WEBVTT - Mini Crush #169

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey everybody, and welcome to Movie Crush. On a mini

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<v Speaker 1>little Monday, nol, looks like you're rubbing the widow sweep

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<v Speaker 1>be out of your eyes. Who do you? Who are

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<v Speaker 1>you sweepy? Uh No, I've been I've been up for

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<v Speaker 1>a while. I was not a call at nine. What

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<v Speaker 1>time do you get up? No? It depends, man. You

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<v Speaker 1>know I'm gonna actually be an average during the week nine. Okay,

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<v Speaker 1>do you sleep the same on the weekends? Do you sleep?

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<v Speaker 1>I know I don't ever sleep extra now I'm papable

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<v Speaker 1>of sleeping past, say, ten thirty, unless I know christ

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<v Speaker 1>I remember those days. That's amazing late. Yes, okay, well,

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<v Speaker 1>you know I don't have a small child anymore. I

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<v Speaker 1>kind of do what I want, Chuck. I'm kind of

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<v Speaker 1>living the life of Riley. As they say, who was Riley?

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<v Speaker 1>By the way, what was his life so great? It

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<v Speaker 1>was Riley? And why was he sleeping or cheating? I

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<v Speaker 1>don't even know? Were they? For all? I know? They? Uh? No?

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<v Speaker 1>I got an exciting little message from you know, Rob Hubill,

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<v Speaker 1>the actor and community. I love him. I love him

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<v Speaker 1>and I follow him on Instagram and this was like

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<v Speaker 1>a couple of months ago. He said, Hey, does anyone

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<v Speaker 1>have any true ghost stories? And I sent him a

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<v Speaker 1>message on Instagram. I was like, I'd have a ghost story.

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<v Speaker 1>I'm not a big ghost guy, but I do have

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<v Speaker 1>one for my college days. Kind of gave him a

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<v Speaker 1>run through and he was like, okay, thanks and that

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<v Speaker 1>was it and I was like, well that was weird.

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<v Speaker 1>And then just this morning I woke up and Rob

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<v Speaker 1>Hubile is doing some uh not TikTok what is it?

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<v Speaker 1>Instagram stream or something with that, like a live thing twitch.

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<v Speaker 1>H He's doing ghost stories on Twitch and he wants

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<v Speaker 1>me to come on and tell my ghost story. That's great,

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<v Speaker 1>so hopefully I'm gonna make a little connection here and

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<v Speaker 1>be like all right, buddy, now you gotta come on

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<v Speaker 1>movie crush. Totally, that's so funny. Twitches usually for gamers,

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<v Speaker 1>right I guess. I guess people are using it for

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<v Speaker 1>whatever these days. Well frequent guests Ben Harrison uh he said, hey,

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<v Speaker 1>do you want to play Dead red Redemption on Twitch tonight?

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<v Speaker 1>And I was like, what is that? And he kind

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<v Speaker 1>of explained it to me that basically people will pay

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<v Speaker 1>to just sit in and watch two people play a

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<v Speaker 1>game and talk about it. I don't know if you

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<v Speaker 1>have to pay. It's like ad supported, I thought, But

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<v Speaker 1>it's like my kids really into it. Like the the

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<v Speaker 1>new YouTubers are twitch streamers, and there's this whole you know,

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<v Speaker 1>kind of what's the word I'm looking for, like click

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<v Speaker 1>of like these different twitch streamers, Like one of the

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<v Speaker 1>most popular ones this dude named Wilbur Soot, who is

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<v Speaker 1>this British kid who like twitch streams, but he also

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<v Speaker 1>does like music and makes these kind of parody songs

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<v Speaker 1>about Minecraft and being a nerd. But but I think

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<v Speaker 1>maybe they don't pay, but you make you make money

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<v Speaker 1>based on how many people are watching. Yeah, it's like

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<v Speaker 1>it's like YouTube rules, but but it's it's it's all live. Yeah.

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<v Speaker 1>It was weird. And he explained that to me, and

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<v Speaker 1>I was like, you mean that you and I can

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<v Speaker 1>play Dead red Redemption and somebody will send us a

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<v Speaker 1>check as long as you banter gotta be good banter, Chuck,

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<v Speaker 1>gotta keep him on the hook. I didn't do it,

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<v Speaker 1>by the way, Chuck, you should have done it. Oh.

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<v Speaker 1>I don't know, man, that just feels weird. I like

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<v Speaker 1>hearing I love hearing you talk about playing that game.

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<v Speaker 1>I would enjoy watching you play in real time and

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<v Speaker 1>getting in raised when someone continues to knife you. You

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<v Speaker 1>know what, wasn't there someone who was trolling you at

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<v Speaker 1>one point and after you were pretty terrible on that

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<v Speaker 1>game that forever? But I just I don't know, I

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<v Speaker 1>feel like I'd be afraid of what I would say

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<v Speaker 1>in the moment um. That's a good point, Chuck. You

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<v Speaker 1>are used to having a bit of a line of

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<v Speaker 1>uh editorial control, speaking of which, I heard you and

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<v Speaker 1>Josh hung out in in real life season. So we did,

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<v Speaker 1>we got we got to record yesterday in person. We

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<v Speaker 1>you know, there was an impetus behind it, which was

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<v Speaker 1>recording the R three D episode, right, which, by the way,

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<v Speaker 1>have you seen those fucking microphones with the ears? Yeah,

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<v Speaker 1>we're doing ours today. Actually have you seen those things?

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<v Speaker 1>Are creepy, They are weird looking. Yeah. Yeah, for those

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<v Speaker 1>of you who don't know what I'm talking about, we

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<v Speaker 1>the we're trying to do more three D content on

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<v Speaker 1>the network. Three D audio is basically this situation where

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<v Speaker 1>when you wear your headphones and your earbuds, it sort

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<v Speaker 1>of puts you in the space with the people and

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<v Speaker 1>even a show like ours where we're not gussing it

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<v Speaker 1>up with sound design or anything, it sounds different and

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<v Speaker 1>you know, to some people probably a little more interesting. Uh,

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<v Speaker 1>it is a stunt, but hey, we got on board.

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<v Speaker 1>We're not going to change our show to that format,

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<v Speaker 1>but we did it. And they have these microphones everyone

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<v Speaker 1>that I have two sides to them, and there are

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<v Speaker 1>what looked like real human ears on each side of

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<v Speaker 1>these microphones, and it's creepy as Yeah. There's another set

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<v Speaker 1>of them you can get that are like in headphone

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<v Speaker 1>form where they actually record what you're hearing through the headphones.

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<v Speaker 1>I think Sindheiser makes them so you can literally put

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<v Speaker 1>put them on their their normal headphones and then you

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<v Speaker 1>flip a switch and then all of a sudden, it's

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<v Speaker 1>like you're hearing through the headphones the environment that you're

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<v Speaker 1>walking through super super trippy. Mm hmm. Is it spoopy?

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<v Speaker 1>It's spoopy and psychedelic, Chuck. I did a thing yesterday

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<v Speaker 1>that shouldn't be weird, but it felt weird, but then

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<v Speaker 1>it also felt great. What you do? I went and

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<v Speaker 1>saw a movie in the theater. WHOA what movie? It's

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<v Speaker 1>called Demon Slayer it's an anime thing. Um Mike kids

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<v Speaker 1>really into it, and a buddy of mine um was

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<v Speaker 1>also into it, and none of his friends were nerdy

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<v Speaker 1>enough to go with him, so I had an excuse.

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<v Speaker 1>It was great, it was it was so fun. It

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<v Speaker 1>was they they you know, it was a new theater,

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<v Speaker 1>brand new theater over in Grant Park. Uh amc I believe,

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<v Speaker 1>And they have the one on the memorial. I guess

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<v Speaker 1>it's not that new, but it was. It opened right

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<v Speaker 1>before the pandemic, so it felt like it was you know,

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<v Speaker 1>it had not really been broken in yet. Let's just say,

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<v Speaker 1>but is it the one over there by homegrown? It is? Okay? Yeah?

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<v Speaker 1>And uh, it was just so fun. It was nice.

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<v Speaker 1>You know, did the whole ritual of going to the

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<v Speaker 1>grocery store beforehand and buying illicit snacks and smuggling them

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<v Speaker 1>in in my puffy jackets. They sold dildo shaped pretzels, totally. Yeah,

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<v Speaker 1>lots of lots of drugged snacks and and and dildo

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<v Speaker 1>shaped I can't affections. That's that's great. Emily took Ruby

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<v Speaker 1>to U. One of her little best friends is thirteen,

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<v Speaker 1>one of our family friends, and she rented I wanted

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<v Speaker 1>to rent out a movie theater for her birthday, and

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<v Speaker 1>she and her eleven friends and Ruby and then a

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<v Speaker 1>few of the parents went. I was not able to

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<v Speaker 1>go because I had to do something else. But they

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<v Speaker 1>had a great time. And the great thing about rending

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<v Speaker 1>the theater, these girls had a little dance party down

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<v Speaker 1>there during the movie in the aisles. They can't say,

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<v Speaker 1>I don't do that. I love it. Uh. That's always

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<v Speaker 1>my dream, Chuck, is to go to a movie where

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<v Speaker 1>there's nobody else in there but you. It always gets

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<v Speaker 1>ruined by like one person I have long ago, long

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<v Speaker 1>ago once, but it happened, almost happened recently, and then

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<v Speaker 1>it was ruined by the end of the credit. Some

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<v Speaker 1>jerkwad came in. Um, that's creepier than when it's two people.

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<v Speaker 1>That's a little weird. It is a little weird. And

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<v Speaker 1>one thing it was kind of weird about the situation

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<v Speaker 1>at the movie. I assumed it was a reserved seating

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<v Speaker 1>that they would, you know, have have taken into account

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<v Speaker 1>social distancing and not you know, booked separate parties directly,

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<v Speaker 1>you know, connected seats. And this big family came in

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<v Speaker 1>and sat down right next to us. And we kind

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<v Speaker 1>of were like whoa, uh, we moved over, but it

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<v Speaker 1>was like, I don't know if they were sitting not

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<v Speaker 1>in their assigned seats or if the system was screwed up.

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<v Speaker 1>But it's a little odd. Yeah, isn't that? Isn't that strange? Yeah?

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<v Speaker 1>I mean, if you're gonna limit the seating, just block

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<v Speaker 1>off at least two seats in between parties. I would

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<v Speaker 1>say totally something like that, you know, very interesting, But

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<v Speaker 1>to put the button on stuff. You should know. Jerry

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<v Speaker 1>was in the room with Josh Andre the first time

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<v Speaker 1>in like fourteen months total union. It was great in

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<v Speaker 1>in every way we were It's just the way it

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<v Speaker 1>should be. And you know, we we've been recording, uh

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<v Speaker 1>you know, we recorded remotely some before the pandemic hit

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<v Speaker 1>even so we were used to it. But we really, um,

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<v Speaker 1>I think took for granted being together and now we don't.

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<v Speaker 1>I saw you had some shrimp and white wine. That

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<v Speaker 1>sounds like a real sare we had. Jerry brought champagne.

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<v Speaker 1>I had a little each had a little champagne glass.

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<v Speaker 1>And Jerry bought shrimp because that's an old running joke.

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<v Speaker 1>But it was frozen, so we didn't get to eat

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<v Speaker 1>the shrimp. But we're going back in Thursday to record

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<v Speaker 1>another one and hopefully the shrimp will be thought. I

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<v Speaker 1>hope so, I hope it's had enough time. That's exciting, Chuck.

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<v Speaker 1>Glad you here A big shout out to uh Sammy Cahill.

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<v Speaker 1>I got back to the you know, the first time

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<v Speaker 1>I've been in the office and quite a while actually,

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<v Speaker 1>and there was a fiftieth birthday gift waiting for me

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<v Speaker 1>from the lovely and charming and winsome Sammy Uh. And

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<v Speaker 1>it was popcorn toppers like gourmet popcorn kit. Very cool.

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<v Speaker 1>I love. I love a good season salt on some popcorn.

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<v Speaker 1>I'm going in the office today, Chuck. Maybe I'll have

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<v Speaker 1>a present waiting for me. Who knows. I just I

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<v Speaker 1>took a dump on your desk because that kind of Yeah,

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<v Speaker 1>you're always terrorizing my desk when I'm not around, Chuck.

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<v Speaker 1>What's with you? Oh? I love those headless parrot squeezies

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<v Speaker 1>are still over there. It's so funny when I sew

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<v Speaker 1>you just such a good job of playing it straight

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<v Speaker 1>never you know, Yeah, I mean you really had a

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<v Speaker 1>great poker Efficially. I don't know what you're talking about. Sir,

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<v Speaker 1>I don't know if there was anything on your desk,

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<v Speaker 1>but I did walk around. That's I mean, no one

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<v Speaker 1>was still in there. I kind of thought there might

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<v Speaker 1>be some people going back a little bit, but it

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<v Speaker 1>was just Jerry and I. Jerry and myself, and then

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<v Speaker 1>Josh came in, and then Alex and Lowell came in

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<v Speaker 1>to help engineer the three D episode, so I got

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<v Speaker 1>to see those guys very briefly too. Nice. Yeah, we're

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<v Speaker 1>doing like a like a space kind of episode, like

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<v Speaker 1>a re enactment of some kind of like space thing.

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<v Speaker 1>You you're gonna fancy yours up? Then, of course we are.

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<v Speaker 1>We're doing a little bit of sound as that it's

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<v Speaker 1>just gonna be like a segment though, like not like

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<v Speaker 1>a full episode. And then we're also doing ridiculous history

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<v Speaker 1>in three D, and we're doing that like about a

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<v Speaker 1>race car event with like crashes and stuff, so we're

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<v Speaker 1>gonna be like narrating it and kind of like making

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<v Speaker 1>all the noises with our They wanted us to do

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<v Speaker 1>something like that, and uh, I just you know, we

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<v Speaker 1>just said no. I mean, as much as we wanted

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<v Speaker 1>to play ball, like listen, we do that for Halloween.

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<v Speaker 1>We do that for Christmas, and I just it felt

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<v Speaker 1>too stunty for us, so we were just keeping it real.

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<v Speaker 1>You know, Hey, it's cool man, it's Josh and Chuck

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<v Speaker 1>the podcast Experience the ride. Yeah, there's another thing talked

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<v Speaker 1>to you offline about something else. We're saying no too

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<v Speaker 1>we say no too much. No, you know, Chuck, some

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<v Speaker 1>you gotta set your boundaries, man, boundaries, otherwise they'll run

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<v Speaker 1>rough shot all over you really quickly. On the gaming front,

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<v Speaker 1>I finished Ghosts of Sushiama. Uh. It kind of ended.

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<v Speaker 1>I don't think I knew it was at the end.

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<v Speaker 1>Does that ever happen to you where all of a

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<v Speaker 1>sudden you find yourself in the last scene you're like, oh, ship,

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<v Speaker 1>I didn't know this was it? Yeah? That that usually

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<v Speaker 1>means that that there was some flaw in the storytelling,

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<v Speaker 1>though I would you're supposed to kind of have a

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<v Speaker 1>sense that you're heading towards the big thing, right, No,

0:12:06.440 --> 0:12:09.720
<v Speaker 1>I think it was a flaw in my attention paying

0:12:10.160 --> 0:12:12.400
<v Speaker 1>got it. I'm sure they did a great job. But

0:12:12.440 --> 0:12:15.400
<v Speaker 1>it was a fun game. It's funny though you love

0:12:15.400 --> 0:12:17.199
<v Speaker 1>these games, and at the end, for me, I'm kind

0:12:17.200 --> 0:12:20.120
<v Speaker 1>of done. Very few do I want to keep playing,

0:12:20.840 --> 0:12:23.280
<v Speaker 1>like I guess I did with the original Last of

0:12:23.440 --> 0:12:25.840
<v Speaker 1>Us and maybe a little bit on Dead Red, but

0:12:25.880 --> 0:12:28.200
<v Speaker 1>otherwise I'm kind of exhausted it, so I'm ready to

0:12:28.200 --> 0:12:31.880
<v Speaker 1>move on. I gotta say I I still haven't returned

0:12:31.920 --> 0:12:33.760
<v Speaker 1>to Last of Us too, because I got to a

0:12:33.840 --> 0:12:36.800
<v Speaker 1>really hard part. I do this sometimes where I was

0:12:36.880 --> 0:12:38.560
<v Speaker 1>like beat my head against the wall playing it over

0:12:38.600 --> 0:12:40.520
<v Speaker 1>and over again, and I don't and I get frustrated,

0:12:40.720 --> 0:12:42.839
<v Speaker 1>and so we've talked, well, not give up. I was

0:12:42.880 --> 0:12:44.200
<v Speaker 1>just like, I'm gonna come back to it, but I've

0:12:44.240 --> 0:12:47.719
<v Speaker 1>been distracted by Switch games because they're so fun and replayable.

0:12:47.960 --> 0:12:52.240
<v Speaker 1>But I encountered a new type of zombie that's the

0:12:52.240 --> 0:12:54.800
<v Speaker 1>one that like shoots out stink bombs or whatever. That's

0:12:54.840 --> 0:12:57.640
<v Speaker 1>like a gas gas zombie or whatever. Yeah, I think

0:12:57.679 --> 0:13:01.760
<v Speaker 1>I remember that. I encountered it in a time where

0:13:01.800 --> 0:13:04.800
<v Speaker 1>I was very very very low on Ammo and there's

0:13:04.880 --> 0:13:07.959
<v Speaker 1>nothing around, so I don't know what to do. I

0:13:08.000 --> 0:13:09.960
<v Speaker 1>think I might have to go to a previous save

0:13:10.080 --> 0:13:12.320
<v Speaker 1>point and like collect more AMMO, knowing that that's coming,

0:13:12.640 --> 0:13:14.240
<v Speaker 1>but I want to go back. The problem with that

0:13:14.280 --> 0:13:17.080
<v Speaker 1>game that is, when you die, it's so brutal that.

0:13:17.160 --> 0:13:20.040
<v Speaker 1>It's like, I don't want to keep doing this to myself,

0:13:20.080 --> 0:13:22.360
<v Speaker 1>Like this is a lot. It's a lot, I know,

0:13:22.520 --> 0:13:25.640
<v Speaker 1>especially when your characters are you know, I don't know,

0:13:26.080 --> 0:13:29.480
<v Speaker 1>there are people you connect children, Yeah, young girl, it's

0:13:29.520 --> 0:13:33.360
<v Speaker 1>like geese, I don't want to see that. It's brutal. Alright, No,

0:13:33.679 --> 0:13:36.320
<v Speaker 1>you got anything else on the catch up front? Not really,

0:13:36.720 --> 0:13:39.040
<v Speaker 1>just really excited to be going back to movies. I'm

0:13:39.040 --> 0:13:41.880
<v Speaker 1>I'm also going to Seattle on Friday with my kid,

0:13:41.920 --> 0:13:46.040
<v Speaker 1>and yeah it's Friday. You got a lot of lovely

0:13:46.080 --> 0:13:48.960
<v Speaker 1>movie crushers reaching out with the suggestions, and not one

0:13:49.000 --> 0:13:51.800
<v Speaker 1>of them has talked about how it's a lawless town

0:13:51.880 --> 0:13:57.200
<v Speaker 1>of roving bands of dude. My mom and then her

0:13:57.200 --> 0:14:01.360
<v Speaker 1>Fox News she's like, please don't go, please, it's scary

0:14:01.440 --> 0:14:07.600
<v Speaker 1>there all the libs roaming the streets with their Molotov cocktails. Anyway,

0:14:08.040 --> 0:14:10.400
<v Speaker 1>enough about that, but yeah, very exciting. Lots of crushers

0:14:10.440 --> 0:14:12.640
<v Speaker 1>have reached out with some great wrex you got your

0:14:12.679 --> 0:14:16.640
<v Speaker 1>docket planned. We only we're playing it pretty pretty loose.

0:14:16.720 --> 0:14:18.840
<v Speaker 1>Like I said, we're going to the mo Pop to

0:14:18.840 --> 0:14:21.440
<v Speaker 1>to see this Minecraft exhibit and it's apparently a really

0:14:21.480 --> 0:14:24.440
<v Speaker 1>dope museum in and of itself. You're gonna love MoPOP. No,

0:14:24.640 --> 0:14:27.200
<v Speaker 1>I'm really excited. We're gonna go to this place called

0:14:27.960 --> 0:14:32.120
<v Speaker 1>pipe Works Park or gas Works Park. Maybe it's like

0:14:32.160 --> 0:14:35.280
<v Speaker 1>a old some kind of factory or industrial area that

0:14:35.360 --> 0:14:37.160
<v Speaker 1>was made into a park and you can climb around

0:14:37.200 --> 0:14:40.320
<v Speaker 1>on all these crazy you know pipes and like you

0:14:40.360 --> 0:14:44.479
<v Speaker 1>know towers and things. Um. And then there's a glass

0:14:44.600 --> 0:14:47.440
<v Speaker 1>artist who's very well known and I'm forgetting the name now,

0:14:47.600 --> 0:14:51.600
<v Speaker 1>oh yeah, the Nutulu Khloe coat, coat coat, something like that.

0:14:53.120 --> 0:14:56.080
<v Speaker 1>It's it's great. That's it's a really really lovely place

0:14:56.160 --> 0:14:58.960
<v Speaker 1>to go. I um, get your camera ready because it's

0:14:59.000 --> 0:15:03.160
<v Speaker 1>just like feast, feast for the eyes. Those are our

0:15:03.280 --> 0:15:05.880
<v Speaker 1>three agenda items. And we obviously we were going to

0:15:05.920 --> 0:15:07.920
<v Speaker 1>go to the market and all the you know, the

0:15:08.040 --> 0:15:12.120
<v Speaker 1>downtowny stuff, and we're staying right right in that zone. Um.

0:15:12.680 --> 0:15:14.120
<v Speaker 1>But yeah, I got a couple of folks I might

0:15:14.640 --> 0:15:16.360
<v Speaker 1>try to connect up with, and in a buddy of

0:15:16.360 --> 0:15:17.920
<v Speaker 1>mine who was in Portland might come down for a

0:15:18.000 --> 0:15:19.920
<v Speaker 1>day and hang out too. So all right, well I'm

0:15:19.920 --> 0:15:22.080
<v Speaker 1>trying to think for an Edam Pryan. I could move

0:15:22.160 --> 0:15:28.360
<v Speaker 1>from Seattle, but I still reached out. Yeah, the gooch

0:15:28.440 --> 0:15:30.520
<v Speaker 1>reached out as well. Oh it is the gooch in Seattle.

0:15:30.720 --> 0:15:35.880
<v Speaker 1>The gooches in Seattle. I don't know it's possible. He

0:15:36.080 --> 0:15:39.200
<v Speaker 1>he invited me to his place of business, which is

0:15:39.520 --> 0:15:41.120
<v Speaker 1>a twenty one in up place. So I've got the

0:15:41.200 --> 0:15:43.840
<v Speaker 1>kid um, but my girlfriend's coming to so maybe that

0:15:43.920 --> 0:15:45.880
<v Speaker 1>I can sneak off and pop in for a pint.

0:15:47.000 --> 0:15:48.920
<v Speaker 1>You're like, he invited me to a place of work.

0:15:49.000 --> 0:15:51.520
<v Speaker 1>It's an accounting firm, and I don't think I'm gonna

0:15:51.520 --> 0:15:54.320
<v Speaker 1>go twenty one in up accounting firm. Very risk a

0:15:54.640 --> 0:15:58.160
<v Speaker 1>the sexiest kind. Alright, No, I guess if that's all

0:15:58.200 --> 0:16:00.920
<v Speaker 1>the ketchup we have, you can move right on along

0:16:02.080 --> 0:16:05.720
<v Speaker 1>to our loan real segment because we're gonna do a

0:16:05.760 --> 0:16:07.520
<v Speaker 1>little stream this, So go ahead and get your your

0:16:07.720 --> 0:16:11.000
<v Speaker 1>brain pumped for that there. But this is a fun one.

0:16:11.120 --> 0:16:16.000
<v Speaker 1>This is from Michael Fleming on the Crushers page. And

0:16:16.080 --> 0:16:18.400
<v Speaker 1>you often see a lot of like change a word

0:16:18.440 --> 0:16:20.600
<v Speaker 1>in this movie title and make it a different movie title.

0:16:21.760 --> 0:16:26.640
<v Speaker 1>This has changed a letter one letter noel, which require

0:16:26.680 --> 0:16:28.760
<v Speaker 1>a little more brain work, more brain work, and he

0:16:28.880 --> 0:16:32.960
<v Speaker 1>started with uh for some reason. It just makes me laugh.

0:16:33.760 --> 0:16:38.720
<v Speaker 1>Marty Poppins. That's funny. I don't know why that's so funny.

0:16:38.760 --> 0:16:41.440
<v Speaker 1>I pictured this guy. Hey, how you doing, Marty Poppins,

0:16:41.560 --> 0:16:44.880
<v Speaker 1>Good to meet you. I hate children. I got one.

0:16:45.560 --> 0:16:47.320
<v Speaker 1>It's going to be a movie about donuts and it's

0:16:47.320 --> 0:16:54.400
<v Speaker 1>called Glazing Saddles. Alright, so let's see what what everyone

0:16:54.480 --> 0:17:01.120
<v Speaker 1>came up with here, liz An says, Star Wars. Get it.

0:17:01.280 --> 0:17:04.040
<v Speaker 1>You can also add a letter. Yeah, I mean I

0:17:04.119 --> 0:17:06.280
<v Speaker 1>think that's got it. That seems to be the rules

0:17:06.320 --> 0:17:08.840
<v Speaker 1>of the game. I like it, like Cody Read says.

0:17:08.920 --> 0:17:12.639
<v Speaker 1>Flight Club. Mm hmm. That's actually is the name of

0:17:12.680 --> 0:17:16.680
<v Speaker 1>a shoe store really, uh, like a sneaker head store

0:17:16.800 --> 0:17:19.720
<v Speaker 1>in Los Angeles called flight Club where you get your

0:17:19.800 --> 0:17:21.960
<v Speaker 1>Jordans and they have like a wrapped in plastic like

0:17:22.040 --> 0:17:25.080
<v Speaker 1>all the previous you know, special editions and stuff for

0:17:25.400 --> 0:17:28.160
<v Speaker 1>quite a lot of money. Oh. Sure, sneaker heads. That's

0:17:28.240 --> 0:17:30.639
<v Speaker 1>that's a big thing. Mhm. They line up for that

0:17:30.680 --> 0:17:33.000
<v Speaker 1>ship and all. Oh, they line up for it. Now

0:17:33.280 --> 0:17:36.000
<v Speaker 1>apparently bots are becoming a big problem, like they are

0:17:36.080 --> 0:17:39.000
<v Speaker 1>with tick concert tickets, where the bots buy up all

0:17:39.040 --> 0:17:41.840
<v Speaker 1>the sneakers and then they're like traded like commodities. Basically

0:17:41.920 --> 0:17:44.440
<v Speaker 1>it's a whole thing revenge of the sneaker bots. That

0:17:44.480 --> 0:17:49.080
<v Speaker 1>sounds like a public enemy song man. I tried to

0:17:49.119 --> 0:17:50.720
<v Speaker 1>get Chuck d on the show a couple of times

0:17:50.760 --> 0:17:52.720
<v Speaker 1>a while ago, and it just didn't work out. In all,

0:17:53.560 --> 0:17:55.600
<v Speaker 1>he was busy, and I was like, oh, can you

0:17:55.720 --> 0:17:59.040
<v Speaker 1>just give me an hour? He's a busy man. He's

0:17:59.040 --> 0:18:02.920
<v Speaker 1>a hero. Amanda Patterson says, shaving private Ryan, You know,

0:18:03.760 --> 0:18:08.080
<v Speaker 1>shaving Ryan's private. It's more like it. Old friend Yvan

0:18:08.160 --> 0:18:12.879
<v Speaker 1>Bodette says, Poopye cute. That's not good because then you

0:18:12.960 --> 0:18:18.240
<v Speaker 1>get what do you get? What's the sickness? Is pink Eye?

0:18:18.320 --> 0:18:21.360
<v Speaker 1>Think I from Poopye? Right, yeah, but Poopie is Also

0:18:21.359 --> 0:18:23.600
<v Speaker 1>it's funny because Popeye has already got one eye that's

0:18:23.640 --> 0:18:27.359
<v Speaker 1>kind of like squinted shut. So Poope, I assume would

0:18:27.359 --> 0:18:29.840
<v Speaker 1>be completely blind. He'd be in big trouble, wouldn't he.

0:18:31.200 --> 0:18:37.880
<v Speaker 1>Christine Davis Baker says Goodwill, haunting love that Liz Anna's back.

0:18:38.040 --> 0:18:39.760
<v Speaker 1>Liz has got a lot of good ones. Old pal

0:18:39.880 --> 0:18:46.240
<v Speaker 1>Liz says, Pacific trim Is that like trim, like this's

0:18:46.280 --> 0:18:51.560
<v Speaker 1>a haircut movie? Perhaps I don't know, maybe, so let

0:18:51.600 --> 0:18:56.359
<v Speaker 1>me see here. M D. Charles Charne Lee says, citizen Kale,

0:18:57.440 --> 0:19:00.439
<v Speaker 1>I bet you that's a place in Brooklyn totally. If

0:19:00.480 --> 0:19:02.840
<v Speaker 1>that's not a Kale restaurant in Brooklyn, then somebody puts

0:19:02.880 --> 0:19:05.080
<v Speaker 1>it out, yeah, or a smoothie joint, like they have

0:19:05.160 --> 0:19:08.639
<v Speaker 1>a Kale me crazy here. What do you think of

0:19:08.680 --> 0:19:10.639
<v Speaker 1>those pun names for the businesses? Know you like that,

0:19:11.119 --> 0:19:13.640
<v Speaker 1>like walk and roll? How you feel about that? Yeah?

0:19:14.640 --> 0:19:18.560
<v Speaker 1>I don't know, man, whatever it's it's it's it sticks

0:19:18.640 --> 0:19:20.640
<v Speaker 1>in your brain. That's the whole idea I think does

0:19:20.680 --> 0:19:22.280
<v Speaker 1>I don't know, kille me crazy, but it sticks in

0:19:22.359 --> 0:19:28.000
<v Speaker 1>your brain, it does. Um. Well, this person didn't understand

0:19:28.080 --> 0:19:30.800
<v Speaker 1>this exercise at all, but that's okay. We'll just skip

0:19:30.880 --> 0:19:37.040
<v Speaker 1>over that one. Christopher Steiner says, moral combat. That's pretty good,

0:19:37.520 --> 0:19:39.600
<v Speaker 1>chuck hot take real quick. I saw that you quite

0:19:39.680 --> 0:19:41.640
<v Speaker 1>enjoyed that. I felt the same way as you felt.

0:19:41.680 --> 0:19:45.800
<v Speaker 1>Save it blood sport, save it for stream this No, alright, alright, alright, alright,

0:19:45.840 --> 0:19:47.359
<v Speaker 1>put a pin in that. We'll come back putting a

0:19:47.400 --> 0:19:49.640
<v Speaker 1>pin in it. Putting a pin in uh, Lee las

0:19:49.680 --> 0:19:55.520
<v Speaker 1>Stovika says, Mary, Poopin's okay, A lot of poop poop

0:19:55.600 --> 0:19:59.960
<v Speaker 1>jokes here, very scatologically minded crushers. It is Benjamin Ka

0:20:00.040 --> 0:20:05.920
<v Speaker 1>says Jurassic Spark. No, I don't know what that's about

0:20:05.920 --> 0:20:08.840
<v Speaker 1>it and I need more and it needs a subtitle.

0:20:09.800 --> 0:20:13.480
<v Speaker 1>Christopher Steiner says, jig trouble in Little China. It becomes

0:20:13.520 --> 0:20:17.320
<v Speaker 1>a fishing movie. Like a fishing jig. I thought I've

0:20:17.400 --> 0:20:19.360
<v Speaker 1>never heard that used before. I thought it was a rig.

0:20:20.440 --> 0:20:22.520
<v Speaker 1>Was your jig like a type of a lure? Is

0:20:22.600 --> 0:20:25.840
<v Speaker 1>that like a lure? Yeah, let me see fishing jig.

0:20:26.000 --> 0:20:30.119
<v Speaker 1>I think a jig is a jig fishing. It's a

0:20:30.160 --> 0:20:35.240
<v Speaker 1>way to fish. It's a style how to fish a jig.

0:20:36.400 --> 0:20:39.360
<v Speaker 1>But that's a hot YouTube. What now? For the record, though, Chuck,

0:20:39.400 --> 0:20:41.159
<v Speaker 1>I type in fishing jig and the first thing that

0:20:41.240 --> 0:20:44.560
<v Speaker 1>comes up in the little boxes just fishing lure. So jig.

0:20:44.600 --> 0:20:47.760
<v Speaker 1>I think it's just another name for a fishing lure. Uh,

0:20:48.080 --> 0:20:50.719
<v Speaker 1>what does jig fishing mean? People are just like, are

0:20:50.760 --> 0:20:53.440
<v Speaker 1>you guys kidding me? With this jigging into practice of

0:20:53.480 --> 0:20:56.600
<v Speaker 1>fishing with a jig type of fishing lure. A jig

0:20:56.680 --> 0:20:59.920
<v Speaker 1>consists of a lead sinker with a hook molded into

0:21:00.000 --> 0:21:02.680
<v Speaker 1>to it and usually covered by a soft body. Okay,

0:21:02.720 --> 0:21:04.120
<v Speaker 1>I know what this is. It's like a little fake

0:21:04.200 --> 0:21:07.399
<v Speaker 1>fish that has a hook in it, right, It's like

0:21:07.560 --> 0:21:09.560
<v Speaker 1>it's like, hey, is that a minnow? Oh god, it's

0:21:09.600 --> 0:21:14.000
<v Speaker 1>not a minnow. I'm dead and I'm dead. Um. You

0:21:14.080 --> 0:21:18.440
<v Speaker 1>could also be a movie about Irish dancing. Sure dance

0:21:18.520 --> 0:21:23.680
<v Speaker 1>a jig starring uh who else Michael Flatley. Of course

0:21:24.400 --> 0:21:27.600
<v Speaker 1>it's got he is the lord of the dance after all, Chuck,

0:21:28.119 --> 0:21:32.000
<v Speaker 1>there is none greater uh Noah King, says Godzilla versus Bong.

0:21:32.440 --> 0:21:35.880
<v Speaker 1>That's pretty good. I love that. Can you imagine Stone

0:21:36.000 --> 0:21:39.399
<v Speaker 1>Godzilla just bashing his way and like eating, like, you know,

0:21:39.680 --> 0:21:43.159
<v Speaker 1>the doughnut factory. It wouldn't be so fun. Did you

0:21:43.280 --> 0:21:46.960
<v Speaker 1>watch that? I quite enjoyed it. Yes, So here's what

0:21:47.040 --> 0:21:49.920
<v Speaker 1>I did. Noal I and I've done this before and

0:21:50.040 --> 0:21:51.840
<v Speaker 1>someone got really mad at me for doing this. But

0:21:52.560 --> 0:21:55.120
<v Speaker 1>I fast forwarded through most of the people stuff because

0:21:55.119 --> 0:21:57.200
<v Speaker 1>it was so goddamn much of it, and it wasn't

0:21:57.280 --> 0:22:00.199
<v Speaker 1>very good, way less than there was in the King

0:22:00.280 --> 0:22:02.840
<v Speaker 1>of the Monsters. They they they clearly paired it back

0:22:02.920 --> 0:22:05.000
<v Speaker 1>by quite a lot. I'm with you, that's the least

0:22:05.040 --> 0:22:08.480
<v Speaker 1>interesting part. But the monster fights are dope. I think

0:22:08.520 --> 0:22:11.959
<v Speaker 1>they're pretty fun, especially that last one was very old school,

0:22:12.880 --> 0:22:14.960
<v Speaker 1>uh sort of you know, to put it in a

0:22:15.080 --> 0:22:18.760
<v Speaker 1>downtown setting and that kind of day glow fluorescence setting.

0:22:18.920 --> 0:22:21.240
<v Speaker 1>I thought it looks kind of neat. Well, it's that dude,

0:22:21.280 --> 0:22:24.040
<v Speaker 1>Adam Wingard, who does really cool films. He did We

0:22:24.160 --> 0:22:27.080
<v Speaker 1>did Your Next and The Guest, and he's really into

0:22:27.160 --> 0:22:31.000
<v Speaker 1>that like neon kind of eighties pastiche. I really like

0:22:31.160 --> 0:22:33.720
<v Speaker 1>him as a filmmaker. Um, it's nice to see that

0:22:33.760 --> 0:22:35.600
<v Speaker 1>he's you know, he's of course doing the thing. He's

0:22:35.640 --> 0:22:38.000
<v Speaker 1>going the way of so many interesting indie filmmakers and

0:22:38.160 --> 0:22:41.840
<v Speaker 1>making big, kind of bland tent pole movies now that

0:22:41.920 --> 0:22:45.000
<v Speaker 1>really have none of his signature, uh you know, style.

0:22:45.200 --> 0:22:46.920
<v Speaker 1>But still I really enjoyed this. So I thought it

0:22:46.960 --> 0:22:49.320
<v Speaker 1>was fun and I found myself engaged the whole way through.

0:22:49.440 --> 0:22:51.040
<v Speaker 1>And what do you expect? It's but it is what

0:22:51.200 --> 0:22:53.520
<v Speaker 1>it is. It's it was fun. You're Next. I haven't

0:22:53.520 --> 0:22:55.320
<v Speaker 1>heard of that. It is that really good. Your Next

0:22:55.400 --> 0:22:57.760
<v Speaker 1>is great. It's like a horror kind of like home

0:22:57.840 --> 0:23:00.960
<v Speaker 1>invasion movie, but it's like it's a fi finally, no, no, no,

0:23:01.040 --> 0:23:03.840
<v Speaker 1>it's funny. Though it's a final girl kind of movie

0:23:04.080 --> 0:23:07.000
<v Speaker 1>where there's like this badass you know what woman who

0:23:07.080 --> 0:23:09.879
<v Speaker 1>kind of takes control over the invaders and uh and

0:23:10.080 --> 0:23:12.280
<v Speaker 1>and puts everyone down. It's not a spoiler, it's just

0:23:12.359 --> 0:23:14.920
<v Speaker 1>like the way it goes. Really, I think it's fun.

0:23:15.000 --> 0:23:17.119
<v Speaker 1>But I like Adam and I'll check it out. I

0:23:17.200 --> 0:23:21.040
<v Speaker 1>didn't know of this filmmaker. Let me see here. Oh boy,

0:23:21.160 --> 0:23:24.920
<v Speaker 1>somebody gets getting a little snarky here said please reread instructions.

0:23:27.960 --> 0:23:35.520
<v Speaker 1>It happens. Alfonso Garaba says, Spider moan see now, and

0:23:35.560 --> 0:23:39.440
<v Speaker 1>now they're all just becoming pornos. Christopher Steiner says, batteries

0:23:39.520 --> 0:23:45.840
<v Speaker 1>now included. How convenient, How convenient we can play right

0:23:46.040 --> 0:23:49.080
<v Speaker 1>from the go the word go. Oh, this is good.

0:23:49.160 --> 0:23:54.560
<v Speaker 1>Alphonso garab a once again Irony Man instead of Iron Man.

0:23:55.440 --> 0:24:00.280
<v Speaker 1>That's funny. That's good, that's very good. Let me that's

0:24:00.320 --> 0:24:03.600
<v Speaker 1>his only power. Jonathan Cooley, one of her old friends.

0:24:03.640 --> 0:24:08.600
<v Speaker 1>This is good. The Nice Storm. What a pleasant film. Yeah,

0:24:08.720 --> 0:24:11.200
<v Speaker 1>I love that film. Nothing bad happens to anybody, know.

0:24:11.320 --> 0:24:12.840
<v Speaker 1>You just sit on the front porch with your mint

0:24:12.880 --> 0:24:16.399
<v Speaker 1>jewelip and which that summer rain flow in and just

0:24:16.720 --> 0:24:21.760
<v Speaker 1>chat and just chat. Yeah. Uh oh interesting Coolie comes

0:24:21.800 --> 0:24:25.919
<v Speaker 1>back again with the double the human centipede with an

0:24:26.119 --> 0:24:30.760
<v Speaker 1>S on the front, like a smell the centipede. That's

0:24:30.800 --> 0:24:33.760
<v Speaker 1>not a thing, but it's funny. It is funny. Michael

0:24:33.800 --> 0:24:39.080
<v Speaker 1>anton Juanski says, fart in a way. Ian Lyons says,

0:24:39.160 --> 0:24:43.480
<v Speaker 1>the Nope book it's not bad. Huh No, it's good.

0:24:43.720 --> 0:24:45.760
<v Speaker 1>That's sort of like the probably the burn book from

0:24:46.520 --> 0:24:48.960
<v Speaker 1>Mean Girls. The notebook is like a list of people

0:24:49.040 --> 0:24:52.600
<v Speaker 1>that suck or something. Scott Lawton has a nice twist

0:24:52.800 --> 0:24:58.000
<v Speaker 1>Spreadator story about a COVID super spreader. I'm surprised no

0:24:58.080 --> 0:25:01.959
<v Speaker 1>one's done a sort of a banked on that COVID

0:25:02.040 --> 0:25:04.960
<v Speaker 1>fear and done something like that. I'm sure it'll happen.

0:25:05.000 --> 0:25:06.600
<v Speaker 1>It's probably one of those. Like it took a while

0:25:06.640 --> 0:25:09.240
<v Speaker 1>for them to make the first nine eleven movie that

0:25:09.359 --> 0:25:15.119
<v Speaker 1>long passenger not Passenger f seven, What was it? It

0:25:15.240 --> 0:25:19.119
<v Speaker 1>was like, un yeah, did you see that? Man? I

0:25:19.400 --> 0:25:21.080
<v Speaker 1>want to see those. I don't know why. It just

0:25:21.160 --> 0:25:23.399
<v Speaker 1>doesn't appeal to me, Like it just seems depressing. And

0:25:23.680 --> 0:25:27.040
<v Speaker 1>that was pretty hardcore. Yeah, I'm sure it was. I'm

0:25:27.080 --> 0:25:29.840
<v Speaker 1>sure it's good. Isn't that green Grass? Paul green Grass

0:25:30.000 --> 0:25:32.480
<v Speaker 1>did that. I think so it was. It was good.

0:25:32.560 --> 0:25:35.960
<v Speaker 1>The ending was really really tough. Obviously. I think that's

0:25:35.960 --> 0:25:37.760
<v Speaker 1>the only nine eleven movie I saw, though I didn't

0:25:37.800 --> 0:25:39.879
<v Speaker 1>see there were only a couple man and there was

0:25:39.960 --> 0:25:44.000
<v Speaker 1>one that was literally called nine eleven or like Twin

0:25:44.080 --> 0:25:46.840
<v Speaker 1>Towers or something like that. Yeah, I stayed away from those.

0:25:48.320 --> 0:25:53.200
<v Speaker 1>Liz Anna is back Forest Grump, She's on fire, she

0:25:53.359 --> 0:25:58.879
<v Speaker 1>has another one Lars and the renal girl. That's like,

0:25:59.160 --> 0:26:02.000
<v Speaker 1>what about some sort of like hospice nurse or something

0:26:02.119 --> 0:26:04.320
<v Speaker 1>or what is this? I guess what is renal? Is it?

0:26:04.440 --> 0:26:09.280
<v Speaker 1>That renal is like Kindakrin systems? Yeah, exactly, kidney function

0:26:10.080 --> 0:26:16.480
<v Speaker 1>large and the renal girl. Interesting. James Nordstrom says Star

0:26:16.960 --> 0:26:22.879
<v Speaker 1>Truck not bad. James nord Stromasa says Lord of the Wings.

0:26:25.400 --> 0:26:27.399
<v Speaker 1>I love that because I instantly say that like as

0:26:27.440 --> 0:26:29.399
<v Speaker 1>a as a small child with a whisp. You know,

0:26:29.600 --> 0:26:32.080
<v Speaker 1>you sweepy, you want to watch? What are the wings?

0:26:33.680 --> 0:26:35.800
<v Speaker 1>Liz Anne is on fire and old She's back again,

0:26:36.280 --> 0:26:39.800
<v Speaker 1>diet hard. Oh I am in I'm in desperate need

0:26:39.880 --> 0:26:41.879
<v Speaker 1>of that film, dude, Chuck there, brother. There is a

0:26:41.960 --> 0:26:46.720
<v Speaker 1>movie from seventeen that's just called nine eleven, starring Charlie

0:26:46.800 --> 0:26:53.040
<v Speaker 1>Sheen really yeah, and Whoopie Goldberg and Gina Gershan. I

0:26:53.119 --> 0:26:56.640
<v Speaker 1>do not think it is meant to be very good. Well,

0:26:56.760 --> 0:27:03.440
<v Speaker 1>they probably meant it to be good. Oh boy. I

0:27:03.480 --> 0:27:06.359
<v Speaker 1>think when Charlie Sheen is top lining your movie these days,

0:27:07.600 --> 0:27:09.680
<v Speaker 1>that sends a strong message to an audience, doesn't It

0:27:10.040 --> 0:27:21.000
<v Speaker 1>Sure does. So I got this weird, you know, Josh

0:27:21.000 --> 0:27:24.480
<v Speaker 1>and I did an episode on Truffles recently and someone

0:27:24.560 --> 0:27:29.560
<v Speaker 1>wrote in and said, hey, I just wrote a movie

0:27:29.960 --> 0:27:33.240
<v Speaker 1>starring uh and directed a movie that starred Nicholas Cage

0:27:34.240 --> 0:27:38.320
<v Speaker 1>about a truffle hunter whose pig goes missing. And I

0:27:38.440 --> 0:27:40.679
<v Speaker 1>was like, is this real? And I looked him up.

0:27:40.720 --> 0:27:45.440
<v Speaker 1>His name is Michael Saransky. This is a real person.

0:27:45.560 --> 0:27:49.880
<v Speaker 1>This is a film based on Michael Sarnowski. And yes,

0:27:50.040 --> 0:27:53.840
<v Speaker 1>he wrote and directed of Nicholas Cage movie that I

0:27:53.880 --> 0:27:55.960
<v Speaker 1>don't know if it's out yet or if he shot

0:27:56.000 --> 0:27:58.720
<v Speaker 1>it last year. But I wrote him back. He wrote

0:27:58.720 --> 0:28:00.639
<v Speaker 1>an email It's like, hey, dude, you should come on

0:28:00.720 --> 0:28:04.880
<v Speaker 1>movie crush Nicolas Cage to know your story. He will

0:28:04.920 --> 0:28:09.080
<v Speaker 1>do whatever. One of the questions. For sure, we'd be like,

0:28:09.320 --> 0:28:11.640
<v Speaker 1>what's the process of getting Nicolas Cage in your movie.

0:28:11.960 --> 0:28:14.240
<v Speaker 1>I gotta know. He a friend of mine worked on

0:28:14.280 --> 0:28:17.320
<v Speaker 1>a movie he shot here in Atlanta that was called Revenge,

0:28:17.480 --> 0:28:21.000
<v Speaker 1>a Love Story. It was basically straight to video. Um,

0:28:21.880 --> 0:28:23.879
<v Speaker 1>it didn't do anything. And now he's got this one

0:28:23.960 --> 0:28:27.560
<v Speaker 1>out where he's like a janitor and a haunted Chucky

0:28:27.720 --> 0:28:30.960
<v Speaker 1>cheese kind of situation, or he's like slashing all these

0:28:31.040 --> 0:28:33.640
<v Speaker 1>like puppet monsters that are coming for him. I saw

0:28:33.720 --> 0:28:36.840
<v Speaker 1>a preview for that. I think Nicolas Cage just wants

0:28:36.880 --> 0:28:40.960
<v Speaker 1>some money, yeah, and just a steady income of lots

0:28:41.040 --> 0:28:44.400
<v Speaker 1>of money. But then he pops in, you know, occasionally

0:28:44.560 --> 0:28:47.600
<v Speaker 1>to some gems and some absolute genius Like I think, uh,

0:28:47.840 --> 0:28:49.920
<v Speaker 1>he's one of those guys where when used properly, I

0:28:50.000 --> 0:28:52.400
<v Speaker 1>think he's just one of the best. Well, I mean

0:28:52.480 --> 0:28:54.520
<v Speaker 1>he he made a decision. He used to do the

0:28:54.560 --> 0:28:57.160
<v Speaker 1>sort of one for me, one for them, thing like

0:28:57.280 --> 0:28:59.360
<v Speaker 1>do a really like a leaving Las Vegas. But then

0:28:59.360 --> 0:29:02.040
<v Speaker 1>also it's some like a con air. But then he

0:29:02.200 --> 0:29:03.640
<v Speaker 1>got to a point in his career where he was

0:29:03.680 --> 0:29:07.600
<v Speaker 1>just like, I'll do whatever comes my way straight to video.

0:29:07.760 --> 0:29:10.640
<v Speaker 1>I don't care. He probably has a set fee that's

0:29:10.680 --> 0:29:12.480
<v Speaker 1>like here's what it costs to get me in your movie,

0:29:13.280 --> 0:29:15.560
<v Speaker 1>and here is what I need to be in the movie, Like,

0:29:16.760 --> 0:29:19.560
<v Speaker 1>you know, I need a trailer of this size, and

0:29:19.680 --> 0:29:21.240
<v Speaker 1>I need I can't be on set for more than

0:29:21.320 --> 0:29:23.120
<v Speaker 1>eight hours a day, like, I bet he has very

0:29:23.200 --> 0:29:27.400
<v Speaker 1>strict parameters around and they're probably just like, here's the deal,

0:29:27.800 --> 0:29:29.440
<v Speaker 1>and you can have me if you if you meet

0:29:29.480 --> 0:29:32.000
<v Speaker 1>these requirements. Oh yeah, yeah, yeah. And then my friend

0:29:32.080 --> 0:29:34.320
<v Speaker 1>gave me some some scoop on what he was like.

0:29:34.520 --> 0:29:37.520
<v Speaker 1>She said he was incredibly professional when it comes to

0:29:37.640 --> 0:29:40.560
<v Speaker 1>like shooting and being ready to go and uh, you know,

0:29:40.640 --> 0:29:44.120
<v Speaker 1>no bullshit, just like on at all times. But he

0:29:44.280 --> 0:29:49.320
<v Speaker 1>also burns through assistance, you know, like Gangbusters, because he's

0:29:49.320 --> 0:29:55.320
<v Speaker 1>apparently very very particular. I bet he's very particular. Oh

0:29:56.080 --> 0:30:01.840
<v Speaker 1>let me see here Fright Club from Sar Chili. That's good.

0:30:01.880 --> 0:30:03.280
<v Speaker 1>That sounds like it could have been a TV show.

0:30:03.760 --> 0:30:05.840
<v Speaker 1>Let's do a couple of more of these. Oh, Christopher

0:30:06.680 --> 0:30:11.880
<v Speaker 1>Paxton instead of Jaws, he has Jawas. Why was it

0:30:11.960 --> 0:30:15.760
<v Speaker 1>there a Jawa's movie. Yeah, that's a good question. I mean,

0:30:15.800 --> 0:30:18.200
<v Speaker 1>there's like a whole at least a couple of e

0:30:18.280 --> 0:30:24.280
<v Speaker 1>Walks movies and talk. Well, there was Ewalk movie. There

0:30:24.360 --> 0:30:29.480
<v Speaker 1>was a Ewalk Battle for Indoor. I believe um that

0:30:30.080 --> 0:30:32.280
<v Speaker 1>you know what's his name, Warwick Davis was in it

0:30:32.520 --> 0:30:35.480
<v Speaker 1>playing widget the e walk. And there's another one. There's

0:30:35.520 --> 0:30:40.280
<v Speaker 1>one called Caravan of Courage, an ewalk adventure which maybe

0:30:40.400 --> 0:30:42.440
<v Speaker 1>was animated, but e walks. The Battle for end Or

0:30:42.560 --> 0:30:47.160
<v Speaker 1>was a was a full length of feature. Hmm. I've

0:30:47.240 --> 0:30:49.480
<v Speaker 1>heard of it, but I didn't go down those side

0:30:49.560 --> 0:30:54.240
<v Speaker 1>roads and that universal I just I was. I remember

0:30:54.440 --> 0:30:57.440
<v Speaker 1>just seeing it on the movie shelf at the Blockbuster

0:30:57.520 --> 0:31:00.160
<v Speaker 1>when I was a kid watching it that way. A right,

0:31:00.200 --> 0:31:01.280
<v Speaker 1>let me see if I can find a couple of

0:31:01.320 --> 0:31:06.640
<v Speaker 1>more good ones here. Martin Kidd says the Deported instead

0:31:06.640 --> 0:31:13.440
<v Speaker 1>of the departed. Dermott Knife says, blame runner. That's funny.

0:31:14.200 --> 0:31:17.000
<v Speaker 1>What is I don't know why I do you now?

0:31:17.320 --> 0:31:19.160
<v Speaker 1>It's just a it's a it's a movie about a

0:31:19.200 --> 0:31:21.960
<v Speaker 1>bunch of petty people pointing fingers at each other in

0:31:22.160 --> 0:31:24.760
<v Speaker 1>the future. All right, let's just finish it out with

0:31:24.880 --> 0:31:29.239
<v Speaker 1>this one more, actually two more. These are both pretty good. Uh.

0:31:29.800 --> 0:31:32.600
<v Speaker 1>Kelly Burns Brockington, one of our old friends, says, punt

0:31:32.760 --> 0:31:36.000
<v Speaker 1>for Red October not bad. And we'll finish it out

0:31:36.040 --> 0:31:39.880
<v Speaker 1>with this banger from scott to w register. Welcome to

0:31:39.960 --> 0:31:42.440
<v Speaker 1>the show. It sounds like a toast of London name,

0:31:42.680 --> 0:31:47.120
<v Speaker 1>by the way, it doesn't it, uh, pilates of the Caribbean.

0:31:48.040 --> 0:31:52.520
<v Speaker 1>That's great. That was the best one. That's fantastic. You know,

0:31:52.560 --> 0:31:55.880
<v Speaker 1>a lot of that's happening behind the scenes. It's fantastic.

0:31:56.120 --> 0:31:59.120
<v Speaker 1>I love it. That's wonderful. Good job everybody, all right, now,

0:31:59.480 --> 0:32:04.600
<v Speaker 1>let's stream this out. Let's talk Mortal Kombat. Let's do it.

0:32:05.120 --> 0:32:06.680
<v Speaker 1>I liked it. I thought it was a lot of fun.

0:32:07.080 --> 0:32:10.080
<v Speaker 1>I liked it too. I saw your post and I

0:32:10.520 --> 0:32:13.000
<v Speaker 1>couldn't agree with you more. It feels like one of

0:32:13.080 --> 0:32:16.440
<v Speaker 1>those eighties movies then, h it's fun to watch. It's

0:32:16.600 --> 0:32:19.760
<v Speaker 1>light on story because who gives a ship? The dialogue

0:32:19.800 --> 0:32:22.479
<v Speaker 1>is garbage because who gives a ship? And the action

0:32:22.640 --> 0:32:25.000
<v Speaker 1>is fun and and and and the characters are fun.

0:32:25.080 --> 0:32:27.560
<v Speaker 1>And it's like, I mean, it definitely fizzles at some

0:32:27.640 --> 0:32:29.640
<v Speaker 1>point where you're just like, it just kind of ends,

0:32:29.720 --> 0:32:33.000
<v Speaker 1>you know. But I really liked it. I was on board.

0:32:33.160 --> 0:32:35.640
<v Speaker 1>I thought, and agains I've got nostalgia for that franchise

0:32:35.760 --> 0:32:37.960
<v Speaker 1>so hard. I don't think you probably do is quite

0:32:38.000 --> 0:32:41.320
<v Speaker 1>as much. But like I remember seeing that arcade machine

0:32:41.360 --> 0:32:44.320
<v Speaker 1>and seeing finish him and you know, the spine hanging down.

0:32:44.360 --> 0:32:46.200
<v Speaker 1>There was nothing else like that, and it was just

0:32:46.480 --> 0:32:50.680
<v Speaker 1>very arresting. Uh. So I definitely have followed those games,

0:32:50.760 --> 0:32:52.640
<v Speaker 1>you know, since my childhood, and it was fun to

0:32:52.720 --> 0:32:55.120
<v Speaker 1>see the thing people actually came to that for is

0:32:55.280 --> 0:32:57.320
<v Speaker 1>is the gore because the ones from the nineties were

0:32:57.560 --> 0:32:59.920
<v Speaker 1>PG thirteen and it's like, what are you doing? Yeah,

0:33:00.320 --> 0:33:02.640
<v Speaker 1>I played H and A one. Here's my story of

0:33:02.720 --> 0:33:05.160
<v Speaker 1>the game. I didn't play the arcade game. But when

0:33:05.240 --> 0:33:09.920
<v Speaker 1>I was in college, my probably for a second, third

0:33:10.280 --> 0:33:13.800
<v Speaker 1>year maybe or fourth year in college. Uh, one of

0:33:13.840 --> 0:33:16.400
<v Speaker 1>my friends got the whatever the best gaming and maybe

0:33:16.440 --> 0:33:19.560
<v Speaker 1>it was the in sixty four was the good gaming system.

0:33:20.040 --> 0:33:21.760
<v Speaker 1>And the two games that we played more than any

0:33:21.800 --> 0:33:25.520
<v Speaker 1>other word Mortal Kombat and Street Fighter Too, And um

0:33:26.320 --> 0:33:29.880
<v Speaker 1>we played Mortal Kombat untill our eyes bled, and so

0:33:30.040 --> 0:33:31.440
<v Speaker 1>I have a lot of love for that game and

0:33:31.480 --> 0:33:34.680
<v Speaker 1>the characters, the gorey you were talking about, just seeing

0:33:35.120 --> 0:33:39.200
<v Speaker 1>even that beginning scene whenever who would uh, whenever the

0:33:39.280 --> 0:33:41.960
<v Speaker 1>dude would pull out the the blade and that just

0:33:42.200 --> 0:33:46.040
<v Speaker 1>the way the blood spurt it out each time looked

0:33:46.120 --> 0:33:49.959
<v Speaker 1>just like the game. I thought they honored the game. Uh,

0:33:50.080 --> 0:33:52.400
<v Speaker 1>it looked pretty good, I thought for a movie that

0:33:52.440 --> 0:33:54.880
<v Speaker 1>probably didn't have the biggest budget in the world. And dude,

0:33:54.960 --> 0:33:57.480
<v Speaker 1>I liked the fact that it had you know, sort

0:33:57.520 --> 0:34:00.200
<v Speaker 1>of be level actors that that movie would not would

0:34:00.200 --> 0:34:02.080
<v Speaker 1>have been as fun to me if it would have

0:34:02.120 --> 0:34:05.200
<v Speaker 1>been sort of all these recognizable names and faces, oh

0:34:05.400 --> 0:34:07.720
<v Speaker 1>a million percent. And also the fact that the you know,

0:34:08.040 --> 0:34:10.960
<v Speaker 1>the Asian characters actually spoke like there was like Chinese

0:34:11.080 --> 0:34:14.239
<v Speaker 1>characters or Japanese characters, and they spoke their language, and

0:34:14.239 --> 0:34:17.120
<v Speaker 1>there were subtitles. Um, I gotta say check. It's funny.

0:34:17.200 --> 0:34:21.400
<v Speaker 1>The obviously, I'm I remember all of the iterations of

0:34:21.440 --> 0:34:22.759
<v Speaker 1>this game because I kind of grew up with it.

0:34:22.840 --> 0:34:28.000
<v Speaker 1>But the Nintendo version was bloodless? Was it? It was? Well,

0:34:28.040 --> 0:34:30.200
<v Speaker 1>then that was not what we played. It was probably

0:34:30.239 --> 0:34:33.279
<v Speaker 1>Sega Genesis. Maybe Sega Genesis had it and it was

0:34:33.360 --> 0:34:35.200
<v Speaker 1>definitely there's blood in that one. But then when it

0:34:35.280 --> 0:34:38.239
<v Speaker 1>was out in there on Nintendo, uh, it was they

0:34:38.280 --> 0:34:41.760
<v Speaker 1>took all the blood out because Nintendo was a bloodless system.

0:34:42.160 --> 0:34:46.720
<v Speaker 1>Really are they still like that? They definitely shy away

0:34:47.080 --> 0:34:50.520
<v Speaker 1>from from super bloody content. I don't know, but there

0:34:50.600 --> 0:34:52.880
<v Speaker 1>was a time where there's so many indie games now

0:34:52.920 --> 0:34:54.480
<v Speaker 1>it's hard to say, but there was a time where

0:34:54.560 --> 0:34:56.319
<v Speaker 1>like any game that would come out on Nintendo had

0:34:56.360 --> 0:35:00.600
<v Speaker 1>to have a certain you know, PG thirteen quality. Did

0:35:00.680 --> 0:35:04.080
<v Speaker 1>you have a go to character that you played. I

0:35:04.200 --> 0:35:07.320
<v Speaker 1>always liked Scorpion because he was such a cheap shot.

0:35:07.440 --> 0:35:10.000
<v Speaker 1>He could do that get over here move, you know,

0:35:10.239 --> 0:35:13.839
<v Speaker 1>just do it repeatedly, an uppercut, get over here, upper cut,

0:35:14.840 --> 0:35:16.719
<v Speaker 1>upper cut. It was such a cheap that was great.

0:35:16.760 --> 0:35:18.640
<v Speaker 1>In the movie, use the uppercut, honey, you use the

0:35:18.760 --> 0:35:20.880
<v Speaker 1>upper right. Oh. There was even a joke in the

0:35:20.920 --> 0:35:23.959
<v Speaker 1>movie about the leg sweep, which was the cheapest movie

0:35:24.000 --> 0:35:28.279
<v Speaker 1>you could do. Just sweeping over and over again. Looked

0:35:28.360 --> 0:35:32.759
<v Speaker 1>exactly like the game. That was a total reference to

0:35:32.880 --> 0:35:35.200
<v Speaker 1>that cheap shot arcade move where if you were playing

0:35:35.239 --> 0:35:39.160
<v Speaker 1>somebody who would just constantly sweep the leg. I played

0:35:39.239 --> 0:35:41.480
<v Speaker 1>Luke Kang a lot for that reason, because I mean,

0:35:41.760 --> 0:35:44.239
<v Speaker 1>you know, I was okay, but I wasn't like I

0:35:44.320 --> 0:35:46.440
<v Speaker 1>feel like my friends were like masters at the game,

0:35:46.480 --> 0:35:47.799
<v Speaker 1>and I was always just trying to hang in there,

0:35:47.840 --> 0:35:51.680
<v Speaker 1>sweeping legs. When sweeping legs, get over here in uppercut,

0:35:52.400 --> 0:35:54.759
<v Speaker 1>rise and repeat, he also had that great Luke Kang

0:35:54.840 --> 0:35:57.279
<v Speaker 1>had that great um flying kick that he would do,

0:35:58.239 --> 0:36:02.239
<v Speaker 1>and they sort of aped that in the movie. Yep,

0:36:02.440 --> 0:36:04.360
<v Speaker 1>there's one. I will say. It's funny like in the

0:36:05.520 --> 0:36:10.200
<v Speaker 1>the game, the sound effects that that character makes are there.

0:36:10.320 --> 0:36:14.399
<v Speaker 1>It don't hold up so well to scrutiny, like what's

0:36:14.440 --> 0:36:17.480
<v Speaker 1>the word I'm looking for, kind of stereotypical. Yeah, yeah,

0:36:17.680 --> 0:36:20.880
<v Speaker 1>you know ninja kind of sounds. You know. They they

0:36:20.880 --> 0:36:22.960
<v Speaker 1>didn't they didn't go there, which I appreciate it. Yeah,

0:36:23.080 --> 0:36:25.800
<v Speaker 1>it was and you know I missed I mean this

0:36:25.920 --> 0:36:28.240
<v Speaker 1>was in college when I played Mortal Kombat, so I'm

0:36:28.360 --> 0:36:30.720
<v Speaker 1>sure I missed a lot of references in Easter eggs

0:36:31.080 --> 0:36:33.520
<v Speaker 1>that like super fans of the game picked up on,

0:36:33.560 --> 0:36:35.319
<v Speaker 1>because I know they are quite quite a few of them.

0:36:35.400 --> 0:36:38.640
<v Speaker 1>But yeah, I liked it. It was everything I wanted. Uh,

0:36:40.000 --> 0:36:41.719
<v Speaker 1>tons of fighting. I mean, that's what you want out

0:36:41.760 --> 0:36:43.560
<v Speaker 1>of that game. It's like they did not skimp on

0:36:43.600 --> 0:36:45.759
<v Speaker 1>the fight scenes. Just nope, put it in my neck,

0:36:46.520 --> 0:36:49.200
<v Speaker 1>put it right in there. Another thing I'm watching knol

0:36:49.280 --> 0:36:52.080
<v Speaker 1>now that you I'm sure I don't care anything about,

0:36:52.120 --> 0:36:54.200
<v Speaker 1>and a lot of people don't care anything about. But

0:36:54.520 --> 0:36:58.040
<v Speaker 1>I'm watching this documentary called The Last Dance documentary series

0:36:58.080 --> 0:37:02.440
<v Speaker 1>on Think Netflix about the final season of the Michael

0:37:02.480 --> 0:37:06.879
<v Speaker 1>Jordan's Chicago Bulls Run. And it's heard, it's incredible, it's great,

0:37:06.960 --> 0:37:08.960
<v Speaker 1>it's really really good. And that was when I was

0:37:09.080 --> 0:37:12.319
<v Speaker 1>really really big into basketball in the NBA, a sort

0:37:12.360 --> 0:37:15.880
<v Speaker 1>of in the salad days. And uh so it's bringing

0:37:15.920 --> 0:37:19.360
<v Speaker 1>back all these nostalgic feelings and uh and you know

0:37:19.480 --> 0:37:21.960
<v Speaker 1>the deal was, they had a documentary crew shoot that

0:37:22.080 --> 0:37:25.480
<v Speaker 1>season and they never did anything with it. So they've

0:37:26.280 --> 0:37:28.239
<v Speaker 1>now been able to put this stuff together in a

0:37:28.440 --> 0:37:32.640
<v Speaker 1>very very compelling way. Um, just great, very well done.

0:37:32.680 --> 0:37:34.520
<v Speaker 1>So if you're a fan of that stuff and you

0:37:34.560 --> 0:37:37.760
<v Speaker 1>haven't checked it out yet, highly recommend The Last Dance. Awesome.

0:37:37.960 --> 0:37:39.719
<v Speaker 1>What about Yeah, I've been I've been hearing nothing but

0:37:39.880 --> 0:37:42.200
<v Speaker 1>amazing things about that for quite a while now. And

0:37:42.280 --> 0:37:44.920
<v Speaker 1>I know it's not my thing on the surface, but

0:37:45.800 --> 0:37:48.640
<v Speaker 1>I'm very intrigued because it sounds like it's got a

0:37:48.719 --> 0:37:52.120
<v Speaker 1>lot of drama and just like really cool and nostalgist.

0:37:53.040 --> 0:37:57.160
<v Speaker 1>I watched I said, I watched Mortal Kombat. Um what

0:37:57.400 --> 0:38:01.359
<v Speaker 1>else did I watched recently? That was really good? Um?

0:38:01.920 --> 0:38:05.000
<v Speaker 1>Almost done with my six ft understream and I saw

0:38:05.080 --> 0:38:08.399
<v Speaker 1>the news. Yeah, man, I'm excited. Uh, And I am

0:38:08.680 --> 0:38:11.600
<v Speaker 1>about midway through the final season, so I'm kind of

0:38:11.680 --> 0:38:16.120
<v Speaker 1>right behind you about Alan Ball coming on the show. Yeah,

0:38:16.320 --> 0:38:18.959
<v Speaker 1>it's incredible. It's pretty amazing. Like I just kept waiting

0:38:19.000 --> 0:38:21.600
<v Speaker 1>for it to fall apart, and I pitched the date

0:38:21.640 --> 0:38:23.040
<v Speaker 1>and they're like, he's great for that date, and a

0:38:23.080 --> 0:38:24.919
<v Speaker 1>pitch of the time he's like, he's great for that time.

0:38:25.080 --> 0:38:29.080
<v Speaker 1>I cannot believe it. I'm so American Beauty was a

0:38:29.120 --> 0:38:30.920
<v Speaker 1>big movie for me. I'm sure that one's hard to

0:38:31.000 --> 0:38:36.320
<v Speaker 1>watch now with Spacey, but I think he took everything

0:38:36.400 --> 0:38:38.880
<v Speaker 1>that was great about American Beauty and like stretched it

0:38:38.960 --> 0:38:41.800
<v Speaker 1>into a series that just has so much heart and

0:38:41.840 --> 0:38:45.680
<v Speaker 1>it's so cathartic and wonderful everything about I just in

0:38:46.040 --> 0:38:48.640
<v Speaker 1>awe of that series. And I'm watching with my girlfriend

0:38:48.640 --> 0:38:50.680
<v Speaker 1>at the same time and seeing her experience it for

0:38:50.719 --> 0:38:53.160
<v Speaker 1>the first time as I'm experiencing it kind of like

0:38:53.280 --> 0:38:57.000
<v Speaker 1>for the third time. Um, it's it's really really fine. Um.

0:38:57.480 --> 0:39:01.080
<v Speaker 1>But yeah, that and I just restarted Wordwalk Empire. I

0:39:01.160 --> 0:39:05.359
<v Speaker 1>realized that I never finished it and it's kick ass. Yeah,

0:39:05.400 --> 0:39:08.880
<v Speaker 1>it's really it's quite good. Um. But That's that's all

0:39:08.960 --> 0:39:10.400
<v Speaker 1>that comes to mind. I've been I've been kind of

0:39:11.320 --> 0:39:15.279
<v Speaker 1>neck deep and trying to finish those those rewatches. Yeah,

0:39:15.520 --> 0:39:17.440
<v Speaker 1>I mean, we've been letting the movies pile up a

0:39:17.480 --> 0:39:19.560
<v Speaker 1>little bit because we're kind of slogging, not slogging like

0:39:19.719 --> 0:39:23.759
<v Speaker 1>thoroughly enjoying six ft under. But I do want to

0:39:23.800 --> 0:39:28.399
<v Speaker 1>see Nomad Land Father God don't want to see The Father.

0:39:28.800 --> 0:39:30.200
<v Speaker 1>The Father I want to see I mean, I want

0:39:30.200 --> 0:39:32.080
<v Speaker 1>to see all the one Mom Rainey's Black Bottom. I

0:39:32.080 --> 0:39:34.279
<v Speaker 1>still haven't seen. Like, I was just really behind on

0:39:34.320 --> 0:39:37.080
<v Speaker 1>the movies. We didn't do any Oscar content. I was

0:39:37.200 --> 0:39:38.960
<v Speaker 1>not into it this year. I didn't even watch the

0:39:39.040 --> 0:39:41.400
<v Speaker 1>Oscars for the first time since I was probably like

0:39:41.480 --> 0:39:44.200
<v Speaker 1>a ten. Yeah, I do have to say our our

0:39:44.280 --> 0:39:49.040
<v Speaker 1>fellow podcast network buddy quest Love uh was did the

0:39:49.200 --> 0:39:51.319
<v Speaker 1>music for the Oscars this year, and he was all

0:39:51.440 --> 0:39:54.400
<v Speaker 1>up in that spinning ceremony. He was spinning and he

0:39:54.520 --> 0:39:57.719
<v Speaker 1>wore these like golden crocs, which I thought was an

0:39:57.719 --> 0:40:00.880
<v Speaker 1>awesome flex. That's cool. Trying to get him on the

0:40:00.920 --> 0:40:04.400
<v Speaker 1>show through our network and they're just like no. I'm like, man,

0:40:04.440 --> 0:40:07.440
<v Speaker 1>what what good is it? Being on the same network

0:40:08.200 --> 0:40:13.399
<v Speaker 1>who said no? We'll talk offline. Yeah, yeah, I think

0:40:13.440 --> 0:40:15.960
<v Speaker 1>it seems like no one wants to ask. Maybe that's

0:40:16.000 --> 0:40:17.680
<v Speaker 1>what it is. Well, I know the people. I mean,

0:40:18.040 --> 0:40:20.719
<v Speaker 1>I can ask, So you know, that's who I should

0:40:20.719 --> 0:40:22.560
<v Speaker 1>have talked to from the from the get go. YA

0:40:23.239 --> 0:40:25.759
<v Speaker 1>should have talked to you. You get things done, NOL

0:40:25.880 --> 0:40:28.400
<v Speaker 1>after nine, but you get things done. Hey, I do

0:40:28.480 --> 0:40:30.800
<v Speaker 1>the best I can sho. By the way, lots of

0:40:30.880 --> 0:40:35.120
<v Speaker 1>good feedback on the on the Kesha episode to bring

0:40:35.320 --> 0:40:38.040
<v Speaker 1>up and thank you again. Yeah, she's so cool, man,

0:40:38.160 --> 0:40:40.400
<v Speaker 1>She's just a genuinely cool person. And I listened to

0:40:40.480 --> 0:40:42.080
<v Speaker 1>most of it. Actually it was it was great. She

0:40:42.160 --> 0:40:44.520
<v Speaker 1>seems awesome, and you do such a great job. I

0:40:44.600 --> 0:40:48.200
<v Speaker 1>love these little NOL takeovers from time to time. It's

0:40:48.280 --> 0:40:51.279
<v Speaker 1>it's it's great. Yeah, I'm I'm I'm here for it, Chuck,

0:40:51.320 --> 0:40:53.239
<v Speaker 1>I'm here for it. Yeah. And you seem like he

0:40:53.280 --> 0:40:55.399
<v Speaker 1>had a great rapport with her. She's been on something

0:40:55.400 --> 0:40:57.160
<v Speaker 1>I don't want you to know before, talking about psychedelics.

0:40:57.280 --> 0:41:01.080
<v Speaker 1>So she's a lovely person. That's great. You're you're probably

0:41:01.920 --> 0:41:08.719
<v Speaker 1>uh internet pals now right this more or less, you know,

0:41:08.920 --> 0:41:11.480
<v Speaker 1>she's a big shot, she's a cool person. She's definitely

0:41:11.480 --> 0:41:14.440
<v Speaker 1>a big shot though she's a genuine pop star. Genuine

0:41:14.480 --> 0:41:17.600
<v Speaker 1>pop star. Uh, did it remind you of six ft Under?

0:41:17.640 --> 0:41:23.600
<v Speaker 1>When Keith worked for what's her name? A Stell? No,

0:41:23.920 --> 0:41:26.920
<v Speaker 1>it was a stell? Are you thinking of? No? No,

0:41:27.080 --> 0:41:29.560
<v Speaker 1>it was something like that. It was like, um, it

0:41:29.680 --> 0:41:31.000
<v Speaker 1>was a name kind of It was like a single,

0:41:31.160 --> 0:41:32.920
<v Speaker 1>like you know, Madonna asked type of name and it

0:41:33.000 --> 0:41:35.680
<v Speaker 1>was somewhere along those lines and I can't remember and

0:41:35.800 --> 0:41:38.160
<v Speaker 1>crazy enough. The actor that plays her in six ft

0:41:38.239 --> 0:41:42.160
<v Speaker 1>Under was knowna Necklenburg on the Adventures of Pete and Pete,

0:41:42.480 --> 0:41:45.600
<v Speaker 1>who was Iggy Pop's character as daughter on the Adventures

0:41:45.600 --> 0:41:48.960
<v Speaker 1>of Pete. She was the least Celeste. See what I say,

0:41:49.000 --> 0:41:51.800
<v Speaker 1>A stell was there was an s T sounded and

0:41:51.880 --> 0:41:53.480
<v Speaker 1>he slept with it. That scene is so great when

0:41:53.480 --> 0:41:55.640
<v Speaker 1>he tells David did he slipt with Celeste? And David

0:41:55.680 --> 0:42:00.000
<v Speaker 1>it's like you did what? He's like, yeah, I slipped

0:42:00.120 --> 0:42:04.480
<v Speaker 1>was the list accidentally? And he said, what did you

0:42:07.160 --> 0:42:11.279
<v Speaker 1>fall into her vagina? And then she totally ship cans Um.

0:42:11.400 --> 0:42:15.640
<v Speaker 1>You know, look Brown sleeping with your boss. I love

0:42:15.719 --> 0:42:18.640
<v Speaker 1>David Keith the best. All right, No, that's it for today.

0:42:20.120 --> 0:42:22.360
<v Speaker 1>Thank you. For joining me. You're so welcome and being

0:42:22.400 --> 0:42:24.839
<v Speaker 1>so generous with your time. What are you talking about, Chuck?

0:42:25.000 --> 0:42:27.439
<v Speaker 1>I mean after nine? I'm all yours, all right? See

0:42:27.480 --> 0:42:33.360
<v Speaker 1>everybody movie. Crash is produced and written by Charles Bryant

0:42:33.400 --> 0:42:36.760
<v Speaker 1>and Meel Brown, edited and engineered by Seth Nicholas Johnson,

0:42:37.080 --> 0:42:39.600
<v Speaker 1>is scored by Meel Brown here in our home studio

0:42:39.680 --> 0:42:43.239
<v Speaker 1>at Pontsty Market, Atlanta, Georgia. For I Heart Radio. For

0:42:43.360 --> 0:42:45.480
<v Speaker 1>more podcasts for my Heart Radio, visit the i Heart

0:42:45.560 --> 0:42:48.279
<v Speaker 1>Radio app, Apple podcast, or wherever you listen to your

0:42:48.320 --> 0:42:48.960
<v Speaker 1>favorite shows