WEBVTT - Sting & Trudie Styler

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<v Speaker 1>Pushkin. Hi, I'm Phil Donahue and I'm Marlowe Thomas, and

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<v Speaker 1>we're going on a series of double dates to find

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<v Speaker 1>out what makes a marriage last. You only have to

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<v Speaker 1>be around Sting and Trudy Styler for a minute to

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<v Speaker 1>feel the electricity between them. Their building is a gorgeous

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<v Speaker 1>modern with lots of curves. In fact, Sting says he

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<v Speaker 1>was attracted to it because it's so female, no sharp corners.

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<v Speaker 1>When we first walked into their home, there was Sting

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<v Speaker 1>tucked into the sofa with his head in a book.

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<v Speaker 1>He told us the boss would be here in a moment,

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<v Speaker 1>and right on Q Trudy breezed into the room. She

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<v Speaker 1>invited us to sit at a long wooden table where

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<v Speaker 1>every chair was a different color. I chose the red

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<v Speaker 1>one and Phil chose the green. I could immediately see

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<v Speaker 1>the connection, the little touches between them. They even finished

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<v Speaker 1>each other's sentences. Interestingly, when they first met in nineteen

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<v Speaker 1>eighty two, they were both with other people and that's

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<v Speaker 1>where our conversation began. We were neighbors. We were neighbors British,

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<v Speaker 1>We're both British, were from the north of England. We

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<v Speaker 1>found ourselves in London living with other people, but neighbors.

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<v Speaker 1>You know, when you meet somebody and you recognize them.

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<v Speaker 1>I mean that might be wisdom in hindsight, but I

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<v Speaker 1>recognize Trudy as someone that I could spend the rest

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<v Speaker 1>of my life with better. I saw it clearly. I

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<v Speaker 1>just knew who she was instantly. Well, that must have

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<v Speaker 1>been cutter hard if you were neighbors. It was very

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<v Speaker 1>difficult at first because we were not supposed to be together,

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<v Speaker 1>so we fought that off for a couple of years.

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<v Speaker 1>That instinct en, did you too know right away or

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<v Speaker 1>it's like a recognition of somebody that you you feel

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<v Speaker 1>you know, we actually don't really know, but there's something

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<v Speaker 1>that is drawing you too closer to someone. And of

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<v Speaker 1>course it wasn't it. It was the least ideal situation

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<v Speaker 1>that you can imagine. Neither Sting nor truly were prepared

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<v Speaker 1>for the feelings. The situation would unleash that, and then

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<v Speaker 1>when it happens to you, it's like it's a It's

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<v Speaker 1>just like a storm coming at you, a tidal wave.

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<v Speaker 1>And when we began being a couple and moved in

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<v Speaker 1>with each other, you know, it was it was not

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<v Speaker 1>without its challenges, and the media interest was right, and

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<v Speaker 1>the media interest was how did you know trust each other?

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<v Speaker 1>How did that come about? I think there was there

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<v Speaker 1>was a chapter in our history when there was us

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<v Speaker 1>against the world. You know, we were in a foxhol

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<v Speaker 1>and you basically have to trust that person because you're

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<v Speaker 1>surrounded by danger. So I think that was very formative.

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<v Speaker 1>And I was a mess and she protected me. When

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<v Speaker 1>when I hear questions about you know, oh you madly

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<v Speaker 1>in love and passionate and all of that, all of

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<v Speaker 1>that is, yes, it's true. But I think that friendship too,

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<v Speaker 1>you know, needs to be part of a discussion about

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<v Speaker 1>the longevity of a marriage or a relationship. Otherwise, within

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<v Speaker 1>these circumstances that us coming together, we couldn't have lasted.

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<v Speaker 1>And you are brought up the thing about the passion.

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<v Speaker 1>Of course, all over every word we read about the

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<v Speaker 1>tantra sex, is that what it's called. We had a

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<v Speaker 1>viewed President Carter and his wife and I and they

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<v Speaker 1>talked about reading the Bible every night, and I said,

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<v Speaker 1>won't have you more interesting if Sting and Trudy Ray

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<v Speaker 1>read the Bible every night and President Carter his wife

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<v Speaker 1>and wild sex. That would make a better book. How

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<v Speaker 1>do you know they don't, Well, we don't have this

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<v Speaker 1>kind of sex all the time. I mean, we have

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<v Speaker 1>a pretty intense sexual charge between us still, But as

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<v Speaker 1>Trudy said, it's that's kind of ephemeral. What's important is

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<v Speaker 1>that I really like this woman and she really likes

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<v Speaker 1>me despite knowing me. And that's so important. I mean,

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<v Speaker 1>the sexual thinking cool off. It doesn't have to be

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<v Speaker 1>supercharged the whole time. But the affection for another person

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<v Speaker 1>when she walks into the room, she likes my room up,

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<v Speaker 1>And it's got nothing to do with sex. Actually, it's

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<v Speaker 1>all to do with liking the way that person presents

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<v Speaker 1>herself in the world, liking the decisions she makes, the

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<v Speaker 1>comments she makes, the observations she makes, and respecting them

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<v Speaker 1>and really enjoying her company. I enjoy her company. What

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<v Speaker 1>do we do like a good hotel room? Though? Right,

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<v Speaker 1>how don't you keep us sexy life going? With kids

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<v Speaker 1>in the house, I wouldn't be catching up with staying on,

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<v Speaker 1>you know, on various tours. This is a man who's

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<v Speaker 1>you know, I'm married to a gypsy who you know,

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<v Speaker 1>he's his life has been tenerant. I like that word.

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<v Speaker 1>Perpatetic tell us the basis of the tantra sex. I

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<v Speaker 1>think it's called tantric sex. Okay, we've we've studied yoga

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<v Speaker 1>for over thirty years now. Yoga comes from the same

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<v Speaker 1>route as the word yoga. And what yoga does yokes

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<v Speaker 1>your movement in the world with your consciousness of it.

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<v Speaker 1>So you can be sitting down and doing yoga, can

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<v Speaker 1>be standing up and doing yoga. You can eat and

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<v Speaker 1>do yoga. You're connecting it to something greater than yourself,

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<v Speaker 1>to a spiritual life. You can have sex and do yoga.

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<v Speaker 1>You know, sex is a sacred act. You can make children.

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<v Speaker 1>You know this, You make children that way. So it's

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<v Speaker 1>it's not just a stretch for me, because this is

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<v Speaker 1>a sacrament that we share too to celebrate existing, being alive,

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<v Speaker 1>being together. And it's got nothing to do with how

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<v Speaker 1>long you make love for it. That's that's just silly talk.

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<v Speaker 1>It's actually about being conscious about what you're doing. You know.

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<v Speaker 1>This is the tabloid version, is that we have sex

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<v Speaker 1>for you know, five or six hours. And what Sting

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<v Speaker 1>is saying is it's about really like being connected to

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<v Speaker 1>that person to take time, you know, and I don't

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<v Speaker 1>know what the time could be, but it's during that

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<v Speaker 1>time that you're together. It's you're together, very connected to

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<v Speaker 1>each other, you know, kissing for a long time, like

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<v Speaker 1>preparing a meal together, eating together. Just like that, you

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<v Speaker 1>feel that you're at one with that with with your love. Yeah, yeah,

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<v Speaker 1>I've never been. Yeah, occasionally, but that's a wonderful explanation

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<v Speaker 1>of it. Well, you know, I say to Staying, like,

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<v Speaker 1>I love you in the in between moments of life.

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<v Speaker 1>The other day, we've had some some sort of upsetting

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<v Speaker 1>news about a friend who's got a health crisis, and

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<v Speaker 1>and I could see how sad you looked, and we

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<v Speaker 1>were just right right here, and I took your face

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<v Speaker 1>in my hands and looked in your eyes and I

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<v Speaker 1>just held you, and I could see that you actually,

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<v Speaker 1>amidst the sadness that you felt, fear, and I acknowledge

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<v Speaker 1>that with you know that we've had so many years

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<v Speaker 1>together that are now behind us, and so we also

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<v Speaker 1>become aware when we get to the age that we

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<v Speaker 1>are that it is going to end. But for me,

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<v Speaker 1>in that moment, the in between moment of holding stings

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<v Speaker 1>face in my hands and looking in his eyes, it's like, please,

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<v Speaker 1>let us be well and have these moments forever kind

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<v Speaker 1>of about in a personal conflict. Certainly, you know this

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<v Speaker 1>is not a Disney movie. There's one of you power,

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<v Speaker 1>there's one of you shut up. We don't actually fight

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<v Speaker 1>very much. No. I tried fighting with thing because I

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<v Speaker 1>used to be a very volatile person and he's taught

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<v Speaker 1>me to be a less volatile person. And I'll tell

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<v Speaker 1>you why. Because he does not deal with people yelling

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<v Speaker 1>very well at him, and he has a very simple

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<v Speaker 1>way to it's probably in your psyche very complex. But

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<v Speaker 1>when I thirty something years ago, did my trudy yelling

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<v Speaker 1>at you for I don't know whatever was upsetting me.

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<v Speaker 1>You just the veil just comes down and you just

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<v Speaker 1>like look at me. And I remember I'd started to

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<v Speaker 1>yell and I'd said I can't, we can't, we can

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<v Speaker 1>never yell in front of our children. I really said,

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<v Speaker 1>out a rule. And he was not a yell or anyway.

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<v Speaker 1>So I said come outside. And we were living at

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<v Speaker 1>Lake House, and we went up to for a little

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<v Speaker 1>walk and I was like shouting and yelling and then

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<v Speaker 1>you climbed over a fence and there was a field

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<v Speaker 1>of sheeps there and I carried on with my leg

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<v Speaker 1>and you're this and you've absolutely always you bluddy this

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<v Speaker 1>and you and I looked around and these sheep were

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<v Speaker 1>all going and then I looked at your face and

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<v Speaker 1>you're going like So I was thinking, voice of my energy,

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<v Speaker 1>we'll have more. After a quick break, we're back to

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<v Speaker 1>our interview with Sting and Trudy Styler. When we left off,

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<v Speaker 1>they were recounting an argument they had. Trudy was shouting

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<v Speaker 1>in a field of sheep, while Sting calmly looked on

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<v Speaker 1>in silence. So I thought, I better, like switch out

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<v Speaker 1>my strategy of trying to resolve conflict. How can we

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<v Speaker 1>do this best? Accuse? Yeah, I mean when you get mad,

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<v Speaker 1>it's hard to say, okay, let's have a nice talk,

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<v Speaker 1>or I don't accuse you of anything, and you don't

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<v Speaker 1>accuse me of anything. I mean, my family were very voluted.

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<v Speaker 1>My parents were always fighting, So I never wanted that

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<v Speaker 1>in my life. That was just toxic for me. So

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<v Speaker 1>you were instructed to behave in an apode. Yeah. I

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<v Speaker 1>think I was educated by watching my parents, who were

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<v Speaker 1>very young. My mother was a teen much yeah, my

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<v Speaker 1>father was twenty or something. I saw how they reacted

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<v Speaker 1>with each other in front of us. And that's the

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<v Speaker 1>last thing I wanted, I think, And I don't lose

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<v Speaker 1>my temper now, actually don't. How about your parents, I

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<v Speaker 1>think my dad was just a very shut down person,

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<v Speaker 1>spoke monosyllabically, literally staying. When he met Harry would say,

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<v Speaker 1>you know, my father would go you're up. Then as

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<v Speaker 1>soon would say, yes, Harry, I'm up, and then someone

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<v Speaker 1>would leave the room and say you're off. Then yes, Harry,

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<v Speaker 1>we're off. Now. He had this thing about never speak

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<v Speaker 1>until you're spoken to, and that led for quite a

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<v Speaker 1>lonely life, and a very lonely life for my mom,

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<v Speaker 1>who was very vivacious and very outgoing and very kind

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<v Speaker 1>of like assertive, and I always felt that she envied

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<v Speaker 1>wives with more gregarious husbands. I noticed Sting touches you

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<v Speaker 1>a lot, as he might be he might be queuing

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<v Speaker 1>me to shut up. It's a sign of affection. I

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<v Speaker 1>think that, you know, when he touches me like that,

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<v Speaker 1>I consider that, you know, for somebody who's you know

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<v Speaker 1>in my sixth is that when my husband says I

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<v Speaker 1>look beautiful, and or he admires the dress I'm wearing,

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<v Speaker 1>I start to walk on air. Again like I did

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<v Speaker 1>when I was thirty. However, if I don't like what's wearing,

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<v Speaker 1>say it. I know so does my husband and say, look,

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<v Speaker 1>if you want to believe me when I don't like it,

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<v Speaker 1>then it's the same when I want to say I

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<v Speaker 1>like it, I'm telling the truth. So you make a choice.

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<v Speaker 1>We can trust that it still hurts your feeling. Sometimes

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<v Speaker 1>he tells me on the way down in the elevator,

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<v Speaker 1>I got, oh god, it's too late because I make

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<v Speaker 1>the stupid mistake of saying do you like this? And

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<v Speaker 1>he'll say, you have better things than that. Do you

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<v Speaker 1>feel that if you drift away from each other because

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<v Speaker 1>you've been traveling a lot, or you have your own

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<v Speaker 1>issues while you're making a movie and you're really busy

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<v Speaker 1>and you've got a thousand fires, just let out and

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<v Speaker 1>you as well. When that happens, how do you reset?

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<v Speaker 1>I think you have to raise a flag and say, look,

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<v Speaker 1>I'm feeling we need to sit just sit down and

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<v Speaker 1>not even talk to sit down because I lives are

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<v Speaker 1>so busy and I sometimes I don't like the cell phone.

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<v Speaker 1>She's on the cell phone work. I don't like it

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<v Speaker 1>to feel that's invasive. I mean I will make a

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<v Speaker 1>call on mine and then I'll turn it off. Yeah,

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<v Speaker 1>this is my habit. That's a problem for me because

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<v Speaker 1>when stings on the road, he makes the call to

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<v Speaker 1>me every day, and if I miss it and I

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<v Speaker 1>try to call him back, his phone is off. So

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<v Speaker 1>it's like I can speak to you on your terms,

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<v Speaker 1>but you can call me anytime you want. Actually, it's

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<v Speaker 1>that's not true. You're not easy to get either. The

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<v Speaker 1>big accommodation is absolutely no phones. When we eat, it's

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<v Speaker 1>a ritual, it's a ritual. And then when you sit

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<v Speaker 1>down that they're coming together over food and wine. It's

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<v Speaker 1>a sacrament. It's like we're all together now. But I

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<v Speaker 1>can see that My life as a producer involves this

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<v Speaker 1>constant communication and putting out fires of you know, all

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<v Speaker 1>the things that go wrong on sets with films and

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<v Speaker 1>television stuff, and it's it's it's it's a constant because

0:15:30.956 --> 0:15:33.756
<v Speaker 1>as a producer, you're like mom, It's like mom, something

0:15:33.796 --> 0:15:38.876
<v Speaker 1>else has gone wrong, and right, can you say what

0:15:38.956 --> 0:15:41.516
<v Speaker 1>you think is the strength of your marriage and what

0:15:41.756 --> 0:15:44.556
<v Speaker 1>is the weakness of your marriage that you have to

0:15:44.596 --> 0:15:47.796
<v Speaker 1>work on. I mean, it's not something that is just

0:15:47.876 --> 0:15:51.556
<v Speaker 1>kind of settled like a treaty, well, constantly negotiating and

0:15:51.636 --> 0:15:57.956
<v Speaker 1>constantly navigating each other. But a rock star to fall

0:15:57.996 --> 0:16:01.156
<v Speaker 1>in love with a rock star, big mistake is a

0:16:01.636 --> 0:16:04.676
<v Speaker 1>very dangerous thing to happen, isn't it. Where are you

0:16:04.796 --> 0:16:13.956
<v Speaker 1>going with this? I'm a romantic wie. It's a stereotype. Yeah,

0:16:14.276 --> 0:16:17.236
<v Speaker 1>it's only it's only partially true. How do you know though?

0:16:17.236 --> 0:16:20.276
<v Speaker 1>It's how do you know? You know? It used to

0:16:20.276 --> 0:16:26.036
<v Speaker 1>be really difficult with just feeling so jealous all the time.

0:16:26.276 --> 0:16:29.516
<v Speaker 1>That's right, Yeah, it was that, And I am a

0:16:29.636 --> 0:16:34.716
<v Speaker 1>very jealous person. So I've had to you're literally saying, so, yeah,

0:16:34.756 --> 0:16:37.436
<v Speaker 1>so I've had to sort of like look at what

0:16:37.996 --> 0:16:42.636
<v Speaker 1>where does my jealousy come from? And growing up, you know,

0:16:42.676 --> 0:16:47.636
<v Speaker 1>as one of three girls, being jealous about getting attention

0:16:48.356 --> 0:16:52.316
<v Speaker 1>was like something that we had in our household. Where

0:16:52.356 --> 0:16:56.876
<v Speaker 1>were you in the order? Middle? Yeah? Did you do

0:16:56.956 --> 0:16:59.516
<v Speaker 1>that with? So not to begin with, because I was

0:16:59.556 --> 0:17:04.276
<v Speaker 1>sort of like trying to, you know, really swallow my

0:17:04.436 --> 0:17:08.476
<v Speaker 1>pride about well I'm pretty too and I'm the girlfriend

0:17:08.556 --> 0:17:13.476
<v Speaker 1>now and to assert myself as getting through this sort

0:17:13.516 --> 0:17:16.876
<v Speaker 1>of like rage of young women saying to me like,

0:17:17.636 --> 0:17:22.596
<v Speaker 1>do you know how lucky you are, and I sort

0:17:22.596 --> 0:17:30.236
<v Speaker 1>of like he's a fucking lucky one, which I think

0:17:30.276 --> 0:17:35.196
<v Speaker 1>I did say a few times you must and now

0:17:36.276 --> 0:17:38.556
<v Speaker 1>you know, it's sort of like it goes away. It's

0:17:38.556 --> 0:17:41.676
<v Speaker 1>sort of like lessons. I felt that when I first

0:17:41.716 --> 0:17:44.676
<v Speaker 1>met Phil every woman in America wanted to be married

0:17:44.676 --> 0:17:46.916
<v Speaker 1>to him. In fact, when we got married, I got

0:17:46.996 --> 0:17:49.956
<v Speaker 1>letters saying how could you marry him? You know, a

0:17:50.036 --> 0:17:52.716
<v Speaker 1>woman wrote me and said, every morning at nine o'clock,

0:17:52.956 --> 0:17:55.356
<v Speaker 1>when my husband and children leave the house, I put

0:17:55.396 --> 0:17:58.156
<v Speaker 1>on my lipstick and turn on Phil show. I mean,

0:17:58.156 --> 0:18:02.516
<v Speaker 1>they actually had a fantasy about him. So it certainly

0:18:02.556 --> 0:18:04.956
<v Speaker 1>isn't the same as as with a rock star because

0:18:04.956 --> 0:18:08.076
<v Speaker 1>that's so sexual. And so I don't know. So did

0:18:08.076 --> 0:18:10.716
<v Speaker 1>you tell Stane, did you say, look, I'm having trouble

0:18:10.756 --> 0:18:14.476
<v Speaker 1>with this or don't. Well, he walks very fast, and

0:18:14.516 --> 0:18:20.196
<v Speaker 1>I used to like wear enormous high heels and Azadina

0:18:20.276 --> 0:18:23.556
<v Speaker 1>liar dresses and like be really kind of like dressed

0:18:23.596 --> 0:18:26.036
<v Speaker 1>to the nines when we were in public, and you know,

0:18:26.356 --> 0:18:29.356
<v Speaker 1>take a lot of effort to look so great and

0:18:31.516 --> 0:18:35.836
<v Speaker 1>sting to navigate hordes of people. He would be walking

0:18:35.876 --> 0:18:39.396
<v Speaker 1>like in front of me to get away from all

0:18:39.436 --> 0:18:42.956
<v Speaker 1>the crowds, thinking that I would be all right, and

0:18:43.036 --> 0:18:47.396
<v Speaker 1>I would sort of feel like, I look like six

0:18:47.436 --> 0:18:49.356
<v Speaker 1>inch heels, I can't keep up with you, And I

0:18:49.396 --> 0:18:52.436
<v Speaker 1>wouldn't keep up with you even if I was wearing sneakers,

0:18:52.476 --> 0:18:57.676
<v Speaker 1>because I saw that he was navigating that public persona

0:18:57.876 --> 0:19:02.036
<v Speaker 1>thing really bothered me. But then you know, we started

0:19:02.036 --> 0:19:05.876
<v Speaker 1>to We talked about, you know, jealousy issues and me

0:19:06.036 --> 0:19:09.716
<v Speaker 1>coming to terms with his public persona and his private

0:19:09.756 --> 0:19:13.036
<v Speaker 1>persona really nothing to do with each other. No, I've

0:19:13.036 --> 0:19:16.156
<v Speaker 1>been there too, Yeah, and I think it's jealousy is

0:19:16.956 --> 0:19:22.556
<v Speaker 1>in everybody's heart, everybody you get territorial. This is my guy, Yeah,

0:19:22.636 --> 0:19:25.476
<v Speaker 1>don't touch him. And I know the girls that I

0:19:25.556 --> 0:19:30.596
<v Speaker 1>know the women, I know all of the ones. As

0:19:30.596 --> 0:19:33.476
<v Speaker 1>soon as I come into a room, I go like

0:19:33.516 --> 0:19:35.916
<v Speaker 1>I have I can kind of pick him out. Oh yeah,

0:19:35.956 --> 0:19:40.796
<v Speaker 1>this one, I like that one. Be those I know

0:19:40.916 --> 0:19:45.116
<v Speaker 1>his taste in. Yeah, he's such a gentleman and very

0:19:45.676 --> 0:19:47.556
<v Speaker 1>enigmatic with the way that he does it. But of

0:19:47.596 --> 0:19:50.156
<v Speaker 1>course I know him so well. I know his body

0:19:50.236 --> 0:19:54.076
<v Speaker 1>language so well. I know every those eyes who have

0:19:54.156 --> 0:19:59.916
<v Speaker 1>they you know, they seemingly you know when I'm fancying

0:19:59.916 --> 0:20:03.596
<v Speaker 1>somebody on the on the cinema screen TV. I lean

0:20:03.716 --> 0:20:08.636
<v Speaker 1>over and I say, the third one on the right. Yeah. Well,

0:20:08.676 --> 0:20:10.796
<v Speaker 1>I love that you walk into a room and can

0:20:10.876 --> 0:20:14.836
<v Speaker 1>spot the ones. Yeah, that's so fascinating to me. Yeah yeah,

0:20:14.996 --> 0:20:18.156
<v Speaker 1>can you do that too? Yeah, he knows my taste

0:20:18.236 --> 0:20:21.716
<v Speaker 1>as well. Usually older men, I'm the youngest man. It's

0:20:21.716 --> 0:20:26.836
<v Speaker 1>true you lived together for how long before you ten years?

0:20:27.396 --> 0:20:30.756
<v Speaker 1>You lived together for ten years. We had three children

0:20:30.996 --> 0:20:33.756
<v Speaker 1>in the ten years that we lived together, So I

0:20:33.796 --> 0:20:38.996
<v Speaker 1>assume you you recommend that living together. Yeah, no, I

0:20:39.036 --> 0:20:43.916
<v Speaker 1>don't really. I think that I had no idea when

0:20:43.916 --> 0:20:46.236
<v Speaker 1>we got married. First of all, we got married because

0:20:46.236 --> 0:20:48.436
<v Speaker 1>our kids had started to be a bit bullied at

0:20:48.476 --> 0:20:52.516
<v Speaker 1>school because we moved from urban splendor London. You know,

0:20:52.596 --> 0:20:56.396
<v Speaker 1>everybody living together and not particularly being married, and that

0:20:56.476 --> 0:21:00.916
<v Speaker 1>was okay, But moving into the countryside in England is

0:21:00.956 --> 0:21:04.596
<v Speaker 1>a very different thing, and not being married and having

0:21:04.636 --> 0:21:07.436
<v Speaker 1>three kids going to school, it became an issue for

0:21:07.476 --> 0:21:10.996
<v Speaker 1>the kids. Why didn't you marry? I didn't re marry.

0:21:11.076 --> 0:21:13.876
<v Speaker 1>I think it was because I'm going so well for

0:21:14.236 --> 0:21:17.036
<v Speaker 1>I think that what I remember you saying is the

0:21:17.036 --> 0:21:21.396
<v Speaker 1>biggest failure that you ever felt, was that you failed

0:21:21.396 --> 0:21:25.676
<v Speaker 1>in a marriage, you failed your marriage, and that you

0:21:25.796 --> 0:21:31.596
<v Speaker 1>never wanted to fail again, and that I respected that.

0:21:31.996 --> 0:21:33.836
<v Speaker 1>So I think I was okay with it for a

0:21:33.836 --> 0:21:37.276
<v Speaker 1>few years. And then one of the kids came back

0:21:37.316 --> 0:21:40.076
<v Speaker 1>from school and said, somebody said I'm a bastard. Is

0:21:40.076 --> 0:21:48.836
<v Speaker 1>it true? I said, no, that's your dad. When you

0:21:48.956 --> 0:21:52.636
<v Speaker 1>got married, after living together and had these babies and all,

0:21:53.316 --> 0:21:56.396
<v Speaker 1>once you got married, did that change anything? Didn't make

0:21:56.436 --> 0:21:59.596
<v Speaker 1>it different now that you had signed this covenant. It

0:21:59.676 --> 0:22:06.316
<v Speaker 1>actually people gave truly much more respect and deference than

0:22:06.436 --> 0:22:09.596
<v Speaker 1>they did before. And then we were both I was

0:22:09.636 --> 0:22:12.956
<v Speaker 1>proud to say, this is my wife. Yeah. I remember

0:22:12.996 --> 0:22:17.876
<v Speaker 1>the first invitation that came to us after we were married.

0:22:18.356 --> 0:22:20.796
<v Speaker 1>It had always been even in the ten years that

0:22:20.836 --> 0:22:25.396
<v Speaker 1>we were together, these you know things that you're invited

0:22:25.436 --> 0:22:34.756
<v Speaker 1>to Sting and guest. It would really smash my feelings,

0:22:34.916 --> 0:22:40.956
<v Speaker 1>you know, and I would often decline or have somebody

0:22:40.996 --> 0:22:44.316
<v Speaker 1>call and say that Sting and Trudy would be delighted

0:22:44.356 --> 0:22:47.796
<v Speaker 1>to accept and whatever. But when I remember the first

0:22:47.796 --> 0:22:52.996
<v Speaker 1>invitation that came mister and missus Sumner, and I was like, oh,

0:22:53.036 --> 0:22:54.676
<v Speaker 1>and then you know, I didn't have to try so

0:22:54.796 --> 0:22:58.196
<v Speaker 1>bloody hard after that. So, what do you think makes

0:22:58.356 --> 0:23:05.996
<v Speaker 1>a marriage last? Luck? I don't discount that word that

0:23:06.076 --> 0:23:08.756
<v Speaker 1>it's when you say luck, you mean it's it's a

0:23:08.796 --> 0:23:12.836
<v Speaker 1>four thing. Yeah, but I think that we when we

0:23:12.916 --> 0:23:16.196
<v Speaker 1>look at someone's chemistry with each other and there's an

0:23:16.236 --> 0:23:20.836
<v Speaker 1>instant like I know I like you. In our case,

0:23:20.996 --> 0:23:23.996
<v Speaker 1>we laughed at the same things, and we noticed that

0:23:24.036 --> 0:23:28.276
<v Speaker 1>we laughed at the same things. We were similar ages,

0:23:28.436 --> 0:23:34.276
<v Speaker 1>we're from similar backgrounds, our terms of reference, nostalgias are

0:23:34.316 --> 0:23:37.956
<v Speaker 1>the same. You know, our brand of humor is the same.

0:23:38.036 --> 0:23:43.116
<v Speaker 1>And I remember there was a there's a wonderful quote

0:23:43.156 --> 0:23:48.476
<v Speaker 1>from Jean Paul Sartre's wife. She said, why share a

0:23:48.556 --> 0:23:50.516
<v Speaker 1>room when you can share the world? And we do

0:23:50.636 --> 0:23:54.036
<v Speaker 1>share the world, and she was right. It's like I

0:23:54.076 --> 0:23:58.476
<v Speaker 1>feel him almost, you know, in his absences where he is,

0:23:58.516 --> 0:24:01.956
<v Speaker 1>and I sometimes my intuition tells me I don't think

0:24:02.076 --> 0:24:04.836
<v Speaker 1>things very well today, and I'll call and you know,

0:24:04.876 --> 0:24:07.716
<v Speaker 1>I can feel that. You know you're in my orbit.

0:24:07.756 --> 0:24:10.636
<v Speaker 1>Do you feel that? Yeah, you just sort of psychically

0:24:10.716 --> 0:24:14.876
<v Speaker 1>get connected up, especially when we're traveling. Yeah, exactly. And

0:24:14.956 --> 0:24:18.036
<v Speaker 1>I get great excitement when Sting's been away. You know,

0:24:18.156 --> 0:24:21.316
<v Speaker 1>I'll pretty myself up for his return, and my heart

0:24:21.316 --> 0:24:24.396
<v Speaker 1>will beat faster. I know he's coming home. He's coming

0:24:24.436 --> 0:24:28.076
<v Speaker 1>home today, and I'll be as giddy as the young girl.

0:24:28.676 --> 0:24:33.116
<v Speaker 1>You know that's great. So there you have it, the

0:24:33.236 --> 0:24:38.236
<v Speaker 1>unbreakable bond between Sting and Trudy Styler. Until next time.

0:24:38.836 --> 0:24:41.876
<v Speaker 1>I'm Phil down A Hue and I'm Marlowe Thomas. I

0:24:41.916 --> 0:24:46.396
<v Speaker 1>think we've tortured. It's just the most wonderful thing to

0:24:46.396 --> 0:24:50.396
<v Speaker 1>talk to such an inspiring couple as you so much.

0:24:50.916 --> 0:24:52.796
<v Speaker 1>I don't blame you for marrying each other. I would

0:24:52.796 --> 0:24:55.516
<v Speaker 1>have married either one of you any time. You're adorable,

0:24:56.116 --> 0:25:00.236
<v Speaker 1>both of you. Double Data is a production of Pushkin Industries.

0:25:00.476 --> 0:25:03.836
<v Speaker 1>The show was created by US and produced by Sarah Lily.

0:25:04.476 --> 0:25:08.996
<v Speaker 1>Michael Bahari is associate producer. Musical adaptations of It Had

0:25:09.116 --> 0:25:13.356
<v Speaker 1>to Be You by Sellwagon, Sympinette Marlo and I are

0:25:13.436 --> 0:25:19.356
<v Speaker 1>executive producers, along with Mia Lobel and Letal Molad from Pushkin.

0:25:20.236 --> 0:25:26.276
<v Speaker 1>Special thanks to Jacob Wiseburg, Malcolm Gladwell, Heather Faine, John Snars,

0:25:26.716 --> 0:25:33.316
<v Speaker 1>Carly Migliori, Eric Sandler, Emily Rostak, Jason Gambrel, Paul Williams,

0:25:33.556 --> 0:25:38.236
<v Speaker 1>and Bruce Kluger. If you like our show, please remember

0:25:38.276 --> 0:25:42.236
<v Speaker 1>to share, rate, and review. Thanks for listening.