WEBVTT - Georg Honauer and the Counterfeit Gold

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<v Speaker 1>Welcome to Criminalia, a production of Shonda Land Audio in

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<v Speaker 1>partnership with I Heart Radio. George Honauer was a scientist

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<v Speaker 1>and an engineer, and maybe also a goldsmith. He was

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<v Speaker 1>definitely a fraudulent alchemist in the service of Frederick, the

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<v Speaker 1>first Duke of Wurtenburg, and when he couldn't fulfill the

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<v Speaker 1>sensational promises he had made, he met his end. Welcome

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<v Speaker 1>to Criminalia, where all that glitters is not gold. I'm

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<v Speaker 1>Maria Tremarqui and I'm Holly Fry. George Honaur was born

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<v Speaker 1>in fifteventy two, possibly in Ollamook in today's Chechia. This

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<v Speaker 1>was when Maximilian the Second was Holy Roman Emperor and

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<v Speaker 1>the European wars of the Reformation and the Counter Reformation

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<v Speaker 1>were raging between Catholics and the growing religion of Protestantism.

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<v Speaker 1>George was moren't just after the High Renaissance, which is

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<v Speaker 1>considered the peak of the Renaissance period. The art world

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<v Speaker 1>of the time was really dominated by three names that

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<v Speaker 1>you are absolutely going to recognize, Michelangelo, Raphael and Leonardo

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<v Speaker 1>da Vinci. The Last Supper existed as a painting in

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<v Speaker 1>George's lifetime, as did the Mona Lisa. While George was alive,

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<v Speaker 1>Hans Lipacy built the first telescope, and Galileo tried to

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<v Speaker 1>explain to everyone such complex concepts as forced inertia and acceleration. Machiavelli, Montaigne,

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<v Speaker 1>and Copernicus were all also contributing to the resurgence of

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<v Speaker 1>arts and sciences. It was a time when Holy Roman emperors,

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<v Speaker 1>including Maximilian the Second and Rudolpho, who both reigned during

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<v Speaker 1>George's lifetime, supported and sponsored the practice of alchemy across Europe.

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<v Speaker 1>So let's pull back for a bigger picture. The time

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<v Speaker 1>period between fifteen hundred and seventeen hundred saw rapid population

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<v Speaker 1>growth across Europe, and at the same time time there

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<v Speaker 1>was also a rapidly growing demand for precious metals, in

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<v Speaker 1>particular gold, gold, and silver that had been imported from

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<v Speaker 1>what was then called the New World just were not

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<v Speaker 1>enough to satisfy demand. And that's really no surprise. But

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<v Speaker 1>there were two things that could be done. Mine it

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<v Speaker 1>or make it. You can even look as far back

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<v Speaker 1>as Marco Polo, whose expedition traveled through Asia along the

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<v Speaker 1>Silk Road between twelve sev and twelve and the precious

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<v Speaker 1>metals that he found even then were precious, and he

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<v Speaker 1>noted from exploring Eastern and Southeastern Asia, including today's China, Japan,

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<v Speaker 1>North Korea, South Korea, and Vietnam, that quote, the quantity

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<v Speaker 1>of gold they have is endless, and everybody in Europe

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<v Speaker 1>wanted a piece. About two hundred years later, Christopher Columbus,

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<v Speaker 1>who was an Italian explorer and navigator, completed four voyages

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<v Speaker 1>across the Atlantic Ocean. The first famously in Columbus's contract

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<v Speaker 1>with the King and Queen of Spain, fernand the second

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<v Speaker 1>and Isabella the First, stated that in return, he'd be

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<v Speaker 1>granted a noble title and the governorship of any man's

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<v Speaker 1>he should encounter, and he could keep ten percent of

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<v Speaker 1>whatever riches he found. When he encountered the island that

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<v Speaker 1>he called Espaniola, he first claimed it for the Spanish crown.

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<v Speaker 1>The island of Espanola is now known, of course, as Hispaniola.

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<v Speaker 1>It's made up of present day Haiti and the Dominican Republic,

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<v Speaker 1>just so we're all on the same page. But Columbus

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<v Speaker 1>then convinced himself it must be the biblical region of Over,

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<v Speaker 1>famous for its wealth of gold, silver, sandal wood, pearls, ivory,

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<v Speaker 1>and my personal favorite peacocks. It was a lush place

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<v Speaker 1>and when Columbus determined there must be gold deposits on

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<v Speaker 1>the island, Espaniola's population exploded, and that's because European settlers

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<v Speaker 1>increased significantly. The indigenous popula lation was enslaved to search

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<v Speaker 1>for gold. Native population numbers plummeted as they died from

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<v Speaker 1>foreign diseases. Likely a lot of smallpox was spread around,

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<v Speaker 1>and they were also just killed by settlers. Columbus explored

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<v Speaker 1>a pretty large area of the Caribbean as well as

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<v Speaker 1>part of the northern coast of South America. He looked

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<v Speaker 1>for gold, silver, jewels, and spices, and at every island

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<v Speaker 1>he arrived at, the first thing he inquired about was

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<v Speaker 1>whether or not there was gold. If there was gold,

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<v Speaker 1>he took it. He took every bit he could find.

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<v Speaker 1>A Dominican priest, historian, and social reformer named Bartolome de

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<v Speaker 1>las Casas spent many years among the indigenous peoples of

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<v Speaker 1>South America and of the Caribbean people known to the

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<v Speaker 1>Europeans as the Arawak, watching the tragedy of the indigenous

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<v Speaker 1>populations unfold. As Europeans laid waste to pretty much everything

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<v Speaker 1>they saw as they hunted for gold. He could only

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<v Speaker 1>advise with one word, gree, and of course Spain did

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<v Speaker 1>not have a monopoly on greed, although they probably would

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<v Speaker 1>not have turned such a monopoly down. According to de

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<v Speaker 1>las Casas quote, the cause why the Spanish have destroyed

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<v Speaker 1>such an infinity of souls hath been onely that they

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<v Speaker 1>have held it for their last scope and mark to

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<v Speaker 1>get gold. We're going to take a break for a

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<v Speaker 1>word from our sponsor. When we return, we'll talk about

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<v Speaker 1>how cost saving transmutation could have been if it had worked.

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<v Speaker 1>Welcome back to Criminalia. Mining for gold was not going

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<v Speaker 1>to be sustainable, but what about man made gold? No

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<v Speaker 1>matter how the expeditions we mentioned before the break impacted

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<v Speaker 1>the land and people native to those lands, Spain just

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<v Speaker 1>kept going, never appeared to pass up the appeal of

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<v Speaker 1>a golden city. Ferdinand and Isabella bankrolled an other explorer,

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<v Speaker 1>and this time it was about fifty years before George's birth.

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<v Speaker 1>The adventurer was a man named Francisco Pizarro, who, while

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<v Speaker 1>sailing along the Pacific coast of Columbia, discovered communities with

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<v Speaker 1>what appeared to be abundant amounts of gold and silver.

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<v Speaker 1>Pizarro petitioned to become governor, putting himself in control of

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<v Speaker 1>all those potential riches he'd found, and then set out

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<v Speaker 1>to seek treasure in the Incan Empire, where it was

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<v Speaker 1>rumored they used golden pots to hold their golden treasure.

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<v Speaker 1>Those indigenous to the lands of the Incan Empire already

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<v Speaker 1>knew what to do with their gold and medals there

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<v Speaker 1>had been worked for at least three thousand years before

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<v Speaker 1>Pizarro's arrival. There were small gold trinkets and personal adornments

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<v Speaker 1>such as earrings, but over the centuries they began to

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<v Speaker 1>turn gold and silver into works of art, such as

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<v Speaker 1>miniature gardens made entirely of gold. Here, though, precious metals

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<v Speaker 1>were restricted to nobility, but Zaro got around that. He

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<v Speaker 1>and his men ambushed and captured the emperor Atahualpa. The

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<v Speaker 1>Spaniards did execute him a few months later, an action

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<v Speaker 1>that ultimately ended the Incan Empire. No matter where Europeans looked,

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<v Speaker 1>mining for medals was not cheap or easy, and in

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<v Speaker 1>many places there were a few dependencies that went along

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<v Speaker 1>with the practice. One of those was the development of

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<v Speaker 1>mining techniques. There were adequate ways of accomplishing what had

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<v Speaker 1>worked previously, but people couldn't help but wonder if there

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<v Speaker 1>were any better and faster ideas for extracting the ore

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<v Speaker 1>and refining the metal, And the Europeans certainly thought there

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<v Speaker 1>must be. Mining engineers in South Germany are credited with

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<v Speaker 1>contributing European technologies to the America's, in particular, the use

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<v Speaker 1>of a new mercury amalgamation method to extract refined silver

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<v Speaker 1>from raw or The method significantly increased the volume of

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<v Speaker 1>silver production from each mine, and that then that led

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<v Speaker 1>to silver becoming a major player in the global economy.

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<v Speaker 1>The technique became the go to practice in the mid

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<v Speaker 1>sixteenth century and beyond. But if you could make precious metals,

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<v Speaker 1>you could cut out all of this hassle. The first

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<v Speaker 1>lab scientists were alchemists, and for many their primary goal

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<v Speaker 1>was to convert and you'll hear us call that transmutation

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<v Speaker 1>base metals like iron or lead into precious metals like

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<v Speaker 1>gold and silver. And this was not a new idea.

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<v Speaker 1>Ancient Egyptians, long before George's lifetime, were adept at doubling

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<v Speaker 1>or even tripling the quantity of the metals they produced,

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<v Speaker 1>but it was kind of a fake. They knew, for instance,

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<v Speaker 1>that by adding arsenic to copper, you could produce a

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<v Speaker 1>whitish copper that could be passed off as silver. Add

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<v Speaker 1>a small amount of gold dust to something like copper,

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<v Speaker 1>and you'll create a metal that appears to be gold.

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<v Speaker 1>In fact, we have a recipe dating back to the

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<v Speaker 1>year three hundred. We quote one powder's up gold and

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<v Speaker 1>lead into a powder as finest flower two parts of

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<v Speaker 1>lead for one of gold, and having mixed them, works

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<v Speaker 1>them up with gum. One covers a copper ring with

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<v Speaker 1>the mixture, then heats. One repeats several times until the

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<v Speaker 1>object has taken the color. It is difficult to detect

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<v Speaker 1>the fraud, since the touchstone gives the mark of true gold.

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<v Speaker 1>The heat consumes the lead, but not the gold. We

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<v Speaker 1>just talked about alchemy in ancient Egypt during the Hellenistic period.

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<v Speaker 1>It was not a European idea, and in fact it

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<v Speaker 1>was practiced by many people for many years before Europeans

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<v Speaker 1>even knew anything about it. Following Ancient Egypt, the focus

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<v Speaker 1>on alchemy shifted as Islam expanded, and it wasn't until

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<v Speaker 1>the twelfth century, when Islamic power began to decline, that

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<v Speaker 1>Arabic manuscripts were translated into Latin, and that's when alchemy

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<v Speaker 1>arrived in Europe, where it was practiced for roughly in

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<v Speaker 1>the next five years. The ideas of alchemy and alchemists

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<v Speaker 1>permeated literature across the centuries, where alchemists are often referred

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<v Speaker 1>to as fraudulent or as Charlatan's go way back to

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<v Speaker 1>the Cannon's Yeoman's Tail, which is one of the Canterbury

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<v Speaker 1>Tales written by Jeffrey Chaucer in the late fourteenth century.

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<v Speaker 1>It tells the tale of a cannon. Just so we're clear,

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<v Speaker 1>a cannon is a church official who is a practicing,

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<v Speaker 1>albeit fraudulent alchemist. The tail also discloses a recipe, and

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<v Speaker 1>we're going to read that one as well. The cannon

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<v Speaker 1>surreptitiously inserts an ounce of silver into a hollow piece

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<v Speaker 1>of coal, closes the hole with wax, and puts it

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<v Speaker 1>in the furnace. The mercury, which was to have been transmuted, vaporizes,

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<v Speaker 1>while the wax melts and the silver runs out. The

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<v Speaker 1>practice of fraudulent alchemists and their sham trans mutations continued

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<v Speaker 1>until the eighteenth century, when chemists were able to demonstrate

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<v Speaker 1>how and why these practices were bogus. We're going to

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<v Speaker 1>take a break for a word from our sponsor, and

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<v Speaker 1>when we return we will finally talk about what all

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<v Speaker 1>this meant for George hone Our, who was executed when

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<v Speaker 1>it turned out he could not make gold. Welcome back

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<v Speaker 1>to Criminalia. You thought we were going to talk about

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<v Speaker 1>an alchemist named George hone Our, and you're right, so

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<v Speaker 1>let's do it. You're probably wondering by now, how does

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<v Speaker 1>gold mining on Hispaniola have anything to do with the

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<v Speaker 1>alchemy that George hone Our practiced. And it's really just

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<v Speaker 1>to point out that gold was on everybody's must have lists.

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<v Speaker 1>So much effort had gone into acquiring as much gold

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<v Speaker 1>as possible by so many powerful people, and while not

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<v Speaker 1>seemed to be a concern to most Europeans, so many

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<v Speaker 1>cultures have been plundered and destroyed in this quest. An

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<v Speaker 1>easier way to amass precious metals would have been welcomed

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<v Speaker 1>by pretty much everybody, and George promised he could make

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<v Speaker 1>gold with just a tincture and without an expedition to

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<v Speaker 1>any European colony. Sounds too good to be true, doesn't it. Sure,

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<v Speaker 1>George introduced himself to Frederick, the first Duke of Wurteinberg,

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<v Speaker 1>first in writing, then in person as Lord Brunhoff and

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<v Speaker 1>grub Shots in Moravia, and he claimed to be an alchemist. Intrigued,

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<v Speaker 1>the Duke called for George to show him an example

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<v Speaker 1>of his work. George presented one small piece of gold

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<v Speaker 1>and one of silver, and when the Duke's assayers were

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<v Speaker 1>asked if Georgia's transmutations were in fact real, cross your

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<v Speaker 1>fingers past the test. So at least he did well

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<v Speaker 1>enough to move on to the side get round. So

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<v Speaker 1>here George seemed like he was maybe legit. However, Frederick

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<v Speaker 1>wasn't about to back a man who couldn't produce more

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<v Speaker 1>than a penny sized piece of gold. He needed way

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<v Speaker 1>more than that. Next, he asked George to produce two

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<v Speaker 1>thousand duckets worth of gold from the base metal iron.

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<v Speaker 1>There was a bit of haggling. George claimed he only

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<v Speaker 1>had enough of the necessary tincture involved in the process

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<v Speaker 1>to produce thirty thousand duckets worth of gold, but to

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<v Speaker 1>eventually agreed on a production schedule and things moved ahead.

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<v Speaker 1>It took some pretty considerable effort to bring the iron

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<v Speaker 1>from the Duke's armory, which was in muffle guard to

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<v Speaker 1>stood guard for transportation, but it did make the trip,

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<v Speaker 1>and that's when things got pretty real for George. The

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<v Speaker 1>iron arrived, he panicked, and so he did the natural thing.

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<v Speaker 1>He ran away and rest bonds. The Duke had portraits

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<v Speaker 1>of George painted like today's wanted posters, except painted by

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<v Speaker 1>a portrait artist named jonathan's Ouder. Soon lots of people

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<v Speaker 1>were on the lookout for George, armed with the knowledge

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<v Speaker 1>of exactly what he looked like. And these fabulous artistic

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<v Speaker 1>wanted posters worked, and once he was captured and returned,

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<v Speaker 1>they try it again. But George could only change iron

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<v Speaker 1>into well, nothing more than the iron that it began.

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<v Speaker 1>As the Duke was unimpressed and displeased, George was put

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<v Speaker 1>on trial and was convicted on the charge of two

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<v Speaker 1>counts of fraud. Why two counts, so there's no surprise

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<v Speaker 1>on this first one. The court considered George's claims as

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<v Speaker 1>an alchemist to be phony, and frankly, I believe we

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<v Speaker 1>all think that. But in addition to that, the court

0:14:51.880 --> 0:14:55.840
<v Speaker 1>also considered his claims of nobility to be counterfeit as well.

0:14:56.840 --> 0:15:00.520
<v Speaker 1>He was to be executed by hanging, and Frederick the

0:15:00.560 --> 0:15:05.000
<v Speaker 1>First gave the Charlatan a really unusual execution, and it

0:15:05.040 --> 0:15:09.360
<v Speaker 1>was unusual because the Duke planned every single piece of it,

0:15:09.480 --> 0:15:13.560
<v Speaker 1>down to the tiniest detail. When your alchemist is unable

0:15:13.600 --> 0:15:16.240
<v Speaker 1>to fulfill his promise of creating as much as two

0:15:16.280 --> 0:15:19.120
<v Speaker 1>tons of gold for you, you walk away from that

0:15:19.240 --> 0:15:23.400
<v Speaker 1>feeling a little vengeful. The gallows were erected on a

0:15:23.480 --> 0:15:28.720
<v Speaker 1>stone foundation made from no not gold, but rather the

0:15:28.920 --> 0:15:32.840
<v Speaker 1>two tons of iron George had promised to convert into gold.

0:15:33.680 --> 0:15:36.640
<v Speaker 1>It said this special treatment cost the Duke around three

0:15:36.640 --> 0:15:39.800
<v Speaker 1>thousand Dutch guilders, and I imagine though, that he did

0:15:39.840 --> 0:15:44.720
<v Speaker 1>not care. No vengeance has no price. George hon Nour

0:15:44.880 --> 0:15:47.440
<v Speaker 1>was executed by order of Duke Frederick the First on

0:15:47.480 --> 0:15:52.200
<v Speaker 1>April second. On the day of his execution, George, who

0:15:52.240 --> 0:15:55.960
<v Speaker 1>was only twenty five, was walked dressed in a golden

0:15:56.080 --> 0:16:01.120
<v Speaker 1>garment covered entirely with gold tinsel to the scaffold. Again,

0:16:01.240 --> 0:16:04.960
<v Speaker 1>all of these strange details were carried out according to

0:16:05.000 --> 0:16:09.000
<v Speaker 1>the very exacting specifications of Frederick, who was still very

0:16:09.040 --> 0:16:13.960
<v Speaker 1>angry about the whole thing. The specially built iron gallows

0:16:14.000 --> 0:16:17.400
<v Speaker 1>remained standing after the execution as a deterrent to others,

0:16:17.800 --> 0:16:20.640
<v Speaker 1>an advertisement of sorts as to what would happen to

0:16:20.680 --> 0:16:23.440
<v Speaker 1>you if you were a so called gold maker and

0:16:23.560 --> 0:16:27.920
<v Speaker 1>a swindler. It actually wouldn't be until the nineteenth century

0:16:28.000 --> 0:16:32.880
<v Speaker 1>that the possibility of man made gold was conclusively disproved

0:16:32.880 --> 0:16:36.240
<v Speaker 1>by scientific evidence, But in the meantime, Frederick kept his

0:16:36.280 --> 0:16:40.360
<v Speaker 1>fingers crossed. His iron gallows went on to be used,

0:16:40.360 --> 0:16:43.800
<v Speaker 1>actually several more times, and it was often also for

0:16:43.880 --> 0:16:47.840
<v Speaker 1>the execution of other unsuccessful gold makers. But when it

0:16:47.880 --> 0:16:50.880
<v Speaker 1>comes to those gold makers, we aren't sure if they

0:16:50.960 --> 0:16:59.200
<v Speaker 1>also were forced to wear the goal. So I hear

0:16:59.240 --> 0:17:02.720
<v Speaker 1>that we have a very lovely drink for George's story.

0:17:02.800 --> 0:17:06.199
<v Speaker 1>Oh yes, the cauldron is brewing, and something very fascinating

0:17:06.280 --> 0:17:09.080
<v Speaker 1>is happening. It's a little predictable, but not I didn't

0:17:09.080 --> 0:17:11.200
<v Speaker 1>want to be completely predictable. This drink is called the

0:17:11.240 --> 0:17:19.560
<v Speaker 1>sham transmutation. It is so delicious. Uh was so convincing

0:17:19.600 --> 0:17:22.840
<v Speaker 1>that I'm like, oh, and I don't mean that facetiously.

0:17:22.920 --> 0:17:25.960
<v Speaker 1>I mean that was the holly voice of convincing. Yeah,

0:17:26.000 --> 0:17:29.040
<v Speaker 1>these these maybe things that you're like, do they go together? Oh,

0:17:29.080 --> 0:17:31.320
<v Speaker 1>they do. You're gonna start with an ounce and a

0:17:31.359 --> 0:17:36.600
<v Speaker 1>half of vodka, three ounces of ginger beer, three ounces

0:17:36.760 --> 0:17:39.840
<v Speaker 1>of pineapple juice, and you're gonna pour that into like

0:17:39.840 --> 0:17:43.160
<v Speaker 1>a rock's glass and stir it up, and then you're

0:17:43.200 --> 0:17:46.560
<v Speaker 1>gonna float an ounce of gold schlager on the top.

0:17:46.600 --> 0:17:48.359
<v Speaker 1>I knew it was going to hack have golden there somewhere.

0:17:48.480 --> 0:17:50.760
<v Speaker 1>It had to, but I was trying to do something

0:17:50.800 --> 0:17:53.960
<v Speaker 1>interesting with it. So obviously gold schlager has gold flake

0:17:54.040 --> 0:17:55.800
<v Speaker 1>in it. You want to give it a really good

0:17:55.800 --> 0:17:58.400
<v Speaker 1>shake before you pour out your ounce to use, because

0:17:58.400 --> 0:18:00.240
<v Speaker 1>otherwise the gold flake sits on the bottom and you

0:18:00.280 --> 0:18:03.080
<v Speaker 1>won't get any. And you do ideally want at least

0:18:03.119 --> 0:18:05.520
<v Speaker 1>a few flecks of gold floating on top of this,

0:18:05.600 --> 0:18:07.679
<v Speaker 1>so you can be like, look, it's made of gold,

0:18:07.880 --> 0:18:13.040
<v Speaker 1>but it's not. Sorry, I'm laughing because you said something

0:18:13.080 --> 0:18:15.440
<v Speaker 1>along the mines of like, then it looks like gold,

0:18:15.480 --> 0:18:17.280
<v Speaker 1>it flits to the bottom and it's not. And all

0:18:17.320 --> 0:18:20.359
<v Speaker 1>I could think of was and so said Frederick the

0:18:20.400 --> 0:18:23.840
<v Speaker 1>first and right, I mean that's exactly the inspiration here,

0:18:24.280 --> 0:18:26.919
<v Speaker 1>is thinking about like those recipes where they're like, no,

0:18:27.080 --> 0:18:29.040
<v Speaker 1>you can just kind of pack it on the outside

0:18:29.080 --> 0:18:31.480
<v Speaker 1>and then melt it together and it'll it will take

0:18:31.520 --> 0:18:35.000
<v Speaker 1>in the color. You can just wrap it in wax.

0:18:35.040 --> 0:18:40.080
<v Speaker 1>It'll be fine. Now, this recipe also is a little

0:18:40.080 --> 0:18:42.800
<v Speaker 1>bit of a two fur because there's a bonus version

0:18:42.880 --> 0:18:45.040
<v Speaker 1>of it if you want to kick it up and

0:18:45.040 --> 0:18:48.760
<v Speaker 1>get a little fancier. But as you know, you know,

0:18:48.840 --> 0:18:50.840
<v Speaker 1>it's one of those things where I don't like to

0:18:51.280 --> 0:18:54.479
<v Speaker 1>invoke or use things that are too difficult to find

0:18:54.680 --> 0:18:59.000
<v Speaker 1>or too expensive. And I have used chartreuse in the past,

0:18:59.760 --> 0:19:05.120
<v Speaker 1>but there is also yellow chartreuse um, which I added

0:19:05.480 --> 0:19:07.560
<v Speaker 1>like a half to three quarters of an ounce of

0:19:07.640 --> 0:19:10.879
<v Speaker 1>yellow chartreuse before I floated the gold slugger on the

0:19:10.920 --> 0:19:13.679
<v Speaker 1>second version of this, and that just adds like a

0:19:13.720 --> 0:19:17.040
<v Speaker 1>whole different bouquet of things to the whole mix in it.

0:19:17.040 --> 0:19:19.080
<v Speaker 1>It kind of makes it a little bit like the

0:19:19.200 --> 0:19:23.000
<v Speaker 1>ginger beer and pineapple and the chartreuse together all become

0:19:23.119 --> 0:19:25.640
<v Speaker 1>something different. And then what's really nice is that when

0:19:25.680 --> 0:19:28.680
<v Speaker 1>you're sipping, if you floated your slog on the top,

0:19:29.000 --> 0:19:31.960
<v Speaker 1>you get that cinnamon kick when you sip, and then

0:19:32.000 --> 0:19:35.800
<v Speaker 1>there's this weird bouquet that emerges behind it. I just

0:19:35.920 --> 0:19:39.120
<v Speaker 1>I'm in love with this drink. I will say, though,

0:19:39.240 --> 0:19:43.600
<v Speaker 1>something weird happens when you're drinking it, because it's alchemy

0:19:43.960 --> 0:19:45.960
<v Speaker 1>sort of. But I don't know that people will like

0:19:46.000 --> 0:19:49.359
<v Speaker 1>this alchemy. Have you ever been in that situation where

0:19:50.359 --> 0:19:53.600
<v Speaker 1>you have a cocktail and you take the first drink

0:19:53.600 --> 0:19:57.080
<v Speaker 1>and you go, wow, that tastes strong, But two or

0:19:57.160 --> 0:20:00.720
<v Speaker 1>three SIPs in you're like, no, not really. You kind

0:20:00.720 --> 0:20:04.560
<v Speaker 1>of get accustomed to it. I had the strange experience

0:20:04.600 --> 0:20:09.080
<v Speaker 1>that this went the other way. I have never had

0:20:09.080 --> 0:20:13.159
<v Speaker 1>this experience before in my life. Heaven only knows. It

0:20:13.160 --> 0:20:15.359
<v Speaker 1>could be unique to me and like something else that

0:20:15.440 --> 0:20:18.920
<v Speaker 1>was going on. But like I had the first several

0:20:18.960 --> 0:20:22.080
<v Speaker 1>SIPs and I was like, this is amazing. I truly

0:20:22.119 --> 0:20:25.159
<v Speaker 1>truly do love it. And then like I had, you know,

0:20:25.200 --> 0:20:27.199
<v Speaker 1>I put it down and worked. I was typing and

0:20:27.200 --> 0:20:29.120
<v Speaker 1>I did some sentences and I took a couple more

0:20:29.119 --> 0:20:31.680
<v Speaker 1>SIPs and I was like, this tastes stronger than it did.

0:20:34.440 --> 0:20:36.719
<v Speaker 1>Your husband's like I didn't do it. He's like standing

0:20:36.720 --> 0:20:39.679
<v Speaker 1>back there with the bottle of PA. No he was not,

0:20:39.840 --> 0:20:41.639
<v Speaker 1>he was not even in the room at the time.

0:20:42.680 --> 0:20:45.159
<v Speaker 1>It was a very strange experience. But I loved it,

0:20:45.200 --> 0:20:47.560
<v Speaker 1>just the same for the mock tail. On this one,

0:20:48.320 --> 0:20:50.959
<v Speaker 1>it's pretty easy. You won't we won't involve that char

0:20:51.000 --> 0:20:53.359
<v Speaker 1>true step because it's really hard to replicate your truth.

0:20:53.480 --> 0:20:56.520
<v Speaker 1>But this is also a very delicious libation on its own,

0:20:56.560 --> 0:20:58.480
<v Speaker 1>which is obviously you're going to leave out the vodkas.

0:20:58.560 --> 0:21:01.400
<v Speaker 1>So if you just do your three ounces of ginger beer,

0:21:01.440 --> 0:21:04.800
<v Speaker 1>you're three ounces of pineapple juice, and then in lieu

0:21:05.119 --> 0:21:09.000
<v Speaker 1>of the gold Schlager to get that cinnamon taste, you're

0:21:09.000 --> 0:21:13.480
<v Speaker 1>gonna use cinnamon syrup instead. Yeah, here's the thing with

0:21:13.720 --> 0:21:15.919
<v Speaker 1>both of these, it's gonna actually be hard to get

0:21:15.960 --> 0:21:18.720
<v Speaker 1>a good float on it because you're gold Schlagger as

0:21:18.720 --> 0:21:21.040
<v Speaker 1>a liquor is heavier than most of the other things.

0:21:21.600 --> 0:21:25.080
<v Speaker 1>It's a little more buoyant in the gold slagger version

0:21:25.119 --> 0:21:28.080
<v Speaker 1>than the cinnamon syrup version because it's not quite as

0:21:28.480 --> 0:21:31.520
<v Speaker 1>as thick and the gold flakes will still stay on top.

0:21:31.560 --> 0:21:33.600
<v Speaker 1>But when you do the cinnamon syrup version, you're just

0:21:33.640 --> 0:21:35.240
<v Speaker 1>gonna have to mix it in. It's not gonna float

0:21:35.320 --> 0:21:38.439
<v Speaker 1>very well. The other thing is, if anybody is like,

0:21:38.480 --> 0:21:40.920
<v Speaker 1>I'm going to go shop for cinnamon syrup, you can,

0:21:41.640 --> 0:21:43.480
<v Speaker 1>But if it's hard to find. It's easy to make.

0:21:43.520 --> 0:21:47.160
<v Speaker 1>You can like boil four or five sticks of cinnamon

0:21:47.240 --> 0:21:50.200
<v Speaker 1>with two cups of water on your stove, pull out

0:21:50.240 --> 0:21:51.960
<v Speaker 1>the cinnamon sticks, and then add a cup and a

0:21:52.000 --> 0:21:55.480
<v Speaker 1>half to two cups of sugar. You get great cinnamon syrup.

0:21:55.560 --> 0:21:58.160
<v Speaker 1>It's fabulous. All of these syrups are always so so

0:21:58.200 --> 0:22:00.119
<v Speaker 1>easy to make, and I never think about it, but

0:22:00.160 --> 0:22:03.239
<v Speaker 1>it's always so difficult for me to find even some

0:22:03.280 --> 0:22:05.919
<v Speaker 1>of the alcohols that have really taken to just making

0:22:06.160 --> 0:22:10.000
<v Speaker 1>the syrups. They're so fast. And also that's a handy

0:22:10.000 --> 0:22:11.640
<v Speaker 1>thing to be able to make and have on hand

0:22:11.680 --> 0:22:13.800
<v Speaker 1>because you can add it to you like you can

0:22:13.880 --> 0:22:16.680
<v Speaker 1>use that in lieu of maple syrup on breakfast things.

0:22:17.160 --> 0:22:18.879
<v Speaker 1>You can add it to other drinks. I like a

0:22:18.880 --> 0:22:21.920
<v Speaker 1>little bit added to just a regular diet coke once

0:22:21.960 --> 0:22:25.600
<v Speaker 1>in a while, all kinds of yummyness. Highly recommend making

0:22:25.600 --> 0:22:28.000
<v Speaker 1>your own syrup, and I hope that you enjoy the

0:22:28.040 --> 0:22:31.560
<v Speaker 1>sham transmutation if you try it. It's a fun one.

0:22:31.920 --> 0:22:35.040
<v Speaker 1>It combines things that like they go together perfectly fine.

0:22:35.080 --> 0:22:36.640
<v Speaker 1>But I don't often think like I want to put

0:22:36.680 --> 0:22:39.720
<v Speaker 1>cinnamon in my pineapple, but it works perfectly right, when

0:22:39.760 --> 0:22:42.440
<v Speaker 1>you start out and you've got vodka, ginger beer, pineapple,

0:22:42.480 --> 0:22:44.600
<v Speaker 1>you're like, yeah, I see where this is going. And

0:22:44.640 --> 0:22:49.440
<v Speaker 1>then it doesn't go there, totally different places because because

0:22:49.480 --> 0:22:59.080
<v Speaker 1>it transmutation. Yeah, yes, totally got it. So yummy. We

0:22:59.160 --> 0:23:00.760
<v Speaker 1>hope you try it, and if you do, we hope

0:23:00.760 --> 0:23:03.480
<v Speaker 1>you love it. And we just want to say thanks

0:23:03.480 --> 0:23:06.080
<v Speaker 1>for hanging out with us again today and every time

0:23:06.119 --> 0:23:08.880
<v Speaker 1>you have, and we will meet you right back here,

0:23:09.760 --> 0:23:12.160
<v Speaker 1>both with the story and with something from the Cauldron

0:23:12.359 --> 0:23:23.879
<v Speaker 1>next week. Criminalia is a production of Shonda land Audio

0:23:23.960 --> 0:23:27.320
<v Speaker 1>in partnership with I Heart Radio. For more podcasts from

0:23:27.320 --> 0:23:30.280
<v Speaker 1>Shonda land Audio, please visit the I Heart Radio app,

0:23:30.480 --> 0:23:33.560
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.