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Speaker 1: The setup, Episode ten, The other side of the coin.

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Speaker 2: Another Martini miss to olives and ice cold this time,

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Speaker 2: Oh right away.

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Speaker 3: Ice cold. I want frostbite on my tongue by the

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Speaker 3: time we land in Paris.

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Speaker 4: Oh as cold? Yes, miss, Oh.

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Speaker 5: My goodness, Oh no, is it me?

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Speaker 6: Am?

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Speaker 5: I the drama?

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Speaker 3: Hello listeners, Gigi here, and that's right, I'm talking directly

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Speaker 3: to you.

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Speaker 5: Why you ask well?

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Speaker 3: In therapy speak, this is the point in the story

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Speaker 3: where I'd advise my client to consider putting yourself in

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Speaker 3: the other Poston's shoes.

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Speaker 5: M try seeing the other side of the coin.

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Speaker 3: So before the Juan and Fernando side of the proverbial

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Speaker 3: coin gets a little too shiny for my taste, I

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Speaker 3: thought it was about time for me to chime in.

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Speaker 3: Turvy lens feels appropriate if I do say so myself,

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Speaker 3: especially as we journey back to the rocky beginnings of

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Speaker 3: my story. You see, my con began months before Juan

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Speaker 3: and Fernan, those prissy little paths ever crossed, before late

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Speaker 3: night Brooklyn raves and trips to the Hudson Valley.

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Speaker 4: You were Martini, miss ask cold with a twist lemon?

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Speaker 5: Did you say I believe I asked for. Oh my,

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Speaker 5: yes you did.

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Speaker 4: I'll be right back with that. Miss. I do apologize.

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Speaker 5: Olives are two for one today. Done you want me

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Speaker 5: to run and grab you another draw?

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Speaker 7: Oh g yeah, you're too kind to an old woman,

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Speaker 7: but I only need one. My twig of her grandson

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Speaker 7: is the only one who eats them.

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Speaker 5: Oh yeah, you better feed that boy. You're a castrillo.

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Speaker 5: What's his name again, Juan?

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Speaker 7: He's a good boy, a little child, but we're working

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Speaker 7: on it.

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Speaker 5: When he ain't got no mama, that's a story for

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Speaker 5: another time. Dear, his parents are real.

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Speaker 7: They're not a part of his life anymore.

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Speaker 5: It's for the best, Believe me. You don't gotta tell me.

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Speaker 5: Castillo families are complicated.

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Speaker 8: You have no idea.

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Speaker 5: The olives are on me.

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Speaker 7: Oh gee, gottas, yes, what would I do without you here?

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Speaker 7: Every week?

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Speaker 5: In fact, my shift is just about me over. You

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Speaker 5: need some help carrying these bags up to your place?

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Speaker 7: I see God, ass Yes, what an angel you are.

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Speaker 3: Anyone who claims to be an extrovert has never worked

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Speaker 3: a register at a Manhattan grocery store. The three weeks

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Speaker 3: I spent buttering up that clueless old lady were the

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Speaker 3: hardest con of my career.

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Speaker 7: Gats, Yes, you can leave those there, Aki, okay, thank

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Speaker 7: you again for your help. Gia, my niece aren't what

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Speaker 7: they used to be. Can I make you a cafecito

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Speaker 7: Gras Castillo, You're welcome.

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Speaker 3: There are three hundred and fifty three thousand, seven hundred

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Speaker 3: and sixty six Juans in the United States and two

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Speaker 3: hundred and thirty thousand, four hundred and twenty castillos. I

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Speaker 3: had spent countless hours parsing through census databases, matching every

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Speaker 3: possible permutation and location with the vague physical description my

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Speaker 3: uncle had provided me. This particular one Castillo had a

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Speaker 3: Social Security number but almost no online presence, so.

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Speaker 5: I needed some kind of visual confirmation. Is this a

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Speaker 5: picture of your grandson, Donia Castillo?

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Speaker 7: Juan?

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Speaker 1: See that's my Juan in flakito?

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Speaker 5: He is skinny?

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Speaker 9: Y what?

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Speaker 3: I politely showed myself out after pocketing that pitiful photo

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Speaker 3: of one. Call it a tip for carrying her groceries

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Speaker 3: up a six floor walk up.

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Speaker 5: Then I was off to the facility.

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Speaker 3: I'd wasted months staking out thousands of potential matches for

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Speaker 3: the Juan Castillo from New Mexico.

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Speaker 5: To Miami, to the bowels of the Alabama.

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Speaker 3: Gulf Coast until the facility's facial recognition algorithm pinpointed Juan's

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Speaker 3: photo as a ninety percent match to the description.

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Speaker 5: This had to be my man.

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Speaker 3: I just needed one more thing to have rocks solid,

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Speaker 3: undeniable proof that this one gust the year was the

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Speaker 3: one I was looking for. I needed to see him

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Speaker 3: in person and acquire a DNA sample.

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Speaker 6: I can't do this, William, just relentless. Oh my god, no,

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Speaker 6: not another.

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Speaker 5: Panic attack on my goodness, sir, Oh you're right, your breathing.

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Speaker 10: Is Yes, it's a panic attack.

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Speaker 11: I get the more the time.

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Speaker 6: It's fine.

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Speaker 5: Here. Take this a jawbreaker. It's an intensely sour drawbreaker.

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Speaker 3: The acidic coating on the candy will shop your nervous

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Speaker 3: system back into regulation. Trust me, I'm a therapist. It's

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Speaker 3: a quick fix for a panic attacks. Don't spit it

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Speaker 3: out yet.

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Speaker 9: M M may have well.

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Speaker 6: I always told me not to take candy from strangers,

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Speaker 6: and I just broke that room.

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Speaker 5: Trust me.

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Speaker 10: How wait, how did you had you know my name?

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Speaker 5: Your name tag? You're a curetor here? Impressive you think so?

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Speaker 5: You can spit it out now, score DNA sample.

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Speaker 6: Yeah, hey wait, my breathing and my tunnel vision, it's

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Speaker 6: it's gone.

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Speaker 5: See.

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Speaker 3: But as a mental health professional, I think you may

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Speaker 3: need to consider investing in some coping strategies outside.

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Speaker 5: Of helping us out with candy. Okay, take my card? One,

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Speaker 5: may I ask have you ever considered therapy?

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Speaker 6: Can I get more candy?

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Speaker 5: From there on? It was a waiting game.

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Speaker 3: I'd acquired one's DNA, but it would take weeks from

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Speaker 3: my uncle Ignacio to finish his own con and acquire

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Speaker 3: the DNA sample.

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Speaker 5: To match it with.

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Speaker 3: Ignacio had been in Europe stalking his prey for almost

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Speaker 3: a year already, So I rented a tiny office in

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Speaker 3: the West Village and played therapist to keep my upsettingly

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Speaker 3: neurotic Newmark close.

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Speaker 5: It was agony. How did creating the dating profile make

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Speaker 5: you feel? One?

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Speaker 12: Well, the thing is that I didn't actually use the app?

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Speaker 12: Hmm I see, well, I mean it's not like I

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Speaker 12: didn't try to use it. I did. I did try,

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Speaker 12: but well, every time I opened it, I got hit

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Speaker 12: with this wave of nausea.

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Speaker 5: Every minute of every session was torture. It went on

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Speaker 5: and on.

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Speaker 3: Until Uncle Ignacio finally made it back to the country

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Speaker 3: DNA sample in hand. I don't think I've ever been

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Speaker 3: so happy to return to his stodgy wood paneled office

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Speaker 3: on the family estate.

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Speaker 5: Do you remember, dear listeners.

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Speaker 3: Just imagine the smell of Cuban cigars and Irish whiskey

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Speaker 3: merging with my uncle's dulcip tones.

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Speaker 11: Enough for bakery.

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Speaker 13: For Christ's sake, She's a maniac, which is why I

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Speaker 13: am giving you one more opportunity, my son, get me

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Speaker 13: that data.

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Speaker 5: Now.

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Speaker 3: Right here, friends, is where I thought my job was done.

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Speaker 10: And if I fail, if I can't secure the painting, then.

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Speaker 5: The business is mine. Bitch.

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Speaker 10: Wait, does Gig know something that I don't.

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Speaker 11: You both know exactly what's required to do your jobs.

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Speaker 10: This is ridiculous.

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Speaker 11: She clearly nothing for none though you want to prove

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Speaker 11: you can take over our family's empire and get in

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Speaker 11: line and follow orders.

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Speaker 10: No, no, no, no, no no, I know that.

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Speaker 9: Laugh.

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Speaker 10: You know something, gg You and.

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Speaker 11: Gigi have different missions, Fernando, and that's all I'll say

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Speaker 11: about it.

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Speaker 9: Now, go go huh huh.

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Speaker 11: You received the courier with the DNA sample I acquired

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Speaker 11: in Europe.

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Speaker 3: Yes, Uncle, the final DNA results are processing at the

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Speaker 3: facility as we speak, and based on the preliminary nucleotide matches,

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Speaker 3: it's him. This is the Juan Castillo we've been looking for.

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Speaker 11: The DNA confirmation changes everything gig, the scope of our job,

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Speaker 11: the worldwide repercussions of what it is we are going

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Speaker 11: to do.

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Speaker 5: But Uncle, isn't this oddly convenient?

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Speaker 3: The man we've spent years tracking down works at the

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Speaker 3: exact museum Leonard Burton's painting is at Isn't that just

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Speaker 3: the tiniest bit suspicious? Have you considered that maybe we're

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Speaker 3: being set up?

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Speaker 11: That's exactly where you come in. I need you to

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Speaker 11: keep an eye on this one Castillo, suss him out,

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Speaker 11: and while you're at it, you can backstop Fernando, support

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Speaker 11: him from behind the scenes.

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Speaker 14: Uncles, are I passed my test? I found one Castillo.

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Speaker 14: Now I'm supposed to babysit Ernando while he steals the painting,

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Speaker 14: gets the glory, and takes over the business.

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Speaker 11: Yes, those are your orders.

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Speaker 3: What if I can help Fernando secure the painting and

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Speaker 3: bring down the Shadow Empire in one fell swoop?

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Speaker 11: What are you suggesting?

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Speaker 5: Two birds?

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Speaker 3: One con It took us a whole year to locate

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Speaker 3: the long lost air of our rival's empire. Let's not

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Speaker 3: wait another to put him into play. Uncle, I've been

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Speaker 3: working on the mark, and I believe I can get

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Speaker 3: one custie to work a con on this side of

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Speaker 3: the Atlantic without even knowing it, and.

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Speaker 11: In doing so make the Silent Empire break the treaty

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Speaker 11: by working outside their.

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Speaker 3: Territory, leaving them open to a sanctioned takeover.

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Speaker 11: Ah, this is a big swing, Kiki.

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Speaker 15: But if you can pull this off, well, the business

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Speaker 15: is yours.

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Speaker 5: You are Martini, Miss Gigi.

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Speaker 4: It's so cold it stuck to my hand. Mmmm.

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Speaker 5: Well done.

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Speaker 3: Sometimes we just have to push ourselves a little harder,

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Speaker 3: isn't that right?

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Speaker 11: Enjoy that?

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Speaker 5: Now? Where were we?

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Speaker 11: Oh?

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Speaker 3: Yes, I'd barely managed to keep myself in the succession

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Speaker 3: game with an ambitious plan. But at least my uncle

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Speaker 3: was intrigued for the moment, and failure was not an option.

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Speaker 3: Otherwise I'd be taking orders from Fernando for the rest

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Speaker 3: of my career. So here I was working twice as

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Speaker 3: hard as any man that had come before me, just

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Speaker 3: to be eligible for the same opportunity. A woman's work

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Speaker 3: is never done to your listeners, especially in the con game.

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Speaker 3: The first part was by far the hardest, getting Juan

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Speaker 3: to embrace the con man.

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Speaker 11: In his blood.

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Speaker 12: Okay, so by this time I was on draft. I

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Speaker 12: don't know a million this text to prevent though maybe

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Speaker 12: two million?

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Speaker 9: Is that good?

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Speaker 11: Tonight?

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Speaker 5: Breathe one.

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Speaker 3: Remember that, my friends, The hours and hours of trying

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Speaker 3: to help one grow some semblance of a spine.

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Speaker 5: It was torture.

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Speaker 3: How the hell was I going to get this word

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Speaker 3: to do anything remotely legal? He was spending all of

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Speaker 3: his time drafting and redrafting text, and my worthless cousin

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Speaker 3: trying to figure out what to call.

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Speaker 12: Him, and who knows, you know, maybe next time you

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Speaker 12: see me, I'll officially have a boyfriend.

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Speaker 5: Even reliving it makes me nauseous.

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Speaker 3: I tried everything to make one unearthed, that ruthless con

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Speaker 3: artist bubbling underneath, but it was impossible.

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Speaker 4: One.

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Speaker 3: No one is more extatic than I am that you're

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Speaker 3: finally stepping off canvas and into the dating. But then

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Speaker 3: it hit me, instead of looking at Fernando as the

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Speaker 3: wrench in my plans with one, I needed to look

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Speaker 3: at him as a tool in my chanelle tool belt.

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Speaker 3: I had to throw Fernando off his con game, so

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Speaker 3: one would have to rise to the challenge. So I

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Speaker 3: changed tactics. I eased up on one and amped up

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Speaker 3: my pressure on my cousin.

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Speaker 11: It's the painting in hand.

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Speaker 10: Fernando, almost dead.

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Speaker 3: Is making up excuses because you're incapable of getting the

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Speaker 3: job done.

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Speaker 10: T talk, TikTok, Gigi. I swear to God, you're trying

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Speaker 10: to get in my head.

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Speaker 4: Right.

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Speaker 5: It was working.

248
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Speaker 3: The more Fernando pulled a wait, the more Juan wanted

249
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Speaker 3: to be a part of his life, part of the Cohn.

250
00:15:04,720 --> 00:15:08,000
Speaker 3: But then something happened that I never saw coming. Fernando

251
00:15:08,080 --> 00:15:11,760
Speaker 3: had always prided himself on being a lone wolf, so

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Speaker 3: I was shocked with what happened next.

253
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Speaker 11: This is the verse.

254
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Speaker 10: What the the Brooklyn Bridge?

255
00:15:18,880 --> 00:15:23,520
Speaker 6: It's some nice Did you know that the architect John

256
00:15:23,600 --> 00:15:27,520
Speaker 6: Roebling hired his son Washington as head engineer, and in

257
00:15:27,680 --> 00:15:31,960
Speaker 6: Washington passed his wife Emily completed it. It was a

258
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Speaker 6: real family affair. So wholesome.

259
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Speaker 10: Families aren't all so simple, you know. Mine's complicated and vicious.

260
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Speaker 13: I guess it's it's why I've never brought anyone all right.

261
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Speaker 10: My family would scare them away in a second. Oh

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Speaker 10: my god, Wan, your hand is freezing. Oh I'm sorry,

263
00:15:52,640 --> 00:15:55,520
Speaker 10: I just I wanted to know. No, no, it's it's okay.

264
00:15:56,280 --> 00:15:57,040
Speaker 10: I'll warm it up for you.

265
00:15:59,440 --> 00:16:02,960
Speaker 3: I knew was head over heels for Fernando, but when

266
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Speaker 3: I saw Fernando was falling for Juan, hmmm, I realized

267
00:16:08,120 --> 00:16:10,560
Speaker 3: Ferdinanda would never let one get caught up in something

268
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Speaker 3: like this.

269
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Speaker 5: He would protect one from us at any cost.

270
00:16:14,920 --> 00:16:17,520
Speaker 3: So before Ferdinando could end the con, I had just

271
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Speaker 3: sw been, which is why I found myself casing Mike's

272
00:16:22,040 --> 00:16:24,320
Speaker 3: woefully under secured Bushwick's studio.

273
00:16:25,480 --> 00:16:30,000
Speaker 11: Let me see some porn guys chat it up. Oh

274
00:16:30,040 --> 00:16:31,119
Speaker 11: my god.

275
00:16:30,960 --> 00:16:31,800
Speaker 4: What is that?

276
00:16:32,120 --> 00:16:36,720
Speaker 10: No shit, that's my miss can A arms my pagings.

277
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Speaker 3: A home security system for a multimillion dollar piece of art.

278
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Speaker 3: Adorable men are so simple, Needless to say, I laid

279
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Speaker 3: hands on the painting in minutes, dear listeners, and I

280
00:16:53,280 --> 00:16:55,320
Speaker 3: only set off the alarm because I was getting fed

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Speaker 3: up with lurking in the shadows.

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Speaker 5: What can a girl crave a little attention? Now and then.

283
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Speaker 11: I'm at dinner.

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Speaker 9: Gg it's better be good.

285
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Speaker 5: Start drafting my title of succession. Uncle, the painting is

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00:17:18,600 --> 00:17:19,040
Speaker 5: in hand.

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00:17:19,480 --> 00:17:21,280
Speaker 11: The painting wasn't your assignment.

288
00:17:22,200 --> 00:17:24,920
Speaker 3: It is now I'm using it to lead the boys

289
00:17:24,960 --> 00:17:28,080
Speaker 3: to Leonard Burton's yacht. Shall I put it somewhere for

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00:17:28,119 --> 00:17:31,560
Speaker 3: safe keeping and then meet you at Leskala to celebrate.

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Speaker 9: You're jumping the gun.

292
00:17:34,080 --> 00:17:36,880
Speaker 11: You still have quite a waste to go before, Juan

293
00:17:37,040 --> 00:17:39,480
Speaker 11: thinks of eight stay under the radar.

294
00:17:39,840 --> 00:17:47,800
Speaker 3: Be patient, but uncle, and as I stood in the

295
00:17:47,840 --> 00:17:52,120
Speaker 3: middle of Atlantic Avenue in Brooklyn, the Delano painting hanging

296
00:17:52,200 --> 00:17:55,520
Speaker 3: by my side in a leather portfolio, I couldn't believe

297
00:17:55,560 --> 00:17:59,960
Speaker 3: I was back to waiting on a man or two men,

298
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Speaker 3: I suppose, until I could make.

299
00:18:02,200 --> 00:18:13,959
Speaker 5: My next move. So I stash the Dolanno painting at

300
00:18:13,960 --> 00:18:15,760
Speaker 5: a safe house on the south side.

301
00:18:15,520 --> 00:18:18,520
Speaker 3: Of McCarran Park and walked up to Berney's for a

302
00:18:18,640 --> 00:18:20,440
Speaker 3: well deserved cocktail.

303
00:18:32,200 --> 00:18:34,400
Speaker 5: Mescal neat right away missed.

304
00:18:35,840 --> 00:18:39,520
Speaker 3: But before I could do one thing for myself, before

305
00:18:39,640 --> 00:18:43,960
Speaker 3: I could even take a sip of that glorious smoky mescal,

306
00:18:44,840 --> 00:18:49,800
Speaker 3: a text from Fernando. Four simple words that weeks ago

307
00:18:49,840 --> 00:18:52,680
Speaker 3: would have brought a smile to my face now sent

308
00:18:52,800 --> 00:18:57,160
Speaker 3: my heart plummeting into my gut you win, I'm out.

309
00:18:58,240 --> 00:19:01,639
Speaker 3: Fernando was out of the con, which meant Juan was

310
00:19:01,680 --> 00:19:02,600
Speaker 3: out of the con too.

311
00:19:03,440 --> 00:19:03,680
Speaker 15: Shit.

312
00:19:04,440 --> 00:19:07,359
Speaker 3: I had to fix this fast, and between you and me,

313
00:19:07,600 --> 00:19:34,120
Speaker 3: dear listeners, I hadn't the faintest idea how I had

314
00:19:34,160 --> 00:19:37,040
Speaker 3: to get Fernando and Juan back in the game. What had,

315
00:19:37,119 --> 00:19:40,480
Speaker 3: moments ago felt like an endless waiting game had now

316
00:19:40,520 --> 00:19:43,840
Speaker 3: become a rapid countdown as I racked my brain for solutions.

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00:19:45,600 --> 00:19:53,920
Speaker 5: Bartender, another mescal and fast. Of course you're here, Hi?

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00:19:54,040 --> 00:19:57,320
Speaker 9: You go? Wait?

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00:19:57,600 --> 00:19:59,960
Speaker 8: You really didn't expect to find me at my local hawk?

320
00:20:00,680 --> 00:20:02,960
Speaker 8: Or are you just really here? From mess Galano served

321
00:20:02,960 --> 00:20:04,320
Speaker 8: in a fancy glass.

322
00:20:04,160 --> 00:20:07,800
Speaker 3: It's repos and a host too close to whiskey reminds

323
00:20:07,840 --> 00:20:08,600
Speaker 3: me of my uncle?

324
00:20:09,200 --> 00:20:13,040
Speaker 8: Ah? Yeah, how is good, old uncle Ignacio.

325
00:20:14,000 --> 00:20:16,359
Speaker 3: Buy me another round and maybe I'll consider letting you

326
00:20:16,400 --> 00:20:17,680
Speaker 3: in on our family drama.

327
00:20:18,119 --> 00:20:22,640
Speaker 8: Oh not bad, Okay, he can look, I'm usually Annejo guy,

328
00:20:22,760 --> 00:20:26,719
Speaker 8: but it's always good to flip the coin now and then, hey, Bartender,

329
00:20:27,320 --> 00:20:30,280
Speaker 8: do more or what she's having coming right up? So

330
00:20:30,760 --> 00:20:33,120
Speaker 8: family issues got you hiding out in my corner of Brooklyn.

331
00:20:33,200 --> 00:20:35,240
Speaker 5: Huh, lucky me, I'm not hiding.

332
00:20:35,480 --> 00:20:36,119
Speaker 4: Of course or not.

333
00:20:36,680 --> 00:20:39,520
Speaker 8: That Gigi I know would never shy away from the limelight.

334
00:20:40,040 --> 00:20:41,879
Speaker 8: That's why you never last on my side of the biz.

335
00:20:43,520 --> 00:20:46,760
Speaker 3: Imagine me behind a computer, cyber hacking with a bunch

336
00:20:46,840 --> 00:20:49,280
Speaker 3: of smelly coders in their mom's basements.

337
00:20:50,160 --> 00:20:51,280
Speaker 5: No, thank you, excuse me.

338
00:20:51,280 --> 00:20:53,040
Speaker 8: You've been to my loft, and if I remember correctly,

339
00:20:53,080 --> 00:20:56,040
Speaker 8: you bought me the very sense I am wearing right now.

340
00:20:57,240 --> 00:21:01,400
Speaker 5: Le labo tenor twenty nine? Okay, just like.

341
00:21:02,280 --> 00:21:07,680
Speaker 8: Scott, all right, all right, so what's on your mind? Okay,

342
00:21:07,680 --> 00:21:10,560
Speaker 8: if you're ab Bernie's, you've come here to think, which.

343
00:21:10,240 --> 00:21:14,920
Speaker 3: Means I've been on point my whole life, every goddamn

344
00:21:15,000 --> 00:21:19,680
Speaker 3: waking movement of every goddamn day, never taking a break,

345
00:21:20,040 --> 00:21:24,280
Speaker 3: rain or shine, in and out of jail. I didn't

346
00:21:24,320 --> 00:21:27,920
Speaker 3: even have time to blink after your parents. I never

347
00:21:28,119 --> 00:21:30,119
Speaker 3: once missed my mark hugo.

348
00:21:30,520 --> 00:21:31,399
Speaker 8: Well maybe you should have.

349
00:21:32,720 --> 00:21:34,960
Speaker 5: You're about three seconds from having this drink all over you.

350
00:21:35,320 --> 00:21:37,639
Speaker 8: Oh look, I'm just saying maybe it would do you

351
00:21:37,680 --> 00:21:41,840
Speaker 8: some good to take a break. Figure out Gigi for

352
00:21:41,880 --> 00:21:42,600
Speaker 8: a minute.

353
00:21:45,040 --> 00:21:48,720
Speaker 3: Oh I know who I am, I am what I do,

354
00:21:49,400 --> 00:21:51,480
Speaker 3: and I don't have any existential.

355
00:21:50,920 --> 00:21:51,600
Speaker 5: Doubts about that.

356
00:21:53,080 --> 00:21:57,200
Speaker 3: Just seems that no matter how well I play the game,

357
00:21:57,920 --> 00:22:02,399
Speaker 3: no matter how big I score, Pernando always finds a

358
00:22:02,440 --> 00:22:05,119
Speaker 3: way to rip it away from me.

359
00:22:06,040 --> 00:22:09,960
Speaker 8: You know, there's this error message encoding. Okay, look, hear

360
00:22:10,000 --> 00:22:13,680
Speaker 8: me out, hear me out. It's called off by one.

361
00:22:14,160 --> 00:22:16,879
Speaker 8: I mean, it's super simple. It's like child level error message.

362
00:22:17,240 --> 00:22:19,560
Speaker 8: And it happens when you use one more or one

363
00:22:19,640 --> 00:22:22,160
Speaker 8: less value in a calculation than you should. I mean,

364
00:22:22,560 --> 00:22:25,680
Speaker 8: when something's just barely out of balance needs to be reset.

365
00:22:27,040 --> 00:22:30,080
Speaker 8: So maybe you're just off by one right now. Maybe

366
00:22:30,080 --> 00:22:32,320
Speaker 8: you just need a quick reset.

367
00:22:37,440 --> 00:22:41,000
Speaker 3: Oh, come on, do you blame me? You didn't blink

368
00:22:41,000 --> 00:22:43,640
Speaker 3: an eye, went for ananda one wanted the deed. When

369
00:22:43,640 --> 00:22:46,320
Speaker 3: I tell you, I earned it, paving the way for

370
00:22:46,359 --> 00:22:49,480
Speaker 3: a new era of international con artistry with no help

371
00:22:49,520 --> 00:22:52,720
Speaker 3: from anyone else in the family. I was pulling overtime,

372
00:22:53,400 --> 00:22:57,280
Speaker 3: and like Hugo said, maybe all I needed was a quick, hot,

373
00:22:57,720 --> 00:23:22,000
Speaker 3: sweaty reset. The night's damp Danish mid century Yeah, teak

374
00:23:23,200 --> 00:23:26,040
Speaker 3: nineteen fifty two or fifty three.

375
00:23:26,720 --> 00:23:31,880
Speaker 8: Well, you know you're furnishings. I dabble, Yeah, isn't that

376
00:23:31,920 --> 00:23:36,800
Speaker 8: the truth? What did you just say isn't that the truth?

377
00:23:38,800 --> 00:23:39,320
Speaker 5: I gotta go.

378
00:23:39,520 --> 00:23:43,520
Speaker 8: Okay, all right, okay, you figured it out. You're off

379
00:23:43,680 --> 00:23:48,280
Speaker 8: by one error. Okay, this was fun.

380
00:23:48,640 --> 00:23:49,320
Speaker 5: I'll be in touch.

381
00:23:49,520 --> 00:23:50,840
Speaker 8: That is what you said last.

382
00:23:50,600 --> 00:24:07,600
Speaker 16: Time, bion Venu and Levopos Schadgard de Peri, welcome to

383
00:24:07,680 --> 00:24:10,240
Speaker 16: peris Cha Degard in the National Airport.

384
00:24:13,080 --> 00:24:17,560
Speaker 3: Off by one. Not bad, Hugo, not bad at all.

385
00:24:18,520 --> 00:24:20,720
Speaker 3: I realized what I had to do. It was in

386
00:24:20,760 --> 00:24:24,480
Speaker 3: my training, in my DNA, the rules of the Khan

387
00:24:24,560 --> 00:24:27,400
Speaker 3: that Uncle Ignacio had drilled into Fernando and I since.

388
00:24:27,240 --> 00:24:30,960
Speaker 5: We were children. Rule one, don't touch anything you're not

389
00:24:31,000 --> 00:24:31,720
Speaker 5: trained to touch.

390
00:24:32,640 --> 00:24:36,399
Speaker 3: Rule two times of the essence, Well, that was certainly

391
00:24:36,440 --> 00:24:41,800
Speaker 3: true now, and rule three. Sometimes the easiest answer is

392
00:24:41,840 --> 00:24:45,720
Speaker 3: staring right in the face, and for me, the easiest

393
00:24:45,760 --> 00:24:55,119
Speaker 3: answer was telling Fernando the truth. I left Hugo's loft

394
00:24:55,119 --> 00:24:57,200
Speaker 3: and made my way to Juan's apartment. There was no

395
00:24:57,200 --> 00:24:59,959
Speaker 3: doubt in my mind that Fernando would be there, cozy

396
00:25:00,119 --> 00:25:03,000
Speaker 3: up next to Huan, tail between his legs. After I

397
00:25:03,080 --> 00:25:13,639
Speaker 3: gripped the painting out from under him.

398
00:25:13,720 --> 00:25:15,000
Speaker 10: You come to gloat at three am?

399
00:25:15,240 --> 00:25:17,679
Speaker 5: Where's your little plaything? I'd love to meet.

400
00:25:17,560 --> 00:25:19,360
Speaker 10: Him you listen to me. I don't want you anywhere

401
00:25:19,480 --> 00:25:19,960
Speaker 10: near him.

402
00:25:20,160 --> 00:25:21,960
Speaker 5: Never did like to share, did you, cousin?

403
00:25:22,000 --> 00:25:22,680
Speaker 10: Why are you here?

404
00:25:22,760 --> 00:25:23,000
Speaker 15: Gig?

405
00:25:23,400 --> 00:25:24,600
Speaker 10: You got the painting you want?

406
00:25:25,320 --> 00:25:27,280
Speaker 5: I do have the painting.

407
00:25:28,000 --> 00:25:33,960
Speaker 3: But I've also had well, I've had an epiphany. I've

408
00:25:34,000 --> 00:25:37,480
Speaker 3: realized there's a world where we can finish the job together.

409
00:25:37,720 --> 00:25:39,080
Speaker 10: I'm going back upstairs, Gig.

410
00:25:39,560 --> 00:25:42,560
Speaker 13: It's over, and there is nothing that you can say

411
00:25:42,840 --> 00:25:44,280
Speaker 13: that will make me change my mind.

412
00:25:45,840 --> 00:25:46,440
Speaker 5: You were right.

413
00:25:47,680 --> 00:25:52,439
Speaker 3: I did start this con with some inside information, and

414
00:25:52,520 --> 00:25:55,639
Speaker 3: I might be willing to share. Good night, gg, since

415
00:25:55,680 --> 00:25:58,960
Speaker 3: it's the only way we can run this family business together.

416
00:26:00,000 --> 00:26:00,920
Speaker 10: What are you talking about?

417
00:26:01,440 --> 00:26:02,600
Speaker 5: So you want to know what I know?

418
00:26:03,160 --> 00:26:05,119
Speaker 10: This is always how it's going to be, isn't it?

419
00:26:05,240 --> 00:26:07,760
Speaker 10: Mind games? Late night hail Mary's riddles.

420
00:26:08,080 --> 00:26:12,600
Speaker 13: I'm done. I don't need your secret information. I'm choosing him, jeging,

421
00:26:12,680 --> 00:26:14,280
Speaker 13: and I will always choose him.

422
00:26:14,440 --> 00:26:18,520
Speaker 3: You say that now, Fernando, But what I know changes everything.

423
00:26:18,640 --> 00:26:21,080
Speaker 10: No, I don't expect you to understand my reasons.

424
00:26:22,560 --> 00:26:25,000
Speaker 13: Oh how do you explain love to someone who's never

425
00:26:25,080 --> 00:26:27,000
Speaker 13: experienced it and who never will?

426
00:26:27,160 --> 00:26:29,120
Speaker 5: Be careful who you get in bed with?

427
00:26:29,600 --> 00:26:29,800
Speaker 9: You know?

428
00:26:30,520 --> 00:26:35,000
Speaker 13: Now, I'm going upstairs and you you will never ever

429
00:26:35,280 --> 00:26:38,520
Speaker 13: come near me or anyone I care about ever again,

430
00:26:38,840 --> 00:26:40,160
Speaker 13: or I swear to God, I.

431
00:26:40,119 --> 00:26:43,280
Speaker 10: Will turn you into terpoul myself. Do you understand me?

432
00:26:48,720 --> 00:26:53,200
Speaker 3: Fernando the lone Wolf was giving up the con, the empire,

433
00:26:53,840 --> 00:26:56,520
Speaker 3: literally everything he'd ever.

434
00:26:56,320 --> 00:26:59,480
Speaker 5: Worked for for love.

435
00:27:00,920 --> 00:27:04,000
Speaker 3: For a moment, I thought about Hugo going back to

436
00:27:04,040 --> 00:27:06,200
Speaker 3: his loft, leaving it all behind too.

437
00:27:08,600 --> 00:27:11,200
Speaker 5: Love might have made a fool of Fernando.

438
00:27:11,040 --> 00:27:11,560
Speaker 17: But not me.

439
00:27:19,720 --> 00:27:23,680
Speaker 3: I just needed to refocus. Hugo's rule of off by

440
00:27:23,760 --> 00:27:28,240
Speaker 3: one went both ways. The error could be on either

441
00:27:28,280 --> 00:27:31,119
Speaker 3: side of the boundary, So if Fernando.

442
00:27:30,680 --> 00:27:33,560
Speaker 17: Hadn't taken the bait, then maybe it was time to

443
00:27:33,600 --> 00:27:43,439
Speaker 17: try the other side. I had to tell Juan the

444
00:27:43,480 --> 00:27:45,200
Speaker 17: truth about Fernando.

445
00:27:45,000 --> 00:27:48,600
Speaker 5: And well, dear listeners, you know exactly what happens next.

446
00:27:51,119 --> 00:27:54,400
Speaker 18: I found the files and you're safe at the facility.

447
00:27:54,840 --> 00:27:57,280
Speaker 18: You push Gigi out of the airplane, not the other

448
00:27:57,320 --> 00:28:01,240
Speaker 18: way around. You left her to row in a selling Zurich.

449
00:28:02,119 --> 00:28:06,879
Speaker 18: What kind of person does that to their own family? Goodbye, Fernando, what.

450
00:28:08,720 --> 00:28:09,000
Speaker 10: Please?

451
00:28:13,720 --> 00:28:18,800
Speaker 3: One Gastillo had out conned us all. It got messy,

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Speaker 3: I'll admit, but it also handed me the biggest win

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Speaker 3: of my career.

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Speaker 5: I had gotten.

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Speaker 3: Augustillo to break the international contreaty.

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Speaker 5: So, dear listeners, lest.

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Speaker 3: You still think I'm the proverbial bad girl in this story,

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Speaker 3: let me remind you of the numerous backflips, back alleys,

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Speaker 3: and backhanded dealings I had to navigate just to be

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Speaker 3: treated like an equal in this business.

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Speaker 5: Let alone the leader that I.

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Speaker 19: Am, and then ask yourself, my friends, who the real

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Speaker 19: bad guys are in this story?

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Speaker 5: Still me, I'll let you get back to me on

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Speaker 5: that duty.

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Speaker 11: Calls monsieur, how may I help you?

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Speaker 5: I'm here to see Damien Castillo. I have information that's

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Speaker 5: of utmost importance.

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Speaker 9: You need an appointment to.

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Speaker 5: Is tell him it's about his son, of course.

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Speaker 1: The setup was produced by Sonro in partnership with Iheart'smichael

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Speaker 1: Tura podcast network. Created and written by Ivy Marie and

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Speaker 1: Philippe Baujan, directed by Bettina Lopez, Produced by Luis Eduardo Castillo,

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Speaker 1: developed by Bettina Lopez, story editing by Nick Milanz. Executive

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Speaker 1: produced by Harvey Guillen and Christian Navarro. Connel Byrne and

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Speaker 1: Giselle Bances for iHeart and Camilla Victoriano and Joshua Weinstein

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Speaker 1: for Sonorro. Performances in this episode by Harvey Guillen, Christian Navarro,

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Speaker 1: Daniela Alonso, j D Garfield, Chila, Sheila Corsi, Isabela Olivas,

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00:30:31,200 --> 00:30:36,880
Speaker 1: Josevie Real, Christina Mueller, Jessica Ruth Bell, and Kareem Galeb.

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Speaker 1: Our production and supervising managers are Gustavo Rilaer and kerensa Chaidis.

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Speaker 1: Recording engineering and sound designed by Edwin Irigoying, Juan Dias

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Speaker 1: and Andres Bayena. Casting and coordination by Ansley Martinez and

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Speaker 1: Alex Gonzalez. Voices recorded at the Invisible Studios in Los Angeles,

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Speaker 1: The Relic Room and New York and Cabby Sound Studios

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Speaker 1: in Albuquerque, New Mexico, with engineering by Lester Danglar, Brett Tubin,

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Speaker 1: and Colin Hunkerlier. If you're enjoying the setup, please subscribe, rate,

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Speaker 1: and review our show wherever you're listening