1 00:00:00,200 --> 00:00:03,280 Speaker 1: Hello the Internet, and welcome to this episode of the 2 00:00:03,360 --> 00:00:08,920 Speaker 1: sixth trends Uh. That's courtesy of Cousin Skeeter No Relation 3 00:00:09,560 --> 00:00:13,480 Speaker 1: and it is a trending title Bruce Willis edition because 4 00:00:13,480 --> 00:00:19,240 Speaker 1: we did die Hard with the trend trenjent Um which 5 00:00:19,360 --> 00:00:21,280 Speaker 1: he put on there, but he changed it to trend 6 00:00:21,320 --> 00:00:25,599 Speaker 1: Hard with a Vengeance, which I really liked. Die Hard 7 00:00:25,600 --> 00:00:29,240 Speaker 1: with the trendent Anyways, thank you for the one that work, 8 00:00:29,400 --> 00:00:33,360 Speaker 1: Cousin Skeeter No Relation, and I'm thrilled to be joined 9 00:00:33,400 --> 00:00:36,720 Speaker 1: by a very special guest co host, a brilliant and 10 00:00:36,840 --> 00:00:40,760 Speaker 1: talented producer of this very damn show that you're listening to, 11 00:00:41,159 --> 00:00:47,360 Speaker 1: Becca Robos. Hello, Hello, how are you? I'm good, I'm 12 00:00:47,400 --> 00:00:51,520 Speaker 1: good amongst a busy move but I am good. Thanks, 13 00:00:52,560 --> 00:00:55,440 Speaker 1: and you are moving. I am not moving. My partner 14 00:00:55,520 --> 00:01:00,440 Speaker 1: is moving. That's right. Okay, So lots of moving pieces, 15 00:01:00,680 --> 00:01:04,319 Speaker 1: lots of moving pieces. We dig at the couch and 16 00:01:04,400 --> 00:01:08,760 Speaker 1: though so exciting stuff. Did y'all do that together? Like 17 00:01:09,160 --> 00:01:13,800 Speaker 1: carry the couch? Are Floyd couch? So it is known 18 00:01:13,880 --> 00:01:16,399 Speaker 1: to be like very easy to like take apart and 19 00:01:16,480 --> 00:01:20,280 Speaker 1: put back together. But we did use his jeep, so 20 00:01:20,520 --> 00:01:23,720 Speaker 1: we had to like do I think two trips between 21 00:01:23,760 --> 00:01:27,840 Speaker 1: like the old apartment in this apartment unloading loading all 22 00:01:27,880 --> 00:01:32,679 Speaker 1: the pillows he built it. Who But yeah, I remember 23 00:01:33,080 --> 00:01:38,360 Speaker 1: the last move I did without help was from Missouri 24 00:01:38,600 --> 00:01:43,639 Speaker 1: to New York and there was it was it was long, 25 00:01:44,040 --> 00:01:47,080 Speaker 1: you know, driving a U haul across all those states. 26 00:01:47,400 --> 00:01:49,960 Speaker 1: Finally got there, like had to like sit in traffic 27 00:01:50,000 --> 00:01:52,280 Speaker 1: for three hours because we chose the wrong way to 28 00:01:52,280 --> 00:01:55,960 Speaker 1: get across Manhattan. And there was just a point where 29 00:01:56,480 --> 00:02:01,520 Speaker 1: we were carrying a couch up the apartments airs um 30 00:02:01,760 --> 00:02:06,360 Speaker 1: like to get to our apartment, and like, uh, my 31 00:02:06,400 --> 00:02:09,440 Speaker 1: wife's knees buckled and I was like, come on, you 32 00:02:09,440 --> 00:02:11,520 Speaker 1: can do it, and like she like got up and 33 00:02:11,560 --> 00:02:13,640 Speaker 1: we're like pouring sweat and we got up there and 34 00:02:13,680 --> 00:02:15,320 Speaker 1: we just like both looked at each other. We're like 35 00:02:15,400 --> 00:02:20,919 Speaker 1: never never never. Well, I feel like the last move. 36 00:02:21,080 --> 00:02:23,280 Speaker 1: I like this is again the first move in a 37 00:02:23,280 --> 00:02:26,840 Speaker 1: while that we are doing it ourselves. I got movers 38 00:02:26,880 --> 00:02:30,000 Speaker 1: the two times I've moved in New York, and then 39 00:02:30,520 --> 00:02:33,000 Speaker 1: I had movers when I did the cross country. But 40 00:02:33,200 --> 00:02:35,680 Speaker 1: I got some like really botched movers and they almost 41 00:02:35,680 --> 00:02:37,880 Speaker 1: like stole all my stuff. And yeah, that's the other thing. 42 00:02:38,520 --> 00:02:41,440 Speaker 1: Well we got movers the next time. It was really 43 00:02:41,480 --> 00:02:43,679 Speaker 1: vet them, like, yeah, that is the thing they don't 44 00:02:43,720 --> 00:02:45,919 Speaker 1: tell you is that you have to pay a lot 45 00:02:45,960 --> 00:02:47,800 Speaker 1: of money if you don't want your ship stolen. Like 46 00:02:47,840 --> 00:02:49,760 Speaker 1: you just have to know that you're working up like 47 00:02:49,919 --> 00:02:53,320 Speaker 1: seven grand for good movers. Often times you have just 48 00:02:53,440 --> 00:02:57,959 Speaker 1: created an officially sanctioned hostage situation where they're like, yeah, no, 49 00:02:58,080 --> 00:03:01,880 Speaker 1: we could get there in a day if what's it worth. Yeah, 50 00:03:01,919 --> 00:03:03,639 Speaker 1: They're like, oh, yeah, we'll do it in three weeks. 51 00:03:03,760 --> 00:03:06,440 Speaker 1: My stuff doesn't come for two months and stuff is missing, 52 00:03:06,480 --> 00:03:10,520 Speaker 1: everything's wet, and I was arguing with them every day 53 00:03:10,720 --> 00:03:13,800 Speaker 1: to be like where is it? So it wasn't learned 54 00:03:13,840 --> 00:03:16,920 Speaker 1: less and learned on the cross country move anyways, I 55 00:03:16,960 --> 00:03:22,920 Speaker 1: am Jack. That is supercuse Rebecca. And it's a bad day. 56 00:03:23,120 --> 00:03:26,959 Speaker 1: It's it's like uniquely I think bad because we're getting 57 00:03:27,040 --> 00:03:30,040 Speaker 1: bad Supreme Court decisions ahead of the like main course 58 00:03:30,120 --> 00:03:35,000 Speaker 1: Bed Supreme Court decision, like the nightmare scenario, darkest timeline 59 00:03:35,040 --> 00:03:38,480 Speaker 1: Bed Supreme Court decision where they're gonna overturn row Um, 60 00:03:38,840 --> 00:03:42,640 Speaker 1: and we're getting like the apparative right now where they're like, uh, 61 00:03:42,840 --> 00:03:45,800 Speaker 1: just so you know, like where we're coming from, so 62 00:03:45,880 --> 00:03:48,160 Speaker 1: that you guys can like kind of better understand our 63 00:03:48,160 --> 00:03:53,560 Speaker 1: whole ship. Um, we are going to overturn the ability 64 00:03:53,640 --> 00:03:57,400 Speaker 1: basically of cities to prevent people from carrying guns wherever 65 00:03:57,440 --> 00:04:02,680 Speaker 1: the funk they want, like concealed carrying. Um. Yeah, and 66 00:04:02,720 --> 00:04:05,320 Speaker 1: they did this in New York right, like in New York. Yeah, 67 00:04:05,320 --> 00:04:07,400 Speaker 1: that was it was a concealed carry law in New 68 00:04:07,480 --> 00:04:10,920 Speaker 1: York City. Which, mind you, in the climate right now, 69 00:04:11,080 --> 00:04:13,800 Speaker 1: as someone who lives in New York City, like we 70 00:04:13,880 --> 00:04:16,640 Speaker 1: have had three different shootings in the past couple of 71 00:04:16,640 --> 00:04:20,800 Speaker 1: months in the subways from you know, non police, the 72 00:04:20,839 --> 00:04:23,880 Speaker 1: police did not help, Like we don't know how many 73 00:04:23,920 --> 00:04:28,960 Speaker 1: police shootings there have been type of shooting statistic, They 74 00:04:29,000 --> 00:04:32,719 Speaker 1: absolutely do not. Yeah, So you know, I'm not loving 75 00:04:32,920 --> 00:04:36,800 Speaker 1: this as someone who is a New Yorker who it 76 00:04:36,920 --> 00:04:40,320 Speaker 1: has been I don't think more historically dangerous in years 77 00:04:40,360 --> 00:04:43,560 Speaker 1: than right now to be on public transit, to be 78 00:04:43,800 --> 00:04:46,520 Speaker 1: out at night in this city. You know, I'm in 79 00:04:46,600 --> 00:04:49,840 Speaker 1: Brooklyn and I feel pretty good most places I go, 80 00:04:50,200 --> 00:04:53,400 Speaker 1: but the energy is very different on the trains now 81 00:04:53,560 --> 00:04:56,200 Speaker 1: like it has been, especially those last couple of shootings, 82 00:04:56,560 --> 00:04:59,400 Speaker 1: both of them being in Brooklyn, like it is. I 83 00:05:00,320 --> 00:05:03,000 Speaker 1: it's like you're you're checking in on your friends. You're like, hey, 84 00:05:03,040 --> 00:05:04,599 Speaker 1: did you make it home on safe? I need you 85 00:05:04,640 --> 00:05:07,719 Speaker 1: to tell me because it's just it's bad. So this 86 00:05:07,800 --> 00:05:12,080 Speaker 1: sucks all that to say, Yeah, I don't I don't know. 87 00:05:12,680 --> 00:05:20,320 Speaker 1: They are overturning like common sense, modern laws built specifically 88 00:05:20,360 --> 00:05:22,599 Speaker 1: by people who live in New York for the City 89 00:05:22,600 --> 00:05:27,360 Speaker 1: of New York, um in favor of the Second Amendment, 90 00:05:27,600 --> 00:05:33,000 Speaker 1: which you know was written before the invention of bullets. Yeah, 91 00:05:33,080 --> 00:05:37,200 Speaker 1: like that back load your gun with gunpowder? Yeah, you 92 00:05:37,200 --> 00:05:39,679 Speaker 1: have to like bite something I think and like spit 93 00:05:39,760 --> 00:05:43,520 Speaker 1: it down the barrel of like gun. Um. Yeah, so 94 00:05:43,680 --> 00:05:48,360 Speaker 1: Andrea Junker at strand Junker tweeted in nine, the Second 95 00:05:48,360 --> 00:05:54,120 Speaker 1: Amendment was written in seven the bullet was invented. Uh so, 96 00:05:54,279 --> 00:05:56,960 Speaker 1: thus the Second Amendment only applies to muskets like this 97 00:05:57,000 --> 00:05:59,880 Speaker 1: is but this that is the deal with this the 98 00:06:00,000 --> 00:06:02,880 Speaker 1: Preme Court and been the deal with all of the 99 00:06:03,000 --> 00:06:05,880 Speaker 1: you know, I think gun rights conversations we've been having 100 00:06:05,920 --> 00:06:09,080 Speaker 1: for many years, right especially after all Day, right, like 101 00:06:09,200 --> 00:06:12,320 Speaker 1: it it's like you guys are fighting for an amendment 102 00:06:12,400 --> 00:06:16,159 Speaker 1: that no longer applies to the you know, fuel power 103 00:06:16,279 --> 00:06:19,360 Speaker 1: that exists in the arms weapons world that we live in. 104 00:06:19,600 --> 00:06:22,280 Speaker 1: Like it's just like when that thought like law was 105 00:06:22,320 --> 00:06:25,600 Speaker 1: created and thought of, you could not buy, you know, 106 00:06:25,760 --> 00:06:29,159 Speaker 1: a fucking semi automatic gun that could shoot a hundred 107 00:06:29,240 --> 00:06:33,599 Speaker 1: rounds and under two minutes. Like just not the same, 108 00:06:34,000 --> 00:06:37,280 Speaker 1: not the same. So it sucks. It's more proof that 109 00:06:38,040 --> 00:06:40,800 Speaker 1: you know, even after something like all Day happened, that 110 00:06:40,839 --> 00:06:43,880 Speaker 1: we are still not taking you know, the issues we're 111 00:06:43,920 --> 00:06:48,320 Speaker 1: havings with gun laws. Seriously. Yeah, the constitution is broken, 112 00:06:48,360 --> 00:06:50,880 Speaker 1: like we there needs to be and probably will be 113 00:06:51,000 --> 00:06:54,400 Speaker 1: within a generation, a strong movement to fucking tear up 114 00:06:54,440 --> 00:06:57,760 Speaker 1: the US Constitution. It's fucking broken. It's from a different time. Like, 115 00:06:58,000 --> 00:07:01,320 Speaker 1: shut the funk up, everybody and just overturned, rip it up, 116 00:07:01,360 --> 00:07:04,080 Speaker 1: restart anew. I'm sure it's going to be a very 117 00:07:04,080 --> 00:07:09,760 Speaker 1: bloody fight, but that's what needs to happen. Yeah, the police, Um, 118 00:07:09,880 --> 00:07:13,120 Speaker 1: like in a in another Supreme Court decision, you know, 119 00:07:13,240 --> 00:07:16,600 Speaker 1: just a good day for police and police advocates out here. Uh, 120 00:07:16,840 --> 00:07:19,480 Speaker 1: the Supreme Court is like that you can't see the 121 00:07:19,520 --> 00:07:23,680 Speaker 1: cops if they don't read you your Miranda rights anymore, um, 122 00:07:23,720 --> 00:07:27,360 Speaker 1: which is going to make the tone the substance of 123 00:07:27,440 --> 00:07:30,920 Speaker 1: Law and Order episodes very different. UM also just gives 124 00:07:30,920 --> 00:07:34,920 Speaker 1: police more power, like just really you know, putting power 125 00:07:35,480 --> 00:07:38,720 Speaker 1: in the hands of the already extremely powerful. It seems 126 00:07:38,760 --> 00:07:43,400 Speaker 1: to be the goal of this court. UM. Also, Stacy 127 00:07:43,440 --> 00:07:46,200 Speaker 1: Abrahams for some reason was like, we need to pay 128 00:07:46,280 --> 00:07:49,960 Speaker 1: police more, which I thought that's been our as the 129 00:07:50,320 --> 00:07:53,520 Speaker 1: you know, far left people's argument isn't like we don't, right, 130 00:07:53,640 --> 00:07:57,280 Speaker 1: Like they're getting so much to do so little. Like 131 00:07:57,320 --> 00:07:59,160 Speaker 1: that has been a huge conversation here in New York 132 00:07:59,200 --> 00:08:02,920 Speaker 1: City because you know, the police are getting even more 133 00:08:02,960 --> 00:08:06,880 Speaker 1: funding and like being able to spend more people on this, 134 00:08:07,080 --> 00:08:08,760 Speaker 1: like more police on the subways and things like that, 135 00:08:08,800 --> 00:08:11,400 Speaker 1: and it's been arguably more and more dangerous every day. 136 00:08:11,560 --> 00:08:15,720 Speaker 1: So that is crazy, isn't the random right the whole 137 00:08:15,760 --> 00:08:18,520 Speaker 1: case claim from a Supreme Court case? If I vaguely 138 00:08:18,520 --> 00:08:24,640 Speaker 1: remember doing policy of UM and I took police say 139 00:08:24,680 --> 00:08:28,000 Speaker 1: in college, Uh, like, I don't understand how you can 140 00:08:28,040 --> 00:08:31,040 Speaker 1: like create a Supreme Court law for it and then 141 00:08:31,160 --> 00:08:35,840 Speaker 1: basically take it away. Yeah, Well, because they the Supreme 142 00:08:35,840 --> 00:08:40,000 Speaker 1: Court is just a political institution that gets changed with 143 00:08:40,679 --> 00:08:45,160 Speaker 1: you know, whoever uses their wields their power more wisely 144 00:08:45,240 --> 00:08:50,920 Speaker 1: to fill it up with idealogues. And I don't understand 145 00:08:50,960 --> 00:08:54,400 Speaker 1: how we're like presidencies for for your terms, like and 146 00:08:54,440 --> 00:08:57,840 Speaker 1: you can only do it twice and how then on 147 00:08:57,880 --> 00:09:01,320 Speaker 1: the flip side, we have fucking Supreme Court life long 148 00:09:02,360 --> 00:09:06,280 Speaker 1: uh you know positions I don't, I don't. I and granted, 149 00:09:06,360 --> 00:09:08,600 Speaker 1: like I said, I took one semester of policy. I 150 00:09:08,640 --> 00:09:11,560 Speaker 1: did not go to law school or study up on this, 151 00:09:12,080 --> 00:09:16,040 Speaker 1: but it is confusing to me with yeah, like producer 152 00:09:16,080 --> 00:09:18,480 Speaker 1: Brian said, no age cap, Like, I don't understand why. 153 00:09:18,480 --> 00:09:22,480 Speaker 1: It's like these are lifelong terms with no age caps, 154 00:09:22,520 --> 00:09:28,440 Speaker 1: like I don't, I don't can do pushups and clean like, yeah, 155 00:09:29,040 --> 00:09:32,120 Speaker 1: it's a fucking nightmare. It's a It's an absolute nightmare. 156 00:09:32,640 --> 00:09:37,920 Speaker 1: Very frustrating. I'll tell you what's not frustrating. The new 157 00:09:38,000 --> 00:09:42,640 Speaker 1: Drake album is UM. Now, apparently it is pretty frustrating. 158 00:09:42,920 --> 00:09:48,600 Speaker 1: Gonna say, are you potentially frustrating? It's I've had this 159 00:09:48,640 --> 00:09:52,560 Speaker 1: thought before when listening to Drake music. UM, but now 160 00:09:53,040 --> 00:09:55,880 Speaker 1: I haven't listened to the new album. But super producer 161 00:09:55,920 --> 00:09:59,640 Speaker 1: Brian is is like worried about Drake. Like he's not 162 00:09:59,720 --> 00:10:03,560 Speaker 1: a stand or anything, but he's like that he's suffering 163 00:10:03,600 --> 00:10:07,440 Speaker 1: from depression, right, you put that super ruser Brian is 164 00:10:07,480 --> 00:10:14,600 Speaker 1: worried about how superstar Drake. No, it is like I 165 00:10:14,640 --> 00:10:20,880 Speaker 1: think very telling that how do I put this? You 166 00:10:20,960 --> 00:10:22,960 Speaker 1: have so much money, you did it all right? Like 167 00:10:23,040 --> 00:10:24,760 Speaker 1: he I think so much of his music as we 168 00:10:24,760 --> 00:10:29,520 Speaker 1: were talking off air before we got on, like he 169 00:10:29,760 --> 00:10:32,520 Speaker 1: is angry, right, he's so angsty, and a lot of 170 00:10:32,520 --> 00:10:34,839 Speaker 1: his music at the beginning made sense, right because he's 171 00:10:34,840 --> 00:10:36,480 Speaker 1: like coming up. He's like trying to prove himself. He's like, 172 00:10:36,480 --> 00:10:39,400 Speaker 1: you know, y'all are y'all ain't see me yet, right, 173 00:10:39,440 --> 00:10:41,400 Speaker 1: But it's like now we have now you are like 174 00:10:42,040 --> 00:10:45,800 Speaker 1: record breaking, you know, number one rapper in the world 175 00:10:45,880 --> 00:10:48,440 Speaker 1: right now and have been for you know, many years 176 00:10:48,520 --> 00:10:52,560 Speaker 1: at this point, and not because of potentially like your 177 00:10:52,679 --> 00:10:56,640 Speaker 1: creative ingenuity. You know, it's He's not Kanye, He's not 178 00:10:56,960 --> 00:11:00,760 Speaker 1: you know, Kendrick, but he is so parkinable. He knows 179 00:11:00,760 --> 00:11:02,920 Speaker 1: how to play the game. He knows how to be big. 180 00:11:02,960 --> 00:11:05,400 Speaker 1: He knows how to make you know, hits, he knows 181 00:11:05,400 --> 00:11:09,120 Speaker 1: how to be every summer song. You know, Drake knows 182 00:11:09,120 --> 00:11:12,400 Speaker 1: how to turn out a summer hit. But you know, 183 00:11:12,679 --> 00:11:16,000 Speaker 1: at this point, now it just feels like there's something 184 00:11:16,080 --> 00:11:19,600 Speaker 1: broken in his music, Like it's sad, it's stale. It's 185 00:11:19,640 --> 00:11:22,240 Speaker 1: like no one's asking for the new album and you're 186 00:11:22,280 --> 00:11:24,240 Speaker 1: giving it to us, and it's like all of us 187 00:11:24,240 --> 00:11:25,920 Speaker 1: would love to hear some good work from you, Like 188 00:11:25,960 --> 00:11:28,640 Speaker 1: you can sit on it, like you can incubate it. 189 00:11:28,800 --> 00:11:31,840 Speaker 1: We are good if you like took some time and 190 00:11:33,040 --> 00:11:36,800 Speaker 1: if the album would most appropriately be titled honestly never mind, 191 00:11:37,360 --> 00:11:40,719 Speaker 1: um the most depressed thing you can utter, unless you're 192 00:11:40,720 --> 00:11:43,000 Speaker 1: being passive aggressive, in which case it's just a very 193 00:11:43,000 --> 00:11:47,600 Speaker 1: past aggressive thing. Yeah. It's like there's a lyric on 194 00:11:48,320 --> 00:11:51,080 Speaker 1: money to the Grave or money in the Grave whatever 195 00:11:51,120 --> 00:11:54,400 Speaker 1: that song is with Rick Ross where he's like he's 196 00:11:54,440 --> 00:11:56,720 Speaker 1: been on top for so long and like he's just 197 00:11:57,520 --> 00:12:00,800 Speaker 1: worried about like the drop, and I think that really 198 00:12:00,800 --> 00:12:03,560 Speaker 1: feels like he's like he's just like I don't know, 199 00:12:03,640 --> 00:12:07,840 Speaker 1: I'm just like board and like but like I don't 200 00:12:07,840 --> 00:12:11,000 Speaker 1: want to fall because it would be like slightly uncomfortable, 201 00:12:11,160 --> 00:12:13,960 Speaker 1: so I'll just like keep churning this ship out. But 202 00:12:14,040 --> 00:12:18,760 Speaker 1: it just seems genuinely like a great embodiment. We've got 203 00:12:18,800 --> 00:12:23,440 Speaker 1: two great embodiments of the emptiness of our current system 204 00:12:23,800 --> 00:12:27,040 Speaker 1: of capitalism. We got Drake who's like on top, and 205 00:12:27,160 --> 00:12:28,880 Speaker 1: his like, I just don't want to like not be 206 00:12:28,960 --> 00:12:31,439 Speaker 1: on top, I guess. So I'm just gonna keep like 207 00:12:31,679 --> 00:12:37,080 Speaker 1: churning out empty like simulacrum of my previous work, and 208 00:12:37,559 --> 00:12:40,560 Speaker 1: people will keep buying it, and we'll just keep doing 209 00:12:40,559 --> 00:12:43,560 Speaker 1: this what well, because I I don't want to feel 210 00:12:44,080 --> 00:12:45,840 Speaker 1: like I don't want to jump in the pool and 211 00:12:45,880 --> 00:12:49,480 Speaker 1: feel that momentary like discomfort of like the surprise of 212 00:12:49,520 --> 00:12:52,640 Speaker 1: like the body temperature change that that. I think that's 213 00:12:52,640 --> 00:12:55,720 Speaker 1: like basically what his leering, what he says is like 214 00:12:55,800 --> 00:12:58,400 Speaker 1: how how he talks about his success in that in 215 00:12:58,480 --> 00:13:02,400 Speaker 1: that song. Yeah, it's just it's uh pitchwork. Put it 216 00:13:02,480 --> 00:13:05,760 Speaker 1: really um simply And I agree. I didn't read the 217 00:13:05,800 --> 00:13:11,000 Speaker 1: whole review, but they give us six point six, which 218 00:13:11,000 --> 00:13:13,400 Speaker 1: I feel like it is, like I give it a 219 00:13:13,440 --> 00:13:17,200 Speaker 1: six point six for what it was. Um, A breezy 220 00:13:17,280 --> 00:13:20,040 Speaker 1: Drake dance album sounds great in concept, but the half 221 00:13:20,080 --> 00:13:23,080 Speaker 1: measure house beats and lackluster songwriting keeps it from really 222 00:13:23,120 --> 00:13:25,720 Speaker 1: popping off. And I agree, I think that is a 223 00:13:25,760 --> 00:13:28,600 Speaker 1: great submention of what the album really is. You know, 224 00:13:28,880 --> 00:13:32,480 Speaker 1: it's like we were talking. More Life had like it's 225 00:13:32,520 --> 00:13:35,000 Speaker 1: like what this album should have been, you know, like 226 00:13:35,040 --> 00:13:37,800 Speaker 1: the certain essence of certain songs and More Life like 227 00:13:37,920 --> 00:13:40,320 Speaker 1: the um do Better, you know, like it's just like 228 00:13:41,320 --> 00:13:43,320 Speaker 1: that is what I wanted out of this album, and 229 00:13:43,400 --> 00:13:46,160 Speaker 1: this album sounds like that one song, just over and over, 230 00:13:46,200 --> 00:13:49,360 Speaker 1: but like not the lyrics aren't the hooks aren't as good, 231 00:13:49,400 --> 00:13:51,640 Speaker 1: and honestly, Drake is known for his hook, so I 232 00:13:51,720 --> 00:13:54,480 Speaker 1: was kind of disappointed that it was like, even if 233 00:13:54,520 --> 00:13:57,880 Speaker 1: it was at a base level, not as like lyrically 234 00:13:57,960 --> 00:14:00,480 Speaker 1: inclined or you know, we all know Rake isn't a 235 00:14:00,520 --> 00:14:04,319 Speaker 1: strong singer. Uh, you know, I just felt like Drake 236 00:14:04,600 --> 00:14:07,240 Speaker 1: having a great hook is what he's known for, and 237 00:14:07,280 --> 00:14:10,319 Speaker 1: it was just very blow. I can never get over that, 238 00:14:11,160 --> 00:14:13,280 Speaker 1: whichever one it is because I did not memorize the 239 00:14:13,320 --> 00:14:15,880 Speaker 1: track list. I'm sorry, y'all. Uh, the one that's like 240 00:14:16,080 --> 00:14:18,080 Speaker 1: the Pussy one, it was just like so uncomfortable every 241 00:14:18,080 --> 00:14:19,760 Speaker 1: time I hear it, I'm just like, I call him 242 00:14:19,760 --> 00:14:23,640 Speaker 1: my name, your pussy is call him my name. It 243 00:14:23,720 --> 00:14:27,800 Speaker 1: sounds weird when he's singing it. It sounds bad, and 244 00:14:27,880 --> 00:14:29,520 Speaker 1: I have to listen to that song at least I'm 245 00:14:29,520 --> 00:14:32,240 Speaker 1: gonna I'm gonna do that because that sounds Bruce and 246 00:14:32,280 --> 00:14:34,400 Speaker 1: Brian gave it to us. It's calling my name, that is, 247 00:14:34,600 --> 00:14:36,160 Speaker 1: and I should have known by the second half of 248 00:14:36,160 --> 00:14:41,840 Speaker 1: the hook says it's a non song. It's it's the 249 00:14:41,880 --> 00:14:45,040 Speaker 1: one going viral on TikTok. It seems like the most 250 00:14:45,240 --> 00:14:48,000 Speaker 1: like unremarkable lyrics. So the fact that like there's something 251 00:14:48,040 --> 00:14:50,800 Speaker 1: about the delivery where you're like, oh, this feels like 252 00:14:51,080 --> 00:14:59,120 Speaker 1: the death of something. Yeah, yeah, all right, let's take 253 00:14:59,120 --> 00:15:01,480 Speaker 1: a quick break, come back and talk about the second 254 00:15:01,560 --> 00:15:06,200 Speaker 1: great example of just the emptiness of capitalism and like 255 00:15:06,240 --> 00:15:09,840 Speaker 1: what what success looks like in this world? Um with 256 00:15:09,840 --> 00:15:13,200 Speaker 1: with regards to Brad Pitt and what he spent an 257 00:15:13,320 --> 00:15:27,800 Speaker 1: entire year doing. And we're back and Brad Pitt. Uh 258 00:15:27,840 --> 00:15:31,160 Speaker 1: So there's a g Q article that some people have 259 00:15:31,240 --> 00:15:36,200 Speaker 1: been like their reputation laundering for Brad Pitt. You know, 260 00:15:36,280 --> 00:15:40,240 Speaker 1: there was some unfortunate things that happened, and now he's 261 00:15:40,240 --> 00:15:45,440 Speaker 1: in recovery and uh it was really ill, wasn't he? Um, 262 00:15:45,480 --> 00:15:50,920 Speaker 1: I don't know, like like in recovery like um like addiction. Yeah, yeah, yeah. 263 00:15:51,080 --> 00:15:53,720 Speaker 1: So one of the details in this GQ magazine I 264 00:15:53,880 --> 00:15:57,720 Speaker 1: just had to call out because it is it's just 265 00:15:57,760 --> 00:16:01,040 Speaker 1: such a like Drake getting to the top of like 266 00:16:01,560 --> 00:16:04,160 Speaker 1: music in a in a way that is like people 267 00:16:04,160 --> 00:16:06,440 Speaker 1: are like he has more hits than Michael Jackson and 268 00:16:06,480 --> 00:16:11,680 Speaker 1: ship like that, um and being completely depressed, like openly 269 00:16:11,840 --> 00:16:16,280 Speaker 1: like the incapable of like even generating an emotion. Uh, 270 00:16:16,320 --> 00:16:21,320 Speaker 1: that is like identifiable. Is it is a great illustration 271 00:16:21,360 --> 00:16:24,680 Speaker 1: of just like yeah, we're we're all in this um 272 00:16:24,720 --> 00:16:28,000 Speaker 1: system that like gives us a motivation, like has the 273 00:16:28,040 --> 00:16:30,280 Speaker 1: carrot dangling in front of us that keeps us going. 274 00:16:30,680 --> 00:16:32,920 Speaker 1: And when the very few people who actually catch the 275 00:16:32,960 --> 00:16:38,400 Speaker 1: carrot like realize that like that it's meaningless and immoral 276 00:16:38,720 --> 00:16:43,320 Speaker 1: and it all sucks and they lose lose their mind 277 00:16:43,560 --> 00:16:48,600 Speaker 1: and soul oftentimes, and it's it's not it's not good. 278 00:16:48,640 --> 00:16:51,840 Speaker 1: And also they can't complain, like they can't be like, 279 00:16:52,280 --> 00:16:57,080 Speaker 1: oh guys, this actually sucks because um, yeah, they got 280 00:16:57,080 --> 00:17:00,160 Speaker 1: everything that we think we want. Um. But anyway, so 281 00:17:00,920 --> 00:17:03,760 Speaker 1: I'm just gonna read directly from page six. Who's talking 282 00:17:03,800 --> 00:17:06,760 Speaker 1: about a revelation. In this g Q article, Hollywood superstar 283 00:17:06,800 --> 00:17:09,959 Speaker 1: Brad Pitt has admitted spending a year on a quote 284 00:17:09,960 --> 00:17:13,600 Speaker 1: foolish dig for buried treasure, just to realize it was 285 00:17:13,640 --> 00:17:15,960 Speaker 1: all a ruse to get him to invest in a 286 00:17:16,080 --> 00:17:20,800 Speaker 1: radar company. The moneyball star told GQ magazine that he 287 00:17:20,880 --> 00:17:23,720 Speaker 1: was told gold worth millions of dollars was known to 288 00:17:23,720 --> 00:17:28,000 Speaker 1: be buried under Chateau mirav All, his one thousand acre 289 00:17:28,200 --> 00:17:33,320 Speaker 1: estate im Provence. I got obsessed, Pitt told the Meg 290 00:17:33,760 --> 00:17:36,480 Speaker 1: Like for a year, this was all I could think about, 291 00:17:36,960 --> 00:17:40,320 Speaker 1: just the excitement of it all. To the Missouri raised actor, 292 00:17:40,800 --> 00:17:43,160 Speaker 1: maybe it has something to do with where I grew up, 293 00:17:43,840 --> 00:17:46,760 Speaker 1: because in the Ozark Mountains there were always stories of 294 00:17:46,800 --> 00:17:51,600 Speaker 1: hidden caches of God. He lives on a one thousand 295 00:17:51,680 --> 00:17:57,520 Speaker 1: acre estate in France, um and is looking for buried gold. 296 00:17:58,160 --> 00:18:02,240 Speaker 1: He lives there with like a family he loved and 297 00:18:03,320 --> 00:18:09,000 Speaker 1: he's still looking for goal. Like his his house is 298 00:18:09,040 --> 00:18:13,080 Speaker 1: worth so much money. What what are you? What are 299 00:18:13,080 --> 00:18:17,720 Speaker 1: you doing? And and like there's just like something I 300 00:18:17,720 --> 00:18:20,560 Speaker 1: don't know there. I like the fact that we don't 301 00:18:20,600 --> 00:18:23,600 Speaker 1: really know anything about Brad Pitt and he's been famous 302 00:18:23,640 --> 00:18:28,480 Speaker 1: for forty years has always made me like suspect, like, well, 303 00:18:28,520 --> 00:18:31,359 Speaker 1: they're hiding something, and I've always hoped it's kind of 304 00:18:31,400 --> 00:18:35,720 Speaker 1: just that he's like sort of a you know, dull 305 00:18:35,840 --> 00:18:40,240 Speaker 1: puppy dog type, you know, stoner guy who's not quick 306 00:18:40,280 --> 00:18:43,600 Speaker 1: on his feet, and then like, I don't know, like 307 00:18:43,680 --> 00:18:48,320 Speaker 1: this is just it's it's so depressing, not like I 308 00:18:48,359 --> 00:18:52,119 Speaker 1: feel sorry for Brad Pitt as much as like our 309 00:18:53,520 --> 00:18:59,160 Speaker 1: version of reality at like hyper capitalism is so thoroughly 310 00:19:00,119 --> 00:19:07,040 Speaker 1: rough and just like existentially boring and pointless. Yeah it is, 311 00:19:07,160 --> 00:19:10,600 Speaker 1: I mean, and it's it's kind of amazing, not in 312 00:19:10,640 --> 00:19:13,400 Speaker 1: a good way, but just in an astonishing way. How 313 00:19:14,240 --> 00:19:18,320 Speaker 1: this because the whole reason that it happens because the 314 00:19:18,359 --> 00:19:20,320 Speaker 1: man that had targeted him wanted him to be a 315 00:19:20,320 --> 00:19:23,959 Speaker 1: potential investor in a big radar company and obviously successfully 316 00:19:23,960 --> 00:19:28,840 Speaker 1: pitched all this material, which is bananas, you know, to 317 00:19:28,880 --> 00:19:31,440 Speaker 1: be able to pray on somebody's like I guess, I 318 00:19:31,480 --> 00:19:34,000 Speaker 1: don't know, emptiness like you said, like it's like you 319 00:19:34,040 --> 00:19:37,239 Speaker 1: can tell this man is like so lost in his 320 00:19:37,320 --> 00:19:39,240 Speaker 1: life that you're like, oh, I know, I can dope 321 00:19:39,280 --> 00:19:43,800 Speaker 1: him into spending millions of dollars on equipment to search 322 00:19:43,880 --> 00:19:45,840 Speaker 1: and play treasure hunt in his house because he has 323 00:19:45,880 --> 00:19:48,520 Speaker 1: nothing better to do. It is, it is such a 324 00:19:48,600 --> 00:19:54,119 Speaker 1: state of inequalities. Country but able to like have the 325 00:19:54,119 --> 00:19:56,000 Speaker 1: money and the time to do that and then also 326 00:19:56,040 --> 00:19:59,560 Speaker 1: still be so empty. It's wild. It is just like 327 00:19:59,680 --> 00:20:03,280 Speaker 1: it's it's like, obviously I don't like feel necessarily bad 328 00:20:03,320 --> 00:20:05,760 Speaker 1: for Brad Pitt, but it is just such an existential 329 00:20:05,800 --> 00:20:08,119 Speaker 1: dread of like the haves and the have nots. Like 330 00:20:08,560 --> 00:20:11,560 Speaker 1: You're it's like almost Great gats B esque. You're like, Wow, 331 00:20:11,640 --> 00:20:14,000 Speaker 1: your life is that way, and I'm over here and 332 00:20:15,000 --> 00:20:17,239 Speaker 1: crazy to think what our problems are and they're so 333 00:20:17,359 --> 00:20:21,000 Speaker 1: different and how you know, I'm honestly grateful that I 334 00:20:21,119 --> 00:20:23,399 Speaker 1: don't know what it's like to be that rich, because 335 00:20:23,440 --> 00:20:26,080 Speaker 1: I I don't think I'd love to be that empty. 336 00:20:26,359 --> 00:20:28,399 Speaker 1: And I think that is like the spectrum of like 337 00:20:28,520 --> 00:20:31,520 Speaker 1: the more money you have, the more empty you end 338 00:20:31,560 --> 00:20:35,600 Speaker 1: up being. Yeah, I mean he seemed he seemed to 339 00:20:35,680 --> 00:20:39,440 Speaker 1: still find it. I mean he did. I'm sure he's 340 00:20:39,480 --> 00:20:41,960 Speaker 1: like the most upsetting part is probably the money he 341 00:20:42,040 --> 00:20:44,800 Speaker 1: lost and all that equipment. But now he has all 342 00:20:44,800 --> 00:20:49,080 Speaker 1: that equipment, maybe he'll go find somewhere. Isn't that where 343 00:20:49,160 --> 00:20:51,920 Speaker 1: Like all I think all the radar equipment was developed 344 00:20:51,920 --> 00:20:55,560 Speaker 1: by people looking for oil in Texas, So maybe you 345 00:20:55,600 --> 00:20:58,520 Speaker 1: can go wildcat and all right, well, those are some 346 00:20:58,600 --> 00:21:02,000 Speaker 1: of the things that are trending on this Thursday afternoon. 347 00:21:02,560 --> 00:21:06,119 Speaker 1: We are back tomorrow with the whole last episode of 348 00:21:06,200 --> 00:21:09,359 Speaker 1: the show. Until then, be kind to each other, be 349 00:21:09,480 --> 00:21:13,160 Speaker 1: kind to yourselves, get the vaccine, don't do nothing about 350 00:21:13,160 --> 00:21:19,879 Speaker 1: white supremacy, and we will talk to y'all tomorrow. M