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Speaker 1: Talking to Death is released weekly every Wednesday and brought

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Speaker 1: to you absolutely free.

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Speaker 2: But if you want at free.

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Speaker 1: Listening and exclusive bonuses, subscribe to Tenderfoot Plus at tenderfootplus

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Speaker 1: dot com or on Apple Podcasts.

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Speaker 3: Talking to Death is a production of tenderfoot TV and

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Speaker 3: iHeart Podcasts.

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Speaker 4: Listener discretion is advised.

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Speaker 2: Hello, this is Talking to Death. I'm your host, Payne Lindsay.

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Speaker 2: If you're unfamiliar with some of.

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Speaker 1: My other work, I've been a true crime podcaster since

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Speaker 1: around twenty sixteen. If you're into the true crime thing,

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Speaker 1: you might know Up and Vanished or Atlanta Monster. If

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Speaker 1: you're into the weirder shit paranormal, I have a show

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Speaker 1: called Radio Rental and High Strange about UFOs and really

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Speaker 1: I've been an unofficial investigative journalist for about seven years

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Speaker 1: and I've had the chance to go all over the place.

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Speaker 1: I've met hundreds of people from all different walks of life,

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Speaker 1: and I've always wanted to do a show where I

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Speaker 1: could just pull the curtain back a little bit and

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Speaker 1: talk about some of these experiences and share some of

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Speaker 1: the really cool, inspiring people that I've been able to

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Speaker 1: meet throughout my career and hopefully will continue to meet

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Speaker 1: as different as we all are, which is.

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Speaker 2: More apparent than ever.

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Speaker 1: It seems like sometimes I've learned that there are really

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Speaker 1: more similarities between us than anything else. And even if

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Speaker 1: I don't agree with you, there's a commonality that I

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Speaker 1: think that we all have in some way, shape or

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Speaker 1: form that feels good to share and connect with. So

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Speaker 1: in this show, I'm going to simply talk with people

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Speaker 1: that I know or I look up to, or just

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Speaker 1: responded to one of my dms because I'm a fan

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Speaker 1: of ars, and we're just gonna shoot the shit. We're

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Speaker 1: gonna talk you to death like that pun Mike is

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Speaker 1: that it's pretty good, right.

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Speaker 5: I think you miss an opportunity. Could have been talking

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Speaker 5: to pain.

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Speaker 2: Okay, that's that's horrible. That's uh.

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Speaker 1: See, this is Mike, by the way. He'll be here

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Speaker 1: sometimes most of the time. Actually, Mike is my best friend.

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Speaker 1: He is usually somewhere behind the scenes on anything that

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Speaker 1: I'm doing, whether it's Up and Vanished or this show,

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Speaker 1: and he'll be in the room every time that I'm

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Speaker 1: talking to a guest. So when my ADHD brain kicks

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Speaker 1: in and I forgot everything we're doing today, He's the

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Speaker 1: guy who will say, hey, like remember like.

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Speaker 2: This is what they said.

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Speaker 1: Oh yeah, so I don't seem like an asshole. But yeah,

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Speaker 1: that's Mike. He might say something, he might never say something.

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Speaker 1: Hopefully he never says anything. That was your time to

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Speaker 1: say something. But well it's for the best if I do.

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Speaker 2: Okay, all right, but.

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Speaker 1: Yeah, this is talking to death and I'm exed. Decided

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Speaker 1: to just share some candid interviews with people that I

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Speaker 1: know and maybe we all learned something. Maybe it's just

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Speaker 1: a good time. Maybe you hate this and you're never

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Speaker 1: listening to this shit ever. Again, that's okay, because I

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Speaker 1: at least got you right here. Today's guest is someone

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Speaker 1: who I grew up watching on TV.

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Speaker 2: His name is Steve O.

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Speaker 1: If you don't know who STEVEO is, there was a

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Speaker 1: very popular show on MTV back in the day called Jackass.

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Speaker 1: They since made several movies that were in theaters. It's

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Speaker 1: a huge franchise. It's a bunch of guys doing wild,

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Speaker 1: crazy shit franks that are funny, gross, absurd, you name it.

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Speaker 1: But I grew up watching this show and I remember

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Speaker 1: when my grandpa gave me a VHS camera for Christmas

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Speaker 1: one year and the first thing I did was start

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Speaker 1: filming stuff inspired by Jackass. They had this iconic warning

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Speaker 1: in the beginning of every episode that said something like, warning,

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Speaker 1: you know, these.

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Speaker 2: Are trained professionals, don't try this at home.

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Speaker 1: First thing we did was absolutely try this at home,

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Speaker 1: and not to their degree. But you know what could

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Speaker 1: we get away with as a sixth grader seventh grader

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Speaker 1: that we thought was funny And we played back to

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Speaker 1: our parents and they said, maybe we should have never

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Speaker 1: got paid that camera. Right, This is a guy who

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Speaker 1: always cracked me up watching his stunts, watching his movies,

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Speaker 1: a guy who's really kind of known for being wild

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Speaker 1: and crazy.

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Speaker 2: Right.

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Speaker 1: And I'd never met STEVEO in person until recently during

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Speaker 1: this interview, and I was really blown away by how

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Speaker 1: sincere and candid he was with us about his life,

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Speaker 1: his mental health, you know, his goals, how he got here,

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Speaker 1: how he views this, just everything that you would think

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Speaker 1: would be a deeper subject that.

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Speaker 2: May not be in his wheelhouse.

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Speaker 1: He proved all of us wrong on that, and I

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Speaker 1: thought he was a really genuinely good person. And I

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Speaker 1: learned a lot about just you know, what makes Steve

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Speaker 1: otick and even found some similarities in myself, not on

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Speaker 1: the wild pranks tip, but just sort of the risk

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Speaker 1: taking that he has and this sort of innate desire

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Speaker 1: to create and keep going. It's just kind of part

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Speaker 1: of his being which I definitely could relate to. I

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Speaker 1: highly suggest that you watch the video version of this too,

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Speaker 1: if you're not already watching it on YouTube. We'll be

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Speaker 1: posting the full episodes of this show on YouTube.

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Speaker 2: The easiest way to get to it is just.

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Speaker 1: Go to Talking to Death podcast dot com and that'll

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Speaker 1: link you right to the episodes. If you want to

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Speaker 1: watch clips and more behind the scenes stuff, you can

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Speaker 1: go to the Instagram which is simply Talking to Death

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Speaker 1: and the TikTok Talking to Death podcasts, which I hate

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Speaker 1: that these are all different, but there is someone who

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Speaker 1: is just camped out on the Talking to Death TikTok account.

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Speaker 1: The two followers are me and one of my other

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Speaker 1: show's accounts. I can't message them because we're not friends.

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Speaker 1: It's not as sexy, but you know, I'm trying to

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Speaker 1: get the user name. It's a it's a small gripe.

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Speaker 1: This is the kind of shy you don't realize happens

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Speaker 1: behind the scenes. But yeah, I'm going to talk you

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Speaker 1: to death metaphorically. I hope you don't die of boredom.

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Speaker 1: If you do, at least finish the first episode and

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Speaker 1: then die, because I think it's worth watching to the

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Speaker 1: end because it was Steve O.

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Speaker 2: I wanted to do something a little crazy.

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Speaker 1: You know, crazy for me, you know, so we had

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Speaker 1: this idea on the plane flying to LA you know what,

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Speaker 1: could we do some sort of stunt or something that,

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Speaker 1: you know, maybe he'll bite on at the end of

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Speaker 1: the episode, something fun and whatever.

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Speaker 2: We had an idea.

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Speaker 1: I'm not going to spoil it for you yet because

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Speaker 1: I don't want to ruin that part of the episode.

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Speaker 1: But if you watch to the very end, you'll see

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Speaker 1: Steve O complete a stunt for us, and I think

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Speaker 1: it's totally worth it, and there is permanent evidence of

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Speaker 1: what happened. At the end of every episode, I'll do

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Speaker 1: some post thoughts just like this right here, where I'll,

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Speaker 1: you know, either explain more about what happened, or give

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Speaker 1: you my two cents, or just say something done before

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Speaker 1: I tell you to go follow our social media accounts

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Speaker 1: or something. But without further ado, this is episode one

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Speaker 1: of Talking to Death and our guest is Steve O.

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Speaker 3: I'm a true crime guy. Like all I watch on YouTube,

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Speaker 3: I mean my YouTube feed.

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Speaker 1: Is just like, all right, what's it fool with? Give

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Speaker 1: me an example, interrogation rare. Are you watched like the

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Speaker 1: killers being interrogated by the cops and the interrogation they're

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Speaker 1: pretty good? Yeah, mind game stuff going on?

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Speaker 3: Yeah, I mean basically the story of murder cases and

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Speaker 3: like with with with emphasis on the you know, the

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Speaker 3: suspect in the interrogation room like being you know, grilled

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Speaker 3: with the read technique and yeah, like I just you know,

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Speaker 3: I'm basically like true crime murder documentaries on YouTube.

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Speaker 2: Why do you like that stuff?

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Speaker 4: I mean, I'm just like just fascinated. I think it's

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Speaker 4: the stakes of it.

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Speaker 2: It's just such a yeah. Does it get much higher

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Speaker 2: than this? Right?

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Speaker 4: Yeah? Such I stakes.

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Speaker 3: And every time I talk about this, I always want

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Speaker 3: to shout out the gold standard on YouTube for this

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Speaker 3: crime and crime and punishment genre. It's called j CS

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Speaker 3: with standards. The one you watch, Yeah, that is the

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Speaker 3: gold standard.

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Speaker 4: That's the best.

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Speaker 2: He gets all the tape to right, he gets all that,

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Speaker 2: it seems smiling ya. He showed me that one time.

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Speaker 2: He's watched all that is.

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Speaker 3: Read single video on JCS Criminal psych Coology. That's the

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Speaker 3: actual j CS Criminal Psychology.

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Speaker 4: It's it's the best channel.

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Speaker 5: Do you know what j c S stands for?

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Speaker 4: Jim can't swim.

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Speaker 2: So random before it got popular, He's like that will work.

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Speaker 3: I mean, dude, there are channels that that just rake

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Speaker 3: in millions of views because they they call their videos

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Speaker 3: j CS inspired. Really just like a whole all genres

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Speaker 3: is called j CS inspired. That good, okay, and and

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Speaker 3: the videos are just so precious, few and far between.

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Speaker 4: You know, I don't I just don't understand it.

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Speaker 3: But like I'll send out like mass email or as

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Speaker 3: mass text threats.

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Speaker 4: New j CS video all caps expl you know, I've

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Speaker 4: I've seen a tweet.

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Speaker 3: You know, there's been a I mean, it's not a

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Speaker 3: channel that it makes any sense to collab with, right,

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Speaker 3: you did, because they don't do interviews, you know, like

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Speaker 3: I'm not a murderer, and.

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Speaker 4: You know, there's this profound.

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Speaker 3: Respect and and there was some some profound appreciation expressed.

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Speaker 4: I decided to leave that. And then there's there's after

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Speaker 4: j C has.

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Speaker 3: There really are just uh just sort of you know,

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Speaker 3: kind of distant. You know, filling out the top ten.

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Speaker 3: I would say stay Awake is really good. Stead Awake

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Speaker 3: channel all caps, one word stay awake.

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Speaker 4: I get excited for a wake upload.

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Speaker 5: Yeah, I think. So there's one called Explore with Us

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Speaker 5: or something that one's good.

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Speaker 3: Not always like like not not batting a thousand, but

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Speaker 3: man e wu blew my mind.

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Speaker 4: The other night they that channel.

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Speaker 3: And here's the thing, too, is that I don't have

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Speaker 3: like the attention span for like really long YouTube videos,

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Speaker 3: like I like my murders like twenty minutes and I'm out,

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Speaker 3: you know, maybe twenty five, but like you know, if

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Speaker 3: you can't pack a murder into twenty five doing it.

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Speaker 4: Wrong, you know, then I'm out.

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Speaker 3: But when you watch YouTube on through the TV set,

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Speaker 3: you know, like actually like then it auto plays without

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Speaker 3: any kind of a timecode.

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Speaker 4: You don't see the thumbnail.

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Speaker 2: So you forget what how much time is passing? Right?

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Speaker 4: And so I'm.

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Speaker 3: Watching a murder that I chose to watch deliberately, and

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Speaker 3: then it it ends I'm in bed with my girl

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Speaker 3: and the next murder comes on.

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Speaker 4: No thumbnail, no.

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Speaker 2: Time sounds like you're watching snuff films.

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Speaker 3: Yeah, no thumbnail, no timecode, and we just started watching

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Speaker 3: this one.

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Speaker 4: This sixteen year old girl named me Kayla was very

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Speaker 4: very solved.

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Speaker 2: I want that Saturday annoying that you don't know.

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Speaker 4: I want that. I want to know that that bastard.

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Speaker 3: Yeah, they what was so great about this this one?

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Speaker 4: Uh? It was on Explore with.

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Speaker 3: Us and every one of the interrogations was filmed just

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Speaker 3: in high res up close. They interviewed the boyfriend, who

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Speaker 3: is always the first suspect, then the ex boyfriend.

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Speaker 4: You kind of I didn't even realize.

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Speaker 3: At one point I hit pause because I had to

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Speaker 3: go pee and I don't want to miss you know,

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Speaker 3: what's what's going on? And I realized when I hit pause,

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Speaker 3: that's when the time code shows up.

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Speaker 1: This is an hour and a half.

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Speaker 2: Long murder damn.

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Speaker 4: And I'm like, I'm and I'm committed. I'm like I'm

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Speaker 4: I'm in.

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Speaker 3: And and uh, I'm like, wow, I can't believe it.

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Speaker 3: And by the time that one was over. Okay, the

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Speaker 3: title of this particular video and they give away too

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Speaker 3: much on the thumbnail and uh, and the title I

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Speaker 3: would criticize that it was called uh like father sickened

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Speaker 3: by son's confession.

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Speaker 2: Okay, well, we know what happened though.

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Speaker 3: Yeah, but there's a twist that comes in after we

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Speaker 3: learned that.

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Speaker 4: Do you know what I'm talking about.

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Speaker 5: I haven't seen that one. Oh my god, I need

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Speaker 5: to catch up. Oh no, they could have.

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Speaker 3: And I gotta believe Explore with us is hearing my feedback.

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Speaker 4: This was the most ex.

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Speaker 3: This was the most explosively like mind blowing twist at

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Speaker 3: the end of this case. It just I don't think

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Speaker 3: it needed to be an hour and a half.

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Speaker 4: I think you.

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Speaker 3: Could have tightened it up. I watched the whole thing.

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Speaker 3: Don't get me wrong.

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Speaker 2: I just think show I guess, right, I guess.

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Speaker 3: I'm not complaining about exploring this. They're just not batting

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Speaker 3: a thousand and sometimes they could.

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Speaker 4: Tighten it up. J CS. Not a frame can be criticized.

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Speaker 2: Damn, that's respect right there.

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Speaker 4: It is. I mean, dude, it is like gold Standard

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Speaker 4: doesn't even do the trick. It's so good, it's so good,

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Speaker 4: And and he never misses. J C has never misses

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Speaker 4: miss Oh my god, it's so good.

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Speaker 3: I'd be there, you go. J C has criminal psychology.

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Speaker 3: There's not even that many videos on the channel. There's

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Speaker 3: not that many, and every single one of them. How

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Speaker 3: about the one about the m M A guy.

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Speaker 5: Yeah, but he had some weird name like the Machine

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Speaker 5: or something like that.

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Speaker 2: It was crazy.

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Speaker 4: Yeah yeah, Okay.

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Speaker 3: So in any case, the most surprising confounding thing about

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Speaker 3: all of these murderers when they're on trial, when they're

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Speaker 3: is that I think think one hundred percent of the time,

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Speaker 3: it is so important to the murderer to get the

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Speaker 3: death penalty off the table.

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Speaker 2: They want to stay alive, they want to.

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Speaker 4: Let They're like anything but the death penalty.

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Speaker 2: I'd be like, I'm just going to take the death penalty.

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Speaker 4: It sounds it sounds so backwards to me.

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Speaker 2: Yeah.

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Speaker 3: Ever, well, I think that that it is the ultimate

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Speaker 3: catch twenty two of the human experience.

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Speaker 4: Like I believe that the human experience is like.

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Speaker 3: A very cruel prank on us because we have one instinct,

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Speaker 3: which is to survive at all costs, and these murderers

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Speaker 3: are proof of it.

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Speaker 4: At all costs.

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Speaker 3: We must survive, but we only have one guarantee, which

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Speaker 3: is we're not going to survive. So like the one

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Speaker 3: thing that matters the most to us, you know, the

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Speaker 3: avoid dying, is the is the only thing that we

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Speaker 3: can be positive that we're.

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Speaker 2: The biggest we have usually.

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Speaker 3: Barreling towards the one thing we're most afraid of, that

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Speaker 3: is our condition in the human experience, and as we

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Speaker 3: barrel towards it, we wilt, our body deteriorates, we become

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Speaker 3: less appealing to our fellows, you know. Like I'm I'm

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Speaker 3: like really uh kind of like sort of hyper focused

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Speaker 3: on it because I am such a gnarly attention whore.

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Speaker 4: I just always have been. I just I just always

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Speaker 4: have been.

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Speaker 3: Man Like, the my overdeveloped need for attention is staggering.

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Speaker 4: I would go so far as to say that I

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Speaker 4: am a world class attention whore.

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Speaker 3: Really, yeah, because it's like the lengths that I'm willing

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Speaker 3: to go to to become to make myself the center

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Speaker 3: of attention are like, it's pretty next level stuff.

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Speaker 2: Yeah, I mean, where's that come from?

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Speaker 4: I mean, I don't I uh, I don't think you

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Speaker 4: have to be Sigamund Freud to.

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Speaker 3: Point to, you know, the lack of attention from my

314
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Speaker 3: uh my parents.

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Speaker 4: My dad was a.

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Speaker 3: Wildly successful corporate executive. I was six months old. My

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00:17:33,520 --> 00:17:36,080
Speaker 3: dad was the president of Pepsi.

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Speaker 4: Cola in all of Brazil.

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Speaker 2: Wow.

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Speaker 4: I was raised by maids.

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Speaker 3: So of my first words, I spoke in Portuguese because

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Speaker 3: my parents I was spending more time with the maids, like,

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Speaker 3: and they speak Portuguese. My my parents spoke English like Americans.

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Speaker 3: But I'm a baby talking in Portuguese because I get

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Speaker 3: no attention from my parents and my mom is like

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Speaker 3: super alcoholic, you know, like, so me added like and

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Speaker 3: then and then there's the fact that I grew up

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Speaker 3: in five different countries.

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Speaker 4: I was just I spoke three different.

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Speaker 3: Languages by the age of three and forgot two of

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Speaker 3: them completely by the age of five. I'm a citizen

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Speaker 3: of three different countries. That's wild because I was born

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Speaker 3: in England. My mom was born in Canada, which makes

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Speaker 3: me Canadian.

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Speaker 2: Do you have access to Canada through that?

336
00:18:29,080 --> 00:18:31,639
Speaker 3: My dad was born in America, So I've got a

337
00:18:31,640 --> 00:18:34,960
Speaker 3: British passport, a Canadian passport, and an American passport?

338
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Speaker 2: How about us?

339
00:18:36,320 --> 00:18:36,679
Speaker 4: Yeah?

340
00:18:36,840 --> 00:18:39,240
Speaker 3: And I grew I was born in England, like spoke

341
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Speaker 3: my forts words in Brazil, attended nursery school in Venezuela

342
00:18:45,160 --> 00:18:51,280
Speaker 3: kindergarten in Connecticut, like first grade through half of fourth

343
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Speaker 3: in Miami, second half of fourth grade through sixth grade

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Speaker 3: in London.

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Speaker 4: England, you all around.

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Speaker 2: Yeah, never really planted for somewhere for too long.

347
00:19:01,800 --> 00:19:02,040
Speaker 4: Yeah.

348
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Speaker 3: I did seventh grade and half of eighth grade in

349
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Speaker 3: Canada yea, and then the second half of eighth grade

350
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Speaker 3: all the way through high school in London, England.

351
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Speaker 4: Again, so I was always in school.

352
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Speaker 3: And I mean, I don't know, like, I don't know

353
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Speaker 3: if any of that even like really informs why I

354
00:19:20,040 --> 00:19:23,399
Speaker 3: am the way I am. It. I'm sure factors in, right,

355
00:19:23,880 --> 00:19:27,920
Speaker 3: but suffices to say that that I've just got this crazy,

356
00:19:28,280 --> 00:19:32,600
Speaker 3: you know, attention seeking thing, and it's it's kind of

357
00:19:32,600 --> 00:19:36,840
Speaker 3: a blessing because when you get down to it, you know,

358
00:19:36,880 --> 00:19:43,200
Speaker 3: we deal in a very capitalistic commercial world, and one

359
00:19:43,200 --> 00:19:47,520
Speaker 3: could argue, if not just prove outright, that the most

360
00:19:47,600 --> 00:19:51,240
Speaker 3: valuable commodity known to man is attention.

361
00:19:51,920 --> 00:19:55,680
Speaker 4: Really, I mean think about it. Everything's driven by advertising.

362
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Speaker 2: These days more than ever, I would say, right, right.

363
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Speaker 3: I mean, like attention is I would I would guess

364
00:20:04,200 --> 00:20:06,840
Speaker 3: demonstrably the most valuable commodity known de mand.

365
00:20:06,920 --> 00:20:09,520
Speaker 1: So for someone like you, if if you go a

366
00:20:09,560 --> 00:20:12,600
Speaker 1: long time without attention or something, or like, is there

367
00:20:12,640 --> 00:20:15,280
Speaker 1: a time where you start to feel weird? I mean

368
00:20:15,480 --> 00:20:17,719
Speaker 1: that makes sense, like just like that. It's like a

369
00:20:17,720 --> 00:20:19,000
Speaker 1: way just like a I don't know.

370
00:20:19,720 --> 00:20:22,520
Speaker 4: It doesn't it totally makes sense. It's crazy.

371
00:20:22,520 --> 00:20:26,399
Speaker 3: It's crazy because now everybody's an attention horror, you know,

372
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Speaker 3: like I would.

373
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Speaker 4: I was like a kind of an outlier, you know, like.

374
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Speaker 2: Like you were the OG.

375
00:20:33,560 --> 00:20:35,720
Speaker 4: It was the nineteen eighties, dude.

376
00:20:35,640 --> 00:20:37,760
Speaker 2: Right, and we had really trying to get their attention.

377
00:20:38,000 --> 00:20:42,120
Speaker 3: I started skateboarding, you know, it's very seriously when I.

378
00:20:42,040 --> 00:20:44,840
Speaker 4: Was thirteen in nineteen eighty eight.

379
00:20:45,359 --> 00:20:48,119
Speaker 3: Wow, my buddies and I started playing with video cameras

380
00:20:48,200 --> 00:20:51,560
Speaker 3: in nineteen eighty nine, you know, like because that's what

381
00:20:51,600 --> 00:20:54,960
Speaker 3: skateboarders dom h And then if we and then I'm like,

382
00:20:55,000 --> 00:20:59,600
Speaker 3: whoa hold on a second here with video camera, I

383
00:20:59,680 --> 00:21:02,840
Speaker 3: can't edit out all the times that I didn't pull

384
00:21:02,880 --> 00:21:03,600
Speaker 3: off the trick.

385
00:21:04,440 --> 00:21:09,480
Speaker 4: You know. Yeah, after you edit, then it's like you

386
00:21:09,480 --> 00:21:11,240
Speaker 4: you landed everything.

387
00:21:11,480 --> 00:21:14,320
Speaker 2: So like that's a big how are you editing? Back?

388
00:21:14,359 --> 00:21:19,520
Speaker 1: Then the two there's a VHS camera winding and stopping

389
00:21:19,560 --> 00:21:19,800
Speaker 1: and no.

390
00:21:20,480 --> 00:21:27,160
Speaker 3: You you plug two VCRs together, VCR meaning video cassette

391
00:21:27,240 --> 00:21:31,320
Speaker 3: recorder and on the first one you got your output

392
00:21:31,400 --> 00:21:34,440
Speaker 3: cables coming out of the first VCR and then they're

393
00:21:34,440 --> 00:21:37,439
Speaker 3: going into the input cables. On the second VCR, you

394
00:21:37,520 --> 00:21:41,720
Speaker 3: hit play on VCR number one, you hit record on

395
00:21:41,880 --> 00:21:45,960
Speaker 3: VCR number two, only recording where you make the trick

396
00:21:46,440 --> 00:21:46,840
Speaker 3: and you.

397
00:21:46,840 --> 00:21:51,000
Speaker 4: Keep it pause and then you and then that's how

398
00:21:51,040 --> 00:21:51,800
Speaker 4: that's how we did it.

399
00:21:51,840 --> 00:21:57,320
Speaker 3: And and in doing that, like what you are able

400
00:21:57,480 --> 00:22:05,760
Speaker 3: to create a version of events with which you manipulate

401
00:22:06,720 --> 00:22:13,439
Speaker 3: people's perception of you. You can control how people perceive you.

402
00:22:13,359 --> 00:22:17,480
Speaker 1: You made it look better. Yeah, and it was in

403
00:22:17,520 --> 00:22:19,600
Speaker 1: real life. You were doing it in that moment.

404
00:22:19,520 --> 00:22:22,720
Speaker 3: Right, And like, I mean to start out with an

405
00:22:22,800 --> 00:22:28,640
Speaker 3: overdeveloped concern for the opinions of others, an insatiable desire

406
00:22:28,720 --> 00:22:32,199
Speaker 3: to be the center of attention, like wow, Like and

407
00:22:32,240 --> 00:22:35,399
Speaker 3: I can control how people see what I want to

408
00:22:35,440 --> 00:22:36,200
Speaker 3: present them.

409
00:22:36,560 --> 00:22:40,600
Speaker 4: And then on top of that, like we're all going

410
00:22:40,680 --> 00:22:41,680
Speaker 4: to be dead.

411
00:22:41,960 --> 00:22:45,919
Speaker 3: Like where our instinct is to survive, but we're barreling

412
00:22:46,000 --> 00:22:47,560
Speaker 3: towards our demise.

413
00:22:47,640 --> 00:22:48,560
Speaker 4: We're all going to be.

414
00:22:48,560 --> 00:22:53,840
Speaker 3: Dead, but the videos will still have the capacity to

415
00:22:54,040 --> 00:22:59,640
Speaker 3: play after I'm deceased, So it's that important A hundred

416
00:23:00,640 --> 00:23:05,760
Speaker 3: I was like I had have like a religious attachment

417
00:23:05,800 --> 00:23:10,280
Speaker 3: to the video camera because it represented my way of

418
00:23:10,560 --> 00:23:11,399
Speaker 3: cheating death.

419
00:23:11,520 --> 00:23:13,480
Speaker 4: This was gonna make me immore.

420
00:23:13,280 --> 00:23:16,000
Speaker 2: Live on forever through this material.

421
00:23:16,119 --> 00:23:17,760
Speaker 3: And I thought I was going to be dead out

422
00:23:17,760 --> 00:23:20,960
Speaker 3: of having failed at life early because I couldn't I

423
00:23:21,000 --> 00:23:24,000
Speaker 3: couldn't graduate from school, I couldn't go to class in college,

424
00:23:24,320 --> 00:23:27,520
Speaker 3: couldn't keep a job, I got fired from everything, Like,

425
00:23:27,560 --> 00:23:30,880
Speaker 3: I couldn't see how it was going to work out

426
00:23:30,920 --> 00:23:33,280
Speaker 3: for me to support myself and survive in the world.

427
00:23:34,359 --> 00:23:35,800
Speaker 3: So I'm like, I got to hurry up and make

428
00:23:35,840 --> 00:23:38,960
Speaker 3: the fucking craziest videos ever so that I can live

429
00:23:39,000 --> 00:23:40,600
Speaker 3: on after I'm.

430
00:23:40,240 --> 00:23:44,360
Speaker 4: Dead, Right, That's all I was in it for. Yeah,

431
00:23:44,400 --> 00:23:46,920
Speaker 4: It's all I was in it for. But but yeah,

432
00:23:47,119 --> 00:23:48,600
Speaker 4: D like you fucking live forever.

433
00:23:49,680 --> 00:23:52,400
Speaker 3: And then you know, its Noman attention core, And and

434
00:23:52,520 --> 00:23:55,720
Speaker 3: it turns out that I didn't die young.

435
00:23:56,080 --> 00:23:57,200
Speaker 4: I actually got.

436
00:23:57,240 --> 00:23:59,200
Speaker 2: I'm surprised you drop missing like an arm or a

437
00:23:59,320 --> 00:24:01,160
Speaker 2: leg right, I.

438
00:24:01,119 --> 00:24:03,840
Speaker 3: Got the I got, I got all kinds of attention.

439
00:24:04,040 --> 00:24:07,439
Speaker 3: Turns out, and there's no amounts, it's enough. And it

440
00:24:07,520 --> 00:24:14,240
Speaker 3: also turned out very very tragically, that footage really isn't forever,

441
00:24:14,400 --> 00:24:16,680
Speaker 3: footage really isn't immortal.

442
00:24:17,000 --> 00:24:17,560
Speaker 2: What do you mean?

443
00:24:18,359 --> 00:24:22,480
Speaker 3: As soon as Jackass comes out, I'm dealt the crushing

444
00:24:22,560 --> 00:24:29,680
Speaker 3: blow that. In fact, footage distinctly expires.

445
00:24:29,760 --> 00:24:30,240
Speaker 4: It has an.

446
00:24:30,240 --> 00:24:35,440
Speaker 3: Expiration date, which is the fucking moment. It's made public as.

447
00:24:35,240 --> 00:24:38,280
Speaker 2: Soon as as soon as.

448
00:24:39,520 --> 00:24:42,720
Speaker 4: Yeah once once it's fucking showed up on TV Ye,

449
00:24:42,840 --> 00:24:48,520
Speaker 4: it's a rerun. Yeah, it's expired rerun. That's what a

450
00:24:48,560 --> 00:24:49,040
Speaker 4: rerun is.

451
00:24:49,119 --> 00:24:56,000
Speaker 3: It's expired footage, stale yesterday's old news. And then and

452
00:24:56,040 --> 00:25:01,200
Speaker 3: then once, once your ship's expired, then you're only as

453
00:25:01,280 --> 00:25:04,480
Speaker 3: good as whatever your next offering is.

454
00:25:05,200 --> 00:25:07,000
Speaker 4: So it's like, what do you got next? So you're

455
00:25:07,040 --> 00:25:07,920
Speaker 4: in your life.

456
00:25:07,760 --> 00:25:10,840
Speaker 1: Because chasing that, Yeah, when did you realize that that

457
00:25:10,920 --> 00:25:13,320
Speaker 1: there was no amount of attention that you would get?

458
00:25:13,520 --> 00:25:15,640
Speaker 2: That solves the problem indefinitely.

459
00:25:16,400 --> 00:25:18,600
Speaker 1: Man, that's a tough question, right because, like I thought,

460
00:25:18,800 --> 00:25:21,719
Speaker 1: early on, you think that like it's more mythical and

461
00:25:21,800 --> 00:25:23,760
Speaker 1: magical than that, then you realize it's not.

462
00:25:23,800 --> 00:25:25,560
Speaker 2: It's deeper than that, actually, right right.

463
00:25:26,359 --> 00:25:32,520
Speaker 3: I would point to two thousand and six, when the

464
00:25:32,560 --> 00:25:38,000
Speaker 3: second Jackass movie came out. At that time, like nobody

465
00:25:38,080 --> 00:25:41,760
Speaker 3: was saying that these guys are like too old, you know, like.

466
00:25:41,760 --> 00:25:42,880
Speaker 4: We were still.

467
00:25:44,080 --> 00:25:47,680
Speaker 3: We were like old, we were like early thirties, right,

468
00:25:47,920 --> 00:25:51,040
Speaker 3: Maybe Notoxo is thirty five, right, you know, we were

469
00:25:51,119 --> 00:25:54,280
Speaker 3: still we were still at an age where people are

470
00:25:54,359 --> 00:25:56,080
Speaker 3: like champions in the UFC.

471
00:25:56,800 --> 00:25:58,639
Speaker 2: Right now, there's some badasses out there.

472
00:25:59,359 --> 00:26:03,600
Speaker 3: Right, and so like there wasn't like just that tinge

473
00:26:03,640 --> 00:26:08,080
Speaker 3: of it being you know, like not appropriate anymore, or

474
00:26:08,160 --> 00:26:12,239
Speaker 3: like these guys are too old and nobody was like

475
00:26:12,320 --> 00:26:14,400
Speaker 3: having interventions pulled on them.

476
00:26:14,960 --> 00:26:15,840
Speaker 4: We were like.

477
00:26:16,200 --> 00:26:21,880
Speaker 3: We were in our heyday of acting out sexually, of

478
00:26:22,400 --> 00:26:24,560
Speaker 3: abusing alcohol and drugs.

479
00:26:25,000 --> 00:26:26,960
Speaker 4: But there were no interventions.

480
00:26:27,480 --> 00:26:31,840
Speaker 3: There were There was no like, you know, we're getting

481
00:26:32,080 --> 00:26:34,800
Speaker 3: getting away with everything. Everything was just working for us,

482
00:26:35,240 --> 00:26:40,719
Speaker 3: and we were when we filmed that second Jackass movie,

483
00:26:40,960 --> 00:26:42,560
Speaker 3: like the risks were like.

484
00:26:44,119 --> 00:26:45,000
Speaker 4: Really gnarly.

485
00:26:45,080 --> 00:26:50,560
Speaker 3: I mean from a standpoint like put a hook through

486
00:26:50,600 --> 00:26:51,080
Speaker 3: my cheeks.

487
00:26:53,200 --> 00:26:53,919
Speaker 2: That was wild.

488
00:26:54,720 --> 00:26:58,120
Speaker 4: Yeah, Like there was there was a type.

489
00:26:58,160 --> 00:26:58,920
Speaker 2: Just let me put the hook.

490
00:27:00,440 --> 00:27:02,800
Speaker 3: I mean, dude, there's like there's a sharks going from

491
00:27:02,800 --> 00:27:05,720
Speaker 3: my foot and I'm like.

492
00:27:04,320 --> 00:27:06,480
Speaker 2: Like, are you actually scared? In that moment?

493
00:27:07,000 --> 00:27:10,280
Speaker 3: Yeah, I inadvertently kicked a mako shark in my head

494
00:27:10,880 --> 00:27:14,080
Speaker 3: and then like that was like the saving grace because

495
00:27:14,080 --> 00:27:16,919
Speaker 3: it was like going to bite my foot Jesus, you know,

496
00:27:17,080 --> 00:27:19,399
Speaker 3: and we're two hours away from the shore.

497
00:27:19,640 --> 00:27:21,440
Speaker 2: Right, like this gonna be bad. Actually there was a

498
00:27:21,520 --> 00:27:23,920
Speaker 2: leg out here. There's no plan you might die.

499
00:27:24,000 --> 00:27:25,320
Speaker 4: Yeah, like like like.

500
00:27:25,280 --> 00:27:29,840
Speaker 3: There there is a ready to die Knoxios blindfolded standing

501
00:27:29,840 --> 00:27:32,080
Speaker 3: in front of a yack man you.

502
00:27:32,040 --> 00:27:33,720
Speaker 2: Know cigarette in the beginning.

503
00:27:33,880 --> 00:27:39,600
Speaker 3: Yeah, there's there's the rocket thing where the rocket malfunctions.

504
00:27:38,800 --> 00:27:42,440
Speaker 2: And like that one was like myths. I feel like yeah,

505
00:27:42,440 --> 00:27:42,960
Speaker 2: I mean I don't.

506
00:27:42,840 --> 00:27:44,520
Speaker 4: Know, it's worse. It's like the close call when it

507
00:27:44,840 --> 00:27:48,280
Speaker 4: malfunctions or when it did what it was like, it

508
00:27:48,400 --> 00:27:50,840
Speaker 4: was all it was all bad, you know, like the

509
00:27:50,960 --> 00:27:51,520
Speaker 4: ready to.

510
00:27:51,560 --> 00:27:54,880
Speaker 3: Die factor in that movie. And we just got away

511
00:27:54,920 --> 00:27:58,119
Speaker 3: with everything. We got away with everything in our personal lives,

512
00:27:58,160 --> 00:28:00,600
Speaker 3: and we got away got away with everything in front

513
00:28:00,600 --> 00:28:02,879
Speaker 3: of the camera. Everything that we did in that movie

514
00:28:03,040 --> 00:28:07,600
Speaker 3: worked like and and once we put that movie together,

515
00:28:08,920 --> 00:28:11,640
Speaker 3: I mean every Jackass movie, as soon as it was done,

516
00:28:11,880 --> 00:28:13,280
Speaker 3: was like sworn.

517
00:28:13,000 --> 00:28:14,840
Speaker 4: To be the last one. There was never supposed to

518
00:28:14,840 --> 00:28:16,720
Speaker 4: be a second one. Okay, it was like not so

519
00:28:16,840 --> 00:28:19,680
Speaker 4: sware that we're never like it's done, we're going out

520
00:28:19,680 --> 00:28:20,000
Speaker 4: on top.

521
00:28:20,080 --> 00:28:23,560
Speaker 3: Never and then it was like four years later, like hey,

522
00:28:23,560 --> 00:28:24,800
Speaker 3: we're gonna get the band back.

523
00:28:24,600 --> 00:28:28,359
Speaker 4: Together, you know. And but but it was understood this

524
00:28:28,520 --> 00:28:29,000
Speaker 4: is it.

525
00:28:29,000 --> 00:28:33,480
Speaker 3: It's you know, and even if it wasn't gonna be over, like,

526
00:28:34,119 --> 00:28:37,760
Speaker 3: there was no way that we were gonna top that

527
00:28:37,880 --> 00:28:40,160
Speaker 3: second one. Man, that Jackass number.

528
00:28:39,960 --> 00:28:45,719
Speaker 4: Two was the gnarliest, the nar like everything that was

529
00:28:45,800 --> 00:28:48,320
Speaker 4: just the Hey, that was the pinnacle. And I recognized

530
00:28:48,320 --> 00:28:48,920
Speaker 4: it at the time.

531
00:28:49,200 --> 00:28:52,320
Speaker 3: That was the pinnacle, and I was like, there's no

532
00:28:52,400 --> 00:28:54,160
Speaker 3: there's no way anything's.

533
00:28:53,800 --> 00:28:55,600
Speaker 4: Gonna it's just like that was what I was like.

534
00:28:55,600 --> 00:28:58,400
Speaker 3: It's all downhill from here, really, and I was I

535
00:28:58,520 --> 00:29:01,640
Speaker 3: really viewed that, and I think it's probably like this

536
00:29:01,760 --> 00:29:06,440
Speaker 3: is probably duche to compare, but I've heard Olympic athletes

537
00:29:06,520 --> 00:29:13,200
Speaker 3: say that it's understood that after training your whole life

538
00:29:13,920 --> 00:29:16,560
Speaker 3: to be an Olympian.

539
00:29:17,400 --> 00:29:20,960
Speaker 4: Like, what's substantially.

540
00:29:20,280 --> 00:29:26,520
Speaker 3: More devastating than failing is actually winning because when they

541
00:29:26,560 --> 00:29:30,840
Speaker 3: hang that one, when they hang that metal around.

542
00:29:30,840 --> 00:29:36,000
Speaker 4: Her neck, like it's like they're it's like they're hanging

543
00:29:36,320 --> 00:29:38,600
Speaker 4: the end of you. How many.

544
00:29:40,080 --> 00:29:42,440
Speaker 3: This is what I trained my whole life for and

545
00:29:42,480 --> 00:29:44,920
Speaker 3: now here I pulled it and then what do I

546
00:29:44,960 --> 00:29:45,480
Speaker 3: do after that?

547
00:29:46,120 --> 00:29:48,760
Speaker 2: It's like they done it? Now? Yeah.

548
00:29:48,880 --> 00:29:52,600
Speaker 3: The Man on the Wire who did the typewroping documentary,

549
00:29:52,640 --> 00:29:54,680
Speaker 3: it's like what about what's next after that?

550
00:29:54,920 --> 00:29:57,600
Speaker 4: You know? And I felt like that that was my moment.

551
00:29:57,760 --> 00:29:58,160
Speaker 2: Interesting.

552
00:29:58,280 --> 00:30:00,680
Speaker 3: I showed up to that Jack has No True premiere,

553
00:30:00,680 --> 00:30:06,400
Speaker 3: and I was just like, categorically, it's all downhill from here,

554
00:30:06,520 --> 00:30:08,880
Speaker 3: Like I like, this is it? And I remember, like

555
00:30:09,480 --> 00:30:13,520
Speaker 3: I was, I was in terrible shape with an addiction

556
00:30:13,720 --> 00:30:15,480
Speaker 3: to huffing nitrous oxide.

557
00:30:15,600 --> 00:30:19,360
Speaker 1: Yes, a little old doc a long time ago. Yeah,

558
00:30:19,400 --> 00:30:20,960
Speaker 1: I mean that was what was that?

559
00:30:21,080 --> 00:30:21,240
Speaker 2: Like?

560
00:30:22,360 --> 00:30:22,720
Speaker 4: It was?

561
00:30:22,840 --> 00:30:26,760
Speaker 3: It was really really gnarly, Like there was even like

562
00:30:26,800 --> 00:30:30,120
Speaker 3: this crazy like countdown kind of a situation going on

563
00:30:30,240 --> 00:30:33,920
Speaker 3: with the this voices in my head and the like

564
00:30:34,080 --> 00:30:37,200
Speaker 3: spirits and the you know, it was.

565
00:30:37,640 --> 00:30:40,280
Speaker 4: It was just a gnarly situation. And I showed up.

566
00:30:41,080 --> 00:30:43,200
Speaker 4: I showed it up in a limo to the red

567
00:30:43,240 --> 00:30:45,200
Speaker 4: carpet premiere with.

568
00:30:47,200 --> 00:30:52,880
Speaker 3: My father, my sister, my four year old niece, she

569
00:30:53,080 --> 00:30:58,120
Speaker 3: was four at the time, doctor Drew Pinsky.

570
00:30:57,960 --> 00:31:01,040
Speaker 2: Doctor doctor and what was he doing there?

571
00:31:01,080 --> 00:31:04,360
Speaker 4: And Ron Jeremy.

572
00:31:04,960 --> 00:31:07,800
Speaker 2: I mean, just a weird night.

573
00:31:08,560 --> 00:31:12,400
Speaker 4: I like, I was just buddies with doctor Drew, like

574
00:31:13,040 --> 00:31:15,480
Speaker 4: I would guest host on Loveline sometimes.

575
00:31:16,200 --> 00:31:19,000
Speaker 3: So doctor Drew is in the limo, n I get

576
00:31:19,000 --> 00:31:22,480
Speaker 3: out of the limo, come come onto the red carpet.

577
00:31:23,320 --> 00:31:24,720
Speaker 4: And I just like I.

578
00:31:24,840 --> 00:31:31,040
Speaker 3: Just pulled out my wiener and and literally just stood

579
00:31:31,080 --> 00:31:35,480
Speaker 3: there pissing on the red carpet with all the flashbulbs

580
00:31:35,480 --> 00:31:39,760
Speaker 3: going off. I'm just urinating all over the red carpet.

581
00:31:41,160 --> 00:31:42,600
Speaker 2: Purpose Yeah, just like.

582
00:31:45,640 --> 00:31:48,480
Speaker 3: I meant to wild, I meant to do it. My

583
00:31:48,520 --> 00:31:51,880
Speaker 3: four year olds just sitting there, like my four year

584
00:31:51,880 --> 00:31:56,200
Speaker 3: old niece is do it. My dad is not even irate,

585
00:31:56,360 --> 00:32:01,720
Speaker 3: He's just like beyond somewhere to be like if if

586
00:32:01,840 --> 00:32:10,000
Speaker 3: disappointed could be seething, seeing disappointing more than yeah, like

587
00:32:10,240 --> 00:32:14,080
Speaker 3: seething and you know, and and I was like, I

588
00:32:14,120 --> 00:32:18,480
Speaker 3: think that just psychologically, I was just so mad at

589
00:32:18,480 --> 00:32:22,960
Speaker 3: that red carpet that just represented the last stop on

590
00:32:23,040 --> 00:32:24,000
Speaker 3: the glory train.

591
00:32:24,280 --> 00:32:27,240
Speaker 2: Wow, you know you felt like that in the moment. Yeah,

592
00:32:27,280 --> 00:32:28,400
Speaker 2: for sure, that's crazy.

593
00:32:28,520 --> 00:32:32,720
Speaker 4: I spun out of control, man, Like I was out

594
00:32:32,720 --> 00:32:33,720
Speaker 4: of control.

595
00:32:33,400 --> 00:32:36,360
Speaker 3: But like I just sp like I just spun out

596
00:32:36,360 --> 00:32:37,440
Speaker 3: of control so bad.

597
00:32:37,600 --> 00:32:39,720
Speaker 4: And that was two thousand and six.

598
00:32:39,840 --> 00:32:45,120
Speaker 3: I like, you know, come March of two thousand and eight,

599
00:32:45,600 --> 00:32:49,880
Speaker 3: like the wheels are off and I'm crashed and burned

600
00:32:49,920 --> 00:32:53,120
Speaker 3: and I'm in like the psychiatric ward and the rehab

601
00:32:53,160 --> 00:32:56,880
Speaker 3: and all that. Right, So to answer your question, when

602
00:32:57,880 --> 00:32:59,840
Speaker 3: do I feel weird when there's no attention?

603
00:33:00,680 --> 00:33:07,440
Speaker 4: Like it's.

604
00:33:08,080 --> 00:33:15,120
Speaker 3: It's like it's a dangerous game, particularly for me, like

605
00:33:16,080 --> 00:33:21,320
Speaker 3: the spotlight the attention like as a process of like.

606
00:33:22,880 --> 00:33:26,120
Speaker 4: Being in recovery as a drug addict and an alcoholic.

607
00:33:26,360 --> 00:33:31,160
Speaker 3: Like there's a real major like spiritual component to.

608
00:33:31,160 --> 00:33:33,840
Speaker 4: It, you know, like we got our higher power.

609
00:33:33,960 --> 00:33:38,280
Speaker 3: We've got like you know, like our spiritual practice, you know,

610
00:33:38,480 --> 00:33:43,000
Speaker 3: like our like I acknowledge all of our wrongs and

611
00:33:43,600 --> 00:33:45,520
Speaker 3: go to make them right, you know, like clean up

612
00:33:45,520 --> 00:33:48,520
Speaker 3: our side of the street, and like in all of that,

613
00:33:49,400 --> 00:33:56,240
Speaker 3: Like what's so important is to find separation between like

614
00:33:57,040 --> 00:34:03,120
Speaker 3: the attention warring the person like the professional like.

615
00:34:03,080 --> 00:34:03,960
Speaker 2: Does it good? Blurry?

616
00:34:04,520 --> 00:34:07,560
Speaker 4: Big time blurry, especially with podcasting, you.

617
00:34:07,520 --> 00:34:12,440
Speaker 3: Know, especially with podcasting podcasting just totally it's like right now.

618
00:34:12,719 --> 00:34:14,920
Speaker 2: For sure, you just new guests all the time. It's like,

619
00:34:14,920 --> 00:34:15,720
Speaker 2: who are you today?

620
00:34:15,840 --> 00:34:16,680
Speaker 4: What is this?

621
00:34:16,960 --> 00:34:20,319
Speaker 3: I'm only here because it's gonna get news right, right,

622
00:34:20,600 --> 00:34:26,160
Speaker 3: but but you're getting yeah right, and and like so

623
00:34:26,200 --> 00:34:29,280
Speaker 3: we're here like by definition, we're doing this for attention.

624
00:34:29,000 --> 00:34:29,640
Speaker 2: Right exactly.

625
00:34:29,640 --> 00:34:34,120
Speaker 3: But I'm speaking like as who I am you know,

626
00:34:34,239 --> 00:34:37,320
Speaker 3: so like this is like a hybrid there.

627
00:34:37,200 --> 00:34:38,120
Speaker 4: Is no separation.

628
00:34:38,239 --> 00:34:38,399
Speaker 2: Yah.

629
00:34:38,680 --> 00:34:41,239
Speaker 1: Now it's kind of all one thing right, right, And

630
00:34:41,400 --> 00:34:42,680
Speaker 1: do you have to work to get to that point

631
00:34:42,960 --> 00:34:46,440
Speaker 1: or were you towards that where it becomes like a

632
00:34:46,520 --> 00:34:48,719
Speaker 1: soul self of that where it's like, hey, I gotta

633
00:34:48,760 --> 00:34:50,640
Speaker 1: like be more whole or something.

634
00:34:51,080 --> 00:34:53,920
Speaker 3: I mean, yeah, I just gotta figure out how to

635
00:34:53,960 --> 00:34:56,240
Speaker 3: be okay leg when it's all.

636
00:34:56,120 --> 00:34:59,160
Speaker 2: Done, you know, And is it ever done? You think?

637
00:35:00,440 --> 00:35:06,719
Speaker 4: I mean I do, I It's not done. It's just

638
00:35:06,760 --> 00:35:07,560
Speaker 4: gonna change.

639
00:35:08,600 --> 00:35:12,600
Speaker 3: And you know, I'm like hyper focused on like the

640
00:35:12,640 --> 00:35:15,879
Speaker 3: getting older kind of a thing, like really like where

641
00:35:15,880 --> 00:35:16,319
Speaker 3: it's like.

642
00:35:18,400 --> 00:35:19,560
Speaker 4: The jackass stuff.

643
00:35:19,680 --> 00:35:22,920
Speaker 3: My identity is so kind of wrapped up in this

644
00:35:23,160 --> 00:35:28,800
Speaker 3: like adolescence, irresponsible, reckless, like it's a young miss stunts.

645
00:35:29,560 --> 00:35:33,160
Speaker 4: You know, our jackass shit is a young dude's game, right,

646
00:35:33,200 --> 00:35:34,759
Speaker 4: and we're not young anymore, you know.

647
00:35:35,680 --> 00:35:41,279
Speaker 3: Like attention warring is a young dude's game. And it's

648
00:35:41,360 --> 00:35:47,240
Speaker 3: so scary for me because the human condition, the human

649
00:35:47,320 --> 00:35:54,640
Speaker 3: experience is this impossible catch twenty two and nobody wants

650
00:35:54,680 --> 00:35:55,960
Speaker 3: to think about it.

651
00:35:56,160 --> 00:35:57,959
Speaker 2: Oh, like which part of it.

652
00:35:57,680 --> 00:36:03,920
Speaker 3: Nobody wants to acknowledge? Or in any meaningful way consider

653
00:36:04,400 --> 00:36:08,480
Speaker 3: their own mortality. Nobody wants to think about it. Not

654
00:36:08,719 --> 00:36:11,360
Speaker 3: cool to bring it up, not cool to make people

655
00:36:11,400 --> 00:36:13,279
Speaker 3: think about the fact that they're going to be.

656
00:36:13,200 --> 00:36:16,200
Speaker 4: A popular people because it's a bummer.

657
00:36:17,040 --> 00:36:18,440
Speaker 2: People are.

658
00:36:18,600 --> 00:36:21,640
Speaker 4: Mortality is a bummer. It's a reality. But it's a

659
00:36:21,680 --> 00:36:23,560
Speaker 4: reality that bumps us out. We don't want to think

660
00:36:23,600 --> 00:36:24,840
Speaker 4: about it.

661
00:36:28,120 --> 00:36:33,560
Speaker 3: I had an experience in uh two thousand and one.

662
00:36:34,040 --> 00:36:39,760
Speaker 3: Jackass was was just you know, a new show on MTV.

663
00:36:39,880 --> 00:36:42,560
Speaker 3: I think it was in its second season. I was

664
00:36:43,320 --> 00:36:50,080
Speaker 3: helplessly addicted to cocaine and in Cancun, Mexico for Spring break.

665
00:36:51,239 --> 00:36:52,720
Speaker 2: Break had nothing to do with MTV.

666
00:36:53,280 --> 00:36:58,000
Speaker 3: It was there was a somewhat shady rave promoter from

667
00:36:58,120 --> 00:37:04,160
Speaker 3: Cleveland who had booked me to uh perform some silly shows,

668
00:37:04,239 --> 00:37:08,200
Speaker 3: do some personal appearance type stuff in kN Kun So

669
00:37:08,280 --> 00:37:10,719
Speaker 3: I was down there. I want to say, for like

670
00:37:10,920 --> 00:37:13,800
Speaker 3: a good couple of weeks in a row, every single

671
00:37:14,200 --> 00:37:18,120
Speaker 3: taxi driver in kN kun as I understand it doubles

672
00:37:18,200 --> 00:37:19,400
Speaker 3: as a cocaine dealer.

673
00:37:19,520 --> 00:37:22,520
Speaker 2: Really still, I think so, I think so, Yeah.

674
00:37:22,400 --> 00:37:22,800
Speaker 4: I think so.

675
00:37:23,760 --> 00:37:26,600
Speaker 3: If you ask your cab driver in Cocaine or in

676
00:37:26,719 --> 00:37:31,120
Speaker 3: king Kuon for cocaine. If they don't have it immediately

677
00:37:31,160 --> 00:37:32,959
Speaker 3: under their driver's seat, they'll just go.

678
00:37:32,960 --> 00:37:35,399
Speaker 2: To the the nearest corner with their friend.

679
00:37:35,719 --> 00:37:37,200
Speaker 3: Yeah, there's like a like there would be like a

680
00:37:37,200 --> 00:37:40,080
Speaker 3: little cab stop and they'll get it from another guy.

681
00:37:40,600 --> 00:37:43,200
Speaker 3: But in any case, it's pretty powerful cocaine in my

682
00:37:43,280 --> 00:37:47,640
Speaker 3: experience down there. So one night I was in my

683
00:37:47,719 --> 00:37:52,000
Speaker 3: hotel room totally by myself, you know, coming into the

684
00:37:52,040 --> 00:37:59,240
Speaker 3: next day like Super Bender, super super Binge. Like every

685
00:37:59,600 --> 00:38:05,080
Speaker 3: channel on the TV was doing live coverage of the

686
00:38:05,120 --> 00:38:10,719
Speaker 3: execution of the Oklahoma City bomber Timothy McVay. Okay, I

687
00:38:10,719 --> 00:38:13,520
Speaker 3: feel like it was even like in broadcast in Spanish

688
00:38:13,680 --> 00:38:16,920
Speaker 3: on some channels. But it was just like very striking

689
00:38:16,960 --> 00:38:21,320
Speaker 3: to me that this guy who blew up this federal

690
00:38:21,400 --> 00:38:26,400
Speaker 3: building in Oklahoma City, which which had a daycare center

691
00:38:26,440 --> 00:38:26,640
Speaker 3: in it.

692
00:38:26,719 --> 00:38:29,279
Speaker 4: I mean he like he's he.

693
00:38:29,320 --> 00:38:32,600
Speaker 3: Blew up the whole building, like all the babies in

694
00:38:32,640 --> 00:38:34,239
Speaker 3: the daycare center, the whole thing.

695
00:38:34,320 --> 00:38:35,120
Speaker 4: Like hundreds of.

696
00:38:35,560 --> 00:38:41,320
Speaker 3: People were killed in this in this act, and here

697
00:38:41,360 --> 00:38:45,000
Speaker 3: he is I'm in Mexico. Even on the Spanish speaking

698
00:38:45,560 --> 00:38:50,200
Speaker 3: stations in Mexico, like CNN, like all that events.

699
00:38:50,840 --> 00:38:51,400
Speaker 4: It was.

700
00:38:51,440 --> 00:38:54,280
Speaker 2: It was which is kind of weird, but yeah.

701
00:38:53,960 --> 00:38:56,680
Speaker 3: It was, and I was glued to it, like I

702
00:38:56,760 --> 00:38:59,480
Speaker 3: was absolutely fascinated. But of course I was just sitting there,

703
00:38:59,719 --> 00:39:03,239
Speaker 3: you know, high on cocaine and and uh, you know,

704
00:39:03,719 --> 00:39:08,720
Speaker 3: just but but the guy, in my view at that time,

705
00:39:09,640 --> 00:39:12,360
Speaker 3: was like the most famous guy on the planet.

706
00:39:13,120 --> 00:39:14,239
Speaker 4: And if I were to.

707
00:39:15,920 --> 00:39:19,640
Speaker 3: You know, I guess I don't even think I have

708
00:39:19,719 --> 00:39:22,399
Speaker 3: to guess. The guy was loving the attention. The guy

709
00:39:22,440 --> 00:39:27,760
Speaker 3: was loving the attention. I think I would categorize him

710
00:39:27,880 --> 00:39:34,160
Speaker 3: as somebody who didn't care if he's infamous, just wants.

711
00:39:33,880 --> 00:39:35,160
Speaker 4: To be known.

712
00:39:35,400 --> 00:39:40,600
Speaker 3: Ye, he was just loving the attention. And as it

713
00:39:40,680 --> 00:39:47,120
Speaker 3: all unfolded, he got his uh, he got his last meal.

714
00:39:47,440 --> 00:39:52,839
Speaker 3: He requested to have two tubs of mint chocolate chip

715
00:39:52,920 --> 00:39:53,560
Speaker 3: ice cream.

716
00:39:54,760 --> 00:39:54,960
Speaker 2: Just that.

717
00:39:55,160 --> 00:39:55,880
Speaker 4: I think that was it.

718
00:39:55,920 --> 00:39:56,239
Speaker 2: I think I.

719
00:39:58,520 --> 00:40:01,680
Speaker 3: Filmed that show yesterday. What do you mean They have

720
00:40:01,719 --> 00:40:03,759
Speaker 3: a show format called last Meal.

721
00:40:03,800 --> 00:40:05,120
Speaker 4: You can get them to make you anything.

722
00:40:05,160 --> 00:40:07,319
Speaker 1: They don't kill you, They just give your last Yeah,

723
00:40:07,920 --> 00:40:11,400
Speaker 1: your dream meal. You know you had your dream meal yesterday?

724
00:40:11,480 --> 00:40:11,719
Speaker 4: Yeah?

725
00:40:11,880 --> 00:40:12,759
Speaker 2: Okay, So what is it then?

726
00:40:12,920 --> 00:40:13,200
Speaker 4: I mean?

727
00:40:13,280 --> 00:40:17,760
Speaker 3: I had this baked corn snack from England called pickled

728
00:40:17,760 --> 00:40:22,040
Speaker 3: onion monster Munch, which I love I had a huge lobster,

729
00:40:24,200 --> 00:40:29,440
Speaker 3: vegan grilled cheese and tomato soup, crunchy shrimp, temporal le

730
00:40:30,280 --> 00:40:33,759
Speaker 3: a pea campire with melted Reese's peanut butter cups all

731
00:40:33,800 --> 00:40:34,680
Speaker 3: over it.

732
00:40:35,200 --> 00:40:37,000
Speaker 2: Do they have all ingredients in the world? How do

733
00:40:37,040 --> 00:40:38,040
Speaker 2: they get all this stuff?

734
00:40:38,160 --> 00:40:39,120
Speaker 4: They just make it happen.

735
00:40:39,120 --> 00:40:40,839
Speaker 2: To make it happen, they did.

736
00:40:41,360 --> 00:40:42,360
Speaker 4: They had a.

737
00:40:42,120 --> 00:40:47,200
Speaker 3: Soundclown wrapper order a steak like covered in in a

738
00:40:47,520 --> 00:40:50,000
Speaker 3: twenty four carrot gold flakes.

739
00:40:49,680 --> 00:40:51,240
Speaker 2: Because is so good.

740
00:40:51,960 --> 00:40:55,080
Speaker 3: Yeah, yeah, this guy, I think everybody. I guess it

741
00:40:55,200 --> 00:40:59,000
Speaker 3: was two pints mint chocolate chip ice cream.

742
00:40:59,440 --> 00:41:02,440
Speaker 4: Then he uh, you.

743
00:41:02,400 --> 00:41:07,520
Speaker 3: Know, it goes into the to the death chamber. It

744
00:41:07,560 --> 00:41:12,800
Speaker 3: was a lethal injection goes into the the death chamber.

745
00:41:13,040 --> 00:41:16,880
Speaker 3: And they had it was kind of like a.

746
00:41:18,360 --> 00:41:20,560
Speaker 4: I guess like a pod, and it had.

747
00:41:20,480 --> 00:41:26,080
Speaker 3: Different rooms around it in a circle and uh one

748
00:41:26,120 --> 00:41:31,120
Speaker 3: way glass so that the people in each respective room

749
00:41:31,239 --> 00:41:33,600
Speaker 3: could see into the death chamber, but.

750
00:41:34,320 --> 00:41:37,840
Speaker 4: One way glass, so you know, it was you couldn't see.

751
00:41:38,520 --> 00:41:43,040
Speaker 3: And one room was for members of the media to

752
00:41:43,239 --> 00:41:47,120
Speaker 3: witness it and report what they saw. Another room was

753
00:41:47,160 --> 00:41:53,480
Speaker 3: for government officials, and a third room was for you know,

754
00:41:55,480 --> 00:41:58,520
Speaker 3: family members, Yeah, loved ones and family members of the

755
00:41:58,600 --> 00:42:01,120
Speaker 3: victims who just wanted like the vindication.

756
00:42:01,200 --> 00:42:01,960
Speaker 4: To see it happen.

757
00:42:04,120 --> 00:42:09,040
Speaker 3: So the guy comes into his room, I and this

758
00:42:09,080 --> 00:42:11,280
Speaker 3: is all, you know, I'm you know, once it's said.

759
00:42:11,080 --> 00:42:13,839
Speaker 1: And done, I'm like a movie that you're setting up here,

760
00:42:13,880 --> 00:42:17,400
Speaker 1: But this is all a real dude happened.

761
00:42:17,440 --> 00:42:20,040
Speaker 3: And I'm uh, you know, kind of relaying what I

762
00:42:20,640 --> 00:42:23,520
Speaker 3: heard reported from after it happened, like the you know,

763
00:42:23,600 --> 00:42:25,960
Speaker 3: the media and people are on the news thinger. The

764
00:42:25,960 --> 00:42:30,960
Speaker 3: guy walks into the death chamber and he he gets

765
00:42:31,080 --> 00:42:39,080
Speaker 3: to have his last words, which he declined to say himself.

766
00:42:39,920 --> 00:42:44,839
Speaker 3: Rather he wrote down his last words and they were

767
00:42:44,920 --> 00:42:50,360
Speaker 3: read aloud by like, you know, some kind of government

768
00:42:50,400 --> 00:42:51,480
Speaker 3: official in the room.

769
00:42:53,120 --> 00:42:53,359
Speaker 4: Yeah.

770
00:42:53,440 --> 00:42:57,560
Speaker 3: And and this was like particularly offensive to me because

771
00:42:59,200 --> 00:43:04,040
Speaker 3: the last words were not like, not only were they

772
00:43:04,080 --> 00:43:06,759
Speaker 3: not like remorseful, not only were they not.

773
00:43:08,560 --> 00:43:13,000
Speaker 4: You know, they were just vile. You know. It was

774
00:43:13,080 --> 00:43:14,520
Speaker 4: like it was basically like.

775
00:43:16,280 --> 00:43:20,120
Speaker 3: Out yeah, he was saying, I'm the master of my

776
00:43:20,239 --> 00:43:24,120
Speaker 3: own domain, you know, like basically I'm not sorry, you know,

777
00:43:24,239 --> 00:43:25,480
Speaker 3: I do it all over again.

778
00:43:25,719 --> 00:43:28,160
Speaker 4: Was kind of the vibe of it. And just the

779
00:43:28,200 --> 00:43:31,040
Speaker 4: fact that, uh, you know that it was.

780
00:43:31,040 --> 00:43:34,759
Speaker 3: Like it was taxpayer money who paid the salary of

781
00:43:34,800 --> 00:43:38,879
Speaker 3: that government official to read those vile words, right, you know.

782
00:43:39,080 --> 00:43:42,040
Speaker 4: I found offensive. And then.

783
00:43:43,640 --> 00:43:47,880
Speaker 3: After the words are read, and and and this, uh, this,

784
00:43:47,880 --> 00:43:53,239
Speaker 3: this guy like squints at each pane of one way

785
00:43:53,320 --> 00:43:57,920
Speaker 3: glass like trying to like you know, acknowledging each rooms,

786
00:43:57,960 --> 00:44:00,640
Speaker 3: like kind of squints, are trying to see through it,

787
00:44:01,120 --> 00:44:04,360
Speaker 3: and like just kind of scoffs, you know, like with

788
00:44:04,520 --> 00:44:06,359
Speaker 3: disrespect at each one.

789
00:44:09,080 --> 00:44:11,880
Speaker 2: Everyone trying trying to do that.

790
00:44:11,880 --> 00:44:16,920
Speaker 3: I mean, and and and and I completely I'm completely reserved.

791
00:44:18,040 --> 00:44:21,200
Speaker 4: The possibility that I have some form of revisionist memory.

792
00:44:21,239 --> 00:44:22,240
Speaker 4: This is how I remember.

793
00:44:23,040 --> 00:44:24,000
Speaker 2: This is what I remember.

794
00:44:24,719 --> 00:44:26,400
Speaker 4: Yeah, this is what has been a long time. That's

795
00:44:26,400 --> 00:44:26,960
Speaker 4: how I remember.

796
00:44:27,000 --> 00:44:30,320
Speaker 3: But he like acknowledged each room like with just gesture

797
00:44:30,400 --> 00:44:35,960
Speaker 3: of disrespect, and then when they actually get give the injection.

798
00:44:36,840 --> 00:44:39,839
Speaker 4: I mean, it's a series of three different injections. The

799
00:44:39,840 --> 00:44:41,040
Speaker 4: first one is.

800
00:44:42,480 --> 00:44:47,960
Speaker 3: If not actually propofal, it's the equivalent like a general anesthesia,

801
00:44:48,320 --> 00:44:48,520
Speaker 3: you know.

802
00:44:50,480 --> 00:44:51,239
Speaker 4: So it's like.

803
00:44:52,960 --> 00:44:57,200
Speaker 3: It's like going into surgery without the pesky like waking

804
00:44:57,280 --> 00:44:59,040
Speaker 3: up sore part, you.

805
00:44:59,000 --> 00:45:00,960
Speaker 2: Know, right, couldn't what are you doing?

806
00:45:01,040 --> 00:45:06,200
Speaker 3: Ker could not have been more of a cakewalk, you know,

807
00:45:06,520 --> 00:45:12,560
Speaker 3: the most the most humane, the most gentle, the most

808
00:45:12,600 --> 00:45:17,440
Speaker 3: like just uh, the most medicated. It's like this, this

809
00:45:17,520 --> 00:45:22,759
Speaker 3: guy had such an easy death that that that.

810
00:45:22,520 --> 00:45:25,800
Speaker 4: It was reported he didn't even blink.

811
00:45:26,440 --> 00:45:28,920
Speaker 3: He'd like, he's just kind of as it's just his

812
00:45:29,040 --> 00:45:32,920
Speaker 3: head went back out down. He didn't even blink. It

813
00:45:33,000 --> 00:45:36,279
Speaker 3: was just disrespect, just being vile. And then they just

814
00:45:36,360 --> 00:45:45,920
Speaker 3: saw him have this like utterly painless, comfortable, peaceful, like.

815
00:45:45,239 --> 00:45:46,640
Speaker 2: Like putting your pet down.

816
00:45:47,640 --> 00:45:49,480
Speaker 4: Present, putting your pet down.

817
00:45:50,080 --> 00:45:54,200
Speaker 3: It like it just I feel like the world is

818
00:45:54,320 --> 00:46:03,560
Speaker 3: full of terminally ill individuals who are just in unbearable

819
00:46:05,120 --> 00:46:14,120
Speaker 3: suffering agony and not legally allowed to be euthanized. They're like,

820
00:46:14,480 --> 00:46:17,360
Speaker 3: they're all kinds of worlds full of Them's maybe on

821
00:46:17,440 --> 00:46:19,759
Speaker 3: averse statement, but I think there's no shortage of people

822
00:46:19,800 --> 00:46:22,840
Speaker 3: who would beg beg to have such.

823
00:46:22,719 --> 00:46:25,200
Speaker 1: An easy I'd be one if I was just in

824
00:46:25,280 --> 00:46:27,840
Speaker 1: complete shambles, I'd say just beautiful.

825
00:46:28,040 --> 00:46:29,840
Speaker 4: Right, It's just so unfair.

826
00:46:30,440 --> 00:46:33,400
Speaker 3: They're like people who are good, people who never did

827
00:46:33,440 --> 00:46:37,520
Speaker 3: anything wrong, terminally ill and in great suffering, are not

828
00:46:37,719 --> 00:46:45,480
Speaker 3: afforded this easy, painless death that this vile individual was afforded.

829
00:46:46,080 --> 00:46:50,520
Speaker 4: And and just the most famous guy in the world.

830
00:46:50,560 --> 00:46:53,400
Speaker 4: It's just soaking up all of the attention.

831
00:46:53,239 --> 00:46:55,560
Speaker 2: Right that we gave to him, though, right that we gave.

832
00:46:55,360 --> 00:46:59,200
Speaker 4: To him, and just painless, like everything about it was

833
00:47:00,160 --> 00:47:02,600
Speaker 4: that all of that put aside.

834
00:47:03,400 --> 00:47:08,720
Speaker 3: Is not even like what I considered the main issue here.

835
00:47:09,200 --> 00:47:10,839
Speaker 4: The main issue here.

836
00:47:11,320 --> 00:47:18,040
Speaker 3: Is that in order to carry out capital punishment, to

837
00:47:18,160 --> 00:47:24,120
Speaker 3: actually go through with executing a prisoner, it is required

838
00:47:24,640 --> 00:47:31,040
Speaker 3: for that to go through the process of appeals all

839
00:47:31,120 --> 00:47:34,680
Speaker 3: the way up to the Supreme Court. As I understand it,

840
00:47:34,680 --> 00:47:37,160
Speaker 3: it has to go all the way through the Supreme

841
00:47:37,200 --> 00:47:40,479
Speaker 3: Court because they want to be so sure that they're

842
00:47:40,560 --> 00:47:45,560
Speaker 3: not executing the wrong people that they have this just

843
00:47:46,960 --> 00:47:49,960
Speaker 3: over the top appellate process to.

844
00:47:50,000 --> 00:47:51,160
Speaker 4: Appeal the conviction.

845
00:47:51,719 --> 00:47:55,560
Speaker 3: And by the time you've gone all the way up

846
00:47:55,560 --> 00:48:00,400
Speaker 3: to the Supreme Court and exhausted the entire appeal process,

847
00:48:01,040 --> 00:48:07,239
Speaker 3: you have generated in court costs at the expense of the.

848
00:48:06,680 --> 00:48:09,240
Speaker 2: Taxpayer, endless amount of money.

849
00:48:09,239 --> 00:48:14,319
Speaker 3: Mike, not quite ten times the amount of money that

850
00:48:14,360 --> 00:48:17,360
Speaker 3: it would cost to just throw away the key and

851
00:48:17,440 --> 00:48:18,560
Speaker 3: let that person live.

852
00:48:18,440 --> 00:48:20,239
Speaker 4: Out their natural life in a jail cell.

853
00:48:20,719 --> 00:48:24,400
Speaker 3: And I know that that it's not quite ten times

854
00:48:24,480 --> 00:48:28,320
Speaker 3: because I'm so fascinated with this subject that I actually

855
00:48:29,520 --> 00:48:32,400
Speaker 3: sought to interview a death row inmate.

856
00:48:32,520 --> 00:48:34,480
Speaker 2: Oh wow on my podcast. That's awesome.

857
00:48:34,600 --> 00:48:37,480
Speaker 3: And they found a guy who was on death row

858
00:48:37,640 --> 00:48:40,319
Speaker 3: for like twenty years but got his sentence commuted to

859
00:48:40,480 --> 00:48:42,200
Speaker 3: life and then managed to get.

860
00:48:42,080 --> 00:48:43,400
Speaker 4: Parolled and is free.

861
00:48:43,520 --> 00:48:44,480
Speaker 2: So wild.

862
00:48:44,560 --> 00:48:46,680
Speaker 3: He was able to speak to the experience of being

863
00:48:46,719 --> 00:48:50,520
Speaker 3: on death row, the experience of being in general population,

864
00:48:51,239 --> 00:48:52,480
Speaker 3: and being free.

865
00:48:52,719 --> 00:48:55,000
Speaker 2: Yeah, all things I don't ever want to do, right.

866
00:48:54,920 --> 00:48:58,359
Speaker 3: Yeah, And I got all kinds of backlash for why

867
00:48:58,360 --> 00:48:59,759
Speaker 3: are you platforming this guy?

868
00:49:00,120 --> 00:49:00,919
Speaker 2: Was the backlash a belt.

869
00:49:01,040 --> 00:49:03,239
Speaker 4: I mean, it's like, the guy killed somebody, are you

870
00:49:03,239 --> 00:49:03,719
Speaker 4: giving them.

871
00:49:05,719 --> 00:49:07,200
Speaker 2: He did? Okay, definitely kill somebody.

872
00:49:07,239 --> 00:49:10,640
Speaker 3: He was so appropriately remorseful, you know, like even in

873
00:49:10,719 --> 00:49:11,959
Speaker 3: like in a touching way.

874
00:49:12,200 --> 00:49:14,759
Speaker 4: Oh no, way. You've got the book Ishmael. That's like

875
00:49:14,840 --> 00:49:15,600
Speaker 4: my favorite book.

876
00:49:16,520 --> 00:49:19,120
Speaker 2: Literally, what's that book? Then?

877
00:49:19,560 --> 00:49:20,400
Speaker 4: It's it's awesome.

878
00:49:20,719 --> 00:49:25,000
Speaker 3: It's uh, it's a novel about how how utterly fucked

879
00:49:25,040 --> 00:49:25,319
Speaker 3: we are.

880
00:49:25,640 --> 00:49:27,840
Speaker 2: Oh ship, I can't wait to read it.

881
00:49:28,719 --> 00:49:31,719
Speaker 4: Yeah, I can tell I can tell you about it.

882
00:49:31,760 --> 00:49:35,600
Speaker 2: But it's okay, Well it's yeah, take that book tonight.

883
00:49:36,160 --> 00:49:39,880
Speaker 3: It's it's epic, but but yeah, so uh, you know,

884
00:49:40,160 --> 00:49:44,399
Speaker 3: in the process of finding this, this very remorseful guy

885
00:49:44,719 --> 00:49:49,680
Speaker 3: who uh you know, I I learned it's not quite

886
00:49:49,800 --> 00:49:53,600
Speaker 3: ten times like for someone to live their natural life.

887
00:49:53,800 --> 00:49:57,160
Speaker 4: Maybe it's closer to three times. But whatever it is, uh,

888
00:49:57,719 --> 00:50:01,680
Speaker 4: you know, it's the power of a multiple. It costs

889
00:50:01,719 --> 00:50:03,279
Speaker 4: a lot more to.

890
00:50:05,160 --> 00:50:07,960
Speaker 3: Make somebody make an asshole, like give them all the

891
00:50:08,000 --> 00:50:11,279
Speaker 3: attention they want, you know, I give them a completely

892
00:50:11,320 --> 00:50:16,120
Speaker 3: painless life, just makes them feel important, celebrates them, and

893
00:50:16,320 --> 00:50:17,680
Speaker 3: costs way more money.

894
00:50:18,040 --> 00:50:20,480
Speaker 4: And it's it's just like.

895
00:50:21,880 --> 00:50:25,120
Speaker 3: You know, and and and I started out by saying,

896
00:50:25,160 --> 00:50:28,400
Speaker 3: I think that the debate, the typical debate around the

897
00:50:28,440 --> 00:50:30,359
Speaker 3: death penalty is uh.

898
00:50:32,400 --> 00:50:34,240
Speaker 4: Just it's it's kind.

899
00:50:34,000 --> 00:50:40,560
Speaker 3: Of miss misguided because the typical debate about the death

900
00:50:40,600 --> 00:50:46,239
Speaker 3: penalty is people saying it's not you know, like, uh,

901
00:50:46,760 --> 00:50:48,879
Speaker 3: it's kind of like an iph and eye makes the.

902
00:50:48,800 --> 00:50:50,520
Speaker 2: Whole world blind.

903
00:50:50,960 --> 00:50:54,400
Speaker 3: It's like an iph and eye makes a whole world blind.

904
00:50:54,600 --> 00:50:56,520
Speaker 4: Two wrongs don't make a right.

905
00:50:57,000 --> 00:51:00,400
Speaker 3: You shouldn't take a life because to show that taking

906
00:51:00,400 --> 00:51:03,600
Speaker 3: a life is wrong, you know, like people think that

907
00:51:03,600 --> 00:51:07,080
Speaker 3: that the death penalty is like two too.

908
00:51:07,040 --> 00:51:11,479
Speaker 4: Much, And in my view, it's not harsh enough.

909
00:51:11,880 --> 00:51:13,200
Speaker 2: I mean, you know what I'm saying.

910
00:51:13,280 --> 00:51:16,000
Speaker 1: If someone killed one of my family members, I would

911
00:51:16,040 --> 00:51:17,400
Speaker 1: want to kill them.

912
00:51:17,480 --> 00:51:18,759
Speaker 2: Right, and I want them to die.

913
00:51:19,160 --> 00:51:22,200
Speaker 4: I mean, but it's just like I think about I

914
00:51:22,239 --> 00:51:27,360
Speaker 4: think about the room in the viewing room.

915
00:51:28,600 --> 00:51:32,600
Speaker 3: For the people who are the family members, loved ones

916
00:51:32,600 --> 00:51:36,680
Speaker 3: of the victims, who are there for that vindication.

917
00:51:36,960 --> 00:51:38,040
Speaker 4: They're they're like they.

918
00:51:37,880 --> 00:51:40,840
Speaker 3: Want to see this, Yeah, they want to see this

919
00:51:40,960 --> 00:51:44,839
Speaker 3: bastard die, Like where's the vindication?

920
00:51:45,200 --> 00:51:48,000
Speaker 4: And hearing vile words.

921
00:51:47,640 --> 00:51:50,759
Speaker 1: Yeah that it sounds like, I mean just yeah, you

922
00:51:50,880 --> 00:51:52,800
Speaker 1: just stopped all over you guys.

923
00:51:53,520 --> 00:51:57,280
Speaker 3: They just those loved ones and family members went there

924
00:51:58,160 --> 00:52:03,279
Speaker 3: and like they were dish respected, you know, and and

925
00:52:04,000 --> 00:52:08,040
Speaker 3: they I just don't see how they got any vindication

926
00:52:08,360 --> 00:52:13,480
Speaker 3: in watching that guy just lay rest his head against

927
00:52:13,480 --> 00:52:17,319
Speaker 3: a cushion, a cushy chair, right, and not even Blinka's eye.

928
00:52:17,800 --> 00:52:18,799
Speaker 2: Are you an eye for an eye?

929
00:52:18,840 --> 00:52:19,040
Speaker 4: Guy?

930
00:52:19,800 --> 00:52:25,680
Speaker 3: I think that that the that the suffering that people

931
00:52:25,719 --> 00:52:28,120
Speaker 3: go through in this life, the life is tough, man.

932
00:52:28,560 --> 00:52:30,399
Speaker 4: Death is easy, dude. That's my view.

933
00:52:30,840 --> 00:52:36,680
Speaker 3: I think that there's that I believe pretty pretty confidently

934
00:52:36,840 --> 00:52:40,040
Speaker 3: that actually being dead is not too tough.

935
00:52:40,239 --> 00:52:43,719
Speaker 4: You know, it's life that's well, you're dead, you know,

936
00:52:43,800 --> 00:52:44,680
Speaker 4: it's it's it's life.

937
00:52:44,760 --> 00:52:46,439
Speaker 2: I hope it's not tough, because that would really suck.

938
00:52:46,520 --> 00:52:48,239
Speaker 4: I mean, we're all screwed if it's yea.

939
00:52:48,920 --> 00:52:52,400
Speaker 3: And so it's life that's challenging, and uh, you know,

940
00:52:52,480 --> 00:52:56,000
Speaker 3: I just think that vindication would be in in the

941
00:52:56,080 --> 00:52:59,640
Speaker 3: guy living and miserable life.

942
00:53:00,080 --> 00:53:02,680
Speaker 1: That's probably that's worse than just passing away real quick,

943
00:53:02,800 --> 00:53:03,359
Speaker 1: easy out.

944
00:53:03,520 --> 00:53:07,000
Speaker 2: Also gently passing away so gently, yeah it's so nice.

945
00:53:07,080 --> 00:53:08,480
Speaker 4: Yeah, gently and painlessly.

946
00:53:08,840 --> 00:53:11,640
Speaker 3: And in all of this, you know, I just think

947
00:53:11,719 --> 00:53:16,400
Speaker 3: let's let's be more frugal with uh, with our spending

948
00:53:17,320 --> 00:53:21,040
Speaker 3: as a nation, as as as people like, let's not

949
00:53:21,360 --> 00:53:23,879
Speaker 3: throw money away on like, uh, is.

950
00:53:23,800 --> 00:53:26,719
Speaker 2: This worth it? I don't think so. Maybe not, it's

951
00:53:26,760 --> 00:53:27,120
Speaker 2: not worth that.

952
00:53:27,200 --> 00:53:30,200
Speaker 4: Plus they do sometimes execute the wrong people.

953
00:53:30,200 --> 00:53:32,799
Speaker 1: I think that's my thing. It's like we're not good

954
00:53:32,880 --> 00:53:33,399
Speaker 1: enough at it.

955
00:53:33,920 --> 00:53:34,680
Speaker 2: People have a good.

956
00:53:34,600 --> 00:53:38,200
Speaker 1: Enough ratio here, right, we should be one hundred percent right,

957
00:53:38,400 --> 00:53:39,000
Speaker 1: nothing else.

958
00:53:39,320 --> 00:53:43,759
Speaker 3: And I think that it's really fucking important to think

959
00:53:43,760 --> 00:53:46,960
Speaker 3: about it, to to live your life deliberately in a

960
00:53:47,040 --> 00:53:50,719
Speaker 3: fashion that you want to have, that you want to

961
00:53:50,880 --> 00:53:53,920
Speaker 3: have lived your life in a way that you're stoked

962
00:53:53,920 --> 00:53:56,080
Speaker 3: to you lived your life when it's over, Like.

963
00:53:56,040 --> 00:53:57,879
Speaker 2: If you died the more kind of thing, Yeah, did

964
00:53:57,920 --> 00:53:58,920
Speaker 2: you do what you wanted to do?

965
00:53:59,120 --> 00:53:59,239
Speaker 4: Fu?

966
00:53:59,480 --> 00:54:00,719
Speaker 2: Would you just get called out?

967
00:54:00,920 --> 00:54:03,360
Speaker 4: Did you did you too soon? You want to be

968
00:54:03,400 --> 00:54:05,240
Speaker 4: on your deathbed thinking fuck.

969
00:54:05,080 --> 00:54:06,759
Speaker 2: Yeah, I want did I do that? I would hate that.

970
00:54:07,719 --> 00:54:10,319
Speaker 4: You want to die thinking fuck yeah, dude, I killed it.

971
00:54:10,560 --> 00:54:11,360
Speaker 4: You know I killed it.

972
00:54:11,520 --> 00:54:14,000
Speaker 2: You can lead with that sort of mentality, right man.

973
00:54:14,200 --> 00:54:15,720
Speaker 1: That has to be bleeding into some of the stunts

974
00:54:15,760 --> 00:54:18,399
Speaker 1: you've done that are so crazy, right for sure?

975
00:54:18,480 --> 00:54:21,000
Speaker 4: I mean now, like did I do everything right? You know?

976
00:54:21,120 --> 00:54:21,640
Speaker 4: Like maybe not?

977
00:54:21,880 --> 00:54:24,879
Speaker 3: I don't know, but like, but I'm very deliberate. I'm

978
00:54:25,040 --> 00:54:28,000
Speaker 3: very like driven for for my goals, and like you know,

979
00:54:28,200 --> 00:54:30,880
Speaker 3: like like like what I've identified as my goal is

980
00:54:30,920 --> 00:54:32,920
Speaker 3: I go after it, and I do it deliberately.

981
00:54:33,160 --> 00:54:35,440
Speaker 4: I think that to think, like to be there and

982
00:54:35,480 --> 00:54:36,120
Speaker 4: you're dying.

983
00:54:36,000 --> 00:54:38,480
Speaker 3: Be like ah fuck man, I like I always like

984
00:54:38,680 --> 00:54:40,480
Speaker 3: to avoided thinking about this.

985
00:54:40,719 --> 00:54:42,719
Speaker 4: And people do they have their blinders on?

986
00:54:42,880 --> 00:54:45,120
Speaker 2: Yeah, they don't work about it, right, They.

987
00:54:44,840 --> 00:54:49,600
Speaker 3: Have They have signs indicating like where's the nearest hospital.

988
00:54:49,880 --> 00:54:52,279
Speaker 3: It's like a big H on a blue square, you know,

989
00:54:52,440 --> 00:54:55,640
Speaker 3: like like hospital, you know, because that's where you go

990
00:54:55,680 --> 00:54:59,080
Speaker 3: to get better people. People are down with going to

991
00:54:59,360 --> 00:55:01,240
Speaker 3: people are down with the idea of getting better.

992
00:55:02,560 --> 00:55:03,600
Speaker 4: I would say that.

993
00:55:05,280 --> 00:55:11,359
Speaker 3: Probably a shocking percentage of the population of America does

994
00:55:11,440 --> 00:55:17,400
Speaker 3: not know the definition of the word hospice right, Like,

995
00:55:17,760 --> 00:55:20,600
Speaker 3: And there's definitely no fucking there are more people in

996
00:55:20,719 --> 00:55:25,240
Speaker 3: hospices not getting better than there are in hospitals getting.

997
00:55:25,040 --> 00:55:27,280
Speaker 2: Better, literally waiting to die.

998
00:55:27,600 --> 00:55:33,120
Speaker 4: Yeah, but nobody wants to fucking think about it. There's

999
00:55:33,160 --> 00:55:35,120
Speaker 4: no signs for where the hospice is at.

1000
00:55:36,920 --> 00:55:39,920
Speaker 3: Nobody even wants to know what it is. And like

1001
00:55:40,000 --> 00:55:43,960
Speaker 3: when people get old, like, not only do they not

1002
00:55:44,000 --> 00:55:46,920
Speaker 3: want to like take care of their elderly, they want

1003
00:55:46,960 --> 00:55:51,799
Speaker 3: to just fucking shut them into nursing homes, get them

1004
00:55:51,800 --> 00:55:53,520
Speaker 3: away from me because I don't want to deal with

1005
00:55:53,520 --> 00:55:58,840
Speaker 3: the hassle. But even more so, old people are just

1006
00:55:59,040 --> 00:56:03,400
Speaker 3: a fucking party foul there being.

1007
00:56:03,200 --> 00:56:06,560
Speaker 2: Old, bringing your grandpa to the party. Like, I'm not that.

1008
00:56:07,239 --> 00:56:13,000
Speaker 3: I think that being old is an aggressive party foul

1009
00:56:13,840 --> 00:56:18,600
Speaker 3: because when you are old, you serve as a reminder

1010
00:56:19,160 --> 00:56:21,920
Speaker 3: of people's mortality and they don't know more.

1011
00:56:21,800 --> 00:56:24,319
Speaker 2: Than others based on how you aged.

1012
00:56:24,280 --> 00:56:26,799
Speaker 4: Right, and and people don't want to think about it.

1013
00:56:26,800 --> 00:56:28,440
Speaker 3: It's like, dude, I don't want to people don't even

1014
00:56:28,440 --> 00:56:31,600
Speaker 3: want to look at an old guy.

1015
00:56:30,120 --> 00:56:33,600
Speaker 1: You're thinking, like this, get to get the.

1016
00:56:33,560 --> 00:56:35,480
Speaker 4: Fucking old guy away from me because he's kind of

1017
00:56:35,480 --> 00:56:36,360
Speaker 4: bumming me out.

1018
00:56:36,200 --> 00:56:42,040
Speaker 3: Because you know, I like not cool, bro, Get the fucking

1019
00:56:42,080 --> 00:56:45,520
Speaker 3: out of my my fucking ice eye line, you know.

1020
00:56:46,320 --> 00:56:49,920
Speaker 4: And like it's such a scary thing to be an

1021
00:56:49,960 --> 00:56:55,200
Speaker 4: attention wore to me, to need at my core to

1022
00:56:55,320 --> 00:56:59,360
Speaker 4: be the center of attention, but to be like wilting

1023
00:56:59,480 --> 00:57:02,359
Speaker 4: and and and deteriorating and just.

1024
00:57:02,280 --> 00:57:07,439
Speaker 3: Turning into this like this thing of you know, the

1025
00:57:07,440 --> 00:57:09,560
Speaker 3: the like this repellent.

1026
00:57:10,120 --> 00:57:12,040
Speaker 2: You know, So if you could freeze it and stop it, now,

1027
00:57:12,040 --> 00:57:12,640
Speaker 2: would you do it?

1028
00:57:13,320 --> 00:57:16,080
Speaker 4: No? No, No, I mean I'm not trying to change anything.

1029
00:57:16,200 --> 00:57:22,280
Speaker 3: Yeah, but but that that's my conundrum. I'm hyper sensitive

1030
00:57:22,600 --> 00:57:26,760
Speaker 3: and very self conscious about how it's not fucking okay

1031
00:57:27,200 --> 00:57:28,440
Speaker 3: for anybody to get.

1032
00:57:28,280 --> 00:57:31,560
Speaker 4: Old, let alone Steve O. Like Steve, Like.

1033
00:57:31,480 --> 00:57:34,800
Speaker 3: The first joke in my my new special is like

1034
00:57:34,920 --> 00:57:37,800
Speaker 3: I'm in a fucked up situation. I'm Steve O in

1035
00:57:37,880 --> 00:57:40,280
Speaker 3: my forties, you know, Like that's funny, Like it's not

1036
00:57:40,360 --> 00:57:42,120
Speaker 3: okay for fucking STEVEO to be in.

1037
00:57:42,040 --> 00:57:44,640
Speaker 2: His forties and made it this far.

1038
00:57:44,960 --> 00:57:47,520
Speaker 3: Yeah, I think it right right, right right, But like

1039
00:57:48,720 --> 00:57:50,520
Speaker 3: that's that's just the jam I'm in.

1040
00:57:50,760 --> 00:57:52,880
Speaker 4: Yes, that's the jam I'm in. And so now what

1041
00:57:52,880 --> 00:57:54,080
Speaker 4: am I gonna do about it?

1042
00:57:54,120 --> 00:57:54,520
Speaker 2: Evolve?

1043
00:57:55,000 --> 00:57:59,880
Speaker 3: Gotta evolve and like more and more, I gotta like

1044
00:58:00,120 --> 00:58:05,520
Speaker 3: set myself up to be okay when the attention goes wait,

1045
00:58:05,560 --> 00:58:07,080
Speaker 3: that's where the separation.

1046
00:58:06,760 --> 00:58:07,440
Speaker 4: Has to come in.

1047
00:58:08,040 --> 00:58:14,439
Speaker 3: And like I started touring comedy clubs in twenty ten,

1048
00:58:15,920 --> 00:58:18,120
Speaker 3: and you know, it was like I didn't have any

1049
00:58:18,280 --> 00:58:21,600
Speaker 3: Like I had done local comedy clubs in LA. Like

1050
00:58:21,640 --> 00:58:23,520
Speaker 3: you get on stage for ten minutes, they give you,

1051
00:58:23,640 --> 00:58:25,120
Speaker 3: they give you like twenty five bucks.

1052
00:58:25,560 --> 00:58:29,280
Speaker 4: You know, maybe they give you fifty bucks. I was like, oh, okay, whatever,

1053
00:58:29,320 --> 00:58:30,440
Speaker 4: but I just wanted to do it.

1054
00:58:31,520 --> 00:58:34,400
Speaker 3: And when the Third Jackass Maybe came out in twenty ten,

1055
00:58:34,440 --> 00:58:36,240
Speaker 3: I go on Howard Stern and I'm like, yo, Howard

1056
00:58:36,360 --> 00:58:38,960
Speaker 3: jumping in the comedy club like every night, I'm loving it,

1057
00:58:39,440 --> 00:58:39,880
Speaker 3: like I'm.

1058
00:58:39,720 --> 00:58:40,200
Speaker 4: Gonna be fuck.

1059
00:58:40,240 --> 00:58:42,400
Speaker 3: I'm trying to get a gig tonight in New York.

1060
00:58:42,760 --> 00:58:46,040
Speaker 3: And because I said that on Howard Stern, I get

1061
00:58:46,040 --> 00:58:49,919
Speaker 3: a call from my lawyer. He says him I'm I'm

1062
00:58:49,920 --> 00:58:53,160
Speaker 3: getting requests from comedy clubs like all over the country

1063
00:58:53,200 --> 00:58:55,240
Speaker 3: and they're trying to book you. It's like, I've got

1064
00:58:55,240 --> 00:59:02,200
Speaker 3: an offer for for twenty thousand dollars, all right, and

1065
00:59:02,240 --> 00:59:03,280
Speaker 3: like what that offered?

1066
00:59:03,680 --> 00:59:05,040
Speaker 2: Like stand up gig?

1067
00:59:05,480 --> 00:59:09,440
Speaker 3: Yeah, it was in a comedy club and it was

1068
00:59:09,560 --> 00:59:13,800
Speaker 3: for six shows from Thursday through Sunday for.

1069
00:59:13,760 --> 00:59:16,400
Speaker 2: A week of work, right, yeah, four days.

1070
00:59:16,560 --> 00:59:20,680
Speaker 3: Yeah, one show on Thursday, then two shows on Friday,

1071
00:59:21,120 --> 00:59:24,960
Speaker 3: two shows on Saturday, and then one show on Sunday.

1072
00:59:25,120 --> 00:59:29,480
Speaker 3: So if you like, let's say it was it was

1073
00:59:29,640 --> 00:59:33,480
Speaker 3: eighteen thousand dollars, then you could divide that by six

1074
00:59:33,560 --> 00:59:34,560
Speaker 3: and arrive at three.

1075
00:59:34,640 --> 00:59:38,400
Speaker 4: That's like three thousand bucks per show. It was insane.

1076
00:59:38,400 --> 00:59:40,320
Speaker 4: I couldn't even believe it. Let's fuck yah, I'll do that,

1077
00:59:40,640 --> 00:59:45,880
Speaker 4: you know. So I start doing the you know, I

1078
00:59:46,080 --> 00:59:46,920
Speaker 4: start doing.

1079
00:59:46,920 --> 00:59:52,000
Speaker 3: This whole comedy club circuit, and like I knew that

1080
00:59:52,600 --> 00:59:56,120
Speaker 3: people didn't see me as a stand up guy, and

1081
00:59:56,200 --> 00:59:58,520
Speaker 3: I was fucking giving it hell and doing the best

1082
00:59:58,560 --> 00:59:59,960
Speaker 3: I could. And I was doing it well enough.

1083
01:00:00,120 --> 01:00:02,360
Speaker 1: You kind of work with that in some way or

1084
01:00:02,600 --> 01:00:05,400
Speaker 1: well acknowledging that or something in your sets.

1085
01:00:05,560 --> 01:00:08,440
Speaker 3: I was doing well enough that it was a good

1086
01:00:08,480 --> 01:00:12,000
Speaker 3: business move for comedy club to book me, right exactly

1087
01:00:12,680 --> 01:00:15,240
Speaker 3: going to keep getting booked in comedy clubs, I made

1088
01:00:15,280 --> 01:00:18,760
Speaker 3: it around the whole comedy club circuit and was invited

1089
01:00:18,800 --> 01:00:19,520
Speaker 3: for another loop.

1090
01:00:19,520 --> 01:00:21,240
Speaker 4: And I did that for eleven years. Wow.

1091
01:00:21,600 --> 01:00:25,600
Speaker 3: And over the course of eleven years grinding in comedy clubs,

1092
01:00:25,880 --> 01:00:30,480
Speaker 3: I literally got somewhere with the crafty.

1093
01:00:32,480 --> 01:00:34,880
Speaker 4: I mean, yeah, just I just gave it. I gave

1094
01:00:34,880 --> 01:00:35,840
Speaker 4: it hell.

1095
01:00:35,880 --> 01:00:41,040
Speaker 3: And recognizing that that I really had a bit of

1096
01:00:41,080 --> 01:00:45,640
Speaker 3: an uphill battle to establish myself as a performer of

1097
01:00:45,760 --> 01:00:48,080
Speaker 3: live comedy, I wanted.

1098
01:00:47,800 --> 01:00:52,520
Speaker 1: To anything like from people's perception of you or your

1099
01:00:52,640 --> 01:00:53,560
Speaker 1: perception of yourself.

1100
01:00:53,800 --> 01:00:56,000
Speaker 3: Like I knew that anybody coming to see Steve O

1101
01:00:56,080 --> 01:00:59,240
Speaker 3: at a comedy club had some low ass expectations for

1102
01:00:59,320 --> 01:01:03,120
Speaker 3: Steve O's stand up, and I knew that anybody who

1103
01:01:03,120 --> 01:01:08,280
Speaker 3: did come to the comedy club would would be surprised

1104
01:01:08,520 --> 01:01:12,360
Speaker 3: by how it was better than what they expected and

1105
01:01:12,440 --> 01:01:15,280
Speaker 3: so given and I would lure them to the comedy

1106
01:01:15,280 --> 01:01:18,000
Speaker 3: club with promises of I'm gonna do dumb ship too, Yeah,

1107
01:01:19,160 --> 01:01:21,040
Speaker 3: lure them in with I'm gonna do fucked up ship

1108
01:01:21,120 --> 01:01:25,240
Speaker 3: on stage and try to leave them impressed with the

1109
01:01:25,520 --> 01:01:28,160
Speaker 3: show is actually funny. And then at the end of

1110
01:01:28,200 --> 01:01:32,880
Speaker 3: the show, I would like every single time, I would

1111
01:01:32,880 --> 01:01:36,040
Speaker 3: say to the crowd, I am not going anywhere or

1112
01:01:36,080 --> 01:01:39,520
Speaker 3: doing anything until I take a photo with every single

1113
01:01:39,560 --> 01:01:42,280
Speaker 3: one of you guys, whole audience that wants a photo,

1114
01:01:42,680 --> 01:01:45,880
Speaker 3: because I felt that to make to make sure that

1115
01:01:46,040 --> 01:01:49,440
Speaker 3: as many people as possible left that comedy club with

1116
01:01:49,560 --> 01:01:52,200
Speaker 3: a photo, I felt pretty.

1117
01:01:51,920 --> 01:01:55,840
Speaker 4: Confident that they would post that photo with me with.

1118
01:01:55,960 --> 01:02:02,120
Speaker 2: Some the medium straight up yeah, grassroots market, let's do it.

1119
01:02:02,520 --> 01:02:05,800
Speaker 3: Give it, send everybody home with the photo, and feel

1120
01:02:05,840 --> 01:02:08,520
Speaker 3: confident that when they post that photo that they're.

1121
01:02:08,240 --> 01:02:10,400
Speaker 4: Gonna say it was actually good.

1122
01:02:10,560 --> 01:02:14,640
Speaker 3: You know, out there in the ether, you know that

1123
01:02:14,840 --> 01:02:16,880
Speaker 3: it's worth it to go see Steve to comedy club.

1124
01:02:17,400 --> 01:02:21,800
Speaker 3: And and that's why I did the meet and greet

1125
01:02:21,840 --> 01:02:27,160
Speaker 3: after every single show. But also every meet and greet

1126
01:02:27,440 --> 01:02:35,040
Speaker 3: after every show was a glorified audition to figure out

1127
01:02:35,120 --> 01:02:39,200
Speaker 3: who I was gonna act out sexually with that night.

1128
01:02:39,280 --> 01:02:42,160
Speaker 4: I was looking for, looking for some kind of groupie action,

1129
01:02:42,960 --> 01:02:46,280
Speaker 4: get some chick back to the hotel hookup right, you know.

1130
01:02:46,360 --> 01:02:49,560
Speaker 3: I wanted to just like to hook up with chicks

1131
01:02:49,600 --> 01:02:50,640
Speaker 3: as much as possible.

1132
01:02:50,720 --> 01:02:51,000
Speaker 2: Huh.

1133
01:02:51,080 --> 01:02:56,240
Speaker 4: And you know what, in twenty ten, I was thirty five.

1134
01:02:58,520 --> 01:03:02,920
Speaker 3: You know, by twenty three thirteen, I'm thirty eight, I'm

1135
01:03:02,920 --> 01:03:06,960
Speaker 3: getting close to forty, and I'm realizing that, like this

1136
01:03:07,120 --> 01:03:10,480
Speaker 3: is just kind of pathetic, you know, like the whole

1137
01:03:10,640 --> 01:03:13,320
Speaker 3: just hook up with as many chicks as you possibly

1138
01:03:13,360 --> 01:03:20,560
Speaker 3: can thing is h you know, not the path to

1139
01:03:20,760 --> 01:03:26,640
Speaker 3: really being like happy right with the right right eventually. Yeah,

1140
01:03:26,680 --> 01:03:31,800
Speaker 3: and with the terrifying idea of becoming a walking party

1141
01:03:31,840 --> 01:03:35,440
Speaker 3: foul that nobody wants to pay attention to and needing attention.

1142
01:03:35,560 --> 01:03:40,280
Speaker 3: Like like what I recognized and I subscribed to the

1143
01:03:40,360 --> 01:03:42,960
Speaker 3: idea that for me to be happy later in life,

1144
01:03:43,440 --> 01:03:50,600
Speaker 3: I needed to stop like just being promiscuous, just hooking

1145
01:03:50,680 --> 01:03:53,560
Speaker 3: up with chicks. I needed to learn how to be

1146
01:03:53,600 --> 01:03:57,080
Speaker 3: in a healthy relationship. And I needed to find a

1147
01:03:57,200 --> 01:04:01,280
Speaker 3: life partner with somebody who who will be with me

1148
01:04:02,240 --> 01:04:03,600
Speaker 3: when I'm old and nobody.

1149
01:04:03,280 --> 01:04:06,600
Speaker 2: Wants to look at me right, you know, yeah.

1150
01:04:06,320 --> 01:04:09,320
Speaker 3: Yeah, someone someone who loved me for me and helped

1151
01:04:09,320 --> 01:04:12,160
Speaker 3: me weather the crazy, scary, terrifying storm.

1152
01:04:11,920 --> 01:04:13,560
Speaker 1: If you might end up alone, right, and then you

1153
01:04:13,560 --> 01:04:15,800
Speaker 1: were running out of options as you get older.

1154
01:04:15,720 --> 01:04:18,760
Speaker 3: And it makes sense cheap because if you if you

1155
01:04:18,760 --> 01:04:22,240
Speaker 3: you know, like look at studies about happiness and like

1156
01:04:22,400 --> 01:04:26,720
Speaker 3: quality of life, you know, longevity, like people who are

1157
01:04:27,480 --> 01:04:34,040
Speaker 3: married who have like like solid, stable, healthy relationships, long

1158
01:04:34,760 --> 01:04:39,040
Speaker 3: healthy marriages, like it's the best you can possibly shoot for, right.

1159
01:04:39,200 --> 01:04:42,720
Speaker 4: So that became a big ass deal for me.

1160
01:04:43,360 --> 01:04:44,120
Speaker 2: Are you there now?

1161
01:04:44,400 --> 01:04:44,720
Speaker 4: Yeah?

1162
01:04:45,680 --> 01:04:50,520
Speaker 3: I started trying to I tried to stop hooking up

1163
01:04:50,520 --> 01:04:53,880
Speaker 3: with chicks in twenty thirteen, like pretty early.

1164
01:04:54,040 --> 01:04:54,640
Speaker 2: What happened.

1165
01:04:55,200 --> 01:04:57,360
Speaker 4: I couldn't do it, man. It was like it was

1166
01:04:57,360 --> 01:04:59,400
Speaker 4: like the alcoholics, I'm not gonna drink. I'm not going there.

1167
01:04:59,760 --> 01:05:03,560
Speaker 4: We yeah, and it was crazy. And so you know,

1168
01:05:03,600 --> 01:05:05,160
Speaker 4: I got.

1169
01:05:05,000 --> 01:05:09,920
Speaker 3: Into therapy with the therapy specialized in in sex stuff.

1170
01:05:10,480 --> 01:05:13,160
Speaker 3: And that guy's like, dude, you gotta you gotta go

1171
01:05:13,200 --> 01:05:14,800
Speaker 3: to sex outed rehab.

1172
01:05:15,280 --> 01:05:20,200
Speaker 4: Like fuck man, you know, and uh and and I do. There.

1173
01:05:21,080 --> 01:05:23,800
Speaker 4: I mean, I was there with one.

1174
01:05:23,640 --> 01:05:28,240
Speaker 3: Guy who was in in trouble with h like some

1175
01:05:28,440 --> 01:05:31,520
Speaker 3: like kind of child porn situation.

1176
01:05:31,760 --> 01:05:35,280
Speaker 4: Another guy was just like blown up his marriage, like.

1177
01:05:35,720 --> 01:05:39,440
Speaker 2: Every everyone at some point something more than others.

1178
01:05:39,440 --> 01:05:40,160
Speaker 4: Here, the.

1179
01:05:41,800 --> 01:05:47,400
Speaker 3: Majority of people in that world of of sexual sobriety

1180
01:05:47,680 --> 01:05:52,880
Speaker 3: are for the most part, like have blown up their marriages,

1181
01:05:53,200 --> 01:05:55,920
Speaker 3: their families and trying to put the pieces back together,

1182
01:05:56,200 --> 01:05:59,320
Speaker 3: or they're like in serious trouble with the law.

1183
01:06:00,160 --> 01:06:02,280
Speaker 1: Either way, they're fucked in some way. They got to

1184
01:06:02,280 --> 01:06:03,480
Speaker 1: stop doing this, right.

1185
01:06:03,920 --> 01:06:07,520
Speaker 3: I was like a little bit of a unicorn in

1186
01:06:07,560 --> 01:06:14,200
Speaker 3: that world, like for being there preemptively. Yeah, My story

1187
01:06:14,480 --> 01:06:17,680
Speaker 3: was that I got to do the work to become

1188
01:06:17,840 --> 01:06:20,720
Speaker 3: the man that the love of my life deserves.

1189
01:06:20,840 --> 01:06:22,200
Speaker 2: Okay, that's that's cool, though.

1190
01:06:22,080 --> 01:06:24,600
Speaker 3: Fully acknowledging that I had not met the love of

1191
01:06:24,600 --> 01:06:29,560
Speaker 3: my life. And after that sex addict rehab, they recommended

1192
01:06:29,560 --> 01:06:32,520
Speaker 3: a period of celibacy where you just don't even blow

1193
01:06:32,560 --> 01:06:32,880
Speaker 3: a load.

1194
01:06:33,240 --> 01:06:36,000
Speaker 2: So yeah, November beyond.

1195
01:06:36,320 --> 01:06:41,040
Speaker 3: Ever and uh and that that's supposed to like help

1196
01:06:41,160 --> 01:06:45,640
Speaker 3: kind of rewire like your you know, coca. They recommend

1197
01:06:45,640 --> 01:06:48,560
Speaker 3: like thirty or ninety days, ok and uh And I

1198
01:06:48,640 --> 01:06:51,760
Speaker 3: like kind of stuntified the whole thing. And I turned

1199
01:06:51,840 --> 01:06:55,040
Speaker 3: like it was October of twenty thirteen. I was in

1200
01:06:55,040 --> 01:06:59,200
Speaker 3: that sex addict rehab thing, and coming out of that,

1201
01:07:00,240 --> 01:07:03,040
Speaker 3: I had like stumbled with the celibacy thing like and

1202
01:07:03,080 --> 01:07:04,560
Speaker 3: then I was like, no, no, I'm in.

1203
01:07:05,080 --> 01:07:08,160
Speaker 4: I did not blow a load the entire year of

1204
01:07:08,200 --> 01:07:09,080
Speaker 4: twenty fourteen.

1205
01:07:09,680 --> 01:07:14,320
Speaker 3: I went I went precisely four hundred and thirty one days.

1206
01:07:14,400 --> 01:07:15,160
Speaker 2: So what does that do?

1207
01:07:16,200 --> 01:07:17,560
Speaker 4: It makes you irritable.

1208
01:07:21,040 --> 01:07:26,880
Speaker 3: And in the beginning of twenty fourteen, I had less

1209
01:07:26,880 --> 01:07:30,760
Speaker 3: than a million Facebook followers. At the end of twenty fourteen,

1210
01:07:30,800 --> 01:07:32,200
Speaker 3: I had more than eight million.

1211
01:07:32,320 --> 01:07:33,640
Speaker 2: Well, because you didn't blow your loads.

1212
01:07:33,680 --> 01:07:35,840
Speaker 4: Yeah, I mean, dude, I was. I was grumpy, and

1213
01:07:35,960 --> 01:07:38,160
Speaker 4: I was focused, and I was right I.

1214
01:07:38,200 --> 01:07:42,320
Speaker 2: Might some shit. I was dotted working your ass off.

1215
01:07:42,400 --> 01:07:45,800
Speaker 3: You know, I got the like I started my YouTube

1216
01:07:45,840 --> 01:07:47,480
Speaker 3: channel in twenty thirteen.

1217
01:07:47,120 --> 01:07:49,400
Speaker 4: And I like, I got that like. I put a

1218
01:07:49,400 --> 01:07:50,240
Speaker 4: lot of work into them.

1219
01:07:50,520 --> 01:07:54,760
Speaker 3: You know, I took control of my career back from

1220
01:07:55,560 --> 01:07:58,880
Speaker 3: the suits who had to give me permission to work

1221
01:07:58,960 --> 01:07:59,440
Speaker 3: before that.

1222
01:08:00,080 --> 01:08:02,080
Speaker 2: You know, can we talk about that, just that that

1223
01:08:02,120 --> 01:08:02,800
Speaker 2: final load.

1224
01:08:03,560 --> 01:08:07,240
Speaker 4: Sure, I took a photo of it on my Tommy.

1225
01:08:07,360 --> 01:08:11,600
Speaker 4: It was it was, it was. It was wildly uh underwhelming.

1226
01:08:12,400 --> 01:08:15,960
Speaker 3: Yeah, like at a certain point, I mean, you think

1227
01:08:16,000 --> 01:08:16,920
Speaker 3: there's just gonna be a.

1228
01:08:16,840 --> 01:08:20,080
Speaker 4: Golf block, a marshmallow.

1229
01:08:21,520 --> 01:08:24,080
Speaker 3: That was a Bobby Lead joke that like a big

1230
01:08:24,160 --> 01:08:29,120
Speaker 3: marshmallow falls out, Like, No, it wasn't a fire hose,

1231
01:08:29,120 --> 01:08:32,760
Speaker 3: it wasn't anything. It's more watery then I'd remembered it.

1232
01:08:33,160 --> 01:08:35,759
Speaker 3: I think that your body, it just cycles through your body.

1233
01:08:36,360 --> 01:08:38,920
Speaker 2: Okay, it's just giving up on the whole idea.

1234
01:08:39,960 --> 01:08:42,479
Speaker 3: Yeah, man, like that, you know that's just my deal, dude,

1235
01:08:42,560 --> 01:08:46,559
Speaker 3: Like I uh, I really think that that's important. That's

1236
01:08:46,680 --> 01:08:50,920
Speaker 3: like the you know, I had this whole pattern of

1237
01:08:51,000 --> 01:08:56,480
Speaker 3: just like using ship, I would be like infatuated with

1238
01:08:56,479 --> 01:08:59,599
Speaker 3: with the woman, like pour on the charm, really get

1239
01:08:59,600 --> 01:09:03,160
Speaker 3: her to fall for me, like act out with her,

1240
01:09:03,479 --> 01:09:06,640
Speaker 3: then totally lose interest and just wanted to not be

1241
01:09:06,680 --> 01:09:07,280
Speaker 3: anywhere near.

1242
01:09:07,560 --> 01:09:10,760
Speaker 1: Are you consciously doing that or not this pattern you

1243
01:09:10,840 --> 01:09:13,200
Speaker 1: kind of realized that you were doing where you felt

1244
01:09:13,240 --> 01:09:15,400
Speaker 1: like that in the moment, and then you did.

1245
01:09:15,520 --> 01:09:22,000
Speaker 3: Sure not deliberate at all, just straight up so sociopath ship,

1246
01:09:23,040 --> 01:09:26,320
Speaker 3: like this is just like this is like my future

1247
01:09:26,400 --> 01:09:28,880
Speaker 3: is with this one, you know, like I'm refatuated and

1248
01:09:28,920 --> 01:09:32,200
Speaker 3: then like one like like once I act out with them,

1249
01:09:32,360 --> 01:09:35,559
Speaker 3: it's just like a light switch just flips just I'm

1250
01:09:35,600 --> 01:09:38,679
Speaker 3: like over it, just get me away, and then like.

1251
01:09:38,840 --> 01:09:41,360
Speaker 4: And then the whole ghost routine.

1252
01:09:41,840 --> 01:09:47,000
Speaker 3: And then it's like not lost on me that when

1253
01:09:47,040 --> 01:09:48,720
Speaker 3: I'm doing that, I called it.

1254
01:09:48,920 --> 01:09:52,280
Speaker 4: Like I burned that person. I burned that person.

1255
01:09:52,400 --> 01:09:56,479
Speaker 3: And it's not lost on me that that not only

1256
01:09:57,240 --> 01:09:59,599
Speaker 3: did I not treat that person the way I want

1257
01:09:59,640 --> 01:10:04,439
Speaker 3: to be, I actually treated that person the way I

1258
01:10:04,640 --> 01:10:10,679
Speaker 3: most fear being treated myself because I definitely have abandonment issues.

1259
01:10:11,080 --> 01:10:15,280
Speaker 3: I definitely don't do well with rejection. And there's just

1260
01:10:15,439 --> 01:10:17,960
Speaker 3: like I don't even understand it, Like how how can

1261
01:10:18,000 --> 01:10:21,759
Speaker 3: I like, how can I be cooking up worst cards?

1262
01:10:21,840 --> 01:10:23,759
Speaker 2: Right, like what you would hate the most?

1263
01:10:24,160 --> 01:10:24,759
Speaker 4: Hate the most?

1264
01:10:24,760 --> 01:10:29,679
Speaker 3: And it's like, you know, I feel like there's some

1265
01:10:29,800 --> 01:10:33,560
Speaker 3: built in defense mechanism where would only like let myself

1266
01:10:33,800 --> 01:10:40,439
Speaker 3: like you know, subconsciously, like you know, protect myself by

1267
01:10:40,520 --> 01:10:44,840
Speaker 3: only dealing with people who I knew I could burn

1268
01:10:44,880 --> 01:10:46,080
Speaker 3: them before they burn me.

1269
01:10:46,479 --> 01:10:49,479
Speaker 2: Just like real weird here yet Yeah, I don't know.

1270
01:10:49,760 --> 01:10:53,120
Speaker 3: But but every time I did that, I just felt

1271
01:10:53,120 --> 01:10:56,479
Speaker 3: like the worst person because once, once, once the process

1272
01:10:56,600 --> 01:11:00,320
Speaker 3: was complete, I knew that I had treated some buddy

1273
01:11:00,320 --> 01:11:01,880
Speaker 3: the way that I.

1274
01:11:01,600 --> 01:11:03,840
Speaker 2: Most don't feel guilty about the.

1275
01:11:04,280 --> 01:11:10,679
Speaker 4: Shame, just shame disgusted myself. I just feel my self

1276
01:11:10,800 --> 01:11:12,400
Speaker 4: esteems is just awful.

1277
01:11:13,320 --> 01:11:16,040
Speaker 3: And and then not to mention like just all the stress,

1278
01:11:16,200 --> 01:11:18,280
Speaker 3: like oh my god, like what I like, you know,

1279
01:11:18,479 --> 01:11:22,519
Speaker 3: like like what are my health concerns, like just like

1280
01:11:22,600 --> 01:11:27,920
Speaker 3: the stress, like the it's a fucking nightmare, and even

1281
01:11:28,160 --> 01:11:30,960
Speaker 3: when it wasn't a nightmare, like just the amount of time,

1282
01:11:31,760 --> 01:11:36,160
Speaker 3: you know, Like, so I'm like it was a it was.

1283
01:11:36,120 --> 01:11:38,640
Speaker 4: A bad situation.

1284
01:11:38,800 --> 01:11:42,759
Speaker 3: Anybody who thinks sex addiction is not a thing, like, dude,

1285
01:11:42,800 --> 01:11:47,479
Speaker 3: sex addiction is taken down more powerful people than like

1286
01:11:48,640 --> 01:11:51,080
Speaker 3: maybe even like drugs and alcohol.

1287
01:11:51,160 --> 01:11:54,200
Speaker 2: You know, So, how how did you rewire yourself to.

1288
01:11:54,320 --> 01:11:56,960
Speaker 4: Not be I don't know, man, I really don't know, dude.

1289
01:11:57,439 --> 01:12:02,840
Speaker 3: Like I had some some uh some misfires, you know,

1290
01:12:02,960 --> 01:12:07,120
Speaker 3: like after that that underwhelming load, I had a miss

1291
01:12:07,200 --> 01:12:10,400
Speaker 3: fire with one relationship, a missfire with another relationship.

1292
01:12:10,720 --> 01:12:12,120
Speaker 4: Then I was like, ah, fuck it.

1293
01:12:12,120 --> 01:12:14,840
Speaker 3: And then I'd went off the rails again, okay, and

1294
01:12:14,920 --> 01:12:17,719
Speaker 3: it just like the stress and the chaos of going

1295
01:12:17,720 --> 01:12:20,439
Speaker 3: off the rails again for that short time was like okay,

1296
01:12:20,680 --> 01:12:22,640
Speaker 3: and that's kind of maybe what I did. And then

1297
01:12:22,680 --> 01:12:25,240
Speaker 3: I met my girl in twenty seventeen.

1298
01:12:25,720 --> 01:12:28,120
Speaker 1: When you met her, did you have a feeling right

1299
01:12:28,160 --> 01:12:30,280
Speaker 1: away or were you just kind of at a point

1300
01:12:30,280 --> 01:12:33,120
Speaker 1: where I didn't?

1301
01:12:33,479 --> 01:12:34,679
Speaker 2: So how did that go? And how did you guys

1302
01:12:34,680 --> 01:12:35,400
Speaker 2: get close like that?

1303
01:12:35,439 --> 01:12:41,120
Speaker 3: Then we we dated responsibly for for a month, like we.

1304
01:12:40,840 --> 01:12:44,400
Speaker 1: Was just new to her like any responsibility or pretty responsibly.

1305
01:12:44,760 --> 01:12:47,160
Speaker 3: She was like kind of surprised, why like why are

1306
01:12:47,160 --> 01:12:50,080
Speaker 3: we uh, you know, like why are we going on

1307
01:12:50,160 --> 01:12:53,120
Speaker 3: like our fourth date, like after a whole month and

1308
01:12:53,160 --> 01:12:54,799
Speaker 3: we still haven't like kissed.

1309
01:12:56,720 --> 01:12:57,840
Speaker 4: And I was like I was.

1310
01:12:57,880 --> 01:13:02,479
Speaker 2: I was just you're on the same page at least.

1311
01:13:01,880 --> 01:13:06,360
Speaker 3: Thing I was candid about about my track record with relationships.

1312
01:13:05,640 --> 01:13:09,040
Speaker 4: Being terrible, that my my past being.

1313
01:13:08,920 --> 01:13:12,760
Speaker 3: Checkered, you know, and that like and I think that

1314
01:13:13,000 --> 01:13:19,639
Speaker 3: in communicating that openly and honestly that that was important.

1315
01:13:19,680 --> 01:13:22,320
Speaker 4: I think just getting to know getting to know.

1316
01:13:22,320 --> 01:13:26,120
Speaker 3: Her, like she's a fucking good ass person and that's

1317
01:13:26,200 --> 01:13:26,719
Speaker 3: like the thing.

1318
01:13:27,040 --> 01:13:28,240
Speaker 4: And then like I mean, I.

1319
01:13:28,240 --> 01:13:30,040
Speaker 3: Don't know, dude, and I mean I don't want to

1320
01:13:30,040 --> 01:13:32,120
Speaker 3: be complacent anything. Oh yeah, now I'm good, you know.

1321
01:13:32,160 --> 01:13:35,440
Speaker 3: And now I'm like, you know, like the whole spiritual

1322
01:13:35,479 --> 01:13:39,960
Speaker 3: practice thing is super important, and I just I just

1323
01:13:40,080 --> 01:13:48,160
Speaker 3: really like like hold on tightly to like the selfish

1324
01:13:49,400 --> 01:13:54,960
Speaker 3: gratification I get from knowing that I'm a good guy

1325
01:13:55,040 --> 01:13:56,920
Speaker 3: who does the right thing even when.

1326
01:13:56,720 --> 01:14:00,639
Speaker 4: Nobody's watching, you know, Like that's like that a big deal.

1327
01:14:00,800 --> 01:14:04,479
Speaker 1: Just see even just your own self awareness of that, Hey,

1328
01:14:04,479 --> 01:14:05,400
Speaker 1: I'm not a shitty guy.

1329
01:14:05,439 --> 01:14:07,960
Speaker 4: I'm not a shitty guy. Like, like, I've put some

1330
01:14:08,040 --> 01:14:08,800
Speaker 4: distance between me.

1331
01:14:08,840 --> 01:14:10,599
Speaker 2: And that power through it a little bit.

1332
01:14:10,840 --> 01:14:11,599
Speaker 4: Yeah, I've put.

1333
01:14:11,520 --> 01:14:16,479
Speaker 3: Distance between me and that fucking terrible shame. And uh

1334
01:14:17,080 --> 01:14:19,960
Speaker 3: I don't burn people. Yeah, I don't burn people anymore.

1335
01:14:19,960 --> 01:14:22,720
Speaker 3: And that feels really fucking good. You know, Like, uh,

1336
01:14:23,240 --> 01:14:27,599
Speaker 3: I've got somebody who like like that, like now, like

1337
01:14:27,640 --> 01:14:30,800
Speaker 3: it's it's almost like that twenty fourteen dynamic where like

1338
01:14:31,479 --> 01:14:35,280
Speaker 3: I'm you know, I'm le just not grumpy. Really, I'm

1339
01:14:35,320 --> 01:14:40,000
Speaker 3: just focused on pulling shit off. No distractions, no time sucks,

1340
01:14:40,080 --> 01:14:41,240
Speaker 3: no no.

1341
01:14:41,160 --> 01:14:42,960
Speaker 2: Yeah, you're you're dialed in, Yeah, and dialed in.

1342
01:14:43,080 --> 01:14:44,920
Speaker 4: And on top of that, I got this great partner

1343
01:14:44,960 --> 01:14:45,960
Speaker 4: helps me pull.

1344
01:14:45,800 --> 01:14:48,519
Speaker 1: Shit off, and it's working together and it's not like

1345
01:14:48,560 --> 01:14:49,559
Speaker 1: competing with itself.

1346
01:14:49,840 --> 01:14:50,240
Speaker 4: Yeah.

1347
01:14:50,360 --> 01:14:54,320
Speaker 3: And you know my first comedy special, which did more

1348
01:14:54,400 --> 01:14:58,160
Speaker 3: damage to my career than than good, just because I

1349
01:14:58,200 --> 01:15:01,120
Speaker 3: wasn't ready. I was like five years in Okay, and

1350
01:15:01,240 --> 01:15:06,759
Speaker 3: it chronicle It started out as like just gnarly.

1351
01:15:06,439 --> 01:15:10,400
Speaker 4: Groupie sex like accounts.

1352
01:15:10,439 --> 01:15:13,400
Speaker 3: Just the stories of it started out like just it

1353
01:15:13,479 --> 01:15:17,200
Speaker 3: was the craziest stories of groupie sex, and and like

1354
01:15:17,400 --> 01:15:19,559
Speaker 3: after that show was done and you just heard me

1355
01:15:19,760 --> 01:15:25,479
Speaker 3: like talk about just like graphic groupie sex, like the

1356
01:15:25,560 --> 01:15:31,160
Speaker 3: only chicks you know, like that they were they know what,

1357
01:15:31,479 --> 01:15:34,720
Speaker 3: and and like then the act like they you know,

1358
01:15:34,880 --> 01:15:36,760
Speaker 3: just got nude story, you know. And then it's like, oh,

1359
01:15:36,760 --> 01:15:41,000
Speaker 3: now I've about the hilarious triple blow job story, you know,

1360
01:15:41,200 --> 01:15:42,240
Speaker 3: like it's so funny.

1361
01:15:42,520 --> 01:15:44,719
Speaker 2: Yeah, so so funny.

1362
01:15:45,479 --> 01:15:48,120
Speaker 4: You know, it was actually the best bid in the special.

1363
01:15:48,840 --> 01:15:50,120
Speaker 2: He's like, actually it was funny too.

1364
01:15:50,160 --> 01:15:51,240
Speaker 4: Actually it's pretty funny.

1365
01:15:51,240 --> 01:15:54,240
Speaker 3: But as the whole like struggling with the sex stuff

1366
01:15:54,280 --> 01:15:57,200
Speaker 3: came out then like that, you know, I taped that

1367
01:15:57,240 --> 01:16:01,000
Speaker 3: first special in twenty fifteen and so liked all through

1368
01:16:01,040 --> 01:16:03,280
Speaker 3: the twenty fourteen it's like I haven't blown a load

1369
01:16:03,320 --> 01:16:08,200
Speaker 3: in like two hundred days, you know, like yeah, and

1370
01:16:08,439 --> 01:16:11,639
Speaker 3: it became a story of that was kind of beautiful too,

1371
01:16:11,680 --> 01:16:15,000
Speaker 3: because by the end, by the time I taped that

1372
01:16:15,080 --> 01:16:17,519
Speaker 3: first special, I was even it was part of my act.

1373
01:16:17,600 --> 01:16:19,519
Speaker 3: I was like, I don't want to be that guy anymore,

1374
01:16:19,520 --> 01:16:21,840
Speaker 3: and I'm working on becoming the man the love of

1375
01:16:21,840 --> 01:16:25,000
Speaker 3: my life deserves. That was kind of, you know, part

1376
01:16:25,000 --> 01:16:29,280
Speaker 3: part of that and the second special, I was already

1377
01:16:29,280 --> 01:16:32,519
Speaker 3: with my Actually I proposed to my girl on stage

1378
01:16:32,760 --> 01:16:34,320
Speaker 3: the taping of my second special.

1379
01:16:34,520 --> 01:16:36,920
Speaker 2: Nice. She had no idea, She had no idea.

1380
01:16:37,040 --> 01:16:38,360
Speaker 4: I can't believe she had no idea.

1381
01:16:38,439 --> 01:16:40,559
Speaker 1: Were you confident that it was going to be a yes?

1382
01:16:40,680 --> 01:16:42,080
Speaker 1: Or were you like, man, am I about to Yeah?

1383
01:16:42,160 --> 01:16:45,600
Speaker 1: I was right, usually you should know, right, yeah.

1384
01:16:45,160 --> 01:16:47,120
Speaker 3: Yeah, I knew it was going to be a yes,

1385
01:16:47,240 --> 01:16:49,000
Speaker 3: And I knew that she's fucking awesome.

1386
01:16:49,120 --> 01:16:49,599
Speaker 2: Yeah.

1387
01:16:49,640 --> 01:16:52,920
Speaker 3: And then like, now I'm here promoting my third one,

1388
01:16:53,040 --> 01:16:55,000
Speaker 3: and it's about our relationship.

1389
01:16:55,080 --> 01:16:57,759
Speaker 1: So you've been authentic to yourself and all the times.

1390
01:16:58,080 --> 01:16:59,479
Speaker 1: So where's your headspace at now?

1391
01:17:00,080 --> 01:17:04,479
Speaker 2: In the comedy aspect of a new set from STEVEO, I.

1392
01:17:04,439 --> 01:17:09,320
Speaker 3: Mean, the the first one was like, you know, like,

1393
01:17:09,439 --> 01:17:11,479
Speaker 3: let's go, let's go with the crazy sex stuff.

1394
01:17:11,479 --> 01:17:13,120
Speaker 4: That's gonna be funny, that's gonna be you know.

1395
01:17:13,360 --> 01:17:18,680
Speaker 3: The second special was, now, let me take in a

1396
01:17:18,760 --> 01:17:24,200
Speaker 3: journey through my criminal past and my like my drug addiction,

1397
01:17:24,800 --> 01:17:28,120
Speaker 3: you know, And that.

1398
01:17:27,960 --> 01:17:30,519
Speaker 4: One, uh was great too.

1399
01:17:31,720 --> 01:17:33,760
Speaker 3: And what was what was great about the second one

1400
01:17:33,880 --> 01:17:36,760
Speaker 3: was that I edited in footage of the stories that

1401
01:17:36,800 --> 01:17:40,400
Speaker 3: I told in the act in post production, so I

1402
01:17:40,439 --> 01:17:44,120
Speaker 3: wasn't leaning on the footage on the road, but the

1403
01:17:44,640 --> 01:17:47,160
Speaker 3: special benefited from the multimedia component.

1404
01:17:47,200 --> 01:17:47,439
Speaker 4: And you.

1405
01:17:49,720 --> 01:17:51,840
Speaker 3: Yeah, but as I came, as I came around to

1406
01:17:51,840 --> 01:17:56,200
Speaker 3: put together the third show, like I didn't want to be.

1407
01:17:57,680 --> 01:18:02,000
Speaker 4: Like rehashing the past anymore because like.

1408
01:18:02,000 --> 01:18:05,240
Speaker 3: You know, like pulling stories out of the past is

1409
01:18:05,320 --> 01:18:07,519
Speaker 3: like I'm over that, and now it's time to create

1410
01:18:07,600 --> 01:18:08,160
Speaker 3: new stories.

1411
01:18:08,280 --> 01:18:09,479
Speaker 2: So you're on news stories.

1412
01:18:09,840 --> 01:18:14,360
Speaker 3: Yeah, and and and I wanted to have the actually

1413
01:18:14,640 --> 01:18:18,320
Speaker 3: my tour, my live shows. I wanted to have the

1414
01:18:18,360 --> 01:18:23,120
Speaker 3: live shows benefit from a multimedia component as well. So

1415
01:18:23,160 --> 01:18:25,040
Speaker 3: I was like, now I gotta I need new stories.

1416
01:18:25,080 --> 01:18:26,240
Speaker 3: I need new footage.

1417
01:18:26,400 --> 01:18:30,759
Speaker 2: Okay, so that's in your live set, like it came.

1418
01:18:30,640 --> 01:18:33,439
Speaker 3: On the road with me, and and I was I

1419
01:18:33,600 --> 01:18:38,960
Speaker 3: was all like I was well established in uh with

1420
01:18:39,080 --> 01:18:42,160
Speaker 3: the YouTube channel, with like you know, all of this

1421
01:18:42,439 --> 01:18:44,439
Speaker 3: Facebook social media, so like.

1422
01:18:45,880 --> 01:18:48,600
Speaker 4: I was pretty frustrated.

1423
01:18:48,280 --> 01:18:51,519
Speaker 3: With like community guidelines, Oh you've got to strike Oh

1424
01:18:51,680 --> 01:18:53,800
Speaker 3: that's not like that's taken down, Like, oh, I better

1425
01:18:53,880 --> 01:18:55,600
Speaker 3: be careful not to show this, you know.

1426
01:18:56,240 --> 01:18:58,439
Speaker 4: I was just like fuck that. Now I'm going to

1427
01:18:58,520 --> 01:19:00,120
Speaker 4: bring footage on the road with me.

1428
01:19:00,439 --> 01:19:05,120
Speaker 3: There's no there's no community guidelines where I'm in this building.

1429
01:19:05,400 --> 01:19:08,960
Speaker 4: Yeah, I'm bringing I'm bringing the show to you. I'm

1430
01:19:08,960 --> 01:19:12,600
Speaker 4: going like it's fuck the rules, It's fuck all of

1431
01:19:12,640 --> 01:19:13,160
Speaker 4: the rules.

1432
01:19:13,200 --> 01:19:15,960
Speaker 3: Like I'm gonna I'm gonna do ship that I wouldn't

1433
01:19:15,960 --> 01:19:18,320
Speaker 3: even be allowed to do for Jackass. I'm going to

1434
01:19:18,520 --> 01:19:23,040
Speaker 3: fucking yeah. And so that's what the third show is.

1435
01:19:23,120 --> 01:19:25,040
Speaker 3: It's called the bucket List, and.

1436
01:19:26,760 --> 01:19:31,360
Speaker 4: Like it is legitimately triple x.

1437
01:19:31,479 --> 01:19:36,879
Speaker 2: Rated in what way I'd like when I'm.

1438
01:19:36,680 --> 01:19:38,720
Speaker 3: Coming up with what's the next show going to be? Like,

1439
01:19:38,720 --> 01:19:40,639
Speaker 3: what's got to be crazier than ever? I'm like, Rob,

1440
01:19:40,680 --> 01:19:43,200
Speaker 3: I've kind of done everything. But they're like, well, there

1441
01:19:43,200 --> 01:19:46,880
Speaker 3: were these ideas that were so fucked up, like like

1442
01:19:47,280 --> 01:19:49,040
Speaker 3: I would just say them to get a rise out

1443
01:19:49,080 --> 01:19:50,760
Speaker 3: of people, right, like I'm not actually do it, not

1444
01:19:50,760 --> 01:19:54,360
Speaker 3: gonna do it, like like it was I actually the

1445
01:19:54,360 --> 01:19:59,800
Speaker 3: main one the idea because I have this like unbelievably

1446
01:20:01,479 --> 01:20:06,640
Speaker 3: crazy and shocking irrational fear of roller coasters.

1447
01:20:07,240 --> 01:20:10,520
Speaker 4: And I know how kidding, I know how counterintuitive.

1448
01:20:10,600 --> 01:20:13,360
Speaker 2: You don't ride roller coasters fucking terrified?

1449
01:20:13,400 --> 01:20:16,200
Speaker 3: Are you been on one since I was a teenager?

1450
01:20:16,240 --> 01:20:18,760
Speaker 3: But I went on one two days ago for footage,

1451
01:20:19,640 --> 01:20:26,320
Speaker 3: which one Goliath at uh fucking six flags uh here, Yeah,

1452
01:20:26,439 --> 01:20:27,600
Speaker 3: and in California is.

1453
01:20:27,680 --> 01:20:29,679
Speaker 2: The same one as it in Atlantic don't have ALI,

1454
01:20:31,320 --> 01:20:31,960
Speaker 2: So how was it?

1455
01:20:32,080 --> 01:20:34,920
Speaker 4: I mean, I hated it. I hated it and and

1456
01:20:34,920 --> 01:20:36,439
Speaker 4: and I I hated.

1457
01:20:36,360 --> 01:20:37,400
Speaker 2: Like why do you hate it so much?

1458
01:20:37,439 --> 01:20:37,599
Speaker 4: Though?

1459
01:20:37,680 --> 01:20:39,480
Speaker 2: I just don't like the way control.

1460
01:20:39,479 --> 01:20:41,920
Speaker 4: Like the way it feels when your stomach falls out, Yeah,

1461
01:20:41,960 --> 01:20:43,720
Speaker 4: it does. I hate it.

1462
01:20:44,000 --> 01:20:48,040
Speaker 3: And for anybody who doesn't believe that I'm telling the truth,

1463
01:20:48,800 --> 01:20:52,240
Speaker 3: I will point you to a video that I made

1464
01:20:52,360 --> 01:20:56,360
Speaker 3: on my YouTube channel called ten Stunts I backed out of,

1465
01:20:57,200 --> 01:20:59,040
Speaker 3: you know, like what was too much for Stevo.

1466
01:20:59,080 --> 01:21:01,040
Speaker 4: And it's a video of the performed.

1467
01:21:00,680 --> 01:21:04,360
Speaker 3: Very well, and I showed footage from when we were

1468
01:21:04,400 --> 01:21:05,479
Speaker 3: taping Wild Boys.

1469
01:21:06,080 --> 01:21:06,720
Speaker 4: They brought me.

1470
01:21:07,200 --> 01:21:10,840
Speaker 3: The gag was to go to a bungee jumping operation

1471
01:21:11,240 --> 01:21:14,440
Speaker 3: with a two hundred foot bridge and they built.

1472
01:21:14,080 --> 01:21:17,320
Speaker 4: Me like Condor man wings so that I could jump

1473
01:21:17,400 --> 01:21:18,160
Speaker 4: up and try to fly.

1474
01:21:18,400 --> 01:21:21,080
Speaker 3: Yeah, you know, and I was like, it's a funny,

1475
01:21:21,240 --> 01:21:24,439
Speaker 3: it's a funny bit, but I'm telling you there's like

1476
01:21:24,680 --> 01:21:26,479
Speaker 3: no way I'm gonna be able to jump. They're like,

1477
01:21:26,600 --> 01:21:28,680
Speaker 3: come on, They're like we'll talk them into it, you know.

1478
01:21:28,680 --> 01:21:31,280
Speaker 3: I'm like, I'm serious. I'm serious. You couldn't find anybody

1479
01:21:31,280 --> 01:21:35,120
Speaker 3: on road rules or their moms who's more fucking shit

1480
01:21:35,240 --> 01:21:38,160
Speaker 3: scared of bungee jumping and will not do it than

1481
01:21:38,200 --> 01:21:38,519
Speaker 3: I am.

1482
01:21:38,560 --> 01:21:39,280
Speaker 4: I'm just telling you that.

1483
01:21:39,320 --> 01:21:41,040
Speaker 3: They're like, oh, yeah, whatever, and then we get there,

1484
01:21:41,160 --> 01:21:43,240
Speaker 3: I'm like, I'm not doing it, just where I'm not

1485
01:21:43,280 --> 01:21:45,880
Speaker 3: fucking doing it, and they're like really, I'm like, yep,

1486
01:21:46,280 --> 01:21:50,519
Speaker 3: I cannot, Yeah, I cannot do the Yeah.

1487
01:21:50,520 --> 01:21:52,240
Speaker 2: It's just like it's a rational fear.

1488
01:21:52,280 --> 01:21:54,960
Speaker 3: I feel like maybe it's because I grew up like

1489
01:21:55,800 --> 01:21:57,800
Speaker 3: sussing out like everything I looked at, like can I

1490
01:21:57,880 --> 01:21:58,360
Speaker 3: jump up that?

1491
01:21:58,479 --> 01:21:59,280
Speaker 4: Can I jump arount?

1492
01:21:59,400 --> 01:22:02,240
Speaker 3: Like I like, no part of it, no part of

1493
01:22:02,280 --> 01:22:04,840
Speaker 3: me thinks it's okay to look off at two hundred

1494
01:22:04,840 --> 01:22:06,680
Speaker 3: foot bridge and see anything.

1495
01:22:06,479 --> 01:22:08,840
Speaker 4: Doing I don't care about. I don't care where you

1496
01:22:08,880 --> 01:22:09,280
Speaker 4: tie to me.

1497
01:22:09,360 --> 01:22:12,960
Speaker 3: I can't look at that and can't. And and ultimately

1498
01:22:13,040 --> 01:22:17,160
Speaker 3: what they did, they they they said, we've got five

1499
01:22:17,280 --> 01:22:20,800
Speaker 3: Costa Rican guys who are willing to throw you.

1500
01:22:21,800 --> 01:22:23,320
Speaker 2: They make it much better.

1501
01:22:23,520 --> 01:22:26,720
Speaker 3: They call it the Mafia Toss perfect And I was like,

1502
01:22:27,760 --> 01:22:32,479
Speaker 3: I was like, well, like I physically couldn't jump, but

1503
01:22:32,560 --> 01:22:35,080
Speaker 3: like if they're gonna throw me, I don't I don't

1504
01:22:35,120 --> 01:22:35,839
Speaker 3: have to do anything.

1505
01:22:35,920 --> 01:22:38,400
Speaker 4: So that was the compromise, and they threw me and

1506
01:22:38,439 --> 01:22:42,960
Speaker 4: it was the worst. It was horrible.

1507
01:22:43,280 --> 01:22:47,920
Speaker 3: So like so for the last twenty years, like clearly,

1508
01:22:48,439 --> 01:22:53,920
Speaker 3: I wanted nothing to fucking do with going skydiving. Don't

1509
01:22:53,960 --> 01:22:56,320
Speaker 3: want the same thing as roller coasters, same thing as

1510
01:22:56,320 --> 01:22:57,160
Speaker 3: bungee jumping.

1511
01:22:57,439 --> 01:22:58,680
Speaker 4: I don't want to fucking do it.

1512
01:22:59,120 --> 01:23:02,120
Speaker 3: But rather than tell anybody that I was afraid to

1513
01:23:02,200 --> 01:23:07,599
Speaker 3: go skydiving, what I would say is, I mean, come on, dude,

1514
01:23:07,600 --> 01:23:09,600
Speaker 3: that's not a stunt like everybody does that. It's like,

1515
01:23:09,840 --> 01:23:11,799
Speaker 3: you know what for me, for it to be worth

1516
01:23:11,800 --> 01:23:12,719
Speaker 3: it for me to.

1517
01:23:12,600 --> 01:23:17,600
Speaker 4: Go skydiving, I would have to be butt ass.

1518
01:23:17,439 --> 01:23:23,200
Speaker 3: Naked and furiously masturbating with another man strapped to my

1519
01:23:23,360 --> 01:23:26,439
Speaker 3: back and time it so that when I fall out

1520
01:23:26,479 --> 01:23:32,120
Speaker 3: of the airplane, I'm simultaneously ejaculating everywhere. I called the

1521
01:23:32,160 --> 01:23:38,080
Speaker 3: idea of skyjacking, and this was just my built in way. Yeah,

1522
01:23:38,120 --> 01:23:40,200
Speaker 3: this was my built in way of just making sure

1523
01:23:40,200 --> 01:23:41,800
Speaker 3: that I never went skydiving.

1524
01:23:42,080 --> 01:23:44,000
Speaker 4: But when it was time for me to put together

1525
01:23:44,960 --> 01:23:45,920
Speaker 4: that this.

1526
01:23:45,960 --> 01:23:51,400
Speaker 3: New multimedia tour, I'm like, I gotta fucking I gotta go.

1527
01:23:51,400 --> 01:23:54,439
Speaker 4: All out, so like I got to push the boundaries further.

1528
01:23:54,600 --> 01:23:57,640
Speaker 3: So that's kind of like the marquee thing, and I

1529
01:23:57,720 --> 01:23:59,400
Speaker 3: totally went skyjacket.

1530
01:23:58,880 --> 01:24:02,040
Speaker 2: Did you do this? Did you successfully do it?

1531
01:24:04,400 --> 01:24:07,760
Speaker 3: Like Minute Special starts with that, like as an example

1532
01:24:08,000 --> 01:24:13,439
Speaker 3: of like how fucking absurd every item on my bucket

1533
01:24:13,439 --> 01:24:15,960
Speaker 3: list is. And then like we go on in this

1534
01:24:16,080 --> 01:24:19,400
Speaker 3: journey through the list and I loop back to skyjacking

1535
01:24:19,800 --> 01:24:26,240
Speaker 3: like at the end for the climax. Yeah, and and

1536
01:24:26,520 --> 01:24:31,519
Speaker 3: like what what's so beautiful about it is that that

1537
01:24:31,720 --> 01:24:36,200
Speaker 3: I couldn't have taken on these forbidden stunts without there

1538
01:24:36,240 --> 01:24:41,000
Speaker 3: being implications on my relationship with my fiance. So like

1539
01:24:41,320 --> 01:24:45,599
Speaker 3: my relationship with my fiance is the backdrop against which

1540
01:24:45,840 --> 01:24:49,679
Speaker 3: all of this happens, you know, Like the bucket list

1541
01:24:49,840 --> 01:24:54,080
Speaker 3: goes sequentially in a descending.

1542
01:24:53,760 --> 01:25:01,599
Speaker 4: Order of my girls' support and approval. Like in the beginning,

1543
01:25:01,720 --> 01:25:04,680
Speaker 4: she's all all about it, right, you know, I described.

1544
01:25:04,280 --> 01:25:05,880
Speaker 3: The first room like this is how I knew she

1545
01:25:05,960 --> 01:25:08,640
Speaker 3: was the one. Everyone else is running for their lives.

1546
01:25:08,320 --> 01:25:12,160
Speaker 4: And she's fucking getting closer for a better shot, you know,

1547
01:25:12,880 --> 01:25:14,439
Speaker 4: really yeah, real one.

1548
01:25:14,520 --> 01:25:17,439
Speaker 3: Yeah, and uh, and so that's kind of how it works,

1549
01:25:17,439 --> 01:25:21,680
Speaker 3: and dude, like I'm talking descending order of approval, Like

1550
01:25:22,160 --> 01:25:24,840
Speaker 3: she starts not showing up, Like when I've got like

1551
01:25:25,320 --> 01:25:30,799
Speaker 3: the medical professional in disguise who stole the fucking drugs

1552
01:25:30,840 --> 01:25:34,759
Speaker 3: from the hospital, who's sticking a four inch needle into

1553
01:25:34,760 --> 01:25:38,920
Speaker 3: my spine and injecting a drug into my spinal cavity

1554
01:25:39,280 --> 01:25:43,120
Speaker 3: to render me paralyzed while I'm in a full fucking sprint.

1555
01:25:46,160 --> 01:25:50,400
Speaker 4: Yeah, and that like is just how I go down. Yeah,

1556
01:25:50,439 --> 01:25:53,519
Speaker 4: that I could. I could officially die like she did.

1557
01:25:53,560 --> 01:25:54,720
Speaker 2: She like upset about that.

1558
01:25:54,800 --> 01:25:57,320
Speaker 1: I don't want to hear that, or like, Okay, I

1559
01:25:57,360 --> 01:25:58,200
Speaker 1: know this is your job.

1560
01:25:58,400 --> 01:26:00,880
Speaker 4: She never tried to get me not to do it.

1561
01:26:01,160 --> 01:26:05,920
Speaker 3: She just said in a really like genuine, like uh authentic,

1562
01:26:06,240 --> 01:26:09,840
Speaker 3: heartfelt way. She was just like there there are certain

1563
01:26:09,920 --> 01:26:13,680
Speaker 3: things that you can never unsee, and I'm just not

1564
01:26:13,840 --> 01:26:17,519
Speaker 3: able to bring myself there to witness one of them.

1565
01:26:17,920 --> 01:26:18,160
Speaker 2: Wow.

1566
01:26:18,680 --> 01:26:19,519
Speaker 4: So I did it without her.

1567
01:26:20,479 --> 01:26:23,559
Speaker 3: So I did it anyway, right and then and once

1568
01:26:23,600 --> 01:26:26,760
Speaker 3: I was down, like fuck, dude, it's just so like

1569
01:26:26,840 --> 01:26:27,679
Speaker 3: I had that one.

1570
01:26:27,880 --> 01:26:31,080
Speaker 2: What was that? Like? So Hell's being paralyzed.

1571
01:26:32,120 --> 01:26:34,120
Speaker 3: It's called an epidural It's supposed to be like your

1572
01:26:34,160 --> 01:26:37,839
Speaker 3: lower half, you know, like they give to its supposed

1573
01:26:37,840 --> 01:26:38,639
Speaker 3: to be from the waist down.

1574
01:26:39,240 --> 01:26:41,480
Speaker 4: And I remember, like I didn't even know the guy

1575
01:26:41,640 --> 01:26:44,960
Speaker 4: and he's talking about like you know, like, oh, yeah,

1576
01:26:45,400 --> 01:26:47,720
Speaker 4: we'll do it. I'm like, I can't pass this up.

1577
01:26:47,760 --> 01:26:49,839
Speaker 4: But let me reach out to doctor Drew.

1578
01:26:49,760 --> 01:26:51,719
Speaker 2: Just to like doctor Drew.

1579
01:26:53,080 --> 01:26:55,280
Speaker 3: Drew has been my brother for that long and uh,

1580
01:26:55,479 --> 01:26:57,120
Speaker 3: you know, and I really I run them the idea

1581
01:26:57,120 --> 01:26:58,599
Speaker 3: by Drew and doctor Drew.

1582
01:26:58,439 --> 01:27:00,600
Speaker 4: Says, wow do I hate that?

1583
01:27:00,800 --> 01:27:00,960
Speaker 6: Right?

1584
01:27:01,520 --> 01:27:01,760
Speaker 2: Yeah?

1585
01:27:02,080 --> 01:27:03,920
Speaker 4: And he says just he says like, no, you're gonna

1586
01:27:03,960 --> 01:27:04,240
Speaker 4: do it.

1587
01:27:04,320 --> 01:27:09,200
Speaker 3: So just like let me tell you, like like be

1588
01:27:09,320 --> 01:27:12,639
Speaker 3: really careful, like if you feel yourself becoming paralyzed above

1589
01:27:12,680 --> 01:27:15,760
Speaker 3: the waist, because like sometimes the stuff can back up

1590
01:27:15,800 --> 01:27:17,880
Speaker 3: and then like if that happens, like you're gonna have

1591
01:27:17,960 --> 01:27:23,839
Speaker 3: like systems shut down, you know, like.

1592
01:27:22,200 --> 01:27:25,200
Speaker 6: Well not like your respiratory system, you might shut down,

1593
01:27:25,479 --> 01:27:27,040
Speaker 6: stop reading or something that's where.

1594
01:27:26,920 --> 01:27:28,360
Speaker 4: They intubate you. You know.

1595
01:27:28,479 --> 01:27:32,160
Speaker 3: Wow, Okay, And uh and I'm like yeah, sure, you

1596
01:27:32,200 --> 01:27:34,320
Speaker 3: know what, like I'm gonna do it anyway.

1597
01:27:34,360 --> 01:27:36,720
Speaker 2: You know, how do you get yourself psyched up to

1598
01:27:36,760 --> 01:27:40,880
Speaker 2: do something like this? I just like, uh, is it just.

1599
01:27:40,479 --> 01:27:44,880
Speaker 3: Just yeah, Like I don't like anything about it, but

1600
01:27:44,960 --> 01:27:49,720
Speaker 3: I just know that, Like I gotta have the footage so.

1601
01:27:49,840 --> 01:27:52,880
Speaker 2: You hear about the product. Yeah, Like I don't fucking

1602
01:27:53,240 --> 01:27:56,679
Speaker 2: the catalog of your life like one more stunt, one more.

1603
01:27:57,520 --> 01:27:58,960
Speaker 2: It's building what you've done too.

1604
01:27:59,040 --> 01:28:01,559
Speaker 4: Yeah, it's a bumber, Like the bar had to be raised.

1605
01:28:01,840 --> 01:28:04,040
Speaker 4: I had. That's what I had to do with this show.

1606
01:28:04,120 --> 01:28:07,240
Speaker 3: And and then like what you know, so once I

1607
01:28:07,360 --> 01:28:10,759
Speaker 3: go down, like all of a sudden, I can't fucking

1608
01:28:11,160 --> 01:28:13,960
Speaker 3: feel my chance. I can't feel anything out to my chin,

1609
01:28:14,000 --> 01:28:17,719
Speaker 3: and I'm like I genuinely feel like I can't fucking breathe.

1610
01:28:17,760 --> 01:28:20,720
Speaker 3: I'm like I'm having trouble breathing. And I'm like I'm

1611
01:28:20,760 --> 01:28:24,000
Speaker 3: trying so hard, like to even be able to say

1612
01:28:24,160 --> 01:28:25,679
Speaker 3: I'm having trouble breathing.

1613
01:28:25,840 --> 01:28:27,400
Speaker 4: It's like so much work.

1614
01:28:28,000 --> 01:28:32,320
Speaker 3: Like I was more scared than I've been Like I'm

1615
01:28:32,320 --> 01:28:36,360
Speaker 3: not gonna say maybe ever, but fucking in a long time,

1616
01:28:36,479 --> 01:28:39,479
Speaker 3: and and like and the whole plan is for my

1617
01:28:39,520 --> 01:28:43,760
Speaker 3: buddies to be conducting experiments to determine how paralyzed I am.

1618
01:28:43,800 --> 01:28:47,080
Speaker 3: Like if I'm really paralyzed, I'm like, you know, like

1619
01:28:47,120 --> 01:28:48,120
Speaker 3: my one guy's like.

1620
01:28:48,320 --> 01:28:50,599
Speaker 4: Can you feel your legs? And my other Budy's like

1621
01:28:50,680 --> 01:28:51,599
Speaker 4: can you feel this?

1622
01:28:53,960 --> 01:28:56,280
Speaker 3: So it's like dark and it's fucked up and it's

1623
01:28:56,320 --> 01:28:59,360
Speaker 3: so fucking just ridiculous that it's hilarious.

1624
01:28:59,680 --> 01:29:02,160
Speaker 4: And after that bit, like I'm laying there.

1625
01:29:03,320 --> 01:29:07,000
Speaker 3: And I just start sobbing, dude, real, like fucking just crying,

1626
01:29:07,040 --> 01:29:09,880
Speaker 3: and like this weird doctor guy who who put the

1627
01:29:09,920 --> 01:29:13,400
Speaker 3: needle in my back showed no emotion until I started crying.

1628
01:29:13,760 --> 01:29:15,240
Speaker 4: And then he's just like confused.

1629
01:29:15,280 --> 01:29:18,840
Speaker 3: He's like, like, what's going on because I'm sobbing and

1630
01:29:18,880 --> 01:29:21,720
Speaker 3: I and through my tears, I say, the bar for

1631
01:29:21,880 --> 01:29:26,360
Speaker 3: my stunts is so high, and that was your first

1632
01:29:26,400 --> 01:29:27,559
Speaker 3: I fucking raised it.

1633
01:29:27,680 --> 01:29:30,880
Speaker 1: Man, You're like myself so hard.

1634
01:29:32,800 --> 01:29:35,439
Speaker 4: I'm just like, the bar is so high, we raised it,

1635
01:29:35,479 --> 01:29:38,639
Speaker 4: and I'm just so tears of joy.

1636
01:29:38,720 --> 01:29:40,640
Speaker 1: Man, for real, I respect the hell out of that

1637
01:29:41,160 --> 01:29:43,919
Speaker 1: for what it's worth, because it's like, and that's.

1638
01:29:43,680 --> 01:29:46,479
Speaker 4: Not even the most shocking fucking thing in the show either.

1639
01:29:46,600 --> 01:29:51,840
Speaker 3: Like you know, like I I really really I'm fucking

1640
01:29:51,920 --> 01:29:54,840
Speaker 3: proud of how wildly fucked up this show.

1641
01:29:54,880 --> 01:29:57,320
Speaker 4: It's like I had this.

1642
01:29:57,240 --> 01:30:03,040
Speaker 3: Like delusional idea that if I partnered with the.

1643
01:30:02,200 --> 01:30:05,200
Speaker 4: Director of Jackass, Jeff Tremaine, that's.

1644
01:30:05,040 --> 01:30:10,720
Speaker 3: Somehow like if if I went into Netflix and they

1645
01:30:10,760 --> 01:30:15,479
Speaker 3: could say, like from the director of Jackass, shit that

1646
01:30:15,760 --> 01:30:22,360
Speaker 3: was too fucked up for Jackass, like too hot for Jackass,

1647
01:30:22,479 --> 01:30:26,719
Speaker 3: like Steve O, you know that like maybe they would

1648
01:30:27,320 --> 01:30:31,520
Speaker 3: just somehow overlook the fact of like semen flying.

1649
01:30:32,280 --> 01:30:36,280
Speaker 4: You know, like maybe they would like somehow be okay

1650
01:30:36,320 --> 01:30:36,599
Speaker 4: with it.

1651
01:30:36,640 --> 01:30:39,720
Speaker 3: And uh So I brought Jeff over and showed him

1652
01:30:39,760 --> 01:30:45,439
Speaker 3: like an early like recording of my live show with

1653
01:30:45,479 --> 01:30:49,559
Speaker 3: all of the multimedia baked into it, and he says, uh, man,

1654
01:30:49,600 --> 01:30:52,639
Speaker 3: I got to congratulate to Steve, You've really outdone yourself.

1655
01:30:53,479 --> 01:30:56,360
Speaker 3: But this isn't going anywhere near Netflix.

1656
01:30:56,400 --> 01:31:00,040
Speaker 2: And he's like this, this is so fucked.

1657
01:30:59,720 --> 01:31:02,360
Speaker 4: Up from start to finish. I don't even see parts

1658
01:31:02,360 --> 01:31:03,880
Speaker 4: of it that could go on Netflix.

1659
01:31:04,000 --> 01:31:06,880
Speaker 3: Like wow, And uh it's like a point of pride.

1660
01:31:07,520 --> 01:31:10,240
Speaker 3: I've never heard of people passing out at Jackars.

1661
01:31:11,320 --> 01:31:12,880
Speaker 2: Yeah, they're passing out.

1662
01:31:12,920 --> 01:31:17,719
Speaker 3: There's like there's like three culprits that that make people

1663
01:31:17,760 --> 01:31:18,200
Speaker 3: pass out.

1664
01:31:18,240 --> 01:31:21,840
Speaker 4: And I know, it's like really weird. It's not like

1665
01:31:22,600 --> 01:31:23,200
Speaker 4: a lot of.

1666
01:31:23,160 --> 01:31:26,519
Speaker 3: People, but like in a theater of a thousand people,

1667
01:31:27,439 --> 01:31:32,719
Speaker 3: like we're gonna average like the most that ever passed

1668
01:31:32,720 --> 01:31:33,400
Speaker 3: out was like.

1669
01:31:33,439 --> 01:31:35,880
Speaker 4: Eleven people and a lot of people.

1670
01:31:36,200 --> 01:31:38,479
Speaker 3: And then there's then there's some shows where nobody does

1671
01:31:38,880 --> 01:31:42,040
Speaker 3: you know, Like so I would say we averaged at

1672
01:31:42,120 --> 01:31:44,000
Speaker 3: least one person per show.

1673
01:31:44,200 --> 01:31:47,080
Speaker 4: At the taping, there were like eight people.

1674
01:31:47,520 --> 01:31:49,160
Speaker 2: There's a visceral reaction here.

1675
01:31:49,840 --> 01:31:53,000
Speaker 3: Whatever it's it's like, I don't know, like one in

1676
01:31:53,400 --> 01:31:56,280
Speaker 3: seven hundred and fifty people or something, maybe one in

1677
01:31:56,360 --> 01:31:57,200
Speaker 3: five hundred people.

1678
01:31:58,360 --> 01:32:02,240
Speaker 4: I mean, dude, it's like I never wanted that to happen.

1679
01:32:02,840 --> 01:32:03,040
Speaker 4: You know.

1680
01:32:03,040 --> 01:32:04,800
Speaker 3: I did want it to happen at the taping because

1681
01:32:04,840 --> 01:32:06,400
Speaker 3: I had made such a big deal out of it,

1682
01:32:07,240 --> 01:32:07,559
Speaker 3: and I.

1683
01:32:07,600 --> 01:32:10,920
Speaker 4: Was just so glad that I'm so glad that it did.

1684
01:32:11,400 --> 01:32:14,120
Speaker 3: But I knew people were gonna accuse me of like

1685
01:32:14,280 --> 01:32:16,240
Speaker 3: planting because I couldn't write.

1686
01:32:16,720 --> 01:32:17,800
Speaker 4: I could not have.

1687
01:32:18,040 --> 01:32:23,479
Speaker 3: Planted this one fucking dude, second row, second seat in

1688
01:32:23,880 --> 01:32:26,800
Speaker 3: from the center aisle. He tries to work his way

1689
01:32:26,840 --> 01:32:29,040
Speaker 3: out and passes out as he's trying to get by

1690
01:32:29,080 --> 01:32:29,960
Speaker 3: his buddy.

1691
01:32:30,080 --> 01:32:34,439
Speaker 4: Lands on his face and slides on his fucking face

1692
01:32:34,680 --> 01:32:39,080
Speaker 4: across the center aisle, like just laid laid out right.

1693
01:32:38,920 --> 01:32:40,559
Speaker 3: In front of me, in front of the stage at

1694
01:32:40,600 --> 01:32:44,040
Speaker 3: the taping, and I just thought, I was like, fucking, hey, dude,

1695
01:32:44,040 --> 01:32:48,560
Speaker 3: they're gonna they're gonna accuse me of fucking playing. They're

1696
01:32:48,560 --> 01:32:51,800
Speaker 3: gonna say, they're gonna they're gonna say.

1697
01:32:51,840 --> 01:32:54,120
Speaker 4: And I saw a fucking comment on on social.

1698
01:32:53,920 --> 01:32:59,519
Speaker 3: Media a cap hired people to have hired actors to pass.

1699
01:33:00,080 --> 01:33:00,280
Speaker 4: Dude.

1700
01:33:00,920 --> 01:33:06,280
Speaker 3: No, I've never fucking deceived my audience period.

1701
01:33:06,360 --> 01:33:07,280
Speaker 2: That's it.

1702
01:33:07,479 --> 01:33:12,559
Speaker 3: If I do that, If I fucking deceived my audience once, then.

1703
01:33:13,080 --> 01:33:14,840
Speaker 2: Then it's all over. Yeah.

1704
01:33:14,479 --> 01:33:18,679
Speaker 3: Yeah, and I'll tell I'll tell anybody anywhere, like what

1705
01:33:18,880 --> 01:33:19,360
Speaker 3: was faked?

1706
01:33:19,439 --> 01:33:24,320
Speaker 4: They were fucking precious. Fuck me, Wild Boys.

1707
01:33:24,360 --> 01:33:29,400
Speaker 3: We were totally liberal about the geography of where things happened.

1708
01:33:30,040 --> 01:33:32,200
Speaker 4: We lied a lot on Wild Boys.

1709
01:33:31,720 --> 01:33:34,760
Speaker 2: Like we're in a back lot, We're not or where

1710
01:33:34,760 --> 01:33:35,080
Speaker 2: were you?

1711
01:33:35,640 --> 01:33:36,000
Speaker 4: Okay?

1712
01:33:36,240 --> 01:33:38,680
Speaker 3: We uh Like like when we went to Africa with

1713
01:33:38,720 --> 01:33:42,160
Speaker 3: the two man zebra suit, we brought it on Safari.

1714
01:33:42,840 --> 01:33:45,240
Speaker 3: We're trying to get footage with lions in a two

1715
01:33:45,280 --> 01:33:51,839
Speaker 3: man zebra suit. Yeah, and like like absolute fucking lutely

1716
01:33:52,000 --> 01:33:55,280
Speaker 3: nobody is. They're like they're like, no, you're not, you know,

1717
01:33:55,960 --> 01:33:57,880
Speaker 3: And so we had all this great footage like on

1718
01:33:57,960 --> 01:34:00,599
Speaker 3: Safari with like different zebras and other we had everything

1719
01:34:00,600 --> 01:34:04,040
Speaker 3: except the closing shot. And so they had this, uh

1720
01:34:04,960 --> 01:34:08,559
Speaker 3: this this company called like Hollywood Animals in California and

1721
01:34:08,600 --> 01:34:11,080
Speaker 3: they had like like like whenever we're doing fucked up

1722
01:34:11,080 --> 01:34:13,840
Speaker 3: ship with lions, like you know where they were actually

1723
01:34:13,880 --> 01:34:16,080
Speaker 3: in California with this doesn't make.

1724
01:34:16,000 --> 01:34:18,759
Speaker 2: It safe, yes, just a little bit safer.

1725
01:34:19,280 --> 01:34:21,759
Speaker 3: I recently put a video on my YouTube channel called

1726
01:34:21,920 --> 01:34:26,320
Speaker 3: ten Times We Could Have Died, completely transparent about the

1727
01:34:26,439 --> 01:34:30,240
Speaker 3: fact that the lions were in California didn't stop him

1728
01:34:30,240 --> 01:34:33,439
Speaker 3: from climbing up the goddamn tree.

1729
01:34:33,600 --> 01:34:35,880
Speaker 4: So line, Yeah, I asked Siegfried and Roy about that.

1730
01:34:37,120 --> 01:34:41,840
Speaker 3: Yeah, and uh and then like outside of that, like

1731
01:34:41,920 --> 01:34:47,679
Speaker 3: the there was one thing, the butt shug in Jackass

1732
01:34:47,760 --> 01:34:49,439
Speaker 3: number two totally real.

1733
01:34:49,479 --> 01:34:52,760
Speaker 4: When that like it's it's real.

1734
01:34:53,280 --> 01:34:56,479
Speaker 3: The like in the tube you can see the the

1735
01:34:56,560 --> 01:35:02,559
Speaker 3: level of beer going down. But when Bam runs over

1736
01:35:02,880 --> 01:35:07,160
Speaker 3: and and and jams the plunger into my butt, there

1737
01:35:07,240 --> 01:35:10,000
Speaker 3: was beer port into that plunger like off camera.

1738
01:35:10,160 --> 01:35:12,400
Speaker 1: Yeah, yeah, it looked a little bit like but that's

1739
01:35:12,920 --> 01:35:13,719
Speaker 1: right into yours.

1740
01:35:13,840 --> 01:35:15,360
Speaker 4: I don't even know like that was like that, I

1741
01:35:15,400 --> 01:35:15,680
Speaker 4: mean it.

1742
01:35:15,760 --> 01:35:19,240
Speaker 2: Was Bell Whistle's I'm a little bit.

1743
01:35:19,200 --> 01:35:22,799
Speaker 3: Shocked that they even, you know, that did that slid,

1744
01:35:23,160 --> 01:35:26,840
Speaker 3: you know, because the like the respect for integrity on

1745
01:35:27,040 --> 01:35:31,960
Speaker 3: Jackass is so like high level that like I'm surprised

1746
01:35:31,960 --> 01:35:35,679
Speaker 3: that they even did that. And and other than that,

1747
01:35:35,880 --> 01:35:39,320
Speaker 3: the like the opening sequences, like and when we're coming

1748
01:35:39,360 --> 01:35:45,839
Speaker 3: through down the bridge on uh in the opening sequence

1749
01:35:45,840 --> 01:35:48,800
Speaker 3: of the first movie, and there's like the these cannons right,

1750
01:35:48,840 --> 01:35:51,840
Speaker 3: like that's like cork being shot out of you know.

1751
01:35:52,320 --> 01:35:53,360
Speaker 4: Opening sequences.

1752
01:35:53,439 --> 01:35:57,000
Speaker 3: You get like a little bit of you know, like

1753
01:35:57,040 --> 01:35:59,559
Speaker 3: we give ourselves leeway to make the opening sequence just

1754
01:35:59,600 --> 01:36:03,920
Speaker 3: so like cinematic particular right right, But there's no like

1755
01:36:04,320 --> 01:36:07,840
Speaker 3: deception going on in the opening sequence of this bucketless show.

1756
01:36:08,000 --> 01:36:12,040
Speaker 2: Yeah, I've got is there a Jackass esque open, dude?

1757
01:36:12,520 --> 01:36:14,840
Speaker 4: I take opening sequences seriously as fine.

1758
01:36:14,840 --> 01:36:17,040
Speaker 1: I mean they're like you guys have always killed them,

1759
01:36:17,040 --> 01:36:19,320
Speaker 1: and I love seeing the cinematic version of this.

1760
01:36:20,240 --> 01:36:23,040
Speaker 3: I was like, like, for me to to start this

1761
01:36:23,200 --> 01:36:26,320
Speaker 3: third comedy special, like I want it to be like

1762
01:36:26,360 --> 01:36:29,120
Speaker 3: a magnificent way that I get to the theater. So

1763
01:36:29,160 --> 01:36:30,960
Speaker 3: I want to be on the on a roof and

1764
01:36:31,000 --> 01:36:34,840
Speaker 3: a helicopter fucking drops a rope ladder. I grab the

1765
01:36:34,880 --> 01:36:37,759
Speaker 3: rope ladder and I'm flying all around.

1766
01:36:37,560 --> 01:36:39,840
Speaker 4: Like through electrical cables.

1767
01:36:39,840 --> 01:36:42,439
Speaker 3: It's like dipped in the fucking you know this, And

1768
01:36:42,479 --> 01:36:45,120
Speaker 3: then like I want to like let go of the

1769
01:36:45,200 --> 01:36:49,360
Speaker 3: rope ladder and drop from the helicopter onto the roof

1770
01:36:49,560 --> 01:36:53,040
Speaker 3: of my moving tour bus so then the tour bus

1771
01:36:53,040 --> 01:36:54,200
Speaker 3: can deliver me to the show.

1772
01:36:55,000 --> 01:36:57,600
Speaker 4: And Bill Burr's flying the helicopter.

1773
01:36:57,760 --> 01:36:58,240
Speaker 2: Amazing.

1774
01:36:58,840 --> 01:37:01,360
Speaker 4: We uh shot.

1775
01:37:01,280 --> 01:37:04,400
Speaker 3: Insert shots of Bill Bird flying a helicopter that we

1776
01:37:04,479 --> 01:37:04,800
Speaker 3: cut in.

1777
01:37:05,680 --> 01:37:08,120
Speaker 4: You know, he wasn't plying the actual one.

1778
01:37:08,160 --> 01:37:10,799
Speaker 3: On the day of the stunts, I had a safety

1779
01:37:10,840 --> 01:37:14,400
Speaker 3: line up through my shirt like clipping me to the ladder.

1780
01:37:14,439 --> 01:37:16,639
Speaker 3: I was on that fucking ladder. Oh god damn day

1781
01:37:16,680 --> 01:37:20,800
Speaker 3: flying around on a helicopter if hypothetically I let go

1782
01:37:21,000 --> 01:37:24,880
Speaker 3: or like I was attached to the ladder, But that

1783
01:37:24,920 --> 01:37:27,559
Speaker 3: didn't help me for nothing when it's my job to

1784
01:37:27,640 --> 01:37:29,840
Speaker 3: lit go with the ladder and land on the bus man.

1785
01:37:30,200 --> 01:37:32,040
Speaker 4: So that's that was sketchy.

1786
01:37:32,520 --> 01:37:36,200
Speaker 3: And when I go through the electrical wire, the telephone

1787
01:37:36,200 --> 01:37:39,160
Speaker 3: wire and all the sparks fucking go crazy, it's.

1788
01:37:39,000 --> 01:37:41,200
Speaker 2: Pretty rare epic.

1789
01:37:41,439 --> 01:37:42,400
Speaker 4: Yeah, they did me.

1790
01:37:42,640 --> 01:37:45,439
Speaker 3: They dip me in like a like a lake and

1791
01:37:45,560 --> 01:37:49,280
Speaker 3: Bill Burt's like, oh, sorry, buddy, So I'm at now,

1792
01:37:49,320 --> 01:37:51,240
Speaker 3: I'm now, I'm soaking wet.

1793
01:37:51,040 --> 01:37:53,759
Speaker 4: To go through the electrical wire, which is nice, is awesome,

1794
01:37:55,320 --> 01:37:57,719
Speaker 4: and apparently like the like the.

1795
01:37:57,520 --> 01:38:03,880
Speaker 3: Phone company came in installed special telephone polls and wires

1796
01:38:04,120 --> 01:38:07,400
Speaker 3: and whatever they call the transmitters there.

1797
01:38:07,320 --> 01:38:09,880
Speaker 2: Like the transformer transce.

1798
01:38:09,880 --> 01:38:12,519
Speaker 4: Box, transformer, I think transformer box.

1799
01:38:12,680 --> 01:38:15,000
Speaker 3: And there was like a Pyro special effects guy who

1800
01:38:15,040 --> 01:38:17,000
Speaker 3: set the charges for when I go through the wire.

1801
01:38:17,400 --> 01:38:19,080
Speaker 4: Wow, that's only the opening sequence.

1802
01:38:19,240 --> 01:38:22,479
Speaker 3: There's zero fucking deception when it comes to audience members

1803
01:38:22,520 --> 01:38:23,080
Speaker 3: passing out.

1804
01:38:23,200 --> 01:38:25,920
Speaker 4: I'm not fucking faking reactions.

1805
01:38:26,120 --> 01:38:29,240
Speaker 3: That's some fucking fake YouTuber prank shit that I would

1806
01:38:29,280 --> 01:38:30,240
Speaker 3: not wish.

1807
01:38:30,240 --> 01:38:32,560
Speaker 2: There's a lot of right, yeah.

1808
01:38:32,240 --> 01:38:35,760
Speaker 3: Not me, dude, And there's no fucking trickery when I've

1809
01:38:35,760 --> 01:38:39,200
Speaker 3: got the gen and when i'm generally anesthesia bike ride,

1810
01:38:42,240 --> 01:38:42,920
Speaker 3: I believe you.

1811
01:38:43,320 --> 01:38:44,280
Speaker 4: Yeah, I mean it's.

1812
01:38:44,160 --> 01:38:46,840
Speaker 3: Pretty fucking obvious that that that I don't fake shit.

1813
01:38:47,120 --> 01:38:49,879
Speaker 3: But but yeah, it's all in this this epic special

1814
01:38:49,920 --> 01:38:52,800
Speaker 3: and and uh, it's a love story about me and

1815
01:38:52,840 --> 01:38:55,800
Speaker 3: my girl and just me doing the fucking most over

1816
01:38:55,840 --> 01:38:58,799
Speaker 3: the top fucked up shit. It's all of my world's

1817
01:38:58,880 --> 01:39:02,160
Speaker 3: converging into one and yeah, like jackass me its stand

1818
01:39:02,240 --> 01:39:04,599
Speaker 3: up and it's like cool, yeah now I've.

1819
01:39:04,400 --> 01:39:08,200
Speaker 4: Been I'm a thirteen year stand up now.

1820
01:39:08,200 --> 01:39:13,000
Speaker 3: Like yeah yeah, like let yeah, I earned my stripes, dude.

1821
01:39:17,840 --> 01:39:22,719
Speaker 4: And I want to say this to your listeners. Fuck

1822
01:39:22,880 --> 01:39:24,759
Speaker 4: everybody who.

1823
01:39:27,000 --> 01:39:30,920
Speaker 3: Just with their fucking community guidelines. Oh no, we can't

1824
01:39:31,000 --> 01:39:38,040
Speaker 3: go there. Fuck everybody who fucking doesn't. Who made me

1825
01:39:38,280 --> 01:39:42,679
Speaker 3: fucking put this out myself on my website. I want

1826
01:39:42,880 --> 01:39:48,160
Speaker 3: Netflix to know that their Puss season they fucked up.

1827
01:39:48,240 --> 01:39:51,960
Speaker 3: Because I want this what I'm doing to be successful.

1828
01:39:52,600 --> 01:39:56,320
Speaker 3: I guarantee your listeners that there they will not be

1829
01:39:56,439 --> 01:40:01,360
Speaker 3: disappointed in the slightest. This is absolutely the highest level

1830
01:40:02,000 --> 01:40:06,960
Speaker 3: of performance art. It blows away anything I've ever done

1831
01:40:07,000 --> 01:40:09,720
Speaker 3: in my career. You will not be disappointed.

1832
01:40:09,760 --> 01:40:10,160
Speaker 2: Hell yeah.

1833
01:40:10,280 --> 01:40:14,360
Speaker 3: And by going to stevo dot com to watch this,

1834
01:40:15,320 --> 01:40:18,160
Speaker 3: like you will have a seamless experience even like I

1835
01:40:18,240 --> 01:40:21,280
Speaker 3: partnered with Moment so when you did the checkout somehow

1836
01:40:21,320 --> 01:40:25,639
Speaker 3: you can watch this unbelievable filth and and have express

1837
01:40:25,760 --> 01:40:29,719
Speaker 3: checkout like one click PayPal, one click Apple pay perfect.

1838
01:40:30,040 --> 01:40:32,600
Speaker 3: Yeah I don't even know how that's It's not like

1839
01:40:33,000 --> 01:40:36,760
Speaker 3: a big investment, but it is a huge, huge, It's

1840
01:40:36,800 --> 01:40:38,800
Speaker 3: not a big investment, it's a huge fuck you to

1841
01:40:38,880 --> 01:40:42,080
Speaker 3: Netflix and if for this to be successful is a

1842
01:40:42,080 --> 01:40:42,880
Speaker 3: big deal for me.

1843
01:40:43,760 --> 01:40:45,960
Speaker 2: I'm super pumped to see it. Are you? Are you

1844
01:40:46,080 --> 01:40:47,400
Speaker 2: proud of the results?

1845
01:40:47,520 --> 01:40:50,200
Speaker 3: I could not be more proud of Hell yes, yeah,

1846
01:40:50,439 --> 01:40:54,719
Speaker 3: I literally worked on this for well over five years.

1847
01:40:55,040 --> 01:40:55,439
Speaker 2: Damn.

1848
01:40:56,560 --> 01:40:59,559
Speaker 1: Also, it's a culmination of all the things you've done, like, yeah,

1849
01:41:00,120 --> 01:41:02,959
Speaker 1: new part of your story here, the new chapter story.

1850
01:41:03,000 --> 01:41:08,120
Speaker 4: And each one of my specials like the like the Improvement.

1851
01:41:08,240 --> 01:41:10,559
Speaker 3: I'm really glad that first one's out there just as

1852
01:41:10,600 --> 01:41:13,320
Speaker 3: as a mile marker of where I was then and

1853
01:41:13,360 --> 01:41:16,840
Speaker 3: how far I've come to now, you know, from from

1854
01:41:16,880 --> 01:41:19,600
Speaker 3: the first to the second to the third, Like the

1855
01:41:19,680 --> 01:41:23,439
Speaker 3: Improvement is is really really staggering.

1856
01:41:23,280 --> 01:41:24,160
Speaker 2: Through all this ship.

1857
01:41:24,320 --> 01:41:26,800
Speaker 1: Like because you're a stevo, do people ask you to

1858
01:41:26,840 --> 01:41:29,400
Speaker 1: do crazy shit sometimes just like hey, will you do this?

1859
01:41:29,760 --> 01:41:29,960
Speaker 4: Yeah?

1860
01:41:29,960 --> 01:41:34,800
Speaker 3: I just got on on the cameo platform purely to

1861
01:41:34,880 --> 01:41:38,080
Speaker 3: donate one hundred percent of everything that I raise to

1862
01:41:38,960 --> 01:41:41,439
Speaker 3: a buddy of mine with a disability who's trying to

1863
01:41:41,479 --> 01:41:43,280
Speaker 3: buy a van, and.

1864
01:41:43,520 --> 01:41:44,960
Speaker 4: You know I wanted to be able to get in.

1865
01:41:45,640 --> 01:41:47,320
Speaker 3: Yeah, I want him to go drive around getting his

1866
01:41:47,400 --> 01:41:49,400
Speaker 3: dig sucked in a vanvan for that.

1867
01:41:49,680 --> 01:41:54,240
Speaker 4: Yeah, And like last night I was like, there was

1868
01:41:54,280 --> 01:41:54,799
Speaker 4: like a cameo.

1869
01:41:54,800 --> 01:41:56,280
Speaker 3: I think, yo, dude, I want you to do something

1870
01:41:56,320 --> 01:42:00,640
Speaker 3: really awesome like a Mangina backflip off escape and I

1871
01:42:00,720 --> 01:42:03,760
Speaker 3: was I was like, you know what, buddy, no thanks man,

1872
01:42:04,280 --> 01:42:08,240
Speaker 3: not on cameo.

1873
01:42:09,200 --> 01:42:12,519
Speaker 4: Yeah, it would be yeah, it probably would be. Yeah,

1874
01:42:12,640 --> 01:42:15,200
Speaker 4: I don't know, like, uh, it's all good man.

1875
01:42:15,320 --> 01:42:16,519
Speaker 2: Well if I asked you to do something right now,

1876
01:42:16,560 --> 01:42:18,479
Speaker 2: would you do it? You consider it depends on what

1877
01:42:18,520 --> 01:42:20,880
Speaker 2: it is. Would you sign something for me? I love to?

1878
01:42:21,280 --> 01:42:25,080
Speaker 4: Okay, I got a special autograph that looks like a dick.

1879
01:42:26,240 --> 01:42:27,559
Speaker 4: I call it a dick a graph.

1880
01:42:27,640 --> 01:42:30,479
Speaker 2: That's fine. Uh do you know how to draw it? Do? I?

1881
01:42:30,720 --> 01:42:30,880
Speaker 5: Oh?

1882
01:42:30,960 --> 01:42:33,360
Speaker 4: No way, I thought that looked like some tattoo ship

1883
01:42:33,439 --> 01:42:33,840
Speaker 4: over there.

1884
01:42:33,960 --> 01:42:36,600
Speaker 2: It is all right, let's fucking go you do.

1885
01:42:37,080 --> 01:42:39,759
Speaker 4: I'm super down. You got the old school of fucking

1886
01:42:39,960 --> 01:42:44,200
Speaker 4: salty dog coil version to use one of these things

1887
01:42:44,640 --> 01:42:47,360
Speaker 4: I do, man, And I actually got licensed as a tattoo.

1888
01:42:47,560 --> 01:42:50,320
Speaker 2: It's okay. You saw that tat you had where you

1889
01:42:50,360 --> 01:42:52,240
Speaker 2: were writing in the hummer with the.

1890
01:42:52,479 --> 01:42:58,080
Speaker 1: Yeah, that shit still cracks me up to this.

1891
01:42:58,120 --> 01:43:00,800
Speaker 3: Stet should I do have to get this done in

1892
01:43:00,880 --> 01:43:03,120
Speaker 3: eight minutes whatever?

1893
01:43:03,120 --> 01:43:07,920
Speaker 1: That's Yeah, there'll be a smaller penis a right wherever

1894
01:43:07,960 --> 01:43:10,280
Speaker 1: You're just nothing racist right here?

1895
01:43:11,720 --> 01:43:12,800
Speaker 4: How about resign off?

1896
01:43:12,840 --> 01:43:16,120
Speaker 3: Will send everybody to steabo dot com to support the

1897
01:43:16,120 --> 01:43:19,360
Speaker 3: bucket list special check out like the trailer if you

1898
01:43:19,360 --> 01:43:21,040
Speaker 3: want to see how it's just.

1899
01:43:20,880 --> 01:43:22,080
Speaker 4: So fucking awesome.

1900
01:43:22,160 --> 01:43:23,000
Speaker 2: Man, I'm pumped.

1901
01:43:23,160 --> 01:43:25,880
Speaker 3: I appreciate everybody's support. And now we're going to do

1902
01:43:25,920 --> 01:43:26,840
Speaker 3: a tattoo.

1903
01:43:28,840 --> 01:43:33,720
Speaker 2: Nope, yeah, it is a dicograph. It is.

1904
01:43:34,080 --> 01:43:36,480
Speaker 4: It's not a super erasive.

1905
01:43:38,120 --> 01:43:39,639
Speaker 2: You said your ore life, that is right.

1906
01:43:43,760 --> 01:43:45,479
Speaker 1: It's like the one time I can get away with

1907
01:43:45,560 --> 01:43:47,519
Speaker 1: a dick tattoo on my arm?

1908
01:43:48,439 --> 01:43:50,599
Speaker 2: What asshole gave you this? So my stea bo gave

1909
01:43:50,600 --> 01:43:50,920
Speaker 2: it to me.

1910
01:43:51,160 --> 01:43:59,400
Speaker 3: It's not the most aggressive, not going.

1911
01:43:59,320 --> 01:44:06,240
Speaker 6: In, it's it's definitely going out. What's the story behind

1912
01:44:06,240 --> 01:44:09,559
Speaker 6: the dicograph?

1913
01:44:10,320 --> 01:44:15,599
Speaker 3: I practiced my autograph for years before anybody ever wanted it,

1914
01:44:16,960 --> 01:44:22,080
Speaker 3: and people.

1915
01:44:21,880 --> 01:44:24,320
Speaker 4: Started wanting it in year two thousand.

1916
01:44:25,720 --> 01:44:26,400
Speaker 5: But it was.

1917
01:44:28,200 --> 01:44:31,400
Speaker 4: Twenty fourteen when this.

1918
01:44:31,439 --> 01:44:33,880
Speaker 3: Guy says, dude, the last time you came to this

1919
01:44:33,960 --> 01:44:39,800
Speaker 3: comleague club, you fucking tattooed me. I got your signature tattooed,

1920
01:44:40,520 --> 01:44:43,519
Speaker 3: and it's a fucking dick. And he shared man's arm

1921
01:44:44,520 --> 01:44:48,120
Speaker 3: and I could see it, and I was like, man,

1922
01:44:48,280 --> 01:44:52,639
Speaker 3: it was right there the whole fucking time. I had

1923
01:44:52,680 --> 01:44:57,240
Speaker 3: no idea I was drawing a dick. Every time I

1924
01:44:57,280 --> 01:44:58,320
Speaker 3: did my signature.

1925
01:44:58,600 --> 01:45:00,240
Speaker 2: You were subconsciously drawing it dick.

1926
01:45:00,760 --> 01:45:03,439
Speaker 3: I just it was just sitting right there, and for

1927
01:45:03,640 --> 01:45:10,439
Speaker 3: fourteen fucking years, and then after twenty fourteen, I started

1928
01:45:10,439 --> 01:45:15,160
Speaker 3: really leaning into it.

1929
01:45:15,160 --> 01:45:16,520
Speaker 2: It's looking pretty good.

1930
01:45:17,280 --> 01:45:22,040
Speaker 3: Yeah, I've never done my signature that's outlined before.

1931
01:45:24,240 --> 01:45:27,840
Speaker 6: This isn't permanent, is it?

1932
01:45:27,680 --> 01:45:29,040
Speaker 2: It feels very permanent.

1933
01:45:34,360 --> 01:45:38,280
Speaker 6: I mean that's white yacks.

1934
01:45:38,360 --> 01:45:42,000
Speaker 3: It's such a motherfucker like like, wouldn't you do anything

1935
01:45:42,080 --> 01:45:44,799
Speaker 3: you got any white man like about.

1936
01:45:46,439 --> 01:45:46,639
Speaker 6: Time?

1937
01:45:48,640 --> 01:45:54,320
Speaker 2: But it's pretty good. I like this. It's like a symbol. Yeah,

1938
01:45:54,320 --> 01:45:56,240
Speaker 2: but it's like, no, it's actually a penis if you

1939
01:45:56,280 --> 01:45:56,880
Speaker 2: look closer.

1940
01:46:10,240 --> 01:46:10,439
Speaker 4: Thanks.

1941
01:46:10,880 --> 01:46:11,559
Speaker 2: I appreciate that.

1942
01:46:13,960 --> 01:46:17,479
Speaker 1: Steve O's wild. He lived up to the hype. The

1943
01:46:17,479 --> 01:46:21,800
Speaker 1: whole tattoo idea. It originated on the plane ride to

1944
01:46:22,000 --> 01:46:26,000
Speaker 1: la We were recording the interview the next day, and

1945
01:46:26,880 --> 01:46:29,400
Speaker 1: last minute, Mike here actually had the idea of what

1946
01:46:29,439 --> 01:46:33,200
Speaker 1: if he gave you a tattoo? That sounds cool, How

1947
01:46:33,240 --> 01:46:34,960
Speaker 1: the hell do we actually pull that off if we

1948
01:46:35,000 --> 01:46:38,559
Speaker 1: wanted to do that. I'm thinking, okay, well, if we're

1949
01:46:38,600 --> 01:46:41,280
Speaker 1: going to do that at all, we would technically need

1950
01:46:41,320 --> 01:46:45,880
Speaker 1: a tattoo guy on standby in the Airbnb that we're

1951
01:46:45,880 --> 01:46:50,200
Speaker 1: recording in, just in case he says yes, right, yeah.

1952
01:46:50,240 --> 01:46:52,400
Speaker 5: I honestly was not sure you could pull it off.

1953
01:46:52,439 --> 01:46:55,000
Speaker 5: I was like, how we're landing, Yeah, well we were

1954
01:46:55,040 --> 01:46:57,120
Speaker 5: doing the interview the next day, right, yeah.

1955
01:46:57,280 --> 01:46:59,960
Speaker 2: We probably landed at ten pm. The interview was at

1956
01:47:00,240 --> 01:47:01,120
Speaker 2: noon the next day.

1957
01:47:01,200 --> 01:47:04,240
Speaker 1: So on the plane, I posted on Instagram like, Hey,

1958
01:47:04,280 --> 01:47:06,800
Speaker 1: any tattoo artists in the LA area who want to

1959
01:47:06,800 --> 01:47:11,120
Speaker 1: come to my airbnb tomorrow? I mean, thankfully actually some

1960
01:47:11,160 --> 01:47:14,000
Speaker 1: people hit me back, and by a miracle, we were

1961
01:47:14,000 --> 01:47:17,280
Speaker 1: able to find somebody. He was clutch, came in the clutch,

1962
01:47:17,960 --> 01:47:20,360
Speaker 1: and the way we set it up was I didn't

1963
01:47:20,800 --> 01:47:23,479
Speaker 1: know for sure whether Steve Hall would want to do this. Also,

1964
01:47:23,840 --> 01:47:26,280
Speaker 1: it's kind of a big ask. If he's like, hey, man,

1965
01:47:26,360 --> 01:47:29,920
Speaker 1: I don't feel like tattooing your arm, That's totally fine.

1966
01:47:30,240 --> 01:47:32,160
Speaker 2: I get it. But if you're down.

1967
01:47:32,439 --> 01:47:35,000
Speaker 1: We're set up right here, and so STEVEA didn't know

1968
01:47:35,040 --> 01:47:36,280
Speaker 1: we were going to do this at all.

1969
01:47:36,640 --> 01:47:38,320
Speaker 2: Thank you for obliging. That was cool.

1970
01:47:38,960 --> 01:47:41,280
Speaker 1: It's healed nicely and I'll show you in a second.

1971
01:47:41,560 --> 01:47:44,480
Speaker 1: But I will say I have like seven eight tattoos

1972
01:47:44,560 --> 01:47:49,120
Speaker 1: on my arm. This tattoo hurt, like shit, I mean

1973
01:47:50,040 --> 01:47:54,439
Speaker 1: he did, Stevelle, you did an amazing job. It's amazing job.

1974
01:47:54,479 --> 01:47:57,680
Speaker 1: Well away, right, yeah, there's no takebacks. This is here

1975
01:47:57,720 --> 01:48:01,800
Speaker 1: to stay. But it really did genuinely hurt. I don't

1976
01:48:01,800 --> 01:48:03,120
Speaker 1: know if you can see it in my face. I

1977
01:48:03,160 --> 01:48:05,880
Speaker 1: was like, ooh, okay, maybe you shouldn't have done it

1978
01:48:05,920 --> 01:48:08,320
Speaker 1: so big. And also my original pant was, you know,

1979
01:48:08,400 --> 01:48:10,960
Speaker 1: to do it kind of smaller. I had a little

1980
01:48:11,000 --> 01:48:13,559
Speaker 1: patch of skin in between two other tattoos. I was like, hey, like,

1981
01:48:13,600 --> 01:48:15,920
Speaker 1: you know, maybe play it right here, and he just

1982
01:48:15,920 --> 01:48:18,759
Speaker 1: grabs my arm, takes a sharpie and draws it really

1983
01:48:18,880 --> 01:48:21,240
Speaker 1: kind of bigger than I thought, right there on my

1984
01:48:21,360 --> 01:48:24,920
Speaker 1: upper arm. Okay, that works too, and he went right

1985
01:48:24,960 --> 01:48:28,200
Speaker 1: in with it. So it's my most painful tattoo. It

1986
01:48:28,240 --> 01:48:31,080
Speaker 1: looks kind of like a penis. But the cool thing

1987
01:48:31,280 --> 01:48:35,080
Speaker 1: is when someone goes, yeah, what's that tattoo. I get

1988
01:48:35,080 --> 01:48:37,840
Speaker 1: to say, I don't know, man, just Steve O gave

1989
01:48:37,880 --> 01:48:42,120
Speaker 1: it to me, all right, kind of cool, kind of cool.

1990
01:48:42,680 --> 01:48:44,959
Speaker 1: I was willing to let him draw an actual penis

1991
01:48:45,040 --> 01:48:48,240
Speaker 1: on my arm. I was hoping it wasn't going to be.

1992
01:48:48,760 --> 01:48:52,720
Speaker 1: But it's less folic than it could have been, so

1993
01:48:52,800 --> 01:48:55,599
Speaker 1: I appreciate that it's sealed nicely. I'll show I'll show

1994
01:48:55,600 --> 01:48:57,599
Speaker 1: you what it looks like now. It kind of looks

1995
01:48:57,640 --> 01:49:00,800
Speaker 1: like a weird symbol. It kind of reminds me of

1996
01:49:00,800 --> 01:49:05,280
Speaker 1: a like a old nineties skate brand logo. What are

1997
01:49:05,280 --> 01:49:09,400
Speaker 1: those big baggy jean pants Jenks, Chinkos, Jinko's.

1998
01:49:09,560 --> 01:49:11,760
Speaker 5: Yeah, I think it means gene company, right, but I

1999
01:49:11,760 --> 01:49:14,840
Speaker 5: don't know. Jinko is what everybody said. Yeah, it has

2000
01:49:15,000 --> 01:49:17,880
Speaker 5: been a no fear to it, no fear or dare

2001
01:49:18,160 --> 01:49:19,640
Speaker 5: kind of I don't know.

2002
01:49:19,600 --> 01:49:22,839
Speaker 1: It looks like some like some symbol that represents something

2003
01:49:22,920 --> 01:49:27,200
Speaker 1: maybe deeper than it does. But once you you know,

2004
01:49:27,280 --> 01:49:30,400
Speaker 1: once you see the penis, you can't really unsee it.

2005
01:49:30,960 --> 01:49:33,679
Speaker 1: But hey, I have no regrets. I I was willing

2006
01:49:33,760 --> 01:49:40,280
Speaker 1: to sacrifice this little slot of my arm for the show, right,

2007
01:49:40,400 --> 01:49:43,679
Speaker 1: for all of you, for all Yeah, for you guys. Yep,

2008
01:49:44,920 --> 01:49:49,360
Speaker 1: just don't put anything efensive there. You know, I'll take

2009
01:49:49,400 --> 01:49:52,639
Speaker 1: anything else. Steve O was awesome. I had a blast

2010
01:49:52,640 --> 01:49:55,080
Speaker 1: talking to him. I really appreciate his time.

2011
01:49:55,400 --> 01:49:57,880
Speaker 5: Super cool, humble, and he was running late and he

2012
01:49:58,200 --> 01:49:59,040
Speaker 5: gave you a tattoo.

2013
01:49:59,280 --> 01:50:00,760
Speaker 1: Yeah, I don't know if we cut that part out,

2014
01:50:00,760 --> 01:50:03,760
Speaker 1: but when he did agree to do the tattoo, he's like,

2015
01:50:03,760 --> 01:50:05,840
Speaker 1: well I got seven minutes. I'm like, all right, cool,

2016
01:50:05,880 --> 01:50:08,960
Speaker 1: I'm about to get a rushed tattoo on the whim

2017
01:50:09,400 --> 01:50:12,160
Speaker 1: from Steve O at his mercy.

2018
01:50:11,760 --> 01:50:14,120
Speaker 2: And he's stuck around for a lot longer than he did. No,

2019
01:50:14,200 --> 01:50:16,519
Speaker 2: he was he was super cool. He has a new

2020
01:50:16,600 --> 01:50:22,240
Speaker 2: special out now. It's it's hilarious, it's wild. I was

2021
01:50:22,280 --> 01:50:24,799
Speaker 2: getting pumped as he was describing it in the interview.

2022
01:50:25,400 --> 01:50:29,679
Speaker 2: Just do us a favor, go support his new content.

2023
01:50:30,240 --> 01:50:32,840
Speaker 2: It's crazy, wild, hilarious.

2024
01:50:32,880 --> 01:50:37,400
Speaker 1: People are actually literally passing out in the stands. Not

2025
01:50:37,600 --> 01:50:41,800
Speaker 1: even a gimmick, not some joke. There's some stuff in

2026
01:50:41,840 --> 01:50:44,479
Speaker 1: there that might make you go, oh God, why am

2027
01:50:44,479 --> 01:50:45,120
Speaker 1: I watching this?

2028
01:50:45,560 --> 01:50:49,759
Speaker 2: But you should. It's good for you. It's makes you stronger.

2029
01:50:49,840 --> 01:50:51,960
Speaker 5: We do have to say it's X rated most likely

2030
01:50:52,240 --> 01:50:53,280
Speaker 5: and Yeah.

2031
01:50:53,160 --> 01:50:55,519
Speaker 1: It's like it's like the it's unrated, which means that

2032
01:50:55,560 --> 01:51:01,000
Speaker 1: there's no rating. That is the equivalent of how inappropriate

2033
01:51:01,040 --> 01:51:03,160
Speaker 1: this gets.

2034
01:51:02,479 --> 01:51:05,120
Speaker 5: So watch with caution, obviously.

2035
01:51:05,160 --> 01:51:08,200
Speaker 1: I mean the fact that he's Steve O and he's

2036
01:51:08,520 --> 01:51:13,840
Speaker 1: famous and no other distributor would take this tells you

2037
01:51:13,880 --> 01:51:16,759
Speaker 1: how wild it really is. I want of thanks Stevo

2038
01:51:16,880 --> 01:51:20,640
Speaker 1: for his time. I really appreciate that Episode two of

2039
01:51:20,680 --> 01:51:23,280
Speaker 1: this show is actually out now as well. One of

2040
01:51:23,320 --> 01:51:28,160
Speaker 1: my good friends, Clara McGregor, she's hilarious, She's an amazing actress.

2041
01:51:28,640 --> 01:51:30,760
Speaker 1: She sat down with me and we shot the shit

2042
01:51:31,080 --> 01:51:35,000
Speaker 1: for an hour and I learned so much about being

2043
01:51:35,000 --> 01:51:39,000
Speaker 1: an actress, growing up with a famous dad, how other

2044
01:51:39,080 --> 01:51:43,439
Speaker 1: people are handling life right. And she had some amazing

2045
01:51:43,479 --> 01:51:49,519
Speaker 1: insights on navigating the entertainment world and just being true

2046
01:51:49,560 --> 01:51:53,000
Speaker 1: to yourself, which I respect the hell out of. So

2047
01:51:53,160 --> 01:51:55,600
Speaker 1: if you liked this and it wasn't too much for you,

2048
01:51:56,240 --> 01:51:57,559
Speaker 1: we're going to do a big pivot.

2049
01:51:58,520 --> 01:51:59,400
Speaker 2: Clara McGregor.

2050
01:51:59,520 --> 01:52:03,160
Speaker 1: Episode is out now and I think you'll really enjoy it.

2051
01:52:03,600 --> 01:52:05,880
Speaker 1: Thanks for listening to talking to dus. You can follow

2052
01:52:06,000 --> 01:52:09,080
Speaker 1: me pay Lindzy on social media. Instagram is at payin

2053
01:52:09,160 --> 01:52:12,479
Speaker 1: Lindsey and just like TikTok, my TikTok is actually pain Lindsey.

2054
01:52:12,800 --> 01:52:16,080
Speaker 1: It's not my desired user name. There is actually a

2055
01:52:16,120 --> 01:52:20,360
Speaker 1: guy camped out on that TikTok and he has intentionally

2056
01:52:20,880 --> 01:52:22,960
Speaker 1: locked it up because if you look at the email

2057
01:52:23,000 --> 01:52:27,200
Speaker 1: address under like in the bio of the Pain Lindsey TikTok,

2058
01:52:27,640 --> 01:52:30,360
Speaker 1: there's an email that says like social settlers at gmail

2059
01:52:30,400 --> 01:52:33,960
Speaker 1: dot com and like a locked emoji, clearly saying hey,

2060
01:52:34,520 --> 01:52:37,679
Speaker 1: if you want this, email me, well, I've emailed him

2061
01:52:37,840 --> 01:52:42,360
Speaker 1: for two years straight no reply. If this is your game,

2062
01:52:42,400 --> 01:52:45,240
Speaker 1: if this is the business that you're in, just name

2063
01:52:45,280 --> 01:52:45,719
Speaker 1: the price.

2064
01:52:46,439 --> 01:52:47,000
Speaker 2: It's okay.

2065
01:52:48,040 --> 01:52:51,519
Speaker 1: I mean, hopefully this guy is okay, all right, I mean, like,

2066
01:52:51,960 --> 01:52:55,639
Speaker 1: is he is he missing? Is he did he die?

2067
01:52:55,880 --> 01:52:58,800
Speaker 1: I mean that would suck, but maybe I still get

2068
01:52:58,840 --> 01:53:03,680
Speaker 1: the handle. I hope he's fine. But also if you

2069
01:53:04,080 --> 01:53:07,280
Speaker 1: just google the email address, you'll see tons of other

2070
01:53:07,360 --> 01:53:11,000
Speaker 1: people like name brands and stuff who've posted what you'd

2071
01:53:11,000 --> 01:53:14,519
Speaker 1: think would be our official account isn't because this guy's

2072
01:53:14,720 --> 01:53:18,479
Speaker 1: holding on to it. I mean, at least, if you're

2073
01:53:18,520 --> 01:53:24,080
Speaker 1: gonna do this, have better customer service. Seriously, email me back.

2074
01:53:24,720 --> 01:53:28,559
Speaker 1: I'll pay you for the handle, but until then, actually

2075
01:53:28,560 --> 01:53:33,120
Speaker 1: Pain Lindsey and everything for the show is going to

2076
01:53:33,120 --> 01:53:37,400
Speaker 1: be at talkingdodeathpodcast dot com. Stay tuned next week for

2077
01:53:37,479 --> 01:53:40,719
Speaker 1: a really exciting guest and go listen to episode two now.

2078
01:53:41,000 --> 01:53:43,560
Speaker 1: If you had any fun at all, cheers.

2079
01:53:48,160 --> 01:53:50,920
Speaker 5: Talking to Death is a production of Tenderfoot TV and

2080
01:53:51,000 --> 01:53:55,800
Speaker 5: iHeart podcast created and hosted by Payne Lindsay. For Tenderfoot TV,

2081
01:53:56,080 --> 01:54:00,280
Speaker 5: executive producers are Payne Lindsey and Donald Albright. Co executive

2082
01:54:00,320 --> 01:54:04,599
Speaker 5: producer is Mike Rooney. For iHeart Podcasts, executive producers are

2083
01:54:04,680 --> 01:54:08,479
Speaker 5: Matt Frederick and Alex Williams. With original music by Makeup

2084
01:54:08,520 --> 01:54:12,639
Speaker 5: and Vanity Set. Additional production by Mike Rooney, Dylan Harrington,

2085
01:54:12,880 --> 01:54:17,439
Speaker 5: Sean Nerney, Dayton Cole, and Gustav Wilde for Coohedo. Production

2086
01:54:17,600 --> 01:54:21,839
Speaker 5: support by Tracy Kaplan, Mara Davis, and Trevor Young. Mixing

2087
01:54:21,880 --> 01:54:25,559
Speaker 5: and mastering by Cooper Skinner and Dayton Cole. Our cover

2088
01:54:25,720 --> 01:54:29,320
Speaker 5: art was created by Rob Sheridan. Check out our website

2089
01:54:29,560 --> 01:54:37,120
Speaker 5: Talking to Death podcast dot com.

2090
01:54:37,240 --> 01:54:39,480
Speaker 2: Thanks for listening to this episode of Talking to Death.

2091
01:54:39,960 --> 01:54:43,360
Speaker 1: This series is released weekly absolutely free, but if you

2092
01:54:43,360 --> 01:54:46,879
Speaker 1: want ad free listening and exclusive bonuses. You can subscribe

2093
01:54:46,920 --> 01:54:51,120
Speaker 1: to tenderfoot Plus on Apple Podcasts, or go to tenderfootplus

2094
01:54:51,240 --> 01:54:55,080
Speaker 1: dot com