1 00:00:01,000 --> 00:00:06,000 Speaker 1: Jesse Tyler Ferguson is here. Hi, Jesse, I've all choked up. 2 00:00:06,720 --> 00:00:08,280 Speaker 2: I was looking at my friend who's just amongst all 3 00:00:08,320 --> 00:00:09,440 Speaker 2: these balloons in the corner. 4 00:00:12,000 --> 00:00:15,520 Speaker 1: Put her in the balloon corner. You will be there 5 00:00:15,520 --> 00:00:16,560 Speaker 1: all day, Rachel. 6 00:00:16,600 --> 00:00:17,960 Speaker 3: I hope I can find you afterwards. 7 00:00:18,880 --> 00:00:22,239 Speaker 1: Balloon saloon, They're everywhere. I love them. Well, Jesse, thank 8 00:00:22,280 --> 00:00:23,200 Speaker 1: you for coming in today. 9 00:00:23,280 --> 00:00:24,000 Speaker 3: Happy to be here. 10 00:00:24,160 --> 00:00:26,279 Speaker 1: Well, so we can talk about many things. We could 11 00:00:26,280 --> 00:00:29,080 Speaker 1: talk about TV shows. We could have talked about Broadway plays. 12 00:00:29,120 --> 00:00:32,760 Speaker 1: We could talk about podcasts. Let's do all all of them. 13 00:00:32,840 --> 00:00:33,680 Speaker 1: Where do you want to start? 14 00:00:33,800 --> 00:00:34,920 Speaker 3: Wherever you want to start? 15 00:00:35,159 --> 00:00:40,480 Speaker 1: Let's okay. Well, podcast podcasts have been uh the topic 16 00:00:40,560 --> 00:00:43,000 Speaker 1: in our room for so long now, and now especially lately, 17 00:00:43,159 --> 00:00:45,960 Speaker 1: they're like, we're all heating up. I'm starting mine. I heard, 18 00:00:46,159 --> 00:00:49,320 Speaker 1: so here we go. Don't be so resisting. I love it. 19 00:00:50,280 --> 00:00:51,040 Speaker 3: Here we go. 20 00:00:52,479 --> 00:00:53,280 Speaker 1: A long time. 21 00:00:53,400 --> 00:00:55,760 Speaker 2: I know this is ridiculous. He is really the track 22 00:00:55,800 --> 00:00:56,920 Speaker 2: marks on the floor where it's. 23 00:00:58,520 --> 00:01:00,880 Speaker 1: No I'll tell you what it is, and I'm assuming 24 00:01:01,000 --> 00:01:03,080 Speaker 1: you feel the same way. It's out of the comfort zone. 25 00:01:03,080 --> 00:01:05,600 Speaker 1: It's something that's different. Even though we interview people here 26 00:01:05,640 --> 00:01:06,840 Speaker 1: every day, it's a different. 27 00:01:06,600 --> 00:01:08,480 Speaker 2: Thing, like, we're really good at us. You should not 28 00:01:08,560 --> 00:01:11,080 Speaker 2: be worried. I have, like I can have some imposter 29 00:01:11,160 --> 00:01:13,200 Speaker 2: syndrome because this is not what I do. But you 30 00:01:13,400 --> 00:01:15,039 Speaker 2: having that is ridiculous. 31 00:01:16,160 --> 00:01:20,399 Speaker 1: Okay, slap me. I mean, I don't know. You know, 32 00:01:20,480 --> 00:01:23,280 Speaker 1: we interview people, but we have a clock ticking now 33 00:01:23,319 --> 00:01:26,160 Speaker 1: and we have to get things done by a certain time. Podcasts, 34 00:01:26,240 --> 00:01:27,440 Speaker 1: in the podcast world, you can. 35 00:01:27,360 --> 00:01:30,319 Speaker 2: Long form do whatever you want, and you can curse. 36 00:01:30,680 --> 00:01:33,600 Speaker 2: You can curse. Oh, absolutely anything you want. You could 37 00:01:33,640 --> 00:01:37,840 Speaker 2: do it pantless. I don't recommend it, right, go ahead. 38 00:01:38,040 --> 00:01:40,560 Speaker 1: You start. So after we're done with the show today, 39 00:01:40,560 --> 00:01:41,920 Speaker 1: will you stick around and do my podcasting? 40 00:01:42,160 --> 00:01:43,200 Speaker 3: Yeah? I think that's why I'm here. 41 00:01:43,280 --> 00:01:50,400 Speaker 2: Yeah, okay, this is just like the you know, the appetizer, Okay, 42 00:01:50,480 --> 00:01:51,040 Speaker 2: the big event. 43 00:01:51,280 --> 00:01:54,240 Speaker 1: I like how I just like Coily set you up, Like, oh, sure, 44 00:01:54,240 --> 00:01:55,880 Speaker 1: thanks for the invitation to be on your podcast. It 45 00:01:55,960 --> 00:01:59,240 Speaker 1: was already planned. It was already planned you guys. Anyway, 46 00:01:59,320 --> 00:02:02,360 Speaker 1: let's talk about on Me with Jesse Tyler Ferguson. Yes, 47 00:02:02,640 --> 00:02:05,559 Speaker 1: so you did mention to someone. It is a little 48 00:02:05,600 --> 00:02:08,760 Speaker 1: out of your comfort zone, but you enjoy pushing the boundaries. 49 00:02:09,040 --> 00:02:12,480 Speaker 2: I too, I've had this career that I'm very lucky 50 00:02:12,520 --> 00:02:16,600 Speaker 2: to have had, where I have gone into places that 51 00:02:16,639 --> 00:02:19,560 Speaker 2: I have never imagined going. I thought I was just 52 00:02:19,600 --> 00:02:22,000 Speaker 2: going to be a theater actor, and then I got 53 00:02:22,200 --> 00:02:24,160 Speaker 2: the opportunity to come to LA and be a part 54 00:02:24,160 --> 00:02:26,120 Speaker 2: of a show. This is actually before Modern Family, and 55 00:02:26,160 --> 00:02:28,040 Speaker 2: I was doing some TV work and I was like, well, 56 00:02:28,040 --> 00:02:30,000 Speaker 2: this is fun, and then Modern Family happened that was 57 00:02:30,040 --> 00:02:32,280 Speaker 2: not expected at all. Then when that was wrapping up, 58 00:02:32,280 --> 00:02:35,400 Speaker 2: I was asked to be the host of HGTV's reboot 59 00:02:35,440 --> 00:02:38,040 Speaker 2: of Extreme Makeover Home Edition, right like I was the 60 00:02:38,120 --> 00:02:40,040 Speaker 2: new Tie Pennington. I was like, well, this doesn't make 61 00:02:40,080 --> 00:02:42,639 Speaker 2: any sense, but if someone thinks that I'd be good 62 00:02:42,639 --> 00:02:44,360 Speaker 2: at this, like, let's try it. I had a great 63 00:02:44,440 --> 00:02:49,640 Speaker 2: time doing that, you know, I just I keep getting offered. 64 00:02:49,800 --> 00:02:52,120 Speaker 2: The Cocaine Bear is a perfect example. Who would have 65 00:02:52,160 --> 00:02:54,800 Speaker 2: ever thought let's put the guy from Modern Family up 66 00:02:54,840 --> 00:02:56,160 Speaker 2: in a tree and have him get mauled by a 67 00:02:56,200 --> 00:02:59,679 Speaker 2: coked up bear. Not me, but someone thought that was 68 00:02:59,720 --> 00:03:01,920 Speaker 2: a gonna. Like I was doing these fun things that 69 00:03:02,160 --> 00:03:04,079 Speaker 2: I never thought I would ever get to do, and 70 00:03:04,280 --> 00:03:07,240 Speaker 2: doing my own stunts since like you know, a podcast 71 00:03:07,320 --> 00:03:10,240 Speaker 2: just felt like another like thing that I never thought 72 00:03:10,639 --> 00:03:13,240 Speaker 2: I would be good at or want to do, and 73 00:03:13,280 --> 00:03:15,080 Speaker 2: I was like, well, let me just try it. And 74 00:03:15,120 --> 00:03:16,800 Speaker 2: I'm having a great time doing it, so I think 75 00:03:16,840 --> 00:03:17,600 Speaker 2: I'm pretty good at it. 76 00:03:17,680 --> 00:03:20,040 Speaker 1: What were your expectations and how were they shattered when 77 00:03:20,040 --> 00:03:22,280 Speaker 1: she started doing it? I mean, what does it turned 78 00:03:22,320 --> 00:03:23,640 Speaker 1: out to be like for you? 79 00:03:23,720 --> 00:03:25,600 Speaker 2: That's honestly been I feel like you're asking me these 80 00:03:25,680 --> 00:03:27,799 Speaker 2: questions because you're like, please tell me it's gonna be okay. Yeah, 81 00:03:28,440 --> 00:03:31,799 Speaker 2: and I'm here for that. Okay, It's better than I 82 00:03:31,840 --> 00:03:32,639 Speaker 2: expected it to be. 83 00:03:32,800 --> 00:03:35,560 Speaker 3: Truly. I was like, I don't need another full time job. 84 00:03:35,640 --> 00:03:37,560 Speaker 2: I love acting. I don't want to do something that 85 00:03:37,560 --> 00:03:39,600 Speaker 2: takes me away from that. But this, well, we are 86 00:03:39,600 --> 00:03:41,040 Speaker 2: in a writer strike right now, so there's no one's 87 00:03:41,080 --> 00:03:44,680 Speaker 2: acting right now, at least I'm not. Maybe they just 88 00:03:44,720 --> 00:03:46,240 Speaker 2: set up the writer strike to get me to stop 89 00:03:46,280 --> 00:03:48,280 Speaker 2: acting it. It's all you, Oh God, how can we 90 00:03:48,320 --> 00:03:51,760 Speaker 2: get in to stop doing that thing? But anyway, it's 91 00:03:52,040 --> 00:03:55,680 Speaker 2: something fun to do, and I'm really enjoying these conversations 92 00:03:55,680 --> 00:03:57,200 Speaker 2: that I'm having with people. You get to have these 93 00:03:57,200 --> 00:03:59,560 Speaker 2: conversations all the time, but like, I really enjoyed the 94 00:03:59,600 --> 00:04:02,280 Speaker 2: research part of it, and a lot of my guests 95 00:04:02,320 --> 00:04:04,760 Speaker 2: in my first season are people that I've already known 96 00:04:04,840 --> 00:04:06,520 Speaker 2: for a bit of time and I'm getting to learn, 97 00:04:07,200 --> 00:04:08,240 Speaker 2: you know, on a deeper level. 98 00:04:08,560 --> 00:04:10,200 Speaker 1: I love that. So it's dinner on me. 99 00:04:10,280 --> 00:04:10,800 Speaker 3: Dinner's on me. 100 00:04:10,880 --> 00:04:14,160 Speaker 1: Ye, dinner's on me. So I'm assuming there's restaurants involved. Yes, 101 00:04:14,200 --> 00:04:16,280 Speaker 1: and you're sitting at tables and restaurants and they bring 102 00:04:16,320 --> 00:04:16,720 Speaker 1: food out. 103 00:04:16,839 --> 00:04:18,680 Speaker 2: Yes, you eat that free. Yes, you do have the 104 00:04:18,720 --> 00:04:20,200 Speaker 2: concept of dinner down pat. 105 00:04:20,240 --> 00:04:22,719 Speaker 1: Okay, I think that through. 106 00:04:23,000 --> 00:04:25,200 Speaker 3: I never brought you a guest yet where you were like, Nope, 107 00:04:25,200 --> 00:04:26,159 Speaker 3: I don't want to talk to them. 108 00:04:26,360 --> 00:04:28,360 Speaker 2: No, not yet, No, No, I think I'd be willing 109 00:04:28,400 --> 00:04:30,120 Speaker 2: to talk to anyone. There's been a few people who 110 00:04:30,120 --> 00:04:33,320 Speaker 2: have come to me they said, would you would you 111 00:04:33,320 --> 00:04:34,480 Speaker 2: be interested in doing this person? 112 00:04:34,760 --> 00:04:35,839 Speaker 3: Oh that sounded so low. 113 00:04:36,400 --> 00:04:40,359 Speaker 2: I it's you're interested in interviewing this person in a 114 00:04:40,440 --> 00:04:44,240 Speaker 2: podcast format, that's to be more specific, And you know, 115 00:04:44,279 --> 00:04:45,719 Speaker 2: I was like, yeah, why not? I mean, I I 116 00:04:45,720 --> 00:04:47,600 Speaker 2: don't know them personally, but like, I would love to 117 00:04:47,600 --> 00:04:48,240 Speaker 2: get to know them better. 118 00:04:48,360 --> 00:04:50,200 Speaker 1: Well, it's your opportunity to get to know someone new. 119 00:04:51,320 --> 00:04:54,200 Speaker 2: I'm all about, you know, if they're willing to talk 120 00:04:54,200 --> 00:04:55,400 Speaker 2: to me, I'm willing to talk to them. 121 00:04:55,440 --> 00:04:55,719 Speaker 3: Sure. 122 00:04:55,760 --> 00:04:58,560 Speaker 1: So is it about food and I mean going out 123 00:04:58,640 --> 00:04:59,320 Speaker 1: and eating or. 124 00:04:59,320 --> 00:05:01,080 Speaker 2: What I guess a little bit. I mean we do 125 00:05:01,200 --> 00:05:03,680 Speaker 2: talk about you know, I wrote a cookbook. I'm part 126 00:05:03,720 --> 00:05:05,440 Speaker 2: of the culinary world and and sort of like an 127 00:05:05,760 --> 00:05:08,719 Speaker 2: and sort of in a fringe sort of way, like 128 00:05:08,720 --> 00:05:11,200 Speaker 2: I hosted the James Beard Awards a few times. I 129 00:05:11,240 --> 00:05:14,200 Speaker 2: have a great reverence for chefs in the culinary world. 130 00:05:14,560 --> 00:05:17,360 Speaker 2: So this was a kind of a marriage of those 131 00:05:17,640 --> 00:05:20,719 Speaker 2: of me liking to get to know people but also 132 00:05:21,120 --> 00:05:23,159 Speaker 2: enjoying food and going out. And so we do go 133 00:05:23,240 --> 00:05:25,919 Speaker 2: to go to restaurants. You hear the waiter comes to 134 00:05:25,960 --> 00:05:28,120 Speaker 2: the table. Sometimes it's a chef, you know, they talk 135 00:05:28,160 --> 00:05:30,520 Speaker 2: about the specials we order. It's kind of like, you know, 136 00:05:30,560 --> 00:05:32,800 Speaker 2: I'm the person at the restaurant that's like craning my 137 00:05:32,880 --> 00:05:35,279 Speaker 2: neck to see what other people are ordering. And so 138 00:05:35,320 --> 00:05:36,719 Speaker 2: like it's it's kind of like a fly on the 139 00:05:36,720 --> 00:05:38,520 Speaker 2: wall thing for for our guests. They get to sort 140 00:05:38,520 --> 00:05:42,520 Speaker 2: of listen to us eating and our cocktails involved they 141 00:05:42,560 --> 00:05:43,679 Speaker 2: can be see. 142 00:05:43,960 --> 00:05:46,479 Speaker 1: That was another concept we were thinking about in podcast world. 143 00:05:46,640 --> 00:05:47,760 Speaker 1: Is day drinking? 144 00:05:48,040 --> 00:05:50,680 Speaker 2: Sure, Yeah, because it's It makes me go to bed 145 00:05:50,800 --> 00:05:53,240 Speaker 2: very early exactly, usually sleep by two then, and I'm 146 00:05:53,240 --> 00:05:56,640 Speaker 2: thinking I'm already doing it, paid. 147 00:05:56,480 --> 00:05:58,200 Speaker 1: For it well as we put a microphone and someone 148 00:05:58,320 --> 00:06:04,360 Speaker 1: say why not? The guy on before you has an 149 00:06:04,360 --> 00:06:08,200 Speaker 1: incredible and incredible following on Instagram. Brian Can't Stop Eating 150 00:06:08,440 --> 00:06:10,479 Speaker 1: is his Okay, you got to follow this guy. He 151 00:06:10,520 --> 00:06:13,400 Speaker 1: goes every little and big and major and never heard 152 00:06:13,720 --> 00:06:15,720 Speaker 1: of before restaurant in New York City and now he's 153 00:06:15,800 --> 00:06:18,159 Speaker 1: going to other countries and he just makes the food 154 00:06:18,200 --> 00:06:20,640 Speaker 1: look so great and he actually quit his full time 155 00:06:20,720 --> 00:06:21,960 Speaker 1: job and this is what he does. 156 00:06:23,920 --> 00:06:25,279 Speaker 3: Yeah, that's a job that we can all do. 157 00:06:25,320 --> 00:06:29,240 Speaker 1: You guys, don't follow Brian Can't Stop Eating and I 158 00:06:29,240 --> 00:06:31,400 Speaker 1: wanted to do Elvis Can't Stop Drinking. I think that's 159 00:06:31,440 --> 00:06:33,520 Speaker 1: the show. Are you going to come and be a 160 00:06:33,520 --> 00:06:34,760 Speaker 1: part of this? Say yes, I. 161 00:06:34,680 --> 00:06:36,000 Speaker 3: Don't think I'm going to be able to be a 162 00:06:36,000 --> 00:06:36,719 Speaker 3: part of that show. 163 00:06:37,839 --> 00:06:40,760 Speaker 1: So let's talk about interviewing since this is a new 164 00:06:40,839 --> 00:06:43,680 Speaker 1: thing basically for you. Yeah, I mean, so what have 165 00:06:43,839 --> 00:06:47,159 Speaker 1: you learned so far that you're like, wow, this is 166 00:06:47,880 --> 00:06:50,760 Speaker 1: kind of great. It's a conversation. But I have to 167 00:06:50,760 --> 00:06:52,440 Speaker 1: be as an interviewer is someone who moves it on. 168 00:06:52,880 --> 00:06:54,240 Speaker 1: There's there's a little science to it. 169 00:06:54,240 --> 00:06:56,640 Speaker 2: There's a little I guess I'm still kind of figuring 170 00:06:56,720 --> 00:06:58,520 Speaker 2: that out. And if you want to give me any tips, 171 00:06:58,560 --> 00:06:59,560 Speaker 2: I'm happy to take them. 172 00:06:59,600 --> 00:07:02,880 Speaker 3: I wouldn't as an example, Yeah, I actually like wanted 173 00:07:02,920 --> 00:07:03,839 Speaker 3: to retract that happening. 174 00:07:04,440 --> 00:07:04,839 Speaker 1: Please do. 175 00:07:05,760 --> 00:07:08,159 Speaker 2: But I feel like I've been doing I've been on 176 00:07:08,200 --> 00:07:10,360 Speaker 2: the other side of this for so long. I've been 177 00:07:10,400 --> 00:07:13,400 Speaker 2: doing you know, I like twelve thirteen, fourteen years have 178 00:07:13,440 --> 00:07:15,120 Speaker 2: been able to be you know, in the in the 179 00:07:15,160 --> 00:07:17,760 Speaker 2: other seats. So like I've learned a lot just from osmosis. 180 00:07:18,760 --> 00:07:19,280 Speaker 3: I don't know. 181 00:07:19,360 --> 00:07:21,679 Speaker 2: I mean, it's all about funding your own style, I think. 182 00:07:22,360 --> 00:07:24,040 Speaker 2: And the great thing about podcast is you do have 183 00:07:24,080 --> 00:07:25,960 Speaker 2: that long format. I'm you're not like under the clock, 184 00:07:25,960 --> 00:07:27,320 Speaker 2: Like you keep looking at the clock and it makes 185 00:07:27,360 --> 00:07:29,240 Speaker 2: me nervous. So I actually have like three more minutes. 186 00:07:29,280 --> 00:07:30,440 Speaker 2: I'm like, I gotta get it all in. 187 00:07:30,880 --> 00:07:33,200 Speaker 1: No podcast, no talking, worry about that. 188 00:07:33,760 --> 00:07:36,480 Speaker 3: So and you can edit stuff out it's not are 189 00:07:36,480 --> 00:07:36,840 Speaker 3: we live? 190 00:07:37,040 --> 00:07:37,240 Speaker 1: Yeah? 191 00:07:37,480 --> 00:07:40,200 Speaker 2: Oh shoot see, I mean, like who knows, this could 192 00:07:40,240 --> 00:07:42,240 Speaker 2: have gone terribly wrong, but like in a podcast, we 193 00:07:42,280 --> 00:07:43,120 Speaker 2: could have edited. 194 00:07:42,920 --> 00:07:43,440 Speaker 3: All that out. 195 00:07:43,600 --> 00:07:46,440 Speaker 1: Absolutely, you can make yourself like a genius. Oh but 196 00:07:46,480 --> 00:07:48,840 Speaker 1: we do have this dump button here. Well that means 197 00:07:49,000 --> 00:07:54,480 Speaker 1: that just dropped. If you drop a nasty word, test 198 00:07:54,520 --> 00:07:59,360 Speaker 1: it no, no, because sometimes sometimes it works. 199 00:07:59,400 --> 00:08:00,400 Speaker 3: Yeah yeah, but in a. 200 00:08:00,440 --> 00:08:02,080 Speaker 1: Podcast, you don't need a dumb button. 201 00:08:02,120 --> 00:08:03,200 Speaker 3: What does that do it? 202 00:08:03,280 --> 00:08:05,880 Speaker 1: Actually, we are delayed like a certain amount of seconds. 203 00:08:05,920 --> 00:08:07,600 Speaker 1: So if you push that button, it goes back in. 204 00:08:07,600 --> 00:08:08,520 Speaker 3: The hatch and loss. 205 00:08:08,720 --> 00:08:12,720 Speaker 1: Yeah, it is that. It's the lost hatch. You push 206 00:08:12,720 --> 00:08:14,360 Speaker 1: a button and we go back in time. It's kind 207 00:08:14,400 --> 00:08:14,760 Speaker 1: of weird. 208 00:08:14,800 --> 00:08:16,760 Speaker 2: He just had a great idea, though, Why didn't we 209 00:08:16,840 --> 00:08:19,280 Speaker 2: install a trap door under that seat? 210 00:08:19,320 --> 00:08:19,600 Speaker 3: Dropped? 211 00:08:21,240 --> 00:08:25,240 Speaker 1: Ellen, it is into the alligator. 212 00:08:25,720 --> 00:08:28,880 Speaker 3: Yeah, this kind of darks so fast. 213 00:08:29,560 --> 00:08:32,160 Speaker 1: We were talking about Modern family the other day and 214 00:08:32,760 --> 00:08:37,199 Speaker 1: my favorite there was one scene with you guys, and 215 00:08:37,360 --> 00:08:43,040 Speaker 1: that made me laugh until I think I spotted my blouse. Okay, 216 00:08:43,480 --> 00:08:45,840 Speaker 1: you and Cam on the airplane and a lady behind 217 00:08:45,920 --> 00:08:48,079 Speaker 1: you looks at you tube and says, look at those 218 00:08:48,160 --> 00:08:49,480 Speaker 1: cream puffs the pilot. 219 00:08:49,520 --> 00:08:51,120 Speaker 3: That's like the first introduction time. 220 00:08:51,720 --> 00:08:54,400 Speaker 1: I didn't know that. Yeah, anyway, so look at those 221 00:08:54,400 --> 00:08:57,760 Speaker 1: cream puffs and you of course get all did you 222 00:08:57,800 --> 00:09:00,080 Speaker 1: look over and there's like two cream puffs on a plate, or. 223 00:09:01,920 --> 00:09:04,200 Speaker 2: Look at the baby with those cream puffs. The baby's 224 00:09:04,240 --> 00:09:05,760 Speaker 2: playing with cream puffs. That's right. 225 00:09:07,080 --> 00:09:09,720 Speaker 1: It just made me laugh so hard, and so so 226 00:09:09,800 --> 00:09:12,400 Speaker 1: I'm thinking, if I listened to a podcast, there's gotta 227 00:09:12,440 --> 00:09:14,559 Speaker 1: be there's gotta be some humor, and there's gotta be 228 00:09:14,600 --> 00:09:16,920 Speaker 1: some fun. Do you get serious in there too. 229 00:09:16,840 --> 00:09:20,400 Speaker 2: Yes, not like deadly serious, but like I talked to 230 00:09:20,480 --> 00:09:23,160 Speaker 2: Kristen Bell, like the room just got very quiet. Oh yeah, 231 00:09:23,480 --> 00:09:25,600 Speaker 2: but like I talked to Kristen Bell about mental health. 232 00:09:26,120 --> 00:09:29,640 Speaker 2: I talked to Padma Lockshmi about culinary appropriation, which was 233 00:09:29,640 --> 00:09:32,120 Speaker 2: a really interesting conversation. But then it's all wrapped in 234 00:09:32,120 --> 00:09:34,040 Speaker 2: like a very lighthearted conversation as well. We're not we're 235 00:09:34,080 --> 00:09:36,520 Speaker 2: not getting super deep, and you know it's not that's 236 00:09:36,559 --> 00:09:38,199 Speaker 2: not the type of show it is. You know, we're 237 00:09:38,240 --> 00:09:40,560 Speaker 2: also having a dinner. So it's just like I find 238 00:09:40,600 --> 00:09:42,440 Speaker 2: that people over a meal just open up in a 239 00:09:42,440 --> 00:09:44,199 Speaker 2: way that they wouldn't normally if they're sitting in like 240 00:09:44,240 --> 00:09:45,160 Speaker 2: an interview situation. 241 00:09:45,400 --> 00:09:47,040 Speaker 3: Is there anything you won't eat? Because I know if 242 00:09:47,080 --> 00:09:49,120 Speaker 3: they put anything like fish or mayonnaise in front of me, 243 00:09:49,160 --> 00:09:49,520 Speaker 3: I'm not. 244 00:09:49,480 --> 00:09:52,880 Speaker 2: Even fish or mayonnaise. Okay, well I will have both 245 00:09:52,880 --> 00:09:53,240 Speaker 2: of those. 246 00:09:55,240 --> 00:09:56,080 Speaker 1: It's the fish man. 247 00:09:56,679 --> 00:09:59,199 Speaker 2: Mine's like mine's like more like tripe, like you know, 248 00:09:59,520 --> 00:10:00,800 Speaker 2: like like stuff like that. 249 00:10:00,920 --> 00:10:01,960 Speaker 3: Yeah, no, I don't. 250 00:10:02,080 --> 00:10:04,600 Speaker 2: If you're on your stop is fishing mayonnaise? Like you're 251 00:10:04,640 --> 00:10:06,960 Speaker 2: not even getting anywhere near the restaurant that serves trip No, 252 00:10:07,080 --> 00:10:07,520 Speaker 2: thank you? 253 00:10:07,559 --> 00:10:07,920 Speaker 3: No. No. 254 00:10:08,400 --> 00:10:09,920 Speaker 1: So if you're doing this in a restaurant, is the 255 00:10:09,920 --> 00:10:12,000 Speaker 1: restaurant closed down while you're doing this or other people 256 00:10:12,040 --> 00:10:12,880 Speaker 1: just eating and listening to you? 257 00:10:12,960 --> 00:10:16,080 Speaker 2: Occasionally it's a mix of both. It depends what the 258 00:10:16,080 --> 00:10:17,960 Speaker 2: restaurant is and like what they're set up is. 259 00:10:18,200 --> 00:10:18,280 Speaker 1: Uh. 260 00:10:18,440 --> 00:10:20,679 Speaker 3: Sometimes we've been there during full service. Sometimes they open 261 00:10:20,760 --> 00:10:21,800 Speaker 3: up a little bit early for us. 262 00:10:22,160 --> 00:10:25,600 Speaker 2: It's it's the sound engineers have a fun time with 263 00:10:25,640 --> 00:10:28,520 Speaker 2: this show. Everything is a completely different situation. 264 00:10:28,640 --> 00:10:30,400 Speaker 3: Yeah, people seeing you and coming over in the middle 265 00:10:30,400 --> 00:10:31,480 Speaker 3: of it, like Hi, I don't mean. 266 00:10:32,960 --> 00:10:34,880 Speaker 2: I think when you have like two microphones in front 267 00:10:34,880 --> 00:10:36,560 Speaker 2: of you, like and like a whole bunch of producers 268 00:10:36,600 --> 00:10:38,880 Speaker 2: around you with cords and people are a little afraid. 269 00:10:38,679 --> 00:10:39,320 Speaker 3: To like approach you. 270 00:10:39,360 --> 00:10:45,080 Speaker 1: But yes, yeah, well so far I've had Kesha, which 271 00:10:45,200 --> 00:10:45,920 Speaker 1: was a trip. 272 00:10:46,160 --> 00:10:49,840 Speaker 3: Yes, she was awesome. No, talented. I saw her concert, 273 00:10:50,080 --> 00:10:52,520 Speaker 3: but you have let her in your lung still still yeah, yeah, 274 00:10:52,920 --> 00:10:53,960 Speaker 3: five years ago. 275 00:10:54,440 --> 00:10:58,559 Speaker 1: But she's also about her need to touch others from 276 00:10:59,320 --> 00:11:04,079 Speaker 1: from other glex. She's ready to be kidnapped in probe, 277 00:11:04,080 --> 00:11:06,560 Speaker 1: you know what I'm saying. Wow, And she got to 278 00:11:06,600 --> 00:11:11,000 Speaker 1: hold this guy's skull like a dead murderer's skull, and 279 00:11:11,120 --> 00:11:13,880 Speaker 1: she played with anyway. It was an hour long these conversations. 280 00:11:13,960 --> 00:11:15,440 Speaker 3: I literally have the same stories. What are we going 281 00:11:15,480 --> 00:11:18,000 Speaker 3: to talk about? 282 00:11:18,880 --> 00:11:21,600 Speaker 1: It was fascinating to have the time to hear her 283 00:11:21,640 --> 00:11:24,840 Speaker 1: stories and how she really rolls around in and loves 284 00:11:24,920 --> 00:11:28,040 Speaker 1: being unique. But to be able to stop down and 285 00:11:28,160 --> 00:11:30,600 Speaker 1: like ask her why, well, why do you think you 286 00:11:30,600 --> 00:11:33,320 Speaker 1: you feel this way? When they were And that's what 287 00:11:33,400 --> 00:11:34,680 Speaker 1: the podcast format can often. 288 00:11:34,720 --> 00:11:37,680 Speaker 2: I think a lot of times talent, I call myself talent, 289 00:11:37,840 --> 00:11:40,160 Speaker 2: your talent. But like the people that you're interviewing, they 290 00:11:40,240 --> 00:11:42,839 Speaker 2: appreciate that that more of a deep dive into these 291 00:11:42,880 --> 00:11:45,000 Speaker 2: stories because we don't get an opportunity to tell them 292 00:11:45,000 --> 00:11:47,480 Speaker 2: a lot, you know, at least on regular interview shows. 293 00:11:47,520 --> 00:11:50,280 Speaker 1: Are you familiar with Mo Rocca? Of course he was 294 00:11:50,320 --> 00:11:53,000 Speaker 1: here yesterday for the podcast We Love Love. 295 00:11:52,880 --> 00:11:56,000 Speaker 2: Moroacca tested for Mitchell Pritchett and Modern Family but did 296 00:11:56,000 --> 00:12:03,640 Speaker 2: not get it. Morocca Kendal and I knew each other 297 00:12:03,640 --> 00:12:05,880 Speaker 2: because he was a part of the cast of the 298 00:12:05,880 --> 00:12:07,760 Speaker 2: twenty fifth annual Putnam County Spelling Be Me, which is 299 00:12:07,760 --> 00:12:10,080 Speaker 2: the show I did on body exactly that he joined 300 00:12:10,080 --> 00:12:13,080 Speaker 2: the cast after I joined it. But then I knew 301 00:12:13,120 --> 00:12:15,640 Speaker 2: that when I was testing from Modern Family, that there 302 00:12:15,720 --> 00:12:17,880 Speaker 2: was a two other people that were testing and they 303 00:12:17,960 --> 00:12:21,599 Speaker 2: submitted tape. They were testing from New York. And I 304 00:12:21,679 --> 00:12:24,520 Speaker 2: was leaving the room after my in person test and 305 00:12:24,760 --> 00:12:27,680 Speaker 2: they were setting up the next thing, And as I 306 00:12:27,679 --> 00:12:29,320 Speaker 2: was leaving the room, I saw mo RockA on the 307 00:12:29,360 --> 00:12:32,840 Speaker 2: screen saying the first lines of the scene for Modern 308 00:12:32,880 --> 00:12:34,000 Speaker 2: Family of Mitchell Purchett. 309 00:12:34,240 --> 00:12:35,720 Speaker 3: I love him. He's so talented. 310 00:12:35,760 --> 00:12:40,400 Speaker 1: And you know what, he's not Mitchell Purchett. He's one 311 00:12:40,400 --> 00:12:43,400 Speaker 1: of those guys you could just have eighteen at nineteen 312 00:12:43,440 --> 00:12:47,080 Speaker 1: hour conversations. Yeah, he's brilliant. Yeah, he's just great. So 313 00:12:47,120 --> 00:12:49,199 Speaker 1: he's he's my second guest on the podcast. 314 00:12:49,480 --> 00:12:50,200 Speaker 3: That's a good guest. 315 00:12:50,240 --> 00:12:51,520 Speaker 1: So and you're my third. 316 00:12:51,640 --> 00:12:52,920 Speaker 3: Wow, you're really on a roll. 317 00:12:53,080 --> 00:12:56,880 Speaker 1: I save, by the way, just turning us on it's 318 00:12:56,960 --> 00:13:00,320 Speaker 1: Jesse Tider Ferguson. His podcast is called Dinner on Me 319 00:13:00,600 --> 00:13:03,320 Speaker 1: with Jesse Tyler Ferguson. How many episodes deep are you? 320 00:13:03,360 --> 00:13:03,400 Speaker 3: Do? 321 00:13:03,440 --> 00:13:06,400 Speaker 2: You know, I'm committed to doing twenty four and I've 322 00:13:06,720 --> 00:13:09,280 Speaker 2: done about sixteen at this point. Oh my god, I 323 00:13:09,360 --> 00:13:14,400 Speaker 2: think five are the Fred Armison episode drops today? 324 00:13:14,559 --> 00:13:16,160 Speaker 3: How was he amazing? 325 00:13:16,440 --> 00:13:16,640 Speaker 1: Right? 326 00:13:17,000 --> 00:13:19,559 Speaker 2: He had done an episode of Modern Family. Everyone in 327 00:13:19,840 --> 00:13:22,720 Speaker 2: the first season of this podcast. If there's a second one, 328 00:13:22,720 --> 00:13:24,520 Speaker 2: who knows what will happen. But like, are people that 329 00:13:24,520 --> 00:13:27,599 Speaker 2: I've met in some capacity. So I just made a 330 00:13:27,600 --> 00:13:30,120 Speaker 2: lot of personal calls its first season. But I mean 331 00:13:30,240 --> 00:13:33,839 Speaker 2: I also realized, like how many fun, fancy people I 332 00:13:34,120 --> 00:13:36,200 Speaker 2: have gotten to meet because I've gotten a really great 333 00:13:36,280 --> 00:13:37,280 Speaker 2: roster this first season. 334 00:13:37,800 --> 00:13:39,960 Speaker 1: It's Dinners on Me by the way, I left, and 335 00:13:39,960 --> 00:13:42,079 Speaker 1: everyone in the room is putting up apostrophy essays. 336 00:13:42,080 --> 00:13:47,560 Speaker 2: I'm like, ah, I was gonna let it slide. 337 00:13:47,760 --> 00:13:49,640 Speaker 3: I still have your bow tie company. 338 00:13:49,720 --> 00:13:52,400 Speaker 1: Sort of, Yes, I still had the bow ties you barmis. 339 00:13:52,160 --> 00:13:54,079 Speaker 3: Oh yeah, yeah, that's right. That was so long ago. 340 00:13:54,200 --> 00:13:54,560 Speaker 3: My yeah. 341 00:13:54,720 --> 00:13:58,520 Speaker 2: Yeah. It's now morphed into another foundation called Pronoun, but 342 00:13:58,960 --> 00:14:00,960 Speaker 2: we we do sell proper ex still and because there 343 00:14:01,040 --> 00:14:03,600 Speaker 2: some kinds of part of that yeah. 344 00:14:02,920 --> 00:14:07,000 Speaker 1: So recently on Broadway and Take Me Out, which, uh, 345 00:14:07,240 --> 00:14:09,360 Speaker 1: what a great play. You were fantastic, by the way, 346 00:14:09,440 --> 00:14:11,520 Speaker 1: thank you. So I was telling them a story. My 347 00:14:11,800 --> 00:14:16,160 Speaker 1: nephew did the Dallas version of really Yeah, and but 348 00:14:16,280 --> 00:14:20,120 Speaker 1: he was one of the players. So his mother, my sister, Yes, 349 00:14:21,040 --> 00:14:23,200 Speaker 1: sat in the audience and watched her son's penis is 350 00:14:23,280 --> 00:14:24,359 Speaker 1: going back and forth. 351 00:14:24,280 --> 00:14:26,400 Speaker 3: Yes and yeah. 352 00:14:26,520 --> 00:14:28,520 Speaker 1: And it was just kind of an odd thing for 353 00:14:28,560 --> 00:14:31,800 Speaker 1: her to watch her weird because last time she was 354 00:14:31,800 --> 00:14:33,240 Speaker 1: near it was when it was much smaller. 355 00:14:33,320 --> 00:14:38,560 Speaker 3: Yes, I'm assuming she was, I hope. So what a. 356 00:14:38,480 --> 00:14:40,560 Speaker 1: Great what a great a great play. That must have 357 00:14:40,560 --> 00:14:41,200 Speaker 1: been a lot of fun. 358 00:14:41,400 --> 00:14:42,520 Speaker 3: It is a great play. 359 00:14:42,640 --> 00:14:45,040 Speaker 2: There is some nudi in bof I was not one 360 00:14:45,040 --> 00:14:46,240 Speaker 2: of the people that have to be nude in the 361 00:14:46,320 --> 00:14:48,760 Speaker 2: in the show, I was one few characters that's kept 362 00:14:48,760 --> 00:14:54,440 Speaker 2: his pants on right to my chagrin. But it was 363 00:14:54,480 --> 00:14:57,680 Speaker 2: a very profound experience. The show itself won the Tony 364 00:14:57,680 --> 00:15:00,440 Speaker 2: Award for Best Revival. I wanted Tony word for Best 365 00:15:00,440 --> 00:15:03,760 Speaker 2: Supporting Actor, which was a thank you, A very big 366 00:15:03,840 --> 00:15:04,480 Speaker 2: dream of mine to. 367 00:15:04,720 --> 00:15:05,520 Speaker 3: Have a Tony Awards. 368 00:15:05,560 --> 00:15:06,280 Speaker 1: Where do you keep it. 369 00:15:07,040 --> 00:15:07,920 Speaker 3: You know, it's so funny. 370 00:15:07,920 --> 00:15:10,960 Speaker 2: My husband, Justin is a producer and started producing stuff 371 00:15:11,000 --> 00:15:13,600 Speaker 2: on Broadway a few years ago and won a Tony 372 00:15:13,600 --> 00:15:15,680 Speaker 2: Award like on his first show out, and I was like, 373 00:15:15,720 --> 00:15:18,920 Speaker 2: I've been in this business for twenty years and you 374 00:15:19,000 --> 00:15:21,400 Speaker 2: dip your toe into the theater world and they throw 375 00:15:21,440 --> 00:15:25,600 Speaker 2: you a Tony Award? How dare you? And since then 376 00:15:25,640 --> 00:15:28,120 Speaker 2: he's won two before I won even one. So I 377 00:15:28,200 --> 00:15:30,800 Speaker 2: finally got my Tony Award. He has two, I have one, 378 00:15:30,880 --> 00:15:32,440 Speaker 2: and so we just put I just put in between 379 00:15:32,440 --> 00:15:33,360 Speaker 2: his two Tony Awards. 380 00:15:34,040 --> 00:15:35,160 Speaker 3: That's where sandwich. 381 00:15:35,760 --> 00:15:38,040 Speaker 1: Yeah, thank you for coming in today. 382 00:15:38,120 --> 00:15:39,360 Speaker 3: Happy to be here, Thanks for having me. 383 00:15:39,400 --> 00:15:40,960 Speaker 1: So many people ever died to come in and say 384 00:15:41,040 --> 00:15:42,880 Speaker 1: hi to you, including Daniel Sunspec. 385 00:15:43,040 --> 00:15:46,520 Speaker 3: I know I signed up. What are those things called Popco's? Yeah, 386 00:15:47,600 --> 00:15:50,200 Speaker 3: they never made any of the kids from Modern Family. 387 00:15:50,240 --> 00:15:51,520 Speaker 1: They only made you guys. 388 00:15:51,640 --> 00:15:54,080 Speaker 2: I know, I know there's a special one that's like 389 00:15:54,240 --> 00:15:55,600 Speaker 2: just me and Cam in the same box. 390 00:15:55,680 --> 00:15:58,040 Speaker 3: That's a collector's item. Yes, excellent. 391 00:15:58,080 --> 00:15:59,600 Speaker 1: Heaven you here and I can't wait to get you 392 00:15:59,640 --> 00:16:01,240 Speaker 1: on the PODK cast in twenty minutes. 393 00:16:01,320 --> 00:16:02,200 Speaker 3: Yeah, just stick around. 394 00:16:02,200 --> 00:16:03,320 Speaker 1: What are you gonna do? You wanna go to like 395 00:16:03,520 --> 00:16:04,840 Speaker 1: catch a movie shot. 396 00:16:04,880 --> 00:16:06,600 Speaker 3: I saw some Virgil's barbecue out there. 397 00:16:06,680 --> 00:16:11,120 Speaker 1: Do it, do it? Get smokey. Jesse Tyler Ferguson. It's 398 00:16:11,280 --> 00:16:15,720 Speaker 1: a podcast called Dinners on Me with Jesse Tider Ferguson. 399 00:16:15,720 --> 00:16:17,320 Speaker 3: Thank you for Dinners with a it's not Dinners with 400 00:16:17,320 --> 00:16:18,480 Speaker 3: the tea divis. 401 00:16:19,320 --> 00:16:21,320 Speaker 1: Thank you for coming in happy, it's a pleasure to 402 00:16:21,320 --> 00:16:25,400 Speaker 1: have you here. We'll be back after this. I've listened 403 00:16:25,400 --> 00:16:28,040 Speaker 1: to you guys literally since I've sticked years old. Wow, 404 00:16:28,080 --> 00:16:31,200 Speaker 1: this is the best day of my life. Telvistran in 405 00:16:31,280 --> 00:16:32,000 Speaker 1: the Morning show