look, my team gets mad at me cause they're like, 284 00:12:35,440 --> 00:12:37,600 Speaker 7: leave your ears in, Like you're gonna end up hurting 285 00:12:37,600 --> 00:12:40,000 Speaker 7: your hearing. I can't help it. I keep an ear 286 00:12:40,120 --> 00:12:43,240 Speaker 7: out almost every show because for so long I wanted 287 00:12:43,280 --> 00:12:45,719 Speaker 7: that feeling and I want to like, I want to 288 00:12:45,800 --> 00:12:46,160 Speaker 7: hear them. 289 00:12:46,600 --> 00:12:49,760 Speaker 1: It's awesome. I'm sor happy for you. Laney's here, her 290 00:12:49,800 --> 00:12:54,600 Speaker 1: record is out. It's called Whirlwind, And it's also wild 291 00:12:54,760 --> 00:12:56,800 Speaker 1: to look and see that you already have seven number ones, 292 00:12:57,200 --> 00:12:59,560 Speaker 1: Like I felt like, Hey, I'm Bobby, I'm Laney. I mean, 293 00:12:59,559 --> 00:13:01,120 Speaker 1: it felt like they just happened. They're doing to get 294 00:13:01,320 --> 00:13:03,000 Speaker 1: you bet and at the same time, it's also like 295 00:13:03,040 --> 00:13:05,800 Speaker 1: twenty years right, it's like two different versions at once. 296 00:13:06,360 --> 00:13:08,360 Speaker 1: But the fact that you've had such such success, and 297 00:13:08,480 --> 00:13:12,480 Speaker 1: it's so cool because obviously you know right now as 298 00:13:12,559 --> 00:13:14,240 Speaker 1: much as you can and you're everywhere, and it's cool. 299 00:13:14,280 --> 00:13:16,079 Speaker 1: It's really cool to see at all man all for you. 300 00:13:16,559 --> 00:13:18,679 Speaker 1: Ei there she has our friend Lanny Wilson to check out. 301 00:13:22,480 --> 00:13:23,840 Speaker 1: It's time for the good news. 302 00:13:28,679 --> 00:13:30,520 Speaker 3: So there's this nine year old boy, Derek. 303 00:13:30,720 --> 00:13:33,839 Speaker 5: His family was vacationing in California and they made it 304 00:13:33,920 --> 00:13:37,160 Speaker 5: back to Texas and realize Derek left his little stuffed 305 00:13:37,200 --> 00:13:38,839 Speaker 5: monkey at the hotel in California. 306 00:13:39,280 --> 00:13:41,080 Speaker 3: Well, then they decided to hit. 307 00:13:41,080 --> 00:13:43,800 Speaker 5: Up the old church chain because someone that went to 308 00:13:43,840 --> 00:13:47,360 Speaker 5: their church was vacationing near where the hotel was, so 309 00:13:47,440 --> 00:13:49,839 Speaker 5: they hit them up and they drove an hour to 310 00:13:49,920 --> 00:13:52,400 Speaker 5: the hotel. Her name is Josephine Ortego, so shout out 311 00:13:52,400 --> 00:13:54,439 Speaker 5: to her because she picked up the stuff monkey and 312 00:13:54,520 --> 00:13:56,719 Speaker 5: then road tripped back to Texas with it, her and 313 00:13:56,760 --> 00:13:59,760 Speaker 5: her boyfriend and they took little photos like you know, 314 00:14:00,000 --> 00:14:02,360 Speaker 5: a monkey got a doctor pepper and watched the minions 315 00:14:02,400 --> 00:14:04,160 Speaker 5: while they were driving, you know, sort of like flat 316 00:14:04,240 --> 00:14:04,920 Speaker 5: Stanley style. 317 00:14:05,400 --> 00:14:07,240 Speaker 1: I'm sure the kid loved it. Great for her drive 318 00:14:07,280 --> 00:14:08,920 Speaker 1: an hour to get that monkey. But they were driving 319 00:14:08,960 --> 00:14:10,640 Speaker 1: back home anyway, right, They didn't just drive home because 320 00:14:10,640 --> 00:14:13,120 Speaker 1: they had the monkey with the monkey if they were 321 00:14:13,160 --> 00:14:14,200 Speaker 1: flying guy, Yeah, but. 322 00:14:14,520 --> 00:14:17,559 Speaker 3: They they drove an hour to the hotel out of 323 00:14:17,600 --> 00:14:18,120 Speaker 3: their way. 324 00:14:18,080 --> 00:14:19,360 Speaker 1: Then an hour back and then out. 325 00:14:19,440 --> 00:14:19,640 Speaker 6: Yeah. 326 00:14:19,960 --> 00:14:22,560 Speaker 1: No, I agree. It's super thoughtful. That kid had to 327 00:14:22,600 --> 00:14:24,440 Speaker 1: be so happy to get his monkey back. I just 328 00:14:24,480 --> 00:14:26,240 Speaker 1: bought him a new monkey, that's me sure, and the 329 00:14:26,280 --> 00:14:30,280 Speaker 1: monkey got a road trip. That's really yeah. Yeah, alright, 330 00:14:30,320 --> 00:14:33,280 Speaker 1: good story. Yeah great, that's that meant a lot to 331 00:14:33,320 --> 00:14:35,480 Speaker 1: that kid. I'm sure that's what it's all about. That 332 00:14:35,840 --> 00:14:39,280 Speaker 1: was telling me something good amy what happened? 333 00:14:39,680 --> 00:14:43,400 Speaker 5: So my friend's car was hit and run, like a 334 00:14:43,520 --> 00:14:46,640 Speaker 5: hit and run happened right outside of her house, and 335 00:14:46,920 --> 00:14:50,400 Speaker 5: she had this suspicion that it's one of her neighbors, 336 00:14:50,840 --> 00:14:53,640 Speaker 5: and so she's for like all weeks, she's been walking around, 337 00:14:53,920 --> 00:14:57,040 Speaker 5: like trying to see if she saw dents that would match, 338 00:14:57,520 --> 00:14:59,160 Speaker 5: like the the damage. 339 00:14:59,200 --> 00:15:01,920 Speaker 3: You know, you think it was an because was it. 340 00:15:01,960 --> 00:15:03,520 Speaker 1: A boom hit and run or was. 341 00:15:03,520 --> 00:15:07,640 Speaker 5: It like a no fender type a fender bend, but 342 00:15:07,760 --> 00:15:10,400 Speaker 5: like damage enough to where if you whoever hit it, 343 00:15:10,480 --> 00:15:13,440 Speaker 5: they knew. And she just felt like it was where 344 00:15:13,480 --> 00:15:15,280 Speaker 5: they were parked in the alley, that it had to 345 00:15:15,360 --> 00:15:19,520 Speaker 5: be someone that parks back there too, And so she's 346 00:15:19,560 --> 00:15:22,800 Speaker 5: been walking around and she found she found a car 347 00:15:23,000 --> 00:15:26,320 Speaker 5: that had matching dins pain the whole situation. 348 00:15:26,720 --> 00:15:30,120 Speaker 3: So you know, now she's like, how do I handle this? 349 00:15:30,240 --> 00:15:30,800 Speaker 6: Like what do I do? 350 00:15:31,000 --> 00:15:33,200 Speaker 5: And I'm like, I don't know that i'd say anything, 351 00:15:33,280 --> 00:15:35,160 Speaker 5: Like they live right by you. What if it's awkward? 352 00:15:35,240 --> 00:15:36,800 Speaker 5: Like why would they just do that and run? And 353 00:15:36,840 --> 00:15:37,840 Speaker 5: why are they trying to hide it? 354 00:15:38,680 --> 00:15:42,000 Speaker 1: Yeah, that's awkward. That's so awkward. The same paint color, 355 00:15:42,000 --> 00:15:45,200 Speaker 1: I'm assuming like it matches where they could have scraped 356 00:15:45,240 --> 00:15:46,040 Speaker 1: the side if they were driving. 357 00:15:46,240 --> 00:15:48,400 Speaker 3: She send me a picture as for yes, it's absolutely 358 00:15:48,440 --> 00:15:48,800 Speaker 3: what happened. 359 00:15:48,840 --> 00:15:50,720 Speaker 1: If you were the judge, would you judge that that's 360 00:15:50,800 --> 00:15:51,840 Speaker 1: the car? They hit her car. 361 00:15:54,160 --> 00:15:55,920 Speaker 3: And now the car is like she did. 362 00:15:56,080 --> 00:15:57,640 Speaker 5: The reason why she almost didn't notice that one for 363 00:15:57,760 --> 00:16:00,520 Speaker 5: days is it parked out front in a different spot. 364 00:16:00,320 --> 00:16:02,840 Speaker 3: Because she was like, oh, this is normally in the alley. 365 00:16:03,400 --> 00:16:08,680 Speaker 5: Oh, and so she believes like, oh, are they intentionally 366 00:16:08,760 --> 00:16:11,360 Speaker 5: now parking out front to sort of hope it dies 367 00:16:11,440 --> 00:16:13,800 Speaker 5: down or maybe till they can get it fixed and 368 00:16:13,920 --> 00:16:14,800 Speaker 5: make it look like not. 369 00:16:15,040 --> 00:16:17,240 Speaker 3: But I told her I don't know. 370 00:16:17,320 --> 00:16:19,040 Speaker 5: That I say anything, but she can't let it go, 371 00:16:19,360 --> 00:16:21,520 Speaker 5: Like she's like this, who doesn't hit and run? 372 00:16:21,600 --> 00:16:22,080 Speaker 1: Who does this? 373 00:16:22,240 --> 00:16:24,480 Speaker 3: This is crazy? Like you're risking a felony. 374 00:16:24,600 --> 00:16:26,480 Speaker 1: For I don't know if it's a felony with a 375 00:16:26,560 --> 00:16:30,360 Speaker 1: mild like scratchy a hit run. You're saying hit and 376 00:16:30,480 --> 00:16:33,000 Speaker 1: run as in somebody was in the car, you nailed them, 377 00:16:33,040 --> 00:16:35,360 Speaker 1: and you drove off. This was like you accidentally scratch someone, 378 00:16:35,360 --> 00:16:37,000 Speaker 1: you can also go out. Didn't know I even scratched them, 379 00:16:37,480 --> 00:16:39,280 Speaker 1: So I don't felony. I don't know the word felony around. 380 00:16:40,320 --> 00:16:41,880 Speaker 3: She was very passionate about that. 381 00:16:41,960 --> 00:16:43,640 Speaker 5: She just thought like, why would you risk like an 382 00:16:43,680 --> 00:16:47,040 Speaker 5: even larger charge for something that, Yeah, maybe you don't 383 00:16:47,040 --> 00:16:49,160 Speaker 5: want to pay five hundred dollars for the DNT to 384 00:16:49,200 --> 00:16:51,840 Speaker 5: fix it or whatever, but like you're facing something far worse. 385 00:16:51,920 --> 00:16:54,160 Speaker 5: So she's just like out for justice right now, and 386 00:16:54,280 --> 00:16:55,880 Speaker 5: I'm like, let it go. I don't want to be 387 00:16:55,880 --> 00:16:57,240 Speaker 5: awkward with my neighbor. 388 00:16:57,120 --> 00:16:59,920 Speaker 1: For damages under four hundred bucks. It's a classy missed 389 00:17:01,080 --> 00:17:03,160 Speaker 1: a little more than that, but it's not a felony 390 00:17:03,200 --> 00:17:04,160 Speaker 1: for them wondering. 391 00:17:04,480 --> 00:17:07,000 Speaker 8: And they probably fled because maybe they've been drinking. They're like, oh, 392 00:17:07,040 --> 00:17:08,760 Speaker 8: I don't want to get in trouble, so I'd rather 393 00:17:09,240 --> 00:17:10,560 Speaker 8: several of the consequences later. 394 00:17:10,960 --> 00:17:13,480 Speaker 1: Or it could have been a kid was driving the car, 395 00:17:13,880 --> 00:17:15,400 Speaker 1: or it could have been they don't have the money 396 00:17:15,480 --> 00:17:18,480 Speaker 1: right now, they're insurance, Like there're all these things. What 397 00:17:18,560 --> 00:17:19,000 Speaker 1: would I do? 398 00:17:19,320 --> 00:17:19,680 Speaker 3: I don't know. 399 00:17:19,880 --> 00:17:21,399 Speaker 1: I think I would take I think I'll write in 400 00:17:21,400 --> 00:17:24,040 Speaker 1: a note and I would put it on a few 401 00:17:24,080 --> 00:17:27,280 Speaker 1: of the cars around there, and I'd go, hey, someone 402 00:17:27,320 --> 00:17:30,640 Speaker 1: has hit my car. If you've seen it, please. 403 00:17:30,480 --> 00:17:30,840 Speaker 9: Let me know. 404 00:17:31,440 --> 00:17:33,560 Speaker 1: I live here at this address. The color of the 405 00:17:33,640 --> 00:17:37,159 Speaker 1: cars seems to be this, uh, any information, let me know, 406 00:17:37,320 --> 00:17:38,879 Speaker 1: and I'd put it on like four or five cars, 407 00:17:40,080 --> 00:17:41,320 Speaker 1: but I'd be sure to put it on the car 408 00:17:41,359 --> 00:17:44,000 Speaker 1: that had the scratches, because then they know, you know, 409 00:17:46,640 --> 00:17:48,520 Speaker 1: and you didn't just target them, and. 410 00:17:48,560 --> 00:17:50,080 Speaker 3: You didn't have to like go knock on their door, 411 00:17:50,200 --> 00:17:51,560 Speaker 3: and then they. 412 00:17:51,560 --> 00:17:53,879 Speaker 1: Know you know. And then what happens is you'd go 413 00:17:53,920 --> 00:17:57,400 Speaker 1: four or five, then you go over to them later 414 00:17:57,520 --> 00:18:00,440 Speaker 1: and go hey, to knock on the door, leave another note, Hey, 415 00:18:00,520 --> 00:18:02,320 Speaker 1: sorry to bother you. A couple of folks said that 416 00:18:02,400 --> 00:18:05,119 Speaker 1: maybe somebody was driving your car scratch my car. But 417 00:18:05,160 --> 00:18:06,800 Speaker 1: when I put the notes on everyone's car, I just 418 00:18:06,880 --> 00:18:09,120 Speaker 1: want to check and make it did that happen, because 419 00:18:09,160 --> 00:18:10,760 Speaker 1: then you have a reason to actually go there. It's 420 00:18:10,800 --> 00:18:12,880 Speaker 1: not just you accusing. You can blame it on another note. 421 00:18:13,359 --> 00:18:16,359 Speaker 1: That's if you want justice, if you want real justice, 422 00:18:17,480 --> 00:18:20,560 Speaker 1: ty Iron, Oh no, no, but that's real justice. That's 423 00:18:20,600 --> 00:18:25,560 Speaker 1: real justice. I'm not advising real justice. But if she's 424 00:18:25,640 --> 00:18:27,920 Speaker 1: doing that, that's if she just goes up and a 425 00:18:28,000 --> 00:18:32,359 Speaker 1: straight accusatory toward them, you did it, because maybe they didn't. 426 00:18:33,040 --> 00:18:34,440 Speaker 1: Maybe everything just happens to be. 427 00:18:34,840 --> 00:18:37,120 Speaker 5: But maybe they didn't, right, because not like she has 428 00:18:37,200 --> 00:18:38,840 Speaker 5: actual footage of it. 429 00:18:39,119 --> 00:18:41,320 Speaker 1: If I were strategizing, i'd go multiple notes, and then 430 00:18:41,320 --> 00:18:43,120 Speaker 1: the multiple notes, I would go, if anyone has any 431 00:18:44,400 --> 00:18:47,280 Speaker 1: doorcam footage or anything, please let me know, because all 432 00:18:47,320 --> 00:18:49,119 Speaker 1: that's going to do is freak out the person that 433 00:18:49,320 --> 00:18:51,200 Speaker 1: really did it. That someone's going to turn in the 434 00:18:51,240 --> 00:18:53,920 Speaker 1: door cam footage and they never have to turn it 435 00:18:53,960 --> 00:18:55,639 Speaker 1: in and the other person can't prove that they did 436 00:18:55,720 --> 00:18:57,360 Speaker 1: or didn't turn it in. That's what i'd do. I'd 437 00:18:57,400 --> 00:18:59,000 Speaker 1: freak them out and then I'd be like, hey, we 438 00:18:59,080 --> 00:19:01,399 Speaker 1: have this is awkward, but some people said that they 439 00:19:01,440 --> 00:19:04,520 Speaker 1: could have been your car that's scratched. If you're super nice, 440 00:19:04,920 --> 00:19:07,880 Speaker 1: I think you can take care of and justice is served. Okay, 441 00:19:08,880 --> 00:19:11,399 Speaker 1: That's what I would do, Like three levels deep, I 442 00:19:11,480 --> 00:19:11,760 Speaker 1: think I. 443 00:19:12,240 --> 00:19:13,000 Speaker 3: Can get on mored with that. 444 00:19:13,119 --> 00:19:15,600 Speaker 5: Sometimes I don't understand your three levels deep, Like I'm like, 445 00:19:15,680 --> 00:19:17,480 Speaker 5: what why would you go through all of that? Like 446 00:19:17,600 --> 00:19:20,320 Speaker 5: she used to like dance around whatever, But in this case, 447 00:19:20,720 --> 00:19:21,480 Speaker 5: I'm here for. 448 00:19:21,520 --> 00:19:23,440 Speaker 1: It, but also a neighbor, and you're always gonna have 449 00:19:23,480 --> 00:19:24,359 Speaker 1: to live by them. 450 00:19:24,359 --> 00:19:26,679 Speaker 3: Yes, and you don't want awkwardness or them to like. 451 00:19:27,280 --> 00:19:30,520 Speaker 1: Murder me yes, murder y yes, yes, yeah, let me 452 00:19:30,600 --> 00:19:32,760 Speaker 1: know if she decides to do that. If you posted, 453 00:19:33,400 --> 00:19:35,119 Speaker 1: I hope she does. I want to sell all my 454 00:19:35,160 --> 00:19:38,640 Speaker 1: experiments come to lack. That'll be great. The new poll 455 00:19:38,720 --> 00:19:42,440 Speaker 1: reveals the best and worst ways to propose. Half people 456 00:19:42,520 --> 00:19:44,960 Speaker 1: say that the best time to post during the romantic dinner. 457 00:19:45,760 --> 00:19:50,399 Speaker 1: Other good times are during a holiday, on vacation, or 458 00:19:50,560 --> 00:19:54,159 Speaker 1: during a concert. That's one, two, three, and four. The 459 00:19:54,320 --> 00:20:01,000 Speaker 1: worst text phone call at a fast food restaurant or 460 00:20:01,040 --> 00:20:04,280 Speaker 1: at their parents' house. So that's best and worst. And 461 00:20:04,359 --> 00:20:06,560 Speaker 1: I saw this and I thought, I bet you our 462 00:20:06,640 --> 00:20:09,000 Speaker 1: listeners have some pretty great stories. And let's go to 463 00:20:09,119 --> 00:20:12,200 Speaker 1: Renee in Indiana, who's on the phone right now. Renee, 464 00:20:12,440 --> 00:20:13,680 Speaker 1: thank you for calling. What's going on? 465 00:20:14,359 --> 00:20:17,440 Speaker 9: Well, it wasn't the worst way to suppose, but you 466 00:20:17,600 --> 00:20:20,680 Speaker 9: just didn't put a lot of spot into it. He 467 00:20:20,840 --> 00:20:23,000 Speaker 9: put the ring box on the dash of his truck 468 00:20:23,119 --> 00:20:24,680 Speaker 9: and said, it's yours if you want it. 469 00:20:30,040 --> 00:20:31,760 Speaker 2: Someone's in mind. I heard romance. 470 00:20:32,280 --> 00:20:35,119 Speaker 1: Wow, that's like a movie, like a few grants not 471 00:20:35,200 --> 00:20:36,960 Speaker 1: starting in that in the next three years. 472 00:20:37,240 --> 00:20:38,359 Speaker 3: And so what did you say? 473 00:20:38,920 --> 00:20:43,520 Speaker 9: Granted we had just found out I was pregnant, and 474 00:20:44,359 --> 00:20:48,120 Speaker 9: I was nineteen, he was twenty, and I said, yes, 475 00:20:48,200 --> 00:20:51,199 Speaker 9: of course, we were married for thirty three years now. 476 00:20:51,440 --> 00:20:54,480 Speaker 1: So and all that's great, and the story around it. 477 00:20:54,560 --> 00:20:57,440 Speaker 1: I understand all the circumstances, but you know what, taking 478 00:20:57,480 --> 00:20:59,280 Speaker 1: you to a park and just getting on a knee saying, hey, 479 00:20:59,280 --> 00:21:04,040 Speaker 1: will you marry me? Ain't that hard to do? Hey, say, bogs, 480 00:21:04,680 --> 00:21:07,040 Speaker 1: look at it. If you like it, all right, it's 481 00:21:07,119 --> 00:21:11,720 Speaker 1: yours if you want it. That's awesome. Though. I appreciate 482 00:21:11,720 --> 00:21:13,680 Speaker 1: you telling that story, and I love that it's worked out, 483 00:21:13,800 --> 00:21:16,520 Speaker 1: and I love that you're probably happily married, and you're 484 00:21:16,560 --> 00:21:18,560 Speaker 1: a goal for everybody that wants to be happily married. 485 00:21:18,640 --> 00:21:21,080 Speaker 9: You know, yes, and like I said, he just wasn't 486 00:21:21,119 --> 00:21:23,880 Speaker 9: that kind of a Roman bid die. It's all worked 487 00:21:23,920 --> 00:21:24,199 Speaker 9: out and. 488 00:21:24,240 --> 00:21:25,080 Speaker 10: I love him to dad. 489 00:21:25,240 --> 00:21:27,080 Speaker 1: That's awesome. Well, thank you for sharing that, Renee. I 490 00:21:27,080 --> 00:21:27,800 Speaker 1: hope you have a great day. 491 00:21:28,440 --> 00:21:29,280 Speaker 9: Thanks bye, all. 492 00:21:29,200 --> 00:21:32,240 Speaker 1: Right, I see you later. Here's another Renee in Arkansas. Renee, 493 00:21:32,400 --> 00:21:33,680 Speaker 1: you're on the Bobby Bone Show. What's going on? 494 00:21:33,840 --> 00:21:36,960 Speaker 10: Good morning, Bobby, Good morning studio morning. So my husband 495 00:21:37,000 --> 00:21:39,399 Speaker 10: and I have been married thirty five years, and so 496 00:21:39,560 --> 00:21:39,919 Speaker 10: it just. 497 00:21:40,040 --> 00:21:40,720 Speaker 11: Did work out. 498 00:21:40,800 --> 00:21:43,320 Speaker 3: But he too puts. 499 00:21:43,680 --> 00:21:46,560 Speaker 10: We were in a truck, and he did think. He 500 00:21:46,680 --> 00:21:49,600 Speaker 10: put some thought into it. He put the ring down 501 00:21:49,760 --> 00:21:52,879 Speaker 10: in his sock and so as we were driving, we 502 00:21:53,000 --> 00:21:55,639 Speaker 10: came to a stop and he threw his leg up 503 00:21:55,680 --> 00:21:58,040 Speaker 10: on the dash and he said, hey, babe, look in 504 00:21:58,160 --> 00:21:59,840 Speaker 10: that sock and see what you find. 505 00:22:02,800 --> 00:22:02,919 Speaker 1: Now. 506 00:22:03,320 --> 00:22:08,360 Speaker 10: And you did, what what I'm digging in your sock? Yeah, 507 00:22:08,800 --> 00:22:10,680 Speaker 10: get in my sock and you see what you find. 508 00:22:12,400 --> 00:22:16,000 Speaker 10: I kind of anticipated a proposal, but that threw me off. 509 00:22:16,080 --> 00:22:19,760 Speaker 10: It's like, what is getting your sock? And it was 510 00:22:19,800 --> 00:22:20,120 Speaker 10: a ring? 511 00:22:21,400 --> 00:22:23,520 Speaker 1: Renate Thank you, have a great day. Over to Karen 512 00:22:23,640 --> 00:22:26,160 Speaker 1: in North Dakota. Karen, you're on the Bobby Bone Show. 513 00:22:26,200 --> 00:22:26,520 Speaker 1: What's going on? 514 00:22:26,840 --> 00:22:31,280 Speaker 10: So my husband we've been married almost twenty six years, 515 00:22:31,320 --> 00:22:33,320 Speaker 10: but we had been living together about four years and 516 00:22:33,960 --> 00:22:37,480 Speaker 10: we were shopping in Best Buy and we were walking 517 00:22:37,560 --> 00:22:40,240 Speaker 10: and he said, let's just go check out the rings 518 00:22:40,280 --> 00:22:42,000 Speaker 10: and I said, well why and he said, because we 519 00:22:42,000 --> 00:22:42,960 Speaker 10: should probably get married. 520 00:22:43,240 --> 00:22:44,520 Speaker 2: Oh that was it. 521 00:22:45,359 --> 00:22:49,520 Speaker 1: Now, it's probably most loving story if it's in like 522 00:22:49,560 --> 00:22:51,359 Speaker 1: a rings show, like like in the movies, or like 523 00:22:51,400 --> 00:22:53,439 Speaker 1: at Tiffany's and the guys like let's just little men. 524 00:22:53,440 --> 00:22:55,320 Speaker 1: All the lights come on, you know, but he was 525 00:22:55,359 --> 00:22:58,480 Speaker 1: an electronics store, so probably I didn't even know they 526 00:22:58,520 --> 00:23:02,240 Speaker 1: had screens on them. 527 00:23:06,240 --> 00:23:07,760 Speaker 3: Or maybe one of those coras. 528 00:23:07,800 --> 00:23:11,000 Speaker 1: They had rings best by that's a great point they did, 529 00:23:11,320 --> 00:23:12,879 Speaker 1: was best by selling different things back then. 530 00:23:13,040 --> 00:23:14,960 Speaker 10: They must have been because they definitely had rings. 531 00:23:15,760 --> 00:23:16,720 Speaker 1: Well, and you've been married. 532 00:23:16,720 --> 00:23:17,240 Speaker 6: I didn't get it. 533 00:23:17,320 --> 00:23:19,240 Speaker 10: We didn't get a ring from there, but we that's 534 00:23:19,280 --> 00:23:21,840 Speaker 10: where we That's where I got proposed to, basically. 535 00:23:21,640 --> 00:23:22,760 Speaker 3: And then when did the ring come. 536 00:23:22,920 --> 00:23:24,160 Speaker 10: I ended up getting my ring. 537 00:23:24,400 --> 00:23:25,520 Speaker 3: I ended up getting the ring. 538 00:23:25,520 --> 00:23:29,440 Speaker 10: From his mother who was passed on. So the ring 539 00:23:29,560 --> 00:23:32,680 Speaker 10: means much more than my ring. But the proposal will 540 00:23:32,720 --> 00:23:34,080 Speaker 10: always be a best buy proposal. 541 00:23:34,400 --> 00:23:34,640 Speaker 11: Nice. 542 00:23:35,680 --> 00:23:37,280 Speaker 1: Well, thank you for the story. Hope you have an 543 00:23:37,280 --> 00:23:37,800 Speaker 1: awesome day. 544 00:23:37,920 --> 00:23:39,280 Speaker 10: Can I tell you something really quick? 545 00:23:39,359 --> 00:23:40,359 Speaker 1: Would love to hear what's going on. 546 00:23:40,600 --> 00:23:43,040 Speaker 10: My granddaughter is Keen and she's in the car. We 547 00:23:43,200 --> 00:23:45,760 Speaker 10: watch or we listen every single morning on the way 548 00:23:45,800 --> 00:23:48,880 Speaker 10: to school. And she did tell me this morning when 549 00:23:48,880 --> 00:23:50,359 Speaker 10: I was trying to call, she said, what is the 550 00:23:50,440 --> 00:23:52,720 Speaker 10: point of Bobby telling everybody to call if you can't 551 00:23:52,760 --> 00:23:54,800 Speaker 10: even get through? But I did get through, so I 552 00:23:54,840 --> 00:23:55,800 Speaker 10: thought that was pretty funny. 553 00:23:55,960 --> 00:23:57,320 Speaker 1: Yeah, is she there with you're not going to talk 554 00:23:57,320 --> 00:23:57,560 Speaker 1: to her. 555 00:23:57,800 --> 00:23:58,119 Speaker 6: She is. 556 00:23:58,200 --> 00:23:59,000 Speaker 10: Her name is Aubrey. 557 00:23:59,119 --> 00:24:02,439 Speaker 1: Say hi, Aubrey, Aubrey. How's it going? It's Bobby Bones. 558 00:24:02,480 --> 00:24:08,240 Speaker 1: Guess what she got through? It's all right. Well, thank 559 00:24:08,280 --> 00:24:11,320 Speaker 1: you for listening, and we appreciate you calling. And I'm 560 00:24:11,320 --> 00:24:13,800 Speaker 1: happy to hear your marriages is long and strong. 561 00:24:14,080 --> 00:24:14,720 Speaker 9: Long and strong. 562 00:24:14,840 --> 00:24:18,560 Speaker 1: All right, see you later. Thank you for the calls. Ray, 563 00:24:18,600 --> 00:24:19,840 Speaker 1: you want to do more of these or you want 564 00:24:19,880 --> 00:24:22,320 Speaker 1: to just punt on calls? You move on to another subject. 565 00:24:22,680 --> 00:24:24,200 Speaker 1: We can do it. I'm giving you the keys of 566 00:24:24,240 --> 00:24:26,520 Speaker 1: the castle today. We move on to another segment. Steve 567 00:24:26,600 --> 00:24:31,040 Speaker 1: smarter than me. I want Ray's opinion. Ray, no more calls, 568 00:24:31,040 --> 00:24:33,040 Speaker 1: because that seemed like a good book, and that you're 569 00:24:33,080 --> 00:24:37,399 Speaker 1: going to stress him out. Stressed out? Ray, I was 570 00:24:37,440 --> 00:24:39,920 Speaker 1: asking you. I was giving you the authority to say, 571 00:24:39,960 --> 00:24:41,680 Speaker 1: do we want to do another segment or not? I know, 572 00:24:41,800 --> 00:24:45,280 Speaker 1: but Steve's the executive time for you to have a 573 00:24:45,320 --> 00:24:47,000 Speaker 1: little bit to say so too, like make decisions. 574 00:24:47,000 --> 00:24:53,919 Speaker 11: He's going to text his wife and ask her what, Ray, 575 00:24:54,000 --> 00:24:55,760 Speaker 11: does your wife make all the decisions in your house? 576 00:24:55,840 --> 00:24:59,199 Speaker 1: She makes a lot of them. Ray came hndle that pressure. 577 00:24:59,720 --> 00:25:01,399 Speaker 1: Are you not a pressure guy? Are you not a 578 00:25:01,440 --> 00:25:03,960 Speaker 1: guy that wants to be? You know, the guy that's 579 00:25:04,000 --> 00:25:06,000 Speaker 1: pulling the strings, making the decision. I mean, I deal 580 00:25:06,040 --> 00:25:08,879 Speaker 1: with pressure, But I mean if I can defer to 581 00:25:08,960 --> 00:25:14,040 Speaker 1: somebody else, I do. Why not? Got it? Big defer guy? 582 00:25:14,080 --> 00:25:14,280 Speaker 6: Are you? 583 00:25:14,960 --> 00:25:17,680 Speaker 3: Does anybody? Is anybody else? Notice that Ray's skin is 584 00:25:17,880 --> 00:25:18,720 Speaker 3: glowing today. 585 00:25:19,920 --> 00:25:21,800 Speaker 1: He's shiny. I don't know if glowing is the word, 586 00:25:21,880 --> 00:25:24,679 Speaker 1: but shiny is the word. Thank you? Why I mean 587 00:25:24,720 --> 00:25:27,280 Speaker 1: I got this spray? It's like a toner. It's like wet. 588 00:25:27,560 --> 00:25:29,000 Speaker 1: I think that's what it is. He's just like wet. 589 00:25:30,600 --> 00:25:34,280 Speaker 1: He miss himself. Ray's got products you over there? It's 590 00:25:34,280 --> 00:25:36,600 Speaker 1: either products or supplements. We were walking into that little room. 591 00:25:36,920 --> 00:25:38,679 Speaker 1: Raise our audio guy, by the way, who runs all 592 00:25:38,760 --> 00:25:43,520 Speaker 1: the sounds here. On the show, right the sparkling water challenge. 593 00:25:43,640 --> 00:25:47,040 Speaker 1: You all have a cup of sparkling water and on TikTok, 594 00:25:47,119 --> 00:25:50,000 Speaker 1: it's can you do it without burping? First of the last, 595 00:25:50,040 --> 00:25:52,920 Speaker 1: The longest gets twenty bucks. Okay? Oh yeah, Morgans, So 596 00:25:53,000 --> 00:25:55,840 Speaker 1: you'd be watching Eddie Mike, you watch Lunchbox and don't 597 00:25:55,880 --> 00:25:58,400 Speaker 1: try to slip a little burp out like this. Oh yes, 598 00:25:59,160 --> 00:26:01,159 Speaker 1: and Amy you're just honest, so I trust you. All right, 599 00:26:01,200 --> 00:26:02,440 Speaker 1: here we go. She needs a judge. 600 00:26:02,680 --> 00:26:03,400 Speaker 2: She's already drinking. 601 00:26:03,520 --> 00:26:07,200 Speaker 1: He's right here, judge, you're already drinking. Yeah, fifteen, I 602 00:26:07,240 --> 00:26:10,840 Speaker 1: guess a chug your Oh g yeah, it's a chug. 603 00:26:11,160 --> 00:26:13,159 Speaker 1: Let's go go. Here we go. 604 00:26:14,040 --> 00:26:18,760 Speaker 12: Oh, Amy just throwing? All right, the hungebox is done. 605 00:26:20,200 --> 00:26:25,159 Speaker 12: Oh crap, it's coming up. Oh it's coming up. Swallow 606 00:26:25,240 --> 00:26:25,639 Speaker 12: it down. 607 00:26:27,280 --> 00:26:31,679 Speaker 1: My eyes. The goal is not to burn Amy thinks, hilarry, 608 00:26:31,720 --> 00:26:36,320 Speaker 1: Who did dude? 609 00:26:37,160 --> 00:26:39,040 Speaker 2: Watery eyes? Water? 610 00:26:39,240 --> 00:26:39,720 Speaker 1: What's in this? 611 00:26:40,520 --> 00:26:40,680 Speaker 10: Well? 612 00:26:40,880 --> 00:26:45,399 Speaker 1: I'm glad you asked. Put voda a lot. I'm called arsenic. 613 00:26:45,520 --> 00:26:47,440 Speaker 1: This this is how everybody gets poison and dies on 614 00:26:47,440 --> 00:26:49,960 Speaker 1: the air Jim Jones style. Hey man, I think I 615 00:26:50,040 --> 00:26:52,360 Speaker 1: think I'm past it. You are I think I think 616 00:26:52,400 --> 00:26:53,639 Speaker 1: I'm past you both go past it? 617 00:26:55,280 --> 00:26:56,520 Speaker 2: No, no, no, I don't do anymore. 618 00:26:56,600 --> 00:26:57,879 Speaker 1: Now. It's a challenge. 619 00:26:58,040 --> 00:27:00,880 Speaker 5: Is this when we tell him let's go, only psychopaths 620 00:27:00,920 --> 00:27:01,360 Speaker 5: don't burp? 621 00:27:03,359 --> 00:27:03,800 Speaker 7: Is that true? 622 00:27:03,920 --> 00:27:09,399 Speaker 1: Gamy's drunk from the spikling water? You guys, I know 623 00:27:09,560 --> 00:27:13,080 Speaker 1: I'm good. I'm still water. Are your eyes water? 624 00:27:13,119 --> 00:27:14,760 Speaker 2: I don't know what's wrong with me? What's wrong with it? 625 00:27:15,800 --> 00:27:22,720 Speaker 1: Here we go. Let's do another shotter to one. Go okay, chuck, chuck, chuck, 626 00:27:23,080 --> 00:27:25,320 Speaker 1: How did you do that? No more on lunches, cop, 627 00:27:26,000 --> 00:27:30,480 Speaker 1: No more an Eddie's cup. Oh crap, it's right there. Oh, 628 00:27:30,760 --> 00:27:34,200 Speaker 1: don't do it. Oh man, it's right on my neck. Yeah, 629 00:27:34,600 --> 00:27:43,120 Speaker 1: don't do it? All right, Eddie staring at my down 630 00:27:43,400 --> 00:27:45,199 Speaker 1: pass it's down and let it out. 631 00:27:45,240 --> 00:27:45,800 Speaker 2: But it let's go. 632 00:27:46,680 --> 00:27:49,359 Speaker 1: Okay, what do you not feel anything? 633 00:27:49,840 --> 00:27:52,040 Speaker 2: My eyes keep water, But even just. 634 00:27:52,119 --> 00:27:54,080 Speaker 3: A tiny sip like that, I feel it. 635 00:27:54,720 --> 00:27:55,720 Speaker 1: I don't need to burp it all. 636 00:27:55,800 --> 00:27:57,359 Speaker 2: I feel like I want to throw up because this 637 00:27:57,400 --> 00:27:58,359 Speaker 2: stuff is terrible to you. 638 00:27:58,720 --> 00:28:01,399 Speaker 1: It's still there. It's bubble in. But I'm not throwing up, 639 00:28:01,520 --> 00:28:02,280 Speaker 1: I mean burping. 640 00:28:02,880 --> 00:28:03,760 Speaker 3: I take one sip. 641 00:28:04,240 --> 00:28:11,040 Speaker 1: I'm like, yes, that's just for lunch. Well, I just 642 00:28:11,040 --> 00:28:14,719 Speaker 1: don't worry about you guys. The price then all right, 643 00:28:14,960 --> 00:28:15,320 Speaker 1: you both. 644 00:28:16,359 --> 00:28:17,240 Speaker 3: That's impressive. 645 00:28:17,400 --> 00:28:17,920 Speaker 6: Are we done? 646 00:28:18,080 --> 00:28:21,600 Speaker 1: What's up? Are we done with the competition. I'm not 647 00:28:21,680 --> 00:28:22,119 Speaker 1: gonna do it. 648 00:28:24,040 --> 00:28:24,840 Speaker 10: I'm trying to hold it in. 649 00:28:24,960 --> 00:28:26,640 Speaker 1: Now. Do you have one on your on the tip 650 00:28:26,720 --> 00:28:28,680 Speaker 1: of I think it's down dying. 651 00:28:28,560 --> 00:28:31,640 Speaker 2: For him now, I can feel it is a diying 652 00:28:31,680 --> 00:28:31,919 Speaker 2: for him. 653 00:28:32,040 --> 00:28:35,560 Speaker 1: Yes, yes, yes, man, I'm good. You guys good, I'm good. 654 00:28:35,640 --> 00:28:38,640 Speaker 1: I'm good. Go to commercial, all right, you can burn, 655 00:28:39,080 --> 00:28:41,040 Speaker 1: go ahead. I don't need to. I don't trust you. 656 00:28:41,920 --> 00:28:44,600 Speaker 1: I don't trust you. They don't need to, all right. 657 00:28:44,640 --> 00:28:48,320 Speaker 1: Simon says, you can, no, but we're not playing. Simon says, 658 00:28:49,120 --> 00:28:52,479 Speaker 1: I hear you. Yeah, he's got it. Now you can. 659 00:28:53,320 --> 00:28:54,960 Speaker 1: I don't need to burn, you know at all? I 660 00:28:55,040 --> 00:28:56,920 Speaker 1: feel it in my stomach. It all went down there, 661 00:28:56,960 --> 00:28:58,760 Speaker 1: but I don't need to burn. I was gonna b 662 00:28:58,840 --> 00:28:59,720 Speaker 1: pro when I got that money. 663 00:29:02,760 --> 00:29:05,240 Speaker 13: I was turning at hard like it doesn't feel good. Bones, 664 00:29:05,360 --> 00:29:14,920 Speaker 13: I'm very I don't know. All right, all right, it's 665 00:29:15,000 --> 00:29:16,080 Speaker 13: time for the news. 666 00:29:16,800 --> 00:29:17,040 Speaker 6: Ready. 667 00:29:21,080 --> 00:29:22,840 Speaker 11: So a couple of weekends ago, Bones, you and I 668 00:29:22,920 --> 00:29:25,400 Speaker 11: were a fanatics fest, right, Yeah, it's big sports. 669 00:29:25,640 --> 00:29:28,200 Speaker 1: I would say it's like Comic Con for sports. Tom 670 00:29:28,240 --> 00:29:30,400 Speaker 1: Brady was there talking, or you can like run the 671 00:29:30,440 --> 00:29:32,200 Speaker 1: forty yard dash, or you can go look at cards. 672 00:29:32,280 --> 00:29:33,480 Speaker 1: It's like in every way. 673 00:29:33,400 --> 00:29:34,800 Speaker 3: I'm thinking, Like when I saw it, I was like, oh, 674 00:29:34,840 --> 00:29:36,040 Speaker 3: this is like Bravo Con. 675 00:29:36,320 --> 00:29:39,760 Speaker 1: For sports, which is like Comic Con for Bravo. Yeah, yeah, yeah, yeah, 676 00:29:39,800 --> 00:29:41,920 Speaker 1: all that all that, But I didn't know this was happening. 677 00:29:42,040 --> 00:29:45,240 Speaker 11: Apparently there was a costume contest going on there and 678 00:29:45,400 --> 00:29:47,520 Speaker 11: the winner she dressed up as a Bills fan but 679 00:29:47,680 --> 00:29:50,120 Speaker 11: jumping on a table. Her whole costume was a Bills 680 00:29:50,160 --> 00:29:51,840 Speaker 11: fan jumping on table, which is what the Bills fans. 681 00:29:51,920 --> 00:29:53,840 Speaker 1: Yeah, they jump off like wrestling and wrestling at me 682 00:29:53,840 --> 00:29:57,280 Speaker 1: when they jump off the top row. Person, they jumped 683 00:29:57,280 --> 00:30:00,560 Speaker 1: through tables. Bill's mafia does, that's their And that was 684 00:30:00,640 --> 00:30:01,280 Speaker 1: her costume. 685 00:30:01,400 --> 00:30:04,080 Speaker 11: And so she won the first prize, like the main prize. 686 00:30:04,240 --> 00:30:05,400 Speaker 1: Dude, this prize is crazy. 687 00:30:05,800 --> 00:30:08,600 Speaker 11: So for the next year, she's got tickets to the 688 00:30:08,680 --> 00:30:12,800 Speaker 11: super Bowl, the World Series, NBA Finals, Stanley Cup Finals, 689 00:30:13,040 --> 00:30:15,840 Speaker 11: em I Lu's Cup, WrestleMania, and UFC. 690 00:30:16,200 --> 00:30:19,960 Speaker 1: Wow. All that she got for that costume contest. That's 691 00:30:22,080 --> 00:30:25,080 Speaker 1: this is prize I've ever heard of. Yeah, every one 692 00:30:25,080 --> 00:30:27,400 Speaker 1: of the championships. That's wild. I thought that was so 693 00:30:27,640 --> 00:30:29,760 Speaker 1: I saw the costume. It's pretty good. She's she's on 694 00:30:29,880 --> 00:30:32,960 Speaker 1: a table leaning back. It looks like she's falling through it, 695 00:30:33,000 --> 00:30:34,360 Speaker 1: but she's really not. But it's part of the costume. 696 00:30:34,400 --> 00:30:36,120 Speaker 11: The Nable List do, why did we not get dressed 697 00:30:36,200 --> 00:30:36,640 Speaker 11: up when we win? 698 00:30:36,680 --> 00:30:39,080 Speaker 1: We weren't gonna win or think of that. Dang, that's awesome. 699 00:30:39,080 --> 00:30:41,520 Speaker 1: That's like lunch. Why don't think of a million dollar idea? Well, 700 00:30:41,560 --> 00:30:43,720 Speaker 1: we just didn't have them. But yeah, that is the 701 00:30:43,800 --> 00:30:46,520 Speaker 1: greatest prize I've ever heard, other than like winning lottery. 702 00:30:46,760 --> 00:30:48,480 Speaker 1: This is pretty cool. That's pretty cool. That's what it's 703 00:30:48,480 --> 00:30:53,120 Speaker 1: all about. That was telling me something good. Wake Up, 704 00:30:53,640 --> 00:31:05,280 Speaker 1: wake up and radio time Eddie, unchbox more game two, 705 00:31:05,880 --> 00:31:08,880 Speaker 1: Steve red and it's trying to put you through fock. 706 00:31:09,040 --> 00:31:12,400 Speaker 1: He's running this wigs next minit and Bobby's on the box. 707 00:31:12,480 --> 00:31:13,360 Speaker 10: So you know this. 708 00:31:18,720 --> 00:31:22,920 Speaker 1: Is about it all. One of our favorite voicemailers, Trucker Joe, 709 00:31:23,040 --> 00:31:24,400 Speaker 1: left us this message. 710 00:31:24,280 --> 00:31:27,959 Speaker 2: Hey, Bobby, when somebody wins easy to you, ain't they 711 00:31:28,080 --> 00:31:30,200 Speaker 2: supposed to eliminate somebody so. 712 00:31:30,320 --> 00:31:31,240 Speaker 10: Somebody else can play. 713 00:31:31,520 --> 00:31:35,320 Speaker 1: Correct? Oh, we played our whole first match on Friday 714 00:31:35,360 --> 00:31:38,200 Speaker 1: in the new season. Eddie's the champion, Eddie, you can 715 00:31:38,240 --> 00:31:41,280 Speaker 1: still eliminate somebody. Wow, it doesn't matter who it is. Huh. 716 00:31:41,400 --> 00:31:45,000 Speaker 1: Let me think about this for a second, because if 717 00:31:45,080 --> 00:31:46,880 Speaker 1: you win, you get to cut someone. So if you 718 00:31:46,880 --> 00:31:48,680 Speaker 1: don't cut someone the next five seconds, we're moving on 719 00:31:48,760 --> 00:31:49,040 Speaker 1: with life. 720 00:31:49,120 --> 00:31:51,520 Speaker 11: I mean, Amy's my main competitor, so If I cut her, 721 00:31:51,640 --> 00:31:52,720 Speaker 11: I have a better chance to win it. 722 00:31:52,800 --> 00:31:55,920 Speaker 1: She did cut you once. Yeah, let's cut Amy, cut it. Wow, 723 00:31:56,240 --> 00:31:59,200 Speaker 1: just like that, Amy, you're out. Tructor Joe breaks into 724 00:31:59,440 --> 00:32:02,040 Speaker 1: Justice and what does that put Abby in? 725 00:32:02,760 --> 00:32:02,960 Speaker 12: Yeah? 726 00:32:03,080 --> 00:32:07,520 Speaker 1: Yeah? Whoever did really? Just an empty chair? Wow, justice 727 00:32:07,640 --> 00:32:09,720 Speaker 1: is sir, Thank you, truck or Joe. And now she's 728 00:32:09,720 --> 00:32:11,440 Speaker 1: got to the morning corny right after that? Oh no, 729 00:32:11,760 --> 00:32:14,240 Speaker 1: oh no, all right, let's go to the morning Corny, 730 00:32:17,720 --> 00:32:19,120 Speaker 1: the mourning Corny. 731 00:32:19,440 --> 00:32:21,440 Speaker 3: Why was the baby jalapeno shivering? 732 00:32:21,640 --> 00:32:23,920 Speaker 1: Why was the baby jalapino shivering? 733 00:32:24,280 --> 00:32:25,400 Speaker 3: It was a little chilly. 734 00:32:27,560 --> 00:32:32,200 Speaker 1: Here's a falling down her face. That was the morning Corny. 735 00:32:32,320 --> 00:32:33,360 Speaker 1: How do you feel about that? Amy? 736 00:32:33,960 --> 00:32:34,880 Speaker 10: I get it. 737 00:32:35,040 --> 00:32:35,960 Speaker 3: I had to do it to him. 738 00:32:36,080 --> 00:32:37,800 Speaker 1: Yeah, that's true. It's part of the game. 739 00:32:37,880 --> 00:32:42,160 Speaker 5: It's hard being the competition. Yeah, you know so, I 740 00:32:42,200 --> 00:32:43,080 Speaker 5: guess it's a compliment. 741 00:32:43,280 --> 00:32:46,720 Speaker 1: Sure, you've take that away or whatever. Bobby Bone show, 742 00:32:47,640 --> 00:32:48,600 Speaker 1: Sorry after day. 743 00:32:49,160 --> 00:32:51,040 Speaker 2: This story comes us from Iowa. 744 00:32:51,800 --> 00:32:53,760 Speaker 8: A forty eight year old man was at home with 745 00:32:53,880 --> 00:32:56,280 Speaker 8: his dad when his dad was like, hey, man, can 746 00:32:56,360 --> 00:32:57,360 Speaker 8: you cover up your feet? 747 00:32:57,440 --> 00:33:00,960 Speaker 2: Your feet stink? He said, what he goes, Yeah, those 748 00:33:01,040 --> 00:33:03,760 Speaker 2: are nasty. So the sun shot the dead. 749 00:33:05,360 --> 00:33:08,000 Speaker 1: I would imagine there was some some beef prior to 750 00:33:08,120 --> 00:33:13,160 Speaker 1: the feet. Sure, stinky argument. I would imagine there is 751 00:33:13,200 --> 00:33:15,440 Speaker 1: a long history of these two not getting along and 752 00:33:15,520 --> 00:33:16,960 Speaker 1: then this was just a final straw. 753 00:33:17,280 --> 00:33:18,840 Speaker 2: And he did ask him to wash his feet. 754 00:33:19,680 --> 00:33:19,880 Speaker 11: Yeah. 755 00:33:19,880 --> 00:33:21,360 Speaker 1: Again, I would imagine there was a lot more to 756 00:33:21,440 --> 00:33:25,200 Speaker 1: it than just the feet thing. Nobody died, No one died. Allow. 757 00:33:25,240 --> 00:33:25,960 Speaker 1: We don't allow deaths. 758 00:33:26,040 --> 00:33:28,400 Speaker 2: No, there's no deaths. That's why this one is allowed. 759 00:33:28,840 --> 00:33:29,720 Speaker 2: This is why it's allowed. 760 00:33:29,960 --> 00:33:33,440 Speaker 1: Anyone have stinky feet because I do not have stinky feet. 761 00:33:33,520 --> 00:33:34,680 Speaker 1: My shoes don't stink. 762 00:33:34,520 --> 00:33:36,840 Speaker 11: Depending on what I wear, like if I wear shoes 763 00:33:36,880 --> 00:33:38,240 Speaker 11: without socks for like. 764 00:33:38,320 --> 00:33:40,640 Speaker 2: Oh yeah, oh yeah, I guess I never. 765 00:33:40,840 --> 00:33:42,400 Speaker 1: I never do that, So maybe that's why. 766 00:33:43,400 --> 00:33:44,360 Speaker 3: I don't know how people do that. 767 00:33:45,080 --> 00:33:46,200 Speaker 2: Yeah, he never throw them on. 768 00:33:46,280 --> 00:33:48,520 Speaker 1: I feel like it makes the shoes smell long term. 769 00:33:50,040 --> 00:33:51,960 Speaker 1: Sure it does. Okay, you guys are also boneheads for 770 00:33:52,040 --> 00:33:52,240 Speaker 1: doing that. 771 00:33:52,400 --> 00:33:54,440 Speaker 2: I'm much box at your boneheads. Story of the day. 772 00:33:55,960 --> 00:33:59,240 Speaker 1: Let's go talk to Mitchell in Knoxville, Tennessee. Mitchell, you're out, buddy. 773 00:33:59,240 --> 00:34:01,840 Speaker 6: I don't know if you've noticed in Nashville, but in 774 00:34:01,920 --> 00:34:05,080 Speaker 6: Knoxville there's more and more people running, not just stop signs, 775 00:34:05,320 --> 00:34:07,800 Speaker 6: red light. So I dropped the kids off at school 776 00:34:07,840 --> 00:34:09,879 Speaker 6: this morning. On my way back, I was like, I'm 777 00:34:09,920 --> 00:34:12,000 Speaker 6: just gonna pull over this gas station seats, you know, 778 00:34:12,080 --> 00:34:14,720 Speaker 6: see if I see anybody running. Out of twenty cars, 779 00:34:15,239 --> 00:34:17,920 Speaker 6: five people ran the red light. And I don't know 780 00:34:17,960 --> 00:34:19,800 Speaker 6: if you guys are seeing that more in Nashville or not, 781 00:34:19,920 --> 00:34:23,160 Speaker 6: but it's it's kind of sketchy. I didn't want to 782 00:34:23,160 --> 00:34:24,560 Speaker 6: talk about it on the radio, didn't want to entice 783 00:34:24,640 --> 00:34:27,920 Speaker 6: more people to do it, right, but you know, I 784 00:34:28,080 --> 00:34:30,000 Speaker 6: just wanted to ask you the question, like, if you 785 00:34:30,040 --> 00:34:33,400 Speaker 6: pull up to a red light, look both ways and 786 00:34:33,640 --> 00:34:35,680 Speaker 6: no one's coming, do you run the thing or do 787 00:34:35,800 --> 00:34:37,160 Speaker 6: you waste dreamlight? 788 00:34:37,320 --> 00:34:40,439 Speaker 1: Different question? Okay, Okay, I now see what he's saying. 789 00:34:40,760 --> 00:34:44,399 Speaker 1: If it's yellow and I'm not too far back, I'm 790 00:34:44,440 --> 00:34:46,799 Speaker 1: trying to beat it. That's not running red light because 791 00:34:46,840 --> 00:34:49,919 Speaker 1: yellow means hurry, right, Yeah, it's you're pretty far away 792 00:34:49,960 --> 00:34:52,759 Speaker 1: that it means yield slow. It's about to change, but 793 00:34:52,880 --> 00:34:54,719 Speaker 1: it depending where you are in the relationship with the 794 00:34:54,800 --> 00:34:57,640 Speaker 1: yellow light. Sure, the yellow light means different things. If 795 00:34:57,680 --> 00:34:59,800 Speaker 1: you're pretty close and there's no car in front, of you. 796 00:35:00,120 --> 00:35:02,799 Speaker 1: Oh what really burns me up is if somebody's in front, 797 00:35:02,800 --> 00:35:04,279 Speaker 1: there's plenty of time to get under the yellow, and 798 00:35:04,280 --> 00:35:07,000 Speaker 1: they slam on their brakes. That's the worst. 799 00:35:07,120 --> 00:35:07,279 Speaker 3: Oh. 800 00:35:07,600 --> 00:35:09,839 Speaker 1: It's like, bro, you could have made it. You easily could. 801 00:35:09,920 --> 00:35:12,440 Speaker 1: I could have made it right. And I'm not an 802 00:35:12,480 --> 00:35:13,320 Speaker 1: aggressive driver. 803 00:35:13,320 --> 00:35:13,960 Speaker 3: That's what I say. 804 00:35:13,960 --> 00:35:14,400 Speaker 2: I'm shocked. 805 00:35:15,160 --> 00:35:16,680 Speaker 3: I think you're the yielder at all times. 806 00:35:16,840 --> 00:35:19,200 Speaker 1: I'm got to get somewhere on time at all times. 807 00:35:19,920 --> 00:35:22,720 Speaker 1: And if it's safe, yellow doesn't mean slam on your brakes. 808 00:35:23,320 --> 00:35:26,719 Speaker 1: Yellow means if you're far back, start slowing down because 809 00:35:26,719 --> 00:35:29,000 Speaker 1: it's about to turn red. But if you're underneath it, 810 00:35:29,880 --> 00:35:33,200 Speaker 1: here's a gas. They left in parentheses he's a gas. 811 00:35:34,239 --> 00:35:36,839 Speaker 1: So okay. I thought that's what he meant. Like people 812 00:35:36,880 --> 00:35:40,120 Speaker 1: were running the after it turns red, they just go under. Now, 813 00:35:40,360 --> 00:35:41,560 Speaker 1: I think it's a different story. If you get to 814 00:35:41,560 --> 00:35:43,880 Speaker 1: a red light and there's nobody around. I am a 815 00:35:43,960 --> 00:35:46,560 Speaker 1: real follower. If I get to a red light and 816 00:35:46,600 --> 00:35:48,200 Speaker 1: there's no one around, I do not run the red 817 00:35:48,280 --> 00:35:50,320 Speaker 1: light because I think somewhere behind a bush there is 818 00:35:50,320 --> 00:35:54,399 Speaker 1: a police officer that is watching, and boo, I'm gonna 819 00:35:54,400 --> 00:35:58,080 Speaker 1: get run. So I won't run it. However I can't. 820 00:35:58,520 --> 00:36:00,759 Speaker 1: I'm not gonna be mad at somebody who if there's 821 00:36:00,880 --> 00:36:05,399 Speaker 1: no reason to sit there, amy red light, no one's around, 822 00:36:05,400 --> 00:36:05,920 Speaker 1: do you go through it? 823 00:36:06,280 --> 00:36:10,200 Speaker 3: Yes? Not listen, not during the normal day. 824 00:36:10,320 --> 00:36:12,080 Speaker 1: God our citizens arrest, all right, Huh. 825 00:36:12,360 --> 00:36:14,719 Speaker 5: Like when we're on our way to work and it's 826 00:36:14,800 --> 00:36:16,479 Speaker 5: early in the morning and there's not that many people 827 00:36:16,520 --> 00:36:18,600 Speaker 5: on the road, and somehow I'm at some red light 828 00:36:18,719 --> 00:36:22,400 Speaker 5: that is gonna cause me to be late here and 829 00:36:22,520 --> 00:36:24,839 Speaker 5: I'm sitting there unnecessarily. And if there's not that many 830 00:36:24,880 --> 00:36:26,440 Speaker 5: people on the road, that is when I do it. 831 00:36:26,560 --> 00:36:29,360 Speaker 5: But if it's two pm, no, I'm not doing it 832 00:36:29,440 --> 00:36:30,240 Speaker 5: because I don't. 833 00:36:30,040 --> 00:36:32,440 Speaker 1: Think any of us are doing it at two pm daylight. No, no, 834 00:36:33,120 --> 00:36:35,520 Speaker 1: I'm gonna send I'm doing it middle of the night too. 835 00:36:36,440 --> 00:36:39,160 Speaker 1: But you're saying middle of the night, no one's around, 836 00:36:39,560 --> 00:36:42,160 Speaker 1: you're gonna go and run through it if you're late, correct. 837 00:36:42,480 --> 00:36:46,320 Speaker 11: Eddie, three am, no problem, three pm, not doing it? 838 00:36:46,440 --> 00:36:48,040 Speaker 1: Do you think twice about it at three am? 839 00:36:48,239 --> 00:36:48,439 Speaker 11: Well? 840 00:36:48,560 --> 00:36:48,840 Speaker 6: You know what? 841 00:36:49,040 --> 00:36:50,960 Speaker 11: If I'm like sometimes you're like coming out of a 842 00:36:50,960 --> 00:36:53,640 Speaker 11: neighborhood and those lights just don't change for summer. If 843 00:36:53,640 --> 00:36:56,160 Speaker 11: you're not back and forth, back and forth, and you 844 00:36:56,280 --> 00:36:58,719 Speaker 11: do that twenty times, it's still not changing. I'll look. 845 00:36:59,120 --> 00:37:01,120 Speaker 11: I mean, if it's more than in three minutes, I'm looking, like, 846 00:37:01,160 --> 00:37:01,839 Speaker 11: what's happening here? 847 00:37:02,120 --> 00:37:02,719 Speaker 1: Okay, I'll go. 848 00:37:02,960 --> 00:37:04,600 Speaker 2: And what's funny is is not more than three minutes. 849 00:37:04,640 --> 00:37:06,200 Speaker 2: It feels like three minutes because you're sitting there. 850 00:37:06,200 --> 00:37:09,359 Speaker 8: There no cars going by, but it feels like it's forever. 851 00:37:09,360 --> 00:37:10,680 Speaker 2: And I'm like, all right, I'm out of here. 852 00:37:10,800 --> 00:37:11,239 Speaker 5: What do you do. 853 00:37:12,760 --> 00:37:14,759 Speaker 2: During the day. I've done it where I run it, 854 00:37:15,719 --> 00:37:19,040 Speaker 2: but I treat it like a stop someday. 855 00:37:19,760 --> 00:37:21,400 Speaker 1: Yeah, that's great. And we're not talking about right on 856 00:37:21,520 --> 00:37:23,759 Speaker 1: red because that can be treated like a stop sign. 857 00:37:24,239 --> 00:37:26,040 Speaker 2: Like I'm sitting there and I'm looking and I'm just 858 00:37:26,040 --> 00:37:27,960 Speaker 2: sitting there like there is no one around. This is 859 00:37:28,040 --> 00:37:30,239 Speaker 2: so dumb. But in the middle of the night, if 860 00:37:30,280 --> 00:37:33,360 Speaker 2: it's dark out, see. 861 00:37:33,239 --> 00:37:37,439 Speaker 1: You, Mitchell. We had the conversation. How do you feel 862 00:37:37,440 --> 00:37:39,719 Speaker 1: about our thoughts on what you told us? 863 00:37:40,440 --> 00:37:44,520 Speaker 6: All perfect? I agree with everything. It's the louts read 864 00:37:44,640 --> 00:37:47,000 Speaker 6: for a long period of time, probably running it, but 865 00:37:47,360 --> 00:37:49,320 Speaker 6: more of the story has looked both ways because you 866 00:37:49,360 --> 00:37:52,640 Speaker 6: don't know who's coming and who's going to respect a lot, right, Yeah. 867 00:37:52,960 --> 00:37:55,040 Speaker 1: I think the larger moral of the story, even more 868 00:37:55,080 --> 00:37:56,880 Speaker 1: than just traffic, is look both ways because you never 869 00:37:56,880 --> 00:38:02,200 Speaker 1: know who's coming. That's right in life. Bobby Bones the 870 00:38:02,280 --> 00:38:06,160 Speaker 1: Bobby Bones Show theme song, written, produced and sang by 871 00:38:06,680 --> 00:38:11,320 Speaker 1: Reid Yarberry. You can find his instagram at read Yarberry, 872 00:38:11,640 --> 00:38:16,000 Speaker 1: Scuba Steve executive producer, Ray Mundo, Head of Production. I'm 873 00:38:16,040 --> 00:38:19,360 Speaker 1: Bobby Bones. My instagram is mister Bobby Bones. Thank you 874 00:38:19,520 --> 00:38:20,640 Speaker 1: for listening to the podcast.