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Speaker 1: What's up, guys? I missed just so much it hurts.

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Speaker 1: Sometimes you're so full of shit.

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Speaker 2: You left l Well, you're hanging out with Daniel right now.

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Speaker 2: Daniel could have ran over to your house.

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Speaker 3: You know.

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Speaker 1: I watched the first YouTube video and I really didn't

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Speaker 1: like my hair. So I'm just gonna have to let

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Speaker 1: it go. Let it go, let it go.

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Speaker 4: Everyone's first reaction when they are video hits YouTube, They're like,

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Speaker 4: we got a new stylist.

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Speaker 3: Don't like it, Like we're hiring makeup to every single incident.

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Speaker 5: We gotta change you new better outfits.

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Speaker 1: Yeah, the reality of it, I think is well. I

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Speaker 1: was excited that it happened, don't get me wrong, but

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Speaker 1: I was obsessing about my hair, and I was like,

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Speaker 1: I can't. I'm not gonna be able to watch these

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Speaker 1: I'm too neurotic and in vain to be watching.

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Speaker 2: I'm really nervous to put these motherfuckers to see the

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Speaker 2: old shit when that hits the air and they see

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Speaker 2: how many times I wear how many times I wear

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Speaker 2: that damn sweatshirt?

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Speaker 1: Right, we weren't even trying then. I mean, there wasn't

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Speaker 1: any knowledge that those were going to be on the interweb.

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Speaker 1: So we didn't put any effort into like, at least

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Speaker 1: putting on a nice shirt like zero.

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Speaker 2: Yeah, at least I'm wearing T shirts now. I said,

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Speaker 2: you know what, I'm gonna step up my game a

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Speaker 2: little bit. No more, motherfucking y.

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Speaker 1: I love that sweatshirt. I think the audience should make an.

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Speaker 2: Appearance here and there and stuff like that. But I

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Speaker 2: got to wear T shirts And then I started thinking,

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Speaker 2: do I need to cut my hair?

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Speaker 3: Is that?

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Speaker 1: What's really look great? You look great? By the way,

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Speaker 1: our new T mobile ad is running and uh and

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Speaker 1: I hear it. You haven't seen it. I hear it's

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Speaker 1: doing really well. I heard I heard from the from

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Speaker 1: the Big mcgilla's.

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Speaker 3: What they say. They said, tell me everything I want

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Speaker 3: to know.

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Speaker 1: Just that people really like it. They got a great

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Speaker 1: response from it. All you need to worry about is

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Speaker 1: whether the people like it enough for them to keep

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Speaker 1: hiring us to do more. And I feel like that's

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Speaker 1: happening well because it's fun. And that's and this one's

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Speaker 1: super silly. If you haven't seen this one, there's a

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Speaker 1: there's a moment where Donald's painting, and its supposed to

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Speaker 1: the joke he is that he's an amazing painter, and

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Speaker 1: he's painted me as a minotaur or a centaur. What's

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Speaker 1: the difference horse legs a centaur. Yeah, I'm a horse

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Speaker 1: body with a with a torso and I'm playing the

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Speaker 1: pan flute. What's a minotar mint? That's like I feel

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Speaker 1: like it's like mostly it's like a bowl, but it's

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Speaker 1: like bull legs human torso and then bull head. Well,

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Speaker 1: I'm a centaur and it's a beautiful painting that somebody

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Speaker 1: made me.

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Speaker 3: Hell is this dude? And motherfucking sorry, I hate to

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Speaker 3: do this. What is she and Narnia? Then?

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Speaker 1: Oh you're talking about like are you talking about the dear?

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Speaker 3: He has like god deer.

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Speaker 2: By goat boy's a fun guy.

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Speaker 1: Anyway, So listen, we made the ad, right, we made

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Speaker 1: the ad, and uh, I forgot if I brought this up.

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Speaker 1: If I did, I'm sorry. But I put the painting.

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Speaker 1: They gave me the painting and and I and I

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Speaker 1: said to myself, I'm only going to put this on

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Speaker 1: my mantlepiece for a little while as a joke. But

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Speaker 1: now it's been living there for a while and it's

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Speaker 1: pretty glorious.

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Speaker 3: Yeah, did they paint the pan flute.

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Speaker 1: Yeah, they put the pan flute. I'm playing the pan flute.

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Speaker 3: I love it. I love it. It's amazing. I love that.

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Speaker 3: We have a commercial on television.

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Speaker 1: Yeah, it's nice. Nice, it's nice. Donald, it's Donald.

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Speaker 5: You haven't seen it. Or if they're international, what's happening

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Speaker 5: in the commercial.

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Speaker 1: I'm sure they can look on the If you're international,

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Speaker 1: no you can even if you.

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Speaker 3: Can vs VPN whatever.

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Speaker 1: No, you just go on the YouTube and the commercial

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Speaker 1: is Uh. It's talking about how the why you can

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Speaker 1: get the Wi Fi anywhere. There's these expanders now and

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Speaker 1: you can get it like in your backyard. You can

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Speaker 1: get it in your man cave, in your garage. Like

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Speaker 1: it expands the home Wi Fi to every nook and cranny.

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Speaker 3: It's like another dad spot is gone.

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Speaker 1: Yeah, and we sing it to the to the tune

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Speaker 1: of uh to what's the song gone Holiday Road from.

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Speaker 3: Vacation, Oh Man or net from Timo.

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Speaker 1: But anyway, in one of the sketches, Donald is uh

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Speaker 1: is painting and actually there was a funny story, the

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Speaker 1: puppet story about how your puppet, your puppet purple.

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Speaker 3: We should tell that story.

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Speaker 2: So the guy who made the puppet rushed and was

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Speaker 2: doing it in like a.

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Speaker 1: Fluorescent lighting, fluorescent lightning.

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Speaker 2: He'd had fluorescent lights in it. And uh so he

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Speaker 2: built zach. I guess he doesn't have a problem billet

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Speaker 2: making foam the color of pete white pet Yeah, I guess.

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Speaker 3: But when it comes to black people.

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Speaker 1: The fluorescent light wait. Wait. In his defense, in his defense,

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Speaker 1: this was funny. It was funny though, in his defense,

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Speaker 1: it was their last minute thing, like, oh, we want

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Speaker 1: them to be taking a Ventriloquist lesson on online. It'll

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Speaker 1: be funny if they have puppets that look like themselves.

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Speaker 2: So you know in Hollywood they have puppet but not

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Speaker 2: vent triller Quist puppets, more like muppet puppet.

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Speaker 1: Yeah, but still a ventriloquist that you're doing this with

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Speaker 1: your hand thing.

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Speaker 2: Yeah, but the ventriloquist thing is that it is like

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Speaker 2: a dummy with a mouth just opens up and.

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Speaker 1: Closes like that, all right, like muppet puppets. And yes,

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Speaker 1: there we got You know, in Hollywood, if you got

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Speaker 1: the money, someone will make someone who makes anything will

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Speaker 1: stay up all night and make it for you. And

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Speaker 1: this guy did that and it was amazing that when

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Speaker 1: he turned out in twenty four hours. But because he

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Speaker 1: had made it, he explained later, under fluorescent lights, he

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Speaker 1: got Donald's skin tone totally wrong. So when it showed up, oh,

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Speaker 1: he didn.

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Speaker 3: Get your skin tone even close to wrong though, Like

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Speaker 3: your skin tone was like.

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Speaker 1: Purp anyway, Donald was purple, and and we were like, yo,

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Speaker 1: you can't air this, like you guys gotta like skin correct.

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Speaker 1: And everyone was like, don't worry, don't worry. When in

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Speaker 1: post production will make him the exact beautiful brown skin

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Speaker 1: that Donald has. And indeed they did, but no one

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Speaker 1: will never see purple Donald. With me, it was funny. Yeah,

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Speaker 1: I love that.

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Speaker 3: You want to know what's fucked up? It was eggplant

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Speaker 3: purple too.

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Speaker 1: Yeah, like the eggplant emoji. Dobly it goes deep, Joel,

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Speaker 1: how's life it goes? How's like? Everybody, what's going on?

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Speaker 1: What have you been doing? What have you been up to?

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Speaker 3: So I went and saw Deadpool and Wolverine again again?

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Speaker 1: Second time? You really liked it?

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Speaker 3: Two times? I did, And I liked it better the

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Speaker 3: second time than I did the first time.

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Speaker 1: Joell, have you been yet?

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Speaker 3: Oh?

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Speaker 1: Yeah, she has her feelings. Yeah she doesn't like Yeah, yeah,

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Speaker 1: Joelle has her feelings. Let her feel her feelings. Donald, Okay,

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Speaker 1: you saw it the second time. It's an important movie.

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Speaker 1: Do you really like it?

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Speaker 2: It's not an important movie to me, but I did enjoy.

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Speaker 2: I did enjoy. I enjoyed the violence. I'm not gonna lie.

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Speaker 1: Did you bring your children toolence?

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Speaker 3: They have also seen Somebody? Okay?

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Speaker 1: Are you okay with showing your kids all that gore?

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Speaker 1: I guess yes.

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Speaker 3: You know, I'm gonna be honest with you.

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Speaker 2: It's hard to hide any of the ship anyway because

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Speaker 2: it's in and I mean unless I keep them on

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Speaker 2: like Radio Disney.

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Speaker 3: Or some shit like that. I mean, you know, it's

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Speaker 3: impossible remind us how old your kids are. My kids

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Speaker 3: are eleven and nine.

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Speaker 5: This seems reasonable to me.

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Speaker 4: I was watching equally violent as violent films at that age.

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Speaker 3: Dude, I was watching way worse.

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Speaker 2: I was watching sex scenes when I was young age

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Speaker 2: and stuff like that, like let's keep.

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Speaker 3: It one hundred.

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Speaker 1: Did your mom not lean across you to try to

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Speaker 1: shield your eyes?

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Speaker 2: No, I was watching the camera with the like where

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Speaker 2: it was scrambled and stuff like that.

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Speaker 1: Do you remember the first was the first pair of

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Speaker 1: boobs you saw in a movie?

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Speaker 2: Do you remember the first pair of boobs. It was

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Speaker 2: DC Cat maybe it was DC Cab, I don't know.

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Speaker 1: The mud wrestling scene and stripes it was the first

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Speaker 1: time I saw them.

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Speaker 2: It was the shower scene in Porky's, which was a

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Speaker 2: peeping Tomson.

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Speaker 1: Yes, yeah, well.

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Speaker 3: Was great.

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Speaker 1: Kate Winslet and Titanic was the first time you saw boobies.

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Speaker 3: That's a very tame, tame ten.

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Speaker 1: Oh my god, Donald, doesn't that make you feel old? Wait?

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Speaker 1: Does Kate Winslen show her naked breast in Titanic? She shows, yeah, yeah,

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Speaker 1: like one of her French girls.

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Speaker 5: So does James Cameron's hand. No, she's like fully topless.

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Speaker 1: But she doesn't show her below the belt. Amercan area.

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Speaker 3: Never shows.

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Speaker 1: That makes me feel really old that the first breast

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Speaker 1: you saw were in Titanic. Speaking of which, Donald and

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Speaker 1: I are on Millionaire tonight now that god yeah, God,

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Speaker 1: God knows when this is so good?

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Speaker 3: It was this isn't gonna this isn't gonna air tonight,

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Speaker 3: so we can.

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Speaker 1: Say that we will have we got as far as

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Speaker 1: we could. I'm proud of you guys.

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Speaker 4: Did anything across the alligator line from your last live

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Speaker 4: game show?

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Speaker 2: No, no, no, they got us some some books, but

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Speaker 2: I had only watched this fucking show.

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Speaker 1: I was look, this is it was the It was

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Speaker 1: the David David beck When.

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Speaker 3: We were in trouble, he brings up, he goes the

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Speaker 3: name of you.

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Speaker 2: It stars you know, David the soccer player, and Zach

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Speaker 2: and I both go, who the fuck is David?

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Speaker 1: Like no, no, No. I was like, oh, I started

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Speaker 1: that fucking documentary and if I had only finished it,

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Speaker 1: I could have got us one more level.

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Speaker 3: Oh my gosh.

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Speaker 1: And it was about I guess she's she I learned

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Speaker 1: through doing a Millionaire. She does a dance that in

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Speaker 1: the docum memory for David Posh spice that yeah, and

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Speaker 1: and Victoria Beckham and and then that became a TikTok trend.

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Speaker 1: And the question is what was the song? Do you

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Speaker 1: guys know the song? No?

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Speaker 3: Yeah, because none of y'all watch that bullshita.

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Speaker 1: Do you remember this moment she does dance for no yeah?

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Speaker 1: I do, but I don't remember what? All Right, Well,

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Speaker 1: you may have gotten it if you had four choices

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Speaker 1: in front of you, but maybe, but Donald and I

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Speaker 1: had not, had not seen it, and so we were

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Speaker 1: at a loss. No wait, and I think we pulled

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Speaker 1: the audience Donald and they.

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Speaker 3: No, but this is what you made a mistake.

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Speaker 2: You went, you said, I think it's island.

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Speaker 3: You said, I think.

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Speaker 2: It's that, which automatically made gives them and they told

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Speaker 2: us this backstage. Your best bet is to not say

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Speaker 2: which one you think it is right before they right

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Speaker 2: before you handed off to the audience, because you automatically influenced.

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Speaker 1: Influenced where we pulled the audience because and you did that,

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Speaker 1: and I said, all ze, Jimmy actually said, Jimmy said,

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Speaker 1: I think this is a good one to pull the

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Speaker 1: audience because the dock at the time we shot was

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Speaker 1: had been very very popular. And I agreed with Jimmy

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Speaker 1: because none of them but they know the poll ended

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Speaker 1: up being like the highest number in the poll was

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Speaker 1: thirty percent, and the next one was like twenty eight percent.

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Speaker 1: So we went with the thirty percent and it was wrong.

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Speaker 2: And the twenty eight percent was wrong too, though it

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Speaker 2: was yes, percent was wrong to the twenty eight percent

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Speaker 2: was the one that we were trying to go that

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Speaker 2: we were going back and forth with saying I think

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Speaker 2: it's this one.

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Speaker 1: No, I think it's By the way, we were on

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Speaker 1: a tear for a second, we were on a tear

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Speaker 1: and it was such a high. You were on a tear, bro,

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Speaker 1: you were crushed.

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Speaker 6: I was on, I was in the I was in

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Speaker 6: the lights like this we all.

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Speaker 1: I knew there was going to be a moment from

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Speaker 1: watching Millionaire and just regular Millionaire that there's a moment

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Speaker 1: where they just go, you're not getting our money. We're

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Speaker 1: going into the next level, Like fuck you. It's going

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Speaker 1: to be so hard. I knew we were going to

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Speaker 1: reach that spot. But to be taken out by not

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Speaker 1: knowing a song from a Beckham documentary that bummed me out.

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Speaker 3: But that's well, come on, that's how it goes. That's

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Speaker 3: what it is, man. That's like.

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Speaker 2: That's like people saying they there's a legit amount of

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Speaker 2: people that have never seen Star Wars now, and it's acceptable.

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Speaker 2: It's acceptable. It ain't like the nineteen eighties anymore. If

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Speaker 2: it was nineteen eighty and you said eighty four and

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Speaker 2: you said I'd never seen Star Wars, I think everybody'd

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Speaker 2: be like, you're out of your fucking mind, bro, what

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Speaker 2: But it's you know, it's twenty twenty five.

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Speaker 1: I've listening that you got. I have to recommend I

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Speaker 1: think I've said this in the podcast again everyone, you

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Speaker 1: can obviously read this book, but I'm really enjoying listening

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Speaker 1: to it because the guy who reads it's amazing. It's

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Speaker 1: called Easy Riders Raging Bulls, and it's all about the

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Speaker 1: filmmakers that came out of the late sixties and seventies,

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Speaker 1: including Donald's hero George Lucas, and there's fascinating stories about

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Speaker 1: after he made Cha and it wasn't a hit, he

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Speaker 1: was so pissed off. He wanted to make sort of

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Speaker 1: avant garde art science movies like that, and they were like,

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Speaker 1: come on, man, you got to make something commercial. And

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Speaker 1: he's like, oh, what is this copel and sid yes,

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Speaker 1: everyone said it to him.

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Speaker 3: You gotta His best friends were Spielberg.

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Speaker 1: And everyone was like, dude, you're making movies that are

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Speaker 1: two avant guard there's gonna be no audience from you.

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Speaker 1: Gotta make something commercial. And he's like, it's so easy

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Speaker 1: to made a commercial movie. He's like, I can make

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Speaker 1: any I can make a commercial movie in a second.

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Speaker 1: And then he finally goes, all right, I'll show you,

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Speaker 1: and he makes American Graffiti and it's an enormously popular movie,

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Speaker 1: and he sort of proved everyone, and so then when

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Speaker 1: he finally made Star Wars, he figured out, like, oh,

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Speaker 1: let me blend those two skill sets making something commercial

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Speaker 1: but also in the sci fi world, Like anyway, I

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Speaker 1: think you'd love you'd love the Star Wars parts of

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Speaker 1: the book.

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Speaker 2: Donald, I'm gonna tell you something right now. I love

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Speaker 2: everything about George Lucas. I love his imagination. If it

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Speaker 2: wasn't for George Lucas's imagination, a lot of us that

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Speaker 2: are my age wouldn't have heroes like who we just

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Speaker 2: had on the podcast, Billy D Will Billy D. You know,

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Speaker 2: you know, things like that wouldn't exist, uh, because there

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Speaker 2: were I don't even think in Star Trek there were

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Speaker 2: black people you know at the.

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Speaker 1: Time, Yes there was.

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Speaker 3: That's it. That's right. I take that back, cut that down.

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Speaker 1: I want you to leave it and prove that you're wrong.

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Speaker 1: We should also see The Bad Monkeys out. I don't

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Speaker 1: know when this is going to air, but Bad Monkeys

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Speaker 1: out and.

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Speaker 3: It's definitely out by October.

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Speaker 1: It's great reviews. I'm happy for Bill. It's crushing it

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Speaker 1: on the Rotten Tomatoes, which you never know which way

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Speaker 1: that's going to go. But Bill's killing it again.

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Speaker 3: Thunder Supplause, Daniel thundersuppl.

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Speaker 1: Friend, Lawrence, check it out. You're gonna really like it.

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Speaker 3: Yeah, I hear that.

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Speaker 1: You're I'm in it. I'm in it for like a

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Speaker 1: handful of episodes. I can't really say much for my

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Speaker 1: character because everything involving my character is a spoiler. But

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Speaker 1: come check it out, everybody bad monkey on Apple TV.

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Speaker 1: You should probably let Heather Graham, the legendary, the legendary

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Speaker 1: actress in is she here?

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Speaker 5: Oh?

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Speaker 1: Hell that beauty?

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Speaker 2: Before we do that seven stories, I'm not sure.

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Speaker 1: We made about a bunch of talks and nurses.

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Speaker 7: I said, here's a story, so YadA round here, yeada here.

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Speaker 1: Oh wow? Why do you even begin with Heather Graham?

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Speaker 1: Her career is so epic.

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Speaker 3: I mean, I know where to begin.

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Speaker 1: Get out of my dreams, get him my baby, and

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Speaker 1: into my car. Heather has an incredible career that we

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Speaker 1: could spend five hours talking about. But it all began

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Speaker 1: with the two corries.

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Speaker 3: It began before that, I'm sure.

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Speaker 1: But but but when she began changing.

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Speaker 5: Lives shanging this was so good.

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Speaker 1: You began changing lives, Heather, when you're when you showed

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Speaker 1: up with the two Corries.

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Speaker 3: And the license to drive their first movie together.

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Speaker 1: Was that their first movie together?

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Speaker 5: I'm pretty she done lost boys. I think they did lost.

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Speaker 3: They were older and lost there.

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Speaker 5: You might be right.

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Speaker 3: I don't know.

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Speaker 1: Donald Donald knows his Corey's trivia.

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Speaker 5: Donald, you right, Joelle looking it up.

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Speaker 1: That's why our beautiful producer will handle this. Heather, it's

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Speaker 1: so great to have you on the podcast. We love

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Speaker 1: you so much.

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Speaker 5: You guys are so fun.

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Speaker 4: I feel all your positive energy the minute you started

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Speaker 4: singing to me. I mean, this was amazing.

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Speaker 1: Well, you're the perfect guest because not only were you

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Speaker 1: a part of Scrubs, but you have such an amazing

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Speaker 1: career where you've done so many different things.

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Speaker 4: And of course, I tell you guys, recently, I've been

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Speaker 4: having a lot of Scrubs fans come up to me.

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Speaker 5: All right.

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Speaker 4: I went to Italy like and the s girl was like,

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Speaker 4: I love Scrubs, you know, And I've had all these

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Speaker 4: different Scrubs people coming up to me.

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Speaker 5: So Scrubs has made a big impact.

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Speaker 3: I mean, yeah, we're so good on the show.

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Speaker 2: You were really funny on This was originally a rewatch podcast,

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Speaker 2: so we got to rewatch every.

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Speaker 4: EPISO, and then you guys got too popular. Do you

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Speaker 4: guys just miss each other so you want to just

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Speaker 4: hang out all the time.

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Speaker 1: Yes, that's basically the point of this, Heather. It began

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Speaker 1: as a rewatch podcast, but then we ran out of

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Speaker 1: Scrubs episode. So then it was like, well, Donald is

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Speaker 1: so flaky that if I don't schedule a time to

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Speaker 1: see him once a week, I'll never see him. And

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Speaker 1: so this is basically so we hired iHeart to allow

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Speaker 1: us to see each other once a week, and then

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Speaker 1: we invite fun people that we love onto the show

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Speaker 1: and we shoot the shit with them for an hour

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Speaker 1: or so. But people like to know store genesis stories, Heather,

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Speaker 1: So we want to just go through some of the

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Speaker 1: beginning parts. How did was was it licensed to drive?

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Speaker 1: Your first big part movie?

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Speaker 3: Start? Okay, let's go all right.

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Speaker 5: I auditioned, I was in high school.

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Speaker 4: I auditioned, and I you know, of course I was

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Speaker 4: a fan of the Quarries, and it blew my mind

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Speaker 4: that I got to work with the Quarries. Yeah, and

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Speaker 4: I got to drive onto the twentieth century Fox lot.

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Speaker 4: I mean, I'm sure you guys can relate like that.

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Speaker 4: First time you got your first big job and your

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Speaker 4: drive to work and like you have a pass and

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Speaker 4: you drive on You're like, they hired me.

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Speaker 5: This is so crazy.

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Speaker 1: You can't do before that?

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Speaker 3: Were you were? You? Were you?

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Speaker 5: I did a few commercials, No I did. I did

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Speaker 5: a few commercials. I did a hair commercial.

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Speaker 4: Then I did a like a Disney Sunday Night movie

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Speaker 4: that actually O. J.

396
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Speaker 5: Simpson was in.

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Speaker 1: Them and the juice.

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Speaker 4: What it was it was called Foreign Exchange and it

399
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Speaker 4: was about these two nerdy kids at school. They're so

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Speaker 4: nerdy and they pretend to be Foreign Exchange students so

401
00:18:55,040 --> 00:18:58,920
Speaker 4: they could you know, be cooler and get dates and

402
00:18:59,119 --> 00:19:01,159
Speaker 4: uh the other person it was and it was you

403
00:19:01,160 --> 00:19:02,680
Speaker 4: know that really successful director.

404
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Speaker 5: His name is like Todd Field. Do you know him?

405
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Speaker 5: He did like in the Bedroom or yeah, Tom was

406
00:19:08,600 --> 00:19:12,640
Speaker 5: also acted in it. Yeah, am I saying his name wrong?

407
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Speaker 3: Todd Phillips, No, Todd Phillips.

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00:19:16,680 --> 00:19:20,120
Speaker 1: Because him Joe Well will know and the hangover we're

409
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Speaker 1: going to get. She's worked with a lot of good directors,

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Speaker 1: Todd Field.

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Speaker 4: Todd Field a very successful director, just like Zach Brath.

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Speaker 1: Right, So, well, I don't know about that. What were

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Speaker 1: the Cory's like I mean you were with them during

414
00:19:35,800 --> 00:19:39,119
Speaker 1: their Corey heyday were they were they nice men? Young boys?

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Speaker 4: I mean I think, look, they were a lot more

416
00:19:43,119 --> 00:19:43,919
Speaker 4: worldly than me.

417
00:19:44,320 --> 00:19:46,800
Speaker 5: I basically was like going to high school parties.

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Speaker 4: They were I think probably doing drugs, you know, like, uh,

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Speaker 4: Corey haym was dating Lala Zappa, who's so glamorous. Her

420
00:19:54,359 --> 00:19:57,320
Speaker 4: dad is like this rock star, and I just felt

421
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Speaker 4: like super like nerdy compared to them, right.

422
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Speaker 1: And how old were you at that? How old were you?

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Speaker 5: Do you remember I was seventeen.

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Speaker 1: I was seventeen, and you had beautiful curls. I remember

425
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Speaker 1: it was the eighties.

426
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Speaker 4: So I really I did I have did I did

427
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Speaker 4: have a permit one point, but I really curled that

428
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Speaker 4: hair like a.

429
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Speaker 5: Lot, like it was just it was very curly.

430
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Speaker 1: Yeah, well I must have been flyering.

431
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Speaker 2: I'll never forget seeing that poster for the first time

432
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Speaker 2: with Corey Haynes holding the keys and freaking Fellman on

433
00:20:27,040 --> 00:20:29,520
Speaker 2: the other side, and then the freaking.

434
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Speaker 3: Your car.

435
00:20:31,400 --> 00:20:34,080
Speaker 2: It's not even his car that's in the commercial. I

436
00:20:34,080 --> 00:20:36,680
Speaker 2: mean in the poster, it's your car that you drive

437
00:20:36,760 --> 00:20:39,360
Speaker 2: up in at the end of the movie with and

438
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Speaker 2: you and you and your poofy dress. I'll never forget

439
00:20:42,520 --> 00:20:44,960
Speaker 2: my first time seeing that and being like, I'm going

440
00:20:45,000 --> 00:20:45,840
Speaker 2: to see that movie.

441
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Speaker 1: Were no.

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Speaker 4: High heels with socks on in that first you know,

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Speaker 4: because you doesn't want to wear socks with their high heels.

444
00:20:55,560 --> 00:20:55,760
Speaker 5: You know.

445
00:20:56,560 --> 00:21:00,199
Speaker 1: Donald and I were definitely the target demo. Were the

446
00:21:00,200 --> 00:21:02,760
Speaker 1: target demo for so many movies you were in, You've

447
00:21:02,760 --> 00:21:03,080
Speaker 1: been in.

448
00:21:04,600 --> 00:21:04,919
Speaker 5: Funny.

449
00:21:05,240 --> 00:21:08,000
Speaker 3: I feel like we've grown up together.

450
00:21:08,000 --> 00:21:11,680
Speaker 1: Right with you being a sex know you were, You've

451
00:21:11,720 --> 00:21:14,440
Speaker 1: been a sex symbol your whole career, and whenever you

452
00:21:14,520 --> 00:21:18,720
Speaker 1: were being a sex symbol, the marketing department was aiming

453
00:21:18,880 --> 00:21:20,199
Speaker 1: straight at Donald and me.

454
00:21:20,560 --> 00:21:21,680
Speaker 3: They had.

455
00:21:28,359 --> 00:21:31,120
Speaker 1: All right, So then you get a total opposite from

456
00:21:31,119 --> 00:21:34,080
Speaker 1: a commercial movie. You get like this indie mega hit,

457
00:21:34,440 --> 00:21:37,719
Speaker 1: uh Gus Van Sant drug Store Cowboy? How did and

458
00:21:37,800 --> 00:21:40,119
Speaker 1: you you, uh well, how did that come about? That

459
00:21:40,160 --> 00:21:42,280
Speaker 1: was that's like an indie classic.

460
00:21:43,440 --> 00:21:47,280
Speaker 4: Well, just auditioning, you know, I auditioned for it, and

461
00:21:47,560 --> 00:21:49,120
Speaker 4: uh you know how it goes with auditioning.

462
00:21:49,119 --> 00:21:51,640
Speaker 5: It's terrifying. You never know if anyone will ever call

463
00:21:51,680 --> 00:21:52,040
Speaker 5: you back.

464
00:21:52,080 --> 00:21:54,680
Speaker 4: But I got it, and so that kind of introduced

465
00:21:54,680 --> 00:21:58,080
Speaker 4: me to the arty world of cool independent movie right.

466
00:21:58,600 --> 00:22:01,320
Speaker 1: Yeah. But It's interesting that right off the bat you

467
00:22:01,359 --> 00:22:03,960
Speaker 1: went you did two super polar ops. You did like

468
00:22:04,000 --> 00:22:07,120
Speaker 1: the ultimate commercial movie and it's a hit. And then

469
00:22:07,160 --> 00:22:09,600
Speaker 1: you go do like a little indie darling and it's

470
00:22:09,600 --> 00:22:11,440
Speaker 1: a hit. Like you must have been feeling yourself.

471
00:22:11,720 --> 00:22:14,200
Speaker 4: No, it was a really good It was not yeah,

472
00:22:14,240 --> 00:22:16,200
Speaker 4: because I mean also, look, it helped.

473
00:22:16,040 --> 00:22:17,720
Speaker 5: Me make money and become independent.

474
00:22:17,840 --> 00:22:19,879
Speaker 4: I was like a little teenage girl and suddenly I

475
00:22:19,920 --> 00:22:22,200
Speaker 4: could just you know, pay for my life.

476
00:22:22,240 --> 00:22:22,480
Speaker 8: It was.

477
00:22:22,520 --> 00:22:23,600
Speaker 5: It was an amazing moment.

478
00:22:24,840 --> 00:22:29,840
Speaker 1: Then you get a really big Calvin Klein ad directed

479
00:22:29,880 --> 00:22:33,680
Speaker 1: by David Lynch. You really did a lot of research,

480
00:22:41,200 --> 00:22:43,399
Speaker 1: and she does research as a good producer does. But

481
00:22:43,680 --> 00:22:45,399
Speaker 1: a lot of this I knew. I didn't. I had

482
00:22:45,440 --> 00:22:46,040
Speaker 1: to do things.

483
00:22:46,040 --> 00:22:47,680
Speaker 3: We remember all these things.

484
00:22:47,440 --> 00:22:49,760
Speaker 1: Not everything. I knew those two ones. But the Benithia

485
00:22:49,840 --> 00:22:53,760
Speaker 1: Thetoral commercial I had to go watch on YouTube. Watched,

486
00:22:55,680 --> 00:22:58,080
Speaker 1: of course, an audience, if you're listening, go watch the

487
00:22:58,160 --> 00:22:59,399
Speaker 1: YouTube commercial.

488
00:23:00,040 --> 00:23:03,920
Speaker 3: They's very sexy Benicio commercial. Watching YouTube.

489
00:23:04,040 --> 00:23:08,280
Speaker 1: Watched the Calvin Klein commercial directed by David Lynch, starring

490
00:23:08,440 --> 00:23:11,159
Speaker 1: Benicio del Toro and Heather Gramm. It's very sexy.

491
00:23:11,160 --> 00:23:14,000
Speaker 4: And I think this was before Benizio ever actually did

492
00:23:14,200 --> 00:23:14,800
Speaker 4: that anything.

493
00:23:14,840 --> 00:23:16,639
Speaker 1: Maybe it was just a he looked like a model.

494
00:23:16,680 --> 00:23:18,400
Speaker 1: I don't know if he was a known actor yet.

495
00:23:18,560 --> 00:23:19,520
Speaker 1: Was this probably.

496
00:23:21,560 --> 00:23:21,960
Speaker 3: Or after?

497
00:23:22,119 --> 00:23:23,560
Speaker 5: Yeah, yeah, this was way before.

498
00:23:23,640 --> 00:23:27,280
Speaker 4: This is probably like nineteen ninety one or something like that, or.

499
00:23:28,920 --> 00:23:32,720
Speaker 2: He's around that time too. Yeah, same thing.

500
00:23:32,800 --> 00:23:34,440
Speaker 5: You have a good memory, Donald.

501
00:23:34,880 --> 00:23:35,760
Speaker 1: I just remember about that.

502
00:23:35,800 --> 00:23:37,280
Speaker 3: I just remember my age.

503
00:23:37,119 --> 00:23:42,160
Speaker 5: For he remember Mark Wahlberg's underwear commercials.

504
00:23:42,200 --> 00:23:44,400
Speaker 1: That was a well, yeah, those were very impact.

505
00:23:44,560 --> 00:23:47,120
Speaker 3: That was every It was in Times Square. I grew

506
00:23:47,160 --> 00:23:47,560
Speaker 3: up in town.

507
00:23:47,640 --> 00:23:48,280
Speaker 5: It really was.

508
00:23:48,800 --> 00:23:52,040
Speaker 1: And he looked grady. He had abs and yeah, that

509
00:23:52,160 --> 00:23:53,080
Speaker 1: was and I.

510
00:23:53,040 --> 00:23:57,280
Speaker 2: Remember every girl in New York was like and I

511
00:23:57,320 --> 00:23:59,240
Speaker 2: was like, shit, I need to get abs like that.

512
00:23:59,560 --> 00:24:02,119
Speaker 2: I've never been able to catch Mark Wahlberg though, you know.

513
00:24:02,119 --> 00:24:02,439
Speaker 3: What I mean.

514
00:24:02,680 --> 00:24:04,920
Speaker 4: Never when I read an article about him and said

515
00:24:04,920 --> 00:24:06,280
Speaker 4: he gets up at like three thirty in the.

516
00:24:06,320 --> 00:24:08,240
Speaker 1: Morning, he gets up at like three thirty in the

517
00:24:08,240 --> 00:24:09,600
Speaker 1: morning to work out the fuck around.

518
00:24:09,640 --> 00:24:10,560
Speaker 3: You guys work together.

519
00:24:11,720 --> 00:24:12,840
Speaker 1: Yeah, we're gonna get to that.

520
00:24:12,920 --> 00:24:15,400
Speaker 3: Don't rush, don't rush, let's slow down.

521
00:24:15,600 --> 00:24:17,840
Speaker 4: I don't sing more songs, though, I'm hoping there's like

522
00:24:17,840 --> 00:24:19,879
Speaker 4: a little more more more songs from you.

523
00:24:20,040 --> 00:24:21,600
Speaker 3: When we go to commercial break, we'll do it.

524
00:24:21,640 --> 00:24:24,600
Speaker 1: Yeah, you'll get away, Heather. I want to talk to

525
00:24:25,000 --> 00:24:27,280
Speaker 1: Donald and I one of our favorite movies and I

526
00:24:27,320 --> 00:24:29,400
Speaker 1: just got to work with him for the first time,

527
00:24:29,480 --> 00:24:34,000
Speaker 1: But one of our favorite movies is Swingers, and you

528
00:24:34,040 --> 00:24:37,760
Speaker 1: were also in that again being the object of every

529
00:24:38,040 --> 00:24:45,400
Speaker 1: male's dreams, right, Donald, I.

530
00:24:45,359 --> 00:24:48,800
Speaker 4: Feel so I'm getting very flattered and uh, you know

531
00:24:49,000 --> 00:24:50,240
Speaker 4: he was being on I don't.

532
00:24:50,480 --> 00:24:54,480
Speaker 2: Heather, you laugh, but this is I mean, there's a reason.

533
00:24:55,400 --> 00:24:59,159
Speaker 2: You know, it's not just you're beautiful, but your talent is.

534
00:24:59,280 --> 00:25:02,000
Speaker 1: Yeah, you're obviously it's very good at and you're very fine.

535
00:25:03,400 --> 00:25:04,879
Speaker 5: It's so nice talking to you.

536
00:25:04,960 --> 00:25:07,600
Speaker 1: Thanks tell us about Swingers because we love that movie.

537
00:25:07,840 --> 00:25:10,440
Speaker 5: Game a warm inside from this podcast what we do here?

538
00:25:10,640 --> 00:25:14,160
Speaker 1: Billy Billy Williams. Billy D. Williams felt the same way.

539
00:25:14,320 --> 00:25:16,520
Speaker 1: What do you tell us about the making of Swingers?

540
00:25:17,680 --> 00:25:22,400
Speaker 4: Well, basically, I worked with John Favreau on this showtime

541
00:25:22,960 --> 00:25:25,280
Speaker 4: like short little movie, and.

542
00:25:25,240 --> 00:25:26,600
Speaker 5: He said, oh, I'm going to do this movie.

543
00:25:26,640 --> 00:25:29,000
Speaker 4: And basically, you know, they only had two hundred and

544
00:25:29,040 --> 00:25:30,879
Speaker 4: fifty thousand dollars to make this movie.

545
00:25:30,920 --> 00:25:32,040
Speaker 5: Can you imagine that?

546
00:25:32,240 --> 00:25:35,439
Speaker 1: I mean, I mean it's insane how good it is.

547
00:25:35,480 --> 00:25:36,320
Speaker 1: And they made it for nothing.

548
00:25:37,040 --> 00:25:37,680
Speaker 5: They made it for.

549
00:25:37,640 --> 00:25:40,000
Speaker 4: Nothing, and we were shooting in locations like a bar

550
00:25:40,160 --> 00:25:41,959
Speaker 4: where just normal people are there for the night.

551
00:25:41,960 --> 00:25:44,240
Speaker 5: They didn't shut it down and put extras in there.

552
00:25:44,280 --> 00:25:45,320
Speaker 3: It was with film.

553
00:25:45,520 --> 00:25:48,080
Speaker 4: I mean, it's crazy, Like I don't know how they

554
00:25:48,080 --> 00:25:49,959
Speaker 4: made it for that amount of money. And they you know,

555
00:25:50,000 --> 00:25:52,160
Speaker 4: like we were shooting the derby and everyone was just there.

556
00:25:52,280 --> 00:25:54,600
Speaker 4: They were just there out and the camera just kind

557
00:25:54,600 --> 00:25:57,119
Speaker 4: of was hidden and nobody really noticed it. So we

558
00:25:57,200 --> 00:25:59,719
Speaker 4: just shot with the open restaurant, open bar. People were

559
00:25:59,760 --> 00:26:00,720
Speaker 4: just out for the night.

560
00:26:01,560 --> 00:26:04,520
Speaker 1: Right. That's amazing, that's great. And it was such a

561
00:26:04,720 --> 00:26:08,440
Speaker 1: it was such an I mean, I don't know. We again,

562
00:26:08,520 --> 00:26:10,560
Speaker 1: Donald and I were the perfect target demo for that movie.

563
00:26:10,600 --> 00:26:12,399
Speaker 1: And and you know, I know, darn Donald, you were

564
00:26:12,440 --> 00:26:16,400
Speaker 1: probably living that life already. I just moved to La.

565
00:26:16,520 --> 00:26:20,160
Speaker 3: I'll never forget. I will never forget.

566
00:26:19,880 --> 00:26:21,639
Speaker 1: I had the club. I remember that I put the

567
00:26:21,680 --> 00:26:22,000
Speaker 1: club on.

568
00:26:22,000 --> 00:26:25,720
Speaker 2: My I was in I was I had just moved

569
00:26:25,720 --> 00:26:28,920
Speaker 2: to La from New York and I was doing Clueless,

570
00:26:28,920 --> 00:26:32,760
Speaker 2: the television show, and breck and Meyer was guest starring

571
00:26:32,800 --> 00:26:37,639
Speaker 2: on it and some other dude was guest starring on

572
00:26:37,680 --> 00:26:41,639
Speaker 2: it also, and they were talking about Swingers and I

573
00:26:41,680 --> 00:26:44,520
Speaker 2: remember being like, what the fuck is swingers? And they

574
00:26:44,520 --> 00:26:47,320
Speaker 2: were like, Yo, it's this movie. It stars this guy,

575
00:26:48,240 --> 00:26:50,720
Speaker 2: Vince Vaughn. Like Brecon was real good with names. Him

576
00:26:50,720 --> 00:26:53,320
Speaker 2: and Seth best our best Seth Green are best friends,

577
00:26:53,440 --> 00:26:56,760
Speaker 2: but these real good with names. And so he was like,

578
00:26:56,800 --> 00:27:00,280
Speaker 2: it stars Vince Vaughn and this dude, John Favreau, and

579
00:27:00,400 --> 00:27:02,680
Speaker 2: you should see it. It's about, you know, living life

580
00:27:02,720 --> 00:27:05,919
Speaker 2: in la And I was like, yeah, okay, whatever. So

581
00:27:05,960 --> 00:27:09,520
Speaker 2: the ship comes out on VHS and I get it

582
00:27:09,600 --> 00:27:13,960
Speaker 2: and I watch it, and holy fuck, like it blew

583
00:27:14,040 --> 00:27:16,520
Speaker 2: my mind. I was like, I was literally living that

584
00:27:16,600 --> 00:27:20,560
Speaker 2: life at the time. I wasn't going on Jerby, I

585
00:27:20,640 --> 00:27:23,040
Speaker 2: wasn't going to the Dresden and all of that, but

586
00:27:23,119 --> 00:27:25,520
Speaker 2: I was doing something very similar that.

587
00:27:25,480 --> 00:27:28,520
Speaker 3: Where it was Jerry's Deli or you know what I mean.

588
00:27:28,840 --> 00:27:30,480
Speaker 3: I was just young guy.

589
00:27:30,480 --> 00:27:32,720
Speaker 5: In Hollywood, trying to be cool.

590
00:27:32,640 --> 00:27:37,000
Speaker 2: And trying to bag babes, trying trying to get trying

591
00:27:37,040 --> 00:27:40,800
Speaker 2: to be actors too. I mean, well not even just actors,

592
00:27:40,840 --> 00:27:43,720
Speaker 2: some stand up some directors. You could see all of

593
00:27:43,760 --> 00:27:45,480
Speaker 2: their paths, you know, what I mean, and which way

594
00:27:45,520 --> 00:27:46,280
Speaker 2: they wanted to go.

595
00:27:46,720 --> 00:27:48,440
Speaker 3: It was very it like lived.

596
00:27:48,560 --> 00:27:52,120
Speaker 2: I was like, holy fuck, Like Fav and Vince both

597
00:27:52,160 --> 00:27:55,240
Speaker 2: spoke to me, like even the dude who played Sue,

598
00:27:55,680 --> 00:27:58,120
Speaker 2: Like all of these motherfuckers.

599
00:27:57,600 --> 00:27:59,600
Speaker 3: They spoke to me like.

600
00:27:59,720 --> 00:28:02,159
Speaker 2: I was like, I'm this the whole beef with the

601
00:28:02,200 --> 00:28:04,680
Speaker 2: guy and pulling the gun and now we're gonna now

602
00:28:04,720 --> 00:28:05,040
Speaker 2: one of.

603
00:28:05,000 --> 00:28:05,840
Speaker 3: Us is gonna die.

604
00:28:06,280 --> 00:28:09,680
Speaker 1: That shit, shit like that happened, you know, you know

605
00:28:09,720 --> 00:28:10,960
Speaker 1: what I mean. Shit can't happen.

606
00:28:11,359 --> 00:28:14,800
Speaker 2: It's not that shit could happen. Shit like that happened.

607
00:28:14,880 --> 00:28:18,760
Speaker 2: And it was like, Wow, this is this is this

608
00:28:18,840 --> 00:28:24,560
Speaker 2: is my life. But just white dudes are living in Yeah.

609
00:28:22,920 --> 00:28:25,200
Speaker 1: Well they had a black friend. There was a black

610
00:28:25,240 --> 00:28:25,960
Speaker 1: friend in the group.

611
00:28:26,280 --> 00:28:28,800
Speaker 2: Yeah, but he was you know, yeah, Alex, he was

612
00:28:29,119 --> 00:28:31,359
Speaker 2: he was He was a neglected black dude, you know

613
00:28:31,400 --> 00:28:33,359
Speaker 2: what I mean. He was the one black dude that

614
00:28:33,440 --> 00:28:35,119
Speaker 2: hung out with all the white people, you know what

615
00:28:35,119 --> 00:28:37,520
Speaker 2: I mean, which was kind of like my life too.

616
00:28:37,640 --> 00:28:40,040
Speaker 2: But you know, hey, let's take a break.

617
00:28:40,120 --> 00:28:42,560
Speaker 1: We'll be right back after these fine words.

618
00:28:45,440 --> 00:28:45,640
Speaker 4: Is that.

619
00:28:48,880 --> 00:28:52,360
Speaker 1: All right? So that's ninety six. Then your life changes

620
00:28:52,480 --> 00:28:54,920
Speaker 1: because you get one of the biggest parts I imagine

621
00:28:54,920 --> 00:28:57,760
Speaker 1: of your career because everybody knows Boogie Knights and you

622
00:28:57,800 --> 00:29:03,160
Speaker 1: were infamously roller Girl. That movie was just incredible and

623
00:29:03,960 --> 00:29:06,160
Speaker 1: I don't know it was it fun to make? Was it?

624
00:29:06,840 --> 00:29:08,640
Speaker 3: Yeah, let's the cast alone?

625
00:29:09,280 --> 00:29:10,280
Speaker 1: What was your experience?

626
00:29:11,080 --> 00:29:12,320
Speaker 5: That was a great moment.

627
00:29:12,640 --> 00:29:14,960
Speaker 4: It was a great moment where you know, your auditioning,

628
00:29:15,080 --> 00:29:17,840
Speaker 4: you want people to hire you, nothing's really happening, and

629
00:29:17,880 --> 00:29:19,560
Speaker 4: then suddenly and you know, doing swingers.

630
00:29:19,720 --> 00:29:21,320
Speaker 5: I didn't think anything was going to come out.

631
00:29:21,200 --> 00:29:23,080
Speaker 4: Of that because I'm just like, Okay, this movie has

632
00:29:23,120 --> 00:29:26,080
Speaker 4: no studio attached to two hundred and fifty thousand dollars budget.

633
00:29:26,280 --> 00:29:29,160
Speaker 5: But getting cast in that movie, it was a very.

634
00:29:29,000 --> 00:29:32,240
Speaker 4: Exciting time and just I love the script and Paul

635
00:29:32,560 --> 00:29:37,400
Speaker 4: is so passionate, and it was it was really cool.

636
00:29:37,520 --> 00:29:40,160
Speaker 4: Just creatively, it felt really you know, exciting.

637
00:29:40,400 --> 00:29:41,720
Speaker 3: Did you know you were going to have to work

638
00:29:41,800 --> 00:29:42,040
Speaker 3: like that?

639
00:29:42,120 --> 00:29:44,200
Speaker 2: Like you came to work, like you literally put your

640
00:29:44,200 --> 00:29:46,600
Speaker 2: hard hat on, you bought the lunch box in and

641
00:29:46,640 --> 00:29:47,400
Speaker 2: you went to I.

642
00:29:47,400 --> 00:29:49,960
Speaker 4: Mean I was like going from you know, I had

643
00:29:50,000 --> 00:29:52,080
Speaker 4: done a few jobs, but I was like, oh my god,

644
00:29:52,080 --> 00:29:52,760
Speaker 4: I want a career.

645
00:29:52,880 --> 00:29:55,600
Speaker 5: So I really wanted this, you know, I wanted to

646
00:29:55,680 --> 00:29:58,440
Speaker 5: do good work and hopefully get it you work.

647
00:29:58,600 --> 00:29:59,840
Speaker 1: Did you know how to roller skate?

648
00:30:00,880 --> 00:30:02,360
Speaker 5: No, I had to have a coach.

649
00:30:05,240 --> 00:30:07,080
Speaker 1: How about all the nudity? What you had to do

650
00:30:07,240 --> 00:30:09,480
Speaker 1: was that, because you know, there's regularly.

651
00:30:09,160 --> 00:30:11,600
Speaker 4: Sometimes it was scary, Like at that point I had

652
00:30:11,640 --> 00:30:13,320
Speaker 4: never done any In fact, I think I had been

653
00:30:13,360 --> 00:30:15,320
Speaker 4: offered a few things that I'd turned down because it

654
00:30:15,320 --> 00:30:18,280
Speaker 4: was like the nudity, and and then I was just thinking,

655
00:30:18,280 --> 00:30:20,360
Speaker 4: what maybe I should just do it, you know. And

656
00:30:20,400 --> 00:30:22,040
Speaker 4: so that was the first time I ever did it,

657
00:30:22,040 --> 00:30:24,680
Speaker 4: and I was slightly terrified, but I knew it was special.

658
00:30:25,520 --> 00:30:28,280
Speaker 4: But I remember I actually went on like Adam Carolla

659
00:30:28,360 --> 00:30:29,640
Speaker 4: had a show and he was like, oh my god,

660
00:30:29,640 --> 00:30:32,040
Speaker 4: you're doing a movie about the porn industry. Oh my god,

661
00:30:32,160 --> 00:30:34,480
Speaker 4: Like he was making fun of it and acting like that's,

662
00:30:34,880 --> 00:30:37,680
Speaker 4: you know, so exploitive or whatever. But at that time,

663
00:30:37,760 --> 00:30:39,840
Speaker 4: it wasn't cool to make movies about that kind of

664
00:30:39,840 --> 00:30:42,720
Speaker 4: subject matter, which now I feel like it's much more normal.

665
00:30:42,880 --> 00:30:44,000
Speaker 4: But at that time people were like.

666
00:30:44,000 --> 00:30:46,440
Speaker 1: Whoa, well, he did such a good job. And it

667
00:30:46,480 --> 00:30:48,440
Speaker 1: wasn't just about the p industry. He did such a

668
00:30:48,440 --> 00:30:50,280
Speaker 1: good job. It was I mean, it was about so

669
00:30:50,360 --> 00:30:51,400
Speaker 1: much more than the Porland.

670
00:30:52,320 --> 00:30:53,040
Speaker 3: It was more.

671
00:30:53,320 --> 00:30:55,520
Speaker 4: No, I mean it was good. He just did a

672
00:30:55,560 --> 00:30:57,520
Speaker 4: good job and it was good. But it was terrifying

673
00:30:57,600 --> 00:30:58,960
Speaker 4: to be naked for sure.

674
00:30:59,080 --> 00:31:01,320
Speaker 1: Yeah, because there's nuty me in sex scenes where you're like,

675
00:31:01,320 --> 00:31:02,760
Speaker 1: you know, people are used to that. Okay, we might

676
00:31:02,800 --> 00:31:04,760
Speaker 1: see a little bit of your breast or or you know,

677
00:31:04,840 --> 00:31:07,760
Speaker 1: your butt or whatever. You had to be like rolling

678
00:31:07,800 --> 00:31:11,280
Speaker 1: a roller roller grilling around, and I'm sure maybe maybe

679
00:31:11,280 --> 00:31:12,520
Speaker 1: you get used to it. I don't know at a

680
00:31:12,560 --> 00:31:14,120
Speaker 1: certain point, just like what about you?

681
00:31:14,120 --> 00:31:15,680
Speaker 5: Have you ever? Have you guys done nudity?

682
00:31:15,680 --> 00:31:19,040
Speaker 3: What nes when I have to do that, I've done?

683
00:31:19,400 --> 00:31:21,800
Speaker 1: Well, I haven't. We you know, men don't often show

684
00:31:21,880 --> 00:31:26,200
Speaker 1: their penises. That's the rare actor who shows their guys.

685
00:31:26,400 --> 00:31:29,760
Speaker 3: Adam Divine shows his in Hey, How's it Go?

686
00:31:30,000 --> 00:31:35,200
Speaker 1: And Jason Siegel in What's it called? Donald forgetting Sea Marshall,

687
00:31:37,200 --> 00:31:42,120
Speaker 1: And I feel like you have need to. I'd be

688
00:31:42,160 --> 00:31:45,440
Speaker 1: too nervous because we men, Heather, I don't want to

689
00:31:46,080 --> 00:31:51,280
Speaker 1: no spoilers, but we we change sizes depending on temperature.

690
00:31:53,160 --> 00:31:56,160
Speaker 3: But you can show, but I've shown.

691
00:31:56,520 --> 00:32:01,520
Speaker 1: Donald showed scrubs. I think I would show, but you know,

692
00:32:01,560 --> 00:32:03,400
Speaker 1: in a lot of sex scenes you see these days

693
00:32:03,400 --> 00:32:06,120
Speaker 1: when when like they're doing like a hardcore sex scene,

694
00:32:06,240 --> 00:32:08,640
Speaker 1: the men all show their butt, their butts like rising

695
00:32:08,760 --> 00:32:11,400
Speaker 1: up in the air, like they're very free with their butt,

696
00:32:11,600 --> 00:32:13,120
Speaker 1: but penis is tough to show.

697
00:32:13,800 --> 00:32:15,440
Speaker 4: Well, no, they showed it in that movie what was

698
00:32:15,480 --> 00:32:17,920
Speaker 4: it called Shame or something with Fastbender.

699
00:32:19,040 --> 00:32:22,960
Speaker 5: You know, there are some movies where they're show that they.

700
00:32:22,840 --> 00:32:25,080
Speaker 1: Should be the first Deadpool.

701
00:32:25,080 --> 00:32:26,040
Speaker 3: They showed Dick.

702
00:32:27,520 --> 00:32:28,200
Speaker 1: In Sultburn.

703
00:32:28,280 --> 00:32:31,000
Speaker 2: They show ran when he's burning and he blows up

704
00:32:31,040 --> 00:32:33,040
Speaker 2: the room and he's in the tank button naked.

705
00:32:33,440 --> 00:32:37,080
Speaker 3: He jumps over and there's ball and shaft hanging.

706
00:32:37,600 --> 00:32:39,680
Speaker 1: But that might not be really his, that might not be.

707
00:32:39,840 --> 00:32:42,360
Speaker 3: It doesn't matter they show it. You know.

708
00:32:42,760 --> 00:32:45,920
Speaker 5: I appreciate that it's not just women, but no, you're right.

709
00:32:46,000 --> 00:32:49,560
Speaker 4: Sulburn is probably the most graphic example of that.

710
00:32:50,080 --> 00:32:53,160
Speaker 1: And I believe in in Boogie Knights, Mark Wahlberg wears

711
00:32:53,160 --> 00:32:54,760
Speaker 1: a prosthetic because yeah.

712
00:32:54,600 --> 00:32:56,240
Speaker 4: He's wearing a prosthetic for sure, and I think when

713
00:32:56,240 --> 00:32:58,479
Speaker 4: the movie was over he capped it or something, because

714
00:32:59,240 --> 00:33:02,120
Speaker 4: you know, and you want to keep that, which, by

715
00:33:02,160 --> 00:33:03,680
Speaker 4: the way, I just want to do a little brag

716
00:33:03,800 --> 00:33:05,720
Speaker 4: that I kept my roller skates.

717
00:33:05,760 --> 00:33:07,400
Speaker 5: And then I just bought a new house and I

718
00:33:07,440 --> 00:33:09,560
Speaker 5: was I was like, oh should I keep these? And

719
00:33:09,600 --> 00:33:11,800
Speaker 5: I was thinking should I just give them away?

720
00:33:12,200 --> 00:33:15,479
Speaker 4: And then my manager called the Academy Museum and they

721
00:33:15,480 --> 00:33:17,640
Speaker 4: put them in the Academy the Academy.

722
00:33:17,920 --> 00:33:23,400
Speaker 5: Yeah, I know, I'm very sorry.

723
00:33:23,440 --> 00:33:23,800
Speaker 3: All right.

724
00:33:23,840 --> 00:33:28,280
Speaker 1: Listen, another movie that Donald and I both really really

725
00:33:28,280 --> 00:33:30,200
Speaker 1: love is Both Anger.

726
00:33:31,280 --> 00:33:35,800
Speaker 4: Oh I get proud of that movie. I mean, I

727
00:33:35,840 --> 00:33:38,600
Speaker 4: Steve Martin, Eddie Murphy, I mean, that's like a kind

728
00:33:38,640 --> 00:33:39,080
Speaker 4: of a dream.

729
00:33:39,120 --> 00:33:41,200
Speaker 3: But you also showed how funny you could be. Also

730
00:33:41,480 --> 00:33:45,440
Speaker 3: you were. You also showed how I mean.

731
00:33:47,840 --> 00:33:50,360
Speaker 1: We're big, so you got to go.

732
00:33:51,360 --> 00:33:54,000
Speaker 2: I'm a huge hold on. I'm a huge Steve Martin

733
00:33:54,040 --> 00:33:57,840
Speaker 2: fan too. I grew up on Eddie Murphy. As I've

734
00:33:57,840 --> 00:34:02,000
Speaker 2: gotten older, Steve Martin has become my taste in comedy

735
00:34:02,040 --> 00:34:02,480
Speaker 2: as well.

736
00:34:02,960 --> 00:34:06,240
Speaker 3: Uh, but Eddie Murphy is like, I mean, I based

737
00:34:06,280 --> 00:34:06,840
Speaker 3: my life on it.

738
00:34:07,840 --> 00:34:10,120
Speaker 5: Yeah, I'm wondering like your inspiration and stuff.

739
00:34:10,239 --> 00:34:16,840
Speaker 8: Like I recited raw, I recited Delirious, I recited Saturday

740
00:34:16,920 --> 00:34:20,399
Speaker 8: Night Live, Beverly Hills Cop like that was my.

741
00:34:21,960 --> 00:34:23,719
Speaker 3: Yeah, That's all I did was that.

742
00:34:23,800 --> 00:34:25,720
Speaker 5: I mean, he's brilliant.

743
00:34:27,360 --> 00:34:29,680
Speaker 1: We had a videotape in my house that was Eddie

744
00:34:29,760 --> 00:34:34,160
Speaker 1: Murphy's Sorry Live Greatest Yes, and then we just watched

745
00:34:34,160 --> 00:34:35,240
Speaker 1: that ship on repeat.

746
00:34:35,360 --> 00:34:36,600
Speaker 3: They put another.

747
00:34:36,239 --> 00:34:38,880
Speaker 2: One out and the things that were on the original

748
00:34:38,920 --> 00:34:40,839
Speaker 2: one aren't on the one that they put out.

749
00:34:40,840 --> 00:34:42,000
Speaker 3: The new one that they put out.

750
00:34:42,480 --> 00:34:45,839
Speaker 6: The original one had hot to all of that shit

751
00:34:45,920 --> 00:34:48,640
Speaker 6: gonna get yeah anyway, all.

752
00:34:48,600 --> 00:34:50,400
Speaker 1: Right, so he there. We haven't talk too much. Tell

753
00:34:50,480 --> 00:34:52,279
Speaker 1: us about Eddie. Was he fun to work with? Was

754
00:34:52,280 --> 00:34:53,040
Speaker 1: it intimidating?

755
00:34:54,160 --> 00:34:57,160
Speaker 5: He was? I mean, he was very fun, He was

756
00:34:57,320 --> 00:34:57,799
Speaker 5: very nice.

757
00:34:57,840 --> 00:35:00,480
Speaker 4: I mean he's brilliant, right, You're just like in the

758
00:35:00,520 --> 00:35:03,239
Speaker 4: movie and just he's he's just kind of a genius. Right.

759
00:35:03,719 --> 00:35:06,879
Speaker 4: He has like a stand in who looks exactly like him,

760
00:35:07,040 --> 00:35:09,200
Speaker 4: and he will sometimes do the scenes with you, like

761
00:35:09,239 --> 00:35:11,160
Speaker 4: if you don't see his face, like his stand in

762
00:35:11,239 --> 00:35:14,319
Speaker 4: will act with you. Who's really was a cool, nice guy,

763
00:35:14,880 --> 00:35:17,880
Speaker 4: but I know he is genius, right, Like you're just

764
00:35:18,640 --> 00:35:19,359
Speaker 4: sure you're.

765
00:35:19,280 --> 00:35:22,840
Speaker 1: Saying the camera so you're saying some of the times

766
00:35:22,880 --> 00:35:27,120
Speaker 1: that he's even even not fully off camera on his back,

767
00:35:27,400 --> 00:35:30,640
Speaker 1: he's not doing the performance sometimes.

768
00:35:30,719 --> 00:35:33,400
Speaker 3: Yes, Okay, have you ever worked with anybody like that? Before.

769
00:35:34,760 --> 00:35:37,040
Speaker 5: No, if you're just such a big star.

770
00:35:37,480 --> 00:35:39,480
Speaker 4: I mean, look, his performance is so brilliant, so and

771
00:35:39,520 --> 00:35:42,680
Speaker 4: the guy that was doing it, he's actually really talented too.

772
00:35:43,480 --> 00:35:47,120
Speaker 4: But no, I've never done work with anything kids, no kids,

773
00:35:47,280 --> 00:35:48,240
Speaker 4: little kids where.

774
00:35:48,080 --> 00:35:49,200
Speaker 5: They're like, oh you have to leave?

775
00:35:49,440 --> 00:35:52,560
Speaker 1: Yeah yeah, yeah, But I've never worked on I don't

776
00:35:52,640 --> 00:35:58,880
Speaker 1: I've never done scenes with another actor being the actor.

777
00:35:59,320 --> 00:36:00,799
Speaker 1: Have you done?

778
00:36:03,880 --> 00:36:03,960
Speaker 3: No?

779
00:36:04,239 --> 00:36:06,439
Speaker 2: You know what, I'm gonna say something. When I did

780
00:36:06,560 --> 00:36:10,560
Speaker 2: Kick Ass Too, I remember them saying Jim Carrey is

781
00:36:10,680 --> 00:36:14,640
Speaker 2: notorious for doing that. And he showed up on set

782
00:36:14,680 --> 00:36:20,239
Speaker 2: and Jim was there for every off stage off you.

783
00:36:20,200 --> 00:36:20,600
Speaker 3: Know what I mean.

784
00:36:20,640 --> 00:36:23,560
Speaker 2: He was very generous actually with his time. But I

785
00:36:23,560 --> 00:36:26,719
Speaker 2: remember them saying, now, don't be surprised. He's notorious for this.

786
00:36:27,000 --> 00:36:29,040
Speaker 2: He's not going to give you off camera. And he

787
00:36:29,080 --> 00:36:30,880
Speaker 2: gave off camera the whole time.

788
00:36:30,960 --> 00:36:32,319
Speaker 4: And it was like, oh wait, it might have been

789
00:36:32,400 --> 00:36:35,239
Speaker 4: a faith he was going through, but like I didn't care.

790
00:36:35,400 --> 00:36:37,799
Speaker 5: I mean, I was just like, this is amazing.

791
00:36:38,080 --> 00:36:39,719
Speaker 4: Like I get to hang out and talk to him,

792
00:36:39,719 --> 00:36:41,719
Speaker 4: and like Steve Martin would like eat lunch with us,

793
00:36:41,760 --> 00:36:43,239
Speaker 4: you know, because a lot of times people just go

794
00:36:43,280 --> 00:36:45,759
Speaker 4: eat lunch by themselves, like Steve Martin would just sit

795
00:36:45,800 --> 00:36:49,040
Speaker 4: and eat lunch with all the actors, chat with us.

796
00:36:48,840 --> 00:36:51,680
Speaker 5: And I don't know, it was so special.

797
00:36:51,360 --> 00:36:53,000
Speaker 4: You know, I'm just thinking, I'm standing here talking to

798
00:36:53,080 --> 00:36:55,360
Speaker 4: Eddie Murphy like this is it felt like a dream,

799
00:36:55,600 --> 00:36:56,560
Speaker 4: you know, the best.

800
00:36:56,320 --> 00:36:58,800
Speaker 1: One when he goes, you're doing a great job.

801
00:37:00,000 --> 00:37:03,319
Speaker 3: You gonna get it. You're gonna you're doing great. You're

802
00:37:03,440 --> 00:37:04,640
Speaker 3: doing a great job.

803
00:37:10,120 --> 00:37:13,600
Speaker 1: All right, then you get let's see that a fucking

804
00:37:13,600 --> 00:37:16,480
Speaker 1: another Oh sorry, we can't skip over the Austin Powers

805
00:37:16,520 --> 00:37:18,839
Speaker 1: the Spy Shag. I mean, jeesus, Heather, you've had some

806
00:37:18,880 --> 00:37:23,359
Speaker 1: fucking hits. That was That was That was a big

807
00:37:23,400 --> 00:37:25,239
Speaker 1: ass movie. Wait was that the first one or the

808
00:37:25,280 --> 00:37:25,880
Speaker 1: second one?

809
00:37:26,360 --> 00:37:28,919
Speaker 5: It was the second one. The first one's Elizabeth Hurley.

810
00:37:28,800 --> 00:37:31,560
Speaker 1: Right, you were the you were the love interest in

811
00:37:31,600 --> 00:37:32,279
Speaker 1: the second.

812
00:37:32,040 --> 00:37:35,200
Speaker 5: One, Yeah, Felicity Shaguall right.

813
00:37:35,400 --> 00:37:37,920
Speaker 1: Now he improps a lot, right does he? Does he

814
00:37:37,960 --> 00:37:38,479
Speaker 1: make up?

815
00:37:38,520 --> 00:37:40,880
Speaker 5: I mean he's he you know, I want it, and

816
00:37:40,880 --> 00:37:42,680
Speaker 5: he prepares. We did a lot of rehearsal.

817
00:37:42,760 --> 00:37:45,440
Speaker 4: And on the other hand, he you know, he'll improv

818
00:37:45,880 --> 00:37:47,600
Speaker 4: I mean he's the kind of guy. I mean, you

819
00:37:47,640 --> 00:37:49,840
Speaker 4: guys are like this, Like he likes to entertain the crew.

820
00:37:50,280 --> 00:37:54,400
Speaker 4: He'll make jokes. He wants everyone laughing. He's very like

821
00:37:55,000 --> 00:37:58,239
Speaker 4: generous and fun. You know, he's just always trying to

822
00:37:58,280 --> 00:37:59,080
Speaker 4: make everybody laugh.

823
00:38:00,280 --> 00:38:03,840
Speaker 1: Yeah, we we, Donald and I find that if we

824
00:38:04,160 --> 00:38:07,200
Speaker 1: get everyone in a silly mood. And Donald does this

825
00:38:07,280 --> 00:38:09,520
Speaker 1: way more than I do because he has a lot

826
00:38:09,560 --> 00:38:13,000
Speaker 1: more energy, and but we we finally he does if

827
00:38:13,000 --> 00:38:15,520
Speaker 1: we create an environment on set where everyone's in a

828
00:38:15,560 --> 00:38:18,200
Speaker 1: silly mood, it helps us be silly, you know, so

829
00:38:18,239 --> 00:38:20,200
Speaker 1: we we try and make everybody laugh.

830
00:38:21,239 --> 00:38:23,120
Speaker 4: You guys are pretty mean in a silly mood right now.

831
00:38:23,160 --> 00:38:25,719
Speaker 4: I'm like, oh my god, let's let's make more scrubs, Like,

832
00:38:25,880 --> 00:38:26,480
Speaker 4: let's do it.

833
00:38:26,600 --> 00:38:28,880
Speaker 1: Well, Bill Lawrence has been on a press junk and

834
00:38:29,239 --> 00:38:30,000
Speaker 1: talking a lot.

835
00:38:29,880 --> 00:38:32,320
Speaker 3: Of ship's been talking, so.

836
00:38:32,800 --> 00:38:36,960
Speaker 1: Stand by audience, Well, really, what did he say? You know,

837
00:38:37,000 --> 00:38:39,720
Speaker 1: he's promoting Bad Monkey now, And of course every interview

838
00:38:39,719 --> 00:38:42,600
Speaker 1: that asks him the question says, when you're rebooting scrubs,

839
00:38:42,640 --> 00:38:44,480
Speaker 1: And it used to be the answer used to be like, oh,

840
00:38:44,520 --> 00:38:47,200
Speaker 1: it'll be fun one day, and then lately it's I

841
00:38:47,200 --> 00:38:49,320
Speaker 1: should have an answer for you in the next six months.

842
00:38:49,400 --> 00:38:50,760
Speaker 1: Is was he what he's saying?

843
00:38:50,840 --> 00:38:54,280
Speaker 2: That's going to be excited about.

844
00:38:54,640 --> 00:38:56,640
Speaker 1: Basically what it is is if you want to know

845
00:38:56,719 --> 00:39:00,759
Speaker 1: the thing of it is, it's going to happen. You know,

846
00:39:00,840 --> 00:39:04,120
Speaker 1: Disney owns, Disney owns Scrubs. Bill has a very big

847
00:39:04,160 --> 00:39:07,359
Speaker 1: deal with Warner Brothers, so those two companies have to come.

848
00:39:07,680 --> 00:39:09,680
Speaker 5: Just thinking, I wish I had been in more episodes

849
00:39:09,719 --> 00:39:10,719
Speaker 5: because it was so.

850
00:39:10,880 --> 00:39:13,160
Speaker 1: Fun and you to come back. If we do it,

851
00:39:13,160 --> 00:39:14,000
Speaker 1: you come back more.

852
00:39:14,120 --> 00:39:15,400
Speaker 5: So if it comes back, I want.

853
00:39:15,239 --> 00:39:17,480
Speaker 1: To be I want to were very funny, is Molly Clark.

854
00:39:18,719 --> 00:39:18,799
Speaker 5: No.

855
00:39:18,880 --> 00:39:20,640
Speaker 4: So I was in Italy, k and I was getting

856
00:39:20,640 --> 00:39:22,759
Speaker 4: breakfast and this Italian woman comes up and she does

857
00:39:22,800 --> 00:39:25,760
Speaker 4: these hard nands to me and she's like Mollie doctor

858
00:39:25,800 --> 00:39:26,920
Speaker 4: Molly on Scrubs.

859
00:39:27,120 --> 00:39:28,960
Speaker 5: Yeah, and she touched her heart like.

860
00:39:29,080 --> 00:39:31,520
Speaker 4: Thank you, and I'm like wow that that you know,

861
00:39:32,080 --> 00:39:34,400
Speaker 4: wasn't like she it really affected her and she was

862
00:39:34,440 --> 00:39:35,440
Speaker 4: so sweet. You know.

863
00:39:36,000 --> 00:39:38,680
Speaker 1: Well, Heather, I don't know if you know this. The

864
00:39:38,680 --> 00:39:41,080
Speaker 1: fans of this podcast will know that because they've heard

865
00:39:41,120 --> 00:39:43,160
Speaker 1: me say this a thousand times, but I don't know

866
00:39:43,160 --> 00:39:45,960
Speaker 1: if you know this. But the big episode that was

867
00:39:46,000 --> 00:39:48,239
Speaker 1: your last, which is the one where we ended up

868
00:39:48,280 --> 00:39:51,279
Speaker 1: on the universe a lot and I repel across the street.

869
00:39:51,080 --> 00:39:53,000
Speaker 5: And she directed that one.

870
00:39:53,080 --> 00:39:56,919
Speaker 1: That was That was the first Scrubs episode I ever directed. Wow,

871
00:39:57,880 --> 00:39:58,359
Speaker 1: and I was.

872
00:39:58,400 --> 00:40:02,120
Speaker 5: There, you know, virginization of Yeah.

873
00:40:01,600 --> 00:40:04,040
Speaker 1: Yeah, because I hit the member, I hit the wall,

874
00:40:04,080 --> 00:40:05,680
Speaker 1: I can go to the garbage, I pop back up

875
00:40:05,719 --> 00:40:10,360
Speaker 1: and I go all. That was the whole premise of

876
00:40:10,440 --> 00:40:12,920
Speaker 1: what that was. I had a permission slip from Elliott

877
00:40:12,960 --> 00:40:16,120
Speaker 1: that I was allowed to hook up with you, and

878
00:40:16,120 --> 00:40:18,000
Speaker 1: and then you open it up and it said didn't

879
00:40:18,320 --> 00:40:20,200
Speaker 1: you know she had lied to me? It wasn't a

880
00:40:20,200 --> 00:40:25,240
Speaker 1: permission slip. But anyway, because Joel didn't put any reference

881
00:40:25,280 --> 00:40:27,960
Speaker 1: to Scrubs in this debriefing, Joel, I don't know why

882
00:40:27,960 --> 00:40:31,200
Speaker 1: you would have left out the most important aspect, Joel.

883
00:40:31,160 --> 00:40:33,160
Speaker 5: I think you were a part of I didn't know.

884
00:40:34,120 --> 00:40:35,399
Speaker 1: Yes, Joelle, I need some.

885
00:40:35,360 --> 00:40:38,960
Speaker 5: Days I remember it. Look, you're the producer princess. I

886
00:40:39,040 --> 00:40:40,120
Speaker 5: like your princess.

887
00:40:40,400 --> 00:40:44,520
Speaker 1: Yeah, Joelle is a producer princess. She is the best.

888
00:40:44,640 --> 00:40:47,480
Speaker 1: All right, we're gonna go to break real quick. Oh okay,

889
00:40:47,640 --> 00:40:49,480
Speaker 1: I'm going to break. We're gonna break and will be

890
00:40:49,560 --> 00:40:51,239
Speaker 1: right back with Heather. We're gonna ask her about a

891
00:40:51,280 --> 00:40:54,439
Speaker 1: little movie franchise called The Hangover. We'll be right back.

892
00:41:02,360 --> 00:41:04,120
Speaker 5: I don't know my back.

893
00:41:04,560 --> 00:41:06,239
Speaker 1: Why do we want to sing to Heather? She wants

894
00:41:06,320 --> 00:41:09,719
Speaker 1: us to want we can could do? We could do

895
00:41:09,800 --> 00:41:14,239
Speaker 1: one of trying to get into a dair shoe. What

896
00:41:14,280 --> 00:41:17,320
Speaker 1: you're trying to do? What you're trying to get into

897
00:41:17,600 --> 00:41:20,279
Speaker 1: a dare show what you're trying to do?

898
00:41:20,760 --> 00:41:22,120
Speaker 3: Here? There was some tak forever.

899
00:41:22,520 --> 00:41:25,680
Speaker 1: Yeah, we have a sound effects machine, Heather.

900
00:41:25,960 --> 00:41:29,200
Speaker 5: He's best friends like some some.

901
00:41:29,120 --> 00:41:32,360
Speaker 1: Weeks, some weeks, tanks forever. It depends.

902
00:41:32,360 --> 00:41:34,400
Speaker 4: Sometimes he's a bit it's hard to get a hold of.

903
00:41:34,520 --> 00:41:35,840
Speaker 4: You're you're the one that's kind.

904
00:41:35,680 --> 00:41:39,560
Speaker 1: Of like, well he's been he's got kids and ship

905
00:41:39,680 --> 00:41:42,319
Speaker 1: and and he's busy, and he doesn't like.

906
00:41:42,680 --> 00:41:45,359
Speaker 3: My life, Heather, one mile at a time.

907
00:41:45,760 --> 00:41:50,640
Speaker 4: He doesn't get he doesn't kids are taking family.

908
00:41:51,760 --> 00:41:54,600
Speaker 1: It's all about family, Heather. He doesn't ever want to

909
00:41:54,640 --> 00:41:55,280
Speaker 1: do anything.

910
00:41:55,480 --> 00:41:57,960
Speaker 3: I live my life one mile at a time.

911
00:41:58,080 --> 00:42:00,880
Speaker 1: He's a bit of an agrofobe, and he kind of

912
00:42:00,960 --> 00:42:03,800
Speaker 1: hides behind the children to be like, I can't do anything.

913
00:42:03,920 --> 00:42:08,120
Speaker 3: It's all about family. You know, when you've got family.

914
00:42:09,440 --> 00:42:12,000
Speaker 1: Yeah, So I am quoting Joelle.

915
00:42:12,000 --> 00:42:14,080
Speaker 5: What am I quoting The Godfather.

916
00:42:14,480 --> 00:42:20,879
Speaker 1: No, no, it's that calm movie Heather. He doesn't really

917
00:42:20,920 --> 00:42:24,040
Speaker 1: like to leave his home, and and thus let me

918
00:42:24,080 --> 00:42:24,439
Speaker 1: just go.

919
00:42:24,400 --> 00:42:27,120
Speaker 5: Over and hang out with him and his family. I mean, problem.

920
00:42:26,800 --> 00:42:28,960
Speaker 3: Solved because he don't like kids.

921
00:42:29,480 --> 00:42:32,960
Speaker 1: No, I like kids. I like kids. I'd like my

922
00:42:33,040 --> 00:42:35,960
Speaker 1: own kids.

923
00:42:36,080 --> 00:42:38,680
Speaker 3: You don't like my kids. You don't like you know,

924
00:42:38,800 --> 00:42:41,399
Speaker 3: other people's kids. He likes his own kids.

925
00:42:41,480 --> 00:42:43,439
Speaker 1: Your kids are fine. I mean, your kids are great.

926
00:42:43,440 --> 00:42:45,759
Speaker 1: They don't seem too interested in uncle's act. They come in,

927
00:42:45,840 --> 00:42:47,239
Speaker 1: they say hi, and then they go off and do

928
00:42:47,239 --> 00:42:49,520
Speaker 1: their own thing. They're not exactly like having kids.

929
00:42:49,560 --> 00:42:51,040
Speaker 5: What's happening with that? You would be accused?

930
00:42:51,040 --> 00:42:51,360
Speaker 3: I don't know.

931
00:42:51,400 --> 00:42:53,520
Speaker 1: I think I need to freeze my sperm or something.

932
00:42:53,560 --> 00:42:55,279
Speaker 1: I don't know how long I got on these things.

933
00:42:55,400 --> 00:42:57,760
Speaker 3: Keep telling him just start having oops babies.

934
00:42:57,920 --> 00:43:00,920
Speaker 1: Just oh sh my bad. Yeah, Donald's giving me the

935
00:43:00,960 --> 00:43:03,759
Speaker 1: worst advice and saying I should have Oops babies. I

936
00:43:03,760 --> 00:43:05,000
Speaker 1: don't want to have an Oops baby.

937
00:43:05,080 --> 00:43:08,120
Speaker 3: Like I said, I live my life one mile at

938
00:43:08,120 --> 00:43:08,520
Speaker 3: a time.

939
00:43:09,680 --> 00:43:13,760
Speaker 1: Donald family, Donald's are very bad. Donald's a bad influence

940
00:43:13,800 --> 00:43:19,920
Speaker 1: because his advice is to have an oops baby. We

941
00:43:20,040 --> 00:43:25,200
Speaker 1: named many of my baby oops. This is my darling baby. Oops, oops, brath.

942
00:43:26,960 --> 00:43:28,280
Speaker 5: Baby is still a baby.

943
00:43:28,360 --> 00:43:30,400
Speaker 1: You know, No, I know, but Heather, I'd like to

944
00:43:30,440 --> 00:43:33,120
Speaker 1: fall in love, Heather. I'd like to find love and

945
00:43:33,200 --> 00:43:35,880
Speaker 1: I'm single. I'd like to find love and have a baby.

946
00:43:36,160 --> 00:43:38,759
Speaker 1: Are you in a relationship with someone right now?

947
00:43:39,480 --> 00:43:44,160
Speaker 4: I'm dating this guy. His name is John, and nobody cares.

948
00:43:44,280 --> 00:43:47,840
Speaker 3: Heather.

949
00:43:47,360 --> 00:43:54,240
Speaker 1: You know, Heather, Heather. You know, Heather and I live together.

950
00:43:54,320 --> 00:43:57,040
Speaker 1: A lot of people wouldn't know that we live in

951
00:43:57,080 --> 00:44:00,080
Speaker 1: the same building, in the same building, and we're on

952
00:44:00,080 --> 00:44:02,160
Speaker 1: the same co op board. And occasionally when we have

953
00:44:02,200 --> 00:44:06,800
Speaker 1: to do zoom co op board meetings, they're very long

954
00:44:06,880 --> 00:44:11,080
Speaker 1: and grueling, and I text Heather funny messages to see

955
00:44:11,120 --> 00:44:13,399
Speaker 1: if I can make her laugh laugh in the zoom

956
00:44:13,640 --> 00:44:15,759
Speaker 1: we do. It's the only thing that makes a co

957
00:44:15,800 --> 00:44:18,799
Speaker 1: op board meeting fun is playing the game. Can I

958
00:44:18,880 --> 00:44:20,080
Speaker 1: make Heather Graham laugh?

959
00:44:20,880 --> 00:44:21,040
Speaker 3: Oh?

960
00:44:21,080 --> 00:44:24,120
Speaker 5: I got the co op board? What a crazy Oh

961
00:44:24,239 --> 00:44:26,000
Speaker 5: my god, it's insane.

962
00:44:26,400 --> 00:44:30,680
Speaker 1: But we probably shouldn't should talk our co op. No,

963
00:44:30,719 --> 00:44:33,760
Speaker 1: we love our co op and I can't highly recommend

964
00:44:34,120 --> 00:44:36,920
Speaker 1: getting on your co op board. It is amazing. If

965
00:44:36,960 --> 00:44:39,120
Speaker 1: you want to argue that you should maybe paint the

966
00:44:39,160 --> 00:44:41,919
Speaker 1: lobby for three years. It's really a lot of fun.

967
00:44:44,640 --> 00:44:49,320
Speaker 1: All right, talk about the Hangover? Another fucking banger, Heather Ground.

968
00:44:49,719 --> 00:44:53,680
Speaker 3: Listen, Heather Graham, I am sensing a trend.

969
00:44:54,320 --> 00:44:59,800
Speaker 1: What is your trend after?

970
00:45:00,280 --> 00:45:02,200
Speaker 5: Oh my god?

971
00:45:03,120 --> 00:45:05,319
Speaker 1: Before you fucking letter answer.

972
00:45:05,040 --> 00:45:08,200
Speaker 2: My question, because because I don't want to just be

973
00:45:08,239 --> 00:45:10,719
Speaker 2: about the Hangover, I wanted to elaborate a little bit.

974
00:45:11,800 --> 00:45:14,480
Speaker 2: Are you feeling the ride right now? What does it

975
00:45:14,520 --> 00:45:18,000
Speaker 2: feel like going into the Hangover? You've got a string

976
00:45:18,000 --> 00:45:21,319
Speaker 2: of hits behind you and now you're going into this.

977
00:45:21,640 --> 00:45:22,440
Speaker 3: I'm gonna be honest.

978
00:45:22,440 --> 00:45:25,359
Speaker 2: When I read The Hangover, like a lot of us did,

979
00:45:25,560 --> 00:45:27,840
Speaker 2: it seemed like it was a mess. What happened that

980
00:45:28,000 --> 00:45:30,000
Speaker 2: all of a sudden you were like, I'm doing this movie.

981
00:45:30,600 --> 00:45:33,160
Speaker 5: I actually had to audition for The Hangover.

982
00:45:33,280 --> 00:45:38,280
Speaker 3: It was like no audition for all of these movies.

983
00:45:38,200 --> 00:45:40,520
Speaker 5: Not all. I did not audition for Austin Powers.

984
00:45:40,560 --> 00:45:43,719
Speaker 4: They offered it. I got offered bow Finger. I auditioned

985
00:45:43,719 --> 00:45:47,320
Speaker 4: for License to Drive Boogie Nights. I auditioned for Hangover,

986
00:45:48,120 --> 00:45:51,000
Speaker 4: and yeah, I think he had offered it to someone

987
00:45:51,040 --> 00:45:54,479
Speaker 4: more famous, who I guess turned it down, And yeah,

988
00:45:54,520 --> 00:45:57,280
Speaker 4: then I got it, which was so exciting and uh

989
00:45:57,640 --> 00:46:00,360
Speaker 4: at that time, you know whatever, Zach and brad they

990
00:46:00,400 --> 00:46:02,360
Speaker 4: were not, you know, as famous as they are today.

991
00:46:02,520 --> 00:46:06,560
Speaker 1: Right, Well, that movie really jump started Bradley's whole career, because.

992
00:46:06,360 --> 00:46:07,920
Speaker 3: Jump started everybody's career.

993
00:46:08,040 --> 00:46:10,600
Speaker 1: No, I'm saying, yeah, of course, but Bradley's become Yeah,

994
00:46:10,600 --> 00:46:11,280
Speaker 1: I can jong.

995
00:46:11,520 --> 00:46:14,120
Speaker 5: I mean he was, he was a doctor you know

996
00:46:14,239 --> 00:46:14,799
Speaker 5: before that.

997
00:46:16,040 --> 00:46:18,440
Speaker 1: Zak Calvanakus in that movie is one of the funniest

998
00:46:18,480 --> 00:46:21,720
Speaker 1: fucking things ever with his with his beeper with pager.

999
00:46:25,280 --> 00:46:28,320
Speaker 1: I have to be honest, I haven't. I have to confess,

1000
00:46:28,440 --> 00:46:32,920
Speaker 1: I haven't seen the sequels, but I what but I

1001
00:46:33,160 --> 00:46:33,840
Speaker 1: never wanted the.

1002
00:46:33,840 --> 00:46:36,520
Speaker 4: Best because whatever, I'm not into. And three I have

1003
00:46:36,560 --> 00:46:38,680
Speaker 4: a small part, but I like number one the best,

1004
00:46:39,280 --> 00:46:39,600
Speaker 4: all right.

1005
00:46:39,640 --> 00:46:42,360
Speaker 1: In two thousand and one, Donald and I did not

1006
00:46:42,480 --> 00:46:44,239
Speaker 1: make this list, but you were named one of the

1007
00:46:44,280 --> 00:46:47,719
Speaker 1: fifty most beautiful people. Donald, I tried out for this.

1008
00:46:48,160 --> 00:46:49,880
Speaker 1: I read twice.

1009
00:46:50,440 --> 00:46:53,399
Speaker 3: It did not get I think you were fifty one.

1010
00:46:53,480 --> 00:46:56,200
Speaker 4: Well, come on, Zach, I've gotten your share of like

1011
00:46:56,320 --> 00:46:57,920
Speaker 4: girls having crushes on you.

1012
00:46:57,960 --> 00:47:01,120
Speaker 1: I'm sure, okay, either I was. I was number fifty

1013
00:47:01,120 --> 00:47:03,200
Speaker 1: one and a half, as Donald said, And.

1014
00:47:03,360 --> 00:47:06,600
Speaker 4: Young Starlet's hot that date you and fall in love

1015
00:47:06,600 --> 00:47:07,840
Speaker 4: with you because you're so cool.

1016
00:47:08,440 --> 00:47:11,360
Speaker 1: Okay, Heather, this could be its own separate conversation during

1017
00:47:11,600 --> 00:47:12,959
Speaker 1: during the co op board meeting.

1018
00:47:13,000 --> 00:47:16,040
Speaker 4: We don't need to uh, Okay, I'm just saying, it's

1019
00:47:16,040 --> 00:47:17,719
Speaker 4: not like no girls think you're hot.

1020
00:47:17,800 --> 00:47:19,840
Speaker 5: Okay, you guys are both like Studley.

1021
00:47:19,880 --> 00:47:22,479
Speaker 1: Dude, I don't know about Donald, don't make it about Donna.

1022
00:47:25,200 --> 00:47:26,200
Speaker 5: Zach, thank you.

1023
00:47:26,200 --> 00:47:29,040
Speaker 4: You are definitely a heart drop for a lot of

1024
00:47:29,239 --> 00:47:30,680
Speaker 4: a lot of girls, you know.

1025
00:47:30,800 --> 00:47:35,000
Speaker 6: Right, all right, Daniel, I'm gonna need that Daniel from

1026
00:47:35,040 --> 00:47:35,920
Speaker 6: from one of your movies.

1027
00:47:36,000 --> 00:47:37,719
Speaker 3: Dude, you're so money and you don't even know it.

1028
00:47:38,719 --> 00:47:41,600
Speaker 1: For Daniel, I'm gonna need Heather saying I'm a heart

1029
00:47:41,600 --> 00:47:42,840
Speaker 1: throb for my soundboard.

1030
00:47:43,280 --> 00:47:45,600
Speaker 5: Come on, you know it, you know it, you know

1031
00:47:45,719 --> 00:47:46,160
Speaker 5: it's Zach.

1032
00:47:46,640 --> 00:47:52,439
Speaker 1: Yeah, I need that one too. All right. Now, you're

1033
00:47:52,480 --> 00:47:56,040
Speaker 1: segueing into this new chapter of your career, writing and director.

1034
00:47:56,080 --> 00:48:00,680
Speaker 1: You've just made your second movie. I Donald and I

1035
00:48:00,719 --> 00:48:04,280
Speaker 1: both watched it. I was able lucky enough to read it.

1036
00:48:04,280 --> 00:48:09,040
Speaker 1: It's great and it's called Chosen Family. Everybody, and how.

1037
00:48:08,920 --> 00:48:11,719
Speaker 3: Did you write? You wrote, direct.

1038
00:48:11,440 --> 00:48:13,680
Speaker 1: Wrote it and director and you started.

1039
00:48:13,680 --> 00:48:14,560
Speaker 5: Thanks for watching it.

1040
00:48:15,600 --> 00:48:18,120
Speaker 1: We're a very good host. We're a very good host.

1041
00:48:17,880 --> 00:48:21,680
Speaker 3: Directed, starred, and produced it. That's doing a lot. That's

1042
00:48:22,520 --> 00:48:23,000
Speaker 3: what was it?

1043
00:48:23,000 --> 00:48:23,120
Speaker 4: Like?

1044
00:48:23,160 --> 00:48:27,960
Speaker 1: What inspired the story? It's it's about a woman who's

1045
00:48:28,239 --> 00:48:30,680
Speaker 1: looking for love and uh and and and ends up

1046
00:48:30,719 --> 00:48:34,759
Speaker 1: dating a guy with a very problematic child who hates her.

1047
00:48:40,120 --> 00:48:42,279
Speaker 1: Is any of this based on a real life experience

1048
00:48:42,400 --> 00:48:43,560
Speaker 1: or was this totally fiction?

1049
00:48:44,000 --> 00:48:46,959
Speaker 4: You know, real life always inspires. But yeah, I did,

1050
00:48:47,080 --> 00:48:48,840
Speaker 4: you know, make it up? I kind of I wanted

1051
00:48:48,840 --> 00:48:50,560
Speaker 4: to tell story. I realized it was a certain point

1052
00:48:50,600 --> 00:48:52,359
Speaker 4: in my life that I was a people pleaser, right

1053
00:48:52,480 --> 00:48:54,480
Speaker 4: and and in my journey of how to stop being

1054
00:48:54,480 --> 00:48:56,759
Speaker 4: a people pleaser. And I did think it's interesting when

1055
00:48:56,800 --> 00:48:58,560
Speaker 4: you date someone that has a kid, you know, it

1056
00:48:58,680 --> 00:49:01,320
Speaker 4: just got dynamic of being like the kind of awkward

1057
00:49:01,360 --> 00:49:04,239
Speaker 4: step parent, and just the idea is like how your

1058
00:49:04,280 --> 00:49:07,320
Speaker 4: friends can sometimes be your family more than your family.

1059
00:49:08,080 --> 00:49:11,360
Speaker 1: Yes, that's true for me because I don't have kids,

1060
00:49:11,440 --> 00:49:14,879
Speaker 1: and so I feel like my when we were joking

1061
00:49:14,920 --> 00:49:16,040
Speaker 1: about that with Donald, are you.

1062
00:49:16,040 --> 00:49:17,839
Speaker 5: Going to have kids, Zach, what's happening with that?

1063
00:49:18,040 --> 00:49:21,279
Speaker 1: I'd like to I just I haven't. I haven't found

1064
00:49:21,320 --> 00:49:24,600
Speaker 1: my life partner yet, right, and i'd like to. But

1065
00:49:24,800 --> 00:49:27,480
Speaker 1: if it happens, i'd love to. Otherwise you be a

1066
00:49:27,520 --> 00:49:31,000
Speaker 1: cute dad. I think i'd either, so I can really

1067
00:49:31,080 --> 00:49:32,920
Speaker 1: I can relate. Yeah, but I don't know that it's

1068
00:49:32,960 --> 00:49:35,960
Speaker 1: going to happen at this point, you know, I maybe

1069
00:49:36,000 --> 00:49:37,680
Speaker 1: I maybe I fall in love with someone who has

1070
00:49:37,760 --> 00:49:40,480
Speaker 1: kids and I'm a great step dad. I don't know.

1071
00:49:40,760 --> 00:49:43,960
Speaker 1: I'm forty nine, so I don't know if. But who knows.

1072
00:49:44,000 --> 00:49:45,200
Speaker 1: You know, it could still happen.

1073
00:49:45,880 --> 00:49:47,480
Speaker 5: Forty nine is the new thirty nine.

1074
00:49:47,600 --> 00:49:50,560
Speaker 1: I like that, Heather. I like that. I mean, but

1075
00:49:50,600 --> 00:49:52,279
Speaker 1: you're not going to have kids, right, you're pat you

1076
00:49:52,280 --> 00:49:52,880
Speaker 1: don't want to do it.

1077
00:49:53,000 --> 00:49:54,360
Speaker 5: I mean, it's not my plan.

1078
00:49:56,320 --> 00:49:56,640
Speaker 3: I don't know.

1079
00:49:56,680 --> 00:49:59,160
Speaker 5: I like never say never, right, I mean, I don't know.

1080
00:49:59,200 --> 00:50:02,720
Speaker 5: I guess I could get a surrogate, or I don't.

1081
00:50:02,560 --> 00:50:04,720
Speaker 1: Have a surget or you could adopt, or you could

1082
00:50:05,480 --> 00:50:07,000
Speaker 1: we could just have a baby that we kind of

1083
00:50:07,080 --> 00:50:08,320
Speaker 1: raised together in the building.

1084
00:50:08,640 --> 00:50:12,600
Speaker 4: We have one act have a baby.

1085
00:50:12,760 --> 00:50:14,640
Speaker 3: Here I go, here comes to oops baby.

1086
00:50:14,719 --> 00:50:17,520
Speaker 1: This is a good exclusive, everybody, this is a baby.

1087
00:50:20,800 --> 00:50:23,600
Speaker 4: I'm surprised you never had an Oops baby, you know,

1088
00:50:23,840 --> 00:50:25,960
Speaker 4: like mister cool guy in Hollywood, you never had an

1089
00:50:25,960 --> 00:50:26,600
Speaker 4: oops baby.

1090
00:50:26,719 --> 00:50:28,960
Speaker 1: Well, I'm glad I didn't have an oops baby, unlike Donald.

1091
00:50:29,040 --> 00:50:35,120
Speaker 1: I don't want I don't want an oops baby.

1092
00:50:35,120 --> 00:50:37,040
Speaker 5: I have so much money because you never had an oop.

1093
00:50:37,120 --> 00:50:37,800
Speaker 1: Oh my god.

1094
00:50:37,920 --> 00:50:54,600
Speaker 9: All right, well, well I will say I will say

1095
00:50:54,640 --> 00:50:56,279
Speaker 9: that oops babies are expensive.

1096
00:50:57,080 --> 00:51:00,440
Speaker 1: Donald can tell you all. I can tell you cost a.

1097
00:51:00,480 --> 00:51:01,360
Speaker 3: Lot of money.

1098
00:51:01,600 --> 00:51:06,440
Speaker 2: Look the relationship for that moment in time neverthelasts.

1099
00:51:06,880 --> 00:51:08,680
Speaker 1: Yeah. Well, I like the idea of you and I

1100
00:51:08,719 --> 00:51:10,920
Speaker 1: having a co op baby and we just we just.

1101
00:51:11,719 --> 00:51:14,560
Speaker 5: In a co op, one upstairs, one downstairs. Why not?

1102
00:51:16,440 --> 00:51:18,879
Speaker 1: I used to joke with Heather that if we fell

1103
00:51:18,920 --> 00:51:21,960
Speaker 1: in love, we would have a really sick duplex, so

1104
00:51:22,800 --> 00:51:27,000
Speaker 1: go oops baby would would live? Well, all right, so wait,

1105
00:51:27,080 --> 00:51:28,200
Speaker 1: when does this movie come out?

1106
00:51:28,239 --> 00:51:29,799
Speaker 3: When can you talk about the movie a little?

1107
00:51:29,920 --> 00:51:30,279
Speaker 4: When? Yeah?

1108
00:51:30,360 --> 00:51:34,840
Speaker 1: When can Juliet Julia Styles is in it, Heather directs,

1109
00:51:34,880 --> 00:51:38,760
Speaker 1: she stars. She writes, the young girl was very funny.

1110
00:51:38,800 --> 00:51:40,600
Speaker 1: I mean I hated her. You're supposed to hate her.

1111
00:51:40,719 --> 00:51:42,520
Speaker 3: You're supposed to hate her.

1112
00:51:43,200 --> 00:51:46,120
Speaker 5: And Thomas Lennon Andrea Savage.

1113
00:51:45,840 --> 00:51:48,520
Speaker 2: At one point, I tell a dude, yo, grow a pair, man,

1114
00:51:48,560 --> 00:51:49,800
Speaker 2: and tell us girl.

1115
00:51:49,960 --> 00:51:51,799
Speaker 1: You knew I was invested in the movie because I

1116
00:51:51,840 --> 00:51:53,920
Speaker 1: wanted to. I was so mad at the kid, and

1117
00:51:53,960 --> 00:51:56,279
Speaker 1: I wanted to tell the boyfriend to be like, what

1118
00:51:56,320 --> 00:51:58,600
Speaker 1: the fuck is going on with you not being able

1119
00:51:58,640 --> 00:52:02,319
Speaker 1: to control your child? I got invested, I know, I know.

1120
00:52:02,400 --> 00:52:05,360
Speaker 4: I feel like in those situations, it's hard because you

1121
00:52:05,360 --> 00:52:07,400
Speaker 4: want the parent and then you, as the other person,

1122
00:52:07,440 --> 00:52:09,640
Speaker 4: You're like, do I do something? Do I say something?

1123
00:52:09,719 --> 00:52:13,400
Speaker 4: I'm not their parents? Yeah, the modern modern.

1124
00:52:13,520 --> 00:52:15,879
Speaker 2: Yeah, I don't know if I could take it, like

1125
00:52:16,000 --> 00:52:18,480
Speaker 2: it's got to be like and I get it. I love,

1126
00:52:18,680 --> 00:52:21,719
Speaker 2: I love love and all of that stuff, but it

1127
00:52:21,800 --> 00:52:22,280
Speaker 2: is tricky.

1128
00:52:22,360 --> 00:52:27,920
Speaker 1: I have dated women with children before, and i've and

1129
00:52:28,000 --> 00:52:32,120
Speaker 1: even also I would say my friends are kids, not

1130
00:52:32,160 --> 00:52:34,480
Speaker 1: Donald's but other people's kids, and I see them sort

1131
00:52:34,480 --> 00:52:39,800
Speaker 1: of disrespect my girlfriend or the friend, and my instinct

1132
00:52:39,840 --> 00:52:42,839
Speaker 1: is to want to be like, hey, don't don't talk

1133
00:52:42,920 --> 00:52:45,080
Speaker 1: like that, or hey what you know that's but you

1134
00:52:45,080 --> 00:52:46,560
Speaker 1: don't know what to do because like, is it my

1135
00:52:46,600 --> 00:52:48,719
Speaker 1: place is not? My place is to you know, but

1136
00:52:49,080 --> 00:52:51,000
Speaker 1: you know what I mean. Like, so that's sort of what.

1137
00:52:51,200 --> 00:52:53,839
Speaker 4: I learned, like through being in different situations like that,

1138
00:52:53,840 --> 00:52:55,880
Speaker 4: that I'm gonna that I decided I am going to

1139
00:52:55,920 --> 00:52:58,160
Speaker 4: say something but in me like a gentle way. But hey,

1140
00:52:58,160 --> 00:53:00,200
Speaker 4: don't talk like that, because if the parent's not to

1141
00:53:00,280 --> 00:53:02,160
Speaker 4: do it, I feel like it's to the kid's benefit

1142
00:53:02,280 --> 00:53:06,439
Speaker 4: to get some healthy boundaries. You know, you can come

1143
00:53:06,480 --> 00:53:09,200
Speaker 4: at them with like a gentle way. It's better to

1144
00:53:09,239 --> 00:53:10,920
Speaker 4: say something. That's what I learned.

1145
00:53:10,960 --> 00:53:14,239
Speaker 1: But he's got to be tactful because like, yeah, I

1146
00:53:14,239 --> 00:53:17,279
Speaker 1: remember one time saying something to the child and the

1147
00:53:17,680 --> 00:53:20,680
Speaker 1: gal looked at me like and I didn't even say anything.

1148
00:53:20,719 --> 00:53:22,239
Speaker 1: I was just like, hey, don't talk to your mother

1149
00:53:22,360 --> 00:53:24,319
Speaker 1: like that. That's rude. And she looked at me like

1150
00:53:24,320 --> 00:53:26,680
Speaker 1: wait what, And I was like, Okay, this isn't gonna work.

1151
00:53:26,960 --> 00:53:30,160
Speaker 4: It's take an over correction from like past generations like

1152
00:53:30,239 --> 00:53:32,560
Speaker 4: being really harsh on kids, and now everyone's like, oh,

1153
00:53:32,600 --> 00:53:34,200
Speaker 4: we need to be so sweet to kids. But then

1154
00:53:34,320 --> 00:53:36,279
Speaker 4: like sometimes you're being too sweet to the kid where

1155
00:53:36,320 --> 00:53:37,880
Speaker 4: the kids just becomes obnoxious.

1156
00:53:38,040 --> 00:53:40,360
Speaker 1: You know that shit gotta go.

1157
00:53:41,560 --> 00:53:43,359
Speaker 5: But what what are you like as a dad?

1158
00:53:43,440 --> 00:53:47,239
Speaker 3: Donald, I'm a coddler. But the thing is it gotta go.

1159
00:53:48,760 --> 00:53:51,719
Speaker 1: You don't never lay the hammer down to you, you know, man.

1160
00:53:53,120 --> 00:53:57,560
Speaker 3: But That's what I'm trying to say. Man, it gotta go. Listen.

1161
00:53:57,600 --> 00:54:01,360
Speaker 2: Once you set the boundary, once you set once you

1162
00:54:01,400 --> 00:54:05,239
Speaker 2: set the tone, listen, I'm gonna support you. Even when

1163
00:54:05,280 --> 00:54:08,200
Speaker 2: you're yelling at me. I'm still coming at it. They

1164
00:54:08,239 --> 00:54:09,839
Speaker 2: freaking will walk all over you.

1165
00:54:09,880 --> 00:54:12,399
Speaker 3: Man. You gotta set the tone right away, yo, Man,

1166
00:54:12,400 --> 00:54:20,000
Speaker 3: don't do that shit. Problems You and I?

1167
00:54:20,360 --> 00:54:22,799
Speaker 1: How do problems? How do people see this movie? Heather?

1168
00:54:23,840 --> 00:54:26,440
Speaker 4: Okay, Well, it's gonna be in theaters and on demand

1169
00:54:26,480 --> 00:54:29,680
Speaker 4: starting October eleventh, and yeah, check it out.

1170
00:54:30,280 --> 00:54:34,600
Speaker 1: Check it out everyone. It's really good. Heather. You you

1171
00:54:34,719 --> 00:54:36,799
Speaker 1: have a career to be envied. You've done so many

1172
00:54:36,800 --> 00:54:39,200
Speaker 1: different things. Are you going to keep writing and directing?

1173
00:54:39,320 --> 00:54:41,799
Speaker 1: Because it seems like it's something you're very passionate about.

1174
00:54:42,000 --> 00:54:44,279
Speaker 5: I mean, I would love to. At the moment, I

1175
00:54:44,320 --> 00:54:46,560
Speaker 5: just got this cool job in South Africa.

1176
00:54:46,640 --> 00:54:48,920
Speaker 4: It's this movie called They Will Kill You with zazzy

1177
00:54:49,000 --> 00:54:52,040
Speaker 4: beats and it's a cool h It's like a New

1178
00:54:52,080 --> 00:54:54,040
Speaker 4: Line movie and I get to do some action scenes.

1179
00:54:54,120 --> 00:54:55,680
Speaker 5: So I'm excited about that.

1180
00:54:55,920 --> 00:54:59,600
Speaker 1: Oh, that's very cool. I like that. She's good.

1181
00:54:59,719 --> 00:55:02,040
Speaker 5: I know she's cool. I'm very I'm excited.

1182
00:55:03,080 --> 00:55:07,319
Speaker 1: Yeah, that sounds fun. And how long will you be

1183
00:55:07,360 --> 00:55:07,800
Speaker 1: in South.

1184
00:55:07,719 --> 00:55:13,239
Speaker 4: I'm gonna be there for two months, and yeah, I'm

1185
00:55:13,239 --> 00:55:14,080
Speaker 4: excited about it.

1186
00:55:14,520 --> 00:55:16,399
Speaker 1: Now, it's the boyfriend going to go with you. How's

1187
00:55:16,440 --> 00:55:18,440
Speaker 1: that going to work with the long distance of it all?

1188
00:55:18,960 --> 00:55:20,560
Speaker 4: I mean he's going to come visit. I mean, I

1189
00:55:20,560 --> 00:55:22,600
Speaker 4: don't think he can just go for the entire time.

1190
00:55:22,800 --> 00:55:25,480
Speaker 4: But but I've never been, so I'm excited.

1191
00:55:25,520 --> 00:55:27,439
Speaker 5: I've never been to South Africa. Have you guys been?

1192
00:55:28,120 --> 00:55:28,359
Speaker 8: No?

1193
00:55:28,560 --> 00:55:31,520
Speaker 1: I haven't. But you should take the boyfriend on a safari?

1194
00:55:33,080 --> 00:55:34,799
Speaker 5: Yeah, or he should take me.

1195
00:55:35,680 --> 00:55:38,000
Speaker 1: He should take you on a safari because I hear that.

1196
00:55:38,000 --> 00:55:38,480
Speaker 1: That's nice.

1197
00:55:38,640 --> 00:55:42,799
Speaker 3: He got it like that, he got like Kenya. Wait.

1198
00:55:42,840 --> 00:55:44,279
Speaker 5: I went to Kenya and he did take me on

1199
00:55:44,320 --> 00:55:47,000
Speaker 5: a safari last year. It was fun. I'd never been

1200
00:55:47,040 --> 00:55:49,280
Speaker 5: and I'd always wanted to go. But it's cool Kenya.

1201
00:55:49,320 --> 00:55:52,680
Speaker 1: I don't want to. I want to go too. I

1202
00:55:52,680 --> 00:55:55,400
Speaker 1: don't have a no, But Donald, since I don't have

1203
00:55:55,440 --> 00:55:57,000
Speaker 1: a girlfriend, will you take me on Sofari?

1204
00:55:57,920 --> 00:56:05,920
Speaker 5: Oh my god, you guys are such a romantic cut Donald?

1205
00:56:05,960 --> 00:56:06,399
Speaker 3: Do you real?

1206
00:56:07,040 --> 00:56:09,440
Speaker 1: Donald? Do you realize how much fun we would have

1207
00:56:09,480 --> 00:56:10,640
Speaker 1: on Sofari?

1208
00:56:10,719 --> 00:56:11,160
Speaker 3: Is gone?

1209
00:56:11,560 --> 00:56:14,319
Speaker 1: What you wouldn't see? He's a doora folk. He won't

1210
00:56:14,360 --> 00:56:14,760
Speaker 1: do anything.

1211
00:56:15,040 --> 00:56:18,160
Speaker 3: You wouldn't look at the news.

1212
00:56:18,480 --> 00:56:20,440
Speaker 1: See, he won't go on, he won't leave. He won't

1213
00:56:20,480 --> 00:56:22,360
Speaker 1: leave the valley. He's not going to the Safari.

1214
00:56:22,920 --> 00:56:26,080
Speaker 5: All Right, You're adorable.

1215
00:56:25,680 --> 00:56:27,799
Speaker 1: Heather Graham. We love you. Thank you for coming on

1216
00:56:27,840 --> 00:56:28,200
Speaker 1: the show.

1217
00:56:28,800 --> 00:56:30,479
Speaker 5: I love you you guys, Hurt.

1218
00:56:37,760 --> 00:56:39,520
Speaker 1: What a great guest. Huh, Doug, we.

1219
00:56:39,560 --> 00:56:42,000
Speaker 3: Had Mercedes Lane on the show.

1220
00:56:42,200 --> 00:56:44,520
Speaker 1: Bro we had a roller Girl, dude.

1221
00:56:44,560 --> 00:56:48,319
Speaker 2: Mercedes Lane was the was the it factor when I

1222
00:56:48,400 --> 00:56:48,919
Speaker 2: was a youth.

1223
00:56:48,960 --> 00:56:51,160
Speaker 1: You're telling me when you saw roller Girl, you weren't

1224
00:56:51,200 --> 00:56:53,040
Speaker 1: like Jesus, Mary and Jose.

1225
00:56:53,120 --> 00:56:58,160
Speaker 2: That's another that's another side of Donald that doesn't come

1226
00:56:58,160 --> 00:57:02,200
Speaker 2: out often. But but freaking Mercedes Lane was the one

1227
00:57:02,200 --> 00:57:05,440
Speaker 2: when I was a kid. That's like freaking John Cryer.

1228
00:57:05,640 --> 00:57:09,319
Speaker 2: That's like, that's like, that's a freaking iconic character in

1229
00:57:09,400 --> 00:57:12,840
Speaker 2: the freaking zeitgeist of teen movies.

1230
00:57:14,200 --> 00:57:18,480
Speaker 3: She was like the ultimate way out of your league character.

1231
00:57:18,840 --> 00:57:21,200
Speaker 2: Like in some movies the girl was kind of out

1232
00:57:21,240 --> 00:57:24,360
Speaker 2: of like in uh some kind of wonderful you get

1233
00:57:24,640 --> 00:57:27,960
Speaker 2: because of where she lived. This girl was so fine

1234
00:57:28,320 --> 00:57:31,840
Speaker 2: when I was a kid. That Corey Feldman the fucking

1235
00:57:31,920 --> 00:57:35,720
Speaker 2: cutest motherfucker. Luca the motherfucker, cutest motherfucker.

1236
00:57:35,320 --> 00:57:35,920
Speaker 3: On the planet.

1237
00:57:36,040 --> 00:57:39,720
Speaker 1: Lucas, Lucas, Lucas, Yeah, Lucas. I love Lucas.

1238
00:57:40,440 --> 00:57:44,000
Speaker 3: Was out of her league. Was out of herle I

1239
00:57:44,000 --> 00:57:47,120
Speaker 3: mean sorry, she was out of his league. The cutest

1240
00:57:47,160 --> 00:57:49,120
Speaker 3: dude on the planet was out. She was out of

1241
00:57:49,120 --> 00:57:49,600
Speaker 3: his league.

1242
00:57:49,640 --> 00:57:52,440
Speaker 1: That's how all right? Anyway. We love Heather Graham and

1243
00:57:52,520 --> 00:57:55,080
Speaker 1: I was nice to see her. What a great episode.

1244
00:57:55,120 --> 00:57:58,200
Speaker 1: Thank you everybody for tuning in, check out bad Monkey

1245
00:57:58,520 --> 00:58:01,760
Speaker 1: and uh what else do we want to say? We

1246
00:58:01,840 --> 00:58:02,160
Speaker 1: love you?

1247
00:58:02,600 --> 00:58:05,320
Speaker 2: Yeah, we love you guys so much. Joel Daniell, thank

1248
00:58:05,360 --> 00:58:07,320
Speaker 2: you so much for this happened for us.

1249
00:58:09,080 --> 00:58:10,000
Speaker 3: Nice stories.

1250
00:58:10,680 --> 00:58:14,920
Speaker 7: I'm not sure we made about a bunch of talks

1251
00:58:15,000 --> 00:58:18,320
Speaker 7: and nurses in Canada.

1252
00:58:16,760 --> 00:58:17,280
Speaker 3: Who love me.

1253
00:58:17,760 --> 00:58:23,120
Speaker 7: I said, here's a story next. All s know, so

1254
00:58:23,400 --> 00:58:27,760
Speaker 7: Yander round you here, YadA around you here. Ops, but

1255
00:58:28,040 --> 00:58:30,760
Speaker 7: me stories and no