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Speaker 1: Every day a week. Click your ass up the breakfast clubs,

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Speaker 1: y'all done.

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Speaker 2: Yeah, it's the world's more dangerous Morning to show the

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Speaker 2: Breakfast Club Charlamagne and the God just hilarious dj mvs

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Speaker 2: around here somewhere. But we got a special guests in

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Speaker 2: the building. He's got a new Netflix special call super Funny.

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Speaker 1: Nate Jackson is here. How you doing? My brothers doing good?

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Speaker 2: Don't come don't look over here and get grid in

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Speaker 2: and smiling looking for material.

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Speaker 3: Yeah, all right, we see going all.

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Speaker 4: This is my first time on Breakfast Club.

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Speaker 3: I'm like, Yo, that's crazy. He just en That's what

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Speaker 3: I'm on.

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Speaker 5: What's up man? How you doing?

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Speaker 4: I'm doing good?

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Speaker 2: Man?

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Speaker 4: Think it's going crazy.

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Speaker 5: Congratulations, Thank you so much. I love that. I love

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Speaker 5: to see what we like us we get specials.

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Speaker 3: You proud of me? Are you kidding me? I watched

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Speaker 3: the video with the flickering and you came down the hall,

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Speaker 3: went in and disappeared in the chair. I was like,

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Speaker 3: thank you, Nate, Thank you for.

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Speaker 1: The people who don't know or who may not be familiar.

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Speaker 4: Who is Nate jacks Uh?

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Speaker 3: I guess t I dubb me the King of crowd

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Speaker 3: work I'm an entrepreneur on the biggest black on comedy

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Speaker 3: club in the country.

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Speaker 1: Super Funny Comedy Club.

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Speaker 4: There you going to Coma Washington.

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Speaker 3: I'm a guy that got it out the mud from

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Speaker 3: the very bottom and scraped my way up to Netflix

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Speaker 3: special that was in the top ten and peaked at

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Speaker 3: number three and did extremely well for the platform. And uh,

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Speaker 3: there's a lot coming. There's TV shows, there's movies, and

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Speaker 3: so I'm excited.

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Speaker 1: That's who I am.

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Speaker 3: I mean, I'm I'm your excited, huggable gangster cousin of the.

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Speaker 2: People that probably don't you know, might have thought you

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Speaker 2: came out of know it like you got the Super

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Speaker 2: Funny Comedy Club in twenty twenty one, right.

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Speaker 3: Yeah, Basically we were building it and then the news

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Speaker 3: was saying that COVID.

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Speaker 1: Was cold, was coming, which is which is which is.

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Speaker 4: It's hard enough to build a place, let alone watch

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Speaker 4: the news and be like, I don't.

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Speaker 3: Think it's gonna come over. I don't think it's gonna

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Speaker 3: If you remember, Seattle's were first touchdown in the United States.

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Speaker 3: As soon as it was like I think it was Everett,

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Speaker 3: Washington or something, it was like two hours north.

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Speaker 1: I was like oh this is a rap, So that

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Speaker 1: might have been a blessing. Then if you do some

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Speaker 1: PvP loans, no.

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Speaker 3: Because you have to be open for like a year

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Speaker 3: to get the idea. Yeah, we had no help.

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Speaker 1: We could like everybody else.

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Speaker 3: Man, I tried. I tried to create. I was a

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Speaker 3: I was auto detailed business. I have grooming business, I

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Speaker 3: cleaned shoes.

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Speaker 4: I was coming up with everything.

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Speaker 3: All of them are like nothing was working. So now

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Speaker 3: we just fought on our own. We just fought it,

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Speaker 3: you know what I'm saying, and survived. And so we

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Speaker 3: were at the first location for five years. Now we're

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Speaker 3: at a brand new location downtown on the Marriotte Block

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Speaker 3: from Tacoma.

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Speaker 4: You know. But it's it's it's that's it, like this

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Speaker 4: is this is it from my city.

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Speaker 3: We're in the most peak spot, best location he could be.

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Speaker 3: And now it's like we're thriving like crazy.

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Speaker 2: Would you a veteran you've been doing comedy for like

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Speaker 2: twenty twenty six years.

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Speaker 3: Twenty somewhere between twenty three and twenty four, OK, Yeah, yeah,

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Speaker 3: for sure, I've been. I've been, That's what I'm saying.

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Speaker 3: I've been at it for a minute. You know what,

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Speaker 3: we've met before, and it's worth for me talking about

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Speaker 3: for a second. Charla Maine. So I was working with

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Speaker 3: Jesse Collins Entertainment as a crowd warm up and they

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Speaker 3: did this show Hip Hop Hollywood Squares. Yeah, and Jess

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Speaker 3: was the square and DC was the square and other

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Speaker 3: like cast members from Wilding Out and stuff for squares. Yeah. OK,

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Speaker 3: And I really wanted to be in a square, like

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Speaker 3: when soundstage wild be empty, I'd be sitting in a

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Speaker 3: square and like to the point where they like overheadsets

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Speaker 3: like that was like Nate Jackson out of the square,

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Speaker 3: like just total rejection, Like yeah.

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Speaker 1: Like this is for stars entertained the crowd which is.

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Speaker 3: Mad humbling, right, Like I've been won the bay, all

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Speaker 3: the accolades and stuff, and I'm looking at who my

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Speaker 3: peers are and I'm like, I've can you.

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Speaker 4: Cuss on here?

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Speaker 3: Yeah? Like I fuck with all of them, but you

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Speaker 3: can't get a square. Let me get just like one

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Speaker 3: of them shitty episodes like episode fourteen out of fifteen

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Speaker 3: that y'all done through to the low budget one.

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Speaker 4: You know what I'm saying. Man, They put me out

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Speaker 4: the chair.

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Speaker 3: So we were on a break in between two segments

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Speaker 3: and I was so upset this day. Man, you had

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Speaker 3: one of them days where you're like, man, fuck all this. Yeah,

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Speaker 3: that's what I was on. And uh, Tip was like

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Speaker 3: in the top left square and I had met we

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Speaker 3: had met before, and he told me to He was

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Speaker 3: like play.

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Speaker 4: Uh you want me to play juvenile.

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Speaker 3: Degree?

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Speaker 4: He was like, so I played.

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Speaker 1: I remember the day now.

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Speaker 3: Yeah.

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Speaker 4: So he was up.

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Speaker 3: There sod in the break. You were like, come in,

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Speaker 3: you know, and so Tip was like doing that. And

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Speaker 3: then I came down and you you were either on

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Speaker 3: the bottom ente or the left, but you were right there,

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Speaker 3: and uh you were like, yo, you're killing it. I

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Speaker 3: was like, excuse me, and you were like I fucked

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Speaker 3: with like the I can't I'm exactly what you said,

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Speaker 3: but you were like, I fuck with like, you know,

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Speaker 3: the crowd work guys, with the little guy, because I

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Speaker 3: was the little guy. Man. I came up under windy

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Speaker 3: and I grinded. I got it out the mud. When

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Speaker 3: I see y'all watch, I was like, nigga, you don't

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Speaker 3: even know what that did for me that day.

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Speaker 4: Wow, oh mama, And I'm just telling you the little

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Speaker 4: things like that.

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Speaker 3: I was like, you know what let me just play

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Speaker 3: my role, let me do my ship, and let me

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Speaker 3: just you know what I'm saying.

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Speaker 4: But that was actually that was heavy that day.

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Speaker 2: I remember that day because when the degrees came on,

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Speaker 2: all of us that's from the South started rapping.

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Speaker 1: It like everybody didn't talk like that was a great day.

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Speaker 3: Nine on TV about that, and I looked up in

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Speaker 3: all nine Squirts Rock I was like, okay, and.

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Speaker 1: I remember you doing the crowd work, but I remember

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Speaker 1: being a little bit bigger.

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Speaker 4: Okay, I remember.

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Speaker 3: Breakfast club because we're trying to lose weight. Yeah, I went,

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Speaker 3: I went fruit and veggie raw at the may first,

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Speaker 3: and I lost thirty eight point five pounds. So I'm

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Speaker 3: just like melting And so now I'm like trying to introduce,

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Speaker 3: you know, some white meats back and whatever, just because

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Speaker 3: I was like, man, there's too much chicken going to buy.

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Speaker 4: Everybody like we eating with you.

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Speaker 3: So I basically just eat around the outside of the

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Speaker 3: grocery store and stay off the middle. And so I've

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Speaker 3: just been melting away. Was it a scale or you

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Speaker 3: just wanted to get healthy or the reason why I

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Speaker 3: want to see where my dick connect to my body? Okay, look, yeah,

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Speaker 3: I have a joke about it. I can see the

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Speaker 3: first seven inches, but that first five I can't see

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Speaker 3: that part.

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Speaker 4: So that's a joke.

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Speaker 3: But no, I just wanted to lose some weight, man,

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Speaker 3: I had. We lost, Teddy Ray, we lost.

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Speaker 1: I were laughing at that. Now I'm laughing. I'm still

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Speaker 1: having the big jokes.

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Speaker 4: They did the math.

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Speaker 1: Too, anyway, seventy half but rescip But you.

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Speaker 6: Know what I noticed in your special you talk about

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Speaker 6: it a lot, your weight and eating.

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Speaker 5: You got a lot of food jokes or whatever.

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Speaker 4: You had it like four minutes of to just break

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Speaker 4: the ice.

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Speaker 5: Yeah, yeah, for sure.

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Speaker 3: And they're like, well that's what we're gonna take for

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Speaker 3: the for the national clip. That's gonna be your trailer.

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Speaker 3: I'm like, okay, so now, okay, what about all the

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Speaker 3: other stuff I said.

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Speaker 5: But how does it impact now?

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Speaker 6: Because now you you know, you lost lost a lot

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Speaker 6: of weighting and I guess and you're still coming down, right,

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Speaker 6: So how does that affect your comedy now?

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Speaker 5: Like you're still doing the food jokes?

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Speaker 3: You can. I mean it's not I don't have I

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Speaker 3: had food jokes, but it was more about weight lost

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Speaker 3: jokes and temptation and you can have that at anyway,

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Speaker 3: you know what I'm.

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Speaker 4: Saying, Like it was it was crafted or I was like,

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Speaker 4: I think I'm.

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Speaker 1: Losing weight, but I can still get these jokes off.

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Speaker 4: You know what I mean.

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Speaker 3: But at the end of it, I write a lot

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Speaker 3: and that's what that's what, that's what the crowd work.

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Speaker 4: And you're writing on the spot, so just.

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Speaker 1: Switch it up.

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Speaker 7: Is there anything that you stay away from, like, you know,

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Speaker 7: because I feel like the world is so sensitive now,

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Speaker 7: Like you say.

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Speaker 3: One thing, you know we're gonna cancel you did it?

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Speaker 1: Think that you stay away from it?

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Speaker 4: You like, fuck it.

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Speaker 3: I kind of am with everything, but I will I

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Speaker 3: will tread lightly around, uh, you know, some politics stuff

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Speaker 3: because it's they've just been so it's so magnetized, you

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Speaker 3: know that. At a point people are like, I don't

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Speaker 3: even care what you's talk about, No Moore because he's

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Speaker 3: not He's obviously not. And I'm like, man, just chill out.

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Speaker 3: I want everybody to laugh first, right, That's that's why

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Speaker 3: it's called super funny.

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Speaker 4: I wasn't.

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Speaker 3: That's the theme of the show. Love, love hard, eat good,

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Speaker 3: and laugh, laugh to your fullest.

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Speaker 4: So that's the thing. That's what That's what it is.

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Speaker 7: I was gonna say, do you think people miss the

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Speaker 7: funny and things because they want to cancel you? They

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Speaker 7: are looking for something to be hurt or affected by?

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Speaker 7: Because I remember one time you just laughed. It wasn't

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Speaker 7: It could be a black joke, a white joke, a

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Speaker 7: gay joke, a stranger.

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Speaker 3: It didn't matter. If it was funny, it was funny.

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Speaker 7: But now I feel like people look for something to

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Speaker 7: be like, I'm gonna cancel you off that word right there?

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Speaker 4: You know, yeah, depend on the word, but yeah, or

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Speaker 4: the term or the joke.

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Speaker 3: I think it depends on how you saying it, right,

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Speaker 3: Like what I can what I can stand the least

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Speaker 3: is when a comic takes the time to craft a

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Speaker 3: beautiful joke, and I mean a beautiful joke where it

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Speaker 3: like meanders and then you get hit with the punch

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Speaker 3: and then you still be like, but the topic was

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Speaker 3: stud of out, Hey, man, chill out.

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Speaker 1: That's a good ass joke.

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Speaker 3: Also, I think we're shifting back some and I don't

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Speaker 3: want to say it on a platform so big that

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Speaker 3: people are like, oh, you think we won't cancel you too.

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Speaker 3: I don't need that smoke. But I'm just saying I

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Speaker 3: think there's been a shift since maybe twenty nineteen, twenty

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Speaker 3: twenty gams, and so there's been some pushback people like

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Speaker 3: Schultz and people like Chappelle that are like, I'm man,

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Speaker 3: fuck all that comedy first, then we'll talk about what's next.

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Speaker 6: That's the key to that though, right, Like, if you

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Speaker 6: are gonna say anything that's gonna be even a little

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Speaker 6: bit controversy, it has to be funny fun so people

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Speaker 6: can't be worried. It gotta be so funny to the

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Speaker 6: point where they only need want cancel.

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Speaker 5: You man, that is funny. R.

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Speaker 3: Yeah. I had a joke about a Vietnamese car dealer

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Speaker 3: and it don't sounds ridiculous. I'm from Tacoma Water and

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Speaker 3: we kick it with the Vietnamese, Cambodians, Simons, black people,

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Speaker 3: we all, everyone's all. We all mixing. So when you

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Speaker 3: go gamble, the dealer gonna be Vietnamese. And they were

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Speaker 3: teaching me words, and so I started picking up on

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Speaker 3: the dillect and be like do my and stuff like that.

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Speaker 3: So I had this joke of that that means fuck you,

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Speaker 3: and so I picked up on that. This is uh

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Speaker 3: uma is fuck you, and dou Miama is fuck your mama,

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Speaker 3: and then uh uh. The Cambodians they be like they

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Speaker 3: own my something like that and that means like pussy ass.

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Speaker 3: So they said that a lot, and I just start

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Speaker 3: hearing it not knowing what it was. I'm like, why

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Speaker 3: y'all keep saying do ma? What is doma? And they're like,

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Speaker 3: oh yeah me fuck you. I'm like, what the fuck?

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Speaker 3: So I wrote a joke about how I had found out,

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Speaker 3: but I put it after I hit a jackpot. So

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Speaker 3: basically she was calling me bow bow, which was my

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Speaker 3: interpretation of her saying nigga to my face, and I

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Speaker 3: didn't know. So I slowly revealed that they've been.

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Speaker 4: Being racist to me.

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Speaker 3: And then I get her some get back the dealer

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Speaker 3: and I say she acts black, so she I said, well, okay,

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Speaker 3: you act black then, and she's like, I don't know

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Speaker 3: my father. I'm like, bitch, that's you want to sound.

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Speaker 1: Don't she about to come in like.

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Speaker 5: Stop?

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Speaker 3: That triggered her. I'm sorry, man.

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Speaker 2: I was watching one of your specials before one of

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Speaker 2: your CrowdWork specialist, Man, there was a fat dude in

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Speaker 2: the crowd.

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Speaker 1: The fat dude named big Mac that do security.

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Speaker 2: I don't know if you remember, but the dude was

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Speaker 2: like he said something to you, and you was like,

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Speaker 2: don't get mad at me. I'm not the one who

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Speaker 2: fed you.

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Speaker 3: In the comments like pot calling the kettle black, I'm like, nah,

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Speaker 3: that's a little pot called a big kettle. But the

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Speaker 3: point of the Vietnamese joke was that same joke. JFL

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Speaker 3: was like, we can't have you up here because you're

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Speaker 3: saying that joke. Did you listen to right? So I

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Speaker 3: just got back from that, came straight from Montreil here

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Speaker 3: to I had my own show. I had like I

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Speaker 3: did Variety top ten. Yes I got that this year

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Speaker 3: and so. But but it brings it full circle to

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Speaker 3: be like you almost. I was like I should I

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Speaker 3: should do the joke, you know what I'm saying. But

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Speaker 3: they showed me so much love. I was like, you

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Speaker 3: know what, I'm not gonna be bitter canny if it's funny. Now,

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Speaker 3: if I just came out like Vietnamese sound crazy and

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Speaker 3: I just start cussing like him like that, that is

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Speaker 3: you overstepping.

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Speaker 4: Yeah, you know what I'm saying. But and that's my pet.

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Speaker 3: People like if somebody if you can you can hear

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Speaker 3: the intellect and the joke and the setup and be like, oh,

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Speaker 3: that was a good misdirection to hear that, be like, nah,

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Speaker 3: it's like how some older black people like I didn't

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Speaker 3: even have fun because he cussed fourteen times. He's in

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Speaker 3: there counting exactly.

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Speaker 1: Man's show. Yes, listen to give people the story.

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Speaker 2: So you went from doing the warm up, warming up

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Speaker 2: the crowd at the hip hop Square, but I know

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Speaker 2: you ended up on a while and now like, how

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Speaker 2: did all of those stuff things happen?

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Speaker 4: Oh my goodness, Uh, that that's not my start. My start.

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Speaker 3: I just got dared to do comedy while I was

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Speaker 3: in college and I went on stage and I was like, oh,

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Speaker 3: this was kind of good, and so I stuck with it.

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Speaker 3: And then I moved immediately to LA and I was

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Speaker 3: there for like six years, and then I was like,

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Speaker 3: I need to go home and stack some bread. So

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Speaker 3: I started like twelve shows and then I combined into

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Speaker 3: one show and it was like the biggest show. It

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Speaker 3: was like Thursday Night was like four hundred and twenty people.

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Speaker 4: For like eight years. It was massive.

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Speaker 3: And in Tacoma, Yeah, downtown Tacoma. And if it's really

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Speaker 3: like eighty people every Thursday in case I RS is listening.

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Speaker 4: So it was like it was Hella.

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Speaker 3: But then I stacked and came back, and so then

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Speaker 3: different opportunities started to kind of come together, and so

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Speaker 3: I had an opportunity to work with Jesse Collins Entertainment,

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Speaker 3: and that's how I did the crowd work. And I

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Speaker 3: think it was just a plug from Dray because you know,

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Speaker 3: I do Monday nights at the Improv and it looks

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Speaker 3: shout out to Dray, and so that's how I got

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Speaker 3: into that. But the way Hollywood, man, you'll have a

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Speaker 3: day where you're like, yo, I made it. You'll be

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Speaker 3: stick in on a table, fist pumping the air between

327
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Speaker 3: Tony Rock and Chris Rock, you know what I'm saying,

328
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Speaker 3: Like it would feel like a million bucks. And then

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Speaker 3: the next day you're like, damn, I gotta perform in

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Speaker 3: this dungeon. It's not it's not it's up there, but

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Speaker 3: you gotta do it all. And so you know that,

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Speaker 3: that's essentially why I was where I was. I was like, man,

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Speaker 3: I just can't get a damn I got wilding out.

334
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Speaker 3: Bet I do four episodes now, says I look old

335
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Speaker 3: I'm like, nigga, Corey Holkom is here, how.

336
00:14:30,360 --> 00:14:31,520
Speaker 1: No shame, no shame.

337
00:14:31,800 --> 00:14:35,880
Speaker 3: I'm just saying, don't sell old nigga. Like I waited

338
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Speaker 3: to get on the show for six years. Yeah, old,

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Speaker 3: Now give me a part of my hair. Let me rock.

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Speaker 4: And then every game was rapping. I'm like, nigga, we

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Speaker 4: can't just.

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Speaker 1: Do no old.

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Speaker 3: Nigga.

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Speaker 1: They would have a game all right, this is what

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Speaker 1: we're gonna do.

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Speaker 4: You're gonna roast this thing.

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Speaker 3: We're like promise, like yo, yeah, Nick in the corner,

348
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Speaker 3: like you know what he needs bars. They were like

349
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Speaker 3: get out the way, trying to clips man, he come,

350
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Speaker 3: just go ahead. I'm like, that's not my bagnigg. I'll

351
00:15:09,120 --> 00:15:11,040
Speaker 3: learn it, but that ain't my bag. You only did

352
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Speaker 3: four episodes a while out, Yeah, but they were big

353
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Speaker 3: ones though. They were big ones though, Like I did

354
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Speaker 3: Erkabaddu episode. We did because I can sing too. So

355
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Speaker 3: we did the Revenge of Tyrone where she did the

356
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Speaker 3: follow up to call Tyrone, and then I did the

357
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Speaker 3: Travis Scott episode, and then I did the one where

358
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Speaker 3: the dude had hell of kids, but then he said we.

359
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Speaker 4: Can't talk about the kids.

360
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Speaker 3: Nick kny no, no, it was somebody want more? I

361
00:15:33,880 --> 00:15:38,800
Speaker 3: think Cromarty Antonio, Yeah, that's all we want to talk about,

362
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Speaker 3: Like you got a million kids? He was like anything

363
00:15:40,800 --> 00:15:44,720
Speaker 3: but the kids. We're like, well, then go home, because yeah,

364
00:15:44,720 --> 00:15:46,960
Speaker 3: so I did some good you know what I'm saying.

365
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Speaker 3: And so I'll like that, you know what I think

366
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Speaker 3: the reason I only got the four and I'd like

367
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Speaker 3: to say this on this platform. On the Erkabad episode,

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Speaker 3: she came and she was like, Yo, let me meet

369
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Speaker 3: the people. I'm gonna be on the episode with it

370
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Speaker 3: and the eighty five South guys all stood around on

371
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Speaker 3: the sound stage with now and she's like, here's what

372
00:16:05,360 --> 00:16:07,840
Speaker 3: I think we should do, and now ran down the games.

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00:16:08,000 --> 00:16:10,920
Speaker 3: Here's what we're gonna do. Freestyle from there. She's like, Okay,

374
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Speaker 3: I'm going to my dressing room. I want i want

375
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Speaker 3: one of the brighter ones to come with me. Now

376
00:16:14,920 --> 00:16:17,080
Speaker 3: I'm standing up there with one episode under my belt.

377
00:16:17,120 --> 00:16:19,640
Speaker 3: She's like you, what's your name? I'm like Nate Jackson.

378
00:16:19,720 --> 00:16:21,880
Speaker 3: She's like, you you telling me what's going on here?

379
00:16:21,920 --> 00:16:24,560
Speaker 3: And now I was like, I was like, hey, Carlos,

380
00:16:24,600 --> 00:16:27,080
Speaker 3: can you come with me? Grab Carlos, we go down.

381
00:16:27,120 --> 00:16:28,680
Speaker 3: She's like, there's gonna be a part where I go

382
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Speaker 3: down to my knee and I'm singing real hard. I

383
00:16:30,920 --> 00:16:33,160
Speaker 3: want you to put my jacket on me like James Brown.

384
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Speaker 3: I'm gonna throw it off and come back like a

385
00:16:34,840 --> 00:16:37,440
Speaker 3: phoenix and I'm gonna kill it. I'm like, bet that

386
00:16:37,560 --> 00:16:39,480
Speaker 3: part of the show happens, I walk out, I put

387
00:16:39,520 --> 00:16:42,680
Speaker 3: the thing on her. Everything happens as planned. After it's over,

388
00:16:43,000 --> 00:16:45,160
Speaker 3: exacs come up and they're like, who the fuck told

389
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Speaker 3: you to walk out?

390
00:16:46,560 --> 00:16:46,960
Speaker 4: Sorry? What?

391
00:16:47,080 --> 00:16:50,160
Speaker 3: Wow? Air Cab, I do that? Erbadue told you to

392
00:16:50,200 --> 00:16:52,720
Speaker 3: walk out? Yeah, she said throw the thing on her.

393
00:16:52,720 --> 00:16:54,800
Speaker 3: Why do you what you thought? I just over just

394
00:16:54,840 --> 00:16:57,880
Speaker 3: came out the I know I'm barely welcome here, nigga.

395
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Speaker 3: Why would I put yeah, mess up your milling million

396
00:17:00,320 --> 00:17:02,120
Speaker 3: dollar a moment, you know what I'm saying. And so

397
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Speaker 3: that's what it was like. I was on ice, but

398
00:17:04,240 --> 00:17:05,200
Speaker 3: it only takes the show.

399
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Speaker 1: So even if you did.

400
00:17:06,960 --> 00:17:09,440
Speaker 3: Do that and it worked, come on, man, think you

401
00:17:09,760 --> 00:17:12,280
Speaker 3: put the other hat on exact, you put your bag

402
00:17:12,320 --> 00:17:13,960
Speaker 3: in the air can being on an episode and come

403
00:17:14,000 --> 00:17:16,800
Speaker 3: one of your little niggas doing anything in the frame

404
00:17:17,800 --> 00:17:21,120
Speaker 3: that she asked to do that specifically. And I even

405
00:17:21,119 --> 00:17:23,440
Speaker 3: remember being like somebody was next to me. I was like,

406
00:17:23,440 --> 00:17:24,879
Speaker 3: actually said to the thing, you want to go out

407
00:17:24,880 --> 00:17:26,399
Speaker 3: and they were like, no, man, I don't want to go.

408
00:17:27,040 --> 00:17:29,760
Speaker 3: I'm like, okay, well she asked like I'm not gonna.

409
00:17:29,880 --> 00:17:31,359
Speaker 3: I don't want to not do it. Then after she's like,

410
00:17:31,400 --> 00:17:34,160
Speaker 3: where was the nigga with that? I was waiting, man,

411
00:17:36,640 --> 00:17:40,160
Speaker 3: when nigga niggas like batman nigga? You see Nick there

412
00:17:40,600 --> 00:17:46,080
Speaker 3: and then motherfuckers Nina smoke hell. Nick one.

413
00:17:46,080 --> 00:17:50,240
Speaker 8: The last time you see nigga jazz playing cards on

414
00:17:50,280 --> 00:17:54,399
Speaker 8: the internet, I'm not seeing that. It's just in the

415
00:17:54,440 --> 00:17:57,040
Speaker 8: garage doing upside down set ups. You will never see Nick.

416
00:17:58,359 --> 00:17:59,399
Speaker 4: You got too many shows.

417
00:18:00,760 --> 00:18:05,800
Speaker 3: Six shows. I could not believe. Bro He shot like

418
00:18:05,880 --> 00:18:08,920
Speaker 3: a vlog, a Diesus and Meryle thing. He shot walling out,

419
00:18:09,000 --> 00:18:10,840
Speaker 3: then he went to a g T then he shot

420
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Speaker 3: a car show.

421
00:18:12,040 --> 00:18:15,760
Speaker 4: Then I was like, this is tired. Now.

422
00:18:15,960 --> 00:18:20,240
Speaker 7: See Nick, when with the successor of social media for you,

423
00:18:20,680 --> 00:18:22,520
Speaker 7: how did that affect? Did that happen because you planned

424
00:18:22,560 --> 00:18:24,080
Speaker 7: it out? Or were people just taking clips and you

425
00:18:24,119 --> 00:18:25,320
Speaker 7: were just like, what the is going on?

426
00:18:25,680 --> 00:18:27,359
Speaker 3: No, man, I've been grinding for a minute, and so

427
00:18:27,520 --> 00:18:28,840
Speaker 3: that's what I was saying when I had the Thursday

428
00:18:28,920 --> 00:18:31,320
Speaker 3: Night for so many years, you could come to the

429
00:18:31,359 --> 00:18:33,320
Speaker 3: Pacific Northwest and be like, Okay, there's a guy out

430
00:18:33,359 --> 00:18:35,800
Speaker 3: there that got the sauce right, And so what happens

431
00:18:35,800 --> 00:18:37,600
Speaker 3: a lot of times if somebody's further in their career

432
00:18:37,680 --> 00:18:39,159
Speaker 3: than you, they'd be like, let me just get a

433
00:18:39,200 --> 00:18:41,200
Speaker 3: little bit of that and take that with me. So

434
00:18:41,320 --> 00:18:43,119
Speaker 3: there was a lot of my recipe out ahead of

435
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Speaker 3: me before I had the exposure.

436
00:18:44,240 --> 00:18:48,320
Speaker 7: They're stealing your stuff, you know, they were stealing your stuff.

437
00:18:48,720 --> 00:18:50,600
Speaker 3: A man, I don't want to call nobody no thief

438
00:18:50,840 --> 00:18:53,280
Speaker 3: without them here to defend himself, you know what I'm saying,

439
00:18:53,359 --> 00:18:55,320
Speaker 3: And also to be choked or whatever happens after that.

440
00:18:57,760 --> 00:19:00,360
Speaker 3: They don't have to there's ways to catch people. All

441
00:19:00,440 --> 00:19:03,960
Speaker 3: I had to do was wait, be patient, work hard.

442
00:19:04,080 --> 00:19:07,400
Speaker 3: Like you said, the Netflix special speaks for itself. It's

443
00:19:07,480 --> 00:19:09,600
Speaker 3: like watching Elvis for years and then you see the

444
00:19:09,640 --> 00:19:11,879
Speaker 3: dude who showed them the legs, like them that nigga

445
00:19:11,920 --> 00:19:15,040
Speaker 3: got the legs, you know what I'm saying. So uh

446
00:19:16,320 --> 00:19:20,199
Speaker 3: that that made me forget the damn Yeah. So one

447
00:19:20,240 --> 00:19:22,320
Speaker 3: of the homies, not one of homies. Several people like

448
00:19:22,880 --> 00:19:26,399
Speaker 3: Matt Rife, Roy Wood and Rodney Perry. They're all like

449
00:19:26,880 --> 00:19:29,159
Speaker 3: and shout out to Rodney Perry, but they're like, yo,

450
00:19:29,720 --> 00:19:31,280
Speaker 3: you need to get on, get on TikTok.

451
00:19:31,400 --> 00:19:33,840
Speaker 4: And I was like, I'm exhausted right now. I am

452
00:19:33,880 --> 00:19:34,840
Speaker 4: not getting another app.

453
00:19:34,920 --> 00:19:38,040
Speaker 3: You know that, Yes, yes, right, and get on, get

454
00:19:38,119 --> 00:19:40,200
Speaker 3: on the boo boom like I'm not getting on doole

455
00:19:40,200 --> 00:19:42,680
Speaker 3: boom boom nigga. Like I'm done. I'm happy with my

456
00:19:42,760 --> 00:19:45,200
Speaker 3: I g set up my Facebook. Shit cool, I'm not

457
00:19:45,320 --> 00:19:46,920
Speaker 3: hiring a nigga to put me on doodle Boom blue.

458
00:19:47,119 --> 00:19:48,520
Speaker 3: And that's how it sound we you first here, because

459
00:19:48,520 --> 00:19:54,480
Speaker 3: it's always a something you on the t app.

460
00:19:55,040 --> 00:19:57,840
Speaker 4: Right now, they got my house address and my damn.

461
00:20:00,560 --> 00:20:04,160
Speaker 3: Not that I know, not that I know. Unless somebody

462
00:20:04,240 --> 00:20:06,360
Speaker 3: post Nate Jackson on the t app.

463
00:20:06,400 --> 00:20:07,480
Speaker 1: Man, I'm not on there.

464
00:20:17,320 --> 00:20:19,640
Speaker 3: It's a tough groom. Post post him on there. Maybe

465
00:20:19,640 --> 00:20:20,359
Speaker 3: they'll tell you where he is.

466
00:20:21,119 --> 00:20:24,280
Speaker 1: Speak.

467
00:20:28,400 --> 00:20:31,800
Speaker 3: I wasn't dancing on that guy. But no, I said,

468
00:20:31,800 --> 00:20:33,680
Speaker 3: I don't want to do another app, and so I

469
00:20:34,320 --> 00:20:38,040
Speaker 3: got on reluctantly. I got on TikTok and I don't

470
00:20:38,040 --> 00:20:40,040
Speaker 3: know if it's still exactly like this, but at the time,

471
00:20:40,119 --> 00:20:42,680
Speaker 3: like people were willing to actually follow because people's I

472
00:20:42,800 --> 00:20:45,960
Speaker 3: g be set up. Somebody gotta really somebody gotta you

473
00:20:46,040 --> 00:20:48,359
Speaker 3: gotta see twelve good things from somebody, be like, you

474
00:20:48,520 --> 00:20:52,480
Speaker 3: know what, I'm gonna give you a fu on TikTok.

475
00:20:52,520 --> 00:20:55,000
Speaker 3: It just felt like, Hi, I follow, you know what

476
00:20:55,000 --> 00:20:58,639
Speaker 3: I'm saying. So it jumped for It jumped from me

477
00:20:58,840 --> 00:21:02,119
Speaker 3: like from zero, like twenty five thousand and like, I

478
00:21:02,160 --> 00:21:03,960
Speaker 3: don't know, I'd say, a month, what was you posting

479
00:21:04,000 --> 00:21:07,240
Speaker 3: this CrowdWork? No, I was posting anything, but I didn't

480
00:21:07,240 --> 00:21:09,560
Speaker 3: want to show understand that you know what I'm saying.

481
00:21:09,640 --> 00:21:12,000
Speaker 3: And plus I was like I was trying to shoot

482
00:21:12,000 --> 00:21:13,440
Speaker 3: it and I would shoot good and then the sound

483
00:21:13,520 --> 00:21:14,919
Speaker 3: be fucked up where the sound be good and then

484
00:21:14,960 --> 00:21:17,040
Speaker 3: the shot be fucked up. Then I just committed to

485
00:21:17,119 --> 00:21:20,520
Speaker 3: it and got the system down at my own club,

486
00:21:21,200 --> 00:21:23,200
Speaker 3: and then I was like, Okay, now I can consistently

487
00:21:23,280 --> 00:21:26,040
Speaker 3: do stuff. But at the time, there was no apps

488
00:21:26,080 --> 00:21:28,160
Speaker 3: for captioning or AI, so you had to actually sit

489
00:21:28,240 --> 00:21:31,440
Speaker 3: there and transcribe yourself. It took three four hours to

490
00:21:31,480 --> 00:21:33,960
Speaker 3: do a two minute video, and so I was like,

491
00:21:34,040 --> 00:21:35,080
Speaker 3: I'm exhausted doing this shit.

492
00:21:36,480 --> 00:21:37,600
Speaker 4: No, all this is free.

493
00:21:38,720 --> 00:21:40,119
Speaker 3: But I could look on the app and see like

494
00:21:40,240 --> 00:21:43,000
Speaker 3: other people exploding where I'm like, okay, if I post

495
00:21:43,080 --> 00:21:45,520
Speaker 3: my shit because I already know I'm great at that,

496
00:21:45,640 --> 00:21:47,760
Speaker 3: if that worked, if that clip I just saw work

497
00:21:48,040 --> 00:21:50,119
Speaker 3: and I know what I'm holding, if I could just

498
00:21:50,200 --> 00:21:52,440
Speaker 3: post this, you know what I'm saying. And so it

499
00:21:52,560 --> 00:21:55,119
Speaker 3: just started to catch, and so it kept catching and

500
00:21:55,240 --> 00:21:57,040
Speaker 3: kept catching and kept catching. So now we're at four

501
00:21:57,080 --> 00:21:59,600
Speaker 3: point five maybe four point six million or something.

502
00:22:00,359 --> 00:22:02,080
Speaker 2: You think that era is dead because I feel like

503
00:22:02,160 --> 00:22:04,200
Speaker 2: there was a moment where it was like the You

504
00:22:04,600 --> 00:22:08,520
Speaker 2: and the matt Rice and the Andrews Shoultzes that was

505
00:22:08,600 --> 00:22:11,160
Speaker 2: just putting their comedy up and it just took off

506
00:22:11,200 --> 00:22:12,640
Speaker 2: of them. I don't know if it was COVID because

507
00:22:12,640 --> 00:22:14,119
Speaker 2: everybody was sitting there. I don't know what it was,

508
00:22:14,720 --> 00:22:17,159
Speaker 2: but something just caused comedians to take off because of

509
00:22:17,600 --> 00:22:18,240
Speaker 2: social media.

510
00:22:18,400 --> 00:22:21,200
Speaker 3: It wasn't It wasn't COVID. For me, I was trying

511
00:22:21,240 --> 00:22:24,479
Speaker 3: to save my club, that wasn't it. I didn't get

512
00:22:24,520 --> 00:22:26,080
Speaker 3: to post it until like right after I was like,

513
00:22:26,240 --> 00:22:29,320
Speaker 3: we can finally open and get situated. No, I don't

514
00:22:29,320 --> 00:22:32,000
Speaker 3: think it's I don't think that's over. I think people's

515
00:22:32,040 --> 00:22:35,680
Speaker 3: interest to be entertained is I would say it's limitless.

516
00:22:35,760 --> 00:22:38,280
Speaker 3: They say during the Great Depression when everybody broke, the

517
00:22:38,359 --> 00:22:40,359
Speaker 3: last thing people spent money on was going to theaters

518
00:22:40,359 --> 00:22:42,200
Speaker 3: and stuff like, if I'm gonna go out, I'm gonna

519
00:22:42,200 --> 00:22:43,879
Speaker 3: go out having fun. So no, I don't think I

520
00:22:43,880 --> 00:22:46,280
Speaker 3: think it's an insation. But doesn't it feel like it like,

521
00:22:46,480 --> 00:22:48,639
Speaker 3: no matter how much content you make, there's somebody to

522
00:22:48,720 --> 00:22:51,800
Speaker 3: receive it, and they're gonna give me more. So no,

523
00:22:52,359 --> 00:22:55,800
Speaker 3: I feel like it just be consistent and be good,

524
00:22:56,000 --> 00:22:58,040
Speaker 3: and be good consistently, and I think people find you,

525
00:22:58,160 --> 00:22:59,720
Speaker 3: like people just need to use the internet as a

526
00:22:59,800 --> 00:23:01,760
Speaker 3: time the show, and that's it.

527
00:23:02,400 --> 00:23:05,879
Speaker 2: What's had more impact on your career the YouTube crowd

528
00:23:05,960 --> 00:23:06,800
Speaker 2: work stuff or.

529
00:23:06,800 --> 00:23:07,639
Speaker 1: The Netflix special?

530
00:23:09,560 --> 00:23:12,480
Speaker 3: That's not fair because Netflix has only been on since

531
00:23:12,520 --> 00:23:15,879
Speaker 3: the eighth gotcha, But I know I've I've had my

532
00:23:16,800 --> 00:23:18,440
Speaker 3: because when you do a special, you get to have

533
00:23:18,520 --> 00:23:21,520
Speaker 3: a conversation at I think ten days and then another

534
00:23:21,560 --> 00:23:23,320
Speaker 3: one at twenty eight days about the numbers.

535
00:23:23,560 --> 00:23:25,760
Speaker 4: Other than that, you guys know, Netflix don't share no

536
00:23:25,840 --> 00:23:26,320
Speaker 4: numbers like that.

537
00:23:26,400 --> 00:23:30,280
Speaker 3: Yeah, And so my first conversation with them, it was

538
00:23:30,760 --> 00:23:33,440
Speaker 3: it did massive like it it's like double platinum, like

539
00:23:33,520 --> 00:23:36,800
Speaker 3: it did really good on the platform, and I'm getting

540
00:23:36,840 --> 00:23:39,440
Speaker 3: stopped by people in the airports and that was happening before.

541
00:23:39,520 --> 00:23:40,840
Speaker 3: So I'm trying to gauge, like so where you see

542
00:23:40,880 --> 00:23:42,760
Speaker 3: me from where you see and they won't admit, like

543
00:23:42,920 --> 00:23:45,200
Speaker 3: everybody want to be I've been following since filing out,

544
00:23:45,480 --> 00:23:46,760
Speaker 3: like whatepisode, nigga.

545
00:23:48,080 --> 00:23:49,440
Speaker 1: Nobody want to say that. I mean, I saw you

546
00:23:49,600 --> 00:23:51,040
Speaker 1: last night, and I mean I called it.

547
00:23:51,119 --> 00:23:54,240
Speaker 3: Super funny, like my trademarked comedy club name and brand,

548
00:23:54,960 --> 00:23:56,320
Speaker 3: so that even if you didn't know me, you go

549
00:23:57,200 --> 00:24:02,840
Speaker 3: super funny show me right, and it's it's going crazy

550
00:24:02,960 --> 00:24:04,920
Speaker 3: right now. So if you want to laugh, go watch that.

551
00:24:05,200 --> 00:24:08,800
Speaker 3: But I got to show that it's not just CrowdWork.

552
00:24:08,840 --> 00:24:10,520
Speaker 3: I got to show you know, twenty four years of

553
00:24:10,600 --> 00:24:12,720
Speaker 3: chops or whatever, and so you see it all you

554
00:24:12,840 --> 00:24:16,200
Speaker 3: see if you watch a stand a standalone clip, you're

555
00:24:16,200 --> 00:24:18,920
Speaker 3: assuming that that's that. But the real epiphany is like, wait,

556
00:24:19,040 --> 00:24:21,879
Speaker 3: all that's one show. All that strings together all that

557
00:24:22,119 --> 00:24:25,560
Speaker 3: somehow and standing and he's doing some singings and it

558
00:24:25,680 --> 00:24:28,119
Speaker 3: like so I wanted to just give everything in my

559
00:24:28,840 --> 00:24:31,040
Speaker 3: in my toolbox and throw it out there and we

560
00:24:31,160 --> 00:24:34,680
Speaker 3: caught it, and it's risky. It's risky doing crowd work

561
00:24:34,760 --> 00:24:37,119
Speaker 3: on a you know, that ship was two hundred and

562
00:24:37,119 --> 00:24:39,480
Speaker 3: forty six thousand dollars. And I'm gonna go up and

563
00:24:39,480 --> 00:24:42,160
Speaker 3: I don't know what I'm gonna say. But you get

564
00:24:42,200 --> 00:24:44,920
Speaker 3: Comic View and they're like, we want your jokes and

565
00:24:44,960 --> 00:24:47,119
Speaker 3: paragraph form, you know, every single word. You gotta you

566
00:24:47,160 --> 00:24:49,119
Speaker 3: gotta write down your little five minutes and send it

567
00:24:49,200 --> 00:24:52,160
Speaker 3: in and they approve it. But for this cord over

568
00:24:52,280 --> 00:24:54,680
Speaker 3: quarter million dollars, I'm like, man, just press record nigg

569
00:24:54,680 --> 00:24:55,520
Speaker 3: we're gonna see what happens.

570
00:24:56,119 --> 00:24:57,080
Speaker 4: And we caught it.

571
00:24:57,840 --> 00:24:59,920
Speaker 3: But it was risky, and it's risky every time you

572
00:25:00,080 --> 00:25:02,600
Speaker 3: do it because you're in charge of your set and

573
00:25:02,680 --> 00:25:06,119
Speaker 3: then and you're going a certain cadence and then you

574
00:25:06,240 --> 00:25:08,120
Speaker 3: slow down to be like, so tell me something about

575
00:25:08,119 --> 00:25:10,879
Speaker 3: you else, and now they are then in fuck the

576
00:25:10,960 --> 00:25:13,280
Speaker 3: whole groove of you know what I'm saying. And so,

577
00:25:13,440 --> 00:25:16,640
Speaker 3: but I went for it, and and what you see

578
00:25:16,680 --> 00:25:18,720
Speaker 3: on on Netflix, we caught it. Yeah, you know what

579
00:25:18,720 --> 00:25:19,080
Speaker 3: I'm saying.

580
00:25:19,280 --> 00:25:20,600
Speaker 5: How did that? How did that come about?

581
00:25:20,640 --> 00:25:20,760
Speaker 4: Though?

582
00:25:20,800 --> 00:25:22,560
Speaker 5: How did how did Netflix end up the place?

583
00:25:25,520 --> 00:25:28,920
Speaker 3: So let me answer that for sure, because this is

584
00:25:29,400 --> 00:25:33,200
Speaker 3: I'm crazy about that answer. But then on the other

585
00:25:33,320 --> 00:25:35,920
Speaker 3: side of the coin is what I can control is

586
00:25:36,000 --> 00:25:39,080
Speaker 3: the crowd work joints. I walk out, It's first Wednesdays

587
00:25:39,119 --> 00:25:41,359
Speaker 3: at my club, one or two shows, and I'm and

588
00:25:41,440 --> 00:25:43,399
Speaker 3: the challenge was, you can only talk about what's in

589
00:25:43,440 --> 00:25:46,119
Speaker 3: front of you or what you've seen that day, and

590
00:25:46,240 --> 00:25:48,080
Speaker 3: I gotta do an hour. So I go up with

591
00:25:48,359 --> 00:25:51,640
Speaker 3: nothing and I come off. And so there's twenty four

592
00:25:51,760 --> 00:25:54,359
Speaker 3: of those now, and every one is somewhere around one

593
00:25:54,400 --> 00:25:58,040
Speaker 3: point five to two point five million views. And so

594
00:25:59,119 --> 00:26:01,639
Speaker 3: it's the only place where I explained like the rules

595
00:26:01,680 --> 00:26:04,440
Speaker 3: that I do when I say so. When I'm in

596
00:26:04,560 --> 00:26:06,399
Speaker 3: live shows in theaters and I start saying the rule,

597
00:26:06,480 --> 00:26:09,480
Speaker 3: they're finishing my sentences. So I think the crowd work

598
00:26:09,600 --> 00:26:12,800
Speaker 3: joints is what got me to the point that the

599
00:26:12,880 --> 00:26:16,480
Speaker 3: Netflix special was possible to then go boom on this

600
00:26:16,640 --> 00:26:19,040
Speaker 3: platform where everybody goes this is this is where you

601
00:26:19,160 --> 00:26:22,119
Speaker 3: put your your best shit and I and I did so.

602
00:26:22,200 --> 00:26:24,120
Speaker 4: Now people, oh, I thought he was just a tiktak guy.

603
00:26:25,160 --> 00:26:27,560
Speaker 2: I'm shocked Netflix did that, though. I mean, because based

604
00:26:27,600 --> 00:26:30,480
Speaker 2: off watching your specialis I'm shocked that they chose to

605
00:26:30,560 --> 00:26:33,119
Speaker 2: invest in something like that, like, oh, what is it

606
00:26:33,200 --> 00:26:35,080
Speaker 2: gonna be an hour just CrowdWork, even though the crowd

607
00:26:35,119 --> 00:26:35,960
Speaker 2: work is funny as shit.

608
00:26:36,080 --> 00:26:39,119
Speaker 4: No, they didn't know. It was a licensing deal. Got you.

609
00:26:39,720 --> 00:26:42,680
Speaker 3: I had a licensing deal and I've done They've I've

610
00:26:42,880 --> 00:26:46,280
Speaker 3: had to present my comedy to Netflix or somebody like

611
00:26:46,720 --> 00:26:50,119
Speaker 3: Netflix or Netflix associated in that sphere, whether it was

612
00:26:50,320 --> 00:26:52,360
Speaker 3: just CrowdWork, whether it was you know what I'm saying.

613
00:26:52,440 --> 00:26:55,120
Speaker 3: But then if you're not sure if the crowdwork's gonna work, well,

614
00:26:55,160 --> 00:26:58,520
Speaker 3: but the person has twenty I think nineteen hours of

615
00:26:58,560 --> 00:27:01,760
Speaker 3: it at that point, nineteen hours of crowd working and

616
00:27:02,320 --> 00:27:02,920
Speaker 3: of them missing.

617
00:27:03,480 --> 00:27:05,920
Speaker 1: Like okay, all right, do you remember when you called

618
00:27:05,960 --> 00:27:07,680
Speaker 1: that couple Seal and Heidi Boom?

619
00:27:11,720 --> 00:27:13,040
Speaker 3: Sometimes God just give you one.

620
00:27:13,160 --> 00:27:17,000
Speaker 1: You're like, how y'all meet? She was like, well, I was.

621
00:27:17,600 --> 00:27:19,680
Speaker 2: I was dating somebody he knew and she was dating

622
00:27:19,760 --> 00:27:22,280
Speaker 2: somebody I knew, and both of them went to jail.

623
00:27:22,320 --> 00:27:23,280
Speaker 2: I'm like, what the fuck?

624
00:27:23,640 --> 00:27:25,040
Speaker 4: Yeah, But it was a it was a brother that

625
00:27:25,119 --> 00:27:26,920
Speaker 4: looked like Seal and a big white girl with I

626
00:27:26,960 --> 00:27:28,040
Speaker 4: think corn Rolls or something.

627
00:27:28,040 --> 00:27:29,960
Speaker 1: I was like, boom.

628
00:27:31,760 --> 00:27:34,680
Speaker 3: But so to answer your question, you basically said why Netflix,

629
00:27:35,160 --> 00:27:39,840
Speaker 3: So it's it's simple for me. But like, so my

630
00:27:39,920 --> 00:27:42,840
Speaker 3: mama getting older and she has an office downstairs at

631
00:27:42,880 --> 00:27:45,000
Speaker 3: our house in Lacey, Washington, and she got to go

632
00:27:45,040 --> 00:27:47,119
Speaker 3: down these steps to go down in this cold ass basement,

633
00:27:47,240 --> 00:27:50,040
Speaker 3: turn on the area heater to get on Netflix or

634
00:27:50,160 --> 00:27:51,720
Speaker 3: to get on any streaming platform.

635
00:27:51,800 --> 00:27:56,879
Speaker 4: But Netflix came on their old ass smart TV, which's

636
00:27:57,040 --> 00:27:58,320
Speaker 4: dumb now, but that was the one.

637
00:27:58,400 --> 00:28:01,080
Speaker 3: I was like, it's a smart TV built in so

638
00:28:01,200 --> 00:28:04,160
Speaker 3: she will watch Netflix and from the comfort of the couch,

639
00:28:04,680 --> 00:28:07,320
Speaker 3: fireplace and all that. So for me, I was like,

640
00:28:07,480 --> 00:28:08,760
Speaker 3: this is how my mama gonna see me.

641
00:28:08,760 --> 00:28:10,640
Speaker 1: In the comforting yeah, oh wow wow.

642
00:28:10,960 --> 00:28:12,280
Speaker 3: So you pray it with all the other stuff you

643
00:28:12,359 --> 00:28:14,240
Speaker 3: know about Netflix, and it kind of makes sense. But

644
00:28:14,440 --> 00:28:15,920
Speaker 3: if they're not gonna get me a deal, it's like

645
00:28:15,960 --> 00:28:18,480
Speaker 3: I gotta go to wherever. But that's why I was like,

646
00:28:18,560 --> 00:28:20,120
Speaker 3: I could just stick it on YouTube with the crowd

647
00:28:20,160 --> 00:28:23,200
Speaker 3: work joints where there's now seven hundred and fifty thousand people.

648
00:28:23,240 --> 00:28:25,560
Speaker 3: I think that would land well. But let's see if

649
00:28:25,600 --> 00:28:27,639
Speaker 3: we can get traction with them. Because just literally I

650
00:28:27,800 --> 00:28:30,320
Speaker 3: was on calls with agency. They're like, where do you

651
00:28:30,359 --> 00:28:33,080
Speaker 3: what platform. I'm like, Netflix, why my mama can't watch

652
00:28:33,119 --> 00:28:34,080
Speaker 3: this ship down?

653
00:28:34,160 --> 00:28:35,760
Speaker 4: Stick? Like I need her in the living room and

654
00:28:35,800 --> 00:28:38,080
Speaker 4: being like my baby did it? I need that and

655
00:28:38,240 --> 00:28:39,280
Speaker 4: we and that's what we did.

656
00:28:39,480 --> 00:28:41,400
Speaker 2: Gary about to write that down. He's gonna try to

657
00:28:41,480 --> 00:28:43,840
Speaker 2: use that to get his Netflix special. You know, Gary

658
00:28:43,880 --> 00:28:45,280
Speaker 2: can't get a Netflix special for nothing.

659
00:28:46,680 --> 00:28:50,680
Speaker 3: No podcast got here.

660
00:28:50,800 --> 00:28:51,880
Speaker 4: It's called Gary and Nate.

661
00:28:52,960 --> 00:28:55,320
Speaker 1: I did not know that Gary had the podcast.

662
00:28:55,400 --> 00:28:58,000
Speaker 3: Yeah he got uh, this is called Gary on Yeah,

663
00:28:58,200 --> 00:28:58,680
Speaker 3: and I got my.

664
00:28:58,760 --> 00:29:02,479
Speaker 1: Own funny and ship. You had a definitely special? How

665
00:29:02,520 --> 00:29:05,160
Speaker 1: did you break the news the gay right after?

666
00:29:05,240 --> 00:29:06,760
Speaker 4: He told me that they turned him down?

667
00:29:07,200 --> 00:29:07,520
Speaker 5: Damn.

668
00:29:07,800 --> 00:29:09,760
Speaker 3: But I didn't mean to say it that way though,

669
00:29:09,880 --> 00:29:11,560
Speaker 3: Like he was like, he, man, I'm waiting to find

670
00:29:11,560 --> 00:29:13,560
Speaker 3: out about Netflix now. I had already knew, like I

671
00:29:13,840 --> 00:29:16,200
Speaker 3: might be riding in third on mine, and so I

672
00:29:16,320 --> 00:29:17,880
Speaker 3: just had to sit there and he told me the

673
00:29:17,920 --> 00:29:19,240
Speaker 3: whole thing, like yeah, man, I'm ready for it to

674
00:29:19,280 --> 00:29:19,680
Speaker 3: get on there.

675
00:29:19,720 --> 00:29:21,360
Speaker 1: Man, I don't know what it's about. And I was like, man,

676
00:29:21,400 --> 00:29:22,680
Speaker 1: maybe you know, just keep talking along.

677
00:29:22,720 --> 00:29:22,920
Speaker 3: Brother.

678
00:29:24,600 --> 00:29:26,120
Speaker 1: You didn't want to give me good news yet I

679
00:29:26,200 --> 00:29:26,560
Speaker 1: had to wait.

680
00:29:26,600 --> 00:29:29,440
Speaker 3: I had to wait till like the moment of like, yeah,

681
00:29:30,280 --> 00:29:32,560
Speaker 3: you want to hear something crazy, man, but you can't.

682
00:29:32,640 --> 00:29:33,000
Speaker 3: You can't go.

683
00:29:33,120 --> 00:29:35,000
Speaker 4: You can't ask stupid. Though you can't tell nobody, you

684
00:29:35,080 --> 00:29:36,960
Speaker 4: can't say you can't ask stupid. He was like, what

685
00:29:37,080 --> 00:29:38,400
Speaker 4: you got? What you got? And I was like, yeah,

686
00:29:39,760 --> 00:29:40,880
Speaker 4: your Netflix gave me mine.

687
00:29:40,920 --> 00:29:48,120
Speaker 1: He was like, that's what's up. I support that, but no,

688
00:29:48,280 --> 00:29:51,160
Speaker 1: so so he deserves one.

689
00:29:51,840 --> 00:29:52,040
Speaker 3: Yeah.

690
00:29:55,640 --> 00:29:57,400
Speaker 7: On the podcast, you said, Gary be taking your staff?

691
00:29:57,440 --> 00:29:59,040
Speaker 4: Where do you see that at your podcast?

692
00:30:00,120 --> 00:30:02,120
Speaker 3: Talked about it live, so you saw us come to

693
00:30:02,200 --> 00:30:04,200
Speaker 3: a resolution, and you want to go back to when

694
00:30:04,200 --> 00:30:07,240
Speaker 3: it was fucked up and start to the resolution.

695
00:30:08,200 --> 00:30:10,120
Speaker 4: I'll precede this with working.

696
00:30:11,520 --> 00:30:14,880
Speaker 3: But what happened with Gary taking this stof this is

697
00:30:14,880 --> 00:30:19,000
Speaker 3: the thing and it's my nature to want to see

698
00:30:19,120 --> 00:30:22,480
Speaker 3: those around me do well. And I had to have

699
00:30:22,560 --> 00:30:24,280
Speaker 3: a full on epiphany in twenty twelve to be like,

700
00:30:24,320 --> 00:30:27,040
Speaker 3: stop helping another niggas help yourself. Because I was putting

701
00:30:27,120 --> 00:30:29,440
Speaker 3: so much into other people's dreams. I was like, I'm tired.

702
00:30:29,480 --> 00:30:31,400
Speaker 3: I ain't even do nothing for myself for that Jesus,

703
00:30:31,680 --> 00:30:33,800
Speaker 3: And it's good to have a balance, but I had

704
00:30:33,920 --> 00:30:35,320
Speaker 3: lost mind just trying to like I want to see

705
00:30:35,360 --> 00:30:37,200
Speaker 3: I'm helping. I'm helping out like at a point I

706
00:30:37,320 --> 00:30:40,720
Speaker 3: was helping young black Hollywood thrive. And then the other

707
00:30:40,760 --> 00:30:42,400
Speaker 3: thing that would suck is they would get on and

708
00:30:42,440 --> 00:30:46,600
Speaker 3: then everybody got amnesia who helped you? And I'm like,

709
00:30:46,680 --> 00:30:48,200
Speaker 3: here we go, here go to credits, Here I go,

710
00:30:48,280 --> 00:30:51,560
Speaker 3: here I go. Dang this nigga don went he done

711
00:30:51,600 --> 00:30:54,040
Speaker 3: popped and forgot you boy. And that's another reason. That's

712
00:30:54,040 --> 00:30:56,440
Speaker 3: another reason why I feel some kind of way because

713
00:30:56,440 --> 00:30:59,000
Speaker 3: the Netflix credits aren't right, like we got to update them.

714
00:30:59,040 --> 00:31:02,240
Speaker 3: They forgot like right hand my guy Trenton Cotton is

715
00:31:02,280 --> 00:31:03,680
Speaker 3: not and he was like, yeah, I know, I know,

716
00:31:03,720 --> 00:31:06,120
Speaker 3: I'm int a. The whole thing goes by. He ain't,

717
00:31:07,080 --> 00:31:08,600
Speaker 3: so shout out to teacap.

718
00:31:08,640 --> 00:31:10,920
Speaker 5: But they are going to fix that, you said, then

719
00:31:11,080 --> 00:31:11,760
Speaker 5: they can update it.

720
00:31:12,440 --> 00:31:16,880
Speaker 4: Yeah. So anyway, Gary would come up to the club.

721
00:31:16,960 --> 00:31:18,680
Speaker 3: He did the weekend and the weekend was great, and

722
00:31:18,680 --> 00:31:20,360
Speaker 3: I asked him to do my podcast and we had

723
00:31:20,400 --> 00:31:22,760
Speaker 3: a great episode and then it was just it was

724
00:31:23,000 --> 00:31:25,320
Speaker 3: we just synergized to where it was like, yo, we

725
00:31:25,320 --> 00:31:27,400
Speaker 3: should probably do something. And then it turned into like

726
00:31:27,560 --> 00:31:31,280
Speaker 3: the Gary and Nate pod and then the CrowdWork Joints

727
00:31:31,320 --> 00:31:32,960
Speaker 3: that I was putting out where I'm putting out once

728
00:31:33,000 --> 00:31:36,000
Speaker 3: a month or whatever. I like, somebody sent me and

729
00:31:36,200 --> 00:31:38,160
Speaker 3: was like, yo, Gary got these things he's doing once

730
00:31:38,240 --> 00:31:44,160
Speaker 3: a month now, And I was like, well, I said,

731
00:31:44,680 --> 00:31:47,680
Speaker 3: Gary did what? So I didn't say nothing. I just

732
00:31:47,720 --> 00:31:49,600
Speaker 3: sat on because we were only filming once a month.

733
00:31:50,120 --> 00:31:53,560
Speaker 1: I've been seeing Gary do more CrowdWork. I'm not I'm

734
00:31:53,560 --> 00:31:56,160
Speaker 1: not even joking Crowork.

735
00:31:56,280 --> 00:31:58,719
Speaker 5: Yeah you'll see it and it just pops up right.

736
00:31:58,880 --> 00:32:00,920
Speaker 1: Yeah, white people will always do that to us.

737
00:32:01,680 --> 00:32:05,400
Speaker 3: Good for Gary Man. I love that he's attraction because

738
00:32:06,680 --> 00:32:07,960
Speaker 3: Gary's hella funny.

739
00:32:08,200 --> 00:32:11,240
Speaker 1: Yeah, we love Gary Man. This story.

740
00:32:11,480 --> 00:32:12,640
Speaker 3: I'm gonna be honest.

741
00:32:12,920 --> 00:32:14,880
Speaker 1: You not know y'all had a pot. I just subscribed

742
00:32:14,920 --> 00:32:16,800
Speaker 1: to it. You'll only started in November though it.

743
00:32:16,840 --> 00:32:17,520
Speaker 3: Was also done.

744
00:32:19,240 --> 00:32:22,800
Speaker 4: We're gonna do one more episode explaining that is over,

745
00:32:25,280 --> 00:32:26,440
Speaker 4: We're done, what.

746
00:32:27,160 --> 00:32:32,440
Speaker 1: Can't episode and that's hello, it's over now. I just subscribed.

747
00:32:32,480 --> 00:32:38,480
Speaker 3: Look, I literally just the same button finish the story.

748
00:32:39,320 --> 00:32:44,320
Speaker 3: Subscribe to Opinionated Charlotte Mane, that's my podcast. Subscribed to

749
00:32:44,360 --> 00:32:48,400
Speaker 3: Opinionated and subscribed to get subscribe to get sure You

750
00:32:48,480 --> 00:32:51,920
Speaker 3: subscribed to get Some and then opinionated his mind described.

751
00:32:51,920 --> 00:32:53,840
Speaker 1: It's enough out here for all of us to get it.

752
00:32:54,800 --> 00:32:58,720
Speaker 1: Finish the story. It's not even a full story. Damn envy,

753
00:32:59,160 --> 00:32:59,600
Speaker 1: envy just.

754
00:32:59,600 --> 00:33:06,360
Speaker 3: Being the fight Henny, hen that's what you do.

755
00:33:06,800 --> 00:33:07,720
Speaker 4: He's just poked the bear.

756
00:33:07,960 --> 00:33:08,320
Speaker 2: He is.

757
00:33:09,000 --> 00:33:11,440
Speaker 3: Listen, I rock with Gary, I have no I have

758
00:33:11,600 --> 00:33:14,360
Speaker 3: no malice, you know what I'm saying. And so he's

759
00:33:14,400 --> 00:33:18,240
Speaker 3: good but uh not. But it's just an And so

760
00:33:18,560 --> 00:33:20,640
Speaker 3: I have noticed that as I'm up in the Pacific

761
00:33:20,720 --> 00:33:23,280
Speaker 3: Northwest fighting for ways to be an innovator and stay

762
00:33:23,360 --> 00:33:26,400
Speaker 3: relevant from way to fuck up there and off the grid, that.

763
00:33:26,520 --> 00:33:28,240
Speaker 4: Sometimes people come up and they're like, oh, that sh

764
00:33:28,440 --> 00:33:29,120
Speaker 4: is that's the sauce.

765
00:33:29,680 --> 00:33:32,360
Speaker 3: You can't I can't protect that, whether he comes close

766
00:33:32,400 --> 00:33:34,160
Speaker 3: to me and does it, or stay away.

767
00:33:33,960 --> 00:33:34,600
Speaker 4: From me and does it.

768
00:33:34,800 --> 00:33:38,800
Speaker 3: If somebody sees an editing style or a wave or

769
00:33:39,000 --> 00:33:41,480
Speaker 3: I don't know, a dress, or away somebody walks and

770
00:33:41,520 --> 00:33:44,920
Speaker 3: talk and it's working, there's nothing you can do. He

771
00:33:45,040 --> 00:33:47,800
Speaker 3: from he from there, Well, he's from Ohiobaio.

772
00:33:48,240 --> 00:33:50,360
Speaker 1: He lived listening envious Why.

773
00:33:51,720 --> 00:33:55,160
Speaker 3: He's literally saying every point of contention from when we

774
00:33:55,360 --> 00:33:59,800
Speaker 3: argued at the end of the day, we only were recording. First.

775
00:34:00,160 --> 00:34:02,120
Speaker 1: You said that you said you ain't want even baseball.

776
00:34:04,600 --> 00:34:05,880
Speaker 3: N Gary was like, nigga, look at me at my

777
00:34:05,920 --> 00:34:09,600
Speaker 3: wedding party, he said, nigga, look at me now, you know.

778
00:34:09,719 --> 00:34:20,640
Speaker 3: Goddamn Well, like a week, Gary solid nothing to be

779
00:34:20,640 --> 00:34:25,839
Speaker 3: saying that anybody is wondering. I'm mad on it. He good, good, okay, now,

780
00:34:26,440 --> 00:34:28,360
Speaker 3: but just not doing the podcast no more. But y'all good, No,

781
00:34:28,840 --> 00:34:31,200
Speaker 3: I can't. It's because we do first busy, We do

782
00:34:31,320 --> 00:34:33,440
Speaker 3: First Mondays, and so he'll come up and do the

783
00:34:33,520 --> 00:34:37,239
Speaker 3: club and the door deal is what makes it worth

784
00:34:37,320 --> 00:34:37,799
Speaker 3: coming up.

785
00:34:38,120 --> 00:34:40,160
Speaker 4: Then we record one or two or three or four

786
00:34:40,200 --> 00:34:40,759
Speaker 4: episodes in.

787
00:34:40,800 --> 00:34:43,719
Speaker 3: One day or two and then two and it'd be

788
00:34:43,840 --> 00:34:46,240
Speaker 3: my only two days off for maybe a fourteenth stretch

789
00:34:46,280 --> 00:34:47,040
Speaker 3: of road gigs.

790
00:34:47,080 --> 00:34:49,600
Speaker 4: I'm like, Gary, I can't. I can't do it.

791
00:34:49,680 --> 00:34:52,080
Speaker 3: So I'm doing I'm doing a comedy festival the eleventh

792
00:34:52,080 --> 00:34:55,240
Speaker 3: through the seventeenth because my birthday is the fourteenth in August,

793
00:34:55,600 --> 00:34:57,320
Speaker 3: and so he's gonna come up and he's gonna do

794
00:34:57,560 --> 00:34:59,319
Speaker 3: Monday the eleventh, and then we're gonna do one more

795
00:34:59,360 --> 00:35:01,040
Speaker 3: episode just and we're just busy.

796
00:35:01,160 --> 00:35:01,319
Speaker 4: Yeah.

797
00:35:01,360 --> 00:35:03,560
Speaker 5: Where's comedy festival is in your hometown?

798
00:35:03,719 --> 00:35:03,879
Speaker 3: Yeah?

799
00:35:03,960 --> 00:35:04,640
Speaker 4: Yeah, Sin Tacoma.

800
00:35:04,719 --> 00:35:04,839
Speaker 1: OK.

801
00:35:05,120 --> 00:35:07,560
Speaker 3: Yeah, so and we got Tony Rock anchoring the weekend,

802
00:35:08,520 --> 00:35:10,719
Speaker 3: Garyol do the Monday. Then I'm gonna do a Nate

803
00:35:10,840 --> 00:35:13,719
Speaker 3: Jackson Presents on Monday. It's one of my concepts where

804
00:35:13,760 --> 00:35:16,520
Speaker 3: it's like I'm hosting for thirty five forty minutes and

805
00:35:16,600 --> 00:35:18,879
Speaker 3: then all the acts just come out the door.

806
00:35:18,960 --> 00:35:21,560
Speaker 4: You don't know who's on stage, kind of like this

807
00:35:21,960 --> 00:35:23,200
Speaker 4: a Sunday show.

808
00:35:23,280 --> 00:35:25,160
Speaker 2: Yeah, this makes so much because I was listening to

809
00:35:25,200 --> 00:35:28,280
Speaker 2: the Gary's pod like last week, and I was wondering

810
00:35:28,320 --> 00:35:30,480
Speaker 2: why he was just going in on people who do CrowdWork.

811
00:35:30,520 --> 00:35:33,000
Speaker 2: He was like, people who do CrowdWork are lazy and

812
00:35:33,040 --> 00:35:34,160
Speaker 2: they don't really know how to write.

813
00:35:34,200 --> 00:35:36,759
Speaker 1: But now, so Garrekey on his pod, that's not made up.

814
00:35:37,880 --> 00:35:39,680
Speaker 1: That sounds made up. Oh yeah, I did make it up.

815
00:35:39,680 --> 00:35:40,040
Speaker 5: It's true.

816
00:35:40,280 --> 00:35:47,839
Speaker 3: Hey, yo, I didn't make that up because here's why.

817
00:35:47,920 --> 00:35:48,840
Speaker 1: Here's why it's made up.

818
00:35:48,920 --> 00:35:52,480
Speaker 3: Because if you do CrowdWork, or attempt to do crowd work,

819
00:35:52,520 --> 00:35:54,800
Speaker 3: and you have good moments and you string them together,

820
00:35:55,480 --> 00:35:58,360
Speaker 3: you already know you're using traditional stand up structure, but

821
00:35:58,480 --> 00:36:02,000
Speaker 3: you're plugging the information you got off the people into that.

822
00:36:02,719 --> 00:36:05,320
Speaker 3: So we're writing live and on the spot. And I

823
00:36:05,480 --> 00:36:10,680
Speaker 3: think that what's overlooked is the phenomena of why people

824
00:36:10,719 --> 00:36:13,440
Speaker 3: are like why growwork Because you're in the crowd and

825
00:36:13,520 --> 00:36:16,839
Speaker 3: you're hearing the response. Your brain is processing the same

826
00:36:16,920 --> 00:36:20,160
Speaker 3: information and you're like, what I say, what was he

827
00:36:20,239 --> 00:36:22,480
Speaker 3: gonna say? And every time the person you like that

828
00:36:22,640 --> 00:36:25,799
Speaker 3: does it finds an angle everything like.

829
00:36:26,640 --> 00:36:28,080
Speaker 1: That's why it's actually funnier.

830
00:36:28,120 --> 00:36:30,080
Speaker 2: It actually shows that that person is funnier because it's

831
00:36:30,080 --> 00:36:31,880
Speaker 2: not something that they actually pre wrote.

832
00:36:31,960 --> 00:36:33,520
Speaker 1: It's like on the in the spot, on the.

833
00:36:33,560 --> 00:36:36,400
Speaker 3: Moment, Yeah, man, put two quotes in front and behind that,

834
00:36:37,160 --> 00:36:40,080
Speaker 3: and then let's run with that one. Because there's there

835
00:36:40,160 --> 00:36:42,919
Speaker 3: is there is a school of thought that's like that's

836
00:36:43,120 --> 00:36:45,040
Speaker 3: or they're not working hard, or they're not they're just

837
00:36:45,200 --> 00:36:47,720
Speaker 3: they don't have jokes. So that's why I'm like, okay,

838
00:36:48,440 --> 00:36:52,200
Speaker 3: one follow me then to try it and let me

839
00:36:52,239 --> 00:36:53,600
Speaker 3: see what you're doing. And I'll be like, no, I

840
00:36:53,640 --> 00:36:56,760
Speaker 3: see why you think it's lazy, But I put the works.

841
00:36:56,800 --> 00:36:58,839
Speaker 3: I said, I had a room every Thursday night. Can't

842
00:36:58,880 --> 00:37:01,680
Speaker 3: no young comic hold it down as a host everything?

843
00:37:01,800 --> 00:37:03,440
Speaker 3: You know, there's no pen in the world that can

844
00:37:03,560 --> 00:37:05,759
Speaker 3: keep up with that amount of monologues. So I just

845
00:37:05,800 --> 00:37:08,480
Speaker 3: started going up with nothing and fucking with people and

846
00:37:08,680 --> 00:37:09,640
Speaker 3: it was not good.

847
00:37:10,719 --> 00:37:13,320
Speaker 1: Got good. What happens if there's nothing that inspires you

848
00:37:13,880 --> 00:37:14,480
Speaker 1: from the crowd.

849
00:37:14,840 --> 00:37:17,200
Speaker 3: But I say that, I talk about how there's nothing

850
00:37:17,280 --> 00:37:20,160
Speaker 3: and how what a guess who character nothing to talk about?

851
00:37:20,239 --> 00:37:23,560
Speaker 3: Slow ass answer, havn't ask crowd? Is this There's funny

852
00:37:23,640 --> 00:37:26,440
Speaker 3: even in the lack of it too, you know what

853
00:37:26,480 --> 00:37:29,680
Speaker 3: I'm saying. I seen somebody get roasted that had nothing

854
00:37:29,719 --> 00:37:32,120
Speaker 3: wrong with them. Somebody was like, nigga, you look easy

855
00:37:32,160 --> 00:37:35,680
Speaker 3: to draw. I saw that online. M like, what are

856
00:37:35,680 --> 00:37:37,160
Speaker 3: you going to say when the person with a person's

857
00:37:37,200 --> 00:37:39,560
Speaker 3: face is mastic, They're like, hey, you look easy to draw.

858
00:37:39,600 --> 00:37:43,080
Speaker 3: I was like, see, that's genius. So now there's plenty

859
00:37:43,080 --> 00:37:45,320
Speaker 3: of stuff to talk about. And like I said, I

860
00:37:45,360 --> 00:37:47,200
Speaker 3: can talk about anything I saw since I woke up

861
00:37:47,320 --> 00:37:49,359
Speaker 3: or what's in front of me. So if I got

862
00:37:49,400 --> 00:37:51,360
Speaker 3: to start with whatever, like I would have been, I

863
00:37:51,360 --> 00:37:53,440
Speaker 3: would have went on stage and been like, y'all see coldplay,

864
00:37:54,280 --> 00:37:55,880
Speaker 3: y'all see the dude get caught, Like I can talk

865
00:37:55,920 --> 00:37:58,200
Speaker 3: about that at a CrowdWork joint. And now it's like,

866
00:37:58,239 --> 00:38:00,120
Speaker 3: who in here cheat? Now we got some segue to

867
00:38:00,160 --> 00:38:03,080
Speaker 3: get through, you know what I mean? But like it's

868
00:38:03,120 --> 00:38:05,920
Speaker 3: almost a gift when you get something, you're like, Okay,

869
00:38:06,360 --> 00:38:09,239
Speaker 3: let's cook with this, right, and I like to find

870
00:38:09,280 --> 00:38:11,440
Speaker 3: a few so that I can do callbacks and have

871
00:38:11,560 --> 00:38:14,800
Speaker 3: it all come together and jail together. So at the

872
00:38:14,920 --> 00:38:16,600
Speaker 3: end you're like, that was that wasn't just that was

873
00:38:16,640 --> 00:38:18,400
Speaker 3: an experience. That was just a couple of moments.

874
00:38:18,560 --> 00:38:20,440
Speaker 1: You ever had somebody roast you back like and and

875
00:38:20,520 --> 00:38:22,160
Speaker 1: actually be good like a nutty professor?

876
00:38:22,280 --> 00:38:25,040
Speaker 4: When when who's whose titties over here?

877
00:38:25,200 --> 00:38:25,359
Speaker 3: Yes?

878
00:38:25,680 --> 00:38:26,120
Speaker 4: Remember when?

879
00:38:26,360 --> 00:38:29,680
Speaker 2: Remember when Eddie went off on when Dachapelle was playing

880
00:38:29,680 --> 00:38:31,680
Speaker 2: the comedian he came back his buddy love.

881
00:38:33,320 --> 00:38:36,200
Speaker 3: Yeah, uh No, I've never had nothing that crazy happen.

882
00:38:36,600 --> 00:38:40,040
Speaker 3: But I've had I've had I had a guy. But

883
00:38:40,160 --> 00:38:42,520
Speaker 3: here's the thing. A lot of times the person that

884
00:38:42,920 --> 00:38:44,480
Speaker 3: wants to do that, they're not on the cadence of

885
00:38:44,560 --> 00:38:46,880
Speaker 3: the show. They waiting for you to take a breath

886
00:38:47,000 --> 00:38:49,359
Speaker 3: or like, give me get a a segue between two things,

887
00:38:49,400 --> 00:38:50,759
Speaker 3: to yell out and try to fuck the think.

888
00:38:51,040 --> 00:38:53,759
Speaker 4: But I ain't had it happen yet.

889
00:38:54,040 --> 00:38:56,919
Speaker 3: Well, a long time ago on Thursday Night or whatever,

890
00:38:56,960 --> 00:38:59,000
Speaker 3: somebody was like, man, I'm like, come up here and

891
00:38:59,040 --> 00:39:01,600
Speaker 3: in and this just went back and forth, back and forth,

892
00:39:01,600 --> 00:39:03,560
Speaker 3: back and forth, and I lost and I was like, congratulations.

893
00:39:04,200 --> 00:39:07,360
Speaker 3: Down Was it a comedian or a random guy? He

894
00:39:07,440 --> 00:39:09,080
Speaker 3: beat me because he was like he said, this is

895
00:39:09,120 --> 00:39:11,399
Speaker 3: what he said. He said, your mama's pussy so deep.

896
00:39:11,440 --> 00:39:14,560
Speaker 3: I went down on her. My ears popped, and that's

897
00:39:14,600 --> 00:39:17,279
Speaker 3: what I said. And I didn't have it. I was like, yeah, nigga,

898
00:39:17,320 --> 00:39:18,000
Speaker 3: that that's the winner.

899
00:39:20,440 --> 00:39:23,200
Speaker 5: You never had anybody get mad like and try to fight.

900
00:39:24,200 --> 00:39:27,239
Speaker 3: H No, because I like to be honest with you,

901
00:39:27,400 --> 00:39:29,120
Speaker 3: like i'd say, like ninety percent of it is reading

902
00:39:29,200 --> 00:39:32,320
Speaker 3: body language. You kind of can look at who who's

903
00:39:32,360 --> 00:39:35,320
Speaker 3: with this and now now I should never have to

904
00:39:35,400 --> 00:39:38,839
Speaker 3: deal with it. Because the front five to seven rows

905
00:39:38,880 --> 00:39:42,640
Speaker 3: of my show is sold online for more Pini and

906
00:39:42,719 --> 00:39:45,960
Speaker 3: it's called the roll Zone, so they literally it's like

907
00:39:46,000 --> 00:39:47,440
Speaker 3: the splash on, like you only do that if you

908
00:39:47,480 --> 00:39:49,160
Speaker 3: want to just blash, like how Gallagher would hit the

909
00:39:49,160 --> 00:39:49,760
Speaker 3: water melons.

910
00:39:49,760 --> 00:39:52,640
Speaker 1: And so if you're in a row zone, I don't want.

911
00:39:52,480 --> 00:39:54,920
Speaker 3: To hear shit like what it is. They'd be mad

912
00:39:54,960 --> 00:39:56,839
Speaker 3: if I don't get man, we just our second time coming.

913
00:39:56,840 --> 00:39:59,400
Speaker 3: You ain't get it either doing man, come again, bro,

914
00:39:59,520 --> 00:39:59,880
Speaker 3: I'll get you.

915
00:40:00,480 --> 00:40:01,120
Speaker 4: You know what I'm saying.

916
00:40:01,680 --> 00:40:05,360
Speaker 3: So in general, no, not now, but at the like,

917
00:40:05,400 --> 00:40:07,480
Speaker 3: if I'm just doing a show that's not mine or

918
00:40:07,560 --> 00:40:11,320
Speaker 3: gigging or something, it's about like who's who, who's with it,

919
00:40:11,719 --> 00:40:14,440
Speaker 3: generally eye contact, smiling or at least looking, you know.

920
00:40:14,640 --> 00:40:15,920
Speaker 4: Definitely not big enough that I'm like.

921
00:40:15,920 --> 00:40:16,439
Speaker 1: That would be about.

922
00:40:16,440 --> 00:40:17,680
Speaker 4: That'd be a good that'd be a good fight.

923
00:40:17,840 --> 00:40:20,560
Speaker 3: Like I'm not looking for I'm not roasting somebody that

924
00:40:20,600 --> 00:40:22,640
Speaker 3: I've got to tussle with six minutes and we don't

925
00:40:22,640 --> 00:40:23,000
Speaker 3: know who won.

926
00:40:23,400 --> 00:40:25,719
Speaker 1: Big Mac was big as hell, and he said, you

927
00:40:25,960 --> 00:40:27,319
Speaker 1: do security as hell.

928
00:40:27,440 --> 00:40:28,480
Speaker 3: I do security right.

929
00:40:29,239 --> 00:40:30,640
Speaker 1: Why you gotta put Burrow on the end.

930
00:40:31,520 --> 00:40:33,600
Speaker 3: I could run away from him skipping, Nigga, I'm not.

931
00:40:35,960 --> 00:40:39,839
Speaker 4: Run trying to catch me. No, that's a belly shot.

932
00:40:39,920 --> 00:40:41,799
Speaker 1: We out of there. What is what is this paper?

933
00:40:41,880 --> 00:40:44,560
Speaker 1: Spin off? I mean the spin off the office?

934
00:40:44,719 --> 00:40:48,759
Speaker 4: This is good. These niggas are really good, you guys.

935
00:40:48,800 --> 00:40:50,160
Speaker 3: Do you guys just sit up here and be like, man,

936
00:40:50,160 --> 00:40:50,759
Speaker 3: we're good at this ship.

937
00:40:50,800 --> 00:40:54,880
Speaker 1: Do you know you're the best work doing it for

938
00:40:54,920 --> 00:40:55,200
Speaker 1: a while.

939
00:40:55,320 --> 00:40:57,960
Speaker 4: No, niggas are good. Just spend I didn't think that

940
00:40:58,080 --> 00:40:58,560
Speaker 4: was in your thing.

941
00:40:58,600 --> 00:41:00,520
Speaker 3: I don't know. Yeah, So The Office is coming back

942
00:41:01,080 --> 00:41:04,600
Speaker 3: and it's called it's called The Paper. I wouldn't necessarily

943
00:41:04,640 --> 00:41:06,880
Speaker 3: call it a spin off because it's in the same universe,

944
00:41:06,960 --> 00:41:08,839
Speaker 3: the same world, some of the characters are the same,

945
00:41:09,520 --> 00:41:13,320
Speaker 3: and so, uh, there is a serious nda around what

946
00:41:13,400 --> 00:41:15,600
Speaker 3: we can say and cannot say. But it comes back

947
00:41:15,680 --> 00:41:18,280
Speaker 3: on September fourth, and this shit is gonna be hilarious.

948
00:41:18,440 --> 00:41:21,279
Speaker 5: I am very very proud of you for doing that.

949
00:41:21,440 --> 00:41:24,080
Speaker 6: You are that type of witty ass comedian know that

950
00:41:24,160 --> 00:41:27,880
Speaker 6: with totally be great in the Office or the Office universe.

951
00:41:27,920 --> 00:41:31,560
Speaker 6: So that's one of my favorite shows, Modern Family, The Office,

952
00:41:31,719 --> 00:41:33,960
Speaker 6: And like, I love that you are in that pocket

953
00:41:34,000 --> 00:41:36,480
Speaker 6: of wit and that's that feels good to me to

954
00:41:36,480 --> 00:41:38,520
Speaker 6: see that you're gonna be doing that working up man.

955
00:41:38,640 --> 00:41:41,759
Speaker 4: Thank you and I and I'm I'm just thankful. But

956
00:41:41,880 --> 00:41:42,520
Speaker 4: I'm in. I'm in.

957
00:41:42,880 --> 00:41:47,799
Speaker 3: I think I'm in more episodes than I'm not. And yes,

958
00:41:49,960 --> 00:41:55,080
Speaker 3: because Greg Daniels can see your boy, so uh yes,

959
00:41:55,280 --> 00:41:57,840
Speaker 3: and there's and once you're in a sitcom like that,

960
00:41:57,920 --> 00:41:59,600
Speaker 3: there's a lot less competition, you know, I mean, like

961
00:41:59,680 --> 00:42:02,000
Speaker 3: you you're the person you're in This is when you

962
00:42:02,160 --> 00:42:04,880
Speaker 3: get to go do your thing, while now it's twenty

963
00:42:04,960 --> 00:42:06,880
Speaker 3: four people waiting to get one spot.

964
00:42:07,040 --> 00:42:09,360
Speaker 4: Yeah, literally, you got you're gonna get the.

965
00:42:09,440 --> 00:42:12,000
Speaker 3: Rappers, you're gonna get the contracted guys, and you got

966
00:42:12,040 --> 00:42:14,719
Speaker 3: the celebrity. Oh they brought their little sister with them. Then,

967
00:42:15,040 --> 00:42:17,399
Speaker 3: uh so there's two spots and there's twenty four people

968
00:42:17,440 --> 00:42:19,560
Speaker 3: waiting to get tapped to be against each other. On

969
00:42:19,640 --> 00:42:20,719
Speaker 3: the others, you'd be like, man, I don't know if

970
00:42:20,760 --> 00:42:22,360
Speaker 3: I'm gonna get a episode, but you can see it.

971
00:42:22,680 --> 00:42:25,640
Speaker 3: And then here come Michael Blackson wasn't even on the

972
00:42:25,719 --> 00:42:28,279
Speaker 3: damn show you what's something about Socca? And he and

973
00:42:28,520 --> 00:42:31,640
Speaker 3: because he's nick boy, you don't get no burn shout

974
00:42:31,640 --> 00:42:34,279
Speaker 3: out the mic. But that's just that's how you get four.

975
00:42:34,480 --> 00:42:35,040
Speaker 5: That's how I go.

976
00:42:35,280 --> 00:42:36,800
Speaker 3: Then you go out and put the cape on somebody

977
00:42:36,800 --> 00:42:39,120
Speaker 3: because they asked you to. You gotta we only shoot

978
00:42:39,120 --> 00:42:41,440
Speaker 3: two weeks, all them episodes two weeks, so I'm in

979
00:42:41,520 --> 00:42:42,399
Speaker 3: trouble for three days.

980
00:42:42,480 --> 00:42:43,759
Speaker 4: Nigga. That's devastating.

981
00:42:43,960 --> 00:42:45,640
Speaker 2: But the beauty is when you blow up, like the

982
00:42:45,680 --> 00:42:48,520
Speaker 2: way you're blowing up now, like they'll invite you back

983
00:42:48,960 --> 00:42:50,239
Speaker 2: and act like you got your start there.

984
00:42:51,040 --> 00:42:56,000
Speaker 3: And I'll be like, man, I'm so thankful, shout out

985
00:42:56,040 --> 00:42:56,720
Speaker 3: the nine elevens.

986
00:42:57,600 --> 00:42:59,319
Speaker 1: But the paper is not a reboot though.

987
00:42:59,239 --> 00:43:02,040
Speaker 3: It's I mean, I don't know what the right word

988
00:43:02,200 --> 00:43:06,319
Speaker 3: is talk about it that the press, but I'm really

989
00:43:06,400 --> 00:43:10,239
Speaker 3: I don't know what the word is for. Like this

990
00:43:10,560 --> 00:43:13,399
Speaker 3: was also happening, but now we'll show you this other player.

991
00:43:13,520 --> 00:43:17,200
Speaker 3: Just imagine the production company that was in the office,

992
00:43:17,200 --> 00:43:18,480
Speaker 3: you know, it was alway zooming in and all that.

993
00:43:18,760 --> 00:43:21,000
Speaker 3: Just imagine they went across the street to another address

994
00:43:21,120 --> 00:43:24,399
Speaker 3: or something, because that's kind of I don't I don't,

995
00:43:24,480 --> 00:43:28,359
Speaker 3: I don't know, because usually spin off it takes one

996
00:43:28,480 --> 00:43:31,279
Speaker 3: character and it follows them, you know what I'm saying,

997
00:43:31,920 --> 00:43:34,880
Speaker 3: And this ain't that. This isn't famin matters, And then

998
00:43:34,920 --> 00:43:36,840
Speaker 3: we just follow Erkle and like, no, this is like

999
00:43:37,160 --> 00:43:39,600
Speaker 3: there's characters from the other one in this one. It's

1000
00:43:39,640 --> 00:43:42,719
Speaker 3: a beautiful Greg Daniels did it again. That's all right.

1001
00:43:42,800 --> 00:43:44,640
Speaker 4: Then the showrunners and that whole team, like I was

1002
00:43:44,760 --> 00:43:46,840
Speaker 4: in awe, just like good some of the.

1003
00:43:46,880 --> 00:43:52,480
Speaker 3: Stuff they found, the idiosyncrasies of how funny something simple

1004
00:43:52,560 --> 00:43:55,320
Speaker 3: could be, and and the fact that they were like

1005
00:43:55,480 --> 00:43:58,120
Speaker 3: malleable enough to get it some big words. Some of

1006
00:43:58,160 --> 00:44:01,200
Speaker 3: the stuff that was that they made funny, that they

1007
00:44:01,280 --> 00:44:05,120
Speaker 3: took the time and budget to spend time, like how

1008
00:44:05,200 --> 00:44:10,080
Speaker 3: to just move like flip a lever. Flipping a lever

1009
00:44:10,920 --> 00:44:12,920
Speaker 3: wasn't just flipping. Like there's a way to pick these

1010
00:44:12,960 --> 00:44:16,399
Speaker 3: glasses up and it's funny, and they went through every

1011
00:44:16,440 --> 00:44:18,759
Speaker 3: way like so you want to pick these glasses up.

1012
00:44:19,120 --> 00:44:21,799
Speaker 3: You want to pick these glasses up like they I'm

1013
00:44:21,840 --> 00:44:24,600
Speaker 3: talking about every way to inflect your voice. And they

1014
00:44:24,640 --> 00:44:26,040
Speaker 3: took the time to be like do the game at

1015
00:44:26,080 --> 00:44:28,000
Speaker 3: this time the game? But this time I was like,

1016
00:44:28,040 --> 00:44:30,680
Speaker 3: I did not know that this show was like this

1017
00:44:31,120 --> 00:44:35,279
Speaker 3: fine tooth, like they take every moment and and it's

1018
00:44:35,360 --> 00:44:38,040
Speaker 3: every moment is I guess you know, Manicure to be

1019
00:44:38,120 --> 00:44:40,839
Speaker 3: as funny as it can be, even though it's as dry,

1020
00:44:41,000 --> 00:44:42,160
Speaker 3: but it's hilarious.

1021
00:44:44,440 --> 00:44:48,279
Speaker 1: Yes, good, you can't you can't gotta be man.

1022
00:44:48,960 --> 00:44:51,319
Speaker 5: Episodes that can't come back out right now?

1023
00:44:51,840 --> 00:44:52,239
Speaker 3: You know, I.

1024
00:44:53,960 --> 00:44:56,840
Speaker 5: Love the show. I love it man, and you you

1025
00:44:56,920 --> 00:44:57,560
Speaker 5: stream as well.

1026
00:44:57,680 --> 00:44:59,920
Speaker 1: Sometimes you know as much as I can.

1027
00:45:00,800 --> 00:45:02,600
Speaker 3: You know what I'm saying, But god damn you you

1028
00:45:02,719 --> 00:45:05,359
Speaker 3: you you don't realize how much shit you don't want

1029
00:45:05,400 --> 00:45:08,080
Speaker 3: to show until you're showing it, you know what I'm saying.

1030
00:45:08,640 --> 00:45:10,880
Speaker 3: I walked past some mail on the counter and somebody

1031
00:45:10,960 --> 00:45:15,080
Speaker 3: was like, got your address, nigga? I like, yeah, what

1032
00:45:15,800 --> 00:45:19,600
Speaker 3: because I posit zoom in like I already stay that ass.

1033
00:45:19,920 --> 00:45:22,240
Speaker 3: I like fuck that. I was going to my office

1034
00:45:22,239 --> 00:45:24,200
Speaker 3: and there's a billboard outside and somebody was like, I

1035
00:45:24,239 --> 00:45:26,719
Speaker 3: know where that billboard is. I'm like, man, fuck. So

1036
00:45:26,800 --> 00:45:28,960
Speaker 3: there's so many like camera down then you just want

1037
00:45:29,000 --> 00:45:31,239
Speaker 3: to talk to somebody. They see the mic on you like,

1038
00:45:31,320 --> 00:45:33,200
Speaker 3: oh you monked up? Not right now?

1039
00:45:33,560 --> 00:45:34,040
Speaker 4: Good right now.

1040
00:45:34,239 --> 00:45:37,279
Speaker 3: So so it's like I have to like be like, okay,

1041
00:45:37,360 --> 00:45:39,400
Speaker 3: from this time to this time, I'm gonna stream. I

1042
00:45:39,520 --> 00:45:40,840
Speaker 3: thought it was just gonna be like just put the

1043
00:45:40,880 --> 00:45:42,880
Speaker 3: camera on, let's go for some of your life. You

1044
00:45:42,920 --> 00:45:44,560
Speaker 3: don't want to you know what I'm saying. You don't

1045
00:45:44,560 --> 00:45:45,520
Speaker 3: want to show a lot of your life.

1046
00:45:45,960 --> 00:45:46,719
Speaker 4: I think, you know.

1047
00:45:46,840 --> 00:45:51,160
Speaker 3: Plus, it's a different kind of oncause I'm realizing when

1048
00:45:51,200 --> 00:45:54,520
Speaker 3: you go live, it's a lot of fucking reading. Yeah,

1049
00:45:54,640 --> 00:45:57,880
Speaker 3: people don't really like you're reading the equivalent of like

1050
00:45:58,120 --> 00:46:01,719
Speaker 3: nine Harry Potter chapters just to interact with your chat.

1051
00:46:02,760 --> 00:46:05,040
Speaker 4: You know what I'm saying, so I can do it,

1052
00:46:05,239 --> 00:46:08,040
Speaker 4: but it's a it's a thing I have to flip. Now.

1053
00:46:08,160 --> 00:46:12,160
Speaker 1: Last week I went to Twitch headquarters in San Francisco, and.

1054
00:46:12,160 --> 00:46:14,000
Speaker 4: I was like, what were we doing? What you want

1055
00:46:14,040 --> 00:46:14,120
Speaker 4: to do?

1056
00:46:14,200 --> 00:46:16,719
Speaker 3: Because there's an entire industry of comedy where people are

1057
00:46:16,760 --> 00:46:19,279
Speaker 3: living big lives and they're perfect for live streaming, but

1058
00:46:20,200 --> 00:46:23,040
Speaker 3: we need like can we work? Yeah, and that app is,

1059
00:46:23,160 --> 00:46:26,360
Speaker 3: that app is, that's a beautiful app, but that that

1060
00:46:26,440 --> 00:46:29,399
Speaker 3: shit is that the entry level on that is so high.

1061
00:46:30,480 --> 00:46:32,920
Speaker 3: It's expensive to get on Instagram, you need a phone,

1062
00:46:33,120 --> 00:46:35,360
Speaker 3: which you already have. If you want to be a

1063
00:46:35,440 --> 00:46:38,320
Speaker 3: creator on Twitter, you got to have like several different

1064
00:46:38,360 --> 00:46:41,279
Speaker 3: apps which have their own learning curve, whether it's something

1065
00:46:41,360 --> 00:46:44,439
Speaker 3: for overlay, something for alert, something for the chat.

1066
00:46:44,760 --> 00:46:46,120
Speaker 4: Then you got to have a setup.

1067
00:46:46,920 --> 00:46:48,839
Speaker 3: Like there's like there's a lot even like let's say

1068
00:46:48,880 --> 00:46:51,640
Speaker 3: you just want to stream your like I Rail from

1069
00:46:51,680 --> 00:46:53,400
Speaker 3: a phone, Well, now you got to go buy Samsung

1070
00:46:53,480 --> 00:46:56,160
Speaker 3: Galaxy twenty five. Then things it's like eleven hundred. Then

1071
00:46:56,160 --> 00:46:58,400
Speaker 3: you got to get too simcars, Like the entry level

1072
00:46:58,680 --> 00:47:01,719
Speaker 3: it is expensive, like a whole nun Now it's even

1073
00:47:01,760 --> 00:47:03,600
Speaker 3: if it's not, it's just expensive.

1074
00:47:04,040 --> 00:47:05,279
Speaker 4: Then let's tell you.

1075
00:47:05,440 --> 00:47:07,680
Speaker 3: Let's say you go out and there's a lot of

1076
00:47:07,880 --> 00:47:09,879
Speaker 3: you go maybe a Yankees game, and I'm gonna stream

1077
00:47:09,960 --> 00:47:12,160
Speaker 3: or something if they'll let you. But somewhere where it's

1078
00:47:12,200 --> 00:47:15,759
Speaker 3: high populated, maybe maybe the parade or something. Everybody on

1079
00:47:15,840 --> 00:47:19,320
Speaker 3: the cell tower your signal dropping. Now your feet is cutting.

1080
00:47:19,760 --> 00:47:21,840
Speaker 3: So if you get tired of that, the next the

1081
00:47:21,960 --> 00:47:25,760
Speaker 3: next step up from the phone, it's called a live

1082
00:47:25,920 --> 00:47:30,960
Speaker 3: you solo pro back So no, yeah, yeah, there's a

1083
00:47:31,040 --> 00:47:34,000
Speaker 3: backpack or like a Wi Fi. Yeah, so there's like

1084
00:47:34,080 --> 00:47:36,480
Speaker 3: two or three motems or something. That ship is like

1085
00:47:37,200 --> 00:47:40,080
Speaker 3: six thousand dollars. So you're telling me just to stay

1086
00:47:40,160 --> 00:47:42,560
Speaker 3: on the app and stay like it's like that who

1087
00:47:42,680 --> 00:47:46,239
Speaker 3: got that? When young creator just got six thousand sitting

1088
00:47:46,320 --> 00:47:49,080
Speaker 3: right there. So then the next step of is a

1089
00:47:49,160 --> 00:47:51,239
Speaker 3: thirty thousand back I see like DDG and all them

1090
00:47:51,320 --> 00:47:52,640
Speaker 3: then them them backpacks.

1091
00:47:52,400 --> 00:47:53,239
Speaker 4: Is thirty thousand dollars.

1092
00:47:53,680 --> 00:47:56,680
Speaker 3: That's the backpack that Yeah, if it's blue or something

1093
00:47:57,440 --> 00:47:59,920
Speaker 3: or hot green, I think that bag is shit. Third

1094
00:48:00,239 --> 00:48:00,839
Speaker 3: thousand dollars.

1095
00:48:00,920 --> 00:48:01,920
Speaker 1: So it's a real investment.

1096
00:48:03,320 --> 00:48:04,799
Speaker 4: But you does it pay?

1097
00:48:05,560 --> 00:48:05,759
Speaker 3: Yeah?

1098
00:48:08,280 --> 00:48:09,200
Speaker 4: Wow, it pays?

1099
00:48:09,600 --> 00:48:12,120
Speaker 5: By long do you have to be on those sites

1100
00:48:12,239 --> 00:48:13,560
Speaker 5: in order to make the money.

1101
00:48:14,680 --> 00:48:16,440
Speaker 3: No, you get you go as soon as you go partner.

1102
00:48:16,640 --> 00:48:19,239
Speaker 3: I made partner in four days. And if you go

1103
00:48:19,360 --> 00:48:22,080
Speaker 3: to make a partner, just well there's a thing that

1104
00:48:22,160 --> 00:48:24,000
Speaker 3: you know. It says, it's just like any other monetization

1105
00:48:24,040 --> 00:48:25,680
Speaker 3: where they're like you need this many viewers, this many

1106
00:48:25,719 --> 00:48:27,799
Speaker 3: hours or whatever. But you can also just send an

1107
00:48:27,800 --> 00:48:29,840
Speaker 3: email and be like, here's my numbers on other platforms

1108
00:48:29,840 --> 00:48:32,719
Speaker 3: and they be like, oh ship got So you're monetized

1109
00:48:32,760 --> 00:48:35,520
Speaker 3: right away, which gives you access to a certain percentage

1110
00:48:35,520 --> 00:48:38,720
Speaker 3: of your advertising and a certain percentage of your subs.

1111
00:48:39,239 --> 00:48:42,080
Speaker 3: And the subs is why. That's why it makes sense.

1112
00:48:42,920 --> 00:48:44,920
Speaker 3: You want to know the sauce. I deed the sauce

1113
00:48:45,400 --> 00:48:49,040
Speaker 3: and this is how. This is how it happens. I

1114
00:48:49,360 --> 00:48:54,439
Speaker 3: like to share and not right. So that's why I said,

1115
00:48:54,600 --> 00:48:57,040
Speaker 3: if somebody gonna take something I'm doing and do it,

1116
00:48:57,920 --> 00:48:59,120
Speaker 3: I didn't make it that hard to get it.

1117
00:48:59,600 --> 00:49:05,680
Speaker 4: Yeah, so I'll ask you first so that you understand

1118
00:49:06,000 --> 00:49:06,759
Speaker 4: the power of it.

1119
00:49:07,320 --> 00:49:09,840
Speaker 3: Right. So, in my opinion, I think the I r

1120
00:49:09,960 --> 00:49:13,120
Speaker 3: L clips are the highest algorithm clips on social media.

1121
00:49:13,160 --> 00:49:15,480
Speaker 3: Right now, it seems like it ain't sketches. It used

1122
00:49:15,480 --> 00:49:18,759
Speaker 3: to be sketches. Now, it's like, so, like, what do

1123
00:49:18,840 --> 00:49:20,440
Speaker 3: you remember from the BET Awards this year?

1124
00:49:22,960 --> 00:49:23,360
Speaker 4: Exactly?

1125
00:49:23,560 --> 00:49:25,520
Speaker 1: That's a clip?

1126
00:49:26,080 --> 00:49:26,239
Speaker 3: Right?

1127
00:49:26,320 --> 00:49:29,479
Speaker 4: What do you remember from Shane Gillis at.

1128
00:49:29,440 --> 00:49:32,520
Speaker 1: The spis his monologue which is a clip?

1129
00:49:33,239 --> 00:49:37,560
Speaker 3: So like Joe Rogan's clip page is almost six times

1130
00:49:37,600 --> 00:49:40,880
Speaker 3: bigger than the full episode page. Right, nobody gonna sit

1131
00:49:40,920 --> 00:49:43,040
Speaker 3: through three hours and just watch the clip? And what

1132
00:49:43,239 --> 00:49:46,640
Speaker 3: makes twitch so genius that anybody watching your stream has

1133
00:49:46,800 --> 00:49:50,040
Speaker 3: there's a button on it that says clip anyone. Why

1134
00:49:50,160 --> 00:49:52,239
Speaker 3: any viewer can make a sixty second clip? Now that

1135
00:49:52,320 --> 00:49:55,040
Speaker 3: could be bad if you're doing something like gotcha.

1136
00:49:54,840 --> 00:49:57,359
Speaker 1: Ass headlines or they make the headline, don't be having

1137
00:49:57,360 --> 00:49:58,520
Speaker 1: nothing to do with the video, right?

1138
00:49:58,719 --> 00:49:58,919
Speaker 3: Yeah?

1139
00:49:59,600 --> 00:50:01,680
Speaker 1: Yeah, you got your headlined and you watch it like

1140
00:50:01,760 --> 00:50:02,279
Speaker 1: that didn't happen?

1141
00:50:02,320 --> 00:50:03,120
Speaker 4: You didn't. Yeah?

1142
00:50:03,160 --> 00:50:05,160
Speaker 3: I saw some of them were like somebody curves Cristy

1143
00:50:05,280 --> 00:50:06,879
Speaker 3: on and I watched it. I was like, she ain't

1144
00:50:06,880 --> 00:50:07,400
Speaker 3: even happen.

1145
00:50:07,840 --> 00:50:08,680
Speaker 1: It's just having fun.

1146
00:50:08,840 --> 00:50:09,279
Speaker 3: What the fun?

1147
00:50:09,840 --> 00:50:12,960
Speaker 4: But if you know that that's what it is, then

1148
00:50:13,160 --> 00:50:16,400
Speaker 4: then now why not why not be strategic?

1149
00:50:16,480 --> 00:50:18,840
Speaker 3: Then? Yeah, you don't got eight hours of stream, you

1150
00:50:18,880 --> 00:50:20,960
Speaker 3: got two hours, so and that two hours, I'm gonna

1151
00:50:21,320 --> 00:50:24,479
Speaker 3: go here. I'm gonna go there. I'm talk to my brother,

1152
00:50:24,640 --> 00:50:26,279
Speaker 3: my son or my whatever we're gonna have. There will

1153
00:50:26,280 --> 00:50:28,520
Speaker 3: be chances for moments, and then you can overproduce it

1154
00:50:28,520 --> 00:50:30,440
Speaker 3: where you're like somebody gonna kick in the door and

1155
00:50:30,560 --> 00:50:32,520
Speaker 3: it's going down and you know what I'm saying. But

1156
00:50:32,680 --> 00:50:34,920
Speaker 3: you want the clips because once you get the clip,

1157
00:50:35,120 --> 00:50:39,200
Speaker 3: that goes YouTube, Facebook, Instagram, it goes every other platform.

1158
00:50:39,920 --> 00:50:42,200
Speaker 3: And so then you build your audience and then they're

1159
00:50:42,239 --> 00:50:45,360
Speaker 3: on and they subscribe or just coming on, they watch ads,

1160
00:50:45,360 --> 00:50:48,239
Speaker 3: they have no choice, and you get paid, and then

1161
00:50:48,920 --> 00:50:51,800
Speaker 3: from your station in the game, you don't. You're not

1162
00:50:51,920 --> 00:50:55,719
Speaker 3: gonna get that basic percentage. You're like, I'm aryotte Man,

1163
00:50:55,920 --> 00:50:56,839
Speaker 3: you're talking about set up.

1164
00:50:56,760 --> 00:50:59,560
Speaker 1: The breakfast club. I r L goddamnit, I'm ready. Are

1165
00:50:59,640 --> 00:51:01,680
Speaker 1: you read You needed that? Nate, Yes, let's do it.

1166
00:51:01,880 --> 00:51:03,719
Speaker 3: Yeah, get your money, Well check out you.

1167
00:51:04,040 --> 00:51:04,919
Speaker 1: I want to have a more question.

1168
00:51:05,000 --> 00:51:07,480
Speaker 2: What do you want new fans who see you for

1169
00:51:07,560 --> 00:51:10,080
Speaker 2: the first time on Netflix to walk away thinking.

1170
00:51:12,520 --> 00:51:14,040
Speaker 4: I got a new top five.

1171
00:51:15,520 --> 00:51:18,239
Speaker 3: Because for like twenty years, everybody says the same five

1172
00:51:18,320 --> 00:51:21,120
Speaker 3: names in rotation, and I think that it's time that

1173
00:51:21,200 --> 00:51:21,960
Speaker 3: we shake that up.

1174
00:51:21,880 --> 00:51:23,880
Speaker 4: A little bit. Basketball got new stars.

1175
00:51:24,640 --> 00:51:26,520
Speaker 3: I'm not saying there's not a place for other people

1176
00:51:26,560 --> 00:51:29,080
Speaker 3: and we can all eat, but let's work together, you

1177
00:51:29,120 --> 00:51:32,840
Speaker 3: know what I'm saying. And maybe it's a challenge, but

1178
00:51:32,880 --> 00:51:35,000
Speaker 3: I would like to see some of the og black

1179
00:51:35,120 --> 00:51:39,160
Speaker 3: comics who've made a lot of money in the game

1180
00:51:40,040 --> 00:51:46,000
Speaker 3: reach back and create opportunities for the rest of the game.

1181
00:51:46,840 --> 00:51:49,000
Speaker 4: There's Uptown, I guess it's closing.

1182
00:51:49,200 --> 00:51:51,920
Speaker 3: It's not black owned, but it's black man And so

1183
00:51:52,120 --> 00:51:55,000
Speaker 3: now I think there are three black owned clubs in America.

1184
00:51:57,120 --> 00:51:59,880
Speaker 3: I'm the biggest at two hundred and seventy seats. I

1185
00:52:00,200 --> 00:52:02,319
Speaker 3: think when I look around on your wall and see

1186
00:52:02,400 --> 00:52:05,600
Speaker 3: all the successful African Americans and every dollar that got

1187
00:52:05,640 --> 00:52:07,600
Speaker 3: pulled down, that it makes no sense that we don't

1188
00:52:07,600 --> 00:52:10,000
Speaker 3: have more brick and mortars to do the craft we build.

1189
00:52:10,880 --> 00:52:15,880
Speaker 3: Why doesn't Martin have wandas? Why doesn't you know what

1190
00:52:15,880 --> 00:52:18,680
Speaker 3: I'm saying, why does Why isn't there a heart Kevin

1191
00:52:18,760 --> 00:52:22,680
Speaker 3: Hart comedy club? God damn you do comedy. Make some

1192
00:52:22,760 --> 00:52:25,520
Speaker 3: money off the drinks for you got a liquor, sell

1193
00:52:25,760 --> 00:52:28,840
Speaker 3: only that in your club. But there should be And

1194
00:52:28,960 --> 00:52:30,680
Speaker 3: if that's not it, then let's just get with the

1195
00:52:30,800 --> 00:52:32,880
Speaker 3: let's get with the people who open businesses left and right,

1196
00:52:32,920 --> 00:52:34,759
Speaker 3: and and then say look here, you use my name,

1197
00:52:34,840 --> 00:52:37,799
Speaker 3: my likeness, and I want some ownership whatever, and then

1198
00:52:37,920 --> 00:52:39,440
Speaker 3: and but there should be that makes sense.

1199
00:52:39,520 --> 00:52:41,320
Speaker 1: Joe Rogan got the comedy club in Austin.

1200
00:52:41,400 --> 00:52:42,600
Speaker 4: Now did the Mothership?

1201
00:52:42,680 --> 00:52:44,760
Speaker 1: Yeah, I believe Dave is building one.

1202
00:52:45,120 --> 00:52:45,959
Speaker 4: Das name.

1203
00:52:48,400 --> 00:52:52,080
Speaker 3: And and and so there may be four. But that's

1204
00:52:52,520 --> 00:52:55,799
Speaker 3: if you think about all of the money. Every time

1205
00:52:55,880 --> 00:52:57,840
Speaker 3: you like, who's been in the top three in comedy

1206
00:52:58,040 --> 00:53:05,040
Speaker 3: since I'm nineteen seventy, The majority of the top three

1207
00:53:05,239 --> 00:53:07,200
Speaker 3: top gross early I'm not even talking about whether you

1208
00:53:07,280 --> 00:53:09,480
Speaker 3: like them or not. I'm talking about the highest grossing

1209
00:53:09,560 --> 00:53:13,680
Speaker 3: actor of the year was black. Whether it was Richard

1210
00:53:13,719 --> 00:53:19,200
Speaker 3: Pryor or Red Fox or Cat or Mike Epps or

1211
00:53:19,440 --> 00:53:22,799
Speaker 3: Kevin Hart or Martin or like. And if it wasn't one,

1212
00:53:22,840 --> 00:53:25,440
Speaker 3: it was an entity like King's of Comedy or now

1213
00:53:25,520 --> 00:53:28,279
Speaker 3: eighty five South Like, why let's get to eighty five

1214
00:53:28,360 --> 00:53:31,759
Speaker 3: comedy clubs. Let's get like, let's expand and grow our

1215
00:53:32,560 --> 00:53:35,840
Speaker 3: industry because the people want to come to shows.

1216
00:53:36,480 --> 00:53:38,600
Speaker 4: And then you control the butt, you control the dollar.

1217
00:53:38,800 --> 00:53:40,680
Speaker 3: There's no more you in the back getting ripped off

1218
00:53:40,800 --> 00:53:42,839
Speaker 3: or you know, they don't treat you right, because now

1219
00:53:42,880 --> 00:53:44,359
Speaker 3: you know how to be treating you know what I'm saying.

1220
00:53:45,640 --> 00:53:47,360
Speaker 3: And I want us to get it right too, because

1221
00:53:47,400 --> 00:53:49,600
Speaker 3: I have done other black owned clubs and been like,

1222
00:53:49,760 --> 00:53:52,960
Speaker 3: come on, y'all, yeah, I don't really, I don't play

1223
00:53:53,080 --> 00:53:55,120
Speaker 3: like that. We do we you know, we run a

1224
00:53:55,160 --> 00:53:58,040
Speaker 3: good show, but it's a lot to juggle the career

1225
00:53:58,160 --> 00:54:00,320
Speaker 3: and the club and make sure that it's still black excellence.

1226
00:54:00,360 --> 00:54:03,040
Speaker 3: But my team is thorough, so we hold it down

1227
00:54:03,360 --> 00:54:05,360
Speaker 3: and if it works in one place, it should, in

1228
00:54:05,480 --> 00:54:08,480
Speaker 3: theory work in another place. So I think that that

1229
00:54:08,600 --> 00:54:10,360
Speaker 3: if I could leave something with with the with the

1230
00:54:10,520 --> 00:54:16,200
Speaker 3: entertainers that are watching, man, what's up? Open something? Open something.

1231
00:54:16,520 --> 00:54:19,160
Speaker 3: Let's get some comedy back on regular TV. Let's make

1232
00:54:19,200 --> 00:54:22,600
Speaker 3: comedy very easy to consume again. When I was a kid,

1233
00:54:22,680 --> 00:54:24,480
Speaker 3: you could go home and comed View was on and

1234
00:54:24,640 --> 00:54:27,520
Speaker 3: and and Comedy Central had specials, and like now you

1235
00:54:27,600 --> 00:54:30,040
Speaker 3: can't find no stand up unless you put it on.

1236
00:54:30,080 --> 00:54:32,040
Speaker 3: I gotta find it, you know what I'm saying. So

1237
00:54:32,200 --> 00:54:33,879
Speaker 3: we need to get to a place where the deaf

1238
00:54:34,000 --> 00:54:37,000
Speaker 3: jams and the comedy like it feels like that again. Yes.

1239
00:54:37,640 --> 00:54:39,279
Speaker 3: So if there's something I could leave with the people,

1240
00:54:39,280 --> 00:54:40,920
Speaker 3: I don't know. Man, just laugh, live your love, live

1241
00:54:40,960 --> 00:54:43,840
Speaker 3: your life to the fullest. Uh, you know, and you

1242
00:54:44,000 --> 00:54:45,239
Speaker 3: deserve you deserve to laugh.

1243
00:54:45,360 --> 00:54:49,359
Speaker 1: So do it, Nate Jackson. Tell them to follow you, brothers.

1244
00:54:49,360 --> 00:54:52,040
Speaker 3: Nate Jackson Coomedy dot com or at mister Nate Jackson

1245
00:54:52,120 --> 00:54:56,239
Speaker 3: on the Gram or Nate Jackson Comedy on TikTok uh.

1246
00:54:57,000 --> 00:54:59,640
Speaker 3: Just tap in Nate Jackson Coomedy dot com. Is there

1247
00:54:59,760 --> 00:55:02,800
Speaker 3: where you can see everything I'm on. I'm ending the

1248
00:55:02,880 --> 00:55:05,279
Speaker 3: Super Funny World to here in the next couple of dates,

1249
00:55:05,320 --> 00:55:08,000
Speaker 3: and the Big Dog Tour starts right after that. International.

1250
00:55:08,120 --> 00:55:10,160
Speaker 3: We got Australia. It's crazy.

1251
00:55:10,880 --> 00:55:12,560
Speaker 4: Get some tickets while there's any seats left.

1252
00:55:12,600 --> 00:55:14,480
Speaker 1: It's like that congratulations.

1253
00:55:17,160 --> 00:55:20,760
Speaker 5: Say he was doing shows and movies and stuff, casting stuff.

1254
00:55:21,440 --> 00:55:23,600
Speaker 3: You want to add something, Yeah, for sure, I got

1255
00:55:23,640 --> 00:55:26,160
Speaker 3: some ship, all right? Cool? Yeah I got because like

1256
00:55:26,200 --> 00:55:26,840
Speaker 3: I'm really.

1257
00:55:26,680 --> 00:55:27,160
Speaker 4: Really good.

1258
00:55:28,480 --> 00:55:31,040
Speaker 3: I almost forgot the movie I'm tripping. So there's a

1259
00:55:31,120 --> 00:55:33,920
Speaker 3: movie with Seth Throg and Kiki Palmer Keanu Reeves and

1260
00:55:34,000 --> 00:55:36,680
Speaker 3: it's as He's and Sorry's directorial debut that comes out

1261
00:55:36,719 --> 00:55:38,920
Speaker 3: in October and it's called good fortune.

1262
00:55:38,520 --> 00:55:39,040
Speaker 1: And I'm in that.

1263
00:55:39,360 --> 00:55:42,840
Speaker 4: So so yeah, no, I got stuff.

1264
00:55:43,040 --> 00:55:45,120
Speaker 3: Okay, I just about this red camera. We're about to

1265
00:55:45,160 --> 00:55:48,120
Speaker 3: be it's about to go. They can't tell me nothing.

1266
00:55:51,320 --> 00:55:54,759
Speaker 7: Check out Super Funny on Netflix now, Nate Jackson, Ladies

1267
00:55:54,800 --> 00:55:55,799
Speaker 7: and gentlemen, thank you for joining us.

1268
00:55:55,840 --> 00:55:56,640
Speaker 4: Brother, appreciate you.

1269
00:55:56,719 --> 00:55:57,480
Speaker 1: That's the Breakfast Club.

1270
00:55:57,480 --> 00:56:00,759
Speaker 3: Good morning, wake that ass up in the morning at

1271
00:56:00,840 --> 00:56:05,640
Speaker 3: Breakfast clubm