WEBVTT - Mini Crush #21

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<v Speaker 1>Hey, everybody, welcome to movie Crush, the short and stubby

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<v Speaker 1>edition that we like to call minnies. Excuse me? Are

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<v Speaker 1>you calling short and stubby? Well? No, neither one of

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<v Speaker 1>us are tall guys. That's that's fair check. We're average. Okay,

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<v Speaker 1>I'll take it. I always wanted to be six ft too.

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<v Speaker 1>What are you like five? No, I'm gonna go with

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<v Speaker 1>That's what I like to say. Oh, are you really?

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<v Speaker 1>I don't know, man, probably not. What kind of a

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<v Speaker 1>grown man doesn't know how tall he is? Just this

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<v Speaker 1>kind right here? My man, I think we're about the

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<v Speaker 1>same high, aren't we? Listen. No, it's not a contest. Hey,

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<v Speaker 1>I'm not treating it like a contest. I just genuinely

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<v Speaker 1>don't know. I used to be five tins solid, and

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<v Speaker 1>now I'm just under So I'm shrinking. Oh my goodness,

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<v Speaker 1>that happens. That does happen? Shrink it adult shrinkage? No comment?

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<v Speaker 1>All right, fair enough. I want to thank some people

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<v Speaker 1>right off the bat here, because, as I was explaining

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<v Speaker 1>to knowl here, as we're plowing through these many crushes

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<v Speaker 1>I have, I was a bad boy and did not

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<v Speaker 1>start keeping up with these um and what I'm covering

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<v Speaker 1>in them from the beginning, like what social studies questions

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<v Speaker 1>I've asked, what I've recommended and recommended viewing or stream this,

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<v Speaker 1>And you need to keep up, keep up with that

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<v Speaker 1>stuff where you start, you're in danger of repeating yourself.

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<v Speaker 1>And I am so busy right now. I didn't have

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<v Speaker 1>time to go through, scrub through all the shows and

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<v Speaker 1>make a big list. So I reached out to hurls

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<v Speaker 1>Jill Hurley, the wonderful Jill Hurley, who has been helping

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<v Speaker 1>us keep track with the stuff you should know episodes

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<v Speaker 1>over the years. We call her our Minister of Information.

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<v Speaker 1>What do we call her? That sounds good, That's like

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<v Speaker 1>something from I don't think that's a little dystopium. Might

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<v Speaker 1>have just made that up? Um? Is that what we

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<v Speaker 1>call you, Jill? She'll remind me. But anyway, I said, hey, Jill,

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<v Speaker 1>I know you're busy as well, and that you have

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<v Speaker 1>your own life to live, but if you could help

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<v Speaker 1>me out here, I would really appreciate it. Um shout

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<v Speaker 1>out to the Movie Crushers page on Facebook. She she

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<v Speaker 1>went to the Movie Crushers asked for volunteers to take

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<v Speaker 1>one episode each and scrub through and list out what

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<v Speaker 1>we've done, and Jill would compile that in a document

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<v Speaker 1>for me and send it and then I could keep

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<v Speaker 1>keep up with it moving forward. So big, big thanks

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<v Speaker 1>to Jill Minister of Statistics, no information anyway, Thanks Jill,

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<v Speaker 1>Thanks Julie Perez, Thanks Kelly Tally, Thanks to Share Oldenburg.

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<v Speaker 1>Thanks to Adrian Crane twice thanks to Bessie Hicks a

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<v Speaker 1>couple of times she took two thanks to Carrie Bota,

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<v Speaker 1>Great name, Thanks to Rachel Humphrey's. Thanks to Michelle Horowitz,

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<v Speaker 1>Amy Ball, Deborah Shaloman, great Name, Christopher Austin, and Rob Dickinson.

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<v Speaker 1>Everyone that I just named did me a real big solid.

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<v Speaker 1>They are the superist of super fans. So big thanks

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<v Speaker 1>to all you guys and ladies because it really helped

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<v Speaker 1>me out. So enough of that, Noel, let us reap

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<v Speaker 1>the fruits of their labors. That's right. We're gonna move

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<v Speaker 1>on with a social studies segment. Social studies and I

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<v Speaker 1>was inspired by a question from the last episode what

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<v Speaker 1>movie character would you most wish to be? And I

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<v Speaker 1>felt bad because I kind of forgot to put one up,

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<v Speaker 1>and so the West Coast. I'm very sorry because you

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<v Speaker 1>know eight thirty in the morning. We clearly only got

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<v Speaker 1>people either on Australia or the East coast of the

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<v Speaker 1>United States. And Rachel Jones says, West Coast of Australia

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<v Speaker 1>is very happy. And she said she wanted to be

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<v Speaker 1>Juliet Home in Heavenly Creatures, Kate Winslet's character and Rizzo

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<v Speaker 1>from Greece, and then she said as she got older,

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<v Speaker 1>Meg Ryan's character, and you've got mail good one, Rachel

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<v Speaker 1>or maybe Rochelle. Chris Rupp says Hans Solo fastest ship,

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<v Speaker 1>best Wookie friend, best pilot, scoundrel legend. I'm confused about

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<v Speaker 1>his relationship with Chewbacca though. I gotta say, did you

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<v Speaker 1>see the solo men? Yeah, I don't like it. I

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<v Speaker 1>haven't seen it yet. It kind of bored me. They

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<v Speaker 1>could they meet in this fighting pitky that's known in

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<v Speaker 1>the lore, but I don't understand how they hit it off.

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<v Speaker 1>They literally get in this huge fight and then it

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<v Speaker 1>instantly become friends. It's confusing to me. That's a bit

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<v Speaker 1>of a trope though, is Yeah, you guys who punch

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<v Speaker 1>each other and okay, we're bud here we are. Yeah,

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<v Speaker 1>I think I'm I don't want to be disappointed by it,

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<v Speaker 1>and I've heard it's disappointing. I just I just I

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<v Speaker 1>just guy just didn't care. Yeah, I'll see it at

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<v Speaker 1>some point, of course. Katherine Snow says, uh, is it

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<v Speaker 1>pronounced harmian Granger for Mary Potter Maiania. She says she

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<v Speaker 1>is a badass, which and Harry would be dead a

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<v Speaker 1>thousand times over without her. Nick Kelly says Malcolm Reynolds

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<v Speaker 1>from Serenity. I just want to cruise around in space

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<v Speaker 1>with a bunch of friends having misadventures. That's a good one.

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<v Speaker 1>Joe Brown says Jack Burton, Um, I would love to

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<v Speaker 1>go on an epic adventure in the magical San Francisco

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<v Speaker 1>Underground fighting the forces of evil with a six demon bag.

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<v Speaker 1>That's a good one. He's talking about, of course, big

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<v Speaker 1>trouble in Little China. Tyler Minkey says the dude from

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<v Speaker 1>The Big Lebowski cool, smart, funny, dresses like a million bugs. Uh,

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<v Speaker 1>being sarcastic that I don't know, well, I gets the Tyler.

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<v Speaker 1>The bathrobe is preferred preferred wardrobe. Brett Giles says Jason McCullough,

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<v Speaker 1>the character in support your local sheriff. I've never heard

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<v Speaker 1>of that I have not? All right, Well, that's who

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<v Speaker 1>Brett wants to be. Mike Pintola says, Charlie Sims from

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<v Speaker 1>Scent of a Woman. John B. McCarty says Willy Wonka,

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<v Speaker 1>the Gene Wilder version. Of course. Yeah, that's a good one.

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<v Speaker 1>He said. Why because he owns a freaking chocolate factory. Yeah.

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<v Speaker 1>Lilias Bonecchi, great name, says rwyn Is. Who comes to mind?

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<v Speaker 1>One badass elf elf with skills? What is that? Is that?

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<v Speaker 1>From Lord of the Ring? Yeah? Is that the one?

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<v Speaker 1>That is that? Um? What's her name? From Live Tyler?

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<v Speaker 1>Isn't the other one? Oh? I don't know Live Tyler

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<v Speaker 1>And I think I think, you know, I think it

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<v Speaker 1>is her. She's the character that was kind of invented

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<v Speaker 1>for the movie. Okay, I lived Thiland, the the Lost

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<v Speaker 1>Gal character, Yes, the Lost Gal. I forget her. Damn uh.

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<v Speaker 1>Ryan Lee says the eponymous Sanjuro from Kurasawa's Sanjuro. He

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<v Speaker 1>sleeps all the time but manages to be a strategic

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<v Speaker 1>genius and a masterful swordsman. Jimmy Caykendall says the dude

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<v Speaker 1>Another dude. Justin Sheckleton says Charlie Chaplin's Little Tramp. Ashley

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<v Speaker 1>Winker says Hiccup Haddock the Third from How to Train

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<v Speaker 1>Your Dragon? All right, good answer? Uh, Tim Melton says

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<v Speaker 1>cool hand Luke, Oh yeah, good answer. Rachel uh Mahaffee

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<v Speaker 1>says Amalie. I could live in that perfectly designed apartment.

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<v Speaker 1>She's just so delightful. Yeah, it sounds like Emily wanting

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<v Speaker 1>to live in just a different place other than her

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<v Speaker 1>own home. Rick Broyda's is Captain Kirk from Wrath of

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<v Speaker 1>con It's got a lot of swagger in that one.

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<v Speaker 1>Randy Rodriguez Neo from The Matrix. All right, fair enough.

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<v Speaker 1>Greta Koning says share and moonstruck with the character of Loretta.

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<v Speaker 1>Interesting family, and I like the way your character changes

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<v Speaker 1>the movie, changes in the movie. Kyle Wilson Emmett from

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<v Speaker 1>the Lego movie, Mayan Becker Indiana Jones, that's what I said.

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<v Speaker 1>It is what you said, Yeah, Aaron Alt says Snake Pliskin.

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<v Speaker 1>Oh yeah, good answer. Although, man, he he goes through it.

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<v Speaker 1>He does, he really does. He goes. They put him

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<v Speaker 1>through his paces. We're talking about him in the first

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<v Speaker 1>movie too, imagine because really universally hated the second one.

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<v Speaker 1>That movie managed to look like it was made thirty

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<v Speaker 1>years previous. The effects were like that surfing scene that

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<v Speaker 1>looks like, Lord, it looks like something you do at

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<v Speaker 1>an amusement of park where you're like, get a VHS

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<v Speaker 1>of you pretending to surf in front of the green screen,

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<v Speaker 1>you know exactly. Uh, Andrew Augustine says Gene Kelly. Alright,

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<v Speaker 1>Xavier Barton says Ferre Spueller. Sherry Oldenberg says Bridget Jones

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<v Speaker 1>because London and Mark Darcy, I'm with you there. Uh,

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<v Speaker 1>Katie Whelped and gross as wonder Woman, Strength, Smarts and

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<v Speaker 1>the Power bracelets. Yeah, so Katie likes to accessorize. What

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<v Speaker 1>about the Golden Lassue of Truth. Yeah, that's true. I've

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<v Speaker 1>been masters, says Nick Charles from the Thin Man movies.

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<v Speaker 1>Carrie Mason another wonder Woman. Uh, Desiree held Shrey from

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<v Speaker 1>The Black Panther. Oh yes, anything from Black Panther. I'm

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<v Speaker 1>way supportive of great movie, Laura Giles, says Sherry Darling

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<v Speaker 1>from Planet Terror. Oh my god, a gun leg? Jonathan,

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<v Speaker 1>Oh boy, how do I pronounce this? Jonathan Zapanski, I'm

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<v Speaker 1>gonna say, but Jonathan starts his name off with four consonants.

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<v Speaker 1>That's that takes a lot of guts, indeed, Jonathan says,

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<v Speaker 1>James Bond, shout out and look forward to a Bond

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<v Speaker 1>special coming up soon with a great Matt Gorley. That's right.

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<v Speaker 1>Bond is so tortured though. Man, he just never seems happy. Yeah,

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<v Speaker 1>he seems so bummed out and just beaten down by life,

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<v Speaker 1>and it's like, this is all I can do is

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<v Speaker 1>just kill killed. That's true, especially the new Bond um Boy.

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<v Speaker 1>You Bond fans are gonna love that episode. It was

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<v Speaker 1>so great. Gorl's knowledge is just ridiculous. Dylan Orris's Bruce Almighty.

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<v Speaker 1>Patrick McGrath says, Mongo because he's just pawn in Game

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<v Speaker 1>of life. That's great. From Blazing Saddles, Blake de Morgan says,

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<v Speaker 1>a tray you on never ending story. Who doesn't want

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<v Speaker 1>a giant flying dog? Good? Yeah, I named my car

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<v Speaker 1>after that giant flying dog. Are going to buzz through

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<v Speaker 1>these last ones because I want everyone to be heard.

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<v Speaker 1>Sally McKenzie and other Indiana Jones, Paul Stanfield, James Bond,

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<v Speaker 1>Annabelle Sutton, Violet incredible. Who wouldn't want to be invisible

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<v Speaker 1>and put up a force field. Robin uh Sumotal probably

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<v Speaker 1>not pronouncing that right. A customer, A customer and Hero

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<v Speaker 1>dreams of sushi. M I love that. Laura Limpkey, her

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<v Speaker 1>Ainy Hermione Granger. The Potter fans are gonna shred you online.

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<v Speaker 1>The Potterists. Stephen Phillips says Batman. Mike Dancy says Clark Kent.

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<v Speaker 1>Wesley Hall says Rosie or any of the other hobbits

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<v Speaker 1>that got to chill in the shire while everything else

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<v Speaker 1>went down. Janelle Thomas says, I would say Nora from

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<v Speaker 1>the Thin Man because she's so smart and tough and

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<v Speaker 1>keeps right up with Nick. Erica Winter says Susan and

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<v Speaker 1>desperately seeking Susan. All right, that's a good one. And finally,

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<v Speaker 1>Kyle Peterson says, no contest. Indiana Jones best job in

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<v Speaker 1>the world and the skills to back it up. All right,

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<v Speaker 1>Hey man, you just came up a couple of times.

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<v Speaker 1>Indiana Jones think you were right. Let's said they're right,

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<v Speaker 1>all right? Moving on another edition of Trope time coming

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<v Speaker 1>your way. Still buzzing through these tropes of a feeling

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<v Speaker 1>I've been off more than I could chew here. We're

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<v Speaker 1>gonna be doing this till I die. David Nugent, he

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<v Speaker 1>is bugged by the is the character dead or not? Thing?

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<v Speaker 1>But in that all you need to like, you don't

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<v Speaker 1>need to be a doctor, is what he's saying. To

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<v Speaker 1>tell that someone's dead, all you need to do is

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<v Speaker 1>feel for the carotid pulse for a few seconds. Sure

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<v Speaker 1>that's true, he's saying. There's confusion, Yeah, someone's dead. Sure, Like,

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<v Speaker 1>just check because you don't have to be a doctor.

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<v Speaker 1>Anyone can check to see if someone's dead. You know,

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<v Speaker 1>I got you. I kind of agree with you there,

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<v Speaker 1>uh Lee, last Lostapka when a couple gets into a

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<v Speaker 1>heated argument argument and then bam, instead of makeout love scene.

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<v Speaker 1>Oh here's the trope that I'm going to throw your way, Noll.

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<v Speaker 1>That really grosses me out is when the bloodied faces

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<v Speaker 1>are kissing at the end. Oh yeah, I hate that.

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<v Speaker 1>Every time I see that, I'm like, God, who would

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<v Speaker 1>do that? Well, they've just been through it together, Chuck,

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<v Speaker 1>and they just so how get out the kiss that

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<v Speaker 1>nasty bloody face. They really love each other and they

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<v Speaker 1>have to express it. That's always bug me with their mouths,

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<v Speaker 1>express their love with their mouths, Chuck. Dana Eliason says,

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<v Speaker 1>more of an O D D movie trope. What does

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<v Speaker 1>that even mean? Odd? Or is it an acronym that

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<v Speaker 1>we're unaware of. I think she means odd, but she

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<v Speaker 1>she capitalized it, so I thought it was some sort

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<v Speaker 1>of She's like, it's an odd movie trope. Oh boy,

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<v Speaker 1>that was funny. The common use of super crazy decorated

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<v Speaker 1>or souped up taxis and the eighties, Yeah, for sure.

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<v Speaker 1>Remember like every taxi in the eighties had like a

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<v Speaker 1>carpeted dashboard and like tassels hanging from the t But

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<v Speaker 1>that's also a little bit of a racist trope because

0:13:49.120 --> 0:13:51.040
<v Speaker 1>a lot of times it was really poking fun at

0:13:51.080 --> 0:13:53.480
<v Speaker 1>the fact that the driver was like Middle Eastern or something,

0:13:54.720 --> 0:13:57.839
<v Speaker 1>so he had to have crazy tassels and like, you know,

0:13:58.120 --> 0:14:01.280
<v Speaker 1>um Persian carpets everywhere. I think it's almost a little

0:14:01.280 --> 0:14:02.920
<v Speaker 1>over the top kind of in that way. And then

0:14:02.920 --> 0:14:05.000
<v Speaker 1>all and then usually the character would be a little

0:14:05.040 --> 0:14:08.120
<v Speaker 1>over the top caricature of that. So I don't know,

0:14:08.160 --> 0:14:09.520
<v Speaker 1>I'm just throwing that out now. I'm with you, man,

0:14:09.600 --> 0:14:14.440
<v Speaker 1>I think you're totally right. Edmund to Alba says, one trope,

0:14:14.480 --> 0:14:18.760
<v Speaker 1>I dread is a supernatural threat and you have the

0:14:18.800 --> 0:14:23.800
<v Speaker 1>control room, you know, the military guy advocating to Newcomb. Sure,

0:14:24.640 --> 0:14:27.440
<v Speaker 1>the scientist knows how to defeat the threat, but the

0:14:27.480 --> 0:14:31.120
<v Speaker 1>military guy just wants to bomb them. Yeah. I guess

0:14:31.120 --> 0:14:34.040
<v Speaker 1>that's a trope. Chris Rupp says in sci fi movies,

0:14:34.400 --> 0:14:37.800
<v Speaker 1>when the older character meets their younger self. Looper is

0:14:37.840 --> 0:14:41.080
<v Speaker 1>the most obvious recent example, but frequency with Dennis Quaid,

0:14:42.240 --> 0:14:46.920
<v Speaker 1>Uh sure, Twelve Monkeys. Yeah, I don't know if that's

0:14:46.960 --> 0:14:49.600
<v Speaker 1>a trope. Is it a trope? Say it again, when

0:14:49.600 --> 0:14:51.520
<v Speaker 1>the older version of a character in a sci fi

0:14:51.560 --> 0:14:55.320
<v Speaker 1>movie meets the younger version of themselves. Yeah, that's that's happened.

0:14:55.840 --> 0:15:00.240
<v Speaker 1>That was in Looper. Um, Yeah, that's certainly in Back

0:15:00.280 --> 0:15:03.000
<v Speaker 1>to the Future. That's more of a it's a time

0:15:03.000 --> 0:15:05.880
<v Speaker 1>travel trope more than anything. I don't know, And it's

0:15:05.880 --> 0:15:07.600
<v Speaker 1>one of the things that you're supposed to avoid that

0:15:08.040 --> 0:15:10.520
<v Speaker 1>because if you meet your older self from your younger self,

0:15:10.560 --> 0:15:12.720
<v Speaker 1>it could could it could I'll go bad brain and

0:15:12.760 --> 0:15:15.520
<v Speaker 1>blow you up in your brain. Yeah, alright, that clock.

0:15:15.560 --> 0:15:17.680
<v Speaker 1>We're not here to poop on your tropes people. Yeah, man,

0:15:17.680 --> 0:15:22.280
<v Speaker 1>it's called trope time, not poop on troop. Uh. This

0:15:22.400 --> 0:15:28.080
<v Speaker 1>is Ktriona Pagny, beautiful name the character that appears to

0:15:28.120 --> 0:15:33.920
<v Speaker 1>be a benevolent father figure actually being evil like David

0:15:33.920 --> 0:15:37.000
<v Speaker 1>in the most recent alien movie or Dad and Guardians

0:15:37.040 --> 0:15:39.880
<v Speaker 1>of the Galaxy too. Yeah, that's a that's a trope. Yeah,

0:15:40.000 --> 0:15:43.520
<v Speaker 1>how in two thousand one of Space Side that's true.

0:15:43.560 --> 0:15:47.520
<v Speaker 1>I'm just saying, Yeah, these nurturing, kind of helpful figures,

0:15:47.880 --> 0:15:51.840
<v Speaker 1>helpful eyes, yeah or whatever that end up just manipulating

0:15:51.840 --> 0:15:54.680
<v Speaker 1>you for their own evil ends. Yeah, I'm with you.

0:15:55.000 --> 0:15:58.200
<v Speaker 1>Aaron Carperman throwing a rock at your pet or animal

0:15:58.280 --> 0:16:02.200
<v Speaker 1>or alien friend to protect him, yelling get out of here.

0:16:02.680 --> 0:16:09.600
<v Speaker 1>We don't watch you anymore. Go oh you gotta dude.

0:16:10.560 --> 0:16:12.280
<v Speaker 1>Literally the next thing he typed us go on, get

0:16:12.280 --> 0:16:15.680
<v Speaker 1>out of here. I hate you. Yeah, that's a good one.

0:16:15.960 --> 0:16:19.440
<v Speaker 1>That's really totally a trope, because that's the only way

0:16:19.480 --> 0:16:21.440
<v Speaker 1>to do it, you know. Yeah, if you love something,

0:16:21.920 --> 0:16:26.280
<v Speaker 1>yell at it and make it go away. David Priest,

0:16:26.720 --> 0:16:28.840
<v Speaker 1>that was a great bit of acting the whole by

0:16:28.880 --> 0:16:33.120
<v Speaker 1>the way, it's good stuff, David. Dave Priest says when

0:16:33.200 --> 0:16:35.520
<v Speaker 1>someone hangs up on the other end of the phone

0:16:35.520 --> 0:16:40.880
<v Speaker 1>and the person continuously clicks the button. Yeah, like that

0:16:41.240 --> 0:16:43.120
<v Speaker 1>never works. Also, we've we've talked about this before, but

0:16:43.120 --> 0:16:44.840
<v Speaker 1>when someone hangs up on you and immediately goes to

0:16:44.960 --> 0:16:48.120
<v Speaker 1>the dude, that does not happen. And that's not what happened. Yeah,

0:16:48.120 --> 0:16:50.840
<v Speaker 1>it's like screenwriters don't know how phones work, period basically,

0:16:50.880 --> 0:16:53.320
<v Speaker 1>and they only recently figured out how computers work. Because

0:16:53.360 --> 0:16:56.360
<v Speaker 1>for a long time, any depiction of computers or the

0:16:56.400 --> 0:17:00.600
<v Speaker 1>Internet movies was just like what is this? So maybe

0:17:00.600 --> 0:17:03.600
<v Speaker 1>they'll catch up to this this technology one day, Jean

0:17:03.680 --> 0:17:08.359
<v Speaker 1>Sharpe says. The montage, Uh, sure, you gotta have a montage. Yeah,

0:17:08.600 --> 0:17:13.600
<v Speaker 1>I love a good montage. Montage footloose, great one you

0:17:13.720 --> 0:17:15.920
<v Speaker 1>learned to do something in a short period of time,

0:17:16.400 --> 0:17:22.600
<v Speaker 1>like karate, dancing, you know, skiing, whatever. All right, that's

0:17:22.640 --> 0:17:25.400
<v Speaker 1>it for troupe time. We're gonna keep going through these

0:17:25.480 --> 0:17:36.000
<v Speaker 1>until Nolan and I are dead and gone. We're gonna

0:17:36.040 --> 0:17:41.360
<v Speaker 1>move on now. Finally, Noel, it's a comment card, your

0:17:41.440 --> 0:17:48.640
<v Speaker 1>questions to us about movies. All right, here comes five

0:17:48.720 --> 0:17:52.960
<v Speaker 1>of them. Rebecca Rube. Rebecca's all over this page. I

0:17:52.960 --> 0:17:57.000
<v Speaker 1>appreciate the sport, Rebecca. She says, favorite drinks to have

0:17:57.200 --> 0:18:00.760
<v Speaker 1>per genre. In other words, like a beer comedy whiskey

0:18:00.800 --> 0:18:06.080
<v Speaker 1>for drama. Well, I don't. I don't do that. I

0:18:06.160 --> 0:18:08.560
<v Speaker 1>just drink whiskey all the time. Do you really? Yeah?

0:18:08.640 --> 0:18:10.600
<v Speaker 1>Is that your gym? That's my drink? Yeah? What's your

0:18:10.640 --> 0:18:14.320
<v Speaker 1>what's your faith? Lately? I just do jamison, oh irish. Yeah,

0:18:14.600 --> 0:18:15.879
<v Speaker 1>I don't know, It's just what I do. I like.

0:18:15.960 --> 0:18:17.760
<v Speaker 1>I like a fancy. I had a really good Japanese

0:18:17.800 --> 0:18:19.960
<v Speaker 1>one a couple of weeks ago as the sun Tori.

0:18:20.160 --> 0:18:23.720
<v Speaker 1>It was son Tori time Japanese whiskey stone. It's kind

0:18:23.720 --> 0:18:26.679
<v Speaker 1>of clear. I had a good flavor, good finish. So

0:18:26.720 --> 0:18:30.359
<v Speaker 1>what do you uh over? Ice? Over ice? A couple

0:18:30.400 --> 0:18:34.080
<v Speaker 1>of fingers worth? However many fingers the bartender gives me.

0:18:35.080 --> 0:18:37.480
<v Speaker 1>But do you have that at home too? I usually

0:18:37.520 --> 0:18:39.680
<v Speaker 1>drink out, okay, so you don't drink at home? I

0:18:39.720 --> 0:18:41.920
<v Speaker 1>do sometimes, But I like to go out with friends

0:18:41.920 --> 0:18:44.840
<v Speaker 1>and do karaoke, and you know, have drinks you're going

0:18:44.840 --> 0:18:47.200
<v Speaker 1>to karaoke. I always do karaoke. Have you ever been

0:18:47.240 --> 0:18:50.040
<v Speaker 1>to uh live karaoke here in Atlanta with the band?

0:18:50.080 --> 0:18:52.159
<v Speaker 1>I mean, like the metal some karaoke? Yeah? Yeah, I

0:18:52.400 --> 0:18:54.400
<v Speaker 1>have been it was too much of a ship show.

0:18:54.400 --> 0:18:56.720
<v Speaker 1>We couldn't get on the stage. But yeah, you gotta

0:18:56.760 --> 0:18:59.240
<v Speaker 1>go early and get your name in there. But I

0:18:59.320 --> 0:19:01.240
<v Speaker 1>went for my birthday a couple of years ago and

0:19:01.280 --> 0:19:03.879
<v Speaker 1>we had a blast. It looked like a good time.

0:19:03.920 --> 0:19:05.600
<v Speaker 1>For people that don't know we're talking about. There's a

0:19:05.640 --> 0:19:09.040
<v Speaker 1>place where they have a live band that plays the

0:19:09.040 --> 0:19:11.359
<v Speaker 1>backup of music of whatever karaoke's on you want to

0:19:11.359 --> 0:19:12.880
<v Speaker 1>do and you get to, you know, be a rock

0:19:12.920 --> 0:19:15.440
<v Speaker 1>star kind of yeah, And it's kind of great because

0:19:15.480 --> 0:19:18.480
<v Speaker 1>I think the quality of singer is usually a bit

0:19:18.560 --> 0:19:22.439
<v Speaker 1>higher because you're more reluctant to go up there unless

0:19:22.480 --> 0:19:25.480
<v Speaker 1>you probably think you can pull it off. And for

0:19:25.920 --> 0:19:27.800
<v Speaker 1>people that are like you can see it on the

0:19:27.800 --> 0:19:29.679
<v Speaker 1>faces of a lot of these people that are like,

0:19:29.800 --> 0:19:31.800
<v Speaker 1>I've never been in a band, and this is how

0:19:31.800 --> 0:19:33.800
<v Speaker 1>we get to live it out exactly. It's pretty fun.

0:19:34.440 --> 0:19:38.040
<v Speaker 1>And in Atlanta, one of the local DJs, English Nick,

0:19:38.680 --> 0:19:42.840
<v Speaker 1>he serves as the emergency sort of backup guy. Did

0:19:42.840 --> 0:19:46.280
<v Speaker 1>you know that? No? Yeah? English Nick hosted. He stands

0:19:46.480 --> 0:19:48.639
<v Speaker 1>kind of off to the side with a mike and

0:19:48.680 --> 0:19:51.280
<v Speaker 1>we'll sing back up and then if it turns out

0:19:51.320 --> 0:19:54.800
<v Speaker 1>that you suck, they will kind of turn you down

0:19:54.840 --> 0:19:57.280
<v Speaker 1>a bit and turn him up a bit, because just

0:19:57.320 --> 0:19:59.960
<v Speaker 1>to keep it moving. Yeah, because with a live band,

0:20:00.040 --> 0:20:03.040
<v Speaker 1>if you're like a really shitty singer, I mean bad karaoke,

0:20:03.040 --> 0:20:05.359
<v Speaker 1>he's hard to sit to anyway, but with a live band,

0:20:05.359 --> 0:20:07.640
<v Speaker 1>it really kind of ruins the whole experience. Yeah, yeah,

0:20:08.440 --> 0:20:10.920
<v Speaker 1>it's it's it's it's very cool. Yeah. When I waddled

0:20:11.000 --> 0:20:13.199
<v Speaker 1>up there to do a surrender by cheap Trick, I

0:20:13.240 --> 0:20:15.600
<v Speaker 1>think I remember him looking at me like here I go,

0:20:16.440 --> 0:20:19.480
<v Speaker 1>and he got ready and I've of course killed it

0:20:20.119 --> 0:20:23.640
<v Speaker 1>and uh and he was afterwards like, hey, a great job, man,

0:20:23.680 --> 0:20:26.520
<v Speaker 1>that was really great. He's English, he's English. Nick. It

0:20:26.560 --> 0:20:28.840
<v Speaker 1>was good stuff. And there was this country boy who

0:20:28.920 --> 0:20:32.040
<v Speaker 1>clearly drives in every week from the Boonies and Georgia,

0:20:32.600 --> 0:20:35.880
<v Speaker 1>who got up there with his cowboy hat and destroyed

0:20:36.080 --> 0:20:39.000
<v Speaker 1>wanted dead or alive. Yeah, that's what I'm to go

0:20:39.040 --> 0:20:41.359
<v Speaker 1>to for me actually, yeah. And he was just he

0:20:41.400 --> 0:20:43.040
<v Speaker 1>had an amazing voice. He's one of these guys that

0:20:43.160 --> 0:20:45.920
<v Speaker 1>like he was just cowboy sings on his tractor. He

0:20:46.080 --> 0:20:51.560
<v Speaker 1>right on his steel horse, but he rides on all right.

0:20:51.760 --> 0:20:54.800
<v Speaker 1>Sorry for that side track, Mike, Sam's what movie do

0:20:54.840 --> 0:20:58.000
<v Speaker 1>you consider bad or mediocre? But if you recast the

0:20:58.080 --> 0:21:02.119
<v Speaker 1>leads it would actually be good. It's just specific question.

0:21:02.160 --> 0:21:04.720
<v Speaker 1>I know. I can't think of a lot of movies

0:21:04.800 --> 0:21:11.280
<v Speaker 1>that we're only bad because of the actor that they cast. Usually,

0:21:11.400 --> 0:21:13.840
<v Speaker 1>if if it's a bad actor, it's a bad movie

0:21:13.880 --> 0:21:16.719
<v Speaker 1>to begin with for me, you know, can you think

0:21:16.760 --> 0:21:23.119
<v Speaker 1>of one? Sorry, Mike, it's a disappointing answer, but I

0:21:23.160 --> 0:21:26.760
<v Speaker 1>stand by it, as do I stand by you. Chuck.

0:21:27.840 --> 0:21:32.040
<v Speaker 1>Jane Savage says, is there a movie out there which

0:21:32.160 --> 0:21:36.560
<v Speaker 1>you thought had a great premise but was poorly executed? Yeah?

0:21:36.600 --> 0:21:38.680
<v Speaker 1>You know what, the first one that comes to mind

0:21:38.800 --> 0:21:44.439
<v Speaker 1>is um Castaway with Tom Hanks. I'm not a fan.

0:21:44.600 --> 0:21:48.240
<v Speaker 1>I'm not a fan of the beach Ball, well, volleyball.

0:21:48.280 --> 0:21:51.080
<v Speaker 1>I think that that movie, if it could have been

0:21:51.080 --> 0:21:55.080
<v Speaker 1>a very intense piece of art. If you had cut

0:21:55.080 --> 0:21:59.480
<v Speaker 1>out all of the beginning and the ending stuff and

0:21:59.680 --> 0:22:02.960
<v Speaker 1>literally least started that movie on the plane when it

0:22:03.000 --> 0:22:06.960
<v Speaker 1>goes down, and spent an hour and a half with

0:22:07.000 --> 0:22:10.800
<v Speaker 1>this guy on an island. Maybe take out the volleyball stuff.

0:22:11.240 --> 0:22:13.280
<v Speaker 1>I'm almost picturing to the beginning part. Is it sort

0:22:13.320 --> 0:22:16.199
<v Speaker 1>of like his family life and stuff? It's almost up

0:22:16.240 --> 0:22:19.720
<v Speaker 1>Steve as a mild manner in American Man, and then

0:22:19.760 --> 0:22:23.919
<v Speaker 1>one day pretty much has just this big, over the

0:22:23.920 --> 0:22:26.159
<v Speaker 1>top sort of set up. Uh. And then when he

0:22:26.200 --> 0:22:28.679
<v Speaker 1>goes back home at the end, like get rid of

0:22:28.680 --> 0:22:30.200
<v Speaker 1>all that stuff and just make it about a guy

0:22:30.200 --> 0:22:32.480
<v Speaker 1>on an island and maybe you can flash back to

0:22:32.520 --> 0:22:34.439
<v Speaker 1>some of the home life, which I think they did

0:22:34.480 --> 0:22:36.879
<v Speaker 1>in the movie. That's okay. I'm a big fan of

0:22:36.960 --> 0:22:39.439
<v Speaker 1>not beating people over the head with exposition. Like, just

0:22:39.560 --> 0:22:41.840
<v Speaker 1>dropped me into the situation and then let's see where

0:22:41.880 --> 0:22:44.720
<v Speaker 1>it goes. I don't know, yeah, because you know what,

0:22:44.800 --> 0:22:47.679
<v Speaker 1>Check actually never seen Castaway, So this is all speculation

0:22:47.720 --> 0:22:50.679
<v Speaker 1>on my part. It just it was a movie I

0:22:50.720 --> 0:22:53.119
<v Speaker 1>wanted to be so much better because it had the

0:22:53.160 --> 0:22:55.320
<v Speaker 1>bones of like what could have been a really cool

0:22:55.359 --> 0:22:58.800
<v Speaker 1>piece of art and ended up being kind of hollywoody.

0:22:59.400 --> 0:23:02.080
<v Speaker 1>How many is that? Three? Couple more here, Jessica Parsons.

0:23:03.000 --> 0:23:08.000
<v Speaker 1>Do you ever watch the directors or actor's commentary? Uh? Yeah,

0:23:08.000 --> 0:23:10.520
<v Speaker 1>you know what, Jessica, I used to in the old

0:23:10.600 --> 0:23:13.760
<v Speaker 1>DVD days. Um, but I have noticed I think, like

0:23:15.200 --> 0:23:17.720
<v Speaker 1>I think on some of these movies on Apple when

0:23:17.720 --> 0:23:20.879
<v Speaker 1>you when you rent them through Apple Now some of

0:23:20.920 --> 0:23:23.159
<v Speaker 1>them I have noticed have a little tag for like

0:23:23.240 --> 0:23:27.440
<v Speaker 1>extra content. I haven't clicked on that yet because, honestly, Jessica,

0:23:27.480 --> 0:23:28.879
<v Speaker 1>I don't have a lot of time anymore to to

0:23:29.119 --> 0:23:31.760
<v Speaker 1>do that, because that means essentially watching the movie more

0:23:31.800 --> 0:23:35.359
<v Speaker 1>than once. Um. But man, in my younger days, I

0:23:35.480 --> 0:23:37.320
<v Speaker 1>used to I used to do that. I used to

0:23:37.359 --> 0:23:40.800
<v Speaker 1>love the director's commentary a lot of insight. Yeah, it's true,

0:23:40.840 --> 0:23:43.080
<v Speaker 1>and it's weird because I think we're talking earlier or

0:23:43.240 --> 0:23:47.520
<v Speaker 1>another episode about moving away from owning DVDs, and it's like, yeah,

0:23:47.560 --> 0:23:50.399
<v Speaker 1>you can get that stuff packaged digitally, but it doesn't

0:23:50.440 --> 0:23:54.679
<v Speaker 1>feel the same. I don't know why. I rented Hunger

0:23:54.720 --> 0:23:57.199
<v Speaker 1>Games with my kid the other day and there was

0:23:57.280 --> 0:24:00.959
<v Speaker 1>like a version of it with bonus material, but it's

0:24:01.000 --> 0:24:04.199
<v Speaker 1>obviously just lobbed onto the end of the file. That

0:24:04.240 --> 0:24:06.440
<v Speaker 1>interactive menu on the DVD is kind of what made

0:24:06.440 --> 0:24:09.040
<v Speaker 1>it feel cool because you can like, watch it, you're

0:24:09.080 --> 0:24:13.040
<v Speaker 1>sitting that button and you want to hit that button. Chuck. Yeah, Jessica,

0:24:14.119 --> 0:24:17.359
<v Speaker 1>I wish I could. I could indulge that still because

0:24:17.359 --> 0:24:18.760
<v Speaker 1>he still love it. It was a lot of times

0:24:18.760 --> 0:24:20.960
<v Speaker 1>it was like a little little bits of a film

0:24:21.000 --> 0:24:24.520
<v Speaker 1>class which is kind of nice. Then finally, Brenda all

0:24:24.560 --> 0:24:30.720
<v Speaker 1>Good says, what is the oldest movie, oldest maide movie

0:24:30.720 --> 0:24:35.800
<v Speaker 1>that you haven't seen but would like to? Mm hmm, Well,

0:24:35.840 --> 0:24:38.480
<v Speaker 1>I mean I've I've talked before about not having seen Casablanca.

0:24:39.920 --> 0:24:42.879
<v Speaker 1>That certainly is is one of the big older movies

0:24:42.920 --> 0:24:46.000
<v Speaker 1>on my list. Um, and we talked in a couple

0:24:46.000 --> 0:24:47.919
<v Speaker 1>of episodes ago, I think the one that was just

0:24:47.920 --> 0:24:50.800
<v Speaker 1>released this week, how you and I have large gaps

0:24:50.800 --> 0:24:53.960
<v Speaker 1>in our older movie viewing experience. Did you see that

0:24:54.040 --> 0:24:56.320
<v Speaker 1>crazy thread that someone starts. Are you talking about on

0:24:56.359 --> 0:25:00.880
<v Speaker 1>the Facebook page classic movies that we should see? Oh? No, Yeah,

0:25:01.000 --> 0:25:02.840
<v Speaker 1>there's a whole threat on the movie crushers where people

0:25:02.840 --> 0:25:05.879
<v Speaker 1>are just listing movies that we should see. Oh cool? Yeah,

0:25:05.920 --> 0:25:08.760
<v Speaker 1>well and uh not the little known movie one? Is it? No?

0:25:08.920 --> 0:25:11.920
<v Speaker 1>This is literally classic movie. Okay. Oh that's great. Um.

0:25:12.000 --> 0:25:14.640
<v Speaker 1>And also, just as a reminder everyone, I put out

0:25:14.640 --> 0:25:17.399
<v Speaker 1>the call for little Known Movies, which is essentially just

0:25:17.440 --> 0:25:20.119
<v Speaker 1>a great recommendation thread now and they're like close to

0:25:20.160 --> 0:25:22.960
<v Speaker 1>five recommendations going on. That's so cool that the group

0:25:22.960 --> 0:25:26.359
<v Speaker 1>is so so active. It's yeah, it's awesome. So shout

0:25:26.400 --> 0:25:28.199
<v Speaker 1>out to not only the movie crush page, but the

0:25:28.200 --> 0:25:32.200
<v Speaker 1>movie crushers the sub page of big time movie nerds.

0:25:32.520 --> 0:25:34.679
<v Speaker 1>And I say that with love. All Right, that's it

0:25:34.760 --> 0:25:38.000
<v Speaker 1>for this week. Everyone, Thank you for your support on

0:25:38.080 --> 0:25:41.000
<v Speaker 1>the social meds. You can find us at movie Crush

0:25:41.080 --> 0:25:46.000
<v Speaker 1>pod for Twitter, Instagram, and Facebook. And so your homework

0:25:46.080 --> 0:25:50.160
<v Speaker 1>this week is Mishima Colin A Life in four Chapters.

0:25:50.920 --> 0:25:54.359
<v Speaker 1>I had Boots Riley in here, the great Boots Riley,

0:25:54.840 --> 0:25:57.720
<v Speaker 1>who is probably best known as the as the leader

0:25:57.800 --> 0:26:00.960
<v Speaker 1>of the hip hop group The Coup for many years.

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<v Speaker 1>Such a cool group. Yeah, I mean it should I

0:26:03.400 --> 0:26:05.880
<v Speaker 1>call them the underground hip hop group. They kind of were.

0:26:05.880 --> 0:26:08.200
<v Speaker 1>I don't think they ever quite were like MTV famous,

0:26:08.240 --> 0:26:10.480
<v Speaker 1>but I I heard about them through friends, like word

0:26:10.520 --> 0:26:13.040
<v Speaker 1>of mouth, like back in the late nineties, early odds

0:26:13.119 --> 0:26:17.440
<v Speaker 1>kind of. And they're super political, really really crafty lyrics

0:26:17.520 --> 0:26:20.280
<v Speaker 1>and very very clever stuff. Yeah. Well, Boots has a

0:26:20.280 --> 0:26:22.840
<v Speaker 1>long history of activism in his life. I grew up

0:26:22.840 --> 0:26:26.719
<v Speaker 1>in Oakland, and he has a he has written and

0:26:26.720 --> 0:26:29.760
<v Speaker 1>directed a movie and he's he's my age in his

0:26:29.920 --> 0:26:33.159
<v Speaker 1>middle to late forties. His very first film, which is

0:26:33.680 --> 0:26:35.439
<v Speaker 1>just Blew Me Away. That at this stage in his

0:26:35.520 --> 0:26:37.280
<v Speaker 1>life he was like, you know, I think I want

0:26:37.280 --> 0:26:38.840
<v Speaker 1>to write and direct a movie, and he did so.

0:26:39.480 --> 0:26:42.120
<v Speaker 1>Uh and it's called Sorry to Bother You. And it's

0:26:42.160 --> 0:26:46.040
<v Speaker 1>called Sorry to Bother You, coming very soon to theaters,

0:26:46.400 --> 0:26:51.240
<v Speaker 1>starring a bunch of great people, including the wonderful Lakeith

0:26:51.359 --> 0:26:55.600
<v Speaker 1>Stanfield and Army Hammer and Tessa Thompson, Stephen You and

0:26:55.800 --> 0:26:58.760
<v Speaker 1>Terry Crews. Really great movie. I went to a sneak

0:26:58.800 --> 0:27:01.920
<v Speaker 1>preview of it. Oh nice, jealously rich up my alley.

0:27:01.960 --> 0:27:05.000
<v Speaker 1>It looks a lot like it's it's it's got that

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<v Speaker 1>kind of surreal, kind of like psychedelic vibe to it,

0:27:08.320 --> 0:27:14.679
<v Speaker 1>and the trailers almost it reminds me of um exactly, yes, exactly, No, totally.

0:27:15.000 --> 0:27:18.000
<v Speaker 1>It absolutely has a Michelle Gandre vibe. But Boots is

0:27:18.200 --> 0:27:20.080
<v Speaker 1>just a cool guy and it was set up through

0:27:20.119 --> 0:27:22.600
<v Speaker 1>a PR firm, but he came in here and um,

0:27:22.640 --> 0:27:24.560
<v Speaker 1>I feel like we bonded a bit and we talked

0:27:24.560 --> 0:27:26.840
<v Speaker 1>about a very interesting film, like I said, Mishima of

0:27:26.880 --> 0:27:30.399
<v Speaker 1>Life and four Chapters. Just check that movie out. It

0:27:30.480 --> 0:27:33.440
<v Speaker 1>is one of the most interesting films I've ever seen.

0:27:33.760 --> 0:27:36.280
<v Speaker 1>And how it was executed. It's hard to describe, but

0:27:37.040 --> 0:27:40.000
<v Speaker 1>really really cool, cool movie. Do you have anything else.

0:27:40.240 --> 0:27:42.000
<v Speaker 1>I got nothing else except that I'm excited about the

0:27:42.000 --> 0:27:44.920
<v Speaker 1>movie you're talking about the sorry, sorry about the Also,

0:27:45.280 --> 0:27:48.280
<v Speaker 1>Meryl Garbage from Tuniards does a lot of the music

0:27:48.320 --> 0:27:50.440
<v Speaker 1>and she's one of my favorites, along with the Coup.

0:27:50.680 --> 0:27:53.439
<v Speaker 1>Do you like Tuniards? I do like two yards awesome. Alright,

0:27:53.440 --> 0:27:55.560
<v Speaker 1>So thanks for tuning in everyone, and we'll see you

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<v Speaker 1>next week for another mini Crush.