WEBVTT - The Cutting Room Floor

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<v Speaker 1>A note to the listener. The following story contains some

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<v Speaker 1>adult content and language. Hey, you can't. And I was there,

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<v Speaker 1>calmed down. He drained her, and then he cleaned her,

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<v Speaker 1>and then he cut her up in that please Doddy

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<v Speaker 1>Adler Harrison killed Madeleine Marie Evans, God damn it. And

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<v Speaker 1>the bastard let her Shaw helped him cover it all up.

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<v Speaker 1>He covered it all up. That's some of a bitch.

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<v Speaker 1>Wiped me right and the eye and said there wasn't

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<v Speaker 1>a party. He said she was never in his house.

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<v Speaker 1>We gotta do something. At point, this slowed down a minute.

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<v Speaker 1>I mean not me, I mean not we. Obviously I

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<v Speaker 1>can't do anything. I'm not a copy but you you

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<v Speaker 1>gotta do something. Call someone, Hank Perkins or Slatsky. He

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<v Speaker 1>called money for all I care. But we've got to

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<v Speaker 1>get back to that house before they get rid of it. Hey,

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<v Speaker 1>what to stop? Huh? Just stop for a second. Settled down,

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<v Speaker 1>getting all worked up again? Of course I'm worked up bad.

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<v Speaker 1>It's all right there. What is the drums? The pad

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<v Speaker 1>proved nothing? Of course they do they. I need you

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<v Speaker 1>to stop talking now because I need to ask you

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<v Speaker 1>some real questions, real questions. Stop talking, just drink your

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<v Speaker 1>coffee and settled down. Okay, Now you said he looked

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<v Speaker 1>you in the eye and lie to you. Do you

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<v Speaker 1>mean Sean? Yes, Sean. And this was in his house.

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<v Speaker 1>Of course, it was in his house. And how did

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<v Speaker 1>you happen to be at Shaw's house? I asked to

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<v Speaker 1>meet with him to ask him some questions, and Adler arranged.

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<v Speaker 1>It was Adler there when you met with Shaw. Yes,

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<v Speaker 1>he was there. He's always there. And this is why

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<v Speaker 1>was Adler there? Because Adler is Shaw's doctor. Apparently he's

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<v Speaker 1>sick with what. I don't know. I didn't ask, I

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<v Speaker 1>didn't care. What what? What's the problem? Okay? I can

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<v Speaker 1>tell you that the first problem is reasonable doubt. This

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<v Speaker 1>prescription pad belongs to Adler Harrison, who treats his patient,

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<v Speaker 1>Leonard Shaw, in the privacy of his own home. There

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<v Speaker 1>was no reason for this pad not to be their hank.

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<v Speaker 1>And what about the drugs? What about them? They're not illegal?

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<v Speaker 1>And now that we've established that Adler has every right

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<v Speaker 1>to be there, the same rules applied to the drugs.

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<v Speaker 1>Those were the same drugs that do you think that

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<v Speaker 1>Marlin Evans was the only person that ever happened in

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<v Speaker 1>a system she's been going almost two years, Hank. There

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<v Speaker 1>have definitely been other people who have taken in ad

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<v Speaker 1>ministry those drugs since then. There was some unconscious girl

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<v Speaker 1>in that movie because of those drugs. I saw what

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<v Speaker 1>they were doing in that girl. He's making pornography. If

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<v Speaker 1>he's not selling it, then all y'all got is a

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<v Speaker 1>guy who makes a bunch of racy home movies and

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<v Speaker 1>nothing more. And you don't even have witnesses, any participants,

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<v Speaker 1>any victims. So even if you're right about that, you

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<v Speaker 1>have no way of proving that it's all on my camp,

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<v Speaker 1>my edge. That's not proof, Hank. And none of this

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<v Speaker 1>is amissible. Come on, you have a conversation with Shaw,

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<v Speaker 1>excuse yourself to use the bathroom, and then sneak around

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<v Speaker 1>his house taking pictures, and then you remove what you

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<v Speaker 1>think it's evidence without probable cause you didn't witness a crime,

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<v Speaker 1>You're not in a public place, you didn't even have

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<v Speaker 1>a warrant. Technically, you lifted a doctor's description pad and

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<v Speaker 1>his patients pain medication. This isn't a joke. Oh, I

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<v Speaker 1>wasn't trying to be funny. I was trying to be realistic.

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<v Speaker 1>You've got nothing here. I'm sorry. If I were you,

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<v Speaker 1>I'd just be glad he didn't find you snooping. No

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<v Speaker 1>one was awakened and was very careful not to be seen.

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<v Speaker 1>What you're not making sense, Hank? I thought you said

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<v Speaker 1>you were there to ask him some questions. Was the

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<v Speaker 1>first time I thought you said? Advert was there tonight? No?

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<v Speaker 1>That wasn't tonight, Hank. What did Leonard Shaw know that

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<v Speaker 1>you were in his house tonight? Now, Jesus rights, Hank,

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<v Speaker 1>tell me you are trust passing on his property. I

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<v Speaker 1>can't tell you that. You better try and tell me that, Hanker,

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<v Speaker 1>because from where I'm sitting forget thinking straight you are?

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<v Speaker 1>You are not thinking at all. You You've got to

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<v Speaker 1>stop all this. Please. Don't you want to go home? Huh?

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<v Speaker 1>Do you want to see your girls? Of course? I

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<v Speaker 1>want to see my girl there. You better wake up, Hank.

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<v Speaker 1>I'm wide awake. The hell you are you barging here

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<v Speaker 1>in the middle of the night, hooting, hollering like a

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<v Speaker 1>crime has been committed. A crime was committed, not by

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<v Speaker 1>anyone you accused. The one committing that crime is you.

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<v Speaker 1>You don't believe me, my own partner doesn't believe me.

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<v Speaker 1>We're not partners anymore. Hanker turned up goddamn thing off. Now, Hank,

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<v Speaker 1>you broke the law. You're not a bump the law.

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<v Speaker 1>You even telling me that you broke in there? Don't

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<v Speaker 1>you understand that I can place you under arrest from

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<v Speaker 1>what you just admitted to me. But you won't, won't

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<v Speaker 1>I why huh? Because you're my friend and I'm supposed

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<v Speaker 1>to turn a blind eye and ignore my duty as

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<v Speaker 1>a member of the Los Angeles Police Department. You won't

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<v Speaker 1>because you know I'm right. Hey, No, I am right.

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<v Speaker 1>It's all there in that damn house. And if pads

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<v Speaker 1>and drugs, I may not have have to put it all together,

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<v Speaker 1>I will keep going until I can find it on. Hey,

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<v Speaker 1>I'm warning you no more of this foolishness voices, and

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<v Speaker 1>if I have to beat a confession at of him

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<v Speaker 1>to put it all together, so help me, God, I will.

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<v Speaker 1>They're Dotty for the corfet from Vot's Popular and the

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<v Speaker 1>Los Angeles Harold. This is the Angel of Vine my

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<v Speaker 1>old heart. Hanking in no ground because my Angela's Phyllis

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<v Speaker 1>told us early on that her mother had kicked hank

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<v Speaker 1>out of the house and over the past two months

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<v Speaker 1>I listened carefully to try and pinpoint the moment it happened.

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<v Speaker 1>I didn't expect that Hank would record a knockdown drag

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<v Speaker 1>out with Lois, but at least some indication somewhere that

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<v Speaker 1>it had happened. He never did ed. Asking him if

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<v Speaker 1>he wanted to go back home was the only time

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<v Speaker 1>the subject was ever mentioned, And based on Hank's current

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<v Speaker 1>state of mind, I have to say that I wouldn't

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<v Speaker 1>want him around either. I was thrown by his recklessness.

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<v Speaker 1>I asked myself, when did Hank Briggs get to the

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<v Speaker 1>point of beating anything out of anyone? So I assumed

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<v Speaker 1>if anyone was going to take a beating, it would

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<v Speaker 1>have been Adler. I was wrong. Yeah, the Great Room

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<v Speaker 1>guard it. I knew where it is. Thanks, good afternoon,

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<v Speaker 1>Mr Seawan. We've got some more talking to do. When here,

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<v Speaker 1>I was thinking I would enjoy this flavorless luncheon piece,

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<v Speaker 1>Ndla didn't mention a reprise. I would have hoped to

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<v Speaker 1>see you in a Virgin World Sport card well at

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<v Speaker 1>the very least, and Ascott ad luck he's not here.

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<v Speaker 1>I just watched some leaf and he just let you

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<v Speaker 1>saunder in here. I wanted to make sure we have

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<v Speaker 1>some good old fashiona load time? Is that so good?

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<v Speaker 1>Damn right? Oh, I'm damn right now? Am I? Wow? Look?

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<v Speaker 1>Who grew a pair of balls since the last time?

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<v Speaker 1>Cut that ship out? What do you want? You lied

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<v Speaker 1>to me, and you told me there was no party

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<v Speaker 1>here that night. For the love of Christ. Again, of

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<v Speaker 1>course that was a party here. There's always a party here.

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<v Speaker 1>You knew I was lying to you. You weren't even

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<v Speaker 1>greater buffoon than I'd imagine if you didn't know that, Yes,

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<v Speaker 1>there was a party. No, I didn't know your dead girl.

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<v Speaker 1>There are we done? I don't have time for this.

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<v Speaker 1>I don't have time for you now. Can I go

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<v Speaker 1>back to my slot? Now? How long have you protected

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<v Speaker 1>that savage? I run a movie studio in Hollywood, California.

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<v Speaker 1>You're gonna have to be a lot more specific than that.

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<v Speaker 1>I know what Adler does in this house. Didn't I

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<v Speaker 1>tell you the last time that you would leave here

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<v Speaker 1>in a squad car? Hang it up? Hanging get up?

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<v Speaker 1>Will you pull a gun on me in my own house?

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<v Speaker 1>You're sniveling little ship of a man. I should destroy you.

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<v Speaker 1>I'll stand it by dad, we'll want to stand you

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<v Speaker 1>suit yourself. So Atlas suddenly grew a conscience? Huh? Is

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<v Speaker 1>that it is? That why he disappeared. He's been acting

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<v Speaker 1>a little funny lately. They say jin makes people go insane.

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<v Speaker 1>So whatever it is that he told you, I wouldn't

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<v Speaker 1>consider reliable by any stretch. He didn't tell me anything.

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<v Speaker 1>He doesn't even know I'm here. Would you point that

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<v Speaker 1>damn thing somewhere else before it goes off? Accidentally? I

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<v Speaker 1>was in the house out behind the pool. What that's

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<v Speaker 1>not important, only that I was in there. Quit a

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<v Speaker 1>little synup you've got there. Yeah, you almost sounded as

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<v Speaker 1>if you were stimulated by what you saw. You're deranged,

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<v Speaker 1>You know. I wouldn't have presumed you to be so delicate.

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<v Speaker 1>I mean, due to the very nature of your work

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<v Speaker 1>as a riff rap, you must have encountered worse than

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<v Speaker 1>a few straps and paddles and cat of nine tales,

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<v Speaker 1>maybe even done worse. Come on, you've never fancied a

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<v Speaker 1>knight of benzadrine. Hard to earn discipline in a little

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<v Speaker 1>nipple twisting. Begging on a man who's pointing a gun

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<v Speaker 1>at your head is probably not your brightest idea Shaw,

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<v Speaker 1>What that's on there. That's cruelty, it's tortured. Stop being

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<v Speaker 1>so dramatic holding women against their will. I have no

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<v Speaker 1>knowledge of any women being held in this house against

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<v Speaker 1>their will? Mr. Can you deny it? The reels were

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<v Speaker 1>right there on that projector I saw your little film

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<v Speaker 1>that you have nothing to say about the special requests

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<v Speaker 1>of my clients or what they paid for nothing, And

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<v Speaker 1>if what they request requires eight or sixty millivate a film,

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<v Speaker 1>then that's what it requires. This wasn't varieties or stripper rama,

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<v Speaker 1>not not not Bettie Page or Lily Don burlesque. I

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<v Speaker 1>saw her. She was unconscious being pleaded with like some

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<v Speaker 1>kind of of sex rag dog. I don't judge how

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<v Speaker 1>anyone chooses to test their boundaries, and either sh do

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<v Speaker 1>not bankers, not oil men, not land developers, and not

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<v Speaker 1>the women who want to be more than secretaries or

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<v Speaker 1>perfume pedalist at Bullocks. Whatever goes on in that little

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<v Speaker 1>play ground that's not being done to me or by

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<v Speaker 1>me is none of my business. Is your business? If

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<v Speaker 1>it's not their choice. Don't be so naive. Any woman

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<v Speaker 1>entering this house did so to either further their career

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<v Speaker 1>or to maintain it. I've seen thousands come and go

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<v Speaker 1>over the years, and the only thing that hasn't changed

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<v Speaker 1>is their desperation. And so what if a few of

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<v Speaker 1>them happen to get a little roughed up? Huh? I

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<v Speaker 1>consider that extra curriculum, wouldn't you? It's what they're paid

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<v Speaker 1>for now. I saw the operating table, I saw the

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<v Speaker 1>drugs and the machines, the play, none of which was

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<v Speaker 1>meant for you to see. That's why it's in my

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<v Speaker 1>home and not in the papers. Get away from me?

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<v Speaker 1>Does he you have over you? Huh? Why are you

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<v Speaker 1>pring to let go of me? Forcing? Alibi is holding you? Mirror?

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<v Speaker 1>How could you him get away with that? How many

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<v Speaker 1>more girls? Too? It? Ten? How many? How many innocent

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<v Speaker 1>women have been killed right under your bedroom window? You

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<v Speaker 1>couldn't laugh? Give you one reason not to put pull

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<v Speaker 1>it between your eyes? Sad La Harrison isn't a killer.

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<v Speaker 1>Adla Harrison barely has the stomach to do what I

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<v Speaker 1>pay him to do. He's not a killer anymore than

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<v Speaker 1>you're a detective. You allowed there instructions how to hog

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<v Speaker 1>tie captives a g string tie, and they're not captives.

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<v Speaker 1>How many times do I have to yell their participating

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<v Speaker 1>what the hell is with the looney been restraints on

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<v Speaker 1>the bed? But well, why why the restraints? The restraints

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<v Speaker 1>are a completely separate manner, and even more than I

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<v Speaker 1>expect you to understand what the actors dry out in

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<v Speaker 1>that room. They need somewhere to dry out discreetly, and

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<v Speaker 1>it's in there. Adler tends to their symptoms and make

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<v Speaker 1>sure they don't die in the process, because I don't

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<v Speaker 1>need dead actors. It's not good for business. Some have

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<v Speaker 1>become violent on occasion. The restraints protect Adler. He saves lives,

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<v Speaker 1>he doesn't take them. Well, you've got an explanation for everything,

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<v Speaker 1>don't you. It's not my problem if you find the

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<v Speaker 1>month satisfactory. What it is your problem? The shakes, don't

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<v Speaker 1>explain the stirrups and the boyd my god, you're insufferable.

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<v Speaker 1>Adler is the studios goddamn insurance policy. Insurance policy. You

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<v Speaker 1>don't have a clue about how any of this works

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<v Speaker 1>because it's not your world. You break into my home,

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<v Speaker 1>making damn fool assumptions and creating this fantastical storyline to

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<v Speaker 1>justify your existence. Crawled back under your rocket festival word

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<v Speaker 1>insurance policy. Pretty people like three things attention, more attention,

0:13:27.120 --> 0:13:30.480
<v Speaker 1>and having sex fast and loose and often too often

0:13:30.559 --> 0:13:34.240
<v Speaker 1>the hill. Does it have to do with anything birth control?

0:13:34.400 --> 0:13:37.440
<v Speaker 1>Mr Briggs? It has to do with the issue of

0:13:37.600 --> 0:13:45.240
<v Speaker 1>birth control. It's in all of their contracts. No kids.

0:13:46.240 --> 0:13:51.840
<v Speaker 1>Adler disposes of unwanted pregnancies when necessary. Now does that

0:13:51.920 --> 0:13:57.640
<v Speaker 1>explanation satisfy you? Is it why Adler was in Phoenix?

0:13:58.360 --> 0:14:00.880
<v Speaker 1>I don't follow when Marline was found. Adler said he

0:14:00.920 --> 0:14:02.640
<v Speaker 1>was in Phoenix for an actor who fell off of

0:14:02.679 --> 0:14:07.280
<v Speaker 1>his horse, Minervaus Strickland pregnant by said horse riding actor.

0:14:07.360 --> 0:14:10.480
<v Speaker 1>We have an arrangement with North Mountain Hospital. Adler was there.

0:14:10.640 --> 0:14:12.800
<v Speaker 1>I told you he's not your killer. So all these

0:14:12.800 --> 0:14:14.800
<v Speaker 1>tubes and needles and drugs that that that, that's all

0:14:14.800 --> 0:14:18.839
<v Speaker 1>required for a voluntary procedure. Pental barbiton, suckle, barbatas on

0:14:18.880 --> 0:14:22.160
<v Speaker 1>milltown and thorazine dem all method. Don't perka, Dan, take

0:14:22.200 --> 0:14:25.239
<v Speaker 1>your goddamn pick. I like to be kept very comfortable.

0:14:27.360 --> 0:14:34.760
<v Speaker 1>There's too much blood. I've got the wasting disease, kidney failure,

0:14:35.760 --> 0:14:37.880
<v Speaker 1>a whole bunch of other ship. I can't even pronounce

0:14:37.880 --> 0:14:40.800
<v Speaker 1>that I don't care to learn how to. But I

0:14:40.840 --> 0:14:46.359
<v Speaker 1>survived the Depression prohibition, I survived Westerns and aqua musicals.

0:14:46.760 --> 0:14:51.280
<v Speaker 1>I'll survive television, and I'll survive this. That doesn't explain

0:14:51.280 --> 0:14:54.840
<v Speaker 1>the amount of board. Yes, that fucking well does. There's

0:14:54.880 --> 0:14:57.200
<v Speaker 1>no way they're bumping an old bastard like me up

0:14:57.200 --> 0:15:00.120
<v Speaker 1>the transplant ladder three to four days a week. I

0:15:00.120 --> 0:15:02.320
<v Speaker 1>sit in that freezing cold self for seven to eight

0:15:02.320 --> 0:15:06.240
<v Speaker 1>hours at a time while those machines, those abominations of

0:15:06.320 --> 0:15:09.920
<v Speaker 1>natural science, they clean my blood, filter out all the

0:15:09.960 --> 0:15:12.200
<v Speaker 1>fun I have a mass throughout my lifetime, and then

0:15:12.280 --> 0:15:15.320
<v Speaker 1>pump it back in spick and span. I don't believe.

0:15:15.640 --> 0:15:17.880
<v Speaker 1>I don't fucking care what you believe at this point,

0:15:18.600 --> 0:15:21.920
<v Speaker 1>and I don't think Adler would appreciate your skepticism. He

0:15:21.960 --> 0:15:23.880
<v Speaker 1>went through a lot of trouble to make it feel

0:15:23.920 --> 0:15:27.000
<v Speaker 1>like a legitimate facility back there and not something illegal

0:15:27.040 --> 0:15:31.040
<v Speaker 1>abortion clinic. Where did he get them? Adler's mash unit

0:15:31.200 --> 0:15:34.360
<v Speaker 1>used the larger one when they were in Korea. He

0:15:34.440 --> 0:15:38.000
<v Speaker 1>had it brought here by his army buddies. Wasn't cheap.

0:15:38.040 --> 0:15:40.680
<v Speaker 1>It still doesn't explain when there was so much blood

0:15:40.760 --> 0:15:44.240
<v Speaker 1>I bled more than a fair amount. Adler has to

0:15:44.280 --> 0:15:47.320
<v Speaker 1>cut into me every damn time. My veins are so

0:15:47.440 --> 0:15:49.600
<v Speaker 1>damaged from all those punctures. It takes time to stop

0:15:49.640 --> 0:15:54.720
<v Speaker 1>the bleeding. I don't heal so well anymore. Now you

0:15:54.800 --> 0:15:59.560
<v Speaker 1>see that's a lot of bandages. Wouldn't you say? I

0:15:59.640 --> 0:16:06.120
<v Speaker 1>also piss myself from time to time. Please stop, I'm

0:16:06.160 --> 0:16:07.880
<v Speaker 1>calling the police, Call the police. In all of this

0:16:08.280 --> 0:16:10.640
<v Speaker 1>this makes the headline. No, none of this makes headlines.

0:16:10.680 --> 0:16:12.640
<v Speaker 1>It never makes the headlines. Don't you get that game

0:16:12.720 --> 0:16:16.640
<v Speaker 1>will if it's being recorded? Do you set a big

0:16:25.040 --> 0:16:28.240
<v Speaker 1>don't set something but seats of it. It's my blood,

0:16:28.360 --> 0:16:33.440
<v Speaker 1>God damn it, there are complications with the machine. I

0:16:33.480 --> 0:16:36.920
<v Speaker 1>don't even know if the goddamn thing works anymore. Bad

0:16:37.000 --> 0:16:40.040
<v Speaker 1>luck got that that made evil looking nineteen forties standing

0:16:40.200 --> 0:16:43.600
<v Speaker 1>thing at nine. It leaks, It leaks my blood all

0:16:43.600 --> 0:16:51.280
<v Speaker 1>over the floor. It was my blood, clearly enough blood

0:16:51.320 --> 0:16:54.480
<v Speaker 1>to be misconstrued by a dim wit as a crime scene.

0:16:56.640 --> 0:17:00.080
<v Speaker 1>You're smoking gun is nothing more than hemo dialysis, a

0:17:00.120 --> 0:17:08.240
<v Speaker 1>little bit of sado masochism. Mr Briggs, Congratulations, stalemate. You're

0:17:08.280 --> 0:17:11.359
<v Speaker 1>now guilty of breaking and entering and attempted murder, and

0:17:11.359 --> 0:17:14.440
<v Speaker 1>I can't use it against you. A lot of good

0:17:14.480 --> 0:17:19.320
<v Speaker 1>that does me. Where did your plan the recording device?

0:17:20.960 --> 0:17:26.960
<v Speaker 1>Where is it in the couch? Oh? All of a sudden,

0:17:26.960 --> 0:17:31.240
<v Speaker 1>you've got nothing to say. Why he's suddenly been struck dumb?

0:17:32.200 --> 0:17:41.560
<v Speaker 1>No more fight left than you? When was this picture taken?

0:17:42.680 --> 0:17:48.840
<v Speaker 1>When was his picture taken last two year's eve? How

0:17:48.840 --> 0:17:51.920
<v Speaker 1>do you know him? I've known Samuel Tuch for years,

0:17:53.280 --> 0:17:58.240
<v Speaker 1>crowd favorite, all those women in a cluster around him

0:17:58.240 --> 0:18:02.119
<v Speaker 1>every party, oh, hoping to sit for him to be

0:18:02.280 --> 0:18:07.199
<v Speaker 1>his next masterpiece. Frankly, I think he was bored by

0:18:07.200 --> 0:18:12.639
<v Speaker 1>all of it. Damn shame too, all those women. He

0:18:12.680 --> 0:18:15.480
<v Speaker 1>could have rivaled Gable for notches on his bed post.

0:18:16.080 --> 0:18:19.120
<v Speaker 1>But I suppose just because you've been raised by tramps

0:18:19.200 --> 0:18:22.879
<v Speaker 1>doesn't mean you have any interest in them. That little

0:18:22.960 --> 0:18:25.560
<v Speaker 1>devian had probably spent more time in that damn pool

0:18:25.600 --> 0:18:30.040
<v Speaker 1>house than I had. Well, what where where they? Having?

0:18:30.080 --> 0:18:40.120
<v Speaker 1>In your need? I need to go here. If Samuel

0:18:40.200 --> 0:18:42.399
<v Speaker 1>Tencher is a regular at Leonard Shaw's parties, then that

0:18:42.480 --> 0:18:44.639
<v Speaker 1>might place him there the night that Marlene was murdered.

0:18:45.640 --> 0:18:47.200
<v Speaker 1>For all we know, he may have even known her.

0:18:49.200 --> 0:18:53.040
<v Speaker 1>But why not mention that from the start? Maybe the

0:18:53.040 --> 0:19:03.880
<v Speaker 1>omission was an oversight. MM. Hello, this is Samuel, Mr

0:19:03.920 --> 0:19:07.399
<v Speaker 1>tench Attack brace good afternoon, Mr Bricks. So nice to

0:19:07.400 --> 0:19:10.000
<v Speaker 1>hear from you news I hope. Well, I think I'm

0:19:10.040 --> 0:19:13.879
<v Speaker 1>just about done. Mr Touch, That's wonderful to hear so

0:19:14.680 --> 0:19:20.680
<v Speaker 1>so so was there anything conclusive? Why don't I stop

0:19:20.720 --> 0:19:26.560
<v Speaker 1>by tomorrow show you everything I've got? Perfection? I hope

0:19:26.560 --> 0:19:30.239
<v Speaker 1>there will be plenty of tea. You jest, but of

0:19:30.240 --> 0:19:35.640
<v Speaker 1>course there will be, of course until then, until then.

0:19:48.119 --> 0:19:50.840
<v Speaker 1>The Angel of Vine is a podcast produced by Vox

0:19:50.880 --> 0:19:55.240
<v Speaker 1>popular on behalf of the Los Angeles Harold. Thank you

0:19:55.280 --> 0:19:57.480
<v Speaker 1>for listening to the Angel of Vine. If you'd like

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0:20:00.160 --> 0:20:03.400
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<v Speaker 1>on Apple Podcasts, Spotify, Stitcher, and all major podcast apps.

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<v Speaker 1>If you don't want to wait for the final episode

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<v Speaker 1>extended episodes, and add free episodes. Go to Stitcher Premium

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<v Speaker 1>dot com slash Angel and use promo code Angel to

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<v Speaker 1>get your first month of Stitcher Premium free. The Angel

0:20:28.359 --> 0:20:30.879
<v Speaker 1>of Vine is directed by E Ryan Martz, written by

0:20:30.880 --> 0:20:34.359
<v Speaker 1>Oliver Vacare. Story about E. Ryan Marts, Jason Somwalt, and

0:20:34.400 --> 0:20:38.080
<v Speaker 1>Oliver Vakare. Sound designed by Joel Robbie and Matt Tamarello.

0:20:38.480 --> 0:20:42.640
<v Speaker 1>Produced by Vox Populi in association with Forever Dog Podcast Network.

0:20:43.320 --> 0:20:48.200
<v Speaker 1>This episode's performances by Joe Manganello, Alfred Molina, Mike Coulter,

0:20:48.640 --> 0:20:53.800
<v Speaker 1>Alan Tuteck, Cree Summer, and Oliver Vacare. Angelis is performed

0:20:53.800 --> 0:20:57.320
<v Speaker 1>by Desi Dennis Dylan piano and arrangement by James Harper.

0:20:57.840 --> 0:21:03.600
<v Speaker 1>Composed by Matt Dennis, Lyrics by Earl Brent from downtown

0:21:03.640 --> 0:21:07.520
<v Speaker 1>Los Angeles. This has been the Angel of Vine. You'll

0:21:07.560 --> 0:21:17.520
<v Speaker 1>hear more from us soon. Oh well is my age?

0:21:19.200 --> 0:21:37.400
<v Speaker 1>Joe Ey, excuse me while I deedup. Peace