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Speaker 1: Look mare, Oh, I see you my own look over

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Speaker 1: there is that culture. Yes, goodness, wow, lost culture ding

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Speaker 1: dong last Culturista's calling. This actually is another in the

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Speaker 1: series of recording at homes.

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Speaker 2: Recording at homes. Wonder what that's about. It's cozy, it's fall, happy,

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Speaker 2: Scorpio season, my sister.

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Speaker 1: Oh my gosh, we're in Bowen's house and at scorpio season.

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Speaker 1: You kind of have the floor. What do you want

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Speaker 1: to say?

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Speaker 2: I say, everyone dress in all dark colors. Everyone shoplift

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Speaker 2: a little yes, fuck your boss.

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Speaker 1: Just kidding. Don't do any of those things, especially not

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Speaker 1: wear dark clothes. Let's break that, break the pattern pattern.

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Speaker 1: I am loving dressing for the fall.

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Speaker 2: I have not heard you so clearly state your not

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Speaker 2: only distaste for summer, but love of the colder season.

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Speaker 1: It has been the highlight of my year being here

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Speaker 1: in New York City. Now, like the October flesh and

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Speaker 1: the flannel cure. November sorry, fuck well, I'm sure November

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Speaker 1: will be grade too. Untilor was right about that one.

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Speaker 1: When I got here, Bowen was playing Cruel Summer, contributing

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Speaker 1: to the number one hit.

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Speaker 2: I mean, I don't have to contribute anymore. I'm doing

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Speaker 2: it for my own enjoyment period.

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Speaker 1: I mean, congrats to her, by the way, ten number ones,

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Speaker 1: and later we will rank all ten number ones. Look

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Speaker 1: forward to that one later.

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Speaker 2: Brother, let's talk about my sister's huge, huge ALP musical release.

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Speaker 2: I was gonna say album released, but not yet album incoming.

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Speaker 2: I mean, let's talk about it. I have a song

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Speaker 2: with Muna that is so sligh. You know, they say

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Speaker 2: I can die now. I genuinely if I if I

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Speaker 2: were to be hit by let's say of us, at

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Speaker 2: least let's just say of us, I at least would

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Speaker 2: have probably in my you know, what do they call

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Speaker 2: the post mortem when they write about you and the obituary? Girl,

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Speaker 2: obituary or do you mean like the autopsy?

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Speaker 1: Okay, well, if they cut open my body and could

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Speaker 1: see my heart, it would be a flow gratitude. Yeah,

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Speaker 1: but in my obituary it probably would read he had

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Speaker 1: a song with Muna and then I I could die now,

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Speaker 1: because I know it will say.

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Speaker 2: In the first sentence. Yeah, period, he had a song

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Speaker 2: with Muna. Matt Rogers, age thirty three, was struck by

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Speaker 2: an energy efficient city bus.

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Speaker 1: At least that at least at least you helped. I mean,

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Speaker 1: at least I know that while the energy that was

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Speaker 1: being used to run me over, Yeah, at least it

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Speaker 1: was clean. At least it's not going to be a

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Speaker 1: harmful I don't think you should even joke about this,

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Speaker 1: because you would be distraught if I were to get

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Speaker 1: hit by a bus out there.

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Speaker 2: Oh my god, No, I can't even think about this.

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Speaker 2: I would be so sad. At least it would be

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Speaker 2: durting the fall, knowe, No, no, yeah, you're right, we

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Speaker 2: can't know. I mean reader Katie's publics as finalists. I'm

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Speaker 2: genuinely so immediately sad now that I'm thinking about this.

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Speaker 2: By the way, I am not feeling my best. And

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Speaker 2: the one has what we think is an ear infection.

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Speaker 1: Yeah, and I've come to his home and he's wearing

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Speaker 1: all sweats and the lights were damn. He was eating

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Speaker 1: what was it you were having Kung shu fu ramen?

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Speaker 2: There we go to the famous Chinese ramen that is

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Speaker 2: I think better than some of the Korean and Japanese stuff.

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Speaker 1: Sorry, looks like you meant to start with that statement.

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Speaker 1: But things were feeling cozy in here, like a sick

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Speaker 1: boy was living here. So I've come over and I

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Speaker 1: of course smoked a little weed and then handed him

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Speaker 1: the joint and then I smoked at myself. So that's

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Speaker 1: how we sisters do. We get each other sick. And

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Speaker 1: you did give me COVID recently, I did, And by

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Speaker 1: you gave me COVID, I mean I got COVID directly

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Speaker 1: after you. It could have been the other way around.

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Speaker 1: So it was would you rather have been from someone else? No,

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Speaker 1: I'm gonna get covid. I wanted. I want at least

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Speaker 1: contracted from you. But you were doing that thing of apologizing,

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Speaker 1: and I was like, no one should ever apologize at

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Speaker 1: this point, It's out there.

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Speaker 2: I apologizing that I was around you guys that you

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Speaker 2: knew I didn't know.

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Speaker 1: You knew well. You tested positive. Look to the stick

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Speaker 1: and you looked devilishly in the mirror at your reflection

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Speaker 1: and said coming to me and Sudie. And you walked

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Speaker 1: in and said, give me a hugs, sister, smiling all

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Speaker 1: the way. As I contracted the virus, the curl virus

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Speaker 1: nineteen nineteen.

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Speaker 2: You got to do a song with your favorite band.

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Speaker 2: Is that a true statement?

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Speaker 1: It is? Do you know what I was so nervous

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Speaker 1: and scared to call them up, and Brett was like, Oh,

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Speaker 1: we should FaceTime her right now. We should FaceTime Katie

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Speaker 1: right now. And I was just like I had been

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Speaker 1: through like four drafts of like a notesapp thing to

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Speaker 1: like send them, and I was like, we can't just

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Speaker 1: call and he was like, you know we can. We're

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Speaker 1: gonna do it right now, huh. And I was like okay,

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Speaker 1: because he's one of those people that's like such a

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Speaker 1: we're gonna do it self starter, right And I'm the

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Speaker 1: kind of person I don't know how you feel, but

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Speaker 1: I'll put her around anxiously before I do anything. Between

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Speaker 1: you and Brett.

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Speaker 2: Yeah, you guys are a great team because you get

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Speaker 2: to pull the other in a direction of your choice.

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Speaker 1: Yeah. Brett is Leland, by the way, who produced and

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Speaker 1: co wrote the track with me, and we called she

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Speaker 1: said yes immediately, and then she sent over the track

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Speaker 1: like pretty much the next day, and we heard her

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Speaker 1: voice on it and literally just collapsed in each other's arms.

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Speaker 1: I was like, because this is his second Moon of

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Speaker 1: feature and it was obviously my first, and I was

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Speaker 1: just like, oh my god, it just made the song

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Speaker 1: so much better. I'm so happy, and then she was

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Speaker 1: in the video.

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Speaker 2: Comedy performance Kick she should act the direct like it

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Speaker 2: was Chris miss right right, she killed it. She killed it,

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Speaker 2: but just that move on here, yeah.

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Speaker 1: Giving pop star the whole time. It was so good

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Speaker 1: and I loved the discussion and the lead up about

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Speaker 1: what she would wear. And she she texted me and

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Speaker 1: she goes, should I just be like a slutty pop

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Speaker 1: girly version of you? I was like, yeah, yeah, you should,

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Speaker 1: that's exactly you should shop and she did. She looks unbelievable,

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Speaker 1: was so funny. She should act and made the whole

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Speaker 1: thing better and Jared Frieder crushed it. We co directed it.

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Speaker 1: Now talk about this part. How'd it feel to be

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Speaker 1: in the director's chair? We Love We Love because I

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Speaker 1: wrote up the treatment. So basically my two favorite music

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Speaker 1: videos of all time are Gwen Stefani Cool, which we've

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Speaker 1: talked about. I'd nause him on this podcast, definitely inspired

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Speaker 1: the video, and then also Moon five She Will Be

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Speaker 1: Love with Iconic Star turn by Kelly Preston. Yes, it's

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Speaker 1: like narrative in the way that I didn't know I

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Speaker 1: could do by myself. So brought Jared in and he

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Speaker 1: just like crushes. He's so good at what he does.

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Speaker 1: Jared frieda direct that.

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Speaker 2: Direct that previous guest on the podcast.

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Speaker 1: If you're not familiar, He's eatened to come over again tonight.

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Speaker 1: He threatened to I can't have guests, no, only me,

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Speaker 1: so sorry. He did the Jared thing, which was I

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Speaker 1: was like, I'm going over to Bones to record the episode.

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Speaker 1: He goes, okay, I'll come. Uh huh. I was like okay,

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Speaker 1: and then he was like he looked at me, like really,

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Speaker 1: and I was like, no, but he can come another time.

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Speaker 1: I would have loved to have had him if I

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Speaker 1: wasn't ill. Do you know what I mean? Yes, it's

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Speaker 1: actually very sort of I'm not gonna say chic, but

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Speaker 1: it's apt of you to be sick now in the

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Speaker 1: fall time, because this is when this is when it

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Speaker 1: goes around. Girl. Look at you getting your liquids. He's

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Speaker 1: absolutely sucking down water.

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Speaker 2: By the way, are you on these Stanley cups?

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Speaker 1: Babe? I'm a Stanley girl. I've earned money from Stanley.

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Speaker 1: They took me to Sundance. Really, girl, I speak for Stanley.

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Speaker 1: I have a partner. I had no idea girl, get

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Speaker 1: in on this with me. Are you obsessed. First of all,

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Speaker 1: they set me their sixty four ounce cup that is

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Speaker 1: all the water you need in a day. And I'm

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Speaker 1: looking over there and there is clearly whatever is in

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Speaker 1: that huge canister is all you would need in today

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Speaker 1: is all I would need a day. And you want

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Speaker 1: to know something, I drink more period because you get

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Speaker 1: excited to drink it because you what feel like a

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Speaker 1: Stanley girl? Can I tell you what I wanted to

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Speaker 1: say when you and Sudy were talking about the but

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Speaker 1: and I love that for you who had those huge,

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Speaker 1: huge bottles, the sixty four rounds bottles that had like

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Speaker 1: the markers and the little like stupid little pep talks

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Speaker 1: on the side. What what were you wanted to say

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Speaker 1: to us celest.

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Speaker 2: Sarah and I got them at the office. Yes, tried

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Speaker 2: it for a week. We were both like, this isn't fun.

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Speaker 1: Oh why because it's like it feels like a chore.

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Speaker 2: It feels like a chore aesthetically those bottles are discussed

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Speaker 2: to know, no, and like I don't need to be

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Speaker 2: like patronized, infantilized by this fucking water bottle with its words.

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Speaker 1: And then when this came mm hmm, I thought Wow, yeah,

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Speaker 1: like this is I'm sorry. I'm all about the style,

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Speaker 1: and this has the style. It will never go out

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Speaker 1: of style. It's classic, it's clean. I know you love

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Speaker 1: that logo. It's a gorgeous logo and I bear with

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Speaker 1: the wings. It's exciting to see you so immediately taken

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Speaker 1: by an enthusiastic about a logo on a fond because

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Speaker 1: that's how I know the product is top notched, because you,

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Speaker 1: my sister, have a discerning eye when it comes to that.

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Speaker 1: I just want kind of can you head it to me?

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Speaker 1: Can I just look at it and hold it?

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Speaker 2: Stanley not not sponsored by the way.

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Speaker 1: Unpaid, unpaid. Look at that Gorgia. Hear her saying, this

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Speaker 1: is sounds of Staley. Oh, this sounds of Stalica. Oh

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Speaker 1: more to come later. That one is gonna become a

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Speaker 1: full bop. Wait what it calls? What this song? Which song?

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Speaker 1: My song? This is the sound of the song. This

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Speaker 1: is the sound of the Staley cup. I think we're

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Speaker 1: gonna find it.

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Speaker 2: My god, I think you have like a Paul Diamond

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Speaker 2: Graceland ESK album.

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Speaker 1: And you you are too kind to me. What are

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Speaker 1: you gonna do next? Handy twenty thousand dollars or just mine.

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Speaker 1: This one is too good to me. I literally, I

200
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Speaker 1: am so happy to see you enjoying the stand life.

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Speaker 1: It makes me so It looks so pathetic and sick

202
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Speaker 1: right now. You don't look like you could take on

203
00:10:02,360 --> 00:10:06,439
Speaker 1: the world, but I'm here with you. Describe my posture.

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Speaker 1: I'm like, shoulders, you look like someone in a rom

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Speaker 1: com who gets broken up with you. Look like Diane

206
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Speaker 1: Lane In like before she starts to like take her

207
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Speaker 1: own life by the balls. You know what I mean.

208
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Speaker 1: Like it's giving Gracie heart Not yet, Gracie Lufrey Bush right,

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Speaker 1: Oh wow?

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Speaker 2: Not in like I look like I look like a

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Speaker 2: fucking butch FBI agent in the form of Sandra Bulla.

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Speaker 1: You really do, Honestly, this is giving I'm off due

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Speaker 1: to FBI.

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Speaker 2: You know what I always loved Miss Congeniality is that

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Speaker 2: scene that you see her go home, like in the beginning,

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Speaker 2: in the first time, where you see her go home.

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Speaker 1: To a shithole, to a shithole.

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Speaker 2: She takes out a TV dinner, pokes holes in it

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Speaker 2: with her fork, puts in the microwave, punches a little

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Speaker 2: punching bag, and sleeps in her shitty disgustings.

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Speaker 1: And her hair is like massy.

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Speaker 2: I say, filming I'm getting home scenes must be very difficult.

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Speaker 2: I have not had to do that, girl.

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Speaker 1: I think it would be easy, because you know, all

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Speaker 1: you have to do is channel how tired you are.

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Speaker 2: But I think it's so hard to like fake familiarity.

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Speaker 2: And this is just what I'm thinking, Like it's like, Okay,

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Speaker 2: I need to spend at least four days on this

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Speaker 2: apartment set, yeah, before we roll, because I need to.

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Speaker 2: I need to make this feel like.

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Speaker 1: You need to marry in the atmosphere. You're actually making

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Speaker 1: an incredible point about that scene. And I know she

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Speaker 1: is and I had never really thought of this before,

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Speaker 1: but she is not discovering at all. She is totally

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Speaker 1: at home. There is no doubt that that shit box

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Speaker 1: is her apartment. She is at home there. This is

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Speaker 1: why Sandra Bullock is being given the award that she's

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Speaker 1: being given today by us, which is Sandra Bullock, you

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Speaker 1: are the Actress of the Millennium.

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Speaker 2: You will be awarding and honoring you at next year's

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Speaker 2: Last Cultures Culture Awards.

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Speaker 1: Be there, Sandra, you are the Actress of the Millennium.

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Speaker 1: And this is a developing story.

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Speaker 2: The way that woman carries herself. Oh yeah, what an

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Speaker 2: honor to be alive at the same time she is.

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Speaker 1: Babe. Let me tell you something. One word that doesn't

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Speaker 1: get said enough in this context. Gravity Gravity. We talked

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Speaker 1: about gravity all the time. Things might be falling down,

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Speaker 1: things might be falling down all around us. But I

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Speaker 1: want to hear the word gravity use more in context

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Speaker 1: with this film. Yes, it should be the number one

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Speaker 1: thing when you search gravity in Wikipedia. Should be this

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Speaker 1: film and her performance, not what happens when you drop

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Speaker 1: something from the air.

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Speaker 2: I want the tiktoks to be not about you know,

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Speaker 2: it's not like a video of some woman and then

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Speaker 2: it says gravity. Be like, yeah, woman goes, that's right,

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Speaker 2: put down for real, for real, real, for real if

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Speaker 2: you know you now. But I think that's one of

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Speaker 2: the funniest memes ever.

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Speaker 1: Men, not us being on this podcast being like, you

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Speaker 1: know what we're gonna talk about and spend energy on

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Speaker 1: memes and the Stanley Girl. I did not expect this

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Speaker 1: going on. Katies are eating this week. I have I

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Speaker 1: have an earth shattering and I don't think so, honey,

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Speaker 1: you do, yes, stay tuned to think that is still

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Speaker 1: to come, and we're gonna rank the tailor swift number

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Speaker 1: one hits. Wow.

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Speaker 2: You literally don't know what's coming for you, all of you.

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Speaker 2: I'm looking at my sister. You don't know what's coming.

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Speaker 1: It's like Sweeps. It's like November Sweep and it's like

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Speaker 1: the trailers leading up to like a big moment. You

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Speaker 1: will never be the same.

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Speaker 2: I will I miss sweeps and sweeps culture. We wouldn't

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Speaker 2: have gone code black.

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Speaker 1: If a word for sweeps, there would not be any

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Speaker 1: of the most memorable episodes of any of these shows

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Speaker 1: had it not been for Sweeps. And that is sweeps culture.

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Speaker 1: Sweeps culture was TV culture, and that's rule of culture

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Speaker 1: Umber six. Sweeps culture was TV culture. I think.

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Speaker 2: I said this recently and it's staying with me. And

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Speaker 2: I hate to talk about work, but like you know,

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Speaker 2: I was doing like final interviews for Dix and then

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Speaker 2: like people were asking me, like, oh my god, what

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Speaker 2: was Travis and Taylor like when they came Yesta No,

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Speaker 2: And my answer was like, you know what, it reminds

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Speaker 2: me that like live TV, lets you do things like that, Yeah,

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Speaker 2: and like really surprise people and like and I said,

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Speaker 2: quite literally, streaming could.

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Speaker 1: Never Yeah, you know what I mean, literally could never work.

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Speaker 2: So is it so crazy? I don't even watch Love

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Speaker 2: Is Blind anymore. But the fact that they couldn't get

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Speaker 2: that Live finale right, that Ritian right is so embarrassing.

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Speaker 2: I know it's been like a couple of years at

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Speaker 2: this point, or like a year and a half. That

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Speaker 2: is a huge embarrassment for Netflix. Oh yeah, anyway, not

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Speaker 2: to be.

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Speaker 1: No, I mean, like I think, and also not for nothing,

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Speaker 1: but you know what would have been a huge moment

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Speaker 1: if we had sweeps culture even like event dies television

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Speaker 1: culture anymore. The Aiden thing on and just like that

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Speaker 1: wouldn't have been really, the Samantha thing, this thing wouldn't

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Speaker 1: have been really And then those would have been moments

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Speaker 1: and we can never get those. No, it's sad, It's

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Speaker 1: really sad.

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Speaker 2: Yeah, no, we're genuinely like, if I think too hard

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Speaker 2: about it, I'm like, I cry why hard?

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Speaker 1: First of all, can I say you literally, also, you

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Speaker 1: took a fall, You took a tumble, bo went hurt

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Speaker 1: his shoulder, and the circumstances, the circumstances are not necessarily important,

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Speaker 1: but he took a fall. I took a fall at work.

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Speaker 1: Let's just say that.

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Speaker 2: Let's just say there was a sketch where there's pandemonium

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Speaker 2: going on in the background and I was told to

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Speaker 2: run away and check Molly Carney in the shoulder, and

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Speaker 2: guess what happened. I spun into a fall.

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Speaker 1: You ever hear that done into a fall? Like I

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Speaker 1: was a damn fucking pinwheel? You know what? Though, at

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Speaker 1: least like if it had gone really wrong, yeah, I

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Speaker 1: could have gone much worse. The headline would have been

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Speaker 1: Bowen Yang spills into fall in your cell face all

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Speaker 1: for SNL sketch, mostly background role. I don't mind that. No,

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Speaker 1: I know there are no small parts. There are no

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Speaker 1: small parts. You say that every single day you call

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Speaker 1: me like, and you somehow work into every every conversation

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Speaker 1: we have, every single one. You say you know there's

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Speaker 1: no small part. I don't know. It applies to a

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Speaker 1: lot I I do incorporate into every conversation we have. Listen,

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Speaker 1: was there anything you want to say on this podcast

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Speaker 1: about the after party and the experience of being around

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Speaker 1: Lady Gaga? Because we said it in our ninety two

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Speaker 1: Street and why but we do not say here? Do

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Speaker 1: you want to tell the readers about something that happened

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Speaker 1: momentous in your life.

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Speaker 2: It was a momentous. I haven't even really processed it.

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Speaker 2: We even talked about this exact scenario a few episodes ago. Yes,

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Speaker 2: this is me meeting the person that I cannot imagine

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Speaker 2: meeting because I don't know how I would behave meeting.

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Speaker 2: And interestingly, right now I know. So we're at the

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Speaker 2: meeting between Dress and Air. We're on the studio floor.

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Speaker 2: It's like two three hundred people who work there, all

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Speaker 2: listening to Lauren talk about the sketches that are making

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Speaker 2: it to air. Mine got cut, no problem. I was

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Speaker 2: totally fine with it. Actually, I was like, you know what,

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Speaker 2: I don't need to have a little thing in this.

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Speaker 2: This is such a strong show for other people. It's

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Speaker 2: an amazing show overall. Anyway, lor goes and Lady Gaga

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Speaker 2: will be introducing the first song, and then I screamed,

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Speaker 2: in my baggiest moment in my entire time working there.

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Speaker 1: Lady Gaga. Everyone gassed, giggled, screamed.

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Speaker 2: Lurne was like, well, she's not the Lady Gaga, She's

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Speaker 2: Lady Gaga.

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Speaker 1: Was like, I think he was just trying to you

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Speaker 1: know what.

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Speaker 2: Lauren loves to be a little little zinger.

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Speaker 1: He was like, she's not do Larry to Gars. Larry

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Speaker 1: Gar like basically say, I'm like, yeah, she's a normal girl.

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Speaker 1: I know.

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Speaker 2: I think he was trying to like he was telling me, like,

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Speaker 2: you're saying, Bowen, calm down, up, he's Meryl streetened out.

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Speaker 1: He was saying, he's streeting. Sorry, go ahead, No, that's

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Speaker 1: and then later later I have doubts, no girl later

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Speaker 1: in the night when you met the girl, I thought

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Speaker 1: he was saying, later later in the movie, what else

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Speaker 1: was another line and say the rest of us, friend

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Speaker 1: have to set doubts. Later she comes out, she introduces

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Speaker 1: bad buddy.

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Speaker 2: She said, wait, are never yorco The reason why she

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Speaker 2: did that is very clever and I can't really get

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Speaker 2: into it. Yeah, but the reason she did that is genius.

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Speaker 1: Yeah. Yeah.

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Speaker 2: Anyway, we go to the after party. Matt and I

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Speaker 2: actually saw Titanice once with Bobby Campbell, her amazing, incredible manager,

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Speaker 2: he's so lovely, and his partner Robert, and then Bobby

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Speaker 2: grabs me.

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Speaker 1: Well, actually Bobby did not grab me. Was Robert who

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Speaker 1: grabs me. Robert's like, you have to meet Stephanie. I said,

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Speaker 1: oh no, I literally was like, no, no response, No

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Speaker 1: true your response.

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Speaker 2: I was like, oh no, that's okay. I really can't.

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Speaker 2: I wasn't even gawking at her, like she was sitting

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Speaker 2: in my eyeline, like from my table. I was like,

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Speaker 2: I can't look at her. I can't like I can

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Speaker 2: acknowledge that she's here. I just this is really overwhelming.

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Speaker 2: But then Robert dragged me over in the nicest ways.

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Speaker 1: I will, but then.

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Speaker 2: I feel like I feel that feeling she was deep

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Speaker 2: in conversation with someone else, and then she says hello.

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Speaker 2: She says it's so nice to meet you, and she

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Speaker 2: says you're so funny. I think she just like knew

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Speaker 2: me as a cast member, but.

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Speaker 1: Yeah, didn't really. She doesn't know that you stand, so.

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Speaker 2: She doesn't know that I stand. So I don't think

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Speaker 2: she has ever clocked me being on the show other

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Speaker 2: than that night. She had no idea what I was about.

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Speaker 2: In terms of her, Well.

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Speaker 1: She lives on Chromatica and she's been she's been Harley

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Speaker 1: Quinn for about a year and a half, so she's

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Speaker 1: been Lee Lee, Sorry Lee. And I immediately launched to

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Speaker 1: the story that I told earlier about Lourene and I said,

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Speaker 1: oh my god, Gaga, my faggiest moment in my time

402
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Speaker 1: working here, my six years working here, five years whatever.

403
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Speaker 1: Basically told her that story, and I screamed to her

404
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Speaker 1: face in a crowded restaurant, and I screamed, Lady Gotta.

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Speaker 2: She kind of like gasped a little and then like

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Speaker 2: kind of like looked around the restaurant in a way

407
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Speaker 2: that like wasn't she was being polite, she wasn't making

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Speaker 2: it so conspicuous, but like I definitely felt self conscious,

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Speaker 2: Like I was like, oh no, she giggled through it,

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Speaker 2: was nervously laughing through it. But I was like, oh,

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Speaker 2: I've actually made her uncomfortable.

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Speaker 1: You know what? Can I say? Yeah, that is good.

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Speaker 1: You made Lady Gaga uncomfortable. This woman turned into other people. Okay,

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Speaker 1: she is Lady Gogga who came down like a spider

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Speaker 1: into the super Bowl. She is Lady Gaga, Patrizia Tria,

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Speaker 1: and she was shook by something that you did. Girl,

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Speaker 1: the way you are one of the most legendary icons.

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Speaker 1: You shook Gaga, shook Gaga. That's true. I didn't think

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00:21:28,440 --> 00:21:32,000
Speaker 1: of it that way. The title of that Gaga Shook.

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Speaker 2: Goga Shook I was Gaga shook in that moment, Gaga shook.

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Speaker 1: I think it should be you shook Gaga. You shook Gaga.

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Speaker 2: I didn't physically shake. I did not touch her besides

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Speaker 2: like a hug, and that was it. Yeah, that's good

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Speaker 2: that you made that clear. Well, so I guess the

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Speaker 2: first moment was technically good nights when I hugged her

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Speaker 2: and that.

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Speaker 1: Oh so that was literally the first moment you hugged her?

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00:21:51,760 --> 00:21:53,200
Speaker 1: And then what were you thinking? What was happening?

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Speaker 2: I was like that experience that what just happened is

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Speaker 2: on a lightning fast conveyor belt.

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Speaker 1: Let it go, don't grab it, don't think about it. Okay, okay,

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Speaker 1: I don't think that counts. No.

433
00:22:03,040 --> 00:22:05,240
Speaker 2: So then at the after party I sit next to

434
00:22:05,280 --> 00:22:07,880
Speaker 2: her at our table for like fifteen minutes this she's

435
00:22:08,000 --> 00:22:10,000
Speaker 2: literally fully turned the other way, like talking to someone else.

436
00:22:10,040 --> 00:22:10,600
Speaker 1: But I was talking to.

437
00:22:10,560 --> 00:22:14,080
Speaker 2: Bobby and Roberts, and gosh, that was it. I was like, there,

438
00:22:14,280 --> 00:22:16,720
Speaker 2: I apologized her. I was like, I fully embarrassed her earlier.

439
00:22:16,880 --> 00:22:20,040
Speaker 2: She's like, no, you didn't, So I was like, oh, youkees,

440
00:22:20,080 --> 00:22:21,119
Speaker 2: that could have gone better.

441
00:22:22,200 --> 00:22:25,400
Speaker 1: Listen, the rest is still unwritten. I think it's actually

442
00:22:25,480 --> 00:22:28,080
Speaker 1: one of the most beautiful lines in a song. I

443
00:22:28,119 --> 00:22:30,680
Speaker 1: think that there is a great future, and I think

444
00:22:30,680 --> 00:22:33,240
Speaker 1: that what you have done is you've both shaken and

445
00:22:33,280 --> 00:22:36,359
Speaker 1: you've shaken her, but humanized yourself. And it's because you

446
00:22:36,400 --> 00:22:40,399
Speaker 1: showed up honestly that night. Yes, my sister only shows

447
00:22:40,480 --> 00:22:45,760
Speaker 1: up as herself. She deserves zaccolades. That would never happen

448
00:22:46,760 --> 00:22:49,600
Speaker 1: with anyone else in the world. Do you know? We

449
00:22:49,600 --> 00:22:53,119
Speaker 1: were supposed to be there, and Dave was kicking himself,

450
00:22:53,160 --> 00:22:54,800
Speaker 1: but we did have a fun time because his two

451
00:22:54,840 --> 00:22:57,439
Speaker 1: favorite artists are in fact Bad Bunny and Lady Kaka.

452
00:22:58,840 --> 00:23:00,640
Speaker 1: We were out of Long Island, were a fall Dad.

453
00:23:00,680 --> 00:23:02,639
Speaker 1: Guys had a gorgeous fall day. We went to go

454
00:23:02,680 --> 00:23:07,479
Speaker 1: see my parents. We we lost the family dog, Bailey,

455
00:23:08,000 --> 00:23:10,359
Speaker 1: so that was a rough one for Richie and Trina

456
00:23:10,440 --> 00:23:12,800
Speaker 1: and you know, put the lighters in the air for Bailey,

457
00:23:12,800 --> 00:23:16,080
Speaker 1: who was fourteen and a half. She was a queen.

458
00:23:16,200 --> 00:23:20,080
Speaker 1: She was a queen and a legend. But reaching out

459
00:23:20,080 --> 00:23:22,359
Speaker 1: to anyone out there that goes through like the loss

460
00:23:22,400 --> 00:23:24,679
Speaker 1: of a pet, because it is tough. But we went

461
00:23:24,720 --> 00:23:27,879
Speaker 1: out to see them. I took house Jared, Dave and

462
00:23:28,000 --> 00:23:31,600
Speaker 1: Dave and we went out and we had Pumpkin Beers

463
00:23:31,720 --> 00:23:34,639
Speaker 1: girl and you know I crave him. And then we

464
00:23:34,680 --> 00:23:37,480
Speaker 1: went to a hunted escape room them to the film

465
00:23:37,600 --> 00:23:42,879
Speaker 1: it on Long Island. Did you go into the damn sewer? Honey?

466
00:23:42,920 --> 00:23:45,439
Speaker 1: What happened was we basically wore up in the sewer,

467
00:23:46,040 --> 00:23:48,879
Speaker 1: and up in the sewer, little boy's jacket, his yellow

468
00:23:48,960 --> 00:23:51,560
Speaker 1: jacket was there, covered in blood. It was a hard

469
00:23:51,640 --> 00:23:54,840
Speaker 1: escape room and there was a live actor no as

470
00:23:54,920 --> 00:23:57,920
Speaker 1: penny Wise, No no, so as if that wasn't enough terror.

471
00:23:57,960 --> 00:24:00,280
Speaker 1: And yes we did get out with I think seven man.

472
00:24:00,320 --> 00:24:05,120
Speaker 1: It's the spare we got out penny Wise. Yeah, yeah, hon,

473
00:24:05,480 --> 00:24:09,200
Speaker 1: they were han, I'm not getting solving no puzzle when

474
00:24:09,280 --> 00:24:11,600
Speaker 1: penny Wise is a foot away from me, one of

475
00:24:12,320 --> 00:24:17,160
Speaker 1: film's scariest monsters and a front runner for that category

476
00:24:17,200 --> 00:24:19,720
Speaker 1: next year at the last Culture Races Culture Awards, because

477
00:24:19,720 --> 00:24:23,040
Speaker 1: penny Wise has been under rewarded at that ceremony and

478
00:24:23,080 --> 00:24:24,720
Speaker 1: it's time that we take accountability.

479
00:24:25,320 --> 00:24:29,680
Speaker 2: Year three were breaking the terrible standards we've set for ourselves.

480
00:24:30,080 --> 00:24:30,960
Speaker 2: In years one and two.

481
00:24:31,280 --> 00:24:35,320
Speaker 1: The standards from before are no longer. The standards. The

482
00:24:35,359 --> 00:24:40,959
Speaker 1: lost Culture is to Culture Awards are a dusty, stodgy institution,

483
00:24:41,480 --> 00:24:45,280
Speaker 1: used up, used up. We know it's rigged. It's time

484
00:24:45,320 --> 00:24:47,359
Speaker 1: we change it. I have a feeling that if a

485
00:24:47,400 --> 00:24:49,880
Speaker 1: celebrity says they're going to be on the show, they win.

486
00:24:50,560 --> 00:24:52,600
Speaker 1: What do you mean I think it's fixed. I think

487
00:24:52,600 --> 00:24:55,320
Speaker 1: that Matt and Bowen fix it. I think that they

488
00:24:55,359 --> 00:24:57,639
Speaker 1: wait to see if a celebrities like I think that.

489
00:24:58,080 --> 00:24:59,960
Speaker 1: Do you think that they would have give Ariana Matter

490
00:25:00,400 --> 00:25:03,760
Speaker 1: the Coolest Girl Award if Ariana Grande had said that

491
00:25:03,800 --> 00:25:05,360
Speaker 1: she would show up, what would they have done? Then

492
00:25:07,040 --> 00:25:12,119
Speaker 1: that's hard fake. That's both of them. I hate them,

493
00:25:12,160 --> 00:25:16,560
Speaker 1: Matton Bowen, I hate them. They're so annoying faggots. They're

494
00:25:16,840 --> 00:25:20,520
Speaker 1: such friends. Where did we drift from? Oh? The Fall Day?

495
00:25:20,960 --> 00:25:25,440
Speaker 1: So then after the Escape Room we went to in Hoppog,

496
00:25:25,640 --> 00:25:28,920
Speaker 1: Long Island, New York. It was rated thirty ninth out

497
00:25:28,920 --> 00:25:32,080
Speaker 1: of all haunted attractions in the country, number one in

498
00:25:32,119 --> 00:25:36,920
Speaker 1: New York. The Chambers of Hell, Girl, the Chambers of Hell?

499
00:25:37,080 --> 00:25:38,000
Speaker 1: Who did you see?

500
00:25:38,200 --> 00:25:38,560
Speaker 3: Girl?

501
00:25:38,840 --> 00:25:44,560
Speaker 1: Beelzebub basically her and a lot of her friends that

502
00:25:44,680 --> 00:25:48,000
Speaker 1: are no fun to be around. Sweetie the Incubi, the

503
00:25:48,119 --> 00:25:51,800
Speaker 1: Sucuby for everyone saying that I was skipping right to

504
00:25:51,880 --> 00:25:53,879
Speaker 1: Christmas I want you to know I went to the

505
00:25:54,040 --> 00:25:57,679
Speaker 1: Chambers of Hell for you so that I wouldn't skip Sorry,

506
00:25:57,720 --> 00:26:01,720
Speaker 1: but y'all's favorite holiday. I went into the Chambers of Hell.

507
00:26:01,800 --> 00:26:04,360
Speaker 1: I'm not even kidding you. I've never experienced a walk

508
00:26:04,359 --> 00:26:07,040
Speaker 1: through haunted house like this. There was a point oh no,

509
00:26:07,240 --> 00:26:09,240
Speaker 1: where we had to get on our hands and knees

510
00:26:09,600 --> 00:26:12,919
Speaker 1: and crawl under shit. Then I had to climb up

511
00:26:13,320 --> 00:26:16,960
Speaker 1: in like literally this it's like crawl spaces. The actors

512
00:26:17,080 --> 00:26:21,639
Speaker 1: are dressed down, they're jumping, they're screaming, they're carrying on,

513
00:26:22,520 --> 00:26:27,720
Speaker 1: playing for team too much, chasing it's hell, girl. It

514
00:26:27,880 --> 00:26:30,160
Speaker 1: was the Chambers of Hell, and there were three of them.

515
00:26:30,640 --> 00:26:35,119
Speaker 1: This was a forty minute experience what we were so shook.

516
00:26:35,200 --> 00:26:40,840
Speaker 1: I swear to god, you were having a heart attack throughout. Kudos.

517
00:26:41,280 --> 00:26:43,600
Speaker 1: Can I bang the standing lay to them? Let's just

518
00:26:43,640 --> 00:26:49,480
Speaker 1: play the Stanley song for all the girls in the

519
00:26:49,520 --> 00:26:52,359
Speaker 1: Chambers of El and Hotbog. We were so shook we

520
00:26:52,400 --> 00:26:55,359
Speaker 1: had to eat. We went to Patricia's on Long Island.

521
00:26:55,800 --> 00:27:00,320
Speaker 1: It's an Italian restaurant where it's a party all like

522
00:27:00,320 --> 00:27:02,800
Speaker 1: a damn party. I swear to god. They were serving

523
00:27:03,400 --> 00:27:08,680
Speaker 1: towers espress on martinis with sparklers on the top, and

524
00:27:08,720 --> 00:27:13,680
Speaker 1: I said team too much. It was World champions. Yeah,

525
00:27:14,240 --> 00:27:16,680
Speaker 1: watch out, Well I can think Whitney is more team

526
00:27:16,720 --> 00:27:20,520
Speaker 1: too much this season. Oh yeah, Whitney's. But anyways, so

527
00:27:20,560 --> 00:27:23,439
Speaker 1: then we eat this vicious Italian meal, get them the

528
00:27:23,480 --> 00:27:27,960
Speaker 1: Long Island Railroad. We are full of cheese. I wake

529
00:27:28,040 --> 00:27:29,960
Speaker 1: up in the morning and at that point I was

530
00:27:30,000 --> 00:27:32,520
Speaker 1: not making it to snl. I wasn't taking my full

531
00:27:32,560 --> 00:27:36,959
Speaker 1: of cheese body to go like, you know, wink at

532
00:27:37,119 --> 00:27:39,560
Speaker 1: bad Bunny from across the room. Right, you know what

533
00:27:39,600 --> 00:27:41,800
Speaker 1: I'm saying. Totally, But we wish we could have been

534
00:27:41,840 --> 00:27:42,760
Speaker 1: there with you, beloved.

535
00:27:43,000 --> 00:27:45,320
Speaker 2: It would have been such a fun shared moment. But

536
00:27:45,400 --> 00:27:46,280
Speaker 2: it was a nice night.

537
00:27:46,600 --> 00:27:48,760
Speaker 1: And we missed John on the island to slurping back

538
00:27:48,880 --> 00:27:50,679
Speaker 1: pumpkin beers. Oh I wish I was.

539
00:27:50,720 --> 00:27:52,800
Speaker 2: I have not See The thing about this job is

540
00:27:52,840 --> 00:27:55,800
Speaker 2: I have not had a nice proper fall get away

541
00:27:55,840 --> 00:27:56,680
Speaker 2: in so long.

542
00:27:57,280 --> 00:28:00,000
Speaker 1: I know that. Remember that year we went to Tarry

543
00:28:00,600 --> 00:28:02,480
Speaker 1: Oh my god, of course that was revolutionary. And I

544
00:28:02,520 --> 00:28:04,159
Speaker 1: mean we did the sleepy holl of Haunted House. That

545
00:28:04,240 --> 00:28:06,200
Speaker 1: was so much fun. That was a little too Here's

546
00:28:06,200 --> 00:28:08,199
Speaker 1: what I loved about this hunted house. That one was

547
00:28:08,400 --> 00:28:10,840
Speaker 1: really crowded, and the crowd it was like you could

548
00:28:10,840 --> 00:28:13,440
Speaker 1: barely move the records. It got backed up. This one

549
00:28:13,480 --> 00:28:15,760
Speaker 1: they were doing like crowd control wo so that you

550
00:28:15,840 --> 00:28:18,720
Speaker 1: were really in every room by yourself with your party.

551
00:28:19,040 --> 00:28:22,080
Speaker 1: And I was like, give it up for production.

552
00:28:22,640 --> 00:28:25,639
Speaker 2: Yeah, I get producing literally is thinking about the experience.

553
00:28:25,880 --> 00:28:29,520
Speaker 1: MetLife Stadium should talk to them about moving people through

554
00:28:29,520 --> 00:28:29,959
Speaker 1: a space.

555
00:28:30,200 --> 00:28:34,680
Speaker 2: There is no hope there and listen, no y'all listening.

556
00:28:34,720 --> 00:28:37,560
Speaker 2: If you live in the Tri State area. It's just

557
00:28:37,720 --> 00:28:42,680
Speaker 2: it's the worthiest investment ever to just get the party bus. Honey, honey,

558
00:28:42,720 --> 00:28:44,680
Speaker 2: that is the best money you will have ever spent.

559
00:28:44,960 --> 00:28:47,320
Speaker 1: Go online, find a bunch of people who are going,

560
00:28:47,480 --> 00:28:49,360
Speaker 1: especially if it's one of these big artists. You know,

561
00:28:49,360 --> 00:28:51,800
Speaker 1: there's big fan communities where you'd want to carpool and

562
00:28:51,840 --> 00:28:53,680
Speaker 1: go in on one of these buses. You can get

563
00:28:53,680 --> 00:28:54,800
Speaker 1: in and out and.

564
00:28:54,720 --> 00:28:56,760
Speaker 2: Then they guess what, they get to stay in the

565
00:28:56,800 --> 00:28:59,440
Speaker 2: parking lot for the entire show, and then you just

566
00:28:59,520 --> 00:29:01,560
Speaker 2: go back to where you came from. And then these

567
00:29:02,040 --> 00:29:04,720
Speaker 2: huge vehicles plow through.

568
00:29:04,560 --> 00:29:09,959
Speaker 1: The lines that are leaving zee. It's beautiful, beautiful, big

569
00:29:10,680 --> 00:29:14,600
Speaker 1: and bold is how you feel when you roll up

570
00:29:14,680 --> 00:29:19,240
Speaker 1: in the automobile. That's big. That one doesn't work as

571
00:29:19,240 --> 00:29:22,640
Speaker 1: well as a lot of my other songs. I disagree

572
00:29:23,000 --> 00:29:25,520
Speaker 1: with something about it in the beginning, and then I

573
00:29:25,560 --> 00:29:29,120
Speaker 1: don't know, girl, that's how you feel in the automobile.

574
00:29:29,640 --> 00:29:33,040
Speaker 1: That's how you feel in the automobile. There's something there.

575
00:29:33,240 --> 00:29:35,600
Speaker 1: Oh yeah, what if we just did a gem sash?

576
00:29:35,720 --> 00:29:39,080
Speaker 1: What if you and I just wrote a fucking pop banger? Okay, okay,

577
00:29:39,080 --> 00:29:41,720
Speaker 1: we'll do it. Well, what's what mood are you in

578
00:29:41,840 --> 00:29:42,240
Speaker 1: right now?

579
00:29:42,320 --> 00:29:45,600
Speaker 2: I'm so awful and you feel awful because you're sick.

580
00:29:45,840 --> 00:29:47,680
Speaker 2: But I'm here with my friends, so maybe it's a

581
00:29:47,720 --> 00:29:48,280
Speaker 2: song about that.

582
00:29:48,960 --> 00:29:51,160
Speaker 1: I think that's definitely part of the texture. But like,

583
00:29:51,240 --> 00:29:53,600
Speaker 1: I feel like your emotion right now is like, yeah,

584
00:29:53,680 --> 00:29:55,520
Speaker 1: you know it's gonna be okay, but you really don't

585
00:29:55,520 --> 00:29:59,840
Speaker 1: feel good. And what do you think is the tempo?

586
00:30:00,080 --> 00:30:06,720
Speaker 1: If you could musically express how you feel? Mm hmm,

587
00:30:07,400 --> 00:30:10,360
Speaker 1: this is wonderful. And now just.

588
00:30:13,840 --> 00:30:24,160
Speaker 3: Oh, I have headache, but I'm with my girl, so

589
00:30:24,280 --> 00:30:25,600
Speaker 3: it's okay.

590
00:30:26,120 --> 00:30:29,480
Speaker 1: Another day in this world. Wait, this is good. Okay,

591
00:30:29,640 --> 00:30:31,360
Speaker 1: I have a head It's sort of like rolling in

592
00:30:31,400 --> 00:30:39,160
Speaker 1: the deep. Oh my God, I have headache, but I'm

593
00:30:39,200 --> 00:30:43,840
Speaker 1: with my girl, trying to hate it another day in

594
00:30:43,880 --> 00:30:48,480
Speaker 1: this world. This is good, this song that is driving

595
00:30:48,640 --> 00:30:53,400
Speaker 1: through it keeping things are bad, like you know what

596
00:30:53,400 --> 00:30:55,880
Speaker 1: I mean? Like its helpless. It's a really hopeless song.

597
00:30:55,920 --> 00:30:59,320
Speaker 1: It is about rising up to do the podcast episode.

598
00:31:00,240 --> 00:31:03,320
Speaker 1: That's what it's about. It's about I know I'm sick,

599
00:31:03,520 --> 00:31:05,640
Speaker 1: but we need an episode this week. Right. I'm not

600
00:31:05,680 --> 00:31:08,640
Speaker 1: gonna let this stop me from doing my job and

601
00:31:08,720 --> 00:31:10,680
Speaker 1: get into the day. And that's what makes the song

602
00:31:10,720 --> 00:31:14,680
Speaker 1: connect to anyone listening. I will not let my circumstances

603
00:31:14,880 --> 00:31:18,200
Speaker 1: stop me from getting through this day. You will not

604
00:31:18,320 --> 00:31:21,360
Speaker 1: hold me down. Katie Perry needs to sing this. Katie.

605
00:31:21,440 --> 00:31:25,080
Speaker 1: It's Katie. We'll see you on your next album. Can

606
00:31:25,080 --> 00:31:28,400
Speaker 1: my label mate Capital Girl. That'll be easy to get

607
00:31:28,400 --> 00:31:30,640
Speaker 1: it over to her. Yeah? Is that how it works?

608
00:31:31,600 --> 00:31:33,360
Speaker 1: I think that it would be a lot easier to

609
00:31:33,400 --> 00:31:44,800
Speaker 1: work for someone on the same label. Yeah. Yeah, Troy

610
00:31:44,800 --> 00:31:46,840
Speaker 1: Sevon my label mate, let's discuss her.

611
00:31:47,640 --> 00:31:53,360
Speaker 2: I think this album is so sublime. I mean, it's

612
00:31:53,640 --> 00:32:00,560
Speaker 2: certainly this era of Troy just well done. A plus, confident,

613
00:32:00,640 --> 00:32:06,440
Speaker 2: comfortable songwriting, amazing production and swings. Swings the music videos

614
00:32:06,440 --> 00:32:10,080
Speaker 2: are unforgettable. Yeah, it feels like I'm in the damn

615
00:32:10,600 --> 00:32:11,320
Speaker 2: early odds.

616
00:32:11,480 --> 00:32:14,600
Speaker 1: Yeah. The whole album, I mean, Honey is fantastic.

617
00:32:14,760 --> 00:32:16,760
Speaker 2: Honey is so good. I think it's called how to

618
00:32:16,760 --> 00:32:18,000
Speaker 2: Stay with You? The closing track.

619
00:32:18,200 --> 00:32:20,239
Speaker 1: Yeah, what time is it where you are? I mean, like,

620
00:32:20,280 --> 00:32:22,480
Speaker 1: what time is it where you are? Wow, that has

621
00:32:22,560 --> 00:32:25,520
Speaker 1: gotten I've contributed to half of those plays. Yeah. I

622
00:32:25,520 --> 00:32:28,160
Speaker 1: think she's racking up streams and that's for sure.

623
00:32:28,480 --> 00:32:32,600
Speaker 2: Still, God, it is so good. Yeah, Oh silly got

624
00:32:32,600 --> 00:32:34,280
Speaker 2: me started. Yeah, it's all great.

625
00:32:34,400 --> 00:32:38,200
Speaker 1: And shout out to Brett Leland, who's like so fucking good.

626
00:32:38,360 --> 00:32:42,280
Speaker 2: So good, I mean, excellent album. We I think people

627
00:32:42,320 --> 00:32:44,000
Speaker 2: have been chomping at the bit for us to talk

628
00:32:44,040 --> 00:32:47,600
Speaker 2: about this album that we've been hyping for months and months.

629
00:32:47,680 --> 00:32:50,560
Speaker 1: Oh Chapel, Yeah, absolutely. We went to go see here

630
00:32:50,600 --> 00:32:51,680
Speaker 1: at Brooklyn Steel too.

631
00:32:51,880 --> 00:32:54,000
Speaker 2: I saw both the night you in Brooklyn and I

632
00:32:54,000 --> 00:32:55,600
Speaker 2: did not plan to and I have no regrets.

633
00:32:55,800 --> 00:32:58,200
Speaker 1: No, I mean that show was fucking fun. And also

634
00:32:58,280 --> 00:33:00,480
Speaker 1: it's just I called it when I saw her back

635
00:33:00,520 --> 00:33:03,760
Speaker 1: earlier in the year. Her following it was twice as

636
00:33:03,760 --> 00:33:06,760
Speaker 1: intense as it was then, and it's gonna keep growing

637
00:33:07,200 --> 00:33:11,320
Speaker 1: like this girl puts on a fun fucking show and

638
00:33:11,600 --> 00:33:17,520
Speaker 1: all of the songs translate live in a really powerful way.

639
00:33:18,240 --> 00:33:18,760
Speaker 1: No kidding.

640
00:33:18,800 --> 00:33:22,560
Speaker 2: They hit on Tuesdays with people from work and they

641
00:33:22,560 --> 00:33:24,680
Speaker 2: get to go to these concerts for free and stuff

642
00:33:24,720 --> 00:33:26,720
Speaker 2: because they sometimes they handle some of the bookings.

643
00:33:26,720 --> 00:33:30,520
Speaker 1: And one girl turns to me and goes, she's special. Yeah.

644
00:33:30,560 --> 00:33:34,120
Speaker 1: I was like, yes, oh my god, you connected the

645
00:33:34,120 --> 00:33:37,280
Speaker 1: bookers of SNL to her show. That's made shows. I mean,

646
00:33:37,320 --> 00:33:38,080
Speaker 1: that's not me like.

647
00:33:39,680 --> 00:33:43,800
Speaker 2: On Saturday Live, like t went on an SNL or

648
00:33:43,800 --> 00:33:47,600
Speaker 2: when when like I'm gonna say, like Marin Morris, when

649
00:33:47,640 --> 00:33:50,560
Speaker 2: a SNL. It's like I love when SNL has like

650
00:33:50,600 --> 00:33:51,760
Speaker 2: a discovery oh.

651
00:33:51,760 --> 00:33:54,000
Speaker 1: Back in the day, Like you could argue, we've discussed

652
00:33:54,040 --> 00:33:55,920
Speaker 1: it on this pod, but like you could argue, Adele

653
00:33:56,600 --> 00:34:00,240
Speaker 1: became Adele because of her Saturday Night Live perform when

654
00:34:00,320 --> 00:34:04,400
Speaker 1: she did Chasing Pavements the same night. I believe that

655
00:34:04,600 --> 00:34:08,120
Speaker 1: it was like the second time Tina fe was doing

656
00:34:08,160 --> 00:34:08,840
Speaker 1: Sarah Pale.

657
00:34:08,880 --> 00:34:10,960
Speaker 2: It was Josh Brolin and yeah, right, it was when

658
00:34:10,960 --> 00:34:12,359
Speaker 2: Sarah Palin herself showed up.

659
00:34:12,400 --> 00:34:14,360
Speaker 1: Oh that one, right, right, right, right right.

660
00:34:14,440 --> 00:34:16,160
Speaker 2: And Adele has a funny story where she sees Sarah

661
00:34:16,200 --> 00:34:17,440
Speaker 2: Palin in the hall and she goes.

662
00:34:17,360 --> 00:34:22,960
Speaker 1: Tana, Yeah, like she thought that is you're saying that? Yeah, Like,

663
00:34:23,480 --> 00:34:25,600
Speaker 1: remember she won Best at the Grammys and that was

664
00:34:25,640 --> 00:34:28,759
Speaker 1: Grammy voting time, I think, and like it was literally

665
00:34:28,920 --> 00:34:32,640
Speaker 1: like that election year where everyone's eyes were turned to

666
00:34:33,600 --> 00:34:36,239
Speaker 1: and then I remember, like she even says that she's

667
00:34:36,280 --> 00:34:43,160
Speaker 1: like now and she she kind of says like that

668
00:34:43,239 --> 00:34:45,879
Speaker 1: in that same exact voice I just did. That is

669
00:34:45,960 --> 00:34:49,680
Speaker 1: an amazing impression. The fact that I lost control of

670
00:34:49,680 --> 00:34:52,680
Speaker 1: my adele. I'm worthless. I should walk into the street

671
00:34:53,080 --> 00:34:55,279
Speaker 1: and you think it's a requirement that you have in

672
00:34:55,280 --> 00:34:57,719
Speaker 1: adele impression. It's the easiest accent to do in the world,

673
00:34:57,760 --> 00:35:00,640
Speaker 1: and I'm world famous for it. You know what Cockney

674
00:35:00,800 --> 00:35:02,120
Speaker 1: break it down?

675
00:35:02,440 --> 00:35:04,880
Speaker 2: Well, it's like, you know how when you ask British

676
00:35:04,920 --> 00:35:07,399
Speaker 2: people to do an American accent, or when you see

677
00:35:07,400 --> 00:35:09,040
Speaker 2: a British person like an actor.

678
00:35:08,960 --> 00:35:11,799
Speaker 1: Yea, and they go hi, y'all, hey, y'all, they go

679
00:35:11,880 --> 00:35:15,960
Speaker 1: into like the most regionally chaotic Southern accent. You guys

680
00:35:15,960 --> 00:35:19,240
Speaker 1: are so fucking chaotic. O We're in the UK, dude.

681
00:35:20,400 --> 00:35:23,240
Speaker 2: I feel like the equivalent for us is doing Coffney

682
00:35:23,320 --> 00:35:24,319
Speaker 2: like that you know what I mean.

683
00:35:24,880 --> 00:35:26,319
Speaker 1: I want one hundred percent I know what you mean.

684
00:35:26,520 --> 00:35:30,040
Speaker 1: So it's like it's a very delicate accent to nail.

685
00:35:30,440 --> 00:35:32,760
Speaker 1: So I'm sorry to Adele, and I'm sorry to myself

686
00:35:32,760 --> 00:35:35,080
Speaker 1: for being so hard on myself about my adel and

687
00:35:35,200 --> 00:35:37,960
Speaker 1: my therapist to be proud of me for saying apologizing

688
00:35:38,000 --> 00:35:38,520
Speaker 1: to myself.

689
00:35:38,560 --> 00:35:40,759
Speaker 2: Did she say recently, just another way to be cruel

690
00:35:40,760 --> 00:35:43,600
Speaker 2: to yourself? Said, I love this, by the way I

691
00:35:44,200 --> 00:35:44,640
Speaker 2: talk about it.

692
00:35:44,719 --> 00:35:47,600
Speaker 1: Yeah, totally. I mean I was beating up on myself

693
00:35:47,640 --> 00:35:51,160
Speaker 1: about I think I was nervous about the music coming up,

694
00:35:51,239 --> 00:35:53,600
Speaker 1: of course, and I was nervous about the music videos, which,

695
00:35:53,600 --> 00:35:56,040
Speaker 1: by the way, I'm so thrilled. Wasn't happy to do it,

696
00:35:56,040 --> 00:35:58,840
Speaker 1: and everything has been incredible, but I stress out and

697
00:35:58,840 --> 00:36:02,799
Speaker 1: I beat myself up, and she was just listening to me,

698
00:36:02,840 --> 00:36:04,560
Speaker 1: and she just takes a beat, and my therapist just

699
00:36:04,600 --> 00:36:07,800
Speaker 1: goes another way for you to be cruel to yourself,

700
00:36:07,880 --> 00:36:10,440
Speaker 1: And I was like, oh, And then I actually laughed

701
00:36:10,480 --> 00:36:12,520
Speaker 1: because I was like, when you put it like that,

702
00:36:12,880 --> 00:36:16,440
Speaker 1: it makes it sound almost like when it's so easily

703
00:36:16,520 --> 00:36:20,279
Speaker 1: clocked by someone else, You're like, now it just feels like, well, now,

704
00:36:20,320 --> 00:36:22,560
Speaker 1: that you'm boring and annoying for me to be like,

705
00:36:22,600 --> 00:36:26,040
Speaker 1: it's beyond self awareness and it's like someone calling your therapist,

706
00:36:26,120 --> 00:36:27,640
Speaker 1: calling you in and so that now you know, it's

707
00:36:27,640 --> 00:36:30,080
Speaker 1: like in this external awareness that other people can clock it.

708
00:36:30,360 --> 00:36:32,839
Speaker 1: She just texted me your therapist. Yes, Oh my god,

709
00:36:32,840 --> 00:36:35,200
Speaker 1: do we have a psychic connection? Oh? I asked for

710
00:36:35,200 --> 00:36:37,800
Speaker 1: an emergency session this week and she just I said,

711
00:36:38,640 --> 00:36:42,200
Speaker 1: she said nothing yet, Oh no, are you? Are you okay?

712
00:36:42,360 --> 00:36:45,920
Speaker 1: Everything's fine? I think okay. Just to be totally real, like,

713
00:36:46,080 --> 00:36:49,120
Speaker 1: there was more attached to that song I just released

714
00:36:49,120 --> 00:36:51,040
Speaker 1: than just like it's a funny song, you know what

715
00:36:51,040 --> 00:36:54,200
Speaker 1: I mean, Like, yeah, I wrote that like sort of

716
00:36:54,200 --> 00:36:56,840
Speaker 1: to deal with what I was going through earlier in

717
00:36:56,840 --> 00:36:58,959
Speaker 1: the year. So I had a degree of anxiety about

718
00:36:58,960 --> 00:37:01,160
Speaker 1: it coming out, and when it came out and it

719
00:37:01,280 --> 00:37:04,400
Speaker 1: just brought things up. So I reached out to the

720
00:37:04,440 --> 00:37:07,960
Speaker 1: old therapist. It was the first time I ever like did.

721
00:37:08,080 --> 00:37:10,480
Speaker 1: I think probably with you with Fire Island, you may

722
00:37:10,520 --> 00:37:12,040
Speaker 1: have felt this way, but like it's the first time

723
00:37:12,080 --> 00:37:14,880
Speaker 1: you feel like you give a little part of yourself

724
00:37:14,920 --> 00:37:17,600
Speaker 1: into a thing, because usually we just usually do like

725
00:37:17,640 --> 00:37:20,440
Speaker 1: sketches and characters and silly songs and stuff, and then

726
00:37:20,480 --> 00:37:22,480
Speaker 1: all of a sudden you actually show up in something

727
00:37:22,520 --> 00:37:25,920
Speaker 1: and it's like it's different, it's very strange.

728
00:37:26,160 --> 00:37:28,800
Speaker 2: Yeah, And I can't imagine what this feels like, because

729
00:37:29,960 --> 00:37:31,960
Speaker 2: would you say, this is the first thing you've put

730
00:37:31,960 --> 00:37:37,640
Speaker 2: out that has a significant degree of like, oh, this

731
00:37:37,760 --> 00:37:42,719
Speaker 2: is funny, yes, but like very me very diaristic, very.

732
00:37:42,600 --> 00:37:45,279
Speaker 1: Like it's the first thing I've successfully wrote about my

733
00:37:45,320 --> 00:37:48,480
Speaker 1: own pain. Oh, it's like and that that actually feels

734
00:37:48,560 --> 00:37:51,040
Speaker 1: like so cool, really cool, because I remember, like I

735
00:37:51,080 --> 00:37:52,800
Speaker 1: don't know how you feel. But sometimes I feel like

736
00:37:52,880 --> 00:37:56,239
Speaker 1: the kind of writer that feels lame because I never

737
00:37:56,280 --> 00:37:59,239
Speaker 1: can really put on paper what I'm going through emotionally.

738
00:37:59,320 --> 00:38:02,080
Speaker 1: I can be funny and I can like explore like

739
00:38:02,200 --> 00:38:05,880
Speaker 1: comedic scenarios, but I've just never been good at like using,

740
00:38:06,560 --> 00:38:09,480
Speaker 1: for lack of better term, like taking my broken heart

741
00:38:09,520 --> 00:38:11,319
Speaker 1: and making it into art like that. It's not a

742
00:38:11,360 --> 00:38:14,200
Speaker 1: thing for me. It's I usually create from joy. And

743
00:38:14,280 --> 00:38:18,399
Speaker 1: I think when you are sad that makes it even

744
00:38:18,400 --> 00:38:20,600
Speaker 1: more frustrating because you're like, why do I feel all

745
00:38:20,640 --> 00:38:23,239
Speaker 1: these big fucking emotions and I can't do anything with

746
00:38:23,280 --> 00:38:25,719
Speaker 1: them now? I feel pathetic. And then I'd bet a

747
00:38:25,840 --> 00:38:29,560
Speaker 1: shit out of myself because it feels like, yeah, sure,

748
00:38:29,640 --> 00:38:31,719
Speaker 1: like comedy is one thing, but then actually saying how

749
00:38:31,760 --> 00:38:34,680
Speaker 1: I feel. It's sometimes harder to funnel that into the

750
00:38:34,719 --> 00:38:37,759
Speaker 1: comedy without feeling you're trying too hard or you know,

751
00:38:37,760 --> 00:38:39,000
Speaker 1: getting in your own way.

752
00:38:38,800 --> 00:38:40,960
Speaker 2: You know, but you feel some obligation to be like

753
00:38:41,000 --> 00:38:43,960
Speaker 2: in that moment, to be like creative, generative, whatever when

754
00:38:43,960 --> 00:38:45,000
Speaker 2: you're feeling sad.

755
00:38:44,880 --> 00:38:47,440
Speaker 1: Yeah, and you can't, and that's frustrated you can't. So

756
00:38:47,560 --> 00:38:51,080
Speaker 1: this was the first time I ever successfully ended up

757
00:38:51,080 --> 00:38:53,560
Speaker 1: with something where I was like, I believe that says

758
00:38:53,560 --> 00:38:55,960
Speaker 1: something about what I went through. And also I stand

759
00:38:55,960 --> 00:38:58,520
Speaker 1: by comedically and as a song well comedic.

760
00:38:58,680 --> 00:39:01,280
Speaker 2: The comedy of it is so inseparable from the emotion

761
00:39:01,360 --> 00:39:05,319
Speaker 2: of it, which is like, Wow, I felt so many

762
00:39:05,360 --> 00:39:08,480
Speaker 2: things with you, the person you're saying to in the song,

763
00:39:09,040 --> 00:39:11,239
Speaker 2: but I don't really know that much about you, which

764
00:39:11,320 --> 00:39:14,399
Speaker 2: is such I'm gonna go as far as to say

765
00:39:14,400 --> 00:39:17,040
Speaker 2: that like it's a universal feeling and Yeh've all had

766
00:39:17,080 --> 00:39:17,720
Speaker 2: those people.

767
00:39:18,080 --> 00:39:22,319
Speaker 1: Yeah, it's about that thing that feels so big but

768
00:39:22,480 --> 00:39:25,200
Speaker 1: occupies such a moment, you know what I mean, And

769
00:39:25,200 --> 00:39:27,279
Speaker 1: then all of a sudden time does its thing where

770
00:39:27,280 --> 00:39:30,000
Speaker 1: you like literally start to forget, and there is something

771
00:39:30,080 --> 00:39:33,719
Speaker 1: funny about that, like like when a star explodes, like

772
00:39:34,120 --> 00:39:36,960
Speaker 1: a big bang of emotion and then everything just starts

773
00:39:36,960 --> 00:39:39,239
Speaker 1: to sort of settle, and then you're like, oh, wow,

774
00:39:39,360 --> 00:39:42,640
Speaker 1: I went through that, and I can't really say much

775
00:39:42,680 --> 00:39:46,560
Speaker 1: specifically about it because time just starts to do that

776
00:39:46,600 --> 00:39:48,920
Speaker 1: thing that they say is gonna make things better. But

777
00:39:48,960 --> 00:39:51,759
Speaker 1: then there's also something sad about it too, because you're like,

778
00:39:52,280 --> 00:39:55,160
Speaker 1: oh man, the specificity of it is going away. That's

779
00:39:55,160 --> 00:39:58,200
Speaker 1: also part of the heartbreak. So I guess that's like

780
00:39:59,200 --> 00:40:02,439
Speaker 1: the best distillation of how I'm feeling. How I feel

781
00:40:02,440 --> 00:40:05,880
Speaker 1: about the whole thing is that, Like it's worthy of

782
00:40:05,920 --> 00:40:10,239
Speaker 1: a song, but I've truly I can't say much specifically

783
00:40:10,320 --> 00:40:13,839
Speaker 1: about it. Yeah, but that thing makes the song right,

784
00:40:14,080 --> 00:40:17,640
Speaker 1: And that's really incredible that you took it a meta

785
00:40:17,719 --> 00:40:20,560
Speaker 1: layer above that and then you're like, this is what

786
00:40:20,560 --> 00:40:23,400
Speaker 1: the song that's about. It's excellent. It feels good to

787
00:40:23,440 --> 00:40:25,799
Speaker 1: create something that you think like says something about how

788
00:40:25,800 --> 00:40:29,759
Speaker 1: you feel. You know what I mean? Like that is girl,

789
00:40:30,719 --> 00:40:32,000
Speaker 1: when we get our.

790
00:40:31,960 --> 00:40:35,680
Speaker 2: Pens to paper, you know what, I can't quite tell

791
00:40:35,719 --> 00:40:37,920
Speaker 2: where I'm at in terms of talking about my own emotions.

792
00:40:37,920 --> 00:40:41,640
Speaker 2: I will say when I'm in therapy and I I

793
00:40:41,719 --> 00:40:45,319
Speaker 2: go off, I'm like, well, I should be writing every

794
00:40:45,320 --> 00:40:48,439
Speaker 2: word of this time because I'm writing a fucking I'm

795
00:40:48,480 --> 00:40:50,160
Speaker 2: writing like Jerry Maguire the movie too.

796
00:40:50,440 --> 00:40:52,600
Speaker 1: You know what I mean. You should be journaling. I

797
00:40:52,600 --> 00:40:55,520
Speaker 1: should be journal my journaling. It helps well.

798
00:40:55,920 --> 00:40:57,279
Speaker 2: I go back to meet some of my entries from

799
00:40:57,280 --> 00:41:00,239
Speaker 2: like last year, and I'm like, today was fine, went

800
00:41:00,280 --> 00:41:02,000
Speaker 2: to the gym, had a smoothie.

801
00:41:02,000 --> 00:41:04,680
Speaker 1: I'm like, this is so boding. Then maybe there's something

802
00:41:04,719 --> 00:41:07,480
Speaker 1: there and make fun of yourself like that. I mean, honestly,

803
00:41:07,800 --> 00:41:11,040
Speaker 1: that's kind of what ultimately everything you want song is

804
00:41:11,160 --> 00:41:13,640
Speaker 1: is like I literally sat down to like do this

805
00:41:13,760 --> 00:41:16,480
Speaker 1: earnest exercise of like what do I wish him for Christmas?

806
00:41:16,480 --> 00:41:19,520
Speaker 1: This year? I couldn't remember shit, and I was like, Okay, well,

807
00:41:19,560 --> 00:41:21,879
Speaker 1: I'm gonna drag myself. Wow, you know what I mean,

808
00:41:22,040 --> 00:41:25,040
Speaker 1: Like there's something. I think. It's just like you literally

809
00:41:25,160 --> 00:41:28,160
Speaker 1: just write those things down, not so that like it

810
00:41:28,200 --> 00:41:29,840
Speaker 1: can be something in the moment, but so that you

811
00:41:29,880 --> 00:41:32,680
Speaker 1: can have a reaction to it later. That's I think

812
00:41:32,719 --> 00:41:37,160
Speaker 1: something about writing I didn't realize or remember, but is something.

813
00:41:37,760 --> 00:41:43,880
Speaker 1: Writing is so hard. It's hard, Yeah, very difficult, especially

814
00:41:43,880 --> 00:41:46,400
Speaker 1: when you train yourself to think in a short form

815
00:41:46,520 --> 00:41:47,399
Speaker 1: again and again and again.

816
00:41:47,400 --> 00:41:51,360
Speaker 2: I would imagine, Well, I am always like so paralyzed

817
00:41:51,400 --> 00:41:54,240
Speaker 2: whenever the season's off at SNL. I'm like, I think

818
00:41:54,280 --> 00:41:57,279
Speaker 2: my creative process is a writing process at least is

819
00:41:57,320 --> 00:41:59,640
Speaker 2: like purely sight specific.

820
00:41:59,320 --> 00:42:01,239
Speaker 1: Like you're just you just feel like it's now when

821
00:42:01,239 --> 00:42:04,680
Speaker 1: you think writing, you think that type of specific.

822
00:42:04,800 --> 00:42:07,319
Speaker 2: Which I really need to start like untangling, because it's

823
00:42:07,360 --> 00:42:09,200
Speaker 2: like I can't be locked into this. I cannot have

824
00:42:09,320 --> 00:42:14,000
Speaker 2: the paralysis around this, around anything else because I'm always

825
00:42:14,040 --> 00:42:18,120
Speaker 2: used to this one way of posturing myself. But I'm

826
00:42:18,120 --> 00:42:21,520
Speaker 2: excited to work on longer form things in the future woo.

827
00:42:22,719 --> 00:42:25,080
Speaker 1: But also LOLBB, I'm like, you know what you should

828
00:42:25,120 --> 00:42:29,920
Speaker 1: do in journal? Like sorry, but as if I journal, Yeah,

829
00:42:29,960 --> 00:42:31,600
Speaker 1: I have journal, That's all I'm saying.

830
00:42:31,920 --> 00:42:33,760
Speaker 2: I hit a plateau with it, like over the summer.

831
00:42:33,760 --> 00:42:34,960
Speaker 2: I was like, this isn't really helping me.

832
00:42:35,160 --> 00:42:38,040
Speaker 1: Mm hmm. So I have been off of that ah

833
00:42:38,080 --> 00:42:41,279
Speaker 1: and it's been fine. Well, you're spinning yourself out. It

834
00:42:41,440 --> 00:42:43,280
Speaker 1: just felt like I made.

835
00:42:43,160 --> 00:42:45,080
Speaker 2: It feel like such a chore because it was on

836
00:42:45,120 --> 00:42:47,200
Speaker 2: like my checklist of things to do every day.

837
00:42:47,360 --> 00:42:47,759
Speaker 1: M hmm.

838
00:42:47,920 --> 00:42:50,640
Speaker 2: And I always came with such a weird attitude around.

839
00:42:50,680 --> 00:42:52,879
Speaker 2: I was like, this is compulsory, like I don't really

840
00:42:52,920 --> 00:42:55,319
Speaker 2: want to do this. Instead that kind of like it's

841
00:42:55,320 --> 00:42:56,080
Speaker 2: just waste of time.

842
00:42:56,120 --> 00:42:58,160
Speaker 1: Time. Can I ask you a question? Were you typing it?

843
00:42:58,440 --> 00:43:00,480
Speaker 1: Typing it? You have to write it and then it

844
00:43:00,520 --> 00:43:03,440
Speaker 1: will feel so much easier and actually more fun. And

845
00:43:03,560 --> 00:43:04,880
Speaker 1: when you feel like you have to sit down and

846
00:43:04,920 --> 00:43:08,160
Speaker 1: type something, I think there's this message you sent to yourself,

847
00:43:08,160 --> 00:43:09,960
Speaker 1: which is it has to be a thing and long.

848
00:43:10,080 --> 00:43:12,240
Speaker 1: Right now. I never think I can just like jot

849
00:43:12,280 --> 00:43:15,280
Speaker 1: something down typing, But when I write, I can write

850
00:43:15,360 --> 00:43:17,880
Speaker 1: just like a couple sentences down and then put it

851
00:43:17,920 --> 00:43:20,759
Speaker 1: down and then news for you when you add to

852
00:43:20,760 --> 00:43:23,400
Speaker 1: that later you are writing something totally or you're just

853
00:43:23,440 --> 00:43:26,480
Speaker 1: collecting whatever it is. But like your process, I think,

854
00:43:26,560 --> 00:43:29,960
Speaker 1: take it out of the computer, girl, Where do you

855
00:43:30,080 --> 00:43:35,040
Speaker 1: think you go to the damn notebook with a pen? Girl?

856
00:43:35,560 --> 00:43:37,080
Speaker 1: You want to do? I don't think so, honey, And

857
00:43:37,280 --> 00:43:40,120
Speaker 1: you know it is time. I'm so sorry. I'm feeling

858
00:43:40,239 --> 00:43:42,800
Speaker 1: really sick. The first thing we have to do before

859
00:43:42,880 --> 00:43:45,800
Speaker 1: we do that, because we promised is rank Taylor Swift's

860
00:43:45,800 --> 00:43:47,319
Speaker 1: top ten number ones, and I'm going to do it

861
00:43:47,320 --> 00:43:49,400
Speaker 1: really quickly so you don't have to because you're going

862
00:43:49,440 --> 00:43:51,359
Speaker 1: to agree with me when I say it. Number one

863
00:43:51,400 --> 00:43:53,799
Speaker 1: is all too well ten minute version. Number two is

864
00:43:53,800 --> 00:43:57,920
Speaker 1: plank Space. Number three is cruel Summer. Number four is Willow.

865
00:43:58,360 --> 00:44:00,840
Speaker 1: Number five is look what you made me do. Number

866
00:44:00,920 --> 00:44:03,359
Speaker 1: six you've already done. This is we are never ever

867
00:44:03,400 --> 00:44:07,319
Speaker 1: getting back together. Number seven is you think that's worse

868
00:44:07,360 --> 00:44:09,000
Speaker 1: than Look what you made me do? Oh after the movie?

869
00:44:09,120 --> 00:44:13,040
Speaker 1: You rank it about that? Yeah? Sorry? Number seven is

870
00:44:14,160 --> 00:44:16,960
Speaker 1: stop you're losing me. That's not me saying that one,

871
00:44:17,000 --> 00:44:20,680
Speaker 1: but I'm losing What it is, it's we should know that,

872
00:44:21,080 --> 00:44:28,240
Speaker 1: go shake it off, Shake it off. Then it's bad Blood.

873
00:44:28,600 --> 00:44:35,319
Speaker 1: Then it's Cardigan. That's only nine. I'm forgetting one, but

874
00:44:35,480 --> 00:44:37,640
Speaker 1: that's okay. I think you got all of them. No

875
00:44:37,719 --> 00:44:40,480
Speaker 1: I didn't because I only had nine fingers raised anti

876
00:44:40,480 --> 00:44:43,480
Speaker 1: hero anti hero? Okay, then put anti hero in between

877
00:44:43,840 --> 00:44:46,560
Speaker 1: look what you made me do? And you're never getting

878
00:44:46,560 --> 00:44:49,560
Speaker 1: back together and we're never ever going that low. I

879
00:44:49,840 --> 00:44:52,959
Speaker 1: think that. I think that's one of her most incredible songs.

880
00:44:53,200 --> 00:44:56,040
Speaker 1: It's better than all too well ten and version blank Space,

881
00:44:56,640 --> 00:44:58,879
Speaker 1: Cruel Summer and then what did you do between Cruel

882
00:44:58,880 --> 00:45:01,880
Speaker 1: Summer and Willow? But that's personal to me. Oh, I

883
00:45:01,880 --> 00:45:04,279
Speaker 1: do love Willow. Willow is that girl. And when she

884
00:45:04,400 --> 00:45:08,760
Speaker 1: came out with those orbs and said, wait for this signal,

885
00:45:09,520 --> 00:45:17,239
Speaker 1: n O me you after dark, I'm gonna put that

886
00:45:17,239 --> 00:45:19,200
Speaker 1: below will I'm gonna put anty here below Willow better

887
00:45:19,200 --> 00:45:20,239
Speaker 1: than Look what do you mean me do? Is that

888
00:45:20,239 --> 00:45:22,799
Speaker 1: the ranking? You have seen the Aerostor movie. I know

889
00:45:22,840 --> 00:45:26,400
Speaker 1: you have, and you still want to do that. You

890
00:45:26,400 --> 00:45:28,200
Speaker 1: still won't Look what you made me do to be

891
00:45:28,280 --> 00:45:31,960
Speaker 1: that loud after you saw the Aerostar movie and you

892
00:45:32,000 --> 00:45:35,359
Speaker 1: saw the slagage and the carnage pop carnage.

893
00:45:35,560 --> 00:45:39,320
Speaker 2: I think that's an amazing production moment in the concert.

894
00:45:39,480 --> 00:45:42,200
Speaker 1: I respect your sister, sister, And do you understand what

895
00:45:42,200 --> 00:45:44,560
Speaker 1: I'm saying I do now? Honest? Are we ranking them

896
00:45:44,600 --> 00:45:48,520
Speaker 1: by song quality? Girl? Yes? And I understand now I

897
00:45:48,560 --> 00:45:49,279
Speaker 1: think I do.

898
00:45:49,360 --> 00:45:51,439
Speaker 2: I admire Look what Jimimi do because it is such

899
00:45:51,440 --> 00:45:53,319
Speaker 2: a swing and she was like, bucket, this is my

900
00:45:53,360 --> 00:45:57,200
Speaker 2: first single. It's I'm basically doing right, said Fred unto Sexy,

901
00:45:57,560 --> 00:46:01,400
Speaker 2: who fucking cares? I think that's actually so so amazing.

902
00:46:01,640 --> 00:46:02,880
Speaker 1: It's literally so amazing.

903
00:46:03,160 --> 00:46:05,239
Speaker 2: Like I'm one of the best songwriters. I'm the best

904
00:46:05,280 --> 00:46:09,359
Speaker 2: songwriter my generation. I'm putting this fucking crazy ass song

905
00:46:09,400 --> 00:46:09,799
Speaker 2: out there.

906
00:46:09,880 --> 00:46:13,279
Speaker 1: Yeah, for my like No Press Vengeance album, Don't Talk

907
00:46:13,320 --> 00:46:17,960
Speaker 1: to Me album, Taylor, Way to Go, Way to Go.

908
00:46:26,719 --> 00:46:28,160
Speaker 1: This is I don't think so Honey. It's where we

909
00:46:28,200 --> 00:46:30,759
Speaker 1: take one minute to rants rail and more against something

910
00:46:30,800 --> 00:46:34,480
Speaker 1: in Colaster that we absolutely want to drag, discredit and more.

911
00:46:35,080 --> 00:46:37,680
Speaker 1: I have something that is actually based on my evening

912
00:46:37,719 --> 00:46:42,040
Speaker 1: at Patrizia's. It references something that I discussed earlier, and

913
00:46:42,280 --> 00:46:44,360
Speaker 1: I think this one's going to be tough, especially for

914
00:46:44,400 --> 00:46:46,080
Speaker 1: the katies. But I have to say this because I

915
00:46:46,080 --> 00:46:47,960
Speaker 1: feel it. Oh oh, this is Matt Ronders. I don't

916
00:46:47,960 --> 00:46:49,719
Speaker 1: think so Honey as ten starts now, I don't think

917
00:46:49,760 --> 00:46:53,240
Speaker 1: so Honey Espressomarzini's. I'm sorry. I think that the moment

918
00:46:53,400 --> 00:46:56,600
Speaker 1: burnt bright. Yeah, but I think that moment has passed.

919
00:46:56,680 --> 00:46:58,960
Speaker 1: I think that it's now gotten out of control because

920
00:46:58,960 --> 00:47:02,279
Speaker 1: I don't think so Honey, an espresso martini before your

921
00:47:02,400 --> 00:47:05,680
Speaker 1: meal unless that meal is gonna be like also some

922
00:47:05,840 --> 00:47:10,080
Speaker 1: kind of dessert. You are absolutely ruining your palette. I

923
00:47:10,120 --> 00:47:13,040
Speaker 1: don't think so, honey, that you can really enjoy, like,

924
00:47:13,080 --> 00:47:17,080
Speaker 1: for example, at an Italian place like chicken parmesan after

925
00:47:17,120 --> 00:47:20,280
Speaker 1: an espresso martini. I'm sorry, I don't think so, honey.

926
00:47:20,320 --> 00:47:23,719
Speaker 1: I want to throw up when I think about that combination.

927
00:47:24,320 --> 00:47:30,120
Speaker 1: And you will see these girls sucking down espresso martinis

928
00:47:30,480 --> 00:47:35,280
Speaker 1: with meals and ruining their dinners. Meanwhile, post dinner. Fine,

929
00:47:35,360 --> 00:47:37,680
Speaker 1: but as a cultural moment, we've moved on from just

930
00:47:37,719 --> 00:47:39,920
Speaker 1: post dinner drinks. And also, you can't use it in

931
00:47:39,960 --> 00:47:42,040
Speaker 1: the place of a red Bull anymore. I don't think so, honey,

932
00:47:42,080 --> 00:47:46,000
Speaker 1: because culturally now we're confused. We've let espresso martini go

933
00:47:46,080 --> 00:47:48,440
Speaker 1: too far. It's time to go back to Redville. And

934
00:47:48,520 --> 00:47:51,600
Speaker 1: if you're this type of girl, cocaine, I don't think

935
00:47:51,640 --> 00:47:53,680
Speaker 1: so amazing now.

936
00:47:54,560 --> 00:47:56,560
Speaker 2: I want to say that, don't do cocaine. Don't do

937
00:47:56,640 --> 00:48:01,319
Speaker 2: cocaine like an espresso. This peaked an amazing but it

938
00:48:01,400 --> 00:48:02,040
Speaker 2: is no crashing.

939
00:48:02,680 --> 00:48:04,439
Speaker 1: I don't really know what's set.

940
00:48:04,560 --> 00:48:06,680
Speaker 2: You're saying that we as a culture have moved on

941
00:48:06,719 --> 00:48:07,880
Speaker 2: from post dinner drinks.

942
00:48:08,200 --> 00:48:11,480
Speaker 1: No, I'm saying we as a culture can't handle espressal martini.

943
00:48:11,600 --> 00:48:14,040
Speaker 1: This is why we can't have nice things because they've

944
00:48:14,040 --> 00:48:17,239
Speaker 1: moved too far beyond being a post dinner drink to

945
00:48:17,360 --> 00:48:20,799
Speaker 1: like give us a second win, like now culturally, like

946
00:48:21,200 --> 00:48:25,120
Speaker 1: I see them at all hours of the day. And

947
00:48:25,200 --> 00:48:29,359
Speaker 1: also there's this crazy thing happening and Jessel, I love

948
00:48:29,400 --> 00:48:32,840
Speaker 1: you girl. But earlier in the season of Rony, my Girl,

949
00:48:32,960 --> 00:48:37,279
Speaker 1: My Diva, Jessel tank, I am a tank top. She

950
00:48:37,440 --> 00:48:42,160
Speaker 1: ordered a espresso martini with tequila. Oh, I do remember that.

951
00:48:42,160 --> 00:48:44,359
Speaker 2: That was when I didn't really wasn't a big fan

952
00:48:44,400 --> 00:48:45,640
Speaker 2: of hers anyway.

953
00:48:45,680 --> 00:48:47,680
Speaker 1: And now I look back and I'm like, go off,

954
00:48:47,800 --> 00:48:53,319
Speaker 1: queen with your weird ass cocktail. But no, no, no, no, no, no,

955
00:48:53,520 --> 00:48:55,799
Speaker 1: we can't be trusted with this anymore. We can't. Did

956
00:48:55,800 --> 00:48:57,319
Speaker 1: you watch the Me Union last name? I have to

957
00:48:57,320 --> 00:49:00,360
Speaker 1: tell you I didn't, but I will. But I heard

958
00:49:00,400 --> 00:49:02,920
Speaker 1: that it was boring, and that's making it hard to like.

959
00:49:03,000 --> 00:49:05,360
Speaker 1: It's only in two parts. It's only in two parts,

960
00:49:05,360 --> 00:49:07,480
Speaker 1: and the first part, you would say, was kind of boring.

961
00:49:07,320 --> 00:49:10,319
Speaker 2: Pretty boring, although there are interesting dynamics happening where you

962
00:49:10,360 --> 00:49:14,160
Speaker 2: can clearly see it's so obvious that Si and Aaron

963
00:49:14,320 --> 00:49:17,359
Speaker 2: have come into that union being like a week came

964
00:49:17,400 --> 00:49:20,920
Speaker 2: off really bad. Yeah, but then Sigh of course is

965
00:49:20,960 --> 00:49:23,279
Speaker 2: fucking insufferable and does this thing where she's like, I'm

966
00:49:23,320 --> 00:49:25,320
Speaker 2: taking full accountability and I'm sorry Brandon for what I

967
00:49:25,360 --> 00:49:27,919
Speaker 2: said to you, and I'm sorry Jessel for what I said.

968
00:49:27,960 --> 00:49:30,120
Speaker 2: Blah blah blah, I'm sorry. I'm taking full accountability. And

969
00:49:30,120 --> 00:49:33,960
Speaker 2: then the within her next breath is like, but also

970
00:49:34,160 --> 00:49:37,000
Speaker 2: like I was right, and your husband's cheating on you

971
00:49:37,200 --> 00:49:39,719
Speaker 2: and blah blah blah, no one suffered more than me

972
00:49:40,000 --> 00:49:42,400
Speaker 2: all this shit. Aaron does the same thing. She has

973
00:49:42,400 --> 00:49:45,400
Speaker 2: a tearful moment out of nowhere about being the older sister,

974
00:49:45,560 --> 00:49:51,080
Speaker 2: the eldest sister. Fucking Jenna starts sobbing ten minutes and

975
00:49:51,160 --> 00:49:52,360
Speaker 2: it was a weird one.

976
00:49:52,160 --> 00:49:56,560
Speaker 1: But I heard Uba was kind of acting. Uba was

977
00:49:56,880 --> 00:49:59,880
Speaker 1: misunderstanding things. I did not understand what.

978
00:50:00,000 --> 00:50:05,640
Speaker 2: But to bring to that scenario was like totally derailing

979
00:50:05,920 --> 00:50:08,480
Speaker 2: a conversation that Andy was starting and where like everyone

980
00:50:08,480 --> 00:50:10,319
Speaker 2: would be like, what are you talking about? Yeah, it

981
00:50:10,360 --> 00:50:13,640
Speaker 2: was not great, and then it ends with sign Jessel

982
00:50:13,760 --> 00:50:15,560
Speaker 2: and then like Jessel came off great, Andessel is a

983
00:50:15,560 --> 00:50:16,520
Speaker 2: great moment where.

984
00:50:16,480 --> 00:50:18,480
Speaker 1: Yeah, she looks good next to Andy, he looks.

985
00:50:18,239 --> 00:50:20,080
Speaker 2: Good next to Andy, but then sigh in one of

986
00:50:20,120 --> 00:50:23,520
Speaker 2: her like you know moments. Her her words silence was like,

987
00:50:24,080 --> 00:50:27,239
Speaker 2: I apologize. I should have never commented on your marriage.

988
00:50:27,640 --> 00:50:29,120
Speaker 2: I don't think you and your husband have a connection,

989
00:50:29,120 --> 00:50:30,520
Speaker 2: but I should never comment on someone's ma And the

990
00:50:30,640 --> 00:50:32,000
Speaker 2: JUSTL was like, you just did.

991
00:50:32,120 --> 00:50:33,120
Speaker 1: Yeah, unbelievable.

992
00:50:33,160 --> 00:50:34,920
Speaker 2: And but the way Jessell does it is like, well

993
00:50:35,600 --> 00:50:36,880
Speaker 2: you're fucking stupid.

994
00:50:37,080 --> 00:50:40,000
Speaker 1: It was great. I think Justll clear winner, I shouldn't

995
00:50:40,000 --> 00:50:42,640
Speaker 1: have said anything. I apologize for saying so. I don't.

996
00:50:42,840 --> 00:50:45,040
Speaker 1: I don't think you and your husband have a connection,

997
00:50:45,280 --> 00:50:48,560
Speaker 1: but I'm sorry. I shouldn't have said anything. But I

998
00:50:48,600 --> 00:50:51,799
Speaker 1: don't think you and your husband have a connection. But

999
00:50:51,800 --> 00:50:54,640
Speaker 1: I shouldn't be commenting on your marriage. Well you just did.

1000
00:50:55,200 --> 00:50:57,120
Speaker 1: Can I ask? What do you think it is about

1001
00:50:57,239 --> 00:51:00,239
Speaker 1: Sy that stops her from being a villain we love

1002
00:51:00,480 --> 00:51:02,840
Speaker 1: and is making her more of a villain that we're irritated?

1003
00:51:03,000 --> 00:51:03,600
Speaker 1: Not funny?

1004
00:51:03,960 --> 00:51:07,200
Speaker 2: She actually Hunter Harris is actually talking about this in

1005
00:51:07,200 --> 00:51:13,680
Speaker 2: her substack. Like Brandon and Jenna have style, Cy has brands. Yes,

1006
00:51:13,840 --> 00:51:16,319
Speaker 2: I doesn't really. I don't think she like knows how

1007
00:51:16,360 --> 00:51:17,280
Speaker 2: to dress herself.

1008
00:51:17,480 --> 00:51:20,440
Speaker 1: I will say I think she always looks amazing, But

1009
00:51:20,480 --> 00:51:23,440
Speaker 1: you're right, it might be for the reasons you're saying,

1010
00:51:23,840 --> 00:51:26,840
Speaker 1: because I think that there's a lack of like individuality

1011
00:51:27,160 --> 00:51:28,160
Speaker 1: in what she brings.

1012
00:51:28,840 --> 00:51:31,520
Speaker 2: And well, she was harping on the same things all season.

1013
00:51:31,640 --> 00:51:34,279
Speaker 2: The food, Yeah, her mother, which is of course the

1014
00:51:34,320 --> 00:51:36,520
Speaker 2: tragic thing, but like constantly bringing it up as a

1015
00:51:36,520 --> 00:51:39,080
Speaker 2: way to like put down other people, so bizarre.

1016
00:51:39,239 --> 00:51:42,399
Speaker 1: I wonder if she feels really embarrassed about the food thing.

1017
00:51:42,960 --> 00:51:46,840
Speaker 1: I'm sure because it's really it got really diring.

1018
00:51:47,000 --> 00:51:49,440
Speaker 2: Well, you can tell that she is someone who embarrassment

1019
00:51:49,760 --> 00:51:52,920
Speaker 2: is adjoined to anger, Like when she like in the

1020
00:51:52,920 --> 00:51:53,480
Speaker 2: finale and she.

1021
00:51:53,480 --> 00:51:56,480
Speaker 1: Was like lash out, like she lashes out when.

1022
00:51:56,360 --> 00:51:59,160
Speaker 2: She when she's been caught in something, she fucking explodes,

1023
00:51:59,200 --> 00:52:02,600
Speaker 2: And you're like, yikes, that is not something that anyone

1024
00:52:02,719 --> 00:52:04,480
Speaker 2: likes to see on TV from any gender, you know

1025
00:52:04,520 --> 00:52:05,959
Speaker 2: what I mean. I don't think it's like a oh

1026
00:52:06,120 --> 00:52:08,440
Speaker 2: or she's a woman, she's not a lot to be angry.

1027
00:52:08,560 --> 00:52:10,480
Speaker 2: She's a woman of color. I think it literally is

1028
00:52:10,520 --> 00:52:12,680
Speaker 2: something that like that's not fun on reality television.

1029
00:52:13,239 --> 00:52:16,960
Speaker 1: I think it just needs to feel like justified and

1030
00:52:17,000 --> 00:52:20,880
Speaker 1: it's just she got so here's my thing. I literally

1031
00:52:21,600 --> 00:52:24,920
Speaker 1: I don't even dislike her. I think they're all figuring out.

1032
00:52:24,960 --> 00:52:26,840
Speaker 1: I don't know why I have like a compassion for

1033
00:52:26,920 --> 00:52:29,520
Speaker 1: this cast. Maybe it's because I'm doing their Bravo Con

1034
00:52:29,560 --> 00:52:32,840
Speaker 1: panel and I'm really trying to because I'm no, I

1035
00:52:32,840 --> 00:52:34,719
Speaker 1: think what it is it's not even about fair is.

1036
00:52:34,719 --> 00:52:37,640
Speaker 1: I'm just really trying to see the best in all

1037
00:52:37,680 --> 00:52:39,840
Speaker 1: of them. That's because I'm trying not to make a

1038
00:52:39,880 --> 00:52:42,240
Speaker 1: decision about one of them before I like go into

1039
00:52:42,280 --> 00:52:44,520
Speaker 1: this thing where I have to like, you know, talk

1040
00:52:44,560 --> 00:52:47,160
Speaker 1: with all of them, et cetera. But I will say

1041
00:52:47,480 --> 00:52:50,799
Speaker 1: it is tough with side because it's that thing of

1042
00:52:50,880 --> 00:52:54,080
Speaker 1: like her behavior just isn't very grounded. Yeah, and I

1043
00:52:54,320 --> 00:52:56,759
Speaker 1: just you know, it could be the editing, but like

1044
00:52:56,960 --> 00:52:59,560
Speaker 1: it's just you can't really fake it. That's such a

1045
00:52:59,640 --> 00:53:00,399
Speaker 1: rooky move.

1046
00:53:00,520 --> 00:53:03,120
Speaker 2: Yeah, for her, It's both sign Aaron being on, like

1047
00:53:03,719 --> 00:53:06,480
Speaker 2: the Bravo Instagram commenting being like stay tuned for the

1048
00:53:06,520 --> 00:53:08,640
Speaker 2: beginning and the editing did as dirty blah blah blah,

1049
00:53:08,640 --> 00:53:11,880
Speaker 2: and then like people dragging them in the Yeah, I

1050
00:53:11,920 --> 00:53:14,200
Speaker 2: had to get in there and be like, girl, you're

1051
00:53:14,200 --> 00:53:17,800
Speaker 2: not cut out for this. I really don't think Aaron

1052
00:53:18,080 --> 00:53:19,440
Speaker 2: is cut out for reality television.

1053
00:53:19,520 --> 00:53:22,400
Speaker 1: She seems very sensitive in a way where it's like

1054
00:53:22,600 --> 00:53:24,680
Speaker 1: it's fine, it's not like a yeah, it's just sensitive.

1055
00:53:24,880 --> 00:53:27,080
Speaker 1: If you're able to dish it out, you have to

1056
00:53:27,120 --> 00:53:29,280
Speaker 1: be able to take it. And it seems like taking

1057
00:53:29,320 --> 00:53:31,799
Speaker 1: it for her means like full meltdown in a way

1058
00:53:31,840 --> 00:53:34,120
Speaker 1: where it's like, Okay, cute. We can watch that, for sure,

1059
00:53:34,320 --> 00:53:36,720
Speaker 1: we can adjust to that. I just it's not clear

1060
00:53:36,920 --> 00:53:39,440
Speaker 1: at the end of it, like and I think their

1061
00:53:39,480 --> 00:53:41,759
Speaker 1: first season and second season, for better or worse are

1062
00:53:41,800 --> 00:53:44,319
Speaker 1: going to be very different because these women now have

1063
00:53:44,400 --> 00:53:46,680
Speaker 1: been in the machine and the cooker, which is why

1064
00:53:46,719 --> 00:53:48,440
Speaker 1: I don't think we should get rid of any of them.

1065
00:53:48,520 --> 00:53:50,719
Speaker 1: I think I'm gonna double down on this. We keep

1066
00:53:50,760 --> 00:53:52,960
Speaker 1: them all and bring in Leah. I think that is

1067
00:53:53,000 --> 00:53:55,279
Speaker 1: the best move, if Lee even wants to do it right.

1068
00:53:55,400 --> 00:54:00,879
Speaker 1: But start the campaign anyway. Espresso Martini's I'm just noticing

1069
00:54:01,480 --> 00:54:04,080
Speaker 1: it's excess, That's all I'm saying. Bowen, do you haven't?

1070
00:54:04,120 --> 00:54:06,160
Speaker 1: I don't think so any topic, Yes you do. You

1071
00:54:06,200 --> 00:54:07,960
Speaker 1: said it was going to be a barn burner, and

1072
00:54:08,000 --> 00:54:11,720
Speaker 1: this is the moment we've all been waiting for. Bowen

1073
00:54:11,800 --> 00:54:15,279
Speaker 1: Yang your I don't think so honey, time starts now.

1074
00:54:15,440 --> 00:54:19,240
Speaker 1: I don't think so, honey. The word earnestness. Why aren't

1075
00:54:19,280 --> 00:54:24,160
Speaker 1: you earnesty? Why aren't you earnesty? The English language is

1076
00:54:24,160 --> 00:54:27,080
Speaker 1: a lie, y'all. We are breaking the lang. I just

1077
00:54:27,120 --> 00:54:30,239
Speaker 1: broke the language. Earnesty is not a word, but it

1078
00:54:30,280 --> 00:54:31,000
Speaker 1: should be right.

1079
00:54:31,160 --> 00:54:35,160
Speaker 2: It's not honestness, it's honesty, and honesty is the word

1080
00:54:35,200 --> 00:54:38,480
Speaker 2: that is the most important, not earnest ness, and therefore

1081
00:54:38,520 --> 00:54:42,640
Speaker 2: honesty should set the model for earnesty. We need to

1082
00:54:43,200 --> 00:54:47,600
Speaker 2: write legislation to make earnesty a word in America at least.

1083
00:54:47,840 --> 00:54:49,719
Speaker 2: I don't want to speak for other countries, for other

1084
00:54:49,840 --> 00:54:53,719
Speaker 2: countries that speak English, but in America it should be earnesty.

1085
00:54:53,840 --> 00:54:55,839
Speaker 2: That is something that we can all get behind. It's

1086
00:54:55,880 --> 00:54:57,480
Speaker 2: a bipartisan effort.

1087
00:54:57,400 --> 00:55:01,479
Speaker 1: That will pass fifty Let contrarian out there and being

1088
00:55:01,520 --> 00:55:04,240
Speaker 1: fucking oh it's earnestness, blah blah blah.

1089
00:55:04,400 --> 00:55:06,200
Speaker 2: No, I don't want to hear from you. You should not

1090
00:55:06,239 --> 00:55:08,319
Speaker 2: participate in our democracy.

1091
00:55:08,480 --> 00:55:10,920
Speaker 1: You should only vote if you think the words should

1092
00:55:10,920 --> 00:55:15,520
Speaker 1: be earnesty, because otherwise the English language is a fucking grift.

1093
00:55:15,600 --> 00:55:17,960
Speaker 1: And that's one minute. I have to say. There's another

1094
00:55:18,040 --> 00:55:21,200
Speaker 1: example of this, which is it's not jealousness. It's not

1095
00:55:21,400 --> 00:55:28,759
Speaker 1: just jealousy that you add a y to the word honesty. Jealousy, Earnesty,

1096
00:55:28,880 --> 00:55:33,960
Speaker 1: it's not irons, it's irony. It's irony. I don't like

1097
00:55:34,120 --> 00:55:41,640
Speaker 1: on any word. No, oh, you just watching people bowen.

1098
00:55:41,840 --> 00:55:45,839
Speaker 1: Just literally physically, you were like Yoda at the end

1099
00:55:45,840 --> 00:55:49,759
Speaker 1: of I think it's what he's done. He does, and

1100
00:55:49,840 --> 00:55:52,280
Speaker 1: I think empires are spelled yeah, yeah, no, no, no,

1101
00:55:52,320 --> 00:55:55,680
Speaker 1: he does Jedi. Yeah, you literally just did that his

1102
00:55:55,800 --> 00:55:56,600
Speaker 1: final breath.

1103
00:55:57,560 --> 00:56:00,880
Speaker 2: I was gonna say, I looked like I look like

1104
00:56:00,920 --> 00:56:04,280
Speaker 2: anytime rogue would like touch someone.

1105
00:56:04,200 --> 00:56:06,760
Speaker 1: You need a moment of like coming back together, because

1106
00:56:06,800 --> 00:56:12,240
Speaker 1: you spent all your energy on that one. I agree

1107
00:56:12,280 --> 00:56:14,279
Speaker 1: with you, sister, Earnesty down.

1108
00:56:14,400 --> 00:56:17,880
Speaker 2: Earnesty, Earnestness don't sound right, That's all I'm saying.

1109
00:56:18,920 --> 00:56:22,960
Speaker 1: Ness offends you. Ness is so gross. Get out of here, nessy,

1110
00:56:23,040 --> 00:56:28,840
Speaker 1: get out of here. Fucking well. This has been I

1111
00:56:28,840 --> 00:56:32,080
Speaker 1: think a very healing episode. Your energy seems much lighter

1112
00:56:32,080 --> 00:56:34,080
Speaker 1: and better now than when I came in and I

1113
00:56:34,120 --> 00:56:37,680
Speaker 1: thought you were dead man walking sister with the lights

1114
00:56:37,719 --> 00:56:44,840
Speaker 1: start low. I'm gonna get better. I guess we should

1115
00:56:44,880 --> 00:56:50,240
Speaker 1: end every episode with a song. Soon you good, better,

1116
00:56:52,840 --> 00:57:01,520
Speaker 1: Soon you get better, You're get better, m H, could

1117
00:57:01,560 --> 00:57:06,040
Speaker 1: you have to? For more on that? Listen to and

1118
00:57:06,239 --> 00:57:12,400
Speaker 1: You'll Get Better featuring the checks off the album Love Bye,