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Speaker 1: Welcome back to another episode that was with me this

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Speaker 1: I'm your host, Kevin poll Yes, that Kevin Pollock. What's that?

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Speaker 1: How old was I when I was first started perfor

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Speaker 1: when I first started performing level many years ago? Uh? Someone,

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Speaker 1: I just invented fire? But I take let's meet kamis

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Speaker 1: shall we in no particular orders to take? Hello? That's

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Speaker 1: how's about a highlight or six from your recent family getaway?

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Speaker 1: Snow sliding? It's not the pyramid, feeding ducks, feeding goats,

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Speaker 1: feeding grandparents? Yeah? Oh Santa? Um? And then I'm out sure, Sure,

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Speaker 1: it's a great list. Wait for it. Greig Atkowski stares

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Speaker 1: at me presently, KAO, at what price? Happiness? Um? It's invaluable.

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Speaker 1: Put a price on it, and if you had to,

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Speaker 1: you'll also never attain it. So what's I don't believe

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Speaker 1: it's a thing that you can purchase. I don't think.

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Speaker 1: I don't think happy. This is a thing you look,

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Speaker 1: we're happy right now? No, I'm a clown hurting inside.

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Speaker 1: Thank you for sharing? Did someone? Paige James Heeney to

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Speaker 1: hug Craig Kakowski, Oh Jimmy too, as well as three times,

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Speaker 1: what is your favorite nut? And why? Oh, my favorite

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Speaker 1: nut is the cash you because, well, because it's I

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Speaker 1: feel like it's it's buttery, and it goes really well

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Speaker 1: in a vegetarian chili. It's it's a versatile nut. You

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Speaker 1: look at Christen, you said, because I thought somebody here

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Speaker 1: has I don't know. I don't know. No, No, my

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Speaker 1: favorite thing about vegetarians is how much they hate vegetables. Um.

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Speaker 1: Oh damned if you don't. It's Chris Alvarado, Chrish, what

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Speaker 1: the crinkle fries cheeks? How did I not know? You

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Speaker 1: used to perform at children's parties? How did you not

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Speaker 1: know that? Um? Probably because you don't have any children

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Speaker 1: of your own? That's right, Um, that's number one. Anybody

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Speaker 1: in this town who has a child they've hired me.

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Speaker 1: And then yeah, thank you, And then I can't I

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Speaker 1: can't say. I can't end this intro without commenting on

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Speaker 1: Craig's not believing in happiness. Jeez, that really stomped on me, right,

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Speaker 1: but it kills me and I'm also filled with envy

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Speaker 1: at the same time. A lot's going on in here.

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Speaker 1: Hired me for all your children's parties, Hire the envious,

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Speaker 1: sad and last, but may a unusually fast turtle reach

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Speaker 1: you before I do. If you think release it's Caroline

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Speaker 1: Catter now sweeter Caroline. If you could save time in

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Speaker 1: a bottle, what's the first thing you would do? Think

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Speaker 1: it's saved time in a bottle? Uh, put sand in it.

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Speaker 1: That's all right, that's exactly right. You win the prize.

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Speaker 1: I don't know. I don't really get answer though. Yeah,

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Speaker 1: I mean, if Jim croachould come up with that answer,

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Speaker 1: I think we have a shorter song. All right, let's

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Speaker 1: get to the damn show. Salwippy made as always a

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Speaker 1: special thanks to our patron v i P members, those

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Speaker 1: of you who refused to become a super core fan.

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Speaker 1: Good for you. Okay, right on, but should you change

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Speaker 1: your mind? Their bonus episodes there for your dedicated phone line.

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Speaker 1: I'm starting to get emails now saying, yeah, keV, we

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Speaker 1: got it. You got a Patreon page, so maybe less

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Speaker 1: of this. It's a nice reminder. It's a nice reminder.

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Speaker 1: That's it. It's just a reminder. And I guess what

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Speaker 1: they're saying is we're listening to all the episodes in

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Speaker 1: a row and you keep talking. Um. So anyways, if

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Speaker 1: you're interested, go to patron dot com slash Alchemy this.

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Speaker 1: Almost all of our scene suggestions are gathered from our

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Speaker 1: listener emails. If you'd like to send me yours, submit yours,

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Speaker 1: Please write to the podcast that your name here at

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Speaker 1: alchemy this dot com. That's your name here at alchemy

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Speaker 1: this dot com. I say almost all because I've seen

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Speaker 1: one comes from patron v I P. Paul Hatton. And

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Speaker 1: if you are a v I P you get first

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Speaker 1: DIBs on your scene suggestions priority, Paul wrote, Lena. Next

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Speaker 1: your just a fact, Kevin. Paul writes, I keep seeing

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Speaker 1: you around my house. Well I'm not that great of

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Speaker 1: a hider apparently, and then you write speaking of brownies.

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Speaker 1: I'm sure there's a bridge connecting these two things. Do

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Speaker 1: you remember when that group of strangers were stuck on

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Speaker 1: the elevator with their pets on their way to the

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Speaker 1: Dangerous Exotic Pets Convention? Please do love Paul Hatton from Maryland.

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Speaker 1: You know you push for please? Can you push for

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Speaker 1: for me? There? Thank you. I don't think you're allowed

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Speaker 1: to have that animal in the elevator. And your poodle

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Speaker 1: is fine, Well my poodle is it's a domestic animal.

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Speaker 1: Yours is what I don't know it's exactly sure what

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Speaker 1: that is. It looks like some sort of it's an

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Speaker 1: upright type dog. Is that a kangaroo upright type? I

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Speaker 1: don't know what that is. I've never seen one of those.

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Speaker 1: I'm sorry, but my poodle is getting a little bit

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Speaker 1: agitated by it. Well, when my upright dog takes your

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Speaker 1: poodle down, if you know what I'm saying, standby guys,

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Speaker 1: please do not fight with their animal down. Okay, okay, okay,

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Speaker 1: I'll calm down. All right, fellas, what floor do you want?

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Speaker 1: I'm also going to four? Okay, damn right you are. Um.

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Speaker 1: Elevator takes a while, so I did press for but

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Speaker 1: ven trying to close door button. I don't think I

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Speaker 1: want that person coming. They've got another animal and it's

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Speaker 1: thank god I made it slow. Everybody keep your voices down,

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Speaker 1: except me, because it knows my voice not to brag,

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Speaker 1: but I want to agitate it. Can you press seven

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Speaker 1: and then six and then five and then four in

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Speaker 1: that order? That's that's that is not going to fit

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Speaker 1: on the elevator. I'm not in God. Everyone, do we

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Speaker 1: want to talk about what's going on? Or just talk

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Speaker 1: about not going to talk about what that is in

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Speaker 1: the elevator. It's a joke. I get it. It's a

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Speaker 1: pod can I guess it's named Dumbo. That's incorrect. What

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Speaker 1: what is its name? Why is their tone against me?

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Speaker 1: You've got an upright dog and you have no one?

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Speaker 1: You're seen a kangaroo before? That? Is that a kangaroo

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Speaker 1: to punch something? Right? Dog? It's a weird looking at

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Speaker 1: the baby. Recognize an elephant when I see one, But

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Speaker 1: that thing is weird. This is not just an elephant?

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Speaker 1: Is a pigmy? Really? Yes? Have you ever seen an

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Speaker 1: elephant this small before? I just figured up. It's not

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Speaker 1: a baby. This is a grown, full grown woman elephant

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Speaker 1: a place? Who just got in? You guys going to

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Speaker 1: the Exotic Pet Convention? Yes, and then we're also going

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Speaker 1: to floor five, six and seven if you need to exotic.

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Speaker 1: I thought it was Oh what did you think it was?

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Speaker 1: I don't know. I guess I thought it was erotic

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Speaker 1: erotic pet condition my mistakes. Excuse me, I've got to going.

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Speaker 1: I don't want I think you're stuck. A kimono dragon, sir,

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Speaker 1: It is a kimono dragon. Yes, it's a dragon wearing

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Speaker 1: kimono doesn't have a name. Yes, is it a kimodo? No,

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Speaker 1: this is a kimono dragon. Your first guest was right, yes, Hey, Jerry,

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Speaker 1: I don't want to say I set up all the

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Speaker 1: folding chairs and the tables for the convention today. I

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Speaker 1: was thinking, if it's cool to you, do you think

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Speaker 1: I can pet some of the animals at this time?

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Speaker 1: Remember on a hundred and ten percent, you did all

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Speaker 1: your work. Why wouldn't it be That's what I thought.

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Speaker 1: I thought, if I did all my work, that I

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Speaker 1: could pet the animals. Of course you can. Are you

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Speaker 1: gonna bring are you gonna bring your animal out? Yeah?

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Speaker 1: Because I hear it rambling around in the cage. Yeah,

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Speaker 1: he just needs to sleep. He just needs don't don't

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Speaker 1: just just let them let him rest for a bit

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Speaker 1: and then yeah, just go for the animals are okay?

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Speaker 1: I get the pedamal right, because you said even if

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Speaker 1: they're exotic, I still get the pedum. The pedam with

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Speaker 1: pedam all the way, pedamen. I want you to have

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Speaker 1: a good time to thank you, thank you. I see

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Speaker 1: the elevator coming up. It's almost showtime. Break a leg,

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Speaker 1: all right, there you go, Phillis Hi everybody, and welcome

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Speaker 1: to the Exotic Pet Convention. Yeah, welcome here. Here are

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Speaker 1: some name tags. You can fill those out yourselves so

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Speaker 1: everyone knows who you are. You the registration table. Yes, sir, Yes, ma'am,

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Speaker 1: this is Phyllis. I work in the elevator. Yeah, I

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Speaker 1: know who you are. Phyllis based to the ride. A. Sorry,

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Speaker 1: this happens all the time. Yes, my elephant's name is Vadra. Okay,

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Speaker 1: we'll go ahead, and the pH just thought I could

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Speaker 1: contribute something with that, So put one name tag on

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Speaker 1: you and one name tag on your on your animal,

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Speaker 1: how do we put a name tag on her? That's

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Speaker 1: up to you, Phyllis, Where are you going? Just back

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Speaker 1: in the elevent I know I can't or else people

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Speaker 1: couldn't use the elevator. I did all my work, Jerry said,

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Speaker 1: I could touch all the animals. This Your only work

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Speaker 1: was to hand out the name tag. No, I set

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Speaker 1: up all these tables and chairs. Oh that's really good. Um,

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Speaker 1: maybe you can hang up for a while, I guess yeah,

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Speaker 1: why not? A couple of minutes can't hurt people get

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Speaker 1: having access to the elevator. Whatever you du don't go

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Speaker 1: in that room because Jerry's animal is going to make

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Speaker 1: a big surprise entrance. So fun. Okay, okay, sir, Oh,

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Speaker 1: excuse me. I think I made a mistake. I thought

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Speaker 1: it's it's exotic in my poodle. Huh. I thought we

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Speaker 1: were doing like, you know, like dressing your animal ball

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Speaker 1: up pictures like I didn't realize. Is there something that

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Speaker 1: we can do to make my dog look a little

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Speaker 1: bit more exotic? Yes? Complain what do you want? We

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Speaker 1: got hats, we got shoes, you name it, we have it.

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Speaker 1: I just wanted to fit in. I'm a little bit

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Speaker 1: I feel like everybody else hays something. Why does it

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Speaker 1: look like that dog has pubes? Why did you shave

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Speaker 1: your dog like that? Well, it's it's traditional poodle shavings. Like,

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Speaker 1: that's stop traditional. That looks like that dog has pubes.

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Speaker 1: Well I left there, Like you know, exotic animals can

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Speaker 1: have different looks, right, we don't know. Foodle with a big,

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Speaker 1: huge but I decided to keep the poofy part in

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Speaker 1: the in the crash. A lot of animals have different

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Speaker 1: showing you have different plumage, so different poodle grow fur

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Speaker 1: around it's vagina and that's one has a big but

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Speaker 1: you've never seen that exotic nineteen seven really, a dog's

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Speaker 1: belly has a soft a soft off on it a little.

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Speaker 1: Usually it's just a strip of nothing. Is that a

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Speaker 1: poodle market you've put on your well, I didn't put

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Speaker 1: it on there. It grew it in and I've just

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Speaker 1: sculpted it. It's it's sculpting, poodle sculpting. Hi, sir, your

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Speaker 1: name please? My name is Hashi, Hashi oh I couldn't

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Speaker 1: pronounce it. And what's your animal's name? Animal's name is

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Speaker 1: Uri Uri okay? And what type of animal is it?

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Speaker 1: It's a kimono druve kimono, okay. And what region is

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Speaker 1: it from Japan? And what region are you from Japan? Awesome? Okay?

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Speaker 1: Now will you be entering any of the competitions this afternoon? Yes?

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Speaker 1: All of them? Okay, all of them, including the partner dance. Yes,

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Speaker 1: we're leading with the partner dance. Yes, yes, yes, okay,

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Speaker 1: terrific and okay, if I can just have you signed

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Speaker 1: this waiver here it says that when Jerry's animal comes out,

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Speaker 1: which is the most famous animal here, if something happens

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Speaker 1: to your animal, it's your fault. Type of animals, Jery,

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Speaker 1: We don't know, okay, I don't know if I don't

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Speaker 1: know if I can sign this waiver. Well, we're all

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Speaker 1: gonna have fun probably anyway. You know. I take Eury

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Speaker 1: to a lot of conventions all around the world. Wow, Phillis,

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Speaker 1: that's a dragon. Huh. Phillis and I are kind of

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Speaker 1: a thing, right, Yeah, we just casually have sex with

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Speaker 1: each other. Beyond that, I don't want him. Yeah, it

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Speaker 1: sounds like more of a thing for him. That's exactly

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Speaker 1: what's happening. It's a beautiful animal. Thank you. I feel

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Speaker 1: a little a girl, right, yeah, it's a girl the bush.

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Speaker 1: Let's see. I thought I was the only one. I'm

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Speaker 1: a photographer. Like some photos of the dog. You think

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Speaker 1: my dog is special enough to get photography? Yeah? Absolutely,

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Speaker 1: look at that body? Really? Thank you? Do you want

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Speaker 1: me in the picture? Can I take her? Lot of room?

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Speaker 1: Can I come with? Okay? Photos? So there's no momgers

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Speaker 1: on side? I get that. I do get a little

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Speaker 1: overwhelming me. Hello, Hello, how is going? How is everyone doing?

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Speaker 1: How's everyone doing? Going? Fantastics? Like, my dog's gonna get

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Speaker 1: photos taken of it by I'm an artist, the photographer

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Speaker 1: from the venue. Oh my bad, my press bad. Not me.

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Speaker 1: So I'm gonna have to take up. I'm just gonna

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Speaker 1: just this dog. Just dog has to cover written all

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Speaker 1: over that bush? You think so? So just a polaroid camera,

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Speaker 1: that's that's your No. I all my full equipment with

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Speaker 1: a lot but glowing like the Kimmy uses far. But

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Speaker 1: that's all set up in my studio house. I got

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Speaker 1: a lot of money. Is this guy's just jealous that

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Speaker 1: you don't want to take pictures of whatever stupid animal

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Speaker 1: he has? Dogs? Bush? Yeah, I'm gonna let this photographer

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Speaker 1: take my dog. Thank you. Hold the leash. I'll just

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Speaker 1: pick him up to me. Hey Jerry, so is it

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Speaker 1: almost time? You know it? Why? Why are you have

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Speaker 1: tears coming down your eyes? I'm just thinking about the

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Speaker 1: event and how happy I am that it all came

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Speaker 1: together and it couldn't have happened without you, my friend. Oh. Thanks,

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Speaker 1: I appreciate the job, you know, Phyllis right, Um, Phyllis,

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Speaker 1: I work in the elevator. Yes, yes, I do. Okay,

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Speaker 1: I would like to go back to words hang out

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Speaker 1: for a little bit. Um so, Jerry, Um, So we're

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Speaker 1: going through all the competitions. Everything's running smoothly. Yeah. The

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Speaker 1: kimono dragon did really well with the walt. Yeah, yeah,

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Speaker 1: so I don't wonder if I can find something. And

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Speaker 1: Phyllis is really quick. Believe I know you can say.

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Speaker 1: I just want to Dr Phillis. She has kind eyes.

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Speaker 1: My animal that I have to reveal is my son. Okay,

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Speaker 1: it's my son. And I don't understand why you're telling

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Speaker 1: me this or my boss. I feel like this is

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Speaker 1: kind of some kind of like reaching contract. It's not

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Speaker 1: a chrom cropt. I want you but the crompt. Listen,

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Speaker 1: my son he's been living in the cages entire life.

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Speaker 1: I thought he died. You a big deal about it

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Speaker 1: ten years ago, he said, my wife, my son, I had.

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Speaker 1: I killed a man. I chopped his legs down to

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Speaker 1: make it look like a little kid's body. It was

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Speaker 1: the whole thing. Look, I feel guilty about it, all right,

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Speaker 1: But my boy is a lot Phillis. I don't know

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Speaker 1: what I'm supposed to do with this information. Father. He

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Speaker 1: looks like a boy, Yes he does. Ladies and gentlemen,

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Speaker 1: it's now time for the parade of animals. So one

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Speaker 1: by one, everybody will bring their animal up and we

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Speaker 1: will end with Jerry's big animals. Okay, sir, this is

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Speaker 1: Phyllis phillis is a seven year old kangaroo from Australia.

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Speaker 1: And yeah, that's what. That's an upright dog? Sorry, miss uh,

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Speaker 1: this is a kangaroo and I don't know what your

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Speaker 1: problem is. All right, The next animal, next animal, I'm

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Speaker 1: just representing my dog. She's with a photographer right now.

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Speaker 1: I'm kind of a big deal. I don't know where

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Speaker 1: my dog is right this second, but I'm sure it's

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Speaker 1: going to come back and we'll can I just come

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Speaker 1: the walk afterwards, I'll go back. The next the pig, elephant.

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Speaker 1: This is fad. Okay, now it's Yoshi. I'm Hushi and

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Speaker 1: this is my kimono dragon Yuri together where Yoshi Yo.

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Speaker 1: Let me get the microphone. I need to My name

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Speaker 1: is Phellas. I work in the elevator. You know I'm not.

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Speaker 1: Everyone needs to get out of here. Okay, where's your animal?

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Speaker 1: I don't have an animal. Animal, animal, you're not my animal.

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Speaker 1: Sorry I punched you in the face. It was a lot. Listen,

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Speaker 1: we have to get out of here. Okay, there's a boy.

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Speaker 1: There's an old boy coming out here. Hold on, hold on,

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Speaker 1: every oh, father, kill no kill father, Brandon, please please

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Speaker 1: I'm sorry, Jerry, what is this? My boy was so old,

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Speaker 1: so old, it looks so young. Couples dance, couples dance,

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Speaker 1: A couple of dance. Fine, one more dance before before,

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Speaker 1: except you're crushing father, father. I'll sign that waiver now

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Speaker 1: that yes, uh, little young Frankenstein came together there at

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Speaker 1: the end and I loved it. Alright, who's this guy?

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Speaker 1: It's it's me Joey. Joey joined us. Joey in the pocket.

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Speaker 1: We like to call him. Just how is your time

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Speaker 1: with Will Farrell? The uh uh Ron Burgundy. He makes

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Speaker 1: direct eye contact, doesn't blink uh, and that's all we

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Speaker 1: needed it? Did he mention James? Did he ask about me? Yeah?

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Speaker 1: I did, and uh I prefer to talk to you

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Speaker 1: about it? Off the Michael. Now. This next scene comes

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Speaker 1: from Jeremy, who wrote, hey, alchemus, I'm a night guard

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Speaker 1: at an art museum. In your episodes helped break up

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Speaker 1: the monotonous, sometimes downright spooky work of making sure no

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Speaker 1: one is running around stealing our picassos. Well, I'm sure

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Speaker 1: by now my coworkers have overheard me laughing from the

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Speaker 1: otherwise empty galleries and are wondering if I've lost my marbles.

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Speaker 1: Thank you for making such a great show. My scene

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Speaker 1: suggestion as as follows, an assembly line worker starts noticing

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Speaker 1: increasingly strange things coming down the line and seems to

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Speaker 1: be the only person sending it. Jeremy from Ohio, Hey, Hey,

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Speaker 1: how was your high night last night? You said you

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Speaker 1: were going out afterwards. You know, I ended up getting

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Speaker 1: stood up, so I'd rather not talk about it. That's

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Speaker 1: the best time to talk about it. I don't know.

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Speaker 1: I got I just got a table, I got an appetizer,

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Speaker 1: I got two drinks. How well do you know this fella? Huh? Well,

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Speaker 1: we've been talking online for a while and it seems

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Speaker 1: like we were going to get together. I just wonder

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Speaker 1: if maybe he came and then saw me and was

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Speaker 1: like nope, because I I ordered two drinks, I got

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Speaker 1: an appetizer. Okay, you want both those drinks on your

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Speaker 1: side of the table or are they on one in

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Speaker 1: the place where there's no person. Well, there's gonna be

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Speaker 1: somebody in that seat really soon. One of the drinks

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Speaker 1: is for that. I want that person to arrive and

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Speaker 1: know that I've anticipated this moment and I've prepared, have yelled,

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Speaker 1: met online, sure, a lot of time, but not in person.

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Speaker 1: Not in person? Oh my god, this is so excited

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Speaker 1: to se about how ugly you are? What? What? What What? What?

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Speaker 1: What special? Let me tell you about I just heard

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Speaker 1: of a little love story here and I'd like to

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Speaker 1: pay for whatever this disfigured person and I'm not just

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Speaker 1: figured this is really just a normal head. But but

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Speaker 1: my mistake. Sorry, well no, no, I'll take you up

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Speaker 1: on that. And we're just gonna get two points. You

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Speaker 1: want me to put one with a pretend he's not

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Speaker 1: a pretend person. He's coming excuse me, a meeting someone.

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Speaker 1: Is there anybody dining alone? Um? Is there anybody dining alone? Yes? Sorry,

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Speaker 1: I didn't mean to confuse you. Have you been hosting?

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Speaker 1: I'm sorry? Were you interacting with Neil? Yes? No, no,

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Speaker 1: Neil's my nephew, and watch out for Neil. That's bad one.

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Speaker 1: I'm joining someone. Oh congratulations. What's the name of your party?

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Speaker 1: I don't know what he put it under? Okay, so

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Speaker 1: do we I mean, do you want to should take

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Speaker 1: a look up. We have about seven thousand seeds on

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Speaker 1: the lido deck and then if you go down, we've

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Speaker 1: got an intimate Yes, So you're gonna come with me.

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Speaker 1: I'm gonna take you around the restaurant. You understand, let's

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Speaker 1: stick close. This boat rock is a little bump. You understand.

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Speaker 1: Why do you have a torch? Because it gets dark

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Speaker 1: and serve parts of the restaurant ancient past that no

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Speaker 1: human has been sold. And what is that, Leo? That's

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Speaker 1: just little old Neil. You know the back ladies breaks

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Speaker 1: me out. No, but in all seriousness, there is darkness evil.

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Speaker 1: So I mean, he just he kind of lighting to move,

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Speaker 1: but sh shoes. I really, I really don't want to

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Speaker 1: give up some you'll take the whole feet with your shoot.

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Speaker 1: Just give him the damn he said, someone like anybody

348
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Speaker 1: can get you. See, I'm sureless I know the game. Okay, alright, fine,

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Speaker 1: here you go. You gave him the left. You'll regret that.

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Speaker 1: I'm gonna take a nap. Now what waitress, waitress, come here, waitress. Okay,

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Speaker 1: I'm here. I did not like that. I'm just sitting

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Speaker 1: by myself for a while. I did not like the snap, sir.

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Speaker 1: So I know you got a lot going on with

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Speaker 1: what's on your head, but I'm just saying for me,

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Speaker 1: I don't want to be snapped at so sorry, I

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Speaker 1: just didn't know how else you like face? Well, it

357
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Speaker 1: wasn't that close to your face. I was just trying

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Speaker 1: to get your attention. I have been sitting here for

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Speaker 1: a while, no date. Yeah, did you? Did you put

360
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Speaker 1: a message up front that there's someone waiting? Kind of

361
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Speaker 1: message you want me to put up front? Just that

362
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Speaker 1: there's a guy sitting alone waiting for his date? Tour?

363
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Speaker 1: Have you ever been to a restaurant before? Not on

364
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Speaker 1: this big Well, we don't do messages up at that.

365
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Speaker 1: People find each other, they go get lead Baba with

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Speaker 1: the torch, and then they get distracted about Neil. Miss

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Speaker 1: pardon me. I had to interrupt. I couldn't help it

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Speaker 1: over here, and I was wondering if I might be

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Speaker 1: able to help this gentleman out. Okay, my name is

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Speaker 1: Dr Ronson, and I'm very curious about what's happening in

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Speaker 1: your facial area. What it's a smile, it's a smile.

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Speaker 1: I'm happy, I'm excited to be I am conducting some experiments,

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Speaker 1: and I'm wondering that you wouldn't not here. Oh y'all

374
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Speaker 1: can't do that at the table. Are you sure? All right?

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Speaker 1: Everybody who works here at this factory. Get in here.

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Speaker 1: What are you talking about? One of your bad date stories? Again?

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Speaker 1: I got still, I don't want to talk about all right, Listen,

378
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Speaker 1: here's the deal. Sorry, your wife is really horny. I

379
00:23:53,119 --> 00:23:56,560
Speaker 1: just feel like I should point that out. She's extremely distracting.

380
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Speaker 1: I'm trying to do my work and she's just like

381
00:23:59,160 --> 00:24:02,720
Speaker 1: she's oversacked, she's over sexualized. On the conveyor belt and

382
00:24:02,760 --> 00:24:06,080
Speaker 1: coming down the line. You're telling me things I already know.

383
00:24:06,280 --> 00:24:09,359
Speaker 1: I like the way of vibe breaks. She likes to

384
00:24:09,440 --> 00:24:15,240
Speaker 1: have multiple orgasm as a day, a day regardless. Here's

385
00:24:15,280 --> 00:24:27,959
Speaker 1: the big news. Today's conveyor belt speed will be going up. Now. Listen,

386
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Speaker 1: this is not this for her. This for her pleasure list.

387
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Speaker 1: Everything I do, in some way, shape or form is

388
00:24:36,000 --> 00:24:39,200
Speaker 1: for her. Sorry, sir, this doesn't make sense. We're making watches,

389
00:24:39,240 --> 00:24:42,359
Speaker 1: and if you're saying go twelve fast, these watches are

390
00:24:42,520 --> 00:24:45,040
Speaker 1: get worse and worse. There's all these tiny little damn

391
00:24:45,040 --> 00:24:47,800
Speaker 1: pieces my slippery fingers can put. That's the other thing

392
00:24:47,920 --> 00:24:53,040
Speaker 1: is that if they get worse, you're fired me anybody. So,

393
00:24:54,040 --> 00:24:57,280
Speaker 1: how is that number twelve percent arrived at? You want

394
00:24:57,320 --> 00:24:59,879
Speaker 1: me to tell you? Let me tell you a couple

395
00:25:00,119 --> 00:25:06,560
Speaker 1: don't get ye, get him? Does that answer your question? Maybe?

396
00:25:06,680 --> 00:25:09,680
Speaker 1: Less questions? I wish this was a union house. Do

397
00:25:09,880 --> 00:25:12,119
Speaker 1: kiss my wife? But I don't want to kiss kiss

398
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Speaker 1: my wife? All right? Now? You on the cheek. Yeah,

399
00:25:18,200 --> 00:25:20,920
Speaker 1: starting at noon, we have to make fossil watches twelve

400
00:25:20,960 --> 00:25:26,200
Speaker 1: percent faster. Listen, yeah, the belt will be going faster. Okay, okay,

401
00:25:26,280 --> 00:25:29,840
Speaker 1: what happened? It sounds like every other of your considence

402
00:25:29,920 --> 00:25:34,880
Speaker 1: was cut off. What you know? All right? Okay? Yeah,

403
00:25:34,920 --> 00:25:37,480
Speaker 1: my my reservation was for ten ten. Okay, I have

404
00:25:37,560 --> 00:25:40,040
Speaker 1: it right here in my watch has a fossil watch.

405
00:25:40,040 --> 00:25:42,679
Speaker 1: I don't know what's going on here, but so I'm sorry.

406
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Speaker 1: Were you talking to Neil? That's just my nephew. How

407
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Speaker 1: can I help you? Yeah? I had a reservation for

408
00:25:50,800 --> 00:25:53,800
Speaker 1: ten ten. Look at my watch and your clock says

409
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Speaker 1: fifteen and that doesn't make any sense. Oh um. But

410
00:25:57,440 --> 00:26:00,159
Speaker 1: also our phones say that your watch is wrong, not

411
00:26:00,359 --> 00:26:04,960
Speaker 1: it's from fossil sal um. Well, let me reset my

412
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Speaker 1: iPhone now, Auntie, what are you doing? What are you doing? Neil?

413
00:26:09,000 --> 00:26:10,560
Speaker 1: I'm with a customer, but what are you doing on

414
00:26:10,600 --> 00:26:12,520
Speaker 1: your phone? I was trying to reset the time because

415
00:26:12,560 --> 00:26:15,040
Speaker 1: his fossil watches displaying a different time, and there's no

416
00:26:15,080 --> 00:26:20,000
Speaker 1: way of what time is your watch? Oh ship, I

417
00:26:20,000 --> 00:26:25,360
Speaker 1: gotta go change every clocking this whole restaurant, Neil, Okay, okay, yeah,

418
00:26:25,520 --> 00:26:28,960
Speaker 1: that's going to get here. I don't know when my

419
00:26:29,000 --> 00:26:32,760
Speaker 1: sister is coming back. What about a fifteen years after that,

420
00:26:33,080 --> 00:26:36,080
Speaker 1: I decided that, well, I'm gonna be somebody who makes hats.

421
00:26:36,720 --> 00:26:40,520
Speaker 1: And then I said to myself like, OK, God, what

422
00:26:40,560 --> 00:26:45,399
Speaker 1: the fuck give me your left shoe. Sorry, I can

423
00:26:45,440 --> 00:26:47,080
Speaker 1: give me my right shoe. I I gave up my

424
00:26:47,160 --> 00:26:50,879
Speaker 1: left shoe already. They have to eat. Oh no, let

425
00:26:50,920 --> 00:26:54,400
Speaker 1: it do it? Oh God? Actually they wear a little

426
00:26:54,400 --> 00:26:58,800
Speaker 1: long that's that is helping considerably. It's a full sofa's

427
00:26:58,920 --> 00:27:01,600
Speaker 1: risk po wrong about to go over some falls here

428
00:27:01,760 --> 00:27:05,440
Speaker 1: we are now, there's only two rooks when this boat

429
00:27:05,520 --> 00:27:09,000
Speaker 1: drifts over, and make sure the grandma we'll get a

430
00:27:09,119 --> 00:27:21,639
Speaker 1: job and one, two, three? Do you mind if I

431
00:27:21,720 --> 00:27:24,920
Speaker 1: come into your office? Yeah? Yeah? What is it? I

432
00:27:25,040 --> 00:27:28,800
Speaker 1: just I'm just my heart's broken by somebody that you've

433
00:27:28,840 --> 00:27:31,000
Speaker 1: got such a wonderful thing with your wife. How did

434
00:27:31,000 --> 00:27:33,160
Speaker 1: you find love like that? I don't know. I guess

435
00:27:33,160 --> 00:27:36,159
Speaker 1: I was lucky. I guess I was lucky. Also, my

436
00:27:36,200 --> 00:27:39,919
Speaker 1: face looks normal. I got a normal face. You know.

437
00:27:40,119 --> 00:27:44,080
Speaker 1: I got this card from a doctor, Dr Bronson. I've

438
00:27:44,080 --> 00:27:47,240
Speaker 1: heard of him, won't He says that if I have

439
00:27:47,359 --> 00:27:51,600
Speaker 1: a donor of a half face, I could probably have

440
00:27:51,800 --> 00:27:54,440
Speaker 1: the transplant and then the other half would grow in.

441
00:27:55,000 --> 00:27:56,960
Speaker 1: And I just think that if I want the kind

442
00:27:57,000 --> 00:28:01,520
Speaker 1: of confidence that you have, would you be willing? Would

443
00:28:01,520 --> 00:28:05,800
Speaker 1: you be willing to split your face with me? I

444
00:28:05,840 --> 00:28:09,840
Speaker 1: am a dedicated employee. I have gone way more than

445
00:28:09,880 --> 00:28:15,360
Speaker 1: twelve faster. I mean, thank you all right, gentlemen, thank

446
00:28:15,400 --> 00:28:17,399
Speaker 1: you very much for coming in today. As you know,

447
00:28:17,480 --> 00:28:21,439
Speaker 1: we're doing the first partial face off. I'm going to

448
00:28:21,560 --> 00:28:24,359
Speaker 1: put the left side of your face. What was your

449
00:28:24,400 --> 00:28:28,000
Speaker 1: name again, Charles? Charles? We're gonna take the left side

450
00:28:28,040 --> 00:28:31,639
Speaker 1: of your face and attitude the right side Dale's face,

451
00:28:32,080 --> 00:28:36,080
Speaker 1: and vice versa. So what's gonna happen. You're gonna put

452
00:28:36,119 --> 00:28:38,200
Speaker 1: the other half of my face on his head? Can

453
00:28:38,240 --> 00:28:40,640
Speaker 1: I added that part? Can I just leave it half

454
00:28:40,760 --> 00:28:43,880
Speaker 1: my bone and muscle. I'm just worried that the other

455
00:28:43,920 --> 00:28:46,520
Speaker 1: half might grow into his and he'd end up. That's

456
00:28:46,560 --> 00:28:48,480
Speaker 1: why I don't want any of his face off, even

457
00:28:49,640 --> 00:28:53,000
Speaker 1: more of your face onto, that would be better for you.

458
00:28:53,080 --> 00:28:54,840
Speaker 1: Thank you. Okay, let's do it. And then yeah, I

459
00:28:54,880 --> 00:28:56,959
Speaker 1: want clear a lot like the clear skins. You can

460
00:28:57,000 --> 00:29:01,160
Speaker 1: see my muscles in my bones. The keynote speaker, Dr

461
00:29:01,280 --> 00:29:05,360
Speaker 1: Ronson is going to be giving his analysis of too

462
00:29:05,360 --> 00:29:08,400
Speaker 1: many face off with left and right faces removed from

463
00:29:08,400 --> 00:29:12,920
Speaker 1: one patient without elynicia and a norm and uh, let's

464
00:29:12,920 --> 00:29:15,600
Speaker 1: give it up with the patients. Thank you coming as well.

465
00:29:15,800 --> 00:29:18,800
Speaker 1: Thank you for that brief introduction, and thank you for

466
00:29:18,840 --> 00:29:23,040
Speaker 1: whipping them into a frenzy. Well, as you all know

467
00:29:23,120 --> 00:29:26,240
Speaker 1: by now, Uh, the first attempt was a complete failure.

468
00:29:26,520 --> 00:29:36,000
Speaker 1: And I have brought both both patients to show my work.

469
00:29:36,920 --> 00:29:44,280
Speaker 1: And now patient someone killed me one as a death wish.

470
00:29:44,800 --> 00:29:50,200
Speaker 1: We're not in favor of that. Patient two can still speak.

471
00:29:51,760 --> 00:29:54,400
Speaker 1: It wants very much to live, and I think that's

472
00:29:54,400 --> 00:29:58,200
Speaker 1: in the positive direction. Now I'll take questions. Yes, you

473
00:29:58,760 --> 00:30:01,120
Speaker 1: in the front, why did to do this before lunch?

474
00:30:01,240 --> 00:30:03,600
Speaker 1: Now this isn't an audition, sir, Okay, if you could

475
00:30:03,600 --> 00:30:09,680
Speaker 1: just ask a question, my bad really one audition. I

476
00:30:09,680 --> 00:30:12,440
Speaker 1: mean I assumed as much what that mug of yours.

477
00:30:12,600 --> 00:30:16,520
Speaker 1: So I'll wait, I'll wait to audition. So you say

478
00:30:16,560 --> 00:30:20,840
Speaker 1: you want to live? Did I say you put yourself

479
00:30:20,880 --> 00:30:26,600
Speaker 1: out there? Get on a dating app? Yeah? You look

480
00:30:27,520 --> 00:30:34,600
Speaker 1: you know? So um um maybe like rutch up? Yeah,

481
00:30:34,720 --> 00:30:48,920
Speaker 1: yeah up. This is disgusting. I'm leaving. Oh wow, so

482
00:30:49,120 --> 00:30:52,560
Speaker 1: uh share a lot of same hobbies you like scheme?

483
00:30:52,680 --> 00:31:10,360
Speaker 1: So yes, neck is leaking? Ah? Well, hello you too?

484
00:31:10,360 --> 00:31:14,440
Speaker 1: Would you like to hear this? But? Oh god? Sorry?

485
00:31:15,640 --> 00:31:18,720
Speaker 1: Would you too like to hear the special? Yes we would, Okay,

486
00:31:19,240 --> 00:31:27,840
Speaker 1: I'm we have spaghetti marriton narraw and also the fish

487
00:31:27,840 --> 00:31:34,560
Speaker 1: of the day is the fish is bread Bronzino. And

488
00:31:34,600 --> 00:31:40,680
Speaker 1: also there is a lovely stay dark dark. You seem

489
00:31:40,680 --> 00:31:49,320
Speaker 1: like you sorry, you're right, I'm here. Oh my god, Marie,

490
00:31:49,360 --> 00:31:51,400
Speaker 1: give him mouth to mouth, Marie, give him out the mouth.

491
00:31:57,320 --> 00:32:01,959
Speaker 1: That's my table right over there. Tell you what. I

492
00:32:01,960 --> 00:32:03,400
Speaker 1: want to thank you for all you did for me.

493
00:32:03,760 --> 00:32:05,600
Speaker 1: So I want to thank you. I would have never

494
00:32:05,640 --> 00:32:10,800
Speaker 1: reconnected with my family for you. How can I pay

495
00:32:10,840 --> 00:32:14,240
Speaker 1: you back? Just be yourself? Okay, so it's that too top,

496
00:32:15,040 --> 00:32:19,160
Speaker 1: there's nobody there. Well he'll come. I mean I think

497
00:32:19,200 --> 00:32:21,680
Speaker 1: it was like two weeks ago that I had the day.

498
00:32:21,920 --> 00:32:25,400
Speaker 1: Oh wait, are you looking for a guy, a guy

499
00:32:25,520 --> 00:32:29,840
Speaker 1: that was looking for you, A real internet guy. He

500
00:32:29,960 --> 00:32:34,240
Speaker 1: was a real internet guy. He was here. He ordered

501
00:32:34,320 --> 00:32:38,840
Speaker 1: you a drink, he ordered you a banana smoothie. That's

502
00:32:38,880 --> 00:32:42,440
Speaker 1: exactly what I would want. And chicken tenders for food, Yes,

503
00:32:42,520 --> 00:32:45,479
Speaker 1: as a starter, that's rot. And he sat there and

504
00:32:45,520 --> 00:32:49,880
Speaker 1: he wept, and then he said he's going back to

505
00:32:49,960 --> 00:32:54,120
Speaker 1: for seale. And then he called the next day and

506
00:32:54,200 --> 00:32:57,600
Speaker 1: the next and the next and as if any wanted

507
00:32:57,760 --> 00:33:00,280
Speaker 1: shown up. I was on an adventure of the whole. Well,

508
00:33:00,360 --> 00:33:03,800
Speaker 1: now he's getting his face removed in one hour. No,

509
00:33:04,880 --> 00:33:08,600
Speaker 1: he shouldn't get his face from close contact. And it's

510
00:33:08,640 --> 00:33:11,920
Speaker 1: all because he thought you didn't. Where is he getting

511
00:33:11,960 --> 00:33:15,200
Speaker 1: his face from the main hospital in Middlestone. Look, take

512
00:33:15,240 --> 00:33:18,800
Speaker 1: my bush plane? You fly okay? Charge? You know we're

513
00:33:18,800 --> 00:33:21,160
Speaker 1: about forty five minutes away from the surgery. Just a

514
00:33:21,200 --> 00:33:24,280
Speaker 1: little worried after what I saw from the first two patients.

515
00:33:24,520 --> 00:33:36,880
Speaker 1: That bush landing in the parking lot. Strange, rather, doctor, doctor,

516
00:33:36,920 --> 00:33:38,760
Speaker 1: there's a bush plane landing it. Oh you guys can

517
00:33:38,800 --> 00:33:45,000
Speaker 1: sorry the window here. Hello, you're beautiful, you're beautiful. You

518
00:33:45,240 --> 00:33:47,200
Speaker 1: don't get your face taken off. I'm not I'm not

519
00:33:47,880 --> 00:33:55,680
Speaker 1: what is this guy? Oh Jesus, and I got really,

520
00:33:55,720 --> 00:34:00,880
Speaker 1: I got, I got actually nauseated by I love her.

521
00:34:08,560 --> 00:34:11,200
Speaker 1: See three comes to us from Chuck Her wrote, Hello, Alchemy,

522
00:34:11,320 --> 00:34:13,799
Speaker 1: this crew loved the show of Blah blah blaw. James

523
00:34:13,840 --> 00:34:16,480
Speaker 1: Hash Browns do sound like something I would be into.

524
00:34:16,800 --> 00:34:20,200
Speaker 1: Joey lost his dick on the climb. Vanessa seems like

525
00:34:20,239 --> 00:34:23,560
Speaker 1: someone to have drinks with. Greg Deaf would say something

526
00:34:23,600 --> 00:34:29,880
Speaker 1: better than I love you man after his first rail. Wow.

527
00:34:30,520 --> 00:34:35,040
Speaker 1: Kevin is a good choice for a nighttime spooning, But

528
00:34:35,760 --> 00:34:38,239
Speaker 1: the real star of the show is Chris Off al Right.

529
00:34:40,680 --> 00:34:44,000
Speaker 1: The fact that he is terrible at accents only adds

530
00:34:44,080 --> 00:34:47,520
Speaker 1: to the joy he brings. My scene suggestion is this

531
00:34:49,920 --> 00:34:54,400
Speaker 1: I see where this is good? I see suggestion Chris,

532
00:34:55,400 --> 00:35:02,040
Speaker 1: as an Italian sheers chuck the whole suggestion, Toney, I think, uh,

533
00:35:02,160 --> 00:35:04,239
Speaker 1: I think this is our tour guide. We're finally going

534
00:35:04,280 --> 00:35:07,719
Speaker 1: to see the way it was meant to be seen. Hi,

535
00:35:08,200 --> 00:35:15,319
Speaker 1: welcome to Italy. Thank you are you Alpachi? Yes, my

536
00:35:15,360 --> 00:35:20,840
Speaker 1: wife Doris, Hi Doris, Oh my god, oh my god.

537
00:35:20,840 --> 00:35:27,439
Speaker 1: That okay, get your own So we're very excited. Feuter

538
00:35:27,520 --> 00:35:29,319
Speaker 1: show us all of Rome I'm going to give you

539
00:35:29,360 --> 00:35:33,800
Speaker 1: the authentic experience. Is that why you're holding two tomatoes

540
00:35:36,560 --> 00:35:43,920
Speaker 1: on your face? Again? Get I look at the saze

541
00:35:44,160 --> 00:35:49,120
Speaker 1: understand now these playing folds on just a walking to

542
00:35:49,239 --> 00:35:52,640
Speaker 1: him and none of your business is fair enough. Let's

543
00:35:52,640 --> 00:35:55,960
Speaker 1: just go with the adventure. I guess put these on. Okay,

544
00:35:56,080 --> 00:36:02,760
Speaker 1: now's spin around being in space and Spain and Spain. Okay, stop,

545
00:36:03,239 --> 00:36:06,960
Speaker 1: you're still there. The kind of hold onto my hands,

546
00:36:07,239 --> 00:36:10,680
Speaker 1: Loose your hands, follow me. You have a tiny palmllo

547
00:36:10,880 --> 00:36:22,719
Speaker 1: me like a monkey puzza. That's that's what my princess

548
00:36:22,800 --> 00:36:36,440
Speaker 1: over there? You know? Mighty? Okay you do. I'm bringing

549
00:36:36,440 --> 00:36:38,239
Speaker 1: in you. It's like a village where we don't but

550
00:36:38,360 --> 00:36:54,800
Speaker 1: we don't see, we don't know. I know what that means. Okay,

551
00:36:55,000 --> 00:36:57,759
Speaker 1: So now I'm going to take off of the blind fold.

552
00:36:57,800 --> 00:37:01,040
Speaker 1: I feel like we've walked about three feet, but you've

553
00:37:01,040 --> 00:37:06,000
Speaker 1: walked years. So I take him off. Welcome my distance,

554
00:37:06,040 --> 00:37:11,799
Speaker 1: a roma a thousand years ago. I'm zes. Oh, it's

555
00:37:11,840 --> 00:37:17,080
Speaker 1: like a reenactment in this In this experience, you can

556
00:37:17,400 --> 00:37:21,040
Speaker 1: you can interact with the interact interact How do I

557
00:37:21,040 --> 00:37:23,600
Speaker 1: say that? With an antonia? Nice? Okay? You can you

558
00:37:23,640 --> 00:37:28,839
Speaker 1: can immerse yourself with immercial immercio. Sorry, my husband's really

559
00:37:28,840 --> 00:37:37,360
Speaker 1: good at Okay, please baby pizza. That's a baby pizza.

560
00:37:37,640 --> 00:37:42,480
Speaker 1: That's a small part, like an individualita, just a slice.

561
00:37:42,560 --> 00:37:44,960
Speaker 1: Look at you, and now I bring it to you.

562
00:37:45,520 --> 00:37:50,799
Speaker 1: The greatest man of Roma has ever seen that. The

563
00:37:50,840 --> 00:37:54,440
Speaker 1: Pope is at the pup. How you doing, I'm at

564
00:37:54,440 --> 00:37:57,879
Speaker 1: the poll. Please please be with him and talk to him.

565
00:37:58,320 --> 00:38:00,960
Speaker 1: Enjoy your Holy Father. I can't believe we're getting a

566
00:38:01,000 --> 00:38:03,080
Speaker 1: one on one. I thought you have to know what

567
00:38:03,120 --> 00:38:05,880
Speaker 1: you want to know. Well, wow, this is kind of

568
00:38:05,920 --> 00:38:10,480
Speaker 1: like a magic eight ball situation to pope anything, um,

569
00:38:10,680 --> 00:38:13,920
Speaker 1: anything anything. Well, I guess my husband and I were

570
00:38:13,920 --> 00:38:16,640
Speaker 1: celebrating our tenth anniversary. Yeah, so what's your problem with

571
00:38:16,640 --> 00:38:23,359
Speaker 1: the gays? So reply a hairs to try again. It's

572
00:38:23,400 --> 00:38:26,440
Speaker 1: exactly that's right. Okay, now this has been a fun.

573
00:38:26,640 --> 00:38:32,879
Speaker 1: Right now, put the blindfold on one more time. Boy, baby, kiss,

574
00:38:33,160 --> 00:38:37,800
Speaker 1: kiss the baby pizza. Don't take any buts, say bye bye.

575
00:38:38,000 --> 00:38:43,040
Speaker 1: I'll give you a little handshake. There you go. Okay, Yeah,

576
00:38:44,120 --> 00:38:49,080
Speaker 1: you paid for the for the full experience, fool fool expedience. Okay,

577
00:38:49,080 --> 00:38:53,919
Speaker 1: so put these on again. Spin around, spin around, pull

578
00:38:54,000 --> 00:39:01,120
Speaker 1: my hand. Run with me. Jump jump trust jump jump

579
00:39:01,200 --> 00:39:18,759
Speaker 1: just jump? Oh my ship? Oh man, okay, let me

580
00:39:18,880 --> 00:39:21,160
Speaker 1: look at that. Oh yeah, no, I totally get that.

581
00:39:21,160 --> 00:39:22,920
Speaker 1: That's been You know I'm talking too much. Tell me

582
00:39:22,920 --> 00:39:29,600
Speaker 1: about your room trip. My shins came out of my legs. Well,

583
00:39:29,680 --> 00:39:33,120
Speaker 1: one was splinter. One came out come on the other

584
00:39:33,160 --> 00:39:38,120
Speaker 1: one just broke sticks. Yes, please, Yeah, we've got great

585
00:39:38,160 --> 00:39:40,040
Speaker 1: photos though, do you want to see them? Are you

586
00:39:40,040 --> 00:39:45,680
Speaker 1: gonna keep talking from the hospital house? Yeah, I mean

587
00:39:45,680 --> 00:39:46,920
Speaker 1: I don't mind to keep talking about the house. I

588
00:39:46,920 --> 00:39:49,880
Speaker 1: mean it's got to we want to talk about our italiandication.

589
00:39:49,920 --> 00:39:53,759
Speaker 1: But I just kind of sorry, used this big old

590
00:39:53,840 --> 00:39:56,680
Speaker 1: cheese grater on all your food. Yes, please kind of

591
00:39:56,760 --> 00:39:59,759
Speaker 1: do that. I feel like, I mean Italy. I feel

592
00:39:59,800 --> 00:40:01,840
Speaker 1: like I'm you know, my house has a cheese greater

593
00:40:01,840 --> 00:40:06,440
Speaker 1: built in to what the wall. That sounds if it's

594
00:40:06,440 --> 00:40:08,600
Speaker 1: built into the wall, that means that it just goes

595
00:40:08,640 --> 00:40:11,040
Speaker 1: into the cheese mountains getting pretty tall here. You gotta

596
00:40:11,080 --> 00:40:17,680
Speaker 1: stay stop stop jesus man, man, I'd like some cheese

597
00:40:17,719 --> 00:40:20,160
Speaker 1: as well. Okay, take some of ours. I don't know, please,

598
00:40:20,160 --> 00:40:22,120
Speaker 1: I don't want to impose, you say, we don't want

599
00:40:22,120 --> 00:40:23,920
Speaker 1: to impose. No, no, please, Why don't you go to

600
00:40:23,960 --> 00:40:25,719
Speaker 1: your house and use the cheese greater in your wall.

601
00:40:25,800 --> 00:40:27,440
Speaker 1: I gotta fill up the trash game before I take

602
00:40:27,440 --> 00:40:29,799
Speaker 1: it out. I have a trash game of cheese filling

603
00:40:29,880 --> 00:40:31,560
Speaker 1: up in the world and the leaning tower of cheese

604
00:40:31,600 --> 00:40:33,680
Speaker 1: that you're gonna have to stay stop. So I'm telling

605
00:40:33,640 --> 00:40:36,239
Speaker 1: me about So these are pictures he has. The new

606
00:40:36,760 --> 00:40:41,520
Speaker 1: hospital's gorgeous. There's the hospital hall. The hospital was built

607
00:40:41,760 --> 00:40:47,640
Speaker 1: when it was My house is filled. Huh so the

608
00:40:47,760 --> 00:41:02,040
Speaker 1: nurse this is nurse Gladys refill open up? What is

609
00:41:02,080 --> 00:41:07,960
Speaker 1: it that I come in? I'm not feeling sure. What's

610
00:41:07,960 --> 00:41:10,160
Speaker 1: the matter, I'm not come in? Come in? Thank you,

611
00:41:10,280 --> 00:41:19,759
Speaker 1: Thank grazi gratzi. You know I run on my own business, Yes, yes,

612
00:41:20,000 --> 00:41:22,480
Speaker 1: I do very well for myself. Or you do a

613
00:41:22,520 --> 00:41:25,480
Speaker 1: blind tour, yes, yes, yes, the only one in Roma.

614
00:41:26,600 --> 00:41:30,759
Speaker 1: I've just been feeling so down to myself lately. I

615
00:41:30,760 --> 00:41:33,160
Speaker 1: feel that people make it fun of me for that.

616
00:41:33,200 --> 00:41:39,160
Speaker 1: People don't truly appreciate how difficult my job is. Yes, yes,

617
00:41:39,239 --> 00:41:41,479
Speaker 1: but Enzo, I feel it in my heart that people

618
00:41:41,719 --> 00:41:44,560
Speaker 1: laughing at me, not with me. No, no, you have

619
00:41:44,600 --> 00:41:49,120
Speaker 1: almost a beautiful love. Thank you. That's why I come

620
00:41:49,200 --> 00:41:56,160
Speaker 1: to your pagenzo on the day of my daughter's wedding. Yes, yes,

621
00:41:56,160 --> 00:42:01,120
Speaker 1: but I just have one one favor I'll give you.

622
00:42:02,280 --> 00:42:05,640
Speaker 1: I'll give you the favorite. Yeah, okay, right, okay, I'm

623
00:42:05,680 --> 00:42:10,600
Speaker 1: asking you for a favor, is that right? CC? See? Yeah, CC,

624
00:42:12,080 --> 00:42:16,000
Speaker 1: my favorite of what I want from you, the favorite,

625
00:42:16,000 --> 00:42:17,800
Speaker 1: You're gonna give it to me. I just to spend it.

626
00:42:17,840 --> 00:42:20,279
Speaker 1: That that okay? Okay, I want to go. I want

627
00:42:20,320 --> 00:42:24,520
Speaker 1: to go to Cincinnati to visit the couple that was

628
00:42:24,560 --> 00:42:28,160
Speaker 1: on my last tour. Okay, but we're gonna move this

629
00:42:28,400 --> 00:42:34,480
Speaker 1: this conversation over to Italian if it's better. Is that

630
00:42:34,600 --> 00:42:37,160
Speaker 1: the moment? Look, I can't get any more cheese, Okay,

631
00:42:38,280 --> 00:42:40,000
Speaker 1: I just have a certain amount I can buy. Okay,

632
00:42:40,200 --> 00:42:44,120
Speaker 1: but you need more? Sir? What are you doing? You

633
00:42:45,080 --> 00:42:48,120
Speaker 1: trained me you try to look me in the eye

634
00:42:48,120 --> 00:42:50,680
Speaker 1: when I talk to you. You trained me to say

635
00:42:50,920 --> 00:42:52,799
Speaker 1: you say stop when you've had enough? You say when

636
00:42:52,800 --> 00:42:54,960
Speaker 1: when you had This guy won't say stop. This guy

637
00:42:55,000 --> 00:42:56,919
Speaker 1: won't say when are you telling me you need more cheese?

638
00:42:56,920 --> 00:42:58,920
Speaker 1: To go out for one take? That's what I'm telling you.

639
00:42:59,320 --> 00:43:01,200
Speaker 1: You come back. You're four or five times already with

640
00:43:01,239 --> 00:43:05,600
Speaker 1: blocks of parmesan the best. Yes, sorry, it's a character.

641
00:43:06,760 --> 00:43:09,600
Speaker 1: I need more cheese, like you want more cheese. You're

642
00:43:09,600 --> 00:43:11,120
Speaker 1: gonna have to talk to somebody. I don't really want

643
00:43:11,160 --> 00:43:17,880
Speaker 1: to talk to who someone deep deep underground? Yeah? Just

644
00:43:18,040 --> 00:43:21,880
Speaker 1: the bean inside? What you got a p inside the inside?

645
00:43:21,920 --> 00:43:24,480
Speaker 1: I think that's what he said. Is what you said?

646
00:43:24,480 --> 00:43:28,200
Speaker 1: P inside? Or what did you step? Oh? Step? My god?

647
00:43:28,239 --> 00:43:32,280
Speaker 1: Where did my mind go? I heard step in p inside?

648
00:43:32,520 --> 00:43:35,759
Speaker 1: You said you too. This guy's gonna get angry, he said,

649
00:43:35,760 --> 00:43:39,239
Speaker 1: can only talk about it? How much do you want?

650
00:43:40,120 --> 00:43:43,200
Speaker 1: I have to have enough to keep going. Pick a

651
00:43:43,280 --> 00:43:49,799
Speaker 1: number between one and seventeen seventeen. Hold on, I've only

652
00:43:49,800 --> 00:43:54,960
Speaker 1: good four. That's fine, it's four pounds. What did your

653
00:43:55,040 --> 00:43:57,640
Speaker 1: number represent? One and seventeen? I think I made between

654
00:43:57,640 --> 00:44:04,839
Speaker 1: one and four four. So you said it for blocks? Okay? Yes,

655
00:44:05,440 --> 00:44:07,720
Speaker 1: and I need both of your help to carry each block.

656
00:44:08,520 --> 00:44:12,000
Speaker 1: The table is going to get room. You're still looking

657
00:44:12,040 --> 00:44:14,520
Speaker 1: at the table. I need the cheese for the table.

658
00:44:14,640 --> 00:44:17,359
Speaker 1: This is going to take a mini I don't know what.

659
00:44:17,600 --> 00:44:21,640
Speaker 1: Welcome to Cincinnati International Airport. Can I ask the purpose

660
00:44:21,680 --> 00:44:27,720
Speaker 1: of your visit? I need to visit the Tyler's the Tyler's. Okay,

661
00:44:28,080 --> 00:44:32,280
Speaker 1: and where are they located? Um in Cincinnati, Okay, Cincinnati

662
00:44:32,320 --> 00:44:38,959
Speaker 1: proper or like northern Kentucky. Yeah, proper properer. Hey, Carl,

663
00:44:38,960 --> 00:44:42,000
Speaker 1: can I see my officers? Yeah? I've been told you're

664
00:44:42,000 --> 00:44:45,440
Speaker 1: standing outside the baggage claim welcoming people to the city,

665
00:44:45,880 --> 00:44:49,880
Speaker 1: just people who look like they don't belong, and you

666
00:44:49,880 --> 00:44:53,120
Speaker 1: are choosing. Yeah, I mean we I mean we know,

667
00:44:54,120 --> 00:44:57,640
Speaker 1: we know who stands out Taxi Taxi tex that's the

668
00:44:57,719 --> 00:45:05,240
Speaker 1: one A little go go to get me to the Tyler's.

669
00:45:05,360 --> 00:45:11,080
Speaker 1: Please please, you gotta dress no no, no, uh it's

670
00:45:11,080 --> 00:45:17,840
Speaker 1: a Mr. And the Mrs Tyler, the Tyler's, right. We

671
00:45:17,880 --> 00:45:20,400
Speaker 1: all know each other, and that's what that's what I thought. Now,

672
00:45:20,680 --> 00:45:24,920
Speaker 1: Mrs Tyler's got the most capable arms. I don't know.

673
00:45:25,360 --> 00:45:30,040
Speaker 1: Let me. It's actually lucky for you right over here, careful,

674
00:45:30,600 --> 00:45:33,520
Speaker 1: what has it? They're uh, they're having a party today.

675
00:45:33,560 --> 00:45:35,480
Speaker 1: I don't want you to just bust in on him.

676
00:45:35,840 --> 00:45:37,520
Speaker 1: It's okay, they're gonna be so happy to see me.

677
00:45:37,600 --> 00:45:41,279
Speaker 1: What do I owe you? It's free? Hey. Now you

678
00:45:41,320 --> 00:45:43,960
Speaker 1: know we're here to celebrate the Tyler's, obviously, but something

679
00:45:43,960 --> 00:45:46,319
Speaker 1: that I want to say to celebrate is old architecture

680
00:45:46,760 --> 00:45:49,600
Speaker 1: and what you can build. And sorry, Jerry, yeah, buddy,

681
00:45:50,320 --> 00:45:52,920
Speaker 1: thank you very much again for hosting us at our

682
00:45:52,960 --> 00:45:55,560
Speaker 1: own house. We would have liked to seeing your house.

683
00:45:56,040 --> 00:45:59,719
Speaker 1: It's under constroct. I can't believe you brought in a

684
00:45:59,800 --> 00:46:01,640
Speaker 1: door or from your house. I just wonder I want

685
00:46:01,640 --> 00:46:03,080
Speaker 1: to see it. You know, I don't think pictures did

686
00:46:03,080 --> 00:46:05,800
Speaker 1: it justice. But this is a redwood, so you can't.

687
00:46:05,880 --> 00:46:09,200
Speaker 1: You can't get this anymore. This is nine twenties. Okay's heavy.

688
00:46:09,280 --> 00:46:16,840
Speaker 1: It's a heavy door. Don't touch it? Uh so chilling? Please? Yeah? Yeah, yeah, please,

689
00:46:18,040 --> 00:46:21,040
Speaker 1: honeymoon thot all. I guess we're here. That a secret knock?

690
00:46:21,160 --> 00:46:24,480
Speaker 1: Is that my door? It's not you? There's nothing behind

691
00:46:24,520 --> 00:46:36,680
Speaker 1: that door, Jerry, what are you doing my house? I

692
00:46:36,800 --> 00:46:39,560
Speaker 1: came here to make an apology. How do you do?

693
00:46:44,880 --> 00:46:47,160
Speaker 1: Look like him? Here to say I'm sorry, you're sorry

694
00:46:47,160 --> 00:46:50,480
Speaker 1: for my wife's ankles? Yes, I'm three, ain'tes shorter on

695
00:46:50,480 --> 00:46:53,480
Speaker 1: one side? Now? It's you look beautiful, more beautiful than ever.

696
00:46:53,719 --> 00:46:56,440
Speaker 1: That's not true. It's true. Hey, so when did you

697
00:46:56,480 --> 00:46:59,600
Speaker 1: get into town? No, you just came from the ampart

698
00:46:59,719 --> 00:47:02,200
Speaker 1: and I asked a big favorite from a very important. Man.

699
00:47:02,320 --> 00:47:04,319
Speaker 1: What are you doing in Cincinnati. I'm here to ask

700
00:47:04,360 --> 00:47:06,960
Speaker 1: for your forgiveness. That's why you came to America in

701
00:47:07,040 --> 00:47:09,680
Speaker 1: this city. That's exactly why, honey. I mean, I mean,

702
00:47:09,680 --> 00:47:11,920
Speaker 1: you could have just sent an email. I had to

703
00:47:11,960 --> 00:47:14,120
Speaker 1: do it. I'm sorry. I'm just one of the friends.

704
00:47:14,120 --> 00:47:16,160
Speaker 1: I don't understand what the favor was. Stop, you're not

705
00:47:16,239 --> 00:47:21,400
Speaker 1: just one of the friends. I'm not trying to Sorry.

706
00:47:21,480 --> 00:47:26,040
Speaker 1: She's a friend, and yes, and we're best friend, but

707
00:47:26,160 --> 00:47:29,480
Speaker 1: I don't know what favor did you ask the quick visa?

708
00:47:29,520 --> 00:47:32,880
Speaker 1: I'm sorry? Did you see your your best friends with her? Yeah?

709
00:47:33,160 --> 00:47:36,279
Speaker 1: You can have more than one best friend, Jerry, your

710
00:47:36,320 --> 00:47:39,360
Speaker 1: best friend at your house? Jerry, Yeah, I'm sorry that

711
00:47:42,320 --> 00:47:48,840
Speaker 1: I was trying to forget it. You're drunk than the foreigner. Okay,

712
00:47:50,400 --> 00:47:55,279
Speaker 1: the government is after me. This guy, he says, the

713
00:47:55,400 --> 00:47:57,680
Speaker 1: freak that works at the Cincinnati AAR, because I don't

714
00:47:57,760 --> 00:48:00,560
Speaker 1: belong here. Does he don't think he worked there? Though him? Yeah,

715
00:48:00,600 --> 00:48:03,200
Speaker 1: he's just telling him, don't worry about him, he says,

716
00:48:03,480 --> 00:48:05,920
Speaker 1: looking like a type of person that should be here. Yes,

717
00:48:06,480 --> 00:48:09,640
Speaker 1: that's right. This guy landed today and he sticks out

718
00:48:09,680 --> 00:48:12,120
Speaker 1: like a sore thumb. But he's a friend of ours.

719
00:48:12,200 --> 00:48:15,000
Speaker 1: I'm a friend of the tailer who doesn't belong here. You, sir,

720
00:48:15,719 --> 00:48:19,120
Speaker 1: you sir, profiling people like that. Yeah, you're strange issues.

721
00:48:19,120 --> 00:48:22,239
Speaker 1: And for once in Jerry's life, he's right about something.

722
00:48:22,280 --> 00:48:24,200
Speaker 1: Mom in his house and I want to go. I

723
00:48:24,239 --> 00:48:25,719
Speaker 1: want you to go to my house and I want

724
00:48:25,760 --> 00:48:27,360
Speaker 1: you to have a talking to with me. You understand,

725
00:48:28,040 --> 00:48:31,840
Speaker 1: we gotta straighten you out. Okay, all right, I'm terribly sorry.

726
00:48:32,040 --> 00:48:35,200
Speaker 1: It's okay, Darris. I think we need to accept his apologies.

727
00:48:35,239 --> 00:48:37,680
Speaker 1: Come all the way. I also brought the gift. I

728
00:48:37,719 --> 00:48:47,479
Speaker 1: brought one bag. I'm a tiny pizza pizza pizza any

729
00:48:47,560 --> 00:48:53,359
Speaker 1: more now, I'm oh my god. Do you see the attorney. No, no, no,

730
00:48:53,400 --> 00:49:07,080
Speaker 1: I'm tan he's tiny baby pizza racist. That's it. Took

731
00:49:07,160 --> 00:49:09,960
Speaker 1: us a hundred eleven shows to end on the word racist,

732
00:49:10,000 --> 00:49:17,160
Speaker 1: but we did apply. Thank you everyone. Yes, uh, Caroline,

733
00:49:17,200 --> 00:49:18,719
Speaker 1: how do thank you so much for joining us today

734
00:49:18,880 --> 00:49:23,640
Speaker 1: any time? Returning champion guest Alchemists and James Heeney. Thanks

735
00:49:23,680 --> 00:49:26,640
Speaker 1: for having me here again. It's always a pleasure. Would

736
00:49:26,680 --> 00:49:28,399
Speaker 1: you come to the house after the show today? Yeah,

737
00:49:28,440 --> 00:49:31,200
Speaker 1: I was planning it. Okay, great, great, great, need, right,

738
00:49:31,360 --> 00:49:35,200
Speaker 1: I just wanted everyone to know. Uh, Craig Kakowski, I

739
00:49:35,239 --> 00:49:42,160
Speaker 1: think I found true happiness with all of you, and

740
00:49:42,239 --> 00:49:50,200
Speaker 1: I never had that in any previous Yeah. Uh and uh,

741
00:49:50,360 --> 00:49:52,839
Speaker 1: let's see who's next. Vanessa Raglan, thank you so much

742
00:49:53,360 --> 00:49:55,840
Speaker 1: for being here, and by that I mean back in

743
00:49:55,880 --> 00:49:58,440
Speaker 1: Los Angeles. Oh, I'm so glad to be here. Yeah. Yeah,

744
00:49:58,560 --> 00:50:01,720
Speaker 1: welcome back. And Chris Colorado, thanks for having me, buddy.

745
00:50:01,760 --> 00:50:04,200
Speaker 1: I love this group, right, I love you and thank

746
00:50:04,200 --> 00:50:06,760
Speaker 1: you Craig. Thanks thanks for sharing that. I wish everyone

747
00:50:06,760 --> 00:50:10,319
Speaker 1: could have seen your arm acting your accent, because I've

748
00:50:10,360 --> 00:50:13,080
Speaker 1: never seen arms do so much Italian work. I honestly

749
00:50:13,080 --> 00:50:14,360
Speaker 1: didn't know I was moving my arms. So are you

750
00:50:14,400 --> 00:50:17,680
Speaker 1: being serious? Yeah, that's not true. I swear it was

751
00:50:17,719 --> 00:50:24,880
Speaker 1: the most hand talking. Yes, who said hand talking? Joey

752
00:50:27,880 --> 00:50:31,080
Speaker 1: did not see you there? Thanks for joining us, you

753
00:50:31,120 --> 00:50:34,000
Speaker 1: know it was. It was a blast, okay, and maybe

754
00:50:34,040 --> 00:50:36,839
Speaker 1: soon tell us when you'll be appearing on the Ron

755
00:50:36,880 --> 00:50:40,920
Speaker 1: Burgundy podcast or Bargaundy. Let's know about the Bargundy Burgundy

756
00:50:41,160 --> 00:50:43,799
Speaker 1: I do I don't know, I do not know, okay. Uh,

757
00:50:43,800 --> 00:50:45,960
Speaker 1: and you know how to find us at our various places.

758
00:50:46,160 --> 00:50:48,560
Speaker 1: We've only mentioned at seventy five times. I don't we

759
00:50:48,680 --> 00:50:53,320
Speaker 1: skip at this time, but dog bab Arm, producer and engineer.

760
00:50:54,040 --> 00:50:55,920
Speaker 1: Thank you all very much. I'm Kevin Pollock, your host

761
00:50:56,040 --> 00:51:25,880
Speaker 1: until next time. And I and I and I pull