1 00:00:00,280 --> 00:00:02,000 Speaker 1: This Day in History Class. It's a production of I 2 00:00:02,080 --> 00:00:07,080 Speaker 1: Heart Radio. Hey, I'm Eves, and you're listening to This 3 00:00:07,160 --> 00:00:10,440 Speaker 1: Day in History Class, a podcast that proves history is 4 00:00:10,480 --> 00:00:24,560 Speaker 1: always happening today. It's December eighteen nineteen. The day was 5 00:00:24,600 --> 00:00:29,360 Speaker 1: December eighteen eight two. The ballet The Nutcracker premiered at 6 00:00:29,360 --> 00:00:33,519 Speaker 1: the Marinsky Theater in St. Petersburg, Russia. The ballet has 7 00:00:33,520 --> 00:00:37,040 Speaker 1: since been performed many times around the world, and Pyotr 8 00:00:37,120 --> 00:00:41,240 Speaker 1: Iliot Tchaikovsky's score is one of his most famous compositions. 9 00:00:42,280 --> 00:00:45,199 Speaker 1: Prussian author E. T. A. Hoffman wrote the story The 10 00:00:45,280 --> 00:00:48,600 Speaker 1: Nutcracker and the Mouse King, which was first published in 11 00:00:48,680 --> 00:00:52,160 Speaker 1: eighteen sixteen. In the story, a seven year old girl 12 00:00:52,240 --> 00:00:55,840 Speaker 1: named Marie stall Bomb gets a Nutcracker doll for Christmas. 13 00:00:56,200 --> 00:00:58,520 Speaker 1: When she falls asleep after getting her presence on the 14 00:00:58,640 --> 00:01:01,600 Speaker 1: night of Christmas Eve, the Nutcracker leads her dolls in 15 00:01:01,640 --> 00:01:05,839 Speaker 1: battle against the mouse King. In the end, Marie breaks 16 00:01:05,840 --> 00:01:09,160 Speaker 1: occurs that was on the Nutcracker, and he comes alive 17 00:01:09,280 --> 00:01:12,119 Speaker 1: and takes Marie to the doll Kingdom, where she marries 18 00:01:12,240 --> 00:01:16,920 Speaker 1: him and becomes queen. French author Alexandra Dumas adapted the 19 00:01:16,920 --> 00:01:23,120 Speaker 1: story in eighteen forty four, in Ivan Savloski, the director 20 00:01:23,160 --> 00:01:27,640 Speaker 1: of Moscow's Imperial Theaters, commissioned Russian composer Tchaikovsky to compose 21 00:01:27,680 --> 00:01:32,080 Speaker 1: a ballet and an opera. The opera he composed was Iolanta, 22 00:01:32,440 --> 00:01:35,440 Speaker 1: a lyric opera in one act. It was his eleventh 23 00:01:35,480 --> 00:01:38,480 Speaker 1: opera and the last one he completed, and the ballet 24 00:01:38,600 --> 00:01:42,640 Speaker 1: was The Nutcracker, his last ballet. Tchaikovsky was not too 25 00:01:42,640 --> 00:01:45,399 Speaker 1: happy with using the story of the Nutcracker as the 26 00:01:45,440 --> 00:01:48,960 Speaker 1: subject of a ballet, but by March he had composed 27 00:01:49,040 --> 00:01:53,000 Speaker 1: some of the scenes. Tchaikovsky was a fan of the celesta, 28 00:01:53,120 --> 00:01:55,720 Speaker 1: a keyboard instrument, and he decided to use it in 29 00:01:55,720 --> 00:01:59,200 Speaker 1: a symphonic ballot, the Voyevoda, as well as The Nutcracker. 30 00:02:00,240 --> 00:02:02,600 Speaker 1: The celesta is famously featured in the dance of the 31 00:02:02,640 --> 00:02:06,360 Speaker 1: Sugar Plum Ferry, and Act two of the ballet selections 32 00:02:06,400 --> 00:02:09,080 Speaker 1: were first performed as an orchestral suite. In March of 33 00:02:09,160 --> 00:02:13,239 Speaker 1: eighteen ninety two, Pyotr Jurgensen published the full score of 34 00:02:13,280 --> 00:02:17,120 Speaker 1: the ballet and the piano arrangements by Surggey tan Yebev. 35 00:02:17,240 --> 00:02:23,200 Speaker 1: That same year, Ivan Sevloski and Marius Petipa based libretto 36 00:02:23,360 --> 00:02:25,920 Speaker 1: or the text of the ballet on Duma's version of 37 00:02:25,919 --> 00:02:30,240 Speaker 1: The Nutcracker. The ballet premiered along with Io Lanta at 38 00:02:30,280 --> 00:02:34,480 Speaker 1: the Imperial Marinsky Theater on December eighteen, eighteen ninety two. 39 00:02:35,480 --> 00:02:39,440 Speaker 1: Ricardo Drigo was the conductor and lev Ivanov produced the ballet. 40 00:02:40,520 --> 00:02:44,200 Speaker 1: Some of the principal performers were Stanislava Blinska as Clauda, 41 00:02:44,680 --> 00:02:49,079 Speaker 1: Surgey Lagat as the Nutcracker Prince, and to Mafecedkolkin as 42 00:02:49,160 --> 00:02:53,919 Speaker 1: jossel Meyer. Previously, Tchaikovsky and Petipa worked on The Sleeping 43 00:02:53,960 --> 00:02:57,720 Speaker 1: Beauty together and it was a success. So The Nutcracker 44 00:02:57,760 --> 00:03:02,000 Speaker 1: opened to a full house, but the ballet got poor reactions. 45 00:03:02,360 --> 00:03:05,359 Speaker 1: Tchaikovsky wrote that it was staged well, but the audience 46 00:03:05,400 --> 00:03:08,079 Speaker 1: did not like it and was bored. Critics thought the 47 00:03:08,160 --> 00:03:12,600 Speaker 1: choreography and libretto were lackluster, and years later, the turbulence 48 00:03:12,600 --> 00:03:15,280 Speaker 1: and danger caused by the Russian Revolution of nineteen o 49 00:03:15,440 --> 00:03:18,960 Speaker 1: five lead dancers in the Marinsky Theater to flee Russia. 50 00:03:20,000 --> 00:03:23,560 Speaker 1: Though the original production of the ballet was unsuccessful, Tchaikovsky 51 00:03:23,639 --> 00:03:25,919 Speaker 1: compiled a suite of eight numbers from the ballet for 52 00:03:26,000 --> 00:03:30,200 Speaker 1: concert performance that was successful. As performances of The Nutcracker 53 00:03:30,240 --> 00:03:33,320 Speaker 1: began to be staged throughout the West, the ballet itself 54 00:03:33,400 --> 00:03:37,400 Speaker 1: grew more popular. It spread to Hungary, England, the US, 55 00:03:37,600 --> 00:03:41,680 Speaker 1: and other places in Europe and North America. Many movies 56 00:03:41,720 --> 00:03:45,640 Speaker 1: have since used the Nutcrackers music, including Disney's nineteen forty 57 00:03:45,640 --> 00:03:49,320 Speaker 1: film Fantasia, and more people have seen The Nutcracker than 58 00:03:49,360 --> 00:03:52,960 Speaker 1: any other ballet. It's a Christmas time favorite for many 59 00:03:53,000 --> 00:03:56,520 Speaker 1: ballet companies around the world, and plenty of productions have 60 00:03:56,600 --> 00:04:01,440 Speaker 1: made the libretto and choreography their own. I'm each Jeffcote 61 00:04:01,480 --> 00:04:04,120 Speaker 1: and hopefully you know a little more about history today 62 00:04:04,320 --> 00:04:07,600 Speaker 1: than you did it yesterday. Spend some of your daily 63 00:04:07,680 --> 00:04:11,560 Speaker 1: social media time with us at t D I h 64 00:04:11,800 --> 00:04:15,600 Speaker 1: C podcast and if you would like to write me 65 00:04:15,640 --> 00:04:18,799 Speaker 1: a letter, you can scan it, turn it into a PDF, 66 00:04:18,960 --> 00:04:21,840 Speaker 1: and send it to us via email at this Day 67 00:04:21,960 --> 00:04:25,640 Speaker 1: at I heeart media dot com. Thanks for listening, and 68 00:04:25,680 --> 00:04:33,200 Speaker 1: we'll see you again tomorrow. For more podcasts from I 69 00:04:33,240 --> 00:04:36,040 Speaker 1: Heart Radio, visit the iHeart Radio app, Apple Podcasts, or 70 00:04:36,080 --> 00:04:37,680 Speaker 1: wherever you listen to your favorite shows.