1 00:00:04,120 --> 00:00:07,680 Speaker 1: Hey, and welcome to Hollywood a hambug. Sorry guy back, Hey, 2 00:00:08,240 --> 00:00:12,160 Speaker 1: and so we are here. Of course we have a 3 00:00:12,240 --> 00:00:15,160 Speaker 1: guest like we so often do, and we'll talk to 4 00:00:15,240 --> 00:00:17,600 Speaker 1: him in a minute, but first I want to talk 5 00:00:17,640 --> 00:00:18,720 Speaker 1: to Hayes about him. 6 00:00:20,480 --> 00:00:24,599 Speaker 2: So he hit me, man, what what is up? 7 00:00:25,280 --> 00:00:31,040 Speaker 1: We got this guy, this Australian guy named Tom, Yeah, 8 00:00:31,080 --> 00:00:35,520 Speaker 1: who's like a comedy guy. But we have one of those, 9 00:00:35,560 --> 00:00:36,560 Speaker 1: like we have a guy. 10 00:00:36,479 --> 00:00:38,240 Speaker 2: Like We've got a guy like that. 11 00:00:38,720 --> 00:00:40,559 Speaker 1: So what I'm trying to figure out is like, do 12 00:00:40,640 --> 00:00:42,080 Speaker 1: we need two guys like this? 13 00:00:42,560 --> 00:00:47,200 Speaker 3: Here's something I I mean and I'm not saying yes 14 00:00:47,320 --> 00:00:47,519 Speaker 3: or no. 15 00:00:48,640 --> 00:00:50,200 Speaker 2: This is not I'm not either. I'm asking. 16 00:00:50,240 --> 00:00:51,520 Speaker 1: I'm literally asking. 17 00:00:51,240 --> 00:00:56,080 Speaker 3: This question and something tossing something back to you. Other 18 00:00:56,280 --> 00:01:02,200 Speaker 3: Tom came in with this. Ready, Oh my god, I 19 00:01:02,240 --> 00:01:04,480 Speaker 3: get I get to be on the show Hollywood Hanble. 20 00:01:04,680 --> 00:01:08,199 Speaker 2: It's one of my favorite shows that I love. Yes yes, yes, yes, 21 00:01:08,280 --> 00:01:12,160 Speaker 2: yes yes, I'm obsessed with this. That was the feeling 22 00:01:12,360 --> 00:01:17,160 Speaker 2: yes yes and this guy can I can. 23 00:01:17,080 --> 00:01:18,520 Speaker 1: I tell you exactly what this guy came in with 24 00:01:18,560 --> 00:01:20,600 Speaker 1: because I was with him before you were. What this 25 00:01:20,600 --> 00:01:24,600 Speaker 1: guy came in with actually was I'm not going to 26 00:01:24,640 --> 00:01:25,240 Speaker 1: do the accent. 27 00:01:26,319 --> 00:01:27,240 Speaker 2: I'll try it. I won't. 28 00:01:27,480 --> 00:01:30,959 Speaker 1: I'll try it. I shouldn't do it, but I'll try it. 29 00:01:31,600 --> 00:01:33,880 Speaker 2: I didn't, so I'd really prefer you didn't. 30 00:01:34,520 --> 00:01:37,360 Speaker 1: I think I think I need to update my I 31 00:01:37,360 --> 00:01:41,360 Speaker 1: think I need to update my Zoom. I think I 32 00:01:41,400 --> 00:01:45,120 Speaker 1: have to re download my Zoom. It was like, oh okay, 33 00:01:45,240 --> 00:01:47,039 Speaker 1: and he's like, I can only see one. 34 00:01:46,920 --> 00:01:51,080 Speaker 2: Of you, and I was like all right, so like 35 00:01:51,080 --> 00:01:53,360 Speaker 2: like that's something with Zoom only being able to see 36 00:01:53,400 --> 00:01:54,040 Speaker 2: one of them? 37 00:01:54,360 --> 00:01:56,800 Speaker 3: Well, just like what the oh like an update? Oh 38 00:01:56,800 --> 00:01:59,720 Speaker 3: well no in this new update. No, don't worry, we 39 00:01:59,800 --> 00:02:02,280 Speaker 3: saw that problem. There's another person in the new update. 40 00:02:04,000 --> 00:02:06,400 Speaker 1: I was like switched the view like Kevin was like, 41 00:02:06,480 --> 00:02:08,360 Speaker 1: you know, like there's like a so sorry, there's a 42 00:02:08,480 --> 00:02:10,040 Speaker 1: huge problem with Zoom right now. 43 00:02:10,080 --> 00:02:11,760 Speaker 2: There's only one guy in it. 44 00:02:12,720 --> 00:02:16,280 Speaker 1: That yes, Zoom only Zoom can only fit one guy. 45 00:02:16,320 --> 00:02:18,640 Speaker 1: It hasn't been updated enough. So I was like, well, 46 00:02:18,639 --> 00:02:20,640 Speaker 1: see if you can change the speaker of you didn't 47 00:02:20,680 --> 00:02:22,239 Speaker 1: acknowledge that at all when. 48 00:02:22,280 --> 00:02:27,280 Speaker 2: It says I need to update. Okay. Then he came 49 00:02:27,320 --> 00:02:31,399 Speaker 2: back and there was two of him. No. 50 00:02:31,560 --> 00:02:36,520 Speaker 1: Never, Nowhere in this exchange was there any acknowledgement that 51 00:02:36,600 --> 00:02:39,239 Speaker 1: he got to be on Hollywood Handbook that it's. 52 00:02:39,120 --> 00:02:41,560 Speaker 2: The he's obsessed with that funny has show. 53 00:02:41,440 --> 00:02:46,040 Speaker 1: That he's obsessed. That it was nothing. 54 00:02:46,200 --> 00:02:48,400 Speaker 2: Nervous, that he was really scared. 55 00:02:48,960 --> 00:02:52,560 Speaker 1: Didn't say he was scared, and yet actually so comfortable. 56 00:02:52,600 --> 00:02:55,600 Speaker 1: I mean, if you're scared, you don't go around updating stuff. 57 00:02:55,800 --> 00:03:00,720 Speaker 2: And yet I've seen this guy, I've seen his work. 58 00:03:01,120 --> 00:03:02,399 Speaker 1: Look at this fucking guy. 59 00:03:02,240 --> 00:03:04,560 Speaker 2: And I and I have no problem admitting that apparently 60 00:03:04,600 --> 00:03:07,080 Speaker 2: he does. Yeah, I talked to him about it. 61 00:03:07,040 --> 00:03:08,880 Speaker 1: I actually I One of the first things I did 62 00:03:08,919 --> 00:03:10,800 Speaker 1: was told him the song I thought was funny, and 63 00:03:10,840 --> 00:03:13,080 Speaker 1: then he started being like, oh, that one's not the 64 00:03:13,080 --> 00:03:15,200 Speaker 1: one that you should be telling me about. And I 65 00:03:15,240 --> 00:03:18,040 Speaker 1: stole that one from Anti Donna or whatever. I was 66 00:03:18,120 --> 00:03:20,360 Speaker 1: just like, dude, don't say that. 67 00:03:20,440 --> 00:03:24,359 Speaker 2: And if you steal, don't steal from them. Like, honestly, 68 00:03:26,840 --> 00:03:30,360 Speaker 2: there's gotta be other I love those guys. They're so 69 00:03:30,639 --> 00:03:34,520 Speaker 2: fun I love I love them them honestly, I love 70 00:03:34,560 --> 00:03:43,839 Speaker 2: two of them. It's not the ideas. Yes, but Tom talk. 71 00:03:43,320 --> 00:03:45,280 Speaker 3: To me to I mean, but let me, I mean 72 00:03:45,440 --> 00:03:47,680 Speaker 3: talk about your approach, and I want to talk about 73 00:03:47,680 --> 00:03:50,080 Speaker 3: something I'm familiar with before you start going into like, 74 00:03:50,120 --> 00:03:51,520 Speaker 3: oh my zoom is fucked up again. 75 00:03:52,240 --> 00:03:56,720 Speaker 2: Your whole thing is the machines. 76 00:03:57,520 --> 00:04:01,440 Speaker 3: You are, you know, machines Like that's like they're all 77 00:04:01,840 --> 00:04:03,280 Speaker 3: You're surrounded by them. 78 00:04:03,280 --> 00:04:05,680 Speaker 1: And every time I listen to a song of yours, 79 00:04:05,720 --> 00:04:07,320 Speaker 1: I hear multiple machines. 80 00:04:08,760 --> 00:04:14,680 Speaker 4: Okay, listen, you fucking dogs, there's a limit. 81 00:04:16,040 --> 00:04:18,800 Speaker 2: Guy, Like, who are you talking to? What the fuck 82 00:04:18,920 --> 00:04:20,279 Speaker 2: is with your zoom? 83 00:04:22,160 --> 00:04:24,320 Speaker 4: You're nothing wrong with my zoom. This is the pinnacle 84 00:04:24,320 --> 00:04:27,480 Speaker 4: of zoom in Australia. Okay, you've heard of bandwidth. You 85 00:04:27,520 --> 00:04:29,680 Speaker 4: asked me on here. You knew where I lived, you know, 86 00:04:29,880 --> 00:04:33,600 Speaker 4: very specifically where I lived. Okay, I've sent you photos 87 00:04:33,640 --> 00:04:35,760 Speaker 4: of my house. I sent you photos of the broadband plan. 88 00:04:36,080 --> 00:04:39,279 Speaker 2: This is the best zoom in all of Australia. 89 00:04:38,839 --> 00:04:42,080 Speaker 4: Literally, the best zoom. This is the best frequency. 90 00:04:42,680 --> 00:04:46,599 Speaker 2: Okay, Well, a broad band plant. There's three of them, 91 00:04:46,680 --> 00:04:48,760 Speaker 2: and like I was saying, two of them are really good. 92 00:04:48,880 --> 00:04:54,960 Speaker 4: So like which one is the one? The one with 93 00:04:55,240 --> 00:04:57,520 Speaker 4: the one with the hair or lack of hang on? 94 00:04:57,600 --> 00:04:59,720 Speaker 1: As a goin Hey's, I got him. This guy sent 95 00:04:59,800 --> 00:05:03,240 Speaker 1: me a photo of the broadband plant. Yeah, the freaking 96 00:05:03,279 --> 00:05:04,080 Speaker 1: eucalyptus tree. 97 00:05:04,080 --> 00:05:04,800 Speaker 2: In his backyard. 98 00:05:08,160 --> 00:05:11,159 Speaker 4: You can't say that. And also the what you did 99 00:05:11,200 --> 00:05:15,400 Speaker 4: before to quote unquote Australian accents was one of the 100 00:05:15,400 --> 00:05:18,200 Speaker 4: most racist things I've ever heard in mile I've done 101 00:05:18,200 --> 00:05:21,160 Speaker 4: to the Australian, the English Australian. 102 00:05:21,400 --> 00:05:24,000 Speaker 2: We can't say that, you guys. We just have to 103 00:05:24,040 --> 00:05:27,240 Speaker 2: watch you eat eucalyptus, like I just I don't we're 104 00:05:27,880 --> 00:05:29,480 Speaker 2: allowed to say anything about it. 105 00:05:29,800 --> 00:05:32,440 Speaker 4: No, Well, the thing is you have to educate yourself 106 00:05:32,480 --> 00:05:33,880 Speaker 4: a little bit because I don't know if you knew this, 107 00:05:33,920 --> 00:05:35,359 Speaker 4: but eucalyptus is actually poison. 108 00:05:35,920 --> 00:05:39,760 Speaker 2: Okay, but that's yeah, you don't want us to eat it. 109 00:05:39,279 --> 00:05:41,640 Speaker 2: I get it. That's your whole thing, like, oh, don't 110 00:05:41,680 --> 00:05:46,440 Speaker 2: eat that, it's poison. I don't want to. You don't 111 00:05:46,480 --> 00:05:48,320 Speaker 2: have to do that with me. I don't want your 112 00:05:48,480 --> 00:05:50,160 Speaker 2: fucking leaves. Okay. 113 00:05:51,600 --> 00:05:53,200 Speaker 1: This is like when I tell my kid that my 114 00:05:53,240 --> 00:05:55,640 Speaker 1: food is spicy, so you won't try it because I 115 00:05:55,640 --> 00:05:56,960 Speaker 1: want to eat it for myself and. 116 00:05:56,920 --> 00:05:59,839 Speaker 4: You're just eating ice cream like no, no, no, yeah, 117 00:06:00,040 --> 00:06:04,680 Speaker 4: oh yeah. I would like to say, Okay. 118 00:06:04,800 --> 00:06:06,920 Speaker 2: You don't know that because the way you know, the 119 00:06:06,920 --> 00:06:10,160 Speaker 2: way you said is so respectful his accent. 120 00:06:10,160 --> 00:06:12,920 Speaker 1: That's but the way you my accents, but you can 121 00:06:12,960 --> 00:06:13,960 Speaker 1: say seshe on. 122 00:06:15,160 --> 00:06:16,600 Speaker 4: I was just saying it the way that. 123 00:06:16,640 --> 00:06:18,800 Speaker 1: In the face you made during it too. I just 124 00:06:19,360 --> 00:06:21,599 Speaker 1: I don't know, I'm not comfortable with that. You want 125 00:06:21,640 --> 00:06:22,440 Speaker 1: to take that again. 126 00:06:22,839 --> 00:06:25,479 Speaker 4: It's just a little flavor of you know, I'm just 127 00:06:25,520 --> 00:06:26,599 Speaker 4: respectful to the culture. 128 00:06:27,279 --> 00:06:30,520 Speaker 2: I think it's a lot of flavor personally, m C. 129 00:06:32,279 --> 00:06:35,320 Speaker 2: I think, I mean, I think like that's I don't 130 00:06:35,320 --> 00:06:37,599 Speaker 2: think it's a little flavor. I like I think it's 131 00:06:37,680 --> 00:06:44,479 Speaker 2: it's very very complex, flavorful, very intense. Yeah, so many, 132 00:06:45,080 --> 00:06:46,360 Speaker 2: so many notes to it. 133 00:06:46,680 --> 00:06:53,840 Speaker 4: The cream offsets, the so much to unpack. You Sean 134 00:06:54,560 --> 00:06:58,479 Speaker 4: started the meeting and said, Hi, I have to go 135 00:06:58,600 --> 00:07:03,600 Speaker 4: pay and so you made yourself aware that. So I'm 136 00:07:03,640 --> 00:07:04,480 Speaker 4: just trying to figure out. 137 00:07:04,400 --> 00:07:07,479 Speaker 1: What it's called humanizing yourself. A lot of times, like 138 00:07:07,520 --> 00:07:10,360 Speaker 1: with a Tom from Australia, they're really nervous. They're like, oh, 139 00:07:10,400 --> 00:07:13,960 Speaker 1: these guys are like these superheroes. He's like comedy gods. 140 00:07:14,000 --> 00:07:17,360 Speaker 1: Like they're not gonna, you know, be real human beings 141 00:07:17,360 --> 00:07:19,080 Speaker 1: that I can relate to. So one thing I do 142 00:07:19,120 --> 00:07:20,360 Speaker 1: to put people at these is I go and I 143 00:07:20,400 --> 00:07:21,880 Speaker 1: talk about how I'm gonna pee right away. 144 00:07:22,000 --> 00:07:23,640 Speaker 2: Yeah, you Jesus christ Man. 145 00:07:24,120 --> 00:07:27,040 Speaker 4: There's a big difference between me and other Tom Who. 146 00:07:27,280 --> 00:07:31,120 Speaker 3: And I was coming with that, like with you in 147 00:07:31,240 --> 00:07:36,000 Speaker 3: the lead, because he just does comedy. As far as 148 00:07:36,040 --> 00:07:38,080 Speaker 3: I know, I don't think Kevin does that guy do 149 00:07:38,120 --> 00:07:38,960 Speaker 3: any music at all? 150 00:07:39,160 --> 00:07:40,880 Speaker 1: Does he do music? I don't know what he's up 151 00:07:40,920 --> 00:07:41,400 Speaker 1: to lately. 152 00:07:41,520 --> 00:07:43,680 Speaker 3: If he does, let me guess. If he does, I'll 153 00:07:43,680 --> 00:07:46,600 Speaker 3: bet it's like a side project that's like not fun 154 00:07:46,720 --> 00:07:47,800 Speaker 3: it's like seriously. 155 00:07:47,480 --> 00:07:50,560 Speaker 2: Not really hitting. Yeah, you know what I mean. Hm, 156 00:07:51,120 --> 00:07:56,120 Speaker 2: you know, it's like a tonal okay about everything, Like 157 00:07:56,240 --> 00:07:58,280 Speaker 2: does Kevin don't be like he doesn't do that. You 158 00:07:58,320 --> 00:07:59,080 Speaker 2: we're saying it's. 159 00:07:59,000 --> 00:08:01,920 Speaker 1: A side project outside of his comedy career, which is 160 00:08:01,960 --> 00:08:05,720 Speaker 1: more public. And when his name after Demi goes to 161 00:08:05,760 --> 00:08:08,320 Speaker 1: sleep or whatever, he fucking goes out in the garage 162 00:08:08,360 --> 00:08:10,280 Speaker 1: and like sings about teacher being mean to. 163 00:08:10,280 --> 00:08:13,080 Speaker 3: Him because he did because he did one once. He 164 00:08:13,240 --> 00:08:15,360 Speaker 3: performed one once for Demi that was supposed to be 165 00:08:15,360 --> 00:08:17,200 Speaker 3: funny and it didn't get the reaction. 166 00:08:17,320 --> 00:08:19,600 Speaker 2: He was like, well it wasn't like that. My music 167 00:08:19,680 --> 00:08:20,400 Speaker 2: is not funny. 168 00:08:20,800 --> 00:08:23,960 Speaker 1: That's not yeah that that's not the comedy is one thing, 169 00:08:24,000 --> 00:08:27,600 Speaker 1: and then the music separately is just about feelings, passion, 170 00:08:27,760 --> 00:08:27,960 Speaker 1: you know. 171 00:08:28,280 --> 00:08:30,400 Speaker 2: So I'm glad. So I'm glad that was your reaction. 172 00:08:30,520 --> 00:08:33,640 Speaker 3: Meanwhile, he has all of all these tabs of Tom 173 00:08:33,679 --> 00:08:35,439 Speaker 3: Carter's videos up closing. 174 00:08:36,320 --> 00:08:38,920 Speaker 4: I ruined his life when I became a Tom on 175 00:08:38,960 --> 00:08:41,960 Speaker 4: the internet because people had to type in his full 176 00:08:42,000 --> 00:08:44,160 Speaker 4: name when they wanted to google him. I've also ruined 177 00:08:44,200 --> 00:08:46,880 Speaker 4: the life of one Tom Cardy, a mountain bike rider 178 00:08:46,920 --> 00:08:50,599 Speaker 4: in London, which is really good because he's kind of 179 00:08:50,600 --> 00:08:53,360 Speaker 4: got an online profile. And now he gets I guess 180 00:08:53,400 --> 00:08:55,679 Speaker 4: people saying like, did you write a song about buttholes? 181 00:08:56,360 --> 00:08:58,040 Speaker 4: Did you write a song that just says it one 182 00:08:58,120 --> 00:09:00,560 Speaker 4: naughty word? And it's like ten seconds long. He's gonna 183 00:09:00,600 --> 00:09:02,800 Speaker 4: say no, And that's sad for him because I think 184 00:09:02,800 --> 00:09:07,520 Speaker 4: he probably realizes that his life isn't quite as good 185 00:09:07,520 --> 00:09:07,920 Speaker 4: as mine. 186 00:09:09,559 --> 00:09:10,160 Speaker 2: Jealous. 187 00:09:10,520 --> 00:09:16,000 Speaker 1: Yeah, yeah, I you know, I gotta tell you I 188 00:09:16,040 --> 00:09:17,280 Speaker 1: was only half listening, but. 189 00:09:19,200 --> 00:09:20,400 Speaker 4: That's fair. You're still pissing. 190 00:09:22,800 --> 00:09:24,280 Speaker 2: Come on, man, no I'm not. 191 00:09:24,280 --> 00:09:27,960 Speaker 1: But I'm on a for the video wish bro for 192 00:09:28,000 --> 00:09:31,840 Speaker 1: the video people a balance board. This is just called 193 00:09:31,880 --> 00:09:37,640 Speaker 1: this is fucking dynamic. I mean, like with video podcasts. 194 00:09:37,679 --> 00:09:40,360 Speaker 1: I mean, as you know, why we're still in the game, 195 00:09:40,400 --> 00:09:42,920 Speaker 1: as we keep innovating. I now stand on a balance 196 00:09:42,960 --> 00:09:45,320 Speaker 1: board for the video podcast and I just rock back 197 00:09:45,360 --> 00:09:48,439 Speaker 1: and forth, and Kevin has the podcast captures them. 198 00:09:48,559 --> 00:09:50,800 Speaker 3: Kevin has to go between right and left channel, so 199 00:09:50,840 --> 00:09:52,680 Speaker 3: you're he's only in one year at a time. 200 00:09:54,080 --> 00:09:58,480 Speaker 4: Wow, Kevin, you got some pretty good uh HD quality 201 00:09:58,520 --> 00:10:01,520 Speaker 4: on that camera there? Why don't you share some with us? Bozos? Huh? 202 00:10:01,600 --> 00:10:03,880 Speaker 3: I actually sent him a text asking him to do that. 203 00:10:04,080 --> 00:10:05,720 Speaker 3: Was that earlier today or yesterday? 204 00:10:05,760 --> 00:10:06,319 Speaker 2: Kevin Thikle? 205 00:10:06,520 --> 00:10:08,120 Speaker 1: Was this morning or last night? 206 00:10:08,520 --> 00:10:11,200 Speaker 2: Okay? Yeah, but I've already resigned myself that it's never 207 00:10:11,200 --> 00:10:13,000 Speaker 2: gonna happen. It's like, why haven't you even It was 208 00:10:13,040 --> 00:10:18,480 Speaker 2: an interesting text? Descend right. It was a good It 209 00:10:18,520 --> 00:10:21,160 Speaker 2: was a good heat check for myself, you know what 210 00:10:21,160 --> 00:10:21,480 Speaker 2: I mean? 211 00:10:21,880 --> 00:10:25,120 Speaker 1: Yeah, getting a little bit see what I could get 212 00:10:25,280 --> 00:10:26,320 Speaker 1: your skis a little bit. 213 00:10:26,640 --> 00:10:28,400 Speaker 2: See if I could get Kevin to send me a 214 00:10:28,400 --> 00:10:31,280 Speaker 2: good camera to use some of the texts you've beens ending. 215 00:10:31,400 --> 00:10:33,960 Speaker 4: Yeah, Kevin, have you been holding cameras? Is that what 216 00:10:34,000 --> 00:10:36,840 Speaker 4: you got under the table? There? Just twenty cameras. 217 00:10:37,280 --> 00:10:39,119 Speaker 2: Kevin's sort of our technical advisor. 218 00:10:39,240 --> 00:10:43,800 Speaker 1: But that's also there was like a big push early 219 00:10:43,880 --> 00:10:45,880 Speaker 1: on where he kind of got us all set up, 220 00:10:46,840 --> 00:10:49,600 Speaker 1: and then as everything is sort of slowly degraded and 221 00:10:49,640 --> 00:10:52,480 Speaker 1: we just like are doing worse and worse all the time. 222 00:10:52,760 --> 00:10:54,960 Speaker 4: Yeah, your cameras are really good for twenty ten. 223 00:10:55,040 --> 00:10:57,800 Speaker 3: I was going to say, Kevin, he's our picture of 224 00:10:57,840 --> 00:10:59,720 Speaker 3: Dorian Gray, but it's like you go up to the 225 00:10:59,760 --> 00:11:05,200 Speaker 3: ad and people like, wow, this picture is really fucking hot. 226 00:11:06,160 --> 00:11:07,359 Speaker 4: It actually damn. 227 00:11:09,200 --> 00:11:13,320 Speaker 2: Looking good as fuck up here the addic okay picture? 228 00:11:13,640 --> 00:11:19,280 Speaker 2: Would Tom you have a Kevin? Uh? 229 00:11:20,200 --> 00:11:23,280 Speaker 4: Nah? Was that ringing about borrowing yellows? If that's all right? 230 00:11:23,720 --> 00:11:25,559 Speaker 2: You're so full of crap, Tom. 231 00:11:25,480 --> 00:11:27,160 Speaker 4: No, I'm not. I don't have it, Kevin. It's just 232 00:11:27,200 --> 00:11:30,600 Speaker 4: you don't have Kevin nah Man both Hilt. 233 00:11:31,200 --> 00:11:35,160 Speaker 2: What does he do Mike? Yeah? Does he do. 234 00:11:37,040 --> 00:11:42,080 Speaker 3: Like the singing? Does he do like because you're faking 235 00:11:42,120 --> 00:11:43,640 Speaker 3: You're like you're lipsticking. 236 00:11:43,160 --> 00:11:43,959 Speaker 2: A lot of the things. 237 00:11:44,360 --> 00:11:47,120 Speaker 4: No, I've never faked anything, So that's why. 238 00:11:47,240 --> 00:11:51,720 Speaker 1: Does he's an auto tune or does he like Mike? 239 00:11:51,840 --> 00:11:53,720 Speaker 1: Does he make all the music for you? 240 00:11:54,160 --> 00:11:56,040 Speaker 4: I don't know what you kind of insinuating, but this 241 00:11:56,080 --> 00:11:58,800 Speaker 4: is a this is a one, this is a machine 242 00:11:58,960 --> 00:11:59,400 Speaker 4: one single. 243 00:11:59,559 --> 00:12:02,800 Speaker 1: I'm inuating is that I've spent about ten minutes with you. 244 00:12:02,880 --> 00:12:05,480 Speaker 1: I've I've heard the songs before. These are not being 245 00:12:05,520 --> 00:12:09,080 Speaker 1: generated by you. I know a fellow creative when I 246 00:12:09,160 --> 00:12:12,680 Speaker 1: meet one. And what you're bringing to the table right 247 00:12:12,720 --> 00:12:16,520 Speaker 1: now is guy who has been coasting on the shoulders 248 00:12:16,520 --> 00:12:19,200 Speaker 1: of a Kevin and and I know it when I 249 00:12:19,200 --> 00:12:25,560 Speaker 1: see it. Brother, Yeah, we could smell our own my friend. 250 00:12:25,960 --> 00:12:28,320 Speaker 4: None, No, look, I got I don't wanna. I don't 251 00:12:28,320 --> 00:12:30,000 Speaker 4: want this to be an expos but like, would it 252 00:12:30,040 --> 00:12:32,559 Speaker 4: blow your mind for me to say that your Kevin 253 00:12:32,559 --> 00:12:36,520 Speaker 4: had written all my songs. 254 00:12:36,280 --> 00:12:37,320 Speaker 2: Not real of them. 255 00:12:37,320 --> 00:12:40,040 Speaker 3: I mean he like, yeah, all of them is a lot, 256 00:12:40,160 --> 00:12:43,439 Speaker 3: but like he must be doing so many with that. 257 00:12:43,480 --> 00:12:44,960 Speaker 3: I mean that would be like, Okay, well, I know 258 00:12:45,000 --> 00:12:46,600 Speaker 3: he's not doing anything for us that. 259 00:12:46,559 --> 00:12:50,240 Speaker 2: Accounts for like Monday through Wednesday of a given week. 260 00:12:50,520 --> 00:12:54,440 Speaker 2: You know, I still have someone answered questions. Can you 261 00:12:54,440 --> 00:12:54,839 Speaker 2: tell me. 262 00:12:54,800 --> 00:12:58,720 Speaker 4: That it is amazing that you think there's like a 263 00:12:58,760 --> 00:13:02,600 Speaker 4: Elton John Bernie Turpin sort of situation or whatever that 264 00:13:02,640 --> 00:13:04,120 Speaker 4: other guy's name is. It's sad that we don't know 265 00:13:04,280 --> 00:13:04,480 Speaker 4: the other. 266 00:13:05,000 --> 00:13:09,079 Speaker 2: Yeah, it's Bernie Turbin the Burbie Burbie's. 267 00:13:08,600 --> 00:13:10,880 Speaker 1: Turbin Bernie Turpentine. 268 00:13:11,440 --> 00:13:14,720 Speaker 4: Yeah, well chemically, fella, because. 269 00:13:14,400 --> 00:13:17,439 Speaker 3: I notice you haven't turned your camera around to show 270 00:13:17,520 --> 00:13:19,800 Speaker 3: us that he's back there, and I just I'm just 271 00:13:19,920 --> 00:13:22,800 Speaker 3: noticing that you haven't done that, because if I were 272 00:13:22,840 --> 00:13:26,200 Speaker 3: trying to prove that there wasn't a guy sitting sitting 273 00:13:26,280 --> 00:13:31,360 Speaker 3: right behind my computer clapping for me killer lines. 274 00:13:32,200 --> 00:13:36,600 Speaker 4: Yeah, he's notoriously quiet on podcasts, let me tell you. 275 00:13:37,160 --> 00:13:38,880 Speaker 4: Uh No, I don't show him off because he's a 276 00:13:38,920 --> 00:13:41,440 Speaker 4: he's an ugly little fellow, and he doesn't like He 277 00:13:41,440 --> 00:13:43,520 Speaker 4: doesn't like to be seen, he doesn't like to be heard. 278 00:13:43,840 --> 00:13:45,960 Speaker 4: He just likes to squirrel away funny tiktoks. 279 00:13:46,520 --> 00:13:48,920 Speaker 2: Yes, they do squirrel in their cheeks. 280 00:13:50,520 --> 00:13:57,600 Speaker 4: He spits one out into my mouth sometimes. 281 00:13:57,880 --> 00:14:03,200 Speaker 2: Assuming you do, you do write your songs. I did 282 00:14:03,280 --> 00:14:04,280 Speaker 2: have some notes. 283 00:14:04,840 --> 00:14:09,600 Speaker 4: Okay, great, I actually need this, Oh my god, finally. 284 00:14:08,640 --> 00:14:12,680 Speaker 3: Ready, Ready, I agree, I had a couple of notes. Ready, Okay, 285 00:14:12,720 --> 00:14:13,120 Speaker 3: here we go. 286 00:14:13,200 --> 00:14:15,640 Speaker 4: I know it. I don't like someone saying ready before. 287 00:14:15,720 --> 00:14:17,319 Speaker 4: I feel like I have to brace myself. 288 00:14:17,040 --> 00:14:18,320 Speaker 1: A little bit sharp. 289 00:14:19,720 --> 00:14:23,040 Speaker 4: What your fuck? 290 00:14:23,120 --> 00:14:23,360 Speaker 2: Okay? 291 00:14:23,440 --> 00:14:25,280 Speaker 4: Yeah? That was okay, excellent. 292 00:14:27,920 --> 00:14:31,560 Speaker 2: There's a couple of notes creative. 293 00:14:31,600 --> 00:14:33,640 Speaker 3: How he didn't do one. Notice how he didn't do one? 294 00:14:33,800 --> 00:14:36,680 Speaker 3: Go on, I appreciate the crap. 295 00:14:36,800 --> 00:14:37,240 Speaker 2: Dude. 296 00:14:37,520 --> 00:14:38,760 Speaker 1: Yeah, I didn't even get it. 297 00:14:39,720 --> 00:14:44,000 Speaker 4: You didn't even get that he said that I'm not 298 00:14:44,040 --> 00:14:47,480 Speaker 4: a comedic musician. That's not I got. I start off. 299 00:14:47,600 --> 00:14:51,440 Speaker 4: I start with the music and I let it my training, 300 00:14:52,040 --> 00:14:54,600 Speaker 4: black belt and jiu jitsu. Friend, why don't you hop 301 00:14:54,640 --> 00:14:58,120 Speaker 4: on a ship at Sydney and we'll see what happens? Yeah, man, 302 00:14:58,640 --> 00:15:01,320 Speaker 4: steamship only I need. That's six months of the train. No, 303 00:15:01,440 --> 00:15:03,400 Speaker 4: I would never threaten you physically. 304 00:15:03,800 --> 00:15:06,440 Speaker 2: You don't want you, bro, You do not want me 305 00:15:06,480 --> 00:15:08,520 Speaker 2: to hop, brother, you don't want I. 306 00:15:08,520 --> 00:15:08,960 Speaker 4: Don't want that. 307 00:15:09,520 --> 00:15:09,680 Speaker 2: Bro. 308 00:15:10,240 --> 00:15:12,400 Speaker 4: Are you gonna stand up? Be seven feet towards something? Hayes? 309 00:15:12,520 --> 00:15:15,480 Speaker 4: What's going on coming from a guy who couldn't ride 310 00:15:15,480 --> 00:15:17,840 Speaker 4: the zoom before? If we're talking about what happened before 311 00:15:17,920 --> 00:15:22,320 Speaker 4: the podcast starts, someone's going around finding where's Waldough with 312 00:15:22,320 --> 00:15:23,320 Speaker 4: a little zoom recorder? 313 00:15:24,400 --> 00:15:26,400 Speaker 2: Huh that's right? 314 00:15:26,680 --> 00:15:29,200 Speaker 3: Yes, I don't Yes, sorry, I don't have on my 315 00:15:29,280 --> 00:15:31,880 Speaker 3: zoom equipment just sitting there ready, Just don't line up. 316 00:15:32,040 --> 00:15:33,000 Speaker 2: I'm ready for the show. 317 00:15:34,040 --> 00:15:36,640 Speaker 4: Beautiful what is the. 318 00:15:36,680 --> 00:15:37,760 Speaker 2: Jiu jitsu uh. 319 00:15:39,520 --> 00:15:43,160 Speaker 1: Technique that you normally employ when someone shoots you with 320 00:15:43,200 --> 00:15:46,600 Speaker 1: a car's in here? 321 00:15:46,640 --> 00:15:50,320 Speaker 2: I get, I get off this ship. Yeah, it's a 322 00:15:50,360 --> 00:15:53,000 Speaker 2: fucking arrow time, brother s. 323 00:15:53,600 --> 00:15:55,960 Speaker 4: Are we talking crossbow? Are we talking long bow? 324 00:15:57,440 --> 00:15:58,640 Speaker 2: Well? Let me think? 325 00:15:58,920 --> 00:16:00,000 Speaker 4: Are we dealing with bolts? 326 00:16:00,320 --> 00:16:03,640 Speaker 2: Let me think? Is it the one that I said? 327 00:16:04,520 --> 00:16:06,480 Speaker 4: Whatever did? I'm just trying to help your world. 328 00:16:06,720 --> 00:16:09,960 Speaker 3: Here's a comedy song for you. Here's a comedy song 329 00:16:09,960 --> 00:16:11,600 Speaker 3: for you, hot crossbow. 330 00:16:13,240 --> 00:16:16,280 Speaker 1: Hey, so Hayes has that. But actually I do have 331 00:16:16,320 --> 00:16:17,640 Speaker 1: some notes, creative notes. 332 00:16:17,920 --> 00:16:20,920 Speaker 2: I notice he didn't do one. Oh god, he didn't 333 00:16:20,960 --> 00:16:21,200 Speaker 2: do them. 334 00:16:21,200 --> 00:16:22,880 Speaker 3: When I did a note he didn't do and when 335 00:16:22,880 --> 00:16:25,520 Speaker 3: I did an entire fully realized comedy song. 336 00:16:25,960 --> 00:16:28,360 Speaker 1: This man is the most fakest bitch we've had since 337 00:16:28,400 --> 00:16:30,120 Speaker 1: we had a fake bitch a couple of weeks ago. 338 00:16:30,600 --> 00:16:33,120 Speaker 2: And now that sh it's frustrated. 339 00:16:33,280 --> 00:16:34,520 Speaker 4: Who is that fake house bitch? 340 00:16:35,720 --> 00:16:38,480 Speaker 2: You wouldn't know him, So you're gonna get this. You 341 00:16:38,600 --> 00:16:40,400 Speaker 2: legit wouldn't know him. He's nobody. 342 00:16:40,560 --> 00:16:42,920 Speaker 3: Everyone's gonna be like, it's okay that he's fake. He's 343 00:16:42,960 --> 00:16:45,960 Speaker 3: so fine a break. 344 00:16:47,160 --> 00:16:49,960 Speaker 1: You. I know, I just know he talks you through it. 345 00:16:51,000 --> 00:16:54,800 Speaker 4: You you guys, You guys are handsome as ship. I'm 346 00:16:54,840 --> 00:16:58,120 Speaker 4: not gonna lie. How what about this? You let me 347 00:16:58,200 --> 00:17:02,280 Speaker 4: trade you try to Tom for me. Don't worry about 348 00:17:02,280 --> 00:17:04,760 Speaker 4: other Australian Tom. He can be Australian Tom. Is there 349 00:17:04,760 --> 00:17:08,400 Speaker 4: an American Tom that you guys don't need anymore? Let 350 00:17:08,440 --> 00:17:10,840 Speaker 4: me think because people are too nice to me here 351 00:17:10,840 --> 00:17:12,320 Speaker 4: to be honest, I'm kind of like a king. 352 00:17:13,760 --> 00:17:16,720 Speaker 1: And we ditch an American Tom. 353 00:17:16,760 --> 00:17:19,440 Speaker 4: Selick you guys friends with him? 354 00:17:19,720 --> 00:17:22,439 Speaker 2: I need him, I need that one. 355 00:17:22,760 --> 00:17:23,960 Speaker 4: I need that one. Can I hang on to? 356 00:17:24,080 --> 00:17:24,959 Speaker 2: Okay? Veto? 357 00:17:25,880 --> 00:17:29,520 Speaker 1: No, it won't be selk using my veto. We each 358 00:17:29,560 --> 00:17:32,600 Speaker 1: get sixteen vetos. Let's name Tom's for the rest of 359 00:17:32,600 --> 00:17:33,240 Speaker 1: the episode. 360 00:17:35,040 --> 00:17:35,600 Speaker 2: Wait is it? 361 00:17:35,640 --> 00:17:37,520 Speaker 3: And when you say an American Tom, is it a 362 00:17:37,800 --> 00:17:40,800 Speaker 3: I mean you said Salik. So is it someone named Tom? 363 00:17:40,960 --> 00:17:44,959 Speaker 3: Or is it one of these guys that are like posting. 364 00:17:45,040 --> 00:17:47,560 Speaker 1: Or do you think that's Tom Petty's name because like 365 00:17:47,600 --> 00:17:48,879 Speaker 1: he's saying American girl. 366 00:17:49,920 --> 00:17:52,119 Speaker 4: I think it's Tom Petty's name because his name is 367 00:17:52,160 --> 00:17:55,800 Speaker 4: Tom Petty. That's his name. Why would he name being 368 00:17:55,960 --> 00:17:59,600 Speaker 4: why would he singing American girl? Oh my god? 369 00:17:59,640 --> 00:18:03,080 Speaker 1: He said an American. Tom, Yeah, like you don't know 370 00:18:03,160 --> 00:18:06,119 Speaker 1: the song? Again, he doesn't know any songs. I know 371 00:18:06,280 --> 00:18:08,360 Speaker 1: so many knows no songs. 372 00:18:08,440 --> 00:18:12,920 Speaker 4: I honestly, give me any song and I'll tell you who. 373 00:18:13,000 --> 00:18:18,360 Speaker 2: Give me any song? Okay, so you can't the song 374 00:18:18,480 --> 00:18:19,960 Speaker 2: and I'll prove that I know song. 375 00:18:20,080 --> 00:18:22,840 Speaker 4: Have you guys ever had a musician on this podcast before? 376 00:18:23,000 --> 00:18:25,119 Speaker 1: Yeah, we had a couple of unpleasant ones. 377 00:18:26,240 --> 00:18:29,240 Speaker 4: So it sounds like you guys had something, not if 378 00:18:29,240 --> 00:18:32,119 Speaker 4: it worked even for a second. So why do we 379 00:18:32,320 --> 00:18:35,879 Speaker 4: think that having mayon was going to be anything different? 380 00:18:36,160 --> 00:18:40,120 Speaker 2: Because we're because who are those guys? Twitter? 381 00:18:40,240 --> 00:18:45,439 Speaker 3: Tom commentary track for the faculty? Who were those guys? 382 00:18:45,720 --> 00:18:51,359 Speaker 2: Oh yeah yeah they were? No, no, no, And let 383 00:18:51,440 --> 00:18:52,840 Speaker 2: me tell you what happens Tom. 384 00:18:53,640 --> 00:19:00,760 Speaker 3: Kevin he has parks great. Kevin has these little these 385 00:19:00,760 --> 00:19:06,360 Speaker 3: little passing fancies and you know, like the next day 386 00:19:07,320 --> 00:19:10,879 Speaker 3: just balls you up, throws you in the flush. 387 00:19:10,960 --> 00:19:12,760 Speaker 2: Well, you'll never be heard from again. 388 00:19:13,640 --> 00:19:15,840 Speaker 4: We're not going to stop texting after this all week, keV. 389 00:19:16,720 --> 00:19:19,160 Speaker 1: Have we had a successful episode with a musician? 390 00:19:21,200 --> 00:19:24,119 Speaker 3: Was there something called Whitney? And that I mean, I 391 00:19:24,160 --> 00:19:26,160 Speaker 3: don't I don't mean to be disrespectful here. 392 00:19:26,760 --> 00:19:29,400 Speaker 2: Yeah, Whitney. That's right. That was that was a band 393 00:19:29,440 --> 00:19:30,080 Speaker 2: that we had. 394 00:19:29,920 --> 00:19:36,960 Speaker 1: One Gizzard, we had King Gizzard, we had uh, we 395 00:19:37,040 --> 00:19:38,480 Speaker 1: had Japanese Breakfast. 396 00:19:38,760 --> 00:19:43,760 Speaker 2: Japanese breakfast, we had Dude, we had Kurt Vile, we 397 00:19:43,840 --> 00:19:44,480 Speaker 2: had Curve Vile. 398 00:19:45,760 --> 00:19:47,840 Speaker 4: I just I'm excited for King givez it. We could 399 00:19:47,840 --> 00:19:49,280 Speaker 4: talk more about that if you guys want. 400 00:19:49,680 --> 00:19:54,040 Speaker 1: Oh yeah, let's talk about it. We did it. It's yesterday. 401 00:19:55,440 --> 00:19:59,360 Speaker 2: Just pretend you like Japanese breakfast, by the way. 402 00:19:59,000 --> 00:20:02,240 Speaker 4: Well like Mesa's and some freakin' barral Mundy or something. 403 00:20:02,520 --> 00:20:04,760 Speaker 4: Oh my, that's a fucking joke. You could put that 404 00:20:04,800 --> 00:20:06,640 Speaker 4: in a song so easy. 405 00:20:07,200 --> 00:20:09,040 Speaker 2: Sorry, I have to get out of the zoom frame. 406 00:20:09,119 --> 00:20:11,080 Speaker 2: I cannot be in the zoom frame when you're. 407 00:20:10,920 --> 00:20:17,520 Speaker 4: Doing anywhere, you can't be anywhere, Tom Followers. 408 00:20:18,480 --> 00:20:23,119 Speaker 1: She's an author, cut my name out, very accomplished musician, 409 00:20:24,119 --> 00:20:28,440 Speaker 1: like a really really interesting artist, and you've just reduced 410 00:20:28,480 --> 00:20:30,760 Speaker 1: her to this vicious stereo type. 411 00:20:31,440 --> 00:20:34,840 Speaker 4: I just think it's very funny that Kim Kardashian's daughter 412 00:20:35,480 --> 00:20:40,160 Speaker 4: will share one of my audios, and yet you ays 413 00:20:40,680 --> 00:20:42,919 Speaker 4: are too good to stay in a zoom call with me. 414 00:20:43,119 --> 00:20:44,119 Speaker 2: Did that really happen? 415 00:20:44,560 --> 00:20:45,760 Speaker 4: Yeah? 416 00:20:45,840 --> 00:20:46,879 Speaker 2: What was it about. 417 00:20:47,119 --> 00:20:50,320 Speaker 4: It was just at there's a section of a song. 418 00:20:50,640 --> 00:20:52,280 Speaker 4: There's no rhyme or reason to these things. 419 00:20:52,280 --> 00:20:54,320 Speaker 1: Oh wait, are you talking about Kanye West daughter. 420 00:20:56,480 --> 00:21:00,320 Speaker 4: Yes, they're the same one, aren't they. 421 00:21:00,400 --> 00:21:04,560 Speaker 2: Yeah. Yeah, Well, let's tell the full story when we're 422 00:21:04,600 --> 00:21:05,480 Speaker 2: taking credit for. 423 00:21:07,440 --> 00:21:13,879 Speaker 1: Someone's offspring, kind of foregrounding our ideas. It seems like 424 00:21:14,040 --> 00:21:16,600 Speaker 1: some of the Japanese breakfast jokes you'd make are a 425 00:21:16,640 --> 00:21:18,520 Speaker 1: little more Kanye than Kim. 426 00:21:20,040 --> 00:21:20,680 Speaker 2: You know what I mean? 427 00:21:21,359 --> 00:21:25,720 Speaker 3: Yeah, And it might explain how on your back foot 428 00:21:25,760 --> 00:21:27,919 Speaker 3: you were when I asked you what the video was about. 429 00:21:28,760 --> 00:21:31,240 Speaker 3: It was a I feel like I was hearing everything 430 00:21:31,320 --> 00:21:34,479 Speaker 3: except what the video was about. 431 00:21:34,600 --> 00:21:37,560 Speaker 4: Look, guys, little people talk about paople, Big people talk 432 00:21:37,560 --> 00:21:39,440 Speaker 4: about ideas. Do we want to do? 433 00:21:39,520 --> 00:21:41,399 Speaker 2: What is the idea of the video? 434 00:21:41,880 --> 00:21:44,320 Speaker 4: Well, the idea of the video is something cerebral. It's 435 00:21:44,320 --> 00:21:48,320 Speaker 4: about it's a red flag. If someone really enjoys the 436 00:21:48,359 --> 00:21:51,920 Speaker 4: movie The Human Centipede, yeah. 437 00:21:53,400 --> 00:21:54,200 Speaker 2: Listen to this song. 438 00:21:54,560 --> 00:21:56,680 Speaker 1: Yeah, but it has the same issue that I want 439 00:21:56,720 --> 00:21:58,600 Speaker 1: to address in some of the notes that I want 440 00:21:58,640 --> 00:22:01,800 Speaker 1: to give you about your music, which is like great, 441 00:22:01,880 --> 00:22:05,680 Speaker 1: okay music, great fun like we all listen to it, 442 00:22:05,840 --> 00:22:08,600 Speaker 1: like we like that like, it can be good. It 443 00:22:08,600 --> 00:22:15,040 Speaker 1: can help you in a lot of different scenarios. Jokes Okay, shit, man, 444 00:22:15,400 --> 00:22:17,640 Speaker 1: I've made a couple of them myself. I actually made 445 00:22:17,680 --> 00:22:21,119 Speaker 1: one on this zoom. I probably made people laugh. So like, 446 00:22:21,680 --> 00:22:24,719 Speaker 1: I'm not against either of these two things, and I 447 00:22:24,720 --> 00:22:28,600 Speaker 1: actually think they can exist together. But I'd like to 448 00:22:28,720 --> 00:22:32,000 Speaker 1: workshop a song or even rework some of your existing 449 00:22:32,080 --> 00:22:36,960 Speaker 1: songs with you, because what I want is, if we're 450 00:22:37,000 --> 00:22:41,040 Speaker 1: gonna do a song and we're gonna have jokes, can 451 00:22:41,080 --> 00:22:44,679 Speaker 1: we put the jokes a little later so that I 452 00:22:44,720 --> 00:22:47,680 Speaker 1: can finish having sex before I start laughing. 453 00:22:49,080 --> 00:22:51,919 Speaker 4: What music are you putting on? Is it when you 454 00:22:52,080 --> 00:22:54,239 Speaker 4: love making? Well? 455 00:22:54,640 --> 00:22:58,119 Speaker 1: I'll tell you why not, Tom Cardy anymore? Because the 456 00:22:58,240 --> 00:23:02,159 Speaker 1: human centipede angle come shooting out so quick that I 457 00:23:02,200 --> 00:23:03,560 Speaker 1: don't get to shoot out quick. 458 00:23:03,400 --> 00:23:05,120 Speaker 2: At all, you know what I mean. 459 00:23:05,520 --> 00:23:12,080 Speaker 1: Like, I'm sitting here harder than freezer meat. I got 460 00:23:12,080 --> 00:23:18,760 Speaker 1: the fucking tunes turned up to eleven spinal tap and 461 00:23:18,840 --> 00:23:22,399 Speaker 1: I'm trying to tap something else why And all of 462 00:23:22,440 --> 00:23:26,159 Speaker 1: a sudden it's like she's laughing. I'm cracking up. 463 00:23:27,600 --> 00:23:31,439 Speaker 2: Nut not bust a gut, Tom, Thank you Tom? Can 464 00:23:31,480 --> 00:23:32,600 Speaker 2: I have both? Please? 465 00:23:32,960 --> 00:23:35,840 Speaker 4: Just a little busting nova or something like that, something sensual, 466 00:23:36,040 --> 00:23:37,360 Speaker 4: like I'm not trying to get paid. 467 00:23:37,480 --> 00:23:38,760 Speaker 2: Yeah, great, put that out. 468 00:23:39,040 --> 00:23:42,239 Speaker 1: Do the fucking shit. Put the Boston nova. Whatever you 469 00:23:42,320 --> 00:23:44,719 Speaker 1: want on. Finally uses a music term as soon as 470 00:23:44,760 --> 00:23:45,720 Speaker 1: I actually come for. 471 00:23:45,760 --> 00:23:51,080 Speaker 2: His ass, like, hey, put that on there? Do it? 472 00:23:51,119 --> 00:23:53,600 Speaker 1: You know, a little bipping and bopping around. I don't care, 473 00:23:53,920 --> 00:23:57,439 Speaker 1: you know, sink some nonsense. Then when I'm done after 474 00:23:57,640 --> 00:24:05,560 Speaker 1: like three minutes, No, so you want me what am 475 00:24:05,600 --> 00:24:07,000 Speaker 1: I putting the music on? I want to put the 476 00:24:07,040 --> 00:24:09,640 Speaker 1: music on when we first start talking about doing it. 477 00:24:09,960 --> 00:24:11,440 Speaker 4: Okay, so what's that? 478 00:24:11,640 --> 00:24:13,320 Speaker 3: And then and then you want the jokes to come 479 00:24:13,320 --> 00:24:16,080 Speaker 3: in after you've had like you know, there's usually like 480 00:24:16,160 --> 00:24:18,560 Speaker 3: kind of a serious conversation about just kind of a 481 00:24:19,560 --> 00:24:22,280 Speaker 3: I want to have a talk afterwards, addressing some of 482 00:24:22,320 --> 00:24:23,320 Speaker 3: the stuff that happened. 483 00:24:23,400 --> 00:24:25,040 Speaker 2: I want to tell her what she did wrong. 484 00:24:26,000 --> 00:24:27,840 Speaker 4: Do you want the music still going this? So just 485 00:24:27,880 --> 00:24:29,760 Speaker 4: do an instrumental break for like twenty minutes. 486 00:24:29,920 --> 00:24:32,160 Speaker 1: Yeah, if you could turn the volume down a little 487 00:24:32,160 --> 00:24:34,080 Speaker 1: bit actually on some of the instruments. 488 00:24:33,720 --> 00:24:35,720 Speaker 3: They like it even last when you do that later 489 00:24:35,840 --> 00:24:39,000 Speaker 3: when you come like the next day or like wake 490 00:24:39,040 --> 00:24:40,400 Speaker 3: them up the next boarding. 491 00:24:41,560 --> 00:24:44,040 Speaker 2: Go, hey, yeah, that was really cool. Some of the 492 00:24:44,040 --> 00:24:48,199 Speaker 2: stuff you were saying felt a little inappropriate, can make 493 00:24:48,280 --> 00:24:51,679 Speaker 2: I was really trying to concentrate and you kept asking 494 00:24:51,680 --> 00:24:55,159 Speaker 2: me all these questions, Whose blank is what? Or like 495 00:24:56,040 --> 00:25:00,439 Speaker 2: do I like blank? Or does that feel blank? 496 00:25:02,640 --> 00:25:05,560 Speaker 4: Are you saying sexual things what you're saying? Or is 497 00:25:05,600 --> 00:25:07,200 Speaker 4: your sexy talk? Like mad libs? 498 00:25:07,520 --> 00:25:10,480 Speaker 2: You don't you don't have a whose blank is what? Conversation? 499 00:25:10,840 --> 00:25:13,800 Speaker 4: I mean, I've read the children's book Whose blank is what? 500 00:25:13,920 --> 00:25:16,119 Speaker 4: But I don't. I don't know, I don't really do that. 501 00:25:17,560 --> 00:25:18,879 Speaker 4: Maybe it's different in Australia. 502 00:25:19,600 --> 00:25:21,639 Speaker 1: It's not me saying these secret leg this is me, 503 00:25:22,200 --> 00:25:26,080 Speaker 1: you know, giving instruction on like hey, like it's really fun, 504 00:25:26,160 --> 00:25:29,800 Speaker 1: like obviously you know, like look, we're all we're all 505 00:25:29,880 --> 00:25:32,440 Speaker 1: adults here, huh, we're all guys. We can admit it. 506 00:25:32,440 --> 00:25:38,399 Speaker 1: It feels so crazy doing that stuff. So like, I 507 00:25:38,440 --> 00:25:42,560 Speaker 1: think it's totally cool. I don't want to be laughing 508 00:25:42,680 --> 00:25:46,800 Speaker 1: in the middle of it, and I don't want somebody 509 00:25:47,119 --> 00:25:52,040 Speaker 1: asking me quiz questions about who's what is whatever? 510 00:25:53,160 --> 00:25:56,280 Speaker 2: You know, jizz, not take a quiz, you know what 511 00:25:56,320 --> 00:25:58,760 Speaker 2: I mean? Yeah, I'm trying to get it jiz not 512 00:25:58,800 --> 00:25:59,840 Speaker 2: a quiz, dude. 513 00:25:59,600 --> 00:26:02,400 Speaker 4: But you guys haven't really thought about my perspective. 514 00:26:02,440 --> 00:26:05,360 Speaker 2: Sorry, Jesus is what you call people named Jeremy over there? 515 00:26:05,440 --> 00:26:09,480 Speaker 4: Sorry, I forget that, jizz a me. Maybe I'm trying 516 00:26:09,480 --> 00:26:11,800 Speaker 4: to make some songs to stop you from fucking Do 517 00:26:11,840 --> 00:26:14,399 Speaker 4: you ever think about that? Maybe I've created a whole 518 00:26:14,440 --> 00:26:18,600 Speaker 4: genre of music that is purposefully. 519 00:26:18,320 --> 00:26:19,520 Speaker 2: Well, that's dangerous sculpted. 520 00:26:19,760 --> 00:26:20,720 Speaker 4: Yeah, well, I just. 521 00:26:21,080 --> 00:26:25,240 Speaker 1: Medically dangerous because I'm in here harder than goddamn freezer me. 522 00:26:26,280 --> 00:26:30,280 Speaker 3: And it's an existential threat to the species. 523 00:26:31,000 --> 00:26:34,080 Speaker 4: I'm looking for less kids coming out of you tube. Okay, 524 00:26:34,480 --> 00:26:36,359 Speaker 4: from the day one, you know how you said before 525 00:26:36,400 --> 00:26:39,479 Speaker 4: Tom other Tom came on here saying I love I 526 00:26:39,520 --> 00:26:42,440 Speaker 4: love the Hollywood's Handbook. Okay, I love it so much, 527 00:26:42,440 --> 00:26:43,119 Speaker 4: it's my favorite. 528 00:26:43,359 --> 00:26:48,080 Speaker 1: I am aware of podcast, but yeah, you're vaguely aware 529 00:26:48,200 --> 00:26:50,199 Speaker 1: you went. I staw a song from Antie Donna. I 530 00:26:50,200 --> 00:26:52,240 Speaker 1: think you might have done an episode with them. 531 00:26:52,840 --> 00:26:53,359 Speaker 4: I'm aware. 532 00:26:53,400 --> 00:26:55,679 Speaker 1: You have to pretend, like, why do you have to 533 00:26:55,720 --> 00:27:01,240 Speaker 1: pretend that you don't know if we did it or not. 534 00:27:01,800 --> 00:27:03,679 Speaker 4: I know that you guys did. I listened to a 535 00:27:03,680 --> 00:27:04,080 Speaker 4: few things. 536 00:27:04,119 --> 00:27:05,560 Speaker 2: I gotta tell you, And why did you say it 537 00:27:05,600 --> 00:27:06,000 Speaker 2: like that? 538 00:27:06,480 --> 00:27:09,119 Speaker 4: Because I just, uh, you know, I try and add 539 00:27:09,160 --> 00:27:12,800 Speaker 4: color into my general you know, just the conversation that 540 00:27:12,880 --> 00:27:16,760 Speaker 4: I have. I'm a creative You ever do that? You 541 00:27:16,800 --> 00:27:19,560 Speaker 4: ever try and be fun? You ever try to impress people? 542 00:27:21,000 --> 00:27:23,119 Speaker 1: No, that's not No, that's not what the show is. 543 00:27:23,560 --> 00:27:27,200 Speaker 1: This show is a free flowing conversation that occasionally touches. 544 00:27:26,880 --> 00:27:28,280 Speaker 2: On mature subjects. 545 00:27:28,600 --> 00:27:31,800 Speaker 1: What it is is we shoot people straight. It's actually 546 00:27:31,800 --> 00:27:38,919 Speaker 1: one of the last strongholds of authentic conversation left in 547 00:27:38,960 --> 00:27:40,400 Speaker 1: the entire world. 548 00:27:40,640 --> 00:27:43,600 Speaker 4: I've been threatened with a crossbow and then told that 549 00:27:43,640 --> 00:27:45,439 Speaker 4: my music makes people laugh during set. 550 00:27:45,640 --> 00:27:48,160 Speaker 2: Nothing shoots straight or my doggie. 551 00:27:48,440 --> 00:27:50,400 Speaker 4: M but Jesus called. 552 00:27:50,280 --> 00:27:53,119 Speaker 3: Me, that's my that's what the doggie. That's what the 553 00:27:53,200 --> 00:27:55,040 Speaker 3: mechanism is for my dog. 554 00:27:55,080 --> 00:27:58,800 Speaker 2: Oh so the arrow shoots straight straight as a what? 555 00:28:00,800 --> 00:28:08,720 Speaker 2: Straight as a what a what? What a row? What? 556 00:28:09,800 --> 00:28:09,840 Speaker 1: No? 557 00:28:10,040 --> 00:28:15,840 Speaker 4: You said arrow already, I'm comprehending. Look, I'm did get a. 558 00:28:15,720 --> 00:28:18,159 Speaker 1: Song like, what's the niche fan base you want to 559 00:28:18,200 --> 00:28:21,320 Speaker 1: try to pander to next? Then we can make a 560 00:28:21,320 --> 00:28:24,280 Speaker 1: song about it. Leitmate, and we can try to and 561 00:28:24,320 --> 00:28:27,480 Speaker 1: we can kind of like hold off on. 562 00:28:27,359 --> 00:28:31,040 Speaker 2: Some of the you know, okay, maybe like and and 563 00:28:31,440 --> 00:28:33,120 Speaker 2: while you're thinking of that, let me just tear off 564 00:28:33,119 --> 00:28:37,480 Speaker 2: a clip real quick for Zach real quick. W I 565 00:28:37,560 --> 00:28:41,400 Speaker 2: d she Netflix and chill like a human centipede. So 566 00:28:41,440 --> 00:28:43,720 Speaker 2: we just get that clean and like we see, like 567 00:28:44,720 --> 00:28:46,840 Speaker 2: we see how that we have that. 568 00:28:47,080 --> 00:28:49,520 Speaker 1: Now we see how we will actually have a clip 569 00:28:49,640 --> 00:28:50,760 Speaker 1: coming out of the episode. 570 00:28:51,880 --> 00:28:54,200 Speaker 3: Because now that I know that, you know, she's like 571 00:28:54,360 --> 00:28:59,640 Speaker 3: watching clips, you know what I mean? And she likes comedy. 572 00:29:00,200 --> 00:29:02,200 Speaker 3: And did she you said she shared it as well? 573 00:29:02,520 --> 00:29:03,360 Speaker 2: She was sharing it? 574 00:29:03,640 --> 00:29:05,240 Speaker 4: Wait, who is this is Kanye's daughter? 575 00:29:07,600 --> 00:29:12,480 Speaker 3: I mean, you know, like she's also Kim kardashape person 576 00:29:12,480 --> 00:29:15,200 Speaker 3: of influence. I don't want to erase and I think 577 00:29:15,200 --> 00:29:17,080 Speaker 3: she probably has a little more of a role in 578 00:29:17,120 --> 00:29:22,400 Speaker 3: her life. Yeah, and and and and you know, you 579 00:29:22,440 --> 00:29:25,440 Speaker 3: know Kanye has actually been sharing that he hasn't been 580 00:29:25,480 --> 00:29:28,000 Speaker 3: allowed access to her. But meanwhile, you want to erase 581 00:29:28,120 --> 00:29:31,840 Speaker 3: Kim's role. Yeah, she's actually as a mother, which is 582 00:29:31,880 --> 00:29:33,560 Speaker 3: the most important job in her life. 583 00:29:33,760 --> 00:29:34,440 Speaker 2: And check this out. 584 00:29:34,520 --> 00:29:37,640 Speaker 1: Let me rip off a clip real quick, all right, 585 00:29:37,720 --> 00:29:41,880 Speaker 1: fam f Mary kill the top, middle, and bottom of 586 00:29:41,920 --> 00:29:44,800 Speaker 1: the human centipede. 587 00:29:46,160 --> 00:29:46,880 Speaker 4: Can I try one? 588 00:29:47,800 --> 00:29:48,080 Speaker 2: Yes? 589 00:29:48,120 --> 00:29:50,600 Speaker 1: Please, I would love for you to do something productively. 590 00:29:50,640 --> 00:29:53,080 Speaker 3: I don't want to engage with that prompt, I guess, 591 00:29:53,160 --> 00:29:57,000 Speaker 3: but nothing for mine or mine. I noticed that they're 592 00:29:57,040 --> 00:30:00,560 Speaker 3: both effective is helpful, it's just helpful for a clip. 593 00:30:01,000 --> 00:30:07,600 Speaker 4: What about this my face when humans? When I'm my 594 00:30:07,720 --> 00:30:13,920 Speaker 4: face m f W when the human centibate hits. 595 00:30:16,960 --> 00:30:20,680 Speaker 2: You're blocking your face. When your face is on your face, 596 00:30:20,920 --> 00:30:22,960 Speaker 2: we couldn't see your We couldn't see your face when 597 00:30:23,040 --> 00:30:26,600 Speaker 2: because of the microphone, can you do you do the 598 00:30:26,640 --> 00:30:30,920 Speaker 2: face when again? My face the face we need? 599 00:30:31,720 --> 00:30:33,680 Speaker 4: Okay face? 600 00:30:36,400 --> 00:30:41,440 Speaker 2: No? That was even more what you guys. You're making 601 00:30:41,480 --> 00:30:42,040 Speaker 2: a sound. 602 00:30:43,000 --> 00:30:45,320 Speaker 4: No, no, you're making. 603 00:30:45,080 --> 00:30:49,720 Speaker 2: A sound, just me speaking my sound when my sound? 604 00:30:49,840 --> 00:30:52,800 Speaker 2: My sound when the humans? So you either say either 605 00:30:52,920 --> 00:30:56,440 Speaker 2: say my sound when that's fine with me or move 606 00:30:56,520 --> 00:30:58,440 Speaker 2: the mic so we can see the face and you can't. 607 00:30:59,160 --> 00:31:02,840 Speaker 4: But I understand now, and I apologize to that my 608 00:31:03,040 --> 00:31:04,959 Speaker 4: sound when face? 609 00:31:08,000 --> 00:31:10,440 Speaker 2: Did you say my sound when face? 610 00:31:12,960 --> 00:31:17,720 Speaker 4: Yes, I'm getting nervous. I'm not gonna lie. This is 611 00:31:17,760 --> 00:31:19,400 Speaker 4: longer than I've spoken to people. 612 00:31:19,560 --> 00:31:22,280 Speaker 2: But that's what we want to hear from our fans. 613 00:31:22,720 --> 00:31:25,440 Speaker 3: And that is a very similar thing to other time 614 00:31:25,680 --> 00:31:26,680 Speaker 3: when when when. 615 00:31:26,520 --> 00:31:31,120 Speaker 2: He when he was his personality, he did put the 616 00:31:31,160 --> 00:31:33,360 Speaker 2: whole mic in his mouth that same way, So that 617 00:31:33,520 --> 00:31:35,840 Speaker 2: maybe that's a cultural thing or something. Now that calms 618 00:31:35,840 --> 00:31:36,200 Speaker 2: you down. 619 00:31:36,240 --> 00:31:44,160 Speaker 4: I guess that's fair. I've been having a little think 620 00:31:44,160 --> 00:31:47,880 Speaker 4: about who we want to like, what niche? Why don't 621 00:31:48,040 --> 00:31:48,440 Speaker 4: we run? 622 00:31:48,640 --> 00:31:51,800 Speaker 1: Who are we're going after? So we did the fucking Yeah. 623 00:31:52,200 --> 00:31:55,320 Speaker 1: People want to talk about the Human Centipede movie that 624 00:31:55,560 --> 00:31:56,880 Speaker 1: just came out, or what happened with. 625 00:31:56,840 --> 00:31:58,760 Speaker 4: That that's just coming out. It's actually coming out next 626 00:31:58,800 --> 00:31:59,520 Speaker 4: week in Australia. 627 00:32:00,200 --> 00:32:04,320 Speaker 1: Okay, And then we've done obviously you're we're you know, 628 00:32:04,480 --> 00:32:07,520 Speaker 1: you're really steering into the D and D world, which 629 00:32:07,600 --> 00:32:10,240 Speaker 1: is just we can do Minefield. 630 00:32:10,600 --> 00:32:12,560 Speaker 4: I know it's crazy, but we're looking for someone with 631 00:32:12,600 --> 00:32:14,520 Speaker 4: lots of fans. We're looking for something we can clean 632 00:32:14,600 --> 00:32:17,520 Speaker 4: up financially, guys, And I'm willing to split you guys 633 00:32:17,520 --> 00:32:17,920 Speaker 4: in on this. 634 00:32:19,560 --> 00:32:21,440 Speaker 3: That was just for love. Oh yeah, the D and 635 00:32:21,520 --> 00:32:24,480 Speaker 3: D thing I'm sure was just for love. You just 636 00:32:24,520 --> 00:32:26,680 Speaker 3: didn't see you didn't see anyone else. 637 00:32:27,480 --> 00:32:29,040 Speaker 4: No, no, no, that was just me. 638 00:32:29,000 --> 00:32:34,840 Speaker 3: And blowing their nose in a thousand tunies or whatever 639 00:32:34,920 --> 00:32:36,480 Speaker 3: you have ties? 640 00:32:37,960 --> 00:32:46,400 Speaker 4: Is that a Is that a is that okay? Yeah, 641 00:32:46,520 --> 00:32:50,360 Speaker 4: I want to do a song about tennis players because 642 00:32:50,400 --> 00:32:52,360 Speaker 4: I think the tennis players have a lot of extra money, 643 00:32:52,800 --> 00:32:57,200 Speaker 4: and I think there's something inherently funny about the bull 644 00:32:57,680 --> 00:32:58,400 Speaker 4: the bull people. 645 00:32:59,200 --> 00:33:00,880 Speaker 2: Well, is that happy? Be funny right away? 646 00:33:00,960 --> 00:33:02,960 Speaker 1: I think a song from the perspective of a ball 647 00:33:03,000 --> 00:33:08,600 Speaker 1: person could be sort of heartachingly beautiful, and it could 648 00:33:08,640 --> 00:33:15,000 Speaker 1: actually give people time to totally finish coming. 649 00:33:17,360 --> 00:33:21,400 Speaker 2: And then after that, sure, and then stop it down? 650 00:33:21,560 --> 00:33:25,680 Speaker 2: Yeah sure, yeah, then instrumental. 651 00:33:25,400 --> 00:33:28,240 Speaker 3: Maybe that's like a kind of a Trent Reznor kind 652 00:33:28,240 --> 00:33:34,600 Speaker 3: of like as you're like really figuring it out. 653 00:33:34,880 --> 00:33:37,160 Speaker 1: Hey, why did you shove me? It felt like you 654 00:33:37,160 --> 00:33:38,880 Speaker 1: were like shoving me during that. 655 00:33:40,280 --> 00:33:41,440 Speaker 2: Were you trying to shove me? 656 00:33:42,280 --> 00:33:45,920 Speaker 4: Not necessarily? I mean you definitely got shoved face. 657 00:33:48,120 --> 00:33:49,520 Speaker 2: Yeah, so that Why have you stop? 658 00:33:49,680 --> 00:33:51,360 Speaker 4: Why have you stopped moving around so much? 659 00:33:52,400 --> 00:33:54,120 Speaker 2: Oh? You know, I would take little breaks? 660 00:33:55,200 --> 00:33:57,520 Speaker 4: Okay, Well it kind of puts me off when you stop, 661 00:33:57,600 --> 00:33:57,960 Speaker 4: so if you. 662 00:33:57,960 --> 00:34:00,400 Speaker 2: Could, Okay, there you go. 663 00:34:00,840 --> 00:34:03,120 Speaker 4: Are you in like a wood cabin or something? What's up? 664 00:34:05,120 --> 00:34:05,280 Speaker 2: Yeah? 665 00:34:05,320 --> 00:34:06,240 Speaker 1: I'm in a wood cabin. 666 00:34:06,520 --> 00:34:07,040 Speaker 2: What's up? 667 00:34:08,560 --> 00:34:09,120 Speaker 4: What's name? 668 00:34:09,560 --> 00:34:10,880 Speaker 2: Genius? Up in this piece? 669 00:34:11,160 --> 00:34:15,000 Speaker 3: What do you podcast out of here just like this 670 00:34:15,080 --> 00:34:17,040 Speaker 3: is my dad's like a metal cabin or. 671 00:34:17,280 --> 00:34:19,920 Speaker 1: Make sure make sure you get a glass reflective surface 672 00:34:19,960 --> 00:34:21,080 Speaker 1: directly across. 673 00:34:20,719 --> 00:34:21,279 Speaker 2: From the zoom. 674 00:34:21,360 --> 00:34:24,600 Speaker 1: Okay, I just want you guys to know that's gonna 675 00:34:24,640 --> 00:34:26,520 Speaker 1: really help the video feed. 676 00:34:26,800 --> 00:34:28,440 Speaker 4: Well, you're telling me that you're not just staring at 677 00:34:28,480 --> 00:34:32,479 Speaker 4: your own video this entire time. I've been making notes, Dude, 678 00:34:32,600 --> 00:34:35,279 Speaker 4: zoom in on that you're gonna see all the notes. Hey, 679 00:34:35,400 --> 00:34:38,080 Speaker 4: dear diary, I've made two new friends. One of them's 680 00:34:38,160 --> 00:34:41,880 Speaker 4: names may be Sean, the other one not sure interested 681 00:34:41,880 --> 00:34:45,359 Speaker 4: to ask. Could be cool conversation starters. What's your name? 682 00:34:46,200 --> 00:34:48,960 Speaker 4: Can you zoom in that much? Kevin? Can we zoom in. 683 00:34:49,120 --> 00:34:50,440 Speaker 2: The Ultimate ice Breaker? 684 00:34:50,600 --> 00:34:51,840 Speaker 1: Only in post? 685 00:34:52,200 --> 00:34:53,759 Speaker 4: Can you zoom in post? Now? 686 00:34:56,840 --> 00:34:59,520 Speaker 2: Yeah? Get in there, Get in there and get all 687 00:34:59,600 --> 00:34:59,920 Speaker 2: is no. 688 00:35:00,719 --> 00:35:03,120 Speaker 4: Because I'm not gonna lie. I'm I'm kind of I'm 689 00:35:03,280 --> 00:35:05,560 Speaker 4: kind of sick of you guys ganging up on me. 690 00:35:06,520 --> 00:35:09,080 Speaker 4: I'm kind of I'm I'm kind of done. I'm kind 691 00:35:09,080 --> 00:35:10,759 Speaker 4: of done with it, and I'll stay for the rest 692 00:35:10,760 --> 00:35:10,880 Speaker 4: of it. 693 00:35:10,920 --> 00:35:12,520 Speaker 2: I wish you were sick. I wish it was making 694 00:35:12,560 --> 00:35:12,959 Speaker 2: you sick. 695 00:35:13,280 --> 00:35:15,240 Speaker 4: I'm not. I wish you were. 696 00:35:15,160 --> 00:35:18,160 Speaker 2: Throwing up from us skiing up on you. That's I 697 00:35:18,200 --> 00:35:19,560 Speaker 2: wouldn't the old entire goal. 698 00:35:19,920 --> 00:35:21,520 Speaker 4: I've never vulgerted in my life, and I wish you 699 00:35:21,560 --> 00:35:22,879 Speaker 4: were so congested. 700 00:35:23,120 --> 00:35:23,640 Speaker 2: I'm not going to. 701 00:35:23,640 --> 00:35:25,759 Speaker 4: Start now because the bully's asking me to throw up. 702 00:35:26,680 --> 00:35:28,279 Speaker 4: Only a frank can ask me to throw up. 703 00:35:28,320 --> 00:35:30,440 Speaker 1: Friend, never vomited in your life. 704 00:35:31,040 --> 00:35:35,360 Speaker 3: And but you've been fighting off your whole career, Tom, 705 00:35:35,440 --> 00:35:37,360 Speaker 3: and now you're alone. I mean, like, this is what 706 00:35:37,480 --> 00:35:43,400 Speaker 3: it is like you. You took every last morsel of credit 707 00:35:43,480 --> 00:35:46,760 Speaker 3: and fame, every last the idea of sharing a single 708 00:35:46,920 --> 00:35:49,040 Speaker 3: view with a creative partner. 709 00:35:50,360 --> 00:35:51,799 Speaker 2: That's what really made you feel sick. 710 00:35:51,840 --> 00:35:53,879 Speaker 4: I shared one view. Right, you guys are gonna get 711 00:35:53,880 --> 00:35:56,480 Speaker 4: hands views off this. You don't understand what's going to 712 00:35:56,520 --> 00:35:59,560 Speaker 4: happen to your audience base. It is going to blow 713 00:36:00,120 --> 00:36:02,680 Speaker 4: the fuck up. And I'm not asking for anything from that. 714 00:36:02,760 --> 00:36:05,439 Speaker 4: You probably probably have like seven Patreons or something, right, 715 00:36:05,840 --> 00:36:08,200 Speaker 4: you got like a little Patreon for all the little 716 00:36:08,280 --> 00:36:11,440 Speaker 4: the little sorry I've banged my table. You got probably 717 00:36:11,480 --> 00:36:14,920 Speaker 4: a little Patreon for a little short people they give 718 00:36:14,960 --> 00:36:15,920 Speaker 4: all their short money. 719 00:36:15,960 --> 00:36:18,400 Speaker 2: You got told what they shouldn't have a Patreon? 720 00:36:18,880 --> 00:36:20,279 Speaker 4: No, they can have at. 721 00:36:21,520 --> 00:36:24,239 Speaker 2: All shrunched down. Now, we shouldn't have a little Patreon 722 00:36:24,320 --> 00:36:24,560 Speaker 2: for them. 723 00:36:24,640 --> 00:36:24,799 Speaker 5: Now. 724 00:36:24,800 --> 00:36:26,680 Speaker 1: I don't do one show where I'm all scrunched down 725 00:36:26,719 --> 00:36:30,719 Speaker 1: and then another one where I'm stretched out to make 726 00:36:31,120 --> 00:36:32,640 Speaker 1: to make my listeners more comfortable. 727 00:36:33,040 --> 00:36:35,160 Speaker 4: I think there's people that fall in between those cracks, 728 00:36:35,200 --> 00:36:35,880 Speaker 4: and you're not being. 729 00:36:35,719 --> 00:36:39,800 Speaker 3: Respectful that we don't record one where we're standing straight 730 00:36:39,880 --> 00:36:43,600 Speaker 3: up under a like a huge table that we've constructed 731 00:36:43,640 --> 00:36:44,400 Speaker 3: as a set. 732 00:36:45,000 --> 00:36:48,560 Speaker 1: I just to make it like we're small, we're little kids. 733 00:36:48,480 --> 00:36:54,080 Speaker 4: Little baby children. I think I can hear someone singing, 734 00:36:54,960 --> 00:36:56,080 Speaker 4: I gotta write a song, guys. 735 00:36:56,160 --> 00:36:58,319 Speaker 2: Yeah it's your Yeah, it's the guy. 736 00:36:58,480 --> 00:37:01,800 Speaker 1: Doesn't you better write a song about the ball Boys 737 00:37:01,880 --> 00:37:05,520 Speaker 1: or whatever and make it fucking sexy, man, make it sexy. 738 00:37:05,680 --> 00:37:08,320 Speaker 1: Yeah you're saying, oh, you probably have a little Patreon. 739 00:37:08,400 --> 00:37:10,440 Speaker 1: The only thing little about me right now is the 740 00:37:10,480 --> 00:37:17,040 Speaker 1: amount of patience I have. Someone wore it away with 741 00:37:17,160 --> 00:37:20,280 Speaker 1: all of their hemming and hye and goofing off. 742 00:37:21,800 --> 00:37:26,920 Speaker 2: This is a business show. This is a business show. 743 00:37:28,000 --> 00:37:28,799 Speaker 2: It's business. 744 00:37:29,000 --> 00:37:31,640 Speaker 4: Why did you want me to make the bull boy 745 00:37:32,280 --> 00:37:35,400 Speaker 4: song sexy? Other than the fact that you're obviously joinking 746 00:37:35,440 --> 00:37:37,920 Speaker 4: it while you listen to this stuff. 747 00:37:39,800 --> 00:37:42,719 Speaker 1: Sorry, I don't know all the same terms you do. 748 00:37:43,280 --> 00:37:43,920 Speaker 2: Joinking it. 749 00:37:44,760 --> 00:37:47,279 Speaker 4: Yeah, it's a joint, it's a verb. Do you have 750 00:37:47,320 --> 00:37:51,399 Speaker 4: a dictionary around in that eighteen hundred's wooden cabin you're 751 00:37:51,440 --> 00:37:57,239 Speaker 4: in children, Maggie not now I'm podcasting. God, I love 752 00:37:57,280 --> 00:37:57,680 Speaker 4: that dog. 753 00:38:00,200 --> 00:38:01,839 Speaker 1: Just called Maggie jill and All a dog. 754 00:38:04,000 --> 00:38:07,239 Speaker 2: I would never she did that. Secretary, you remember that? 755 00:38:08,000 --> 00:38:10,320 Speaker 2: Like that Tom, He's still you know you must have 756 00:38:10,400 --> 00:38:11,920 Speaker 2: still remember all this. 757 00:38:13,640 --> 00:38:16,600 Speaker 1: Maggie was a breakout, but now she's done a lot 758 00:38:16,680 --> 00:38:17,280 Speaker 1: more work. 759 00:38:18,160 --> 00:38:20,400 Speaker 4: Does make jillen Hoole related to Jake Jillenhle? 760 00:38:20,480 --> 00:38:23,160 Speaker 2: Maybe you think she might be. 761 00:38:23,840 --> 00:38:26,279 Speaker 4: I don't know the samest name. You guys are the 762 00:38:26,280 --> 00:38:27,280 Speaker 4: Hollywood's playbooks. 763 00:38:27,320 --> 00:38:30,600 Speaker 3: So she's married to Peter Sarsguard, who in many ways 764 00:38:30,680 --> 00:38:34,000 Speaker 3: is like just as accomplished as Jake Jillen All. 765 00:38:35,160 --> 00:38:37,120 Speaker 4: Yeah, that's good. I mean that you like. 766 00:38:37,040 --> 00:38:39,400 Speaker 3: Bring him up first. It's like, okay, it's acting like 767 00:38:39,400 --> 00:38:41,279 Speaker 3: you've never heard of Peter sars Guard, just like you 768 00:38:41,280 --> 00:38:43,840 Speaker 3: act like you've never heard of Auntie Donna doing our show? 769 00:38:44,200 --> 00:38:45,080 Speaker 4: Who's Auntie Donah? 770 00:38:47,160 --> 00:38:51,000 Speaker 2: Do you ever do spawn? Do you ever do spawn? Way? 771 00:38:51,080 --> 00:38:56,319 Speaker 2: Is that a drug? Hashtag spawn. You never do that 772 00:38:56,400 --> 00:38:57,600 Speaker 2: hashtag ad. 773 00:38:58,120 --> 00:39:00,480 Speaker 4: Ad spawn spawn come. 774 00:39:02,200 --> 00:39:05,680 Speaker 2: Your videos, your videos? Are you compensated ever? 775 00:39:06,800 --> 00:39:10,000 Speaker 4: I am compensated. Well, it's mostly the it's most of 776 00:39:10,040 --> 00:39:11,800 Speaker 4: the Spotify guys. I hate to say it, but you 777 00:39:11,840 --> 00:39:16,440 Speaker 4: are talking to a majority musician right now. It's the so. 778 00:39:16,760 --> 00:39:21,480 Speaker 1: So explain what majority musician means to someone who gives 779 00:39:21,480 --> 00:39:24,240 Speaker 1: a fuck? Okay, when you're done with this show? 780 00:39:25,600 --> 00:39:32,080 Speaker 4: Sounds good in the finish, keV. What you're doing later, buddy, keV, 781 00:39:32,160 --> 00:39:34,399 Speaker 4: I want to talk to your friend when you're done 782 00:39:34,480 --> 00:39:39,279 Speaker 4: with the show. Please don't scrunch me up like Japanese 783 00:39:39,280 --> 00:39:41,640 Speaker 4: wallpaper or cling c whatever. 784 00:39:43,440 --> 00:39:54,640 Speaker 5: Grace, I regatta, Oh god, going on, it's completely Maggie. 785 00:39:54,800 --> 00:39:57,200 Speaker 2: Get out of there, Maggie, Maggie leave now. 786 00:39:57,840 --> 00:39:59,400 Speaker 4: Sorry. We picked Maggie up from he. 787 00:40:00,200 --> 00:40:03,000 Speaker 1: She are they next to you? I mean, I don't 788 00:40:03,040 --> 00:40:05,520 Speaker 1: know that much about geography, but pretty close. 789 00:40:06,200 --> 00:40:08,560 Speaker 2: You seem very familiar with them. 790 00:40:08,760 --> 00:40:11,880 Speaker 1: Yeah, very comfortable. Maybe that's what it is. 791 00:40:11,920 --> 00:40:16,000 Speaker 2: Maybe there, Yeah, maybe you think that's the Pacific Ocean. 792 00:40:16,040 --> 00:40:17,160 Speaker 2: You think it's all one thing. 793 00:40:17,640 --> 00:40:20,000 Speaker 4: Yeah, you can basically do what you want. Hop skip 794 00:40:20,000 --> 00:40:22,640 Speaker 4: and a jump, get on a boat, get off, have 795 00:40:22,800 --> 00:40:27,120 Speaker 4: some cats. No, no, no, no, it was all right. 796 00:40:27,160 --> 00:40:29,239 Speaker 4: I chose a good one. I chose a pretty good one, 797 00:40:29,239 --> 00:40:33,040 Speaker 4: if you ask me. So she go home, being back 798 00:40:33,040 --> 00:40:34,080 Speaker 4: in time for the Simpsons. 799 00:40:34,320 --> 00:40:36,040 Speaker 2: So you're a majority musician. 800 00:40:36,560 --> 00:40:39,360 Speaker 4: Yeah, big time. And then just a little sprinkle. 801 00:40:38,960 --> 00:40:43,919 Speaker 2: Of don't do you watch you for that? 802 00:40:45,360 --> 00:40:49,360 Speaker 4: Yeah? What a virtual knife? Just for anyone listening, shors 803 00:40:49,400 --> 00:40:51,800 Speaker 4: just he's shown me again. He showed me the smallest 804 00:40:51,880 --> 00:40:55,200 Speaker 4: knife I've ever seen possible, Like it is a tiny knife, 805 00:40:55,600 --> 00:40:56,439 Speaker 4: Like I didn't think they. 806 00:40:56,360 --> 00:41:00,320 Speaker 3: May okay, I don't think you're exactly improving on you your 807 00:41:00,239 --> 00:41:04,680 Speaker 3: countryman's spit there. Imagine if Paul Hogan was like, that's 808 00:41:04,719 --> 00:41:06,760 Speaker 3: the smallest nough I've ever seen possible. 809 00:41:07,440 --> 00:41:11,440 Speaker 2: Little, that's a tiny knof what they call that a knife, 810 00:41:12,239 --> 00:41:14,560 Speaker 2: I've never seen it, just a small knof. That knof's 811 00:41:14,640 --> 00:41:17,839 Speaker 2: tawny big enough. 812 00:41:19,160 --> 00:41:22,719 Speaker 4: Did you pull that tiny knife out thinking that it 813 00:41:22,760 --> 00:41:23,040 Speaker 4: was good? 814 00:41:23,120 --> 00:41:26,480 Speaker 3: How it started? How it's going? Zach, just put that 815 00:41:26,560 --> 00:41:29,359 Speaker 3: in for me, please, How it started? Then we get 816 00:41:29,360 --> 00:41:33,400 Speaker 3: it clean? Yeah, now it starts. I just need to 817 00:41:33,400 --> 00:41:35,640 Speaker 3: get this clean. How it started? Show you got it? 818 00:41:35,719 --> 00:41:38,480 Speaker 3: I got it? Like, how's going? How it's going? I 819 00:41:38,520 --> 00:41:38,920 Speaker 3: got it? 820 00:41:39,280 --> 00:41:43,480 Speaker 1: Yeah, how it started, and it's Tom, you know, before 821 00:41:43,560 --> 00:41:46,959 Speaker 1: the show how its going, and it's Tom getting human centipeded. 822 00:41:48,000 --> 00:41:49,200 Speaker 4: Oh you can't have that. 823 00:41:50,120 --> 00:41:51,960 Speaker 2: Come on, I'm kind of cure. 824 00:41:53,640 --> 00:41:55,520 Speaker 4: I just want a little dip into like the dynamic 825 00:41:55,560 --> 00:41:58,080 Speaker 4: between YouTube because you go for it. 826 00:41:58,120 --> 00:41:59,799 Speaker 1: People have been trying to do this for. 827 00:42:00,280 --> 00:42:06,040 Speaker 4: Ages, showing you. You did a let's just be honest, 828 00:42:06,040 --> 00:42:10,359 Speaker 4: an abysmal Australian accent at the start. Yeah, so, but 829 00:42:10,400 --> 00:42:11,799 Speaker 4: then just a moment. 830 00:42:11,520 --> 00:42:13,160 Speaker 1: Ago, first of all, I said I wasn't going to 831 00:42:13,200 --> 00:42:13,640 Speaker 1: do it. 832 00:42:13,760 --> 00:42:16,960 Speaker 4: But then you did it anyway. You did it immediately 833 00:42:16,960 --> 00:42:18,680 Speaker 4: after saying you weren't going to do it, which makes 834 00:42:18,719 --> 00:42:21,520 Speaker 4: me kind of distrustful for anything that you say if 835 00:42:21,560 --> 00:42:24,720 Speaker 4: you turn around and just a lot of people, I guess. 836 00:42:24,360 --> 00:42:28,320 Speaker 1: But okay, just a moment ago, what what's the inconsistency 837 00:42:28,360 --> 00:42:29,200 Speaker 1: you've uncovered? 838 00:42:29,280 --> 00:42:31,480 Speaker 4: I just think it's interesting that Hayes did an Australian 839 00:42:31,520 --> 00:42:33,880 Speaker 4: accent and then you immediately did another one and it 840 00:42:33,960 --> 00:42:37,239 Speaker 4: was much much better. And I'm just wondering, you lean 841 00:42:37,320 --> 00:42:38,360 Speaker 4: on this guy, don't you. 842 00:42:39,200 --> 00:42:40,360 Speaker 1: Yeah, what's our dynamic? 843 00:42:40,480 --> 00:42:40,680 Speaker 2: Yeah? 844 00:42:40,719 --> 00:42:42,680 Speaker 1: Wait, wait, what do you It was better than the 845 00:42:42,680 --> 00:42:44,680 Speaker 1: one I did at the beginning of the episode, I'm just. 846 00:42:44,680 --> 00:42:46,680 Speaker 4: Saying, yeah, it kind of just seems like you live not. 847 00:42:46,680 --> 00:42:48,440 Speaker 2: Better than mine. You were saying it was better than 848 00:42:48,440 --> 00:42:49,480 Speaker 2: when he better. 849 00:42:49,360 --> 00:42:53,239 Speaker 1: Than No, Hazel, No, sweetie, Oh come on, he's not 850 00:42:53,320 --> 00:42:54,160 Speaker 1: saying then say that. 851 00:42:54,200 --> 00:42:54,800 Speaker 2: He's saying. 852 00:42:54,840 --> 00:42:56,839 Speaker 1: He's saying, I learned how to do a better one 853 00:42:56,880 --> 00:42:57,920 Speaker 1: from you. 854 00:42:57,920 --> 00:43:00,200 Speaker 2: Yours is so good, And say then he should say, 855 00:43:00,920 --> 00:43:01,719 Speaker 2: do you agree with me? 856 00:43:02,680 --> 00:43:05,160 Speaker 1: Then no, I think he's Oh, I think, oh, I 857 00:43:05,239 --> 00:43:07,359 Speaker 1: wish he had said that. But the one thing is 858 00:43:07,400 --> 00:43:11,120 Speaker 1: we're whatever we are. Probably nine minutes into this episode, 859 00:43:12,000 --> 00:43:14,640 Speaker 1: I haven't heard this guy say what he actually means once, 860 00:43:15,000 --> 00:43:17,719 Speaker 1: so I'm not surprised he didn't start now. But yes, 861 00:43:17,760 --> 00:43:19,799 Speaker 1: in a perfect world, he would have said, Hayes did 862 00:43:19,840 --> 00:43:24,080 Speaker 1: a great Australian accent and it was so good that 863 00:43:24,160 --> 00:43:27,840 Speaker 1: it improved yours. 864 00:43:28,280 --> 00:43:33,640 Speaker 3: Yeah, I mean, I guess that's a reason to have 865 00:43:33,680 --> 00:43:38,800 Speaker 3: a partner, is to improve. I guess you like doing 866 00:43:38,880 --> 00:43:42,680 Speaker 3: this like song videos over and over instead of like, yeah, 867 00:43:42,760 --> 00:43:44,640 Speaker 3: the partner who's like, maybe you'd try one. 868 00:43:45,400 --> 00:43:45,919 Speaker 2: It can be. 869 00:43:45,840 --> 00:43:49,280 Speaker 1: Interesting to live in an echo chambo, echo echo chambo. 870 00:43:49,360 --> 00:43:51,600 Speaker 1: For sure, it could really be interesting to live in 871 00:43:51,600 --> 00:43:52,360 Speaker 1: an echo chambo. 872 00:43:52,840 --> 00:43:55,600 Speaker 4: Yeah, do you feel like a roll buddle with your friends? 873 00:43:55,680 --> 00:44:00,719 Speaker 2: Shown? Did you say was that an animal? Yeah? 874 00:44:01,120 --> 00:44:03,200 Speaker 4: I was doing an impression of an animal. I was 875 00:44:03,239 --> 00:44:07,200 Speaker 4: doing an impression. Do you do you feel like a 876 00:44:07,280 --> 00:44:07,800 Speaker 4: roll model? 877 00:44:08,400 --> 00:44:10,800 Speaker 2: A role model? Okay? I thought you said a wall bunk, 878 00:44:10,920 --> 00:44:13,600 Speaker 2: a roll bottle, a role model. 879 00:44:15,480 --> 00:44:17,160 Speaker 4: I don't know what you're not understanding about this. 880 00:44:17,520 --> 00:44:23,520 Speaker 2: Pay Do I feel like a role model to? I 881 00:44:23,560 --> 00:44:24,560 Speaker 2: mean the like. 882 00:44:26,160 --> 00:44:28,440 Speaker 3: I mean, I guess if you said that that would 883 00:44:28,440 --> 00:44:30,160 Speaker 3: make me feel nice, But like. 884 00:44:30,360 --> 00:44:32,440 Speaker 4: Would you want to say that out loud? Sean? 885 00:44:33,640 --> 00:44:35,640 Speaker 2: What Hayes's role model? To me? 886 00:44:36,840 --> 00:44:39,200 Speaker 4: Hmm, there's nothing wrong with that. I think everyone I 887 00:44:39,200 --> 00:44:40,160 Speaker 4: think it'd be pretty cool. 888 00:44:40,640 --> 00:44:42,279 Speaker 2: You want me to say that? Hey, you want what 889 00:44:42,320 --> 00:44:42,879 Speaker 2: do you say? 890 00:44:42,920 --> 00:44:45,799 Speaker 1: You just want me to say that Hayes is some 891 00:44:45,920 --> 00:44:46,880 Speaker 1: kind of role model? 892 00:44:47,520 --> 00:44:47,759 Speaker 2: Yeah? 893 00:44:48,560 --> 00:44:49,920 Speaker 4: Yeah, and your best friend. 894 00:44:51,080 --> 00:44:52,000 Speaker 2: So what is it like? 895 00:44:52,239 --> 00:44:53,880 Speaker 1: I'll tell you I got a roll model out in 896 00:44:53,920 --> 00:44:56,239 Speaker 1: the driveway, a fifty seven Chevelle. 897 00:44:57,920 --> 00:45:01,160 Speaker 2: You want to be like a boy a model role mama? 898 00:45:03,280 --> 00:45:05,560 Speaker 2: So what is this time? You like, you get in 899 00:45:05,600 --> 00:45:09,799 Speaker 2: the middle of two guys and yeah, I do, and 900 00:45:09,800 --> 00:45:12,880 Speaker 2: then you get you send stuff like stuff like sends 901 00:45:12,920 --> 00:45:17,200 Speaker 2: through one and like comes through the other and w 902 00:45:17,440 --> 00:45:20,680 Speaker 2: I D w I D. She flicks at chill with 903 00:45:20,719 --> 00:45:26,440 Speaker 2: a human centipede. That's your whole deal, bro. 904 00:45:26,880 --> 00:45:29,319 Speaker 4: My big deal. That's the big deal, and the most 905 00:45:29,360 --> 00:45:32,919 Speaker 4: of the deal out of the deal. That's what I do. 906 00:45:33,400 --> 00:45:35,279 Speaker 4: And I feel like I've done it with you guys 907 00:45:35,320 --> 00:45:36,960 Speaker 4: a little bit. You feel closer. 908 00:45:38,080 --> 00:45:38,400 Speaker 2: Bye. 909 00:45:39,880 --> 00:45:40,040 Speaker 1: Ham