1 00:00:01,200 --> 00:00:04,280 Speaker 1: A note to the listener. The following story contains some 2 00:00:04,400 --> 00:00:11,640 Speaker 1: adult content and language. Hey, you can't. And I was there, 3 00:00:12,160 --> 00:00:15,680 Speaker 1: calmed down. He drained her, and then he cleaned her, 4 00:00:15,840 --> 00:00:20,120 Speaker 1: and then he cut her up in that please Doddy 5 00:00:21,360 --> 00:00:26,239 Speaker 1: Adler Harrison killed Madeleine Marie Evans, God damn it. And 6 00:00:26,320 --> 00:00:28,760 Speaker 1: the bastard let her Shaw helped him cover it all up. 7 00:00:30,560 --> 00:00:34,360 Speaker 1: He covered it all up. That's some of a bitch. 8 00:00:34,360 --> 00:00:36,600 Speaker 1: Wiped me right and the eye and said there wasn't 9 00:00:36,600 --> 00:00:38,880 Speaker 1: a party. He said she was never in his house. 10 00:00:39,080 --> 00:00:42,040 Speaker 1: We gotta do something. At point, this slowed down a minute. 11 00:00:42,280 --> 00:00:46,279 Speaker 1: I mean not me, I mean not we. Obviously I 12 00:00:46,280 --> 00:00:48,720 Speaker 1: can't do anything. I'm not a copy but you you 13 00:00:48,840 --> 00:00:52,360 Speaker 1: gotta do something. Call someone, Hank Perkins or Slatsky. He 14 00:00:52,840 --> 00:00:54,600 Speaker 1: called money for all I care. But we've got to 15 00:00:54,600 --> 00:00:56,520 Speaker 1: get back to that house before they get rid of it. Hey, 16 00:00:56,560 --> 00:01:00,760 Speaker 1: what to stop? Huh? Just stop for a second. Settled down, 17 00:01:02,240 --> 00:01:04,720 Speaker 1: getting all worked up again? Of course I'm worked up bad. 18 00:01:04,760 --> 00:01:08,319 Speaker 1: It's all right there. What is the drums? The pad 19 00:01:08,600 --> 00:01:13,080 Speaker 1: proved nothing? Of course they do they. I need you 20 00:01:13,120 --> 00:01:15,160 Speaker 1: to stop talking now because I need to ask you 21 00:01:15,200 --> 00:01:20,320 Speaker 1: some real questions, real questions. Stop talking, just drink your 22 00:01:20,319 --> 00:01:27,160 Speaker 1: coffee and settled down. Okay, Now you said he looked 23 00:01:27,200 --> 00:01:29,679 Speaker 1: you in the eye and lie to you. Do you 24 00:01:29,680 --> 00:01:34,440 Speaker 1: mean Sean? Yes, Sean. And this was in his house. 25 00:01:34,959 --> 00:01:37,720 Speaker 1: Of course, it was in his house. And how did 26 00:01:37,760 --> 00:01:40,360 Speaker 1: you happen to be at Shaw's house? I asked to 27 00:01:40,440 --> 00:01:43,120 Speaker 1: meet with him to ask him some questions, and Adler arranged. 28 00:01:43,160 --> 00:01:46,160 Speaker 1: It was Adler there when you met with Shaw. Yes, 29 00:01:46,240 --> 00:01:48,880 Speaker 1: he was there. He's always there. And this is why 30 00:01:49,600 --> 00:01:54,800 Speaker 1: was Adler there? Because Adler is Shaw's doctor. Apparently he's 31 00:01:54,840 --> 00:01:57,400 Speaker 1: sick with what. I don't know. I didn't ask, I 32 00:01:57,400 --> 00:02:03,520 Speaker 1: didn't care. What what? What's the problem? Okay? I can 33 00:02:03,560 --> 00:02:06,160 Speaker 1: tell you that the first problem is reasonable doubt. This 34 00:02:06,280 --> 00:02:09,400 Speaker 1: prescription pad belongs to Adler Harrison, who treats his patient, 35 00:02:09,520 --> 00:02:11,799 Speaker 1: Leonard Shaw, in the privacy of his own home. There 36 00:02:11,840 --> 00:02:13,920 Speaker 1: was no reason for this pad not to be their hank. 37 00:02:15,600 --> 00:02:18,919 Speaker 1: And what about the drugs? What about them? They're not illegal? 38 00:02:19,520 --> 00:02:22,040 Speaker 1: And now that we've established that Adler has every right 39 00:02:22,080 --> 00:02:24,520 Speaker 1: to be there, the same rules applied to the drugs. 40 00:02:24,600 --> 00:02:26,600 Speaker 1: Those were the same drugs that do you think that 41 00:02:26,600 --> 00:02:28,720 Speaker 1: Marlin Evans was the only person that ever happened in 42 00:02:28,720 --> 00:02:33,799 Speaker 1: a system she's been going almost two years, Hank. There 43 00:02:33,800 --> 00:02:36,080 Speaker 1: have definitely been other people who have taken in ad 44 00:02:36,120 --> 00:02:38,880 Speaker 1: ministry those drugs since then. There was some unconscious girl 45 00:02:38,960 --> 00:02:41,480 Speaker 1: in that movie because of those drugs. I saw what 46 00:02:41,520 --> 00:02:44,480 Speaker 1: they were doing in that girl. He's making pornography. If 47 00:02:44,560 --> 00:02:47,080 Speaker 1: he's not selling it, then all y'all got is a 48 00:02:47,120 --> 00:02:49,360 Speaker 1: guy who makes a bunch of racy home movies and 49 00:02:49,480 --> 00:02:53,440 Speaker 1: nothing more. And you don't even have witnesses, any participants, 50 00:02:53,480 --> 00:02:56,720 Speaker 1: any victims. So even if you're right about that, you 51 00:02:56,840 --> 00:02:59,919 Speaker 1: have no way of proving that it's all on my camp, 52 00:03:00,040 --> 00:03:02,920 Speaker 1: my edge. That's not proof, Hank. And none of this 53 00:03:03,200 --> 00:03:07,119 Speaker 1: is amissible. Come on, you have a conversation with Shaw, 54 00:03:07,360 --> 00:03:09,880 Speaker 1: excuse yourself to use the bathroom, and then sneak around 55 00:03:09,880 --> 00:03:13,120 Speaker 1: his house taking pictures, and then you remove what you 56 00:03:13,240 --> 00:03:17,360 Speaker 1: think it's evidence without probable cause you didn't witness a crime, 57 00:03:17,800 --> 00:03:20,280 Speaker 1: You're not in a public place, you didn't even have 58 00:03:20,360 --> 00:03:25,320 Speaker 1: a warrant. Technically, you lifted a doctor's description pad and 59 00:03:25,400 --> 00:03:28,720 Speaker 1: his patients pain medication. This isn't a joke. Oh, I 60 00:03:28,760 --> 00:03:32,280 Speaker 1: wasn't trying to be funny. I was trying to be realistic. 61 00:03:33,720 --> 00:03:39,080 Speaker 1: You've got nothing here. I'm sorry. If I were you, 62 00:03:39,720 --> 00:03:43,640 Speaker 1: I'd just be glad he didn't find you snooping. No 63 00:03:43,680 --> 00:03:46,280 Speaker 1: one was awakened and was very careful not to be seen. 64 00:03:47,680 --> 00:03:50,560 Speaker 1: What you're not making sense, Hank? I thought you said 65 00:03:50,560 --> 00:03:52,160 Speaker 1: you were there to ask him some questions. Was the 66 00:03:52,200 --> 00:03:55,880 Speaker 1: first time I thought you said? Advert was there tonight? No? 67 00:03:56,400 --> 00:04:02,760 Speaker 1: That wasn't tonight, Hank. What did Leonard Shaw know that 68 00:04:02,840 --> 00:04:08,680 Speaker 1: you were in his house tonight? Now, Jesus rights, Hank, 69 00:04:09,600 --> 00:04:13,480 Speaker 1: tell me you are trust passing on his property. I 70 00:04:13,520 --> 00:04:16,279 Speaker 1: can't tell you that. You better try and tell me that, Hanker, 71 00:04:16,800 --> 00:04:19,160 Speaker 1: because from where I'm sitting forget thinking straight you are? 72 00:04:19,360 --> 00:04:23,320 Speaker 1: You are not thinking at all. You You've got to 73 00:04:23,320 --> 00:04:29,080 Speaker 1: stop all this. Please. Don't you want to go home? Huh? 74 00:04:29,440 --> 00:04:31,120 Speaker 1: Do you want to see your girls? Of course? I 75 00:04:31,160 --> 00:04:33,320 Speaker 1: want to see my girl there. You better wake up, Hank. 76 00:04:33,520 --> 00:04:36,080 Speaker 1: I'm wide awake. The hell you are you barging here 77 00:04:36,080 --> 00:04:37,760 Speaker 1: in the middle of the night, hooting, hollering like a 78 00:04:37,800 --> 00:04:40,880 Speaker 1: crime has been committed. A crime was committed, not by 79 00:04:40,880 --> 00:04:44,400 Speaker 1: anyone you accused. The one committing that crime is you. 80 00:04:44,400 --> 00:04:49,080 Speaker 1: You don't believe me, my own partner doesn't believe me. 81 00:04:50,200 --> 00:04:56,000 Speaker 1: We're not partners anymore. Hanker turned up goddamn thing off. Now, Hank, 82 00:04:56,680 --> 00:04:59,160 Speaker 1: you broke the law. You're not a bump the law. 83 00:04:59,800 --> 00:05:02,760 Speaker 1: You even telling me that you broke in there? Don't 84 00:05:02,800 --> 00:05:05,920 Speaker 1: you understand that I can place you under arrest from 85 00:05:05,920 --> 00:05:09,159 Speaker 1: what you just admitted to me. But you won't, won't 86 00:05:09,240 --> 00:05:14,600 Speaker 1: I why huh? Because you're my friend and I'm supposed 87 00:05:14,640 --> 00:05:16,920 Speaker 1: to turn a blind eye and ignore my duty as 88 00:05:16,960 --> 00:05:20,320 Speaker 1: a member of the Los Angeles Police Department. You won't 89 00:05:20,320 --> 00:05:24,040 Speaker 1: because you know I'm right. Hey, No, I am right. 90 00:05:24,680 --> 00:05:26,520 Speaker 1: It's all there in that damn house. And if pads 91 00:05:26,560 --> 00:05:28,000 Speaker 1: and drugs, I may not have have to put it all together, 92 00:05:28,080 --> 00:05:31,560 Speaker 1: I will keep going until I can find it on. Hey, 93 00:05:32,279 --> 00:05:36,280 Speaker 1: I'm warning you no more of this foolishness voices, and 94 00:05:36,520 --> 00:05:38,320 Speaker 1: if I have to beat a confession at of him 95 00:05:38,320 --> 00:05:40,400 Speaker 1: to put it all together, so help me, God, I will. 96 00:05:43,960 --> 00:05:55,320 Speaker 1: They're Dotty for the corfet from Vot's Popular and the 97 00:05:55,400 --> 00:06:01,159 Speaker 1: Los Angeles Harold. This is the Angel of Vine my 98 00:06:01,720 --> 00:06:23,880 Speaker 1: old heart. Hanking in no ground because my Angela's Phyllis 99 00:06:23,960 --> 00:06:26,080 Speaker 1: told us early on that her mother had kicked hank 100 00:06:26,120 --> 00:06:28,440 Speaker 1: out of the house and over the past two months 101 00:06:28,480 --> 00:06:31,320 Speaker 1: I listened carefully to try and pinpoint the moment it happened. 102 00:06:31,960 --> 00:06:34,559 Speaker 1: I didn't expect that Hank would record a knockdown drag 103 00:06:34,560 --> 00:06:37,640 Speaker 1: out with Lois, but at least some indication somewhere that 104 00:06:37,720 --> 00:06:42,400 Speaker 1: it had happened. He never did ed. Asking him if 105 00:06:42,400 --> 00:06:44,159 Speaker 1: he wanted to go back home was the only time 106 00:06:44,200 --> 00:06:47,559 Speaker 1: the subject was ever mentioned, And based on Hank's current 107 00:06:47,600 --> 00:06:50,240 Speaker 1: state of mind, I have to say that I wouldn't 108 00:06:50,240 --> 00:06:53,640 Speaker 1: want him around either. I was thrown by his recklessness. 109 00:06:53,920 --> 00:06:55,960 Speaker 1: I asked myself, when did Hank Briggs get to the 110 00:06:56,000 --> 00:07:00,760 Speaker 1: point of beating anything out of anyone? So I assumed 111 00:07:00,760 --> 00:07:02,320 Speaker 1: if anyone was going to take a beating, it would 112 00:07:02,360 --> 00:07:12,400 Speaker 1: have been Adler. I was wrong. Yeah, the Great Room 113 00:07:12,400 --> 00:07:19,600 Speaker 1: guard it. I knew where it is. Thanks, good afternoon, 114 00:07:19,720 --> 00:07:25,320 Speaker 1: Mr Seawan. We've got some more talking to do. When here, 115 00:07:25,400 --> 00:07:29,520 Speaker 1: I was thinking I would enjoy this flavorless luncheon piece, 116 00:07:30,600 --> 00:07:34,240 Speaker 1: Ndla didn't mention a reprise. I would have hoped to 117 00:07:34,280 --> 00:07:36,960 Speaker 1: see you in a Virgin World Sport card well at 118 00:07:36,960 --> 00:07:40,760 Speaker 1: the very least, and Ascott ad luck he's not here. 119 00:07:41,240 --> 00:07:43,160 Speaker 1: I just watched some leaf and he just let you 120 00:07:43,240 --> 00:07:47,000 Speaker 1: saunder in here. I wanted to make sure we have 121 00:07:47,080 --> 00:07:50,280 Speaker 1: some good old fashiona load time? Is that so good? 122 00:07:50,400 --> 00:07:53,960 Speaker 1: Damn right? Oh, I'm damn right now? Am I? Wow? Look? 123 00:07:53,960 --> 00:07:56,080 Speaker 1: Who grew a pair of balls since the last time? 124 00:07:57,040 --> 00:07:58,840 Speaker 1: Cut that ship out? What do you want? You lied 125 00:07:58,880 --> 00:08:02,320 Speaker 1: to me, and you told me there was no party 126 00:08:02,320 --> 00:08:05,600 Speaker 1: here that night. For the love of Christ. Again, of 127 00:08:05,640 --> 00:08:08,360 Speaker 1: course that was a party here. There's always a party here. 128 00:08:08,600 --> 00:08:11,000 Speaker 1: You knew I was lying to you. You weren't even 129 00:08:11,040 --> 00:08:15,040 Speaker 1: greater buffoon than I'd imagine if you didn't know that, Yes, 130 00:08:15,120 --> 00:08:18,000 Speaker 1: there was a party. No, I didn't know your dead girl. 131 00:08:18,200 --> 00:08:20,960 Speaker 1: There are we done? I don't have time for this. 132 00:08:21,600 --> 00:08:23,640 Speaker 1: I don't have time for you now. Can I go 133 00:08:23,720 --> 00:08:26,080 Speaker 1: back to my slot? Now? How long have you protected 134 00:08:26,120 --> 00:08:31,040 Speaker 1: that savage? I run a movie studio in Hollywood, California. 135 00:08:31,080 --> 00:08:33,400 Speaker 1: You're gonna have to be a lot more specific than that. 136 00:08:33,559 --> 00:08:36,280 Speaker 1: I know what Adler does in this house. Didn't I 137 00:08:36,280 --> 00:08:38,199 Speaker 1: tell you the last time that you would leave here 138 00:08:38,240 --> 00:08:44,120 Speaker 1: in a squad car? Hang it up? Hanging get up? 139 00:08:44,679 --> 00:08:47,640 Speaker 1: Will you pull a gun on me in my own house? 140 00:08:53,679 --> 00:08:56,280 Speaker 1: You're sniveling little ship of a man. I should destroy you. 141 00:08:56,800 --> 00:09:00,240 Speaker 1: I'll stand it by dad, we'll want to stand you 142 00:09:06,000 --> 00:09:10,960 Speaker 1: suit yourself. So Atlas suddenly grew a conscience? Huh? Is 143 00:09:10,960 --> 00:09:15,079 Speaker 1: that it is? That why he disappeared. He's been acting 144 00:09:15,120 --> 00:09:18,920 Speaker 1: a little funny lately. They say jin makes people go insane. 145 00:09:19,000 --> 00:09:21,559 Speaker 1: So whatever it is that he told you, I wouldn't 146 00:09:21,559 --> 00:09:24,720 Speaker 1: consider reliable by any stretch. He didn't tell me anything. 147 00:09:24,760 --> 00:09:26,960 Speaker 1: He doesn't even know I'm here. Would you point that 148 00:09:27,040 --> 00:09:29,960 Speaker 1: damn thing somewhere else before it goes off? Accidentally? I 149 00:09:30,000 --> 00:09:32,640 Speaker 1: was in the house out behind the pool. What that's 150 00:09:32,679 --> 00:09:36,040 Speaker 1: not important, only that I was in there. Quit a 151 00:09:36,040 --> 00:09:38,240 Speaker 1: little synup you've got there. Yeah, you almost sounded as 152 00:09:38,280 --> 00:09:40,840 Speaker 1: if you were stimulated by what you saw. You're deranged, 153 00:09:40,960 --> 00:09:43,480 Speaker 1: You know. I wouldn't have presumed you to be so delicate. 154 00:09:44,120 --> 00:09:45,920 Speaker 1: I mean, due to the very nature of your work 155 00:09:45,960 --> 00:09:48,080 Speaker 1: as a riff rap, you must have encountered worse than 156 00:09:48,120 --> 00:09:51,160 Speaker 1: a few straps and paddles and cat of nine tales, 157 00:09:52,320 --> 00:09:57,160 Speaker 1: maybe even done worse. Come on, you've never fancied a 158 00:09:57,240 --> 00:10:00,640 Speaker 1: knight of benzadrine. Hard to earn discipline in a little 159 00:10:00,760 --> 00:10:03,200 Speaker 1: nipple twisting. Begging on a man who's pointing a gun 160 00:10:03,200 --> 00:10:05,560 Speaker 1: at your head is probably not your brightest idea Shaw, 161 00:10:07,040 --> 00:10:14,160 Speaker 1: What that's on there. That's cruelty, it's tortured. Stop being 162 00:10:14,160 --> 00:10:16,600 Speaker 1: so dramatic holding women against their will. I have no 163 00:10:16,800 --> 00:10:19,960 Speaker 1: knowledge of any women being held in this house against 164 00:10:20,000 --> 00:10:22,959 Speaker 1: their will? Mr. Can you deny it? The reels were 165 00:10:23,040 --> 00:10:25,080 Speaker 1: right there on that projector I saw your little film 166 00:10:25,080 --> 00:10:27,800 Speaker 1: that you have nothing to say about the special requests 167 00:10:27,800 --> 00:10:31,280 Speaker 1: of my clients or what they paid for nothing, And 168 00:10:31,320 --> 00:10:34,600 Speaker 1: if what they request requires eight or sixty millivate a film, 169 00:10:34,760 --> 00:10:38,440 Speaker 1: then that's what it requires. This wasn't varieties or stripper rama, 170 00:10:38,679 --> 00:10:41,880 Speaker 1: not not not Bettie Page or Lily Don burlesque. I 171 00:10:41,920 --> 00:10:44,720 Speaker 1: saw her. She was unconscious being pleaded with like some 172 00:10:44,800 --> 00:10:48,400 Speaker 1: kind of of sex rag dog. I don't judge how 173 00:10:48,480 --> 00:10:50,920 Speaker 1: anyone chooses to test their boundaries, and either sh do 174 00:10:51,600 --> 00:10:54,240 Speaker 1: not bankers, not oil men, not land developers, and not 175 00:10:54,280 --> 00:10:56,520 Speaker 1: the women who want to be more than secretaries or 176 00:10:56,600 --> 00:10:59,720 Speaker 1: perfume pedalist at Bullocks. Whatever goes on in that little 177 00:10:59,720 --> 00:11:02,400 Speaker 1: play ground that's not being done to me or by 178 00:11:02,440 --> 00:11:05,280 Speaker 1: me is none of my business. Is your business? If 179 00:11:05,280 --> 00:11:09,560 Speaker 1: it's not their choice. Don't be so naive. Any woman 180 00:11:09,720 --> 00:11:12,600 Speaker 1: entering this house did so to either further their career 181 00:11:12,760 --> 00:11:15,840 Speaker 1: or to maintain it. I've seen thousands come and go 182 00:11:15,920 --> 00:11:18,280 Speaker 1: over the years, and the only thing that hasn't changed 183 00:11:18,520 --> 00:11:21,640 Speaker 1: is their desperation. And so what if a few of 184 00:11:21,640 --> 00:11:23,800 Speaker 1: them happen to get a little roughed up? Huh? I 185 00:11:23,920 --> 00:11:26,720 Speaker 1: consider that extra curriculum, wouldn't you? It's what they're paid 186 00:11:26,720 --> 00:11:29,599 Speaker 1: for now. I saw the operating table, I saw the 187 00:11:29,679 --> 00:11:32,320 Speaker 1: drugs and the machines, the play, none of which was 188 00:11:32,360 --> 00:11:34,600 Speaker 1: meant for you to see. That's why it's in my 189 00:11:34,760 --> 00:11:37,719 Speaker 1: home and not in the papers. Get away from me? 190 00:11:37,960 --> 00:11:40,000 Speaker 1: Does he you have over you? Huh? Why are you 191 00:11:40,040 --> 00:11:43,120 Speaker 1: pring to let go of me? Forcing? Alibi is holding you? Mirror? 192 00:11:43,320 --> 00:11:45,640 Speaker 1: How could you him get away with that? How many 193 00:11:45,640 --> 00:11:51,320 Speaker 1: more girls? Too? It? Ten? How many? How many innocent 194 00:11:51,320 --> 00:11:56,520 Speaker 1: women have been killed right under your bedroom window? You 195 00:11:56,640 --> 00:12:00,199 Speaker 1: couldn't laugh? Give you one reason not to put pull 196 00:12:00,280 --> 00:12:03,160 Speaker 1: it between your eyes? Sad La Harrison isn't a killer. 197 00:12:04,120 --> 00:12:06,679 Speaker 1: Adla Harrison barely has the stomach to do what I 198 00:12:06,760 --> 00:12:09,480 Speaker 1: pay him to do. He's not a killer anymore than 199 00:12:09,520 --> 00:12:12,600 Speaker 1: you're a detective. You allowed there instructions how to hog 200 00:12:12,679 --> 00:12:16,839 Speaker 1: tie captives a g string tie, and they're not captives. 201 00:12:16,880 --> 00:12:19,920 Speaker 1: How many times do I have to yell their participating 202 00:12:20,080 --> 00:12:21,959 Speaker 1: what the hell is with the looney been restraints on 203 00:12:22,000 --> 00:12:23,960 Speaker 1: the bed? But well, why why the restraints? The restraints 204 00:12:23,960 --> 00:12:26,320 Speaker 1: are a completely separate manner, and even more than I 205 00:12:26,360 --> 00:12:30,040 Speaker 1: expect you to understand what the actors dry out in 206 00:12:30,120 --> 00:12:34,880 Speaker 1: that room. They need somewhere to dry out discreetly, and 207 00:12:34,960 --> 00:12:38,760 Speaker 1: it's in there. Adler tends to their symptoms and make 208 00:12:38,800 --> 00:12:41,240 Speaker 1: sure they don't die in the process, because I don't 209 00:12:41,320 --> 00:12:45,280 Speaker 1: need dead actors. It's not good for business. Some have 210 00:12:45,360 --> 00:12:50,679 Speaker 1: become violent on occasion. The restraints protect Adler. He saves lives, 211 00:12:51,000 --> 00:12:54,120 Speaker 1: he doesn't take them. Well, you've got an explanation for everything, 212 00:12:54,160 --> 00:12:56,120 Speaker 1: don't you. It's not my problem if you find the 213 00:12:56,160 --> 00:12:59,559 Speaker 1: month satisfactory. What it is your problem? The shakes, don't 214 00:12:59,559 --> 00:13:02,760 Speaker 1: explain the stirrups and the boyd my god, you're insufferable. 215 00:13:02,960 --> 00:13:07,000 Speaker 1: Adler is the studios goddamn insurance policy. Insurance policy. You 216 00:13:07,040 --> 00:13:09,040 Speaker 1: don't have a clue about how any of this works 217 00:13:09,040 --> 00:13:12,240 Speaker 1: because it's not your world. You break into my home, 218 00:13:12,320 --> 00:13:16,240 Speaker 1: making damn fool assumptions and creating this fantastical storyline to 219 00:13:16,320 --> 00:13:20,880 Speaker 1: justify your existence. Crawled back under your rocket festival word 220 00:13:20,920 --> 00:13:26,920 Speaker 1: insurance policy. Pretty people like three things attention, more attention, 221 00:13:27,120 --> 00:13:30,480 Speaker 1: and having sex fast and loose and often too often 222 00:13:30,559 --> 00:13:34,240 Speaker 1: the hill. Does it have to do with anything birth control? 223 00:13:34,400 --> 00:13:37,440 Speaker 1: Mr Briggs? It has to do with the issue of 224 00:13:37,600 --> 00:13:45,240 Speaker 1: birth control. It's in all of their contracts. No kids. 225 00:13:46,240 --> 00:13:51,840 Speaker 1: Adler disposes of unwanted pregnancies when necessary. Now does that 226 00:13:51,920 --> 00:13:57,640 Speaker 1: explanation satisfy you? Is it why Adler was in Phoenix? 227 00:13:58,360 --> 00:14:00,880 Speaker 1: I don't follow when Marline was found. Adler said he 228 00:14:00,920 --> 00:14:02,640 Speaker 1: was in Phoenix for an actor who fell off of 229 00:14:02,679 --> 00:14:07,280 Speaker 1: his horse, Minervaus Strickland pregnant by said horse riding actor. 230 00:14:07,360 --> 00:14:10,480 Speaker 1: We have an arrangement with North Mountain Hospital. Adler was there. 231 00:14:10,640 --> 00:14:12,800 Speaker 1: I told you he's not your killer. So all these 232 00:14:12,800 --> 00:14:14,800 Speaker 1: tubes and needles and drugs that that that, that's all 233 00:14:14,800 --> 00:14:18,839 Speaker 1: required for a voluntary procedure. Pental barbiton, suckle, barbatas on 234 00:14:18,880 --> 00:14:22,160 Speaker 1: milltown and thorazine dem all method. Don't perka, Dan, take 235 00:14:22,200 --> 00:14:25,239 Speaker 1: your goddamn pick. I like to be kept very comfortable. 236 00:14:27,360 --> 00:14:34,760 Speaker 1: There's too much blood. I've got the wasting disease, kidney failure, 237 00:14:35,760 --> 00:14:37,880 Speaker 1: a whole bunch of other ship. I can't even pronounce 238 00:14:37,880 --> 00:14:40,800 Speaker 1: that I don't care to learn how to. But I 239 00:14:40,840 --> 00:14:46,359 Speaker 1: survived the Depression prohibition, I survived Westerns and aqua musicals. 240 00:14:46,760 --> 00:14:51,280 Speaker 1: I'll survive television, and I'll survive this. That doesn't explain 241 00:14:51,280 --> 00:14:54,840 Speaker 1: the amount of board. Yes, that fucking well does. There's 242 00:14:54,880 --> 00:14:57,200 Speaker 1: no way they're bumping an old bastard like me up 243 00:14:57,200 --> 00:15:00,120 Speaker 1: the transplant ladder three to four days a week. I 244 00:15:00,120 --> 00:15:02,320 Speaker 1: sit in that freezing cold self for seven to eight 245 00:15:02,320 --> 00:15:06,240 Speaker 1: hours at a time while those machines, those abominations of 246 00:15:06,320 --> 00:15:09,920 Speaker 1: natural science, they clean my blood, filter out all the 247 00:15:09,960 --> 00:15:12,200 Speaker 1: fun I have a mass throughout my lifetime, and then 248 00:15:12,280 --> 00:15:15,320 Speaker 1: pump it back in spick and span. I don't believe. 249 00:15:15,640 --> 00:15:17,880 Speaker 1: I don't fucking care what you believe at this point, 250 00:15:18,600 --> 00:15:21,920 Speaker 1: and I don't think Adler would appreciate your skepticism. He 251 00:15:21,960 --> 00:15:23,880 Speaker 1: went through a lot of trouble to make it feel 252 00:15:23,920 --> 00:15:27,000 Speaker 1: like a legitimate facility back there and not something illegal 253 00:15:27,040 --> 00:15:31,040 Speaker 1: abortion clinic. Where did he get them? Adler's mash unit 254 00:15:31,200 --> 00:15:34,360 Speaker 1: used the larger one when they were in Korea. He 255 00:15:34,440 --> 00:15:38,000 Speaker 1: had it brought here by his army buddies. Wasn't cheap. 256 00:15:38,040 --> 00:15:40,680 Speaker 1: It still doesn't explain when there was so much blood 257 00:15:40,760 --> 00:15:44,240 Speaker 1: I bled more than a fair amount. Adler has to 258 00:15:44,280 --> 00:15:47,320 Speaker 1: cut into me every damn time. My veins are so 259 00:15:47,440 --> 00:15:49,600 Speaker 1: damaged from all those punctures. It takes time to stop 260 00:15:49,640 --> 00:15:54,720 Speaker 1: the bleeding. I don't heal so well anymore. Now you 261 00:15:54,800 --> 00:15:59,560 Speaker 1: see that's a lot of bandages. Wouldn't you say? I 262 00:15:59,640 --> 00:16:06,120 Speaker 1: also piss myself from time to time. Please stop, I'm 263 00:16:06,160 --> 00:16:07,880 Speaker 1: calling the police, Call the police. In all of this 264 00:16:08,280 --> 00:16:10,640 Speaker 1: this makes the headline. No, none of this makes headlines. 265 00:16:10,680 --> 00:16:12,640 Speaker 1: It never makes the headlines. Don't you get that game 266 00:16:12,720 --> 00:16:16,640 Speaker 1: will if it's being recorded? Do you set a big 267 00:16:25,040 --> 00:16:28,240 Speaker 1: don't set something but seats of it. It's my blood, 268 00:16:28,360 --> 00:16:33,440 Speaker 1: God damn it, there are complications with the machine. I 269 00:16:33,480 --> 00:16:36,920 Speaker 1: don't even know if the goddamn thing works anymore. Bad 270 00:16:37,000 --> 00:16:40,040 Speaker 1: luck got that that made evil looking nineteen forties standing 271 00:16:40,200 --> 00:16:43,600 Speaker 1: thing at nine. It leaks, It leaks my blood all 272 00:16:43,600 --> 00:16:51,280 Speaker 1: over the floor. It was my blood, clearly enough blood 273 00:16:51,320 --> 00:16:54,480 Speaker 1: to be misconstrued by a dim wit as a crime scene. 274 00:16:56,640 --> 00:17:00,080 Speaker 1: You're smoking gun is nothing more than hemo dialysis, a 275 00:17:00,120 --> 00:17:08,240 Speaker 1: little bit of sado masochism. Mr Briggs, Congratulations, stalemate. You're 276 00:17:08,280 --> 00:17:11,359 Speaker 1: now guilty of breaking and entering and attempted murder, and 277 00:17:11,359 --> 00:17:14,440 Speaker 1: I can't use it against you. A lot of good 278 00:17:14,480 --> 00:17:19,320 Speaker 1: that does me. Where did your plan the recording device? 279 00:17:20,960 --> 00:17:26,960 Speaker 1: Where is it in the couch? Oh? All of a sudden, 280 00:17:26,960 --> 00:17:31,240 Speaker 1: you've got nothing to say. Why he's suddenly been struck dumb? 281 00:17:32,200 --> 00:17:41,560 Speaker 1: No more fight left than you? When was this picture taken? 282 00:17:42,680 --> 00:17:48,840 Speaker 1: When was his picture taken last two year's eve? How 283 00:17:48,840 --> 00:17:51,920 Speaker 1: do you know him? I've known Samuel Tuch for years, 284 00:17:53,280 --> 00:17:58,240 Speaker 1: crowd favorite, all those women in a cluster around him 285 00:17:58,240 --> 00:18:02,119 Speaker 1: every party, oh, hoping to sit for him to be 286 00:18:02,280 --> 00:18:07,199 Speaker 1: his next masterpiece. Frankly, I think he was bored by 287 00:18:07,200 --> 00:18:12,639 Speaker 1: all of it. Damn shame too, all those women. He 288 00:18:12,680 --> 00:18:15,480 Speaker 1: could have rivaled Gable for notches on his bed post. 289 00:18:16,080 --> 00:18:19,120 Speaker 1: But I suppose just because you've been raised by tramps 290 00:18:19,200 --> 00:18:22,879 Speaker 1: doesn't mean you have any interest in them. That little 291 00:18:22,960 --> 00:18:25,560 Speaker 1: devian had probably spent more time in that damn pool 292 00:18:25,600 --> 00:18:30,040 Speaker 1: house than I had. Well, what where where they? Having? 293 00:18:30,080 --> 00:18:40,120 Speaker 1: In your need? I need to go here. If Samuel 294 00:18:40,200 --> 00:18:42,399 Speaker 1: Tencher is a regular at Leonard Shaw's parties, then that 295 00:18:42,480 --> 00:18:44,639 Speaker 1: might place him there the night that Marlene was murdered. 296 00:18:45,640 --> 00:18:47,200 Speaker 1: For all we know, he may have even known her. 297 00:18:49,200 --> 00:18:53,040 Speaker 1: But why not mention that from the start? Maybe the 298 00:18:53,040 --> 00:19:03,880 Speaker 1: omission was an oversight. MM. Hello, this is Samuel, Mr 299 00:19:03,920 --> 00:19:07,399 Speaker 1: tench Attack brace good afternoon, Mr Bricks. So nice to 300 00:19:07,400 --> 00:19:10,000 Speaker 1: hear from you news I hope. Well, I think I'm 301 00:19:10,040 --> 00:19:13,879 Speaker 1: just about done. Mr Touch, That's wonderful to hear so 302 00:19:14,680 --> 00:19:20,680 Speaker 1: so so was there anything conclusive? Why don't I stop 303 00:19:20,720 --> 00:19:26,560 Speaker 1: by tomorrow show you everything I've got? Perfection? I hope 304 00:19:26,560 --> 00:19:30,239 Speaker 1: there will be plenty of tea. You jest, but of 305 00:19:30,240 --> 00:19:35,640 Speaker 1: course there will be, of course until then, until then. 306 00:19:48,119 --> 00:19:50,840 Speaker 1: The Angel of Vine is a podcast produced by Vox 307 00:19:50,880 --> 00:19:55,240 Speaker 1: popular on behalf of the Los Angeles Harold. Thank you 308 00:19:55,280 --> 00:19:57,480 Speaker 1: for listening to the Angel of Vine. If you'd like 309 00:19:57,520 --> 00:20:00,160 Speaker 1: to support us, please leave us a review and tell 310 00:20:00,160 --> 00:20:03,400 Speaker 1: your friends to subscribe. The Angel of Vine is available 311 00:20:03,400 --> 00:20:07,760 Speaker 1: on Apple Podcasts, Spotify, Stitcher, and all major podcast apps. 312 00:20:08,119 --> 00:20:10,280 Speaker 1: If you don't want to wait for the final episode 313 00:20:10,280 --> 00:20:13,600 Speaker 1: of the Angel of Vine, it's available right now exclusively 314 00:20:13,640 --> 00:20:17,159 Speaker 1: on Stitcher Premium, as well as Angel of Vine bonus episodes, 315 00:20:17,280 --> 00:20:21,440 Speaker 1: extended episodes, and add free episodes. Go to Stitcher Premium 316 00:20:21,480 --> 00:20:24,840 Speaker 1: dot com slash Angel and use promo code Angel to 317 00:20:24,880 --> 00:20:28,320 Speaker 1: get your first month of Stitcher Premium free. The Angel 318 00:20:28,359 --> 00:20:30,879 Speaker 1: of Vine is directed by E Ryan Martz, written by 319 00:20:30,880 --> 00:20:34,359 Speaker 1: Oliver Vacare. Story about E. Ryan Marts, Jason Somwalt, and 320 00:20:34,400 --> 00:20:38,080 Speaker 1: Oliver Vakare. Sound designed by Joel Robbie and Matt Tamarello. 321 00:20:38,480 --> 00:20:42,640 Speaker 1: Produced by Vox Populi in association with Forever Dog Podcast Network. 322 00:20:43,320 --> 00:20:48,200 Speaker 1: This episode's performances by Joe Manganello, Alfred Molina, Mike Coulter, 323 00:20:48,640 --> 00:20:53,800 Speaker 1: Alan Tuteck, Cree Summer, and Oliver Vacare. Angelis is performed 324 00:20:53,800 --> 00:20:57,320 Speaker 1: by Desi Dennis Dylan piano and arrangement by James Harper. 325 00:20:57,840 --> 00:21:03,600 Speaker 1: Composed by Matt Dennis, Lyrics by Earl Brent from downtown 326 00:21:03,640 --> 00:21:07,520 Speaker 1: Los Angeles. This has been the Angel of Vine. You'll 327 00:21:07,560 --> 00:21:17,520 Speaker 1: hear more from us soon. Oh well is my age? 328 00:21:19,200 --> 00:21:37,400 Speaker 1: Joe Ey, excuse me while I deedup. Peace