WEBVTT - The Monstrefact: The Killer Rabbit of Caerbannog

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of

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<v Speaker 1>My Heart Radio. Hi, my name is Robert Lamb. And

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<v Speaker 1>this is the Monster Fact, a short form series from

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<v Speaker 1>Stuff to Blow Your Mind focusing on our mythical creatures,

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<v Speaker 1>ideas and monsters in time. The cave of Carbonac is

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<v Speaker 1>a loathsome sight, for outside the dark aperture lay scattered

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<v Speaker 1>the bones of fifty or more warriors, and here we

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<v Speaker 1>are told death awaits us, all with nasty, big pointed teeth. Yes,

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<v Speaker 1>this is the famous killer rabbit from the film Monty

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<v Speaker 1>Python and the Holy Grail, and the audience indeed gets

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<v Speaker 1>to watch on as the otherwise normal looking white rabbit

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<v Speaker 1>commences to slaughter medieval nights right and left, until the

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<v Speaker 1>Nights of the Round Table do finally defeat the creature

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<v Speaker 1>with the aid of the legendary holly hand grenade of Antigoch.

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<v Speaker 1>It's a wonderfully absurd scene, and of course, the obvious

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<v Speaker 1>reason for the absurdity is that rabbits of the natural

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<v Speaker 1>world are generally noted for their bashfulness in the wild

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<v Speaker 1>and their docile nature in domesticated settings. This seems to

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<v Speaker 1>be true of all extant rabbits and hairs of the

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<v Speaker 1>family Leopori day and even such prehistoric examples as neurologist Rex,

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<v Speaker 1>which would have been about six times the size of

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<v Speaker 1>a living rabbit, were largely herbivores. Though to be sure,

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<v Speaker 1>rabbits are capable of eating their own young, and there

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<v Speaker 1>are also anecdotal reports of rabbits scavenging meat in the wild.

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<v Speaker 1>So the mere idea of a killer rabbit is of

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<v Speaker 1>course again inherently absurd, whether we're talking about the killer

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<v Speaker 1>rabbit of Carbana or the giant rampaging rabbits of VY

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<v Speaker 1>two's Night of the Lepis. Though I suppose I'm willing

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<v Speaker 1>to give giant rabbits in a largely barren environment the

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<v Speaker 1>benefit of the doubt. Still, the idea is inherently silly,

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<v Speaker 1>so silly that the notion of a killer rabbit continues

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<v Speaker 1>to resonate in varying areas of discourse. Just as one

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<v Speaker 1>quick example, and again this one is from the nineteen seventies,

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<v Speaker 1>in which there is a fair amount of killer rabbit excitement. Obviously,

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<v Speaker 1>uh as Gary Bettel wrote in a nine paper in

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<v Speaker 1>the New Scholasticism, quote to find a carnivorous rabbit would

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<v Speaker 1>indeed so upset our system of knowledge that we might have,

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<v Speaker 1>that we might hesitate to classify the newfound entity as

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<v Speaker 1>a rabbit. But the idea of a killer rabbit is

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<v Speaker 1>not just a comedic obsession of the seventies. No, the

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<v Speaker 1>idea actually goes back hundreds of years. At least. The

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<v Speaker 1>facade of Notre Dame Cathedral in Paris, France features an

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<v Speaker 1>image of a night fleeing from a rabbit, an image

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<v Speaker 1>that reportedly inspired the Python filmmakers. Such a fearsome rabbit

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<v Speaker 1>also pops up in the medieval literary cycle of Reynard

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<v Speaker 1>the Fox, again as an absurdity, an example of extreme cowardens,

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<v Speaker 1>and as pointed out on the British Libraries Excellent Medieval

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<v Speaker 1>Manuscripts blog, the motif of illustrated fearsome rabbits in medieval

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<v Speaker 1>manuscripts dates back to at least the eleven seventies. When

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<v Speaker 1>we see a rabbit threatening a night in the Arnstein Passional,

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<v Speaker 1>such rabbits typically pop up and decorated initials and marginalia,

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<v Speaker 1>so not central illustrations, but illustrated flourishes that often celebrated

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<v Speaker 1>absurd notions of the world turned on its head later

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<v Speaker 1>centuries also gave us more manuscript illustrations of rabbit mischief.

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<v Speaker 1>The smith Field Decreetles of the thirteen forties includes images

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<v Speaker 1>of man size rabbits shooting a hunter with a bow

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<v Speaker 1>and arrow, and then later we see another man sized

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<v Speaker 1>rabbit assisting in the judgment and summary execution of the hunter.

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<v Speaker 1>The final image shows one of the rabbits beheading the

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<v Speaker 1>hunter with a great sword. So clearly this is all

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<v Speaker 1>in good fun and this is just one example, but

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<v Speaker 1>I high recommend you check out that blog post Medieval

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<v Speaker 1>killer Rabbits when Bunnies Strike Back for more examples. Clearly,

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<v Speaker 1>the oxymoronic power of the killer rabbit has stood out

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<v Speaker 1>to us for some time and it will continue to

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<v Speaker 1>resonate with us as the cute threat, the thing that

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<v Speaker 1>couldn't possibly rise up and eat us, bite our head off,

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<v Speaker 1>or sentenced us to death by beheading. Tune in for

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<v Speaker 1>additional episodes of the Monster Fact each week. As always,

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<v Speaker 1>you can email us at contact at stuff to Blow

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<v Speaker 1>your Mind dot com. Stuff to Blow Your Mind is

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<v Speaker 1>a production of I Heart Radio. For more podcasts for

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