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Speaker 1: Look mare, oh, I see you my own and look

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Speaker 1: over there is that culture.

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Speaker 2: Yes, goodness, wow, lost cult.

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Speaker 1: Ding dong lost culturistas calling.

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Speaker 3: I just bodied today's Connections on the New York Times

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Speaker 3: games app literally in fifteen seconds. While we were setting

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Speaker 3: up for this, I was like, wait, just now, just now,

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Speaker 3: record time, Whina Liu, you don't have it today?

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Speaker 4: Can I say, I love how activated you get about

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Speaker 4: these things?

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Speaker 3: Honey, join the club. I mean you have to start

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Speaker 3: playing Connections. Sometimes she tries it, Whina, Oh, well, I

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Speaker 3: know you've really come for her before. Can I just

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Speaker 3: say I have this obsession. We need to like do

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Speaker 3: a cultural like examination of like Asian women at the

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Speaker 3: New York Times because they are powerful. From Michiko Kakutani

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Speaker 3: to Wina Liu, these women hold the keys.

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Speaker 4: If you think that I forgot when you did an

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Speaker 4: impression of Michigo Kokatani in your SNL. Did you actually

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Speaker 4: do Michigo Kakatani for your SNL auditions?

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Speaker 1: Yes? And I said this is for everyone.

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Speaker 3: Eric Henward, producer Little Harvard guy, was like, I really

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Speaker 3: liked her, Michiko.

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Speaker 1: Damn. And I went in there and did Anthony and

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Speaker 1: didn't book what do you know you didn't hander to

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Speaker 1: the to the Harvard Boys.

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Speaker 4: That was my rob That's my big issue was I

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Speaker 4: can only be me a gay guy, white gay guy

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Speaker 4: down with us all, but not our guests.

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Speaker 1: But not our guest, can I say?

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Speaker 4: First of all, just like catching up on music, I

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Speaker 4: was side eyeing this Camilla era and now I'm bopping

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Speaker 4: my head.

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Speaker 1: I think he knows I want to play when I'm.

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Speaker 4: Like that, I was side eyeing that era. I was

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Speaker 4: side eyeing it. I actually refused to acknowledge it as culture.

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Speaker 4: Now the second thing that's come out, and I'm like,

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Speaker 4: maybe I think she.

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Speaker 3: Knows well, you know, she is doing this thing really well,

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Speaker 3: which is and they've talked about this on podcast Deluxe

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Speaker 3: where they talked about pop music. I think we'd all

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Speaker 3: like it. Everyone in the zoom. Yeah, they're like the

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Speaker 3: thing with the Dua album And even though I adore

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Speaker 3: the Dua album is it's slippery, there's no like meme

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Speaker 3: mobility to it. Like it needs some edge, it needs

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Speaker 3: some like it needs a rough service. It needs like serration,

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Speaker 3: like a serrated edge.

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Speaker 1: You know, Camila is very serrated.

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Speaker 3: Yes, because like even from like I love it, I

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Speaker 3: love it. I love it like even that is like, well.

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Speaker 1: This is going to do numbers, you know. Do you

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Speaker 1: did you see the clip of Lonna Delray weekend? Yes?

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Speaker 4: Hello, this is last Culturistas. You are joining us in process,

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Speaker 4: I only talk about Lonna Delray. This is called a

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Speaker 4: Lonna Delray stand podcast. As of now you know she

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Speaker 4: is nominated at the Culture Awards for Artists the Millennium

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Speaker 4: and also Best New Artist. So this is an interesting

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Speaker 4: turn for how you thought award shows could go and

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Speaker 4: how nominations could go.

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Speaker 1: But returning to the point.

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Speaker 4: Did you see the second weekend of Coachella, Camula came

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Speaker 4: out in the spot where Billy came out?

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Speaker 1: So Ilana go is what I'm Referencingana goes, I love it,

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Speaker 1: I love it, I love it, I love it.

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Speaker 4: And her like Lana sort of ghost whisper. It's actually

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Speaker 4: a real culture number eighteen. La.

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Speaker 1: That's a ghost Whispertesmas like Jennifer love you It before her.

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Speaker 3: Like Jennifer loves you It before her. This is a

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Speaker 3: Lana del Race dam podcast. This is also a Honeymoon

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Speaker 3: stand podcast.

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Speaker 4: Can I tell you, Oh my god, it sucks to

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Speaker 4: say this because I don't think it sucks to say it.

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Speaker 4: You know what I'm about to say, I don't think

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Speaker 4: it's true. But I listened to this and I was like, finally, music,

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Speaker 4: because there's been.

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Speaker 1: So much music.

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Speaker 4: But finally I was like, you know, and what I

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Speaker 4: think I mean by that is I was like, this

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Speaker 4: is taking you back to the seventies FM. This is

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Speaker 4: very John Denver vibes. The vocal harmony. The man has

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Speaker 4: the best voice in the business.

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Speaker 3: If you thought he laughs, Oh a gay guy can't

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Speaker 3: make a Judy Sill album. Oh a gay guy can't

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Speaker 3: make a Paul Simon album. You're dead wrong.

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Speaker 1: Here's what i'd say.

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Speaker 4: Hey, stream Honeymond, you can now because it's out actually

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Speaker 4: as hell.

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Speaker 1: And here's the other deal.

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Speaker 4: So today's actually an auspicious day bo because today, for

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Speaker 4: the first time in Last Culturesa's history, we're doing a

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Speaker 4: double episode release. Oh so if you're listening to this

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Speaker 4: right now, after this, you can listen to our episode

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Speaker 4: with Charlie XCX, who has an album coming up this weekend.

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Speaker 4: But out right now is Honeymind, Honey Mind, And this

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Speaker 4: is it's just it's music. What can I say, It's

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Speaker 4: it's just if you put it on, you will feel

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Speaker 4: every emotion. I was crying not but third five minutes

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Speaker 4: ago to the song boy who hung the moon, boy

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Speaker 4: who hung the moon, I said, to be in love. Oh,

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Speaker 4: what's it like? Let's we can ask him. Well, we'll

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Speaker 4: ask him. That'll be the first question.

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Speaker 1: He's getting married, Oh.

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Speaker 4: My god, having everyone's dream wedding. I'm sure now listen,

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Speaker 4: he he knows, it's true.

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Speaker 1: I think he knows.

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Speaker 4: Anyway, listen, but he's a performing at the palace, he's

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Speaker 4: at a residency right now.

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Speaker 1: You can go. I'm gonna go next week. My mom

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Speaker 1: is excited. I'm taking her, Oh my god.

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Speaker 4: And that would be a gift that you give yourself

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Speaker 4: to go, because I mean every single time I've and

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Speaker 4: by every single time, I mean I went to go

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Speaker 4: see Parade twice because I just could not believe how

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Speaker 4: fucking incredible that show was.

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Speaker 1: Ray to me.

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Speaker 4: That was that should have been the Tony win all respect,

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Speaker 4: all respect, that's where that should have gone for me.

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Speaker 4: But it did win Best Revival, and we love that.

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Speaker 4: And I will say, just every single time you can

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Speaker 4: see this person before you were, you are giving yourself

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Speaker 4: a gift. So give your off a gift and go

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Speaker 4: see him at the palace because just so good.

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Speaker 1: So good.

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Speaker 3: We love him so much. Everyone welcome, and what.

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Speaker 5: You guys, what's so nice? It's like being John Denver.

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Speaker 5: Oh it's great, you know. Noah, it's the best.

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Speaker 1: He is the best.

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Speaker 5: Yeah, you said he was gonna cameo. Yeah, he's on

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Speaker 5: his way home right now. And so there'll probably be

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Speaker 5: some barks from dog George and then so, okay, hello

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Speaker 5: us from Noah at some point.

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Speaker 1: So just don't get to a jarred by the bark

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Speaker 1: barks by dog George. Well, speaking of.

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Speaker 3: Your home, and I brought this up to you the

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Speaker 3: last time we saw each other, Ben, But how does

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Speaker 3: it feel to know that my dear mother mangs who

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Speaker 3: has technically been inside your house?

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Speaker 1: Wait, tell me? Did I tell you about this?

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Speaker 3: No, there was an open house and my broker, Rodney Rose,

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Speaker 3: who's an icon, took my mom to go. She was like,

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Speaker 3: let's go look at these like really fun places. I

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Speaker 3: won't see the neighborhood, but she's like, let's go look

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Speaker 3: at these One place is and then went.

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Speaker 1: To this beautiful home.

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Speaker 3: My mom was like, wow, that was a really nice place.

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Speaker 3: And then not like two months later did Ronnie reach

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Speaker 3: out and this might not have been well, maybe I'll

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Speaker 3: cut this out, but she was like, I think your

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Speaker 3: friend Bend. Your friend Bend's now is like that's great anyway.

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Speaker 5: Yeah, we just moved in March. So we're in Brooklyn

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Speaker 5: people now, and it's really nice. Noah has been trying

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Speaker 5: to get me out of Manhattan for a long time.

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Speaker 5: How does Brooklyn feel so good? I mean it's like

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Speaker 5: a little exhale, you know what I mean. Like you

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Speaker 5: get off the train and it's like a little less

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Speaker 5: crazy and intense. It's a once hop skipping a jump

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Speaker 5: one train right to the middle of the Broadway areas.

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Speaker 5: It's nice, feels removed, but not in the middle of nowhere.

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Speaker 1: It's lovely. There are children.

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Speaker 5: There's a Presbyterian school outside and they play at recess

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Speaker 5: every day. It's you hear the sounds of laughter, young

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Speaker 5: we throw volleyballs back from the backyard.

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Speaker 1: It's great.

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Speaker 4: Do you really, Oh God, that's gonna get annoying and quick.

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Speaker 4: It's cute right now.

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Speaker 1: It already is annoying.

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Speaker 4: My favorite thing about you guys is I've run into

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Speaker 4: you guys in Times Square like three Times Wait, same, because.

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Speaker 1: They're always chaunting around Times Square. We're all three very

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Speaker 1: consistent patrons of the theater, and so that's why Square.

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Speaker 4: I forget what show I was going to see, but

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Speaker 4: I think you guys were going to see another show.

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Speaker 4: And I was like, look at us out here. Always

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Speaker 4: the biggest smiles on our face is ready to consume.

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Speaker 5: Yeah, that's the happiest time when you can stay hopeful

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Speaker 5: before you've actually seen the show.

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Speaker 1: You know what?

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Speaker 4: Yeah, big We was on the Broadway front though Audre

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Speaker 4: and Gypsy. Are we excited or why?

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Speaker 1: God? Wait, this isn't contil next week? It comes out

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Speaker 1: on yes, next ween?

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Speaker 5: Okay, yeah, well fifth, So I'm doing a special guest

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Speaker 5: every night in my uh at my house theater gig.

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Speaker 5: I had Casey Musgraves and christ and Shannow with was

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Speaker 5: last night. So this weekend I have Dear Adrian Warren,

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Speaker 5: who's like, oh, and before I knew about any of

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Speaker 5: this Audre nonsense, we're gonna sing if mom was married

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Speaker 5: from Gypsy.

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Speaker 1: We're going to do like the two Sisters.

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Speaker 5: And I was like, girl, you should be playing Louise

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Speaker 5: in this revival? Is she like, I don't know I

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Speaker 5: don't know, Absolutelysia. Can you imagine that turn that changed too?

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Speaker 1: That would be incredible, just saying if it was. If

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Speaker 1: George Wolf is listening, which I'm sure he is.

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Speaker 3: George, I thought you were to say that Audrey was

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Speaker 3: going to join you for one of the Palace shows.

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Speaker 1: I tried. She has her own concert gigs. She can't

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Speaker 1: make it. That's the thing about Audre.

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Speaker 4: She's busy singing her on her own, and that's how

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Speaker 4: she Rule of culture number fifty five, that's something about address.

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Speaker 1: She's busy singing on her own.

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Speaker 4: I love when the guest joins in on the real culture.

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Speaker 4: It gives it an extra pathice. Thank you, Well it

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Speaker 4: was about Audre. I felt that I.

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Speaker 1: Got a license. You know what I mean? Absolutely? Do

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Speaker 1: you There'll be a good guests besides Audre. Sorry, keep going,

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Speaker 1: so wait, what can you spoil any that'll happen like

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Speaker 1: what's happening tonight?

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Speaker 5: Okay, Well, this is all just to say if nobody,

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Speaker 5: like you know, get sick or something happens, it all

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Speaker 5: goes to plan. Tonight is Leslie Odham Junior. Wow, tomorrow

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Speaker 5: is my album release day. So it's Noah Galvin and

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Speaker 5: we're gonna sing too most Wanted as my only Beyonce.

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Speaker 1: You're fucking kidding? Oh wow, blew up our spot.

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Speaker 4: There's big plans for a performance from that from the

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Speaker 4: Culture Awards.

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Speaker 5: I would have no doubt about that. On Saturday, we

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Speaker 5: have a double WHAMMI planned. It's Rachel Zegler and then

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Speaker 5: also my dear friend and co star from Avanhanson, Laura

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Speaker 5: Dreyfus is going to sing with me. That'll be wonderful,

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Speaker 5: It'll be fun. And then Sunday's Adrian Warren.

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Speaker 1: Wow. So only the best, only the vocal chords, only

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Speaker 1: the chords.

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Speaker 3: Duh, and he's drinking his essentia like a chord singer.

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Speaker 1: Leaders and leaders a day. You know, it was Ben

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Speaker 1: who told the truth about vocal prep to the world,

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Speaker 1: which is just have room temperature water. Stop with all

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Speaker 1: the tea, stop with all the cold water, right, Isn't

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Speaker 1: that so? It is true? Cold water fucks you up.

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Speaker 5: It's like it makes everything like really crackly and like

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Speaker 5: really dry, and it's got to be room temp.

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Speaker 1: Although hot water with lemon's good for.

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Speaker 4: Mucus, I will say that it's good for mucas, it's

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Speaker 4: actually your lo coldre number ninety nine, although hot water

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Speaker 4: with lemon is good for mucas.

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Speaker 1: I will say I already have two rules. This is amazing,

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Speaker 1: this is really you're a found Ben. What was Nashville

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Speaker 1: like so nice?

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Speaker 5: It's like weirdly slowly becoming la But besides that, it

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Speaker 5: was so it was wonderful. I mean a lot of

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Speaker 5: the writers I've been wanting to work with forever are

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Speaker 5: all there. I found it like really calming, wonderful place

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Speaker 5: to write. Also, I don't really know anyone else there

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Speaker 5: besides the people that I was writing with, so it

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Speaker 5: felt like very like blinders up, no distractions, like let

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Speaker 5: me just immerse creatively in this and just only do this.

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Speaker 1: And yeah, I loved it. Stim playing two shows there

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Speaker 1: in June Nashville. Now tell me this. Did you go

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Speaker 1: to the Grand all Opry. I've never been to the

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Speaker 1: Grandel Lopry. That's okay. I'm playing the Rhymen though, so

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Speaker 1: that's like second best. What's the Rymen?

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Speaker 5: Ryman auditoriums like super you know, storied vibes like Casey

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Speaker 5: just played there, and it's it's sort of if you're

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Speaker 5: not going to play the Opry, it's like a really

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Speaker 5: beautiful little country venue little more like traditional proscenium vibes.

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Speaker 1: I want to know what is Casey like in person?

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Speaker 4: Enchanting, enchanting, gorgeous, like a stoner. Yeah, I was going

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Speaker 4: to ask, is she trying to corrupt you? Because I

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Speaker 4: know how good you are when you have to use

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Speaker 4: your voice. You don't even touch the stuff.

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Speaker 1: No, she's the same when she has to sing.

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Speaker 5: We have similar types of vocal anxiety, I think, but

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Speaker 5: just like energetically like never gets above like a five

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Speaker 5: in a really nice way, you.

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Speaker 1: Know what I mean, Just like really even identify with that.

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Speaker 1: I'm never above a five. And then we are cool.

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Speaker 5: We love a you know, a queen that sounds like

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Speaker 5: the record always oh yeah, and she boy, does she

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Speaker 5: sound like the record?

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Speaker 1: She do?

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Speaker 3: That's a tone Sarah burellis shit, oh crystal crystal crystal clear.

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Speaker 4: So you are a consumer of the girls. So I

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Speaker 4: want to know, like out of this like sort of

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Speaker 4: like wealth of pop girly output lately, like what's written

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Speaker 4: to the top for you?

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Speaker 5: Okay, the honorable mentions are yeah, deeper, well, of course, yes,

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Speaker 5: Cowboy Carter Delicious. The thing that I'm returning to the

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Speaker 5: most is miss.

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Speaker 4: Yeah, I knew you were going to say that. I

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Speaker 4: knew you were going to say that, and I am

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Speaker 4: classic it is.

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Speaker 5: Every song is the most like fine tuned, like delicious, bubblegum,

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Speaker 5: perfect pop melody, lyric ever, it's there. They're in my

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Speaker 5: mind all the time, not in a way where you're like,

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Speaker 5: get this song out of my mind, in a way

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Speaker 5: where you're like, I'm gonna go.

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Speaker 1: Listen to that song right now. Yeah.

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Speaker 5: And I'm thrilled that The Boy's Mind is our next

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Speaker 5: single because that was my favorite song from first listen. Yes,

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Speaker 5: and I just think she's like the greatest pop stars generation.

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Speaker 5: I mean, obviously we have feelings about Beyonce, and I

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Speaker 5: don't even call it Beyonce like a pop starts a

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Speaker 5: different situation, But in terms of like a pop star,

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Speaker 5: she's number one of our lifetime.

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Speaker 3: I think even intro end of the World is like,

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Speaker 3: I'm going back to that all the time.

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Speaker 4: Yeah, how do I know if I'm in the right relationship? Yeah,

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Speaker 4: thank you for a thesis statement right up top, and

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Speaker 4: then at the end, when no one answers the question,

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Speaker 4: she says.

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Speaker 1: You're in the wrong place. Get it out.

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Speaker 3: I have.

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Speaker 4: It's also like genre wise, like it's so what I

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Speaker 4: like started to wrap my brain around in terms of

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Speaker 4: like why I love music like it does. It does

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Speaker 4: remind me of Mariah and in like the late nineties,

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Speaker 4: Like it takes me back to that, like just those rich, rich,

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Speaker 4: rich like.

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Speaker 1: Harmonies, the layers.

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Speaker 4: Just there's so much in the music and it's just

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Speaker 4: I love that it's like thirty six minutes long but

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Speaker 4: tells like a complete story.

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Speaker 1: It takes you on a journey.

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Speaker 4: You really feel all of her emotions, to the point

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Speaker 4: where towards the end when she's saying I wish I

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Speaker 4: hated you. Oh, that's wrapping up that relationship in terms

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Speaker 4: of how it appears on the album. Like just that

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Speaker 4: last chorus that she sings like in her heart is

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Speaker 4: breaking and her voice is breaking. I'm like, God, she

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Speaker 4: fucking earned every second of this with what we've heard

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Speaker 4: so far, like just amazing.

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Speaker 5: And she's such a proponent for like I mean, first

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Speaker 5: of all, obviously we know she's one of the great instruments,

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Speaker 5: but her vocal ability to not necessarily mean just like

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Speaker 5: foot on the gas, Like there's so many different things

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Speaker 5: that she does that have so much restraint that take

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Speaker 5: honestly of so much more ability that are so impressive,

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Speaker 5: and then also production wise what you're saying about, like

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Speaker 5: the Mariah of it all. I love when there's like

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Speaker 5: electronic production elements that are like very self consciously retro electronic,

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Speaker 5: like very clearly a button being pressed in a way

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Speaker 5: that's like self aware.

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Speaker 1: Do you know what I mean?

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Speaker 5: Like when it's not trying to pretend trying to pretend

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Speaker 5: to be like a live room or like something warm,

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Speaker 5: it's like, this is deeply fun and self aware, and

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Speaker 5: like I just think that it's it's a home run

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Speaker 5: on that front too.

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Speaker 3: One thousand percent. But even on ordinary things, it's like

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Speaker 3: that brass is like not totally like it belongs there.

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Speaker 3: You're like, oh, I love it, Like this is the

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Speaker 3: perfect way to meld all of these different ideas, Like

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Speaker 3: you get the vocal recording, the voice recording from Nona,

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Speaker 3: and like it all just like it's complete. Like I'm

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Speaker 3: all for a let's say, thirty track, two hour long album,

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Speaker 3: let's say, but I really like how concise that whole

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Speaker 3: album is, Like I really like I think when she

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Speaker 3: played it for me, I was like, I think this

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Speaker 3: is your best and I wasn't sure that, Like now

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Speaker 3: I'm quite positive that.

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Speaker 4: It is for best album in my way, I would

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Speaker 4: tend to agree. Yeah, but then you remember there has

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Speaker 4: been so much incredible work And I was actually thinking

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Speaker 4: about that as I was listening to your album. Bet

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Speaker 4: like this concept of like doing your best work. It's

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Speaker 4: like because as I was listening to it, I was like,

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Speaker 4: this is his best work. This is the most cohesive,

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Speaker 4: like best work. And I wonder as an artist, like

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Speaker 4: when you hear this is your best work, obviously that's

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Speaker 4: like a compliment, like at face value in and of itself,

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Speaker 4: but like I would imagine you're incredibly proud of the

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Speaker 4: other great pieces of work you've put out. And what

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Speaker 4: I would imagine is the thing that's like really great

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Speaker 4: when it comes to you is it's like you can't

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Speaker 4: really even compare this to like Reverie because it does

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Speaker 4: something completely different.

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Speaker 1: And is that the goal?

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Speaker 4: Is it just like creating different bodies of work where

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Speaker 4: you can say I did that thing, now I'm doing

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Speaker 4: this thing.

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Speaker 1: Like is that a clear question?

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Speaker 4: Yeah?

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Speaker 1: Yeah, totally.

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Speaker 5: I mean, I think, at least in terms of like

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Speaker 5: writing my own music, I try to like lead first

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Speaker 5: and foremost from just like where I'm at, like as

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Speaker 5: a person, and like let that be the guide as

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Speaker 5: opposed to going in and being like I'd really like

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Speaker 5: to do like Americana sound now or like then my

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00:18:01,160 --> 00:18:02,920
Speaker 5: last album, like I'd really like to have a Peter

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Speaker 5: Gabriel moment. Like it's more like because it was the

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Speaker 5: pandemic and I was wanting, like I was feeling restless

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Speaker 5: like everybody and wanting an escape, like I was loving

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Speaker 5: writing songs that had like all that eighties electronic like

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Speaker 5: feeling to them, and then that's sort of how that

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Speaker 5: came to be. And in this case, you know, I've

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Speaker 5: been with no one now for a moment, and I

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Speaker 5: turned thirty and things are feeling a little more like

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Speaker 5: settled and comfortable in terms of like understanding myself and

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Speaker 5: like who I am. And so that felt a lot

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Speaker 5: more just organic to like a super plaintive, like unadorned

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Speaker 5: like sound that lives in this more Laurel Canyon, Paul

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Speaker 5: sim and James Taylory kind of world. And so saying

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Speaker 5: like best work, I think for me it's like I

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Speaker 5: I'll always like what's happening, Yeah, like now the best

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Speaker 5: because it's the one I like relate to the most

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Speaker 5: and like the thing that I feel like that I

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Speaker 5: can still identify with, Like I feel like sometimes I

399
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Speaker 5: listen to to other things I've done or watch other

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Speaker 5: you know, if I'm forced to other projects that I've done,

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Speaker 5: and then like I can have an appreciation for it,

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00:19:01,160 --> 00:19:02,920
Speaker 5: but I like, it's such a hard thing. I'm sure

403
00:19:02,920 --> 00:19:04,880
Speaker 5: you feel this way too. It's like you watch things

404
00:19:05,000 --> 00:19:07,080
Speaker 5: or hear things and you're like, I could have done

405
00:19:07,400 --> 00:19:09,800
Speaker 5: so much more, or now I have such a better perspective,

406
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Speaker 5: or I don't know what I was thinking, or like

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Speaker 5: that doesn't feel like me at all, And it doesn't

408
00:19:13,520 --> 00:19:15,840
Speaker 5: mean you don't love those things still, but I always

409
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Speaker 5: will feel like the most proud of like the thing

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Speaker 5: that I feel like paints me as I am right now.

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Speaker 5: So and also anytime anyone wants to say that something

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Speaker 5: is good that I isn't.

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Speaker 1: My performance for Evanhanson when I was twenty four years old.

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Speaker 5: Is like, yeah, such such a relief, because when that ended,

415
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Speaker 5: it was sort of like a was this my was this?

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Speaker 3: It?

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Speaker 1: Key? You know what I mean.

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Speaker 4: So I'm just so grateful that there's been more acts

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Speaker 4: at all.

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Speaker 3: I feel like you, for a while now I have

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Speaker 3: transcended the Evanhansen part of your life and career, which

422
00:19:45,280 --> 00:19:48,440
Speaker 3: is an incredible like it's an incredible benchmark in that

423
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Speaker 3: sort of timeline. But like I feel like, for a

424
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Speaker 3: while now you've really staked all these nice claims outside

425
00:19:54,880 --> 00:19:56,600
Speaker 3: of that in a way that like makes it all

426
00:19:56,640 --> 00:19:59,679
Speaker 3: co exist on the same plane. But like with this

427
00:19:59,680 --> 00:20:02,359
Speaker 3: album I really love, I feel like fear of missing

428
00:20:02,400 --> 00:20:04,919
Speaker 3: out is the thing that kind of like I'm happy

429
00:20:05,000 --> 00:20:09,280
Speaker 3: stones it for me, Like it's like it's plaintive throughout

430
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Speaker 3: the album. But I feel like this is a song

431
00:20:10,880 --> 00:20:14,600
Speaker 3: that represents like getting settled into something, getting settled into

432
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Speaker 3: this idea of like I don't need to be stimulated

433
00:20:17,680 --> 00:20:19,600
Speaker 3: by all of these things that are happening outside of

434
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Speaker 3: my world, Like I'm very eager to like decorate and

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00:20:26,000 --> 00:20:30,399
Speaker 3: adorn and have some knowledge around like my my little

436
00:20:30,400 --> 00:20:32,040
Speaker 3: corner of the world or whatever.

437
00:20:32,920 --> 00:20:36,600
Speaker 5: Yeah, I think definitely other than like ad Nauseum loves

438
00:20:36,600 --> 00:20:39,119
Speaker 5: songs to Noah, like the other main things that I

439
00:20:39,200 --> 00:20:42,800
Speaker 5: wanted to really express and like write about, it is

440
00:20:42,920 --> 00:20:46,920
Speaker 5: just this understanding of like following your internal compass, which

441
00:20:46,920 --> 00:20:48,439
Speaker 5: I feel like it is easier said than done, and

442
00:20:48,480 --> 00:20:50,639
Speaker 5: like particularly when with what we all do, and like

443
00:20:50,680 --> 00:20:53,800
Speaker 5: it's like very easy to want to like make the

444
00:20:53,880 --> 00:20:57,679
Speaker 5: right move creatively, professionally, whatever, personally that like it's the

445
00:20:57,720 --> 00:20:59,440
Speaker 5: movie you're supposed to make, or the thing that others

446
00:20:59,480 --> 00:21:01,760
Speaker 5: would like you to do, or what you know will

447
00:21:01,920 --> 00:21:05,520
Speaker 5: have the best external reaction, validation, et cetera. And like

448
00:21:06,440 --> 00:21:10,240
Speaker 5: being in this relationship and also just having other experiences

449
00:21:10,280 --> 00:21:12,240
Speaker 5: like making theater camp with my friends and with Noah,

450
00:21:12,320 --> 00:21:14,440
Speaker 5: Like I think she has really just like driven home

451
00:21:15,040 --> 00:21:17,760
Speaker 5: that like you know, we're all gonna tie, Like we

452
00:21:17,880 --> 00:21:22,080
Speaker 5: need to just be really trying to prioritize like the

453
00:21:22,119 --> 00:21:24,760
Speaker 5: things that make us wake up and like feel excited

454
00:21:24,800 --> 00:21:27,359
Speaker 5: and fulfilled and like want to do this in the

455
00:21:27,359 --> 00:21:30,520
Speaker 5: first place, because like, no matter how positive and wonderful

456
00:21:30,520 --> 00:21:33,440
Speaker 5: an experience is, like by virtue of what we all do,

457
00:21:33,480 --> 00:21:37,080
Speaker 5: like there's gonna be so much shittiness that is needed,

458
00:21:37,560 --> 00:21:39,240
Speaker 5: like you have to just get through to get to

459
00:21:39,280 --> 00:21:43,400
Speaker 5: the good part. And like critique and the internet and

460
00:21:43,960 --> 00:21:46,000
Speaker 5: just there's all this stuff that's like it's not going anywhere.

461
00:21:46,040 --> 00:21:48,720
Speaker 5: So like if the thing itself is not billing you up,

462
00:21:48,760 --> 00:21:52,040
Speaker 5: then like really, what's the point, and so I think, yeah,

463
00:21:52,119 --> 00:21:55,919
Speaker 5: just that sort of ability and like courage to settle

464
00:21:55,960 --> 00:21:58,639
Speaker 5: into that thanks to having this partner who makes me

465
00:21:58,680 --> 00:22:01,240
Speaker 5: feel like I can do that, I think is exactly

466
00:22:01,320 --> 00:22:03,679
Speaker 5: what I wanted to exert you.

467
00:22:04,080 --> 00:22:06,160
Speaker 4: Okay, So I wrote down a line from that song

468
00:22:06,200 --> 00:22:09,400
Speaker 4: which is, this is paraphrasing, but scared of disappointing people

469
00:22:09,480 --> 00:22:11,200
Speaker 4: I'll never see, and then I've got the fear of

470
00:22:11,280 --> 00:22:14,520
Speaker 4: missing out on me, Like do you think that the

471
00:22:14,760 --> 00:22:17,000
Speaker 4: that not that it was the answer to be in

472
00:22:17,040 --> 00:22:20,440
Speaker 4: a relationship, but that it really helped distract from all

473
00:22:20,480 --> 00:22:23,720
Speaker 4: the other shit, because like sometimes I feel.

474
00:22:23,400 --> 00:22:26,800
Speaker 1: Like, oh my god, I would die for one you

475
00:22:26,800 --> 00:22:28,200
Speaker 1: know what I mean like that?

476
00:22:28,560 --> 00:22:31,600
Speaker 4: And honestly, sometimes when I feel really overwhelmed with kind

477
00:22:31,640 --> 00:22:35,159
Speaker 4: of this idea of like what do people think? Like

478
00:22:35,200 --> 00:22:37,160
Speaker 4: what should I do? Like am I doing the right thing?

479
00:22:37,359 --> 00:22:40,760
Speaker 4: I literally I end up triggering myself and like missing

480
00:22:40,920 --> 00:22:44,000
Speaker 4: being in a relationship, like as if that's the answer,

481
00:22:44,880 --> 00:22:46,840
Speaker 4: And then you say these things like, well, Noah's made

482
00:22:46,840 --> 00:22:49,719
Speaker 4: everything beautiful and wonderful, so maybe it is the answer.

483
00:22:49,760 --> 00:22:52,680
Speaker 4: So should I just like should we just settle now?

484
00:22:52,800 --> 00:22:54,720
Speaker 4: Should we just like toss a line out? Put a

485
00:22:54,760 --> 00:22:58,399
Speaker 4: blindfold on and hope a good one bites. No, No,

486
00:22:59,000 --> 00:23:00,640
Speaker 4: it's two things.

487
00:23:00,160 --> 00:23:02,719
Speaker 5: It's it's it's obviously is very helpful, but also like

488
00:23:03,200 --> 00:23:07,280
Speaker 5: your girls in therapy working these things out on alone too,

489
00:23:07,800 --> 00:23:09,760
Speaker 5: But also, like I would think, the only thing worse

490
00:23:10,320 --> 00:23:12,560
Speaker 5: than trying to come to these conclusions on your own

491
00:23:12,560 --> 00:23:14,120
Speaker 5: would be doing it with someone that's not the right

492
00:23:14,119 --> 00:23:17,159
Speaker 5: person for you to be doing and just like leading

493
00:23:17,160 --> 00:23:19,719
Speaker 5: you astray, or like bullshitting you, or blowing smoke or

494
00:23:19,760 --> 00:23:22,639
Speaker 5: just like yes, manning you. I feel like that is

495
00:23:22,680 --> 00:23:26,520
Speaker 5: an even scarier like pratfall. So no, no, only if

496
00:23:26,560 --> 00:23:29,520
Speaker 5: it's like your person. Otherwise, like you are strong women

497
00:23:29,800 --> 00:23:31,040
Speaker 5: that can stand arow on two feet.

498
00:23:31,280 --> 00:23:36,360
Speaker 1: Yeah, we definitely are strong women. But it's hard times.

499
00:23:36,440 --> 00:23:39,000
Speaker 3: Sometimes a bitch gets brought down.

500
00:23:39,600 --> 00:23:41,200
Speaker 1: It's so true, you know.

501
00:23:41,400 --> 00:23:44,520
Speaker 4: I mean I remember, like when I was in a relationship,

502
00:23:44,560 --> 00:23:46,480
Speaker 4: like it was so easy to be like, well, fuck this,

503
00:23:46,560 --> 00:23:48,959
Speaker 4: I have a boyfriend, you know what I mean, Like

504
00:23:49,119 --> 00:23:50,920
Speaker 4: you storm away and go I don't need this, because

505
00:23:50,920 --> 00:23:52,320
Speaker 4: I remember I got into a fight with one of

506
00:23:52,359 --> 00:23:56,840
Speaker 4: our friends and like I remember saying, like you know what,

507
00:23:57,400 --> 00:24:00,679
Speaker 4: I'm gonna call my boyfriend and then like fell apart.

508
00:24:00,720 --> 00:24:04,520
Speaker 4: In such an insane way, and so I was just like, well.

509
00:24:04,400 --> 00:24:06,760
Speaker 1: No, I can't. That was not a healthy thing to

510
00:24:06,800 --> 00:24:08,360
Speaker 1: rely on because it was external.

511
00:24:08,720 --> 00:24:11,440
Speaker 4: I guess that is the reason why your girls have

512
00:24:11,480 --> 00:24:14,600
Speaker 4: to be in therapy, because nothing helps like therapy.

513
00:24:14,720 --> 00:24:15,840
Speaker 1: Nothing. I'm obsessed.

514
00:24:16,720 --> 00:24:20,000
Speaker 5: Of course, that's why people say such nice things about

515
00:24:20,000 --> 00:24:21,520
Speaker 5: it's like actually true, totally.

516
00:24:22,320 --> 00:24:25,280
Speaker 4: I'm doing the EMDR and I said I was doing

517
00:24:25,280 --> 00:24:27,280
Speaker 4: the EMDR and Boone called it controversial.

518
00:24:28,000 --> 00:24:32,639
Speaker 1: No, dr. You hold the little things. It's like you

519
00:24:32,680 --> 00:24:35,520
Speaker 1: hold two little pods and they vibrate and.

520
00:24:35,440 --> 00:24:38,280
Speaker 4: Then basically like you close your eyes and a sort

521
00:24:38,280 --> 00:24:41,399
Speaker 4: of stream of conscious like speak on whatever topic it

522
00:24:41,480 --> 00:24:43,399
Speaker 4: is your therapist is talking about, and she sort of

523
00:24:43,440 --> 00:24:46,760
Speaker 4: guides you through these different emotions and you kind of

524
00:24:46,800 --> 00:24:49,720
Speaker 4: just don't stop yourself. And like you find every single

525
00:24:49,760 --> 00:24:52,119
Speaker 4: time I've gone to therapy, it's like it's sort of

526
00:24:52,119 --> 00:24:54,280
Speaker 4: like trauma stuff. But that's it doesn't mean it has

527
00:24:54,280 --> 00:24:54,520
Speaker 4: to be like.

528
00:24:54,760 --> 00:24:57,520
Speaker 1: But it's not clear on what you're holding. So basically

529
00:24:57,560 --> 00:25:02,320
Speaker 1: you're holding two like little tiny pods and they vibrate rotationally,

530
00:25:02,400 --> 00:25:05,440
Speaker 1: So it's like based on.

531
00:25:07,200 --> 00:25:09,720
Speaker 4: It's just to make your brain work a little faster,

532
00:25:09,880 --> 00:25:11,600
Speaker 4: you know, I think it's kind of like it's kind

533
00:25:11,600 --> 00:25:12,639
Speaker 4: of like fooling.

534
00:25:12,280 --> 00:25:15,280
Speaker 1: You into like making your brain like move a little quickly.

535
00:25:15,359 --> 00:25:18,119
Speaker 3: It's making your brain play at one.

536
00:25:27,560 --> 00:25:30,440
Speaker 1: Is Noah here, yeah he is. No come on, we're

537
00:25:30,480 --> 00:25:36,480
Speaker 1: talking about therapy. Come now. Oh my god, he flashed us.

538
00:25:36,800 --> 00:25:41,760
Speaker 1: He flashed us. I love I'm really loving the blonde hair.

539
00:25:42,119 --> 00:25:44,679
Speaker 1: It's really that was what I said too. I think

540
00:25:44,680 --> 00:25:49,360
Speaker 1: it's time to like reclaim sort of them blonde. Yeah.

541
00:25:49,560 --> 00:25:51,760
Speaker 1: You know, my thing is like people that are like, oh,

542
00:25:51,760 --> 00:25:53,240
Speaker 1: he's in crisis. It's like an.

543
00:25:53,160 --> 00:25:55,719
Speaker 4: Easy, stupid thing to say. And also I guarantee you

544
00:25:55,800 --> 00:25:58,040
Speaker 4: if I was in crisis, I would not roll the

545
00:25:58,119 --> 00:26:01,159
Speaker 4: dice on my hair. I'm a gig, like, I have

546
00:26:01,200 --> 00:26:03,560
Speaker 4: so much of my self worth is on top of

547
00:26:03,600 --> 00:26:06,760
Speaker 4: my head. I wouldn't roll the dice on. I wouldn't.

548
00:26:07,080 --> 00:26:11,879
Speaker 1: I understand they were explaining, we're talking about therapy.

549
00:26:12,840 --> 00:26:15,440
Speaker 4: Oh, my therapist told me about this recently.

550
00:26:15,560 --> 00:26:18,880
Speaker 5: What is that you hold in your hand and they

551
00:26:19,200 --> 00:26:23,240
Speaker 5: and they buzz rotationally, They sort of buzz back and forth.

552
00:26:23,320 --> 00:26:25,760
Speaker 4: It's supposed to like make your brain move quicker so

553
00:26:25,800 --> 00:26:28,000
Speaker 4: that you like stream a consciousness arrive at things that

554
00:26:28,040 --> 00:26:30,919
Speaker 4: you may not and it's like you it's like you

555
00:26:30,920 --> 00:26:32,840
Speaker 4: talk about traumatic memories while it happened.

556
00:26:33,280 --> 00:26:36,320
Speaker 5: It's like the like hearing test when you were younger,

557
00:26:36,400 --> 00:26:37,600
Speaker 5: but like for emotions.

558
00:26:37,800 --> 00:26:40,399
Speaker 4: Can I say I miss just doing like going to

559
00:26:40,440 --> 00:26:43,919
Speaker 4: the nurse and hearing test test and when.

560
00:26:43,840 --> 00:26:46,000
Speaker 5: Everything was just sort of like raise your hand when

561
00:26:46,040 --> 00:26:46,960
Speaker 5: you hear a beat that.

562
00:26:48,440 --> 00:26:49,400
Speaker 1: Those were the steaks.

563
00:26:52,359 --> 00:26:56,119
Speaker 3: I love you, I love you, I love you, love you, Noah,

564
00:26:57,000 --> 00:26:59,320
Speaker 3: we love you. The most stressful part of the year

565
00:26:59,480 --> 00:27:01,040
Speaker 3: was the residential fitness tests.

566
00:27:02,280 --> 00:27:06,200
Speaker 1: Oh my god, the mile. The mile.

567
00:27:06,359 --> 00:27:09,560
Speaker 5: We ran the mile by running three cycles around the

568
00:27:09,560 --> 00:27:10,479
Speaker 5: block of our school.

569
00:27:11,240 --> 00:27:13,760
Speaker 4: Oh, that's how they measured it. We had the track

570
00:27:14,320 --> 00:27:16,240
Speaker 4: see see the presidential That was.

571
00:27:16,200 --> 00:27:18,920
Speaker 1: Something I really placed a lot of value in because

572
00:27:18,960 --> 00:27:21,440
Speaker 1: I happened to be good at it, because I couldn't

573
00:27:21,480 --> 00:27:25,160
Speaker 1: like an love George W.

574
00:27:25,240 --> 00:27:28,520
Speaker 4: Bush, I mean one of the great girls. You know

575
00:27:28,560 --> 00:27:31,000
Speaker 4: what's hard for me to sit and reach. That's what

576
00:27:31,000 --> 00:27:33,840
Speaker 4: I'm talking about. You sit and you're supposed to touch

577
00:27:33,880 --> 00:27:37,560
Speaker 4: your toes. To touch your toes, Yeah, that I do.

578
00:27:37,720 --> 00:27:39,520
Speaker 1: I feel that you are flexible. You sort of give

579
00:27:39,560 --> 00:27:40,399
Speaker 1: flexible energy.

580
00:27:41,080 --> 00:27:43,760
Speaker 5: I mean enough to like stretch out for singing. I'm

581
00:27:43,800 --> 00:27:45,640
Speaker 5: not like a Donza. No one is like a Donza.

582
00:27:46,200 --> 00:27:49,239
Speaker 1: Stretch out for singing. Yeah, you got to get your

583
00:27:49,280 --> 00:27:51,480
Speaker 1: whole body. Well that's the title of app.

584
00:27:51,560 --> 00:27:56,160
Speaker 4: Unfortunately, stretch stretch out for singing, that's the title of app.

585
00:27:56,520 --> 00:27:59,560
Speaker 1: You don't like it, It's okay, that's all right, it's fine,

586
00:27:59,600 --> 00:28:02,359
Speaker 1: it's okay. He thinks.

587
00:28:02,359 --> 00:28:04,239
Speaker 4: Because he said one of the rules in tandem with us,

588
00:28:04,240 --> 00:28:05,880
Speaker 4: he can sort of like dictate the title.

589
00:28:05,920 --> 00:28:07,600
Speaker 1: I thought it was going to be ghost Whisper, but

590
00:28:07,640 --> 00:28:12,359
Speaker 1: I like, I like, oh I whisper. Let's make it

591
00:28:12,359 --> 00:28:15,119
Speaker 1: about Casey. Yeah, yeah, yeah, sure, sure, we'll make it

592
00:28:15,119 --> 00:28:16,280
Speaker 1: about Casey. We could do that.

593
00:28:16,640 --> 00:28:19,520
Speaker 3: Wait, I have a kind of a scary question, and

594
00:28:19,560 --> 00:28:20,680
Speaker 3: you don't ask a scary question.

595
00:28:20,840 --> 00:28:22,159
Speaker 1: Okay, But when we were when.

596
00:28:22,000 --> 00:28:25,320
Speaker 3: We were talking about like regarding your past selves or

597
00:28:25,400 --> 00:28:29,760
Speaker 3: your work, like I imagine that is going to come

598
00:28:29,880 --> 00:28:32,600
Speaker 3: up when you finish merrily, you know what I mean,

599
00:28:32,640 --> 00:28:35,520
Speaker 3: Like you're gonna watch yourself back and be like, oh

600
00:28:35,600 --> 00:28:36,800
Speaker 3: my god, who wow.

601
00:28:37,920 --> 00:28:40,880
Speaker 5: If we're all alive and the world is intact, and

602
00:28:41,000 --> 00:28:43,960
Speaker 5: like film still exists and people go watch film, which

603
00:28:44,120 --> 00:28:46,600
Speaker 5: all of which we don't know. This is sixteen years

604
00:28:46,600 --> 00:28:49,880
Speaker 5: in the future. So like fully don't know, I think.

605
00:28:50,120 --> 00:28:51,600
Speaker 5: I mean, I think it's just going to be such

606
00:28:52,360 --> 00:28:55,400
Speaker 5: an emotional like scrap book that I won't care, Like

607
00:28:55,520 --> 00:28:57,720
Speaker 5: I think right, because it's like Beanie is in it

608
00:28:57,760 --> 00:28:59,960
Speaker 5: with me and she's like my lifelong friend.

609
00:29:00,000 --> 00:29:02,800
Speaker 1: And then it's like Sondheime, which is you.

610
00:29:02,760 --> 00:29:05,560
Speaker 5: Knowless and the Angel of the World, and like, I

611
00:29:05,640 --> 00:29:09,479
Speaker 5: just think I feel so unbelievably happy that it exists,

612
00:29:09,520 --> 00:29:12,400
Speaker 5: and I would be so overjoyed if we literally made

613
00:29:12,400 --> 00:29:14,760
Speaker 5: it to the finish line. Then I think I would

614
00:29:14,880 --> 00:29:16,880
Speaker 5: be thrilled to watch it, and especially with my God

615
00:29:16,920 --> 00:29:20,920
Speaker 5: willing like maybe children at that point, like giving them

616
00:29:20,920 --> 00:29:24,240
Speaker 5: a little kind of retrospective of oh my god, where

617
00:29:24,280 --> 00:29:26,600
Speaker 5: we're at. And also right now, like we're gays, Like

618
00:29:26,640 --> 00:29:28,840
Speaker 5: I look in the mirror and I'm like my tummy this,

619
00:29:29,040 --> 00:29:31,719
Speaker 5: and my cheeks that and my whatever. But I'm so

620
00:29:31,760 --> 00:29:33,360
Speaker 5: excited for, like in sixteen years to look at the

621
00:29:33,440 --> 00:29:34,200
Speaker 5: early scenes and be.

622
00:29:34,160 --> 00:29:37,120
Speaker 1: Like, God, look how fucking young and cor Oh my god.

623
00:29:37,960 --> 00:29:39,800
Speaker 4: That's the thing too, is it's like when you look

624
00:29:39,840 --> 00:29:42,320
Speaker 4: back and you're like, why was I insecure? It's like

625
00:29:42,360 --> 00:29:44,480
Speaker 4: you wish you could tell yourself even from three years

626
00:29:44,480 --> 00:29:47,560
Speaker 4: from now, it's just it's good now. The thing that

627
00:29:47,560 --> 00:29:50,640
Speaker 4: I'm fixated now lately is my fucking neck. And like

628
00:29:50,720 --> 00:29:54,120
Speaker 4: when I like, it's it's ridiculous. It is ridiculous. What's

629
00:29:54,120 --> 00:29:57,840
Speaker 4: wrong with your long, statuesque neck? You guys?

630
00:29:57,880 --> 00:29:58,280
Speaker 1: Nothing?

631
00:29:58,720 --> 00:30:00,720
Speaker 4: But I feel like, you know what what happened to

632
00:30:00,800 --> 00:30:04,720
Speaker 4: me was I was in a video with bad lighting

633
00:30:04,960 --> 00:30:06,840
Speaker 4: that did very well, and because it was like a

634
00:30:06,880 --> 00:30:08,080
Speaker 4: funny video, like I have.

635
00:30:08,080 --> 00:30:11,160
Speaker 1: Bad lighting but did very well. No, no, no, okay.

636
00:30:11,200 --> 00:30:13,120
Speaker 4: So I guess hosted Love It or Leave It last

637
00:30:13,120 --> 00:30:15,000
Speaker 4: week and it was the live show, and a clip

638
00:30:15,000 --> 00:30:16,719
Speaker 4: from the live show, I told a story about how

639
00:30:16,760 --> 00:30:18,560
Speaker 4: on nine to eleven I made my mom take me

640
00:30:18,600 --> 00:30:21,600
Speaker 4: to go get the Mariah Carey album Glitter, like I

641
00:30:21,640 --> 00:30:24,719
Speaker 4: threw a tantrum and it was nine to eleven so like,

642
00:30:25,000 --> 00:30:28,920
Speaker 4: and it was a funny story, I swear, but I

643
00:30:29,000 --> 00:30:31,360
Speaker 4: was like, I was in this really bad lighting and

644
00:30:31,440 --> 00:30:33,080
Speaker 4: like it didn't look great and then it had me

645
00:30:33,120 --> 00:30:35,160
Speaker 4: second guessing my hair. It was just like and I

646
00:30:35,200 --> 00:30:37,120
Speaker 4: was just like, you know what, this is not a

647
00:30:37,200 --> 00:30:40,280
Speaker 4: video for me to watch, Like it's I'm never gonna

648
00:30:40,280 --> 00:30:43,600
Speaker 4: get permanence on this. Like it's like when you're talking

649
00:30:43,600 --> 00:30:46,360
Speaker 4: about watching your old work and like or watching new

650
00:30:46,400 --> 00:30:48,760
Speaker 4: work and then like what it does, Like my thing

651
00:30:48,880 --> 00:30:52,000
Speaker 4: is I always appreciate it much later because in the moment,

652
00:30:52,120 --> 00:30:55,040
Speaker 4: I'm always so critical of like the way I look,

653
00:30:55,160 --> 00:30:57,760
Speaker 4: or like what I've done, like when I like we

654
00:30:57,880 --> 00:31:00,320
Speaker 4: talk about this, like when I first saw Firearm Island,

655
00:31:00,360 --> 00:31:05,080
Speaker 4: I had a breakdown like it, and we've all experienced that.

656
00:31:05,120 --> 00:31:07,720
Speaker 1: B When talks about it as well, like it's hard

657
00:31:07,760 --> 00:31:11,560
Speaker 1: to engage with yourself when you're already in a community

658
00:31:11,560 --> 00:31:13,760
Speaker 1: that's so hard on itself. It's unnatural.

659
00:31:13,760 --> 00:31:16,520
Speaker 5: I mean it's it's like it's the Internet alone of

660
00:31:16,560 --> 00:31:18,440
Speaker 5: like looking at images of yourself all day is like

661
00:31:18,520 --> 00:31:21,520
Speaker 5: ruining everyone's mental health and self esteem. And then on

662
00:31:21,560 --> 00:31:23,560
Speaker 5: top of that, for your livelihood to depend on something

663
00:31:23,600 --> 00:31:25,680
Speaker 5: where once again you're confronted with your image all the time.

664
00:31:25,720 --> 00:31:28,800
Speaker 1: It's like it's no wonder we're also fucked up. We're

665
00:31:28,840 --> 00:31:34,520
Speaker 1: also fucked off. Squeezing things that buzz.

666
00:31:35,080 --> 00:31:37,320
Speaker 3: I will say of the m d R stuff, like

667
00:31:37,560 --> 00:31:42,280
Speaker 3: I pointed it out as controversial because of based on

668
00:31:42,360 --> 00:31:47,040
Speaker 3: what I had read just textually and then anecdotally, people

669
00:31:47,080 --> 00:31:49,440
Speaker 3: were telling me like I forget, like people at work

670
00:31:49,440 --> 00:31:51,560
Speaker 3: were like, oh no, it's actually like it's actually been

671
00:31:51,640 --> 00:31:54,400
Speaker 3: very helpful, and I, ah, that's all I care about.

672
00:31:54,480 --> 00:31:56,719
Speaker 1: Well, I did tell my therapist that you said it

673
00:31:56,760 --> 00:31:59,440
Speaker 1: was controversial. Why did he say that?

674
00:31:59,760 --> 00:32:01,080
Speaker 4: And I was like, I don't know. I think he

675
00:32:01,120 --> 00:32:04,000
Speaker 4: thought it was genuinely controversial. She goes, Okay, well it

676
00:32:04,080 --> 00:32:06,440
Speaker 4: is like just so you know, it's not controversial. It's

677
00:32:06,480 --> 00:32:08,640
Speaker 4: like a research thing, et cetera. And I was like,

678
00:32:08,680 --> 00:32:10,560
Speaker 4: I feel good about what we're doing. And then she

679
00:32:10,640 --> 00:32:13,280
Speaker 4: gave me the pods and they began to buzz. It's

680
00:32:13,320 --> 00:32:14,640
Speaker 4: just to say we've touched on it now, I would

681
00:32:14,640 --> 00:32:16,720
Speaker 4: say four times. Still have no idea what this is.

682
00:32:17,760 --> 00:32:18,600
Speaker 4: Look it up, bitch.

683
00:32:18,880 --> 00:32:21,840
Speaker 3: Matt is like putting his dukes up and he's saying,

684
00:32:21,880 --> 00:32:22,840
Speaker 3: those are pot.

685
00:32:23,200 --> 00:32:26,360
Speaker 5: I'm imagining like stress ball squeezers, but they vibrate.

686
00:32:27,760 --> 00:32:30,440
Speaker 4: I have yet to correctly describe what it is, and

687
00:32:30,480 --> 00:32:33,360
Speaker 4: I'm realizing when I try, it's because I don't think

688
00:32:33,400 --> 00:32:35,400
Speaker 4: I really know. I think it's kind of just like

689
00:32:35,440 --> 00:32:37,480
Speaker 4: everything in my life where someone just said do you

690
00:32:37,520 --> 00:32:41,960
Speaker 4: want to try this, and I'm like, yeah, great, I

691
00:32:42,000 --> 00:32:42,880
Speaker 4: want to try it all.

692
00:32:43,560 --> 00:32:49,960
Speaker 5: H yeah, Yolo, are you a trier? Am I a trier. No,

693
00:32:50,040 --> 00:32:53,880
Speaker 5: I'm afraid of everything. But Noah is a really amazing trier.

694
00:32:53,960 --> 00:32:54,720
Speaker 5: So it evens out.

695
00:32:55,000 --> 00:32:57,280
Speaker 1: Good for you guys to be married. Then, yeah, take

696
00:32:57,360 --> 00:33:00,320
Speaker 1: each other, probably balance each other out a bit, right.

697
00:33:01,000 --> 00:33:03,280
Speaker 3: I know the invite list has to be big. You

698
00:33:03,480 --> 00:33:06,920
Speaker 3: guys have big families, but we were getting right in there.

699
00:33:07,120 --> 00:33:07,640
Speaker 1: Interesting.

700
00:33:07,880 --> 00:33:09,400
Speaker 3: We don't have to be on the list, but we

701
00:33:09,440 --> 00:33:11,720
Speaker 3: can be present in a way.

702
00:33:12,080 --> 00:33:12,680
Speaker 1: What would you guys?

703
00:33:12,840 --> 00:33:15,239
Speaker 4: I can share one seat if I were to hire you,

704
00:33:15,280 --> 00:33:17,080
Speaker 4: like as vendors, Like what is the service that you

705
00:33:17,080 --> 00:33:23,400
Speaker 4: would offer? I think we would like write poety no

706
00:33:23,520 --> 00:33:24,920
Speaker 4: you know you know what we could do at the

707
00:33:24,960 --> 00:33:28,240
Speaker 4: pot Galvin wedding. We could be like party motivators like

708
00:33:28,280 --> 00:33:30,800
Speaker 4: at bar and bot mitzvahs and stuff like like just

709
00:33:30,840 --> 00:33:32,440
Speaker 4: go up to the tables and be like, come on,

710
00:33:32,720 --> 00:33:35,640
Speaker 4: Mama June. You want to know there's something in this world.

711
00:33:35,720 --> 00:33:39,880
Speaker 4: There's someone there named Mama June. Motors I like style

712
00:33:40,440 --> 00:33:41,080
Speaker 4: at our wedding.

713
00:33:41,760 --> 00:33:42,280
Speaker 1: Oh my gosh.

714
00:33:42,320 --> 00:33:45,240
Speaker 4: So basically Ben is looking at Noah off camera and

715
00:33:45,280 --> 00:33:48,000
Speaker 4: I'm imagining that like it's like they heard us be

716
00:33:48,040 --> 00:33:48,840
Speaker 4: I'm like, so what can we do?

717
00:33:48,840 --> 00:33:53,280
Speaker 1: What can we be invited? And Noah's off camera like no, no,

718
00:33:53,520 --> 00:33:57,760
Speaker 1: we are capped. We no, no, then do not no.

719
00:33:57,840 --> 00:33:59,560
Speaker 5: He's on camera being like ask the most he will

720
00:33:59,600 --> 00:34:01,760
Speaker 5: be dance. But party motivators is good.

721
00:34:01,800 --> 00:34:04,240
Speaker 1: We'll dance, We'll do it all. We'll stretch to saying

722
00:34:04,320 --> 00:34:07,640
Speaker 1: we'll stretch to dance party Motivators.

723
00:34:07,720 --> 00:34:09,920
Speaker 4: There was a moment I was at a party ones

724
00:34:10,040 --> 00:34:13,080
Speaker 4: I think it was a sweet sixteen or something where

725
00:34:13,120 --> 00:34:16,759
Speaker 4: there was a party motivator and the girl. It was

726
00:34:16,800 --> 00:34:20,239
Speaker 4: mortifying to be like a thirteen year old like gay preteen,

727
00:34:20,400 --> 00:34:23,320
Speaker 4: like gangly, like going through it like in terms of

728
00:34:23,360 --> 00:34:27,360
Speaker 4: the girl spurt and have this like confident twenty something

729
00:34:27,800 --> 00:34:31,520
Speaker 4: gorgeous sort of run over to you, like shaking her

730
00:34:31,719 --> 00:34:32,879
Speaker 4: like shoulders like this and.

731
00:34:32,800 --> 00:34:35,719
Speaker 1: Being like come on, mats, you get up, this is

732
00:34:35,719 --> 00:34:37,640
Speaker 1: a party, come.

733
00:34:37,520 --> 00:34:42,560
Speaker 4: On boo, and like making me move my horrible limbs

734
00:34:43,000 --> 00:34:44,680
Speaker 4: like wait, she sounds like.

735
00:34:46,120 --> 00:34:46,279
Speaker 1: No.

736
00:34:46,360 --> 00:34:49,319
Speaker 4: Honestly, she was sorry because I could say I knew

737
00:34:49,400 --> 00:34:51,400
Speaker 4: she was me, I knew she was a confident me.

738
00:34:51,760 --> 00:34:53,560
Speaker 1: Yeah, you saw yourself reflected.

739
00:34:54,719 --> 00:34:57,920
Speaker 4: It was just I couldn't imagine being confident enough to

740
00:34:58,200 --> 00:35:02,759
Speaker 4: dance over to strangers like let's go, But now I can.

741
00:35:03,160 --> 00:35:05,080
Speaker 5: Yeah, That's the way that I would like Peacock at

742
00:35:05,080 --> 00:35:07,480
Speaker 5: Barnastas because I was like the only usually self with

743
00:35:07,600 --> 00:35:09,919
Speaker 5: that gay kid, or maybe there was like one other one,

744
00:35:09,960 --> 00:35:11,560
Speaker 5: but it would be like me and the girls going

745
00:35:11,560 --> 00:35:14,640
Speaker 5: absolutely off and the guys just sitting at the.

746
00:35:14,560 --> 00:35:16,360
Speaker 1: Table and they're like sneakers and suits.

747
00:35:16,600 --> 00:35:18,319
Speaker 5: And also if there's a boy dancer, if you're going

748
00:35:18,400 --> 00:35:20,200
Speaker 5: to actually do this, you have to wear a too

749
00:35:20,280 --> 00:35:21,800
Speaker 5: tight for you black T shirt.

750
00:35:22,680 --> 00:35:23,080
Speaker 1: Problem.

751
00:35:23,239 --> 00:35:28,239
Speaker 4: Oh yeah, problem, Okay, last coach has we've become the

752
00:35:28,239 --> 00:35:31,920
Speaker 4: poser children for sex. We're taking a turn towards fitness.

753
00:35:31,960 --> 00:35:36,520
Speaker 4: Bowen is showing his butt in a movie and yeah.

754
00:35:36,480 --> 00:35:41,879
Speaker 1: Yeah, nothing's so shot. That's what I call it.

755
00:35:41,960 --> 00:35:44,439
Speaker 4: Because Rosie O'Donnell used to whenever she'd have a male

756
00:35:44,520 --> 00:35:46,920
Speaker 4: guest on her show back in the day, right before

757
00:35:46,960 --> 00:35:47,800
Speaker 4: the interview would.

758
00:35:47,680 --> 00:35:49,880
Speaker 1: End, she would go any heiney shots.

759
00:35:51,840 --> 00:35:54,360
Speaker 4: I remember years ago, like watching Rossi o' donald, I

760
00:35:54,360 --> 00:35:57,120
Speaker 4: would quote unquote get sick at school, like I would

761
00:35:57,120 --> 00:35:59,680
Speaker 4: fake it a lot like that' so I could come

762
00:35:59,680 --> 00:36:03,759
Speaker 4: home and Shrosi o'donald sometimes and she remember good, she's

763
00:36:03,880 --> 00:36:07,000
Speaker 4: so good. She had she had a marky Mark Wahlberg

764
00:36:07,120 --> 00:36:09,200
Speaker 4: not Marky Mark on her show one time, and this

765
00:36:09,360 --> 00:36:11,840
Speaker 4: was like, you know, he was market marking and he

766
00:36:11,960 --> 00:36:14,399
Speaker 4: was so hot, and she was still doing her thing

767
00:36:14,400 --> 00:36:16,520
Speaker 4: of like I'm flirting with these guys on my show.

768
00:36:16,880 --> 00:36:23,640
Speaker 1: So she was like, and he goes a little.

769
00:36:22,320 --> 00:36:27,320
Speaker 5: And then you came instantaneously, Yeah.

770
00:36:26,920 --> 00:36:29,600
Speaker 1: So hot. To think about it, not anymore sadly, but

771
00:36:29,640 --> 00:36:30,080
Speaker 1: he was.

772
00:36:31,600 --> 00:36:35,240
Speaker 4: Yeah, I mean other things getting the way with that.

773
00:36:35,680 --> 00:36:38,319
Speaker 4: It's too much to unsee, but you know, totally we

774
00:36:38,360 --> 00:36:38,879
Speaker 4: had our time.

775
00:36:40,040 --> 00:36:43,319
Speaker 1: Yeah. Did you guys see Dennis Quaid's big announcement.

776
00:36:43,680 --> 00:36:45,520
Speaker 4: He's come out and said that he's gonna vote for

777
00:36:45,600 --> 00:36:49,600
Speaker 4: Trump and the quote, the quote was this, a lot.

778
00:36:49,440 --> 00:36:52,239
Speaker 1: Of people say he's an asshole, but he's my asshole.

779
00:36:52,920 --> 00:36:57,960
Speaker 1: Come on, he's my asshole. Was what the man said.

780
00:36:58,480 --> 00:37:02,759
Speaker 3: No, your ass hole is on your person. That's not

781
00:37:03,040 --> 00:37:05,839
Speaker 3: He's not your asshole. You've had one all along. It's

782
00:37:05,880 --> 00:37:09,239
Speaker 3: the Ruby slippers. It's like, no, it's been with you.

783
00:37:09,920 --> 00:37:12,200
Speaker 1: Just one of the most colossal flops.

784
00:37:12,480 --> 00:37:14,640
Speaker 5: I will just take the image of him with the

785
00:37:14,640 --> 00:37:17,080
Speaker 5: open chest hair, with Meredith Blake and the parent trap

786
00:37:17,120 --> 00:37:19,400
Speaker 5: and leave the rest, you.

787
00:37:19,960 --> 00:37:20,399
Speaker 1: Know what I mean.

788
00:37:20,440 --> 00:37:23,279
Speaker 4: It's like Harry Potter, like if Dennis Quaid as a

789
00:37:23,360 --> 00:37:25,560
Speaker 4: child meant something to you when he opened up his

790
00:37:25,560 --> 00:37:27,600
Speaker 4: shirt a little bit and like showed that chest hair

791
00:37:28,400 --> 00:37:29,680
Speaker 4: engaged to Meredith Blake.

792
00:37:31,440 --> 00:37:32,920
Speaker 1: Don't let it ruin it for you, you know what

793
00:37:32,920 --> 00:37:36,080
Speaker 1: I mean. Don't don't let what's happened for you. It's

794
00:37:36,120 --> 00:37:39,160
Speaker 1: like that and Hermione and then they can both go away.

795
00:37:39,560 --> 00:37:47,880
Speaker 3: Yeah, exactly, exactly exactly, Harry Potter, what are our thoughts?

796
00:37:50,960 --> 00:37:53,680
Speaker 1: Well, Daniels and Merrily? Wait did you see the Merrily?

797
00:37:53,760 --> 00:37:55,879
Speaker 1: Did you go for research? By the way, for people that.

798
00:37:55,880 --> 00:37:59,520
Speaker 4: Don't know, like Ben and Beanie are shooting with Richard

799
00:37:59,560 --> 00:38:03,240
Speaker 4: linklate of Boyhood fame, like every year they're doing Merrily

800
00:38:03,280 --> 00:38:05,239
Speaker 4: the right way, which is every year they're shooting like

801
00:38:05,440 --> 00:38:08,000
Speaker 4: a chapter of this story and it's going to come

802
00:38:08,000 --> 00:38:10,120
Speaker 4: out in like sixteen years, so whatever the fuck it is,

803
00:38:10,160 --> 00:38:12,400
Speaker 4: like when it's all done so over the he's doing

804
00:38:12,440 --> 00:38:15,680
Speaker 4: what he did with Boyhood with Merrily, And that's what

805
00:38:15,760 --> 00:38:18,400
Speaker 4: we're talking about when we're talking about like the watching

806
00:38:18,440 --> 00:38:19,919
Speaker 4: in many years and looking back.

807
00:38:20,000 --> 00:38:23,399
Speaker 1: So did you go to see me? Of course? Oh,

808
00:38:23,440 --> 00:38:27,840
Speaker 1: Paul Mescal, Yeah, he's frank. Wow, you really nailed the casting.

809
00:38:28,120 --> 00:38:28,880
Speaker 1: I mean, come on.

810
00:38:29,280 --> 00:38:31,000
Speaker 4: Yeah, I saw it off Broaday and on Broadway.

811
00:38:31,040 --> 00:38:32,920
Speaker 1: I thought it was wonderful. I loved it. The three

812
00:38:32,960 --> 00:38:35,640
Speaker 1: of them are so impeccably passed together.

813
00:38:35,680 --> 00:38:38,880
Speaker 5: They just really give and gel and they bring different

814
00:38:38,960 --> 00:38:42,520
Speaker 5: energies and you really believe their sweet love and then

815
00:38:42,520 --> 00:38:43,000
Speaker 5: it makes.

816
00:38:42,800 --> 00:38:44,000
Speaker 1: It sad when it goes away.

817
00:38:44,040 --> 00:38:46,759
Speaker 5: And I thought it was as again, like you were saying,

818
00:38:46,760 --> 00:38:49,120
Speaker 5: it's like, I think, if we can make it, the

819
00:38:49,200 --> 00:38:51,000
Speaker 5: ultimate way to do it is actually really to watch

820
00:38:51,040 --> 00:38:53,719
Speaker 5: that d aging process happen. But as far as like

821
00:38:53,760 --> 00:38:55,680
Speaker 5: making it work on stage and playing up and then

822
00:38:55,719 --> 00:38:58,200
Speaker 5: playing down, it's like it's the best version I could imagine.

823
00:38:58,200 --> 00:39:03,799
Speaker 1: Really, Right, that's gonna be so emotional, right, that's gonna

824
00:39:03,840 --> 00:39:07,400
Speaker 1: be a lot of tears. Yeah, let's watching yourself the

825
00:39:07,600 --> 00:39:10,440
Speaker 1: age Like, no, don't.

826
00:39:10,480 --> 00:39:12,319
Speaker 5: But I'll be watching it from like in like with

827
00:39:12,440 --> 00:39:14,799
Speaker 5: Google glasses on my own deck, you know what I mean.

828
00:39:15,080 --> 00:39:20,960
Speaker 5: Can drive it in my in my like scoop a

829
00:39:21,040 --> 00:39:22,560
Speaker 5: suit to be outside in the environment.

830
00:39:22,680 --> 00:39:27,399
Speaker 1: It'll be great. Well, how do we save cinema? That's

831
00:39:27,440 --> 00:39:28,040
Speaker 1: a good question.

832
00:39:29,200 --> 00:39:34,440
Speaker 4: I think probably we try Batgirl again. Yeah, yeah, I

833
00:39:34,480 --> 00:39:38,359
Speaker 4: think more more sequels, I think, yeah, yeah, yeaheah, I

834
00:39:38,400 --> 00:39:41,240
Speaker 4: have to say, like with Furiosa like quote unquote flopping

835
00:39:41,680 --> 00:39:45,000
Speaker 4: like Bowen and I fucking loved mad Max Ferry Road.

836
00:39:45,320 --> 00:39:47,840
Speaker 4: But I think I think the reason why I didn't

837
00:39:47,840 --> 00:39:50,319
Speaker 4: go see Furiosa and like didn't have like top of

838
00:39:50,360 --> 00:39:53,560
Speaker 4: mind plans to see Furiosa is because I do feel

839
00:39:53,560 --> 00:39:55,840
Speaker 4: like when I see the preview for that movie, I

840
00:39:55,880 --> 00:39:58,359
Speaker 4: do feel like I've seen that movie all right, you.

841
00:39:58,280 --> 00:39:58,799
Speaker 1: Know what I mean.

842
00:39:58,840 --> 00:40:01,920
Speaker 4: Like people are all well throwing out their theories about

843
00:40:01,920 --> 00:40:04,759
Speaker 4: like why the box office is flopping, and everyone has

844
00:40:04,800 --> 00:40:06,719
Speaker 4: like their ideas about why it's not been a great year,

845
00:40:06,760 --> 00:40:08,360
Speaker 4: why it hasn't been a great couple of years. But

846
00:40:08,440 --> 00:40:11,719
Speaker 4: like I think my thing is, it just feels like

847
00:40:11,840 --> 00:40:15,520
Speaker 4: every movie that comes out, even if they are real

848
00:40:15,600 --> 00:40:20,480
Speaker 4: equality which this is apparently, I just feel like I

849
00:40:20,520 --> 00:40:22,560
Speaker 4: have seen it. Yeah, And I think that's like a

850
00:40:22,600 --> 00:40:24,719
Speaker 4: thing with the sequels of it all. It's just like

851
00:40:25,080 --> 00:40:28,040
Speaker 4: the sequel and prequel fatigue is just like it's very

852
00:40:28,120 --> 00:40:30,520
Speaker 4: real because we're not getting anything new.

853
00:40:31,160 --> 00:40:33,680
Speaker 5: Yeah, I mean, I feel like so out of touch,

854
00:40:34,440 --> 00:40:37,239
Speaker 5: But like the things I consider to be adventized are

855
00:40:37,239 --> 00:40:39,560
Speaker 5: like so not the things that I guess, like the

856
00:40:39,600 --> 00:40:41,560
Speaker 5: general public would consider to be adventized. I was like,

857
00:40:41,560 --> 00:40:43,440
Speaker 5: oh my god, like your go send poor things, and

858
00:40:43,560 --> 00:40:46,440
Speaker 5: Emma like that's I'm getting out of my apartment and

859
00:40:46,480 --> 00:40:48,160
Speaker 5: going to see that with a crowd. Like but like

860
00:40:48,760 --> 00:40:51,680
Speaker 5: Marvel number twenty seven, I'm like, not, that doesn't really

861
00:40:51,680 --> 00:40:52,480
Speaker 5: thrill me anymore.

862
00:40:52,840 --> 00:40:53,240
Speaker 1: Cares.

863
00:40:53,440 --> 00:40:55,000
Speaker 3: But I think that we're all on the same page

864
00:40:55,040 --> 00:40:57,680
Speaker 3: about like that we are in tune with the general

865
00:40:57,719 --> 00:40:59,640
Speaker 3: public where they're like, we don't really care about the

866
00:40:59,680 --> 00:41:03,520
Speaker 3: next like Marvel twenty seven. But what I find interesting

867
00:41:03,719 --> 00:41:08,839
Speaker 3: is that with Wicked like it is like, oh, we

868
00:41:08,880 --> 00:41:10,879
Speaker 3: have made a musical look like a Marvel film, which

869
00:41:10,880 --> 00:41:12,080
Speaker 3: has never really happened before.

870
00:41:12,800 --> 00:41:16,040
Speaker 1: I think it's brilliant. I mean, oh, I just I

871
00:41:16,120 --> 00:41:17,080
Speaker 1: just realized that.

872
00:41:17,640 --> 00:41:20,440
Speaker 3: You've seen it. Have you seen any times? I think

873
00:41:20,520 --> 00:41:21,879
Speaker 3: you've seen it? I don't.

874
00:41:22,200 --> 00:41:24,520
Speaker 5: I don't know you he might have no no, no,

875
00:41:24,520 --> 00:41:29,440
Speaker 5: no no no, he's w h word of honor, have not,

876
00:41:29,520 --> 00:41:32,200
Speaker 5: would love to have not. Okay, I've seen some like

877
00:41:32,239 --> 00:41:34,759
Speaker 5: BTS packages maybe that haven't come out yet, but I

878
00:41:34,800 --> 00:41:37,319
Speaker 5: haven't seen the film. But every every little lick of

879
00:41:37,320 --> 00:41:39,880
Speaker 5: footage I've seen has looked stunning and glorious, and I

880
00:41:39,920 --> 00:41:42,400
Speaker 5: can't wait, and it's finally a musical that's big enough

881
00:41:42,520 --> 00:41:46,160
Speaker 5: and like fully realized enough the way that it absolutely

882
00:41:46,200 --> 00:41:49,319
Speaker 5: should be, and we all need to show up.

883
00:41:49,920 --> 00:41:50,600
Speaker 1: Oh we will.

884
00:41:51,280 --> 00:41:53,720
Speaker 4: I'm not worried about Wicked at all. I'm not worried

885
00:41:53,760 --> 00:41:55,719
Speaker 4: about Wicked.

886
00:41:55,840 --> 00:41:57,720
Speaker 1: It's about candles.

887
00:41:57,960 --> 00:42:01,439
Speaker 4: You know what's cool about Wicked too, like Whipped not that,

888
00:42:01,560 --> 00:42:04,279
Speaker 4: like people weren't aware of the fact that it was

889
00:42:04,320 --> 00:42:08,200
Speaker 4: a musical, but more than any other movie musical, Like

890
00:42:08,520 --> 00:42:10,960
Speaker 4: in the trailer, you get that it's a musical.

891
00:42:11,320 --> 00:42:14,680
Speaker 3: Oh yeah, but people still have gripes about we didn't

892
00:42:14,719 --> 00:42:17,080
Speaker 3: see anyone singing, Like we didn't see the note come

893
00:42:17,239 --> 00:42:19,200
Speaker 3: out of Cynthia's mouth, you know what I mean?

894
00:42:19,320 --> 00:42:23,160
Speaker 1: Like, which I think is who like reme? What comes out?

895
00:42:23,480 --> 00:42:26,279
Speaker 1: The Internet's gonna be like, Okay, there was too much.

896
00:42:26,840 --> 00:42:27,680
Speaker 4: Like the saturation.

897
00:42:27,760 --> 00:42:29,480
Speaker 1: The color saturation was crazy.

898
00:42:29,560 --> 00:42:36,600
Speaker 5: It's like, you go make this movie for four fucking years, like's.

899
00:42:35,000 --> 00:42:41,239
Speaker 4: For twenty for God's say, everyone always knows better and

900
00:42:41,320 --> 00:42:45,920
Speaker 4: no one does except us. Now, yeah, that's right, except

901
00:42:45,960 --> 00:42:48,319
Speaker 4: the three of us right now, we know better, but

902
00:42:48,360 --> 00:42:49,160
Speaker 4: everyone else.

903
00:42:49,520 --> 00:42:51,520
Speaker 1: Doesn't, and they should shut up.

904
00:42:52,080 --> 00:42:56,120
Speaker 4: That's a rule of culture. I forget how long it

905
00:42:56,239 --> 00:42:59,319
Speaker 4: was Ben, you're allowed to say it's not, it's not.

906
00:42:59,760 --> 00:43:12,520
Speaker 1: It's not, it's not, but it wasn't. We have a

907
00:43:12,560 --> 00:43:14,680
Speaker 1: category best song from Wicked.

908
00:43:15,719 --> 00:43:18,640
Speaker 5: And have you announced the nominations?

909
00:43:18,680 --> 00:43:21,279
Speaker 1: No, by now we have okay, what are they? Let

910
00:43:21,360 --> 00:43:23,360
Speaker 1: me read them? Yeah, and then we'll have you choose.

911
00:43:23,400 --> 00:43:27,239
Speaker 4: These are the nominees for for best Song from The

912
00:43:27,280 --> 00:43:28,520
Speaker 4: nominees may surprise you.

913
00:43:28,880 --> 00:43:31,200
Speaker 1: Okay, if something bad's not on there, I don't want

914
00:43:31,200 --> 00:43:32,080
Speaker 1: to hear this, but keep going.

915
00:43:32,360 --> 00:43:35,520
Speaker 3: Well it might be okay, hold on, watch the space

916
00:43:35,719 --> 00:43:40,919
Speaker 3: best song from which the nominees are Thank goodness, I'm

917
00:43:40,920 --> 00:43:45,000
Speaker 3: not that girl. I'm not that girl. Re prieze, what

918
00:43:45,120 --> 00:43:46,840
Speaker 3: is this feeling? Also low key? Some of you are

919
00:43:46,880 --> 00:43:48,920
Speaker 3: still calling this song loathing, and we clock it every

920
00:43:48,960 --> 00:43:52,640
Speaker 3: single time, every single time, although Stephen Schwartz and Stephen

921
00:43:52,680 --> 00:43:55,040
Speaker 3: Reemon call it loathing the people, and okay.

922
00:43:54,840 --> 00:43:57,560
Speaker 1: Well then they need to answer to that.

923
00:43:58,239 --> 00:44:03,960
Speaker 3: Okay, There short day March of the Witch Hunters.

924
00:44:04,000 --> 00:44:10,560
Speaker 1: Something bad and dear old chiz, no divine gravity, no

925
00:44:10,600 --> 00:44:14,719
Speaker 1: good deed snubs which are nice snub yeah, but this

926
00:44:14,800 --> 00:44:16,160
Speaker 1: is these are all the real ones.

927
00:44:16,440 --> 00:44:19,280
Speaker 5: It's honestly, this is a There's a lot of comments

928
00:44:19,280 --> 00:44:21,080
Speaker 5: in this category a lot of comments.

929
00:44:21,200 --> 00:44:24,040
Speaker 4: Yeah, flying high my knee. I have two knee jerks

930
00:44:24,200 --> 00:44:25,799
Speaker 4: that have two knees, So.

931
00:44:25,800 --> 00:44:29,040
Speaker 1: This is believable what you said, because they both could

932
00:44:29,040 --> 00:44:30,040
Speaker 1: have jerked the left and the right.

933
00:44:30,160 --> 00:44:32,680
Speaker 5: Me my vote would be garnered by either I'm not

934
00:44:32,719 --> 00:44:40,480
Speaker 5: tak over Prieze, thank you so much, or March of

935
00:44:40,480 --> 00:44:44,960
Speaker 5: the Witch Hunters because the especially in the in the musical,

936
00:44:45,000 --> 00:44:47,400
Speaker 5: the reveal of her behind the March the witch Hunters

937
00:44:47,480 --> 00:44:48,960
Speaker 5: every time shivers goose bumps.

938
00:44:49,200 --> 00:44:53,200
Speaker 3: Shivers goose bumps. But also Bach is like going.

939
00:44:53,200 --> 00:44:57,040
Speaker 4: With the witch. Yeah, of course you know what I

940
00:44:57,040 --> 00:45:00,759
Speaker 4: realized we forgot because low key it's not on the

941
00:45:00,800 --> 00:45:03,759
Speaker 4: Spotify thing because it's not on the fucking album, which

942
00:45:03,800 --> 00:45:05,040
Speaker 4: is I'll never get over.

943
00:45:05,080 --> 00:45:06,720
Speaker 3: Is get a Witch?

944
00:45:09,040 --> 00:45:12,279
Speaker 4: Yeah? Of course Zoom rejected your pitch. By the way,

945
00:45:12,880 --> 00:45:16,880
Speaker 4: they did well, not on my recording. Zoom silenced your ass.

946
00:45:17,680 --> 00:45:22,280
Speaker 1: Sorry listen, I don't care what anyone says I made noise.

947
00:45:22,880 --> 00:45:23,840
Speaker 1: I'm hoping we get that.

948
00:45:23,920 --> 00:45:26,640
Speaker 5: I mean again something I legitimately do not know the

949
00:45:26,680 --> 00:45:28,160
Speaker 5: answer to, but I hope that we get.

950
00:45:28,000 --> 00:45:32,920
Speaker 4: That on this new film album. See Bowen is famous

951
00:45:33,000 --> 00:45:35,560
Speaker 4: for being like I think I can say this and

952
00:45:35,600 --> 00:45:38,120
Speaker 4: then dropping something crazy about the movie.

953
00:45:39,040 --> 00:45:42,160
Speaker 3: Oh well, like the Internet got my ass for saying

954
00:45:42,200 --> 00:45:44,440
Speaker 3: that Dileoman would be played by a woman, which I

955
00:45:44,640 --> 00:45:47,680
Speaker 3: never said. I never said that Diloman would be played

956
00:45:47,680 --> 00:45:51,239
Speaker 3: by a woman. Yeah, like it's crazy. These girls will

957
00:45:51,239 --> 00:45:52,080
Speaker 3: just make shuit up.

958
00:45:52,400 --> 00:45:56,000
Speaker 4: Yeah, but girl, you speak too much, you play too much.

959
00:45:56,000 --> 00:45:58,080
Speaker 4: You do this with Ariana Grande's album too. He was

960
00:45:58,080 --> 00:46:00,480
Speaker 4: on fucking Twitch and he goes, yeah, I've heard the

961
00:46:00,520 --> 00:46:04,120
Speaker 4: new Areano Grande albums. It's definitely gonna be this and

962
00:46:04,160 --> 00:46:07,000
Speaker 4: she definitely worked with this person and I was And

963
00:46:07,000 --> 00:46:08,960
Speaker 4: then the media picked that out too, and she was like,

964
00:46:09,000 --> 00:46:10,680
Speaker 4: oh my god, I love it. You talked about it.

965
00:46:11,120 --> 00:46:11,640
Speaker 1: You meant that.

966
00:46:11,719 --> 00:46:14,040
Speaker 5: You meant that, like spiritually, Diloman is a woman, you

967
00:46:14,080 --> 00:46:17,520
Speaker 5: know what I mean exactly? Yeah, and she is because

968
00:46:17,560 --> 00:46:18,680
Speaker 5: Dilman it was a.

969
00:46:18,600 --> 00:46:20,160
Speaker 1: Puppeteer named Louisa.

970
00:46:20,520 --> 00:46:23,640
Speaker 3: There's a Puppetinnia Melsall and I wanted to get her

971
00:46:23,680 --> 00:46:27,640
Speaker 3: flowers because she was amazing. Yeah, And the Internet took

972
00:46:27,680 --> 00:46:29,880
Speaker 3: that to mean that Diloman was played by women, and

973
00:46:29,920 --> 00:46:30,399
Speaker 3: then they were like.

974
00:46:30,360 --> 00:46:32,279
Speaker 1: It's gonna be a Dina and I'm like, that is the.

975
00:46:34,600 --> 00:46:38,680
Speaker 4: Dina is Dilaman, Like imagine that call like hey a Dina,

976
00:46:38,840 --> 00:46:41,480
Speaker 4: it's us, Like we know you've been interested in the cameo.

977
00:46:41,719 --> 00:46:44,759
Speaker 1: You're gonna be Dyloman boo. Like she'd be like, oh

978
00:46:44,840 --> 00:46:47,880
Speaker 1: my god, god, how dare you guys?

979
00:46:48,320 --> 00:46:51,400
Speaker 4: I am really pulling for I'm not that girl reprieze

980
00:46:51,520 --> 00:46:54,440
Speaker 4: just because I I'm not that.

981
00:46:55,920 --> 00:47:00,640
Speaker 1: And it goes into fucking it's the whole show.

982
00:47:00,920 --> 00:47:02,839
Speaker 3: Yeah, she gets to really like hit hit that note,

983
00:47:02,880 --> 00:47:07,480
Speaker 3: but that don't wish, don't start wishing only wounds the heart, like.

984
00:47:10,080 --> 00:47:12,560
Speaker 1: You kidding me? Show this it's a good show this week,

985
00:47:13,360 --> 00:47:16,360
Speaker 1: this wick is a good show. Okay. I I don't

986
00:47:16,400 --> 00:47:17,560
Speaker 1: think I can say this.

987
00:47:17,760 --> 00:47:20,480
Speaker 4: No, no, no, no no, this this is what I'll say.

988
00:47:20,640 --> 00:47:22,520
Speaker 3: I don't think someoney, everyone being like, oh why is

989
00:47:22,560 --> 00:47:24,920
Speaker 3: it in two parts? If to find gravity's gonna be

990
00:47:25,000 --> 00:47:26,919
Speaker 3: the first part? Then like what's there to like wait

991
00:47:26,960 --> 00:47:29,400
Speaker 3: for in the second, Like there is so much.

992
00:47:29,520 --> 00:47:30,480
Speaker 1: Ton not that.

993
00:47:33,680 --> 00:47:36,520
Speaker 4: First of all, like for good and like the end

994
00:47:36,640 --> 00:47:39,480
Speaker 4: of that movie, like of that show, Like that is

995
00:47:39,640 --> 00:47:42,000
Speaker 4: the end of the story. Like don't worry that it's

996
00:47:42,040 --> 00:47:45,239
Speaker 4: not gonna feel exciting. It's just what you're getting now

997
00:47:45,400 --> 00:47:49,200
Speaker 4: is a really intense climax and finale for the first movie.

998
00:47:49,840 --> 00:47:52,520
Speaker 4: That would feel really weird if it was one movie

999
00:47:52,520 --> 00:47:54,279
Speaker 4: and that was just the middle of the movie, like

1000
00:47:54,320 --> 00:47:57,120
Speaker 4: you need to break them up. They're actually narratively and

1001
00:47:57,160 --> 00:47:59,919
Speaker 4: like in terms of a viewing experience, they just show

1002
00:48:00,160 --> 00:48:00,759
Speaker 4: supposed to.

1003
00:48:00,800 --> 00:48:02,040
Speaker 1: End after defying gravity.

1004
00:48:02,040 --> 00:48:04,719
Speaker 4: That's why there's an intermission, like and so basically what

1005
00:48:04,760 --> 00:48:06,759
Speaker 4: you're getting is is an intermission.

1006
00:48:06,800 --> 00:48:09,440
Speaker 1: You are getting the show, but it's two movies.

1007
00:48:09,480 --> 00:48:12,000
Speaker 4: I understand, of course totally why there'd be people out

1008
00:48:12,000 --> 00:48:13,360
Speaker 4: there being like, oh, it's a money thing.

1009
00:48:13,440 --> 00:48:15,279
Speaker 1: It's a money thing. But I think it would be

1010
00:48:15,360 --> 00:48:18,440
Speaker 1: weird to have defying gravity in the middle of that movie.

1011
00:48:18,480 --> 00:48:21,040
Speaker 5: I really Famously, tourists early on used to leave that

1012
00:48:21,040 --> 00:48:22,480
Speaker 5: intermission because they thought that was it.

1013
00:48:22,719 --> 00:48:22,919
Speaker 4: Right.

1014
00:48:23,400 --> 00:48:25,879
Speaker 1: Famously, they were like, well, they can't go up from here,

1015
00:48:25,960 --> 00:48:26,719
Speaker 1: so that.

1016
00:48:28,440 --> 00:48:33,120
Speaker 3: She gets away, she gets away. But this is here's

1017
00:48:33,160 --> 00:48:36,000
Speaker 3: what I'm saying. The people who are involved in this

1018
00:48:36,040 --> 00:48:43,560
Speaker 3: film me excluded hair deeply about this and except for me, no,

1019
00:48:43,719 --> 00:48:45,240
Speaker 3: just kidding, but like.

1020
00:48:44,880 --> 00:48:47,280
Speaker 1: It will be it will be okay, It will be okay.

1021
00:48:48,280 --> 00:48:51,520
Speaker 4: Of course, I have no doubts because I know my

1022
00:48:51,560 --> 00:48:54,000
Speaker 4: girl is in it, and when he touched that hat

1023
00:48:54,040 --> 00:48:55,000
Speaker 4: and said, what's this?

1024
00:48:56,320 --> 00:48:59,880
Speaker 1: I said, this is representation and it matters. Mean, gega,

1025
00:49:00,160 --> 00:49:03,360
Speaker 1: do you think the representation matters. You've never said that

1026
00:49:03,400 --> 00:49:10,239
Speaker 1: before publicly? Is this to me? Yes? No, I think

1027
00:49:10,280 --> 00:49:13,399
Speaker 1: we have enough. I think that's good. Of course it does.

1028
00:49:13,440 --> 00:49:16,520
Speaker 5: Oh yeah, I mean I was staking my whole life

1029
00:49:16,520 --> 00:49:18,080
Speaker 5: on just being like, I'm gay.

1030
00:49:18,200 --> 00:49:19,480
Speaker 1: Isn't that important? Look how gay?

1031
00:49:19,520 --> 00:49:19,799
Speaker 3: I am?

1032
00:49:23,120 --> 00:49:23,279
Speaker 4: Way?

1033
00:49:23,440 --> 00:49:26,880
Speaker 1: June gay love songs gay June gay.

1034
00:49:27,560 --> 00:49:30,040
Speaker 4: So you did was it acid or mushrooms that that

1035
00:49:30,320 --> 00:49:33,520
Speaker 4: made you say? The title is Honeymoon chocolate mushrooms. Of

1036
00:49:33,560 --> 00:49:35,640
Speaker 4: course acid is acid better?

1037
00:49:36,400 --> 00:49:38,120
Speaker 3: I think you would like it if you were out

1038
00:49:38,120 --> 00:49:40,839
Speaker 3: in nature, and if you are with your beloved and

1039
00:49:40,880 --> 00:49:42,280
Speaker 3: your your your close friends.

1040
00:49:42,520 --> 00:49:45,600
Speaker 1: It's not like chesty anxiety. I don't think so.

1041
00:49:46,239 --> 00:49:48,960
Speaker 4: I think that it would depend on how much you took.

1042
00:49:49,080 --> 00:49:51,920
Speaker 4: Here's what I would say, go into house up state,

1043
00:49:52,760 --> 00:49:55,080
Speaker 4: bring a nice vinyl. Let's let's throw out there like

1044
00:49:55,200 --> 00:49:59,960
Speaker 4: the new Maggie Rogers great and very underrated, great underrated.

1045
00:50:00,280 --> 00:50:03,439
Speaker 4: Isn't it a crowded year? Spin it, take your half a tab,

1046
00:50:03,719 --> 00:50:08,080
Speaker 4: walk around, look at the moon, see what it tells you.

1047
00:50:08,400 --> 00:50:12,839
Speaker 1: Oh so, nighttime. I feel starting today going tonight. Does

1048
00:50:12,880 --> 00:50:14,239
Speaker 1: it last not long? Yeah?

1049
00:50:14,760 --> 00:50:18,400
Speaker 4: Oh okay, that's that's what we did. Bowhen and I

1050
00:50:18,440 --> 00:50:22,279
Speaker 4: did that years ago. We had an emotional breakthrough and.

1051
00:50:22,320 --> 00:50:26,319
Speaker 1: Then you woke up and your hair was blown. Yeah,

1052
00:50:26,360 --> 00:50:27,800
Speaker 1: I guess yeah.

1053
00:50:27,840 --> 00:50:30,680
Speaker 3: Spiritually, I literally like went outside, stared at the moon

1054
00:50:30,719 --> 00:50:34,239
Speaker 3: and listened to an underrated Maggie Roterers song deep cut

1055
00:50:34,239 --> 00:50:36,759
Speaker 3: called Better and I listened to that on acid and

1056
00:50:36,800 --> 00:50:39,800
Speaker 3: I was like this, I will never forget this. It's

1057
00:50:39,800 --> 00:50:42,719
Speaker 3: a really I think you'll like it then okay, And.

1058
00:50:42,719 --> 00:50:44,120
Speaker 1: On the other side of the house, I was up

1059
00:50:44,120 --> 00:50:45,920
Speaker 1: looking at the moon listening to light On, which is

1060
00:50:45,960 --> 00:50:47,080
Speaker 1: of course her biggest single.

1061
00:50:48,600 --> 00:50:53,759
Speaker 5: Like speaking to me, I love that first album just

1062
00:50:53,880 --> 00:50:57,279
Speaker 5: really oh it was it was my personal like John

1063
00:50:57,320 --> 00:51:00,319
Speaker 5: he was coming of age film that that whole into

1064
00:51:00,360 --> 00:51:02,440
Speaker 5: it for like my whole.

1065
00:51:02,280 --> 00:51:03,319
Speaker 1: Entry into adulthood.

1066
00:51:03,680 --> 00:51:06,400
Speaker 5: Like if if Girls the Show was like one album,

1067
00:51:06,560 --> 00:51:09,560
Speaker 5: it would be yeag Rogers first album that.

1068
00:51:09,680 --> 00:51:14,759
Speaker 1: Is really a stute wow, you know period, both things

1069
00:51:14,760 --> 00:51:15,200
Speaker 1: that I love.

1070
00:51:15,400 --> 00:51:16,759
Speaker 4: You know what I heard the other day and it

1071
00:51:16,800 --> 00:51:19,280
Speaker 4: reminded me, like I think it was in the trailer

1072
00:51:19,360 --> 00:51:22,960
Speaker 4: for Girls season two, Ellie Golding, Anything can happen but

1073
00:51:23,840 --> 00:51:31,080
Speaker 4: I was like, this girl really gives it to you sometimes.

1074
00:51:32,280 --> 00:51:33,240
Speaker 1: Yeah, of course.

1075
00:51:33,800 --> 00:51:37,000
Speaker 5: Well, also that's just the music on Girls was consistently phenomena.

1076
00:51:37,239 --> 00:51:37,680
Speaker 1: Yeah.

1077
00:51:38,000 --> 00:51:41,399
Speaker 5: It was giving grais it out of Me tastemaker vibes. Yes,

1078
00:51:41,560 --> 00:51:43,480
Speaker 5: it was giving taste Maker rise. It was giving Robin

1079
00:51:43,840 --> 00:51:45,960
Speaker 5: writing the suite. We don't have to go there.

1080
00:51:45,960 --> 00:51:48,799
Speaker 4: But I don't think that there will ever be a

1081
00:51:48,840 --> 00:51:51,920
Speaker 4: better end to an episode of television effort than her

1082
00:51:51,960 --> 00:51:55,720
Speaker 4: writing that tweet's drafting that tweet, sending it, and Alison

1083
00:51:55,719 --> 00:51:58,560
Speaker 4: Williams coming in the reveal that to her that Elijah

1084
00:51:58,640 --> 00:52:00,480
Speaker 4: was gay the whole time, and they downced dancing on

1085
00:52:00,520 --> 00:52:03,480
Speaker 4: their own and they hug and the smash on the

1086
00:52:03,560 --> 00:52:05,640
Speaker 4: on the beat at the end of the chorus, like

1087
00:52:05,680 --> 00:52:08,040
Speaker 4: I mean, come on, and just a reaction to the

1088
00:52:08,040 --> 00:52:09,880
Speaker 4: news and just immediately embrace it and just be like

1089
00:52:09,920 --> 00:52:15,920
Speaker 4: that's funny, Like yeah, of course, you know, it's like

1090
00:52:15,960 --> 00:52:16,719
Speaker 4: that's friendship.

1091
00:52:16,800 --> 00:52:18,920
Speaker 5: It's just like letting it roll off your back. I

1092
00:52:18,920 --> 00:52:20,480
Speaker 5: could talk about that, we should do a whole Girls

1093
00:52:20,480 --> 00:52:21,200
Speaker 5: Rewatch podcast.

1094
00:52:21,200 --> 00:52:22,120
Speaker 1: I think that already exists.

1095
00:52:22,640 --> 00:52:25,239
Speaker 4: Probably you want it from us, though, yep.

1096
00:52:25,440 --> 00:52:28,120
Speaker 1: You know we're doing an Olympics podcast. Is that real.

1097
00:52:28,640 --> 00:52:30,480
Speaker 4: Oh yeah, thoughts, but what does that mean? It's like,

1098
00:52:30,480 --> 00:52:33,920
Speaker 4: are you gonna go like event by event? That's one

1099
00:52:33,960 --> 00:52:36,360
Speaker 4: way to go about it. I'm down to like really

1100
00:52:36,360 --> 00:52:38,160
Speaker 4: go through each event and be like, Okay, so what

1101
00:52:38,200 --> 00:52:40,040
Speaker 4: should we know about this? And who are the players

1102
00:52:40,040 --> 00:52:41,960
Speaker 4: and who are the stars and blah blah blah blah blah.

1103
00:52:41,960 --> 00:52:44,200
Speaker 5: So like for someone like me who's like not well versed,

1104
00:52:44,320 --> 00:52:46,080
Speaker 5: I could listen and you can help me like being.

1105
00:52:45,960 --> 00:52:49,880
Speaker 4: A perfect podcast for you because we don't know anything

1106
00:52:50,160 --> 00:52:54,160
Speaker 4: about anything perfect and so it's really gonna be for

1107
00:52:54,239 --> 00:52:57,720
Speaker 4: the for the every day this podcast, because it's truly

1108
00:52:57,760 --> 00:53:01,960
Speaker 4: hosted by two people who just this isn't their culture.

1109
00:53:02,000 --> 00:53:04,279
Speaker 4: I have to say maybe years ago, like the summer

1110
00:53:04,320 --> 00:53:05,200
Speaker 4: Olympics was my culture.

1111
00:53:05,200 --> 00:53:07,120
Speaker 1: When was the last time the Olympics was like something

1112
00:53:07,160 --> 00:53:11,040
Speaker 1: you gave energy to? Twenty twelve? Maybe London.

1113
00:53:11,840 --> 00:53:14,040
Speaker 5: I watched the clips afterwards that everybody tells me I

1114
00:53:14,120 --> 00:53:16,520
Speaker 5: need to watch. I've never been like a full tune

1115
00:53:16,520 --> 00:53:19,200
Speaker 5: into the Olympics girl, But I guess maybe this would

1116
00:53:19,239 --> 00:53:21,920
Speaker 5: be my opportunity if I'm following along with your podcast.

1117
00:53:22,960 --> 00:53:28,919
Speaker 3: I think so, And I think we can really talk

1118
00:53:28,960 --> 00:53:31,160
Speaker 3: about the bodies really.

1119
00:53:31,760 --> 00:53:31,920
Speaker 1: Yeah.

1120
00:53:31,920 --> 00:53:34,360
Speaker 4: I mean I just will never forget. This is a

1121
00:53:34,400 --> 00:53:36,799
Speaker 4: Winter Olympics thing. But one of my sexual coming of

1122
00:53:36,800 --> 00:53:42,240
Speaker 4: ages was Apollo anton Ono apollow anton Ono, the speed

1123
00:53:42,280 --> 00:53:45,719
Speaker 4: skater and later Dancing with the Stars. I think winner, Yeah,

1124
00:53:45,719 --> 00:53:49,200
Speaker 4: I think so too. The man had an ass.

1125
00:53:49,600 --> 00:53:53,200
Speaker 1: I bet he still has it. Oh my god.

1126
00:53:53,480 --> 00:53:55,680
Speaker 4: I didn't stand a chance as like I guess I

1127
00:53:55,719 --> 00:53:57,560
Speaker 4: was like twelve or something like.

1128
00:53:57,719 --> 00:53:59,839
Speaker 1: There was no way around his ass.

1129
00:54:00,160 --> 00:54:02,839
Speaker 4: I was just like, I am so seated for this

1130
00:54:02,880 --> 00:54:06,280
Speaker 4: because he is the hottest man I've ever seen. Wow,

1131
00:54:06,760 --> 00:54:07,880
Speaker 4: just pour one out for Apollo.

1132
00:54:08,520 --> 00:54:10,520
Speaker 1: I mean where, But but do we need to like

1133
00:54:10,560 --> 00:54:11,879
Speaker 1: what happened? No?

1134
00:54:11,920 --> 00:54:13,680
Speaker 4: Nothing, I'm sorry that a bad thing happened.

1135
00:54:14,239 --> 00:54:17,880
Speaker 1: No one out like to me means like commemoration.

1136
00:54:17,440 --> 00:54:19,000
Speaker 5: Like oh oh god, No, I don't mean that. I

1137
00:54:19,040 --> 00:54:20,319
Speaker 5: mean just like like I don't know.

1138
00:54:21,280 --> 00:54:23,120
Speaker 4: To him, yes, I think it's because the last time

1139
00:54:23,200 --> 00:54:25,319
Speaker 4: I heard the expression poor one out my dad. I

1140
00:54:25,360 --> 00:54:28,319
Speaker 4: called my dad because Jimmy Buffett died and he said,

1141
00:54:28,360 --> 00:54:29,920
Speaker 4: I'm at the beach porn one out.

1142
00:54:29,800 --> 00:54:31,879
Speaker 1: For Jimmy, and I was like, oh my god, it's

1143
00:54:32,000 --> 00:54:35,359
Speaker 1: so heartbreaking. Dad. A little bit of Buffet on this

1144
00:54:35,400 --> 00:54:37,480
Speaker 1: album from you yeah, do you hear it?

1145
00:54:37,520 --> 00:54:37,759
Speaker 4: Really?

1146
00:54:38,480 --> 00:54:41,440
Speaker 1: I mean, you know, it's giving like singer songwriter, like

1147
00:54:41,480 --> 00:54:43,160
Speaker 1: acoustic guitar driven some stuff.

1148
00:54:43,200 --> 00:54:46,080
Speaker 5: I mean absolutely not. Yeah, there's a song called Margarita

1149
00:54:46,120 --> 00:54:49,799
Speaker 5: on the rocks. It's it's thank you.

1150
00:54:49,800 --> 00:54:50,279
Speaker 4: I'll take that.

1151
00:54:50,440 --> 00:54:53,040
Speaker 3: I will say, all American Queen is giving notes of

1152
00:54:53,120 --> 00:54:55,160
Speaker 3: Paul Simon and Jimmy and Buffett.

1153
00:54:55,520 --> 00:54:57,920
Speaker 5: Fair to say, yeah, just add like a little bit

1154
00:54:57,920 --> 00:55:00,520
Speaker 5: of packet and then yeah, totally.

1155
00:55:00,640 --> 00:55:03,560
Speaker 4: If you listen injury above, hitting that a little bit

1156
00:55:03,560 --> 00:55:04,520
Speaker 4: of faggot, you get bad.

1157
00:55:04,880 --> 00:55:09,279
Speaker 1: I actually really don't. I used to remember when I

1158
00:55:09,320 --> 00:55:11,560
Speaker 1: was little, like my my parents were huge parrot heads,

1159
00:55:11,600 --> 00:55:14,799
Speaker 1: and like I just started watching American Idol, so I

1160
00:55:14,880 --> 00:55:17,120
Speaker 1: of course thought I knew everything about singing. So I

1161
00:55:17,160 --> 00:55:20,640
Speaker 1: would always drag Jimmy Buffett for his lack of range

1162
00:55:21,120 --> 00:55:24,120
Speaker 1: and listen, you weren't wrong, rest in peace. But he

1163
00:55:24,160 --> 00:55:25,600
Speaker 1: didn't need the range range.

1164
00:55:25,880 --> 00:55:30,040
Speaker 5: He was an icon and several of them rangeless, rangeless king,

1165
00:55:30,880 --> 00:55:31,759
Speaker 5: rangeless king.

1166
00:55:42,280 --> 00:55:43,839
Speaker 4: All right, so we've hit the moment in the shell

1167
00:55:43,920 --> 00:55:46,240
Speaker 4: where it's time to turn to I don't think so, honey,

1168
00:55:46,280 --> 00:55:48,399
Speaker 4: this is a segment we all know and love.

1169
00:55:48,719 --> 00:55:49,760
Speaker 1: Let me guess you forgot.

1170
00:55:50,040 --> 00:55:51,840
Speaker 5: I didn't forget. I just didn't come prepared. But you

1171
00:55:51,880 --> 00:55:52,919
Speaker 5: guys go and they don't think it's.

1172
00:55:53,000 --> 00:55:56,279
Speaker 1: So what was the difference there? I don't know.

1173
00:55:56,400 --> 00:56:00,560
Speaker 4: I was don't put on your voice, don't are talking

1174
00:56:00,560 --> 00:56:03,880
Speaker 4: in your little soft tenor's.

1175
00:56:03,000 --> 00:56:04,960
Speaker 1: In between shows at the Palace.

1176
00:56:05,480 --> 00:56:05,800
Speaker 3: Sorry.

1177
00:56:05,880 --> 00:56:10,360
Speaker 4: Right, So for those of you who also may have forgotten,

1178
00:56:10,600 --> 00:56:13,400
Speaker 4: I don't think Sonni is a sexty second segment where

1179
00:56:13,440 --> 00:56:15,560
Speaker 4: we talk about something in culture and we sort of,

1180
00:56:16,960 --> 00:56:19,799
Speaker 4: you know, we aar grievances. I have something that it's

1181
00:56:19,840 --> 00:56:22,399
Speaker 4: gonna be very frustrating for a while, but it's it's

1182
00:56:22,480 --> 00:56:24,359
Speaker 4: just now come to my attention that this is gonna

1183
00:56:24,400 --> 00:56:26,759
Speaker 4: be the case, and so I'm gonna I'm gonna do

1184
00:56:26,800 --> 00:56:27,839
Speaker 4: my I don't think Swhani.

1185
00:56:28,200 --> 00:56:30,280
Speaker 1: Okay, this is Matt Rodgers. I don't think so Many's

1186
00:56:30,280 --> 00:56:32,840
Speaker 1: time starts now. I don't think Sohanny. I'm already stressed

1187
00:56:32,840 --> 00:56:35,319
Speaker 1: out about the best actress Tony Race next year. I mean,

1188
00:56:35,440 --> 00:56:38,560
Speaker 1: Audrey McDonald versus Nicole Scherzinger. This is going to be

1189
00:56:38,680 --> 00:56:40,799
Speaker 1: I mean, if you thought things have been difficult in

1190
00:56:40,800 --> 00:56:44,000
Speaker 1: the past, things are about to get really hard. Things

1191
00:56:44,000 --> 00:56:47,080
Speaker 1: are about to get really tough in this country.

1192
00:56:46,840 --> 00:56:49,319
Speaker 4: Because let me tell you something, not only are we

1193
00:56:49,360 --> 00:56:51,879
Speaker 4: gonna have whatever happens with the election later in the year,

1194
00:56:51,920 --> 00:56:53,879
Speaker 4: sorry to bring it up, but then almost a few

1195
00:56:53,880 --> 00:56:56,960
Speaker 4: months later, we're gonna have a Tony Awards that is

1196
00:56:57,000 --> 00:56:59,839
Speaker 4: gonna tear this country apart because we're gonna have happy

1197
00:57:00,040 --> 00:57:03,880
Speaker 4: country that are saying Audrey McDonald is playing Mama Rose.

1198
00:57:03,920 --> 00:57:06,160
Speaker 4: I mean that is what like a six time Tony

1199
00:57:06,200 --> 00:57:09,439
Speaker 4: winner playing the greatest musical role of all time?

1200
00:57:10,320 --> 00:57:12,200
Speaker 1: How do you get better than that? I have to

1201
00:57:12,239 --> 00:57:14,000
Speaker 1: tell you, I don't think so, honey.

1202
00:57:14,040 --> 00:57:19,720
Speaker 4: If you haven't seen the culture tear, it's up in

1203
00:57:19,800 --> 00:57:22,400
Speaker 4: Sunset Bulevard and she's gonna tread the boards in New York.

1204
00:57:22,680 --> 00:57:24,760
Speaker 4: And I know she's gonna be galvanized, because if I

1205
00:57:24,760 --> 00:57:26,680
Speaker 4: can trust the cultures are going to be one thing,

1206
00:57:27,080 --> 00:57:30,280
Speaker 4: it is galvanized, and it is going to be behind

1207
00:57:30,440 --> 00:57:30,920
Speaker 4: her eyes.

1208
00:57:31,000 --> 00:57:32,760
Speaker 1: We're in for it. I don't think so, honey.

1209
00:57:33,360 --> 00:57:36,680
Speaker 3: And that's one minute she is spilling blood, letting it

1210
00:57:36,800 --> 00:57:39,600
Speaker 3: drip off her chest onto the boards of Broadway.

1211
00:57:40,080 --> 00:57:43,000
Speaker 1: Li rauh Lee.

1212
00:57:43,280 --> 00:57:45,240
Speaker 4: I didn't think about that until now, and now I'm

1213
00:57:45,320 --> 00:57:46,240
Speaker 4: so stressed.

1214
00:57:45,880 --> 00:57:47,120
Speaker 1: With you haven't thought about it.

1215
00:57:47,120 --> 00:57:49,360
Speaker 4: It's all I've been able to think about is the

1216
00:57:49,360 --> 00:57:52,080
Speaker 4: fact that one of those women is going home empty hands.

1217
00:57:52,240 --> 00:57:56,480
Speaker 4: And I have to say, I guess face value, let's

1218
00:57:56,520 --> 00:57:58,160
Speaker 4: give Nicole one.

1219
00:57:58,800 --> 00:58:00,840
Speaker 1: This would be Audres seven, and again I have.

1220
00:58:00,840 --> 00:58:03,160
Speaker 4: Not seen that performance. It could be no contest, Like

1221
00:58:03,240 --> 00:58:04,280
Speaker 4: that's just how talented.

1222
00:58:04,400 --> 00:58:06,360
Speaker 5: She should just hop on as a producer because we

1223
00:58:06,440 --> 00:58:07,880
Speaker 5: know to one revival and then she gets one.

1224
00:58:07,920 --> 00:58:13,040
Speaker 4: Anyway, that's a good question. Yeah, just this insurance because

1225
00:58:13,040 --> 00:58:15,080
Speaker 4: she needs one too, But you know that's not the same.

1226
00:58:15,360 --> 00:58:19,120
Speaker 1: Six is not enough. Six is not let's not a

1227
00:58:19,160 --> 00:58:20,720
Speaker 1: campaign hashtag six is not enough.

1228
00:58:21,000 --> 00:58:23,080
Speaker 4: But I don't want to do that campaign because I

1229
00:58:23,120 --> 00:58:26,240
Speaker 4: wanted for Nicole bad. I can't wait to see her. No,

1230
00:58:26,920 --> 00:58:28,720
Speaker 4: you didn't go over to the West End, did you?

1231
00:58:29,400 --> 00:58:32,720
Speaker 1: Uh? Yeah? She insane. That's not it is.

1232
00:58:33,600 --> 00:58:38,040
Speaker 4: I don't know how you give a better, more thrilling. Well,

1233
00:58:38,080 --> 00:58:40,240
Speaker 4: I've seen you so so I do know how. But

1234
00:58:40,400 --> 00:58:43,520
Speaker 4: like it's it's no, don't tell me to shut up.

1235
00:58:44,040 --> 00:58:47,320
Speaker 4: Don't tell me to shut up. I have a line,

1236
00:58:47,400 --> 00:58:48,160
Speaker 4: I have a boundary.

1237
00:58:50,400 --> 00:58:53,040
Speaker 1: No, I don't know. It's so good. I can't wait.

1238
00:58:53,120 --> 00:58:56,280
Speaker 3: I can't wait, Bowen, I know I'm thinking about next

1239
00:58:56,320 --> 00:58:58,520
Speaker 3: to Tony's in it. It is just like it's it's

1240
00:58:58,600 --> 00:59:02,280
Speaker 3: gonna be thrilling because whole col is in the mix, like, oh,

1241
00:59:02,800 --> 00:59:05,040
Speaker 3: forget it, it's it's gonna be nuts.

1242
00:59:05,280 --> 00:59:06,960
Speaker 4: We're gonna have to get We're gonna have to get

1243
00:59:07,000 --> 00:59:12,280
Speaker 4: you back out there and say this is six B

1244
00:59:12,520 --> 00:59:16,960
Speaker 4: and iconically I introduced thement.

1245
00:59:15,800 --> 00:59:18,120
Speaker 1: Oh I remember, oh my god, my.

1246
00:59:18,240 --> 00:59:22,000
Speaker 3: Best reception ever, not at the Tony Awards themselves, but

1247
00:59:22,080 --> 00:59:25,400
Speaker 3: at the rehearsal earlier that day, where like all of

1248
00:59:25,440 --> 00:59:27,680
Speaker 3: like the people, like all of like the crew working

1249
00:59:27,720 --> 00:59:30,160
Speaker 3: the Tonys were like in the mezzanine at Radio City,

1250
00:59:30,160 --> 00:59:32,280
Speaker 3: and I like, whatever they okay, and now Bowen walks

1251
00:59:32,320 --> 00:59:34,200
Speaker 3: out and I walked out, and then like people cheering

1252
00:59:34,200 --> 00:59:36,800
Speaker 3: for the mezzanine being like, this is the most applausitive ever.

1253
00:59:36,920 --> 00:59:39,520
Speaker 3: This is the most spirited applause I've ever gone anywhere.

1254
00:59:40,040 --> 00:59:42,600
Speaker 3: And it was at two pm on a Saturday.

1255
00:59:42,760 --> 00:59:43,240
Speaker 1: It was great.

1256
00:59:43,760 --> 00:59:46,240
Speaker 4: I don't think you realize how exciting it is to

1257
00:59:46,280 --> 00:59:46,680
Speaker 4: see you.

1258
00:59:47,720 --> 00:59:50,520
Speaker 1: It's thrilling. It's always so exciting to see you.

1259
00:59:51,400 --> 00:59:55,600
Speaker 3: That's very nice. First time I met Cynthia at the rehearsal,

1260
00:59:55,680 --> 00:59:56,840
Speaker 3: and that was really nice.

1261
00:59:57,320 --> 01:00:01,439
Speaker 1: Was she lovely? She was lovely. I'm such a fan,

1262
01:00:01,720 --> 01:00:06,720
Speaker 1: I really am. I won't I do.

1263
01:00:07,160 --> 01:00:09,520
Speaker 3: You know what was the most Cynthia Riva thing that

1264
01:00:09,640 --> 01:00:11,120
Speaker 3: happened to me was.

1265
01:00:11,240 --> 01:00:13,920
Speaker 4: I was I was reading like the most yeah, every

1266
01:00:14,000 --> 01:00:15,160
Speaker 4: bote thing that happened to me.

1267
01:00:15,680 --> 01:00:19,600
Speaker 5: I was reading, saying incredibly well and yeah yeah, yeah, yeah.

1268
01:00:18,840 --> 01:00:21,320
Speaker 3: Yeah, I'm saying so so well. I sang no no.

1269
01:00:21,360 --> 01:00:24,360
Speaker 3: I was reading Middle March on set and then she

1270
01:00:24,360 --> 01:00:26,240
Speaker 3: comes up. She goes, what is that? I was like, oh,

1271
01:00:26,280 --> 01:00:28,560
Speaker 3: it's a book by George Elliott, but it's actually a woman,

1272
01:00:28,640 --> 01:00:30,320
Speaker 3: and she, you know, George Elliott was her like pen

1273
01:00:30,400 --> 01:00:34,040
Speaker 3: name and whatever. She goes, I'm gonna buy that. I'm

1274
01:00:34,040 --> 01:00:36,800
Speaker 3: gonna read that. And then next day she's like, I

1275
01:00:36,800 --> 01:00:39,680
Speaker 3: love it. I love it, So I'm gonna.

1276
01:00:39,480 --> 01:00:40,640
Speaker 1: Started reading it that day.

1277
01:00:41,400 --> 01:00:44,400
Speaker 5: I was like, probably at five am on the treadmill. Yeah,

1278
01:00:44,560 --> 01:00:45,880
Speaker 5: crack cracked up in that book.

1279
01:00:46,320 --> 01:00:49,160
Speaker 3: Her and Michelle, Oh, every morning, five am, getting up

1280
01:00:49,280 --> 01:00:52,560
Speaker 3: doing your kidding you work out every day before she

1281
01:00:52,760 --> 01:00:54,120
Speaker 3: is bananas.

1282
01:00:54,480 --> 01:00:54,760
Speaker 1: Wow.

1283
01:00:54,880 --> 01:00:58,360
Speaker 4: I mean it shows she looks unbelievable. I'm so excited

1284
01:00:58,400 --> 01:01:01,880
Speaker 4: for what this is gonna. She's already a full superstar

1285
01:01:01,960 --> 01:01:05,560
Speaker 4: but like she's Alphaba, She's she's gonna be Alphaba.

1286
01:01:05,640 --> 01:01:10,120
Speaker 3: And with it, Oh my god, seeing west End Wicked

1287
01:01:10,400 --> 01:01:12,520
Speaker 3: is a fucking.

1288
01:01:12,240 --> 01:01:13,680
Speaker 1: Who I love. It's fun.

1289
01:01:13,760 --> 01:01:17,160
Speaker 4: They say room allocations instead of room assignments.

1290
01:01:16,640 --> 01:01:23,000
Speaker 1: Right, that's the biggest difference. That's the biggest difference, room allocations.

1291
01:01:23,640 --> 01:01:25,440
Speaker 5: I like that she's American in the movie because it's

1292
01:01:25,440 --> 01:01:27,360
Speaker 5: like the only way she's supposed to be different from

1293
01:01:27,360 --> 01:01:29,640
Speaker 5: everyone is for greenness, and so she should.

1294
01:01:29,600 --> 01:01:32,920
Speaker 1: Same everywhere every other way. But maybe Johnny is British.

1295
01:01:33,200 --> 01:01:37,320
Speaker 1: Johnny's British. He's a print anyone.

1296
01:01:37,400 --> 01:01:39,720
Speaker 3: Yeah, he's a prince, and then he's a winky prince,

1297
01:01:39,760 --> 01:01:44,800
Speaker 3: and then Twinkie Prince, twinky Prince. Then I think that's

1298
01:01:44,840 --> 01:01:47,520
Speaker 3: the only brit I'm missing one. Oh no, I think

1299
01:01:47,600 --> 01:01:49,600
Speaker 3: Peter dinklich I think Diloman is British.

1300
01:01:49,800 --> 01:01:55,800
Speaker 4: Is male British, He's a British man. He looks like

1301
01:01:55,840 --> 01:02:00,640
Speaker 4: a British man. What movie ama a map king Peter

1302
01:02:00,720 --> 01:02:06,120
Speaker 4: dinklish is. Actually it's real culture number ninety nine, Peter Dinklinck.

1303
01:02:08,440 --> 01:02:10,080
Speaker 1: If she looks like a British man as me, girls.

1304
01:02:10,240 --> 01:02:15,280
Speaker 4: Yeah, of course, Bowen, you really do know your culture oh,

1305
01:02:15,320 --> 01:02:18,240
Speaker 4: I just got a text from maybe colon ilhan Omar.

1306
01:02:19,080 --> 01:02:19,640
Speaker 1: Oh great.

1307
01:02:19,960 --> 01:02:24,160
Speaker 4: The political texts are popping off, of course off. Okay,

1308
01:02:24,200 --> 01:02:27,440
Speaker 4: so this is Bowen's I don't think so, honey. Are

1309
01:02:27,440 --> 01:02:31,560
Speaker 4: you ready galvanized in free Yes? Bonyang's time starts now.

1310
01:02:31,800 --> 01:02:34,800
Speaker 1: I don't think so, honey. Barbecues it ain't all it's

1311
01:02:34,840 --> 01:02:35,680
Speaker 1: cracked up to be.

1312
01:02:35,840 --> 01:02:38,560
Speaker 3: You want smoke in the lung, you want a half

1313
01:02:38,640 --> 01:02:43,240
Speaker 3: cooked piece of chicken. You're getting food poisoning at the function,

1314
01:02:44,280 --> 01:02:47,160
Speaker 3: and the conversation's not gonna be that great. The music's

1315
01:02:47,160 --> 01:02:49,600
Speaker 3: not gonna be loud enough because we're too afraid to,

1316
01:02:49,720 --> 01:02:52,400
Speaker 3: you know, get a complaint. None of it is what

1317
01:02:52,440 --> 01:02:54,480
Speaker 3: you want it to be. I'm sorry. I love We

1318
01:02:54,560 --> 01:02:56,360
Speaker 3: all love barbecue in theory.

1319
01:02:56,040 --> 01:02:57,720
Speaker 1: Don't we thirty seconds?

1320
01:02:57,760 --> 01:03:00,520
Speaker 3: But then when you have to like don't get the

1321
01:03:00,680 --> 01:03:03,040
Speaker 3: coal where you have to like figure out how you're

1322
01:03:03,040 --> 01:03:08,040
Speaker 3: gonna like like the thing, it's it's too much. I'm

1323
01:03:08,160 --> 01:03:11,880
Speaker 3: sorry to burst your bubble everybody. Summer's just beginning. It's

1324
01:03:11,960 --> 01:03:15,320
Speaker 3: frilling season, but it's not going to live up to

1325
01:03:15,360 --> 01:03:19,080
Speaker 3: the fantasy unless you're really good at the tongs, unless

1326
01:03:19,120 --> 01:03:21,800
Speaker 3: you're really good at opening up the But yeah, first

1327
01:03:21,800 --> 01:03:23,720
Speaker 3: of all, five seconds, good luck if you have to

1328
01:03:23,800 --> 01:03:26,480
Speaker 3: clean out the fucking vents from the year before, because

1329
01:03:26,520 --> 01:03:28,200
Speaker 3: that is going to put you off from the whole

1330
01:03:28,240 --> 01:03:28,800
Speaker 3: fucking thing.

1331
01:03:28,920 --> 01:03:29,720
Speaker 1: I don't think so, honey.

1332
01:03:29,840 --> 01:03:32,160
Speaker 4: And that's one minute I will say. I will shout

1333
01:03:32,160 --> 01:03:35,040
Speaker 4: out Jared again. We just had a small, tiny moment

1334
01:03:35,040 --> 01:03:37,040
Speaker 4: at his house where he barbecued for a few friends.

1335
01:03:37,360 --> 01:03:40,120
Speaker 4: You just have to get someone who isn't like, yeah,

1336
01:03:40,160 --> 01:03:42,280
Speaker 4: I can do it. You have to get someone that's

1337
01:03:42,280 --> 01:03:44,200
Speaker 4: gonna take the grilling seriously.

1338
01:03:44,520 --> 01:03:45,040
Speaker 1: Yeah.

1339
01:03:45,240 --> 01:03:46,800
Speaker 5: I was gonna say, Noah. You haven't been to a

1340
01:03:46,800 --> 01:03:49,080
Speaker 5: barbecue that Noah has been in charge of. It's a

1341
01:03:49,080 --> 01:03:50,240
Speaker 5: different kind of experience.

1342
01:03:50,440 --> 01:03:52,040
Speaker 4: Well maybe if he does it at the wedding, we

1343
01:03:52,120 --> 01:03:53,840
Speaker 4: can you know, you can throw us some meat on

1344
01:03:53,880 --> 01:03:55,480
Speaker 4: the side because we'll be working the event.

1345
01:03:55,920 --> 01:03:58,400
Speaker 5: Well you'll be so tired from your motivational dancing, right,

1346
01:03:58,600 --> 01:03:59,520
Speaker 5: you'll need some protein.

1347
01:04:00,080 --> 01:04:01,880
Speaker 1: Yeah. I mean, he's a great chef, so like it'll

1348
01:04:01,880 --> 01:04:02,440
Speaker 1: taste really good.

1349
01:04:02,440 --> 01:04:04,960
Speaker 5: But he just takes the timing seriously, doesn't put it

1350
01:04:05,040 --> 01:04:08,080
Speaker 5: on others. We positioned the grill in a proper place.

1351
01:04:08,280 --> 01:04:10,760
Speaker 5: It's it can be done in a meaningful way. But

1352
01:04:10,760 --> 01:04:13,400
Speaker 5: I do agree that a slap dash barbecue is not

1353
01:04:13,560 --> 01:04:14,800
Speaker 5: always a fun experience.

1354
01:04:14,960 --> 01:04:17,560
Speaker 1: Maybe I'm two used to slap dash barbecue.

1355
01:04:18,080 --> 01:04:20,680
Speaker 4: It's like one of those things too, where like you

1356
01:04:20,720 --> 01:04:24,680
Speaker 4: never want to really volunteer unless it's so you're so

1357
01:04:24,840 --> 01:04:27,280
Speaker 4: confident you can do it. Because I've actually at our

1358
01:04:27,280 --> 01:04:30,160
Speaker 4: Fire Island house ball and remember this, I was like, oh, grill,

1359
01:04:30,600 --> 01:04:32,840
Speaker 4: and then one of our guests came over and was like,

1360
01:04:33,120 --> 01:04:34,880
Speaker 4: I'm so sorry, I need you to get out of

1361
01:04:34,920 --> 01:04:35,240
Speaker 4: the way.

1362
01:04:35,360 --> 01:04:36,200
Speaker 1: I'm gonna take over.

1363
01:04:36,600 --> 01:04:38,560
Speaker 4: But this person came over and was like, you know what,

1364
01:04:38,600 --> 01:04:41,160
Speaker 4: they were right to kick me off, Like I didn't

1365
01:04:41,200 --> 01:04:43,000
Speaker 4: know what I was doing, and everyone would have been

1366
01:04:43,600 --> 01:04:46,000
Speaker 4: having a worse experience. But if you have someone that's

1367
01:04:46,160 --> 01:04:48,880
Speaker 4: truly a grill master, which.

1368
01:04:48,680 --> 01:04:51,880
Speaker 1: Is these are few and far between, I would agree,

1369
01:04:52,080 --> 01:04:52,400
Speaker 1: all right.

1370
01:04:52,400 --> 01:04:54,959
Speaker 5: But Noah Galvin, Yeah, well he's not certified, but he's

1371
01:04:55,120 --> 01:04:56,040
Speaker 5: he's a master of the grove.

1372
01:04:56,280 --> 01:04:58,480
Speaker 1: Should be a certification that you need to have to

1373
01:04:58,520 --> 01:05:00,320
Speaker 1: man a girl, do you hook?

1374
01:05:00,880 --> 01:05:02,960
Speaker 5: When we first started dating, the gas in my partmer

1375
01:05:03,040 --> 01:05:05,800
Speaker 5: was turned off and carry Bradshaw style. I was storing

1376
01:05:05,920 --> 01:05:08,960
Speaker 5: clothes in my own oven. But at this point I

1377
01:05:08,960 --> 01:05:11,560
Speaker 5: can like I can like sew, you know I can.

1378
01:05:11,800 --> 01:05:14,160
Speaker 5: I can clean as he goes and chop for him

1379
01:05:14,200 --> 01:05:14,600
Speaker 5: and stuff.

1380
01:05:14,920 --> 01:05:15,880
Speaker 1: You can see.

1381
01:05:16,320 --> 01:05:19,240
Speaker 4: Okay, I thought you said you could stew and I

1382
01:05:19,280 --> 01:05:22,040
Speaker 4: was like, well bowe yang's yeah, and I exclusively makes

1383
01:05:22,040 --> 01:05:25,959
Speaker 4: it too. That's like going, really do love stew bowing.

1384
01:05:26,000 --> 01:05:27,640
Speaker 1: I love stew year round?

1385
01:05:28,400 --> 01:05:31,840
Speaker 5: Really yeah, I love just because you could just you

1386
01:05:31,920 --> 01:05:33,640
Speaker 5: like throw her all in there and she just simmers

1387
01:05:33,640 --> 01:05:35,000
Speaker 5: in there she is or what what about it?

1388
01:05:35,040 --> 01:05:35,320
Speaker 1: Do you like?

1389
01:05:36,040 --> 01:05:40,960
Speaker 3: No, it's that It's like it's perfect stoner food. It's like, yeah,

1390
01:05:41,080 --> 01:05:44,640
Speaker 3: oh it's it just really hits every spot.

1391
01:05:45,120 --> 01:05:48,560
Speaker 4: As Taylor tom Winson recently said, a stew is just

1392
01:05:48,640 --> 01:05:49,840
Speaker 4: soup with something to.

1393
01:05:49,800 --> 01:05:55,040
Speaker 1: Say, that's perfect. I thought that was really apt. I

1394
01:05:55,040 --> 01:05:59,040
Speaker 1: thought it was beautiful. Well bo looking ahead, I hope

1395
01:05:59,040 --> 01:06:03,040
Speaker 1: that you have people around you that can barbecue this

1396
01:06:03,080 --> 01:06:05,040
Speaker 1: summer and aren't playing in your face.

1397
01:06:06,040 --> 01:06:09,600
Speaker 3: I just think like, look, I love a public space.

1398
01:06:09,720 --> 01:06:14,360
Speaker 3: I love a public park with grills. The smoke do billow,

1399
01:06:15,280 --> 01:06:19,560
Speaker 3: the smoke do go into other spaces and it's like, oh,

1400
01:06:19,640 --> 01:06:23,640
Speaker 3: we were just trying to play cards here on our blanket,

1401
01:06:24,680 --> 01:06:27,720
Speaker 3: but we're getting the draft, we're getting the down draft

1402
01:06:27,800 --> 01:06:30,400
Speaker 3: from the grill that's like two hundred feet away.

1403
01:06:30,560 --> 01:06:33,040
Speaker 4: Spatial awareness is going to be huge this summer when

1404
01:06:33,040 --> 01:06:37,480
Speaker 4: it comes to creating smoke, fire and more period. So

1405
01:06:37,560 --> 01:06:39,760
Speaker 4: now it's time for Ben Platts. I don't think so, honey,

1406
01:06:40,800 --> 01:06:42,640
Speaker 4: are you ready? Galvanized and free?

1407
01:06:42,880 --> 01:06:49,320
Speaker 1: No a galvanized? In between two? No galvanized, you've heard

1408
01:06:49,360 --> 01:06:52,720
Speaker 1: no a galvanized. His drag name is no Avail, but

1409
01:06:52,800 --> 01:06:53,520
Speaker 1: I do also like.

1410
01:06:54,320 --> 01:06:58,200
Speaker 4: No Avail that wait, can I try this because Bowen

1411
01:06:58,280 --> 01:06:59,880
Speaker 4: is not sold on my dragon name, but I'll try

1412
01:06:59,920 --> 01:07:01,400
Speaker 4: it out on you do it?

1413
01:07:01,760 --> 01:07:08,560
Speaker 1: Splash a cram? I like splash your cram. I was

1414
01:07:08,600 --> 01:07:09,560
Speaker 1: never against splash.

1415
01:07:10,120 --> 01:07:11,800
Speaker 4: You do that thing you always do to me, which

1416
01:07:11,800 --> 01:07:14,400
Speaker 4: is yeah, the iconic first name Splasha.

1417
01:07:14,960 --> 01:07:18,200
Speaker 5: No, that's not also one that I heard recently that's

1418
01:07:18,240 --> 01:07:19,600
Speaker 5: not for me, but that I think is good as

1419
01:07:19,680 --> 01:07:30,520
Speaker 5: Sharon Elise, like Sharon Elise, Sharon Elise or Alexa pro Alexa.

1420
01:07:29,440 --> 01:07:31,480
Speaker 1: Pro Okay, you're ready?

1421
01:07:32,080 --> 01:07:32,280
Speaker 2: Yeah?

1422
01:07:32,400 --> 01:07:33,240
Speaker 1: What you're between?

1423
01:07:33,240 --> 01:07:36,600
Speaker 4: Two like like do you need help to decide?

1424
01:07:36,880 --> 01:07:41,320
Speaker 1: One is like so Niche and one is like Braddy

1425
01:07:42,320 --> 01:07:44,880
Speaker 1: Niche and Braddy. I think I think you can make

1426
01:07:44,880 --> 01:07:45,200
Speaker 1: the nie.

1427
01:07:46,360 --> 01:07:49,880
Speaker 4: Let's do Niche Okay, okay, this has been I don't

1428
01:07:49,920 --> 01:07:51,280
Speaker 4: think so honey. Time starts now.

1429
01:07:51,640 --> 01:07:52,520
Speaker 1: I don't think so honey.

1430
01:07:52,520 --> 01:07:54,200
Speaker 5: On door dash, when they tell you it's going to

1431
01:07:54,240 --> 01:07:56,480
Speaker 5: come at a certain time and then they're showing you

1432
01:07:56,560 --> 01:07:59,000
Speaker 5: the path of the car coming towards you, and they

1433
01:07:59,040 --> 01:08:02,640
Speaker 5: fill time by creating like a gridded path on every

1434
01:08:02,680 --> 01:08:04,720
Speaker 5: streak heading to your house, when you know for a

1435
01:08:04,760 --> 01:08:06,720
Speaker 5: fact that is not the path that the car is taking.

1436
01:08:06,920 --> 01:08:08,920
Speaker 5: They're just trying to pretend that he's on his way

1437
01:08:09,440 --> 01:08:11,240
Speaker 5: or his bike or his feet or whatever it is.

1438
01:08:11,640 --> 01:08:14,760
Speaker 5: He's not even left the business. He's dropping off somebody

1439
01:08:14,800 --> 01:08:18,759
Speaker 5: else's food, he's fucking somebody else's girlfriend. He's not headed

1440
01:08:18,800 --> 01:08:21,519
Speaker 5: towards you, and it's telling you don't worry. He's just

1441
01:08:21,880 --> 01:08:24,080
Speaker 5: like and he's also decided to take this left as well.

1442
01:08:24,160 --> 01:08:25,559
Speaker 5: And I also have did a more seconds. I'm gonna

1443
01:08:25,560 --> 01:08:27,000
Speaker 5: throw the other one. I don't think so honey. Straight

1444
01:08:27,000 --> 01:08:28,959
Speaker 5: people asking me what am I gonna do for pride,

1445
01:08:29,160 --> 01:08:30,960
Speaker 5: because I don't know what am I gonna do for pride.

1446
01:08:30,960 --> 01:08:33,160
Speaker 5: I'm just gonna be gay and hang around other gay

1447
01:08:33,160 --> 01:08:35,479
Speaker 5: people like I do the rest of the year business.

1448
01:08:35,479 --> 01:08:37,160
Speaker 1: What I'm gonna do for Pride? What are you gonna

1449
01:08:37,160 --> 01:08:37,719
Speaker 1: do for Pride?

1450
01:08:37,800 --> 01:08:38,000
Speaker 3: Sir?

1451
01:08:38,280 --> 01:08:40,280
Speaker 1: Are you gonna advocate for us? Are you gonna go

1452
01:08:40,320 --> 01:08:42,120
Speaker 1: to a parade, You're gonna take your shirt off? What

1453
01:08:42,160 --> 01:08:43,600
Speaker 1: are you gonna do for Pride? You're gonna comest to

1454
01:08:43,680 --> 01:08:45,840
Speaker 1: me at the palace. You should do that for Pride. Yeah.

1455
01:08:46,160 --> 01:08:49,639
Speaker 5: Second, continuing to live and cohabitate with my same sex partner,

1456
01:08:49,720 --> 01:08:52,599
Speaker 5: Thank you so much. Fifty nine and a minute, and I.

1457
01:08:52,520 --> 01:08:56,280
Speaker 4: Don't think so, honey, that is one minute good for you.

1458
01:08:56,880 --> 01:08:59,160
Speaker 4: I was just in Palm Springs from Oral Day weekend.

1459
01:08:59,600 --> 01:09:04,639
Speaker 4: Those bars were filled with I'm sorry, but bachelorette parties

1460
01:09:04,760 --> 01:09:07,120
Speaker 4: and not not to say that Palm Springs is like

1461
01:09:07,160 --> 01:09:10,160
Speaker 4: an exclusively gay thing. It's fine. It's just like you

1462
01:09:10,200 --> 01:09:15,400
Speaker 4: get the sense that now more than ever. And I

1463
01:09:15,840 --> 01:09:18,439
Speaker 4: love the straight girlies, but like at the gay bar

1464
01:09:18,600 --> 01:09:22,759
Speaker 4: during Pride, it's like, that's not really your space.

1465
01:09:23,560 --> 01:09:25,200
Speaker 1: Like when the Real Houseworks of Salt Lake.

1466
01:09:25,120 --> 01:09:26,920
Speaker 4: City went to Palm Springs and stayed at the Tricksy

1467
01:09:27,000 --> 01:09:29,160
Speaker 4: Mo Hotel and then they went over to like the

1468
01:09:29,200 --> 01:09:32,600
Speaker 4: gay bars and stuff. I was like, I think this

1469
01:09:32,680 --> 01:09:36,719
Speaker 4: has changed forever, and it did. Yeah, like it was different.

1470
01:09:36,760 --> 01:09:37,960
Speaker 4: This year than it's ever been.

1471
01:09:38,200 --> 01:09:41,800
Speaker 1: Wow, because of Salt Lake. I mean, I don't know.

1472
01:09:41,880 --> 01:09:44,639
Speaker 1: I can't, I can't. I haven't researched in my findings.

1473
01:09:44,720 --> 01:09:49,679
Speaker 1: Those were those were historic episodes. They certainly were. They

1474
01:09:49,720 --> 01:09:51,880
Speaker 1: certainly were, and I wouldn't take them back at all.

1475
01:09:52,160 --> 01:09:55,320
Speaker 4: But I just noticed that the gay bars in Palm

1476
01:09:55,360 --> 01:09:58,879
Speaker 4: Springs this Memorial Day weekend. It was a different situation

1477
01:09:59,000 --> 01:09:59,719
Speaker 4: than years past.

1478
01:10:00,200 --> 01:10:02,400
Speaker 1: Or sure, okay, what is that going to come back?

1479
01:10:02,720 --> 01:10:07,120
Speaker 4: Like, it's done, They've shot the season. The ladies did

1480
01:10:07,240 --> 01:10:10,280
Speaker 4: very well at the last Culture Resalce Culture Awards nominations.

1481
01:10:10,320 --> 01:10:16,200
Speaker 4: They did really. They're up for the Bena Jesuit Award

1482
01:10:16,360 --> 01:10:19,960
Speaker 4: for a group of women that sligh for most women,

1483
01:10:20,479 --> 01:10:24,360
Speaker 4: most like group of women. They're up for best Picture

1484
01:10:24,400 --> 01:10:30,080
Speaker 4: literal picture. WHOA the last supper picture? It is, no,

1485
01:10:30,320 --> 01:10:31,800
Speaker 4: it's it's going for women on the Beach.

1486
01:10:32,360 --> 01:10:35,599
Speaker 1: Oh of course, of course. Yeah. The last sepperate picture, though,

1487
01:10:35,760 --> 01:10:38,200
Speaker 1: is snubbed.

1488
01:10:38,360 --> 01:10:40,479
Speaker 4: We got snubbed, and we're getting a lot of flak

1489
01:10:40,560 --> 01:10:45,160
Speaker 4: for snubbing. The rumors in nastiness and receipts, proof timelines released.

1490
01:10:46,360 --> 01:10:47,760
Speaker 1: We're getting it, but listen.

1491
01:10:47,520 --> 01:10:51,160
Speaker 4: Like we we don't control it, like it's it's like

1492
01:10:51,200 --> 01:10:52,640
Speaker 4: we don't control the nominations.

1493
01:10:52,680 --> 01:10:57,320
Speaker 5: So sorry, I understand someone else that's okay. The last

1494
01:10:57,360 --> 01:10:59,120
Speaker 5: supper picture will get like an Obie or something.

1495
01:10:59,200 --> 01:11:00,599
Speaker 1: You know, yeah, exactly.

1496
01:11:01,600 --> 01:11:05,920
Speaker 4: Speaking of nominations, I nominate Ben as one of our

1497
01:11:05,920 --> 01:11:07,679
Speaker 4: best guests, one of our favorite people.

1498
01:11:08,000 --> 01:11:12,200
Speaker 1: That's nice. This album is so good. I absolutely loved

1499
01:11:12,520 --> 01:11:15,559
Speaker 1: listening to every second of it. Honeymond is streaming now,

1500
01:11:15,560 --> 01:11:17,920
Speaker 1: and you gotta go see Ben at the Palace. You

1501
01:11:18,040 --> 01:11:20,960
Speaker 1: just have to. You'll be giving yourself a big gift,

1502
01:11:21,000 --> 01:11:21,559
Speaker 1: like I said.

1503
01:11:22,000 --> 01:11:23,360
Speaker 5: And if you don't live in New York, I'm going

1504
01:11:23,360 --> 01:11:26,400
Speaker 5: on tour after that, so yes, somewhere near you, so

1505
01:11:26,479 --> 01:11:26,960
Speaker 5: come see me.

1506
01:11:27,000 --> 01:11:28,320
Speaker 1: It'll be like pretty much the same.

1507
01:11:28,120 --> 01:11:32,559
Speaker 3: Thing stream honeymind now, I said, and I and Matt.

1508
01:11:32,560 --> 01:11:35,479
Speaker 3: Matt was saying, he nominates Ben. I have the envelope

1509
01:11:35,520 --> 01:11:39,560
Speaker 3: in my hand, and the winner.

1510
01:11:39,240 --> 01:11:44,960
Speaker 1: Is Ben's baby.

1511
01:11:44,960 --> 01:11:48,960
Speaker 5: You won, Babe, you want, but adrenals are so shot

1512
01:11:49,000 --> 01:11:50,639
Speaker 5: from the palace, they don't even know how to react.

1513
01:11:52,360 --> 01:11:55,040
Speaker 4: You gotta go see him quick before his adrenals totally

1514
01:11:55,080 --> 01:11:56,960
Speaker 4: give out because.

1515
01:11:56,800 --> 01:12:00,280
Speaker 1: Because they're they're they're on their last legs for the

1516
01:12:00,320 --> 01:12:03,400
Speaker 1: sore and he's chugging room temperature water just for you.

1517
01:12:04,040 --> 01:12:07,160
Speaker 1: It's gone from the whole episode. It's gone. That's good.

1518
01:12:07,200 --> 01:12:09,120
Speaker 1: You need your strength. We love you, Diva.

1519
01:12:09,640 --> 01:12:11,040
Speaker 4: I love you guys. Thanks for having me.

1520
01:12:11,080 --> 01:12:12,960
Speaker 1: Ba a fucking quirks.

1521
01:12:13,120 --> 01:12:13,240
Speaker 3: Uh.

1522
01:12:13,360 --> 01:12:15,040
Speaker 1: We end every episode with the song.

1523
01:12:16,680 --> 01:12:31,240
Speaker 2: Don't wish, don't start wishing, only wounds the choo.

1524
01:12:31,560 --> 01:12:36,439
Speaker 1: Is that the right one? There's a girl I know, girl, No,

1525
01:12:37,040 --> 01:12:42,120
Speaker 1: give me a little channel. He loves so do do

1526
01:12:42,120 --> 01:12:43,480
Speaker 1: do do, do do.

1527
01:12:45,760 --> 01:12:54,040
Speaker 4: Not. I'm gonna give it a lot to hear the

1528
01:12:54,040 --> 01:12:55,880
Speaker 4: rest of that. Listen to the Wicked soundtrack.

1529
01:12:56,520 --> 01:13:00,880
Speaker 1: Bye Bye, I'm still