1 00:00:01,040 --> 00:00:04,840 Speaker 1: Look man, oh, I see you? Why why and look 2 00:00:04,880 --> 00:00:11,080 Speaker 1: over there? How is that culture? Yes? Goodness ding don 3 00:00:11,280 --> 00:00:15,080 Speaker 1: less cultures calling. It's sort of a fraud tense atmosphere 4 00:00:15,120 --> 00:00:18,319 Speaker 1: because our guest is threatening to infiltrate the podcast in 5 00:00:18,360 --> 00:00:21,440 Speaker 1: he said, quote unquote push and I'm just like very 6 00:00:21,480 --> 00:00:24,440 Speaker 1: nervous because I said, if you give a mouse a cookie, 7 00:00:24,920 --> 00:00:27,320 Speaker 1: he's going to want a glass of milk. That's actually 8 00:00:27,360 --> 00:00:30,160 Speaker 1: rulal culture number forty eight. If you give a mouse 9 00:00:30,160 --> 00:00:33,200 Speaker 1: a cookie, he's going to want a glass of milk, 10 00:00:32,640 --> 00:00:37,960 Speaker 1: and more and more and more afterwards when she enough? 11 00:00:38,720 --> 00:00:41,440 Speaker 1: When will it be enough? Can you just answer that question? Well, 12 00:00:41,840 --> 00:00:45,000 Speaker 1: according to famous Feeball, that is written to teach us 13 00:00:45,080 --> 00:00:52,000 Speaker 1: all a lesson about human nature and control and portion 14 00:00:50,640 --> 00:00:54,560 Speaker 1: control and control now more than ever and now more 15 00:00:54,600 --> 00:00:57,880 Speaker 1: than ever, portion control is important. I think I'm in 16 00:00:57,880 --> 00:01:03,320 Speaker 1: with an amazing take. I'm in because I'm trying to 17 00:01:03,320 --> 00:01:05,000 Speaker 1: just have like, what is the most comedic choice to 18 00:01:05,080 --> 00:01:08,959 Speaker 1: make in terms of pushing and if you the best 19 00:01:08,959 --> 00:01:12,520 Speaker 1: comedic choice is whatever choice you make and nour breaking 20 00:01:12,520 --> 00:01:14,720 Speaker 1: the fourth wall and I'm gonna go ahead and speak 21 00:01:14,760 --> 00:01:17,080 Speaker 1: to Canadas is actually who's winning me over this season? 22 00:01:17,080 --> 00:01:18,960 Speaker 1: By breaking the fourth I think, I leave my whole 23 00:01:18,959 --> 00:01:20,880 Speaker 1: fourth wall moment and don't take a second of it 24 00:01:20,920 --> 00:01:24,080 Speaker 1: out amazing. When we talked about this three separate episodes, 25 00:01:24,720 --> 00:01:26,800 Speaker 1: including this one, it was it gets in a word 26 00:01:26,800 --> 00:01:29,520 Speaker 1: for most iconic fourth hole breaking. Well little the moment 27 00:01:29,560 --> 00:01:31,480 Speaker 1: I keep talking about it is when she like she's 28 00:01:31,480 --> 00:01:33,120 Speaker 1: facing Gil, she goes, what are you doing? And then 29 00:01:33,120 --> 00:01:34,960 Speaker 1: she turns to the camera. We do right now. I 30 00:01:36,360 --> 00:01:37,920 Speaker 1: love it and I love I love when the show 31 00:01:37,959 --> 00:01:39,920 Speaker 1: decides to sort of tilt the camera one way to 32 00:01:40,000 --> 00:01:43,120 Speaker 1: show another camera and then you think, Okay, we're in 33 00:01:43,120 --> 00:01:44,920 Speaker 1: a different space for in a different one, and that's 34 00:01:44,959 --> 00:01:47,319 Speaker 1: them saying, like, now, what we're talking about and what 35 00:01:47,360 --> 00:01:50,440 Speaker 1: we're commenting on is the process of making reality television 36 00:01:51,320 --> 00:01:53,560 Speaker 1: and that is best taking. So you consider all this 37 00:01:53,680 --> 00:01:55,840 Speaker 1: fourth world breaking of Lost Coach, like we we we 38 00:01:55,960 --> 00:01:59,000 Speaker 1: really tried to do our We tried to do our thing, 39 00:01:59,080 --> 00:02:02,040 Speaker 1: our little your top a little up to a little tip. 40 00:02:02,120 --> 00:02:04,520 Speaker 1: You try to embrace your traditions in your history by 41 00:02:04,560 --> 00:02:08,440 Speaker 1: doing you know what you do up top. But sometimes 42 00:02:08,760 --> 00:02:13,040 Speaker 1: someone comes in and really pushes in and takes the 43 00:02:13,040 --> 00:02:15,200 Speaker 1: glass of the milk. That's the thing, is like what 44 00:02:15,240 --> 00:02:18,000 Speaker 1: I said right before was if we give him this 45 00:02:18,080 --> 00:02:20,040 Speaker 1: in and he will take a whole he will take 46 00:02:20,080 --> 00:02:22,400 Speaker 1: over the podcast, which I know is what some readers 47 00:02:22,480 --> 00:02:25,280 Speaker 1: really can. I tell you something. I posted the trailer 48 00:02:25,320 --> 00:02:28,359 Speaker 1: for my Showtime comedy special Matt Rogers, have you heard 49 00:02:28,360 --> 00:02:30,320 Speaker 1: of Christmas? And Pat Regan is very much at the 50 00:02:30,320 --> 00:02:33,160 Speaker 1: top of the trailer. More comments about Pat Regan being 51 00:02:33,160 --> 00:02:36,080 Speaker 1: in the trailer than the trailer itself. People will, people 52 00:02:36,080 --> 00:02:38,880 Speaker 1: are gonna watch, Millions are gonna watch because of Pat Regan. Honey. 53 00:02:38,919 --> 00:02:41,160 Speaker 1: All that matters is people are going to watch your right, 54 00:02:41,200 --> 00:02:43,440 Speaker 1: and that's why I cast him. I'm using him just 55 00:02:43,480 --> 00:02:47,079 Speaker 1: like I'm using him today to promote my special. You're 56 00:02:47,120 --> 00:02:51,680 Speaker 1: supporting your supporting role. I'm so upset introduce him. Yeah. 57 00:02:51,960 --> 00:02:54,280 Speaker 1: Our guest today is of course the Cost of the 58 00:02:54,280 --> 00:02:57,240 Speaker 1: Sea Treatment podcast. He's a writer for Hacks and going 59 00:02:57,280 --> 00:03:00,359 Speaker 1: on three seasons now, and not everyone makes it from 60 00:03:00,400 --> 00:03:04,040 Speaker 1: room to room. Room culture is extremely difficult, very political, 61 00:03:04,360 --> 00:03:06,680 Speaker 1: especially when you work for you know, the best in 62 00:03:06,720 --> 00:03:08,519 Speaker 1: the biz, and so there's a lot of turnover. But 63 00:03:08,720 --> 00:03:12,240 Speaker 1: not with our quick little Cat, Our little Cat, well, 64 00:03:12,480 --> 00:03:16,000 Speaker 1: we love him so much. She's a beloved fixture on 65 00:03:16,040 --> 00:03:19,360 Speaker 1: the podcast. And his absence is always felt. You know 66 00:03:19,480 --> 00:03:22,800 Speaker 1: him from his upcoming projects, which included Matt Rogers, Have 67 00:03:22,840 --> 00:03:24,840 Speaker 1: You Heard of Christmas? And which he has a supporting role. 68 00:03:25,320 --> 00:03:28,640 Speaker 1: It's so wonderful. First of all, Mike cutting the trailer 69 00:03:28,720 --> 00:03:30,720 Speaker 1: is a little whatever. But what are you talking about? 70 00:03:30,720 --> 00:03:32,800 Speaker 1: Why are you dragging my trailer. I'm not dragging your trailer. 71 00:03:32,840 --> 00:03:35,840 Speaker 1: I'm dragging my performance because the trailer. But then you 72 00:03:35,920 --> 00:03:38,240 Speaker 1: dragged my director. So let me tell you something. When 73 00:03:38,240 --> 00:03:40,680 Speaker 1: you come from your performance, when you come from your 74 00:03:40,680 --> 00:03:43,160 Speaker 1: performance to anything, you drag the director. You dragged the project, 75 00:03:43,160 --> 00:03:46,280 Speaker 1: You dragged the creator. So you just sat here. You 76 00:03:46,360 --> 00:03:47,960 Speaker 1: sat here and played in my face and keep my 77 00:03:48,000 --> 00:03:54,360 Speaker 1: fourth wall in. I need Eric where where we need Eric? 78 00:03:54,440 --> 00:03:57,160 Speaker 1: On call on the ready this whole episode, because I 79 00:03:57,200 --> 00:03:59,880 Speaker 1: just feel like Eric is gonna be brought in. You 80 00:04:00,000 --> 00:04:02,560 Speaker 1: were studying in the trailer. You were studying in the trailer. 81 00:04:02,800 --> 00:04:06,160 Speaker 1: I was most importantly studying on the trailer. December two, 82 00:04:06,320 --> 00:04:09,680 Speaker 1: Pat Reagan is in Matt Rogers, Have Your Herd of Christmas? 83 00:04:10,240 --> 00:04:14,119 Speaker 1: And well, the thing is like they all knew that 84 00:04:14,240 --> 00:04:16,960 Speaker 1: because of course deadline announced, but didn't the announced Pat 85 00:04:17,000 --> 00:04:21,200 Speaker 1: as that was a big secret. You know, I'm wondering 86 00:04:21,240 --> 00:04:24,080 Speaker 1: if whatever, I'm not gonna you're not gonna drive. I'm 87 00:04:24,080 --> 00:04:26,200 Speaker 1: not gonna talk about the press today. I don't have 88 00:04:26,279 --> 00:04:28,360 Speaker 1: to talk about my crazy relationship with the press. Today. 89 00:04:29,040 --> 00:04:32,119 Speaker 1: I'm gonna taking my relationship with the press, and please 90 00:04:32,160 --> 00:04:36,200 Speaker 1: welcome to our guest. Can you talk about your relationship 91 00:04:36,240 --> 00:04:37,919 Speaker 1: with the press. Can you elaborate with your relationship and 92 00:04:37,920 --> 00:04:40,839 Speaker 1: be honest? Okay, well, the press never acknowledges me as 93 00:04:41,160 --> 00:04:43,679 Speaker 1: a person, and then when they do, they do choose 94 00:04:43,720 --> 00:04:45,960 Speaker 1: to kind of they find her little ways and we 95 00:04:46,240 --> 00:04:48,400 Speaker 1: actually I can't, you know, I just want to really 96 00:04:48,440 --> 00:04:50,719 Speaker 1: talk about my relationship with the press. So I can't 97 00:04:50,720 --> 00:04:52,479 Speaker 1: be that person who's always talking about the relationship with 98 00:04:52,480 --> 00:04:54,359 Speaker 1: the press, but mom being so ironic and like joking 99 00:04:54,400 --> 00:04:57,600 Speaker 1: about it, which is what's so crazy. It's not that 100 00:04:57,720 --> 00:05:00,760 Speaker 1: because so the Julio Torres that did when he was 101 00:05:00,760 --> 00:05:03,279 Speaker 1: on the podcast recently that all pop stars have three eras, 102 00:05:03,920 --> 00:05:07,120 Speaker 1: which is um, circus, surveillance, and Christmas. But I think 103 00:05:07,160 --> 00:05:09,440 Speaker 1: a fourth one, which I don't think it's in disurveillance, 104 00:05:09,560 --> 00:05:13,560 Speaker 1: is press relationship totally. Well, this is an important way. 105 00:05:13,720 --> 00:05:16,320 Speaker 1: It's a subsect. I don't think so you don't think 106 00:05:16,320 --> 00:05:20,360 Speaker 1: so reputation is pressed, it's not surveillance. Okay, you're right, 107 00:05:20,400 --> 00:05:22,560 Speaker 1: you know what I'm saying. So what is our surveillance album? 108 00:05:22,600 --> 00:05:26,720 Speaker 1: Then I think surveillance is a subset of press. So 109 00:05:26,760 --> 00:05:29,720 Speaker 1: what you're doing is you're saying Julio was wrong. No, 110 00:05:32,240 --> 00:05:34,120 Speaker 1: let's not. And this is press right now, this is 111 00:05:35,440 --> 00:05:37,960 Speaker 1: we're in the Heart radio building. Yes, we are in 112 00:05:38,040 --> 00:05:41,880 Speaker 1: this building. That's really harkening back to yesteryear. Yes, it's 113 00:05:41,960 --> 00:05:44,360 Speaker 1: interesting talk about how it harkens back to yester year 114 00:05:44,400 --> 00:05:46,200 Speaker 1: because we all were an agree about this when we 115 00:05:46,200 --> 00:05:48,640 Speaker 1: went walked down the hallway. Well, it's just like from 116 00:05:48,640 --> 00:05:51,360 Speaker 1: that time when like offices were made to have ping 117 00:05:51,440 --> 00:05:55,040 Speaker 1: pong tables and like and that was kind of groundbreaking 118 00:05:55,160 --> 00:05:57,520 Speaker 1: and like bright color is and like interest. Didn't you 119 00:05:57,520 --> 00:05:59,320 Speaker 1: want to work at one of those places? Of course 120 00:05:59,360 --> 00:06:01,760 Speaker 1: I did, and don't do. I would get on my 121 00:06:01,880 --> 00:06:03,960 Speaker 1: name if someone told me I could stuck talk to 122 00:06:03,960 --> 00:06:07,560 Speaker 1: work at BuzzFeed in two thousand, I'd have a gucci 123 00:06:07,839 --> 00:06:09,640 Speaker 1: um the song I played when I get to my news, 124 00:06:09,839 --> 00:06:15,000 Speaker 1: I could weavluu we even song. But even with nothing on, 125 00:06:16,520 --> 00:06:20,440 Speaker 1: I'm made you look Duke I'm not saying the song. 126 00:06:20,680 --> 00:06:22,840 Speaker 1: The second he stepped at the elevator degree and we 127 00:06:22,880 --> 00:06:24,839 Speaker 1: didn't know that I didn't know the song. He looked 128 00:06:24,880 --> 00:06:27,160 Speaker 1: at us a dog. Yeah, I have such relationship with 129 00:06:27,240 --> 00:06:30,440 Speaker 1: music where like I will sometimes really dellop into an album, 130 00:06:30,480 --> 00:06:32,800 Speaker 1: like this is my album on Delovan too. I did that, 131 00:06:32,880 --> 00:06:35,640 Speaker 1: of course with Midnights. But then I was like kind 132 00:06:35,640 --> 00:06:39,840 Speaker 1: of craving more so I searched for someone recommended to 133 00:06:39,880 --> 00:06:45,800 Speaker 1: me um like I listen to it for a first 134 00:06:45,800 --> 00:06:48,039 Speaker 1: time on a run. And sometimes when you stand a run, 135 00:06:48,120 --> 00:06:49,960 Speaker 1: like you're not running for a someone around because you 136 00:06:50,000 --> 00:06:52,479 Speaker 1: need to know, like going ill, you don't know what 137 00:06:52,560 --> 00:06:54,560 Speaker 1: to think about, like should be thinking about my crushish 138 00:06:54,600 --> 00:06:57,240 Speaker 1: i'd be thinking about like my enemy, should be thinking 139 00:06:57,279 --> 00:07:01,279 Speaker 1: about like my relationship with crushes, enemies and the press. 140 00:07:01,760 --> 00:07:05,720 Speaker 1: If this isn't a future star, I have no idea. Well, 141 00:07:05,720 --> 00:07:09,920 Speaker 1: you know, I'm a scorpio, so enemies pressed really my major, 142 00:07:10,120 --> 00:07:14,040 Speaker 1: my major relationship, and the same over here the press 143 00:07:14,360 --> 00:07:18,280 Speaker 1: was talking trushers enemies on the press title about what 144 00:07:18,320 --> 00:07:20,760 Speaker 1: were you talking about? Ized with the guy brandam the 145 00:07:20,800 --> 00:07:25,360 Speaker 1: divide the cultural divide between October and November scorpios. What 146 00:07:25,440 --> 00:07:27,440 Speaker 1: are you saying? You and I are sitting across from 147 00:07:27,440 --> 00:07:30,400 Speaker 1: each other right now, right, and we're connected for life 148 00:07:30,520 --> 00:07:34,960 Speaker 1: because we're Scorpios, but we're also divided such different experiences 149 00:07:35,320 --> 00:07:39,240 Speaker 1: because of that divide, and there's smaller amount, but you're 150 00:07:39,320 --> 00:07:43,320 Speaker 1: literally cut. So that's what I said. And then guys said, no, 151 00:07:43,440 --> 00:07:46,480 Speaker 1: you're not. And he can be very argumentative. He can 152 00:07:46,520 --> 00:07:51,040 Speaker 1: be very toxic and argumentative. I'm so happy, so hard 153 00:07:51,080 --> 00:07:55,480 Speaker 1: to go to be beaten up every day psychologically. He's 154 00:07:55,480 --> 00:07:57,760 Speaker 1: saying that it's it's pure binary. There's no such thing 155 00:07:57,760 --> 00:08:00,320 Speaker 1: as an in between October and November. But I I 156 00:08:00,360 --> 00:08:04,160 Speaker 1: was used to identify as a cusp Scorpio. That you're not. Yeah, 157 00:08:04,200 --> 00:08:06,040 Speaker 1: And so that's where guy was coming was that place 158 00:08:06,080 --> 00:08:08,800 Speaker 1: of no. So your guy both reside in the place 159 00:08:08,840 --> 00:08:11,280 Speaker 1: of no. You and you come towards me from that 160 00:08:11,320 --> 00:08:13,640 Speaker 1: place and that's cool, that's okay, But you're both a 161 00:08:13,640 --> 00:08:15,559 Speaker 1: member scorpio. So what can I expect? And that's actually 162 00:08:15,680 --> 00:08:25,440 Speaker 1: very characteristic. Yes, you know what I think it don't 163 00:08:25,960 --> 00:08:32,800 Speaker 1: SOT is doing this waste up dancing and it's actually 164 00:08:32,880 --> 00:08:35,120 Speaker 1: really good. Well, can I just say background on this? 165 00:08:35,120 --> 00:08:38,120 Speaker 1: This is the biggest song on TikTok for gay people. 166 00:08:38,679 --> 00:08:40,480 Speaker 1: And if you don't have TikTok and are not a 167 00:08:40,520 --> 00:08:42,800 Speaker 1: gay person, you do not know the song. It does 168 00:08:42,800 --> 00:08:45,920 Speaker 1: not exist. It is not a this is this is 169 00:08:46,000 --> 00:08:47,520 Speaker 1: I'm telling you if we were to go on my 170 00:08:47,559 --> 00:08:52,320 Speaker 1: TikTok right, because that's your TikTok. No, no, it is TikTok. 171 00:08:54,240 --> 00:08:56,880 Speaker 1: I page. I think what happened was like TikTok has 172 00:08:57,080 --> 00:09:02,959 Speaker 1: decided showing it's a real culture umber forty nine. I 173 00:09:03,400 --> 00:09:10,840 Speaker 1: just say that nine right after well my my fy 174 00:09:10,920 --> 00:09:13,800 Speaker 1: p is like giving that one Megan train or something, 175 00:09:13,800 --> 00:09:16,720 Speaker 1: which I swear to God is not a hit. We 176 00:09:16,880 --> 00:09:20,480 Speaker 1: only it's a household name song if you're gay on TikTok. 177 00:09:20,880 --> 00:09:24,400 Speaker 1: And then there's a there's a dance to it, and 178 00:09:24,440 --> 00:09:26,760 Speaker 1: I was even thinking this is how TikTok has infected me. 179 00:09:26,800 --> 00:09:28,920 Speaker 1: I even thought about learning the dance and posting it. 180 00:09:28,960 --> 00:09:31,080 Speaker 1: But then I was like, there has to be some twist. 181 00:09:31,120 --> 00:09:33,200 Speaker 1: I can't just earnestly do this train. Maybe you can, 182 00:09:33,640 --> 00:09:35,720 Speaker 1: but maybe you can, and maybe is that very millennial 183 00:09:35,760 --> 00:09:40,000 Speaker 1: of me to be like earnest No, I think millennials 184 00:09:40,040 --> 00:09:43,240 Speaker 1: are not earnest or are they no. I think millennials 185 00:09:43,280 --> 00:09:46,360 Speaker 1: are like very ironic and like, you know, and so 186 00:09:46,400 --> 00:09:48,160 Speaker 1: that's why I feel like we all have like, uh 187 00:09:48,520 --> 00:09:52,280 Speaker 1: like a sensitivity to like watching people like expose themselves earnestly. 188 00:09:52,559 --> 00:09:54,880 Speaker 1: You know what I'm saying. I would say gen Z 189 00:09:55,080 --> 00:09:57,360 Speaker 1: has that too. I don't know what jen Z is. 190 00:09:57,720 --> 00:10:01,760 Speaker 1: Jen Z has an anxiety. I will, but like millennials 191 00:10:01,840 --> 00:10:04,479 Speaker 1: kind of came in and they're like they took anxiety 192 00:10:04,520 --> 00:10:06,600 Speaker 1: and they're like, this is gonna be our thing exactly. 193 00:10:06,760 --> 00:10:09,400 Speaker 1: I feel like millennials are like we're saying what our 194 00:10:09,480 --> 00:10:13,240 Speaker 1: damages out loud, and like gen Z is like whatever 195 00:10:13,400 --> 00:10:15,880 Speaker 1: they're doing the d we actually don't care that much 196 00:10:16,360 --> 00:10:18,800 Speaker 1: because burned it down. We've actually grown up in a 197 00:10:18,840 --> 00:10:22,160 Speaker 1: world where we've heard all the stuff and it's like stop. 198 00:10:22,200 --> 00:10:24,000 Speaker 1: You know. I was surrounded by gen Z this weekend 199 00:10:24,440 --> 00:10:26,360 Speaker 1: in Boston, and Boston I was surrounded by gen Z. 200 00:10:27,320 --> 00:10:29,480 Speaker 1: No my cousins because I stayed at their house because 201 00:10:29,480 --> 00:10:32,719 Speaker 1: they live in Boston, and they're my youngest cousins and 202 00:10:33,600 --> 00:10:37,400 Speaker 1: they're all from eighth grade to senior because they're spread 203 00:10:37,440 --> 00:10:39,440 Speaker 1: and they're three and there. And so when I saw 204 00:10:39,480 --> 00:10:40,920 Speaker 1: them at a wedding like a couple months ago. I 205 00:10:40,960 --> 00:10:42,400 Speaker 1: told them I saying at their house and I was like, 206 00:10:42,440 --> 00:10:45,520 Speaker 1: oh my gosh, I carry Amanda, Samantha Charlotte. And then 207 00:10:46,040 --> 00:10:49,160 Speaker 1: the oldest one, who is a senior, looks at me 208 00:10:49,200 --> 00:10:51,280 Speaker 1: blankly and they go from Sexton City, Sex and six 209 00:10:51,520 --> 00:10:54,760 Speaker 1: Girls and she goes, I've never watched that and known 210 00:10:54,800 --> 00:10:56,800 Speaker 1: I've known as ever watched that. Oh that was a 211 00:10:56,840 --> 00:11:00,360 Speaker 1: power play and it was huge. It was cool. It's 212 00:11:00,400 --> 00:11:05,079 Speaker 1: the look in the head tilt. Yeah, the head tilt. 213 00:11:05,360 --> 00:11:07,520 Speaker 1: What's her show where she gets to find out what 214 00:11:07,520 --> 00:11:09,560 Speaker 1: women really said? I don't know. You know, I did 215 00:11:09,640 --> 00:11:11,840 Speaker 1: say the sex lives of college girls because I got 216 00:11:11,880 --> 00:11:14,920 Speaker 1: news for you. Women aren't really saying that girl sex 217 00:11:15,080 --> 00:11:18,160 Speaker 1: sex lives of college girls. Maybe I have to hold space. 218 00:11:18,320 --> 00:11:21,040 Speaker 1: I'm going not not nervous isn't the word, But you know, 219 00:11:21,760 --> 00:11:26,559 Speaker 1: I hope I deliver an amazing podcast episode. What where 220 00:11:26,600 --> 00:11:30,520 Speaker 1: did that come from? I think because your readers are 221 00:11:30,559 --> 00:11:32,240 Speaker 1: so kind to me that I'm like, I hope I 222 00:11:32,280 --> 00:11:35,080 Speaker 1: can go there before the ceiling is high. The floor 223 00:11:35,200 --> 00:11:37,319 Speaker 1: is high as well, I know, but also it's like 224 00:11:37,360 --> 00:11:38,959 Speaker 1: I want to give them what they want. You are 225 00:11:38,960 --> 00:11:41,000 Speaker 1: giving them what they want by even being here. I 226 00:11:41,000 --> 00:11:43,080 Speaker 1: guess I'm just flustered and befuddled that this is even 227 00:11:43,080 --> 00:11:44,960 Speaker 1: where this is gone because the fact that we now 228 00:11:45,000 --> 00:11:48,760 Speaker 1: have to call you and take care of you a 229 00:11:49,320 --> 00:11:52,280 Speaker 1: favorite thing to do with coddling. That's not what we're doing. 230 00:11:52,880 --> 00:11:54,560 Speaker 1: It's not even what we're doing. No, but Pat is 231 00:11:54,559 --> 00:11:58,160 Speaker 1: wearing a ups brown because guess what he's delivering. Oh 232 00:11:58,200 --> 00:12:00,200 Speaker 1: my god, is that what we're calling a ups That's 233 00:12:00,240 --> 00:12:03,360 Speaker 1: really good, bro, I got this in your hometown of Denver, 234 00:12:03,440 --> 00:12:07,079 Speaker 1: Colorado comedy or Aurora, Colorado or Collins, Colorado. Oh that's 235 00:12:07,080 --> 00:12:12,719 Speaker 1: not Colorado, some of my Wyoming or your hometown, and 236 00:12:13,120 --> 00:12:15,120 Speaker 1: that's fair. Much of Montana is your home, not much 237 00:12:15,120 --> 00:12:18,280 Speaker 1: of mine. What would you call Englewood your hometown of Jason, Englewood, 238 00:12:18,320 --> 00:12:23,000 Speaker 1: Englewood Town Adjason. Yeah, there are exerts of Denver that 239 00:12:23,000 --> 00:12:27,440 Speaker 1: I've never even seen, never breathed the air there, So 240 00:12:27,480 --> 00:12:29,959 Speaker 1: in some ways verified. When will you return to Denver 241 00:12:30,000 --> 00:12:33,480 Speaker 1: this year at Christmas time? Why where do we ask? Well? 242 00:12:33,520 --> 00:12:36,000 Speaker 1: Because I have a show in Denver, like Taylor Swift 243 00:12:36,920 --> 00:12:39,600 Speaker 1: right exactly, you're coming. Yes, you're taking after them by 244 00:12:39,640 --> 00:12:42,200 Speaker 1: doing that, I'm taking after Taylor Swift, I'm following in 245 00:12:42,240 --> 00:12:45,440 Speaker 1: their lead. Victor carlss. No, there's so many comedians I 246 00:12:45,440 --> 00:12:47,760 Speaker 1: don't know nowadays, and then I've learned about them and 247 00:12:47,760 --> 00:12:49,720 Speaker 1: I'm upset. Josh Sharpen are going to start a new 248 00:12:49,800 --> 00:12:55,840 Speaker 1: live show in New York because I want children. No, 249 00:12:56,520 --> 00:12:58,040 Speaker 1: it's one because I'm like, oh, that part of my 250 00:12:58,040 --> 00:13:01,120 Speaker 1: brain is atrophied. I need to like eat do like 251 00:13:01,160 --> 00:13:03,960 Speaker 1: a full yes, and I need to get this going 252 00:13:04,000 --> 00:13:06,400 Speaker 1: again because I remember liking it even though it wasn't 253 00:13:06,440 --> 00:13:08,080 Speaker 1: that good at it. I was like, let me just 254 00:13:08,160 --> 00:13:10,240 Speaker 1: work the muscle again. And also just to get the 255 00:13:10,280 --> 00:13:12,320 Speaker 1: kids in. Yeah, because I don't even know who they 256 00:13:12,320 --> 00:13:14,000 Speaker 1: are anymore. Now. People ask me like, oh, I'm in 257 00:13:14,000 --> 00:13:15,559 Speaker 1: New York, who should I who should I go see? 258 00:13:15,600 --> 00:13:17,080 Speaker 1: Who should I book on my show? Who did it? 259 00:13:17,240 --> 00:13:19,360 Speaker 1: And I'm like, oh, wow, the girls are not the 260 00:13:19,440 --> 00:13:21,600 Speaker 1: girls anymore, you know what I mean? Now they're all 261 00:13:21,640 --> 00:13:24,880 Speaker 1: scattered about. I'm still I'm like literally like a Vicky 262 00:13:24,920 --> 00:13:28,080 Speaker 1: gun Wilson figures like still I'm still in the scene 263 00:13:28,200 --> 00:13:31,280 Speaker 1: as like truly, like all of my contemporaries have moved 264 00:13:31,320 --> 00:13:33,680 Speaker 1: on and up for it, and I'm just kind of 265 00:13:33,679 --> 00:13:36,240 Speaker 1: of course, famously, Vicky gun whistles a narrative is all 266 00:13:36,280 --> 00:13:37,839 Speaker 1: the people she was on the show with the beginning 267 00:13:37,840 --> 00:13:42,640 Speaker 1: are now huge stars. That's her. What was like the 268 00:13:42,720 --> 00:13:45,200 Speaker 1: real O g who they wanted the show to be around. 269 00:13:45,320 --> 00:13:47,280 Speaker 1: The O C was it? Um oh, I would have 270 00:13:47,320 --> 00:13:48,960 Speaker 1: thought it was Vicky, to be honest. And then there 271 00:13:49,000 --> 00:13:52,240 Speaker 1: was another one though there was season one. Oh my god, 272 00:13:52,240 --> 00:13:54,840 Speaker 1: that's gonna be high. It was well Gina Gina Key. 273 00:13:54,880 --> 00:13:59,079 Speaker 1: I love her and will willingly die for her unless, 274 00:13:59,120 --> 00:14:01,120 Speaker 1: like Shane Key know she had a hot sun. She 275 00:14:01,160 --> 00:14:04,120 Speaker 1: had a hot and the cover thing. The Brobo producers 276 00:14:04,320 --> 00:14:06,960 Speaker 1: really tried to make it seem like her son and 277 00:14:07,000 --> 00:14:10,840 Speaker 1: another housewife might fuck. I mean they remember them like 278 00:14:10,880 --> 00:14:14,880 Speaker 1: filming them like in Gina's grotto because obviously had a grotto, 279 00:14:14,960 --> 00:14:17,000 Speaker 1: and was there a lower third that said Gina's Grotto. 280 00:14:17,360 --> 00:14:19,480 Speaker 1: I don't think they were like they weren't smart enough. 281 00:14:20,160 --> 00:14:22,040 Speaker 1: It wasn't like nowadays, well there will they'll be a 282 00:14:22,040 --> 00:14:24,400 Speaker 1: little on third, which is like Andrew Harrington and her 283 00:14:24,440 --> 00:14:26,440 Speaker 1: husband on the bottom of the site and quotes grown 284 00:14:26,480 --> 00:14:29,040 Speaker 1: ass ma'am just back then didn't know how to win. 285 00:14:29,720 --> 00:14:32,440 Speaker 1: They did not because they were too earnest, but I 286 00:14:32,480 --> 00:14:34,880 Speaker 1: almost like that. I almost like that, do you know 287 00:14:34,920 --> 00:14:37,200 Speaker 1: what I mean? Son? Fucking one of the Housewives is 288 00:14:37,320 --> 00:14:40,080 Speaker 1: very like v o c as in. The show was 289 00:14:40,120 --> 00:14:42,480 Speaker 1: literally giving desperate house That was what it was trying 290 00:14:42,520 --> 00:14:45,360 Speaker 1: to do and to be to make you feel all right. 291 00:14:45,520 --> 00:14:46,840 Speaker 1: So that's why they did that. And it was like 292 00:14:46,880 --> 00:14:50,440 Speaker 1: Joe because the original Housewife had one person in the 293 00:14:50,480 --> 00:14:53,440 Speaker 1: lineup was a truly twenty three year old fiance, I 294 00:14:53,480 --> 00:14:57,680 Speaker 1: stay at home fiance, and that was Joe Dela ROSA 295 00:14:57,680 --> 00:15:01,120 Speaker 1: gorgeous girl by any but not but not ultimately what 296 00:15:01,200 --> 00:15:03,560 Speaker 1: the franchise would give us. And we'd say we were 297 00:15:03,560 --> 00:15:05,120 Speaker 1: looking no, but they wanted her to be kind of 298 00:15:05,120 --> 00:15:08,000 Speaker 1: an evil longer. It was very much. They came in, 299 00:15:08,320 --> 00:15:13,080 Speaker 1: they put up like a corkboard, they put up you know, flity, 300 00:15:13,640 --> 00:15:15,640 Speaker 1: and was Vicky sort of the Felicity Huffman. I don't 301 00:15:15,640 --> 00:15:17,560 Speaker 1: know who they might have wanted Vicky to be. I 302 00:15:17,560 --> 00:15:19,720 Speaker 1: think she was her own thing and that's why she succeeded. 303 00:15:19,760 --> 00:15:21,320 Speaker 1: And that's what I want to say to everyone listening 304 00:15:21,360 --> 00:15:23,640 Speaker 1: to the podcast. If you want us succeed, be your 305 00:15:23,640 --> 00:15:27,480 Speaker 1: own thing. You have to push into your originality, right 306 00:15:27,560 --> 00:15:30,160 Speaker 1: Bowen and I and right, Pat and I think that 307 00:15:30,280 --> 00:15:32,680 Speaker 1: you have to really stand out as yourself, don't try 308 00:15:32,680 --> 00:15:34,720 Speaker 1: to be anyone else, and to kind of say something 309 00:15:34,760 --> 00:15:37,160 Speaker 1: that I invented in a phrase that I coined, Um, 310 00:15:37,400 --> 00:15:42,480 Speaker 1: being yourself is your superpower. And that's a phrase that 311 00:15:42,560 --> 00:15:46,080 Speaker 1: I did write down for the first time and published widely. 312 00:15:46,120 --> 00:15:48,360 Speaker 1: And Okay, but for real, to really start the podcast, 313 00:15:48,400 --> 00:15:52,600 Speaker 1: what superpower would you have if you could have any superpower? Um? 314 00:15:52,640 --> 00:15:54,720 Speaker 1: I thought about this all the time as a child. Well, 315 00:15:54,760 --> 00:15:57,280 Speaker 1: downstairs you said one thing, you wanted to have catwoman clause, 316 00:15:57,320 --> 00:16:00,680 Speaker 1: So you can because we weren't popped in a glass 317 00:16:00,760 --> 00:16:02,880 Speaker 1: chamber that I don't know bought my or glass chamber, 318 00:16:03,400 --> 00:16:05,400 Speaker 1: and we were walking down the hallway and like, my 319 00:16:05,520 --> 00:16:07,840 Speaker 1: heart has this super fun feature where when you walk 320 00:16:07,920 --> 00:16:12,240 Speaker 1: down the hallway, music plays a million different radio stations. Yeah, yeah, 321 00:16:12,280 --> 00:16:14,800 Speaker 1: every time I didn't even, I didn't even. I think 322 00:16:14,800 --> 00:16:16,680 Speaker 1: that's what I think of them as being radio that 323 00:16:17,040 --> 00:16:22,280 Speaker 1: is that's that's ok. Yeah, So every time you walk by, 324 00:16:22,440 --> 00:16:24,960 Speaker 1: if you walk one inch, actually a different kind of 325 00:16:25,000 --> 00:16:29,920 Speaker 1: chuck starts playing kind of cacafany of was a really 326 00:16:29,920 --> 00:16:31,840 Speaker 1: good word for it. And then it's all white. So 327 00:16:32,040 --> 00:16:34,600 Speaker 1: I did say it harkened back to um when when 328 00:16:34,760 --> 00:16:37,320 Speaker 1: I'm cameramber was walking through the white and a white 329 00:16:37,360 --> 00:16:39,080 Speaker 1: jumps to and she looks back and you see just 330 00:16:39,160 --> 00:16:41,560 Speaker 1: her face. And that was their way of getting through 331 00:16:41,600 --> 00:16:45,440 Speaker 1: that portion of the heist or whatever they're doing. But 332 00:16:45,640 --> 00:16:47,400 Speaker 1: and then there was a glass wall, and I remembered 333 00:16:47,520 --> 00:16:52,600 Speaker 1: when I was little, so small as I just he's 334 00:16:52,600 --> 00:16:56,360 Speaker 1: really going back. I was watching Batman cartoon and I 335 00:16:56,360 --> 00:16:59,240 Speaker 1: was wating Batman. I remember, oh my gosh, I'm having 336 00:16:59,280 --> 00:17:02,840 Speaker 1: some of my memories. Thank god, this is the place 337 00:17:02,960 --> 00:17:05,760 Speaker 1: last culture, the place to dump memories. And you know, 338 00:17:05,840 --> 00:17:08,000 Speaker 1: Catwoman had to steal something because that was, you know, 339 00:17:08,040 --> 00:17:09,920 Speaker 1: her job, that was how she made her money. Very 340 00:17:09,960 --> 00:17:14,760 Speaker 1: much a vigilant and so she put her nails up 341 00:17:14,800 --> 00:17:17,560 Speaker 1: against the glass and just rotated them in a perfect circle. 342 00:17:17,720 --> 00:17:20,080 Speaker 1: Came out of the glass and she reached and grabbed 343 00:17:20,080 --> 00:17:22,480 Speaker 1: like a necklace or something. Yeah, and then I'm sure 344 00:17:22,520 --> 00:17:23,879 Speaker 1: they didn't share this in the show, but I'm sure 345 00:17:23,920 --> 00:17:26,919 Speaker 1: she would sell that neck class yeah, probably, and make 346 00:17:28,560 --> 00:17:32,399 Speaker 1: her family to start some savings and you put a 347 00:17:32,440 --> 00:17:35,320 Speaker 1: down payment down somewhere, you know. I just rewatched that 348 00:17:35,400 --> 00:17:41,879 Speaker 1: man returns one with Catwoman, which in this then just 349 00:17:41,920 --> 00:17:43,760 Speaker 1: pull this one out of my app It wouldn't be 350 00:17:43,880 --> 00:17:46,280 Speaker 1: random to talk about like a different Batman series from 351 00:17:46,320 --> 00:17:48,639 Speaker 1: what we've been discussed saying it wouldn't. It wouldn't have 352 00:17:48,680 --> 00:17:50,600 Speaker 1: been like, how do you get there? Are talking about 353 00:17:50,640 --> 00:17:53,760 Speaker 1: Batman and Robin Well, I'm really going to be here. 354 00:17:54,000 --> 00:17:56,840 Speaker 1: I'm just jumping from really one Catwoman film to the 355 00:17:56,840 --> 00:18:01,160 Speaker 1: other Catwoman sorry project, which is Batman. Hearns and because 356 00:18:01,200 --> 00:18:04,080 Speaker 1: I don't really recognize other Catwoman's, I do love Anne 357 00:18:04,200 --> 00:18:09,480 Speaker 1: and I think often and was mother for that? Yeah, 358 00:18:09,560 --> 00:18:13,320 Speaker 1: she left, she was she was not a single the 359 00:18:13,320 --> 00:18:15,320 Speaker 1: whole like those heels hurt and then she kicks the 360 00:18:15,320 --> 00:18:18,760 Speaker 1: guy in the balls. I don't know. Oh my god, 361 00:18:18,840 --> 00:18:20,640 Speaker 1: I never saw that. But I will say one thing 362 00:18:20,680 --> 00:18:23,440 Speaker 1: I hate is what I call like Marvel humor, which 363 00:18:23,440 --> 00:18:25,720 Speaker 1: is a yeah. And I'm someone who's deeply entrenched in 364 00:18:25,760 --> 00:18:27,600 Speaker 1: the Marvel universe. Say we were, we were saying this 365 00:18:27,680 --> 00:18:30,320 Speaker 1: on Stradio Lab that Marvel Humor is like the successor 366 00:18:30,400 --> 00:18:35,080 Speaker 1: to like random Sauce Ship. It's Marvel Humor is scarred 367 00:18:35,119 --> 00:18:37,200 Speaker 1: Joe like fighting like a bunch of guys and then 368 00:18:37,200 --> 00:18:39,680 Speaker 1: like her phone rings and she hey, kind of busy 369 00:18:39,800 --> 00:18:43,280 Speaker 1: right now. They literally did that in Charlie's Angels. Cameron 370 00:18:43,320 --> 00:18:46,760 Speaker 1: invented that. Cameron invented that. Hey, I really like that guy. Yeah, 371 00:18:47,200 --> 00:18:50,360 Speaker 1: I wish had stormed into the Marvel breaking her retirement 372 00:18:50,400 --> 00:18:52,560 Speaker 1: into that movie instead of the Marvel. I invented that, 373 00:18:52,680 --> 00:18:55,879 Speaker 1: And suddenly the multiverse is open because Scarlett Johansson as 374 00:18:55,920 --> 00:18:59,879 Speaker 1: Black Widow is fighting um Natalie A. Cameron Diaz as 375 00:19:00,040 --> 00:19:02,359 Speaker 1: Charlie's Angel, and that would have been the multiverse for me. 376 00:19:02,480 --> 00:19:04,680 Speaker 1: That would have been the fact multiverse. I need it. 377 00:19:05,000 --> 00:19:07,119 Speaker 1: But they would never do that. They would never hundred 378 00:19:17,200 --> 00:19:21,080 Speaker 1: Did you guys cry during Endgame? Yeah? I cried two 379 00:19:21,080 --> 00:19:24,919 Speaker 1: times against all against my better judgment Angels. Yeah, but 380 00:19:24,960 --> 00:19:26,920 Speaker 1: I was stoned with Jok and Booster. Was it the 381 00:19:26,960 --> 00:19:28,720 Speaker 1: iron Man of it all? It was the funeral. It 382 00:19:28,760 --> 00:19:30,760 Speaker 1: was so for me it was I remember It's also 383 00:19:30,840 --> 00:19:33,800 Speaker 1: the cliff, the cliff that was That was the first 384 00:19:33,840 --> 00:19:35,480 Speaker 1: one that was No, that was the end game. I 385 00:19:35,520 --> 00:19:39,280 Speaker 1: believe it was dying. Yeah, it's like no, it's like 386 00:19:39,320 --> 00:19:44,760 Speaker 1: halfway through, Dame us Speedy. You're right, because you're shocked 387 00:19:44,800 --> 00:19:49,919 Speaker 1: when you're hanging for the movie and YPS showing no. 388 00:19:50,119 --> 00:19:54,840 Speaker 1: I actually think scar j Blackwadow dying was no, it wasn't. 389 00:19:55,240 --> 00:19:59,560 Speaker 1: We cannot as three men of gay statue, Yeah we can't. 390 00:19:59,560 --> 00:20:04,479 Speaker 1: We can't men of gay stature, as in, gayness is 391 00:20:04,640 --> 00:20:07,240 Speaker 1: a stuff. The reason why I think we can talk 392 00:20:07,280 --> 00:20:08,680 Speaker 1: about it is because we have to get to the 393 00:20:08,680 --> 00:20:11,280 Speaker 1: bottom of this. Because I remember when I saw Endgame 394 00:20:11,320 --> 00:20:13,840 Speaker 1: in the theaters. I'm sitting there with Greta and Abe, 395 00:20:13,880 --> 00:20:16,920 Speaker 1: and I remember Scarlett Johansson as Black Widow spoiler Riller 396 00:20:17,040 --> 00:20:20,119 Speaker 1: dies like literally less than halfway through the movie, and 397 00:20:20,200 --> 00:20:22,119 Speaker 1: I turned to Greta and I was like, why the 398 00:20:22,160 --> 00:20:25,320 Speaker 1: funk am I here to watch these to watch these 399 00:20:25,320 --> 00:20:27,920 Speaker 1: guys do the rest of this? Like come on, I'm 400 00:20:27,920 --> 00:20:33,600 Speaker 1: getting I'm getting her mixed up with Green Lady. Yeah yeah, 401 00:20:33,600 --> 00:20:39,560 Speaker 1: oh mom, Yeah, well she's about to come back in 402 00:20:39,600 --> 00:20:42,199 Speaker 1: the way of water. I can for avatar to the 403 00:20:42,240 --> 00:20:44,560 Speaker 1: way of what the last thing and this is gay 404 00:20:44,720 --> 00:20:47,000 Speaker 1: leaning though it does, I did not want to come 405 00:20:47,000 --> 00:20:49,440 Speaker 1: in and talk about Dave Wasson and I've seen enough 406 00:20:49,440 --> 00:20:53,359 Speaker 1: because give this gay leaning podcast is officially gay um, 407 00:20:53,400 --> 00:20:55,879 Speaker 1: you know, because they had that moment that was amazing 408 00:20:55,880 --> 00:20:58,399 Speaker 1: for women in the final fight sequence when all the 409 00:20:58,440 --> 00:21:00,960 Speaker 1: women come together and just happened to be on the 410 00:21:01,040 --> 00:21:07,680 Speaker 1: same girls. They literally should have play that. And then 411 00:21:07,760 --> 00:21:10,680 Speaker 1: scar Joe, who was such a woman of these films, 412 00:21:10,840 --> 00:21:12,720 Speaker 1: like doesn't get to be in the Crazy Ladies shot. 413 00:21:12,840 --> 00:21:15,920 Speaker 1: You know, I know that sucked. There's a scarlet shaped 414 00:21:15,960 --> 00:21:18,560 Speaker 1: hole and that absolutely which is a gorgeous hole. I 415 00:21:18,600 --> 00:21:26,560 Speaker 1: might say, people, Batman, you're talking Aboatman returns, Yeah, I 416 00:21:26,600 --> 00:21:28,960 Speaker 1: was talking about what were you going to say? Oh, 417 00:21:29,240 --> 00:21:31,000 Speaker 1: I think I was going to say. I think I 418 00:21:31,040 --> 00:21:32,879 Speaker 1: was going to say that movie was so she was 419 00:21:32,880 --> 00:21:36,639 Speaker 1: so mother for that that one but one has but 420 00:21:36,680 --> 00:21:39,400 Speaker 1: one has really become obsessed with the phrase so mother 421 00:21:39,920 --> 00:21:42,640 Speaker 1: So funny. Where did you get that? Did you get 422 00:21:42,680 --> 00:21:46,439 Speaker 1: it from the culture? I know it's so funny to 423 00:21:46,440 --> 00:21:50,119 Speaker 1: repurpose that. Oh, it definitely is. Sarah Sherman and I 424 00:21:50,119 --> 00:21:52,280 Speaker 1: want to write a step over all baby Birds and 425 00:21:52,320 --> 00:21:55,080 Speaker 1: we're like, wait, what is like like just like like 426 00:21:55,280 --> 00:21:57,439 Speaker 1: the mother bird, like vomiting up like a worm for us, 427 00:21:57,720 --> 00:22:02,560 Speaker 1: and like you you're not mother for that? That seems 428 00:22:02,600 --> 00:22:06,159 Speaker 1: like it has clear three beats. Absolutely it's gonna carry that. 429 00:22:06,240 --> 00:22:08,520 Speaker 1: The out is so perfect. We're like you, like our 430 00:22:08,560 --> 00:22:11,320 Speaker 1: house is made of sticks and ship. We're going in 431 00:22:11,359 --> 00:22:14,320 Speaker 1: the week. So at the political institution that is Saturday 432 00:22:14,359 --> 00:22:15,919 Speaker 1: Night Live, is it's sort of like dancing in the 433 00:22:16,119 --> 00:22:18,280 Speaker 1: street now that the midterms are over and it's gone 434 00:22:18,280 --> 00:22:21,760 Speaker 1: fell well for the dames. Yeah, where everyone is sucking 435 00:22:21,760 --> 00:22:27,520 Speaker 1: and fucking. Yeah. I haven't sucked. Actually haven't either. Yeah 436 00:22:27,960 --> 00:22:33,399 Speaker 1: that's not true. I haven't felt something while I've had. Yeah, 437 00:22:33,680 --> 00:22:35,679 Speaker 1: I don't like it. And I'm actually on record on 438 00:22:35,680 --> 00:22:38,400 Speaker 1: this podcast as saying sometimes I'll wake up by myself 439 00:22:38,720 --> 00:22:40,359 Speaker 1: and I don't know what happens. I like blink my 440 00:22:40,359 --> 00:22:41,800 Speaker 1: eyes awake in the middle of the night, and I'll 441 00:22:41,800 --> 00:22:44,320 Speaker 1: have like a craving to suck cock. Yeah, and I'll 442 00:22:44,359 --> 00:22:46,760 Speaker 1: turn to my left and positive there's someone else there, 443 00:22:46,800 --> 00:22:50,640 Speaker 1: and then there's not, and I'll be like, magic, that's 444 00:22:50,680 --> 00:22:52,600 Speaker 1: my dreams saying to me. And then I go to 445 00:22:52,640 --> 00:22:53,879 Speaker 1: beout it and I wake up and I'm like, I 446 00:22:53,880 --> 00:22:56,439 Speaker 1: forget it. But I but then when it's actually happening 447 00:22:56,440 --> 00:22:58,720 Speaker 1: and I actually have the opportunity and it's and it's 448 00:22:58,800 --> 00:23:03,360 Speaker 1: literally actually in process, I'm like, well, I'd rather die 449 00:23:03,400 --> 00:23:05,080 Speaker 1: than do this for one more second. Yeah, I know, 450 00:23:05,280 --> 00:23:09,080 Speaker 1: that's so funny recently, I said, I said, I don't 451 00:23:09,080 --> 00:23:12,240 Speaker 1: know if I'm gay. I know you are. It's like 452 00:23:12,280 --> 00:23:14,639 Speaker 1: that David Sadaris thing that he did on sixty Minutes. 453 00:23:14,760 --> 00:23:17,840 Speaker 1: I didn't see oh he oh. People were angry because 454 00:23:17,840 --> 00:23:21,359 Speaker 1: he was like, I liked, I want to say it 455 00:23:21,359 --> 00:23:28,320 Speaker 1: this terrible David Donald duck. He was like, I want 456 00:23:28,320 --> 00:23:30,879 Speaker 1: to say, I'm here to announce that I'm straight, because 457 00:23:30,920 --> 00:23:32,920 Speaker 1: I'm not, like I hate. He basically was like, I 458 00:23:32,960 --> 00:23:36,479 Speaker 1: hate the term queer. It was one of those things 459 00:23:36,800 --> 00:23:38,800 Speaker 1: sometimes I'm like, why do people care about anything? Well, 460 00:23:38,840 --> 00:23:42,119 Speaker 1: because remember the queer was like only used as an insult, 461 00:23:42,480 --> 00:23:44,560 Speaker 1: and also it's like it's like a trigger even when 462 00:23:44,600 --> 00:23:47,639 Speaker 1: it first became the thing just too umbrella term queer 463 00:23:47,680 --> 00:23:51,240 Speaker 1: for the lgbt Q plus community. I was kind of like, oh, 464 00:23:51,359 --> 00:23:53,280 Speaker 1: that doesn't sit right in my spirit because it was 465 00:23:53,359 --> 00:23:56,639 Speaker 1: such a negative thing all my life. And then I 466 00:23:56,640 --> 00:23:58,719 Speaker 1: feel like now I'm over at whatever. But I can 467 00:23:58,800 --> 00:24:01,359 Speaker 1: understand someone of David's Aris this generation, being like, oh, 468 00:24:01,440 --> 00:24:03,280 Speaker 1: I don't know about queener, right, Yeah, yeah, well I 469 00:24:03,280 --> 00:24:05,960 Speaker 1: will say that. I actually recently was talking with lesbian, 470 00:24:06,080 --> 00:24:11,119 Speaker 1: older lesbian, and this lesbian was mother, and she said 471 00:24:11,200 --> 00:24:14,040 Speaker 1: that whenever she hears it, because that was touch like 472 00:24:14,359 --> 00:24:16,399 Speaker 1: you would It was literally, let's come up with a 473 00:24:16,440 --> 00:24:19,760 Speaker 1: new word. Oh my god, was the energy? Should it 474 00:24:19,840 --> 00:24:21,720 Speaker 1: just be like three dollar bill like she is so 475 00:24:21,880 --> 00:24:26,040 Speaker 1: three dollar bill? Yeah? Yeah, maybe three dollar bill feels 476 00:24:26,080 --> 00:24:35,159 Speaker 1: exclusive to gay addicts? Why because yeah, not even addict? No, 477 00:24:34,880 --> 00:24:38,680 Speaker 1: I do you think it would be mother to um 478 00:24:39,000 --> 00:24:41,040 Speaker 1: have a show at three dollar bill? Like I was 479 00:24:41,080 --> 00:24:44,639 Speaker 1: looking at the space three dollar I felt like, because 480 00:24:44,680 --> 00:24:49,440 Speaker 1: I'm thinking about creating a new show with a new concept. 481 00:24:50,920 --> 00:24:52,879 Speaker 1: He just desided that, like right before, right after you 482 00:24:52,920 --> 00:24:54,960 Speaker 1: just said you and Josh you and met the shows. 483 00:24:55,480 --> 00:24:58,159 Speaker 1: My friend says he's starting a new live show, and 484 00:24:58,200 --> 00:25:01,520 Speaker 1: then imagine my position. That puts me end where then 485 00:25:01,640 --> 00:25:04,800 Speaker 1: my other friend says he's starting right after. That's not 486 00:25:04,800 --> 00:25:08,000 Speaker 1: a cool position to be in. And whose side do 487 00:25:08,040 --> 00:25:10,720 Speaker 1: you want? I need to This is not a cool 488 00:25:10,720 --> 00:25:13,920 Speaker 1: position for him. This is a do you guys watch 489 00:25:14,040 --> 00:25:19,040 Speaker 1: you love is blind? No? I hear it's so wild? Yeah, 490 00:25:19,080 --> 00:25:21,359 Speaker 1: I mean what, it's just truly more of the same. 491 00:25:21,440 --> 00:25:23,040 Speaker 1: It's just truly more of the same in a good way. 492 00:25:23,400 --> 00:25:25,680 Speaker 1: But at one point when there are girl and a 493 00:25:25,720 --> 00:25:28,080 Speaker 1: guy or in a fight and she says like no, bro, 494 00:25:28,440 --> 00:25:30,239 Speaker 1: don't do that or something like that. It's like it's 495 00:25:30,280 --> 00:25:33,000 Speaker 1: every straight girl's dream. It's like to be in a 496 00:25:33,040 --> 00:25:34,919 Speaker 1: relationship with a guy and then in a fight and 497 00:25:34,920 --> 00:25:36,840 Speaker 1: call him bro because it's like I'm actually a cool 498 00:25:36,880 --> 00:25:40,199 Speaker 1: girl and like whatever, it's so tristated culture, bro, Like 499 00:25:40,240 --> 00:25:42,479 Speaker 1: you can't do that, bro, like a straight girl just 500 00:25:42,480 --> 00:25:45,920 Speaker 1: like weaponizing the word in that way. It's like, I know, 501 00:25:46,200 --> 00:25:48,639 Speaker 1: but it is interesting. You know, Love is Blind is 502 00:25:48,720 --> 00:25:52,280 Speaker 1: actually should win a Pulitzer Prize for like their exploration 503 00:25:52,320 --> 00:25:54,359 Speaker 1: of a certain type of straight woman, because it really 504 00:25:54,400 --> 00:25:58,439 Speaker 1: is interesting. Um, just this kind of woman who's going 505 00:25:58,480 --> 00:26:00,320 Speaker 1: to go in those pods tomind a husband is like 506 00:26:00,480 --> 00:26:02,359 Speaker 1: it's a different thing from the boutch law. It's different 507 00:26:02,400 --> 00:26:05,400 Speaker 1: because the bachelor, at least at this point, is like 508 00:26:05,600 --> 00:26:07,520 Speaker 1: more it's a different kind of woman. It's a woman 509 00:26:07,560 --> 00:26:10,160 Speaker 1: who is more invested in a certain kind of Instagram 510 00:26:10,200 --> 00:26:12,280 Speaker 1: and love is Wine. People want Instagram followers too, don't 511 00:26:12,280 --> 00:26:15,119 Speaker 1: get me wrong, but they also to me seem almost 512 00:26:15,119 --> 00:26:19,960 Speaker 1: even more genuinely interested in finding a version of love 513 00:26:20,160 --> 00:26:22,720 Speaker 1: and being a certain kind of straight girl. There. I 514 00:26:22,760 --> 00:26:25,119 Speaker 1: don't know, actually I likely tracked all this because I 515 00:26:25,160 --> 00:26:28,000 Speaker 1: can't quite articulate off to think more. I think this 516 00:26:28,080 --> 00:26:30,480 Speaker 1: every now and then, Like I thought that with what show? 517 00:26:30,600 --> 00:26:33,680 Speaker 1: Is that the spinoff show? Oh? I didn't. I didn't 518 00:26:33,680 --> 00:26:39,560 Speaker 1: want to. That's interesting because you're meeting the couples from 519 00:26:39,600 --> 00:26:42,840 Speaker 1: episode one, Yeah, and you already see like the way 520 00:26:42,880 --> 00:26:45,439 Speaker 1: that they operates. It's interesting. I have to say, Vanessa 521 00:26:45,520 --> 00:26:48,240 Speaker 1: La really upsets me on the show. It's because she 522 00:26:48,280 --> 00:26:51,480 Speaker 1: gets very involved. Um, I just don't like her performance races. 523 00:26:52,160 --> 00:26:54,679 Speaker 1: But I but you know, that's okay to say. But 524 00:26:54,760 --> 00:26:57,879 Speaker 1: you know who is wonderful who I'm obsessed with and 525 00:26:57,960 --> 00:26:59,600 Speaker 1: I keep wanting to run into her in the building 526 00:26:59,800 --> 00:27:02,679 Speaker 1: is Alex Wa Have you watched them all? And not yet? 527 00:27:02,680 --> 00:27:09,520 Speaker 1: Oh my god, my cousins, the girls we made to watch. 528 00:27:11,119 --> 00:27:13,840 Speaker 1: Are you just in Boston with with cousins? Those my 529 00:27:13,880 --> 00:27:17,159 Speaker 1: younger cousins. Don't know about them all. You couldn't know 530 00:27:17,200 --> 00:27:21,520 Speaker 1: about my I know, I know, I will watch them all. 531 00:27:21,560 --> 00:27:23,640 Speaker 1: I just keep being in the place where I'm like not, 532 00:27:23,880 --> 00:27:25,840 Speaker 1: you know, you have sometimes to take on more people 533 00:27:25,840 --> 00:27:27,959 Speaker 1: into your life, like you need to be in a 534 00:27:27,960 --> 00:27:30,359 Speaker 1: certain place where you're ready to invest, of course, And 535 00:27:30,400 --> 00:27:32,320 Speaker 1: I think I just haven't been ready to invest in 536 00:27:32,359 --> 00:27:33,720 Speaker 1: the people on the mall for some reason. I don't 537 00:27:33,760 --> 00:27:36,240 Speaker 1: know why. I mean, I'm gonna watch this. Joel says 538 00:27:36,240 --> 00:27:39,280 Speaker 1: it's unbelievable. It really is. I will watch it. I will. 539 00:27:39,600 --> 00:27:41,040 Speaker 1: It's one of those things. And I don't think this 540 00:27:41,119 --> 00:27:45,600 Speaker 1: happens rarely, but like me, Bowen and Joel are all enthusiastic. 541 00:27:46,080 --> 00:27:49,119 Speaker 1: I'm gonna watch it. And I think also to redirect 542 00:27:49,119 --> 00:27:52,000 Speaker 1: and answer your question, if you wanted to meet Alex Wagner, 543 00:27:52,080 --> 00:27:53,320 Speaker 1: I think all you have to do is make a 544 00:27:53,359 --> 00:27:55,600 Speaker 1: quick call. I don't want to like arrange anything. I 545 00:27:55,600 --> 00:27:59,399 Speaker 1: just want to run into and just wait. We should 546 00:27:59,400 --> 00:28:02,840 Speaker 1: be like, hey, is it cool if if Bowen says 547 00:28:02,920 --> 00:28:04,879 Speaker 1: hi to Alex Wagner, She's like, okay, cool meet on 548 00:28:04,920 --> 00:28:07,280 Speaker 1: this floor and then she arrives and it's a podcast 549 00:28:07,280 --> 00:28:10,760 Speaker 1: set up with us and then and that would be 550 00:28:10,760 --> 00:28:13,200 Speaker 1: a mother and Alex Wagner would actually be interesting to have. 551 00:28:13,800 --> 00:28:15,640 Speaker 1: She would be amazing to have on the She would 552 00:28:15,640 --> 00:28:18,359 Speaker 1: be amazing. That's like when I did um a sketchphrase 553 00:28:18,560 --> 00:28:21,480 Speaker 1: A there was like in the room next to me, 554 00:28:21,520 --> 00:28:23,280 Speaker 1: but it was like rooms that were just curtains, you know, 555 00:28:24,240 --> 00:28:26,359 Speaker 1: And I saw the curtain room. Next to me was 556 00:28:26,480 --> 00:28:29,040 Speaker 1: lu andellus up. So I've never met and so I 557 00:28:29,080 --> 00:28:30,399 Speaker 1: was like, I do want to meet her, and so 558 00:28:30,440 --> 00:28:33,320 Speaker 1: I told like the pret was like I want to, like, yeah, 559 00:28:34,040 --> 00:28:36,639 Speaker 1: you you told us the story of story, the story 560 00:28:36,720 --> 00:28:39,880 Speaker 1: week before we ever even were interested in house. I 561 00:28:39,880 --> 00:28:42,440 Speaker 1: know you said the story of Luke. You you've done 562 00:28:42,480 --> 00:28:47,040 Speaker 1: us an important kindness. Thank you and I'm serious, my god, 563 00:28:47,880 --> 00:28:52,479 Speaker 1: he mean. And then I felt like we got you're 564 00:28:52,520 --> 00:28:54,920 Speaker 1: pissing me off. Okay, we'll keep going. One second way 565 00:28:54,960 --> 00:28:57,480 Speaker 1: from getting up, taking off my mic and leaving. Did 566 00:28:57,480 --> 00:29:00,600 Speaker 1: you learn that was she diva whinning? You met her? Um? 567 00:29:00,600 --> 00:29:02,440 Speaker 1: It was funny and I will I hope it's okay 568 00:29:02,440 --> 00:29:04,360 Speaker 1: to say this is like was my experience of Blue. 569 00:29:04,640 --> 00:29:06,160 Speaker 1: So first of all, you know, it's a big kind 570 00:29:06,160 --> 00:29:10,000 Speaker 1: of warehouse space, and we all knew Lou. We all 571 00:29:10,080 --> 00:29:12,520 Speaker 1: meaning me, knew that Lou was coming at some point 572 00:29:12,520 --> 00:29:14,479 Speaker 1: and she was shooting afterwards, and so it was kind 573 00:29:14,480 --> 00:29:16,400 Speaker 1: of like a quiet onset moment. It was like they're 574 00:29:16,400 --> 00:29:18,120 Speaker 1: shooting something and then all of a sudden you heard 575 00:29:18,160 --> 00:29:22,360 Speaker 1: literally as the horse was walking in like clop clop, 576 00:29:22,400 --> 00:29:24,920 Speaker 1: and it was Lou and walking in with a puffer 577 00:29:25,120 --> 00:29:27,960 Speaker 1: holographic jacket on and like a news boy cap and 578 00:29:28,000 --> 00:29:30,960 Speaker 1: address under and she was walking in with her team 579 00:29:31,000 --> 00:29:32,800 Speaker 1: in the loudest shoes ever in it like you know 580 00:29:32,840 --> 00:29:35,160 Speaker 1: how it's like like it's the same flour as as 581 00:29:35,240 --> 00:29:36,880 Speaker 1: like a costco, you know what I mean, and her 582 00:29:36,880 --> 00:29:39,720 Speaker 1: shoes and like it was a big space. It took 583 00:29:39,720 --> 00:29:41,920 Speaker 1: her so long to cross the space that they had 584 00:29:41,960 --> 00:29:44,280 Speaker 1: to kind of like stop shooting, I feel all and 585 00:29:44,320 --> 00:29:48,040 Speaker 1: then whatever they go back on, they started shooting again. 586 00:29:48,640 --> 00:29:51,240 Speaker 1: I'm sitting next to dear friend of the pod deer castmate, 587 00:29:51,400 --> 00:29:55,280 Speaker 1: and have you heard of Christmas? Joe Firestone? And we 588 00:29:55,440 --> 00:29:59,880 Speaker 1: hear another clop all of a sudden again for another 589 00:29:59,920 --> 00:30:02,120 Speaker 1: like seven minutes, it's lou She's like put herself down 590 00:30:02,120 --> 00:30:04,200 Speaker 1: and she's coming to look at Crafty and she's like 591 00:30:04,280 --> 00:30:09,120 Speaker 1: what they happened? And she kind of like Perus's Crafty 592 00:30:08,440 --> 00:30:11,320 Speaker 1: And then it goes back. Anyways, it was just like 593 00:30:11,760 --> 00:30:13,840 Speaker 1: you got to stop walking so far in those shoes. 594 00:30:14,280 --> 00:30:18,440 Speaker 1: And then afterwards I waited around specifically, and then finally, 595 00:30:18,480 --> 00:30:20,960 Speaker 1: like one of the producers, but like Lewin, this is Pat, 596 00:30:21,080 --> 00:30:22,520 Speaker 1: all of a sudden, she looked up you know when 597 00:30:22,520 --> 00:30:23,600 Speaker 1: you like all of a sudden have to say something. 598 00:30:23,600 --> 00:30:26,920 Speaker 1: You're like, oh, I actually have nothing. That just happening 599 00:30:26,960 --> 00:30:30,000 Speaker 1: with Kathy Hilton. Oh my god, So what did you say? 600 00:30:30,080 --> 00:30:31,880 Speaker 1: I said, I'm a huge fan. Yeah, what I said? 601 00:30:32,080 --> 00:30:33,960 Speaker 1: I just wanted to say a team Kathy. It was 602 00:30:34,000 --> 00:30:38,920 Speaker 1: the worst. You know, one time I was at I 603 00:30:38,960 --> 00:30:41,520 Speaker 1: have to say, I think it was the contended Elton 604 00:30:41,600 --> 00:30:45,160 Speaker 1: John oscar party because it was in like two thousand eight, 605 00:30:45,160 --> 00:30:49,120 Speaker 1: Well on Beverly Hills was litigated. I think I was 606 00:30:49,160 --> 00:30:52,440 Speaker 1: at that one because you know, Jordan's firstman was there 607 00:30:52,480 --> 00:30:54,560 Speaker 1: and he had worked with Lisa Wrenna and I don't 608 00:30:54,600 --> 00:30:56,160 Speaker 1: even think he was a Housewives fan, but he knew 609 00:30:56,200 --> 00:30:57,400 Speaker 1: I was, and he was like, I'm gonna go to 610 00:30:57,640 --> 00:30:59,480 Speaker 1: Lisa Wrenna. Do you want to come? And I went over. 611 00:30:59,520 --> 00:31:02,240 Speaker 1: It was similar or like she obviously had things to 612 00:31:02,240 --> 00:31:04,200 Speaker 1: say with Jordan, but I didn't have really anything to say. 613 00:31:04,240 --> 00:31:06,400 Speaker 1: But you know, when you do just want them to remember, 614 00:31:06,440 --> 00:31:08,920 Speaker 1: you say something like so random that like you'll have 615 00:31:08,920 --> 00:31:11,200 Speaker 1: to remember it till the day she dies, like say, 616 00:31:11,200 --> 00:31:13,200 Speaker 1: truly a random collection of words that's always be like 617 00:31:13,280 --> 00:31:15,320 Speaker 1: that was so weird that person did that like in 618 00:31:15,440 --> 00:31:19,800 Speaker 1: um everything all the time at once or whatever, I 619 00:31:19,800 --> 00:31:22,120 Speaker 1: would do something really random like that that everything all 620 00:31:22,160 --> 00:31:26,960 Speaker 1: the time. I want doing everything all the time. I 621 00:31:26,960 --> 00:31:33,080 Speaker 1: want something random special powers. I was like wanting to 622 00:31:33,080 --> 00:31:34,520 Speaker 1: do something like that. So she would always be like, 623 00:31:34,560 --> 00:31:37,720 Speaker 1: oh my god, that person like that said that crazy thing, 624 00:31:37,800 --> 00:31:41,280 Speaker 1: and now I have hot dog fingers. Yeah, like you, 625 00:31:42,160 --> 00:31:45,280 Speaker 1: Matt seems to quit that humor with Marvel humor. Perhaps 626 00:31:46,040 --> 00:31:50,600 Speaker 1: I think this is the best humor. You're confusing that 627 00:31:50,640 --> 00:31:54,840 Speaker 1: with the best humor. This coffee is doing bad things 628 00:31:54,880 --> 00:31:56,880 Speaker 1: to me. I feel like I'm ruining me. Know, I'm 629 00:31:56,920 --> 00:32:01,760 Speaker 1: literally my god, the way that you should have been. 630 00:32:03,720 --> 00:32:07,360 Speaker 1: No kidding, Wait what did you what did you say? 631 00:32:07,360 --> 00:32:08,920 Speaker 1: What did you say? So? I just was like, Hi, 632 00:32:09,080 --> 00:32:12,000 Speaker 1: First of all, you don't like a woman wears glasses 633 00:32:12,160 --> 00:32:13,920 Speaker 1: and all of a sudden they feel too big for 634 00:32:13,920 --> 00:32:18,440 Speaker 1: her face or something for sure? That yeah, yeah, I 635 00:32:18,440 --> 00:32:22,000 Speaker 1: know I only think about women, ever, So that is 636 00:32:22,040 --> 00:32:24,560 Speaker 1: what I if a man had too big of glasses 637 00:32:24,560 --> 00:32:27,320 Speaker 1: would be like, Okay, groundbreaking. You didn't know how to 638 00:32:27,440 --> 00:32:29,920 Speaker 1: dress yourself and how to put anything on your face. 639 00:32:30,240 --> 00:32:34,280 Speaker 1: You accessorize badly, novel, Wow, go straight to the news. Yeah, 640 00:32:34,320 --> 00:32:36,920 Speaker 1: go straight to the cress. Oh my god. Anyways, so 641 00:32:37,000 --> 00:32:38,320 Speaker 1: I just kind of like I said that. Then we 642 00:32:38,360 --> 00:32:40,360 Speaker 1: kind of stood in silence. I didn't know what to say. 643 00:32:40,480 --> 00:32:41,960 Speaker 1: I just kind of stood there, and then I was like, 644 00:32:41,960 --> 00:32:45,280 Speaker 1: why better be going? And she was like, okay, Bye. 645 00:32:46,440 --> 00:32:47,920 Speaker 1: It's just so hard because you want to meet these 646 00:32:47,920 --> 00:32:49,760 Speaker 1: people and see them, but then like it's like, what 647 00:32:49,760 --> 00:32:52,320 Speaker 1: do you talk about? You know? You know what, the 648 00:32:52,360 --> 00:32:55,080 Speaker 1: three of us don't have the common been on Z way, 649 00:32:55,560 --> 00:32:58,360 Speaker 1: been on Z Way, not been on, pointing to myself, 650 00:32:58,400 --> 00:33:01,720 Speaker 1: you've been on, you've both been on early. Yeah, that's 651 00:33:01,760 --> 00:33:05,080 Speaker 1: crazy that we actually helped build her empire, and it 652 00:33:05,200 --> 00:33:07,120 Speaker 1: feels like I don't get the invitation even though I'm 653 00:33:07,120 --> 00:33:10,640 Speaker 1: her network sister. That sorry, just feels shady to me. 654 00:33:10,680 --> 00:33:13,000 Speaker 1: Angel has also been on. Yeah, it feels like a 655 00:33:13,120 --> 00:33:20,120 Speaker 1: complete rage. Yeah, you're being erased every every day period. 656 00:33:20,120 --> 00:33:23,440 Speaker 1: But some day soon I have an idea. I asked 657 00:33:23,480 --> 00:33:28,360 Speaker 1: the universe for it. I literally begged the universe. I 658 00:33:28,480 --> 00:33:31,760 Speaker 1: begged the universe every day. Um watch when I go 659 00:33:31,800 --> 00:33:34,200 Speaker 1: on and she like absolutely destroys my character, and I'm like, well, 660 00:33:34,240 --> 00:33:36,600 Speaker 1: I shouldn't have begged for this one. No, No, that's not. 661 00:33:37,320 --> 00:33:38,880 Speaker 1: I always say when I've gone on in her in 662 00:33:38,960 --> 00:33:41,520 Speaker 1: her real it's always just in a sketch capacity where 663 00:33:42,160 --> 00:33:45,200 Speaker 1: you've never been interrogated. Yeah, I've been interrogted in the 664 00:33:45,240 --> 00:33:51,560 Speaker 1: way that Bowen has. But maybe one day. Now, what 665 00:33:51,720 --> 00:33:53,840 Speaker 1: do we think about? What you're gonna say? What was 666 00:33:53,880 --> 00:33:56,360 Speaker 1: the culture that man? You said? Do you have a 667 00:33:56,360 --> 00:33:59,600 Speaker 1: new answer? Um? What have I said? What are you 668 00:33:59,600 --> 00:34:02,440 Speaker 1: going to say? What do we think about white lotus? 669 00:34:03,200 --> 00:34:09,520 Speaker 1: If you know me, I I white lotus. I always 670 00:34:09,560 --> 00:34:12,320 Speaker 1: have this relationship with the word. I'm always like, okay, 671 00:34:12,600 --> 00:34:14,719 Speaker 1: I'll watch it. I'm like, wait, what Like, I'm just 672 00:34:14,800 --> 00:34:17,000 Speaker 1: get so confused. Sometimes I think it's a wonderful show. 673 00:34:17,040 --> 00:34:19,880 Speaker 1: I celebrate confused about it. Okay, I'll always watch it 674 00:34:19,920 --> 00:34:22,040 Speaker 1: like a little bit after everyone else, like always both 675 00:34:22,080 --> 00:34:25,040 Speaker 1: seasons and um, have you watched this season yet? I 676 00:34:25,040 --> 00:34:27,360 Speaker 1: have watched this season. I'm up today with this. Except 677 00:34:27,360 --> 00:34:29,880 Speaker 1: for the final timinants of the most recent episode, Oh 678 00:34:29,960 --> 00:34:34,319 Speaker 1: we're there there, Yeah, we're like, you know, who's mother? Who? 679 00:34:34,520 --> 00:34:41,840 Speaker 1: Also the they're being mother? And then also who's that 680 00:34:42,719 --> 00:34:45,120 Speaker 1: he is? The hot girl who's like yeah, so she 681 00:34:45,320 --> 00:34:48,200 Speaker 1: is killing the performance? I am telling you, how was 682 00:34:48,239 --> 00:34:53,799 Speaker 1: she at first of all, saying with mattetted that they 683 00:34:53,800 --> 00:34:55,200 Speaker 1: didn't know her name. I'll give you the back story. 684 00:34:55,480 --> 00:34:58,480 Speaker 1: So several years ago I went to a Betty Who 685 00:34:58,560 --> 00:35:01,719 Speaker 1: concert at the Fonda with Jared. I remember this concert, yes, 686 00:35:02,040 --> 00:35:04,600 Speaker 1: because this ultimately was the concert where Jared and I 687 00:35:04,680 --> 00:35:06,839 Speaker 1: first hooked up. So we had been like seeing each 688 00:35:06,880 --> 00:35:08,680 Speaker 1: other as friends and then all of a sudden it 689 00:35:08,719 --> 00:35:10,200 Speaker 1: kind of dawned on us, like, oh, I think this 690 00:35:10,320 --> 00:35:14,000 Speaker 1: might actually be more than friends. And so I was 691 00:35:14,120 --> 00:35:17,840 Speaker 1: with Jared and a bunch of the bold type girls 692 00:35:17,840 --> 00:35:20,319 Speaker 1: were there was bull type. She was on the bull. 693 00:35:20,440 --> 00:35:22,120 Speaker 1: She was on the bull tide because so she has 694 00:35:22,160 --> 00:35:25,080 Speaker 1: this like legion of fans of people that were obsessed 695 00:35:25,080 --> 00:35:26,920 Speaker 1: with the bulld type and oh wait, wait, who are 696 00:35:26,920 --> 00:35:29,480 Speaker 1: we talking about? Megan Fayhey? But which one is she? 697 00:35:29,520 --> 00:35:32,320 Speaker 1: And my oldest and the lodest. She is Aubrey Plaza 698 00:35:32,400 --> 00:35:39,399 Speaker 1: is like the girl that so she plays dafnause second. 699 00:35:39,440 --> 00:35:41,319 Speaker 1: I worried when you started getting bull type with it. 700 00:35:41,400 --> 00:35:42,960 Speaker 1: I was like, I don't think she would be on 701 00:35:42,960 --> 00:35:45,000 Speaker 1: board type because like buld type is all like night. 702 00:35:45,360 --> 00:35:47,439 Speaker 1: This is my impression, this is what I think type, 703 00:35:47,840 --> 00:35:51,240 Speaker 1: having never seen it. It's like they're in like um 704 00:35:51,640 --> 00:35:54,400 Speaker 1: young person office, like the friend person office like this, 705 00:35:54,680 --> 00:35:57,080 Speaker 1: and they're like sitting like this. I'm kind of spreading 706 00:35:57,080 --> 00:35:59,040 Speaker 1: my arms like on the table. And then like why 707 00:35:59,200 --> 00:36:01,560 Speaker 1: Markton is like, are killing at this quarter? You're getting 708 00:36:01,560 --> 00:36:04,399 Speaker 1: at that promotion and she said, guess what You're going 709 00:36:04,480 --> 00:36:07,680 Speaker 1: to rocket on your day tonight? Girl? Yeah, and then 710 00:36:07,880 --> 00:36:11,080 Speaker 1: all right, cheers to cheers to getting what we want. Yeah, 711 00:36:11,680 --> 00:36:15,560 Speaker 1: that's like the quote opened. I think. I think in 712 00:36:15,600 --> 00:36:18,359 Speaker 1: a world where like AI eventually takes all our jobs 713 00:36:18,360 --> 00:36:21,319 Speaker 1: as writers and starts writing episodes, the AI would write 714 00:36:21,320 --> 00:36:24,280 Speaker 1: that as an episode of time like, but people truly 715 00:36:24,560 --> 00:36:26,560 Speaker 1: fucking love that, and so I don't mean to be 716 00:36:26,719 --> 00:36:34,200 Speaker 1: anything but lovely, I meanly so. So we actually also 717 00:36:34,239 --> 00:36:36,560 Speaker 1: met those girls at Vulture Fast when we were doing 718 00:36:36,560 --> 00:36:39,919 Speaker 1: the interview, so we've actually interacted with them several times. 719 00:36:39,960 --> 00:36:42,239 Speaker 1: But but Megan was at the Petty Who concert and 720 00:36:42,280 --> 00:36:45,279 Speaker 1: I had met her and she was very cool. So 721 00:36:45,560 --> 00:36:47,880 Speaker 1: to come to find out years later, I'm putting together 722 00:36:47,960 --> 00:36:50,480 Speaker 1: my Vulture fres show for Have You Heard of Christmas? 723 00:36:50,640 --> 00:36:52,239 Speaker 1: And I saw that Megan was doing like a white 724 00:36:52,239 --> 00:36:54,080 Speaker 1: Lotus panel earlier in the day, and I knew that 725 00:36:54,120 --> 00:36:56,920 Speaker 1: she was like an absolutely incredible singer because Jared had 726 00:36:56,960 --> 00:36:59,520 Speaker 1: sent me videos of her singing. So I had also 727 00:36:59,600 --> 00:37:02,560 Speaker 1: booked Eddie, who's separately. Betty text me and says, I'm 728 00:37:02,560 --> 00:37:04,600 Speaker 1: gonna come with Megan. She's actually one of my besties. 729 00:37:04,640 --> 00:37:06,520 Speaker 1: I was like, oh my god, that's so funny. So 730 00:37:06,560 --> 00:37:11,320 Speaker 1: then Megan comes to the sound check and she's the nicest, 731 00:37:11,400 --> 00:37:14,520 Speaker 1: loveliest runs through her stuff. She's got like a stunning voice, 732 00:37:14,560 --> 00:37:16,120 Speaker 1: and then we ended up doing sort of like a 733 00:37:16,200 --> 00:37:19,239 Speaker 1: duet o Holy Night. And I guess some people on 734 00:37:19,280 --> 00:37:21,239 Speaker 1: the internet like didn't know she could sing like that 735 00:37:21,600 --> 00:37:24,480 Speaker 1: because so now like that clip of her like slaying 736 00:37:24,560 --> 00:37:28,600 Speaker 1: down Holy Night, it's sort of like popping off. And 737 00:37:28,760 --> 00:37:30,440 Speaker 1: I have to say I told her, I was like, 738 00:37:30,480 --> 00:37:33,440 Speaker 1: you are kicking my ass on White Lotus and she 739 00:37:33,520 --> 00:37:36,680 Speaker 1: was like, just wait, it gets so goofy and crazy 740 00:37:36,719 --> 00:37:38,759 Speaker 1: and like it gets so good, and I was like, 741 00:37:39,080 --> 00:37:41,480 Speaker 1: it's just cool. Nice to meet someone who's like really 742 00:37:41,520 --> 00:37:45,160 Speaker 1: super talented and nice and having adore her. I didn't. 743 00:37:45,160 --> 00:37:47,960 Speaker 1: I walked into White Lois having no idea who anyone 744 00:37:48,080 --> 00:37:52,640 Speaker 1: was this season. This cast wasn't like stars. Yeah, I mean, 745 00:37:52,600 --> 00:37:54,480 Speaker 1: I haven't that's that's why they're not stars. But I 746 00:37:54,520 --> 00:37:56,319 Speaker 1: mean they're not household names like they felt like the 747 00:37:56,320 --> 00:38:01,920 Speaker 1: first yeah yeah, yeah yeah. And the guy from Girls 748 00:38:02,040 --> 00:38:05,080 Speaker 1: probably is the most famous person on episodes Jennifer cool. Yeah. 749 00:38:05,320 --> 00:38:11,480 Speaker 1: Let me think. We watched the first episode, we saw 750 00:38:11,800 --> 00:38:14,720 Speaker 1: Christopher from Sopranos get there with his son or whatever, 751 00:38:15,280 --> 00:38:17,000 Speaker 1: and then the next scene his sums like at the 752 00:38:17,000 --> 00:38:19,920 Speaker 1: pool and he meets like the younger girl at the assistant. 753 00:38:20,160 --> 00:38:21,440 Speaker 1: I said, that would be cool if he was like 754 00:38:21,600 --> 00:38:25,439 Speaker 1: my dad was on the Sopranos. In the second scene 755 00:38:25,480 --> 00:38:29,800 Speaker 1: we see that he's playing himself. It's actually Michael imperially Aristo. 756 00:38:30,920 --> 00:38:33,239 Speaker 1: I love that. So I have this watch it a 757 00:38:33,280 --> 00:38:35,719 Speaker 1: little bit after everyone else, and it's a show that 758 00:38:35,719 --> 00:38:38,040 Speaker 1: gets talked about and gets like lifted up and praised, 759 00:38:38,040 --> 00:38:40,880 Speaker 1: which I agree with and um, but then I always 760 00:38:40,880 --> 00:38:42,759 Speaker 1: I'm like, wait, has it takes me a second to 761 00:38:42,800 --> 00:38:45,839 Speaker 1: get into it? Every year? Every both years. I remember 762 00:38:45,840 --> 00:38:48,279 Speaker 1: when I watched. I watched the first scene with my 763 00:38:48,560 --> 00:38:50,960 Speaker 1: fee but I was like, this is not a conversation 764 00:38:51,000 --> 00:38:52,480 Speaker 1: that humans would have where it's like, hey, are you 765 00:38:52,480 --> 00:38:54,440 Speaker 1: guys just getting her from your vacation? After all, I'm 766 00:38:54,480 --> 00:38:57,480 Speaker 1: just leaving mine? Are you having friends so far? Anyways, 767 00:38:57,520 --> 00:39:00,480 Speaker 1: it's a crazy resort. Anything you're gonna die, they're gonna 768 00:39:00,480 --> 00:39:02,560 Speaker 1: have to drag you out of here. Yeah, and say, 769 00:39:02,600 --> 00:39:04,560 Speaker 1: well I have to I have to run. Since my vacation, 770 00:39:05,880 --> 00:39:08,360 Speaker 1: I was but one final swim and then I literally 771 00:39:08,360 --> 00:39:09,719 Speaker 1: thought when that was happening, I was like, oh, was 772 00:39:09,719 --> 00:39:11,239 Speaker 1: she going to get in by a shark or something 773 00:39:11,280 --> 00:39:13,720 Speaker 1: like what's happening to mama? And then when she bumped 774 00:39:13,719 --> 00:39:15,640 Speaker 1: into that body, and when she bumped into that body 775 00:39:15,640 --> 00:39:18,640 Speaker 1: in the sea, yeah, well I was like, this is 776 00:39:18,680 --> 00:39:21,680 Speaker 1: the best case scenario. It's like because she's actually fine. Yeah, 777 00:39:21,719 --> 00:39:26,240 Speaker 1: well she's traumatized for life. Okay for mere number seven hundred, 778 00:39:28,880 --> 00:39:31,759 Speaker 1: number seven twelve. If you bump into a body, you're 779 00:39:31,800 --> 00:39:35,920 Speaker 1: ultimately fine. But you were telling me like the performance 780 00:39:36,040 --> 00:39:38,279 Speaker 1: that it was so amazing, like when she like, it's 781 00:39:38,320 --> 00:39:42,719 Speaker 1: so totally you know, it was just very like what 782 00:39:42,960 --> 00:39:44,680 Speaker 1: that would be like, you know what I mean. I 783 00:39:44,719 --> 00:39:46,799 Speaker 1: was like, yeah, because probably you read that and you 784 00:39:46,840 --> 00:39:51,319 Speaker 1: think it's giving like a body, But there was like 785 00:39:51,360 --> 00:39:54,200 Speaker 1: this like mixture of emotions and processing that she was doing, 786 00:39:54,200 --> 00:39:57,520 Speaker 1: which I was like, come on, talent was actually mother 787 00:39:57,600 --> 00:40:02,120 Speaker 1: for this is Valentina. Is that the hotel? Man? My god, 788 00:40:02,560 --> 00:40:06,200 Speaker 1: she is giving everything towards me, everything towards me, And 789 00:40:06,600 --> 00:40:10,040 Speaker 1: I do think in this most recent episode, it's like 790 00:40:10,120 --> 00:40:12,319 Speaker 1: one of her subordinates goes up to her and it's like, 791 00:40:12,400 --> 00:40:15,239 Speaker 1: you're amazing. I know. Is this repeat of what they 792 00:40:15,280 --> 00:40:22,440 Speaker 1: did last it's interesting with Yeah, maybe if it is, 793 00:40:22,480 --> 00:40:24,879 Speaker 1: I won't actually care. I wouldn't mind it. I think 794 00:40:24,920 --> 00:40:26,360 Speaker 1: all they're trying to get out with that is that 795 00:40:26,400 --> 00:40:29,239 Speaker 1: she's really lonely and underappreciate it. And I think that 796 00:40:29,320 --> 00:40:31,080 Speaker 1: she's probably stressed out a lot of the time. So 797 00:40:31,080 --> 00:40:32,520 Speaker 1: when this person comes up to her and gives her 798 00:40:32,520 --> 00:40:35,200 Speaker 1: a genuine complement, it's like, okay, let me find the words. 799 00:40:35,440 --> 00:40:38,440 Speaker 1: That is like an affirmation of YouTube. Okay. And that 800 00:40:38,520 --> 00:40:40,680 Speaker 1: was weird because then they show her eating her lunch 801 00:40:40,760 --> 00:40:42,920 Speaker 1: with the cast. But I was just gonna say I 802 00:40:43,000 --> 00:40:47,080 Speaker 1: loved that little scene. Kittens. Yeah, it's not the it's 803 00:40:47,120 --> 00:40:50,200 Speaker 1: not in the final town and eating her lunch out 804 00:40:50,200 --> 00:40:52,320 Speaker 1: of her type of ware, like in the street alone 805 00:40:52,760 --> 00:40:56,360 Speaker 1: and she's feeding these two little kittens and it's like something. 806 00:40:56,440 --> 00:40:58,640 Speaker 1: So it's kind of lovely too, because it's like she's 807 00:40:58,640 --> 00:41:00,480 Speaker 1: doing like a like a nice Benevo the thing for 808 00:41:00,480 --> 00:41:02,960 Speaker 1: the cats, but like she's so short with everyone else 809 00:41:03,000 --> 00:41:05,000 Speaker 1: in her life because you can tell this is a 810 00:41:05,040 --> 00:41:07,720 Speaker 1: person that's just like I'm sucking done with human beings 811 00:41:07,719 --> 00:41:11,040 Speaker 1: because I have to deal with the worst subset of humanity, 812 00:41:11,040 --> 00:41:13,279 Speaker 1: which is the worst white people from America who have 813 00:41:13,360 --> 00:41:15,399 Speaker 1: all this money to come here and like have like 814 00:41:15,480 --> 00:41:18,359 Speaker 1: a fucking experience here. And it's just so that's kind 815 00:41:18,360 --> 00:41:20,080 Speaker 1: of like I gesk the thesis of what the whole 816 00:41:20,080 --> 00:41:22,600 Speaker 1: show is for me. Yes, I agree. This season, I 817 00:41:22,680 --> 00:41:24,440 Speaker 1: feel like the thesis is like I don't know if 818 00:41:24,480 --> 00:41:26,279 Speaker 1: I'll be able articulated, but I do think there's this 819 00:41:26,320 --> 00:41:30,560 Speaker 1: theme of like just people like of different depths trying 820 00:41:30,600 --> 00:41:33,680 Speaker 1: to connect with each other and being unsure. Like everyone's 821 00:41:33,719 --> 00:41:35,719 Speaker 1: like like reaching in the dark trying to connect with 822 00:41:35,719 --> 00:41:37,799 Speaker 1: everyone else, and no one really is understanding anyone else's 823 00:41:37,840 --> 00:41:40,960 Speaker 1: internal world, and it's very difficult to like connect with 824 00:41:41,000 --> 00:41:43,600 Speaker 1: someone or something. Yeah, what I like about it is 825 00:41:43,640 --> 00:41:46,759 Speaker 1: it's truly about like almost like self control when it 826 00:41:46,800 --> 00:41:49,880 Speaker 1: comes to like carnal desire in terms of like what 827 00:41:50,200 --> 00:41:56,080 Speaker 1: is and is not expected or if it's expected or accepted, 828 00:41:56,320 --> 00:41:58,920 Speaker 1: Like why is that, and I feel like there's this 829 00:41:58,960 --> 00:42:01,120 Speaker 1: thing that happens on occasion with people, which is this 830 00:42:01,160 --> 00:42:03,080 Speaker 1: is another reason why I like white lotus is because 831 00:42:03,320 --> 00:42:05,520 Speaker 1: when you were put in a situation where you're like, okay, 832 00:42:05,560 --> 00:42:09,040 Speaker 1: it's time to relax, that's where your mind goes to 833 00:42:09,120 --> 00:42:11,880 Speaker 1: sort of crazy places, don't you think, Like sometimes when 834 00:42:11,920 --> 00:42:16,839 Speaker 1: I'm on vacation, it's hard to let your defenses drop 835 00:42:16,920 --> 00:42:18,759 Speaker 1: away and just like sit in a chair and enjoy 836 00:42:18,840 --> 00:42:21,560 Speaker 1: the sun, because then you're alone with your thoughts, and like, 837 00:42:21,680 --> 00:42:23,799 Speaker 1: crazy things happen, especially when you're with people that are 838 00:42:23,800 --> 00:42:27,000 Speaker 1: close to you, Like I feel like tensions have risen 839 00:42:27,000 --> 00:42:30,799 Speaker 1: a couple of times when we've been on vacations together. Yes, 840 00:42:30,920 --> 00:42:33,239 Speaker 1: my guys, go ahead and get into that. We had 841 00:42:33,239 --> 00:42:38,560 Speaker 1: an argument in spring. Yeah, what was the argument? I 842 00:42:38,560 --> 00:42:41,600 Speaker 1: remember when we were at dinner and um, yes, that 843 00:42:41,680 --> 00:42:43,960 Speaker 1: was the one had told me one time that I 844 00:42:43,960 --> 00:42:46,600 Speaker 1: should examine that about something that I thought, Oh you 845 00:42:46,640 --> 00:42:48,400 Speaker 1: know what it was. I was still following. I was 846 00:42:48,440 --> 00:42:50,600 Speaker 1: following someone I shouldn't have been following on Instagram. And 847 00:42:50,640 --> 00:42:53,200 Speaker 1: I said that, and you said, well, you should examine that, 848 00:42:53,560 --> 00:42:55,360 Speaker 1: And at that time I didn't call it out, although 849 00:42:55,400 --> 00:42:57,440 Speaker 1: I felt it was condescending. So then we were at 850 00:42:57,440 --> 00:43:00,120 Speaker 1: dinner months later and Bowen said something and I was like, well, 851 00:43:00,120 --> 00:43:04,359 Speaker 1: maybe you should examine that down and was like, why 852 00:43:04,400 --> 00:43:07,200 Speaker 1: did you say that. She's like, it's about it. Did 853 00:43:07,200 --> 00:43:10,400 Speaker 1: you know about the thing? I don't know. If I 854 00:43:10,400 --> 00:43:12,800 Speaker 1: recognized it as a callback, I think I would recognize that. 855 00:43:12,840 --> 00:43:15,480 Speaker 1: I think it was just when it's someone like your 856 00:43:15,520 --> 00:43:18,440 Speaker 1: best friend, because in Mexico City suity and I kind 857 00:43:18,440 --> 00:43:22,080 Speaker 1: of had oh, I remember that was not And but 858 00:43:22,200 --> 00:43:24,080 Speaker 1: I feel like it's just an everywhere you go there 859 00:43:24,080 --> 00:43:25,279 Speaker 1: you are a kind of thing. And that's what the 860 00:43:25,320 --> 00:43:29,120 Speaker 1: show is about. It's tiny, little little micro things that 861 00:43:29,200 --> 00:43:31,080 Speaker 1: then when you have the space to room it in 862 00:43:31,120 --> 00:43:33,480 Speaker 1: on them, things come out. So I feel like, especially 863 00:43:33,480 --> 00:43:36,879 Speaker 1: with like Aubrey Plaza's character and her let's just say 864 00:43:36,920 --> 00:43:41,520 Speaker 1: it absolute smoke show. The name is um Will Sharp. 865 00:43:42,120 --> 00:43:46,120 Speaker 1: They clearly think they have this great relationship because they communicate, 866 00:43:46,400 --> 00:43:50,319 Speaker 1: but then there's like no chemistry between them actually, and 867 00:43:50,400 --> 00:43:53,000 Speaker 1: so that now that's coming to a head. You can 868 00:43:53,000 --> 00:43:55,680 Speaker 1: see in the final episode of this of this episode 869 00:43:55,680 --> 00:43:59,439 Speaker 1: which you probably were not, she's like on the phone 870 00:43:59,440 --> 00:44:02,080 Speaker 1: trying to call him, and she's realizing he's not picking 871 00:44:02,160 --> 00:44:04,080 Speaker 1: up and she's in her head because she's like on 872 00:44:04,120 --> 00:44:07,040 Speaker 1: an edible or whatever, and she's like sitting alone and 873 00:44:07,080 --> 00:44:09,920 Speaker 1: being like, maybe this is where I start to realize 874 00:44:09,960 --> 00:44:12,920 Speaker 1: my relationship is actually not what I thought it was 875 00:44:12,960 --> 00:44:15,439 Speaker 1: because we're not fucking and now he's not answering my call. 876 00:44:15,520 --> 00:44:17,759 Speaker 1: And the last thing I had was that we communicated 877 00:44:17,800 --> 00:44:21,040 Speaker 1: about everything. Yes, yes, and has a great little moment 878 00:44:21,560 --> 00:44:24,200 Speaker 1: when she's on her edible and she just like goes, 879 00:44:24,600 --> 00:44:27,439 Speaker 1: you'll you'll, you'll be obsessed. You know, you could say I, 880 00:44:27,440 --> 00:44:28,920 Speaker 1: I don't say it because I want to know which 881 00:44:28,920 --> 00:44:31,040 Speaker 1: part you're talking about where she was just where um 882 00:44:31,200 --> 00:44:36,320 Speaker 1: Aubrey's like do you think, oh yeah, maybe once that 883 00:44:36,400 --> 00:44:39,040 Speaker 1: I know about, And then she was like but I'm 884 00:44:39,040 --> 00:44:42,359 Speaker 1: not a victim because like how do you handle that? 885 00:44:42,480 --> 00:44:48,759 Speaker 1: And all. Yeah. I really liked her the turn they 886 00:44:48,760 --> 00:44:51,279 Speaker 1: took with her character, and I loved it because that's 887 00:44:51,280 --> 00:44:53,160 Speaker 1: the only thing I'm waiting for with some of the characters, 888 00:44:53,160 --> 00:44:57,359 Speaker 1: like especially her husband, THEO James, the guy he plays him. 889 00:44:57,680 --> 00:45:00,000 Speaker 1: I'm just waiting for that character to become a little 890 00:45:00,000 --> 00:45:02,120 Speaker 1: a bit more complicated than it is right now, because 891 00:45:02,120 --> 00:45:05,759 Speaker 1: like what I loved about Megan Fayey's character was for me, 892 00:45:05,880 --> 00:45:08,120 Speaker 1: the moment of the episode was that monologue she has 893 00:45:08,160 --> 00:45:10,799 Speaker 1: about the elephants. Yeah, when she says, like, I would 894 00:45:10,880 --> 00:45:12,840 Speaker 1: never want to be a man. It's so lonely and 895 00:45:12,880 --> 00:45:15,160 Speaker 1: they really think they're doing something important in the world, 896 00:45:15,160 --> 00:45:18,400 Speaker 1: but really all they're doing is just walking it alone. 897 00:45:18,640 --> 00:45:21,640 Speaker 1: And then it cuts to them on the jet skis, which, 898 00:45:21,680 --> 00:45:26,800 Speaker 1: by the way, that sequence was that Comedy Budget loved it. Yeah, 899 00:45:27,080 --> 00:45:37,239 Speaker 1: Comedy Budget loved that. Mike White, I love I. Um, 900 00:45:37,360 --> 00:45:39,960 Speaker 1: you know, he's might. Of all this River seasons, there's 901 00:45:40,000 --> 00:45:42,920 Speaker 1: two that I've never seen in his as well. Wait, Pat, 902 00:45:43,800 --> 00:45:45,840 Speaker 1: that's one of the best seasons that everyone says, I 903 00:45:45,920 --> 00:45:48,279 Speaker 1: just got so tired of it during that time, the 904 00:45:48,360 --> 00:45:51,520 Speaker 1: late thirties. You haven't seen David vers Goliath. No, And 905 00:45:51,560 --> 00:45:54,479 Speaker 1: then like what happened was then I knew, Oh, it's 906 00:45:54,560 --> 00:45:57,000 Speaker 1: so good and it's so fun to watch him on it. 907 00:45:57,040 --> 00:46:00,320 Speaker 1: But what happened was now I know who because of 908 00:46:00,360 --> 00:46:02,560 Speaker 1: winters at war and then also which I can still 909 00:46:02,640 --> 00:46:04,919 Speaker 1: enjoy season when I know who won, but I also 910 00:46:05,080 --> 00:46:07,120 Speaker 1: know like what place Mike gets and I know what 911 00:46:07,520 --> 00:46:11,160 Speaker 1: I know what places the two girls who appeared in Yeah, 912 00:46:11,200 --> 00:46:13,360 Speaker 1: I know you have to watch it because it's actually 913 00:46:13,400 --> 00:46:16,200 Speaker 1: one of the funniest I've been episode going off on 914 00:46:17,000 --> 00:46:21,000 Speaker 1: Plus can be so dangerous because y'all st that's about 915 00:46:22,960 --> 00:46:25,800 Speaker 1: so dangerous because you'll find the most random master reality 916 00:46:25,840 --> 00:46:27,960 Speaker 1: so that they have like the back seasons. Anyways, they 917 00:46:27,960 --> 00:46:31,400 Speaker 1: have nine seasons available of Big Brother Canada, which is 918 00:46:31,440 --> 00:46:34,560 Speaker 1: like so good. It's better than us, and it's like 919 00:46:34,600 --> 00:46:37,439 Speaker 1: it's just in the Nationals always right, and it's also 920 00:46:37,520 --> 00:46:40,160 Speaker 1: just like it reminds me of older US. First of all, 921 00:46:40,239 --> 00:46:45,440 Speaker 1: Survivor Australia the peak of television watched you've seen this 922 00:46:45,480 --> 00:46:47,960 Speaker 1: season with Pia. He is my favorite, is the best 923 00:46:47,960 --> 00:46:50,319 Speaker 1: contest of all. I love her. I also love her girl. 924 00:46:50,320 --> 00:46:56,319 Speaker 1: I call her as you are. You should name her 925 00:46:56,360 --> 00:46:59,200 Speaker 1: actress Peter because that's what I In that season of 926 00:46:59,200 --> 00:47:01,360 Speaker 1: Australian Survivor, it was like people that are famous in 927 00:47:01,400 --> 00:47:05,040 Speaker 1: our country versus people that are not, and so I 928 00:47:05,040 --> 00:47:08,840 Speaker 1: guess was famous in their country and basically she was 929 00:47:08,920 --> 00:47:11,879 Speaker 1: actress Pia and they showed clips of her from her 930 00:47:11,920 --> 00:47:16,680 Speaker 1: famous acting roles only in Australia and then basically she 931 00:47:16,800 --> 00:47:22,239 Speaker 1: used her acting throughout the final tribal. She had to 932 00:47:22,440 --> 00:47:25,799 Speaker 1: convinced she has been using her acting. Yeah, she was like, 933 00:47:25,840 --> 00:47:27,360 Speaker 1: the way I used my acting was like this, And 934 00:47:27,360 --> 00:47:30,160 Speaker 1: then you saw don all over their faces that oh 935 00:47:30,200 --> 00:47:32,560 Speaker 1: my god, she's been using her acting this whole time. 936 00:47:33,840 --> 00:47:39,360 Speaker 1: She said, I've outwitted, outplied amazing Australia. It was. I 937 00:47:39,440 --> 00:47:43,680 Speaker 1: was actually so surprised, asked, I'll do crazy ship. I'll 938 00:47:43,680 --> 00:47:45,839 Speaker 1: try of talking like a British accent. It will come 939 00:47:45,840 --> 00:47:50,680 Speaker 1: out like lawless, no bad, except for actually, Land hasn't 940 00:47:50,680 --> 00:47:53,040 Speaker 1: really helped lebon Dukas broke my brain to the point 941 00:47:53,040 --> 00:47:55,320 Speaker 1: where now I and almost every sentence to be past. 942 00:47:57,080 --> 00:48:00,560 Speaker 1: My favorite conversation of her own is this really consequential? 943 00:48:00,600 --> 00:48:03,319 Speaker 1: One this most recent season between Tasha and Billy at 944 00:48:03,360 --> 00:48:10,400 Speaker 1: Coosa More, where Billy said to Tasha Billy's house, um 945 00:48:11,000 --> 00:48:14,080 Speaker 1: so Billy said to Tasha, um, I like you. You're 946 00:48:14,120 --> 00:48:16,799 Speaker 1: quite mature and she said, no, I'm not, and he said, 947 00:48:16,880 --> 00:48:19,200 Speaker 1: yes you are, and she said, I am to be 948 00:48:19,239 --> 00:48:26,480 Speaker 1: pad made you change your mind if you are, I 949 00:48:26,520 --> 00:48:30,880 Speaker 1: am to be fair. They end a lot of sentences 950 00:48:31,040 --> 00:48:33,080 Speaker 1: to be fair, just that one. No, no, they lend 951 00:48:33,360 --> 00:48:36,040 Speaker 1: they're always almost everything they say is to be fat. Yeah, 952 00:48:36,280 --> 00:48:38,080 Speaker 1: he's quite hot. To be bad, he's quite fit. To 953 00:48:38,080 --> 00:48:40,960 Speaker 1: be fair. It's important to be fair. It's more to 954 00:48:41,000 --> 00:48:43,799 Speaker 1: be there. You have to be fairer. When was the 955 00:48:43,840 --> 00:48:46,560 Speaker 1: time you can own up to being unfair? That's really 956 00:48:46,560 --> 00:48:48,799 Speaker 1: good fair. Yeah, that's really good. I can note up 957 00:48:48,840 --> 00:48:49,960 Speaker 1: to a lot of times that you and I have 958 00:48:49,960 --> 00:48:53,160 Speaker 1: had conflict. Matt and I. You're being unfair. I didn't. 959 00:48:53,200 --> 00:48:54,680 Speaker 1: I wasn't pushing you in the no, no, no, But 960 00:48:54,719 --> 00:48:58,080 Speaker 1: I'm considering, and I think sometimes I've been fair to you. 961 00:48:58,560 --> 00:49:01,200 Speaker 1: You're unfair to the ones you love. Yeah, that's because 962 00:49:01,640 --> 00:49:03,880 Speaker 1: they're a safe place. That's because you know they're not 963 00:49:03,880 --> 00:49:05,200 Speaker 1: going well. You know what's interesting When you got to 964 00:49:05,200 --> 00:49:06,839 Speaker 1: talking about fighting on vacation, I was like, I had 965 00:49:06,880 --> 00:49:08,160 Speaker 1: this moment where I was thinking, like, I don't know 966 00:49:08,200 --> 00:49:11,000 Speaker 1: that I have like vacation fight. No, I don't know 967 00:49:11,000 --> 00:49:12,640 Speaker 1: how to have vacation fights. But I don't know that 968 00:49:12,680 --> 00:49:14,960 Speaker 1: sometimes if I have like friends close enough to have 969 00:49:15,120 --> 00:49:19,000 Speaker 1: real fights with, you know what I mean? You also 970 00:49:19,040 --> 00:49:22,680 Speaker 1: have been yes, but you have also been in aship. Yes, 971 00:49:22,840 --> 00:49:25,440 Speaker 1: that is true. And when you guys think about your 972 00:49:25,520 --> 00:49:28,520 Speaker 1: vacations together, No, but that to me is different, like 973 00:49:28,840 --> 00:49:32,600 Speaker 1: traveling with someone reveals a lot. I'll say that yes, no, no, 974 00:49:32,640 --> 00:49:37,879 Speaker 1: I mean, but I'm more so mean, just like familial friendships. 975 00:49:46,560 --> 00:49:48,319 Speaker 1: Oh isn't it funny? Okay? So then at the end 976 00:49:48,320 --> 00:49:50,200 Speaker 1: of the Potomac episode last night, you find out they're 977 00:49:50,200 --> 00:49:52,920 Speaker 1: going to Miami. Yes, they literally go to Miami, and 978 00:49:52,960 --> 00:49:56,640 Speaker 1: it's honestly, they're in Miami. They're in Miami. Yes. Well, 979 00:49:56,680 --> 00:49:59,000 Speaker 1: I was saying, like, it was funny that we were 980 00:49:59,000 --> 00:50:03,319 Speaker 1: gathering today and I was wondering if because you would 981 00:50:03,320 --> 00:50:05,000 Speaker 1: have come and you would have stormed in the Norse today, 982 00:50:05,080 --> 00:50:06,759 Speaker 1: you would have walked down that i Heeart Hallway. The 983 00:50:06,840 --> 00:50:09,239 Speaker 1: radio would have been playing a million different stations because 984 00:50:09,239 --> 00:50:11,440 Speaker 1: of the frequency you were emanating, and you would have 985 00:50:11,440 --> 00:50:13,239 Speaker 1: been like, can you believe they went to Miami on 986 00:50:13,280 --> 00:50:16,160 Speaker 1: Potomac just like we're doing. Are y'all, what do you 987 00:50:16,200 --> 00:50:18,520 Speaker 1: think about Mia? I'm sure you've covered that. I mean 988 00:50:18,560 --> 00:50:22,359 Speaker 1: to laugh. I laugh every moment she's on screen, but 989 00:50:22,800 --> 00:50:25,240 Speaker 1: not like I do not like her as a person. 990 00:50:25,280 --> 00:50:28,520 Speaker 1: I think that she is chaotic and maybe even evil. 991 00:50:28,800 --> 00:50:32,440 Speaker 1: But I'm laughing every second she's on screen. Me and 992 00:50:32,480 --> 00:50:35,000 Speaker 1: Angela were laughing very hard last night because we were 993 00:50:35,000 --> 00:50:37,960 Speaker 1: watching and they were litigating if she was being attention 994 00:50:37,960 --> 00:50:40,920 Speaker 1: seeky with her medical health and so and then like 995 00:50:40,960 --> 00:50:45,799 Speaker 1: they kept to her confessional and her radical health, and 996 00:50:46,080 --> 00:50:47,839 Speaker 1: they got to her in a confessional in this like 997 00:50:48,320 --> 00:50:52,239 Speaker 1: you know all pink number that like, and the way 998 00:50:52,280 --> 00:50:54,480 Speaker 1: she was talking, she was like it was just so 999 00:50:54,560 --> 00:50:56,719 Speaker 1: presentation and it was it was as though she was 1000 00:50:56,760 --> 00:50:59,560 Speaker 1: saying like the same tone people use. Went over a 1001 00:50:59,600 --> 00:51:01,680 Speaker 1: hossife finds out she's going to be on Chicago on Broadway, 1002 00:51:02,920 --> 00:51:05,400 Speaker 1: and she was like, so, I have a few lumps 1003 00:51:05,400 --> 00:51:09,360 Speaker 1: growing in my body. But it was like really funny 1004 00:51:09,400 --> 00:51:12,320 Speaker 1: because I was like, yeah, you are. The doctor said 1005 00:51:12,400 --> 00:51:15,200 Speaker 1: it was cancer and then didn't. So I have these 1006 00:51:15,280 --> 00:51:16,880 Speaker 1: lumps and we don't know what it is, but we 1007 00:51:16,920 --> 00:51:19,120 Speaker 1: know they need to get removed. And we also know 1008 00:51:19,280 --> 00:51:22,759 Speaker 1: that she's like, you guys can't see what she was 1009 00:51:22,840 --> 00:51:26,160 Speaker 1: just like it wasting. She was gesticulating. Yeah, and then 1010 00:51:26,200 --> 00:51:27,920 Speaker 1: she was not watching It happens Live last night and 1011 00:51:27,920 --> 00:51:31,160 Speaker 1: it's with Renee rap who you know, it's like a 1012 00:51:31,200 --> 00:51:33,120 Speaker 1: big house lies fan and you can tell that Renee 1013 00:51:33,160 --> 00:51:37,120 Speaker 1: was navigating so hard. How do I co exists with 1014 00:51:37,160 --> 00:51:40,400 Speaker 1: me on this panel? To very different energy. Yeah, but 1015 00:51:40,440 --> 00:51:42,880 Speaker 1: it was a fun episode. It was it was actually 1016 00:51:42,880 --> 00:51:44,680 Speaker 1: a fun episode. Yeah, yeah, I'm sure. Do you watch 1017 00:51:44,680 --> 00:51:47,040 Speaker 1: to watch What Happens every night? I do? I I 1018 00:51:47,239 --> 00:51:49,799 Speaker 1: it's my favorite show. Oh my god. So I was 1019 00:51:49,840 --> 00:51:52,279 Speaker 1: ready to come in, like if I Becoming did come up, 1020 00:51:52,280 --> 00:51:54,000 Speaker 1: I was gonna say, I almost count you guys, because 1021 00:51:54,040 --> 00:51:57,600 Speaker 1: you like, I love Candace. But I was going to 1022 00:51:57,680 --> 00:52:01,600 Speaker 1: say that I went balanced in person a Johnny completely convert, like, 1023 00:52:01,600 --> 00:52:03,839 Speaker 1: I'm really like, she's having a really great season. Well, 1024 00:52:03,880 --> 00:52:06,600 Speaker 1: she's the only grounded presence on the show this season. 1025 00:52:06,640 --> 00:52:08,439 Speaker 1: I feel like she's the only one that's like able 1026 00:52:08,480 --> 00:52:10,759 Speaker 1: to look around and be like, huh, like this is 1027 00:52:10,800 --> 00:52:13,680 Speaker 1: not it, which is crazy. So we also need a 1028 00:52:13,680 --> 00:52:16,960 Speaker 1: German word for when, like you haven't watched the House 1029 00:52:17,200 --> 00:52:19,480 Speaker 1: season yet, but you've seen the discourse and so you 1030 00:52:19,520 --> 00:52:22,799 Speaker 1: know who people are hating going into it. I look 1031 00:52:22,880 --> 00:52:25,440 Speaker 1: to you to create this word. I don't actually mean 1032 00:52:25,520 --> 00:52:27,640 Speaker 1: to make a German word. I can't. I don't know 1033 00:52:27,719 --> 00:52:30,000 Speaker 1: the language that. Yeah, we're gonna call it bosh and 1034 00:52:30,040 --> 00:52:34,440 Speaker 1: fruit and um, I think we've talked about this before. Like, 1035 00:52:34,480 --> 00:52:36,480 Speaker 1: even when I know you're in the wrong, I still 1036 00:52:36,480 --> 00:52:39,000 Speaker 1: like kind of stand by you. Yeah, and I do. 1037 00:52:39,080 --> 00:52:40,600 Speaker 1: Like when I wrap with Canada, she said that I 1038 00:52:40,680 --> 00:52:43,760 Speaker 1: watch what happens, like she goes ten down for Candice 1039 00:52:43,840 --> 00:52:46,120 Speaker 1: every single time. That's cool. I like when someone has that. 1040 00:52:46,320 --> 00:52:49,440 Speaker 1: And for me, one of those people is Robin. Oh no, 1041 00:52:49,480 --> 00:52:53,799 Speaker 1: people don't like I am. Robin has gotten to the 1042 00:52:53,800 --> 00:52:56,160 Speaker 1: point for me where I'm like, no, it doesn't matter 1043 00:52:56,200 --> 00:52:58,320 Speaker 1: what she does from now once, she could solve world 1044 00:52:58,400 --> 00:53:03,440 Speaker 1: hunger Anti Robin, I don't don't this season. I just 1045 00:53:03,520 --> 00:53:06,719 Speaker 1: get her. It's been season a little so I like 1046 00:53:06,800 --> 00:53:08,520 Speaker 1: when he was like, my husband's mad because I sleep 1047 00:53:08,600 --> 00:53:11,080 Speaker 1: to two pm. But that's like what I want. It's like, 1048 00:53:11,800 --> 00:53:17,120 Speaker 1: I just think she is so I find that so 1049 00:53:17,239 --> 00:53:20,280 Speaker 1: I didn't try. No, I find that what I respond 1050 00:53:20,320 --> 00:53:22,920 Speaker 1: to is that even when she's saying something wrong or 1051 00:53:23,000 --> 00:53:25,040 Speaker 1: she is, you know, siding with Giselle in a way 1052 00:53:25,080 --> 00:53:28,799 Speaker 1: that's confusing. I feel that I can tell that she 1053 00:53:29,880 --> 00:53:32,319 Speaker 1: believes what she's saying, like I do think like even 1054 00:53:32,360 --> 00:53:34,680 Speaker 1: when she's off base, she's earnestly off based, do you 1055 00:53:34,680 --> 00:53:37,839 Speaker 1: know what I mean? Whereas Giselle, who I can let 1056 00:53:37,920 --> 00:53:40,719 Speaker 1: I root for and I want to like, but it's 1057 00:53:40,760 --> 00:53:42,359 Speaker 1: like the things she's saying, it's like, you don't even 1058 00:53:42,360 --> 00:53:45,920 Speaker 1: believe this, you know, you're just saying is consistently manipulative 1059 00:53:46,120 --> 00:53:51,520 Speaker 1: and vicious and obviously producing. And the way that's the show. 1060 00:53:51,680 --> 00:53:53,880 Speaker 1: That's where I come from. With Renda too, It's like I, 1061 00:53:53,880 --> 00:53:56,200 Speaker 1: if you earnestly came in and said, I believe that 1062 00:53:56,239 --> 00:53:57,799 Speaker 1: this is true and this is what I'm saying, and 1063 00:53:57,800 --> 00:53:59,440 Speaker 1: I'm like, this is my truth. And sure it's like 1064 00:53:59,440 --> 00:54:02,440 Speaker 1: inflammatory and actually delusional, but whatever, but this is like 1065 00:54:02,440 --> 00:54:04,759 Speaker 1: what I believe. I can't always get behind that, and 1066 00:54:04,840 --> 00:54:08,400 Speaker 1: like see this woman grappling with her own internal world. 1067 00:54:08,840 --> 00:54:11,040 Speaker 1: But when I can tell if they don't even believe 1068 00:54:11,080 --> 00:54:12,719 Speaker 1: it and they're just saying it, that's when I'm like, 1069 00:54:12,760 --> 00:54:15,879 Speaker 1: I don't care. Gazelle and Robin neither of them have 1070 00:54:16,280 --> 00:54:20,160 Speaker 1: any conviction. Like Robin certainly has nothing to like really 1071 00:54:21,040 --> 00:54:24,560 Speaker 1: fight for. Like even the thing with jan which is, 1072 00:54:25,400 --> 00:54:27,560 Speaker 1: by the way, it's been installed in the same place 1073 00:54:27,640 --> 00:54:31,480 Speaker 1: for three seasons, it's not interesting to me. And she's 1074 00:54:31,680 --> 00:54:33,719 Speaker 1: most of the time to me, she is just Giselle's 1075 00:54:33,760 --> 00:54:36,600 Speaker 1: little lackey. And then anytime someone sets her off, it's 1076 00:54:36,640 --> 00:54:39,839 Speaker 1: usually Wendy and it's like it's so much. Ye, the 1077 00:54:39,840 --> 00:54:42,160 Speaker 1: thing with Wendy is really crazy to me too, because 1078 00:54:42,200 --> 00:54:44,440 Speaker 1: if you actually walk back why they even started to 1079 00:54:44,480 --> 00:54:47,400 Speaker 1: have a problem, it's because Robin said that Wendy was loose, 1080 00:54:48,000 --> 00:54:50,680 Speaker 1: not of substance, that she was like talking about her 1081 00:54:50,719 --> 00:54:53,400 Speaker 1: body behind her back, and so all of these things, 1082 00:54:53,560 --> 00:54:55,640 Speaker 1: and then she was like ten down for Giselle when 1083 00:54:55,680 --> 00:54:58,720 Speaker 1: Giselle was bringing these stupid rumors about Wendy which obviously 1084 00:54:58,760 --> 00:55:01,480 Speaker 1: are not true about Eddie eating onto the show. So 1085 00:55:01,520 --> 00:55:03,880 Speaker 1: it's like all these things that are not grounded in 1086 00:55:03,960 --> 00:55:06,359 Speaker 1: reality that you then threw it Wendy and now you're 1087 00:55:06,440 --> 00:55:09,000 Speaker 1: mad at her for responding in a heated way to 1088 00:55:09,080 --> 00:55:12,200 Speaker 1: the point where now you are like so immature in 1089 00:55:12,280 --> 00:55:14,399 Speaker 1: dealing with it, like her at the winery, the way 1090 00:55:14,400 --> 00:55:20,879 Speaker 1: that she was like I care, I don't care. Last 1091 00:55:20,920 --> 00:55:23,080 Speaker 1: season she was like, oh I would go fund myself 1092 00:55:23,080 --> 00:55:28,880 Speaker 1: that I'm like where. But I also believe that sometimes 1093 00:55:28,920 --> 00:55:31,560 Speaker 1: I think that Wendy seems to be a little full 1094 00:55:31,560 --> 00:55:35,840 Speaker 1: of ship sometimes and I think that they can clock 1095 00:55:35,920 --> 00:55:37,360 Speaker 1: that and that gets frushing for them. I think we 1096 00:55:37,400 --> 00:55:39,880 Speaker 1: saw that with you know, the hot mic moment after 1097 00:55:40,160 --> 00:55:44,840 Speaker 1: the TikTok lesson dance lessons. I was just tripping actually 1098 00:55:44,840 --> 00:55:46,400 Speaker 1: saying I'm gonna have it. I'm gonna host a TikTok 1099 00:55:46,400 --> 00:55:49,759 Speaker 1: teaching TikTok dance teaching thing. And then they came in. 1100 00:55:49,800 --> 00:55:51,600 Speaker 1: It was just like them learning tipping, which is cool, 1101 00:55:51,600 --> 00:55:53,640 Speaker 1: but I've never seen a woman kind of do this 1102 00:55:53,680 --> 00:55:56,680 Speaker 1: on TikTok the way they got like a drone into 1103 00:55:56,680 --> 00:56:02,120 Speaker 1: that studio. Um, and so what was the hot moment? 1104 00:56:02,280 --> 00:56:05,200 Speaker 1: So then, Wendy, it was the episode was titled stand 1105 00:56:05,239 --> 00:56:08,200 Speaker 1: in Your Truth and because they stand in your Truth, 1106 00:56:08,840 --> 00:56:11,080 Speaker 1: and then like the producer, I would love to know 1107 00:56:11,200 --> 00:56:13,160 Speaker 1: the machinations of this moment. I would love to know 1108 00:56:13,200 --> 00:56:14,960 Speaker 1: if the producer was doing this on purpose, like if 1109 00:56:14,960 --> 00:56:17,320 Speaker 1: they knew that Mike was still on. But a producer 1110 00:56:17,440 --> 00:56:20,200 Speaker 1: chased her said Wendy, Wendy, what do you think about Mia? 1111 00:56:20,800 --> 00:56:23,400 Speaker 1: And she was like he had just said, like, Robin, 1112 00:56:23,480 --> 00:56:25,479 Speaker 1: you called me a liar, you called me a liar 1113 00:56:25,480 --> 00:56:27,160 Speaker 1: standing in her truth. I never called her a liar. 1114 00:56:27,200 --> 00:56:29,080 Speaker 1: And then it cut to like the Wendy hot Mike 1115 00:56:29,120 --> 00:56:33,279 Speaker 1: moment was we all know she's lying? Yeah, so's I 1116 00:56:33,320 --> 00:56:35,759 Speaker 1: don't mind a hot mic moment that like it's like, oh, 1117 00:56:35,760 --> 00:56:37,640 Speaker 1: you're not saying it to her face, but it feels 1118 00:56:37,680 --> 00:56:40,360 Speaker 1: like a very intentional assembly of a character this season 1119 00:56:40,360 --> 00:56:44,400 Speaker 1: that Wendy is doing like she's really she's lost. But 1120 00:56:44,480 --> 00:56:48,399 Speaker 1: I felt lost with her last season, even I thought 1121 00:56:48,440 --> 00:56:50,239 Speaker 1: I thought she earned that spot next to Andy. But 1122 00:56:50,280 --> 00:56:53,560 Speaker 1: what I think is happening is unfortunately her only actual 1123 00:56:53,600 --> 00:56:55,640 Speaker 1: friend on the show was Candice, and now it's feeling 1124 00:56:55,680 --> 00:56:58,399 Speaker 1: a little bit like like she's feeling really iced out 1125 00:56:58,400 --> 00:57:00,319 Speaker 1: of the group in a way that I feel is 1126 00:57:00,680 --> 00:57:03,399 Speaker 1: bordering on bullying. But then it's like, well, I think 1127 00:57:03,400 --> 00:57:07,640 Speaker 1: I was. Actually I will say I am on So 1128 00:57:07,640 --> 00:57:09,920 Speaker 1: I'm at the point where Robin calls Candice and asks 1129 00:57:09,960 --> 00:57:12,040 Speaker 1: Candice to ask Wendy to bring her kids. To feel 1130 00:57:12,040 --> 00:57:14,879 Speaker 1: like that that is that is crazy. I will say 1131 00:57:14,920 --> 00:57:17,680 Speaker 1: that Robin's a fool. But I did feel that Robin, 1132 00:57:17,920 --> 00:57:20,840 Speaker 1: I don't know what. I don't know why, because I 1133 00:57:20,840 --> 00:57:22,960 Speaker 1: do anyway, it's going into this season, I knew that 1134 00:57:23,280 --> 00:57:27,280 Speaker 1: everyone disliked her, like she was not the favorite, and 1135 00:57:27,440 --> 00:57:29,520 Speaker 1: so I don't know what. I'm just watching it through 1136 00:57:29,560 --> 00:57:31,920 Speaker 1: that lens, but also knowing I've always because even in 1137 00:57:31,920 --> 00:57:33,560 Speaker 1: season money, you know what I think it's I guess 1138 00:57:33,560 --> 00:57:35,040 Speaker 1: I respond to when it feels like this show is 1139 00:57:35,040 --> 00:57:38,360 Speaker 1: not that important to them. I think that's and that's 1140 00:57:38,360 --> 00:57:41,439 Speaker 1: why I truly love Shere's Is, like she is does 1141 00:57:41,480 --> 00:57:44,280 Speaker 1: not I love Shari. I don't think the show is 1142 00:57:44,320 --> 00:57:47,000 Speaker 1: important to her. I don't know if she's playing with 1143 00:57:47,080 --> 00:57:48,800 Speaker 1: house money, like she's like, I don't need that. Last 1144 00:57:48,880 --> 00:57:51,000 Speaker 1: night it was funny though, because literally they're all on 1145 00:57:51,040 --> 00:57:52,880 Speaker 1: this huge girl's trip to Miami and they get to 1146 00:57:52,920 --> 00:57:55,160 Speaker 1: the house and Shere's is immediately unhappy with her room, 1147 00:57:55,200 --> 00:57:56,840 Speaker 1: and this is like where the show is happening, and 1148 00:57:56,920 --> 00:57:58,760 Speaker 1: there's goes in the corner and she's like on the 1149 00:57:58,760 --> 00:58:00,440 Speaker 1: phone with her travel agent being like, hey, yeah, I 1150 00:58:00,480 --> 00:58:03,560 Speaker 1: need a hotel, and she's gonna leave. So maybe the 1151 00:58:03,560 --> 00:58:05,640 Speaker 1: show isn't important to her because she's willing to leave 1152 00:58:05,680 --> 00:58:07,680 Speaker 1: filming because her room doesn't have a bathroom. Just like 1153 00:58:08,520 --> 00:58:11,959 Speaker 1: he gives so little that it's almost artful. I don't 1154 00:58:12,000 --> 00:58:14,480 Speaker 1: know that she's I think she's trying to give a 1155 00:58:14,480 --> 00:58:16,760 Speaker 1: lot because the show, remember, was supposed to be built 1156 00:58:16,760 --> 00:58:20,360 Speaker 1: around her. She was supposed to be in the beginning. 1157 00:58:20,360 --> 00:58:23,320 Speaker 1: It was like it was about like Charisse and Karen 1158 00:58:23,440 --> 00:58:25,800 Speaker 1: and Giselle and like the power struggle between the three 1159 00:58:25,840 --> 00:58:27,240 Speaker 1: of them, for like who was the queen bee of 1160 00:58:27,240 --> 00:58:29,680 Speaker 1: Potomac and then Saris fell so far to the bottom 1161 00:58:29,880 --> 00:58:33,040 Speaker 1: that has sort of become this like Giselle Karen thing 1162 00:58:33,040 --> 00:58:39,600 Speaker 1: because they actually know don't mean she is a vicious person. 1163 00:58:39,640 --> 00:58:43,080 Speaker 1: And I'll say this, I know a producer on one 1164 00:58:43,120 --> 00:58:45,920 Speaker 1: of these shows who worked with Giselle and he said 1165 00:58:46,560 --> 00:58:48,960 Speaker 1: that she was by far his favorite to work with. 1166 00:58:49,080 --> 00:58:51,440 Speaker 1: And what that said to me was that she's the 1167 00:58:51,480 --> 00:58:54,560 Speaker 1: most manipulative and down to make the reality show happen 1168 00:58:54,880 --> 00:58:57,920 Speaker 1: instead of like just living life. Like I don't like 1169 00:58:58,080 --> 00:59:02,320 Speaker 1: any housewife that is like an active producer in the show. 1170 00:59:02,520 --> 00:59:05,680 Speaker 1: Any time that happens, I feel like I see through it. 1171 00:59:05,680 --> 00:59:08,280 Speaker 1: It's not fun. And also, these women are not actresses 1172 00:59:08,400 --> 00:59:12,640 Speaker 1: like you're saying, so when they don't believe it, they're not. 1173 00:59:14,160 --> 00:59:17,640 Speaker 1: I can never used being an actress to win is 1174 00:59:17,680 --> 00:59:21,560 Speaker 1: not actress PI and just went on Survivor. It would 1175 00:59:21,560 --> 00:59:28,040 Speaker 1: flop so hard. Um nowture blue number of culture. It's 1176 00:59:28,080 --> 00:59:33,160 Speaker 1: just Survivor. It was so hard and never used, never used. 1177 00:59:34,000 --> 00:59:39,120 Speaker 1: But Zell, I feel like I hate to make this distinction, 1178 00:59:39,120 --> 00:59:43,840 Speaker 1: but it is the light skinned girls bullying not not no, 1179 00:59:44,280 --> 00:59:47,880 Speaker 1: and they also know about that and still do it right. 1180 00:59:47,920 --> 00:59:51,600 Speaker 1: It's I'm gonna say, I hope it gets better. Um yeah, 1181 00:59:51,640 --> 00:59:53,440 Speaker 1: well that's why I did that. The vibes are a 1182 00:59:53,480 --> 00:59:55,919 Speaker 1: little a bit of a bummer is about to throw 1183 00:59:55,960 --> 00:59:59,800 Speaker 1: a drink in Wendy's face next week. I don't like this, 1184 01:00:00,000 --> 01:00:02,960 Speaker 1: even if one do. I don't like that they're like violent. 1185 01:00:03,080 --> 01:00:05,200 Speaker 1: I haven't gotten yet, but I will say, like I'm 1186 01:00:05,200 --> 01:00:07,360 Speaker 1: always done to watch five episodes of Pasties in a row. 1187 01:00:07,360 --> 01:00:10,320 Speaker 1: But I was just like, this isn't compelling to me 1188 01:00:10,440 --> 01:00:12,920 Speaker 1: right now, I will say, and this is hard for 1189 01:00:12,920 --> 01:00:16,600 Speaker 1: me to say everything franchise wide right now, I'm kind 1190 01:00:16,640 --> 01:00:18,840 Speaker 1: of feeling like all of this needs to turn up 1191 01:00:18,880 --> 01:00:22,320 Speaker 1: a little bit. But it used to activate a little 1192 01:00:22,320 --> 01:00:25,200 Speaker 1: bit more Like it feels like everyone on every franchise 1193 01:00:25,360 --> 01:00:28,160 Speaker 1: is hyper aware of the reality element to the point 1194 01:00:28,200 --> 01:00:31,280 Speaker 1: where they're managing themselves. And I'm like, we need something 1195 01:00:31,320 --> 01:00:34,440 Speaker 1: like actually messy to happen, and not messy as in 1196 01:00:34,520 --> 01:00:38,800 Speaker 1: a drama way, as in like, oh that's odd, I 1197 01:00:39,040 --> 01:00:41,800 Speaker 1: haven't seen that before. Type of Salt Lake is like 1198 01:00:42,280 --> 01:00:45,640 Speaker 1: getting a little bit better. I'm enjoying salt like this. 1199 01:00:45,640 --> 01:00:51,360 Speaker 1: This last episode was great. The auditions are crazy. I'm 1200 01:00:51,400 --> 01:00:59,040 Speaker 1: the only one who can really sing crip for his 1201 01:00:59,280 --> 01:01:02,680 Speaker 1: bad little like Sarah and I. All week we're just 1202 01:01:02,920 --> 01:01:09,000 Speaker 1: we're going away. It's so crazy. And then they were like, 1203 01:01:09,040 --> 01:01:11,480 Speaker 1: you're amazing, Lisa. Did I do it? Was that it? 1204 01:01:11,640 --> 01:01:15,760 Speaker 1: You can real listen only the season was like Juliet 1205 01:01:15,760 --> 01:01:19,640 Speaker 1: the premier when like Lisa Barlow is playing um basketball 1206 01:01:19,760 --> 01:01:23,480 Speaker 1: with her college moment. It was a college moment and 1207 01:01:23,520 --> 01:01:28,360 Speaker 1: like it was when they were just they were just 1208 01:01:28,360 --> 01:01:31,440 Speaker 1: getting into the funch college conversation and he was like, 1209 01:01:31,480 --> 01:01:34,200 Speaker 1: you know, I already have a company and yeah, killer company, 1210 01:01:36,160 --> 01:01:37,640 Speaker 1: because like they were some telling each one because you 1211 01:01:37,640 --> 01:01:42,920 Speaker 1: couldn't really understand that they didn't even that killer company. 1212 01:01:44,280 --> 01:01:49,560 Speaker 1: Lisa was the reason for the season. Everyone saying it 1213 01:01:49,640 --> 01:01:51,760 Speaker 1: you have been since day one. I've been like, no, 1214 01:01:51,960 --> 01:01:54,840 Speaker 1: Lisa Barlow once once the dust Settle is like, she 1215 01:01:55,120 --> 01:01:56,720 Speaker 1: is going to be the star of the show because 1216 01:01:56,840 --> 01:02:01,120 Speaker 1: again like she's the most wacko alien present. Meredith is too, 1217 01:02:01,360 --> 01:02:04,600 Speaker 1: but also Meredith is now trying to hard on the bathtub. 1218 01:02:04,600 --> 01:02:07,720 Speaker 1: Was Seth, I'm like, I don't know you you understood 1219 01:02:07,760 --> 01:02:09,760 Speaker 1: that we liked the bathtub thing from last season. So 1220 01:02:09,800 --> 01:02:11,600 Speaker 1: now you put your husband in it and you started 1221 01:02:14,080 --> 01:02:16,800 Speaker 1: it's hard. She's like losing me a little bit. This 1222 01:02:17,080 --> 01:02:20,120 Speaker 1: Lisa is kind of the foothold I have that we 1223 01:02:20,160 --> 01:02:22,680 Speaker 1: all need right now in terms of like, oh, where 1224 01:02:22,800 --> 01:02:25,160 Speaker 1: where did that come from? Charter a character like I'm 1225 01:02:25,200 --> 01:02:30,480 Speaker 1: important to God. God, I'm very important to God. An 1226 01:02:30,520 --> 01:02:34,560 Speaker 1: amazing line her thing, Yes, an amazing line every episode 1227 01:02:34,600 --> 01:02:37,400 Speaker 1: she gives that. Every episode you leave, and it's like 1228 01:02:37,520 --> 01:02:40,680 Speaker 1: at least three moments where you're like God, she's having 1229 01:02:40,720 --> 01:02:43,240 Speaker 1: this really her own planet. She's having this really earnest 1230 01:02:43,280 --> 01:02:45,200 Speaker 1: battle with herself like should I be nice to my 1231 01:02:45,240 --> 01:02:48,440 Speaker 1: sisters who are going to divorce? Says I don't know 1232 01:02:48,440 --> 01:02:50,120 Speaker 1: if I should be nice to me. It's really hard 1233 01:02:50,160 --> 01:02:51,920 Speaker 1: for me to listen because I take that home with me. 1234 01:02:52,840 --> 01:02:58,080 Speaker 1: When I get on the phone, my whole day is ruined. 1235 01:02:58,640 --> 01:03:03,160 Speaker 1: Every energy hell him Agan, here's Hella. The reason why 1236 01:03:03,240 --> 01:03:06,000 Speaker 1: I like Lisa too is because the way she's a 1237 01:03:06,080 --> 01:03:08,280 Speaker 1: laughway from a tear at all times, like tears fill 1238 01:03:08,360 --> 01:03:10,360 Speaker 1: up in her eyes. That means to me, she's not 1239 01:03:10,440 --> 01:03:13,400 Speaker 1: faking it. Like she is not faking it, She's she's 1240 01:03:13,480 --> 01:03:17,160 Speaker 1: genuinely that emotional, whereas Gazelle. The reason why everyone's like, 1241 01:03:17,200 --> 01:03:19,760 Speaker 1: we never see Gazelle cry is because she's never really 1242 01:03:20,080 --> 01:03:26,640 Speaker 1: never at all. I do love her freaking daughters that 1243 01:03:26,720 --> 01:03:29,920 Speaker 1: they show the moments of her with her kids, because 1244 01:03:29,920 --> 01:03:35,080 Speaker 1: otherwise there are no redeemable quality period. I'm quoting my 1245 01:03:35,080 --> 01:03:37,600 Speaker 1: best friend Matt Rogers. Every time we know it's going 1246 01:03:37,640 --> 01:03:40,080 Speaker 1: to get rough for Giselle, we will see a scene 1247 01:03:40,080 --> 01:03:42,720 Speaker 1: of them getting a pedicred together. Because the daughters are 1248 01:03:42,760 --> 01:03:44,760 Speaker 1: like great and lovely, and you get the sense that 1249 01:03:44,800 --> 01:03:47,680 Speaker 1: if we actually were to see Gazelle's real life, we 1250 01:03:47,800 --> 01:03:50,240 Speaker 1: might be able to understand that she is a good mom, 1251 01:03:50,320 --> 01:03:53,120 Speaker 1: like has been through hard things. You know, she's a 1252 01:03:53,160 --> 01:03:56,080 Speaker 1: funny person. But when she gets into reality show mode 1253 01:03:56,080 --> 01:03:59,520 Speaker 1: and the quote unquote reasons why producers like her, it's ugly. 1254 01:03:59,600 --> 01:04:02,880 Speaker 1: It's she definitely doesn't believe this ship with Chris and 1255 01:04:02,880 --> 01:04:07,680 Speaker 1: this could like really damage him. And it's like, I 1256 01:04:07,720 --> 01:04:09,960 Speaker 1: struggle with Chris, but I do think he's being But 1257 01:04:10,000 --> 01:04:13,000 Speaker 1: do you think that he No? No, And I actually 1258 01:04:13,040 --> 01:04:14,760 Speaker 1: believe him, and he says that just and he was like, 1259 01:04:14,760 --> 01:04:15,760 Speaker 1: can I talk to you? And she was going to 1260 01:04:15,800 --> 01:04:18,120 Speaker 1: go to my room because that's what he says. I 1261 01:04:18,160 --> 01:04:21,160 Speaker 1: can hear her saying, because she wants the tea and 1262 01:04:21,360 --> 01:04:23,160 Speaker 1: mostly what she wants is the tea. And then she 1263 01:04:23,280 --> 01:04:25,959 Speaker 1: probably realized because here's what I'll say. I don't doubt 1264 01:04:25,960 --> 01:04:27,560 Speaker 1: that she felt like it's weird that we're in the 1265 01:04:27,600 --> 01:04:30,080 Speaker 1: room together alone. But they probably had a moment together 1266 01:04:30,120 --> 01:04:32,880 Speaker 1: where they both realized it and we're like, let's not 1267 01:04:32,920 --> 01:04:36,720 Speaker 1: do this. But like her talking to Candice, oh, you 1268 01:04:36,760 --> 01:04:40,040 Speaker 1: haven't seen this last episode is a little oh, she 1269 01:04:40,080 --> 01:04:42,320 Speaker 1: says this. She goes, I don't ever want to be 1270 01:04:42,360 --> 01:04:44,520 Speaker 1: in a room with a married man. And it's like, okay, 1271 01:04:44,520 --> 01:04:49,479 Speaker 1: but there's so much like you're what does that mean? 1272 01:04:49,560 --> 01:04:51,320 Speaker 1: Like every married man who's in the room with you 1273 01:04:51,360 --> 01:04:55,200 Speaker 1: wants to like fuck you or something. That's what she'sating, 1274 01:04:55,280 --> 01:04:59,320 Speaker 1: which is and it's like, is she doing it to 1275 01:04:59,360 --> 01:05:02,040 Speaker 1: dismantle what she knows is a teammate to Wendy, Like 1276 01:05:02,160 --> 01:05:04,960 Speaker 1: is that what it is? Of course? I mean it's 1277 01:05:05,000 --> 01:05:07,280 Speaker 1: all rooted in that, it's all rooted in wanting. So 1278 01:05:07,320 --> 01:05:09,160 Speaker 1: what do you like that Robin is standing by them? 1279 01:05:09,760 --> 01:05:11,600 Speaker 1: Like Robin is very much fighting for them. I will 1280 01:05:11,600 --> 01:05:14,520 Speaker 1: say this. I will say this, I think because Giselle 1281 01:05:14,600 --> 01:05:17,040 Speaker 1: has gone so low at this point, I actually think 1282 01:05:17,200 --> 01:05:20,640 Speaker 1: for the first time, Giselle has literally gone too far, 1283 01:05:21,480 --> 01:05:24,880 Speaker 1: too far, And now Robin is like, I can't go 1284 01:05:24,960 --> 01:05:27,240 Speaker 1: down with that ship. I mean, I'm literally seeing that 1285 01:05:27,280 --> 01:05:30,200 Speaker 1: you're going too far. So if I didn't, because then 1286 01:05:30,400 --> 01:05:36,040 Speaker 1: Robin would definitively be like a Pence figure, like like essentially, 1287 01:05:36,160 --> 01:05:39,400 Speaker 1: Robin Rabbit had a choice to make. Shall I be 1288 01:05:39,440 --> 01:05:44,280 Speaker 1: a Pence figure? Should not? Robin is it's giving if 1289 01:05:44,280 --> 01:05:48,760 Speaker 1: Giselle is insurrectionist, well, let's we forget Mike Pence. On 1290 01:05:49,040 --> 01:05:54,360 Speaker 1: January six, broke a secondly, Um, you know arial Carlin 1291 01:05:54,440 --> 01:05:59,200 Speaker 1: Network has a Robin Nixon hat. Well, somehow people are 1292 01:05:59,200 --> 01:06:01,920 Speaker 1: getting them now after months and months of waiting. I 1293 01:06:01,920 --> 01:06:04,120 Speaker 1: mean we were on the ground floor when Mitra and 1294 01:06:04,200 --> 01:06:07,200 Speaker 1: Joel had ordered Robin Dixon hats and then they never came. 1295 01:06:07,280 --> 01:06:09,360 Speaker 1: And then Casey Wilson and Danielle were on the show 1296 01:06:09,440 --> 01:06:11,320 Speaker 1: last week and they said that they had ordered hats 1297 01:06:11,360 --> 01:06:13,439 Speaker 1: and I said, did they come? And they said they 1298 01:06:13,560 --> 01:06:17,560 Speaker 1: finally came after months. I have to say, you know what, 1299 01:06:17,600 --> 01:06:19,920 Speaker 1: I really loved one of my favorite of last year 1300 01:06:20,240 --> 01:06:23,560 Speaker 1: was I loved it. I need to read it. It 1301 01:06:23,640 --> 01:06:25,320 Speaker 1: was really funny. But then I would it would get 1302 01:06:25,320 --> 01:06:28,120 Speaker 1: really real sometimes and it just you really felt like 1303 01:06:28,120 --> 01:06:30,280 Speaker 1: you had a little friends. She's a great person. I 1304 01:06:30,680 --> 01:06:33,800 Speaker 1: really adore her. I have actually always been a fan. 1305 01:06:34,040 --> 01:06:36,160 Speaker 1: And I remember, like back in the day, like when 1306 01:06:36,200 --> 01:06:38,040 Speaker 1: she was first on Saturday Night Live, it kind of 1307 01:06:38,080 --> 01:06:39,919 Speaker 1: just felt it was the first time I ever saw 1308 01:06:40,000 --> 01:06:42,200 Speaker 1: that show, and I was like, no, it's not her, 1309 01:06:42,280 --> 01:06:44,320 Speaker 1: that's the problem. Yeah, you know what I mean, Like 1310 01:06:44,360 --> 01:06:45,640 Speaker 1: I was like, and then when she went on to 1311 01:06:45,760 --> 01:06:47,640 Speaker 1: like obviously great success, she was a happy end and 1312 01:06:47,920 --> 01:06:50,360 Speaker 1: just like a lot of people's favorite second like that 1313 01:06:50,400 --> 01:06:52,560 Speaker 1: when I was on. Yeah, and so now she's got 1314 01:06:52,600 --> 01:06:54,240 Speaker 1: like all the success. But I remember that was the 1315 01:06:54,280 --> 01:06:56,680 Speaker 1: first time because that was when I was really obsessed 1316 01:06:56,680 --> 01:07:00,800 Speaker 1: with when we were like adults. Yeah, and remember being like, 1317 01:07:01,200 --> 01:07:05,160 Speaker 1: maybe this is not vibing, but I believe that she's good. 1318 01:07:05,320 --> 01:07:08,440 Speaker 1: Yeah yeah, but the show would have you believe. The 1319 01:07:08,440 --> 01:07:11,439 Speaker 1: only I remember of her is she played um baby 1320 01:07:11,520 --> 01:07:14,760 Speaker 1: Deska who fell in the well. You know she had. 1321 01:07:14,800 --> 01:07:17,080 Speaker 1: She had a really good bit too, as a paraplegic stripper. 1322 01:07:18,160 --> 01:07:22,280 Speaker 1: You're thinking of Amy Polar, No I'm not. You're thinking 1323 01:07:22,320 --> 01:07:26,880 Speaker 1: of I got one leg speaking of Pence figures, I'm 1324 01:07:26,960 --> 01:07:29,840 Speaker 1: catching up. But yeah, I was motivated to watch because 1325 01:07:29,840 --> 01:07:33,680 Speaker 1: of you interest, So I am okay. So when I 1326 01:07:33,880 --> 01:07:35,760 Speaker 1: Party was coming out, I was like, I've had enough 1327 01:07:35,880 --> 01:07:40,600 Speaker 1: of I'm Sarah and Mark, I've had enough of this people. Yeah, yeah, 1328 01:07:40,720 --> 01:07:43,240 Speaker 1: and I are you watching? I have not yet watched 1329 01:07:43,280 --> 01:07:45,160 Speaker 1: because if you remember, if you zoom seg in time, 1330 01:07:45,200 --> 01:07:46,640 Speaker 1: I could not get through the first season because I 1331 01:07:46,640 --> 01:07:49,120 Speaker 1: found it to be too long. I agree. I did 1332 01:07:49,120 --> 01:07:51,600 Speaker 1: not finish the last episode because by the I was 1333 01:07:51,720 --> 01:07:53,800 Speaker 1: with it and the first four episodes, and then it 1334 01:07:53,840 --> 01:07:56,200 Speaker 1: got to nine and suddenly was like, oh, there's like 1335 01:07:56,440 --> 01:08:02,720 Speaker 1: a lot of episodes there. The Nancy Nancy, So Nancy 1336 01:08:02,960 --> 01:08:06,360 Speaker 1: is It is a beautiful character study, like and who 1337 01:08:06,480 --> 01:08:09,600 Speaker 1: is Nancy Salzman? Like what is wrong with this woman's slash? 1338 01:08:09,640 --> 01:08:11,560 Speaker 1: Like what happened to her? That's like how is she 1339 01:08:11,680 --> 01:08:13,880 Speaker 1: the victim? How is she culpable? Like I do think 1340 01:08:13,960 --> 01:08:16,960 Speaker 1: it's interesting. See my takeaway from season one was like 1341 01:08:17,520 --> 01:08:20,800 Speaker 1: this is like a bad documentary, Like they're taking really 1342 01:08:20,880 --> 01:08:24,200 Speaker 1: interesting subject matter and like mishandling, in spite of how 1343 01:08:24,240 --> 01:08:26,479 Speaker 1: they're doing it, it's still compelling to me. You know what, 1344 01:08:26,520 --> 01:08:29,639 Speaker 1: I mean. And so then when the India dock came out, 1345 01:08:30,960 --> 01:08:32,840 Speaker 1: that was better. I heard it was better. Yeah, you 1346 01:08:32,840 --> 01:08:34,160 Speaker 1: know what I kept saying. What I loved about it 1347 01:08:34,280 --> 01:08:36,160 Speaker 1: is because like India did figure into you know, and 1348 01:08:36,280 --> 01:08:39,080 Speaker 1: Sarah was the narrator and in vow and they kind 1349 01:08:39,080 --> 01:08:41,280 Speaker 1: of made her almost seem like a villain. She was 1350 01:08:41,320 --> 01:08:42,800 Speaker 1: still in the cult, and like do you want to 1351 01:08:42,880 --> 01:08:44,760 Speaker 1: much about like getting her out of the cult, and 1352 01:08:44,920 --> 01:08:47,400 Speaker 1: like Sarah and Mark for some reason moving into the 1353 01:08:47,439 --> 01:08:50,080 Speaker 1: actress's home and like always like eating all her food, 1354 01:08:50,160 --> 01:08:51,720 Speaker 1: you know what I mean. Like I was always like 1355 01:08:51,880 --> 01:08:53,880 Speaker 1: I hope they're red mowing her for this. They're always 1356 01:08:53,920 --> 01:08:57,240 Speaker 1: like at her counter, just like reaching out, like and 1357 01:08:58,439 --> 01:09:01,040 Speaker 1: and so then when in the Time or the Stars, 1358 01:09:01,120 --> 01:09:03,280 Speaker 1: when I think that India was the kind of the 1359 01:09:03,400 --> 01:09:05,280 Speaker 1: narrator and she and she kind of I will say, 1360 01:09:05,320 --> 01:09:07,439 Speaker 1: like Sarah was kind of a villain because to that one. 1361 01:09:07,960 --> 01:09:10,040 Speaker 1: And then it felt very much to me like Season 1362 01:09:10,120 --> 01:09:14,000 Speaker 1: jually gonna be each christin Christen's narrator and like and 1363 01:09:14,120 --> 01:09:16,200 Speaker 1: like we'll see the other side and Lauren's almost like 1364 01:09:16,240 --> 01:09:21,240 Speaker 1: the villain. That was really fun. And then perspective force perspective, 1365 01:09:21,360 --> 01:09:25,200 Speaker 1: and I wasn't expecting this to be interesting anymore, And 1366 01:09:25,400 --> 01:09:26,800 Speaker 1: but I watched the first episode because like why not 1367 01:09:26,960 --> 01:09:28,280 Speaker 1: for some reason, I'm just drawn back in and you 1368 01:09:28,320 --> 01:09:30,240 Speaker 1: find out so much crazy ship and then the most 1369 01:09:30,520 --> 01:09:34,320 Speaker 1: episode four all upsetting whatever, it's crazy. I have not 1370 01:09:34,400 --> 01:09:38,040 Speaker 1: I've not gone depisode four. But it's Lauren of that part. Yeah, 1371 01:09:38,080 --> 01:09:40,200 Speaker 1: this is not spoiler, but what I will say is 1372 01:09:40,720 --> 01:09:44,080 Speaker 1: it's Laurence Laurence. Yeah, and you find out so much crazy. 1373 01:09:44,200 --> 01:09:46,680 Speaker 1: So it's also so funny. It's like Nancy Saw has 1374 01:09:46,720 --> 01:09:48,679 Speaker 1: been like walking around with her like house arrest, Uncle 1375 01:09:48,720 --> 01:09:57,200 Speaker 1: Brace's great, did her for his table? Yeah, And there's 1376 01:09:57,200 --> 01:09:59,080 Speaker 1: so much great comedy where it's like she's walking around 1377 01:10:00,040 --> 01:10:02,160 Speaker 1: like first she said talking about like all the people 1378 01:10:02,200 --> 01:10:04,360 Speaker 1: she's coached in esp She's like all these big names, 1379 01:10:04,400 --> 01:10:07,439 Speaker 1: these famous people. She picks up an OH magazine picture 1380 01:10:07,479 --> 01:10:11,640 Speaker 1: of Oprah taps shows I coached the person who art 1381 01:10:11,680 --> 01:10:19,400 Speaker 1: directed this coming space, the person who are dried. And 1382 01:10:19,439 --> 01:10:22,040 Speaker 1: then she opens up the spread and she's in bad 1383 01:10:24,520 --> 01:10:26,080 Speaker 1: and then also and then like there's something there's like 1384 01:10:26,120 --> 01:10:27,680 Speaker 1: one woman who's still in the cad who goes back 1385 01:10:27,720 --> 01:10:30,439 Speaker 1: to Albany and she's like looking around oh my god, like, 1386 01:10:30,600 --> 01:10:33,120 Speaker 1: we had so much fun here, and then there's a 1387 01:10:33,200 --> 01:10:36,479 Speaker 1: jacket on the hook and she's like and she's like emotional, yeah, 1388 01:10:36,560 --> 01:10:41,680 Speaker 1: this is Jacket, Keith Jacket. I think maybe I will 1389 01:10:41,720 --> 01:10:44,080 Speaker 1: say knowing that the now season two is about Nancy, 1390 01:10:44,280 --> 01:10:48,519 Speaker 1: like because I remember watching the first season and being like, 1391 01:10:49,000 --> 01:10:51,479 Speaker 1: I wish we could focus on one of the more 1392 01:10:51,560 --> 01:10:54,320 Speaker 1: interesting elements of this, and she, to me did because 1393 01:10:54,360 --> 01:10:57,360 Speaker 1: of her snatch game esque quality. She was of course 1394 01:10:57,479 --> 01:10:59,200 Speaker 1: jumping out at me, and I was like, whenever she 1395 01:10:59,280 --> 01:11:03,439 Speaker 1: was on screen, I was was something about she's a star, 1396 01:11:05,280 --> 01:11:07,840 Speaker 1: and it is like the show this season does a 1397 01:11:07,880 --> 01:11:12,080 Speaker 1: good job of making her sympathetic until you remember, oh, yeah, 1398 01:11:12,280 --> 01:11:15,960 Speaker 1: she threw her daughters into that, and like was okay 1399 01:11:16,040 --> 01:11:18,960 Speaker 1: with both of them fucking this man. Do you think 1400 01:11:19,000 --> 01:11:22,599 Speaker 1: she knew because she says that she doesn't about about Doss, 1401 01:11:22,720 --> 01:11:24,680 Speaker 1: even about like, you know, the way she tells that 1402 01:11:24,760 --> 01:11:26,920 Speaker 1: she was really in the document about their relationship until 1403 01:11:26,960 --> 01:11:29,360 Speaker 1: it was essentially being in denial is different than being 1404 01:11:29,400 --> 01:11:31,519 Speaker 1: in the dark. I think I think she probably wasn't 1405 01:11:31,600 --> 01:11:35,720 Speaker 1: intense denial, but she I think intuitively, at least I 1406 01:11:35,840 --> 01:11:38,120 Speaker 1: knew everything that was happening yeah, yeah, well, I I 1407 01:11:38,640 --> 01:11:43,000 Speaker 1: sometimes feel like, you know, we see in this season 1408 01:11:43,120 --> 01:11:45,080 Speaker 1: she works together with Keith so much when on when 1409 01:11:45,080 --> 01:11:47,720 Speaker 1: they're starting the company, when they're building their quote modules, 1410 01:11:48,200 --> 01:11:51,760 Speaker 1: and I do feel like he dismantles her a little bit. 1411 01:11:52,560 --> 01:11:54,160 Speaker 1: And then but it is interesting. It's like one of 1412 01:11:54,200 --> 01:11:56,200 Speaker 1: those things of like, you know, you think about Sarah 1413 01:11:56,400 --> 01:11:59,640 Speaker 1: last year, how you know she's the good guy, and like, 1414 01:12:01,280 --> 01:12:04,760 Speaker 1: but she brought people into the call, Like why isn't so? 1415 01:12:04,800 --> 01:12:07,880 Speaker 1: How can Sarah say, Nancy, you're the bad guy because 1416 01:12:07,920 --> 01:12:09,600 Speaker 1: you brought me in? But I brought other people And 1417 01:12:09,680 --> 01:12:11,880 Speaker 1: but it's like, wasn't Nancy Keith's first kind of victim? 1418 01:12:11,960 --> 01:12:13,720 Speaker 1: Do you know what I mean? And also the one 1419 01:12:13,760 --> 01:12:15,960 Speaker 1: person who I believe truly is in love with him 1420 01:12:16,000 --> 01:12:18,080 Speaker 1: and would love to have sex with him, and he's Nancy, 1421 01:12:18,320 --> 01:12:20,400 Speaker 1: I think so, and he's like not into it. There's 1422 01:12:20,439 --> 01:12:23,720 Speaker 1: a moment like I'm watching this whole thing being like 1423 01:12:24,439 --> 01:12:30,639 Speaker 1: what compelled you guys to record everything? Intimate thing? Yeah, 1424 01:12:31,880 --> 01:12:35,800 Speaker 1: we've been doing a podcast for seven years. It's three 1425 01:12:36,200 --> 01:12:40,040 Speaker 1: smartphone Yeah, I feel I don't know, like fourteen, I 1426 01:12:40,040 --> 01:12:43,120 Speaker 1: don't know, Like it was just a different thing totally. Um, 1427 01:12:43,880 --> 01:12:47,000 Speaker 1: the Nancy thing. She has this whole thing of like, 1428 01:12:47,240 --> 01:12:49,960 Speaker 1: um my mother said, like her a little dummy. It's 1429 01:12:50,160 --> 01:12:53,880 Speaker 1: it's a perfect, juicy little origin story, like I was 1430 01:12:53,920 --> 01:12:56,120 Speaker 1: diagnosed as dyslexic, I didn't do well in school, my 1431 01:12:56,240 --> 01:12:59,200 Speaker 1: mom called me an idiot growing up, all of these 1432 01:12:59,280 --> 01:13:02,400 Speaker 1: things that kind of lead up to her being this nurse. 1433 01:13:02,520 --> 01:13:04,840 Speaker 1: And then like the other interesting wrinkle in it is 1434 01:13:04,880 --> 01:13:08,680 Speaker 1: that she did help these people with threats overcoming. I 1435 01:13:08,800 --> 01:13:11,840 Speaker 1: know the episode was so boring. I kind of loved it. Well, 1436 01:13:12,080 --> 01:13:13,679 Speaker 1: it didn't help. You know, I have a love of tics. 1437 01:13:14,640 --> 01:13:17,680 Speaker 1: I do have love tics, and I like trying to 1438 01:13:17,800 --> 01:13:21,280 Speaker 1: use the tools I learned. That episode's interesting. I'm like, 1439 01:13:21,360 --> 01:13:26,920 Speaker 1: I need Nancy to disconnect the stimula. So I went in. 1440 01:13:27,080 --> 01:13:30,920 Speaker 1: I just kind of what are you talking about? She 1441 01:13:31,080 --> 01:13:34,160 Speaker 1: was like a beautiful day to say, vives. But but 1442 01:13:34,280 --> 01:13:36,519 Speaker 1: she does talk about it as if and I believe 1443 01:13:36,600 --> 01:13:38,920 Speaker 1: her too. I believe that she believed that she was 1444 01:13:38,960 --> 01:13:41,800 Speaker 1: doing the right I believe that too. And that's what's interesting. Yes, 1445 01:13:41,920 --> 01:13:45,439 Speaker 1: and that's sometimes how I feel about Robin. Oh my god. 1446 01:13:46,800 --> 01:13:50,200 Speaker 1: Figure figure the fact that Robin and Nancy Salzman are 1447 01:13:50,200 --> 01:13:53,280 Speaker 1: almost say in conversation actually doesn't really shake me because 1448 01:13:53,360 --> 01:13:58,519 Speaker 1: of Giselle's similarity to Keith Renieri. Yeah is the Real 1449 01:13:58,600 --> 01:14:01,760 Speaker 1: House was of Potomac Occult and as Candice ringing the bell, 1450 01:14:02,280 --> 01:14:05,960 Speaker 1: Candice is the what's her name? Sarah? Sarah? Yeah, Sarah's there, 1451 01:14:06,000 --> 01:14:08,160 Speaker 1: and it's so little now it's kind of I'm kind 1452 01:14:08,160 --> 01:14:11,920 Speaker 1: of okay, I'm They're the reason why I got boring 1453 01:14:11,960 --> 01:14:14,000 Speaker 1: the first season because you're like, I don't need to 1454 01:14:14,080 --> 01:14:16,240 Speaker 1: know more about these people, which probably was in the 1455 01:14:16,280 --> 01:14:17,880 Speaker 1: pitch for the second season, like, Hey, we're going to 1456 01:14:18,000 --> 01:14:21,760 Speaker 1: focus in on the actual interesting stuff here, because that's 1457 01:14:21,800 --> 01:14:24,640 Speaker 1: what's whenever there's like a documentary about like any of 1458 01:14:24,720 --> 01:14:27,479 Speaker 1: these cults are harmful organizations, I want to know, like 1459 01:14:28,400 --> 01:14:30,560 Speaker 1: what's going on in the annal workings that made it 1460 01:14:30,680 --> 01:14:34,759 Speaker 1: to be such an established thing. I understand how victims 1461 01:14:34,800 --> 01:14:37,200 Speaker 1: are victimized, Like I get that pretty much. It happens 1462 01:14:37,479 --> 01:14:40,639 Speaker 1: all the same way, So there's something interesting to understanding 1463 01:14:40,640 --> 01:14:44,200 Speaker 1: the psychology behind people getting to be an answer salesman like, 1464 01:14:44,240 --> 01:14:46,640 Speaker 1: and I understand the moral question of like is she 1465 01:14:46,760 --> 01:14:49,320 Speaker 1: a victim? Is she monster? And ultimately obviously the answer 1466 01:14:49,439 --> 01:14:51,680 Speaker 1: is both because it's sort of like a like a 1467 01:14:51,760 --> 01:14:54,120 Speaker 1: fucking Hitler follower thing. It's like, you know what I mean, 1468 01:14:54,200 --> 01:14:57,760 Speaker 1: you wouldn't you wouldn't question whether or not the Nazis 1469 01:14:57,800 --> 01:15:00,200 Speaker 1: are like, you know, evil, they are so interest saying, 1470 01:15:00,200 --> 01:15:02,639 Speaker 1: you know, I follow this Christian girl vlog or as 1471 01:15:02,720 --> 01:15:04,240 Speaker 1: like I hate followed joke and I have, but I 1472 01:15:04,320 --> 01:15:06,400 Speaker 1: have for like six years. I think Katie with Ashcraft 1473 01:15:06,439 --> 01:15:10,719 Speaker 1: initially told me about her. Yeah, and she'll talk about, 1474 01:15:10,720 --> 01:15:12,439 Speaker 1: you know, how to make up in a godly way, 1475 01:15:12,600 --> 01:15:14,120 Speaker 1: how to be in the same space with a man 1476 01:15:14,360 --> 01:15:18,919 Speaker 1: in a Yeah, that's God. And um, now she's pivoted 1477 01:15:19,479 --> 01:15:21,280 Speaker 1: and she well, first of all, I've been waiting for 1478 01:15:21,400 --> 01:15:23,960 Speaker 1: literally seven years hoping she would like explicitly like speak 1479 01:15:23,960 --> 01:15:28,599 Speaker 1: out against so mu sexuality. So no, she a hell 1480 01:15:28,720 --> 01:15:33,639 Speaker 1: raising horse, so no, so like, so finally she stopped 1481 01:15:33,680 --> 01:15:36,519 Speaker 1: that your guesses are really wrong and when you guess 1482 01:15:36,560 --> 01:15:39,599 Speaker 1: something so wrong and confusing the listener, because that sets 1483 01:15:39,640 --> 01:15:42,360 Speaker 1: up expectations that are gonna be really wrong. Okay, so 1484 01:15:42,479 --> 01:15:44,599 Speaker 1: unless you can be more right, please don't guess. I'm 1485 01:15:44,680 --> 01:15:49,439 Speaker 1: listening and I'm absorbing. And so finally she came out 1486 01:15:49,640 --> 01:15:52,000 Speaker 1: like two weeks ago as saying that like finally she 1487 01:15:52,200 --> 01:15:55,000 Speaker 1: was like you welcome to the corner of the internet 1488 01:15:55,040 --> 01:15:58,639 Speaker 1: where we believe marriages to a man. Because I was like, okay, cool, 1489 01:15:58,680 --> 01:16:00,479 Speaker 1: you finally did it. I can feel that the suction 1490 01:16:00,560 --> 01:16:03,000 Speaker 1: of like you hate her, I know. And then but 1491 01:16:03,160 --> 01:16:06,040 Speaker 1: now she's fully going in on like starting an MLM, 1492 01:16:06,240 --> 01:16:08,760 Speaker 1: like fully she's like, she's like, we want to be 1493 01:16:09,160 --> 01:16:12,120 Speaker 1: a like what is it like Prophecies thirty two women, 1494 01:16:12,200 --> 01:16:14,559 Speaker 1: which is like some verse in the Bible where they 1495 01:16:14,640 --> 01:16:16,080 Speaker 1: talking about a woman who staying at home and taking 1496 01:16:16,080 --> 01:16:18,280 Speaker 1: care of our kids and love being at It's always 1497 01:16:18,320 --> 01:16:20,920 Speaker 1: about like being an empowered woman. She's like, these are 1498 01:16:20,960 --> 01:16:23,160 Speaker 1: what we don't want. This is what uh, this is 1499 01:16:23,200 --> 01:16:26,520 Speaker 1: what women actually don't want, competing with men in the workplace, 1500 01:16:26,800 --> 01:16:30,200 Speaker 1: keep the nine to five, being a boss babe, whoever 1501 01:16:30,320 --> 01:16:33,559 Speaker 1: said I wanted that? And then like staying at home 1502 01:16:33,640 --> 01:16:36,880 Speaker 1: with my babies and but still making money. I think, 1503 01:16:36,960 --> 01:16:38,920 Speaker 1: if you want these things, you can have them. And 1504 01:16:38,960 --> 01:16:41,240 Speaker 1: then but she's just using so much language around MLM 1505 01:16:41,280 --> 01:16:43,680 Speaker 1: though it's like anyone who's ever seen actually any documentary, 1506 01:16:43,760 --> 01:16:46,559 Speaker 1: well it's just so textbook. She's like, you're gonna if 1507 01:16:46,600 --> 01:16:48,920 Speaker 1: you want this life, you can have it. But you're 1508 01:16:49,040 --> 01:16:51,240 Speaker 1: gonna need to make an investment up front, and that's 1509 01:16:51,240 --> 01:16:53,280 Speaker 1: actually gonna help you because it's gonna motivate you, and 1510 01:16:53,320 --> 01:16:57,639 Speaker 1: it's just like, yeah, it's really The interesting thing about 1511 01:16:57,880 --> 01:17:02,040 Speaker 1: Nexium is like all cults have some degree of self 1512 01:17:02,120 --> 01:17:04,759 Speaker 1: surrender and the people it's it's not that cult leaders 1513 01:17:04,880 --> 01:17:08,439 Speaker 1: go after vulnerable people. It's that they go after people 1514 01:17:08,479 --> 01:17:13,519 Speaker 1: who kind of want to be totally I'm very much recruitable. Well, 1515 01:17:13,600 --> 01:17:15,960 Speaker 1: it's you know what, it's smart, creative people who are 1516 01:17:16,080 --> 01:17:18,400 Speaker 1: very open to an experience, who feel like there's an 1517 01:17:18,479 --> 01:17:21,640 Speaker 1: untapped potential. Yes, and that was exactly what he was 1518 01:17:21,720 --> 01:17:24,400 Speaker 1: going after. And then the I think the thing that 1519 01:17:24,680 --> 01:17:26,760 Speaker 1: this season does very well in illustrating is that it's 1520 01:17:26,800 --> 01:17:30,680 Speaker 1: like part of the way he got he got like 1521 01:17:30,760 --> 01:17:32,559 Speaker 1: more people to come in or he got people to stay, 1522 01:17:32,880 --> 01:17:37,679 Speaker 1: was like he would very methodically be like, oh, anytime 1523 01:17:37,760 --> 01:17:41,040 Speaker 1: you feel bad about yourself, it's a lie. And anytime 1524 01:17:41,080 --> 01:17:43,439 Speaker 1: you feel like you're being a victim, you're not a victim. Yeah, 1525 01:17:43,800 --> 01:17:45,840 Speaker 1: And it tells it forces these people to kill their 1526 01:17:45,880 --> 01:17:47,600 Speaker 1: impulse where they think, oh, maybe this is not a 1527 01:17:47,600 --> 01:17:50,120 Speaker 1: good situation totally, and I was the last thing side 1528 01:17:50,160 --> 01:17:52,360 Speaker 1: to The Day I Die is the previous for next week. 1529 01:17:52,400 --> 01:17:54,800 Speaker 1: Oh my god, tonight on the vow they like really 1530 01:17:54,880 --> 01:17:57,280 Speaker 1: start off focused on like a room. We finally get 1531 01:17:57,320 --> 01:17:58,720 Speaker 1: to find out with the girl in the room. Do 1532 01:17:58,760 --> 01:18:00,560 Speaker 1: you remember them last season in the room? It was 1533 01:18:00,600 --> 01:18:02,960 Speaker 1: the thing they mentioned but was never explored. And also 1534 01:18:03,400 --> 01:18:05,360 Speaker 1: it was like probably the person who suffered the most 1535 01:18:05,439 --> 01:18:07,800 Speaker 1: but was never It was like a passing sentence in 1536 01:18:07,840 --> 01:18:09,479 Speaker 1: the first season, like there was a girl who stayed 1537 01:18:09,479 --> 01:18:11,000 Speaker 1: inside of her room for two years because they told 1538 01:18:11,040 --> 01:18:13,599 Speaker 1: her too and the door wasn't locked, and they told 1539 01:18:13,600 --> 01:18:14,920 Speaker 1: her she had to stand there and for two years. 1540 01:18:15,479 --> 01:18:20,200 Speaker 1: Oh my god, and and she did, and so she pooped, 1541 01:18:23,040 --> 01:18:26,280 Speaker 1: she pop in the room. So fine, we're going to 1542 01:18:26,400 --> 01:18:30,400 Speaker 1: find out tonight where that woman pooped. Oh I don't 1543 01:18:30,400 --> 01:18:31,800 Speaker 1: know a birth two years, I don't remember. I don't 1544 01:18:31,800 --> 01:18:34,280 Speaker 1: remember the exact as wait just as zoom back to Potomac. 1545 01:18:34,320 --> 01:18:36,519 Speaker 1: When Robin said when when Josell said about Robin, I 1546 01:18:36,600 --> 01:18:38,439 Speaker 1: know this woman, well, I know she should take twice. 1547 01:18:39,520 --> 01:18:41,040 Speaker 1: This was like, I don't. I don't want to know 1548 01:18:41,040 --> 01:18:44,280 Speaker 1: about Robin now, like people are so regular. One time 1549 01:18:44,280 --> 01:18:47,400 Speaker 1: I thought I went to this like that's your no. 1550 01:18:47,800 --> 01:18:50,000 Speaker 1: But it reminds me this one. Some people are so 1551 01:18:51,640 --> 01:18:55,240 Speaker 1: it's really gross and really embarrassing. But when I was 1552 01:18:55,720 --> 01:18:58,120 Speaker 1: telling this girl obviotlunally stunning, gorgeous girl, that was like 1553 01:18:58,439 --> 01:19:00,240 Speaker 1: going tocause. I went to this thing every day at 1554 01:19:00,280 --> 01:19:02,360 Speaker 1: like seven am. And she was like, yeah, but like, 1555 01:19:03,040 --> 01:19:06,479 Speaker 1: don't you like I have to poop every morning? And 1556 01:19:06,479 --> 01:19:09,439 Speaker 1: I was like, what did you say? I just can't 1557 01:19:09,479 --> 01:19:12,040 Speaker 1: go somewhere before I poop. And I was like, oh, 1558 01:19:12,280 --> 01:19:15,160 Speaker 1: I don't. Honestly I understand, but I would never let 1559 01:19:15,200 --> 01:19:17,240 Speaker 1: that limit me in the scheduling way, do you know 1560 01:19:17,280 --> 01:19:20,920 Speaker 1: what I mean? Like, I was like, yeah, I don't 1561 01:19:20,960 --> 01:19:23,760 Speaker 1: even think about it. I might, I honestly don't even 1562 01:19:23,800 --> 01:19:25,840 Speaker 1: think I would notice if that. I do go to 1563 01:19:25,880 --> 01:19:27,960 Speaker 1: this place every day at seven am, and it's I'm 1564 01:19:28,000 --> 01:19:31,519 Speaker 1: able to kind of make it work. I'm actually just 1565 01:19:31,600 --> 01:19:33,519 Speaker 1: realized that I actually hate talking about poop. No I 1566 01:19:33,600 --> 01:19:35,200 Speaker 1: do too, and like we we can, we can. And 1567 01:19:35,280 --> 01:19:37,560 Speaker 1: also we've been dragged before for talking about poop. I 1568 01:19:37,600 --> 01:19:40,040 Speaker 1: don't even really don't like it. We don't like it either. 1569 01:19:40,080 --> 01:19:41,880 Speaker 1: We don't like it either. I'm just saying this because 1570 01:19:41,920 --> 01:19:46,120 Speaker 1: I just realized something. I just got pure for men, 1571 01:19:46,880 --> 01:19:49,040 Speaker 1: and I forgot it at home because I'm we're all, 1572 01:19:49,600 --> 01:19:51,840 Speaker 1: I'm not going to be home for another you haven't 1573 01:19:51,840 --> 01:19:54,120 Speaker 1: been in the past. No, I just got the first time, 1574 01:19:54,160 --> 01:19:57,240 Speaker 1: got her because they actually sent some to me. Yeah, 1575 01:19:57,400 --> 01:19:59,280 Speaker 1: I know, maybe I should. It's hard. Well, I don't 1576 01:19:59,320 --> 01:20:01,439 Speaker 1: say about pure for man is like it is jacky 1577 01:20:01,439 --> 01:20:03,120 Speaker 1: because you have to take like literally three in the 1578 01:20:03,200 --> 01:20:05,360 Speaker 1: morning and like three at night. It doesn't really work. 1579 01:20:05,360 --> 01:20:06,760 Speaker 1: You got to do it and it doesn't really take 1580 01:20:06,760 --> 01:20:08,200 Speaker 1: effect for like a few days, so you have to 1581 01:20:08,400 --> 01:20:11,960 Speaker 1: really be on your ship. And then secondly, like they say, 1582 01:20:12,040 --> 01:20:14,880 Speaker 1: don't take it near other medications because I guess, like 1583 01:20:15,600 --> 01:20:18,400 Speaker 1: I don't know why absorb How does it interact with disco. 1584 01:20:18,720 --> 01:20:21,080 Speaker 1: It doesn't interact it just like if you if you 1585 01:20:21,200 --> 01:20:23,040 Speaker 1: take it with your discoviy, it like it might not 1586 01:20:23,080 --> 01:20:26,320 Speaker 1: be as impact up you don't absorb it. You're you're 1587 01:20:26,360 --> 01:20:28,679 Speaker 1: lining doesn't absorb it in the same way or something 1588 01:20:28,760 --> 01:20:31,880 Speaker 1: that's a lot of pill. So I can I just edit, 1589 01:20:32,360 --> 01:20:35,439 Speaker 1: We're gonna stop talking. Yes, I have just gone back 1590 01:20:35,479 --> 01:20:38,559 Speaker 1: to the animal too. It's just it's just easier though. 1591 01:20:38,560 --> 01:20:40,680 Speaker 1: I mean, I have it pure and I take it 1592 01:20:41,280 --> 01:20:43,240 Speaker 1: and like whatever and it comes it will make it 1593 01:20:43,320 --> 01:20:45,960 Speaker 1: easier if it's like a last minute situation. But like 1594 01:20:46,720 --> 01:20:49,639 Speaker 1: but whatever, never nothing. It's more disappointing in like last 1595 01:20:49,760 --> 01:20:54,040 Speaker 1: Friday things more just than the last part, because it 1596 01:20:54,080 --> 01:20:56,320 Speaker 1: means we don't have just we don't have just forward 1597 01:20:56,360 --> 01:21:01,000 Speaker 1: to Friday. Last Friday. It means it's over the last 1598 01:21:01,160 --> 01:21:06,040 Speaker 1: roding a Crusoe voter. Hey, oh my god, that was 1599 01:21:06,160 --> 01:21:09,240 Speaker 1: such a flop. Really, I mean, she's done, she's done. 1600 01:21:09,320 --> 01:21:13,759 Speaker 1: We might have to transition. Wait, let Pat finishes a story. 1601 01:21:14,000 --> 01:21:15,760 Speaker 1: But like I was gonna maybe go on a date. 1602 01:21:15,800 --> 01:21:17,200 Speaker 1: I haven't really been going on dates. I was going 1603 01:21:17,240 --> 01:21:19,800 Speaker 1: to maybe go on a date this person. I was 1604 01:21:19,880 --> 01:21:21,720 Speaker 1: kind of looking forward to it. But like, you know, 1605 01:21:21,800 --> 01:21:23,880 Speaker 1: schedules are tricking. My work goes till eight right now, 1606 01:21:24,360 --> 01:21:26,960 Speaker 1: but I spent my whole lunch break like with the bowl. 1607 01:21:27,040 --> 01:21:29,280 Speaker 1: But you know what I mean, like whatever, just in case, 1608 01:21:29,720 --> 01:21:32,679 Speaker 1: thinking maybe the first date would turn into first mate. Yeah, 1609 01:21:32,840 --> 01:21:34,719 Speaker 1: and like you don't really do it after eight o'clock 1610 01:21:37,280 --> 01:21:39,479 Speaker 1: right out of work. So here's a couple of things. Like, 1611 01:21:39,800 --> 01:21:42,240 Speaker 1: for one, I had to go straight there, so you know, 1612 01:21:42,400 --> 01:21:44,040 Speaker 1: there wasn't gonna be time like it was a dinner 1613 01:21:44,120 --> 01:21:48,960 Speaker 1: thing maybe. For two, um, he was like a doctor figure, 1614 01:21:49,040 --> 01:21:50,400 Speaker 1: so he had to be up at like seven am 1615 01:21:50,439 --> 01:21:52,240 Speaker 1: the next day too, so it was already going to 1616 01:21:52,320 --> 01:21:54,479 Speaker 1: be late. Anyways, I spent a whole lunch break doing that, 1617 01:21:54,520 --> 01:21:57,200 Speaker 1: didn't really eat all day, so I'm starving hungry, and 1618 01:21:57,400 --> 01:22:00,479 Speaker 1: then my work ran a little bit late, and then 1619 01:22:00,760 --> 01:22:02,400 Speaker 1: it was too late for him, so like he had 1620 01:22:02,439 --> 01:22:04,640 Speaker 1: to cancel, and then like, but there's nothing worse than 1621 01:22:04,720 --> 01:22:06,800 Speaker 1: like not eating. And then I like Julie ordered tie 1622 01:22:06,880 --> 01:22:09,720 Speaker 1: and like ate and watched like old TV. There's just 1623 01:22:09,840 --> 01:22:13,920 Speaker 1: nothing more humiliating than like fully starting and like being 1624 01:22:14,000 --> 01:22:16,360 Speaker 1: on the your all fours in your own bathroom, you 1625 01:22:16,400 --> 01:22:19,640 Speaker 1: know what I mean, like Jonathan Jonathan, Yeah, doing the 1626 01:22:21,960 --> 01:22:24,360 Speaker 1: So sorry, it's sorry embarrassing to be gay. It's also 1627 01:22:24,400 --> 01:22:26,320 Speaker 1: like I remember when I was younger naive, I used 1628 01:22:26,320 --> 01:22:31,080 Speaker 1: to always um, I used to always like when I 1629 01:22:31,160 --> 01:22:32,599 Speaker 1: was young a naive, I would go and I would 1630 01:22:32,640 --> 01:22:34,160 Speaker 1: want like an ENEMYX. I was like maybe I'll have 1631 01:22:34,200 --> 01:22:36,320 Speaker 1: sex or something. I would like go into like you know, 1632 01:22:36,400 --> 01:22:38,679 Speaker 1: your sexual wellness. I all, I would go into your 1633 01:22:39,040 --> 01:22:41,720 Speaker 1: and then I'd make but I would you know, you're 1634 01:22:41,720 --> 01:22:43,880 Speaker 1: looking at the condoms, the lubes, like you're the sexy 1635 01:22:43,960 --> 01:22:46,280 Speaker 1: thing the things for sex, but then they're not in there. 1636 01:22:46,360 --> 01:22:48,280 Speaker 1: They're they're next to like the tums and the anti 1637 01:22:48,280 --> 01:22:50,280 Speaker 1: acids and like the laxative. You know what I mean. 1638 01:22:50,360 --> 01:22:52,080 Speaker 1: It's like so embarrassing to go there for your sex, 1639 01:22:52,600 --> 01:22:54,600 Speaker 1: for your sex prep. But anyways, that's the last thing 1640 01:22:54,640 --> 01:23:14,120 Speaker 1: I ever say no about about about that thing. Alright, 1641 01:23:14,200 --> 01:23:16,960 Speaker 1: So I think we should transition to I don't think so, honey. Okay, 1642 01:23:17,120 --> 01:23:18,800 Speaker 1: So this is I don't think so honey. It's our 1643 01:23:18,880 --> 01:23:22,000 Speaker 1: sixty second segment where we absolutely dragged something in culture, 1644 01:23:22,120 --> 01:23:25,080 Speaker 1: and I feel disappointed that I have to say this 1645 01:23:25,200 --> 01:23:28,080 Speaker 1: next thing. I really do you have to? Okay? And 1646 01:23:28,120 --> 01:23:32,439 Speaker 1: there's actually a new story that just came up. Okay 1647 01:23:32,520 --> 01:23:35,920 Speaker 1: because by Wednesday it won't be breaking. This is TMZ. 1648 01:23:36,240 --> 01:23:39,680 Speaker 1: So is someone dead? No? No, no, no, no real house. 1649 01:23:39,920 --> 01:23:42,400 Speaker 1: It's a city star gun shot and loud, fiery and 1650 01:23:42,680 --> 01:23:47,600 Speaker 1: very public argument. Okay, Okay, play it. Do they have 1651 01:23:47,680 --> 01:23:50,639 Speaker 1: recording of it? They might? The link is loading. Where 1652 01:23:50,680 --> 01:23:52,240 Speaker 1: are we right now? In her case? Like is she 1653 01:23:52,400 --> 01:23:57,600 Speaker 1: going to jail? I mean almost certainly right now. I 1654 01:23:58,080 --> 01:24:00,640 Speaker 1: have a feeling like her Helen lease take place in 1655 01:24:00,640 --> 01:24:04,640 Speaker 1: the jel Okay, tense footage of Jen and for the 1656 01:24:04,680 --> 01:24:07,080 Speaker 1: people having a blowout in downtown Salt Lake City, and 1657 01:24:07,160 --> 01:24:10,880 Speaker 1: you hear Jen's screen several times, fuck you, we're told, Oh, 1658 01:24:11,240 --> 01:24:14,000 Speaker 1: we're told. This heated show down happened around pm on 1659 01:24:14,080 --> 01:24:16,080 Speaker 1: November five, as they say, Saturday night. It's all right 1660 01:24:16,120 --> 01:24:31,000 Speaker 1: for fighting. It's unclear. Writers are so funny. Um, okay, 1661 01:24:31,040 --> 01:24:34,920 Speaker 1: it's not that interesting. It's just you know, the people. 1662 01:24:35,800 --> 01:24:37,600 Speaker 1: It's at the next round of audition. It's not the 1663 01:24:37,640 --> 01:24:39,000 Speaker 1: call back, it's not the call but no, no, this 1664 01:24:39,080 --> 01:24:41,960 Speaker 1: this happened last week. Wow. So but again, why did 1665 01:24:42,000 --> 01:24:43,840 Speaker 1: it take so long for this to come out? I wonder? 1666 01:24:44,560 --> 01:24:47,240 Speaker 1: She is such a wreck. She's it's it's not fun. 1667 01:24:48,120 --> 01:24:50,120 Speaker 1: She's the element of the show where I'm like, okay, like, 1668 01:24:50,240 --> 01:24:52,200 Speaker 1: if we're not going to see her literally sentenced, then 1669 01:24:52,240 --> 01:24:54,800 Speaker 1: I'm like so bored because you know what's happening. Yeah, 1670 01:24:54,800 --> 01:24:57,160 Speaker 1: but I do. I do like her this season, do you? 1671 01:24:57,560 --> 01:24:59,320 Speaker 1: Except for that one confessional where she has the hat. 1672 01:25:00,160 --> 01:25:03,559 Speaker 1: I love that she was giving Hamburg confessions. I'm struggling 1673 01:25:03,560 --> 01:25:09,080 Speaker 1: with the confessional and then the Ashley Derby bangs. I'm 1674 01:25:09,120 --> 01:25:11,840 Speaker 1: really struggling with that whole situation. I love it. I 1675 01:25:11,960 --> 01:25:15,760 Speaker 1: love it. Okay, wait, well remember Meredith's confession last year 1676 01:25:15,800 --> 01:25:17,680 Speaker 1: where everyone was like talking about how it looked like 1677 01:25:17,760 --> 01:25:21,679 Speaker 1: it had to be a breastplate. Yes, I mean yeah, 1678 01:25:22,120 --> 01:25:26,200 Speaker 1: and they just looked like a breastplate. I think Lisa's 1679 01:25:26,240 --> 01:25:29,760 Speaker 1: looking good in her confessionals. Yeah, definitely looks great at 1680 01:25:29,840 --> 01:25:32,360 Speaker 1: Lesa is a beautiful woman. Oh my god, I do 1681 01:25:33,040 --> 01:25:37,519 Speaker 1: I think I'm most attracted to Meredith. Yeah, I'm Ackenzie six, 1682 01:25:37,600 --> 01:25:39,920 Speaker 1: though you're Anzi six. I'm a Kenzie six. I'm like 1683 01:25:40,080 --> 01:25:42,960 Speaker 1: literally a Kinzie seven. But like I, I'm not attracted 1684 01:25:43,000 --> 01:25:45,280 Speaker 1: to women. But I would imagine Whitney is probably the hottest. 1685 01:25:45,560 --> 01:25:48,240 Speaker 1: I don't know if she is. Andrew said this, hers 1686 01:25:48,320 --> 01:25:51,280 Speaker 1: is very much like a purchased beauty at do you 1687 01:25:51,320 --> 01:25:53,559 Speaker 1: know what I mean? I actually have wild Rose sierumon 1688 01:25:53,720 --> 01:25:55,960 Speaker 1: right now? Oh how is it? I mean? I feel 1689 01:25:56,200 --> 01:25:59,599 Speaker 1: absolutely stunning. Yeah, you guys gasped when I came out 1690 01:25:59,640 --> 01:26:04,400 Speaker 1: of it. Better's belt in your trainer songs? Okay, let's 1691 01:26:04,479 --> 01:26:19,120 Speaker 1: I have the clock starting nothing. All you guys have 1692 01:26:19,200 --> 01:26:21,479 Speaker 1: to be on my one. Okay, shut up, this is 1693 01:26:21,600 --> 01:26:23,519 Speaker 1: Matt Rodgers. I don't think so, honey. As time starts. 1694 01:26:23,680 --> 01:26:25,880 Speaker 1: I don't think so, honey, Katy Perry. I have to 1695 01:26:25,960 --> 01:26:28,160 Speaker 1: be honest with you. I've always been a Katie cat, 1696 01:26:28,320 --> 01:26:31,280 Speaker 1: but I can't just stand by while you are this 1697 01:26:31,640 --> 01:26:36,280 Speaker 1: publicly obtuse and like blind to the needs of the 1698 01:26:36,360 --> 01:26:38,439 Speaker 1: city that you live in, and is giving wealth, it 1699 01:26:38,560 --> 01:26:42,040 Speaker 1: is giving privilege, and honestly, while those things are definitely true, 1700 01:26:42,880 --> 01:26:45,880 Speaker 1: fucking cast your vote in private, first of all, isn't it. 1701 01:26:46,040 --> 01:26:48,160 Speaker 1: I know it's probably not illegal to do this in California, 1702 01:26:48,160 --> 01:26:50,040 Speaker 1: because I'm sure you asked someone on your team before 1703 01:26:50,080 --> 01:26:52,920 Speaker 1: you did it, But to post this and then, honestly, 1704 01:26:52,960 --> 01:26:56,240 Speaker 1: when you post like an advertise your political like belief 1705 01:26:56,320 --> 01:26:58,799 Speaker 1: and vote, understand that people are going to have a reaction. 1706 01:26:59,040 --> 01:27:02,040 Speaker 1: And so when you're getting ragged left and right, to 1707 01:27:02,200 --> 01:27:04,400 Speaker 1: and fro in your comments on every Flota you've posted 1708 01:27:04,439 --> 01:27:06,760 Speaker 1: since for this, understand that's because you put yourself in 1709 01:27:06,840 --> 01:27:09,360 Speaker 1: that position. I don't think so, honey. You might have 1710 01:27:09,479 --> 01:27:12,240 Speaker 1: to go to Brazil now, Katie, they're saying come to Brazil, 1711 01:27:12,280 --> 01:27:15,160 Speaker 1: come to Brazil. You might actually have to go because, period, 1712 01:27:15,520 --> 01:27:18,479 Speaker 1: point blank, l A needs Karen Bass. She's a head 1713 01:27:18,520 --> 01:27:20,479 Speaker 1: in the head in the vote. Right now. We need 1714 01:27:20,600 --> 01:27:22,799 Speaker 1: it to happen. I don't think so, honey, Rick Caruso 1715 01:27:22,880 --> 01:27:26,320 Speaker 1: and his followers, which are like kim Ka, Gwyneth and Katie. 1716 01:27:26,560 --> 01:27:28,559 Speaker 1: Look at the celebrities that are following him, and look 1717 01:27:28,600 --> 01:27:30,560 Speaker 1: at the celebrities that are following Karen Bass, that you 1718 01:27:30,600 --> 01:27:34,120 Speaker 1: have it right there and might have to go to Brazil. 1719 01:27:36,160 --> 01:27:38,400 Speaker 1: Have to Brazil, because these are all the celebrities that 1720 01:27:38,479 --> 01:27:42,040 Speaker 1: supported Caruso are like the disgusting ones. And when they 1721 01:27:42,080 --> 01:27:44,680 Speaker 1: say come to Brazil, it's to all those people. At 1722 01:27:44,760 --> 01:27:51,400 Speaker 1: least has a new leftist leader. I just like, all 1723 01:27:51,479 --> 01:27:55,519 Speaker 1: I know is it's just so obvious when all the richest, 1724 01:27:55,800 --> 01:27:59,959 Speaker 1: dumbest celebrities you follow are all saying one thing, probably 1725 01:28:00,240 --> 01:28:02,720 Speaker 1: that means that's not the one. And then you have 1726 01:28:02,880 --> 01:28:05,160 Speaker 1: like the actual activists who are like, it's Karen Bass, 1727 01:28:05,240 --> 01:28:07,960 Speaker 1: it's Karen Bass. It's like, you know, then don't say 1728 01:28:08,000 --> 01:28:11,200 Speaker 1: you're progressive or don't say you're a Democrat, even when 1729 01:28:11,280 --> 01:28:15,280 Speaker 1: you like advertise support for someone who was a Republican 1730 01:28:15,520 --> 01:28:19,880 Speaker 1: fifteen minutes before this is like basically documented as being 1731 01:28:20,680 --> 01:28:23,920 Speaker 1: not pro choice or anti choice, and as a billionaire 1732 01:28:24,160 --> 01:28:27,120 Speaker 1: real estate developer, go to the grove and tell me, 1733 01:28:27,200 --> 01:28:29,280 Speaker 1: you you you wouldn't want your city to look like 1734 01:28:29,360 --> 01:28:31,200 Speaker 1: the grove. And if you do go to the grove 1735 01:28:31,280 --> 01:28:33,160 Speaker 1: and you want l A to look like that, you 1736 01:28:33,280 --> 01:28:36,840 Speaker 1: are living in a fans move to somewhere else. It's like, 1737 01:28:36,920 --> 01:28:38,800 Speaker 1: it's like Joel Kim said, it's like people that wanted 1738 01:28:38,880 --> 01:28:41,960 Speaker 1: Caruso to save the city don't want to help with homelessness. 1739 01:28:42,000 --> 01:28:43,640 Speaker 1: They just don't want to look at it anymore. The 1740 01:28:43,680 --> 01:28:47,080 Speaker 1: conversation around homelessness is it's completely insane. And then I 1741 01:28:47,160 --> 01:28:49,840 Speaker 1: saw someone like even like people like I don't want 1742 01:28:49,880 --> 01:28:51,560 Speaker 1: to see homelessess, that not why do I have to 1743 01:28:51,640 --> 01:28:54,479 Speaker 1: see homelessness? Or like why does that person to have 1744 01:28:54,560 --> 01:28:57,479 Speaker 1: a home? You know, it's like that people are is 1745 01:28:58,000 --> 01:29:00,160 Speaker 1: the lack of humanity, the lack of a matter are 1746 01:29:00,200 --> 01:29:04,920 Speaker 1: on specifically people without houses. Is crazy to see a 1747 01:29:05,000 --> 01:29:08,880 Speaker 1: homeless persons, to be them and to not be able 1748 01:29:08,920 --> 01:29:11,200 Speaker 1: to see like the machinations that led to that person 1749 01:29:11,280 --> 01:29:13,560 Speaker 1: not having a house and that not being there, you 1750 01:29:13,600 --> 01:29:15,040 Speaker 1: know what I mean, it's like to blame them or 1751 01:29:15,160 --> 01:29:18,120 Speaker 1: it's it's so upsetting. I will say I've lived in 1752 01:29:18,280 --> 01:29:20,720 Speaker 1: l A now almost four years. I guess like three 1753 01:29:20,720 --> 01:29:23,479 Speaker 1: and a half years and the situation is very bad 1754 01:29:23,560 --> 01:29:25,880 Speaker 1: and very dark. But I'll tell you what's the most 1755 01:29:25,960 --> 01:29:29,400 Speaker 1: sad is when you drive by like like an encampment 1756 01:29:29,439 --> 01:29:31,800 Speaker 1: area or there's a place where they are living, and 1757 01:29:31,880 --> 01:29:34,080 Speaker 1: then you drive back the next day and all it's 1758 01:29:34,120 --> 01:29:37,080 Speaker 1: all gone, and I'm like, what happened? Like those are 1759 01:29:37,160 --> 01:29:40,040 Speaker 1: people and I just feel like and of course it's 1760 01:29:40,080 --> 01:29:44,080 Speaker 1: the really really really rich people who genuinely see it 1761 01:29:44,320 --> 01:29:49,000 Speaker 1: like yeah, continue problem, and I'm just like the lack 1762 01:29:49,080 --> 01:29:51,479 Speaker 1: of humanity, the separation of wealth. There you go, and 1763 01:29:51,560 --> 01:29:54,559 Speaker 1: it's it is the richest people saying this. And also, 1764 01:29:54,720 --> 01:29:57,519 Speaker 1: let's be real, they were paid, they were paid by 1765 01:29:57,560 --> 01:29:59,960 Speaker 1: Caruso to say this. I that's what I think because 1766 01:30:00,000 --> 01:30:01,439 Speaker 1: when you have a billion dollars and you spend a 1767 01:30:01,520 --> 01:30:04,080 Speaker 1: hundred million dollars on this race, and it is like 1768 01:30:04,680 --> 01:30:06,880 Speaker 1: I'm not saying for a fact that I know, but 1769 01:30:07,120 --> 01:30:09,760 Speaker 1: it's fishy to me that he's able to essentially like 1770 01:30:10,160 --> 01:30:13,479 Speaker 1: get all these high prized endorsements from people whose number 1771 01:30:13,520 --> 01:30:16,000 Speaker 1: one thing is money. Totally like that's why like Kyle 1772 01:30:16,120 --> 01:30:19,519 Speaker 1: Richards is like career. I can't believe it. Well I 1773 01:30:19,600 --> 01:30:22,320 Speaker 1: could believe it, actually, but I'll say this only Beverly 1774 01:30:22,360 --> 01:30:26,080 Speaker 1: Hills housewife to come out and say go Karen Bass. Yeah, 1775 01:30:26,439 --> 01:30:28,280 Speaker 1: because she said and she even said she's like, I'm 1776 01:30:28,360 --> 01:30:32,560 Speaker 1: voting for a real democrat. Um, okay, so that was 1777 01:30:32,960 --> 01:30:35,800 Speaker 1: my I don't think so, honey. I am now a 1778 01:30:35,920 --> 01:30:39,080 Speaker 1: voice you are to be listening to, and now you 1779 01:30:39,160 --> 01:30:46,080 Speaker 1: weren't before. But at all. Of course, at this episode, 1780 01:30:46,120 --> 01:30:49,240 Speaker 1: I'm starting to like the song, but you will listen 1781 01:30:49,240 --> 01:30:50,960 Speaker 1: to it all that a question for you, is it 1782 01:30:51,040 --> 01:30:53,120 Speaker 1: that Megan Trainer is now going back to like do 1783 01:30:53,280 --> 01:30:56,360 Speaker 1: wop sounds. She's never lost, she's never what I called 1784 01:30:56,439 --> 01:31:01,000 Speaker 1: girl bossa nova. That's great, that really great, really good. 1785 01:31:01,160 --> 01:31:03,280 Speaker 1: But do you think she's like forced by the label 1786 01:31:03,400 --> 01:31:06,719 Speaker 1: to like stay in that. I think her label knows 1787 01:31:06,840 --> 01:31:09,200 Speaker 1: they have someone that they can play in Baskin Robbins, 1788 01:31:09,920 --> 01:31:14,760 Speaker 1: in Target and at play places. I think toddlers are 1789 01:31:14,760 --> 01:31:16,920 Speaker 1: gonna learn to dance to the song. You know what 1790 01:31:17,000 --> 01:31:19,080 Speaker 1: a toddler like learns to dance and that sort of 1791 01:31:19,080 --> 01:31:23,280 Speaker 1: shaking their legs. It's actually really cute. But like imagine 1792 01:31:23,360 --> 01:31:25,200 Speaker 1: like if if you had a baby and this song 1793 01:31:25,320 --> 01:31:28,639 Speaker 1: came on, you would love to watch a dance. Yes, 1794 01:31:30,200 --> 01:31:34,320 Speaker 1: look a look at him he's going, oh Riley, Um, 1795 01:31:35,600 --> 01:31:37,720 Speaker 1: I feel like it might be one of those things 1796 01:31:37,800 --> 01:31:42,040 Speaker 1: where Jenn Alfa, We're gonna ten years from now, the 1797 01:31:42,200 --> 01:31:45,639 Speaker 1: kids of today will be like Megan Trainer is our queen, 1798 01:31:45,760 --> 01:31:52,560 Speaker 1: will shoot and apology. It's like, um, this is not 1799 01:31:52,680 --> 01:31:54,880 Speaker 1: the right comparison. But it's like the way people go 1800 01:31:55,560 --> 01:31:57,479 Speaker 1: apes over Lea Michelle, like some of the kids the 1801 01:31:57,560 --> 01:32:01,000 Speaker 1: gen Zers goes with any of the Gleep cast because 1802 01:32:01,200 --> 01:32:03,160 Speaker 1: they grew up on Glee. But like even when like 1803 01:32:03,280 --> 01:32:04,840 Speaker 1: we were in college by the people came out and 1804 01:32:04,840 --> 01:32:08,200 Speaker 1: we're like, okay, yeah, whatever kids, Bobby. But now like 1805 01:32:08,360 --> 01:32:10,360 Speaker 1: this whole new generation of people is like, oh, I 1806 01:32:10,400 --> 01:32:14,679 Speaker 1: didn't know that still running the world. It's so true. Wow, 1807 01:32:15,200 --> 01:32:17,559 Speaker 1: that's really scary. Like all of them have a huge 1808 01:32:17,840 --> 01:32:21,280 Speaker 1: podcast to like Kevin McAllen, Jenna Switz have a podcast 1809 01:32:21,680 --> 01:32:25,719 Speaker 1: like a big deal. Um, okay, this is something funny. 1810 01:32:25,720 --> 01:32:29,000 Speaker 1: You're ready and as time starts now, I don't think so, honey, 1811 01:32:29,160 --> 01:32:33,240 Speaker 1: space bar before an exclamation point? What people need to 1812 01:32:33,320 --> 01:32:35,880 Speaker 1: understand that the exclamation point comes after the word. There's 1813 01:32:35,960 --> 01:32:38,360 Speaker 1: no space in between. I don't care if this is 1814 01:32:38,400 --> 01:32:41,280 Speaker 1: an intentional way for you to show that you have 1815 01:32:41,760 --> 01:32:45,000 Speaker 1: a bit of whimsy and you that you like to 1816 01:32:45,200 --> 01:32:48,640 Speaker 1: do the rules of grammar. It's really shocking to me 1817 01:32:48,680 --> 01:32:50,840 Speaker 1: anytime I see it, and I've tried it on for 1818 01:32:51,000 --> 01:32:54,600 Speaker 1: size myself. I've not liked it the times I've done it. 1819 01:32:54,920 --> 01:32:58,080 Speaker 1: I don't think anyone should do it. It really people off. 1820 01:32:58,200 --> 01:33:02,000 Speaker 1: And the reason in this mess today's because language has 1821 01:33:02,040 --> 01:33:04,559 Speaker 1: broken down. You know, did you know that the words 1822 01:33:04,600 --> 01:33:07,760 Speaker 1: pronunciation and pronunciation are different. Pronunciation is the way that 1823 01:33:07,800 --> 01:33:10,439 Speaker 1: words are pronounced. Pronunciation is the way that letters are 1824 01:33:10,680 --> 01:33:13,479 Speaker 1: supposed to be said. It's the Tower of Babel all 1825 01:33:13,479 --> 01:33:16,280 Speaker 1: along because now no one can agree on how things 1826 01:33:16,320 --> 01:33:18,320 Speaker 1: should be said or written, and that's why we're in 1827 01:33:18,400 --> 01:33:20,599 Speaker 1: this mess. Communication is not caught up, has not grown 1828 01:33:20,600 --> 01:33:22,960 Speaker 1: with technology sec and language has not grown with technology. 1829 01:33:23,280 --> 01:33:25,360 Speaker 1: That's why we are miserable right now, because we don't 1830 01:33:25,400 --> 01:33:26,640 Speaker 1: know how to talk to each other. And that's when 1831 01:33:26,880 --> 01:33:35,080 Speaker 1: it's been the Tower of Babel that it was beautiful, 1832 01:33:35,720 --> 01:33:38,519 Speaker 1: you know, you know Plaset is playing the villain and 1833 01:33:38,600 --> 01:33:41,280 Speaker 1: coming of chaos. I love Wait what is coming chaos? 1834 01:33:41,400 --> 01:33:46,840 Speaker 1: It's the one that's exciting. Yeah, yeah, yeah. The House 1835 01:33:46,880 --> 01:33:49,559 Speaker 1: of Harkness House, it was called House of Harkness. It's 1836 01:33:49,600 --> 01:33:53,400 Speaker 1: now called Covin of Chaos. Oh that's fun, one alliteration 1837 01:33:53,520 --> 01:33:56,360 Speaker 1: to another. I don't really get why it's better. Maybe 1838 01:33:56,439 --> 01:33:59,800 Speaker 1: coving Chaos like tested better than House of Harkness because 1839 01:33:59,800 --> 01:34:01,519 Speaker 1: Pep forgot that her last name was hark Yeah, I 1840 01:34:01,560 --> 01:34:05,080 Speaker 1: forget that. Yeah, I forget that all along. They really 1841 01:34:05,560 --> 01:34:08,639 Speaker 1: really should have. So, so when have you been seeing 1842 01:34:08,680 --> 01:34:11,439 Speaker 1: this like as a yes, colloquially people are doing just 1843 01:34:11,560 --> 01:34:16,600 Speaker 1: just text hey, space exclamation point, yes, I I absolutely 1844 01:34:16,640 --> 01:34:18,280 Speaker 1: no means to me. I get that from my mom 1845 01:34:18,320 --> 01:34:19,600 Speaker 1: all the time, and I just thought it was like 1846 01:34:19,680 --> 01:34:23,880 Speaker 1: a mom. Now it's like no, it's I'm the meat 1847 01:34:23,920 --> 01:34:26,000 Speaker 1: in the sandwich, like the older generation does it and 1848 01:34:26,040 --> 01:34:28,240 Speaker 1: the younger generation does it, and I'm like, we are 1849 01:34:28,400 --> 01:34:31,000 Speaker 1: and all we are is meat lately. All we are lately? 1850 01:34:32,200 --> 01:34:34,840 Speaker 1: I see it with one is really disturbing. But it's 1851 01:34:34,880 --> 01:34:37,400 Speaker 1: one exclamation point. It's it's slightly more palatable, and there's 1852 01:34:37,400 --> 01:34:39,880 Speaker 1: like space and a block of exclamation points. I still 1853 01:34:39,920 --> 01:34:42,040 Speaker 1: don't like it. I agree, Why why is that better? 1854 01:34:42,160 --> 01:34:45,519 Speaker 1: It's it's only better because because then you're like making 1855 01:34:45,560 --> 01:34:48,920 Speaker 1: a feature of the exclamation. It's like this kind of 1856 01:34:49,000 --> 01:34:51,639 Speaker 1: spotlight not even a commutie choice. But yeah, it's a spotlight. 1857 01:34:51,680 --> 01:34:53,720 Speaker 1: It's like and that. Okay, here's the word, and then 1858 01:34:53,840 --> 01:34:56,920 Speaker 1: space and then like a new word. Eight exclamation points 1859 01:34:57,000 --> 01:35:00,240 Speaker 1: is now kind of like speaking towards the word. I 1860 01:35:01,080 --> 01:35:03,880 Speaker 1: went on your team and you're champion. In this, he's 1861 01:35:03,960 --> 01:35:06,240 Speaker 1: robing to you. Don't bite mea on the spoon up feature, 1862 01:35:07,000 --> 01:35:09,280 Speaker 1: So never bite me. I always say, don't bite the hand, 1863 01:35:09,880 --> 01:35:14,599 Speaker 1: don't bite the spoon. Don't it's very cold metal. It's 1864 01:35:14,640 --> 01:35:17,080 Speaker 1: gonna harm your teeth, going to very much harm your teeth. 1865 01:35:17,160 --> 01:35:18,720 Speaker 1: You know what. One of my favorite bits is when 1866 01:35:18,800 --> 01:35:21,280 Speaker 1: Josh Sharp will do exclamation points and then speak once 1867 01:35:21,400 --> 01:35:26,920 Speaker 1: in there. Yes, yes, very very very fun, very fun. Well, 1868 01:35:27,000 --> 01:35:29,920 Speaker 1: don you've given us something to think about again again. Yeah, 1869 01:35:30,439 --> 01:35:32,599 Speaker 1: and now he can have his Gucci on, he could 1870 01:35:32,600 --> 01:35:35,200 Speaker 1: have his Louis Vatton. But even with nothing on, Pat 1871 01:35:35,320 --> 01:35:38,040 Speaker 1: is gonna make us listen to us. I don't think so, honey. 1872 01:35:38,160 --> 01:35:39,920 Speaker 1: I don't know if this has been done before. I 1873 01:35:39,960 --> 01:35:46,679 Speaker 1: don't know anyone I know. It doesn't matter. In fact, 1874 01:35:46,720 --> 01:35:50,960 Speaker 1: I don't much better. Okay, okay, this is Pat Reagans. 1875 01:35:50,960 --> 01:35:52,840 Speaker 1: I don't think so, honey. His time starts now I 1876 01:35:53,080 --> 01:35:55,320 Speaker 1: do not think so, honey. When there's a bathroom in 1877 01:35:55,360 --> 01:35:59,479 Speaker 1: a home and the light switches outside the bathroom, it's 1878 01:35:59,479 --> 01:36:02,360 Speaker 1: so true. Why why don't I put you to do 1879 01:36:02,439 --> 01:36:04,720 Speaker 1: that as a builder, as an architect, as an electrician, 1880 01:36:05,720 --> 01:36:09,920 Speaker 1: as a human first, as human, as actually my orientation, 1881 01:36:10,640 --> 01:36:13,519 Speaker 1: Why are you putting a lightness room outside of room, 1882 01:36:13,600 --> 01:36:16,479 Speaker 1: a famously private space, a famously private room when you 1883 01:36:16,600 --> 01:36:18,879 Speaker 1: need where you you can go and have your moment alone. 1884 01:36:19,560 --> 01:36:21,120 Speaker 1: Why are you, first of all, I like, what should 1885 01:36:21,120 --> 01:36:22,840 Speaker 1: always be intuitive. It should always be walk in and 1886 01:36:22,880 --> 01:36:25,439 Speaker 1: you shouldn't even need to just you never walk into more. 1887 01:36:25,439 --> 01:36:28,000 Speaker 1: You should exactly where it is because we have that technology. 1888 01:36:28,040 --> 01:36:31,200 Speaker 1: We have the science to do that through architectural science. 1889 01:36:31,640 --> 01:36:33,320 Speaker 1: Now to put it not only not where you would 1890 01:36:33,320 --> 01:36:35,120 Speaker 1: expect in the room, outside the room. You're already making 1891 01:36:35,120 --> 01:36:38,120 Speaker 1: me feel vulnerable because someone some sick and twisting sucker 1892 01:36:38,840 --> 01:36:41,679 Speaker 1: turn off for no reason. Thank god, it's never happened 1893 01:36:41,720 --> 01:36:43,080 Speaker 1: to me, but I had to live in fear that 1894 01:36:43,160 --> 01:36:47,160 Speaker 1: it would, and that has destroyed nice and confidence, and 1895 01:36:47,760 --> 01:36:50,000 Speaker 1: it's been so brutal. I can't say that there's I 1896 01:36:50,120 --> 01:36:51,960 Speaker 1: could understand one reason why they would do it. It 1897 01:36:51,960 --> 01:36:55,439 Speaker 1: would maybe help. I don't think this is an important 1898 01:36:55,479 --> 01:36:59,800 Speaker 1: one because it really does give the advantage to trickster. Yeah, 1899 01:37:00,200 --> 01:37:02,920 Speaker 1: and the worst people in society are tricks. You don't 1900 01:37:02,920 --> 01:37:07,280 Speaker 1: want trickster energy in the home. No, sad, sad, I'm sad. 1901 01:37:07,439 --> 01:37:12,559 Speaker 1: We played you gag each other, you know where everyone's 1902 01:37:12,720 --> 01:37:16,800 Speaker 1: nicely like so many politics. I think that I love 1903 01:37:16,880 --> 01:37:19,800 Speaker 1: when someone comes to a talk show and they say 1904 01:37:20,200 --> 01:37:22,920 Speaker 1: that someone was the biggest pranks John see. I think 1905 01:37:22,960 --> 01:37:25,000 Speaker 1: that is such a fun story. Yeah, but then you 1906 01:37:25,360 --> 01:37:27,280 Speaker 1: then you unveil what the pranks were, and all of 1907 01:37:27,320 --> 01:37:29,960 Speaker 1: a sudden, like someone is pooping and then I'm sorry, 1908 01:37:31,240 --> 01:37:33,519 Speaker 1: and then all of a sudden, like the light goes off, 1909 01:37:33,600 --> 01:37:35,880 Speaker 1: and then are they pranksters or are they just cruel? 1910 01:37:36,240 --> 01:37:39,879 Speaker 1: I agree? I don't sigh, I agree. I don't like pranks. 1911 01:37:40,160 --> 01:37:42,600 Speaker 1: I don't like pranks either. This is we We've established 1912 01:37:42,640 --> 01:37:46,120 Speaker 1: this on this podcast since its earliest episode. But it's 1913 01:37:46,160 --> 01:37:48,439 Speaker 1: a prank is just a way to upset people. Yes, 1914 01:37:48,920 --> 01:37:53,479 Speaker 1: where are you wearing such a chic shoe? It's best 1915 01:37:53,720 --> 01:37:59,400 Speaker 1: best loafer and design my careen bataker and I'm in 1916 01:37:59,520 --> 01:38:02,240 Speaker 1: sort of okay, sorry, I just saw that and I 1917 01:38:02,320 --> 01:38:04,320 Speaker 1: was like this is a sneaker, this is a Nike peg. 1918 01:38:04,600 --> 01:38:08,760 Speaker 1: But that's a beautiful ship. But the colors it was 1919 01:38:08,880 --> 01:38:12,720 Speaker 1: not in design. Had about this half paraff mare. It 1920 01:38:12,840 --> 01:38:15,040 Speaker 1: was not a disaster, but it wasn't the day before. 1921 01:38:15,400 --> 01:38:18,080 Speaker 1: Can I say you can qualify? Yeah, but it's kind 1922 01:38:18,120 --> 01:38:19,920 Speaker 1: of a setup, like I want to run New York 1923 01:38:19,960 --> 01:38:22,040 Speaker 1: for next year. When I was going to do it, 1924 01:38:22,160 --> 01:38:24,400 Speaker 1: I was going to run, and there's a lottery oreger 1925 01:38:24,479 --> 01:38:25,880 Speaker 1: to do charity. But if you can run, if you 1926 01:38:26,000 --> 01:38:28,080 Speaker 1: have coming in a certain time, on a certain course 1927 01:38:28,120 --> 01:38:29,680 Speaker 1: and the half or the fold, then you can just 1928 01:38:29,800 --> 01:38:33,720 Speaker 1: bypass that negotiation. I did secure that, but I thought 1929 01:38:33,720 --> 01:38:35,760 Speaker 1: I might be a little bit faster yesterday I could 1930 01:38:35,800 --> 01:38:39,840 Speaker 1: tell how much faster did you want to be? What was? Yeah? 1931 01:38:39,840 --> 01:38:42,800 Speaker 1: I ran one nineteen fifteen. I thought that, um, I 1932 01:38:42,880 --> 01:38:45,519 Speaker 1: could run my pr from you know ten years ago 1933 01:38:45,680 --> 01:38:48,240 Speaker 1: is one fourteen flat. I knew I wasn't in that shape, 1934 01:38:48,240 --> 01:38:50,760 Speaker 1: but from workouts I thought I thought that there was 1935 01:38:50,800 --> 01:38:54,200 Speaker 1: a world where maybe I would run splits to run, 1936 01:38:54,320 --> 01:38:56,479 Speaker 1: like I would go out of like what's your split 1937 01:38:57,040 --> 01:38:59,960 Speaker 1: for for one nineteen fifteen? It's like six or two? 1938 01:39:00,400 --> 01:39:03,640 Speaker 1: That's crazy? But I but I really felt like from 1939 01:39:03,720 --> 01:39:07,880 Speaker 1: workouts that I could run fifties honestly, and so I 1940 01:39:08,439 --> 01:39:12,000 Speaker 1: went out hard, probably too hard because I get older, 1941 01:39:12,040 --> 01:39:17,240 Speaker 1: but just never wiser, and I have this and I 1942 01:39:17,320 --> 01:39:19,360 Speaker 1: guess I have this thing. I could just tell after 1943 01:39:19,479 --> 01:39:21,479 Speaker 1: like three miles I was run, I was on pace 1944 01:39:21,600 --> 01:39:24,040 Speaker 1: to run like maybe in the lower one teams, but 1945 01:39:25,120 --> 01:39:26,680 Speaker 1: I just knew. I was like, this hurts more than 1946 01:39:26,720 --> 01:39:28,920 Speaker 1: it You're like, I'm going to really I have to 1947 01:39:28,960 --> 01:39:31,280 Speaker 1: back off. And then also the court. I found the 1948 01:39:31,320 --> 01:39:33,200 Speaker 1: course to be very difficult and the last three miles 1949 01:39:33,240 --> 01:39:36,160 Speaker 1: were all like because of hills, hills, and there's also 1950 01:39:36,280 --> 01:39:39,920 Speaker 1: two separate hairpin turns where you have stopped running in 1951 01:39:40,000 --> 01:39:43,000 Speaker 1: the start, so whatever, whatever. Anyways, these ssues were made 1952 01:39:43,000 --> 01:39:44,960 Speaker 1: by Barroman Track Club, which is a disgrace. It's my 1953 01:39:45,040 --> 01:39:48,080 Speaker 1: favorite training club and running team, but it's been disgraced 1954 01:39:48,200 --> 01:39:53,400 Speaker 1: because there um top female competitor tested positive for an angela. 1955 01:39:54,880 --> 01:39:56,519 Speaker 1: Do you know where I found myself the other day 1956 01:39:56,680 --> 01:39:58,080 Speaker 1: not the other day like a couple of months ago 1957 01:39:58,120 --> 01:40:00,360 Speaker 1: when I did think of you and myself as a teen. Yeah, 1958 01:40:00,439 --> 01:40:02,960 Speaker 1: I was at Saville Running Company and I was just 1959 01:40:03,080 --> 01:40:05,360 Speaker 1: like a dinner next door. They have a road race 1960 01:40:05,840 --> 01:40:08,960 Speaker 1: in the winter, in the dead of winter called that's 1961 01:40:08,960 --> 01:40:10,559 Speaker 1: a ten mile or I'm gonna do And it's really 1962 01:40:10,640 --> 01:40:13,439 Speaker 1: what it's like the Saville Running Company run to the 1963 01:40:13,479 --> 01:40:15,599 Speaker 1: Brewer or something. I think they've done it for years. Yes, 1964 01:40:15,760 --> 01:40:18,840 Speaker 1: I got fifth placed in the lab. For years I 1965 01:40:18,960 --> 01:40:22,880 Speaker 1: was fifth, Ben, did you know that I won the 1966 01:40:22,960 --> 01:40:26,920 Speaker 1: ice slipped, not the marathon, the five kally I would 1967 01:40:26,920 --> 01:40:28,320 Speaker 1: think I was a junior. You know they used to 1968 01:40:28,320 --> 01:40:31,080 Speaker 1: have an Entimans five k down. Um, did you get 1969 01:40:31,120 --> 01:40:32,600 Speaker 1: a cookie at the end? I don't know. I have 1970 01:40:32,720 --> 01:40:34,120 Speaker 1: to start. It was in base Horse. That's why your 1971 01:40:34,439 --> 01:40:43,240 Speaker 1: words I'm doing tonight at home, we're actually exercising together tonight. 1972 01:40:43,360 --> 01:40:46,160 Speaker 1: What are you doing? We're doing the peloton Cody rixby 1973 01:40:46,280 --> 01:40:48,320 Speaker 1: talk show. Oh that's very fine. But one is the 1974 01:40:48,360 --> 01:40:50,200 Speaker 1: guest that I'm sort of in the audience doing a bit. 1975 01:40:50,760 --> 01:40:55,280 Speaker 1: I watched him on Dancing with That with that. Well, 1976 01:40:55,320 --> 01:40:57,880 Speaker 1: you know who's killing her right now? Angela? Oh, yes, 1977 01:40:58,000 --> 01:40:59,840 Speaker 1: I will watch for her. I think she might have 1978 01:41:00,000 --> 01:41:01,559 Speaker 1: because I saw that she was trending, but I haven't 1979 01:41:01,560 --> 01:41:04,439 Speaker 1: watched the whole season. But she's a dancer. Yeah, she's fab. 1980 01:41:04,680 --> 01:41:06,320 Speaker 1: She's so great. But I always put on one person 1981 01:41:06,360 --> 01:41:10,400 Speaker 1: who's like Julia, celebrity dancer who came to him. Julian 1982 01:41:10,479 --> 01:41:13,720 Speaker 1: Huff is competing again. I wonder how this against like 1983 01:41:13,840 --> 01:41:16,599 Speaker 1: Carol Baskan's like, yeah, I think you might. I think 1984 01:41:16,640 --> 01:41:19,200 Speaker 1: you might beat Carol Baskan and that's something that you need. 1985 01:41:19,240 --> 01:41:21,240 Speaker 1: And then yeah, I think you can probably have that. Yeah. 1986 01:41:22,960 --> 01:41:29,400 Speaker 1: And Bristol Paler, Oh my god, I remember that Palin 1987 01:41:29,439 --> 01:41:32,160 Speaker 1: from being on Teen mom O g and I gave 1988 01:41:32,200 --> 01:41:37,559 Speaker 1: her a really fair chance. And that's how far we've fallen. 1989 01:41:37,680 --> 01:41:41,639 Speaker 1: When they laughed after the election. Right after the election, 1990 01:41:41,680 --> 01:41:43,360 Speaker 1: it was like after it was in Farr when they 1991 01:41:43,400 --> 01:41:45,920 Speaker 1: finally came to Farr and they said, Farah, you need 1992 01:41:46,000 --> 01:41:49,240 Speaker 1: to choose between adult films and the show. We can't 1993 01:41:49,280 --> 01:41:51,920 Speaker 1: have you do both. And Paras said, and I think 1994 01:41:52,000 --> 01:41:54,120 Speaker 1: she rightly said, well, this is my life. You're trying 1995 01:41:54,200 --> 01:41:57,120 Speaker 1: to document the stories of teen moms. Well this is 1996 01:41:57,200 --> 01:41:59,560 Speaker 1: something going to make money. And she, of course, you know, 1997 01:41:59,680 --> 01:42:01,599 Speaker 1: didn't choose the most eloquent words when she did say 1998 01:42:01,640 --> 01:42:03,000 Speaker 1: that to the producer. I think she did kind of 1999 01:42:03,080 --> 01:42:07,320 Speaker 1: push the producer. But they ended up having two part 2000 01:42:07,360 --> 01:42:11,280 Speaker 1: ways with Farah, and they brought in two girls, Yanne 2001 01:42:11,600 --> 01:42:13,840 Speaker 1: for who I've been on UM Are You the One? 2002 01:42:14,040 --> 01:42:17,560 Speaker 1: And Bristol. Bristol didn't work out. She was just not 2003 01:42:18,160 --> 01:42:21,000 Speaker 1: additive to the show. And Shyanne is still on it 2004 01:42:21,080 --> 01:42:23,439 Speaker 1: and she does have her child's father is I think 2005 01:42:23,479 --> 01:42:27,120 Speaker 1: one of the hottest members of MTV the Challenge Corey. 2006 01:42:27,920 --> 01:42:30,240 Speaker 1: Look up Corey from the Challenge. She's so freaking hot. 2007 01:42:31,000 --> 01:42:34,400 Speaker 1: I think every Challenge contestant aggressive, straight energy and even 2008 01:42:34,439 --> 01:42:35,760 Speaker 1: when there's a gig going on there and they're like 2009 01:42:35,880 --> 01:42:37,720 Speaker 1: lowering their voice to fit in. Still in the Year 2010 01:42:37,720 --> 01:42:41,280 Speaker 1: of Our Lord. Almost like if you think Johnny Bananas 2011 01:42:41,320 --> 01:42:45,920 Speaker 1: can't suck me, if he wants, you're wrong. If he wants, 2012 01:42:47,560 --> 01:42:49,800 Speaker 1: he's still against all I was doing these things. I 2013 01:42:49,960 --> 01:42:51,720 Speaker 1: know he won last season. He won last Let me 2014 01:42:51,760 --> 01:42:54,320 Speaker 1: tell you something. The asson suits back in the day 2015 01:42:54,640 --> 01:42:58,040 Speaker 1: crazy if you want to talk about a bubble but 2016 01:42:58,240 --> 01:43:03,000 Speaker 1: aabam baby was but I don't remember it. But I 2017 01:43:03,040 --> 01:43:05,439 Speaker 1: mean Johnny has an unbelievable butt And there is a 2018 01:43:05,479 --> 01:43:09,160 Speaker 1: sex video out there. What yeah, I gotta check it out. 2019 01:43:09,439 --> 01:43:11,599 Speaker 1: Have you ever watched Aussi from Survivors sex stuff? Because 2020 01:43:11,600 --> 01:43:15,200 Speaker 1: he has the only fans. I'm a subscriber, I'm not active. Okay, 2021 01:43:15,240 --> 01:43:17,360 Speaker 1: then you're not gonna Well, you haven't seen him accomplish 2022 01:43:17,360 --> 01:43:21,720 Speaker 1: amazing feats of physicality. It's kind of why I've seen 2023 01:43:21,760 --> 01:43:27,439 Speaker 1: him climate tree. Yeah, but I don't know. But yeah, okay, fine, 2024 01:43:27,640 --> 01:43:29,720 Speaker 1: you've painting me into a corner. I admit that it's 2025 01:43:29,720 --> 01:43:32,040 Speaker 1: cool that he can climate tree, but I just don't 2026 01:43:32,080 --> 01:43:34,680 Speaker 1: feel sexual. You know what I was thinking about the 2027 01:43:34,720 --> 01:43:37,120 Speaker 1: other day that you girls appreciate I've seen her at 2028 01:43:37,160 --> 01:43:39,559 Speaker 1: this moment. I wanted to find it on like whatever 2029 01:43:39,600 --> 01:43:41,960 Speaker 1: episode was in in Micronesia and like post it and 2030 01:43:42,080 --> 01:43:44,360 Speaker 1: be like she was so real for this. And it's 2031 01:43:44,360 --> 01:43:46,160 Speaker 1: just that moment when Azzi comes up to party when 2032 01:43:46,160 --> 01:43:48,880 Speaker 1: they realize that parties turned and like maybe she just 2033 01:43:49,000 --> 01:43:51,280 Speaker 1: voted James out or something. Either I forgot who she 2034 01:43:51,320 --> 01:43:52,880 Speaker 1: vote it up first, all James or Assie, but the 2035 01:43:52,880 --> 01:43:54,719 Speaker 1: other was Aussie first. And then she has the conversation 2036 01:43:54,760 --> 01:43:56,680 Speaker 1: with James James considering sex, who you gonna bring to 2037 01:43:56,720 --> 01:44:00,840 Speaker 1: the end, and she turns and she says, girls so good, 2038 01:44:01,040 --> 01:44:05,519 Speaker 1: so good. Party was mother for that? I think she 2039 01:44:05,560 --> 01:44:08,320 Speaker 1: has her hands on her just goes kind of stressed. Yes, yes, 2040 01:44:08,439 --> 01:44:14,360 Speaker 1: girls so cool, so you guys need to we need 2041 01:44:14,439 --> 01:44:18,800 Speaker 1: to get back together. Um. Poverty and Amanda Amanda. They 2042 01:44:19,000 --> 01:44:21,400 Speaker 1: I think they're not connected. They're not connected, but I 2043 01:44:21,439 --> 01:44:24,679 Speaker 1: will say Poverty follows Amanda. Amanda doesn't follow up Poverty 2044 01:44:25,120 --> 01:44:27,080 Speaker 1: of a couple of years ago. They both followed the 2045 01:44:27,120 --> 01:44:31,559 Speaker 1: rees to repolic both. Yeah. Is the is the glue? Yeah? 2046 01:44:31,680 --> 01:44:34,240 Speaker 1: And then recently there was like on the reddits, there 2047 01:44:34,280 --> 01:44:37,800 Speaker 1: was that Poverty actually nominated Amanda for their Survivor Hall 2048 01:44:37,840 --> 01:44:40,200 Speaker 1: of Fame because you could, I guess recently, recently, within 2049 01:44:40,200 --> 01:44:42,120 Speaker 1: the last couple of years, I think Amanda deserves that. 2050 01:44:42,760 --> 01:44:45,439 Speaker 1: That was an era of Survivor where Amanda was a 2051 01:44:45,520 --> 01:44:48,800 Speaker 1: main character. Oh that was that. That was the golden era. 2052 01:44:49,760 --> 01:44:51,840 Speaker 1: She was the star of China to me, Yes, she was. 2053 01:44:52,360 --> 01:44:54,120 Speaker 1: The way she flopped at the final tribal council, I 2054 01:44:54,200 --> 01:44:57,400 Speaker 1: was like, oh God. And then Micronesia like kind of 2055 01:44:57,439 --> 01:45:01,200 Speaker 1: same thing. Yeah, she really gets gunshot at the travel councils. 2056 01:45:01,320 --> 01:45:03,400 Speaker 1: But she was a start of China, and then Surree 2057 01:45:03,560 --> 01:45:06,680 Speaker 1: was the star of Micronusia. Poverty was the star of 2058 01:45:06,720 --> 01:45:10,400 Speaker 1: Heroes Filons. Yeah. Well, if I had my druthers, it 2059 01:45:10,439 --> 01:45:15,080 Speaker 1: would have been Amanda wins China Surrey wins Micronesia, Parverty 2060 01:45:15,080 --> 01:45:17,479 Speaker 1: wins Heroes versus Filling. Yeah, why did they do that 2061 01:45:17,760 --> 01:45:20,080 Speaker 1: with Micronesia? By they foxed every over in that way, 2062 01:45:20,640 --> 01:45:22,719 Speaker 1: they knew she would win. But I think they wanted 2063 01:45:22,720 --> 01:45:24,479 Speaker 1: I think they wanted it to be more of a compensation, 2064 01:45:24,520 --> 01:45:29,160 Speaker 1: but not you mean like because I don't mean like, yeah, 2065 01:45:29,160 --> 01:45:32,000 Speaker 1: why they from I think the producers. I think the 2066 01:45:32,040 --> 01:45:35,519 Speaker 1: producers knew it would be a Surrey landslide. But okay, good, good, 2067 01:45:35,760 --> 01:45:39,000 Speaker 1: I think. But I also think the producers were produced 2068 01:45:39,080 --> 01:45:42,240 Speaker 1: were also edited wanted to edit a Parverty win. Yeah, 2069 01:45:43,040 --> 01:45:45,120 Speaker 1: I remember because I watched Micronesia actually kind of late, 2070 01:45:45,200 --> 01:45:47,160 Speaker 1: and I already knew a lot of the things that happened, 2071 01:45:47,160 --> 01:45:48,680 Speaker 1: and I went I remember going and watching me like 2072 01:45:48,760 --> 01:45:50,880 Speaker 1: this is going to be a carnation for poverty, and 2073 01:45:50,920 --> 01:45:53,000 Speaker 1: I remember being like, oh no, this is a Surree season. 2074 01:45:53,200 --> 01:45:56,599 Speaker 1: Like the last minute, yeah, I think that they all 2075 01:45:56,720 --> 01:46:01,360 Speaker 1: played probably equally good games and then it was just yeah. 2076 01:46:01,439 --> 01:46:02,960 Speaker 1: I think that I think the producers sort of made 2077 01:46:03,000 --> 01:46:05,519 Speaker 1: a decision about that, because otherwise why would they have 2078 01:46:05,560 --> 01:46:08,360 Speaker 1: done that. You're watching current? I am catching up. I 2079 01:46:08,479 --> 01:46:11,519 Speaker 1: just started. I think that this season is actually getting 2080 01:46:11,560 --> 01:46:14,360 Speaker 1: really bored. Okay, here's the thing. Jeff Probes needs to 2081 01:46:14,400 --> 01:46:18,040 Speaker 1: calm down and he needs to get but we also 2082 01:46:18,120 --> 01:46:19,800 Speaker 1: love him for that. I don't love him for that. 2083 01:46:19,960 --> 01:46:22,000 Speaker 1: I want to tell him to his face one day, 2084 01:46:22,640 --> 01:46:25,640 Speaker 1: I hope we'll hear it. I want to say, you know, 2085 01:46:25,720 --> 01:46:29,240 Speaker 1: you're ruining Survivor by the way, like that exactly that 2086 01:46:29,479 --> 01:46:30,680 Speaker 1: you know, by the way, I don't know if you 2087 01:46:30,680 --> 01:46:32,840 Speaker 1: carry you're ruining the show, you're ruining the game. The 2088 01:46:32,880 --> 01:46:35,720 Speaker 1: whole thing needs to take like a beta blocker's. First 2089 01:46:35,760 --> 01:46:37,800 Speaker 1: of all, go back to basics, go back to thirty 2090 01:46:37,920 --> 01:46:43,400 Speaker 1: nine days, which they definitely won't like four years Survivor 2091 01:46:43,479 --> 01:46:47,800 Speaker 1: Australia's fifty days. No, it's better for it no more 2092 01:46:47,880 --> 01:46:50,280 Speaker 1: starting with three tribes of like four people. It's like, 2093 01:46:50,479 --> 01:46:53,800 Speaker 1: that's not interesting or cool. I just think they're very 2094 01:46:53,920 --> 01:46:56,800 Speaker 1: clearly trying to save money. It's I get over a 2095 01:46:56,800 --> 01:46:58,360 Speaker 1: build a bridge and get ever at. I know, but 2096 01:46:58,520 --> 01:47:01,200 Speaker 1: like that's why, that's why twenty six days and there's 2097 01:47:01,240 --> 01:47:03,320 Speaker 1: so many fucking twists, Like they think that's what makes 2098 01:47:03,360 --> 01:47:05,800 Speaker 1: it interesting. It's not. And I would also say that 2099 01:47:05,920 --> 01:47:09,200 Speaker 1: it's almost like the Survivor cast members now are like 2100 01:47:09,400 --> 01:47:12,840 Speaker 1: watching Potomac Housewives too much and taking all because they're 2101 01:47:12,880 --> 01:47:16,760 Speaker 1: all so safe and concerned about just like I don't 2102 01:47:16,800 --> 01:47:21,559 Speaker 1: know there's happening. Yeah. So basically, Pat, this has been 2103 01:47:21,560 --> 01:47:24,800 Speaker 1: a wonderful episode, and we want to thank you. I 2104 01:47:24,880 --> 01:47:27,040 Speaker 1: want to thank you. We want to thank you for coming. 2105 01:47:27,479 --> 01:47:30,360 Speaker 1: The readers are so happy. I hope I gave anything 2106 01:47:30,439 --> 01:47:32,479 Speaker 1: you need to. Yeah, you know what a feeling. I 2107 01:47:32,600 --> 01:47:35,040 Speaker 1: know the feeling, but that feeling. Guess why. I was 2108 01:47:35,040 --> 01:47:37,320 Speaker 1: actually thinking the other day of how nervous I used 2109 01:47:37,320 --> 01:47:40,000 Speaker 1: to get before. I don't think Sony ear shows. I 2110 01:47:40,000 --> 01:47:43,000 Speaker 1: remember like like the culture were being so nervous, not 2111 01:47:43,320 --> 01:47:45,200 Speaker 1: the vibes were a little bit off that. Well, it's 2112 01:47:45,240 --> 01:47:47,960 Speaker 1: because it was compelling. One could no one could decide 2113 01:47:48,000 --> 01:47:50,080 Speaker 1: whether or not we were having fun or really competing 2114 01:47:51,040 --> 01:47:53,280 Speaker 1: on different sides of that. And I think that there 2115 01:47:53,360 --> 01:47:57,120 Speaker 1: was a flaw. Unfortunately, feelings were hurt and really I 2116 01:47:57,160 --> 01:47:58,800 Speaker 1: could tell I could see in some people's eyes that 2117 01:47:58,840 --> 01:48:00,200 Speaker 1: they were up. I just end up goeling like I 2118 01:48:00,320 --> 01:48:02,920 Speaker 1: was like, I'm gonna be bad. But like I was called, 2119 01:48:03,080 --> 01:48:07,519 Speaker 1: Danny Dunley, are sworn atything I did? Didn't you do? 2120 01:48:07,680 --> 01:48:09,320 Speaker 1: Kind of a twist in the game, like I was 2121 01:48:09,400 --> 01:48:13,360 Speaker 1: brought back into the I was released back into the game, 2122 01:48:16,920 --> 01:48:19,080 Speaker 1: and we love you, and we and every episode with 2123 01:48:19,120 --> 01:48:31,800 Speaker 1: the song nothing I've made it. Look, why did you