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Speaker 1: Dan Dan. If I come to the breakfast club, I

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Speaker 1: called this the hot seat nave. You don't control, not

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Speaker 1: even doing you. I'm so big, yo, are you so bad?

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Speaker 1: The world's most dangerous morning sho dj N this bitch, Angela.

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Speaker 1: I stay in everybody's business, but in a good way. Charlomagne,

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Speaker 1: the gut, the ruler rubbers you the wrong way. The

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Speaker 1: breakfast clubs made for everybody. The morning you of yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yook Charlomi, Good morning, Angela,

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Speaker 1: yea piece to the planet. Guess what day it is?

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Speaker 1: Guess what day it is? How was your night? Last?

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Speaker 1: Yesterday was good? I had a photo shoot for this

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Speaker 1: magazine called Prevailing Women, and then I've been trying to

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Speaker 1: do some spring cleaning in my closet, giving things away,

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Speaker 1: getting rid of stuff so I can get ready for

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Speaker 1: the winter. Oh. I definitely been doing that the past

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Speaker 1: couple of weeks, definitely cleaning out the closet. You know,

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Speaker 1: it's been like a lot of traveling and running around,

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Speaker 1: so my house has been kind of a mess. After

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Speaker 1: that photo shoot, I just stayed home and focus. You know,

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Speaker 1: when you grow up poor and you know you've been

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Speaker 1: unemployed four times like me, you don't like to give

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Speaker 1: anything away because you guys never know I am. But

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Speaker 1: then I realized, like nine people says, of the stuff

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Speaker 1: that I have, I'm not wearing or I'm not going

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Speaker 1: with you, so I might as well give it to

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Speaker 1: somebody who's going to enjoy it. I do have things

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Speaker 1: like that I've had since college that I just need

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Speaker 1: to get rid. And then some things have like sentimental value.

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Speaker 1: You're like, oh, well, this was the first promo shirt

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Speaker 1: I got when I was working on this, and then

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Speaker 1: and it's like, dude, you're never wearing that. I have

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Speaker 1: so many things at home that I'm like, well, I

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Speaker 1: don't want to give this away because maybe one day

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Speaker 1: now if I haven't worn it in three years, I'm

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Speaker 1: not wearing it. Did you watch any TV last night?

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Speaker 1: I missed everything last night. I didn't watch Fresh Off

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Speaker 1: the Boat, I didn't watch Blackish, I didn't watch The Mayor.

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Speaker 1: But I did watch Gucci Man and Kehi Keiyods. Wasn't

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Speaker 1: you know? I was? Why was I watching the game

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Speaker 1: last night. The game, Oh, I thought you meant the

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Speaker 1: game like the old school bt tcher the Celtics. I

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Speaker 1: had the game on while I was cleaning because I

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Speaker 1: was in and out of the room. I didn't watch it,

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Speaker 1: but I heard about Gordon Hay that happened ear breaking

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Speaker 1: his leg. Yeah, he'd be right. He's twenty seven years

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Speaker 1: That was painful. At first, I was thinking it was

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Speaker 1: gonna be career ending, but they said it was just

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Speaker 1: what a broke ankle or something. Heybe the Celtics so

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Speaker 1: the first game, No, it's bad for Carr and that's

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Speaker 1: what you get. She just stated that's where he was.

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Speaker 1: I saw it. I saw the picture. God God blessed

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Speaker 1: the brother. He'll be right. But Gucci Man and Keshia

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Speaker 1: Kiyos wasn't special. I found it very entertaining. I was

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Speaker 1: just watching everything on social. I forgot to go on

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Speaker 1: at first, what's up? Maybe I didn't watch it on

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Speaker 1: social because I don't be on social like that, but

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Speaker 1: I definitely watched it and it felt good because you know,

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Speaker 1: it makes you think about your wedding day and you

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Speaker 1: look at Gucci fighting back tis because that's how every

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Speaker 1: man feels. You know on the wedding day how I

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Speaker 1: just cried. I was like, man, yeah, you were really

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Speaker 1: young too, and how about were you? I was what

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Speaker 1: twenty three? Well I got married three, my wife was.

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Speaker 1: I was watching the groom come down. I'm not the

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Speaker 1: groom watching the bride. I was watching the bride come

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Speaker 1: down the island. Then I could. You could look at

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Speaker 1: Gucci and Tael he wanted to cry, you know, the

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Speaker 1: feeling that he felt in that moment. So it was

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Speaker 1: just it was interesting to watch. I'm not on front

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Speaker 1: slut to BT. I like what BT's doing. They're doing

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Speaker 1: a lot of culturally relevant things. I guess this isn't

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Speaker 1: now a series a docuseries. They're gonna show what happened

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Speaker 1: leading up to the West in parts right and parts

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Speaker 1: of this. Yeah, that was That's actually a dope way

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Speaker 1: to do it. Start with the weadon and didn't show

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Speaker 1: us everything leading up to it. I actually like that.

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Speaker 1: That was That was smart. Whoever thought about that? That That

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Speaker 1: was smart? All right, Well, man, you and Miranda will

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Speaker 1: be joining us man the creative Hamilton uh in the Heights,

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Speaker 1: and we'll see what else he's working on to single

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Speaker 1: out right now too, almost like praying, almost like praying.

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Speaker 1: And then the proceeds from that are going to Puerto

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Speaker 1: Rico in Puerto Rican, right, yes, yes, okay, properto Rican Lenman, yell,

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Speaker 1: MIRANDU will be here. And then we got front page news.

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Speaker 1: What we're talking about, we are gonna be man. I

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Speaker 1: hate to do this. Let me pick somebody else. All right,

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Speaker 1: let's talk about the NFL. I didn't want to say

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Speaker 1: Trump again. I will talk about Roger Goodell. He has

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Speaker 1: made his statement about NFL owners and a demonstration Trump,

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Speaker 1: Roger Goodell all the same thing. We'll get into it

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Speaker 1: when we come back. Keeping locked his CALLID. It's wild

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Speaker 1: thoughts morning. Everybody is dj M v Angela, yee Charlomagne

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Speaker 1: the guy. We are the breakfast club. Let's getting some

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Speaker 1: front page news now, you know what. Shout to them,

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Speaker 1: Yankees man, Baseball is getting damn exciting. Baseball exciting because

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Speaker 1: y'all got a boycott the NFL because y'all giants are

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Speaker 1: always six d one. We won one, okay, by the way,

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Speaker 1: but I don't know. I don't watch football. Shout out

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Speaker 1: to them, yankes them that that playoffs are getting amazing

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Speaker 1: and they were down four, came back, they put their

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Speaker 1: rally hats on. Judge, came through the last two games.

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Speaker 1: We are looking pretty good. We are looking I'm not

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Speaker 1: watching baseball till everybody get on steroids to get all right.

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Speaker 1: I don't know. All I know is numb ninety nine, Judge,

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Speaker 1: he was cracking him shout the night. Who's pitching tonight?

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Speaker 1: Do we know? I know it's not CCCC campus maybe

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Speaker 1: CC pitch back and it's it's tied two two right now?

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Speaker 1: Yankees astroso okay, best out of seven. Now the NBA

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Speaker 1: opening night last night, the Cavs beat the Celtics one

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Speaker 1: h two ninety nine and the Rockets beat the Warriors

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Speaker 1: one twenty two to one twenty one one? Is mellow

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Speaker 1: play tonight? Okay? See places to night. All right, well

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Speaker 1: we'll see what happens with that. Did anybody in the

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Speaker 1: NBA make any political stand last night? Day? I'm interlocked arms.

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Speaker 1: That's what they did in place, They interlocked arms. Okay,

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Speaker 1: that's cute, that's cute and inter locking arms done? All right?

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Speaker 1: All right, Well let's talk about your president. I guess

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Speaker 1: somewhere in that well, remember this whole situation with the

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Speaker 1: Donald Trump talking about calling up the families of falling soldiers. Well,

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Speaker 1: he allegedly told the widow of a U. S. Serviceman

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Speaker 1: that was killed in the ambush in Nagier that he

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Speaker 1: knew what he signed up for, but I guess it's

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Speaker 1: still hurts guys. Something like that. Sergeant Ladavid Johnson's body

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Speaker 1: was returned home to the Miami area late yesterday and

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Speaker 1: there was a water cannon salute for the plane as

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Speaker 1: it arrived near the gate. Now, Donald Trump called his

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Speaker 1: widow and that's when he said, well, I guess he

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Speaker 1: knew what he signed up for. Well, but I guess

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Speaker 1: it's still hurt. But that's just a lack of sympathy

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Speaker 1: and a lack of empathy. It's a little bit. But

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Speaker 1: but he's I mean, he's right. Well, you don't say that, Yeah,

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Speaker 1: you don't say it's right. He has a lack of sympathy,

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Speaker 1: has a lack of empathy, he has a lack of tact.

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Speaker 1: But it's not like what he said. She said that.

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Speaker 1: She said, she said, this is something you can say

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Speaker 1: in a conversation, but you shouldn't say that to a

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Speaker 1: grieving widow. I agree. Everyone knows when you go to war.

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Speaker 1: You could possibly not come back alive, But you don't

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Speaker 1: remind a grieving widow of that. That is so insensitive, right,

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Speaker 1: I think it's obvious at that point what I'm saying, like,

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Speaker 1: you know, you know what the consequences. Also, if something

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Speaker 1: like that does happen, that's a very obvious thing to say.

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Speaker 1: It's not very necessarily what he's saying. Okay, now, what

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Speaker 1: else we want to talk about? NFL Roger Cadell has

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Speaker 1: made a presentation to NFL owners concerning these demonstrations. Now

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Speaker 1: the owners are asking to consider this presentation and work

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Speaker 1: with the players as a dialogue about everything continues. Here's

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Speaker 1: what he had to say. We spec today talking about

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Speaker 1: the issues that players have trying to have been trying

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Speaker 1: to bring attention to about issues in our community to

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Speaker 1: make her for meeting better. And I think we all

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Speaker 1: agree there's nothing more important than trying to get back

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Speaker 1: to George communities to make her community better. That it

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Speaker 1: was the entire progress I say what the issues are

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Speaker 1: saying that the injustice that African Americans are facing at

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Speaker 1: the hands of the police. Say what the issue? So

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Speaker 1: it's a group of eleven owners and more than a

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Speaker 1: dozen players that met coon Kaepernick was not invited to

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Speaker 1: attend those meetings. Other players did want him present, and

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Speaker 1: they asked that he attend the next meeting because they

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Speaker 1: do want to talk about all of these issues and

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Speaker 1: he is open to future participation on these important discussions.

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Speaker 1: All right, that's all we got. You want some more, Yeah,

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Speaker 1: we gotta go to No. No, that's it. Thing I

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Speaker 1: more time. That's front page news. Get it off your chests.

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Speaker 1: Eight hundred five eight five one oh five one. If

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Speaker 1: you're upset you need to vent, hit us up right now.

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Speaker 1: Maybe at bad night, bad morning, or maybe you feel blessed.

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Speaker 1: You want to spread some positivity. Eight hundred five eight

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Speaker 1: five one or five one. Hit us up right now.

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Speaker 1: It was the breakfast club, God morning, the breakfast club.

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Speaker 1: This is your time to get it off your chest.

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Speaker 1: Whether you're man black than from you on the breakfast club.

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Speaker 1: But you got something on your mind. Hello, who's this?

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Speaker 1: This is Kia kill Mama. I just want to get

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Speaker 1: it off my Chesterday's my daughter birthday. I'm feeling blessed today.

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Speaker 1: A happy birthday. She's thirteen. You got a teenager, go

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Speaker 1: get your extract right because she's froma be starring New Jersey.

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Speaker 1: All right, well, enjoy it because they grow fast. Yes,

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Speaker 1: thank you so much. All right, Mama, Hello, who's this?

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Speaker 1: What's up? Man? Who's this? Drive? Get it off your chest? Hey? Hey?

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Speaker 1: What's that? Bill? How you doing? How are you? I'm done? Good, Charlomagne?

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Speaker 1: How are you? What's happening? So I'm mad at the

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Speaker 1: leader of the light Skins today because I'm so tiry.

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Speaker 1: This is the third time yesterday that you try to

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Speaker 1: act like you don't know what back page is. You know, Dan,

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Speaker 1: I don't know it. No, no, yeah, got you so

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Speaker 1: shook that you act like you don't know. Angela clearly

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Speaker 1: had a front to age news report months ago about

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Speaker 1: back page. You tried to act like you didn't know

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Speaker 1: what it was. Back then he clearly explained to you

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Speaker 1: what it was. And then yesterday you're gonna get on

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Speaker 1: the radio and still act like you don't know what.

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Speaker 1: Nobody in this business to just not know a back page?

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Speaker 1: I don't know. I you know what I mean? How

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Speaker 1: I used to watch point you know it's not pointing.

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Speaker 1: Still act like you don't know what it stopping? Goodbye,

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Speaker 1: traff bye, you have a good days. God damn how

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Speaker 1: you turned the traffic? Okay, bye trap? First of all, traf,

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Speaker 1: I'm leaving, all right, I turned to the trap by

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Speaker 1: trust of all. Trap. Don't tell me goodbye. I'm leaving. Okay, Hello,

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Speaker 1: who's this? That's what's up? Bro? What are you so mad?

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Speaker 1: I don't know. I've been talking to this girl for

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Speaker 1: like three months, and like were supposed to have dinner

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Speaker 1: one night and she just kind of like I never

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Speaker 1: heard from her again. You sound kind of crazy. Well,

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Speaker 1: that's why you gotta have a little more enthusiasm. Did

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Speaker 1: something happen? I don't know. We were like talking, um,

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Speaker 1: nothing elpening. We just talked. We talked to us Saturday.

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Speaker 1: Did y'all have sex? No? Yeah we did. Okay, you

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Speaker 1: meet little? You meet little in your head game, trash.

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Speaker 1: I wouldn't call you back you okay? Okay, girls him

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Speaker 1: and lave him. I didn't eat it. So if I

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Speaker 1: didn't eat it, I wouldn't I wouldn't have a I

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Speaker 1: wouldn't have a shot. But I guess you ate her out. Nah?

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Speaker 1: I didn't. First of all, that's the problem, right. What

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Speaker 1: happened is your penis? If you don't mind me asking, wow,

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Speaker 1: you guys do that all on the radio. I never

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Speaker 1: knew that, but I'm out of nine nine what centimeters? Yeah,

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Speaker 1: nine centimeters if you want to go like that, it

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Speaker 1: was it was pretty decent. She squirted enough. She was

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Speaker 1: so mad that the meat was so little on the track.

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Speaker 1: The head was so trash. You pete on you have

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Speaker 1: a blood all right, sorry little meat bro peace bro, thanks,

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Speaker 1: He answered to that he did. Get it off your

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Speaker 1: chests eight hundred and five eighty five, one on five one.

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Speaker 1: If you're upset, you need to vent hit this up

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Speaker 1: right now. It's the breakfast club. Good morning, the breakfast club. Look,

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Speaker 1: this is your time to get it off your chest.

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Speaker 1: Whether you're man black from you on the breakfast club.

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Speaker 1: But you got something on your mind. Let hello, who's this?

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Speaker 1: I hate this? Diana, Hey, Diana, get it off your chest, Mama,

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Speaker 1: Good morning, y'all. Okay, President Trump is sick me. He's

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Speaker 1: really I'm stressing for no reason, Like I don't understand

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Speaker 1: why he stresses me. I was so much. But after

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Speaker 1: the call he made to the widow of the falling

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Speaker 1: soldier Um, the black fallen Soldier rant that Um saying

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Speaker 1: that he knew what he signed up for how insensitive

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Speaker 1: and morally bankrupt can you be? We knew this already though, why, Like, well,

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Speaker 1: this is just more icing on that, Kike, I know, right,

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Speaker 1: And it's like I'm sick of the cake though, you

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Speaker 1: know I don't want that. You're absolutely throw in the

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Speaker 1: trash and let's start over, you know what I'm saying.

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Speaker 1: So um, just listening to that and listening to all

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Speaker 1: the commentators on the TV, all the news anchors talking

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Speaker 1: about it, you know, it's just like there's nothing I

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Speaker 1: can do. I feel so helpless, you know, dealing with

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Speaker 1: this dude, and it's like he's ridiculous. Now you can't

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Speaker 1: feel like that, baby, because truth to the matter is, man,

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Speaker 1: I don't care what president is in the White House.

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Speaker 1: You still have to take you have to still have

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Speaker 1: to take control of your life. Right. Let this inspire

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Speaker 1: you to do great thing, absolutely aside from having to

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Speaker 1: deal with the president. Right, You're right, You're right, But

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Speaker 1: it still pissed me off it regardless. I'm pissed, like

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Speaker 1: I can't believe, you know, I think he just did it.

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Speaker 1: I really want to know what he said to the

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Speaker 1: other the other families, but I really think he said

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Speaker 1: this to the black girl. I don't. I don't think

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Speaker 1: he said this. I don't think he was just intensitive

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Speaker 1: to the white man. I didn't even know that the girl.

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Speaker 1: I didn't even know the lady was black. I didn't

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Speaker 1: know what she was. Absolutely, the pictures of her, Yeah,

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Speaker 1: what's her name? Um? So the sidest name was La

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Speaker 1: David Johnson. And let me see what's her name? Wouldn't

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Speaker 1: I forgot what her name was? But they have pictures

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Speaker 1: of her leaning over the casket when he comes in

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Speaker 1: with her little daughter setting beside her. Maybe maybe don't

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Speaker 1: let that crack gas cracker scratch you, Okay, I must

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Speaker 1: feel I'm fun to believe that God is in control

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Speaker 1: of all. We just got to focus on each other

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Speaker 1: and keep going. Thank you for calling Mama. Get it

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Speaker 1: off your chest. Eight hundred five eight five, one oh

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Speaker 1: five one. If you're upset, you need to vent, you

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Speaker 1: can hit this up. We got rumors on the way.

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Speaker 1: Let's talk about Black China. She is suing the entire

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Speaker 1: Kardashian family. Let's see if you think that she has

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Speaker 1: any chance of winning this lawsuit. Also, we have a

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Speaker 1: rest in peace somebody who just passed away. All right,

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Speaker 1: We'll get into all that when we come back. Keep

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Speaker 1: the lock. This to Breakfast Club. Good morning, the Breakfast Club. Morning.

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Speaker 1: Everybody's DJ Envy Angela Yee, Charlomagne the guy. We are

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Speaker 1: the Breakfast Club. Let's get to the rumors. Let's talk

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Speaker 1: Ricky Rose. Listen, just oh gosh, report guys, it's report

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Speaker 1: Breakfast Club. All right. Well, for some reason to Rick

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Speaker 1: Ross and one of his children's mothers, O ta camp

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Speaker 1: that's his son's mother got into it on social media. Now.

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Speaker 1: She had posted, I will reveal everything. Be ready, bitch,

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Speaker 1: don't get uncomfortable now. I remember you chose me. And

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Speaker 1: then she said, you gotta watch them and words who

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Speaker 1: act like they hate their baby mamas whole time they'd

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Speaker 1: be loving and missing them. She said, couldn't get you

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Speaker 1: to call your son last month and wish him a

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Speaker 1: happy birthday. But as soon as you got the call

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Speaker 1: about me appearing on Love and Hip Hop Miami, you

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Speaker 1: hit my phone this morning. How about you go call

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Speaker 1: Little Wills Arthur Dinas and pay them people his basketball

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Speaker 1: to wish it ain't pay yet either, but you got

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Speaker 1: birdman eggplant emoji in your mouth. Don't hit my line

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Speaker 1: and listen's about our son hating people. Stop hating. I'm evolving.

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Speaker 1: Oh them lawyers need the money to hating people loving

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Speaker 1: hip hop? Everything in social media or the worst platform

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Speaker 1: for dis coronal baby mamas by the way. All right,

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Speaker 1: well it didn't get any better after that because than

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Speaker 1: Rick Ross went on his social media and this is

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Speaker 1: how he responded. I gotta thank my daughter toy mother

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Speaker 1: for being you know, a wonderful example. You know, of

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Speaker 1: course y'all know she's getting a paper, she bought a business,

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Speaker 1: and of course my youngest her man's mother. I gotta

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Speaker 1: thank them too for being women. That's the only thing

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Speaker 1: a beautiful woman can't be as a fault. Out of

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Speaker 1: times women you may want to be a daddy, and

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Speaker 1: it's a difference in this same will push pool type games.

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Speaker 1: All right, I got a child named her mass I

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Speaker 1: guess so. Now that was his way of taking a

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Speaker 1: shot at her by thanking the other children's mothers but

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Speaker 1: not her. Hold on, hold on host a child name

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Speaker 1: her mask? Yeah, yeah, I guess after the bro No, no, no,

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Speaker 1: we can't do that. You can't be naming your child

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Speaker 1: after design a brand people the real name Gucci, Gucci

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Speaker 1: man got married yesterday. But that's not his real name. People,

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Speaker 1: Well he likes his name. Nah, all right, well hold on,

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Speaker 1: let's finish. He did not stop there. Here's what he

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Speaker 1: had to say next. But I just got word my

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Speaker 1: son's mother, Tia kimp she just went on a fake ranch,

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Speaker 1: so she needs some attention, y'all. So this is what

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Speaker 1: I'm asking everybody to do. Let's go to her page,

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Speaker 1: Tia Kemp. Let's give us some lights. I know she

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Speaker 1: may be a little older than you used to going

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Speaker 1: on AGI, but let's show her love. Let's let her

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Speaker 1: know we on her team and we're gonna support her,

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Speaker 1: all right. And then he goes on to talk about

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Speaker 1: perhaps some issues they might have because I guess apparently,

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Speaker 1: according to Rick Ross, he slept with her sister. Here's

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Speaker 1: what he said. And I see you mentioning everybody, but

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Speaker 1: Candice the reason behind all this. You know, before I

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Speaker 1: met Tia Kimp, I had a relationship with her sister, Candice.

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Speaker 1: They got in the argument and Candice told her that

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Speaker 1: what she was before, but she never accepted my apology.

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Speaker 1: But once again, I apologize you. I apologize to missus

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Speaker 1: Candice as well. He's trying to move forward, and I

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Speaker 1: wish you the best. I don't understand why he revealed

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Speaker 1: that information, because that just makes him look bad in

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Speaker 1: the long run, because people will take that and they

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Speaker 1: run with it and they'd be like, Wow, he slept

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Speaker 1: with your sister like that. Don't make you come out cleans. Yeah, Ross,

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Speaker 1: you didn't handle that on the right way. I've seen

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Speaker 1: Ross handle things much better than he handled that situation

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Speaker 1: right there, all right, and just the rest in piece

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Speaker 1: to former Project Runaway finalists of Michael Knight. He did

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Speaker 1: die yesterday morning in a hospital in Georgia. He had

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Speaker 1: recently checked himself in. He was getting treatment for intestinal issues.

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Speaker 1: He had irritable Bown syndrome that can kill you. Well,

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Speaker 1: they're saying it really messed up his immune system, so

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Speaker 1: I guess the effects of that. But we don't know

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Speaker 1: if that's why. It's unclear the cause of his death yet,

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Speaker 1: but we do know he checked himself in and was

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Speaker 1: having issues with that. He's only thirty nine years old.

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Speaker 1: You see, I'm my hypochondrics. So I hit stuff like

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Speaker 1: that and immediately want to go to the doctor. I

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Speaker 1: might have to poopulated to him be like, oh, God,

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Speaker 1: I got the irritable bout syndrome. But yeah, our condolences

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Speaker 1: to Michael Knight. What is the irritable bout syndrome? I

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Speaker 1: guess when you have problems using in the bathroom. I

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Speaker 1: don't have. I ain't got no problems A thirty this morning,

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Speaker 1: y'all know, ibbi, Yeah, okay, in a stall with my

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Speaker 1: pants around my ankles, all kinds of right, I'm regular,

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Speaker 1: we know, all right, Well, I'm Angela and that is

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Speaker 1: your rumor report. All right, this guy's crazy. When we

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Speaker 1: come back, we got a special guest joining us, Lynn Manuel, Manuel, Manuel,

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Speaker 1: Manuel Miranda. When we come back, it's the breakfast logan Morning.

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Speaker 1: That was your Gotti raking up morning. Everybody is DJ

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Speaker 1: Envy Angela, yee, Charlomagne that God. We all the breakfast club.

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Speaker 1: We got a special guest in the building, goes by

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Speaker 1: the name An Manuel Miranda. Good morning. He congrats on

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Speaker 1: your first top forty hit most like pray. I can

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Speaker 1: only understand three words in the song, but we try

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Speaker 1: to listen to it earlier, right, And I'm looking at

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Speaker 1: him like he don't know, you know what? I was

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Speaker 1: Welcome to the post. What does the title mean almost

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Speaker 1: like prayan. It's it's actually a sample from a west

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Speaker 1: Side story. There's there's a song called Maria in a

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Speaker 1: west Side story and he says, say it loud and

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Speaker 1: there's music playing, Say it's soft, and there's almost like praying.

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Speaker 1: So I flipped the sample um because you know, everyone

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Speaker 1: sends thoughts and prayers in the wake of a tragedy,

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Speaker 1: but prayers aren't enough. We need food, we need supplies,

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Speaker 1: the water, yeah, we need aid and so, so that

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Speaker 1: was the reason behind flipping that. Particularly also it's Hurricane Maria,

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Speaker 1: so I wanted to flip that. The meaning of that

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Speaker 1: um and then the lyrics you don't have to speak

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Speaker 1: Spanage to understand. They are the names of the seventy

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Speaker 1: eight towns in Puerto Rico. When Puerto Rican means another

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Speaker 1: Puerto Rican, they say where you're from, And they don't

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Speaker 1: mean Puerto Rico, they mean what town are you from?

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Speaker 1: What town are your parents from? And like in the

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Speaker 1: wake of the hurricane, there was just a few terrible

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Speaker 1: days and weeks of silence where my Facebook, my Twitter

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Speaker 1: was just this roll call. Has anyone heard from Meade?

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Speaker 1: Has anyone heard from Ladice? And so I wanted to

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Speaker 1: write a lyric that incorporated every town so they don't

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Speaker 1: feel forgotten. You know, I want I want people to

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Speaker 1: hear this song and be like Yo J Loo sang

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Speaker 1: my town and Mark Anthony sang my town there. Yeah,

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Speaker 1: pretty much. I always know that you were going to

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Speaker 1: do theater. Uh yeah, composed and act you always like

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Speaker 1: from a young age. Absolutely, you know. I grew up um.

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Speaker 1: I grew up on two hundred Street off Dykeman Um.

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Speaker 1: It was a guy from Washington highsions to do theater. Yeah,

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Speaker 1: well I I my parents were from that age that

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Speaker 1: they had the Cast albums in between Willie Golong and

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Speaker 1: Grand Combo growing up, so it was a lot of

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Speaker 1: Latin music in my house. It was a lot of

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Speaker 1: uh Cast albums like Man La Mancha and Camelot. And

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Speaker 1: then also, I'm like a little younger than hip hop,

419
00:20:54,640 --> 00:20:56,960
Speaker 1: so you know, my sister took me to Beat Street

420
00:20:57,000 --> 00:20:58,760
Speaker 1: when I was a little kid, and I remember going

421
00:20:58,760 --> 00:21:02,359
Speaker 1: to see dis Order Leads because a fat boys. There

422
00:21:02,440 --> 00:21:04,280
Speaker 1: was just never a time when hip hop wasn't a

423
00:21:04,320 --> 00:21:06,520
Speaker 1: part of my life. So I was a little too

424
00:21:06,520 --> 00:21:08,480
Speaker 1: young for Crush Grooving the theater. I saw it later

425
00:21:08,520 --> 00:21:09,879
Speaker 1: when it was you know, it was when it was

426
00:21:09,920 --> 00:21:13,479
Speaker 1: on TV all the time. Now, let me smell your neck. What. No,

427
00:21:13,600 --> 00:21:16,840
Speaker 1: because I went on your Twitter this morning. Wow, okay, yeah,

428
00:21:16,840 --> 00:21:19,119
Speaker 1: you said, but I thought you said you sprayed your wife. No,

429
00:21:20,640 --> 00:21:22,480
Speaker 1: you sprayed your wife the older, and on you I did.

430
00:21:22,600 --> 00:21:24,800
Speaker 1: I made the mistake of getting dressed before coffee. I'm

431
00:21:24,800 --> 00:21:27,720
Speaker 1: not used to this early morning detail of that right there,

432
00:21:29,520 --> 00:21:31,720
Speaker 1: and it looked like you okay it up? Fine. Yeah,

433
00:21:31,760 --> 00:21:35,040
Speaker 1: So I instead of grabbing the polo, I grabbed my

434
00:21:35,040 --> 00:21:37,359
Speaker 1: wife's the older, and so I smelled like my wife's

435
00:21:37,440 --> 00:21:39,720
Speaker 1: arm pit all morning. It's kind of distracting. Which one

436
00:21:39,720 --> 00:21:42,080
Speaker 1: do you use if you use dove? Vanilla Vanilla is

437
00:21:42,080 --> 00:21:44,800
Speaker 1: not supposed to be using dove at all. I I

438
00:21:44,840 --> 00:21:47,800
Speaker 1: know it definitely works hip hop y'all. So what about

439
00:21:47,800 --> 00:21:49,639
Speaker 1: going to see places? Did you go see plays a

440
00:21:49,680 --> 00:21:51,280
Speaker 1: lot when you were younger? No, I was like most

441
00:21:51,359 --> 00:21:54,000
Speaker 1: kids brodlways expensive we were, or even just not even

442
00:21:54,000 --> 00:21:56,280
Speaker 1: on broway because you know there's other places. Yeah. No.

443
00:21:56,680 --> 00:21:58,320
Speaker 1: The way I got into it was the way I

444
00:21:58,359 --> 00:21:59,800
Speaker 1: think a lot of kids got into it was I was.

445
00:22:00,000 --> 00:22:02,280
Speaker 1: I got cast into school play in sixth grade. I

446
00:22:02,280 --> 00:22:04,640
Speaker 1: got casting and Bye Bye Birdie and Bye Bye Birdie.

447
00:22:04,960 --> 00:22:07,600
Speaker 1: I played Conrad Birdie, who's like the Elvis of the show.

448
00:22:07,760 --> 00:22:11,040
Speaker 1: And I was twelve years old and three feet tall,

449
00:22:11,080 --> 00:22:13,359
Speaker 1: and my nose grew way ahead of the rest of

450
00:22:13,359 --> 00:22:16,439
Speaker 1: my favorite I looked like two can Sam. But suddenly

451
00:22:16,520 --> 00:22:18,920
Speaker 1: I was playing this part where all the women had

452
00:22:18,920 --> 00:22:21,960
Speaker 1: to faint when I sang, and I thought, why would

453
00:22:21,960 --> 00:22:24,639
Speaker 1: anyone do anything else for a living except for this?

454
00:22:25,160 --> 00:22:27,080
Speaker 1: And it was it was like a ton of attention,

455
00:22:27,160 --> 00:22:29,760
Speaker 1: and I got to sing and like, I feel like

456
00:22:29,760 --> 00:22:32,600
Speaker 1: I'm still chasing that first applause from by Bye Birdie.

457
00:22:32,600 --> 00:22:34,920
Speaker 1: When I was I've always liked Peter because like you're

458
00:22:34,920 --> 00:22:37,720
Speaker 1: so in the moment, like there's no room for Erra. Absolutely,

459
00:22:37,720 --> 00:22:39,679
Speaker 1: you didn nail it dinner, you don't get it. That's right,

460
00:22:39,960 --> 00:22:41,920
Speaker 1: that's right, No. And that was sort of the amazing

461
00:22:41,960 --> 00:22:43,800
Speaker 1: thing when we were doing when I was in Hamilton

462
00:22:44,000 --> 00:22:45,840
Speaker 1: was all you know, it was like a roll call

463
00:22:45,880 --> 00:22:48,719
Speaker 1: of my favorite MC's come into the show. Buster Rhymes

464
00:22:49,080 --> 00:22:52,560
Speaker 1: sat in the front row and I'm not gonna lie y'all.

465
00:22:52,600 --> 00:22:54,480
Speaker 1: He was a little groggy at the beginning. He took

466
00:22:54,520 --> 00:22:56,320
Speaker 1: a red eye and I saw his eyes closing at

467
00:22:56,320 --> 00:22:59,200
Speaker 1: the beginning. If Buster Rhymes falls asleep in my show,

468
00:22:59,240 --> 00:23:02,560
Speaker 1: I'm just closing the show, just like that's it. I'm over.

469
00:23:02,680 --> 00:23:05,639
Speaker 1: I'll go into woodworking or something else. Um. But then he,

470
00:23:05,840 --> 00:23:08,280
Speaker 1: you know, he was up and he was with it

471
00:23:08,320 --> 00:23:09,840
Speaker 1: for the rest of the time. And then I remember,

472
00:23:09,840 --> 00:23:12,960
Speaker 1: I remember Eminem sit in the balcony, um, just seeing this,

473
00:23:13,119 --> 00:23:17,240
Speaker 1: just likedn't scare you? Uh yeah, I wrapped. I rapped

474
00:23:17,280 --> 00:23:19,639
Speaker 1: for my life that night. Um. But you know, the

475
00:23:19,680 --> 00:23:21,280
Speaker 1: first thing he asked me when he came off stage

476
00:23:21,400 --> 00:23:24,440
Speaker 1: is what happens when you mess up? Um? And I said,

477
00:23:24,480 --> 00:23:27,600
Speaker 1: I messed up three times for you today. So yeah,

478
00:23:27,640 --> 00:23:30,560
Speaker 1: you just keep going. And uh that's the fun of

479
00:23:30,600 --> 00:23:32,560
Speaker 1: live theater. They tell you ahead of time who's going

480
00:23:32,640 --> 00:23:34,320
Speaker 1: to be there, so you know, I'd like to know.

481
00:23:34,400 --> 00:23:36,640
Speaker 1: Some people don't like to know, like uh, Pippa Sue,

482
00:23:36,640 --> 00:23:38,679
Speaker 1: who played my wife. I would tell her as we

483
00:23:38,760 --> 00:23:41,480
Speaker 1: finished bowing, like I'd be like, do you feel like

484
00:23:41,480 --> 00:23:43,000
Speaker 1: you did a good show? And she'd be like, yeah,

485
00:23:43,040 --> 00:23:45,240
Speaker 1: why I would like this Bomber Striisan and the President

486
00:23:45,320 --> 00:23:47,800
Speaker 1: or whoever was there that day. Um. But I would

487
00:23:47,800 --> 00:23:50,520
Speaker 1: tell her after. But I like knowing, Uh, it's it

488
00:23:50,600 --> 00:23:53,359
Speaker 1: puts a little pepper m a step. I didn't realize

489
00:23:53,359 --> 00:23:56,800
Speaker 1: how hard Hamilton tickets was to get. Oh my god,

490
00:23:57,400 --> 00:23:58,639
Speaker 1: so me and my wife went. And then when I

491
00:23:58,640 --> 00:24:03,480
Speaker 1: pulled him my instegrt new, I know you getting money

492
00:24:04,560 --> 00:24:07,280
Speaker 1: months in advance. Yeah, indeed, indeed, for you know, for me,

493
00:24:07,320 --> 00:24:09,800
Speaker 1: it was important that the show's such a love letter

494
00:24:09,840 --> 00:24:11,679
Speaker 1: to hip hop, so it was important for me to

495
00:24:11,680 --> 00:24:14,679
Speaker 1: get all my heroes, get all of those people, um

496
00:24:14,840 --> 00:24:17,280
Speaker 1: who were going to get the biggie references, and I

497
00:24:17,280 --> 00:24:19,600
Speaker 1: mean get to mob D references. You know. That's uh,

498
00:24:19,920 --> 00:24:22,840
Speaker 1: there's as many hip hop references as there are musical

499
00:24:22,880 --> 00:24:25,720
Speaker 1: theater references. Because I basically lied to myself for a

500
00:24:25,720 --> 00:24:27,879
Speaker 1: few years. I just pretended I was writing an album

501
00:24:28,240 --> 00:24:30,639
Speaker 1: because I didn't want to worry about everyone getting everything

502
00:24:30,760 --> 00:24:32,840
Speaker 1: the first time. And I still go back to reasonable doubt.

503
00:24:32,880 --> 00:24:35,359
Speaker 1: I still go back to Capital Punishment. I still go

504
00:24:35,400 --> 00:24:37,920
Speaker 1: back to Bizarre Ride and here's things I never heard before.

505
00:24:37,960 --> 00:24:40,760
Speaker 1: And I wanted to build a Broadway score that had

506
00:24:40,800 --> 00:24:43,160
Speaker 1: the feel of one of those albums, one of those

507
00:24:43,200 --> 00:24:44,800
Speaker 1: hip hop albums. You go back to more arts in

508
00:24:44,880 --> 00:24:47,080
Speaker 1: the schools, though, because it seems like we go away

509
00:24:47,160 --> 00:24:49,480
Speaker 1: from that type of art, you know. Yeah, I mean,

510
00:24:49,520 --> 00:24:52,240
Speaker 1: that's that's a huge priority. I had the luxury of

511
00:24:52,240 --> 00:24:55,000
Speaker 1: a public school education where art and music was next

512
00:24:55,040 --> 00:24:58,439
Speaker 1: to math and science. That saved my life in a

513
00:24:58,560 --> 00:25:02,040
Speaker 1: very real way. We know that music is is the

514
00:25:02,080 --> 00:25:04,520
Speaker 1: silver bullet when it comes to math and science, scores

515
00:25:04,600 --> 00:25:07,720
Speaker 1: and English. You know, it connects both hemispheres of the brain.

516
00:25:07,880 --> 00:25:10,919
Speaker 1: It's it's uh, uh, you have to be good at

517
00:25:10,920 --> 00:25:12,720
Speaker 1: math to be able to spit. You have to, you know,

518
00:25:12,760 --> 00:25:15,119
Speaker 1: it's like it's it's, uh, it's so important to what

519
00:25:15,160 --> 00:25:17,280
Speaker 1: we do. So you used to have to be good

520
00:25:17,320 --> 00:25:19,720
Speaker 1: at math to be able to spit. You don't have

521
00:25:19,760 --> 00:25:21,840
Speaker 1: to be good at math. Now well now you have

522
00:25:21,880 --> 00:25:23,800
Speaker 1: to be good at triplets because everyone is spitting in

523
00:25:23,800 --> 00:25:29,320
Speaker 1: triplets right now. Everything is so that's that's the cadence

524
00:25:29,400 --> 00:25:32,840
Speaker 1: of the of the week. Um but uh yeah, no, absolutely,

525
00:25:32,840 --> 00:25:34,320
Speaker 1: I mean and then when I was growing up in

526
00:25:34,359 --> 00:25:37,359
Speaker 1: the nineties, everything was spit mathematics and it was to

527
00:25:37,440 --> 00:25:39,080
Speaker 1: be smart and you had to be smart and science

528
00:25:39,080 --> 00:25:41,360
Speaker 1: and uh, now come back around. Everything is cyclical, I hope.

529
00:25:41,400 --> 00:25:43,080
Speaker 1: Like when I heard keep mad to grab a dictionary

530
00:25:43,080 --> 00:25:45,720
Speaker 1: and it's a source, like pariously when he when he

531
00:25:45,800 --> 00:25:48,800
Speaker 1: spent on Hostile and he was like, your medulla see

532
00:25:48,880 --> 00:25:51,240
Speaker 1: rum sabellum, you got a crewe you better tell him

533
00:25:51,280 --> 00:25:59,040
Speaker 1: like yeah, bamatomically, SoC philosophies, prophecies, tropanes. Yeah, man, we

534
00:25:59,080 --> 00:26:01,000
Speaker 1: got more with lin Man and well Miranda when we

535
00:26:01,040 --> 00:26:04,159
Speaker 1: come back. Is the Breakfast Club, Good morning, the Breakfast

536
00:26:04,160 --> 00:26:10,960
Speaker 1: Club Morning. Everybody is DJ Envy Angela Ye, Charlomagne the guy.

537
00:26:11,000 --> 00:26:13,880
Speaker 1: We are the Breakfast Club. We have Lynn Manuel, Miranda

538
00:26:13,960 --> 00:26:15,880
Speaker 1: in the building. Yee. All right. Now let me ask

539
00:26:15,880 --> 00:26:18,240
Speaker 1: you this, being that Hamilton brought a lot of different

540
00:26:18,240 --> 00:26:21,560
Speaker 1: people and politics from different sides of things, all different

541
00:26:21,560 --> 00:26:24,320
Speaker 1: types of people that maybe in real life don't really

542
00:26:24,320 --> 00:26:26,800
Speaker 1: interact or get along with each other. Was it ever

543
00:26:26,840 --> 00:26:30,000
Speaker 1: awkward for you to have to maybe meet with somebody

544
00:26:30,000 --> 00:26:32,760
Speaker 1: after the show who you might not agree with, or

545
00:26:33,240 --> 00:26:35,440
Speaker 1: people that you're like, I don't really like that person. Yeah,

546
00:26:35,520 --> 00:26:37,359
Speaker 1: I mean, that's that comes with it. We had. I mean,

547
00:26:37,600 --> 00:26:39,560
Speaker 1: what was crazy about Hamilton's was like, we do the

548
00:26:39,600 --> 00:26:42,640
Speaker 1: show for three hours, we're rapping and singing and dancing,

549
00:26:42,800 --> 00:26:45,160
Speaker 1: then you have like another half hour of just like

550
00:26:45,280 --> 00:26:47,760
Speaker 1: saying hi to folks who can come backstage and then

551
00:26:47,760 --> 00:26:50,120
Speaker 1: another half hour of the stage door and signing programs

552
00:26:50,119 --> 00:26:54,280
Speaker 1: and all that. You know, for me, it was I

553
00:26:54,359 --> 00:26:57,200
Speaker 1: never tried to play gotcha in those moments after the show.

554
00:26:57,200 --> 00:26:59,520
Speaker 1: We've all been through something together, like they've all watched

555
00:26:59,520 --> 00:27:02,520
Speaker 1: the show, and that was actually kind of amazing. You know,

556
00:27:02,600 --> 00:27:06,440
Speaker 1: I could talk to the Bush daughters about I would

557
00:27:06,480 --> 00:27:08,959
Speaker 1: just keep it on some like what does it like

558
00:27:09,040 --> 00:27:11,520
Speaker 1: to know your dad is being judged by history? Like

559
00:27:11,560 --> 00:27:14,960
Speaker 1: all the time, like presidents and leaders of state, they

560
00:27:15,000 --> 00:27:19,080
Speaker 1: get graded on a way harsher deeper curve that than

561
00:27:19,160 --> 00:27:22,120
Speaker 1: we do. And he should as they should. Absolutely they're

562
00:27:22,119 --> 00:27:24,680
Speaker 1: playing you know they made with a stroke of their pen.

563
00:27:24,760 --> 00:27:26,639
Speaker 1: They change people's lives. They can save him, they can

564
00:27:26,680 --> 00:27:32,720
Speaker 1: damage them. Donald Trump's well, but history will judge and

565
00:27:32,840 --> 00:27:36,800
Speaker 1: God will judge, and um, it's interesting I ask I

566
00:27:36,800 --> 00:27:39,119
Speaker 1: always ask leaders about that, Like when I when I

567
00:27:39,160 --> 00:27:41,960
Speaker 1: got to speak to President Obama, I asked him, what

568
00:27:42,040 --> 00:27:43,879
Speaker 1: does that feel like to know that you're going to

569
00:27:43,920 --> 00:27:46,800
Speaker 1: be in history books? And he said it's actually freeing.

570
00:27:47,359 --> 00:27:49,560
Speaker 1: Um for him, it was freeing because he knew I

571
00:27:49,640 --> 00:27:52,359
Speaker 1: might get that pressed today. But my eye is not

572
00:27:52,400 --> 00:27:54,240
Speaker 1: on that. My eye is on the decision that will

573
00:27:54,280 --> 00:27:57,560
Speaker 1: have ramifications for the future. And we see we're seeing

574
00:27:57,600 --> 00:28:00,320
Speaker 1: that with Obamacare, we're seeing how hard it is to

575
00:28:00,440 --> 00:28:04,760
Speaker 1: undo a legacy and rightfully so uh, you know that

576
00:28:04,760 --> 00:28:07,800
Speaker 1: that he put things in place that hopefully will will

577
00:28:07,840 --> 00:28:10,439
Speaker 1: benefit people for the future. And you know, we have

578
00:28:10,440 --> 00:28:12,280
Speaker 1: a lyric in the show History has Its Eyes on You,

579
00:28:12,320 --> 00:28:14,520
Speaker 1: and that swings both good and bad. You know, when

580
00:28:14,560 --> 00:28:18,080
Speaker 1: people see, uh, people suffering in Puerto Rico and Trump's

581
00:28:18,080 --> 00:28:21,320
Speaker 1: throwing paper to towels, History was going to judge that. Um,

582
00:28:21,359 --> 00:28:24,280
Speaker 1: that's going to be remembered forever. Um. So you know

583
00:28:24,440 --> 00:28:27,639
Speaker 1: it's it's it's Uh. I wouldn't wish it on anyone. Uh.

584
00:28:27,760 --> 00:28:29,800
Speaker 1: You know, I will never run for political office, but

585
00:28:29,840 --> 00:28:32,600
Speaker 1: it is Uh, it's have great responsibility. You don't have

586
00:28:32,640 --> 00:28:34,439
Speaker 1: to do because I mean history, History is watching you

587
00:28:34,480 --> 00:28:37,440
Speaker 1: as well. You know, History's watching all of us. Yeah,

588
00:28:37,440 --> 00:28:38,720
Speaker 1: I mean those the things that I think about it.

589
00:28:38,800 --> 00:28:40,760
Speaker 1: I think about like when it comes to radio, I

590
00:28:40,760 --> 00:28:42,960
Speaker 1: think about all the different radio personalities that we still

591
00:28:43,000 --> 00:28:45,320
Speaker 1: discuss now, absolutely, and I want I want to be

592
00:28:45,360 --> 00:28:49,840
Speaker 1: discussed like that. And if you remember rapping du yeah, yeah, absolutely,

593
00:28:49,880 --> 00:28:53,040
Speaker 1: they're judging you the same way. I think. Yeah, did

594
00:28:53,080 --> 00:28:55,520
Speaker 1: Hamilton make people go back and watch in the heights now?

595
00:28:55,880 --> 00:28:58,640
Speaker 1: I hope? So, yeah, yeah, it's been amazing. What what

596
00:28:58,640 --> 00:29:00,720
Speaker 1: what happened was there was sort of an explosion of

597
00:29:01,360 --> 00:29:04,719
Speaker 1: school productions at the show. Um, and that's been amazing

598
00:29:04,840 --> 00:29:07,440
Speaker 1: to see. And it's and it's double edged for me, right.

599
00:29:07,480 --> 00:29:10,480
Speaker 1: So they're like schools with like black Latino kids who

600
00:29:10,520 --> 00:29:12,640
Speaker 1: can who get to do the show, and it feels

601
00:29:12,680 --> 00:29:14,920
Speaker 1: like it's their show, like this is my neighborhood. There's

602
00:29:14,920 --> 00:29:17,560
Speaker 1: English and Spanish, there's hip hop, and then there are

603
00:29:17,600 --> 00:29:21,760
Speaker 1: productions that are like in all white school districts where

604
00:29:21,920 --> 00:29:24,560
Speaker 1: suddenly these like well white kids are waving Dominican flags

605
00:29:25,520 --> 00:29:27,880
Speaker 1: have to learn Spanish to do the show. And I

606
00:29:27,960 --> 00:29:30,280
Speaker 1: like that too, Like I like that the culture stretches

607
00:29:30,280 --> 00:29:34,360
Speaker 1: in this unexpected way. Uh. And Nike's Inroads. Um. So

608
00:29:34,480 --> 00:29:36,040
Speaker 1: you know that was a show. I started writing that

609
00:29:36,040 --> 00:29:38,320
Speaker 1: show when I was nineteen years old. We got to

610
00:29:38,400 --> 00:29:40,880
Speaker 1: Broadway when I was twenty eight. Um, so it was

611
00:29:40,920 --> 00:29:42,840
Speaker 1: a lot of work and it was a lone years later.

612
00:29:43,040 --> 00:29:44,760
Speaker 1: So you wrote there about you were at Wesleyan. I

613
00:29:44,760 --> 00:29:46,360
Speaker 1: started I wrote the first draft at West Thing and

614
00:29:46,400 --> 00:29:47,719
Speaker 1: put it up there. It was like eighty minute one

615
00:29:47,720 --> 00:29:50,040
Speaker 1: act ninety two theater, which you know, well, go West.

616
00:29:50,280 --> 00:29:52,480
Speaker 1: We went to the same college, Yeah, but he went

617
00:29:52,480 --> 00:29:55,479
Speaker 1: aft to me. Yeah, and so it was yeah, it

618
00:29:55,520 --> 00:29:57,520
Speaker 1: was really and it wasn't first school project, It wasn't

619
00:29:57,560 --> 00:29:59,880
Speaker 1: my thesis. It was just something I really needed to write,

620
00:30:00,200 --> 00:30:03,280
Speaker 1: you know. It was It's interesting I was that was

621
00:30:03,400 --> 00:30:05,520
Speaker 1: nineteen ninety nine, two thousand. It was right when that

622
00:30:05,600 --> 00:30:10,160
Speaker 1: first Latin pop boom was happening. And suddenly the people

623
00:30:10,200 --> 00:30:12,880
Speaker 1: that I had listened to all my life, like the

624
00:30:12,920 --> 00:30:14,600
Speaker 1: rest of the country was listening to because they were

625
00:30:14,600 --> 00:30:17,200
Speaker 1: singing in English, like Mark Anthony and Ricky Martin and

626
00:30:17,280 --> 00:30:27,120
Speaker 1: Rikue Glacias Pun was happening. Uh yeah, yeah, yeah, um

627
00:30:27,440 --> 00:30:29,080
Speaker 1: Pun was sort of at his peak and he was

628
00:30:29,360 --> 00:30:31,720
Speaker 1: you know, and and so it was just an amazing time.

629
00:30:31,760 --> 00:30:35,479
Speaker 1: And Jennifer Lopez don't be fooled by the rocks that

630
00:30:35,560 --> 00:30:38,720
Speaker 1: she got, um and uh. And what was amazing was

631
00:30:38,800 --> 00:30:41,240
Speaker 1: sort of seeing the rest of the world embraced what

632
00:30:41,280 --> 00:30:43,120
Speaker 1: I had always grown up but had listened to at home.

633
00:30:43,200 --> 00:30:45,960
Speaker 1: And so it was also my attempt to like bring

634
00:30:46,160 --> 00:30:48,920
Speaker 1: the culture I'd grown up with into my writing for

635
00:30:48,920 --> 00:30:50,320
Speaker 1: the first time. How did you know it was How

636
00:30:50,360 --> 00:30:51,880
Speaker 1: did you know it was time to walk away from him?

637
00:30:51,880 --> 00:30:54,160
Speaker 1: With him? Though? Oh? I always knew I was. I

638
00:30:54,240 --> 00:30:56,239
Speaker 1: have like a warranty after a year, my voice will

639
00:30:56,280 --> 00:30:58,720
Speaker 1: give out, my back will give out. So I gave

640
00:30:58,760 --> 00:31:02,120
Speaker 1: myself a year to do it and m and really

641
00:31:02,160 --> 00:31:04,240
Speaker 1: proud of that year and that original cast. But I

642
00:31:04,280 --> 00:31:06,600
Speaker 1: just knew that, uh I, you know I want to

643
00:31:06,600 --> 00:31:09,200
Speaker 1: write the next thing. You know, I had the idea

644
00:31:09,240 --> 00:31:12,920
Speaker 1: for Hamilton on my first vacation from Heights. So I

645
00:31:13,760 --> 00:31:16,760
Speaker 1: what that teaches me is the good ideas don't come

646
00:31:16,760 --> 00:31:18,800
Speaker 1: when you got fifty things to do. The good ideas

647
00:31:18,800 --> 00:31:21,400
Speaker 1: come when you're like you're a dog, or like you

648
00:31:21,440 --> 00:31:24,600
Speaker 1: actually get a breath and you get a second to daydream.

649
00:31:24,880 --> 00:31:26,480
Speaker 1: So I knew I would need that if I was

650
00:31:26,520 --> 00:31:29,960
Speaker 1: going to write the next one. Why Hamilton? Who this

651
00:31:30,040 --> 00:31:33,760
Speaker 1: old white guy? Why Hamilton? Well, because that's always how

652
00:31:33,800 --> 00:31:35,280
Speaker 1: I thought of him. I just knew he was the

653
00:31:35,360 --> 00:31:37,400
Speaker 1: dude on the ten, and I knew I wrote a

654
00:31:37,400 --> 00:31:39,560
Speaker 1: paper on him in high school. I knew his son

655
00:31:39,640 --> 00:31:42,120
Speaker 1: died in a duel, and he died in a duel

656
00:31:42,200 --> 00:31:45,360
Speaker 1: three years later, and I thought, how's that happened? Let

657
00:31:45,480 --> 00:31:47,680
Speaker 1: history be your guy. Don't go to that duel. You

658
00:31:47,720 --> 00:31:50,720
Speaker 1: see what happens. And so that's all I knew. When

659
00:31:50,720 --> 00:31:52,840
Speaker 1: I was looking for a book to read on vacation

660
00:31:52,920 --> 00:31:55,920
Speaker 1: and I saw m Ron Chernou's book and it had

661
00:31:55,960 --> 00:31:58,720
Speaker 1: good reviews. I didn't know he was born in the Caribbean.

662
00:31:59,000 --> 00:32:00,920
Speaker 1: He was born in Neivas and grew up in Saint Croix.

663
00:32:01,440 --> 00:32:03,640
Speaker 1: I mean, his home life and his childhood is so

664
00:32:03,800 --> 00:32:07,080
Speaker 1: traumatic and he literally, I mean talk about full circle.

665
00:32:07,600 --> 00:32:10,320
Speaker 1: There was a hurricane that destroyed St. Croix and he

666
00:32:10,400 --> 00:32:14,080
Speaker 1: wrote about how bad it was, and they used it

667
00:32:14,080 --> 00:32:16,560
Speaker 1: for relief efforts, and people took up a collection to

668
00:32:16,560 --> 00:32:18,240
Speaker 1: get him off the island to go this guy's being

669
00:32:18,720 --> 00:32:20,600
Speaker 1: this guy's not going to get an education on this island.

670
00:32:20,680 --> 00:32:22,520
Speaker 1: Let's send him to the mainland to become a doctor

671
00:32:22,560 --> 00:32:25,520
Speaker 1: so he can come back. And I thought, that's the

672
00:32:25,560 --> 00:32:28,800
Speaker 1: most hip hop thing, that writing about your struggle and

673
00:32:28,880 --> 00:32:33,400
Speaker 1: your circumstances so well and so specifically that it becomes universal.

674
00:32:33,560 --> 00:32:36,480
Speaker 1: That we can see ourselves in Biggie's Juicy, that we

675
00:32:36,520 --> 00:32:40,080
Speaker 1: can see ourselves in Eminem's Lose Yourself, That the hip

676
00:32:40,120 --> 00:32:42,320
Speaker 1: hop writers that I really love write about their struggle

677
00:32:42,360 --> 00:32:44,520
Speaker 1: so well that they transcend it. And then I had

678
00:32:44,560 --> 00:32:46,520
Speaker 1: that idea, and that's the second chapter of the book,

679
00:32:46,920 --> 00:32:49,280
Speaker 1: and it just kept proving me right. Like everywhere he

680
00:32:49,440 --> 00:32:52,360
Speaker 1: got was because of his strength as a writer. And

681
00:32:52,440 --> 00:32:55,400
Speaker 1: to me, that's what my favorite MC's do, and that's

682
00:32:55,440 --> 00:32:57,560
Speaker 1: both good and bad. He also wrote about his first

683
00:32:57,560 --> 00:33:00,640
Speaker 1: affair and destroyed his political career because he thought, if

684
00:33:00,640 --> 00:33:03,120
Speaker 1: I explain it, people will forgive me, and they did not.

685
00:33:03,400 --> 00:33:05,880
Speaker 1: I mean, it wasn't four four four, it wasn't four

686
00:33:05,880 --> 00:33:08,560
Speaker 1: to four four, but it is it's proto four four four.

687
00:33:08,680 --> 00:33:11,240
Speaker 1: I mean it's it's it's expressing remorse, but it's also

688
00:33:11,680 --> 00:33:14,720
Speaker 1: sort of full out here's what I did. I was

689
00:33:14,880 --> 00:33:18,240
Speaker 1: never corrupt with government funds. I was. I was just

690
00:33:18,400 --> 00:33:20,800
Speaker 1: bad as a man and a husband and father and

691
00:33:20,920 --> 00:33:22,960
Speaker 1: blew up his own spot. I mean, he really did it.

692
00:33:23,400 --> 00:33:26,280
Speaker 1: Um you know. And and it's uh, but to me,

693
00:33:26,400 --> 00:33:29,640
Speaker 1: that's that's also hip hop to like take it and

694
00:33:29,760 --> 00:33:31,960
Speaker 1: just throw it all out there. Um, you know. One

695
00:33:32,040 --> 00:33:35,000
Speaker 1: hundred bars no chorus. That's what the Reynal's pamphlet is.

696
00:33:35,000 --> 00:33:37,680
Speaker 1: It's one hundred bars, no chorus. And uh. And so

697
00:33:37,880 --> 00:33:40,880
Speaker 1: that was once I had that idea sort of didn't

698
00:33:40,960 --> 00:33:42,360
Speaker 1: let go of me. All right, we got more with

699
00:33:42,440 --> 00:33:44,920
Speaker 1: Lynn Manuel Miranda when we come back, don't move. It's

700
00:33:44,960 --> 00:33:47,720
Speaker 1: the breakfast club. Good morning, this morning. Everybody is DJ

701
00:33:48,160 --> 00:33:50,560
Speaker 1: Envy Angela Yee, Shechel, I mean the guy. We are

702
00:33:50,600 --> 00:33:53,960
Speaker 1: the breakfast club. We have Lynn Manuel Miranda in the building. Yee.

703
00:33:54,080 --> 00:33:57,000
Speaker 1: Now what's next for you after coming off of a

704
00:33:57,080 --> 00:34:00,000
Speaker 1: huge success like Hamilton's. I'm sure everybody's beating down your

705
00:34:00,040 --> 00:34:02,240
Speaker 1: door to work with you and do different things. So

706
00:34:02,520 --> 00:34:05,840
Speaker 1: what's your next passion project? Yeah? I mean for me, honestly,

707
00:34:05,960 --> 00:34:08,319
Speaker 1: my protect passion project is getting the lights on in

708
00:34:08,320 --> 00:34:11,960
Speaker 1: Puerto Rico, and I don't really have another thing besides that.

709
00:34:12,040 --> 00:34:15,000
Speaker 1: Every other stuff, everything else is on hold. Um, it's

710
00:34:15,200 --> 00:34:19,280
Speaker 1: raising awareness, it's it's raising money. Um. The initial slowness

711
00:34:19,320 --> 00:34:22,080
Speaker 1: of the government's response meant that we're working at a

712
00:34:22,120 --> 00:34:26,120
Speaker 1: deficit and we're working as fast as we can. And so, uh,

713
00:34:26,160 --> 00:34:28,680
Speaker 1: you know, this single is something that almost like praying.

714
00:34:28,719 --> 00:34:30,400
Speaker 1: I wrote that because I was waiting for word from

715
00:34:30,400 --> 00:34:32,840
Speaker 1: my family and I needed something to do in addition

716
00:34:32,880 --> 00:34:35,520
Speaker 1: to tweeting, in addition to raising money. Where the title

717
00:34:35,560 --> 00:34:38,680
Speaker 1: comes from, like yeah, therapeutic Almo, Yeah, absolutely, and and

718
00:34:38,760 --> 00:34:42,120
Speaker 1: they and so so that's that's the full time gig.

719
00:34:42,160 --> 00:34:44,439
Speaker 1: I mean, Hamilton is opening in London, and there's there's

720
00:34:44,480 --> 00:34:47,200
Speaker 1: now three productions uh in the States, and those are

721
00:34:47,200 --> 00:34:50,560
Speaker 1: all going great. But personally, like my my time's on

722
00:34:50,600 --> 00:34:52,600
Speaker 1: Puerto Rico until there's a sense of normalcy there. The

723
00:34:52,680 --> 00:34:54,160
Speaker 1: song that you made, Now, was it anybody that you

724
00:34:54,160 --> 00:34:55,960
Speaker 1: wanted on a song that you couldn't get it wasn't

725
00:34:56,040 --> 00:34:58,480
Speaker 1: enough time, or or anybody you found out wasn't really

726
00:34:58,520 --> 00:35:02,680
Speaker 1: Puerto rican No. You know what was amazing was you

727
00:35:02,680 --> 00:35:04,480
Speaker 1: know that even the people I reached out to who

728
00:35:04,480 --> 00:35:06,719
Speaker 1: couldn't do it's because they were already working so hard

729
00:35:06,719 --> 00:35:08,960
Speaker 1: from Puerto Rico. So Daddy Yankee said, whatever you want.

730
00:35:09,000 --> 00:35:12,320
Speaker 1: But Daddy Yankee was literally flying relief planes to the island,

731
00:35:12,360 --> 00:35:15,160
Speaker 1: so I couldn't get him on the weekend I was recording.

732
00:35:15,200 --> 00:35:17,799
Speaker 1: But hopefully there's time for a remix with him. Uh.

733
00:35:18,040 --> 00:35:21,120
Speaker 1: You know, Ricky Martin again reached out to him, but

734
00:35:21,239 --> 00:35:24,040
Speaker 1: he was flying supplies to and from the island. So,

735
00:35:24,320 --> 00:35:27,480
Speaker 1: you know, everyone has been so amazing and supportive, and

736
00:35:27,520 --> 00:35:29,879
Speaker 1: these artists were incredible. I mean, you know, we flew

737
00:35:29,920 --> 00:35:32,160
Speaker 1: I flew to la I flew to Miami. This all

738
00:35:32,239 --> 00:35:35,240
Speaker 1: happened within a week of writing the tune, and everyone

739
00:35:35,280 --> 00:35:38,560
Speaker 1: just moved mountains to get into studio and make this happens.

740
00:35:38,600 --> 00:35:42,560
Speaker 1: Twenty one artist, twenty two including me, you know, Fat

741
00:35:42,640 --> 00:35:45,439
Speaker 1: Joe has was also you know flying, has been flying

742
00:35:45,440 --> 00:35:47,839
Speaker 1: stuff to and from the island. Everyone is. The mobilization

743
00:35:47,960 --> 00:35:52,120
Speaker 1: of our people has been really incredible. So I was.

744
00:35:52,160 --> 00:35:55,000
Speaker 1: I was grateful they made the time to get in

745
00:35:55,000 --> 00:35:57,239
Speaker 1: the studio to spit four bars or eight bars or

746
00:35:57,239 --> 00:36:00,040
Speaker 1: whatever we needed to say. You haven't been pleased with

747
00:36:00,360 --> 00:36:03,160
Speaker 1: the American government's response to Puerto Rico, No, but I've

748
00:36:03,160 --> 00:36:05,560
Speaker 1: been pleased with the response to the American people. That's

749
00:36:05,600 --> 00:36:07,480
Speaker 1: been the kind of incredible thing. You know. You go

750
00:36:07,520 --> 00:36:10,279
Speaker 1: to my Twitter feed, you will see kids doing toy

751
00:36:10,360 --> 00:36:13,040
Speaker 1: drives and breaking their piggy banks. You will see uh,

752
00:36:13,320 --> 00:36:16,200
Speaker 1: you know, companies stepping up in a big way. People

753
00:36:16,239 --> 00:36:18,919
Speaker 1: taking their own initiatives. It is not doing what they're

754
00:36:18,960 --> 00:36:22,040
Speaker 1: supposed to do. Absolutely. You know, I just got up.

755
00:36:22,160 --> 00:36:23,480
Speaker 1: I was just before I got here, I was talking

756
00:36:23,480 --> 00:36:26,080
Speaker 1: to chef Jose Dress. Go go watch his Twitter feed.

757
00:36:26,120 --> 00:36:29,240
Speaker 1: He's got seventy five chefs. He's gone to every town

758
00:36:29,400 --> 00:36:32,080
Speaker 1: faster than the government has. And he's been feeding people.

759
00:36:32,080 --> 00:36:35,719
Speaker 1: He's feeding thousands and thousands of people with chefs, just

760
00:36:35,920 --> 00:36:38,440
Speaker 1: making meals happen as quickly and cheaply as possible. All

761
00:36:38,440 --> 00:36:39,799
Speaker 1: you know, the island will make time for what they

762
00:36:39,840 --> 00:36:42,040
Speaker 1: want to make time for. Yeah, And I mean when

763
00:36:42,040 --> 00:36:44,560
Speaker 1: you see the American people responding fasted in the government

764
00:36:44,600 --> 00:36:47,160
Speaker 1: and let you know, maybe the government just doesn't have time,

765
00:36:47,239 --> 00:36:51,160
Speaker 1: they don't care enough. And what's what's what's frustrating, of course,

766
00:36:51,360 --> 00:36:55,360
Speaker 1: is you know, um, of course we send aid to Texas.

767
00:36:55,360 --> 00:36:57,600
Speaker 1: Those our brothers and sisters. Of course we said aid

768
00:36:57,640 --> 00:37:00,360
Speaker 1: to Florida. Those are brothers and sisters. The child lenges

769
00:37:00,400 --> 00:37:02,480
Speaker 1: or even greater in Puerto Rico because it's an island

770
00:37:02,480 --> 00:37:05,040
Speaker 1: and you can't just drive stuff down. But that means

771
00:37:05,040 --> 00:37:06,920
Speaker 1: we need to be more prepared. That means we need

772
00:37:06,960 --> 00:37:09,919
Speaker 1: to send more troops. It means, you know, when the

773
00:37:09,920 --> 00:37:12,520
Speaker 1: their infrastructure is so delicate even before the storm, it

774
00:37:12,520 --> 00:37:15,680
Speaker 1: means they need they need more help. So it's been

775
00:37:15,719 --> 00:37:19,759
Speaker 1: frustrating not to get that. Are you surprised with others

776
00:37:19,800 --> 00:37:24,080
Speaker 1: Harvey Weinstein, people coming forward women saying that is you know,

777
00:37:24,120 --> 00:37:26,959
Speaker 1: everybody gets Weinstein in the business at some point, every

778
00:37:26,960 --> 00:37:29,160
Speaker 1: woman has somebody's try here, and so many people are

779
00:37:29,200 --> 00:37:31,560
Speaker 1: coming forward and telling their stories. Had you heard a

780
00:37:31,560 --> 00:37:34,720
Speaker 1: lot of stories about women saying that they were I hadn't.

781
00:37:34,760 --> 00:37:38,239
Speaker 1: I'm listening. I'm a relative newbie to Hollywood. I you

782
00:37:38,280 --> 00:37:40,560
Speaker 1: know how Harvey was never going to win any nice

783
00:37:40,600 --> 00:37:44,880
Speaker 1: guy competitions. I'd heard legendary stories of him screaming at

784
00:37:44,880 --> 00:37:48,080
Speaker 1: assistance and screaming and just screaming at people and just

785
00:37:48,200 --> 00:37:51,520
Speaker 1: generally being a terror. I had never heard any any

786
00:37:51,560 --> 00:37:54,360
Speaker 1: of the other stuff. And it's and it's it's horrific.

787
00:37:54,400 --> 00:37:58,000
Speaker 1: It's really horrific. I'm glad it's coming forward. I'm glad

788
00:37:58,160 --> 00:38:02,279
Speaker 1: it's sort of creating this this ripple effect of this

789
00:38:02,320 --> 00:38:04,799
Speaker 1: is unacceptable. This is unacceptable to use your power in

790
00:38:04,840 --> 00:38:07,600
Speaker 1: this way. Um, but you're not glad that the Ytine

791
00:38:07,600 --> 00:38:09,640
Speaker 1: Company owned the rights to In the Height. No, And

792
00:38:09,719 --> 00:38:12,399
Speaker 1: we're you know, we're trying to uh sort of make

793
00:38:12,440 --> 00:38:16,760
Speaker 1: that happen in as uh quickly as possible. You know, Kiara,

794
00:38:16,920 --> 00:38:19,560
Speaker 1: who is my co writer on In the Heights, has

795
00:38:19,600 --> 00:38:23,440
Speaker 1: been writing this amazing screenplay, and so we're trying to

796
00:38:23,440 --> 00:38:26,520
Speaker 1: find the best way, uh to make that happen somewhere else.

797
00:38:26,560 --> 00:38:27,920
Speaker 1: But even if they get rid of Harvey, Like if

798
00:38:27,920 --> 00:38:30,720
Speaker 1: they get rid of Harvey and they change the name

799
00:38:30,960 --> 00:38:33,480
Speaker 1: and Harvey sales they share in the company, you wouldn't

800
00:38:33,520 --> 00:38:36,720
Speaker 1: stay with them. Well, I mean, this is this happened

801
00:38:36,760 --> 00:38:40,120
Speaker 1: for many years. This happened, and this doesn't happen alone.

802
00:38:40,200 --> 00:38:42,080
Speaker 1: I mean the stories we're hearing that are so terrifying

803
00:38:42,440 --> 00:38:45,160
Speaker 1: because you know, you try to be safe and you

804
00:38:45,200 --> 00:38:47,759
Speaker 1: try to be smart, and yet you're hearing stories of

805
00:38:48,040 --> 00:38:49,960
Speaker 1: people going into a room and then suddenly the room

806
00:38:49,960 --> 00:38:53,200
Speaker 1: empties out and you're alone with him. That's the most horrific,

807
00:38:53,280 --> 00:38:57,120
Speaker 1: nightmarish thing. Uh, you imagine. So there is uh, you know,

808
00:38:57,160 --> 00:39:00,600
Speaker 1: there's it's there's just this uh you want to be

809
00:39:00,640 --> 00:39:02,960
Speaker 1: divorced from the entire process and the entire culture that

810
00:39:03,000 --> 00:39:05,919
Speaker 1: allowed that too. And I would think those extenuating circumstances

811
00:39:05,960 --> 00:39:08,400
Speaker 1: they should let you what. It's weird though, because you

812
00:39:08,680 --> 00:39:10,480
Speaker 1: kind of find you play back, it seems like that's

813
00:39:10,520 --> 00:39:12,640
Speaker 1: just a Hollywood way, Like you hit terry crews talking

814
00:39:12,680 --> 00:39:15,399
Speaker 1: about executives. So it's like anywhere you go with your

815
00:39:15,400 --> 00:39:17,680
Speaker 1: crew story was incredible. Anywhere you go through like the

816
00:39:17,840 --> 00:39:19,360
Speaker 1: lesson of two weeks. I read a tweet that was

817
00:39:19,400 --> 00:39:23,520
Speaker 1: so amazing. Imagine the level of privilege to grab Terry

818
00:39:23,600 --> 00:39:27,160
Speaker 1: Crews and know you're gonna get away with it. Terry Crews,

819
00:39:27,400 --> 00:39:29,160
Speaker 1: I mean, you start off with the six foot six,

820
00:39:29,239 --> 00:39:31,399
Speaker 1: twenty and fifty pound black guy. I mean, you don't

821
00:39:31,400 --> 00:39:35,600
Speaker 1: even start platonic ideal of a man, do you know

822
00:39:35,640 --> 00:39:37,880
Speaker 1: what I mean? Like that dude is carved from marble.

823
00:39:37,960 --> 00:39:41,319
Speaker 1: That dude is so he's so um smart, and he's

824
00:39:41,360 --> 00:39:45,040
Speaker 1: so incredible and so like such a leader. And to

825
00:39:45,040 --> 00:39:47,040
Speaker 1: to disrespect him like that and know you're gonna get

826
00:39:47,040 --> 00:39:49,000
Speaker 1: away with it, I don't. I can't begin to wrap

827
00:39:49,040 --> 00:39:51,080
Speaker 1: my head around that level. All those people saying why

828
00:39:51,080 --> 00:39:53,560
Speaker 1: didn't those women say something before? Terry Crews didn't say

829
00:39:53,560 --> 00:39:56,160
Speaker 1: anything before. That's how intimidating it is for people to

830
00:39:56,200 --> 00:39:57,680
Speaker 1: feel like, well, I'm not going to get more work

831
00:39:57,680 --> 00:39:59,960
Speaker 1: in this business where people believe me. People who did

832
00:40:00,000 --> 00:40:02,560
Speaker 1: to speak up people didn't believe them or just said, oh,

833
00:40:02,600 --> 00:40:04,600
Speaker 1: that's just what it is. Yeah, brush it under the rugs.

834
00:40:05,000 --> 00:40:07,359
Speaker 1: And it was braver tell us story. And it's great

835
00:40:07,400 --> 00:40:09,359
Speaker 1: that people are making noise and making their story short.

836
00:40:09,719 --> 00:40:11,400
Speaker 1: I love how you wrapping this morning to you got

837
00:40:11,440 --> 00:40:16,440
Speaker 1: a big Pun and a Washington Heights hat you are rapping?

838
00:40:16,640 --> 00:40:21,759
Speaker 1: I'm tryings in Maryland right now. Keep it all the

839
00:40:21,760 --> 00:40:25,720
Speaker 1: way brom uptown all day, every day. Final questions, I promise,

840
00:40:25,920 --> 00:40:28,000
Speaker 1: big point of Biggie, it's tough and neither of them

841
00:40:28,000 --> 00:40:32,359
Speaker 1: had enough time. Biggie for a variety of flow storytelling

842
00:40:32,520 --> 00:40:37,640
Speaker 1: is untouchable. Um. But for multi syllabic my hero is Pun.

843
00:40:37,840 --> 00:40:40,200
Speaker 1: It's you know, dead in the middle of little, little

844
00:40:40,360 --> 00:40:43,480
Speaker 1: little One of my favorite, one of my favorite verses

845
00:40:43,680 --> 00:40:47,040
Speaker 1: is on a doncarda album. Um, and it's on the

846
00:40:47,080 --> 00:40:50,440
Speaker 1: hidden hand. He goes, Um, My tomb was cold as ice,

847
00:40:50,520 --> 00:40:52,399
Speaker 1: so I know I'm shice. Big Pun was the kid

848
00:40:52,400 --> 00:40:54,319
Speaker 1: that no one liked. My whole life was one big

849
00:40:54,400 --> 00:40:57,200
Speaker 1: roll of the dice, paying the price twice as expensive

850
00:40:57,239 --> 00:40:59,319
Speaker 1: as white kids destined for right because not know when

851
00:40:59,360 --> 00:41:02,880
Speaker 1: my existing was priceless. It's like this, My tomb was lifeless,

852
00:41:03,160 --> 00:41:05,760
Speaker 1: arned stripes fighting the nicest in the crisis. A slice

853
00:41:05,800 --> 00:41:08,640
Speaker 1: them in half, make him dash like hyphens, inviting any

854
00:41:08,760 --> 00:41:11,080
Speaker 1: rapper to clash with the titan. My writing's like fighting

855
00:41:11,120 --> 00:41:13,760
Speaker 1: because rappers be biting like Tyson. I'm hyping the crowd,

856
00:41:13,960 --> 00:41:16,759
Speaker 1: getting them loud my label. I'm proud, I'm able to

857
00:41:16,800 --> 00:41:19,120
Speaker 1: live from the bows of the ghetto, found me a

858
00:41:19,160 --> 00:41:22,040
Speaker 1: little sanity side a career in a family. I mean,

859
00:41:22,120 --> 00:41:28,640
Speaker 1: it's just um so so I could quote Pun, but

860
00:41:29,280 --> 00:41:32,360
Speaker 1: because I think Pun is unappreciated as a as a storyteller.

861
00:41:32,680 --> 00:41:34,560
Speaker 1: Um but Biggie is you know who I go to

862
00:41:34,760 --> 00:41:36,719
Speaker 1: all the time, and if you listen to Hamilton, you're

863
00:41:36,719 --> 00:41:39,839
Speaker 1: hearing at least six Biggie references in there. And uh.

864
00:41:40,000 --> 00:41:42,360
Speaker 1: I was grateful to the Wallace family for letting me

865
00:41:42,760 --> 00:41:46,560
Speaker 1: uh sort of quote those and uh participating that. No, no,

866
00:41:46,600 --> 00:41:49,040
Speaker 1: I you know it's interesting. I didn't have to pay

867
00:41:49,040 --> 00:41:51,120
Speaker 1: for any of those samples, but I wanted to because

868
00:41:51,120 --> 00:41:53,960
Speaker 1: I wanted the kid for whom Hamilton is their first

869
00:41:53,960 --> 00:41:56,680
Speaker 1: show to go, oh, who is this that's on the

870
00:41:56,760 --> 00:41:58,960
Speaker 1: credit contains a sample from and then go listen to

871
00:41:59,000 --> 00:42:01,080
Speaker 1: those tracks. So it was important to me to have

872
00:42:01,200 --> 00:42:03,920
Speaker 1: that those footnotes and bibliography and show my work so

873
00:42:03,960 --> 00:42:06,759
Speaker 1: that people could, um then go deep dive on the

874
00:42:06,840 --> 00:42:09,360
Speaker 1: artist I was. I was drawing inspiration from the final

875
00:42:09,400 --> 00:42:12,279
Speaker 1: one new edition on Minudo. Why why are you making

876
00:42:12,280 --> 00:42:16,759
Speaker 1: fights in the culture. Can we be united? Toto Rico

877
00:42:16,960 --> 00:42:22,719
Speaker 1: to help you? Trying to make me choose Minudo all day,

878
00:42:22,800 --> 00:42:32,919
Speaker 1: every day girl? Watch out all right, Miranda, mister Manudo,

879
00:42:34,200 --> 00:42:38,320
Speaker 1: mister breakfast Club. Good morning, Richie, forever the breakfast Club.

880
00:42:41,760 --> 00:42:50,759
Speaker 1: This is the rule of report with Angel Breakfast Club. Well,

881
00:42:50,840 --> 00:42:52,960
Speaker 1: Nicki Minaj had said Dawn with Devil Xils she was

882
00:42:53,000 --> 00:42:56,160
Speaker 1: talking about her roll in hip hop, and for some

883
00:42:56,239 --> 00:42:58,879
Speaker 1: reason there were some headlines in there saying that Nicki

884
00:42:58,960 --> 00:43:02,560
Speaker 1: Minaj said that she made female rappers mainstream. Now, this

885
00:43:02,600 --> 00:43:05,279
Speaker 1: all came from an interview, well, not an interview, this

886
00:43:05,360 --> 00:43:07,640
Speaker 1: all came from Wendy Williams. Here's what Wendy Williams said

887
00:43:07,640 --> 00:43:11,520
Speaker 1: on her show. Nki Minaj is crediting herself for making

888
00:43:11,719 --> 00:43:19,319
Speaker 1: female rap mainstream. Well, now, haters, you might not like her,

889
00:43:19,520 --> 00:43:23,000
Speaker 1: but she said mainstream as in, you going to kmart

890
00:43:23,000 --> 00:43:25,920
Speaker 1: and there's her clothing. You turn on pop music stations

891
00:43:26,000 --> 00:43:28,880
Speaker 1: and there's you know, her music. Now, the problem with

892
00:43:28,880 --> 00:43:30,879
Speaker 1: this is that Nicki Minas never said that. The problem

893
00:43:30,920 --> 00:43:32,839
Speaker 1: is Nicki Mana never said that. But Wendy is old

894
00:43:32,920 --> 00:43:35,840
Speaker 1: enough to know that Queen Latifa made female rap mainstream.

895
00:43:36,040 --> 00:43:39,719
Speaker 1: Let Eve Missy all right, well, Nicki says all of that.

896
00:43:39,800 --> 00:43:42,239
Speaker 1: Here's what she had to say in response. My role

897
00:43:42,239 --> 00:43:46,239
Speaker 1: would have happens been super unique because when my first

898
00:43:46,239 --> 00:43:49,600
Speaker 1: album came out, it had been so much time with

899
00:43:49,760 --> 00:43:55,040
Speaker 1: it wasn't a female rap album. How that whyn't platinum? Um,

900
00:43:55,280 --> 00:43:59,680
Speaker 1: there wasn't a big female rap presence right before I

901
00:43:59,719 --> 00:44:07,839
Speaker 1: got so female rapper to pop culture. She's right, there's

902
00:44:07,880 --> 00:44:09,960
Speaker 1: no lie, I told, all right, So Nicki Minajs posted

903
00:44:10,000 --> 00:44:12,440
Speaker 1: that video and she said, I see people remixing my words,

904
00:44:12,600 --> 00:44:14,600
Speaker 1: so let me post exactly what I said for the

905
00:44:14,640 --> 00:44:16,839
Speaker 1: intelligent ones in the back. Now, if you can find

906
00:44:16,840 --> 00:44:19,080
Speaker 1: the part where I said I made female rappers mainstream,

907
00:44:19,120 --> 00:44:21,879
Speaker 1: I'll give you one hundred thousand dollars. Blogs and TV

908
00:44:21,920 --> 00:44:24,160
Speaker 1: shows don't care to do actual research these days. They

909
00:44:24,200 --> 00:44:26,840
Speaker 1: only care about what grabs your attention, she said. Lauren

910
00:44:26,920 --> 00:44:29,520
Speaker 1: took sold ten million off one album, Eve had platinum.

911
00:44:29,640 --> 00:44:33,000
Speaker 1: Under Eve had platinum singles with Alicia Gwen's to finding

912
00:44:33,040 --> 00:44:35,040
Speaker 1: her own TV show and clothing line. It doesn't get

913
00:44:35,080 --> 00:44:37,759
Speaker 1: more mainstream pop than Missy's biggest singles. Foxy and Kim

914
00:44:37,760 --> 00:44:40,040
Speaker 1: had platinum albums and shape the sound of New York

915
00:44:40,040 --> 00:44:42,400
Speaker 1: female rappers. Latifa had her own sitcom Tuning was on

916
00:44:42,480 --> 00:44:46,000
Speaker 1: Billboard with hits, etc. Yeah, Little Timba's mainscream. But I mean,

917
00:44:46,000 --> 00:44:48,160
Speaker 1: I understand what Nikki saying. O. Nikki did not make

918
00:44:48,200 --> 00:44:52,120
Speaker 1: female rap mainstream overall, but she did reintroduce female rap

919
00:44:52,160 --> 00:44:54,440
Speaker 1: to the mainstream in this era, right she said, so,

920
00:44:54,480 --> 00:44:58,799
Speaker 1: I the successful female rapper back to pop cultures show

921
00:44:58,920 --> 00:45:01,560
Speaker 1: big business were major players in the game, just like

922
00:45:01,600 --> 00:45:04,279
Speaker 1: the boys. No, lie told so. She just wanted to

923
00:45:04,320 --> 00:45:06,560
Speaker 1: clear that up because the headline was she said she

924
00:45:06,680 --> 00:45:10,440
Speaker 1: made female rap mainstream. No, that's not accurate. All right, Well,

925
00:45:10,800 --> 00:45:13,399
Speaker 1: Guccia Main and Keisha k Yard got married last night

926
00:45:13,440 --> 00:45:16,360
Speaker 1: on b et Man. I enjoyed it. It's gonna be

927
00:45:16,440 --> 00:45:19,279
Speaker 1: a ten episode series and it's gonna now flash back

928
00:45:19,320 --> 00:45:22,800
Speaker 1: to them planning their wedding. Here they are doing their vows.

929
00:45:25,120 --> 00:45:27,840
Speaker 1: Ladies and gentlemen, it is with great delight that I

930
00:45:27,920 --> 00:45:31,279
Speaker 1: present to you for the very first time, mister and

931
00:45:31,440 --> 00:45:38,839
Speaker 1: miss Raydrick Davis. You may kiss the bra but I

932
00:45:38,880 --> 00:45:41,160
Speaker 1: was kissing the bride. I guess yeah. They had. They

933
00:45:41,160 --> 00:45:44,480
Speaker 1: had one line in the vow. I thought it was

934
00:45:44,560 --> 00:45:46,359
Speaker 1: roderic too. They kept saying Radric Clas think, so I'm

935
00:45:46,360 --> 00:45:48,239
Speaker 1: gonna go at Raydrick. But there was just one line

936
00:45:48,280 --> 00:45:50,920
Speaker 1: where they was like, and all other women are irrelevant

937
00:45:50,960 --> 00:45:52,879
Speaker 1: to you, and then I think she had to say

938
00:45:52,960 --> 00:45:54,680
Speaker 1: all of the men are irrelevant to you. I was like,

939
00:45:54,680 --> 00:45:57,600
Speaker 1: that's the dope, all right, we'll check it out. Here.

940
00:45:58,120 --> 00:46:02,120
Speaker 1: Here's some more from the main events. He's your my love.

941
00:46:02,560 --> 00:46:04,800
Speaker 1: I give you this ring, I give you the drink

942
00:46:05,239 --> 00:46:07,680
Speaker 1: as a symbol of the vows, as a symbol of

943
00:46:07,760 --> 00:46:10,640
Speaker 1: the valves. So we're making today. So we're making today,

944
00:46:10,840 --> 00:46:13,520
Speaker 1: man forever, be a sign if that were the sign

945
00:46:13,880 --> 00:46:16,839
Speaker 1: of my commitment to your heart, but commitment to your

946
00:46:16,840 --> 00:46:21,440
Speaker 1: heart until our marriage forever, until I can't wait to

947
00:46:21,440 --> 00:46:23,920
Speaker 1: get married again. Like I really do play it on

948
00:46:24,080 --> 00:46:28,399
Speaker 1: you're having another Okay, I play on, Yeah, sent about

949
00:46:28,400 --> 00:46:30,600
Speaker 1: ten years. I plan already knowing my vows because that

950
00:46:31,160 --> 00:46:33,680
Speaker 1: just watching that special last night, it just brings back

951
00:46:33,719 --> 00:46:36,000
Speaker 1: all those emotions you had when you're standing up there

952
00:46:36,000 --> 00:46:37,879
Speaker 1: as a groom and your bride is walking down the aisle.

953
00:46:38,000 --> 00:46:39,839
Speaker 1: Like I'm looking at Gucci's face, I know he wanted

954
00:46:39,840 --> 00:46:43,719
Speaker 1: to cry because I wanted to cry on TV. No. Absolutely,

955
00:46:43,760 --> 00:46:45,440
Speaker 1: now y'all know I don't move like that. All right. Well,

956
00:46:45,520 --> 00:46:49,000
Speaker 1: this wedding cost one point seven million dollars in case

957
00:46:49,120 --> 00:46:51,160
Speaker 1: you were wondering, or drop one a clue bombs for

958
00:46:51,280 --> 00:46:55,600
Speaker 1: BT for fitting that. Yeah, that's why they did the

959
00:46:55,600 --> 00:46:57,400
Speaker 1: host documentaries because they when he got paid for it.

960
00:46:58,480 --> 00:47:00,640
Speaker 1: I like, I like everything be he is doing right now,

961
00:47:00,640 --> 00:47:03,160
Speaker 1: they're doing a lot of col truly relevant programming. All right.

962
00:47:03,200 --> 00:47:06,880
Speaker 1: And speaking of weddings, Tony Braxon and Birdman secretly got married.

963
00:47:06,920 --> 00:47:10,239
Speaker 1: According to Jasmine Brand. Yes, they're saying that they wanted

964
00:47:10,280 --> 00:47:13,040
Speaker 1: to keep the nuptials as down low as possible. Tony

965
00:47:13,080 --> 00:47:15,080
Speaker 1: don't want nobody to know. They're trying to keep it

966
00:47:15,120 --> 00:47:17,000
Speaker 1: a secid just like their relationship. They tried for as

967
00:47:17,000 --> 00:47:19,640
Speaker 1: long as they could to deny that they were actually together.

968
00:47:19,760 --> 00:47:22,400
Speaker 1: Now allegedly they've already been married for about two months

969
00:47:22,880 --> 00:47:26,319
Speaker 1: so far. Wow, all right, money to pay for a wedding,

970
00:47:26,360 --> 00:47:28,120
Speaker 1: burn Man, but you can't pay Waying his money. Maybe

971
00:47:28,160 --> 00:47:33,080
Speaker 1: they didn't they have a right. I definitely went to

972
00:47:33,120 --> 00:47:35,239
Speaker 1: city here. That's another reason to keep his secret. If

973
00:47:35,239 --> 00:47:36,719
Speaker 1: you are a bunch of people money, I keep my

974
00:47:36,800 --> 00:47:38,600
Speaker 1: wedding a secret to you know what? I'm saying I't

975
00:47:38,600 --> 00:47:40,120
Speaker 1: got the money and paying no wedding. All right, well

976
00:47:40,120 --> 00:47:42,320
Speaker 1: I'm agel la yee and that is your rumor report.

977
00:47:42,480 --> 00:47:44,880
Speaker 1: All right, thank you, miss ye Yes, we give me.

978
00:47:45,719 --> 00:47:50,040
Speaker 1: Oh my god, we need Veronica green Posy to come

979
00:47:50,080 --> 00:47:52,239
Speaker 1: to the front of the congregation. It's going to take

980
00:47:52,239 --> 00:47:54,080
Speaker 1: her a while because she weighs three hundred and twenty

981
00:47:54,080 --> 00:47:56,080
Speaker 1: five pounds. Oh all right. You don't know who this

982
00:47:56,120 --> 00:47:58,200
Speaker 1: woman is, but she's from Florida. And what did your

983
00:47:58,239 --> 00:48:00,520
Speaker 1: uncle Schaula tell you all the time? The easiest people

984
00:48:00,560 --> 00:48:02,640
Speaker 1: in America come from the Bronx and all of Florida.

985
00:48:02,920 --> 00:48:05,200
Speaker 1: Donkey today, four after the hour. All right, when we

986
00:48:05,239 --> 00:48:06,960
Speaker 1: come back, keep it like this to Breakfast Club. Come on,

987
00:48:08,400 --> 00:48:11,520
Speaker 1: Charlot Maine, say the game. Don't get the shape man

988
00:48:11,960 --> 00:48:19,279
Speaker 1: you are, don't you? Donkey today does not discriminate. I

989
00:48:19,400 --> 00:48:20,960
Speaker 1: might not have the song of today, but I got

990
00:48:21,000 --> 00:48:22,960
Speaker 1: to donkey that day. So if you ever feel I

991
00:48:22,960 --> 00:48:24,759
Speaker 1: need to be a donkey man, give it with the

992
00:48:26,640 --> 00:48:31,680
Speaker 1: Breakfast Club bitch. I just don't give today today. Wow

993
00:48:31,760 --> 00:48:34,960
Speaker 1: at Sharon uh donkey here today From Wednesday, October eighteenth,

994
00:48:35,000 --> 00:48:37,879
Speaker 1: called to a sixty four year old Florida woman named

995
00:48:37,960 --> 00:48:41,080
Speaker 1: Veronica Green Posy. Now, what did your uncle Charlotte tell

996
00:48:41,120 --> 00:48:43,520
Speaker 1: you all the time? I tell you that the craziest

997
00:48:43,520 --> 00:48:45,719
Speaker 1: people in all of America come from the Bronx and

998
00:48:45,840 --> 00:48:49,160
Speaker 1: all of Florida, and Veronica Posy is no exception. See

999
00:48:49,160 --> 00:48:51,440
Speaker 1: this fat Floridian who waited in at three hundred and

1000
00:48:51,440 --> 00:48:54,680
Speaker 1: twenty five pounds has been charged with homicide and cruelty

1001
00:48:54,719 --> 00:48:59,880
Speaker 1: towards the homicide. What did I say, homoside? It's homicide, homicide,

1002
00:49:00,360 --> 00:49:03,719
Speaker 1: homicide and cruelty toward a child. Now, why did a

1003
00:49:03,840 --> 00:49:07,040
Speaker 1: child die at Big Mama's house? Well, let's go to

1004
00:49:07,080 --> 00:49:09,239
Speaker 1: the viver News Curtisia. The USA did day to find

1005
00:49:09,239 --> 00:49:12,280
Speaker 1: out a child died in Florida after her three hundred

1006
00:49:12,280 --> 00:49:14,560
Speaker 1: and twenty five pound cousins sat on her for over

1007
00:49:14,680 --> 00:49:18,040
Speaker 1: ten minutes as a form of punishment. USA Today report

1008
00:49:18,200 --> 00:49:20,920
Speaker 1: sixty four year old Veronica Green Posey has been charged

1009
00:49:20,920 --> 00:49:24,000
Speaker 1: with homicide and cruelty towards the child. The crime occurred

1010
00:49:24,000 --> 00:49:27,160
Speaker 1: on the three hundred block of Brian Road in Pensacola, Florida,

1011
00:49:27,200 --> 00:49:30,040
Speaker 1: at the home of Grace Jones Smith and James Edmund Smith,

1012
00:49:30,160 --> 00:49:33,160
Speaker 1: the child's parents. They had apparently called Posey over to

1013
00:49:33,239 --> 00:49:36,240
Speaker 1: help discipline the child, and arrest reports states that Posy

1014
00:49:36,280 --> 00:49:39,040
Speaker 1: allegedly sat on Smith's daughter for ten minutes before she

1015
00:49:39,080 --> 00:49:42,239
Speaker 1: said she couldn't breathe, after which Posey continued to sit

1016
00:49:42,320 --> 00:49:44,680
Speaker 1: on her for another two minutes before standing up and

1017
00:49:44,760 --> 00:49:48,279
Speaker 1: finding the child unresponsive. As of Monday, both James and

1018
00:49:48,400 --> 00:49:51,359
Speaker 1: Grace Smith remain in jail, while Posey's bond was set

1019
00:49:51,440 --> 00:49:54,360
Speaker 1: up one hundred and twenty five thousand dollars and was released.

1020
00:49:54,440 --> 00:49:56,640
Speaker 1: Now where do I begin? Oh, my goodness, am I

1021
00:49:56,719 --> 00:49:58,839
Speaker 1: mad at Veronica for sitting on a child? Or am

1022
00:49:58,840 --> 00:50:01,800
Speaker 1: I mad at her for weigh three twenty five pounds? Okay,

1023
00:50:01,880 --> 00:50:04,120
Speaker 1: I just answered my question. I'm mad at both those things.

1024
00:50:04,120 --> 00:50:07,520
Speaker 1: See hurt people, hurt people. She's sixty four years old

1025
00:50:07,520 --> 00:50:09,880
Speaker 1: and weighed three hundred and twenty five pounds. She stopped

1026
00:50:09,880 --> 00:50:12,279
Speaker 1: caring about life a long time ago. Okay, I don't

1027
00:50:12,280 --> 00:50:13,880
Speaker 1: care what you say. When you have let yourself go

1028
00:50:13,960 --> 00:50:15,960
Speaker 1: to the tune of three hundred and twenty five pounds,

1029
00:50:16,000 --> 00:50:18,279
Speaker 1: you don't love yourself, so it's impossible for you to

1030
00:50:18,280 --> 00:50:20,440
Speaker 1: love somebody else. That's why it was so easy for

1031
00:50:20,480 --> 00:50:22,879
Speaker 1: her Lord ass to put all three hundred and twenty

1032
00:50:22,920 --> 00:50:25,520
Speaker 1: five pounds on top of that poor nine year old girl.

1033
00:50:25,719 --> 00:50:30,040
Speaker 1: The fact that Verona Composi had the nerve, the unmitigated

1034
00:50:30,040 --> 00:50:33,040
Speaker 1: guard to say she sat on this young girl Dereka

1035
00:50:33,120 --> 00:50:37,280
Speaker 1: as a discipline for being out of control. Listen here, blahblah,

1036
00:50:37,440 --> 00:50:40,560
Speaker 1: don't talk to me about discipline. Discipline. People don't wait

1037
00:50:40,600 --> 00:50:43,680
Speaker 1: three hundred and twenty five pounds, Okay, Veronica, Your body

1038
00:50:43,719 --> 00:50:46,640
Speaker 1: mass index indicates that you have never shown discipline at

1039
00:50:46,640 --> 00:50:49,520
Speaker 1: the waffle house. You've never shown discipline at Chick fil A.

1040
00:50:49,800 --> 00:50:52,040
Speaker 1: There is not a golden corral on the East Coast

1041
00:50:52,200 --> 00:50:54,239
Speaker 1: that you have shown discipline in. But you have the

1042
00:50:54,320 --> 00:50:57,040
Speaker 1: nerve to punish someone for being out of control. You're

1043
00:50:57,080 --> 00:50:59,800
Speaker 1: eating habits that out of control, your blood pressure is

1044
00:50:59,800 --> 00:51:03,160
Speaker 1: on control, your diabetes probably out of control, your gout

1045
00:51:03,160 --> 00:51:06,239
Speaker 1: out of control, your breathing problems and sleep apnea are

1046
00:51:06,280 --> 00:51:09,680
Speaker 1: out of control. And what about these lame ass parents

1047
00:51:09,800 --> 00:51:13,319
Speaker 1: Grace Jones Smith and James Edmund Smith who don't know

1048
00:51:13,360 --> 00:51:15,799
Speaker 1: how to discipline their own kids for whatever reason. What's

1049
00:51:15,800 --> 00:51:17,839
Speaker 1: wrong with their hands? Huh? You know how to pop

1050
00:51:17,840 --> 00:51:19,799
Speaker 1: your own damn kids? No belts in the house. No

1051
00:51:19,920 --> 00:51:22,440
Speaker 1: wooden spoons. They tanned all the trees down, so it's

1052
00:51:22,440 --> 00:51:24,279
Speaker 1: hard to get a switch nowadays. But I'm sure you

1053
00:51:24,280 --> 00:51:26,960
Speaker 1: could have found other ways to discipline a nine year

1054
00:51:26,960 --> 00:51:30,600
Speaker 1: old then calling over big punisher to punish your seat, okay,

1055
00:51:30,760 --> 00:51:33,720
Speaker 1: not to mention. In the police report, the soul called mom,

1056
00:51:33,800 --> 00:51:37,480
Speaker 1: Grace Smith said that Veronica used the ruler in a

1057
00:51:37,600 --> 00:51:40,680
Speaker 1: metal pipe to punish the young girl at first. Okay,

1058
00:51:40,719 --> 00:51:42,840
Speaker 1: but I guess none of that was working, so Veronic

1059
00:51:42,880 --> 00:51:47,279
Speaker 1: Composi decided to weaponize her weight, which ultimately led to

1060
00:51:47,360 --> 00:51:50,360
Speaker 1: this nine year old girl, Dereka Lindsay, to be killed.

1061
00:51:50,480 --> 00:51:53,080
Speaker 1: I promise you. When I heard this story, I was crushed,

1062
00:51:53,719 --> 00:51:56,160
Speaker 1: not as crushed as the victim Dereka was because of

1063
00:51:56,280 --> 00:51:59,560
Speaker 1: Verona Composi's partliness, but it hurt my spirit because this

1064
00:51:59,719 --> 00:52:01,600
Speaker 1: nine year old never had a chance. I have a

1065
00:52:01,680 --> 00:52:04,040
Speaker 1: nine year old, so I'm sitting here thinking it's adults

1066
00:52:04,040 --> 00:52:06,440
Speaker 1: out here here would absolutely do harm to my baby.

1067
00:52:06,560 --> 00:52:08,680
Speaker 1: How can a sixty four year old woman do this

1068
00:52:08,760 --> 00:52:11,120
Speaker 1: to a kid? And how can the parents, Grace Smith

1069
00:52:11,239 --> 00:52:13,720
Speaker 1: and James Smith sit around and allow it to happen

1070
00:52:13,920 --> 00:52:16,480
Speaker 1: the same way your daughter had the weight of Veronica

1071
00:52:16,600 --> 00:52:19,800
Speaker 1: Posey on top of her, which ultimately killed her. You

1072
00:52:19,960 --> 00:52:23,000
Speaker 1: two will be weighed down by the guilt of knowing

1073
00:52:23,040 --> 00:52:26,799
Speaker 1: that you are accessory accessories to your daughter's murder, and

1074
00:52:26,840 --> 00:52:31,080
Speaker 1: that will ultimately kill you two. God bless the soul

1075
00:52:31,080 --> 00:52:34,080
Speaker 1: of Dereka Lindsay. May she rest in peace. She was

1076
00:52:34,120 --> 00:52:37,040
Speaker 1: pronounced dead on Saturday, and the cause of her demise

1077
00:52:37,760 --> 00:52:40,960
Speaker 1: was death by fat bitch. Please give Veronica Posey the

1078
00:52:40,960 --> 00:52:46,200
Speaker 1: biggest he had. Police. That's crazy. I've never heard nothing

1079
00:52:46,239 --> 00:52:53,640
Speaker 1: like that, terrible tragic story. I've never played the news.

1080
00:52:53,640 --> 00:52:55,160
Speaker 1: You point just the first part of it. Listen how

1081
00:52:55,200 --> 00:52:58,400
Speaker 1: it sounds. In the beginning, a child died in Florida

1082
00:52:58,440 --> 00:53:01,680
Speaker 1: after her three hound cousins sat on her for over

1083
00:53:01,800 --> 00:53:04,399
Speaker 1: ten minutes. That's all you need to hear, right there.

1084
00:53:05,239 --> 00:53:09,239
Speaker 1: Come on, man, come on, man, Like, when did they

1085
00:53:09,239 --> 00:53:13,120
Speaker 1: think that was gonna be a good idea? I don't know.

1086
00:53:13,480 --> 00:53:15,960
Speaker 1: And this is after hitting her with a ruler, which

1087
00:53:16,000 --> 00:53:18,400
Speaker 1: is which is fine with a metal pipe. Come on,

1088
00:53:18,440 --> 00:53:21,319
Speaker 1: that's cruel, an unusual punishment. Baby, the worst ever got

1089
00:53:21,320 --> 00:53:23,600
Speaker 1: beat with with an extension card. Then it was fourth

1090
00:53:23,640 --> 00:53:25,560
Speaker 1: to go take a bath. I mean, that's the wood

1091
00:53:25,600 --> 00:53:27,520
Speaker 1: tank torch at tactic too, but come on a metal

1092
00:53:27,560 --> 00:53:30,239
Speaker 1: pipe going nine year old, Come on, man, we sat

1093
00:53:30,320 --> 00:53:33,320
Speaker 1: on offen my goodness, three twenty five pounds and the

1094
00:53:33,400 --> 00:53:38,000
Speaker 1: parents allowed us this punishment. They wanted to punishment courtesy,

1095
00:53:38,000 --> 00:53:40,080
Speaker 1: a big punishment three hundred and twenty five pounds. Oh

1096
00:53:40,120 --> 00:53:42,719
Speaker 1: my goodness. All right, well, thank you for that donkey today. Yes,

1097
00:53:42,800 --> 00:53:46,399
Speaker 1: well deserved up next ask ye eight don't drink five

1098
00:53:46,440 --> 00:53:47,960
Speaker 1: eighty five one oh five one. If you got a

1099
00:53:48,040 --> 00:53:51,000
Speaker 1: question for you you need relationship advice, call you right now.

1100
00:53:51,000 --> 00:53:52,920
Speaker 1: Eight on drink five a five one oh five once

1101
00:53:53,000 --> 00:53:54,879
Speaker 1: you help you with all your problems. Calling now. It's

1102
00:53:54,880 --> 00:54:01,120
Speaker 1: the Breakfast Club. Good morning, the Breakfast Club. Morning. Everybody

1103
00:54:01,239 --> 00:54:04,480
Speaker 1: is DJ Envy Angela Yee, Charlomagne the guy. We are

1104
00:54:04,520 --> 00:54:06,960
Speaker 1: the Breakfast Club. Good morning. Who's this yo? It was

1105
00:54:07,000 --> 00:54:10,759
Speaker 1: good Breakfast Club. It is Jordan, Hey, Jersey, Jordan from Jersey. Man.

1106
00:54:10,760 --> 00:54:14,120
Speaker 1: What's your question for you? Broye? My girl? We need

1107
00:54:14,120 --> 00:54:17,440
Speaker 1: together for three years? I and she went. She went

1108
00:54:17,480 --> 00:54:20,040
Speaker 1: away to school right she she's like an hour away

1109
00:54:20,120 --> 00:54:22,200
Speaker 1: now so she come back visit like you know every

1110
00:54:22,200 --> 00:54:27,360
Speaker 1: other weekend. Oh I'm sorry, my bad, bad, but I

1111
00:54:27,400 --> 00:54:30,360
Speaker 1: don't know it's it's it's a trust thing. She takes

1112
00:54:30,440 --> 00:54:34,120
Speaker 1: right for the answer. Uh, she's always at her girlfriend's house.

1113
00:54:34,280 --> 00:54:37,120
Speaker 1: They live off campus, and they not He always takes

1114
00:54:37,120 --> 00:54:39,239
Speaker 1: forever to answer, I want to come back. What do

1115
00:54:39,239 --> 00:54:41,640
Speaker 1: you mean? Takes forever to answer? Like she doesn't answer

1116
00:54:41,640 --> 00:54:44,320
Speaker 1: and then calls you back or what. I don't understand

1117
00:54:44,360 --> 00:54:49,799
Speaker 1: how she says she's always got homework always. No, I

1118
00:54:49,920 --> 00:54:52,360
Speaker 1: know that, but like you could text me say that

1119
00:54:52,400 --> 00:54:55,799
Speaker 1: you got homework, say but she says the actor, And

1120
00:54:55,880 --> 00:54:57,920
Speaker 1: I'm like, yo, just FaceTime you say what's up? All right,

1121
00:54:57,920 --> 00:54:59,640
Speaker 1: I'll talk to you a little bit, you know, while

1122
00:54:59,680 --> 00:55:02,040
Speaker 1: you're doing your homework. And that's it, right, No, not

1123
00:55:02,120 --> 00:55:05,560
Speaker 1: even not so. But you talk to her every day. Yeah,

1124
00:55:05,680 --> 00:55:07,960
Speaker 1: we talked every day. But you just need more attention.

1125
00:55:09,880 --> 00:55:11,960
Speaker 1: But when she comes back, I'm like, yo, when she

1126
00:55:12,000 --> 00:55:13,719
Speaker 1: goes to the bathroom, she got to take her phone

1127
00:55:13,800 --> 00:55:17,040
Speaker 1: everywhere with her. Okay, your instinct is telling you there's

1128
00:55:17,080 --> 00:55:19,879
Speaker 1: something going on. This is her first time away at school. Yeah,

1129
00:55:19,920 --> 00:55:23,640
Speaker 1: and your relationship. So I'm sure she's having a good time.

1130
00:55:23,920 --> 00:55:26,800
Speaker 1: And it is difficult when you're doing a long distance relationship.

1131
00:55:26,840 --> 00:55:29,879
Speaker 1: And how old are you? Guys? You guys are still

1132
00:55:29,920 --> 00:55:33,080
Speaker 1: pretty young, So it could be a couple of different things.

1133
00:55:33,120 --> 00:55:35,600
Speaker 1: It could be that she's not used to being away,

1134
00:55:35,680 --> 00:55:37,920
Speaker 1: so she's having a good time with her friends and

1135
00:55:38,000 --> 00:55:40,279
Speaker 1: doesn't feel like being on the phone. Or it could

1136
00:55:40,320 --> 00:55:42,879
Speaker 1: be that she really is dating somebody else, especially if

1137
00:55:42,880 --> 00:55:44,600
Speaker 1: she's taking her phone in the bathroom with her and

1138
00:55:44,640 --> 00:55:47,200
Speaker 1: doing all of that. There's something that she doesn't want

1139
00:55:47,239 --> 00:55:49,239
Speaker 1: you to see. And you could tell a lot about

1140
00:55:49,280 --> 00:55:52,319
Speaker 1: a relationship by how somebody treats their phone. Yeah, Like

1141
00:55:52,440 --> 00:55:53,960
Speaker 1: does she answer the phone all the time when it

1142
00:55:54,040 --> 00:55:58,720
Speaker 1: rings when she's with you, Na, She'll she'll decline it,

1143
00:55:58,080 --> 00:56:01,040
Speaker 1: damn all right, it's really but it's her girlfriends though

1144
00:56:01,120 --> 00:56:04,520
Speaker 1: calling her though, or it's a guy with her girlfriend's name. Yeah, yeah,

1145
00:56:06,000 --> 00:56:09,200
Speaker 1: yeah bro. Yeah. So I mean I feel like, in

1146
00:56:09,239 --> 00:56:11,760
Speaker 1: your head, what is what is your brain telling you?

1147
00:56:11,960 --> 00:56:14,840
Speaker 1: I mean, it's just I just like I don't think that.

1148
00:56:14,920 --> 00:56:16,480
Speaker 1: I think that's just not cool. When you got to

1149
00:56:16,520 --> 00:56:18,960
Speaker 1: like be overprotective with your phone because I'm opening on

1150
00:56:19,040 --> 00:56:21,160
Speaker 1: my phone, she could go through her phone. It's whatever.

1151
00:56:21,200 --> 00:56:23,120
Speaker 1: I don't care, all right, besides this the phone though,

1152
00:56:23,239 --> 00:56:25,200
Speaker 1: in your head, what are you what are you saying

1153
00:56:25,440 --> 00:56:29,640
Speaker 1: logically speaking, everything that's been going on the relationship feels different.

1154
00:56:29,760 --> 00:56:32,359
Speaker 1: She's acting different. You can't reach her all the time.

1155
00:56:32,560 --> 00:56:34,560
Speaker 1: She's not answering the phone when she's around you. She's

1156
00:56:34,560 --> 00:56:37,200
Speaker 1: taking her phone in the bathroom with her. Yeah, I

1157
00:56:37,280 --> 00:56:42,560
Speaker 1: mean it's just yes, don't you cry, Like, don't you cry? No,

1158
00:56:42,640 --> 00:56:44,880
Speaker 1: I'm not. I'm not about to cry. It's just like

1159
00:56:45,040 --> 00:56:47,279
Speaker 1: he just got a shaky voice. No, I'm called off

1160
00:56:47,320 --> 00:56:50,719
Speaker 1: guard because it's it's it happens so quick, so right.

1161
00:56:51,160 --> 00:56:53,080
Speaker 1: I mean, look, she's away at school. It's a brand

1162
00:56:53,120 --> 00:56:55,880
Speaker 1: new situation for her. She's around all brand new people.

1163
00:56:56,000 --> 00:56:59,040
Speaker 1: She's got her freedom. That's true, you know, And but

1164
00:56:59,200 --> 00:57:01,680
Speaker 1: she should be honest with you, and you should be

1165
00:57:01,680 --> 00:57:03,680
Speaker 1: like it's the main thing I told her that. I'm like, yo,

1166
00:57:03,880 --> 00:57:06,600
Speaker 1: keep doing something, just what just let me know that

1167
00:57:06,680 --> 00:57:08,080
Speaker 1: way I can move on. You can do what you

1168
00:57:08,160 --> 00:57:10,799
Speaker 1: gotta do. Don't you gonna drive me with you? Right?

1169
00:57:10,960 --> 00:57:13,200
Speaker 1: But okay, I gotta I guess my mom to take

1170
00:57:13,280 --> 00:57:17,280
Speaker 1: the phone one night. Well damn all that? But all right,

1171
00:57:17,360 --> 00:57:19,200
Speaker 1: but what's just that feeling like you gotta do all that?

1172
00:57:19,200 --> 00:57:22,320
Speaker 1: It's pretty much over. Yeah, I feel you. Thank you, guys, Okay,

1173
00:57:22,320 --> 00:57:25,040
Speaker 1: you're welcome. I feel bad. I'm gonna going all right,

1174
00:57:25,440 --> 00:57:27,120
Speaker 1: he's definitely gonna cry when he when he gets out

1175
00:57:27,160 --> 00:57:29,480
Speaker 1: the phone. All right, Ask Ye eight on drew five

1176
00:57:29,520 --> 00:57:31,760
Speaker 1: A five one on five one. If you need relationship advice,

1177
00:57:31,800 --> 00:57:33,880
Speaker 1: call ye now. It's the breakfast club Lare. That was

1178
00:57:34,000 --> 00:57:37,600
Speaker 1: Kendrick Lamar with Loyalty, Loyalty, Loyalty. We're in the middle

1179
00:57:37,600 --> 00:57:40,400
Speaker 1: of ask Ye eight drew five A five one on

1180
00:57:40,520 --> 00:57:44,600
Speaker 1: five one. Hello, Hello, Hey Miriam. How are you. I'm good.

1181
00:57:44,680 --> 00:57:47,960
Speaker 1: How are you doing? I'm good? What's good? What's the problem? Okay,

1182
00:57:47,960 --> 00:57:51,040
Speaker 1: So I recently got married, like earlier this year, right,

1183
00:57:51,320 --> 00:57:54,080
Speaker 1: and like I feel like it's a hit of miss

1184
00:57:54,120 --> 00:57:56,520
Speaker 1: every time I have sex for my husband. It's like

1185
00:57:56,720 --> 00:58:01,560
Speaker 1: good sometimes, but it's not always great, and I don't

1186
00:58:01,560 --> 00:58:03,360
Speaker 1: know what to say, Like I don't know how to

1187
00:58:03,400 --> 00:58:06,440
Speaker 1: tell him. Okay, so tell me when it's not great.

1188
00:58:06,480 --> 00:58:08,640
Speaker 1: What are the reasons that it's not great? I don't know,

1189
00:58:08,760 --> 00:58:10,680
Speaker 1: it's just whack, like you know, when it's just not

1190
00:58:10,800 --> 00:58:13,520
Speaker 1: hit it right, Like it's just way like you're like

1191
00:58:14,000 --> 00:58:17,520
Speaker 1: the rhythm is off or the rhythm is off, and

1192
00:58:17,680 --> 00:58:19,720
Speaker 1: it's just you know, like when you don't want to

1193
00:58:19,760 --> 00:58:22,320
Speaker 1: do just know your body and it's just he don't

1194
00:58:22,520 --> 00:58:25,200
Speaker 1: do you instruct him on things that you like I do,

1195
00:58:25,360 --> 00:58:28,040
Speaker 1: and you know, sometime he try to deliver and sometimes

1196
00:58:28,040 --> 00:58:30,520
Speaker 1: he do good, but it's like I guess you forget

1197
00:58:30,800 --> 00:58:33,560
Speaker 1: and I don't know how because like I mean, I

1198
00:58:33,600 --> 00:58:37,080
Speaker 1: feel like we have sex often enough, but sometimes it's

1199
00:58:37,120 --> 00:58:39,720
Speaker 1: hard for me to just be like, Okay, well we

1200
00:58:39,800 --> 00:58:43,120
Speaker 1: could have sex some more because like because it's so

1201
00:58:43,240 --> 00:58:47,439
Speaker 1: uncomfortable or it's so unenjoyable for me that I don't

1202
00:58:47,520 --> 00:58:50,360
Speaker 1: want to do it. You gotta tell me, Marian, what's

1203
00:58:50,560 --> 00:58:53,520
Speaker 1: like explained to me? What's so uncomfortable? Like what's so bad?

1204
00:58:53,640 --> 00:58:55,840
Speaker 1: Is it that he's quick? Is it that he's not

1205
00:58:56,000 --> 00:58:59,120
Speaker 1: making you orgasm? Is it that he's not affectionate enough?

1206
00:58:59,240 --> 00:59:01,160
Speaker 1: Is it that there's no fourplay? Like what is it

1207
00:59:01,200 --> 00:59:04,320
Speaker 1: that's missing? Because sometimes it is good. The four play

1208
00:59:04,520 --> 00:59:07,200
Speaker 1: is great, Like let me tell you, the four plate

1209
00:59:07,360 --> 00:59:10,640
Speaker 1: is great. But the problem that I have is just

1210
00:59:10,720 --> 00:59:15,440
Speaker 1: like I cannot explain. Like when he's stroking, it's like

1211
00:59:15,680 --> 00:59:18,800
Speaker 1: it's like it's like offbeat or something, right, he ain't

1212
00:59:18,800 --> 00:59:21,280
Speaker 1: got the rhythm? Yeah, he don't, Well, why don't you

1213
00:59:21,320 --> 00:59:24,640
Speaker 1: get on top. I do, but like sometimes I get

1214
00:59:24,680 --> 00:59:28,240
Speaker 1: tired burns, Miriam. You know, when you get on top,

1215
00:59:28,280 --> 00:59:32,040
Speaker 1: you know how to make yourself orgasm. I do sometimes Listen,

1216
00:59:32,280 --> 00:59:34,080
Speaker 1: it is what it is. Sometimes if you feel like

1217
00:59:34,120 --> 00:59:36,760
Speaker 1: his rhythm is off, you gotta change positions. I could

1218
00:59:36,760 --> 00:59:38,720
Speaker 1: do that, but then that means I'm always gonna have

1219
00:59:38,800 --> 00:59:41,840
Speaker 1: to be on top. But you said sometimes he's good, right, Neil,

1220
00:59:42,200 --> 00:59:44,680
Speaker 1: So at the times when it's not stroking and he's

1221
00:59:44,720 --> 00:59:47,080
Speaker 1: not hitting right and he's a little offbeat, maybe you

1222
00:59:47,160 --> 00:59:50,520
Speaker 1: need to just change positions, you right, But then, like,

1223
00:59:50,920 --> 00:59:53,240
Speaker 1: how would I know, Like if it's gonna be like

1224
00:59:53,360 --> 00:59:55,520
Speaker 1: a hit or missue, you don't know. But when it

1225
00:59:55,600 --> 00:59:57,920
Speaker 1: starts and it's not happening right and you're not feeling it,

1226
00:59:57,960 --> 00:59:59,880
Speaker 1: then you got to switch some things up. Maybe they

1227
01:00:00,040 --> 01:00:01,800
Speaker 1: that means you stop for a minute and do some

1228
01:00:01,840 --> 01:00:03,919
Speaker 1: more for play, because he's so good at that. Once

1229
01:00:03,960 --> 01:00:06,520
Speaker 1: he starts stroking in this offbeat, be like, hey, why

1230
01:00:06,560 --> 01:00:08,840
Speaker 1: don't you get back down there? You know there's other

1231
01:00:08,840 --> 01:00:10,880
Speaker 1: ways that people could please you. If it's stroke ain't right,

1232
01:00:11,000 --> 01:00:13,680
Speaker 1: you gotta sometimes direct him. And I think it's important

1233
01:00:13,720 --> 01:00:15,840
Speaker 1: to be vocal in the bedroom too. Like when something

1234
01:00:15,920 --> 01:00:17,840
Speaker 1: is going really well, encourage it so he knows you

1235
01:00:17,880 --> 01:00:20,000
Speaker 1: love it, so he keeps on doing that. Okay, I

1236
01:00:20,040 --> 01:00:22,280
Speaker 1: could do that, but it's not for hurt his feelings.

1237
01:00:22,320 --> 01:00:24,240
Speaker 1: You don't think. No, no, you gotta do it in

1238
01:00:24,240 --> 01:00:26,720
Speaker 1: a positive way, like when it's going really well, be like, oh,

1239
01:00:26,760 --> 01:00:28,200
Speaker 1: I like when you do that, or if he's not

1240
01:00:28,240 --> 01:00:30,440
Speaker 1: doing something right, telling what you do like, because then

1241
01:00:30,440 --> 01:00:33,000
Speaker 1: that's it's still positive. You gotta make it like fun,

1242
01:00:33,320 --> 01:00:35,520
Speaker 1: make it positive. You can't just be miserable because then

1243
01:00:35,520 --> 01:00:37,880
Speaker 1: I probably throw the whole vibe off too. Okay I

1244
01:00:37,960 --> 01:00:40,520
Speaker 1: could try that. Yeah, you gotta start talking dirty and

1245
01:00:40,520 --> 01:00:43,880
Speaker 1: telling him what you like and making that part of sex. Okay,

1246
01:00:44,040 --> 01:00:47,640
Speaker 1: thank you? All right, Miriam, all right, ask ye eight

1247
01:00:47,720 --> 01:00:49,720
Speaker 1: hundred five five one on five one. If you got

1248
01:00:49,760 --> 01:00:51,200
Speaker 1: a question for you, you could call it now. We

1249
01:00:51,200 --> 01:00:52,840
Speaker 1: got rooms on the way. Yes, So we're gonna talk

1250
01:00:52,880 --> 01:00:57,440
Speaker 1: about Black China. She is suing the entire Kardashian family.

1251
01:00:57,880 --> 01:01:00,680
Speaker 1: Will this lawsuit get her any cat? All right, we'll

1252
01:01:00,720 --> 01:01:02,320
Speaker 1: get into that when we come back. Keeping locked this

1253
01:01:02,360 --> 01:01:06,280
Speaker 1: to Breakfast club. Good morning morning, everybody is DJ Envy

1254
01:01:06,360 --> 01:01:09,120
Speaker 1: Angela Ye Charlomagne, the God We are the Breakfast Club.

1255
01:01:09,160 --> 01:01:13,120
Speaker 1: Good morning, Happy Wednesday. You know today is National Chocolate

1256
01:01:13,160 --> 01:01:16,320
Speaker 1: Cupcake Day. Today's that's a National beard Day or something. No, no,

1257
01:01:16,320 --> 01:01:18,040
Speaker 1: no, no no, let's go back to me. All right, why

1258
01:01:18,040 --> 01:01:24,240
Speaker 1: has nobody addressed me the cupcake? Chocolate cupcake? Right? National

1259
01:01:24,360 --> 01:01:28,640
Speaker 1: chocolate cupcake? You are our cupcake? Say chocolate cupcake? Say

1260
01:01:28,640 --> 01:01:32,640
Speaker 1: it chocolate cupca exactly? You know how the Secret Service

1261
01:01:33,000 --> 01:01:34,640
Speaker 1: has nicknames for the president, y'all need to have a

1262
01:01:34,720 --> 01:01:36,600
Speaker 1: nickname for me. And I wanted to be chocolate cupcake.

1263
01:01:36,640 --> 01:01:38,320
Speaker 1: And you got a little awkward sometimes with the two

1264
01:01:38,320 --> 01:01:41,240
Speaker 1: of you, with the chemistry. What what you know? What?

1265
01:01:41,600 --> 01:01:44,360
Speaker 1: You know? What I'm gonna say? This is Steve Yeah, camera,

1266
01:01:46,720 --> 01:01:49,680
Speaker 1: how you doing chocolate cupcakes? To here you go dropping

1267
01:01:49,800 --> 01:01:53,520
Speaker 1: drop on a clues bomb? How you tell? He said,

1268
01:01:53,560 --> 01:01:55,960
Speaker 1: how does that cream take? I don't think chocolate cupcakes

1269
01:01:56,000 --> 01:01:57,880
Speaker 1: have cream in the middle? Yes they do. Have you

1270
01:01:57,920 --> 01:02:00,520
Speaker 1: ever had a Hostess chocolate cream cupcake? I was just

1271
01:02:00,600 --> 01:02:03,160
Speaker 1: got the cream in the middle? He went in white

1272
01:02:03,160 --> 01:02:07,720
Speaker 1: cream to all right, can I tell my rumor report?

1273
01:02:07,920 --> 01:02:09,520
Speaker 1: All right, let's let's get I don't even know what

1274
01:02:09,520 --> 01:02:12,080
Speaker 1: we're talk about. Let's just get to the rumors. It's

1275
01:02:12,120 --> 01:02:23,040
Speaker 1: about them, report Angela Yee on the Breakfast Club. Well,

1276
01:02:23,160 --> 01:02:26,040
Speaker 1: the Soul Train Awards are coming up in Solange is

1277
01:02:26,080 --> 01:02:30,000
Speaker 1: the most nominated artist. She actually has seven nominations, so

1278
01:02:30,120 --> 01:02:33,560
Speaker 1: congratulations to her. Drop on a clus box was launch

1279
01:02:34,480 --> 01:02:39,360
Speaker 1: the best new artists. We should win Black Her, Kevin Ross,

1280
01:02:39,520 --> 01:02:42,400
Speaker 1: Khalide or Scissa. Who's herd? That's a group, It's a

1281
01:02:42,480 --> 01:02:47,600
Speaker 1: one woman black Old Scissor. Yeah, I would give all right? Well,

1282
01:02:47,920 --> 01:02:51,120
Speaker 1: um also Video of the Year Beyonce All Night, Bruno

1283
01:02:51,200 --> 01:02:54,320
Speaker 1: Mars twenty four, Carrot Magic, Chris Brown featuring Usher and

1284
01:02:54,320 --> 01:02:58,120
Speaker 1: Gucci Party, Khalid Wild Thoughts or Solange Cranes in the

1285
01:02:58,160 --> 01:03:00,640
Speaker 1: Sky for Video of the Year. Who would you give

1286
01:03:00,640 --> 01:03:04,240
Speaker 1: it to? I haven't seen any Dan. You don't watch videos?

1287
01:03:04,560 --> 01:03:07,919
Speaker 1: Where where would I watch videos? Revolt? Yes, oh there's

1288
01:03:07,960 --> 01:03:12,160
Speaker 1: no cupcake emoji. I'm serious. All right. Now, let's discuss

1289
01:03:12,240 --> 01:03:14,479
Speaker 1: Aisha Curry. She was on the reel and she talked

1290
01:03:14,480 --> 01:03:17,200
Speaker 1: about Steph Curry having a foot fetish. Here's what she said.

1291
01:03:17,680 --> 01:03:22,080
Speaker 1: My husband really loves my feet, and so like the

1292
01:03:22,200 --> 01:03:24,520
Speaker 1: light was hitting them just right that day, and so

1293
01:03:24,560 --> 01:03:26,400
Speaker 1: I was like, let me just snap this butt on

1294
01:03:26,440 --> 01:03:28,280
Speaker 1: some them. Picture of my feet. So I always say,

1295
01:03:28,280 --> 01:03:30,280
Speaker 1: like when he says to send nudes, like that's what

1296
01:03:30,320 --> 01:03:34,080
Speaker 1: he's getting a picture of my bare feet? Mom? And

1297
01:03:34,120 --> 01:03:38,200
Speaker 1: Steph Curry then from her head to her feet. Well,

1298
01:03:38,280 --> 01:03:41,240
Speaker 1: former points star Media Khalifa then went ahead and sent

1299
01:03:41,520 --> 01:03:44,280
Speaker 1: a picture of her feet on social media and puts

1300
01:03:44,400 --> 01:03:47,000
Speaker 1: up at Steph Curry thirty. I'm saying, you got to

1301
01:03:47,040 --> 01:03:50,320
Speaker 1: catch her face. You got cousins, you got sisters, You're

1302
01:03:50,320 --> 01:03:57,000
Speaker 1: gonna jump her, all right? Disrespectful? All right, Chris Brown? Yeah, no,

1303
01:03:57,120 --> 01:04:00,360
Speaker 1: that is dis disrespectful man, Come on, man, all right now,

1304
01:04:00,400 --> 01:04:02,720
Speaker 1: Chris Brown has to put out the trap track list

1305
01:04:02,760 --> 01:04:05,280
Speaker 1: for his new album, Heartbreak on a Full Moon, and

1306
01:04:05,320 --> 01:04:09,720
Speaker 1: it's forty five songs? Why are you sitting at music?

1307
01:04:10,960 --> 01:04:13,600
Speaker 1: Does recall line got that kind of time? I mean,

1308
01:04:13,640 --> 01:04:16,360
Speaker 1: if you're a huge Chris Brown fan, though, that's pretty exciting.

1309
01:04:16,520 --> 01:04:19,880
Speaker 1: Rights over young thugs under their future tied dollar signed

1310
01:04:19,920 --> 01:04:22,640
Speaker 1: your Gotty Little Yaddie Kodac Black R Kelly is on

1311
01:04:22,680 --> 01:04:24,520
Speaker 1: the album. By the way, like Chris Brown knows, we

1312
01:04:24,600 --> 01:04:26,040
Speaker 1: live in the A D D are Ain't nobody got

1313
01:04:26,040 --> 01:04:27,720
Speaker 1: time to listen to no forty five records? I don't

1314
01:04:27,720 --> 01:04:29,720
Speaker 1: even think people can really appreciate that whole body or

1315
01:04:29,720 --> 01:04:32,640
Speaker 1: work when it's got Birt Simmons is on here also. Okay,

1316
01:04:33,080 --> 01:04:35,960
Speaker 1: all right, Cardi B. Congratulations to her. She has just

1317
01:04:36,120 --> 01:04:39,560
Speaker 1: signed a brand new publishing deal. She signed with Sony

1318
01:04:39,600 --> 01:04:42,760
Speaker 1: ATV Music Publishing and Jennifer Drake is the senior director

1319
01:04:42,800 --> 01:04:44,400
Speaker 1: of A and R there. I actually was just on

1320
01:04:44,440 --> 01:04:46,320
Speaker 1: a panel with her at the A three C Festival

1321
01:04:46,400 --> 01:04:49,000
Speaker 1: and she was telling me about signing Carty and she

1322
01:04:49,000 --> 01:04:51,720
Speaker 1: said she listened to her breakfast club interviews before she

1323
01:04:51,800 --> 01:04:53,880
Speaker 1: signed her and a lot of artists that she signs

1324
01:04:53,920 --> 01:04:56,360
Speaker 1: to publishing deal. She listens to the breakfast club in

1325
01:04:56,480 --> 01:04:59,280
Speaker 1: order to get as much information as possible. She always listens.

1326
01:04:59,480 --> 01:05:01,840
Speaker 1: So shout out to Jennifer Drake who actually did that deal.

1327
01:05:02,080 --> 01:05:04,400
Speaker 1: Where's all five percent artists actually got a couple of

1328
01:05:04,400 --> 01:05:06,120
Speaker 1: embems for that too, drop one a clues bond for

1329
01:05:06,160 --> 01:05:07,680
Speaker 1: Kardi b Oh. You know, she definitely got a couple

1330
01:05:07,680 --> 01:05:10,640
Speaker 1: of especially being that she had the number one song

1331
01:05:10,720 --> 01:05:13,200
Speaker 1: for three weeks in a row. Okay, so God blessed

1332
01:05:13,200 --> 01:05:16,120
Speaker 1: Cardi B. Congratulations to Kardi being now black China. It

1333
01:05:16,200 --> 01:05:19,480
Speaker 1: is suing the entire Kardashian family. She said that they

1334
01:05:19,560 --> 01:05:22,560
Speaker 1: cost a major money because they blocked her from doing

1335
01:05:22,560 --> 01:05:26,000
Speaker 1: her reality show Rob and China for a second season. Now,

1336
01:05:26,040 --> 01:05:28,720
Speaker 1: according to this lawsuit, the Kardashians use their power and

1337
01:05:28,800 --> 01:05:32,040
Speaker 1: influence over the E network to kill the second season. Now,

1338
01:05:32,080 --> 01:05:34,760
Speaker 1: I thought it was her and Rob Kardashian breaking up.

1339
01:05:34,760 --> 01:05:37,280
Speaker 1: They killed this about low ratings and she also accused

1340
01:05:37,360 --> 01:05:40,600
Speaker 1: him beating her up and all different a low ratings,

1341
01:05:41,040 --> 01:05:43,000
Speaker 1: So why would you even want to do a second season?

1342
01:05:43,200 --> 01:05:46,760
Speaker 1: But yes, apparently E was unhappy with the low ratings

1343
01:05:46,800 --> 01:05:49,400
Speaker 1: of that show. Listen, if that show had decent ratings

1344
01:05:49,480 --> 01:05:51,600
Speaker 1: or high ratings, they absolutely would have bought it back

1345
01:05:51,600 --> 01:05:53,120
Speaker 1: with all the drama that they got going on. The

1346
01:05:53,120 --> 01:05:55,160
Speaker 1: show had low ratings. That's why I didn't come back. Right,

1347
01:05:55,280 --> 01:05:56,880
Speaker 1: that's a waste of a loss. Did you ever watch

1348
01:05:56,920 --> 01:05:59,960
Speaker 1: that show? No? Nope, absolutely not. I have not killed

1349
01:06:00,120 --> 01:06:02,680
Speaker 1: up with the Kardashian since the first season of their

1350
01:06:02,680 --> 01:06:05,440
Speaker 1: show season three. All right, And the other story is

1351
01:06:05,520 --> 01:06:08,480
Speaker 1: with Black China versus Rob Kardashian. Now, she has accused

1352
01:06:08,520 --> 01:06:11,360
Speaker 1: him of beating her up on his side of things,

1353
01:06:11,360 --> 01:06:13,800
Speaker 1: though the sources are saying the real story is that

1354
01:06:13,880 --> 01:06:16,720
Speaker 1: she was using coke and drinking alcohol from morning till night.

1355
01:06:16,760 --> 01:06:19,280
Speaker 1: The day that this happened, she went to They went

1356
01:06:19,320 --> 01:06:21,080
Speaker 1: to a strip club. She bought a striper home to

1357
01:06:21,160 --> 01:06:23,400
Speaker 1: come be with them. She party with that striper all

1358
01:06:23,480 --> 01:06:26,040
Speaker 1: night long, did more co continue that binge, and then

1359
01:06:26,040 --> 01:06:28,880
Speaker 1: in the morning, when Rob confronted her and called her irresponsible,

1360
01:06:29,120 --> 01:06:31,480
Speaker 1: she went ballistic and started hitting him, throwing things at

1361
01:06:31,560 --> 01:06:34,160
Speaker 1: him and be raiding him. He says he only defended

1362
01:06:34,240 --> 01:06:37,800
Speaker 1: himself and never actually struck her at all. So Black China,

1363
01:06:37,880 --> 01:06:39,439
Speaker 1: you stand in front of that judge and you tell

1364
01:06:39,520 --> 01:06:42,760
Speaker 1: that judge look, dealing with the Kardashians will drive you

1365
01:06:42,800 --> 01:06:45,520
Speaker 1: to drink and do coke. The judge will agree with you.

1366
01:06:45,680 --> 01:06:47,760
Speaker 1: All right. Well, I'm Angela Yee and that is your

1367
01:06:47,920 --> 01:06:50,360
Speaker 1: rumor reports. And just to fill you in, I tried

1368
01:06:50,400 --> 01:06:53,720
Speaker 1: to be petty and put mad cupcakes in Charlemagne's why

1369
01:06:53,920 --> 01:06:57,400
Speaker 1: Instagram page? Why because today National Chocolate Cupcake Day. Yeah,

1370
01:06:57,440 --> 01:07:00,600
Speaker 1: but there's no more. There's not a cupcake old anymore.

1371
01:07:02,040 --> 01:07:05,320
Speaker 1: I don't believe it has to be. That's not I'm

1372
01:07:05,320 --> 01:07:07,440
Speaker 1: trying to be petty, and I can't even be petty.

1373
01:07:07,480 --> 01:07:10,120
Speaker 1: There's no cupcake emoji anymore. That's all that's not petty.

1374
01:07:10,200 --> 01:07:13,000
Speaker 1: You just you know, paying homage to the chocolate cupcake.

1375
01:07:13,440 --> 01:07:15,240
Speaker 1: Look at that. Well, if you could find a cupcake como,

1376
01:07:15,360 --> 01:07:22,480
Speaker 1: you just put it in Charlottagne's box. Chocolate cupcake is

1377
01:07:22,680 --> 01:07:25,240
Speaker 1: a boy back, maybe just mad. It's not a National

1378
01:07:25,320 --> 01:07:28,280
Speaker 1: yellowcake Day, I'm sure there is. And when when I

1379
01:07:28,280 --> 01:07:33,320
Speaker 1: find out what day is, we're definitely gonna recognize yellow

1380
01:07:34,440 --> 01:07:38,200
Speaker 1: all right, yellow all day? All right, all right, revote,

1381
01:07:38,200 --> 01:07:40,400
Speaker 1: we'll see the Moor. Everybody else to people's choice mixes up. Next,

1382
01:07:40,440 --> 01:07:41,600
Speaker 1: it's the Breakfast Club co Morning