1 00:00:02,880 --> 00:00:14,440 Speaker 1: What would you talk about on your on your podcast? 2 00:00:16,160 --> 00:00:19,160 Speaker 1: A lot of things going on today, just a few. Well, 3 00:00:19,160 --> 00:00:21,640 Speaker 1: you know what's funny. You wouldn't tell your stressed ned 4 00:00:21,760 --> 00:00:25,200 Speaker 1: because your hair just got cut so you cannot poof it. 5 00:00:25,480 --> 00:00:27,520 Speaker 1: That is how you can tell him stressed, isn't it? 6 00:00:27,600 --> 00:00:29,480 Speaker 1: But you're hiding it well because you just got a 7 00:00:29,520 --> 00:00:31,920 Speaker 1: nice haircut. Yeah, I know. I uh that. That is 8 00:00:31,920 --> 00:00:34,199 Speaker 1: what I do when I'm stressed. I pull my hair 9 00:00:34,240 --> 00:00:35,800 Speaker 1: out so that by the end of the day it 10 00:00:35,840 --> 00:00:39,000 Speaker 1: looks like I have the world's biggest afro. What do 11 00:00:39,040 --> 00:00:42,919 Speaker 1: you do when you're stressed? Me, I kind of just 12 00:00:42,960 --> 00:00:46,760 Speaker 1: like start like like clenching my fists really tight where 13 00:00:46,760 --> 00:00:49,760 Speaker 1: I start shaking and then people go, are you okay? 14 00:00:49,840 --> 00:00:54,200 Speaker 1: And I'm just The thing I hate is when people 15 00:00:54,200 --> 00:00:56,360 Speaker 1: bite their fingernails. I used to do that. That is 16 00:00:56,360 --> 00:00:58,160 Speaker 1: so disgusting. Why would you do that? You know the 17 00:00:58,240 --> 00:01:00,800 Speaker 1: amount of things that your hands touch over the course 18 00:01:00,840 --> 00:01:02,120 Speaker 1: of the day, and then you're putting your fingers in 19 00:01:02,160 --> 00:01:03,960 Speaker 1: your mouth. I had a similar conversation with one of 20 00:01:04,000 --> 00:01:06,000 Speaker 1: the interns yesterday. They were talking about how they hate feet. 21 00:01:06,319 --> 00:01:08,920 Speaker 1: They hate feet. Feet is so gross. I said, well, 22 00:01:09,040 --> 00:01:11,360 Speaker 1: think about it. Your feet are in socks and shoes 23 00:01:11,400 --> 00:01:14,360 Speaker 1: all day, completely guarded from the elements from the sidewalk 24 00:01:14,400 --> 00:01:17,520 Speaker 1: from right. But your hands touched New York Subway poles 25 00:01:17,920 --> 00:01:21,360 Speaker 1: and railings and banisters and elevator buttons. Your hands are 26 00:01:21,480 --> 00:01:25,960 Speaker 1: much more gross than your feet. Right, people like you, 27 00:01:26,040 --> 00:01:27,720 Speaker 1: shake my hand, you don't know where it's been. Shake 28 00:01:27,800 --> 00:01:30,559 Speaker 1: my foot. I took the subway yesterday, and I'm often 29 00:01:30,600 --> 00:01:33,800 Speaker 1: pretty good with not touching anything. I'll stand against the door, 30 00:01:34,120 --> 00:01:36,400 Speaker 1: lean against something. But I had to touch the rail 31 00:01:36,480 --> 00:01:39,120 Speaker 1: yesterday because there were so many people. And for the 32 00:01:39,319 --> 00:01:41,600 Speaker 1: entire rest of the day until I got near a sink, 33 00:01:42,120 --> 00:01:44,080 Speaker 1: I had my hand like up in the air because 34 00:01:44,080 --> 00:01:46,120 Speaker 1: I didn't want to touch my face, you know, just 35 00:01:46,280 --> 00:01:49,000 Speaker 1: reminding me to not touch anything else with that hand. Well, 36 00:01:49,040 --> 00:01:50,760 Speaker 1: you know what I saw, and you should probably take 37 00:01:50,840 --> 00:01:53,520 Speaker 1: up this method. I saw a woman clenched the bar 38 00:01:53,640 --> 00:01:56,560 Speaker 1: with her butt cheeks so she didn't have to touch anything, 39 00:01:57,080 --> 00:02:00,400 Speaker 1: and she was just setting the rail. Literally. I wrapped 40 00:02:00,440 --> 00:02:03,240 Speaker 1: my leg around the bar sometimes, or I'll put it 41 00:02:03,280 --> 00:02:05,200 Speaker 1: in the crook of my elbow, like you know inside, 42 00:02:05,280 --> 00:02:07,200 Speaker 1: I'll try to get it that way. Oh yeah, that's great, 43 00:02:07,360 --> 00:02:09,960 Speaker 1: especially if you're wearing a jacket or something, or you 44 00:02:10,000 --> 00:02:12,280 Speaker 1: stand in the way that if the train stops, the 45 00:02:12,320 --> 00:02:14,680 Speaker 1: momentum would throw you into the pole. So you stand 46 00:02:14,680 --> 00:02:18,120 Speaker 1: on the back side of the pole and lean against it. Right, 47 00:02:18,160 --> 00:02:22,000 Speaker 1: I try everything, but you you were in an empty 48 00:02:22,120 --> 00:02:24,200 Speaker 1: So I need I need a medical explanation if this 49 00:02:24,240 --> 00:02:26,680 Speaker 1: is accurate. If you touch the subway pole or a 50 00:02:26,720 --> 00:02:29,880 Speaker 1: disgusting banister or something, right, and you accidentally put your 51 00:02:29,880 --> 00:02:32,360 Speaker 1: finger in your mouth, if you spit it into your sleeve, 52 00:02:32,800 --> 00:02:35,760 Speaker 1: like you get rid of all the drums? Right? You fine? 53 00:02:36,160 --> 00:02:38,919 Speaker 1: You know what? It's kind of my scope of practice. 54 00:02:39,520 --> 00:02:42,560 Speaker 1: Thou that because I feel like I'm fine if I 55 00:02:42,600 --> 00:02:45,080 Speaker 1: do that. Because you can't spit in public, and you 56 00:02:45,080 --> 00:02:47,120 Speaker 1: can't spit on the train, so I try to spit 57 00:02:47,160 --> 00:02:49,040 Speaker 1: into that. Wait, wait, you can't spit on the train. 58 00:02:49,120 --> 00:02:53,000 Speaker 1: I see stuff way worse on the train. You just 59 00:02:53,040 --> 00:02:57,239 Speaker 1: can't spit. You have where the line is spit masturbation. 60 00:02:57,639 --> 00:02:59,720 Speaker 1: Can we talk about the grossest things you've ever seen 61 00:02:59,760 --> 00:03:03,080 Speaker 1: on a subway? Oh, I've seen a guy ship his 62 00:03:03,080 --> 00:03:05,400 Speaker 1: pants on the subway and then laying it. I mean, 63 00:03:05,480 --> 00:03:07,360 Speaker 1: you feel bad, but not not not a homeless guy 64 00:03:07,400 --> 00:03:09,320 Speaker 1: like a drunk guy laying in his own p and 65 00:03:09,320 --> 00:03:12,359 Speaker 1: his drawing all of it. That's the worst. I'll never forget. 66 00:03:12,360 --> 00:03:14,839 Speaker 1: On Staten Island, New York, where I grew up, I 67 00:03:14,880 --> 00:03:17,920 Speaker 1: was in sixth grade. We were driving past the cemetery. 68 00:03:17,960 --> 00:03:21,440 Speaker 1: I'll never forget this woman. Obviously she may be homeless 69 00:03:21,560 --> 00:03:24,760 Speaker 1: or just really had to go past a graveyard, and 70 00:03:24,880 --> 00:03:29,919 Speaker 1: she literally took a dump in the graveyard. The thing 71 00:03:30,040 --> 00:03:32,040 Speaker 1: is etched in my memory. It's one of those things 72 00:03:32,040 --> 00:03:34,640 Speaker 1: that I can never get as gross as it is. 73 00:03:34,639 --> 00:03:36,920 Speaker 1: Those people are dead, the people on the subway, how 74 00:03:36,960 --> 00:03:39,120 Speaker 1: to sit there and you have This is how you 75 00:03:39,160 --> 00:03:40,120 Speaker 1: know if you have a come to New York, if 76 00:03:40,160 --> 00:03:41,920 Speaker 1: you're not a New Yorker, if you walk onto a 77 00:03:41,960 --> 00:03:45,360 Speaker 1: subway car and there's sixty people, but they're all on 78 00:03:45,360 --> 00:03:47,560 Speaker 1: one end of the car, You're like, oh, there's plenty 79 00:03:47,560 --> 00:03:50,760 Speaker 1: of you know it's because someone or something is on 80 00:03:50,800 --> 00:03:53,400 Speaker 1: the other end of the train. What about that's never 81 00:03:53,440 --> 00:03:55,720 Speaker 1: an empty train like that? What about you? Grossest thing 82 00:03:55,760 --> 00:04:02,200 Speaker 1: your memory probably in the subway. I mean I did 83 00:04:02,200 --> 00:04:05,680 Speaker 1: see somebody masturbating in the subway. First. It's one of 84 00:04:05,680 --> 00:04:09,680 Speaker 1: those things where it was a double take because it's 85 00:04:09,720 --> 00:04:12,360 Speaker 1: something that you've you've never seen before. Your brain has 86 00:04:12,400 --> 00:04:15,520 Speaker 1: never processed. It's like seeing an animal, new animal for 87 00:04:15,560 --> 00:04:17,360 Speaker 1: the first time. You're like, what, what the hell is that? 88 00:04:17,440 --> 00:04:20,040 Speaker 1: Because this guy was laying on the subway bench and 89 00:04:20,080 --> 00:04:22,719 Speaker 1: I thought, honestly he was having some sort of seizure 90 00:04:22,880 --> 00:04:26,520 Speaker 1: because his body was moving. And then I help him. 91 00:04:26,640 --> 00:04:33,200 Speaker 1: It was like, maybe this can help you with his 92 00:04:33,320 --> 00:04:37,320 Speaker 1: one eye. Uh So I looked at and I'm like, 93 00:04:37,360 --> 00:04:39,599 Speaker 1: why is his body moving like that? And then I 94 00:04:39,640 --> 00:04:42,479 Speaker 1: realized his hand was in his pants and he was 95 00:04:42,920 --> 00:04:45,000 Speaker 1: at least he wasn't out. I mean there's reports of 96 00:04:45,080 --> 00:04:46,800 Speaker 1: people they take it out on the train and do it. 97 00:04:46,880 --> 00:04:48,800 Speaker 1: See do you remember that one video. I think you 98 00:04:48,880 --> 00:04:51,200 Speaker 1: pulled the sound from it. That one time that woman 99 00:04:51,279 --> 00:04:54,360 Speaker 1: a woman yelled at him. She yelled at this guy 100 00:04:54,400 --> 00:04:57,440 Speaker 1: that was apparently a pervert and he was grabbing himself 101 00:04:57,520 --> 00:05:01,000 Speaker 1: or something and she just calls mount on that subway. 102 00:05:01,040 --> 00:05:04,120 Speaker 1: I mean that that happens. I just I never could 103 00:05:04,200 --> 00:05:06,680 Speaker 1: understand how guys, I guess you got to be in 104 00:05:06,680 --> 00:05:08,719 Speaker 1: that state where you just go, I'm gonna take it 105 00:05:08,720 --> 00:05:10,960 Speaker 1: out right now. Well, in your fairness, if the guy 106 00:05:11,000 --> 00:05:13,520 Speaker 1: doesn't have an income, he probably doesn't have access to 107 00:05:13,560 --> 00:05:17,680 Speaker 1: free online pool and he doesn't have virtual reality goggles? 108 00:05:18,760 --> 00:05:22,240 Speaker 1: Is his virtual reality goggles? Yes? The Oculus is the 109 00:05:22,320 --> 00:05:25,880 Speaker 1: D train. Literally, what are you gonna do? You know 110 00:05:25,920 --> 00:05:28,280 Speaker 1: what's great about the studio right now? So Nate Brody 111 00:05:28,320 --> 00:05:30,840 Speaker 1: and myself we're sitting here talking scary as headphones on, 112 00:05:31,000 --> 00:05:36,040 Speaker 1: listening to something totally different there we go. By the way, 113 00:05:36,120 --> 00:05:38,159 Speaker 1: scary one headphones on is the same as when he's 114 00:05:38,240 --> 00:05:40,560 Speaker 1: not paying attention to the show. He doesn't hear what's 115 00:05:40,560 --> 00:05:44,320 Speaker 1: going on. You're like, oh, scary listening to scary paying 116 00:05:44,360 --> 00:05:48,360 Speaker 1: attention and not paying Yeah, because I'm in my own zone. 117 00:05:48,440 --> 00:05:50,480 Speaker 1: We're just talking about you. What do I say was 118 00:05:50,480 --> 00:05:52,760 Speaker 1: scary to get your attention? Fart in your mouth? Yeah? 119 00:05:53,360 --> 00:05:55,920 Speaker 1: Your mouth? He not because you know what, I'm really 120 00:05:56,200 --> 00:05:58,719 Speaker 1: in my own head space, and I know that I 121 00:05:58,800 --> 00:06:01,920 Speaker 1: need to focus extra hard on what I'm focusing on alright, 122 00:06:02,080 --> 00:06:04,200 Speaker 1: and I have no focus on except you're focusing on 123 00:06:04,240 --> 00:06:06,000 Speaker 1: what Elvis does not want you to focus on. Because 124 00:06:06,400 --> 00:06:08,679 Speaker 1: I have a one track mind. So if if food 125 00:06:08,720 --> 00:06:12,000 Speaker 1: is in the room, I'm focusing on the food because 126 00:06:12,000 --> 00:06:15,560 Speaker 1: otherwise I'll spill it all over myself. You help yourself. 127 00:06:15,560 --> 00:06:18,039 Speaker 1: You could have said any other example, but you toast food. 128 00:06:18,680 --> 00:06:21,160 Speaker 1: Well yeah, but I'm always in the moment of what 129 00:06:21,200 --> 00:06:24,440 Speaker 1: I'm into. But you can, I mean in that moment. 130 00:06:24,480 --> 00:06:26,039 Speaker 1: But you get paid to be in the moment of 131 00:06:26,080 --> 00:06:28,600 Speaker 1: the show. There's the show going on, and you're like, 132 00:06:29,200 --> 00:06:31,720 Speaker 1: we're talking about the thing you ever saw in public 133 00:06:31,839 --> 00:06:40,240 Speaker 1: on the subway? Baby vomit on the floor. That's that's 134 00:06:40,320 --> 00:06:43,719 Speaker 1: rookie stuff that happened. Call me when you see a 135 00:06:43,760 --> 00:06:47,320 Speaker 1: person eating the baby vomit off the floor. Pizza saw that. 136 00:06:47,800 --> 00:06:50,719 Speaker 1: Remember when Jamie Fox used to play that character on 137 00:06:50,760 --> 00:06:53,400 Speaker 1: a Living Color where he was a homeless guy carrying 138 00:06:53,400 --> 00:06:58,640 Speaker 1: a jar of his fee season urine, Like, hey, how many? Okay, 139 00:06:58,800 --> 00:07:02,040 Speaker 1: I found a jar of urine on the subway? There 140 00:07:02,000 --> 00:07:05,000 Speaker 1: were no feasa did Did you know right away when 141 00:07:05,040 --> 00:07:11,400 Speaker 1: you tasted it? Exactly? Oh? Oh it's gatorade lemon line? No, no, 142 00:07:11,480 --> 00:07:14,320 Speaker 1: I want change the color. There's definitely I know it was. 143 00:07:14,520 --> 00:07:17,920 Speaker 1: It might have been an Arizona iced tea bottle of 144 00:07:18,000 --> 00:07:19,840 Speaker 1: you is that really the issue here? What the bottle 145 00:07:19,960 --> 00:07:22,920 Speaker 1: was iced tea? But it was yellow, so I wasn't lemonade. 146 00:07:23,160 --> 00:07:24,440 Speaker 1: I kind of wanted to know I was gonna see 147 00:07:24,480 --> 00:07:26,000 Speaker 1: it was a hellman's char I mean that would be 148 00:07:26,080 --> 00:07:32,600 Speaker 1: it could have been a half and half half diarrhea. 149 00:07:33,360 --> 00:07:37,840 Speaker 1: You crossed, but I crossed the line become the most 150 00:07:37,880 --> 00:07:40,920 Speaker 1: disgusting podcast anyway. What we're saying is come to New York, 151 00:07:41,600 --> 00:07:43,640 Speaker 1: comp visit our great city. So I think they've been 152 00:07:43,760 --> 00:07:46,240 Speaker 1: doing a better job of keeping the subway stops cleaner. 153 00:07:46,560 --> 00:07:48,720 Speaker 1: Is it just me? No? I noticed that too. Yeah, 154 00:07:48,720 --> 00:07:52,080 Speaker 1: I'm like, there's not nearly as many dirty diapers and cigarettes. 155 00:07:52,200 --> 00:07:54,920 Speaker 1: It's been a movement, the blessed the six eight months 156 00:07:54,920 --> 00:07:58,520 Speaker 1: they're trying to beautify the subway. Did you say movement? Yes, 157 00:07:59,640 --> 00:08:03,520 Speaker 1: put your phones back. There's a lot of other cities 158 00:08:03,520 --> 00:08:05,920 Speaker 1: around the world. They have their own transportation. They have 159 00:08:05,920 --> 00:08:08,960 Speaker 1: their own subways, right and in Sweden, in Stockholm, they 160 00:08:08,960 --> 00:08:11,400 Speaker 1: have the subway and it's on time, like every three minutes, 161 00:08:11,960 --> 00:08:16,920 Speaker 1: never late, and they have seats with like padded seats, 162 00:08:16,960 --> 00:08:20,080 Speaker 1: you know car you know seats, And I'm thinking if 163 00:08:20,080 --> 00:08:23,920 Speaker 1: there were cloth seats, we can't have nice things here. 164 00:08:23,560 --> 00:08:25,800 Speaker 1: There are there are other major American cities, and you 165 00:08:25,800 --> 00:08:29,200 Speaker 1: don't have to text and correct me. I think Washington, 166 00:08:29,280 --> 00:08:32,400 Speaker 1: d C. Has padded seats, and I think padded seats 167 00:08:32,480 --> 00:08:35,480 Speaker 1: yeah yeah, And I think San Francisco does on the bar, 168 00:08:35,880 --> 00:08:39,480 Speaker 1: but wherever it is doesn't matter. New York doesn't. And 169 00:08:39,520 --> 00:08:41,600 Speaker 1: every time I get on those seats, I go they 170 00:08:41,600 --> 00:08:43,679 Speaker 1: would rip these up and throw them or use them 171 00:08:43,679 --> 00:08:46,600 Speaker 1: to make blankets for themselves. New York would never ever 172 00:08:46,640 --> 00:08:48,800 Speaker 1: have anything nice. And we have the greatest subway system 173 00:08:48,800 --> 00:08:51,560 Speaker 1: in the world, but cushion seats never could happen. It's 174 00:08:51,559 --> 00:08:55,360 Speaker 1: the equivalent of in a prison, like like the yard, 175 00:08:55,360 --> 00:08:59,240 Speaker 1: where everything's bolted down, like there's nothing that you can remove. 176 00:08:59,360 --> 00:09:01,360 Speaker 1: In the New York's I love the people that take 177 00:09:01,400 --> 00:09:04,000 Speaker 1: the map, like, seriously, you have an iPhone, you don't 178 00:09:04,000 --> 00:09:06,120 Speaker 1: need the map of the submob Okay, people taking the 179 00:09:06,200 --> 00:09:11,440 Speaker 1: map don't have iPhones, Let's be honest. The way they 180 00:09:11,440 --> 00:09:13,880 Speaker 1: have the maps on the trains now. And I haven't 181 00:09:13,880 --> 00:09:17,840 Speaker 1: figured out why tourists who have phones smartphones, why or 182 00:09:17,840 --> 00:09:20,080 Speaker 1: any even New Yorkers. I tell people all the time, 183 00:09:20,200 --> 00:09:21,480 Speaker 1: because when you go to look at the map on 184 00:09:21,480 --> 00:09:23,040 Speaker 1: the wall, someone's sitting there. You have to have them 185 00:09:23,080 --> 00:09:26,000 Speaker 1: move their head, download the map on your phone, and 186 00:09:26,040 --> 00:09:28,560 Speaker 1: then wherever you go, you've got the map on your phone. 187 00:09:29,200 --> 00:09:31,520 Speaker 1: Speaking of which, if you're a tourist with a smartphone, 188 00:09:31,559 --> 00:09:33,640 Speaker 1: you're and we've had this conversation I think on the 189 00:09:33,679 --> 00:09:36,839 Speaker 1: Brooklyn Boys podcast. If you're an American tourist, you're using 190 00:09:36,880 --> 00:09:40,719 Speaker 1: an American phone. Don't ask me for directions. I'll give 191 00:09:40,760 --> 00:09:43,800 Speaker 1: you direction. So guy came up because, excuse me, manis 192 00:09:43,840 --> 00:09:46,720 Speaker 1: Canal Street. I've been looking old for it, Canal and Greenwich, 193 00:09:47,440 --> 00:09:50,400 Speaker 1: I said, And he's holding his phone. I said, you 194 00:09:50,480 --> 00:09:54,439 Speaker 1: have a smartphone, right, yeah, it also makes I said, no, 195 00:09:54,559 --> 00:09:56,000 Speaker 1: I said, it's this over there, you go, but for 196 00:09:56,080 --> 00:09:58,199 Speaker 1: future reference in case something else you need, you know 197 00:09:58,240 --> 00:10:00,720 Speaker 1: you can look it up. Ah yeah, ever think of it. 198 00:10:00,840 --> 00:10:02,520 Speaker 1: So it was I didn't want I helped him, but 199 00:10:02,559 --> 00:10:04,280 Speaker 1: what if he needs a second address? I'm not there 200 00:10:04,320 --> 00:10:07,640 Speaker 1: for him. You have a phone, Google Maps, Apple Maps, 201 00:10:07,640 --> 00:10:10,200 Speaker 1: whatever maps. Your phone has a knap system in it. 202 00:10:10,360 --> 00:10:12,680 Speaker 1: But if you don't help, if someone asked for directions 203 00:10:12,720 --> 00:10:14,440 Speaker 1: and you don't take the two seconds to open up 204 00:10:14,440 --> 00:10:17,040 Speaker 1: your your map, you are just equally as big of 205 00:10:17,080 --> 00:10:18,840 Speaker 1: an a hole. I know, New York. I don't even 206 00:10:18,880 --> 00:10:21,320 Speaker 1: take out my phone. But the point is they have 207 00:10:21,360 --> 00:10:24,120 Speaker 1: a phone. If I go to San Francisco, and I'm lost, 208 00:10:24,400 --> 00:10:29,120 Speaker 1: I'll open my phone. It has it has a system 209 00:10:29,160 --> 00:10:31,040 Speaker 1: in it to help me. Have you ever been in 210 00:10:31,080 --> 00:10:33,600 Speaker 1: another city that you didn't know and somebody asks you 211 00:10:33,640 --> 00:10:36,280 Speaker 1: for directions? Yeah, it look like you know what you're 212 00:10:36,320 --> 00:10:40,120 Speaker 1: talking about. Cocky attitude. When I walk, I never look lost. 213 00:10:40,920 --> 00:10:42,679 Speaker 1: I don't. Anybody's seen me in Pittsburgh. Go and that 214 00:10:42,720 --> 00:10:45,000 Speaker 1: guy looks lost, They're gonna go. That guy looks confident 215 00:10:45,640 --> 00:10:47,680 Speaker 1: as I walk right into a wall, I'm gonna ask 216 00:10:47,720 --> 00:10:49,520 Speaker 1: him for directions. Then he's gonna tell me to look 217 00:10:49,520 --> 00:10:52,280 Speaker 1: at my phone. That's right, because you should look at 218 00:10:52,320 --> 00:10:55,320 Speaker 1: your phone. I mean, it's so easy to find your 219 00:10:55,320 --> 00:10:57,120 Speaker 1: way around anymore, right, I mean, just pull out your 220 00:10:57,120 --> 00:10:59,560 Speaker 1: phone for crime. It's like people texted and they go, like, 221 00:10:59,640 --> 00:11:01,480 Speaker 1: someone's what was the name of that Shaggy and Sting 222 00:11:01,559 --> 00:11:05,800 Speaker 1: song you played today? They have one song? Well, okay, 223 00:11:05,800 --> 00:11:10,960 Speaker 1: but if you google Shaggy and Stinting whatever song they're doing, right. 224 00:11:11,000 --> 00:11:13,839 Speaker 1: They don't have like a college catalog like like Lady 225 00:11:13,840 --> 00:11:16,079 Speaker 1: Gaga led Zeppelin, Like you put a Zeppelin song, what 226 00:11:16,120 --> 00:11:19,079 Speaker 1: was it? I get it? They have one song. It's funny. 227 00:11:19,320 --> 00:11:21,080 Speaker 1: I was trying to think of what it was. Like 228 00:11:21,120 --> 00:11:23,360 Speaker 1: when I was a kid and you wanted to know 229 00:11:23,440 --> 00:11:25,480 Speaker 1: the name of something, how did you do it? You 230 00:11:25,520 --> 00:11:28,520 Speaker 1: had to ask everyone. Yeah, Like my mom would call 231 00:11:28,559 --> 00:11:30,520 Speaker 1: me and say, I just saw a movie with that guy. 232 00:11:31,000 --> 00:11:33,000 Speaker 1: He was in a movie with that woman who was 233 00:11:33,000 --> 00:11:34,520 Speaker 1: in a movie, like when you were a kid. He 234 00:11:34,600 --> 00:11:36,959 Speaker 1: was in a spy movie. He drove the red car 235 00:11:37,160 --> 00:11:39,319 Speaker 1: Roger Moore. Right, You're like, but now you go to 236 00:11:39,360 --> 00:11:41,040 Speaker 1: i m dB. I tell my mom all the time, 237 00:11:41,080 --> 00:11:44,640 Speaker 1: I don't talk about it, just use your phone. Yeah, 238 00:11:44,800 --> 00:11:48,800 Speaker 1: so I used to since I didn't have like smartphone 239 00:11:48,800 --> 00:11:51,240 Speaker 1: technology when I was you know, fifth, six, seventh grade. 240 00:11:51,400 --> 00:11:53,600 Speaker 1: I would listen to the radio. Elvis used to be 241 00:11:53,640 --> 00:11:55,680 Speaker 1: on in the afternoon, so he would play you know 242 00:11:55,760 --> 00:11:58,120 Speaker 1: something by green Day. I would call up no more 243 00:11:58,120 --> 00:12:00,559 Speaker 1: than two seconds after he would play it and requested 244 00:12:00,600 --> 00:12:03,240 Speaker 1: this song. And that's the only way I would learn music. Yeah, 245 00:12:04,120 --> 00:12:06,280 Speaker 1: but I was also that guy that was like, I 246 00:12:06,400 --> 00:12:09,320 Speaker 1: just played that song two seconds ago. Kid. I'm sorry, 247 00:12:09,400 --> 00:12:11,079 Speaker 1: but if you didn't know the song or the artist, 248 00:12:11,120 --> 00:12:13,680 Speaker 1: you were screwed. If the if, the if, the the 249 00:12:13,760 --> 00:12:15,959 Speaker 1: DJ didn't we call it back, sell it again this song. 250 00:12:15,960 --> 00:12:18,960 Speaker 1: But that was Lady Gaga with whatever you had no 251 00:12:19,040 --> 00:12:22,400 Speaker 1: clue what it was. You couldn't shazam it. You know, hey, 252 00:12:22,480 --> 00:12:25,319 Speaker 1: what's the song that goes? We used to do praying 253 00:12:25,320 --> 00:12:28,280 Speaker 1: phone calls many years ago, phone taps before shazam. We 254 00:12:28,320 --> 00:12:31,600 Speaker 1: would call record stores and we go, well, yeah, there 255 00:12:31,600 --> 00:12:33,600 Speaker 1: was a song I'm looking for. How did it go? 256 00:12:34,040 --> 00:12:36,200 Speaker 1: And we would go and we went, ah, my as, 257 00:12:37,160 --> 00:12:39,679 Speaker 1: I love you, my ass. And then they would ask 258 00:12:39,720 --> 00:12:42,160 Speaker 1: their coworkers and they go, the guy's looking for a song. 259 00:12:42,240 --> 00:12:43,880 Speaker 1: It goes I love you and my ass. You'd hear 260 00:12:43,920 --> 00:12:45,920 Speaker 1: them singing it, because that's what people would do. It 261 00:12:45,920 --> 00:12:47,680 Speaker 1: goes bla blah blah blah blah blah blah, I love 262 00:12:47,840 --> 00:12:50,559 Speaker 1: my heart, goes on my heart blah blah. You'd have 263 00:12:50,600 --> 00:12:52,360 Speaker 1: to figure that out. And people would call us or 264 00:12:52,360 --> 00:12:55,200 Speaker 1: they text, They go something about chicken. Who's something the chicken? 265 00:12:55,240 --> 00:12:57,400 Speaker 1: I don't know who is there some song with a chicken? 266 00:12:57,760 --> 00:13:00,360 Speaker 1: Thank God for the Internet. I know who? Did you 267 00:13:00,360 --> 00:13:04,319 Speaker 1: guys have like an encyclopedia grown up? Yeah, we had almanac, almanac, 268 00:13:04,559 --> 00:13:07,080 Speaker 1: encyclopedias and you look up and hope what you looked 269 00:13:07,120 --> 00:13:09,240 Speaker 1: up wasn't outdated from the like your almanac was from 270 00:13:09,280 --> 00:13:11,480 Speaker 1: two years earlier, and they always had those additional years 271 00:13:11,480 --> 00:13:15,679 Speaker 1: where they would make uh, you know, amendments. Yeah. By 272 00:13:15,679 --> 00:13:17,000 Speaker 1: the way, if you don't know what an almanac is, 273 00:13:17,080 --> 00:13:21,400 Speaker 1: don't tweet me and ask me what an almanac is it. 274 00:13:23,080 --> 00:13:25,840 Speaker 1: These kids today with their Internet, they don't use. But 275 00:13:26,559 --> 00:13:28,839 Speaker 1: Scaries hidden talent is what Brodie was just talking about, 276 00:13:28,840 --> 00:13:31,640 Speaker 1: where you could just give Scary a phrase of a 277 00:13:31,720 --> 00:13:35,640 Speaker 1: song and pretty much he is the human Shazam, which 278 00:13:35,679 --> 00:13:40,679 Speaker 1: he can right now, do it? Somebody throw up Scary Yeah, 279 00:13:40,920 --> 00:13:45,600 Speaker 1: um uh oh babe, We're gonna love tonight online. Thank 280 00:13:45,640 --> 00:13:54,640 Speaker 1: you my team here. I'm like that with years, I 281 00:13:54,920 --> 00:13:58,720 Speaker 1: visualize album covers and years the album came out, so 282 00:13:58,800 --> 00:14:00,960 Speaker 1: if I like it, I can tell you when it 283 00:14:01,000 --> 00:14:03,400 Speaker 1: came out, like this thing was here and I was like, 284 00:14:03,400 --> 00:14:05,240 Speaker 1: oh synchronicity, and I tell you three like I know 285 00:14:05,280 --> 00:14:07,760 Speaker 1: where I remember coming out. I'm using great with years 286 00:14:08,000 --> 00:14:10,680 Speaker 1: and uh an album, I don't know the album titles, 287 00:14:10,679 --> 00:14:12,640 Speaker 1: but you give me a title, I'll give you an artist. 288 00:14:12,679 --> 00:14:14,280 Speaker 1: You've seen me a lyric, I'll give you the artist. 289 00:14:14,600 --> 00:14:15,960 Speaker 1: Usually I can give you the year as well as 290 00:14:15,960 --> 00:14:22,520 Speaker 1: a bonus. Usually it's incredible. There is you have forty 291 00:14:22,560 --> 00:14:27,160 Speaker 1: seconds left. She's so high high above me. Oh that's 292 00:14:27,160 --> 00:14:31,240 Speaker 1: a tal Bachman from I'm sorry, I just walked in. 293 00:14:31,280 --> 00:14:38,760 Speaker 1: This is the worst worst podcast every Elvis. What's the 294 00:14:38,800 --> 00:14:40,600 Speaker 1: most disgusting thing? Give us on a New York subway? 295 00:14:40,760 --> 00:14:47,520 Speaker 1: This podcast? Somebody listen to it. Masbate Nate watched the 296 00:14:47,520 --> 00:14:54,360 Speaker 1: guy masturbateing and it was myself left. It's about to 297 00:14:54,360 --> 00:14:59,880 Speaker 1: be minute morning show.