1 00:00:00,960 --> 00:00:04,440 Speaker 1: Hey Leeth the listeners take Torres here. Stay tuned for 2 00:00:04,440 --> 00:00:07,360 Speaker 1: the next episode of Lethal Lit. But first, here's a 3 00:00:07,440 --> 00:00:22,280 Speaker 1: quick word from our sponsor. M Hey, Ellenators, we are 4 00:00:22,320 --> 00:00:25,280 Speaker 1: in need of some real talk. As you know, Hall 5 00:00:25,320 --> 00:00:28,080 Speaker 1: of Falls has seen its share of tragedies, and frankly, 6 00:00:28,400 --> 00:00:31,000 Speaker 1: I'm a little over all the bad energy and I'm 7 00:00:31,040 --> 00:00:34,279 Speaker 1: not the only one that's right. Ellenator's Max here, and 8 00:00:34,360 --> 00:00:36,800 Speaker 1: you're gonna want to listen up because we've been working 9 00:00:36,840 --> 00:00:41,640 Speaker 1: on something amazing, something top secret, and you get to 10 00:00:41,680 --> 00:00:45,120 Speaker 1: hear about it first. That's right. The reopening of the 11 00:00:45,159 --> 00:00:48,040 Speaker 1: Montague Hotel brought way too many negative vibes of it, 12 00:00:48,360 --> 00:00:51,360 Speaker 1: but we thought could it just be us? So we 13 00:00:51,440 --> 00:00:54,280 Speaker 1: brought in a local expert from Spiritual Haven to confirm 14 00:00:54,320 --> 00:00:57,640 Speaker 1: our hunt. Denise, you did some of your most powerful 15 00:00:58,040 --> 00:01:04,920 Speaker 1: um spells m H. Scrying rituals. Crying rituals on the 16 00:01:04,959 --> 00:01:09,039 Speaker 1: Monty and what did they tell you? It's haunted and 17 00:01:09,160 --> 00:01:12,399 Speaker 1: driving this town crazy. If the mayor was smart, he 18 00:01:12,440 --> 00:01:17,480 Speaker 1: to order it burnt down and then salt the earth. Well, 19 00:01:17,520 --> 00:01:21,040 Speaker 1: the mayor does not have the power to do that. Okay, 20 00:01:21,080 --> 00:01:23,559 Speaker 1: before we get the kerosine out, we have some figure 21 00:01:23,880 --> 00:01:29,080 Speaker 1: better plans right, Max, Yes, Yes, and with a hundred 22 00:01:29,120 --> 00:01:32,080 Speaker 1: percent less Arson, we have teamed up with the Montague 23 00:01:32,120 --> 00:01:35,800 Speaker 1: to throw the biggest positivity party this town has ever seen. 24 00:01:36,200 --> 00:01:39,480 Speaker 1: We are going to dispel all that darkness with light 25 00:01:39,840 --> 00:01:43,920 Speaker 1: like these glow necklaces, free for all attendees. That's right, 26 00:01:44,440 --> 00:01:48,400 Speaker 1: and we're announcing it right here, right now, this Saturday 27 00:01:48,480 --> 00:01:51,400 Speaker 1: night at the Monty. We are going to take back 28 00:01:51,480 --> 00:01:55,600 Speaker 1: the Falls. Take back the Falls who come ready to 29 00:01:55,640 --> 00:01:58,800 Speaker 1: play and dressed to sleigh because we're going to have 30 00:01:58,920 --> 00:02:03,200 Speaker 1: three DJs photo booth to throw back to the Montese origins, 31 00:02:03,520 --> 00:02:07,559 Speaker 1: free tarot readings courtesy of Denise, and so much more. 32 00:02:07,920 --> 00:02:11,560 Speaker 1: But it's also a fully immersive collective energy cleansing experience 33 00:02:11,760 --> 00:02:15,520 Speaker 1: and a fundraiser for mental health. It's gonna be lit, 34 00:02:15,960 --> 00:02:19,079 Speaker 1: there will be singing, there will be dancing, and most importantly, 35 00:02:19,360 --> 00:02:21,680 Speaker 1: there will be grieving. Think of it as a week 36 00:02:21,720 --> 00:02:24,440 Speaker 1: for our dark and sinister past, but a fun week 37 00:02:24,919 --> 00:02:29,040 Speaker 1: with prizes and an exorcism. Come laugh and cry with me, 38 00:02:29,320 --> 00:02:32,560 Speaker 1: your host, Ella high Smith, Max, and a who's who 39 00:02:32,600 --> 00:02:37,560 Speaker 1: of Hollow Falls Ians this Saturday, Let's take back the Fall. 40 00:02:41,520 --> 00:02:44,520 Speaker 1: While my friends were busy not talking to me. They 41 00:02:44,520 --> 00:02:47,120 Speaker 1: were also busy putting their time to good use helping 42 00:02:47,160 --> 00:02:50,200 Speaker 1: the town. I had myself convinced that I was the 43 00:02:50,280 --> 00:02:54,000 Speaker 1: only one doing something important in light of the supposed 44 00:02:54,120 --> 00:02:57,080 Speaker 1: music box killer, but now it felt like I was 45 00:02:57,160 --> 00:03:01,160 Speaker 1: treading water while they were making a difference. I hadn't 46 00:03:01,200 --> 00:03:03,760 Speaker 1: felt this alone since the first day I set foot 47 00:03:03,800 --> 00:03:09,160 Speaker 1: in the talent office. I'm tig Torres and this is 48 00:03:09,240 --> 00:03:36,120 Speaker 1: lethal lit. Three weeks had passed since the murder of 49 00:03:36,120 --> 00:03:40,480 Speaker 1: Stephanie Reid, the latest victim of hollow Fall's newest serial killer, 50 00:03:41,080 --> 00:03:43,920 Speaker 1: and I was beginning to question whether the music box 51 00:03:44,040 --> 00:03:48,840 Speaker 1: killer was just a figment of my imagination. With no 52 00:03:48,960 --> 00:03:52,720 Speaker 1: new deaths and no new evidence, was that just chasing 53 00:03:52,720 --> 00:03:56,080 Speaker 1: a ghost was the matching m o at both crime 54 00:03:56,160 --> 00:04:00,480 Speaker 1: scenes strychnine poisoning and a hollow Fall centennial music box 55 00:04:01,160 --> 00:04:04,320 Speaker 1: just a coincidence played up by the media and murder 56 00:04:04,440 --> 00:04:08,880 Speaker 1: tourism industry to focus more morbid attention on our already 57 00:04:08,960 --> 00:04:12,760 Speaker 1: hurting town. I've been thinking about Dr Jekyll and Mr 58 00:04:12,840 --> 00:04:16,720 Speaker 1: Hyde again, how we all have two sides to our personalities. 59 00:04:17,640 --> 00:04:20,600 Speaker 1: There's the part we want the world to see, and 60 00:04:20,920 --> 00:04:24,840 Speaker 1: there's the part we keep to ourselves. As I grow up, 61 00:04:24,880 --> 00:04:28,279 Speaker 1: I find that I'm really two people. There's the person 62 00:04:28,360 --> 00:04:31,920 Speaker 1: I hope I'm becoming, and then there's the person I'm 63 00:04:32,040 --> 00:04:43,479 Speaker 1: secretly afraid I might be becoming. Play that back again 64 00:04:43,520 --> 00:04:50,640 Speaker 1: at okay, Jane, here we go, and what was your 65 00:04:50,680 --> 00:04:55,160 Speaker 1: mother Stephanie's relationship with Brock Montecue. He was her boss, 66 00:04:55,200 --> 00:04:58,680 Speaker 1: I guess, but she was really in charge of the students. 67 00:04:59,240 --> 00:05:01,440 Speaker 1: I I got the impression that Brock just showed up 68 00:05:01,480 --> 00:05:05,640 Speaker 1: for fundraising or really whenever he smelled money. And did 69 00:05:05,680 --> 00:05:09,520 Speaker 1: she resent that? Not that she told me. I mean, 70 00:05:09,560 --> 00:05:12,040 Speaker 1: she wasn't a fan, but he pretty much stayed out 71 00:05:12,080 --> 00:05:15,160 Speaker 1: of her way. Was that the full extent of their 72 00:05:15,160 --> 00:05:19,200 Speaker 1: relationship as far as I know, I think harder? What 73 00:05:19,320 --> 00:05:23,360 Speaker 1: are you getting at? Did their relationship extend outside the school? 74 00:05:24,440 --> 00:05:26,160 Speaker 1: Do you need me to spell it out? Were they 75 00:05:26,480 --> 00:05:30,480 Speaker 1: romantically involved with each other? Were they colleagues with benefit? 76 00:05:30,600 --> 00:05:33,839 Speaker 1: I wasn't living in Hollow Falls at the time. I 77 00:05:33,839 --> 00:05:36,880 Speaker 1: didn't resume that relationship when Brock rolled into town. I 78 00:05:36,920 --> 00:05:40,520 Speaker 1: don't know. Two people targeted by the same killer and 79 00:05:40,560 --> 00:05:44,680 Speaker 1: then that's it. That usually means one thing. A jilted 80 00:05:44,760 --> 00:05:48,520 Speaker 1: lover out for revenge. When did your mother and father divorce? 81 00:05:48,760 --> 00:05:54,080 Speaker 1: You're not saying my dad is involved? Are you answer 82 00:05:54,200 --> 00:05:58,760 Speaker 1: the question? Turning the screws? Nice? Torres? Is that what 83 00:05:58,839 --> 00:06:02,240 Speaker 1: I really sound? Figured after season one you'd be used 84 00:06:02,240 --> 00:06:04,440 Speaker 1: to the sound of your own voice on tape, not 85 00:06:04,640 --> 00:06:10,080 Speaker 1: that I mean, I sound like a monster. You've literally 86 00:06:10,120 --> 00:06:13,160 Speaker 1: faced down multiple mad men trying to carve you two bits, 87 00:06:13,200 --> 00:06:16,800 Speaker 1: and you're bulking at a little aggressive questioning if she 88 00:06:16,920 --> 00:06:20,000 Speaker 1: had known, she would have broken right there, and suddenly 89 00:06:20,040 --> 00:06:23,320 Speaker 1: you know exactly who did it. I'm not saying you 90 00:06:23,320 --> 00:06:25,960 Speaker 1: should go around damaging next of kin's feelings if you 91 00:06:26,000 --> 00:06:31,280 Speaker 1: don't have to. But their momentary sadness or anger is nothing, 92 00:06:31,800 --> 00:06:35,400 Speaker 1: I repeat, nothing compared to how thankful they'll be if 93 00:06:35,440 --> 00:06:38,279 Speaker 1: you catch the person who murdered their loved ones. I 94 00:06:38,320 --> 00:06:44,880 Speaker 1: guess you're right, that's him. Yes, check the connection? Secure, 95 00:06:45,360 --> 00:06:55,520 Speaker 1: all hooked up? All right? I am rolling? Go ahead? Okay, Hey, 96 00:06:55,800 --> 00:06:59,280 Speaker 1: hey Ali, it's been a few weeks. I thought I 97 00:06:59,360 --> 00:07:03,640 Speaker 1: might have scared you. Offer something. You scared me. I've 98 00:07:03,640 --> 00:07:05,960 Speaker 1: been expecting you to say the exact opposite since the 99 00:07:05,960 --> 00:07:09,040 Speaker 1: first time I called you, so that's not so bad 100 00:07:09,080 --> 00:07:14,280 Speaker 1: to hear. I guess that does sound a little backwards. 101 00:07:15,480 --> 00:07:19,080 Speaker 1: I just haven't heard from you in a while. I 102 00:07:19,160 --> 00:07:23,160 Speaker 1: know I got to take care of some things. It's 103 00:07:23,200 --> 00:07:28,480 Speaker 1: not Oh it's not easy living this way. Did you 104 00:07:28,560 --> 00:07:33,360 Speaker 1: change your mind about No? No, no, definitely not. I 105 00:07:33,680 --> 00:07:36,120 Speaker 1: want to see you so badly, to take your hand 106 00:07:36,160 --> 00:07:39,080 Speaker 1: in mind, to look into your eyes, to feel you 107 00:07:39,520 --> 00:07:47,120 Speaker 1: looking back into mine. Ali. It's just well, not exactly 108 00:07:47,160 --> 00:07:50,040 Speaker 1: easy to come back to Hollow Falls. I'm a one 109 00:07:50,160 --> 00:07:53,680 Speaker 1: in man and it's the one place where everyone knows 110 00:07:53,760 --> 00:08:00,800 Speaker 1: my face. But I figured it out. Really, how take 111 00:08:00,880 --> 00:08:06,239 Speaker 1: back the falls? What Ella's party? No? No, no, that's 112 00:08:06,960 --> 00:08:11,480 Speaker 1: there will be all kinds of people, and uh, why 113 00:08:11,680 --> 00:08:14,000 Speaker 1: don't I just come to you? That would be so 114 00:08:14,080 --> 00:08:16,960 Speaker 1: much easier, Right, tell me where you are. I can't 115 00:08:16,960 --> 00:08:19,840 Speaker 1: do that. Take. I know it's not easy, but this 116 00:08:19,880 --> 00:08:24,640 Speaker 1: is the only way it'll work. I have to see you, Ali, 117 00:08:25,040 --> 00:08:31,800 Speaker 1: trust me, I'll see you there, Ali, Ali, Ali, fu 118 00:08:33,480 --> 00:08:36,880 Speaker 1: Take what are you mad about? I got it all recorded. 119 00:08:37,880 --> 00:08:39,880 Speaker 1: I can't believe this. You got him to come out 120 00:08:39,880 --> 00:08:42,280 Speaker 1: of hiding. Do you have any idea how amazing this 121 00:08:42,320 --> 00:08:46,920 Speaker 1: is going to be? For your show? Jane? I my show. 122 00:08:49,120 --> 00:08:52,680 Speaker 1: I need to go take weight. This is a good thing. 123 00:08:59,120 --> 00:09:02,640 Speaker 1: We're here for foundation selling tickets for take Back the 124 00:09:02,720 --> 00:09:05,840 Speaker 1: Falls right here. They're running out, so get them soon. 125 00:09:06,679 --> 00:09:10,120 Speaker 1: Thanks Bobby. Okay, got you down for two. Who's next? 126 00:09:12,000 --> 00:09:15,520 Speaker 1: All right? I got updates, good ones, I hope. Well, 127 00:09:15,559 --> 00:09:18,640 Speaker 1: we've secured six contestants for the midnight drag Ball, and 128 00:09:18,679 --> 00:09:21,120 Speaker 1: all I had to promise was camped passes and a 129 00:09:21,160 --> 00:09:23,520 Speaker 1: fifty dollar gift card to cold Stone for the winner. 130 00:09:24,000 --> 00:09:27,560 Speaker 1: Nicely done. Also, Ella got Brett from a v to 131 00:09:27,559 --> 00:09:29,400 Speaker 1: get his crew on the cameras for the whole night, 132 00:09:29,640 --> 00:09:35,240 Speaker 1: including extra footage for the teen Foundation. TikTok feed. But 133 00:09:35,240 --> 00:09:40,240 Speaker 1: but what he has a praise? Ella? He wants a 134 00:09:40,280 --> 00:09:48,160 Speaker 1: pair of your socks. It was not washed. Come, I'm fine. 135 00:09:48,440 --> 00:09:50,760 Speaker 1: And then he's gross And if he tells anyone, I 136 00:09:50,800 --> 00:10:00,840 Speaker 1: will end him the sacrifices I make. So any tickets left, Tig. Later, 137 00:10:01,480 --> 00:10:08,760 Speaker 1: something suddenly killed the mood around here. When wait, she 138 00:10:09,000 --> 00:10:13,440 Speaker 1: told us what happened. Really, she's pretty hurt, Tig. She 139 00:10:13,520 --> 00:10:16,160 Speaker 1: won't return any of my texts, she blocked me on 140 00:10:16,200 --> 00:10:18,760 Speaker 1: social and and I know her class schedule, so I 141 00:10:18,800 --> 00:10:22,160 Speaker 1: don't know how she keeps avoiding me in the halls. Um, 142 00:10:22,280 --> 00:10:25,400 Speaker 1: we've been giving her TIGG alerts so she can make 143 00:10:25,440 --> 00:10:29,840 Speaker 1: sure you don't cross paths in between periods. Sorry, listen, 144 00:10:30,280 --> 00:10:33,480 Speaker 1: tig all right. I've known when a lot longer than 145 00:10:33,520 --> 00:10:36,200 Speaker 1: you have, and she's loyal as hell. But once you 146 00:10:36,240 --> 00:10:40,960 Speaker 1: break her trust, she will you make her feel disposable, 147 00:10:41,280 --> 00:10:43,319 Speaker 1: like like you keep her around in case you want 148 00:10:43,320 --> 00:10:45,800 Speaker 1: to dabble on a whim, and then a second later 149 00:10:45,840 --> 00:10:47,640 Speaker 1: you'll be back off to New York or you know, 150 00:10:47,679 --> 00:10:50,720 Speaker 1: on some big podcast tour or something, and you'll never 151 00:10:50,760 --> 00:10:54,240 Speaker 1: give her another glance. I didn't mean to I wouldn't 152 00:10:54,280 --> 00:10:58,600 Speaker 1: do that to her. I'm just really confused about me, 153 00:10:59,240 --> 00:11:02,240 Speaker 1: my life at freething. I have something really important to 154 00:11:02,240 --> 00:11:04,240 Speaker 1: tell you both about the party, and I don't know 155 00:11:04,240 --> 00:11:07,839 Speaker 1: what to do. You know what, I actually have something 156 00:11:07,880 --> 00:11:10,920 Speaker 1: to get off my chest when I ella you might 157 00:11:10,920 --> 00:11:13,680 Speaker 1: want to get this for your channel still rolling when 158 00:11:13,920 --> 00:11:16,720 Speaker 1: come on, it's not worth disagree. Take you know what, 159 00:11:17,320 --> 00:11:20,080 Speaker 1: This whole place was right about you when you showed 160 00:11:20,160 --> 00:11:23,480 Speaker 1: up here last year. Everyone saw you come here, oh 161 00:11:23,520 --> 00:11:25,880 Speaker 1: New York, blah blah blah, and they could see the 162 00:11:25,920 --> 00:11:28,280 Speaker 1: stick up your butt from a mile away. And I thought, 163 00:11:28,720 --> 00:11:31,560 Speaker 1: I thought they were all just being lame, so I 164 00:11:31,600 --> 00:11:34,199 Speaker 1: gave you a chance. But it turns out they were 165 00:11:34,280 --> 00:11:38,040 Speaker 1: right and I was the idiot. When please, can we 166 00:11:38,160 --> 00:11:42,000 Speaker 1: just go somewhere and talk somewhere with no phones, no recorders, 167 00:11:42,080 --> 00:11:49,520 Speaker 1: just us, Okay, what hey? Hey, anybody here want to 168 00:11:49,520 --> 00:11:53,160 Speaker 1: know a secret? Take Taures over here is still talking 169 00:11:53,200 --> 00:11:57,439 Speaker 1: to Ali. Yeah that's right, you guys remember him, Ali Price? 170 00:12:00,480 --> 00:12:05,160 Speaker 1: Yeah that's right, you heard me. Tig Torres podcast jerk 171 00:12:05,240 --> 00:12:08,200 Speaker 1: wad is still talking to the guy that tried to 172 00:12:08,280 --> 00:12:11,640 Speaker 1: murder her last year. Yeah, behind the backs of the 173 00:12:11,640 --> 00:12:14,600 Speaker 1: people who showed up to save her stupid life when 174 00:12:14,640 --> 00:12:19,040 Speaker 1: he wanted to throw her in front of an oncoming train. 175 00:12:19,840 --> 00:12:24,040 Speaker 1: You forget that, tig What was it? Anna? Karenina? Well, 176 00:12:24,880 --> 00:12:28,240 Speaker 1: enjoy getting killed. I bet it'll be way more fun 177 00:12:28,280 --> 00:12:41,080 Speaker 1: than hanging out with the rest of us when maybe 178 00:12:41,080 --> 00:12:45,480 Speaker 1: not the best advertisement for our positivity party, No, but 179 00:12:45,559 --> 00:12:47,880 Speaker 1: I'm saving it for our tenure reunion. It's going to 180 00:12:47,920 --> 00:12:59,360 Speaker 1: be so funny by then, I hope. Stop second guessing yourself. 181 00:12:59,360 --> 00:13:02,359 Speaker 1: You're doing the right thing, doing your job as a journalist. 182 00:13:02,960 --> 00:13:06,560 Speaker 1: Then why do I feel like I'm just exploiting everyone? 183 00:13:07,160 --> 00:13:10,440 Speaker 1: You're putting a human face on the tragedies of a town. 184 00:13:11,040 --> 00:13:13,679 Speaker 1: The audience deserves to see the whole story more than 185 00:13:13,720 --> 00:13:19,760 Speaker 1: Ali or Stephanie's daughter deserve what anonymity to avoid facing reality. 186 00:13:20,000 --> 00:13:23,080 Speaker 1: Grow up, Tig, and tell the story you mean, tell 187 00:13:23,120 --> 00:13:27,079 Speaker 1: the story you want to tell. There's only one story. 188 00:13:27,440 --> 00:13:30,000 Speaker 1: If you show up at a fire, it's your job 189 00:13:30,240 --> 00:13:32,480 Speaker 1: to get an interview with someone who just came out 190 00:13:32,520 --> 00:13:34,960 Speaker 1: of that burning building, whether the rest of their family 191 00:13:35,000 --> 00:13:38,280 Speaker 1: came out or not, because whoever gets that interview gets 192 00:13:38,280 --> 00:13:42,000 Speaker 1: the ratings. The public wants to see the realist, raw 193 00:13:42,160 --> 00:13:45,839 Speaker 1: story they can get, and you either cowboy up and 194 00:13:45,880 --> 00:13:48,360 Speaker 1: give it to them, or you're in the wrong business. 195 00:13:49,080 --> 00:13:54,320 Speaker 1: That that is that what you think your job is 196 00:13:55,160 --> 00:13:59,360 Speaker 1: to be that cynical about everything. That's just being an adult, Tig. 197 00:14:00,040 --> 00:14:02,240 Speaker 1: Spend two seconds out of your little high school bubble, 198 00:14:02,280 --> 00:14:05,160 Speaker 1: and you'll realize that what you call cynical is simply 199 00:14:05,200 --> 00:14:11,600 Speaker 1: reality for everyone else. That makes me really uncomfortable. Listen 200 00:14:11,640 --> 00:14:14,680 Speaker 1: to me. Take You are sitting on the story of 201 00:14:14,720 --> 00:14:18,720 Speaker 1: the American underbelly. You are surrounded by the cultural and 202 00:14:18,800 --> 00:14:23,040 Speaker 1: economic forces that lead a person to murder. You can 203 00:14:23,080 --> 00:14:27,280 Speaker 1: deliver firsthand reporting of what makes Ali Price feel like killing? 204 00:14:28,520 --> 00:14:32,080 Speaker 1: Will you help me tell that story? Take or would 205 00:14:32,120 --> 00:14:38,560 Speaker 1: you feel more comfortable back at the school newspaper? Hey Lee, 206 00:14:38,640 --> 00:14:41,680 Speaker 1: the listeners stay tuned more Ley the Lid is up next, 207 00:14:42,000 --> 00:14:55,720 Speaker 1: but first a quick word from our sponsor, Hey Lee, 208 00:14:55,800 --> 00:14:59,680 Speaker 1: the listeners take Torres here. There's always more to the mystery, 209 00:15:00,000 --> 00:15:01,680 Speaker 1: and I could use your help getting to the bottom 210 00:15:01,720 --> 00:15:04,880 Speaker 1: of it. Join us on Instagram and TikTok at. I 211 00:15:04,920 --> 00:15:12,120 Speaker 1: am tig Torres for more clues and inside info. M 212 00:15:12,320 --> 00:15:23,560 Speaker 1: Hi everyone, I'm Ella high Smith and I want to 213 00:15:23,600 --> 00:15:26,320 Speaker 1: welcome you all to the Montague Hotel and the Take 214 00:15:26,400 --> 00:15:29,920 Speaker 1: Back the Fulls Dance. I just wanted to say a 215 00:15:29,960 --> 00:15:33,440 Speaker 1: few words to all my fans out there. Thank you. 216 00:15:34,880 --> 00:15:38,440 Speaker 1: As you know, we're raising awareness tonight for mental health. 217 00:15:38,960 --> 00:15:42,000 Speaker 1: Did you know that one in five teenagers is affected 218 00:15:42,000 --> 00:15:46,560 Speaker 1: by a mental health issue? One in five, and here 219 00:15:46,560 --> 00:15:51,080 Speaker 1: in Hollow Falls that number is way higher. We've been 220 00:15:51,120 --> 00:15:53,440 Speaker 1: through a lot together in the Falls, and we put 221 00:15:53,480 --> 00:15:57,280 Speaker 1: on a brave face. But acting strong isn't always the 222 00:15:57,320 --> 00:16:01,000 Speaker 1: same as being strong. It isn't always obvious when someone 223 00:16:01,040 --> 00:16:04,200 Speaker 1: is suffering from a mental health issue. Look around this 224 00:16:04,280 --> 00:16:08,240 Speaker 1: room right now, Come on, guys, look around one in 225 00:16:08,440 --> 00:16:12,240 Speaker 1: five people. Some of us are suffering and staying quiet 226 00:16:12,240 --> 00:16:16,760 Speaker 1: about it. Well, tonight is about letting our real selves 227 00:16:16,800 --> 00:16:20,600 Speaker 1: be seen. Counselors are on hand if you want to talk. 228 00:16:21,160 --> 00:16:25,920 Speaker 1: We are stronger together together, there's no reason to be afraid. 229 00:16:27,600 --> 00:16:30,960 Speaker 1: And I want to remind everyone about hashtag falls strong. 230 00:16:31,400 --> 00:16:33,400 Speaker 1: If there's something you want to say or if you 231 00:16:33,440 --> 00:16:38,160 Speaker 1: need support, use hashtag falls strong. All right, let's dance. 232 00:16:42,080 --> 00:16:51,400 Speaker 1: That was amazing, Ella MIXI incoming six o'clock. Bet, what 233 00:16:51,520 --> 00:16:53,280 Speaker 1: is it? Walter? We need to get up in the 234 00:16:53,360 --> 00:16:57,480 Speaker 1: lobby bedroom now, Walter, I told you I'm here tonight 235 00:16:57,520 --> 00:17:00,800 Speaker 1: as the event organizer, not as an employee the Monty. 236 00:17:00,840 --> 00:17:03,160 Speaker 1: And do you remember what you said when I told 237 00:17:03,200 --> 00:17:07,800 Speaker 1: you you gonna get that? Do you remember you said? Good? 238 00:17:07,920 --> 00:17:10,439 Speaker 1: That means I don't have to pay you. Wait a second, 239 00:17:10,480 --> 00:17:14,720 Speaker 1: you listen to me and I am paying him? So yeah, 240 00:17:15,240 --> 00:17:23,040 Speaker 1: so you're a thim ice wineman. Yeaikes, I think he's 241 00:17:23,040 --> 00:17:25,840 Speaker 1: going to fire you. Please. I'm the only person here 242 00:17:25,880 --> 00:17:27,680 Speaker 1: who can tie a bow tie. They have to call 243 00:17:27,720 --> 00:17:31,400 Speaker 1: me in on my off days if someone's comes undone. Oh, 244 00:17:32,000 --> 00:17:36,119 Speaker 1: very nice speech, eyes said, You know you and I 245 00:17:36,200 --> 00:17:41,680 Speaker 1: should talk about a collaboration sometimes, Harris, you look awful. 246 00:17:42,200 --> 00:17:46,240 Speaker 1: Are you drunk? We have volunteer d ds waiting out front? 247 00:17:46,760 --> 00:17:50,639 Speaker 1: Come on, Max, let's get out of here or you 248 00:17:50,720 --> 00:17:53,320 Speaker 1: have all the keys right, shouldn't we go find an 249 00:17:53,320 --> 00:17:57,320 Speaker 1: empty room? Sorry, Harris, I told you I had to 250 00:17:57,320 --> 00:18:03,800 Speaker 1: stay through breakdown for this and that. Come on, Harris, 251 00:18:03,800 --> 00:18:11,639 Speaker 1: you've had enough, not even close you know what, Harris, 252 00:18:11,720 --> 00:18:14,359 Speaker 1: I am over this. I don't care how many abs 253 00:18:14,400 --> 00:18:16,720 Speaker 1: you have. I do not need to be constantly drunk 254 00:18:16,720 --> 00:18:19,919 Speaker 1: sitting someone older than me. Thank you Ella for your 255 00:18:19,920 --> 00:18:22,520 Speaker 1: message about taking care of our own mental health. Yeah, 256 00:18:22,560 --> 00:18:33,679 Speaker 1: I'm starting here. See you later, boy. Oh back, Yes, Max, 257 00:18:33,840 --> 00:18:37,800 Speaker 1: that was incredible. See that eleenators. We are taking back 258 00:18:37,840 --> 00:18:55,480 Speaker 1: the falls already. Alright, everybody, We're gonna slow it down 259 00:18:55,520 --> 00:19:02,520 Speaker 1: a little now. I had to give Ella credit. She 260 00:19:02,600 --> 00:19:07,720 Speaker 1: put together something really amazing. People were dancing, singing, crying, 261 00:19:08,119 --> 00:19:12,040 Speaker 1: holding each other, even when was moved to document Hollow 262 00:19:12,040 --> 00:19:15,480 Speaker 1: Falls history in the making. Hey, does anyone want to 263 00:19:15,520 --> 00:19:21,480 Speaker 1: say something? For the talent we are Everyone was letting 264 00:19:21,520 --> 00:19:30,320 Speaker 1: their real faces be seen, and so was I. High wind. Oh, 265 00:19:30,359 --> 00:19:33,920 Speaker 1: I'm covering everything for the talent. Don't really need your help. Okay, 266 00:19:34,920 --> 00:19:39,960 Speaker 1: I wore a dress. Can you believe it? Last time 267 00:19:40,000 --> 00:19:42,800 Speaker 1: you dared me, I chickened out. So I owed you 268 00:19:42,920 --> 00:19:46,080 Speaker 1: one great So are you trying to give a quote 269 00:19:46,080 --> 00:19:48,439 Speaker 1: for the paper or something? Otherwise? I got stuff to do. 270 00:19:50,000 --> 00:19:54,520 Speaker 1: When I owe you the hugest, hugest apology ever. I'm 271 00:19:54,600 --> 00:19:57,160 Speaker 1: so sorry. I never meant to make you feel like that, 272 00:19:57,800 --> 00:20:03,159 Speaker 1: like what like Like you weren't the most important person 273 00:20:03,200 --> 00:20:06,119 Speaker 1: in the world to me because you are, and I 274 00:20:06,160 --> 00:20:08,439 Speaker 1: acted like the only person I really cared about was 275 00:20:08,480 --> 00:20:13,920 Speaker 1: myself and you didn't deserve that. Huh. Um, Hey, when 276 00:20:14,320 --> 00:20:16,280 Speaker 1: we need your help at coach check in case you 277 00:20:16,280 --> 00:20:19,520 Speaker 1: need a thinly bailed excuse out of this conversation. No, Max, 278 00:20:19,600 --> 00:20:21,119 Speaker 1: it's cool. I have a job to do for the 279 00:20:21,160 --> 00:20:23,600 Speaker 1: talent tonight and I'm just getting some footage of the 280 00:20:23,640 --> 00:20:27,679 Speaker 1: attendees now for the paper. How do you spell your name? Miss? 281 00:20:27,920 --> 00:20:32,000 Speaker 1: When come on see the battle tig Live to fight 282 00:20:32,040 --> 00:20:36,439 Speaker 1: another day? Well, um, in light of you know, me 283 00:20:36,520 --> 00:20:39,520 Speaker 1: being honest with my friends, I have something really important 284 00:20:39,520 --> 00:20:42,280 Speaker 1: to tell you both about tonight and you might not 285 00:20:42,400 --> 00:20:49,960 Speaker 1: like it. Hang on, what is it now, Walter? Walter? 286 00:20:50,040 --> 00:20:52,639 Speaker 1: What do you want? I hate him so much. It 287 00:20:52,760 --> 00:20:59,320 Speaker 1: makes my soul. Walter, I can't hear you, Walter, what's happening? 288 00:20:59,320 --> 00:21:04,160 Speaker 1: Where are you? Don't answer a tig? Are you talking about? 289 00:21:04,200 --> 00:21:08,440 Speaker 1: Definitely answer a tig. What if Ali is with Walter? Answer? 290 00:21:08,520 --> 00:21:21,080 Speaker 1: It look amazing? He's here? Made me downstairs? Day Ali, Ali? Walter, Walter, 291 00:21:21,240 --> 00:21:25,600 Speaker 1: come in, Walter, hanging there. We're coming to get you. 292 00:21:25,880 --> 00:21:28,280 Speaker 1: Where is he? I have no idea. I just said 293 00:21:28,280 --> 00:21:30,000 Speaker 1: that to keep him calling. He could be their static, 294 00:21:30,480 --> 00:21:32,879 Speaker 1: you said once the radio has incredible range. When do 295 00:21:32,960 --> 00:21:36,080 Speaker 1: you hear static? Oh you're not gonna like it. Where 296 00:21:36,640 --> 00:21:41,200 Speaker 1: the basement? Oh great, great, okay, looks like we're doing this. 297 00:21:42,119 --> 00:21:52,040 Speaker 1: Follow me, nake a path? Official hotel business? What's the hurry? Party? People? Ella, 298 00:21:52,280 --> 00:21:55,400 Speaker 1: don't freak anyone out? But can you call? We need 299 00:21:55,440 --> 00:22:00,320 Speaker 1: an ambulance? Oh my god? Is it? We think so? 300 00:22:01,240 --> 00:22:03,639 Speaker 1: And after you call, go on stage and keep the 301 00:22:03,640 --> 00:22:06,359 Speaker 1: crowd busy. Last thing we need is everyone freaking out. 302 00:22:06,880 --> 00:22:10,080 Speaker 1: Go now, I'll grab Denise and start a group meditation 303 00:22:10,160 --> 00:22:16,400 Speaker 1: or something. Go tig Win, Wait up, you two don't 304 00:22:16,400 --> 00:22:19,160 Speaker 1: know where you're going. Let me lead. Where's the elevator? Too? Slow? 305 00:22:19,280 --> 00:22:29,639 Speaker 1: Stairs are over here? This place? Even with all the 306 00:22:29,720 --> 00:22:32,080 Speaker 1: lights on. It still freaks me the hell out. I 307 00:22:32,119 --> 00:22:34,720 Speaker 1: feel like an idiot. There was a music box on 308 00:22:34,840 --> 00:22:37,720 Speaker 1: his desk. It showed up this afternoon. I just I 309 00:22:37,800 --> 00:22:39,879 Speaker 1: thought it was Harris that he that he left one 310 00:22:39,920 --> 00:22:41,879 Speaker 1: when he was meeting with Walter to talk about the 311 00:22:41,880 --> 00:22:49,480 Speaker 1: gift shop down here under the arches. Oh, this place 312 00:22:49,560 --> 00:22:52,919 Speaker 1: is straight out of my nightmares. I imagine waking up 313 00:22:52,960 --> 00:22:55,879 Speaker 1: down here after being kidnapped by a serial killer. Which 314 00:22:55,920 --> 00:22:58,400 Speaker 1: door he could be behind? Any one of them? They're 315 00:22:58,400 --> 00:23:00,720 Speaker 1: all a part of the creepy tore The Brock wanted 316 00:23:01,200 --> 00:23:04,000 Speaker 1: a poker room from the speak Easy days down here 317 00:23:04,200 --> 00:23:05,840 Speaker 1: so no one could hear what they do to the 318 00:23:05,840 --> 00:23:08,719 Speaker 1: guys who couldn't pay up, A padded cell where they 319 00:23:08,720 --> 00:23:11,280 Speaker 1: would keep the non compliant girls in the reform school 320 00:23:11,280 --> 00:23:17,040 Speaker 1: era messed up. That one is James's Montague's secret Max, 321 00:23:17,320 --> 00:23:21,880 Speaker 1: Why did you stop? Do you hear that? Over there? 322 00:23:22,040 --> 00:23:24,439 Speaker 1: The school records room? We never got around to cleaning 323 00:23:24,440 --> 00:23:26,280 Speaker 1: it out. We have to go in. I don't like 324 00:23:26,359 --> 00:23:29,119 Speaker 1: this feels like a trap. We don't have a choice 325 00:23:29,240 --> 00:23:31,840 Speaker 1: if Walter's already ingested the strick nine. But what if 326 00:23:31,840 --> 00:23:34,679 Speaker 1: all he's in there? We're just walking right into his trap. 327 00:23:34,920 --> 00:23:41,800 Speaker 1: He needs help now. I'm going in, Walter. He's still conscious, barely. 328 00:23:41,960 --> 00:23:44,800 Speaker 1: Where's the song coming from? It's there on the floor 329 00:23:44,800 --> 00:23:47,280 Speaker 1: in the corner. The killer was just here, or it 330 00:23:47,280 --> 00:23:49,840 Speaker 1: wouldn't still be playing, Walter. We're going to get you. 331 00:23:49,880 --> 00:23:52,080 Speaker 1: Help pick him up. We need to get him upstairs 332 00:23:52,080 --> 00:23:54,720 Speaker 1: to meet the ambulance. On it. I got his arms, 333 00:23:56,440 --> 00:23:59,920 Speaker 1: I got his legs, Walter, stay with us, help us coming. 334 00:24:03,560 --> 00:24:16,280 Speaker 1: Take come on, take what happened? Take the door, flo 335 00:24:16,800 --> 00:24:20,200 Speaker 1: But I'm fine. Go save Walter. Mask can come and 336 00:24:20,280 --> 00:24:31,320 Speaker 1: lock me later on. So lure me in, trap me 337 00:24:31,400 --> 00:24:35,119 Speaker 1: down here? But did you have to poison Walter to 338 00:24:35,200 --> 00:24:39,800 Speaker 1: do it? Was this your plan the whole time? All 339 00:24:39,880 --> 00:24:46,960 Speaker 1: it wasn't me? I swear iron Horn's Epic Productions and 340 00:24:47,040 --> 00:24:50,639 Speaker 1: I Heart Radio present Lethal lit A tig Torres Mystery 341 00:24:50,840 --> 00:24:55,520 Speaker 1: Season two, created an executive produced by Heather Ironhrn and 342 00:24:55,560 --> 00:25:01,440 Speaker 1: Adam Staffaroni. Created by Alexagura and Monica Gala Her executive 343 00:25:01,480 --> 00:25:06,919 Speaker 1: produced by iHeart Radio head writer Melanie Hoops, writers Louis Cornfeld, 344 00:25:07,080 --> 00:25:11,880 Speaker 1: Jasmine al Shammi, and Adam Staffaroni. Directed by Critzia Bajos 345 00:25:11,880 --> 00:25:16,080 Speaker 1: with performances by Rebecca Solair as Tick Torus, Shelley Shnoy 346 00:25:16,200 --> 00:25:20,320 Speaker 1: as Win, Matt Gumley as Max, Luke Slattery as Ali, 347 00:25:20,600 --> 00:25:24,200 Speaker 1: rachel Orem Land as Ella, with Critzia Bajos and j B. Blanc. 348 00:25:24,720 --> 00:25:29,520 Speaker 1: Special guest Chuck Bryant as Brock Montague. Additional voices Paul 349 00:25:29,560 --> 00:25:34,960 Speaker 1: Gayat Caleb Jen, Stacy Moseley, Alba Ponza de Leone, Stephanie Shea, 350 00:25:35,480 --> 00:25:39,760 Speaker 1: Christian Ochoa, Louis Cornfeld, and Megan Gray Post sound in 351 00:25:39,840 --> 00:25:43,480 Speaker 1: music by Chapter Four, Sound supervision and sound design by 352 00:25:43,480 --> 00:25:48,200 Speaker 1: Sarah Gibelaska, Music by Corene Dueti, Produced by a Rupe 353 00:25:48,200 --> 00:25:52,520 Speaker 1: Santa Kaila and Bo young Blood. Development Executive Greg Lock, 354 00:25:52,680 --> 00:25:58,320 Speaker 1: Art production coordinator and script supervisor Laura Martin Operations Laura 355 00:25:58,359 --> 00:26:02,440 Speaker 1: Kaufman Marketing and Public A City Jesse Post Digital Marketing 356 00:26:02,640 --> 00:26:07,360 Speaker 1: Jennifer Gennaro. Creative direction and designed by Ryan McCann. Key 357 00:26:07,440 --> 00:26:11,800 Speaker 1: art illustrated by Rebecca Mock. Promotional art illustrated by Breen Newman. 358 00:26:12,359 --> 00:26:15,919 Speaker 1: Special thank you to the Shadow Unicorn head to Lethal 359 00:26:15,920 --> 00:26:19,600 Speaker 1: Lit podcast dot com to share theories, discover new evidence, 360 00:26:19,800 --> 00:26:25,199 Speaker 1: and follow case updates. Iron Horn's epic productions and I 361 00:26:25,320 --> 00:26:33,480 Speaker 1: Heart Radio Present Lethal lit A tag Torre's mystery