1 00:00:00,160 --> 00:00:05,560 Speaker 1: Big bag. You don't be on nothing. I'll be okay. 2 00:00:05,600 --> 00:00:07,800 Speaker 1: So let me ask how this bring you big big 3 00:00:09,800 --> 00:00:12,560 Speaker 1: right now, visit the new website today Big Facts Paul 4 00:00:12,800 --> 00:00:16,200 Speaker 1: dot com live for first class sounds is DJ screen 5 00:00:16,280 --> 00:00:18,360 Speaker 1: Big Bankers said. Baby Jada said that we got a 6 00:00:18,440 --> 00:00:22,600 Speaker 1: special guests in the building today on Big Facts, highly requested, 7 00:00:22,920 --> 00:00:26,239 Speaker 1: highly anticipated side How the Prince it's here, ladies and gentlemen, 8 00:00:26,280 --> 00:00:30,600 Speaker 1: we got him here with the building east here show. 9 00:00:30,920 --> 00:00:33,440 Speaker 1: So how what's up my brother's life? Family? Does only 10 00:00:33,600 --> 00:00:37,120 Speaker 1: really feel like conversation? You know what I mean? Is 11 00:00:37,159 --> 00:00:42,040 Speaker 1: the fool like exactly? I appreciate it, man, I appreciate it. 12 00:00:42,040 --> 00:00:43,879 Speaker 1: What's going on? How you been? First off of what 13 00:00:43,960 --> 00:00:46,120 Speaker 1: you've been on? Man, I've been good man. I just 14 00:00:46,320 --> 00:00:50,200 Speaker 1: have been finishing the story. He got let's name my album? Um, 15 00:00:50,280 --> 00:00:52,360 Speaker 1: you know what I'm saying. I did my situation with Ghazi. 16 00:00:52,920 --> 00:00:55,160 Speaker 1: I want to have a little more freedom song. Vampire 17 00:00:55,640 --> 00:00:58,680 Speaker 1: Empire best one of the best labels that you can 18 00:00:58,720 --> 00:01:01,480 Speaker 1: be on. So yeah, I'm doing that, just finishing. I 19 00:01:01,600 --> 00:01:05,039 Speaker 1: got like thirty days left. I'm clearing these samples and 20 00:01:05,040 --> 00:01:07,880 Speaker 1: we're ready to go. What's the motivation at this point? 21 00:01:07,959 --> 00:01:10,360 Speaker 1: I mean you know for your music. I think, um, 22 00:01:10,440 --> 00:01:13,919 Speaker 1: there's something that you have like a cult following the fans, 23 00:01:14,040 --> 00:01:16,560 Speaker 1: like people that really really really rock with you. But 24 00:01:16,600 --> 00:01:18,240 Speaker 1: you put out a lot of quality of music. You 25 00:01:18,240 --> 00:01:21,360 Speaker 1: don't have anything lyrically to prove you don't people know 26 00:01:21,360 --> 00:01:23,639 Speaker 1: who you are. But what's the motivation at this point? Um, 27 00:01:23,680 --> 00:01:26,920 Speaker 1: you know it's crazy. Um to me, I got like 28 00:01:26,959 --> 00:01:30,440 Speaker 1: new motivation. It's just you know, man, just kind of 29 00:01:30,440 --> 00:01:33,400 Speaker 1: coming out the pandemic and ship. You know, people be 30 00:01:33,400 --> 00:01:36,280 Speaker 1: begging you for music. Then I had a acction the 31 00:01:36,319 --> 00:01:38,120 Speaker 1: earlier this year, so it just kind of puts you 32 00:01:38,160 --> 00:01:40,960 Speaker 1: in perspective for me, like, you know, people to be 33 00:01:40,959 --> 00:01:42,600 Speaker 1: begging when usually I just be like you know, I 34 00:01:42,640 --> 00:01:44,520 Speaker 1: go write songs or whoever, I write it and go 35 00:01:44,600 --> 00:01:48,360 Speaker 1: home and put something out every nine and then. But um, 36 00:01:48,480 --> 00:01:51,240 Speaker 1: the urgency of it came from just people just you know, 37 00:01:51,400 --> 00:01:53,480 Speaker 1: asking me to do it all the time. And it's 38 00:01:53,520 --> 00:01:56,520 Speaker 1: just like I got you because I understand like it 39 00:01:56,680 --> 00:01:59,960 Speaker 1: is a void, It is a space where people enjoy 40 00:02:00,080 --> 00:02:02,440 Speaker 1: that type of rapt type of concepts. I'll be rapping 41 00:02:02,440 --> 00:02:05,600 Speaker 1: about the ship and different flows and ship like that, 42 00:02:06,000 --> 00:02:09,440 Speaker 1: mainly from like that mixtape era that that early two 43 00:02:09,480 --> 00:02:13,080 Speaker 1: thousand team through like two fourteen when I I really 44 00:02:13,080 --> 00:02:15,679 Speaker 1: feel like I made my life my mark, you know 45 00:02:15,680 --> 00:02:18,440 Speaker 1: what I'm saying. So I think people still just want 46 00:02:18,440 --> 00:02:22,520 Speaker 1: that nostalgia. So I just here to give it to him. 47 00:02:22,560 --> 00:02:24,280 Speaker 1: You started off with hook them, You still keep in 48 00:02:24,280 --> 00:02:26,239 Speaker 1: contact with that, Yeah, Oh my god, Oh my god. 49 00:02:26,320 --> 00:02:30,600 Speaker 1: It's crazy because yeah, that's what I'm saying. Come on, 50 00:02:30,960 --> 00:02:35,400 Speaker 1: you know when it did did some time. But um, 51 00:02:35,440 --> 00:02:37,079 Speaker 1: you know me and Butchie still give me a pet, 52 00:02:37,240 --> 00:02:40,520 Speaker 1: still be solid, you know what I mean. That's my guy. 53 00:02:40,639 --> 00:02:43,840 Speaker 1: So other than that, man, we're all good. Everybody good. 54 00:02:44,200 --> 00:02:46,919 Speaker 1: They're getting it together. So if somebody said, if somebody 55 00:02:46,919 --> 00:02:49,840 Speaker 1: said the phrase, I feel like Saha is slept on, 56 00:02:49,960 --> 00:02:55,160 Speaker 1: how would you respond to that? Or underrated? I mean 57 00:02:56,080 --> 00:03:00,240 Speaker 1: I understand that. I can understand that because I feel 58 00:03:00,280 --> 00:03:03,440 Speaker 1: as far as in like the marketplace, I didn't I 59 00:03:03,520 --> 00:03:05,240 Speaker 1: haven't put out a lot of music. I've been like 60 00:03:05,320 --> 00:03:08,000 Speaker 1: something like like my name itself a ghosts in so 61 00:03:08,080 --> 00:03:11,760 Speaker 1: many words, So I think, Um, with me, it's just 62 00:03:11,919 --> 00:03:13,800 Speaker 1: like now it's just feel like it's time for me 63 00:03:13,840 --> 00:03:16,200 Speaker 1: to kind of just work on my stuff. I think 64 00:03:16,280 --> 00:03:19,520 Speaker 1: I got caught up into the you know, writing Diamond 65 00:03:19,600 --> 00:03:21,880 Speaker 1: Records and Ship like that that people probably don't even 66 00:03:21,919 --> 00:03:24,720 Speaker 1: know I wrote. But I'll just be like, you know what, 67 00:03:24,760 --> 00:03:26,959 Speaker 1: people want to hear my message. Like most of the 68 00:03:27,000 --> 00:03:29,239 Speaker 1: guys I kind of work with da ain't from the 69 00:03:29,280 --> 00:03:32,000 Speaker 1: trenches of like from Atlanta, the culture like I am 70 00:03:32,160 --> 00:03:34,880 Speaker 1: so like I kind of feel like I'm the publicist 71 00:03:34,960 --> 00:03:38,040 Speaker 1: for it, so I think that's what I'm here for. 72 00:03:38,440 --> 00:03:42,160 Speaker 1: You think, um, how is it like keeping that um, 73 00:03:42,400 --> 00:03:44,280 Speaker 1: keeping that ship in the background that you wrote so 74 00:03:44,360 --> 00:03:47,800 Speaker 1: much something the big records and ship. I mean, I 75 00:03:47,800 --> 00:03:49,600 Speaker 1: mean it's tough because you want to kind of keep 76 00:03:49,640 --> 00:03:54,040 Speaker 1: the the integrity of the relationship who you know, you 77 00:03:54,080 --> 00:03:55,640 Speaker 1: want them to feel like they was a part of 78 00:03:55,680 --> 00:03:57,520 Speaker 1: but they are a part of I'm not like I 79 00:03:57,600 --> 00:04:00,360 Speaker 1: tell people like I ain't writing like when t write 80 00:04:00,400 --> 00:04:04,080 Speaker 1: Little Bow Rap. It ain't like it was more so 81 00:04:04,280 --> 00:04:06,680 Speaker 1: like also giving them a vide Yeah, like you know, 82 00:04:06,720 --> 00:04:08,640 Speaker 1: a lot of time when you get that big, you know, 83 00:04:08,720 --> 00:04:10,520 Speaker 1: you don't have a you don't have niggas on the 84 00:04:10,520 --> 00:04:13,840 Speaker 1: turf around you. You mainly have like fashion designers and 85 00:04:14,320 --> 00:04:17,160 Speaker 1: artistic people. But for me and just be like no, 86 00:04:17,400 --> 00:04:19,680 Speaker 1: you said like this, No, I would have said this 87 00:04:19,880 --> 00:04:22,120 Speaker 1: and then all that ship did hard like so it 88 00:04:22,200 --> 00:04:25,479 Speaker 1: kind of yeah, it's like that SI sparring kind of 89 00:04:25,520 --> 00:04:28,800 Speaker 1: session and make sure the verses coming out to where 90 00:04:28,800 --> 00:04:32,000 Speaker 1: it needs to be in in my opinion, quality control 91 00:04:32,040 --> 00:04:35,120 Speaker 1: type that. Yeah, for sure. So when you were so 92 00:04:35,160 --> 00:04:39,160 Speaker 1: when you were coming up, um, I know your parents 93 00:04:39,240 --> 00:04:42,880 Speaker 1: were like very strict and very firm on the fact 94 00:04:43,200 --> 00:04:45,719 Speaker 1: that they didn't really want you listening to hip hop 95 00:04:45,760 --> 00:04:48,520 Speaker 1: and they didn't really want you involved. So do you 96 00:04:48,560 --> 00:04:53,880 Speaker 1: think that's what kind of made you as into it 97 00:04:54,000 --> 00:04:57,880 Speaker 1: now as it was because you were kind of taken 98 00:04:57,920 --> 00:05:02,080 Speaker 1: away from it when you were younger. Man, That's that's deep. 99 00:05:02,680 --> 00:05:04,200 Speaker 1: I didn't even think of it like that, but I 100 00:05:04,240 --> 00:05:06,160 Speaker 1: think that probably had a lot to do with it, 101 00:05:06,760 --> 00:05:08,000 Speaker 1: you know what I mean. I just kind of got 102 00:05:08,080 --> 00:05:10,160 Speaker 1: that was deep. Like I didn't even you know, like 103 00:05:10,560 --> 00:05:11,840 Speaker 1: I can't do it now I could do it. I 104 00:05:11,960 --> 00:05:14,200 Speaker 1: just you know how they say like some girls like 105 00:05:14,400 --> 00:05:17,000 Speaker 1: their parents don't let them have company or go to 106 00:05:17,040 --> 00:05:18,920 Speaker 1: sleepovers and stuff, and then they turned out to be 107 00:05:19,000 --> 00:05:22,960 Speaker 1: horrors when they're older. Like absolutely, yeah. Yeah, Well I 108 00:05:22,960 --> 00:05:24,599 Speaker 1: was an athlete growing up, so it was just like 109 00:05:24,600 --> 00:05:27,120 Speaker 1: they were just trying to keep me on straight and narrow, 110 00:05:27,160 --> 00:05:30,080 Speaker 1: but you know, once the streets got involved, it just 111 00:05:30,120 --> 00:05:33,840 Speaker 1: went downhill. But nah, for sure, it's it is like 112 00:05:33,920 --> 00:05:36,159 Speaker 1: that though, it is like that. I think that's what 113 00:05:36,600 --> 00:05:40,200 Speaker 1: I got anitsie rush for it because I just started 114 00:05:40,200 --> 00:05:42,000 Speaker 1: listening to it on my own, Like you know, I 115 00:05:42,080 --> 00:05:44,440 Speaker 1: might have been like, yeah, I might have been like 116 00:05:45,000 --> 00:05:48,160 Speaker 1: thirteen when I first like fourteen, I got my own 117 00:05:48,240 --> 00:05:50,719 Speaker 1: c D. Yeah, you know what I mean, Like you 118 00:05:50,720 --> 00:05:53,320 Speaker 1: know what I mean, like my Potters sisters and brothers 119 00:05:53,320 --> 00:05:54,960 Speaker 1: and all them with just listening to out Care you 120 00:05:55,000 --> 00:05:58,240 Speaker 1: know you GK and ship like that go on my 121 00:05:58,279 --> 00:06:02,920 Speaker 1: closet and just yeah. But it made me like search 122 00:06:03,000 --> 00:06:06,359 Speaker 1: for it though, so I started stumbling upon like East Coast, 123 00:06:06,440 --> 00:06:10,240 Speaker 1: all this West coast that was do yes. So that's 124 00:06:10,240 --> 00:06:14,080 Speaker 1: why my style of LOOKD you know, universal, because I 125 00:06:14,520 --> 00:06:16,560 Speaker 1: listened to a lot of different music versus people who 126 00:06:16,560 --> 00:06:18,240 Speaker 1: could just hear what they want to hear. They're just 127 00:06:18,240 --> 00:06:21,279 Speaker 1: gonna listen to Partos in the area mont because that's 128 00:06:21,279 --> 00:06:23,760 Speaker 1: what people listening to Versus me. I'm like, okay, what 129 00:06:23,839 --> 00:06:25,440 Speaker 1: else I can get my hands on. I just come 130 00:06:25,480 --> 00:06:28,040 Speaker 1: across some nabs, some big al ship, you know what 131 00:06:28,080 --> 00:06:30,560 Speaker 1: I mean. Something then it would be like, Okay, that's hard. 132 00:06:32,080 --> 00:06:35,680 Speaker 1: What happened with the um situation with your club? Got 133 00:06:35,680 --> 00:06:38,680 Speaker 1: shut up with some ship? Man? You know that ship 134 00:06:38,680 --> 00:06:41,159 Speaker 1: was deep. I never like really you ain't got no 135 00:06:41,240 --> 00:06:43,760 Speaker 1: clothes on it, Like I ain't really like go looking 136 00:06:43,800 --> 00:06:47,160 Speaker 1: forward either, But she was deep. I ain't. You know. 137 00:06:47,920 --> 00:06:51,080 Speaker 1: When I experienced I'm like, damn, I actually thought like 138 00:06:51,120 --> 00:06:53,080 Speaker 1: who the fund did I pay their money back to? 139 00:06:53,760 --> 00:06:57,120 Speaker 1: I'm trying to go back tifteen years like some ship like, 140 00:06:57,720 --> 00:06:59,479 Speaker 1: but all in the in the moment, I'm trying to 141 00:06:59,560 --> 00:07:02,839 Speaker 1: like man with these niggas. And then I just started 142 00:07:02,839 --> 00:07:05,960 Speaker 1: working my move. I was just, man, I was doing 143 00:07:06,000 --> 00:07:08,719 Speaker 1: all type of maneuvers that I ain't never done before. 144 00:07:09,520 --> 00:07:11,679 Speaker 1: Have you ever said what it was like what happened 145 00:07:11,760 --> 00:07:14,400 Speaker 1: on or you know what I mean? Yeah? I mean 146 00:07:14,440 --> 00:07:17,440 Speaker 1: I spoke on them briefly because you know, um, you know, 147 00:07:17,520 --> 00:07:19,680 Speaker 1: people asked me when I had a few interviews, but 148 00:07:20,280 --> 00:07:22,800 Speaker 1: I ain't really liked dive into it too much. I 149 00:07:22,840 --> 00:07:24,960 Speaker 1: just kind of like gave them my outline what happened. 150 00:07:24,960 --> 00:07:28,680 Speaker 1: But to me, it was just it's the it's just 151 00:07:28,720 --> 00:07:32,040 Speaker 1: what Atlanta turning into in my opinion. You I think 152 00:07:32,040 --> 00:07:34,040 Speaker 1: I might have just got calling it because you know, 153 00:07:34,080 --> 00:07:36,040 Speaker 1: I'm in the bent league. I got jury on. So 154 00:07:36,080 --> 00:07:38,600 Speaker 1: I just look fit the part, you know what I mean. 155 00:07:38,680 --> 00:07:41,760 Speaker 1: And you know I the police don't really have no 156 00:07:41,880 --> 00:07:44,400 Speaker 1: information for you. They I went into the police, they 157 00:07:44,440 --> 00:07:47,720 Speaker 1: didn't look like me. I mean, they just trapped down, 158 00:07:47,840 --> 00:07:51,680 Speaker 1: you know what. I like, Really, nil, man, this look 159 00:07:51,760 --> 00:07:56,520 Speaker 1: like a whole play. Ye don't look like yeah, yeah, 160 00:07:56,560 --> 00:07:58,560 Speaker 1: y'all look like y'all about to go out with me tonight. 161 00:07:59,200 --> 00:08:01,080 Speaker 1: So I would like it was it was cool. I 162 00:08:01,160 --> 00:08:03,840 Speaker 1: wasn't really gonna bring it up, but it was like, yeah, 163 00:08:03,880 --> 00:08:05,880 Speaker 1: I had the scene. It's like so many people knew 164 00:08:05,880 --> 00:08:08,840 Speaker 1: my name, like the paramedics and the police office. I'm like, oh, 165 00:08:08,880 --> 00:08:11,320 Speaker 1: this is gonna get out, you know what I mean. So, 166 00:08:11,640 --> 00:08:14,400 Speaker 1: I mean, I'm cool. I survived, had some stitches and 167 00:08:14,440 --> 00:08:16,800 Speaker 1: ship and you know what I'm saying. I reached around, 168 00:08:16,920 --> 00:08:18,320 Speaker 1: you know, I mean, it was quiet on it. So 169 00:08:18,360 --> 00:08:20,600 Speaker 1: I was like, you know what, I ain't no point 170 00:08:20,640 --> 00:08:23,480 Speaker 1: even pushing it, just kind of chopping up, moving certain 171 00:08:23,560 --> 00:08:27,440 Speaker 1: kind of way. Yeah, absolutely, because you know, even if 172 00:08:27,480 --> 00:08:29,920 Speaker 1: it was a mistake or it wasn't, it's like it 173 00:08:29,920 --> 00:08:31,640 Speaker 1: could have been bad for me. So I just you 174 00:08:31,680 --> 00:08:34,079 Speaker 1: know what I'm saying, just start moving the same kind 175 00:08:34,080 --> 00:08:37,559 Speaker 1: of way you moving, just to take pau. I mean, 176 00:08:37,600 --> 00:08:40,480 Speaker 1: I gotta I had two forms. I mean, I still 177 00:08:40,520 --> 00:08:42,760 Speaker 1: got a form, but it's like I kind of like 178 00:08:43,080 --> 00:08:45,560 Speaker 1: dumped it down a little bit when I'm in the city, 179 00:08:45,679 --> 00:08:48,960 Speaker 1: you know, you know, just down down, just not going 180 00:08:49,000 --> 00:08:50,880 Speaker 1: out as much, you know what I mean, places I 181 00:08:50,920 --> 00:08:53,360 Speaker 1: feel like I ain't I'm know, I'm saying I should 182 00:08:53,360 --> 00:08:55,400 Speaker 1: be a go anywhere I want to go, But you 183 00:08:55,440 --> 00:08:57,960 Speaker 1: know what I mean, she just just like redundant to me, 184 00:08:57,960 --> 00:08:59,880 Speaker 1: I'd have done it. I don't have done the flame. 185 00:09:00,080 --> 00:09:02,800 Speaker 1: So many times it's like maybe I shouldn't have been 186 00:09:02,840 --> 00:09:06,120 Speaker 1: going to the Yeah, maybe going to the Flames and 187 00:09:06,160 --> 00:09:08,839 Speaker 1: they see teams, damn damn there. So let me kind 188 00:09:08,840 --> 00:09:11,240 Speaker 1: of put a swivel in my routine. Yeah. Yeah, it's like, 189 00:09:11,320 --> 00:09:13,800 Speaker 1: let me go to a restaurant, let me go to something. Player. 190 00:09:13,840 --> 00:09:16,079 Speaker 1: I'm a little older. I need to be you know 191 00:09:16,080 --> 00:09:22,280 Speaker 1: what I mean. But it's all good man, we're here, sure, Kanye, Like, 192 00:09:22,320 --> 00:09:25,160 Speaker 1: what what kind of space we're good? Man? Man? You 193 00:09:25,200 --> 00:09:27,160 Speaker 1: ain't good. We're in a great space. I was on 194 00:09:27,960 --> 00:09:29,440 Speaker 1: I was out there in Miami with him when he 195 00:09:29,480 --> 00:09:33,679 Speaker 1: was doing Donna two project. You know, Bro jester Man, 196 00:09:33,720 --> 00:09:36,319 Speaker 1: then he's just a pioneer man. He probably owned something 197 00:09:37,040 --> 00:09:39,600 Speaker 1: some big and better that we ain't even heard of yet. 198 00:09:39,720 --> 00:09:42,520 Speaker 1: I mean, you know, brod be having so many meetings 199 00:09:42,559 --> 00:09:45,720 Speaker 1: with billionaires and it's just like I'll just be soaking 200 00:09:45,880 --> 00:09:48,560 Speaker 1: up bro, soaking up the game. But now that's my guy. 201 00:09:48,600 --> 00:09:50,920 Speaker 1: We hear him on the story of Egot when we 202 00:09:51,000 --> 00:09:54,200 Speaker 1: feel his presence in anyway. Absolutely, that's only did like 203 00:09:54,240 --> 00:09:58,199 Speaker 1: six six tracks. Yeah, he did like six of them. Um, 204 00:09:58,240 --> 00:10:01,520 Speaker 1: he on on two of them. So yeah, it's definitely 205 00:10:01,559 --> 00:10:03,560 Speaker 1: on the project, you know what I mean. So, like 206 00:10:03,600 --> 00:10:05,480 Speaker 1: I said, this is all the family push on there. 207 00:10:06,679 --> 00:10:10,439 Speaker 1: We got um, we got Russ on it. I got 208 00:10:10,480 --> 00:10:14,800 Speaker 1: pink sweats to change Jack Hallow. We this is this 209 00:10:14,920 --> 00:10:18,120 Speaker 1: is big bang, big bank, you know what Me and 210 00:10:18,160 --> 00:10:20,360 Speaker 1: Big Bait record like, we went out to the label 211 00:10:20,400 --> 00:10:21,800 Speaker 1: that's like, so what are we doing with slide? Are 212 00:10:21,840 --> 00:10:24,240 Speaker 1: we gonna be like, Yes, we're about to shoot the videop. 213 00:10:24,280 --> 00:10:26,079 Speaker 1: We just got back from b T kind of vibe. 214 00:10:26,120 --> 00:10:28,600 Speaker 1: But they ready on that too. So that's been getting 215 00:10:28,600 --> 00:10:30,840 Speaker 1: a lot of great traction. The city been playing it 216 00:10:31,480 --> 00:10:33,960 Speaker 1: radio been, you know, asking for so ship. We're about 217 00:10:34,000 --> 00:10:35,920 Speaker 1: to blast on that as well. I know why, But 218 00:10:35,960 --> 00:10:38,080 Speaker 1: why did you choose Bank? I didn't know why because 219 00:10:38,120 --> 00:10:43,160 Speaker 1: we talked before. I mean, to me, it's like Bank 220 00:10:43,360 --> 00:10:46,319 Speaker 1: is like the voice of Atlanta in my opinion, you 221 00:10:46,360 --> 00:10:48,160 Speaker 1: know what I'm saying, not you know, I mean saying 222 00:10:48,160 --> 00:10:52,040 Speaker 1: just in ramp. I'm just saying, like, damn for real 223 00:10:52,360 --> 00:10:55,560 Speaker 1: for you, like that nucleus of each side, like the 224 00:10:55,600 --> 00:10:57,959 Speaker 1: mediator that could be the media if there was one. 225 00:10:58,040 --> 00:11:01,080 Speaker 1: You know what I'm saying, ain't you ain't ain't that. 226 00:11:01,320 --> 00:11:04,200 Speaker 1: But I'm just saying it's like, you know, mostly most 227 00:11:04,200 --> 00:11:07,400 Speaker 1: people just you know, like even with Jade, it's like 228 00:11:07,760 --> 00:11:11,240 Speaker 1: the streets love Jade. It's just Atlanta just loved Jane 229 00:11:11,320 --> 00:11:13,719 Speaker 1: for some reason. I don't I mean everywhere, you know 230 00:11:13,760 --> 00:11:16,520 Speaker 1: what I mean. Yeah, she could walk through any dough going, 231 00:11:16,600 --> 00:11:22,000 Speaker 1: any trout, any studio anything. So I mean, and I am. 232 00:11:22,200 --> 00:11:24,960 Speaker 1: One of my favorite records back in the day was 233 00:11:25,440 --> 00:11:32,120 Speaker 1: baby Girl, What this trip back? You know. I don't 234 00:11:32,120 --> 00:11:34,680 Speaker 1: know if you knew big that was, but that was 235 00:11:34,760 --> 00:11:37,760 Speaker 1: Big bro Man Black Maid him stop eating noodles, man, 236 00:11:39,840 --> 00:11:41,760 Speaker 1: get what he called? I would really want to be 237 00:11:41,800 --> 00:11:44,600 Speaker 1: like but you know, he was like, but I got 238 00:11:44,640 --> 00:11:46,080 Speaker 1: it already. You gotta do them to pull up. I'm 239 00:11:46,080 --> 00:11:48,400 Speaker 1: gonna exactly what you don't know, as he called me first, 240 00:11:48,520 --> 00:11:53,480 Speaker 1: like hey man, for the man with y'all, I tested 241 00:11:53,480 --> 00:11:58,840 Speaker 1: the war, I did up being hard hard yeah. And 242 00:11:58,880 --> 00:12:01,600 Speaker 1: I remember like growing up like Duct Tape was one 243 00:12:01,640 --> 00:12:04,079 Speaker 1: of like first record labels in Atlanta that I knew 244 00:12:04,240 --> 00:12:07,959 Speaker 1: come from the East Side. They had artists, you know, niggers, 245 00:12:08,320 --> 00:12:13,680 Speaker 1: you know what I mean. You had like like like 246 00:12:13,760 --> 00:12:16,080 Speaker 1: he really had artists. I was like, oh, ship that's 247 00:12:16,280 --> 00:12:18,199 Speaker 1: coming from out east or yeah, yeah, you know what 248 00:12:18,240 --> 00:12:19,640 Speaker 1: I'm saying. You know what I I mean. We used to 249 00:12:19,640 --> 00:12:24,920 Speaker 1: see him at prime time, pull up this ship real 250 00:12:26,000 --> 00:12:28,800 Speaker 1: so no for real respect though, was next for you 251 00:12:28,840 --> 00:12:32,160 Speaker 1: to after man? When I'm getting into his film. I've 252 00:12:32,200 --> 00:12:35,000 Speaker 1: been writing a lot of scripts lately. Um, That's something 253 00:12:35,000 --> 00:12:36,959 Speaker 1: I've really been like taking my time, and I kind 254 00:12:37,000 --> 00:12:40,720 Speaker 1: of thinking two thousands, you know, when everybody's pandemic and 255 00:12:40,760 --> 00:12:44,320 Speaker 1: ship in quarantine and I kind of just try to 256 00:12:44,400 --> 00:12:47,360 Speaker 1: dive into another venture and something that I love to do. 257 00:12:47,480 --> 00:12:50,160 Speaker 1: So I think I'm close to it. Um, A lot 258 00:12:50,200 --> 00:12:52,800 Speaker 1: of people that's in film, so I just you know me, 259 00:12:52,880 --> 00:12:54,120 Speaker 1: I just was like, you know what, let me go 260 00:12:54,160 --> 00:12:57,120 Speaker 1: and get my scripts together, let me get my ship together. 261 00:12:57,160 --> 00:12:58,559 Speaker 1: But I want to do you know, I'm looking to 262 00:12:58,600 --> 00:13:00,760 Speaker 1: do some executive work as well, you know what I mean, 263 00:13:00,960 --> 00:13:03,280 Speaker 1: in the future, but right now, I just felt like 264 00:13:03,280 --> 00:13:06,160 Speaker 1: it's time for me to just download my hard drive 265 00:13:06,640 --> 00:13:08,480 Speaker 1: into the world, you know what I mean. That's what 266 00:13:08,520 --> 00:13:11,160 Speaker 1: I'm doing right now. It's just like, okay, hey, I go. 267 00:13:11,200 --> 00:13:13,360 Speaker 1: I got records with people, and you know, I've done 268 00:13:13,400 --> 00:13:16,320 Speaker 1: things that I used to doing for myself or doing 269 00:13:16,360 --> 00:13:19,040 Speaker 1: for other artists, and they'd be like pinning, they might 270 00:13:19,160 --> 00:13:21,000 Speaker 1: use my like na, let me get that man, I'm 271 00:13:21,000 --> 00:13:24,600 Speaker 1: about to use So I'm doing that right now. So 272 00:13:24,679 --> 00:13:26,360 Speaker 1: I just wanted to kind of just leave my mark 273 00:13:26,440 --> 00:13:28,640 Speaker 1: on the world and hip hop since like even like 274 00:13:28,679 --> 00:13:30,800 Speaker 1: my my l A Leakers freestyle, like you know, I 275 00:13:30,840 --> 00:13:33,120 Speaker 1: just went out then gave them fold the bird. The 276 00:13:33,320 --> 00:13:39,320 Speaker 1: folks like that. It's the cold of ship. I'm back then, 277 00:13:39,400 --> 00:13:42,680 Speaker 1: how about it? How about it? I'm back, So you 278 00:13:42,720 --> 00:13:44,600 Speaker 1: know what I mean that one I'm doing. Bro, If 279 00:13:45,040 --> 00:13:48,720 Speaker 1: you once said that he would never what was the quote, 280 00:13:48,760 --> 00:13:51,360 Speaker 1: I would never want to be in asightfule with something 281 00:13:51,880 --> 00:13:56,320 Speaker 1: like basically Bar for bar the guy right, who's someone 282 00:13:56,440 --> 00:14:06,000 Speaker 1: you feel like that about? I mean, I don't really 283 00:14:06,000 --> 00:14:10,160 Speaker 1: if anybody, if anybody, I mean you mean, I ain't 284 00:14:10,160 --> 00:14:11,920 Speaker 1: say I wouldn't want to be in a bottle when 285 00:14:11,920 --> 00:14:14,040 Speaker 1: it'd be like it'll be a good ballet. Yeah, who's 286 00:14:14,080 --> 00:14:16,640 Speaker 1: somebody that you behold there? The way that they wrap 287 00:14:16,720 --> 00:14:19,800 Speaker 1: and their lyrics like currently or like let's do both 288 00:14:19,840 --> 00:14:24,360 Speaker 1: currently in all time? I would say, like currently it 289 00:14:24,360 --> 00:14:31,080 Speaker 1: w be like shit like being in the Butcher like 290 00:14:31,080 --> 00:14:36,600 Speaker 1: like yeah, hold Grizel the Cold like I mean, it's 291 00:14:36,600 --> 00:14:39,480 Speaker 1: a lot of them to me, It's like I mean, 292 00:14:39,520 --> 00:14:41,480 Speaker 1: to me, Chance is a great rapper, you know what 293 00:14:41,560 --> 00:14:44,800 Speaker 1: I mean? Like if you just talk about just like 294 00:14:44,840 --> 00:14:48,000 Speaker 1: being put some words together, um, you know Jake Cole's 295 00:14:48,080 --> 00:14:50,600 Speaker 1: and ship like that. But if you put us on 296 00:14:50,640 --> 00:14:54,080 Speaker 1: the stage with with no beat, can't nobody fun with me? 297 00:14:54,840 --> 00:14:56,720 Speaker 1: That's what I wanted you to say, Like, if you 298 00:14:56,760 --> 00:14:59,800 Speaker 1: don't add your like your beats and your promo team 299 00:15:00,080 --> 00:15:02,240 Speaker 1: your market if okay, you might do, you might out do. 300 00:15:02,760 --> 00:15:04,440 Speaker 1: But if you just put us on the stage like 301 00:15:04,520 --> 00:15:08,800 Speaker 1: old school from bar Let's wrap no beat with the audience, 302 00:15:09,160 --> 00:15:15,880 Speaker 1: nobody planted earth can fun with me that because they can't. Yeah, 303 00:15:15,920 --> 00:15:18,760 Speaker 1: they can't perform with me. Like, in my opinion, the 304 00:15:18,760 --> 00:15:21,640 Speaker 1: way I'm gonna delivered, it's just gonna be like, Yeah, 305 00:15:21,960 --> 00:15:26,720 Speaker 1: he's not being he's being confidently. What is he being? Right, 306 00:15:26,880 --> 00:15:29,160 Speaker 1: He's not, he's not He's not I'm not being I'm 307 00:15:29,200 --> 00:15:36,200 Speaker 1: just telling you there's nobody definite because we've been trying 308 00:15:36,240 --> 00:15:43,240 Speaker 1: to weigh out cocky, arrogant, and confident. Yeah yeah, I 309 00:15:43,280 --> 00:15:46,720 Speaker 1: mean we all got that. Yeah, that mean streak that 310 00:15:46,800 --> 00:15:48,840 Speaker 1: you got to be there dude though, but people there 311 00:15:48,840 --> 00:15:50,600 Speaker 1: are people that know that you're a better at rap 312 00:15:50,720 --> 00:15:53,920 Speaker 1: than them. Yeah, but they're probably never said because I 313 00:15:53,920 --> 00:15:55,840 Speaker 1: mean these dudes who still think that he just said 314 00:15:55,960 --> 00:15:59,720 Speaker 1: nobody though, Yeah, he just said nobody. So that's confident, 315 00:15:59,760 --> 00:16:02,800 Speaker 1: that's arrogant, that's cocky, that's coming. That's all that. So 316 00:16:02,880 --> 00:16:07,400 Speaker 1: it's definite. It's a melting pot of all three. Yeah. 317 00:16:07,560 --> 00:16:10,280 Speaker 1: So what so what you feel like, how would you 318 00:16:10,280 --> 00:16:13,360 Speaker 1: be able to prove that? I mean, how would you 319 00:16:13,400 --> 00:16:17,000 Speaker 1: be able to validate it? I mean I mean because 320 00:16:17,040 --> 00:16:19,320 Speaker 1: ain't nobody ever asked me to try me and that 321 00:16:19,520 --> 00:16:23,200 Speaker 1: and also until somebody decides to try this ship yeah, 322 00:16:23,240 --> 00:16:26,600 Speaker 1: you could try this ship. Yeah you go. You're saying 323 00:16:26,600 --> 00:16:28,520 Speaker 1: the same ship though you got niggas someone saying the 324 00:16:28,520 --> 00:16:32,480 Speaker 1: same ship. What he's saying, Yeah, I feel like about Yeah. 325 00:16:32,600 --> 00:16:34,440 Speaker 1: So what did you get into if you were battle like? 326 00:16:34,480 --> 00:16:36,880 Speaker 1: I mean, we used to have it back in the day. 327 00:16:36,920 --> 00:16:38,320 Speaker 1: You know. I don't know if you'll remember, like the 328 00:16:38,320 --> 00:16:43,360 Speaker 1: Smack DVD. I'm saying, so I used to battle niggas 329 00:16:43,400 --> 00:16:44,880 Speaker 1: back in the day. And they used to be like, 330 00:16:45,080 --> 00:16:47,120 Speaker 1: They'll tell them I'm from the Battle be Life A 331 00:16:47,120 --> 00:16:50,160 Speaker 1: five bands and they'd be like, okay, brother from Atlanta. 332 00:16:50,520 --> 00:16:52,240 Speaker 1: And then Nigga called back and be like, put it 333 00:16:52,360 --> 00:16:59,320 Speaker 1: making fifteen because they automatically think it would be having 334 00:16:59,320 --> 00:17:01,960 Speaker 1: a fight to get out it up. Bro, need me like, man, 335 00:17:02,040 --> 00:17:04,520 Speaker 1: let me see it. I d ask me for my 336 00:17:04,520 --> 00:17:08,119 Speaker 1: I d bro, Man, come on with the check. You 337 00:17:08,119 --> 00:17:10,920 Speaker 1: know what I mean? All that ship your lost brother. 338 00:17:13,040 --> 00:17:15,560 Speaker 1: So this is before the internet, like you if you 339 00:17:15,640 --> 00:17:17,119 Speaker 1: got to see before the anywhere I used to be 340 00:17:17,160 --> 00:17:19,800 Speaker 1: running around with like jacket Edge and shipped back in 341 00:17:19,840 --> 00:17:22,840 Speaker 1: the day and even nooning and them, no, they know 342 00:17:23,000 --> 00:17:27,400 Speaker 1: the ship. Motherfucker's no bro for show? Did he? All 343 00:17:27,480 --> 00:17:29,199 Speaker 1: of them they know they remember like that was that 344 00:17:29,760 --> 00:17:41,240 Speaker 1: came in here and to show we're not get big. Well, 345 00:17:41,240 --> 00:17:42,480 Speaker 1: you ain't got a chance to work with it. You 346 00:17:42,520 --> 00:17:45,120 Speaker 1: want to work with Damn, I ain't got a chance 347 00:17:45,160 --> 00:17:48,400 Speaker 1: to work. But I want to work with I mean 348 00:17:49,960 --> 00:17:53,160 Speaker 1: I mean like myself personally or because I worked with something. 349 00:17:53,160 --> 00:17:54,480 Speaker 1: A lot of people that I would like to worry with, 350 00:17:54,520 --> 00:17:58,919 Speaker 1: but it didn't want for my for myself, but I 351 00:17:58,920 --> 00:18:01,639 Speaker 1: want to work the future, like, to be honest, that's 352 00:18:01,640 --> 00:18:06,639 Speaker 1: somebody want to I mean, you know we'll be in 353 00:18:06,680 --> 00:18:08,239 Speaker 1: there with you and ship, but I'm talking about like 354 00:18:08,560 --> 00:18:15,200 Speaker 1: my personal future for sure. I love the future. Yes, 355 00:18:15,920 --> 00:18:21,880 Speaker 1: got to happen existence, Yeah, then kick down. I work 356 00:18:21,920 --> 00:18:25,000 Speaker 1: with Kendrick, but won't light together. It was like somebody 357 00:18:25,040 --> 00:18:27,040 Speaker 1: sent me something and I kind of jumped on it. 358 00:18:27,680 --> 00:18:31,600 Speaker 1: But I love the word with Kendrick, Um, Joey Badass. 359 00:18:31,840 --> 00:18:35,320 Speaker 1: Somebody want to work with. Like I said, a lot 360 00:18:35,320 --> 00:18:38,360 Speaker 1: of them are already kind of I wanna do something 361 00:18:38,359 --> 00:18:41,320 Speaker 1: with Um. I'm gonna do my own song with kid cutting, 362 00:18:42,000 --> 00:18:43,720 Speaker 1: you know what I mean. So just be like dudes. 363 00:18:43,760 --> 00:18:45,680 Speaker 1: I always wanted to be, like, get my own ship with. 364 00:18:45,800 --> 00:18:48,400 Speaker 1: I just haven't got a chance to a South Rocket 365 00:18:48,520 --> 00:18:50,280 Speaker 1: I got. I got something with a South too that 366 00:18:50,280 --> 00:18:52,679 Speaker 1: I want to do. So them like my peers that 367 00:18:52,720 --> 00:18:57,400 Speaker 1: I like to work with. Oh one last it's between 368 00:18:57,560 --> 00:19:00,680 Speaker 1: that's both on Kodak and Little Baby. Both of them 369 00:19:00,720 --> 00:19:03,720 Speaker 1: like my favorite, you know what I mean, My favorite 370 00:19:03,720 --> 00:19:08,000 Speaker 1: new rappers like my favorite too, So I just gotta listen. 371 00:19:08,000 --> 00:19:10,280 Speaker 1: I'm you know, Sam would definitely get around too. So 372 00:19:10,720 --> 00:19:12,360 Speaker 1: but I'm open to work with a lot of people though, 373 00:19:12,600 --> 00:19:16,240 Speaker 1: Sure what artist you see yourself in? Like, okay, that's 374 00:19:16,240 --> 00:19:19,920 Speaker 1: how I would do it. To me, it's like Koldag 375 00:19:20,000 --> 00:19:21,800 Speaker 1: and a a Little Baby, they're the ones I can see, 376 00:19:22,000 --> 00:19:24,520 Speaker 1: you know, somebody else that impresses me every time you rap. 377 00:19:26,480 --> 00:19:28,640 Speaker 1: He just impressed me. I could just feel the east 378 00:19:28,640 --> 00:19:37,159 Speaker 1: side and it's like, yeah, you know, because you're gonna articulated, right, yeah, 379 00:19:37,760 --> 00:19:41,000 Speaker 1: slick intelligent though that one just like you know what 380 00:19:41,040 --> 00:19:43,880 Speaker 1: I mean. So that's why I like. So he give 381 00:19:43,920 --> 00:19:48,040 Speaker 1: me that east side vibe, So help me understand. And 382 00:19:48,080 --> 00:19:50,560 Speaker 1: if it's just all bush, well, okay, you're accused of 383 00:19:50,640 --> 00:19:54,480 Speaker 1: giving some bars to button on a freestyle, right, so 384 00:19:54,600 --> 00:19:56,639 Speaker 1: if there a thing there, like because I think he 385 00:19:56,840 --> 00:19:58,600 Speaker 1: made a comment or some ship, I don't I don't 386 00:19:58,640 --> 00:20:00,600 Speaker 1: know much about it. This is just what came to 387 00:20:00,600 --> 00:20:02,719 Speaker 1: me there like that, how about that butter ship like 388 00:20:03,000 --> 00:20:05,240 Speaker 1: one thing about Joe, But I just be He'd be like, man, 389 00:20:05,280 --> 00:20:08,320 Speaker 1: you can't out wrap me. It's a land slide. Like, Bro, 390 00:20:08,480 --> 00:20:10,720 Speaker 1: you're telling people I can't out wrap a forty five 391 00:20:10,800 --> 00:20:16,160 Speaker 1: your old podcasting. Damn that ain't good. Brow at least 392 00:20:16,200 --> 00:20:18,879 Speaker 1: be like here, you know, here'll give me. You know, 393 00:20:18,920 --> 00:20:21,399 Speaker 1: he'll be a good competition, but I think I win it. 394 00:20:21,800 --> 00:20:24,480 Speaker 1: He'd be on he said that first out of nowhere. Yeah, 395 00:20:24,640 --> 00:20:26,639 Speaker 1: because you know, you know, I'll be doing freestyle his 396 00:20:26,720 --> 00:20:29,800 Speaker 1: little buddies hype up. I'm like, bro, you know his 397 00:20:29,880 --> 00:20:33,199 Speaker 1: little buddies, I mean a little buddies hyping them up. 398 00:20:33,240 --> 00:20:36,560 Speaker 1: And then he just got the talking answer. God watch 399 00:20:36,640 --> 00:20:42,399 Speaker 1: that nigs meet me on the stage. Well, so it 400 00:20:42,400 --> 00:20:45,159 Speaker 1: could be be clear if the right people came in 401 00:20:45,200 --> 00:20:48,520 Speaker 1: the right bad you'll do it. Man, I would have 402 00:20:48,560 --> 00:20:55,400 Speaker 1: a podcast. Wow, damn that it looks so bad they 403 00:20:55,480 --> 00:20:58,040 Speaker 1: have to hand over the podcast to me. You know, 404 00:20:58,119 --> 00:21:01,600 Speaker 1: I'll be having my own podcast, you know what I mean? 405 00:21:01,640 --> 00:21:03,680 Speaker 1: Because I just feel like, brother, just you know, you'd 406 00:21:03,680 --> 00:21:05,520 Speaker 1: be like walking home. You'd be trying to keep your 407 00:21:05,520 --> 00:21:07,560 Speaker 1: little coke. And he could just be like, you know what, 408 00:21:07,920 --> 00:21:09,760 Speaker 1: you're poking at you on the way home, like you're like, bro, 409 00:21:09,840 --> 00:21:11,560 Speaker 1: let me let me put a book bad down, bro, 410 00:21:12,080 --> 00:21:15,600 Speaker 1: don't make me bro. So we got one party committed 411 00:21:15,640 --> 00:21:22,000 Speaker 1: to some in the in the thought of that, that's 412 00:21:22,000 --> 00:21:24,840 Speaker 1: how he be. You know, he like he like compliments you, 413 00:21:24,920 --> 00:21:28,160 Speaker 1: but then like backhand compliment like man, but he's still 414 00:21:28,160 --> 00:21:31,280 Speaker 1: oh that we dick Ryan k all that cap asship. 415 00:21:31,320 --> 00:21:33,400 Speaker 1: I'll be like, man, you know what, you just really 416 00:21:33,440 --> 00:21:35,359 Speaker 1: wish you was just dope as me, But he really 417 00:21:35,400 --> 00:21:39,080 Speaker 1: like love me and and think I'm the dopest maka 418 00:21:39,320 --> 00:21:41,800 Speaker 1: you know heard. So it's like he has this thing. 419 00:21:41,840 --> 00:21:43,960 Speaker 1: I'll just be poking at him like with bro, let's wrap. 420 00:21:44,080 --> 00:21:46,359 Speaker 1: I want to see that. Yeah, let's ripe. So that 421 00:21:46,480 --> 00:21:48,280 Speaker 1: how I didn't be with it, you know what I mean? 422 00:21:48,400 --> 00:21:52,640 Speaker 1: So yeah, what you just told you what I mean? 423 00:21:52,640 --> 00:21:54,320 Speaker 1: He just that what I'm saying, He's just be coming 424 00:21:54,320 --> 00:21:55,879 Speaker 1: at me like you know, he'd be like, man, he 425 00:21:55,920 --> 00:21:59,800 Speaker 1: could wrap but one occasion, no about six them, he 426 00:22:00,480 --> 00:22:04,840 Speaker 1: saying clarity, you did give him some bars to the 427 00:22:04,880 --> 00:22:07,760 Speaker 1: free stuff, which one the one I just put out 428 00:22:08,400 --> 00:22:10,800 Speaker 1: I thought they said it was I don't know the 429 00:22:10,880 --> 00:22:13,600 Speaker 1: little sway ship idea, but you know that the vocals 430 00:22:13,640 --> 00:22:16,479 Speaker 1: got messed up on so I ain't. I ain't. You 431 00:22:16,520 --> 00:22:18,600 Speaker 1: know he heard it, but I ain't trip it wasnot 432 00:22:18,600 --> 00:22:22,840 Speaker 1: It wasn't even. I just said, I get aggravated with Salt. 433 00:22:23,160 --> 00:22:25,520 Speaker 1: Make me funking around and catch an aggravated to salt, 434 00:22:25,920 --> 00:22:28,040 Speaker 1: Joe buttons, why you got so much hate in your heart? 435 00:22:28,280 --> 00:22:30,600 Speaker 1: They don't let you working around and make hating the art. 436 00:22:31,520 --> 00:22:36,400 Speaker 1: That's all I said. That was like a nice like, bro, 437 00:22:36,440 --> 00:22:39,600 Speaker 1: why you keep bothering me? But I don't even know? Yeah, 438 00:22:39,680 --> 00:22:43,160 Speaker 1: I I never met ever nothing, no ship, never meant nothing. 439 00:22:43,240 --> 00:22:45,000 Speaker 1: Yeah we met, but I'm just saying I don't know 440 00:22:45,040 --> 00:22:49,000 Speaker 1: you as well as you boy and all that. You know, 441 00:22:49,080 --> 00:22:53,000 Speaker 1: every time you do something here like blame me like 442 00:22:53,080 --> 00:22:56,080 Speaker 1: man here heron never guess me and like ya y'all 443 00:22:56,160 --> 00:23:00,119 Speaker 1: that ship man, you know what I mean. So it's like, bro, 444 00:23:00,200 --> 00:23:01,960 Speaker 1: why you keep bringing my name? If you got something 445 00:23:01,960 --> 00:23:04,160 Speaker 1: bad to say? If I just talk to talk about home, 446 00:23:04,320 --> 00:23:07,080 Speaker 1: don't bring me into every time you want to talk 447 00:23:07,119 --> 00:23:09,639 Speaker 1: about homes. It's like so I just felt like he 448 00:23:09,720 --> 00:23:12,000 Speaker 1: was just jigging at me and it's like, but it's 449 00:23:12,000 --> 00:23:14,560 Speaker 1: all good. He you know, it's it's all funny games. 450 00:23:14,640 --> 00:23:17,080 Speaker 1: But I just be thinking he'd be acting like he 451 00:23:17,080 --> 00:23:19,679 Speaker 1: can out wrap me and he can't. I want to 452 00:23:19,680 --> 00:23:23,359 Speaker 1: see that was safe. He still I'm still wrapped. Yeah, 453 00:23:23,640 --> 00:23:28,720 Speaker 1: everybody will rapped for the right. Yeah. Nothing recently thol 454 00:23:28,800 --> 00:23:32,320 Speaker 1: right na, But he is known as a good I 455 00:23:32,359 --> 00:23:34,879 Speaker 1: would say that he is a good rapper though, like 456 00:23:34,920 --> 00:23:37,040 Speaker 1: when he was in his time, like for what he did. 457 00:23:37,440 --> 00:23:40,040 Speaker 1: I definitely bought Joe Bundon's albums, you know what I'm saying. 458 00:23:40,080 --> 00:23:43,840 Speaker 1: I bought he sump it up right, Yeah, I used 459 00:23:43,840 --> 00:23:47,000 Speaker 1: to fun will pump it up yea. And he was 460 00:23:47,000 --> 00:23:50,440 Speaker 1: in the group slaughter House. You know. They was like 461 00:23:50,760 --> 00:23:53,000 Speaker 1: the first Grizelda in my opinion, Like it was like 462 00:23:53,040 --> 00:23:56,359 Speaker 1: that that lyrical group. But you know, at the end 463 00:23:56,359 --> 00:23:58,080 Speaker 1: of the day, I ain't running from them. So we 464 00:23:58,240 --> 00:23:59,720 Speaker 1: just if you want to do it, let's do it 465 00:23:59,760 --> 00:24:03,040 Speaker 1: and just have something positive to say. Bro, you know 466 00:24:03,080 --> 00:24:06,640 Speaker 1: what I mean. That's clarity on that. It's just clarity 467 00:24:06,640 --> 00:24:08,959 Speaker 1: on that. How long have you been working on this 468 00:24:09,000 --> 00:24:12,440 Speaker 1: story of the ego album? He got? He Got? So 469 00:24:12,560 --> 00:24:16,000 Speaker 1: he got as an Emmy, Grammy, Oscar Tony. I'm trying 470 00:24:16,040 --> 00:24:20,200 Speaker 1: to win all the motherfucker's so, um, I've been working 471 00:24:20,240 --> 00:24:23,119 Speaker 1: on you about two two and a a yeah, okay, I 472 00:24:23,240 --> 00:24:28,000 Speaker 1: just gav yeah. So it's like an acrony. And this 473 00:24:28,080 --> 00:24:31,320 Speaker 1: guy named Philip Michael Thomas came up when he was 474 00:24:31,359 --> 00:24:34,800 Speaker 1: the dude from Miami Vice and that was one of 475 00:24:34,840 --> 00:24:36,600 Speaker 1: his goals. He was like a musician, but he was 476 00:24:36,640 --> 00:24:42,199 Speaker 1: really like a yeah yeah. So it's like he like 477 00:24:42,320 --> 00:24:44,680 Speaker 1: a nigga who wanted to win them all but wants 478 00:24:44,680 --> 00:24:47,040 Speaker 1: the show got canceled. He never got his foot in. 479 00:24:47,520 --> 00:24:51,719 Speaker 1: But you know, most entertainer still respect like the the 480 00:24:51,800 --> 00:24:55,160 Speaker 1: journey of that. So Jennifer Huston just won the guys, 481 00:24:55,240 --> 00:24:57,920 Speaker 1: she got all four of them, but people like John 482 00:24:58,000 --> 00:25:01,000 Speaker 1: Legend got it WHOOPI Goldberg. But then you know you 483 00:25:01,040 --> 00:25:05,879 Speaker 1: got get niggas like yeah, but you got niggas like 484 00:25:05,960 --> 00:25:10,360 Speaker 1: Common that got like three of them. Child Gambino got 485 00:25:10,400 --> 00:25:12,520 Speaker 1: like two or three. So it's like it's like a 486 00:25:12,640 --> 00:25:15,080 Speaker 1: race to it for like, you know, entertainers. And it's 487 00:25:15,119 --> 00:25:17,960 Speaker 1: like correct me if I'm wrong, but a Tony is 488 00:25:17,960 --> 00:25:20,879 Speaker 1: a theatrical award, right, yeah, for like Broadway or something like, 489 00:25:21,680 --> 00:25:25,399 Speaker 1: but me, I just always felt like I was, you know, 490 00:25:25,600 --> 00:25:28,720 Speaker 1: super talented growing. I was in the talent shows, rapping, singing, 491 00:25:28,680 --> 00:25:31,159 Speaker 1: and he's singing the choir all type of ship. So 492 00:25:31,200 --> 00:25:33,680 Speaker 1: it's like I just kind of wanted to really show 493 00:25:33,720 --> 00:25:36,800 Speaker 1: my diversity on my album and didn't give you the 494 00:25:36,840 --> 00:25:40,160 Speaker 1: story of And the story is really like the Atlanta Plight, 495 00:25:40,440 --> 00:25:42,440 Speaker 1: you know what I mean. You know what I mean, 496 00:25:42,520 --> 00:25:44,480 Speaker 1: Me coming up, you know what I mean, getting kicked 497 00:25:44,480 --> 00:25:46,400 Speaker 1: out of school. They tell me you got go to Hambleton's. 498 00:25:46,400 --> 00:25:49,400 Speaker 1: You're like, I'm not going to Hamilton's. I wasn't going 499 00:25:49,440 --> 00:25:51,399 Speaker 1: to Hamilton. I was like, okay, send me to Open Campa. 500 00:25:51,440 --> 00:25:54,320 Speaker 1: Like going to Open campl I'm not going. You know, 501 00:25:54,359 --> 00:25:56,720 Speaker 1: you just heard stories about him, like I already know 502 00:25:56,760 --> 00:25:58,439 Speaker 1: the first day I'm in there and we're gonna get 503 00:25:58,440 --> 00:26:01,399 Speaker 1: the hooking with somebody. It was just that was the theory. 504 00:26:01,480 --> 00:26:05,320 Speaker 1: So after that, just you know, moving throughout Atlanta doing 505 00:26:05,359 --> 00:26:07,399 Speaker 1: what a're doing, just kind of like giving the story 506 00:26:07,560 --> 00:26:09,720 Speaker 1: because a lot of people don't know my story. Like 507 00:26:09,760 --> 00:26:12,159 Speaker 1: I've been signed by l a A A very twice. You 508 00:26:12,200 --> 00:26:14,719 Speaker 1: know what I'm saying. Um, you know what I used 509 00:26:14,760 --> 00:26:17,120 Speaker 1: to work, work with a cons and booing them. Then 510 00:26:17,119 --> 00:26:20,199 Speaker 1: you know, ye met me and it's like, yo, you 511 00:26:20,200 --> 00:26:22,040 Speaker 1: should help me come do this. So it's just like 512 00:26:22,440 --> 00:26:24,760 Speaker 1: giving that journey of you know what I'm saying, where 513 00:26:24,760 --> 00:26:28,600 Speaker 1: I really came from throughout music. You feel like it's 514 00:26:28,600 --> 00:26:31,520 Speaker 1: hard after you being like a writer or producing the 515 00:26:31,520 --> 00:26:36,199 Speaker 1: background to be an actual artist. Um, it can be. 516 00:26:36,560 --> 00:26:39,240 Speaker 1: It can be, especially on my level because I think 517 00:26:39,280 --> 00:26:41,960 Speaker 1: that a lot of people just want me to do that. 518 00:26:42,320 --> 00:26:44,600 Speaker 1: Like they were like, we gotta find a whole new 519 00:26:44,680 --> 00:26:46,280 Speaker 1: nigga to coming here, and like in the job of 520 00:26:46,320 --> 00:26:48,760 Speaker 1: the room, if this nign't go somewhere, So it's like 521 00:26:48,840 --> 00:26:50,800 Speaker 1: that you could you could peep there be like you 522 00:26:50,800 --> 00:26:52,439 Speaker 1: know what, tell us how to car here? But I 523 00:26:52,480 --> 00:26:57,399 Speaker 1: think it ain't too because it's like, you know, when 524 00:26:57,440 --> 00:26:59,680 Speaker 1: I do put out something to get such a great reaction, 525 00:27:00,280 --> 00:27:02,280 Speaker 1: it's like, Okay, if I just build on it, I 526 00:27:02,280 --> 00:27:05,399 Speaker 1: already know where it could ultimately become, you know what 527 00:27:05,440 --> 00:27:08,000 Speaker 1: I'm saying. So it's just me just taking the time 528 00:27:08,000 --> 00:27:10,639 Speaker 1: out of my other career to be like kind of 529 00:27:10,680 --> 00:27:12,840 Speaker 1: be selfish about it because they're gonna cut you a 530 00:27:12,880 --> 00:27:17,040 Speaker 1: nice check where you're gonna think about like you know what, Mamber, 531 00:27:17,080 --> 00:27:19,200 Speaker 1: It's just out here for three months, and like, you 532 00:27:19,280 --> 00:27:22,600 Speaker 1: know what I mean. So me just got the music 533 00:27:22,680 --> 00:27:24,520 Speaker 1: kind of like I always love music, but it just 534 00:27:24,520 --> 00:27:26,119 Speaker 1: got me out of the streets. I never wanted to 535 00:27:26,160 --> 00:27:28,560 Speaker 1: be a street name, so I think that was the 536 00:27:28,560 --> 00:27:30,520 Speaker 1: best things. So when I got my first industry check, 537 00:27:30,560 --> 00:27:33,439 Speaker 1: I just like, yeah, y'all got it. I'm out, you 538 00:27:33,480 --> 00:27:36,119 Speaker 1: know what I mean. So I think I kind of 539 00:27:36,160 --> 00:27:38,880 Speaker 1: became like I used to just being able to take 540 00:27:38,920 --> 00:27:42,320 Speaker 1: care of myself my family through music anyway. But now 541 00:27:42,359 --> 00:27:44,000 Speaker 1: I think it's I'm to the point where it's like, 542 00:27:44,040 --> 00:27:45,880 Speaker 1: you know what, let me go on and give me 543 00:27:46,000 --> 00:27:48,959 Speaker 1: get my full effort to my career, you know what 544 00:27:48,960 --> 00:27:50,600 Speaker 1: I'm saying, to see where it takes me. So that's 545 00:27:50,640 --> 00:27:52,800 Speaker 1: what I'm doing now. So when you when you made 546 00:27:52,840 --> 00:27:56,560 Speaker 1: that decision, be like that, now all right, I'm just 547 00:27:56,560 --> 00:27:58,280 Speaker 1: about to do this news ship. How many friends did 548 00:27:58,320 --> 00:28:04,320 Speaker 1: you lose? All up? They didn't want me to lead 549 00:28:04,359 --> 00:28:07,680 Speaker 1: because it just like, you know, I was really focused 550 00:28:07,680 --> 00:28:09,720 Speaker 1: on the music ship, and he was like Folte one 551 00:28:09,760 --> 00:28:12,200 Speaker 1: ft and one ft out kind of vibe. And then 552 00:28:12,200 --> 00:28:15,400 Speaker 1: you know, just being around it, you automatically just gonna 553 00:28:15,480 --> 00:28:17,240 Speaker 1: be in the you know what I mean, in the 554 00:28:17,240 --> 00:28:19,520 Speaker 1: mix for me, I just was like, you know what, 555 00:28:19,720 --> 00:28:22,280 Speaker 1: the folks just cut me a good check, Like my 556 00:28:22,320 --> 00:28:24,760 Speaker 1: mind would go and do this, you know what I mean. 557 00:28:25,119 --> 00:28:27,000 Speaker 1: You know I had to move to l A and 558 00:28:27,040 --> 00:28:29,080 Speaker 1: different things I worked with. People I was working with 559 00:28:29,080 --> 00:28:31,399 Speaker 1: was like in the l A and Ship. So a 560 00:28:31,400 --> 00:28:33,720 Speaker 1: lot of times you can't bring all everybody with you 561 00:28:33,800 --> 00:28:35,800 Speaker 1: to l A, you know what I mean. So you 562 00:28:35,800 --> 00:28:37,800 Speaker 1: know in my main guys like you know what I'm saying, 563 00:28:37,800 --> 00:28:39,560 Speaker 1: Like I'm parting the MIC and ship. They still we're 564 00:28:39,560 --> 00:28:42,360 Speaker 1: still rocking. But other than that, was just like my 565 00:28:42,720 --> 00:28:46,520 Speaker 1: my neighborhood partners. Man, we used to walk in sessions. Man, 566 00:28:46,600 --> 00:28:48,680 Speaker 1: be so deep they used back then. It was like 567 00:28:49,120 --> 00:28:54,040 Speaker 1: we had this like sugar Knight Night kind of stigma. Yeah, 568 00:28:54,040 --> 00:28:55,800 Speaker 1: because we had we was onto some old g's that 569 00:28:55,920 --> 00:28:58,000 Speaker 1: was just like super tough, you know what I mean. 570 00:28:58,040 --> 00:29:00,560 Speaker 1: It was just like everybody be like and we can't 571 00:29:00,600 --> 00:29:02,680 Speaker 1: any work with you. Like they hit me on the 572 00:29:02,680 --> 00:29:05,320 Speaker 1: side like who came into world? Which because you kind 573 00:29:05,320 --> 00:29:09,080 Speaker 1: of and I'm like, man, who like you know these 574 00:29:09,120 --> 00:29:11,480 Speaker 1: things on my round. But it's like I was so 575 00:29:11,600 --> 00:29:15,200 Speaker 1: young growing up, I started seeing like, Okay, they need 576 00:29:15,240 --> 00:29:18,040 Speaker 1: for real. These ain't just like my other street buddies 577 00:29:18,040 --> 00:29:19,920 Speaker 1: like I had my street buddies, but the dude that 578 00:29:19,960 --> 00:29:23,720 Speaker 1: were under it was just making the labels and ship nervous. 579 00:29:23,920 --> 00:29:25,760 Speaker 1: So it was just like, okay, let me see if 580 00:29:25,760 --> 00:29:28,640 Speaker 1: I can go and represent myself kind of vibe. And 581 00:29:28,120 --> 00:29:30,760 Speaker 1: then that's kind of what a transition kind of came 582 00:29:30,840 --> 00:29:34,120 Speaker 1: for me. Was just like I'm just gonna full fledged music. 583 00:29:34,880 --> 00:29:36,680 Speaker 1: So that's why it was that with me, you spoke 584 00:29:36,720 --> 00:29:39,880 Speaker 1: earlier about what you feel Atlanta has become what some 585 00:29:39,920 --> 00:29:43,479 Speaker 1: of the ship you miss about the old Atlanta before, 586 00:29:43,480 --> 00:29:45,720 Speaker 1: that's what has become. Man. When it was a secret, 587 00:29:46,480 --> 00:29:48,600 Speaker 1: it was just like, man, it was it was like 588 00:29:49,520 --> 00:29:52,240 Speaker 1: buff was just it wasn't the influx to Atlanta like, 589 00:29:53,080 --> 00:29:54,840 Speaker 1: but then I think it was like two thousand ten 590 00:29:54,960 --> 00:29:56,360 Speaker 1: became a point where it was like, man, you know 591 00:29:56,360 --> 00:29:58,760 Speaker 1: that in Atlanta, bro, it was like that was the 592 00:29:59,520 --> 00:30:03,880 Speaker 1: atta like the Montaucker's you don't get a crimp. It's like, 593 00:30:03,920 --> 00:30:06,800 Speaker 1: oh man, quick telling them that. And now it's like 594 00:30:07,040 --> 00:30:09,200 Speaker 1: Atlanta is just like a melting pot. Now that's what 595 00:30:09,240 --> 00:30:11,600 Speaker 1: me and my buddy Jamir was talking about. Just had 596 00:30:11,640 --> 00:30:14,720 Speaker 1: some melting pot of so many different people. So it's 597 00:30:14,760 --> 00:30:18,200 Speaker 1: like the lines can be jaded, communication could be all 598 00:30:19,040 --> 00:30:22,080 Speaker 1: certain things could be fixed if it's stayed amongst family. 599 00:30:22,120 --> 00:30:25,720 Speaker 1: But now you got people from the outside here that's 600 00:30:25,760 --> 00:30:28,000 Speaker 1: in the mix of what's going on as well, So 601 00:30:28,040 --> 00:30:31,360 Speaker 1: it just it makes it like, you know, and then 602 00:30:31,440 --> 00:30:34,160 Speaker 1: the pandemic kind of threw everything off as well, so 603 00:30:34,200 --> 00:30:37,600 Speaker 1: it's just like people like, oh, they still opening the lima, 604 00:30:37,680 --> 00:30:40,040 Speaker 1: so it's like, Okay, we're gonna go down there and 605 00:30:40,160 --> 00:30:43,360 Speaker 1: you know, do work out moves. So I think that 606 00:30:43,360 --> 00:30:46,320 Speaker 1: that was just the you know, the lines have been 607 00:30:47,040 --> 00:30:49,880 Speaker 1: they cut off and you know, redirected due to like 608 00:30:50,000 --> 00:30:53,080 Speaker 1: so many people coming to Atlanta. So I just think 609 00:30:53,120 --> 00:30:55,760 Speaker 1: that's really what it is. But you know, it's still 610 00:30:55,880 --> 00:30:58,280 Speaker 1: the old vibe is still here, Like the old Atlanta 611 00:30:58,360 --> 00:31:01,240 Speaker 1: vibe is still here. Is just most people from Atlanta 612 00:31:01,320 --> 00:31:04,000 Speaker 1: be off now it's like you know what I mean, 613 00:31:04,040 --> 00:31:05,520 Speaker 1: they'd be out the way and just let you know 614 00:31:05,560 --> 00:31:07,640 Speaker 1: what I mean, let the newcomers kind of like how 615 00:31:07,680 --> 00:31:11,200 Speaker 1: they the strip club and yeah, whatever they do. But 616 00:31:11,600 --> 00:31:13,760 Speaker 1: I think that was the biggest thing, just like it 617 00:31:13,840 --> 00:31:15,840 Speaker 1: used to be more of a family, more of a 618 00:31:17,080 --> 00:31:19,720 Speaker 1: uh if you know, you know kind of vibe versus 619 00:31:19,800 --> 00:31:22,960 Speaker 1: like nas like then you know music then you know 620 00:31:23,000 --> 00:31:24,520 Speaker 1: when it's crazy just then want to come out and 621 00:31:24,680 --> 00:31:28,040 Speaker 1: get a record, deals like bros, like everybody on the 622 00:31:28,120 --> 00:31:32,040 Speaker 1: strip clubs. It's just entrepreneurship just in general. You people 623 00:31:32,080 --> 00:31:35,240 Speaker 1: feel like that could open the business. It's people you know, 624 00:31:35,600 --> 00:31:39,400 Speaker 1: you know, politicking and you know, doing companies together. So 625 00:31:39,480 --> 00:31:42,640 Speaker 1: it's so much that draws a person here that now 626 00:31:42,680 --> 00:31:45,719 Speaker 1: it's just like you know, you meet new people when 627 00:31:45,760 --> 00:31:48,360 Speaker 1: you used to just meet the people you knew, you 628 00:31:48,400 --> 00:31:50,200 Speaker 1: know what I mean? Then I was a bar. Y'all 629 00:31:50,200 --> 00:31:56,000 Speaker 1: can go on in that some of your favorite spots 630 00:31:56,000 --> 00:32:01,440 Speaker 1: outside of UM as far as one of state state countries. Man, 631 00:32:01,560 --> 00:32:06,240 Speaker 1: and I would encourage y'all to go to Wyoming, Like 632 00:32:06,800 --> 00:32:08,600 Speaker 1: you got to break that down for like I mean, 633 00:32:08,640 --> 00:32:10,800 Speaker 1: I try to encourage people like I lived in Wyoming 634 00:32:10,840 --> 00:32:14,920 Speaker 1: for two years. That that's what he was, you know 635 00:32:14,920 --> 00:32:16,840 Speaker 1: what I'm saying. So it was like it was a 636 00:32:16,840 --> 00:32:18,800 Speaker 1: good two years. But what's the capital of wine. I'm 637 00:32:18,840 --> 00:32:23,480 Speaker 1: just trying to trying to think, well, damn, there's two 638 00:32:23,520 --> 00:32:28,080 Speaker 1: of them. I'm couldn't look it up. Hold on, you 639 00:32:28,120 --> 00:32:32,200 Speaker 1: said that's one place I've never been, saying, like I 640 00:32:32,320 --> 00:32:35,360 Speaker 1: encourage people go if you ain't never being because it's 641 00:32:35,400 --> 00:32:39,680 Speaker 1: like a cool like it's like it's like being outside 642 00:32:39,800 --> 00:32:42,640 Speaker 1: and don't hear no, cause you don't hear like it's 643 00:32:42,680 --> 00:32:47,000 Speaker 1: like twise like nature. Yeah, you know what I mean. 644 00:32:47,080 --> 00:32:52,320 Speaker 1: They got the spot called I'm a Ghani. It's a hotel. 645 00:32:52,360 --> 00:32:56,440 Speaker 1: It's like the best hotel. You never go there. I'm 646 00:32:56,480 --> 00:32:59,240 Speaker 1: a gami. Yeah, I'm a Ghani. I'm a gami something 647 00:32:59,280 --> 00:33:01,360 Speaker 1: like that. It's one of them. But if you look 648 00:33:01,400 --> 00:33:04,120 Speaker 1: at it, they they treat you like a keen the 649 00:33:04,160 --> 00:33:07,280 Speaker 1: whole time. You know, the food is busting, you get 650 00:33:07,320 --> 00:33:10,440 Speaker 1: to go skiing, you know, horsebackground. But it's just it's 651 00:33:10,480 --> 00:33:12,960 Speaker 1: like a little community and they treat you like a whole. 652 00:33:13,000 --> 00:33:17,480 Speaker 1: Player though. But Wyoming is definitely a place any not 653 00:33:17,520 --> 00:33:19,920 Speaker 1: a lot of black people, but it's gonna be player though. 654 00:33:19,960 --> 00:33:21,480 Speaker 1: You're gonna like it though. You gotta go with the 655 00:33:21,480 --> 00:33:27,000 Speaker 1: white Yeah. Yeah, that is no hood. Yeah, there's no 656 00:33:27,040 --> 00:33:31,880 Speaker 1: hood and no ship. You know, you're just speaking America, 657 00:33:32,560 --> 00:33:36,040 Speaker 1: you know, That's what I'm saying. Hotel. Yeah, but you know, 658 00:33:36,320 --> 00:33:38,160 Speaker 1: out the country, you know, it's a lot of beautiful 659 00:33:38,200 --> 00:33:41,640 Speaker 1: places but um to me, like in the country that 660 00:33:41,720 --> 00:33:43,920 Speaker 1: song where I tell people you might even go to Utah, 661 00:33:44,040 --> 00:33:47,480 Speaker 1: got some dope, some dope scene and read some dope spots. Um, 662 00:33:47,920 --> 00:33:49,600 Speaker 1: because I know all y'll probably have been to like 663 00:33:49,840 --> 00:33:53,440 Speaker 1: Texas and you know, you know New York's never been 664 00:33:53,440 --> 00:33:57,000 Speaker 1: in Utah or yeah, go to both or I've never been. 665 00:33:58,440 --> 00:34:04,040 Speaker 1: What about relationship? Relationship? Like, um, I ain't. I ain't 666 00:34:04,080 --> 00:34:10,240 Speaker 1: got no relationship. Damn. I mean, I'll be thinking about it. 667 00:34:10,600 --> 00:34:15,440 Speaker 1: I just can't. What's the hesitation? Man? You know it? 668 00:34:15,600 --> 00:34:20,680 Speaker 1: Just be with me and just be like, Man, it 669 00:34:20,719 --> 00:34:22,360 Speaker 1: would be like the Insu Board Nation, you know how 670 00:34:22,440 --> 00:34:25,359 Speaker 1: nigga just go out here and just be like it's 671 00:34:25,360 --> 00:34:29,120 Speaker 1: almost like, you know what in all types of bullshit 672 00:34:29,239 --> 00:34:32,880 Speaker 1: to get this money, dude, resources you dealing with a 673 00:34:32,960 --> 00:34:35,120 Speaker 1: chick that just ain't grateful, you know what I mean? 674 00:34:35,120 --> 00:34:37,480 Speaker 1: It would be like, so I just be like, I 675 00:34:37,520 --> 00:34:39,680 Speaker 1: got a whole bunch of you know, home girls, and 676 00:34:39,760 --> 00:34:41,480 Speaker 1: you know, I got a few of those, and you know, 677 00:34:42,120 --> 00:34:45,479 Speaker 1: I kind of just but eventually I'm gonna share to one. 678 00:34:45,680 --> 00:34:47,839 Speaker 1: I'm gonna end up like you know what, come on, 679 00:34:47,920 --> 00:34:50,000 Speaker 1: they're going on and go with it. But that's sounding 680 00:34:50,080 --> 00:34:52,000 Speaker 1: like you're selling them. That doesn't sound like this you 681 00:34:52,400 --> 00:34:55,280 Speaker 1: I mean, don't come on, they go. I mean, because 682 00:34:55,280 --> 00:34:58,400 Speaker 1: it's come on. It's almost like a lot of times 683 00:34:58,880 --> 00:35:00,360 Speaker 1: I don't want to say that's what I feel like 684 00:35:00,400 --> 00:35:03,960 Speaker 1: we do. But it's like sometimes you you just get 685 00:35:03,960 --> 00:35:05,759 Speaker 1: with somebody that you feel like, no, you will even 686 00:35:05,760 --> 00:35:08,399 Speaker 1: though they ain't the best person for you, and be like, Okay, 687 00:35:08,480 --> 00:35:10,960 Speaker 1: y'all know each other well, you know her bullshit, you 688 00:35:10,960 --> 00:35:13,440 Speaker 1: know your bullshit, Just like, all right, I feel like 689 00:35:13,440 --> 00:35:15,799 Speaker 1: we can deal with each other versus you mean, a 690 00:35:15,840 --> 00:35:18,040 Speaker 1: new motherfucker that ain't been down with you, she did 691 00:35:18,080 --> 00:35:20,400 Speaker 1: some bullshit to you. It's like, man, I know I 692 00:35:20,440 --> 00:35:22,759 Speaker 1: should have you know what I mean? So I think 693 00:35:22,760 --> 00:35:25,400 Speaker 1: I'm at that level of do I just go and 694 00:35:26,480 --> 00:35:28,200 Speaker 1: do I got to move forward with one of my 695 00:35:28,280 --> 00:35:31,520 Speaker 1: new pieces or do I Just like you don't think 696 00:35:31,520 --> 00:35:34,120 Speaker 1: it's no value, and for some people, just for some people, 697 00:35:34,400 --> 00:35:36,520 Speaker 1: you don't think it's no value. And sometimes a woman 698 00:35:36,600 --> 00:35:39,680 Speaker 1: can help enhance your situation. I mean, for me personally, 699 00:35:40,000 --> 00:35:42,640 Speaker 1: my wife did. But everybody's different. But there's no value 700 00:35:42,640 --> 00:35:46,040 Speaker 1: in that. I mean, But I think I think maybe 701 00:35:46,080 --> 00:35:48,640 Speaker 1: for you it was like I ain't been in I've 702 00:35:48,680 --> 00:35:51,560 Speaker 1: been like a globe try to my whole life, you 703 00:35:51,600 --> 00:35:54,120 Speaker 1: know what I mean. So I'm in Switzerland, I'm in parents. 704 00:35:54,239 --> 00:35:57,759 Speaker 1: I mean, it's just like I got I gotta some 705 00:35:57,920 --> 00:36:00,640 Speaker 1: much ship everywhere. Brother to be all the way honest 706 00:36:00,680 --> 00:36:02,759 Speaker 1: with you. But I think I think, like for the 707 00:36:02,840 --> 00:36:04,799 Speaker 1: last three years have been my first time I've been 708 00:36:04,840 --> 00:36:08,200 Speaker 1: able to like just be in Atlanta for like a 709 00:36:09,120 --> 00:36:12,319 Speaker 1: long period of time versus like, you know, doing my things. 710 00:36:12,440 --> 00:36:15,000 Speaker 1: So I think, you know, soon or later, it's gonna 711 00:36:15,040 --> 00:36:17,840 Speaker 1: it's gonna come around. But I'm just stuck in between. 712 00:36:17,880 --> 00:36:21,560 Speaker 1: Like man, you know, I got new pieces that I like, 713 00:36:21,719 --> 00:36:23,319 Speaker 1: but then I got like a home girl who've been 714 00:36:23,360 --> 00:36:26,200 Speaker 1: just rocket with me for you know, you're through the struggle. 715 00:36:26,320 --> 00:36:28,680 Speaker 1: So it's like, you know, I'm gonna make a decision 716 00:36:28,760 --> 00:36:30,239 Speaker 1: one of these days. I feel like one of them 717 00:36:30,280 --> 00:36:32,160 Speaker 1: gonna present theirselfs in that way that's gonna be like, 718 00:36:32,200 --> 00:36:35,160 Speaker 1: you know what I got you with you on some 719 00:36:35,239 --> 00:36:36,960 Speaker 1: open ship. You tell all of them what it is. 720 00:36:36,960 --> 00:36:39,040 Speaker 1: Oh yeah, absolutely, I ain't let me keep the boat, 721 00:36:39,080 --> 00:36:40,880 Speaker 1: which I ain't had a girlfriends And I was twenty 722 00:36:40,920 --> 00:36:46,080 Speaker 1: one h and she was like fifteen years ago. M hm. 723 00:36:46,680 --> 00:36:49,560 Speaker 1: I just ain't never. I would just never let me 724 00:36:49,640 --> 00:36:52,839 Speaker 1: tell something. Growing up around some rich nigga is right, 725 00:36:53,120 --> 00:36:55,719 Speaker 1: a nigga, bump your bitch. I'm just gonna keep it. 726 00:36:56,880 --> 00:37:00,520 Speaker 1: So I learned early, like, you know what, I don't 727 00:37:00,560 --> 00:37:03,120 Speaker 1: have a girlfriend. You know, I like you, you can 728 00:37:03,640 --> 00:37:05,680 Speaker 1: whatever you feel like you want to do. But me 729 00:37:05,800 --> 00:37:08,560 Speaker 1: growing up around you know, rich niggas is being young. 730 00:37:08,800 --> 00:37:11,239 Speaker 1: Your girl would be in the other room. But you know, 731 00:37:11,320 --> 00:37:13,200 Speaker 1: it's all in the game. So it's just like me, 732 00:37:13,239 --> 00:37:16,239 Speaker 1: I just never wanted to take that leak. Yeah, I 733 00:37:16,239 --> 00:37:18,040 Speaker 1: ain't you know what I mean. After when I was 734 00:37:18,080 --> 00:37:19,680 Speaker 1: young and took the lick, I was like, you know what, 735 00:37:20,840 --> 00:37:23,200 Speaker 1: I'm cool, let me go on to focus on And 736 00:37:23,200 --> 00:37:25,759 Speaker 1: then I felt like it's more peaceful when I just 737 00:37:25,880 --> 00:37:29,239 Speaker 1: be a buck with him. So facts, you know what 738 00:37:29,600 --> 00:37:31,520 Speaker 1: I want to go for friendship to marriage. I don't 739 00:37:31,560 --> 00:37:33,759 Speaker 1: want to go into like I don't like to the 740 00:37:33,880 --> 00:37:36,640 Speaker 1: bolfriend and girlfriend stage, like it'd be too much deceitful 741 00:37:36,680 --> 00:37:39,560 Speaker 1: ship going on in that stage. You know what I mean. 742 00:37:39,640 --> 00:37:42,000 Speaker 1: I know all the girls, I know all the ballplayers. 743 00:37:42,040 --> 00:37:45,840 Speaker 1: My girls then hit all the rappers. We have great 744 00:37:45,880 --> 00:37:48,000 Speaker 1: conversations about it. I'll be like, well, why are your funk? 745 00:37:48,040 --> 00:37:50,880 Speaker 1: Wouldn't took me me the first? I don't want to 746 00:37:50,920 --> 00:37:53,520 Speaker 1: go on like we've been having a new type of conversation, 747 00:37:53,680 --> 00:37:56,920 Speaker 1: so you know, but I think now it's like I'm 748 00:37:56,960 --> 00:37:59,480 Speaker 1: I have been, you know, looking towards that I haven't 749 00:37:59,520 --> 00:38:03,359 Speaker 1: scared and back so you know, hopefully it comes song. 750 00:38:03,960 --> 00:38:07,000 Speaker 1: M hmm. What's the ship on your two accomplished list 751 00:38:07,040 --> 00:38:10,000 Speaker 1: now that you obviously with the album kind of says 752 00:38:10,040 --> 00:38:13,480 Speaker 1: some of those goals. What's some ship on your accomplished list? Now? Man, 753 00:38:13,520 --> 00:38:16,319 Speaker 1: I want to run a record label. I never want 754 00:38:16,320 --> 00:38:19,120 Speaker 1: to an r CEO something. You know what I mean, 755 00:38:19,120 --> 00:38:22,080 Speaker 1: because I feel like I did it, like you know 756 00:38:23,000 --> 00:38:26,800 Speaker 1: a lot of times I had this stand with record labels. 757 00:38:27,560 --> 00:38:30,759 Speaker 1: So being from Atlanta, my recorlator, like, man, you know, 758 00:38:31,280 --> 00:38:33,279 Speaker 1: why don't you go like get your ship popping in 759 00:38:33,360 --> 00:38:36,680 Speaker 1: the street like all the other Like you know, you 760 00:38:36,719 --> 00:38:41,000 Speaker 1: know what, most of these major labels are lacking and missing, 761 00:38:41,600 --> 00:38:44,840 Speaker 1: and your record label would be the complete in total 762 00:38:44,880 --> 00:38:48,840 Speaker 1: opposite to give an artist exactly what they need, Like 763 00:38:48,920 --> 00:38:52,080 Speaker 1: I can get you popping with no money, you can 764 00:38:52,120 --> 00:38:54,600 Speaker 1: undersay versus most time don't want to sing you back, 765 00:38:54,719 --> 00:38:57,080 Speaker 1: you get your check up, you do what you gotta do, 766 00:38:57,239 --> 00:39:00,399 Speaker 1: and then it's like, but that's like I'm mean, during 767 00:39:00,440 --> 00:39:02,480 Speaker 1: that process is a lot of niggas who don't make 768 00:39:02,520 --> 00:39:05,520 Speaker 1: it through that gauntlet, you know what I mean, Like 769 00:39:05,560 --> 00:39:08,160 Speaker 1: we we people look at the landa like, man, y'all 770 00:39:08,160 --> 00:39:10,880 Speaker 1: got so many rapping Like man, that's them niggas. It's 771 00:39:10,920 --> 00:39:14,760 Speaker 1: special little babies. And all the niggas is like special 772 00:39:14,840 --> 00:39:18,319 Speaker 1: because I know fifty little babies that didn't make it, 773 00:39:19,600 --> 00:39:22,520 Speaker 1: you know what I'm saying, Like for real, and they'd 774 00:39:22,520 --> 00:39:23,960 Speaker 1: be like, yo, get your street. But so you know, 775 00:39:24,000 --> 00:39:26,120 Speaker 1: you gotta go back to your neighborhood. And the only 776 00:39:26,160 --> 00:39:28,399 Speaker 1: thing in your neighborhood that really gotta chick to put 777 00:39:28,440 --> 00:39:31,880 Speaker 1: behind your ship is a real nigga. So it's like 778 00:39:31,960 --> 00:39:34,080 Speaker 1: now you're doing being with him. Now y'all called into 779 00:39:34,120 --> 00:39:36,840 Speaker 1: something and you're really just trying to do music. But 780 00:39:36,920 --> 00:39:38,920 Speaker 1: it's like you just get caught in the in the 781 00:39:38,960 --> 00:39:42,359 Speaker 1: mix of trying to jump some ship off and they 782 00:39:42,560 --> 00:39:44,400 Speaker 1: really tell you it's possible if you're coming here with 783 00:39:44,440 --> 00:39:46,200 Speaker 1: your own ship. So it makes you want to get 784 00:39:46,200 --> 00:39:49,239 Speaker 1: it even mold. So you you step on something you 785 00:39:49,280 --> 00:39:53,319 Speaker 1: to kind of get to that spot and music versus me, 786 00:39:53,440 --> 00:39:55,560 Speaker 1: I can take you through that. Oh here, maybe a 787 00:39:55,600 --> 00:39:57,560 Speaker 1: little longer. Like most of the artists I work where 788 00:39:57,520 --> 00:39:59,680 Speaker 1: I tell a man, I'm gonna bring your town. Some 789 00:39:59,680 --> 00:40:02,520 Speaker 1: of these studios play with some of your records. Some 790 00:40:02,560 --> 00:40:04,040 Speaker 1: of these artists might want you to help them with 791 00:40:04,160 --> 00:40:09,120 Speaker 1: their records. To me, that was my version of my trap. Well, 792 00:40:09,120 --> 00:40:10,680 Speaker 1: I got to the point of making another money where 793 00:40:10,680 --> 00:40:13,360 Speaker 1: I can invest in myself from what I did for 794 00:40:13,400 --> 00:40:15,080 Speaker 1: other people, you know what I mean. So it's a 795 00:40:15,600 --> 00:40:18,320 Speaker 1: it's a different way of looking at it, but still 796 00:40:18,320 --> 00:40:20,279 Speaker 1: it might be a little longer, but it's still a 797 00:40:20,280 --> 00:40:22,400 Speaker 1: way where you could be able a core fan base. 798 00:40:23,000 --> 00:40:25,719 Speaker 1: You can still tour, you can still do this ship 799 00:40:25,719 --> 00:40:27,839 Speaker 1: to you seven years old, you know what I mean. 800 00:40:27,880 --> 00:40:30,240 Speaker 1: If you really hone in on the craft and really 801 00:40:30,800 --> 00:40:33,879 Speaker 1: figure out your torn situation and your marketing situation, get 802 00:40:33,880 --> 00:40:37,160 Speaker 1: you a good solid management crew, and you can you know, 803 00:40:37,200 --> 00:40:41,440 Speaker 1: get you some dope you know, photographers and a videographer. 804 00:40:42,600 --> 00:40:45,359 Speaker 1: You cook it up and the minimal the minimalistic shit 805 00:40:45,480 --> 00:40:47,799 Speaker 1: about it is what's gonna make people gravitate to it 806 00:40:47,880 --> 00:40:50,319 Speaker 1: as well. So it's just a different way of doing it, 807 00:40:50,320 --> 00:40:52,640 Speaker 1: But I would love to like be able to show 808 00:40:52,680 --> 00:40:56,520 Speaker 1: the value of you know, that that side of just 809 00:40:56,600 --> 00:41:00,920 Speaker 1: schemeing your way through versus like, you know, let's get 810 00:41:00,920 --> 00:41:05,120 Speaker 1: out of play ship. So you know, just that's why 811 00:41:05,120 --> 00:41:06,719 Speaker 1: I want to just bring back to labels and I 812 00:41:06,760 --> 00:41:10,000 Speaker 1: think that could you know, balance out what type of 813 00:41:10,080 --> 00:41:13,000 Speaker 1: music we're making and the lifestyle that most of these 814 00:41:13,000 --> 00:41:16,399 Speaker 1: guys gotta live to really really put on and really 815 00:41:16,440 --> 00:41:27,160 Speaker 1: put themselves out there that we're not getting big. If 816 00:41:27,160 --> 00:41:29,120 Speaker 1: you ain't never getting a rap, what you think you 817 00:41:28,960 --> 00:41:31,160 Speaker 1: you would end up doing now. I was supposed to 818 00:41:31,160 --> 00:41:35,480 Speaker 1: be in the NFL growing up, tail man, play, tailback 819 00:41:35,520 --> 00:41:40,640 Speaker 1: and slide yeah, all counting nine grade track and football. 820 00:41:41,560 --> 00:41:43,880 Speaker 1: But then you know, I started sneaking out the Diddy 821 00:41:44,400 --> 00:41:47,759 Speaker 1: concerts and they're like, oh, you know, my partner used 822 00:41:47,800 --> 00:41:50,560 Speaker 1: to know Puffy and them, so I used to be 823 00:41:50,600 --> 00:41:52,400 Speaker 1: with v you know, ving them, so I used to 824 00:41:52,440 --> 00:41:54,920 Speaker 1: be like, oh man, we used some youngiggers running out 825 00:41:54,920 --> 00:41:57,400 Speaker 1: and I just lost folks. I just started seeing music 826 00:41:57,520 --> 00:42:01,080 Speaker 1: as the way and then people were telling me that 827 00:42:01,080 --> 00:42:03,359 Speaker 1: that I was, you know, super dope, but I think 828 00:42:03,680 --> 00:42:05,640 Speaker 1: some kind of sports or if I wasn't doing this, 829 00:42:05,719 --> 00:42:08,799 Speaker 1: i'd be you know, man, some kind of hustling. You know, 830 00:42:08,960 --> 00:42:12,720 Speaker 1: my partners is hustling. So we've been doing some truck 831 00:42:12,760 --> 00:42:15,200 Speaker 1: in some kind of real estate. My buddy got my 832 00:42:15,280 --> 00:42:18,640 Speaker 1: best friend run the uh the urban air out and 833 00:42:18,760 --> 00:42:24,600 Speaker 1: um that snail bill yeah uh me when they got 834 00:42:24,600 --> 00:42:28,239 Speaker 1: the trampoline part old cards and ship just check it 835 00:42:28,239 --> 00:42:31,200 Speaker 1: out with the family is super dope. Um. So I 836 00:42:31,280 --> 00:42:34,160 Speaker 1: probably be you know, business with my buddies. But other 837 00:42:34,200 --> 00:42:37,439 Speaker 1: than that, I think rat was that or some kind 838 00:42:37,440 --> 00:42:40,879 Speaker 1: of sporting ideas or something like that. But other than that, 839 00:42:41,000 --> 00:42:44,239 Speaker 1: I would have just been a cool nigger from Atlanta 840 00:42:44,840 --> 00:42:48,000 Speaker 1: from the east side. Show What do you think it 841 00:42:48,080 --> 00:42:51,759 Speaker 1: is different about east Side people in relation to other 842 00:42:51,800 --> 00:42:54,120 Speaker 1: people from other sides. We debate that here sometimes a 843 00:42:54,120 --> 00:42:56,799 Speaker 1: little bit facts and I'll be like, so we had 844 00:42:56,840 --> 00:42:59,640 Speaker 1: a big talk about the if you're from Atlantic, if 845 00:42:59,640 --> 00:43:01,960 Speaker 1: you're not from the lamp So me, I'm boring at 846 00:43:01,960 --> 00:43:04,879 Speaker 1: Georgia Boutles, you know what I'm saying. So I'm from 847 00:43:04,920 --> 00:43:10,279 Speaker 1: I'm really for Ends, but I'm going to Georgia Battles bro. 848 00:43:10,440 --> 00:43:13,640 Speaker 1: So i feel like I'm Atlanta baby. So I you know, 849 00:43:14,160 --> 00:43:17,160 Speaker 1: my people stayed downtown. Then we moved to Forest Park. 850 00:43:17,280 --> 00:43:21,520 Speaker 1: Then we moved on Stone Moundicator. So I think I'm 851 00:43:21,560 --> 00:43:23,759 Speaker 1: a little a bit of everything, but I'm really an 852 00:43:23,760 --> 00:43:26,200 Speaker 1: east Side nigga. But I think the east Side was 853 00:43:26,239 --> 00:43:30,279 Speaker 1: like the first time where it's like your mom and 854 00:43:30,360 --> 00:43:33,880 Speaker 1: daddy probably stayed together. That was like really only the 855 00:43:33,920 --> 00:43:37,640 Speaker 1: difference between like the east Side to me versus like 856 00:43:37,680 --> 00:43:39,399 Speaker 1: when I would go to the West Side and see 857 00:43:39,440 --> 00:43:42,040 Speaker 1: my family, like my other family part of my friend 858 00:43:42,120 --> 00:43:44,520 Speaker 1: for Joan or North so it's like you go over 859 00:43:44,560 --> 00:43:47,040 Speaker 1: there and it really ain't Yeah, it ain't really a 860 00:43:47,080 --> 00:43:49,960 Speaker 1: family orientator like that. You might your mom and your 861 00:43:50,040 --> 00:43:53,000 Speaker 1: daddy might live someone of them, he might come over there. Whatever. 862 00:43:53,480 --> 00:43:55,759 Speaker 1: So I think we was like the first time, like 863 00:43:56,400 --> 00:44:00,000 Speaker 1: probably married families, like moved to that side of town 864 00:44:00,160 --> 00:44:02,960 Speaker 1: because the house is a little bigger for you know, 865 00:44:03,000 --> 00:44:05,160 Speaker 1: a family if you got to three kids and ship 866 00:44:05,280 --> 00:44:07,440 Speaker 1: like that. So I think that's the only thing. So 867 00:44:07,480 --> 00:44:10,399 Speaker 1: then the school and got a little better. But you know, 868 00:44:10,880 --> 00:44:14,279 Speaker 1: now it's back to the east Side a little back 869 00:44:14,280 --> 00:44:16,960 Speaker 1: and this ship look like Atlanta Land a little better 870 00:44:17,000 --> 00:44:19,440 Speaker 1: than the east Side right now. Because I remember when 871 00:44:19,440 --> 00:44:21,360 Speaker 1: I was growing up, it was like you start seeing 872 00:44:21,360 --> 00:44:25,040 Speaker 1: the group homes pop up you's like Man's three Phone 873 00:44:25,360 --> 00:44:28,440 Speaker 1: living the album Okay Wound. Then it's just like now 874 00:44:28,480 --> 00:44:31,080 Speaker 1: when you go over there, it's just like that should 875 00:44:31,120 --> 00:44:33,440 Speaker 1: look crazy. It's like, man, it's the East Side like 876 00:44:34,040 --> 00:44:36,080 Speaker 1: it used to be kind of nice over you know 877 00:44:36,120 --> 00:44:38,920 Speaker 1: what I mean. So I think now it's just everybody 878 00:44:38,960 --> 00:44:40,839 Speaker 1: kind of spread. Now, you know, you've got different people, 879 00:44:40,880 --> 00:44:43,600 Speaker 1: like I said, moving in, So it's just an influx 880 00:44:43,640 --> 00:44:46,080 Speaker 1: of people. But I think the original East Side was 881 00:44:46,160 --> 00:44:49,839 Speaker 1: just it was just clean players, not a cup pot 882 00:44:49,960 --> 00:44:53,240 Speaker 1: duckhead ship. You know, Eastland boots out of the motherfucking 883 00:44:53,320 --> 00:44:57,760 Speaker 1: magazine ship like that, you know, I mean we were 884 00:44:57,560 --> 00:45:01,680 Speaker 1: just a little different, bro. You think like that that's 885 00:45:01,680 --> 00:45:03,960 Speaker 1: side of town. Don't get musically the respect that they 886 00:45:04,000 --> 00:45:06,520 Speaker 1: should for for what they've done for the city or 887 00:45:06,640 --> 00:45:09,560 Speaker 1: being close to how you just want to say, do 888 00:45:09,600 --> 00:45:13,719 Speaker 1: you think they don't get? I think we do. You 889 00:45:13,719 --> 00:45:16,480 Speaker 1: know you still got Gucci still, you know. I mean 890 00:45:16,520 --> 00:45:19,400 Speaker 1: I can see the East Atlanta, Atlanta all that East 891 00:45:19,400 --> 00:45:21,839 Speaker 1: Side is like to me, like that's how I look 892 00:45:21,840 --> 00:45:23,960 Speaker 1: at it. Depen and ship depend on where you go 893 00:45:24,000 --> 00:45:26,400 Speaker 1: to jail at that how I'm looking at you go 894 00:45:26,480 --> 00:45:29,319 Speaker 1: to the cad County like we all in them up 895 00:45:29,320 --> 00:45:32,759 Speaker 1: a kind of together. So I think, um, yeah we do. 896 00:45:32,880 --> 00:45:34,799 Speaker 1: We got we got a lot. But I think it 897 00:45:34,840 --> 00:45:39,719 Speaker 1: gives off that that that polished level of music to me. 898 00:45:39,920 --> 00:45:42,800 Speaker 1: You know, you're gonna get your childish gambinos, just your blacks, 899 00:45:42,840 --> 00:45:46,239 Speaker 1: your jit you all don't get your you know, your guccies. 900 00:45:46,360 --> 00:45:50,200 Speaker 1: You're like I said, your futures or your who else 901 00:45:50,200 --> 00:45:52,400 Speaker 1: from over you know, you're twenty one over there. You 902 00:45:52,480 --> 00:45:53,960 Speaker 1: know what I'm saying. It is like you're still gonna 903 00:45:53,960 --> 00:45:56,719 Speaker 1: get nude and that vibe of it too. So I 904 00:45:56,719 --> 00:46:01,520 Speaker 1: think it's a cool blend of you know, artists and 905 00:46:02,200 --> 00:46:05,959 Speaker 1: you know what I mean, street artists as well. What's 906 00:46:06,000 --> 00:46:10,839 Speaker 1: the three biggest Atlanta like land marks like on some 907 00:46:11,120 --> 00:46:14,279 Speaker 1: culture ship, not like the world of Coca Cola, we 908 00:46:14,280 --> 00:46:16,200 Speaker 1: know Martin Luther Kingson and what you think? Like you 909 00:46:16,200 --> 00:46:19,640 Speaker 1: could say clubs, strip clubs, you could say restaurants, Like 910 00:46:19,680 --> 00:46:23,919 Speaker 1: what's the three motherfucker's that just this is Atlanta? These 911 00:46:23,960 --> 00:46:29,359 Speaker 1: three landmarks? I mean, I mean, I guess you gotta 912 00:46:29,400 --> 00:46:34,959 Speaker 1: say Magic. You got to go to Magic? I mean, yeah, yeah, 913 00:46:35,120 --> 00:46:36,880 Speaker 1: even though it's like you might want to go if 914 00:46:36,920 --> 00:46:40,360 Speaker 1: you was from you're gonna go to Everybody want to 915 00:46:40,360 --> 00:46:41,719 Speaker 1: go to magic, you know what I mean? So you're 916 00:46:41,719 --> 00:46:45,080 Speaker 1: taking the magic um. I think the flame you gotta 917 00:46:45,160 --> 00:46:48,720 Speaker 1: kind of be like you gotta be ushered into the flame. 918 00:46:49,440 --> 00:46:51,440 Speaker 1: You know what I'm saying you Magic is like got 919 00:46:51,480 --> 00:46:57,719 Speaker 1: a neutral location. Nobody want to you know what I mean? 920 00:46:58,840 --> 00:47:03,879 Speaker 1: That a ship. Damn. A lot of the landmarks are 921 00:47:03,960 --> 00:47:07,440 Speaker 1: left though they ain't gotta be around them all. Back then, 922 00:47:07,480 --> 00:47:10,320 Speaker 1: it was like shan trails are like to take it 923 00:47:10,400 --> 00:47:12,960 Speaker 1: something to eat, like a soul fool spot. I used 924 00:47:12,960 --> 00:47:17,800 Speaker 1: to love Mr Everything. We used to have like that spot, 925 00:47:17,840 --> 00:47:19,720 Speaker 1: like but they still got like busy bees or something. 926 00:47:19,719 --> 00:47:25,760 Speaker 1: But um the top just curious like bees over Central 927 00:47:25,800 --> 00:47:29,319 Speaker 1: but cool. It's just you know, it's really Caribbean food. Yeah, 928 00:47:29,320 --> 00:47:34,279 Speaker 1: That's why I used to like the rice over that ship. 929 00:47:34,320 --> 00:47:35,960 Speaker 1: I mean I could. I was like, man, busy be 930 00:47:36,120 --> 00:47:38,160 Speaker 1: I can get that at the crib, you know. But 931 00:47:38,280 --> 00:47:40,160 Speaker 1: if you want to get some of that, I you out, 932 00:47:40,480 --> 00:47:42,880 Speaker 1: you go to busy Bees and you got Walters on 933 00:47:42,920 --> 00:47:47,080 Speaker 1: Cleveland Avenue. Walters Walter is definitely a staple. Water is 934 00:47:47,160 --> 00:47:50,360 Speaker 1: definitely a staple man. So I think those are mainly 935 00:47:50,440 --> 00:47:52,400 Speaker 1: the three. But like I said so much the change. 936 00:47:53,120 --> 00:47:55,839 Speaker 1: You're like, mother, like, man, let's go to landings. I'm like, bro, 937 00:47:56,120 --> 00:48:00,680 Speaker 1: not we gotta sneak in obviously. I mean, I mean, 938 00:48:00,960 --> 00:48:05,880 Speaker 1: I go earlier. My problem will be like Bro, I 939 00:48:05,880 --> 00:48:11,160 Speaker 1: heard the buses that. I'm like, bro, y'all, I'm like, 940 00:48:11,200 --> 00:48:13,040 Speaker 1: now they really had sex if you really want to 941 00:48:13,040 --> 00:48:15,279 Speaker 1: shoot through them. But you know what I mean, But 942 00:48:15,560 --> 00:48:17,600 Speaker 1: I think that that's by that. I think everything that 943 00:48:17,760 --> 00:48:21,080 Speaker 1: changed now. You know, you got strip club and change 944 00:48:21,120 --> 00:48:25,040 Speaker 1: clubs and change restaurants. It's like new restaurants now. I like, 945 00:48:25,200 --> 00:48:31,600 Speaker 1: so sobe just a different Yeah. Yeah, what's some motivation 946 00:48:31,640 --> 00:48:33,719 Speaker 1: you're guilt to upcoming rappers? Man? We always like to 947 00:48:33,719 --> 00:48:35,920 Speaker 1: give game and motivation on big facts, like if they're 948 00:48:35,920 --> 00:48:38,399 Speaker 1: trying to, you know, get their foot in the door. 949 00:48:38,440 --> 00:48:39,960 Speaker 1: They're just trying to make it on some rap ship. 950 00:48:40,080 --> 00:48:42,040 Speaker 1: But you know, sometimes I don't be the easiest thing. 951 00:48:42,040 --> 00:48:43,880 Speaker 1: With some game of motivation, you'll get to the people. 952 00:48:44,120 --> 00:48:47,279 Speaker 1: UM A lot of time you just can't be scared 953 00:48:47,320 --> 00:48:50,279 Speaker 1: to give it a hundred percent. But you know what 954 00:48:50,280 --> 00:48:52,400 Speaker 1: I mean a lot of times people just be like, 955 00:48:52,480 --> 00:48:54,080 Speaker 1: I don't know if I want to do that, if 956 00:48:54,120 --> 00:48:56,640 Speaker 1: I want to be one for the end, one for that. 957 00:48:56,880 --> 00:48:59,120 Speaker 1: It's just giving a hundred percent on any any part 958 00:48:59,160 --> 00:49:01,279 Speaker 1: that you want to do. If you want to be 959 00:49:01,320 --> 00:49:04,479 Speaker 1: a CEO, you want to be, you know, you gotta try. 960 00:49:05,280 --> 00:49:07,760 Speaker 1: Don't be scared to fail at it. In so many words, 961 00:49:08,200 --> 00:49:09,480 Speaker 1: you know what I mean, and go back to the the 962 00:49:09,520 --> 00:49:11,480 Speaker 1: ground zero, because if you got it up one time, 963 00:49:11,480 --> 00:49:14,080 Speaker 1: you can get it up again. But I think the 964 00:49:14,120 --> 00:49:16,640 Speaker 1: biggest thing is, you know, giving it a hundred percent. 965 00:49:16,760 --> 00:49:18,480 Speaker 1: Even at my level, people might be like, man, you 966 00:49:18,600 --> 00:49:20,960 Speaker 1: just wrapped so well. It's like, but I do a 967 00:49:20,960 --> 00:49:23,239 Speaker 1: lot of writing, Like that's what I do on my 968 00:49:23,360 --> 00:49:27,160 Speaker 1: free time. Like most people might play video games or 969 00:49:27,640 --> 00:49:29,960 Speaker 1: you know, dudes might kick it with their partners. Whatever. 970 00:49:30,040 --> 00:49:33,440 Speaker 1: My free time, I read and write. So I mean 971 00:49:33,480 --> 00:49:35,480 Speaker 1: that's kind of just what I learned to do. I 972 00:49:35,520 --> 00:49:38,000 Speaker 1: want a good reader growing up. So it was like 973 00:49:38,000 --> 00:49:40,799 Speaker 1: a way that I kind of developed myself and my 974 00:49:40,920 --> 00:49:43,520 Speaker 1: diction to kind of be able to speak to people 975 00:49:43,600 --> 00:49:49,080 Speaker 1: and articulate myself through music and being able to embody 976 00:49:49,160 --> 00:49:52,520 Speaker 1: other people vibes as well. Like some artists got a 977 00:49:52,560 --> 00:49:56,239 Speaker 1: different box, they got a different you know way they 978 00:49:56,280 --> 00:49:58,960 Speaker 1: come see things, and some you've got some artists that 979 00:49:58,960 --> 00:50:02,279 Speaker 1: are like poetic, you've got something for artists that straightforward, 980 00:50:02,360 --> 00:50:04,960 Speaker 1: So you gotta be able to like balance it. So 981 00:50:05,520 --> 00:50:07,640 Speaker 1: my my biggest advices is whatever you want to do 982 00:50:07,719 --> 00:50:10,799 Speaker 1: producing ship, if you just want to hustle some paper 983 00:50:10,880 --> 00:50:12,040 Speaker 1: up and put it into you gotta get that a 984 00:50:12,400 --> 00:50:15,160 Speaker 1: percent too. So anything you're doing and just make sure 985 00:50:15,160 --> 00:50:19,440 Speaker 1: you give it a D no playing b s. Did 986 00:50:19,480 --> 00:50:20,799 Speaker 1: you ever have a time that you want to just 987 00:50:20,840 --> 00:50:27,400 Speaker 1: say funk the ship? Um? At times I'll be having that, 988 00:50:28,840 --> 00:50:30,760 Speaker 1: but it don't be to the extent that like really 989 00:50:30,800 --> 00:50:34,360 Speaker 1: like because I'm always I just developed so many music 990 00:50:34,400 --> 00:50:37,800 Speaker 1: business relationships that I feel like I'm eventually being the 991 00:50:37,880 --> 00:50:40,120 Speaker 1: music business kind of film, you know what I'm saying. 992 00:50:40,200 --> 00:50:42,320 Speaker 1: So it's like, like I said, if it's at the 993 00:50:42,360 --> 00:50:46,360 Speaker 1: executive levels that a you know, artists level, writer level, 994 00:50:46,400 --> 00:50:50,360 Speaker 1: a musician, you know, managing producers, whatever, it's gonna be 995 00:50:50,400 --> 00:50:53,400 Speaker 1: at some capacity. So I don't ever think I said 996 00:50:54,600 --> 00:50:56,200 Speaker 1: funk it all the way. I just think I just 997 00:50:56,320 --> 00:50:57,920 Speaker 1: kind of was like, you know, I take a break 998 00:50:58,120 --> 00:51:01,040 Speaker 1: because I'm a little frustrated right now, do something else 999 00:51:01,080 --> 00:51:03,640 Speaker 1: to take my mind off, you know, because being there, 1000 00:51:03,680 --> 00:51:07,640 Speaker 1: I'm like I'm a lot of people don't know, I 1001 00:51:07,760 --> 00:51:10,680 Speaker 1: kind of took the hard way out of Atlanta, you 1002 00:51:10,680 --> 00:51:12,680 Speaker 1: know what I'm saying, like far as on the music side, 1003 00:51:13,239 --> 00:51:16,440 Speaker 1: because I could, I got partners that I can do 1004 00:51:16,480 --> 00:51:18,760 Speaker 1: it the other way with, you know what I'm saying. 1005 00:51:18,800 --> 00:51:21,719 Speaker 1: But it's like I want to just always give that 1006 00:51:22,000 --> 00:51:25,320 Speaker 1: you know, that clean cut kind of you know, musicianship 1007 00:51:25,360 --> 00:51:27,439 Speaker 1: way of being able to do it because a lot 1008 00:51:27,440 --> 00:51:29,879 Speaker 1: of I'm like a pioneer on that and I feel 1009 00:51:29,960 --> 00:51:32,239 Speaker 1: like when people like Jizz see me or like I 1010 00:51:32,239 --> 00:51:34,120 Speaker 1: don't know, if you heard a guy gripped that's one 1011 00:51:34,160 --> 00:51:36,560 Speaker 1: of my new favorite arts, but he's signed the eminem 1012 00:51:36,640 --> 00:51:37,880 Speaker 1: you know what I mean. It's just like those kind 1013 00:51:37,880 --> 00:51:40,880 Speaker 1: of artists still exists in Atlanta and they don't have 1014 00:51:40,960 --> 00:51:44,440 Speaker 1: a home. So it's like, you know, giving them that 1015 00:51:44,520 --> 00:51:46,840 Speaker 1: confidence that they can still do it through the music, 1016 00:51:47,320 --> 00:51:49,280 Speaker 1: you know what I'm saying. And a lot of times 1017 00:51:49,280 --> 00:51:52,400 Speaker 1: you lose you you lose your your homie from the 1018 00:51:52,440 --> 00:51:54,640 Speaker 1: hood because you gotta be in the studio to do this. 1019 00:51:55,280 --> 00:51:57,120 Speaker 1: You can't half away to do this with if you 1020 00:51:57,200 --> 00:51:59,600 Speaker 1: go do a straight skill level, you know what I mean. 1021 00:51:59,640 --> 00:52:03,120 Speaker 1: If it's skill a rap, it's like you gotta be 1022 00:52:03,239 --> 00:52:06,480 Speaker 1: very good at that. So that's how important is it 1023 00:52:07,080 --> 00:52:09,440 Speaker 1: for you to just stay you? Though? Because like what 1024 00:52:09,480 --> 00:52:12,840 Speaker 1: if SHI would have tried to change this flow to 1025 00:52:12,920 --> 00:52:15,160 Speaker 1: adjust to the different flow? What what the side I 1026 00:52:15,239 --> 00:52:16,800 Speaker 1: was trying to sound like the Mee goals and you 1027 00:52:16,920 --> 00:52:18,960 Speaker 1: in heavy auto tune and auto type of ship, Like, 1028 00:52:19,000 --> 00:52:21,680 Speaker 1: how important is it for you to stay you? I 1029 00:52:21,719 --> 00:52:25,160 Speaker 1: mean I think it's important because, like I said, like 1030 00:52:26,040 --> 00:52:29,560 Speaker 1: when I put out stuff, it's like the now I 1031 00:52:29,560 --> 00:52:32,200 Speaker 1: will never forget bro. I was on. I ain't gonna 1032 00:52:32,200 --> 00:52:34,319 Speaker 1: say what artists I was with, but we was at 1033 00:52:34,360 --> 00:52:38,719 Speaker 1: this concert and it was a substantially bigger artist than 1034 00:52:38,719 --> 00:52:42,080 Speaker 1: me standing on my left and I'm just chilling back 1035 00:52:42,120 --> 00:52:45,279 Speaker 1: stage and a whole bunch of kids run up to 1036 00:52:45,360 --> 00:52:48,040 Speaker 1: this particular artist left and on the left of me, like, man, 1037 00:52:48,080 --> 00:52:50,720 Speaker 1: we love you, bro, let's call let's get a picture. Brother? 1038 00:52:51,040 --> 00:52:53,319 Speaker 1: So are you taking these pictures? And I see like 1039 00:52:53,400 --> 00:52:55,200 Speaker 1: three dudes walking up with the one in the middle 1040 00:52:55,239 --> 00:52:59,279 Speaker 1: of crime and I'm like, crop, but I don't. I'm 1041 00:52:59,320 --> 00:53:03,160 Speaker 1: just letting right here and take pictures. He sa did 1042 00:53:03,239 --> 00:53:07,120 Speaker 1: my cousin, Bro, he had did this? Who who? He 1043 00:53:07,200 --> 00:53:09,799 Speaker 1: gave me the whole spiller and this isn't even crime 1044 00:53:09,920 --> 00:53:13,640 Speaker 1: like bro like, it ain't I'm trying to take up, 1045 00:53:14,080 --> 00:53:16,359 Speaker 1: like you know, what's that? But to me, to him, 1046 00:53:16,440 --> 00:53:19,360 Speaker 1: to me, me and me was like everything, you know 1047 00:53:19,360 --> 00:53:20,799 Speaker 1: what I mean? You know what I mean? He got 1048 00:53:20,880 --> 00:53:23,920 Speaker 1: kicked out of car. Yeah, yeah he had. He had 1049 00:53:23,960 --> 00:53:26,080 Speaker 1: did a couple of years in the joint, you know 1050 00:53:26,080 --> 00:53:27,960 Speaker 1: what I mean, trying to sell whatever you're trying to sell. 1051 00:53:28,120 --> 00:53:31,080 Speaker 1: So it's like him coming out of that and it's 1052 00:53:31,120 --> 00:53:33,400 Speaker 1: like he was my biggest inspiration back then. It's like 1053 00:53:33,640 --> 00:53:36,080 Speaker 1: all eyes like, Okay, that's what I do it for. 1054 00:53:36,280 --> 00:53:38,920 Speaker 1: So you might have ten people who know this, popular 1055 00:53:39,040 --> 00:53:41,680 Speaker 1: artists right here, but these three dudes came to me 1056 00:53:41,840 --> 00:53:44,279 Speaker 1: to tell me they stored in tears. So it's like 1057 00:53:44,800 --> 00:53:47,520 Speaker 1: I take them three before I take them ten because 1058 00:53:47,520 --> 00:53:50,480 Speaker 1: them taking whoever famous they see, they're gonna run to, 1059 00:53:50,880 --> 00:53:53,680 Speaker 1: you know what I'm saying. So my thing is like, Okay, 1060 00:53:53,760 --> 00:53:56,759 Speaker 1: these three is that's why I do it for. So 1061 00:53:57,719 --> 00:54:00,359 Speaker 1: so that's what it is. Man, wish at you for 1062 00:54:00,400 --> 00:54:06,560 Speaker 1: covering this. Finally, finally looking forward to the album you 1063 00:54:06,760 --> 00:54:09,360 Speaker 1: Got live real, I need to be on what you 1064 00:54:09,480 --> 00:54:14,680 Speaker 1: on Brode show. They look good man, for show. Jake 1065 00:54:16,040 --> 00:54:19,560 Speaker 1: out here, I always see Jake. Jade is like, but 1066 00:54:19,760 --> 00:54:24,000 Speaker 1: you too, man, I can't wait. But I've been seeing 1067 00:54:24,040 --> 00:54:26,960 Speaker 1: y'all getting the artists back, but that takes the labels 1068 00:54:26,960 --> 00:54:30,320 Speaker 1: gonna come watch. That's gonna be some big because this 1069 00:54:30,400 --> 00:54:33,239 Speaker 1: is gonna this set the platform. You know what I'm saying. 1070 00:54:33,280 --> 00:54:35,840 Speaker 1: It's like sometimes you gotta rint and rework, you know 1071 00:54:35,840 --> 00:54:37,960 Speaker 1: what I mean. Like they say, every master Monk's empty 1072 00:54:37,960 --> 00:54:41,160 Speaker 1: his cup sometimes, you know what I'm saying, Sometimes we 1073 00:54:41,320 --> 00:54:43,880 Speaker 1: get to that at level. Sometimes you gotta empty the 1074 00:54:43,920 --> 00:54:47,680 Speaker 1: cup and fill it back up with something something, something different, different, 1075 00:54:48,840 --> 00:54:50,839 Speaker 1: you know, I reinvent the wheels. So yeah, the show 1076 00:54:50,920 --> 00:54:53,719 Speaker 1: sign in the building. Hey the story he got east 1077 00:54:53,760 --> 00:54:56,759 Speaker 1: Side coming soon. Salute so Little Triple w dot Big 1078 00:54:56,760 --> 00:54:59,040 Speaker 1: Facts pod dot Com. They shout out the courts Life 1079 00:54:59,040 --> 00:55:02,680 Speaker 1: for Rocket with us on this episode the Streets is 1080 00:55:02,680 --> 00:55:05,440 Speaker 1: a Big Facts No Cat Fitch