1 00:00:00,040 --> 00:00:03,640 Speaker 1: Sadie s Been's interview lounge host of the podcast Give 2 00:00:03,640 --> 00:00:06,720 Speaker 1: It a Chance, Casey Jose and Kevin Eviden here, Hey, guys, 3 00:00:09,280 --> 00:00:10,760 Speaker 1: this is why we love your podcast. 4 00:00:10,800 --> 00:00:13,280 Speaker 2: It's about music. A lot of the music it's about 5 00:00:13,360 --> 00:00:16,959 Speaker 2: it is like music we detest, and so whose idea was? 6 00:00:17,000 --> 00:00:18,880 Speaker 2: It reminded us from last time you were here, where 7 00:00:18,920 --> 00:00:20,320 Speaker 2: does it come from? And why are you doing this? 8 00:00:20,400 --> 00:00:21,880 Speaker 3: It was my idea, and I wanted to put some 9 00:00:22,000 --> 00:00:24,000 Speaker 3: positive into the world. So I would take these songs 10 00:00:24,079 --> 00:00:27,400 Speaker 3: that people you know, hate on paper and then give 11 00:00:27,400 --> 00:00:29,600 Speaker 3: it a chance. Right, we need some positivity, We need 12 00:00:29,640 --> 00:00:33,360 Speaker 3: to have an open mind in this world. So we're like, 13 00:00:33,440 --> 00:00:35,440 Speaker 3: let's listen to some of these songs and then give 14 00:00:35,479 --> 00:00:35,960 Speaker 3: it a chance. 15 00:00:36,280 --> 00:00:36,480 Speaker 4: Yeah. 16 00:00:36,680 --> 00:00:38,800 Speaker 5: I think also part of it that balances it is 17 00:00:38,840 --> 00:00:42,199 Speaker 5: that they're like hugely successful songs. Yeah, that are just 18 00:00:42,320 --> 00:00:45,720 Speaker 5: kind of also, I don't know, cheesy or beaten to 19 00:00:45,800 --> 00:00:47,879 Speaker 5: death or whatever, and so we're trying to find like 20 00:00:47,920 --> 00:00:50,040 Speaker 5: another thing in them. 21 00:00:49,960 --> 00:00:53,360 Speaker 3: And it happens like recently I put on Achy Breaky Heart, 22 00:00:53,760 --> 00:00:56,360 Speaker 3: which is like, we're not like country, guys, but we 23 00:00:56,600 --> 00:00:59,120 Speaker 3: like the roots of country, and this is like very 24 00:00:59,160 --> 00:01:02,400 Speaker 3: pop country in like early nineties, and I thought I 25 00:01:02,440 --> 00:01:03,840 Speaker 3: was gonna hate it, and we ended up being like 26 00:01:03,920 --> 00:01:06,920 Speaker 3: finding so much positive in it, and it's really it's 27 00:01:06,920 --> 00:01:07,440 Speaker 3: really fun. 28 00:01:07,720 --> 00:01:09,280 Speaker 2: Well, you know, such as life. You know, you can 29 00:01:09,280 --> 00:01:12,840 Speaker 2: find a painting, you can find a play or a 30 00:01:12,880 --> 00:01:17,560 Speaker 2: TV show that you just don't get show or example. 31 00:01:18,040 --> 00:01:19,800 Speaker 2: But if you like sit with it for a second 32 00:01:19,880 --> 00:01:21,840 Speaker 2: and like think it through, Like where were they coming 33 00:01:21,840 --> 00:01:25,320 Speaker 2: from when they've created this art? Okay, it has meaning, 34 00:01:25,360 --> 00:01:27,559 Speaker 2: it has life now, so this is what you're doing. Okay, 35 00:01:27,640 --> 00:01:29,200 Speaker 2: I think last time you guys are here, we use 36 00:01:29,280 --> 00:01:32,080 Speaker 2: a great example because it's a big hated song on 37 00:01:32,080 --> 00:01:34,000 Speaker 2: our show Barbie Girl. 38 00:01:34,200 --> 00:01:36,200 Speaker 4: That's the best song ever. 39 00:01:36,360 --> 00:01:40,760 Speaker 5: Yeah, I don't see its subjective difference of opinions. 40 00:01:40,800 --> 00:01:42,240 Speaker 6: That's one of my favorite songs ever. 41 00:01:42,440 --> 00:01:44,119 Speaker 3: Well, something we do like to do is we call 42 00:01:44,160 --> 00:01:47,160 Speaker 3: it an anti chancy, and that means like we allow 43 00:01:47,200 --> 00:01:49,920 Speaker 3: ourselves to talk a little smack about it half find 44 00:01:49,920 --> 00:01:52,960 Speaker 3: things we don't like about it. And so in that genre, 45 00:01:53,200 --> 00:01:54,480 Speaker 3: I don't know what it was. It was all these 46 00:01:54,480 --> 00:01:57,040 Speaker 3: like Eastern European guys making it and they'd put themselves 47 00:01:57,080 --> 00:01:58,880 Speaker 3: on the tracks, so instead of just having like a 48 00:01:58,920 --> 00:02:00,360 Speaker 3: beautiful singer, they'd also like. 49 00:02:00,400 --> 00:02:05,880 Speaker 7: A little Barbie. Yeah, it's like they talk talk. Yeah, 50 00:02:05,920 --> 00:02:08,120 Speaker 7: Like they all had that one guy that was like 51 00:02:08,280 --> 00:02:10,560 Speaker 7: low voice producer that was like, I'm also going to 52 00:02:10,600 --> 00:02:10,960 Speaker 7: sing on them. 53 00:02:10,960 --> 00:02:13,720 Speaker 4: They have to justify their existence. I appreciate that totally. 54 00:02:13,880 --> 00:02:16,800 Speaker 2: See you find the art form is truly truly at 55 00:02:16,800 --> 00:02:17,760 Speaker 2: an A plus at that point. 56 00:02:17,800 --> 00:02:20,240 Speaker 8: I love when creators have to insert themselves into the project. 57 00:02:20,240 --> 00:02:21,079 Speaker 8: I think it's so funny. 58 00:02:21,120 --> 00:02:22,200 Speaker 4: Yeah, Mustard on a beat. 59 00:02:22,360 --> 00:02:28,600 Speaker 9: Yeah, I actually Barbie Girl, like, I mean that era 60 00:02:28,760 --> 00:02:32,480 Speaker 9: was probably the original, like producer tag, it's like the 61 00:02:32,520 --> 00:02:33,320 Speaker 9: first people. 62 00:02:33,040 --> 00:02:33,400 Speaker 4: To do that. 63 00:02:33,680 --> 00:02:35,560 Speaker 2: So this is what the podcast is all about. Again, 64 00:02:35,680 --> 00:02:40,240 Speaker 2: Casey Jose and Kevin Devine give it a chance second season. Boom, 65 00:02:40,280 --> 00:02:42,520 Speaker 2: it's now time for second season. You lasted to an 66 00:02:42,680 --> 00:02:43,600 Speaker 2: entire first series. 67 00:02:43,880 --> 00:02:46,399 Speaker 3: We just kept going to We were like what number 68 00:02:46,440 --> 00:02:48,040 Speaker 3: should we like kind of stop out, and we just 69 00:02:48,080 --> 00:02:50,280 Speaker 3: were having so much fun making these episodes that we 70 00:02:50,280 --> 00:02:52,200 Speaker 3: were like, all right, let's let's stop here and then 71 00:02:52,240 --> 00:02:53,960 Speaker 3: do a new season and think about what kind of 72 00:02:53,960 --> 00:02:55,800 Speaker 3: songs we want. And we have some really great songs 73 00:02:55,800 --> 00:02:58,919 Speaker 3: coming up for season two. I mentioned Nikey Breaky Heart. Yeah, 74 00:02:58,919 --> 00:03:01,079 Speaker 3: We've got a lot and we liked do different genres. 75 00:03:01,080 --> 00:03:03,880 Speaker 3: So we'll do some dance or pop, we'll do some metal, 76 00:03:03,960 --> 00:03:06,400 Speaker 3: we'll do some country. 77 00:03:06,560 --> 00:03:08,560 Speaker 4: This thing that's right, Oh yeah, that's right. 78 00:03:11,080 --> 00:03:16,679 Speaker 2: Yeah yeah, okay, okay, two White Boys not from the Hood. 79 00:03:18,639 --> 00:03:18,920 Speaker 4: Has it. 80 00:03:20,440 --> 00:03:24,920 Speaker 2: Done by the Fairies Street Cred Okay, so so uh. 81 00:03:25,200 --> 00:03:26,880 Speaker 4: Okay Toshi six nine and go okay. 82 00:03:27,120 --> 00:03:29,880 Speaker 3: So what I liked about that chorus and it's sometimes 83 00:03:29,880 --> 00:03:33,040 Speaker 3: when things are so simple, it's it's art again. And 84 00:03:33,080 --> 00:03:36,000 Speaker 3: so he has that line that's are you dumb? Stupid 85 00:03:36,280 --> 00:03:41,080 Speaker 3: or dumb? And I just think that's so effective, and 86 00:03:41,120 --> 00:03:43,760 Speaker 3: I just think, like that's catchy, Like it's so simple, 87 00:03:43,840 --> 00:03:45,840 Speaker 3: and it's like it makes me laugh, and I think 88 00:03:45,880 --> 00:03:48,440 Speaker 3: he knows what he's doing. And so that self awareness 89 00:03:48,560 --> 00:03:50,760 Speaker 3: or that awareness is something that I give points to. 90 00:03:50,800 --> 00:03:52,720 Speaker 3: I give that a chance totally. And he's also on 91 00:03:52,800 --> 00:03:54,320 Speaker 3: a continuum. It's punk rock. 92 00:03:54,480 --> 00:03:56,720 Speaker 5: It's like so in your face, and that's like an 93 00:03:56,720 --> 00:04:00,480 Speaker 5: evolutionary thing. Every generation needs its own iteration of that. 94 00:04:00,600 --> 00:04:03,840 Speaker 5: And this is like colorful, bracing and like I'm a 95 00:04:03,880 --> 00:04:06,240 Speaker 5: forty five year old dude from Bay Ridge and Staten Island, 96 00:04:06,280 --> 00:04:08,880 Speaker 5: as you said, I'm not necessarily supposed to like get 97 00:04:08,920 --> 00:04:11,320 Speaker 5: that right away. But I get where it comes from, 98 00:04:11,440 --> 00:04:13,520 Speaker 5: and I think, you know, if I was a kid, 99 00:04:13,520 --> 00:04:15,800 Speaker 5: i'd be like, oh my god, this is intense. 100 00:04:16,040 --> 00:04:18,960 Speaker 2: Well maybe it's best you're not from there. That's also 101 00:04:19,000 --> 00:04:20,479 Speaker 2: true if you look at it from a from a 102 00:04:20,480 --> 00:04:21,679 Speaker 2: different to a different filter. 103 00:04:21,960 --> 00:04:22,360 Speaker 4: Yes. Yeah. 104 00:04:22,400 --> 00:04:24,839 Speaker 3: I think about my dad and how like any like 105 00:04:24,920 --> 00:04:27,080 Speaker 3: any rap I would put on, whether it be like 106 00:04:27,160 --> 00:04:30,760 Speaker 3: will Smith as like tame as possible or or well Hotel, 107 00:04:31,160 --> 00:04:36,040 Speaker 3: I don't know, but he would go, oh, this is 108 00:04:36,160 --> 00:04:38,080 Speaker 3: rap crap right Like. I was always like this. So 109 00:04:38,120 --> 00:04:39,719 Speaker 3: I was like, Dad, give it a chance. And so 110 00:04:39,760 --> 00:04:41,520 Speaker 3: I'm trying to be a dad that gives it a chance. 111 00:04:41,640 --> 00:04:43,280 Speaker 4: Is your dad gonna come on the pod with us? 112 00:04:43,360 --> 00:04:46,599 Speaker 3: He will, Yeah, he'll, he'll, he'll, he'll drop some beats. 113 00:04:46,600 --> 00:04:49,480 Speaker 4: Actually, let me make a song for it. We'll give 114 00:04:49,520 --> 00:04:51,560 Speaker 4: him a chance. So this is what the podcast is 115 00:04:51,560 --> 00:04:51,960 Speaker 4: all about. 116 00:04:52,000 --> 00:04:55,040 Speaker 2: It's taking these songs that probably ignored my many because 117 00:04:55,040 --> 00:04:58,320 Speaker 2: they can't stand them, and talk about him. I mean, okay, 118 00:04:58,360 --> 00:05:00,039 Speaker 2: give me an example of what you would want on 119 00:05:00,080 --> 00:05:00,560 Speaker 2: the podcast. 120 00:05:00,720 --> 00:05:02,159 Speaker 4: Yeah, gone, okay. 121 00:05:02,240 --> 00:05:05,839 Speaker 8: So Creed in general makes me insane, and Creed has 122 00:05:05,839 --> 00:05:08,719 Speaker 8: had a comeback, So talk to me about higher because 123 00:05:08,760 --> 00:05:11,320 Speaker 8: that song used to make me want to do bad things. 124 00:05:11,360 --> 00:05:15,080 Speaker 4: Sure I still does. Actually did we did? Hold me Now. 125 00:05:20,320 --> 00:05:22,080 Speaker 3: It's funny though, when you listen to it with like 126 00:05:22,120 --> 00:05:24,320 Speaker 3: open years, because there's this thing with arms open. 127 00:05:26,040 --> 00:05:26,720 Speaker 4: That's my song. 128 00:05:28,560 --> 00:05:32,839 Speaker 3: That's it is there, it is, and we listen and 129 00:05:32,920 --> 00:05:35,200 Speaker 3: you find like a weird chord where you're like, wow, 130 00:05:35,360 --> 00:05:37,920 Speaker 3: that's like a jazzy chord in Creed. And so it's 131 00:05:37,920 --> 00:05:39,640 Speaker 3: funny when you when you when you come at it 132 00:05:39,720 --> 00:05:43,000 Speaker 3: something with open eyes and ears that you find things 133 00:05:43,040 --> 00:05:45,200 Speaker 3: you like and that song is really catching higher. 134 00:05:45,320 --> 00:05:47,760 Speaker 4: No, no it's not. It's amazing that the like gen 135 00:05:47,880 --> 00:05:49,839 Speaker 4: z is like find refinding Creed. 136 00:05:49,920 --> 00:05:50,040 Speaker 5: Right. 137 00:05:50,320 --> 00:05:51,640 Speaker 4: I like the sound of Creed. 138 00:05:51,720 --> 00:05:52,440 Speaker 8: Oh my god? 139 00:05:52,640 --> 00:05:57,680 Speaker 4: Wow real well I like. 140 00:05:58,240 --> 00:06:00,520 Speaker 3: Going into lyrics, right, and so do a lot to 141 00:06:00,560 --> 00:06:03,560 Speaker 3: talk about Town liquid dreams. 142 00:06:03,600 --> 00:06:04,920 Speaker 4: Okay, we've never done that. 143 00:06:05,000 --> 00:06:09,159 Speaker 3: You know you want to drop a beat, Yeah, Otown 144 00:06:09,240 --> 00:06:11,679 Speaker 3: liquid dreams because I think you know what those liquid 145 00:06:11,760 --> 00:06:12,599 Speaker 3: dreams are all about. 146 00:06:13,839 --> 00:06:16,159 Speaker 4: I never put two and two together. I know that's 147 00:06:16,200 --> 00:06:18,240 Speaker 4: the thing. It's it's really. 148 00:06:20,640 --> 00:06:24,960 Speaker 3: About that because yeah, because it's I dream about a 149 00:06:25,000 --> 00:06:27,520 Speaker 3: girl that's a mix of you know, Destiny's Child, just 150 00:06:27,560 --> 00:06:32,240 Speaker 3: a little bit Madonna's wild style with Janet Jackson's that right, 151 00:06:32,320 --> 00:06:35,400 Speaker 3: and it's and he will they are describing like the 152 00:06:35,440 --> 00:06:38,760 Speaker 3: perfect woman and by using all these contemporaries at the 153 00:06:38,800 --> 00:06:41,280 Speaker 3: time and then dreaming about the way they look. 154 00:06:42,279 --> 00:06:44,560 Speaker 5: But that's that's kind of also. I mean, listen, we've 155 00:06:44,600 --> 00:06:46,479 Speaker 5: talked about this a lot on the show too. Something 156 00:06:46,520 --> 00:06:48,960 Speaker 5: you hear that makes you think of the better version 157 00:06:49,160 --> 00:06:51,480 Speaker 5: of the thing you're listening to that comes up a lot. 158 00:06:51,839 --> 00:06:53,960 Speaker 5: Do you remember Salt and Pepper? There was in What 159 00:06:54,040 --> 00:06:56,360 Speaker 5: a Man? They like listed all the like my man 160 00:06:56,440 --> 00:06:59,600 Speaker 5: smooth like Barry and his voice got bass by like 161 00:06:59,640 --> 00:07:02,920 Speaker 5: auto with the Denzel face anyway, and they got they 162 00:07:02,960 --> 00:07:04,800 Speaker 5: build their man for liquid dreams. 163 00:07:05,000 --> 00:07:07,240 Speaker 4: For them, well, it goes back to liquid dreams. 164 00:07:07,240 --> 00:07:10,200 Speaker 2: They're they're fantasizing, these boys are fantasizing about these women 165 00:07:10,240 --> 00:07:13,600 Speaker 2: who are much much older and now they're much much older. 166 00:07:13,600 --> 00:07:15,480 Speaker 2: I mean, it's it's it's like dried up dreams at 167 00:07:15,480 --> 00:07:18,160 Speaker 2: this point, like like dusty dust dreams. 168 00:07:18,920 --> 00:07:23,720 Speaker 4: Even this is one that that boggled my mind for years. 169 00:07:24,120 --> 00:07:27,000 Speaker 4: How was Into the Night by Benny mardonez ever a 170 00:07:27,080 --> 00:07:31,240 Speaker 4: smash shit? Have you guys covered hit? Not yet? She's 171 00:07:31,480 --> 00:07:35,240 Speaker 4: just sixteen years old. Leave her alone. They said, he's 172 00:07:35,320 --> 00:07:38,560 Speaker 4: absolute in the video. He's literally with an underage girl, 173 00:07:38,640 --> 00:07:40,520 Speaker 4: a sixteen year old girl. We got it. We got it. 174 00:07:40,560 --> 00:07:43,480 Speaker 2: So talking about it, you could go on and on 175 00:07:43,560 --> 00:07:46,200 Speaker 2: and you will, but we have you talked about Benny 176 00:07:46,240 --> 00:07:47,920 Speaker 2: Mardona's Into the Night Afternoon. 177 00:07:47,600 --> 00:07:52,280 Speaker 4: But we have talked about this subject before. Yeah, it's 178 00:07:52,320 --> 00:07:55,440 Speaker 4: cold outside. Yeah. So there's a lot of predators in music. 179 00:07:56,120 --> 00:07:58,280 Speaker 3: It started with she was just seventeen, you know what 180 00:07:58,320 --> 00:08:01,520 Speaker 3: I mean. Yeah, like it was that era was always 181 00:08:01,560 --> 00:08:04,720 Speaker 3: kind of looking towards like younger, younger. 182 00:08:04,360 --> 00:08:06,720 Speaker 5: And not just that, like you know, I feel like Winger. 183 00:08:06,920 --> 00:08:09,280 Speaker 5: They had a song called seventeen that was like a 184 00:08:09,360 --> 00:08:10,480 Speaker 5: huge top twenty song. 185 00:08:10,520 --> 00:08:12,160 Speaker 4: We all forgot about Winger until. 186 00:08:12,080 --> 00:08:14,480 Speaker 8: Now were they seventeen when they wrote it? 187 00:08:14,640 --> 00:08:18,000 Speaker 4: No, they're like twenty eight. Oh yeah. 188 00:08:18,880 --> 00:08:21,000 Speaker 6: Do you guys ever do songs that don't have lyrics 189 00:08:21,000 --> 00:08:23,200 Speaker 6: like that dumb sandstorm stupid song? 190 00:08:23,280 --> 00:08:26,360 Speaker 4: Oh the rude, yes, just crazy. Yeah. 191 00:08:26,360 --> 00:08:28,720 Speaker 3: Well, we did a Beatles song that was like Revolution 192 00:08:28,800 --> 00:08:31,000 Speaker 3: number nine, which was like we were taking the Beatles 193 00:08:31,040 --> 00:08:33,160 Speaker 3: on and we were trying this like experimental one and 194 00:08:33,200 --> 00:08:34,680 Speaker 3: putting ourselves in that mindset. 195 00:08:34,760 --> 00:08:36,400 Speaker 4: But it's not a song that you want to just 196 00:08:36,480 --> 00:08:38,240 Speaker 4: throw on. No, no, no no. 197 00:08:38,400 --> 00:08:40,720 Speaker 5: I mean it's an interesting experiment, but it's nine minutes 198 00:08:40,760 --> 00:08:45,440 Speaker 5: of tape loose or whatever. But Animal Collective we did too, 199 00:08:45,559 --> 00:08:48,839 Speaker 5: which has like sort of nonsense lyrics and spaces. 200 00:08:48,920 --> 00:08:50,640 Speaker 3: But yeah, we wanted to do one of these like 201 00:08:50,800 --> 00:08:54,960 Speaker 3: art like art forward bands that you know, to be honest, 202 00:08:55,000 --> 00:08:56,800 Speaker 3: I really like that band and they're like kind of 203 00:08:56,800 --> 00:08:58,000 Speaker 3: more under the radar. 204 00:08:58,040 --> 00:09:01,560 Speaker 4: We don't want to just you know, like Rico Suave 205 00:09:01,800 --> 00:09:03,360 Speaker 4: and stuff. I don't want to just do hits. 206 00:09:03,400 --> 00:09:05,559 Speaker 3: We want to do songs that, like, you know, I 207 00:09:05,679 --> 00:09:07,840 Speaker 3: might have some niche following that we want to you know, 208 00:09:08,040 --> 00:09:11,080 Speaker 3: give some light to but also tear down a little 209 00:09:11,679 --> 00:09:11,920 Speaker 3: for you. 210 00:09:12,080 --> 00:09:13,920 Speaker 2: I got one for you, and I know that this 211 00:09:13,920 --> 00:09:16,600 Speaker 2: one over here Gandhi is a big fan this one. 212 00:09:17,480 --> 00:09:21,600 Speaker 2: Creed Stars are Blind by Paris Hilton. I don't know, 213 00:09:21,880 --> 00:09:24,120 Speaker 2: in the in the new season of their podcast give 214 00:09:24,120 --> 00:09:26,200 Speaker 2: it a chance. I know it's featured, yes, and I 215 00:09:26,400 --> 00:09:27,679 Speaker 2: want to do that one for a while. And the 216 00:09:27,920 --> 00:09:30,400 Speaker 2: problem was with that one for me was I also 217 00:09:30,520 --> 00:09:32,800 Speaker 2: like it. So sometimes it's like I want to just 218 00:09:32,840 --> 00:09:35,080 Speaker 2: put on the chopping block something that I think maybe 219 00:09:35,120 --> 00:09:38,480 Speaker 2: my taste, you know, might not be that great. So 220 00:09:38,600 --> 00:09:40,320 Speaker 2: let me just try this and see what Kevin thinks. 221 00:09:40,360 --> 00:09:42,400 Speaker 2: Since I know the world, it's like sometimes we'll hate 222 00:09:42,400 --> 00:09:43,079 Speaker 2: on that song. 223 00:09:42,960 --> 00:09:43,880 Speaker 4: And you like it, Kevin or not. 224 00:09:44,920 --> 00:09:47,480 Speaker 5: On a positive I felt like more positive than negative 225 00:09:47,520 --> 00:09:49,480 Speaker 5: on it. There was more in it than I thought 226 00:09:49,520 --> 00:09:51,320 Speaker 5: there was going to be. Oh you like that. 227 00:09:52,320 --> 00:09:53,560 Speaker 4: I love that. 228 00:09:54,200 --> 00:09:56,560 Speaker 5: It was not like a contemptible It wasn't like a 229 00:09:56,600 --> 00:09:57,800 Speaker 5: song you're like, oh I hate this. 230 00:09:57,920 --> 00:10:01,800 Speaker 3: It was well except the only reason somebody might hate 231 00:10:01,840 --> 00:10:03,400 Speaker 3: it is because they found out Paris Hilton. 232 00:10:03,600 --> 00:10:04,600 Speaker 4: Well that's we. 233 00:10:04,480 --> 00:10:06,839 Speaker 5: Talked a lot about that, of course, like how that 234 00:10:06,920 --> 00:10:10,400 Speaker 5: can obscure being able to hear the thing, the associations 235 00:10:10,440 --> 00:10:13,400 Speaker 5: with the person you know, it's a song totally or 236 00:10:13,440 --> 00:10:15,160 Speaker 5: even further back it's tied as. 237 00:10:15,120 --> 00:10:15,520 Speaker 9: High or what. 238 00:10:18,320 --> 00:10:18,600 Speaker 4: Have you? 239 00:10:18,600 --> 00:10:20,839 Speaker 8: Guys thought about doing a Christmas version of this? 240 00:10:21,920 --> 00:10:22,079 Speaker 2: Yeah? 241 00:10:22,120 --> 00:10:24,880 Speaker 4: We did a Christmas song? We did? Didn't we do 242 00:10:24,920 --> 00:10:29,360 Speaker 4: a Christmas song? Here? Did we did? For me? 243 00:10:29,559 --> 00:10:32,760 Speaker 3: You're like that song that you that like it discussed 244 00:10:32,800 --> 00:10:35,920 Speaker 3: a viral video song almost thing that you Christmas shoes? 245 00:10:38,720 --> 00:10:41,000 Speaker 3: We all agree that's just the worst song ever. We 246 00:10:41,080 --> 00:10:42,200 Speaker 3: did do a Christmas song? 247 00:10:42,720 --> 00:10:43,920 Speaker 4: Do they know it's Christmas time? 248 00:10:44,400 --> 00:10:47,320 Speaker 2: We did talk about that one, okay, because when that 249 00:10:47,440 --> 00:10:50,120 Speaker 2: came out they meant, well yeah, and. 250 00:10:50,240 --> 00:10:52,400 Speaker 4: We did talk about that. We did talk about that. 251 00:10:52,559 --> 00:10:54,120 Speaker 4: And sometimes it's yucky, right, like. 252 00:10:54,080 --> 00:10:57,240 Speaker 5: It has aged into kind of like you know White Savior. 253 00:10:58,320 --> 00:11:01,480 Speaker 5: Yeah yeah, yeah, like white rock star person that's like 254 00:11:01,600 --> 00:11:02,400 Speaker 5: we know what to do. 255 00:11:02,800 --> 00:11:07,840 Speaker 4: With think want to save the world. It's a freaking child. 256 00:11:07,920 --> 00:11:13,240 Speaker 4: It's bland. I think I'll get all my mates. I 257 00:11:13,320 --> 00:11:17,840 Speaker 4: will save the world with us one song, right and 258 00:11:17,880 --> 00:11:20,000 Speaker 4: that what was the one that came before it? Right? 259 00:11:20,960 --> 00:11:22,160 Speaker 4: We are the world? We are the world? 260 00:11:22,360 --> 00:11:25,559 Speaker 3: And remember the one that like recently, like was it 261 00:11:25,640 --> 00:11:27,920 Speaker 3: in COVID where like all those celebrities. 262 00:11:27,960 --> 00:11:32,240 Speaker 5: That what I will give us credit as a species 263 00:11:32,280 --> 00:11:36,200 Speaker 5: for some evolution that got like savage dimnut pop. 264 00:11:36,240 --> 00:11:40,280 Speaker 4: They were like the something serious. But back to uh 265 00:11:40,320 --> 00:11:43,520 Speaker 4: do the Christmas? The entrant know? They don't know which 266 00:11:43,559 --> 00:11:45,360 Speaker 4: Christmas And a lot of these countries they don't really 267 00:11:45,400 --> 00:11:47,960 Speaker 4: know which. I don't think they care. They don't care. 268 00:11:48,200 --> 00:11:51,960 Speaker 4: Do they care it's Christmas? The Christmas care? 269 00:11:53,160 --> 00:11:56,800 Speaker 5: We did like we did, like Phil Collins drums on 270 00:11:56,840 --> 00:11:57,160 Speaker 5: that song. 271 00:11:57,400 --> 00:12:00,960 Speaker 3: We found some positives a cool turnaround. 272 00:12:01,000 --> 00:12:02,600 Speaker 4: At one point we were like, that was cool. 273 00:12:02,840 --> 00:12:04,839 Speaker 2: So these are the conversations you have with your friends, 274 00:12:04,880 --> 00:12:08,720 Speaker 2: especially maybe after hitting an edible sitting around just like 275 00:12:09,160 --> 00:12:11,800 Speaker 2: just like Casey and Kevin, do give it a chance. 276 00:12:11,880 --> 00:12:15,040 Speaker 2: It is second season out right now? Is the whole 277 00:12:15,040 --> 00:12:15,600 Speaker 2: season out? 278 00:12:16,080 --> 00:12:16,520 Speaker 4: Or No, we're not. 279 00:12:17,200 --> 00:12:18,920 Speaker 3: We're not dropping at all. We're doing one at a time. 280 00:12:18,920 --> 00:12:21,400 Speaker 3: We're doing Yeah, maybe we'll do the stranger things. We'll 281 00:12:21,400 --> 00:12:23,480 Speaker 3: do four at a time and make you wait for 282 00:12:23,559 --> 00:12:28,320 Speaker 3: more and four now, yeah we have we were the holidays, 283 00:12:28,320 --> 00:12:30,079 Speaker 3: get so busy, we're gonna drop a few episodes, take 284 00:12:30,080 --> 00:12:31,559 Speaker 3: a small little break, and then drop some more. 285 00:12:31,559 --> 00:12:33,160 Speaker 4: So maybe we are doing this. Are you still having 286 00:12:33,160 --> 00:12:35,560 Speaker 4: fun doing it? Obviously you're doing it? Yeah? Yeah. I 287 00:12:35,600 --> 00:12:37,079 Speaker 4: was nervous. I was like, are we gonna run out? 288 00:12:37,080 --> 00:12:39,880 Speaker 3: And I just keep finding not only songs, but just 289 00:12:40,440 --> 00:12:44,320 Speaker 3: different ways to even think about these songs. And you know, 290 00:12:44,360 --> 00:12:46,400 Speaker 3: with the Paris Hilton when we were kind of talking 291 00:12:46,440 --> 00:12:50,160 Speaker 3: about her career and the hate that someone like a 292 00:12:50,240 --> 00:12:52,520 Speaker 3: celebrity would get and you know, born into this like 293 00:12:52,679 --> 00:12:55,360 Speaker 3: rich family, and so it's fun to talk about just 294 00:12:55,400 --> 00:12:57,080 Speaker 3: the icon themselves. 295 00:12:56,600 --> 00:12:59,800 Speaker 5: And the stuff around the song sometimes is as interesting 296 00:12:59,840 --> 00:13:02,680 Speaker 5: as the song itself, either positive or negative. 297 00:13:02,720 --> 00:13:03,760 Speaker 4: You know, there's a lots. 298 00:13:03,559 --> 00:13:05,360 Speaker 2: To do, so it's not just two guys sitting are talking. 299 00:13:05,400 --> 00:13:09,120 Speaker 2: You actually investigate you. Actually he's the I'm sure. 300 00:13:09,320 --> 00:13:11,520 Speaker 3: But you know that is a compliment that I've been 301 00:13:11,559 --> 00:13:13,600 Speaker 3: given from a friend who was like, I really like that. 302 00:13:13,640 --> 00:13:16,600 Speaker 3: Your podcast isn't just like two guys just talking. It's 303 00:13:16,679 --> 00:13:19,760 Speaker 3: it's got a thesis and it's got a statement, and 304 00:13:19,800 --> 00:13:22,200 Speaker 3: you follow this threat, and of course we go on tangents. 305 00:13:22,600 --> 00:13:24,920 Speaker 3: We're gonna say, we're gonna I always when I described 306 00:13:24,920 --> 00:13:26,360 Speaker 3: it originally to Kevin of what I want to do, 307 00:13:26,760 --> 00:13:28,360 Speaker 3: you know, I call it like a trampoline where it's 308 00:13:28,400 --> 00:13:30,840 Speaker 3: like we could always land back on the trampoline, which 309 00:13:30,880 --> 00:13:32,439 Speaker 3: is the show, and we could jump up and talk 310 00:13:32,480 --> 00:13:35,480 Speaker 3: about other things like within the world of Limp Biscuit 311 00:13:35,640 --> 00:13:37,760 Speaker 3: and like you know, new metal, but then come back 312 00:13:37,800 --> 00:13:40,319 Speaker 3: down to the song and it's it's it's fun totally. 313 00:13:40,360 --> 00:13:42,960 Speaker 5: And this might sound cheesy, but in truth, after we 314 00:13:43,120 --> 00:13:45,120 Speaker 5: every episode, one of us text the other one is 315 00:13:45,160 --> 00:13:46,439 Speaker 5: like so fun, Like it's. 316 00:13:46,240 --> 00:13:49,120 Speaker 6: Still still guys, do you still like each other? 317 00:13:49,280 --> 00:13:49,840 Speaker 4: Love? Okay? 318 00:13:50,440 --> 00:13:52,560 Speaker 2: Well, actually I love doing it. Because I tell you, 319 00:13:52,600 --> 00:13:55,320 Speaker 2: podcasts are not lucrative at all. So they show up 320 00:13:55,320 --> 00:13:56,800 Speaker 2: and they show up and they put them together. 321 00:13:57,200 --> 00:13:59,200 Speaker 8: In all of this, have you guys found a song 322 00:13:59,240 --> 00:14:00,640 Speaker 8: that you gave a chance. We're like, you know what, 323 00:14:00,800 --> 00:14:02,320 Speaker 8: that was not worth giving a chance? 324 00:14:02,400 --> 00:14:05,440 Speaker 4: Actually, for sure, it's always worth giving it the chance. 325 00:14:05,480 --> 00:14:07,360 Speaker 5: But there's definitely ones that you're like, oh no, this 326 00:14:07,440 --> 00:14:10,480 Speaker 5: is just out and now dog, you know such a yeah. 327 00:14:10,559 --> 00:14:10,959 Speaker 4: Yeah. 328 00:14:10,960 --> 00:14:13,600 Speaker 3: I got to think of which ones because it's often 329 00:14:13,640 --> 00:14:16,560 Speaker 3: that I actually leave thinking, oh that was I like that. 330 00:14:16,559 --> 00:14:18,000 Speaker 4: That was a little bit better than I thought. 331 00:14:18,240 --> 00:14:20,840 Speaker 3: But I think you know, things like Metallica sant Anger 332 00:14:21,000 --> 00:14:24,200 Speaker 3: Oh yeah, right, which is like I'm madly in anger 333 00:14:24,280 --> 00:14:29,440 Speaker 3: with you seeing that one more time, I'm madly in 334 00:14:29,560 --> 00:14:33,000 Speaker 3: anger with you. Like love that's a Metallica. I was like, 335 00:14:33,240 --> 00:14:34,320 Speaker 3: you know that's deep? 336 00:14:35,120 --> 00:14:36,800 Speaker 5: Is that also where he says I read that's another 337 00:14:36,800 --> 00:14:39,400 Speaker 5: word on that record? I can't remember now. My lifestyle 338 00:14:39,480 --> 00:14:46,040 Speaker 5: informs my death style lyric is awesome music like that 339 00:14:46,160 --> 00:14:46,840 Speaker 5: top Headfield. 340 00:14:47,120 --> 00:14:53,800 Speaker 6: It is with Alex I want you to say. 341 00:14:49,880 --> 00:14:55,840 Speaker 2: Ye, he would understand he's from Island. Give it a chance. 342 00:14:56,200 --> 00:14:58,520 Speaker 2: Host of the podcast Casey Jose and Kevin Devine. Thank 343 00:14:58,560 --> 00:15:01,560 Speaker 2: you for coming in and for season two. 344 00:15:02,120 --> 00:15:05,000 Speaker 4: Thank you, thank you for the opportunity, Yes, for having us. 345 00:15:05,040 --> 00:15:05,560 Speaker 4: It's awesome.