1 00:00:00,680 --> 00:00:13,120 Speaker 1: We are Morning Studio Morning. 2 00:00:13,480 --> 00:00:16,000 Speaker 2: Okay, We're going to start with this next person who 3 00:00:16,000 --> 00:00:18,120 Speaker 2: wishes he did better in high school, but it seemed 4 00:00:18,120 --> 00:00:19,720 Speaker 2: to work out pretty well for him because his life 5 00:00:19,760 --> 00:00:22,440 Speaker 2: right now is pretty cool. Here is our video producer producer. 6 00:00:22,480 --> 00:00:26,000 Speaker 3: Ready, Guys, I found a discipline that I do with 7 00:00:26,040 --> 00:00:29,440 Speaker 3: my kids and it's amazing. So whenever they act up, 8 00:00:29,560 --> 00:00:31,400 Speaker 3: I say, keep it up, I'll talk about it on 9 00:00:31,400 --> 00:00:31,840 Speaker 3: the radio. 10 00:00:32,479 --> 00:00:35,520 Speaker 2: And they immediate, do you mean I don't think that's healthy? 11 00:00:35,600 --> 00:00:38,640 Speaker 2: What do you mean? You're making them see your job 12 00:00:38,680 --> 00:00:41,120 Speaker 2: as possibly a punishment for them. 13 00:00:41,159 --> 00:00:43,200 Speaker 3: Here's what happens. Sometimes I talk about on the radio 14 00:00:43,240 --> 00:00:45,120 Speaker 3: and they're like, why did you talk about that on 15 00:00:45,159 --> 00:00:47,159 Speaker 3: the radio? Now all my friends hear about it. So 16 00:00:47,320 --> 00:00:48,760 Speaker 3: I said, oh, you know what, I want your right, 17 00:00:48,840 --> 00:00:51,000 Speaker 3: I won't do that, And then when they act up, 18 00:00:51,040 --> 00:00:52,320 Speaker 3: I'm like, you want me to talk about it on 19 00:00:52,360 --> 00:00:52,800 Speaker 3: the right here? 20 00:00:52,840 --> 00:00:54,560 Speaker 2: You I just don't think that's a healthy relationship with 21 00:00:54,600 --> 00:00:56,480 Speaker 2: your job. Bones You should do that with your wife, Amy, 22 00:00:56,520 --> 00:00:58,960 Speaker 2: you should do that with your kids. 23 00:01:00,080 --> 00:01:00,760 Speaker 4: It's like a threat. 24 00:01:01,480 --> 00:01:02,680 Speaker 2: It's a threat. It's not healthy. 25 00:01:02,800 --> 00:01:06,000 Speaker 5: It's like fear. Parenting out of fear, creating. 26 00:01:05,640 --> 00:01:08,360 Speaker 2: Fear and with something that you do every single day, 27 00:01:08,400 --> 00:01:11,319 Speaker 2: which they're going to associate that fear with which they're 28 00:01:11,360 --> 00:01:14,080 Speaker 2: gonna hate that you check it out. 29 00:01:14,080 --> 00:01:16,400 Speaker 3: Look, you got an f What I'm like, if you 30 00:01:16,440 --> 00:01:18,440 Speaker 3: don't pick up these grades and make the I want 31 00:01:18,440 --> 00:01:20,560 Speaker 3: this into a beat by next week or I'm gonna 32 00:01:20,560 --> 00:01:21,319 Speaker 3: talk about on the radio. 33 00:01:21,840 --> 00:01:25,600 Speaker 2: They're pretty good. It's so serious, it's awesome. I don't 34 00:01:25,640 --> 00:01:27,360 Speaker 2: like it, but you do what you gotta do. Everybody, 35 00:01:27,880 --> 00:01:30,640 Speaker 2: next up. We rejected his bit called win a date 36 00:01:30,640 --> 00:01:33,440 Speaker 2: with Amy recently, and some would question his moral decency. 37 00:01:33,440 --> 00:01:34,520 Speaker 2: Here's lunchbox, everybody. 38 00:01:34,560 --> 00:01:38,080 Speaker 6: Yeah, I just appreciate how much our listeners have our backs, 39 00:01:38,520 --> 00:01:41,559 Speaker 6: Like I mean to the rescue. This girl, Heather Gun 40 00:01:41,600 --> 00:01:44,360 Speaker 6: on Instagram hits me up. She goes, just a reminder, 41 00:01:44,400 --> 00:01:47,640 Speaker 6: today is your anniversary. It's the same as mine. And 42 00:01:47,720 --> 00:01:50,760 Speaker 6: I'm like, oh crap, it is my anniversary. Because let 43 00:01:50,800 --> 00:01:52,680 Speaker 6: me tell you, I don't look at a calendar. I 44 00:01:52,720 --> 00:01:55,080 Speaker 6: don't know dates. And I was like, well, better do 45 00:01:55,160 --> 00:01:57,760 Speaker 6: something for my wife. And so I had already ordered 46 00:01:57,760 --> 00:01:59,920 Speaker 6: myself at lunch, and so when I was at the 47 00:02:00,240 --> 00:02:03,320 Speaker 6: sandwich shop, I picked up her favorite sub. Also, you 48 00:02:03,320 --> 00:02:06,400 Speaker 6: don't know dates. Who lives in the calendar. What's says date. 49 00:02:07,280 --> 00:02:09,160 Speaker 6: I don't know exactly. 50 00:02:09,880 --> 00:02:12,320 Speaker 2: It's the eighteenth, but I look at the cant I 51 00:02:12,320 --> 00:02:14,480 Speaker 2: mean I have to live by my calendar. Yeah I don't, 52 00:02:14,919 --> 00:02:17,480 Speaker 2: I know, but you said who That's what I'm telling you. 53 00:02:16,840 --> 00:02:20,040 Speaker 2: I have all my out I mean most my hours 54 00:02:20,040 --> 00:02:24,200 Speaker 2: are it's purple, so I'm covered. But yeah, I use 55 00:02:24,240 --> 00:02:26,440 Speaker 2: a calendar. See, I don't use a calendar. I don't 56 00:02:26,440 --> 00:02:28,160 Speaker 2: look at dates. Nothing. You don't have anything to keep 57 00:02:28,200 --> 00:02:31,880 Speaker 2: anything reminder and no, nothing I have. There's a beauty 58 00:02:31,880 --> 00:02:32,040 Speaker 2: to that. 59 00:02:32,320 --> 00:02:34,320 Speaker 6: Oh yeah, I keep it in my head, man, like 60 00:02:34,360 --> 00:02:35,720 Speaker 6: I know I got to be somewhere on this day. 61 00:02:35,760 --> 00:02:39,160 Speaker 2: Okay, it's in my head. That's it. You just must 62 00:02:39,240 --> 00:02:42,000 Speaker 2: not have that many things. Then you have. 63 00:02:43,120 --> 00:02:46,880 Speaker 5: The date or sometimes you're like, okay, that's on a Thursday. 64 00:02:46,280 --> 00:02:52,760 Speaker 6: I just know it's in two wednesdays or something, because 65 00:02:52,800 --> 00:02:56,160 Speaker 6: my god, it's like, oh, we have five sleeps. I 66 00:02:56,160 --> 00:02:57,600 Speaker 6: don't right now. I don't look at a calendar. I 67 00:02:57,639 --> 00:03:00,079 Speaker 6: don't look at days. So I mean, thank you to 68 00:03:00,120 --> 00:03:02,560 Speaker 6: our listeners and happy anniversary of my wife. 69 00:03:02,560 --> 00:03:02,800 Speaker 7: Wow. 70 00:03:03,240 --> 00:03:05,600 Speaker 6: This next person adopted her two children from Haiti, and 71 00:03:05,600 --> 00:03:07,480 Speaker 6: she provides the show with her pile of stories. 72 00:03:07,480 --> 00:03:09,040 Speaker 2: I'm the daily here. She has Amy everybody. 73 00:03:09,040 --> 00:03:13,320 Speaker 5: Okay, So my daughter's sixteen, she's in high school and 74 00:03:13,840 --> 00:03:14,600 Speaker 5: a couple. 75 00:03:14,280 --> 00:03:16,600 Speaker 4: Of these guys that she goes to school. 76 00:03:16,280 --> 00:03:18,040 Speaker 5: With came over. My car was picking her up and 77 00:03:18,080 --> 00:03:21,000 Speaker 5: they came over and they introduced themselves and I was like, oh, hi. 78 00:03:21,560 --> 00:03:22,359 Speaker 4: Nice to meet you. 79 00:03:22,800 --> 00:03:26,720 Speaker 5: And then they walked away, and so Shir gets in 80 00:03:26,760 --> 00:03:28,239 Speaker 5: and I said, oh, that was nice to your friends 81 00:03:28,240 --> 00:03:31,680 Speaker 5: to come introduce themselves, and she goes, oh, no, they're 82 00:03:31,680 --> 00:03:34,280 Speaker 5: doing it to all the moms. The boys these days, 83 00:03:34,360 --> 00:03:36,320 Speaker 5: this is their generation. They think they can get the 84 00:03:36,360 --> 00:03:38,640 Speaker 5: moms and then they walk around school telling all of 85 00:03:38,720 --> 00:03:40,119 Speaker 5: us that they're going to be our stepdads. 86 00:03:40,760 --> 00:03:45,600 Speaker 2: And I was like, what are well? This is layer? 87 00:03:45,720 --> 00:03:46,240 Speaker 2: This is layer. 88 00:03:46,880 --> 00:03:49,440 Speaker 6: First of all, lunchbox is one thinks it's hilarious. Man, 89 00:03:49,520 --> 00:03:51,040 Speaker 6: one of my friends had a hot mom. We used 90 00:03:51,040 --> 00:03:51,880 Speaker 6: to tell them all the time. 91 00:03:52,280 --> 00:03:54,360 Speaker 2: But secondly, I feel like this is also an Amy Bragg. 92 00:03:58,400 --> 00:04:00,600 Speaker 2: I feel like Amy position a little bit here. 93 00:04:01,040 --> 00:04:04,040 Speaker 5: No, she said they're doing it to all my moms. 94 00:04:04,080 --> 00:04:05,680 Speaker 5: It wasn't exclusive to me. 95 00:04:06,960 --> 00:04:08,320 Speaker 2: I bet you there's some moms ain't doing it. 96 00:04:08,400 --> 00:04:11,880 Speaker 5: Okay, Well, listen That was not meant to be a brag. 97 00:04:11,920 --> 00:04:14,480 Speaker 5: It was more so that Sosher was telling me like 98 00:04:14,520 --> 00:04:17,080 Speaker 5: it is with boys these days, and they think they 99 00:04:17,120 --> 00:04:19,880 Speaker 5: have a shot with moms, and they're telling. 100 00:04:19,720 --> 00:04:21,479 Speaker 2: Us like it is that some young teenage voice. 101 00:04:21,600 --> 00:04:24,320 Speaker 5: You were Hut, I don't think that's They didn't even 102 00:04:24,360 --> 00:04:26,240 Speaker 5: know what when they walked it was the car. They 103 00:04:26,320 --> 00:04:28,479 Speaker 5: just knew that I was the mom picking her up whatever. 104 00:04:28,520 --> 00:04:35,279 Speaker 5: That wasn't the point, okay, now, I just okay, not 105 00:04:35,360 --> 00:04:37,640 Speaker 5: the point of the story. I thought it was funny too, 106 00:04:37,680 --> 00:04:40,040 Speaker 5: that they're walking around. I'm gonna be your step. 107 00:04:39,839 --> 00:04:42,720 Speaker 2: Down Ali right from Mountain Pine, Arkansas. He's great at 108 00:04:42,760 --> 00:04:45,320 Speaker 2: coming up with topics on the fly from the starts. 109 00:04:45,360 --> 00:04:48,920 Speaker 2: When we say bye, Bobby Bones, thank you. I've got 110 00:04:48,920 --> 00:04:50,800 Speaker 2: a few housekeeping notes. But first of all, want to 111 00:04:50,800 --> 00:04:51,919 Speaker 2: tell you this. I don't know if it got to 112 00:04:51,960 --> 00:04:53,960 Speaker 2: you get oh, you probably saw it pop up. We're 113 00:04:53,960 --> 00:04:57,839 Speaker 2: getting a prison call from Joe Exotic. I saw, I 114 00:04:57,839 --> 00:04:59,880 Speaker 2: saw it was like what from prison? But that's a 115 00:05:00,040 --> 00:05:02,560 Speaker 2: amazing And I don't know how he timed this out. 116 00:05:02,600 --> 00:05:05,480 Speaker 2: Scuba does does he use a calendar and lunchbox? Doesn't 117 00:05:06,279 --> 00:05:08,840 Speaker 2: Joe Exotic from prison huse account to know when he's 118 00:05:08,839 --> 00:05:09,440 Speaker 2: gonna call us. 119 00:05:09,480 --> 00:05:11,320 Speaker 8: So I think we're fit into a schedule of like 120 00:05:11,360 --> 00:05:13,920 Speaker 8: your one call a day. And that's how it's all 121 00:05:13,920 --> 00:05:16,160 Speaker 8: put together through someone who's handling his schedule. 122 00:05:16,400 --> 00:05:18,760 Speaker 2: And why are we what's he promoting? 123 00:05:19,680 --> 00:05:21,240 Speaker 8: Nothing, It's just we've been trying to get him on 124 00:05:21,240 --> 00:05:23,279 Speaker 8: for three years, so I figured it's a good bookend 125 00:05:23,360 --> 00:05:25,880 Speaker 8: from having what's your name on and then him as well, 126 00:05:26,880 --> 00:05:27,760 Speaker 8: it is awesome. 127 00:05:27,760 --> 00:05:30,240 Speaker 2: Well, just that he's calling from prison is awesome. Maybe 128 00:05:31,080 --> 00:05:36,279 Speaker 2: from we go yes, right, and then we get wow, 129 00:05:36,720 --> 00:05:39,120 Speaker 2: we have to pay for is a collect I don't know. 130 00:05:39,160 --> 00:05:41,080 Speaker 2: I think it comes out of his commissary of dues. 131 00:05:41,440 --> 00:05:43,000 Speaker 2: The company gets mad at us because we take a 132 00:05:43,080 --> 00:05:45,760 Speaker 2: collect call. So a little bit of that. So I 133 00:05:45,800 --> 00:05:48,400 Speaker 2: wanted to mention that forget you guys see the guests 134 00:05:48,440 --> 00:05:50,599 Speaker 2: that are book on the calend, but there's a calendar lunchbox. 135 00:05:50,600 --> 00:05:53,719 Speaker 2: How did you see that? Oh no, it's just an email. 136 00:05:53,800 --> 00:05:55,960 Speaker 2: It's an email pops up my calendar. You guys just 137 00:05:55,960 --> 00:05:57,400 Speaker 2: get an email about it. I don't have account. 138 00:05:57,520 --> 00:05:58,159 Speaker 4: We get both. 139 00:05:58,279 --> 00:06:00,560 Speaker 5: If you accept it, it pops up on your calendar. 140 00:06:00,920 --> 00:06:04,880 Speaker 2: Gonna do that. So we were gonna have Chris from 141 00:06:04,920 --> 00:06:07,600 Speaker 2: Dashboard Professional in, but he got sick and wasn't able 142 00:06:07,600 --> 00:06:09,839 Speaker 2: to come in. Is that still happening Scuba. Yeah, so 143 00:06:09,839 --> 00:06:11,880 Speaker 2: he's coming in at the end of the month, okay. 144 00:06:12,120 --> 00:06:14,840 Speaker 2: And then Adam Dirretz from County Crows, he's still coming in. 145 00:06:14,920 --> 00:06:16,599 Speaker 8: He's coming in, yeah, I think next week or the 146 00:06:16,600 --> 00:06:17,000 Speaker 8: week after. 147 00:06:17,120 --> 00:06:20,960 Speaker 2: He's in person. He's Oh, it's my favorite person, one 148 00:06:21,000 --> 00:06:22,360 Speaker 2: of my favorite people of all time in the history 149 00:06:22,400 --> 00:06:26,000 Speaker 2: of time. You met him before? Never? Oh never, It's 150 00:06:26,040 --> 00:06:28,039 Speaker 2: gonna be amazing of all time, one of my favorite 151 00:06:28,080 --> 00:06:31,159 Speaker 2: of all time. So that's a weird one for me 152 00:06:31,200 --> 00:06:34,240 Speaker 2: because I'm such a fan that I'm kind of nervous 153 00:06:34,240 --> 00:06:37,440 Speaker 2: about it not going wonderfully. I've seen interviews with him 154 00:06:37,640 --> 00:06:39,040 Speaker 2: recently and he. 155 00:06:38,960 --> 00:06:41,000 Speaker 3: Seems a lot more open. Like back in the day 156 00:06:41,040 --> 00:06:43,240 Speaker 3: he was very like shy, wouldn't answer question. I think 157 00:06:43,240 --> 00:06:45,039 Speaker 3: now he's more open and we'll get you'll get more 158 00:06:45,080 --> 00:06:45,440 Speaker 3: out of him. 159 00:06:45,440 --> 00:06:49,000 Speaker 2: So we get Joe Exotic from Prison Dashboard Confessional, Counting Crows. 160 00:06:49,200 --> 00:06:52,000 Speaker 2: Come on, that's pretty good. That's very good. All right, 161 00:06:52,040 --> 00:06:56,279 Speaker 2: So that's all happening here, we hope. But the Joe Exotic, 162 00:06:56,320 --> 00:06:58,280 Speaker 2: when I think I'm just because it's in. 163 00:07:00,040 --> 00:07:00,120 Speaker 9: There. 164 00:07:00,160 --> 00:07:01,640 Speaker 2: Any rules and we can talk about with him. 165 00:07:02,600 --> 00:07:04,279 Speaker 8: There's one rule I have to check through my email. 166 00:07:04,360 --> 00:07:06,760 Speaker 8: We can't talk about the death of his husband. His 167 00:07:06,880 --> 00:07:09,440 Speaker 8: husband died, I think, so, yeah, I got to confirm 168 00:07:09,440 --> 00:07:11,040 Speaker 8: my notes. But there was one off limits thing, and 169 00:07:11,040 --> 00:07:11,760 Speaker 8: I believe it was that. 170 00:07:11,800 --> 00:07:13,360 Speaker 2: But other than that, we're good. Other than that, we 171 00:07:13,360 --> 00:07:16,760 Speaker 2: should be good. Next up to Chris L's Oh, come on, 172 00:07:17,840 --> 00:07:21,480 Speaker 2: let's go. Time for the mail bag. 173 00:07:21,920 --> 00:07:23,400 Speaker 9: Do you spend the gamemail? 174 00:07:23,560 --> 00:07:26,120 Speaker 8: And we read it all the air to get something 175 00:07:26,360 --> 00:07:28,120 Speaker 8: we call Bobby's mail bag. 176 00:07:28,320 --> 00:07:33,000 Speaker 2: Yeah, hello, Bobby Bones. I know this is petty, but 177 00:07:33,080 --> 00:07:35,840 Speaker 2: something that really bothers me is on my mind. My 178 00:07:35,880 --> 00:07:39,160 Speaker 2: wife's been dropping hints for birthday gifts all over the house. 179 00:07:39,880 --> 00:07:43,640 Speaker 2: It's far from subtle, though, I'm seriously considering ignoring it 180 00:07:43,680 --> 00:07:46,600 Speaker 2: this year. Over the last five years, I've got her jewelry, 181 00:07:46,760 --> 00:07:50,800 Speaker 2: we go on a vacation, dinners, spall packages, I bought 182 00:07:50,840 --> 00:07:54,000 Speaker 2: stuff for the kids that they give her, and it's 183 00:07:54,000 --> 00:07:57,040 Speaker 2: been wonderful. You know why, because she deserves it. That said, 184 00:07:57,080 --> 00:07:59,400 Speaker 2: over the last five years, for my birthday, I've gotten 185 00:07:59,400 --> 00:08:01,800 Speaker 2: an annual of chores that need to be done around 186 00:08:01,880 --> 00:08:05,000 Speaker 2: the house, Complaints that she's too tired to do anything, 187 00:08:05,240 --> 00:08:07,760 Speaker 2: socks underwear on a dart board which I'm not allowed 188 00:08:07,800 --> 00:08:09,200 Speaker 2: to hang in the house because holes might get in 189 00:08:09,240 --> 00:08:11,720 Speaker 2: the wall. I'm just not feeling it this year. Does 190 00:08:11,720 --> 00:08:12,960 Speaker 2: that make me a total jerk? Or do you have 191 00:08:13,000 --> 00:08:15,400 Speaker 2: a point here? Signed? Husband? Tired of gift giving. 192 00:08:17,000 --> 00:08:17,640 Speaker 10: I don't feel like. 193 00:08:17,640 --> 00:08:20,320 Speaker 2: She does very get his birthday though. Huh right, it 194 00:08:20,320 --> 00:08:22,880 Speaker 2: sounds like she wants a lot of nice things but 195 00:08:22,920 --> 00:08:25,560 Speaker 2: doesn't give a lot of nice things. Let's word again 196 00:08:25,600 --> 00:08:28,840 Speaker 2: what he got for his birthday over the last five years. 197 00:08:28,840 --> 00:08:31,240 Speaker 2: For my birthday, I've gotten chores that need to be done, 198 00:08:31,240 --> 00:08:35,760 Speaker 2: an annual list, Complaints that she's too tired to do anything, 199 00:08:35,880 --> 00:08:38,240 Speaker 2: socks underwear and a dart board. Those are the gifts. 200 00:08:38,240 --> 00:08:40,080 Speaker 2: But I feel like too tired to do anything. This 201 00:08:40,160 --> 00:08:45,320 Speaker 2: means too tired to do anything? You know anything? I 202 00:08:45,360 --> 00:08:48,760 Speaker 2: see that I'm just not feeling it this year. Does 203 00:08:48,800 --> 00:08:50,600 Speaker 2: that make me a total jerk? Or to have a point? 204 00:08:50,679 --> 00:08:52,720 Speaker 3: So he's thinking about not getting her anything, Well, it 205 00:08:52,800 --> 00:08:53,520 Speaker 3: could be both. 206 00:08:53,840 --> 00:08:55,480 Speaker 2: You can be both. You can be a jerk and 207 00:08:55,520 --> 00:08:56,240 Speaker 2: you can have a point. 208 00:08:56,320 --> 00:09:01,000 Speaker 5: Sure, I know what he should get her couple's therapy. 209 00:09:02,559 --> 00:09:06,200 Speaker 2: Really because I get to be a blender or a 210 00:09:06,240 --> 00:09:07,960 Speaker 2: membership to a gym. 211 00:09:08,400 --> 00:09:11,240 Speaker 5: No, that sounds like they need a little communication. 212 00:09:11,880 --> 00:09:14,160 Speaker 2: Can you not leave Let's just address the thing you 213 00:09:14,160 --> 00:09:16,760 Speaker 2: didn't ask about. Can you not leave hints about your 214 00:09:16,800 --> 00:09:20,080 Speaker 2: birthday to her? Exactly? Because it sounds like you're not 215 00:09:20,200 --> 00:09:22,640 Speaker 2: because us as dudes, we try to downplay our birthdays 216 00:09:22,640 --> 00:09:24,600 Speaker 2: because we don't want to be like, oh he loves 217 00:09:24,640 --> 00:09:27,920 Speaker 2: his birthday, you get made fun of. But if it's 218 00:09:27,960 --> 00:09:30,920 Speaker 2: bothering you, you should also leave hints about your birthday 219 00:09:31,000 --> 00:09:32,360 Speaker 2: and I don't know, that's not what you asked about. 220 00:09:32,600 --> 00:09:34,839 Speaker 2: Or just ask her for what you want, because it's 221 00:09:34,840 --> 00:09:36,680 Speaker 2: basically what she's doing. This is what I would do. 222 00:09:36,880 --> 00:09:38,640 Speaker 2: I'ld get her what she wants. She'll leave in hints. 223 00:09:38,679 --> 00:09:40,319 Speaker 2: Get it for her, and then you just leave the 224 00:09:40,360 --> 00:09:42,560 Speaker 2: crap out of hints next time. And then if she 225 00:09:42,640 --> 00:09:46,160 Speaker 2: doesn't get you that, say hey, look I saw your hints. 226 00:09:46,200 --> 00:09:47,360 Speaker 2: I got it for you. You did not get this 227 00:09:47,440 --> 00:09:51,520 Speaker 2: for me. Now this is not fair, and that conversation 228 00:09:51,600 --> 00:09:56,320 Speaker 2: can actually happen after her birthday then your birthday then, 229 00:09:57,200 --> 00:09:59,480 Speaker 2: so yes, get her what she wants, make her happy. 230 00:09:59,480 --> 00:10:01,840 Speaker 2: It's her birthday. She deserves it. She doesn't deserve to 231 00:10:01,840 --> 00:10:04,120 Speaker 2: be penalized for her birthday because she sucks at yours. 232 00:10:04,240 --> 00:10:06,880 Speaker 2: Maybe you suck at communicating what you want for your birthday. 233 00:10:07,480 --> 00:10:08,040 Speaker 5: It could be it. 234 00:10:08,040 --> 00:10:10,720 Speaker 2: This could be a bit of a mirror situation looking one. 235 00:10:11,000 --> 00:10:14,040 Speaker 5: Maybe she literally thought you love sucks. 236 00:10:14,040 --> 00:10:16,199 Speaker 2: Maybe she thinks you love your list of annual chores. 237 00:10:18,160 --> 00:10:20,280 Speaker 2: So the best way to make this happen is not 238 00:10:20,440 --> 00:10:26,880 Speaker 2: to don't aggressively push your agenda in your get her 239 00:10:26,920 --> 00:10:29,560 Speaker 2: her amazing gift, but you have to also do what 240 00:10:29,600 --> 00:10:31,920 Speaker 2: she's doing to you on your birthday and let her 241 00:10:31,960 --> 00:10:34,000 Speaker 2: know what you want. And I got a good feeling 242 00:10:34,040 --> 00:10:38,120 Speaker 2: about it. But that whole I'm too tired of doing 243 00:10:38,160 --> 00:10:41,400 Speaker 2: anything for your birthday because she might be she might 244 00:10:41,440 --> 00:10:44,600 Speaker 2: have a headache, you know. But here's here's one pass. 245 00:10:44,640 --> 00:10:45,280 Speaker 2: Here's one pass. 246 00:10:45,840 --> 00:10:47,319 Speaker 5: It could be too tired to go out to dinner. 247 00:10:47,520 --> 00:10:53,680 Speaker 2: That's you know what anything is? Anything? 248 00:10:54,160 --> 00:10:55,520 Speaker 5: Did he put it in quotes? 249 00:10:55,679 --> 00:11:01,079 Speaker 2: Uh? Huh, Okay, she's too tired to do? Gotcha make 250 00:11:01,120 --> 00:11:03,240 Speaker 2: her feel special and then let her know you want 251 00:11:03,240 --> 00:11:05,400 Speaker 2: to feel special. And I do think that just by 252 00:11:05,400 --> 00:11:08,160 Speaker 2: communicating that this will be all better that's what's up. 253 00:11:08,520 --> 00:11:09,840 Speaker 2: Thank you. Close the mail bag. 254 00:11:10,120 --> 00:11:11,800 Speaker 10: We got your team mail. 255 00:11:11,640 --> 00:11:13,120 Speaker 5: And we lay it on you air. 256 00:11:13,760 --> 00:11:15,000 Speaker 2: Now let's find the clothes. 257 00:11:15,080 --> 00:11:16,880 Speaker 9: Bobby failed back Jim. 258 00:11:18,440 --> 00:11:21,960 Speaker 2: Hello, everybody. This is a segment we do where sixty 259 00:11:22,000 --> 00:11:25,520 Speaker 2: percent of the time after the segment is over, people 260 00:11:25,559 --> 00:11:29,120 Speaker 2: are still upsets, like, ha ha, you got me. Sixty 261 00:11:29,160 --> 00:11:31,760 Speaker 2: percent people are still upset for a little bit much. 262 00:11:31,960 --> 00:11:35,839 Speaker 2: Just spill the tea. It's just a tittle tattle tattletoe segment. Whatever. 263 00:11:36,080 --> 00:11:37,680 Speaker 2: Somebody's like, I want to say this, but I need 264 00:11:37,760 --> 00:11:39,280 Speaker 2: some kind of cover if I say it. I'm gonna 265 00:11:39,280 --> 00:11:41,400 Speaker 2: give the cover today to Lunchbox. He wants to spill 266 00:11:41,400 --> 00:11:43,360 Speaker 2: the tea on somebody, of course, but she probably spills 267 00:11:43,360 --> 00:11:46,440 Speaker 2: the tea more than anybody him and Eddie. Yeah, yeah, 268 00:11:46,640 --> 00:11:50,120 Speaker 2: so Lunchbox spill the tea. So uh. 269 00:11:50,320 --> 00:11:52,800 Speaker 6: Someone on the show almost pulled an Amy and I'm 270 00:11:52,840 --> 00:11:56,079 Speaker 6: talking about wrecking their car. I'm sitting at a stopwhy, 271 00:11:56,240 --> 00:11:58,480 Speaker 6: and there's jeep in front of me, and there's a 272 00:11:58,520 --> 00:12:01,560 Speaker 6: little blonde girl sitting behind the wheel and it's Morgan 273 00:12:01,960 --> 00:12:04,720 Speaker 6: and she's sitting there jamming out to her radio. And 274 00:12:04,760 --> 00:12:08,560 Speaker 6: the light turns green. No left arrow, just a green circle, 275 00:12:08,920 --> 00:12:09,959 Speaker 6: and what's Morgan do? 276 00:12:10,480 --> 00:12:12,200 Speaker 2: She goes left. 277 00:12:12,400 --> 00:12:16,079 Speaker 6: Only problem is there's a car coming straight across the intersection. 278 00:12:16,520 --> 00:12:20,640 Speaker 6: Both cars swerve and they both look at each other, 279 00:12:21,120 --> 00:12:25,400 Speaker 6: and Morgan's like, oh, I'm sorry. The car swerve around 280 00:12:25,440 --> 00:12:28,000 Speaker 6: her and go on and I called Morgan immediately she goes, oh, 281 00:12:28,000 --> 00:12:29,679 Speaker 6: I thought that car was parked. 282 00:12:31,200 --> 00:12:35,240 Speaker 2: Wait, bad driver alert, parked down the road. Okay, let 283 00:12:34,880 --> 00:12:39,960 Speaker 2: me get let's flip her. Okay, Morgan, go ahead. 284 00:12:40,440 --> 00:12:42,880 Speaker 4: So lunchboks is fair to spill the tea? 285 00:12:42,960 --> 00:12:43,240 Speaker 7: I did. 286 00:12:45,200 --> 00:12:47,160 Speaker 4: I did mess up, I really did. 287 00:12:47,720 --> 00:12:50,520 Speaker 11: But in my fairness, we were at a stop sign 288 00:12:50,520 --> 00:12:53,440 Speaker 11: where there were parked cars on both sides of the street. 289 00:12:53,559 --> 00:12:56,559 Speaker 11: It was like a narrow It wasn't like a regular stoplight. 290 00:12:56,760 --> 00:12:59,680 Speaker 4: It was very different, and so I just it was 291 00:13:00,640 --> 00:13:05,320 Speaker 4: a long day straight up. Thought this car was far okay, 292 00:13:05,480 --> 00:13:06,160 Speaker 4: I can see it. 293 00:13:06,280 --> 00:13:10,840 Speaker 2: No, no, because it had been doubled, meaning if there's 294 00:13:10,880 --> 00:13:13,760 Speaker 2: a street parking, there's also a car car beside it 295 00:13:13,800 --> 00:13:16,160 Speaker 2: because that's in the road. So they had to been 296 00:13:16,200 --> 00:13:18,320 Speaker 2: parked two by two. It had been like animals walking 297 00:13:18,360 --> 00:13:24,240 Speaker 2: in Noah's ark, right, But I also can understand turning 298 00:13:24,320 --> 00:13:26,360 Speaker 2: left on a green without an error. I haven't done it, 299 00:13:26,440 --> 00:13:27,959 Speaker 2: knock on wood, but I can see where it's like, 300 00:13:28,000 --> 00:13:31,160 Speaker 2: oh green, I'll just go but thank god, Yeah, I just. 301 00:13:31,120 --> 00:13:33,560 Speaker 11: Like panic turned. I wasn't really paying attention. 302 00:13:33,720 --> 00:13:36,400 Speaker 4: It's been a long day, but I yeah, I own it. 303 00:13:36,480 --> 00:13:37,560 Speaker 2: I said to it. 304 00:13:37,640 --> 00:13:39,000 Speaker 4: I almost wrecked a car. 305 00:13:39,840 --> 00:13:43,000 Speaker 2: Did the car and the driver of that car make 306 00:13:43,520 --> 00:13:45,000 Speaker 2: solid eye contact as you after? 307 00:13:45,440 --> 00:13:45,560 Speaker 7: Oh? 308 00:13:45,679 --> 00:13:45,880 Speaker 12: Yeah. 309 00:13:45,880 --> 00:13:47,839 Speaker 4: They were not happy with me. They threw their hands 310 00:13:47,840 --> 00:13:49,480 Speaker 4: in the air like what are you doing? 311 00:13:49,760 --> 00:13:51,559 Speaker 10: And it was one of. 312 00:13:51,480 --> 00:13:53,840 Speaker 11: Those very awkward where I was worried that they were 313 00:13:53,880 --> 00:13:55,400 Speaker 11: gonna like get out of their car and fight me. 314 00:13:55,600 --> 00:13:56,320 Speaker 4: They were that mad. 315 00:13:56,600 --> 00:13:58,520 Speaker 2: But they couldn't stopped right, You couldn't. You could just 316 00:13:58,559 --> 00:13:59,000 Speaker 2: drove off. 317 00:13:59,520 --> 00:14:01,560 Speaker 4: I mean, yeah, yeah, they were. They kind of blocked 318 00:14:01,559 --> 00:14:01,920 Speaker 4: my way. 319 00:14:01,960 --> 00:14:02,200 Speaker 7: It was. 320 00:14:02,320 --> 00:14:04,200 Speaker 11: It was just a perfect spot on the intersection that 321 00:14:04,240 --> 00:14:06,679 Speaker 11: I would have been toast either way before. 322 00:14:06,679 --> 00:14:11,760 Speaker 2: Are you laughing? Nervous for her? I wouldn't nerves where 323 00:14:11,800 --> 00:14:13,920 Speaker 2: I was like, oh what an idiot? Oh my god? 324 00:14:15,000 --> 00:14:16,480 Speaker 2: What if she would have gotten to it right though? 325 00:14:17,160 --> 00:14:17,720 Speaker 2: Oh I wanted to. 326 00:14:17,760 --> 00:14:20,040 Speaker 6: Pull out the phone and started filming it, like got 327 00:14:20,040 --> 00:14:20,760 Speaker 6: out an interview roll. 328 00:14:21,040 --> 00:14:21,600 Speaker 2: So what happened? 329 00:14:21,760 --> 00:14:23,560 Speaker 11: You wouldn't have not have helped me at all. He 330 00:14:23,600 --> 00:14:25,120 Speaker 11: would have probably filmed and drove off. 331 00:14:25,160 --> 00:14:26,800 Speaker 5: Are we sure he would have filmed or called nine 332 00:14:26,800 --> 00:14:27,479 Speaker 5: one one. 333 00:14:28,440 --> 00:14:30,800 Speaker 6: Or filmed himself calling nine on one and then filmed it. 334 00:14:31,480 --> 00:14:32,600 Speaker 4: Yes, his favorite thing. 335 00:14:32,720 --> 00:14:34,840 Speaker 2: Okay, Morgan, what do we learn? What can we all 336 00:14:34,880 --> 00:14:38,720 Speaker 2: take from this spilling of the tea here that I. 337 00:14:38,680 --> 00:14:40,760 Speaker 4: Need before I started driving my vehicle. 338 00:14:40,840 --> 00:14:42,760 Speaker 11: I just need to take a deep breath and just 339 00:14:42,920 --> 00:14:45,600 Speaker 11: drive the car and focus on driving to get home 340 00:14:45,640 --> 00:14:48,040 Speaker 11: instead of like paying attention to eighty million other things 341 00:14:48,080 --> 00:14:48,720 Speaker 11: at the same time. 342 00:14:48,840 --> 00:14:51,360 Speaker 2: Will that work with a judge? If you go in 343 00:14:51,440 --> 00:14:53,320 Speaker 2: and they're like, so, what happened and you're like, it's 344 00:14:53,320 --> 00:14:56,960 Speaker 2: just a bad day, not guilty, that won't work. 345 00:14:57,000 --> 00:14:59,320 Speaker 3: I mean, I'm a little sympathetic towards her way. She said, 346 00:14:59,320 --> 00:15:01,520 Speaker 3: like owned it one, She owned it, and too, she said, 347 00:15:01,320 --> 00:15:03,600 Speaker 3: I had a hard day, like I felt it. 348 00:15:03,640 --> 00:15:05,680 Speaker 5: She had a lot going on in her mind, and 349 00:15:05,680 --> 00:15:09,320 Speaker 5: she's gonna concentrate because of it. It's like, you know, 350 00:15:09,400 --> 00:15:11,480 Speaker 5: she's thankful that she didn't have the wreck, but also 351 00:15:11,480 --> 00:15:13,600 Speaker 5: thankful for the opportunity to be woken up. So she 352 00:15:13,640 --> 00:15:16,320 Speaker 5: focuses while she drives to prevent her from a future wreck. 353 00:15:16,200 --> 00:15:20,680 Speaker 2: And then that what life's all about. Yes, yeah, all right, 354 00:15:20,840 --> 00:15:24,120 Speaker 2: spelling of the tea. It's valid, valid tea spilled, Morgan, 355 00:15:24,880 --> 00:15:27,480 Speaker 2: You're very fortunate. This is one of those where you 356 00:15:27,520 --> 00:15:29,440 Speaker 2: put in your pocket and you go, you know what, 357 00:15:29,760 --> 00:15:32,680 Speaker 2: I got very lucky. Something good happened to me, even 358 00:15:32,680 --> 00:15:35,840 Speaker 2: though nothing happened. That's good. And I'm gonna chalk this 359 00:15:35,960 --> 00:15:37,080 Speaker 2: up to a victory sometimes. 360 00:15:37,400 --> 00:15:39,960 Speaker 11: And you know, I felt that way until I realized 361 00:15:40,040 --> 00:15:41,000 Speaker 11: lunchbox was behind me. 362 00:15:41,000 --> 00:15:43,200 Speaker 4: And then I was like, dang it, you know, yes, 363 00:15:44,800 --> 00:15:46,200 Speaker 4: that's the worst part. 364 00:15:47,080 --> 00:15:51,120 Speaker 2: All right, that is spell the tea, but just spill 365 00:15:51,240 --> 00:15:51,760 Speaker 2: the tea. 366 00:15:52,080 --> 00:15:56,480 Speaker 10: It's time for the good news. 367 00:15:58,520 --> 00:16:01,520 Speaker 5: There's a fifth grader in Wisconson. His name is Noah 368 00:16:01,600 --> 00:16:05,160 Speaker 5: Maine and he's a published author. He wrote a book 369 00:16:05,200 --> 00:16:08,480 Speaker 5: called Somebody's Got a Root for the Underdog and he's 370 00:16:08,560 --> 00:16:12,760 Speaker 5: actually making money from it, but he's donating money to 371 00:16:12,920 --> 00:16:16,640 Speaker 5: the youth football program in his area seven hundred and 372 00:16:16,720 --> 00:16:19,640 Speaker 5: thirty seven dollars. He's only in the fifth grade. That's 373 00:16:19,640 --> 00:16:21,280 Speaker 5: going to feel like a million bucks to him, you know. 374 00:16:21,680 --> 00:16:23,840 Speaker 5: And he said he discovered his passion for writing at 375 00:16:23,840 --> 00:16:25,320 Speaker 5: a young age and he is. 376 00:16:25,320 --> 00:16:28,160 Speaker 2: Still a young age because it's funny. Yeah, as I 377 00:16:28,160 --> 00:16:30,200 Speaker 2: I was on an itel on maybe sixteen or seventeen 378 00:16:30,280 --> 00:16:32,680 Speaker 2: year old kids. Yeah, Bobby, I waited my whole life 379 00:16:32,720 --> 00:16:35,160 Speaker 2: to get here, Bro, your life has been that long. Yeah. 380 00:16:35,200 --> 00:16:39,240 Speaker 5: He enjoys playing football, the teamwork and being able to 381 00:16:39,360 --> 00:16:42,920 Speaker 5: help them buy new equipment that will inspire more people 382 00:16:43,040 --> 00:16:45,240 Speaker 5: to sign up to play the game. And he said, 383 00:16:45,240 --> 00:16:47,440 Speaker 5: it just feels really good to make a difference. 384 00:16:47,760 --> 00:16:49,400 Speaker 2: Go, that is what it's all about. 385 00:16:50,080 --> 00:16:53,200 Speaker 10: That was telling me something good. So Bobby Bones Show 386 00:16:53,320 --> 00:16:55,520 Speaker 10: interviews in case you didn't know. 387 00:16:56,160 --> 00:16:58,000 Speaker 2: When it comes to artists who I'm just a massive 388 00:16:58,000 --> 00:17:01,080 Speaker 2: fan of personally to Neil town is one of those artists. 389 00:17:01,320 --> 00:17:08,679 Speaker 2: You would know her from somebody's daughter, somebody's or Jersey 390 00:17:08,720 --> 00:17:17,240 Speaker 2: on the walls. She got the train track work tapes 391 00:17:17,240 --> 00:17:19,000 Speaker 2: where she was on the train. She recorded them all. 392 00:17:19,000 --> 00:17:21,159 Speaker 2: She'll tell us about that. I mean, I'm such a 393 00:17:21,200 --> 00:17:23,199 Speaker 2: massive fan that I took her on the road with 394 00:17:23,320 --> 00:17:25,720 Speaker 2: me and was just like, I know you're better than me, 395 00:17:25,800 --> 00:17:28,360 Speaker 2: but go and just destroy the audiences. And she did. 396 00:17:28,760 --> 00:17:31,520 Speaker 2: Big fan. Here she is Tanil Towns. 397 00:17:32,200 --> 00:17:33,440 Speaker 10: On the Bobby Bone Show. 398 00:17:33,520 --> 00:17:35,919 Speaker 2: Now, Townsanil, how are you? 399 00:17:36,240 --> 00:17:37,439 Speaker 13: I'm good are you? 400 00:17:38,000 --> 00:17:39,840 Speaker 2: It's good to see this new guitar? Is Nancy? 401 00:17:40,240 --> 00:17:40,920 Speaker 13: Oh, thank you? 402 00:17:40,920 --> 00:17:42,879 Speaker 2: Did you? Is that art you drew? Or is that 403 00:17:43,080 --> 00:17:45,360 Speaker 2: because it's like there's like a river or something on it? Yeah? 404 00:17:45,359 --> 00:17:47,879 Speaker 14: Okay, Well the straight lines of the sun rays are 405 00:17:48,000 --> 00:17:50,640 Speaker 14: the extent of my artistic painting ability. 406 00:17:50,680 --> 00:17:52,800 Speaker 13: The rest was my friend Lewis who did it. He's 407 00:17:52,840 --> 00:17:53,440 Speaker 13: pretty awesome. 408 00:17:53,480 --> 00:17:54,879 Speaker 2: What happened to the other guitar that you were doing 409 00:17:54,920 --> 00:17:55,440 Speaker 2: all the work on. 410 00:17:55,560 --> 00:17:58,159 Speaker 14: Well, that one was for the Lemonade stand so that 411 00:17:58,280 --> 00:18:01,000 Speaker 14: was like for that record and now this for Masquerades 412 00:18:01,000 --> 00:18:03,040 Speaker 14: and it's got some empty spaces on here to keep 413 00:18:03,080 --> 00:18:04,520 Speaker 14: filling it up with the next stuff. 414 00:18:04,600 --> 00:18:07,800 Speaker 2: So every project you do a new guitar. 415 00:18:07,720 --> 00:18:08,399 Speaker 13: That's the plan. 416 00:18:08,960 --> 00:18:11,639 Speaker 14: Every record, full record will get a little time capsule 417 00:18:11,680 --> 00:18:12,640 Speaker 14: guitar to go with it. 418 00:18:13,040 --> 00:18:14,639 Speaker 2: And that's pretty cool. What's the guitar you're making for 419 00:18:14,640 --> 00:18:15,400 Speaker 2: this show appearance? 420 00:18:19,320 --> 00:18:21,880 Speaker 13: It gets you a pen and you guys can all we. 421 00:18:21,800 --> 00:18:23,200 Speaker 2: Don't want to be a part of your art there. 422 00:18:23,600 --> 00:18:27,360 Speaker 2: So I'm a massive to Neil Town's fan. And with 423 00:18:27,400 --> 00:18:30,680 Speaker 2: you coming in, would you briefly before you play a song, 424 00:18:30,880 --> 00:18:34,240 Speaker 2: would you tell us about this train trip and kind 425 00:18:34,240 --> 00:18:35,800 Speaker 2: of how this whole project came together. 426 00:18:36,080 --> 00:18:39,280 Speaker 14: Yes, thank you for having me today. Okay, so I 427 00:18:39,359 --> 00:18:40,040 Speaker 14: rode this train. 428 00:18:40,280 --> 00:18:42,040 Speaker 2: Now do that while you're talking. No, we like it. 429 00:18:42,040 --> 00:18:42,800 Speaker 2: You started to play music. 430 00:18:43,080 --> 00:18:43,360 Speaker 15: You like. 431 00:18:46,080 --> 00:18:49,240 Speaker 13: A little vibe going here? Okay. 432 00:18:49,240 --> 00:18:51,879 Speaker 14: So I got on the train in Montreal and I 433 00:18:51,920 --> 00:18:53,440 Speaker 14: wrote it all the way to Calgary. 434 00:18:53,840 --> 00:18:54,439 Speaker 2: How far is that? 435 00:18:54,800 --> 00:18:58,240 Speaker 14: So it's a couple thousand miles and we played. 436 00:18:58,520 --> 00:18:59,400 Speaker 13: So we lived on. 437 00:18:59,359 --> 00:19:02,560 Speaker 14: This train for fifth days and we played sixty five shows. 438 00:19:02,760 --> 00:19:03,960 Speaker 13: So some days where you. 439 00:19:04,000 --> 00:19:06,679 Speaker 2: Lived on a train, yeah, was it like where you 440 00:19:06,680 --> 00:19:08,800 Speaker 2: had that stick on a bag on a stick and 441 00:19:08,840 --> 00:19:11,000 Speaker 2: you jumped off it was going and then you lived 442 00:19:11,000 --> 00:19:11,520 Speaker 2: in a car. 443 00:19:11,480 --> 00:19:13,479 Speaker 14: Which we could have done the run and jump on 444 00:19:13,680 --> 00:19:15,520 Speaker 14: like that's what I wanted, but that was not with 445 00:19:15,600 --> 00:19:16,520 Speaker 14: safety protocols. 446 00:19:16,560 --> 00:19:19,400 Speaker 2: So no, But how do you play shows on a train? 447 00:19:19,640 --> 00:19:22,800 Speaker 14: So literally one of the stage cars was or one 448 00:19:22,840 --> 00:19:24,400 Speaker 14: of the box cars was a stage. So it would 449 00:19:24,440 --> 00:19:27,280 Speaker 14: roll into the town and everybody would gather around and 450 00:19:27,359 --> 00:19:29,240 Speaker 14: they knew when the train was coming through their town, 451 00:19:29,240 --> 00:19:31,800 Speaker 14: and like the door would just fold down and then 452 00:19:31,840 --> 00:19:33,639 Speaker 14: we'd put the mic stands out there and we'd go 453 00:19:33,720 --> 00:19:37,000 Speaker 14: play and then we would like say goodbye and the 454 00:19:37,440 --> 00:19:39,359 Speaker 14: door would fold back up and we'd roll to the 455 00:19:39,400 --> 00:19:41,359 Speaker 14: next town, like twenty minutes down the track. So some 456 00:19:41,440 --> 00:19:43,440 Speaker 14: days we were playing five or six shows a day, 457 00:19:44,080 --> 00:19:46,600 Speaker 14: and a lot of these shows were in like minus 458 00:19:46,680 --> 00:19:51,280 Speaker 14: thirty one degree Celsia's weather, and like people were so resilient. 459 00:19:51,320 --> 00:19:52,520 Speaker 13: It was the most incredible thing. 460 00:19:52,520 --> 00:19:55,080 Speaker 14: And everyone it was a free show, but everyone who 461 00:19:55,119 --> 00:19:57,520 Speaker 14: came brought a donation for their local food bank. So 462 00:19:57,600 --> 00:20:00,800 Speaker 14: it was like witnessing the best parts of the human spirit. 463 00:20:00,880 --> 00:20:03,919 Speaker 14: And I'm standing up there seeing everyone bundled up and 464 00:20:04,040 --> 00:20:06,439 Speaker 14: the freezing cold weather, just like showing up for their 465 00:20:06,440 --> 00:20:08,159 Speaker 14: friends and neighbors. And I was so inspired I had 466 00:20:08,160 --> 00:20:10,679 Speaker 14: to start writing. So I wrote a bunch of songs 467 00:20:10,680 --> 00:20:12,840 Speaker 14: in the mornings before the shows would. 468 00:20:12,600 --> 00:20:14,639 Speaker 13: Start, and then a couple of days into it, I 469 00:20:14,680 --> 00:20:15,040 Speaker 13: was like. 470 00:20:15,160 --> 00:20:17,080 Speaker 14: We got a couple laptops and like we could borrow 471 00:20:17,119 --> 00:20:18,840 Speaker 14: some some gear from the stage car. What if we 472 00:20:18,920 --> 00:20:21,199 Speaker 14: figured out how to like record some stuff on this 473 00:20:21,280 --> 00:20:23,200 Speaker 14: train while we're moving down the tracks. 474 00:20:23,240 --> 00:20:25,960 Speaker 2: So the whole purpose of this was to give back. Yeah, 475 00:20:26,800 --> 00:20:29,000 Speaker 2: now you said some things that I don't understand. First 476 00:20:29,040 --> 00:20:29,879 Speaker 2: of all, Celsiguess. 477 00:20:32,160 --> 00:20:35,159 Speaker 14: First of all, Okay, I don't know it starts to 478 00:20:35,200 --> 00:20:38,080 Speaker 14: even out. I can't remember what degree, but I want 479 00:20:38,119 --> 00:20:41,480 Speaker 14: to say it was like minus twenty five or something fahrenheit. 480 00:20:41,560 --> 00:20:45,240 Speaker 2: Okay. Yeah. Second thing was you said two places, and 481 00:20:45,280 --> 00:20:47,280 Speaker 2: I like apologize to all of our Canadian listeners because 482 00:20:47,280 --> 00:20:48,800 Speaker 2: we're on in a lot of places in Canada too, 483 00:20:49,119 --> 00:20:51,680 Speaker 2: But you said two places from this place to that place. 484 00:20:51,720 --> 00:20:52,760 Speaker 2: So what were the two places again? 485 00:20:52,840 --> 00:20:54,400 Speaker 13: Montreal to Calgary? 486 00:20:54,560 --> 00:20:57,359 Speaker 2: Do that America though? Distance wise? 487 00:20:57,720 --> 00:20:58,720 Speaker 13: Distance wise? Okay? 488 00:20:58,800 --> 00:21:02,439 Speaker 14: So Calgary's like north of Montana, okay, and Montreal is 489 00:21:02,560 --> 00:21:05,000 Speaker 14: like New York Ish Okay. 490 00:21:05,000 --> 00:21:06,240 Speaker 2: Up a little more too, but up. 491 00:21:06,440 --> 00:21:06,680 Speaker 13: Yeah. 492 00:21:06,920 --> 00:21:08,480 Speaker 2: So okay, it's a long train ride. 493 00:21:08,520 --> 00:21:09,560 Speaker 13: It's a long train ride. 494 00:21:09,680 --> 00:21:12,000 Speaker 2: Is it like a tour bus? Because whenever we have 495 00:21:12,080 --> 00:21:13,320 Speaker 2: to go back on the road and a bus. The 496 00:21:13,359 --> 00:21:14,920 Speaker 2: first couple of days, I don't like it because I 497 00:21:14,960 --> 00:21:16,879 Speaker 2: feel like I'm shaking as we're driving and I'm sleeping. 498 00:21:17,280 --> 00:21:21,320 Speaker 2: Sometimes we had the sidebar. It's hard to sleep on 499 00:21:21,359 --> 00:21:22,640 Speaker 2: a train, so. 500 00:21:22,880 --> 00:21:25,399 Speaker 14: It was it was very shaky, but you got used 501 00:21:25,440 --> 00:21:27,000 Speaker 14: to it a couple of days and same kind of thing. 502 00:21:27,000 --> 00:21:29,080 Speaker 14: The difference between a tour bus is there was a 503 00:21:29,080 --> 00:21:31,600 Speaker 14: lot more space to like for all of us to 504 00:21:31,600 --> 00:21:32,120 Speaker 14: spread out. 505 00:21:32,160 --> 00:21:33,080 Speaker 13: They were like there was. 506 00:21:33,040 --> 00:21:35,240 Speaker 14: A lounge car, there was a caboose where we set 507 00:21:35,280 --> 00:21:38,240 Speaker 14: up a little recording studio. But then everyone had their 508 00:21:38,280 --> 00:21:41,120 Speaker 14: own tiny little room, which was a lot more spacious 509 00:21:41,200 --> 00:21:43,920 Speaker 14: than like a bunk. So we didn't get as stir 510 00:21:44,000 --> 00:21:46,160 Speaker 14: crazy as we were nervous getting on that thing, because 511 00:21:46,160 --> 00:21:47,840 Speaker 14: you don't really get off the train. We got off 512 00:21:47,920 --> 00:21:51,159 Speaker 14: once to go to like a Legion, like after the 513 00:21:51,240 --> 00:21:53,080 Speaker 14: last show at night, but other than that you're pretty 514 00:21:53,119 --> 00:21:54,800 Speaker 14: much kind of just on the train. One day, I 515 00:21:54,840 --> 00:21:58,560 Speaker 14: think we clocked like like nine thousand steps or something 516 00:21:58,680 --> 00:21:59,480 Speaker 14: just going. 517 00:21:59,280 --> 00:22:01,320 Speaker 2: On the train. The train you have to jump from 518 00:22:01,359 --> 00:22:03,200 Speaker 2: cart to car and there's a chance you fall off, 519 00:22:03,200 --> 00:22:05,119 Speaker 2: you know, in the middle of the carts. You know, 520 00:22:05,160 --> 00:22:08,040 Speaker 2: I have to jump over and there's the ground below you. 521 00:22:08,200 --> 00:22:10,840 Speaker 14: Yeah, it was like they say, like mind gap, Yeah, no, 522 00:22:10,960 --> 00:22:13,840 Speaker 14: there was definitely you had to. It would be a 523 00:22:13,880 --> 00:22:16,760 Speaker 14: greater risk of slipping on the ice and the snow 524 00:22:16,840 --> 00:22:19,880 Speaker 14: that was blowing between the cars, but it was closed off, 525 00:22:19,880 --> 00:22:20,440 Speaker 14: so you wouldn't. 526 00:22:20,600 --> 00:22:22,840 Speaker 13: You weren't going to fall off the train, but you could. 527 00:22:23,119 --> 00:22:24,320 Speaker 13: You could definitely trip. 528 00:22:25,040 --> 00:22:27,760 Speaker 2: And how would they yell all aboard in Canada into 529 00:22:27,800 --> 00:22:29,560 Speaker 2: the yelling in French when you're in the French party. 530 00:22:29,600 --> 00:22:32,720 Speaker 13: I wish they yelled it at all time. 531 00:22:34,040 --> 00:22:36,639 Speaker 14: Not one time did they say all aboard, which felt 532 00:22:36,760 --> 00:22:37,959 Speaker 14: very like misleading. 533 00:22:38,440 --> 00:22:41,280 Speaker 2: Okay, so now that we know the story, that's the story. 534 00:22:41,320 --> 00:22:43,359 Speaker 2: Think about this. She goes and she lives on a 535 00:22:43,400 --> 00:22:48,000 Speaker 2: train all to get food for people that are less fortunate. 536 00:22:48,080 --> 00:22:49,720 Speaker 2: And now if I were to go like, I'm so surprised, 537 00:22:49,760 --> 00:22:52,960 Speaker 2: I'll be lying because to Nil's what she's about is 538 00:22:53,000 --> 00:22:55,879 Speaker 2: helping others constantly. So I'm not surprised by any of this. 539 00:22:55,920 --> 00:22:57,159 Speaker 2: I think I'd have been surprised. She was, like, I 540 00:22:57,160 --> 00:22:58,560 Speaker 2: did a train that got paid ten grand a night. 541 00:22:58,600 --> 00:23:03,440 Speaker 2: It was awesome. Like, what, that's crazy? So what song 542 00:23:03,480 --> 00:23:04,240 Speaker 2: are you going to do here? 543 00:23:04,400 --> 00:23:08,080 Speaker 14: Okay, I'm gonna do a song called Wheels, which is 544 00:23:08,119 --> 00:23:11,280 Speaker 14: the last song on this EP called Train Track Work Tapes, 545 00:23:11,280 --> 00:23:14,440 Speaker 14: and so all these are pretty acoustic, stripped down. 546 00:23:14,920 --> 00:23:16,000 Speaker 13: This is the last song. 547 00:23:16,000 --> 00:23:18,560 Speaker 14: And as we recorded this song in motion, so as 548 00:23:18,560 --> 00:23:20,959 Speaker 14: you're listening, you can hear all of the creeks and 549 00:23:21,000 --> 00:23:23,320 Speaker 14: like at one point we hit some kind of bump, 550 00:23:23,760 --> 00:23:26,200 Speaker 14: you could definitely hear that in the track. And at 551 00:23:26,200 --> 00:23:29,159 Speaker 14: the end we did it all in one complete pass, 552 00:23:29,160 --> 00:23:32,840 Speaker 14: and we passed by the crossing and the bells happened, 553 00:23:33,040 --> 00:23:36,520 Speaker 14: thank God. Like just at the end of the last note, 554 00:23:36,880 --> 00:23:38,880 Speaker 14: we all looked at each other. We were like, we're 555 00:23:38,880 --> 00:23:40,400 Speaker 14: not doing that again, Like that was it. 556 00:23:40,480 --> 00:23:40,840 Speaker 2: This is it. 557 00:23:40,880 --> 00:23:42,720 Speaker 13: We got it. So this song is. 558 00:23:42,720 --> 00:23:45,720 Speaker 14: Kind of like this one is very honest to me 559 00:23:46,119 --> 00:23:48,760 Speaker 14: in the sense of I struggle very much with the 560 00:23:48,840 --> 00:23:51,400 Speaker 14: high of being on the road and then coming home 561 00:23:51,400 --> 00:23:53,960 Speaker 14: and doing laundry and being in the quiet of that. 562 00:23:54,119 --> 00:23:56,920 Speaker 14: And I was in the middle of this train trip, 563 00:23:56,960 --> 00:23:58,480 Speaker 14: literally having the time of my life, and I was 564 00:23:58,520 --> 00:23:59,520 Speaker 14: just dreading the ending. 565 00:23:59,560 --> 00:23:59,760 Speaker 6: You know what. 566 00:23:59,800 --> 00:24:01,880 Speaker 13: You like look forward to something, and it's me. 567 00:24:01,840 --> 00:24:04,240 Speaker 2: At work every day you're just I get here. 568 00:24:04,760 --> 00:24:06,440 Speaker 5: To over I know, right. 569 00:24:06,840 --> 00:24:09,680 Speaker 14: Yeah, that's honestly, that's a great sign that you're doing 570 00:24:09,680 --> 00:24:12,399 Speaker 14: the thing you love. But it's it's definitely a weird, 571 00:24:13,000 --> 00:24:14,440 Speaker 14: weird feeling to dread the end. 572 00:24:14,480 --> 00:24:15,680 Speaker 13: So that's what this song is about. 573 00:24:15,760 --> 00:24:17,119 Speaker 2: So this is called Wheels. 574 00:24:16,960 --> 00:24:17,719 Speaker 13: It's called Wheels. 575 00:24:18,080 --> 00:24:21,680 Speaker 2: This is from the Train Track Work Tapes. Yeah, I 576 00:24:21,680 --> 00:24:22,760 Speaker 2: just want to make sure but he knows it before 577 00:24:22,760 --> 00:24:25,080 Speaker 2: you start again, thank you for that wheel Train Track 578 00:24:25,160 --> 00:24:30,119 Speaker 2: Work Tapes. Here is toan Neil Towns Onanil Towns and 579 00:24:30,280 --> 00:24:34,320 Speaker 2: Studio that's called Wheels. It is on her new project 580 00:24:34,400 --> 00:24:37,720 Speaker 2: that's out now called Train Track Work Tapes. Go stream it. 581 00:24:38,720 --> 00:24:40,920 Speaker 2: I have another segment that I want to do with you. Sure, 582 00:24:41,200 --> 00:24:43,200 Speaker 2: I don't even mind like throwing stuff at you, because 583 00:24:43,200 --> 00:24:44,520 Speaker 2: I feel like we know each other at this point 584 00:24:44,520 --> 00:24:47,800 Speaker 2: pretty well. When we come back. I know there's a 585 00:24:47,840 --> 00:24:51,080 Speaker 2: cover on this Train Tracks Work Tapes. Yeah, I don't 586 00:24:51,080 --> 00:24:52,359 Speaker 2: want say what it is yet. Will you do that 587 00:24:52,400 --> 00:24:54,159 Speaker 2: for us? I would love to be cool, all right, 588 00:24:54,240 --> 00:24:57,600 Speaker 2: you're you don't love it? What it is? It's one 589 00:24:57,600 --> 00:24:59,280 Speaker 2: of the great songs ever of all time. And she 590 00:24:59,359 --> 00:25:01,200 Speaker 2: crushes like because I've heard her do it before. 591 00:25:03,840 --> 00:25:05,080 Speaker 10: On the Bobby Bones Show. 592 00:25:05,160 --> 00:25:08,800 Speaker 2: Now Tanil has the Train Track Work Tapes, which you 593 00:25:08,880 --> 00:25:12,680 Speaker 2: really recorded and wrote while on a train traveling across 594 00:25:13,040 --> 00:25:14,640 Speaker 2: the land to help other people eat. 595 00:25:14,920 --> 00:25:18,080 Speaker 14: That's literally she was collecting. 596 00:25:17,760 --> 00:25:20,520 Speaker 2: Food for food banks. And so this is a home 597 00:25:20,600 --> 00:25:27,600 Speaker 2: to me, how much traveling so blackdown? This is Pieces 598 00:25:27,600 --> 00:25:32,720 Speaker 2: in my Heart. Pieces that's fly my favorite one in 599 00:25:32,800 --> 00:25:39,680 Speaker 2: my heart makes me feel like so and track three 600 00:25:39,720 --> 00:25:41,199 Speaker 2: I'm just gonna have you play if you're cool with it, 601 00:25:41,960 --> 00:25:43,480 Speaker 2: and the first time I heard Tanil play this, I 602 00:25:43,480 --> 00:25:45,480 Speaker 2: think we were all backstage because Til came on the 603 00:25:45,560 --> 00:25:47,119 Speaker 2: road with me for a while where we did shows. 604 00:25:47,160 --> 00:25:50,159 Speaker 2: And remember Tanil being so good and she would like 605 00:25:50,920 --> 00:25:54,040 Speaker 2: tear the crowd their hearts out and then had gone 606 00:25:54,040 --> 00:25:55,600 Speaker 2: to be funny. And I was like, it's the best 607 00:25:55,600 --> 00:25:57,240 Speaker 2: and more decision ever made, because the best decision is 608 00:25:57,280 --> 00:25:59,720 Speaker 2: Tanil just murders the crowd and they fall in love 609 00:25:59,720 --> 00:26:01,160 Speaker 2: with her how good she is. But then she's got 610 00:26:01,200 --> 00:26:03,280 Speaker 2: them so emotional that I come on to tell jokes 611 00:26:03,280 --> 00:26:06,119 Speaker 2: and they're just not in the rightly so but we 612 00:26:06,200 --> 00:26:10,639 Speaker 2: set back me Eddie too. Yes, I think it's whoever. 613 00:26:10,680 --> 00:26:11,800 Speaker 2: I don't know, Garth's back there, George. 614 00:26:12,400 --> 00:26:12,560 Speaker 7: Yeah. 615 00:26:12,600 --> 00:26:12,840 Speaker 4: Yeah. 616 00:26:12,840 --> 00:26:14,200 Speaker 13: They were all our buddies, you know. 617 00:26:14,640 --> 00:26:17,080 Speaker 2: And just passing a guitar around the tail plays really fun. 618 00:26:17,240 --> 00:26:18,840 Speaker 2: That was that was like a really fun time. 619 00:26:19,200 --> 00:26:21,200 Speaker 14: I really that that's kind of like one of those 620 00:26:21,280 --> 00:26:23,359 Speaker 14: rare magic moments in a dressing room that I feel 621 00:26:23,400 --> 00:26:24,760 Speaker 14: like you can kind of count on one hand. 622 00:26:24,840 --> 00:26:26,640 Speaker 13: And I loved that we just passed the guitar around. 623 00:26:26,680 --> 00:26:29,000 Speaker 2: It was so awesome and she played this and I 624 00:26:29,000 --> 00:26:30,960 Speaker 2: remember going, oh, man, one day, I'm gonna ever play 625 00:26:31,000 --> 00:26:32,560 Speaker 2: it here, So I'm not even gonna say what it 626 00:26:32,600 --> 00:26:34,120 Speaker 2: is to know you played here is this is track 627 00:26:34,200 --> 00:26:36,320 Speaker 2: three on the train Track Work tapes, but here is 628 00:26:36,359 --> 00:26:43,480 Speaker 2: Taneil Town's. Okay, let me ask you a question before 629 00:26:43,480 --> 00:26:46,160 Speaker 2: we do uncomfortable questions. Okay, this is kind of inside baseball. 630 00:26:46,400 --> 00:26:49,680 Speaker 2: But so of all these songs on the train track 631 00:26:49,720 --> 00:26:52,160 Speaker 2: work tapes, which hope everybody goes in streams, thanks, I'm 632 00:26:52,160 --> 00:26:54,960 Speaker 2: gonna put one as like our national countdown song, and 633 00:26:54,960 --> 00:26:56,320 Speaker 2: then I'm gonna put it on a different show that 634 00:26:56,359 --> 00:26:58,120 Speaker 2: I do a national show. Which one do you want 635 00:26:58,119 --> 00:26:58,560 Speaker 2: to feature? 636 00:26:59,040 --> 00:26:59,200 Speaker 7: No? 637 00:26:59,320 --> 00:27:01,680 Speaker 2: Not, thank you? Which one do you want? Don't pick 638 00:27:01,680 --> 00:27:04,560 Speaker 2: whichever one you like? You get to pick one. I 639 00:27:04,600 --> 00:27:06,080 Speaker 2: get to pick one, and I'll put it on both 640 00:27:06,080 --> 00:27:09,040 Speaker 2: the national shows. Do you want Home to Me Pieces 641 00:27:09,080 --> 00:27:12,840 Speaker 2: of My Heart Coming Together Wheels? Which one? 642 00:27:13,280 --> 00:27:14,159 Speaker 13: Let's do Home to Me? 643 00:27:14,240 --> 00:27:17,840 Speaker 2: Okay, so Mike got that, put that on both of them? 644 00:27:17,920 --> 00:27:18,400 Speaker 13: Thank you? 645 00:27:18,480 --> 00:27:18,880 Speaker 2: Okay? 646 00:27:18,880 --> 00:27:19,160 Speaker 13: Cool? 647 00:27:19,359 --> 00:27:21,520 Speaker 2: Now, uncomfortable questions I give, But then I take. 648 00:27:21,840 --> 00:27:23,600 Speaker 13: Then all right, well I'm buckling up. 649 00:27:24,280 --> 00:27:26,959 Speaker 2: I take they're not that uncomfortable for you because everybody 650 00:27:27,000 --> 00:27:29,960 Speaker 2: likes you. You're one is Tanil town sad All the time. 651 00:27:32,480 --> 00:27:37,159 Speaker 14: Yes, always, it's like, you know, underneath and at the 652 00:27:37,200 --> 00:27:40,080 Speaker 14: same time as absolute joy everywhere I go. 653 00:27:40,160 --> 00:27:43,000 Speaker 13: It is just kind of underneath. How tall is Tanil 654 00:27:43,000 --> 00:27:45,520 Speaker 13: Town's five to two on a good day. 655 00:27:45,840 --> 00:27:47,800 Speaker 2: Yeah, when you wear boots, that's. 656 00:27:47,640 --> 00:27:50,040 Speaker 13: More like five four maybe. Yeah. 657 00:27:50,119 --> 00:27:52,400 Speaker 2: Does Tanil Towns have any secret talents? 658 00:27:53,880 --> 00:27:54,680 Speaker 13: It's kind of weird. 659 00:27:54,720 --> 00:27:57,800 Speaker 14: But I grew up water skiing with my family and 660 00:27:57,920 --> 00:28:00,000 Speaker 14: my dad was kind of like a competitive water skis 661 00:28:00,119 --> 00:28:03,640 Speaker 14: or so therefore I can like slomski kind of half decently. 662 00:28:03,760 --> 00:28:06,640 Speaker 2: That's pretty good. Yeah, Okay, there are two more. What's 663 00:28:06,680 --> 00:28:09,679 Speaker 2: the worst part of being a country singer? Like, what's 664 00:28:09,720 --> 00:28:11,399 Speaker 2: worst part of the job of being a country singer? 665 00:28:11,800 --> 00:28:14,280 Speaker 14: Photo shoots? Getting your picture taken all the time? I 666 00:28:14,320 --> 00:28:15,800 Speaker 14: just want to sing songs for people. 667 00:28:16,080 --> 00:28:18,360 Speaker 13: Cameras are like the worst thing ever. 668 00:28:19,080 --> 00:28:20,840 Speaker 2: And the final one. And I tell you I didn't 669 00:28:20,840 --> 00:28:22,520 Speaker 2: know this un till I was looking at Hey, Ray, 670 00:28:22,560 --> 00:28:24,800 Speaker 2: can you play a clip of the thing that wrecks you? 671 00:28:24,920 --> 00:28:26,800 Speaker 2: It's t Neil and Bryan Adams. Play a clip at 672 00:28:26,800 --> 00:28:33,760 Speaker 2: that please. So this question is based off somebody who 673 00:28:34,000 --> 00:28:37,600 Speaker 2: who saw the writing credits where your last name is 674 00:28:37,600 --> 00:28:40,680 Speaker 2: not listed as Towns. Interesting did you know that. 675 00:28:40,840 --> 00:28:42,719 Speaker 13: I didn't know that, but wow, good to know. 676 00:28:42,800 --> 00:28:44,120 Speaker 2: And the question was how does she pronounce? 677 00:28:45,680 --> 00:28:50,040 Speaker 14: Yeah, it's basically yeah, it's it's Nad Kranishni, which sounds 678 00:28:50,040 --> 00:28:53,120 Speaker 14: like a sneeze, but yeah, it's it's got enough letters 679 00:28:53,120 --> 00:28:54,600 Speaker 14: for the Mickey Mouse theme song. 680 00:28:55,440 --> 00:28:56,600 Speaker 2: Nad Kranishi. 681 00:28:56,800 --> 00:28:58,240 Speaker 13: That's right, Yes, that was my name. 682 00:29:00,280 --> 00:29:03,000 Speaker 2: Thanks, and Nad is at the beginning of it. That's awesome. 683 00:29:03,680 --> 00:29:06,280 Speaker 2: You know, you know you are the best, love you always, 684 00:29:06,680 --> 00:29:08,480 Speaker 2: whatever you got going on, you gonn always come in here, 685 00:29:08,600 --> 00:29:11,560 Speaker 2: appreciate and you're the best. And okay, so everybody go 686 00:29:11,640 --> 00:29:15,400 Speaker 2: and check out train track work tapes and follow toil 687 00:29:15,480 --> 00:29:18,400 Speaker 2: at to neil Town's t O W N E S 688 00:29:18,920 --> 00:29:20,840 Speaker 2: And I think we've said it all am anything you 689 00:29:20,880 --> 00:29:21,440 Speaker 2: want to say. 690 00:29:21,480 --> 00:29:24,480 Speaker 5: Just recording on a train, like, has it inspired you 691 00:29:24,560 --> 00:29:25,600 Speaker 5: to think we're else? 692 00:29:26,360 --> 00:29:26,840 Speaker 4: Literally? 693 00:29:28,200 --> 00:29:28,360 Speaker 6: River? 694 00:29:29,360 --> 00:29:35,880 Speaker 2: What skydiving? River sessions, plane sessions, modes of transportation? Are there? 695 00:29:36,280 --> 00:29:41,880 Speaker 2: The uber tapes, let's go anything else? 696 00:29:42,200 --> 00:29:46,080 Speaker 6: The scooter session submarine sounds. 697 00:29:46,880 --> 00:29:50,280 Speaker 2: Now we're really getting all right you guysil Towns check 698 00:29:50,280 --> 00:29:56,160 Speaker 2: it out til thank you very much. Show a voicemail 699 00:29:56,200 --> 00:29:58,120 Speaker 2: from James and Texas. 700 00:29:57,920 --> 00:29:59,400 Speaker 9: Got a family of five. 701 00:29:59,520 --> 00:29:59,720 Speaker 7: Here. 702 00:30:00,040 --> 00:30:01,800 Speaker 9: We listened to you in the morning on the way 703 00:30:01,840 --> 00:30:04,640 Speaker 9: to school, and the kids love it. We love your 704 00:30:04,760 --> 00:30:05,600 Speaker 9: radio program. 705 00:30:05,840 --> 00:30:08,240 Speaker 2: Keep up for good work. Appreciate that, James, This is 706 00:30:08,240 --> 00:30:09,760 Speaker 2: Thomas in Indiana. 707 00:30:09,840 --> 00:30:13,360 Speaker 9: Just calling to give you a documentary recommendation. 708 00:30:13,520 --> 00:30:15,000 Speaker 7: It's called Moment of Contact. 709 00:30:15,040 --> 00:30:17,560 Speaker 9: It's about aliens. I think you're really gonna love. 710 00:30:17,440 --> 00:30:20,840 Speaker 2: It once I get in, though I can't get out, 711 00:30:21,000 --> 00:30:22,440 Speaker 2: and I go through these phases of the show where 712 00:30:22,440 --> 00:30:23,800 Speaker 2: I just want to talk about aliens all the time, 713 00:30:25,040 --> 00:30:26,720 Speaker 2: so I don't. Right now I'm trying to. It's a 714 00:30:26,760 --> 00:30:32,120 Speaker 2: ninety I'm gonna have to watch that that we're just 715 00:30:32,160 --> 00:30:34,360 Speaker 2: not being told everything. And I don't think we should 716 00:30:34,360 --> 00:30:38,400 Speaker 2: always be told everything because people would freak out. But 717 00:30:38,480 --> 00:30:39,880 Speaker 2: if I watch this and you have to have the 718 00:30:39,880 --> 00:30:41,960 Speaker 2: month of me talking about it, we don't want that, 719 00:30:42,120 --> 00:30:44,160 Speaker 2: or like going through different rabbit holes of it. So 720 00:30:44,800 --> 00:30:47,520 Speaker 2: I'm right at Moment of Contact. What's it on, Mike? 721 00:30:47,600 --> 00:30:51,920 Speaker 2: What does it say? It's probably like Amazon, then you'd 722 00:30:51,920 --> 00:30:55,080 Speaker 2: buy it or reun it or does it come to 723 00:30:55,120 --> 00:30:56,880 Speaker 2: you through a secret chip in your brain that aliens 724 00:30:56,920 --> 00:30:59,640 Speaker 2: plan when you're asleep, you aliens could be We can't 725 00:30:59,840 --> 00:31:02,840 Speaker 2: just see here we go. Just because we can't see 726 00:31:02,840 --> 00:31:04,880 Speaker 2: them doesn't mean they're not real either. They could be 727 00:31:04,920 --> 00:31:06,840 Speaker 2: here amongst us. Our eyes can only see certain things. 728 00:31:06,840 --> 00:31:09,400 Speaker 2: I've said this before. Dogs can see things that we 729 00:31:09,440 --> 00:31:11,720 Speaker 2: can't see because the cones in their eyes like colors. 730 00:31:12,120 --> 00:31:13,880 Speaker 2: Different animals can hear things we can't hear because of 731 00:31:13,920 --> 00:31:15,840 Speaker 2: how they How do we know if there's not an alien 732 00:31:15,800 --> 00:31:17,080 Speaker 2: right in front of us? We just can't see it 733 00:31:17,120 --> 00:31:19,800 Speaker 2: because what our eyes aren't able to trans you know 734 00:31:19,800 --> 00:31:21,320 Speaker 2: what I'm saying, Yeah, we don't know that. How do 735 00:31:21,320 --> 00:31:22,520 Speaker 2: we know that coming from the bottom of the ocean. 736 00:31:22,560 --> 00:31:23,800 Speaker 2: We've we don't know what's at the bottom of the ocean. 737 00:31:23,840 --> 00:31:24,520 Speaker 2: We can't get that far. 738 00:31:24,560 --> 00:31:25,800 Speaker 5: They could be using echo location. 739 00:31:26,360 --> 00:31:27,360 Speaker 2: Well, they're not ofphins amy that. 740 00:31:28,760 --> 00:31:29,160 Speaker 14: Use it too. 741 00:31:30,320 --> 00:31:33,240 Speaker 2: Motions Pile of Stories. 742 00:31:33,360 --> 00:31:36,720 Speaker 5: There's a new trend in botox. It's called trap talks 743 00:31:37,000 --> 00:31:41,160 Speaker 5: and it's becoming really popular thanks to TikTok and it's 744 00:31:41,200 --> 00:31:45,920 Speaker 5: getting botox in your shoulder trap area. Apparently women are 745 00:31:45,960 --> 00:31:48,600 Speaker 5: liking that it makes them look more contoured, but also 746 00:31:48,720 --> 00:31:51,680 Speaker 5: it eases tension and they just feel more relaxed. 747 00:31:51,920 --> 00:31:55,040 Speaker 2: The traps. It's kind of like the next shoulder right yes, 748 00:31:55,560 --> 00:31:58,239 Speaker 2: does that make sense. Some graphizoids, Yeah, but some like 749 00:31:58,480 --> 00:32:01,600 Speaker 2: wrestlers or bodybuilders have or me, they've made these huge muscles. 750 00:32:02,720 --> 00:32:03,800 Speaker 5: Yeah yeah, my yours is thick. 751 00:32:03,920 --> 00:32:08,600 Speaker 2: Yeah yeah. I guess I got botox in my jaws 752 00:32:08,640 --> 00:32:10,720 Speaker 2: for all my teeth where it didn't really help me 753 00:32:10,760 --> 00:32:12,680 Speaker 2: do much. Oh, I don't know that it helped me 754 00:32:12,720 --> 00:32:14,760 Speaker 2: at all. But maybe it did. I just didn't notice 755 00:32:14,800 --> 00:32:17,720 Speaker 2: it because I did it once. I felt no difference 756 00:32:17,720 --> 00:32:19,800 Speaker 2: at all. Like a month and a half later, I 757 00:32:19,800 --> 00:32:23,240 Speaker 2: went back, they did it again double. I don't Maybe 758 00:32:23,240 --> 00:32:26,000 Speaker 2: I'm just allergic to or maybe I just don't respond 759 00:32:26,080 --> 00:32:26,400 Speaker 2: to that. 760 00:32:27,160 --> 00:32:28,840 Speaker 5: I was thinking, maybe you need to go for triple 761 00:32:28,840 --> 00:32:29,520 Speaker 5: because that's what singing. 762 00:32:29,560 --> 00:32:31,560 Speaker 2: Maybe you're I don't keep going. 763 00:32:32,160 --> 00:32:33,640 Speaker 5: I feel like they're so strong. 764 00:32:33,760 --> 00:32:36,560 Speaker 2: Maybe they they don't know my jaws. You want to 765 00:32:36,560 --> 00:32:39,600 Speaker 2: take all the traps, these doors, but yeah, I just 766 00:32:39,840 --> 00:32:42,160 Speaker 2: can't could stop clenching them. I was breaking my teeth. 767 00:32:42,600 --> 00:32:45,280 Speaker 2: I tried everything I thought. I mean, I tried a 768 00:32:45,280 --> 00:32:48,440 Speaker 2: lot of things, and so I don't know that hasn't 769 00:32:48,480 --> 00:32:48,760 Speaker 2: helped me. 770 00:32:48,960 --> 00:32:51,840 Speaker 5: Well, those grow too. The when you clench right there, 771 00:32:51,880 --> 00:32:53,840 Speaker 5: that part of your jaw expands as well. So if 772 00:32:53,840 --> 00:32:55,760 Speaker 5: you do get botox there and it does relax it. 773 00:32:55,840 --> 00:32:58,760 Speaker 5: That muscle goes down because it's press my jaws. 774 00:33:00,280 --> 00:33:00,400 Speaker 7: Right. 775 00:33:00,400 --> 00:33:04,040 Speaker 5: What else, there's a science backed reason or multiple that 776 00:33:04,080 --> 00:33:05,840 Speaker 5: you should take a lunch break. 777 00:33:06,320 --> 00:33:07,840 Speaker 4: Some people were tracked to eat. 778 00:33:08,440 --> 00:33:12,440 Speaker 5: No like to actually leave your desk, leave your office. 779 00:33:12,120 --> 00:33:13,400 Speaker 2: Go away, electrician. 780 00:33:14,080 --> 00:33:16,600 Speaker 5: More and more people are just working through their lunch 781 00:33:16,640 --> 00:33:17,680 Speaker 5: break and kind of eating on. 782 00:33:17,640 --> 00:33:19,000 Speaker 2: The gost efficiency. 783 00:33:19,000 --> 00:33:20,800 Speaker 5: I see Scooba Steve do it every day. He goes 784 00:33:20,840 --> 00:33:22,360 Speaker 5: the microwave, heats it up, and then goes back to 785 00:33:22,400 --> 00:33:22,760 Speaker 5: his desk. 786 00:33:22,840 --> 00:33:24,000 Speaker 2: So you tell you what they gets a lot of 787 00:33:24,000 --> 00:33:25,920 Speaker 2: stuff done. He does gets paid pretty well. 788 00:33:27,200 --> 00:33:27,560 Speaker 4: Well. 789 00:33:27,760 --> 00:33:30,080 Speaker 5: What you should do is take a real lunch break, 790 00:33:30,120 --> 00:33:32,440 Speaker 5: one away from your desk, and this has mental and 791 00:33:32,480 --> 00:33:35,760 Speaker 5: physical health benefits, like it'll improve your digestion, it'll boost 792 00:33:35,840 --> 00:33:39,160 Speaker 5: your productivity, and it'll lower your stress level and then 793 00:33:39,200 --> 00:33:40,600 Speaker 5: you'll avoid the afternoon slump. 794 00:33:41,480 --> 00:33:44,800 Speaker 6: I don't believe Scooba Steve has an afternoon slump, do you, Scuba? 795 00:33:45,240 --> 00:33:45,720 Speaker 2: I don't think so. 796 00:33:45,760 --> 00:33:47,800 Speaker 8: I think I'm pretty much always the same from beginning 797 00:33:47,840 --> 00:33:49,280 Speaker 8: to always on stressed out. 798 00:33:50,040 --> 00:33:53,400 Speaker 5: Yeah, I think what he does to pump himself up 799 00:33:53,440 --> 00:33:55,720 Speaker 5: in the afternoon because I was here later than usual 800 00:33:55,840 --> 00:33:59,000 Speaker 5: yesterday is he blasts music. 801 00:33:58,760 --> 00:33:59,800 Speaker 2: Like death metal, like weird. 802 00:33:59,640 --> 00:34:04,480 Speaker 5: Stuff, yeah, or hip hop and stuff that too. 803 00:34:04,640 --> 00:34:06,320 Speaker 2: Yeah, I had a hip hop day yesterday. He's a 804 00:34:06,360 --> 00:34:07,080 Speaker 2: weird guy for sure. 805 00:34:07,480 --> 00:34:07,720 Speaker 6: All right? 806 00:34:07,760 --> 00:34:08,080 Speaker 2: What else? 807 00:34:08,480 --> 00:34:12,279 Speaker 5: Dolly Parton has now turned down two presidential Medal of 808 00:34:12,320 --> 00:34:14,960 Speaker 5: Freedom offers. She said no to President Trump a few 809 00:34:15,040 --> 00:34:19,040 Speaker 5: years ago, and she turned down President Biden. And in 810 00:34:19,160 --> 00:34:23,160 Speaker 5: her rock song Rolled on Fire, she calls out greedy politicians, 811 00:34:23,200 --> 00:34:25,399 Speaker 5: and on the Today Show they were asking her who 812 00:34:25,480 --> 00:34:27,600 Speaker 5: she was talking about specifically. 813 00:34:27,520 --> 00:34:29,479 Speaker 12: What politicians you're talking about all of them? 814 00:34:30,080 --> 00:34:30,880 Speaker 5: Any of them. 815 00:34:31,239 --> 00:34:34,080 Speaker 15: I don't think any of them are trying hard enough. 816 00:34:34,120 --> 00:34:36,640 Speaker 15: I'm sure we're all trying, but I just really think 817 00:34:36,719 --> 00:34:39,840 Speaker 15: that I think often that they were more about the 818 00:34:39,920 --> 00:34:42,680 Speaker 15: party than they do about the people. If we just 819 00:34:42,800 --> 00:34:44,960 Speaker 15: do what if it was the right thing, rhythm? Who's 820 00:34:44,960 --> 00:34:47,000 Speaker 15: going to lose or who's going to win this or 821 00:34:47,000 --> 00:34:50,240 Speaker 15: who's gonna look better if they do this rather. 822 00:34:50,040 --> 00:34:51,120 Speaker 5: Than working from the heart. 823 00:34:51,600 --> 00:34:53,680 Speaker 2: I completely agree. I've said him many times. I think 824 00:34:53,680 --> 00:34:56,279 Speaker 2: all politicians are terrible, and occasionally one surprises me, but 825 00:34:56,320 --> 00:34:58,160 Speaker 2: I just the general rule is all politicians are terrible. 826 00:34:58,160 --> 00:34:59,960 Speaker 2: Why would you even go into that, and the problem 827 00:35:00,239 --> 00:35:03,160 Speaker 2: is that most most politicians come from the ability to 828 00:35:03,160 --> 00:35:04,759 Speaker 2: be a politician, which means they don't have to work, 829 00:35:05,000 --> 00:35:06,799 Speaker 2: and they come from money, so they only represent people 830 00:35:06,840 --> 00:35:08,600 Speaker 2: that never had money. So you have a bunch of 831 00:35:08,600 --> 00:35:10,319 Speaker 2: people voting for a party, voting for people that have 832 00:35:10,360 --> 00:35:12,120 Speaker 2: been rich their whole life, thinking they're going to take 833 00:35:12,120 --> 00:35:14,480 Speaker 2: care of them, but they don't. I'm with you, Dolly, 834 00:35:14,880 --> 00:35:17,200 Speaker 2: but except I get like yelled at for it and 835 00:35:17,239 --> 00:35:20,000 Speaker 2: she's like, that's dollar. There's a difference from when she 836 00:35:20,000 --> 00:35:22,000 Speaker 2: says when I say it, Okay, that's it. 837 00:35:22,160 --> 00:35:23,200 Speaker 5: I'm Amy, that's my file. 838 00:35:24,000 --> 00:35:27,080 Speaker 10: That was Amy's pile of stories. So it's time for 839 00:35:27,160 --> 00:35:27,759 Speaker 10: the good news. 840 00:35:27,920 --> 00:35:35,759 Speaker 6: So much box Alisa owns a haircut corner barber shop 841 00:35:35,840 --> 00:35:38,399 Speaker 6: in Lafayette, Louisiana, and then they were like, you know what, 842 00:35:38,640 --> 00:35:40,719 Speaker 6: we should open a lounge, you know, attached to the 843 00:35:40,719 --> 00:35:43,920 Speaker 6: barber shop. So they named it Chilling and Styles Lounge. 844 00:35:44,160 --> 00:35:47,560 Speaker 6: And their first customer comes in orders a four dollars 845 00:35:47,640 --> 00:35:50,800 Speaker 6: drink and then says, oh, can I get the bill please? 846 00:35:51,440 --> 00:35:54,480 Speaker 2: He tips one thousand dollars. 847 00:35:54,800 --> 00:35:56,719 Speaker 6: Wow, and she's like no, no, no, sir, Like it was 848 00:35:56,760 --> 00:35:58,799 Speaker 6: only four dollars. He goes, yeah, I'm just trying to 849 00:35:58,840 --> 00:36:01,960 Speaker 6: do something good. He said, tell me something good. 850 00:36:01,960 --> 00:36:03,840 Speaker 2: He said that. He said, that's weird. And then what 851 00:36:04,040 --> 00:36:06,319 Speaker 2: she say and then she said, are you serious? That's 852 00:36:06,360 --> 00:36:09,239 Speaker 2: a twenty two thousand percent tip. There's no way she 853 00:36:09,280 --> 00:36:12,200 Speaker 2: knew the percentage. Okay, he's embellishing. There's no way she 854 00:36:12,280 --> 00:36:13,879 Speaker 2: knew the percentage of the tip. And they didn't say 855 00:36:13,880 --> 00:36:15,640 Speaker 2: tell me something good. So you're taking away from the 856 00:36:15,640 --> 00:36:18,360 Speaker 2: real story, which was the guy after a thousand dollars tip. No, 857 00:36:18,480 --> 00:36:20,359 Speaker 2: he said, I'm trying to do something good. Yeah, yeah, yeah. 858 00:36:20,360 --> 00:36:23,120 Speaker 2: But then and then he said tell me something good. 859 00:36:24,280 --> 00:36:26,719 Speaker 2: Yeah yeah, and that didn't really make sense. Go ahead, Yeah, 860 00:36:27,200 --> 00:36:29,239 Speaker 2: that's what's crazy. And she was like, it just made 861 00:36:29,280 --> 00:36:31,520 Speaker 2: my day. He's like my angel. And I won't reveal 862 00:36:31,560 --> 00:36:34,600 Speaker 2: his name, Like question, you won't reveal his name? No, 863 00:36:34,840 --> 00:36:36,520 Speaker 2: he didn't want it, right, He didn't want his name 864 00:36:36,520 --> 00:36:39,399 Speaker 2: out there. But my question, is he hitting on her? No, 865 00:36:39,719 --> 00:36:42,920 Speaker 2: that's a great question, and I mean my initial instinct 866 00:36:43,080 --> 00:36:47,319 Speaker 2: is no. But she don't know a thousand dollars tip. 867 00:36:47,360 --> 00:36:49,560 Speaker 2: That's hitting on someone. Yeah, Oh my goodness, Oh my god, 868 00:36:49,680 --> 00:36:54,120 Speaker 2: it's great. Somebody hit on me tender and a dude 869 00:36:54,160 --> 00:36:57,759 Speaker 2: sitting there having one drink, you're not thinking, Hey, like, 870 00:36:57,960 --> 00:37:02,000 Speaker 2: that's a great question. I would say no. However, if 871 00:37:02,040 --> 00:37:04,080 Speaker 2: you were to say no he was, I wouldn't argue 872 00:37:04,080 --> 00:37:07,239 Speaker 2: with you because it's kind of a cheesy losory way 873 00:37:07,280 --> 00:37:09,120 Speaker 2: to hit on someone. But it's still the way to 874 00:37:09,200 --> 00:37:12,320 Speaker 2: hit on someone. It's baller sometimes though, because there was 875 00:37:12,320 --> 00:37:14,520 Speaker 2: a story in Arkansas where somebody did this and then 876 00:37:14,520 --> 00:37:21,440 Speaker 2: they canceled their credit card and then so then it's terrible. Well, no, 877 00:37:21,480 --> 00:37:23,120 Speaker 2: everybody got the money, but then the restaurant wanted to 878 00:37:23,160 --> 00:37:24,600 Speaker 2: back because the restaurant had to pay for it through 879 00:37:24,640 --> 00:37:26,879 Speaker 2: the credit and the restaurant's like, mean our money back. 880 00:37:27,280 --> 00:37:30,719 Speaker 2: Oh that's that's not good man. 881 00:37:30,760 --> 00:37:34,680 Speaker 3: I want to leave a thousand dollars two what's on youah? 882 00:37:34,840 --> 00:37:37,480 Speaker 2: Not having it? What's hold your back money? I want 883 00:37:37,480 --> 00:37:40,359 Speaker 2: to leave a ten thousand dollars. I want to drive 884 00:37:40,400 --> 00:37:42,279 Speaker 2: a new Ferrari into the front of the store and 885 00:37:42,320 --> 00:37:43,560 Speaker 2: to put a bow on it and say this is for. 886 00:37:45,560 --> 00:37:45,799 Speaker 5: Eddie. 887 00:37:46,280 --> 00:37:50,359 Speaker 6: How he says all this stuff that he wants to do. 888 00:37:51,960 --> 00:37:55,080 Speaker 2: Yeah, I want to go to space and right. 889 00:37:54,920 --> 00:37:55,000 Speaker 9: I. 890 00:37:56,480 --> 00:37:59,080 Speaker 2: Want to get a Brazilian butt lit. But Eddie does 891 00:37:59,120 --> 00:38:00,640 Speaker 2: say a lot of like good stuff that he wants 892 00:38:00,640 --> 00:38:01,960 Speaker 2: to do, like to get credit for it, like I 893 00:38:01,960 --> 00:38:03,680 Speaker 2: want to donate a kidney, and we're like, oh, that's 894 00:38:03,719 --> 00:38:06,040 Speaker 2: so cool. And then we're like, okay, well someone's called 895 00:38:06,080 --> 00:38:07,800 Speaker 2: and there he's like, oh, maybe. 896 00:38:07,600 --> 00:38:09,399 Speaker 3: What I'm saying is I want to have that much 897 00:38:09,440 --> 00:38:12,480 Speaker 3: money that I can leave a thousand dollars tip. Okay, yeah, 898 00:38:12,520 --> 00:38:13,920 Speaker 3: I don't want to leave a thousand dollars ten and 899 00:38:13,960 --> 00:38:14,680 Speaker 3: be like dang, I'm broke. 900 00:38:14,760 --> 00:38:18,239 Speaker 2: But we've noticed a trend here. Yeah, for a lot 901 00:38:18,280 --> 00:38:20,360 Speaker 2: of the stuff that you say that you want to 902 00:38:20,400 --> 00:38:23,680 Speaker 2: do are super positive, like give back things. So hopefully 903 00:38:23,680 --> 00:38:25,160 Speaker 2: we go, oh, that's really cool that Eddie wants to 904 00:38:25,200 --> 00:38:28,120 Speaker 2: do that. I'm thoughtful. Hey, I did inquire about that kidney. 905 00:38:28,640 --> 00:38:29,200 Speaker 2: No you didn't. 906 00:38:29,280 --> 00:38:31,319 Speaker 3: I asked a little bit of more questions about like 907 00:38:31,320 --> 00:38:32,839 Speaker 3: and will I be okay with the one kidney if 908 00:38:32,840 --> 00:38:34,440 Speaker 3: I donate answers Yes, Yeah, So. 909 00:38:34,400 --> 00:38:35,880 Speaker 2: You got the answers that you needed to get to 910 00:38:35,920 --> 00:38:39,920 Speaker 2: continue on still thinking about it. Right, great point, Amy, Anyway, 911 00:38:40,440 --> 00:38:42,480 Speaker 2: this whole situation is good. He left a thousand bucks 912 00:38:42,560 --> 00:38:45,040 Speaker 2: she could use at the end. Right, that's a great story. 913 00:38:45,280 --> 00:38:47,480 Speaker 2: Anything else you want to do today, Maybe work in 914 00:38:47,480 --> 00:38:48,920 Speaker 2: a super kitchen. I really love to work at a 915 00:38:48,920 --> 00:38:50,920 Speaker 2: super kit I don't want to do that. I'd loved it. Okay, 916 00:38:51,160 --> 00:38:52,120 Speaker 2: that's what it's all about. 917 00:38:52,880 --> 00:38:54,399 Speaker 10: That was tell me something good. 918 00:38:56,080 --> 00:38:58,520 Speaker 2: Encyclopedias and pencils they're not really needed as much as 919 00:38:58,520 --> 00:39:02,640 Speaker 2: schools anymore, which makes sense. But like those businesses, I 920 00:39:02,640 --> 00:39:05,760 Speaker 2: don't know. Is there a number two company company? Yeah, 921 00:39:05,800 --> 00:39:07,520 Speaker 2: because it really wasn't a type of pencil. It was 922 00:39:07,560 --> 00:39:11,879 Speaker 2: a brand. But encyclopedias and pencils are used way less 923 00:39:11,920 --> 00:39:15,160 Speaker 2: and less now. It's mostly iPads. Also, no pencil sharpeners. 924 00:39:15,239 --> 00:39:16,440 Speaker 2: Think of all the people out of work as the 925 00:39:16,440 --> 00:39:19,920 Speaker 2: technology now crazy, the coal industry and the pencil sharpener 926 00:39:19,960 --> 00:39:23,560 Speaker 2: industry suffering. Glad you guys are here. Let's go over now. 927 00:39:23,680 --> 00:39:25,879 Speaker 6: We're gonna try to figure out the morning Corny, which 928 00:39:25,920 --> 00:39:26,960 Speaker 6: is what we do on Thursdays. 929 00:39:27,200 --> 00:39:29,880 Speaker 2: It's called the Investigative Corny. She got a bunch of 930 00:39:29,920 --> 00:39:32,160 Speaker 2: jokes over there. We're gonna go the full ninety seconds. 931 00:39:32,200 --> 00:39:34,000 Speaker 2: Come on, say how many we can get? The record 932 00:39:34,120 --> 00:39:37,879 Speaker 2: is five, man, that was a good day. Good day 933 00:39:37,880 --> 00:39:40,800 Speaker 2: for sure. Sometimes we get more, all right, ninety seconds 934 00:39:40,800 --> 00:39:42,640 Speaker 2: on the clock. When she finishes the joke, the timer, 935 00:39:42,680 --> 00:39:49,120 Speaker 2: we'll start ready and go the mourning corny. 936 00:39:49,320 --> 00:39:51,439 Speaker 5: What do you call an illegally parked frog? 937 00:39:52,320 --> 00:39:58,440 Speaker 2: Rivet? Good one? Yes? 938 00:39:59,120 --> 00:40:01,640 Speaker 5: What do you call a rude cow? 939 00:40:02,080 --> 00:40:02,239 Speaker 7: Mean? 940 00:40:02,400 --> 00:40:09,719 Speaker 2: Moody? Okay? A mean cow? What's mean? Mean caw? 941 00:40:09,960 --> 00:40:15,880 Speaker 3: Beef beef starter, beef, mean cow, beef lean and mean. 942 00:40:15,960 --> 00:40:21,120 Speaker 6: Beef lean be rude beef mood beef, beef, beef stew, 943 00:40:21,400 --> 00:40:22,720 Speaker 6: beef stew, beef jerky. 944 00:40:22,800 --> 00:40:23,959 Speaker 4: What do you call a rude cow? 945 00:40:24,920 --> 00:40:25,399 Speaker 5: What'd you say? 946 00:40:25,520 --> 00:40:26,000 Speaker 4: What'd you say? 947 00:40:26,239 --> 00:40:31,400 Speaker 2: Jerky? Jerky? He's a jerky walked into that one? Okay? 948 00:40:32,360 --> 00:40:34,280 Speaker 5: Why are balloons so expensive? 949 00:40:34,760 --> 00:40:37,120 Speaker 2: Because they float away? They go they. 950 00:40:40,160 --> 00:40:42,960 Speaker 5: Why are peppers good at archery? 951 00:40:43,239 --> 00:40:48,920 Speaker 2: Shooting arrows? Nose peppers archery arrow hot tomorrow? 952 00:40:49,520 --> 00:40:55,840 Speaker 6: They hit the spot target practice, they hit the peppersts? 953 00:40:56,440 --> 00:40:57,000 Speaker 2: What is again? 954 00:40:57,480 --> 00:40:59,040 Speaker 4: Why are peppers so good at archery? 955 00:40:59,680 --> 00:41:06,759 Speaker 3: Because the alipenno business, the klipennio target, kalipeno target. 956 00:41:06,480 --> 00:41:07,680 Speaker 2: Mike, what's the time. 957 00:41:11,840 --> 00:41:12,399 Speaker 10: All of that? 958 00:41:12,640 --> 00:41:12,719 Speaker 2: Like? 959 00:41:13,280 --> 00:41:13,640 Speaker 4: Style? 960 00:41:13,880 --> 00:41:20,280 Speaker 2: Archery? Archery? Seconds? 961 00:41:20,400 --> 00:41:22,359 Speaker 5: How do you cook an alligator. 962 00:41:25,520 --> 00:41:28,080 Speaker 2: In Tuscany? You gottor? 963 00:41:29,440 --> 00:41:30,600 Speaker 4: Why are pepper so good archerie? 964 00:41:30,640 --> 00:41:32,920 Speaker 2: I know that alligator that said elephant. 965 00:41:33,200 --> 00:41:34,200 Speaker 4: Oh you want the last one? 966 00:41:34,600 --> 00:41:35,640 Speaker 5: How do you cook an alligator? 967 00:41:35,800 --> 00:41:40,560 Speaker 2: Tuscany? Go ahead in a crock pot. Oh that's good, hey, fourth, 968 00:41:40,600 --> 00:41:43,400 Speaker 2: pretty good, boys. Let's put ourselves which proud of myself? 969 00:41:43,400 --> 00:41:50,960 Speaker 2: I go ahead, clear eyes, foolhearts. It is George Strait's birthday. 970 00:41:51,200 --> 00:41:55,160 Speaker 2: Oh the kid seventy one years old, still killing it. 971 00:41:55,320 --> 00:41:58,879 Speaker 2: Happy birthday, George Straight. He was more eighteenth nineteen fifty two. 972 00:41:59,440 --> 00:42:01,799 Speaker 2: He was named CMA Entertainer of the Year in eighty nine, 973 00:42:01,920 --> 00:42:04,560 Speaker 2: ninety and twenty thirteen, ACM Entertainer of the Year in 974 00:42:04,640 --> 00:42:07,480 Speaker 2: ninety and twenty fourteen. What do you think his biggest 975 00:42:07,480 --> 00:42:08,640 Speaker 2: streaming song is of all time? 976 00:42:08,840 --> 00:42:10,000 Speaker 5: Amarillo by Morning. 977 00:42:09,840 --> 00:42:14,319 Speaker 6: At number two? Amarillo by Morning? What's number one? It's 978 00:42:14,360 --> 00:42:16,919 Speaker 6: easy to go, Carrie, You're loving me? At number four, 979 00:42:17,000 --> 00:42:20,200 Speaker 6: Carry and your love Cary Eddie, I got it go 980 00:42:20,360 --> 00:42:23,160 Speaker 6: all my exes, No, did make top five? It is 981 00:42:23,200 --> 00:42:24,239 Speaker 6: a jam all. 982 00:42:24,200 --> 00:42:26,719 Speaker 2: My exes living in Texas. And number one is check 983 00:42:26,800 --> 00:42:27,640 Speaker 2: yes or no? George Strait. 984 00:42:28,320 --> 00:42:28,560 Speaker 4: Yes. 985 00:42:29,280 --> 00:42:30,920 Speaker 2: So I'm gonna give you five facts you may not 986 00:42:31,080 --> 00:42:32,719 Speaker 2: know about George Straight and Amy. You claim to be 987 00:42:32,760 --> 00:42:34,399 Speaker 2: the biggest Georgetraight fan in the history of the world. 988 00:42:34,520 --> 00:42:38,319 Speaker 2: So who encouraged George Strait to be an actor? It's 989 00:42:38,320 --> 00:42:40,479 Speaker 2: a tribute question for you to. 990 00:42:40,400 --> 00:42:43,160 Speaker 5: Be an actor. Yep, because he was in Pure Country. 991 00:42:43,440 --> 00:42:43,920 Speaker 5: I know that. 992 00:42:44,560 --> 00:42:50,040 Speaker 2: So probably is Colonel Tom Parker, Elvis's manager. Really, yeah, 993 00:42:50,239 --> 00:42:52,239 Speaker 2: this is George talking about it. An interview from back 994 00:42:52,239 --> 00:42:53,360 Speaker 2: in the day with Bob Pickett. 995 00:42:53,600 --> 00:42:56,160 Speaker 16: Colonel Tom Parker, who's everybody knows, you know it was 996 00:42:56,200 --> 00:42:59,400 Speaker 16: Elvis Presley's manager. Well, we've been playing Vegas for a 997 00:42:59,440 --> 00:43:01,880 Speaker 16: lot of years and he's been coming out. It's just 998 00:43:01,880 --> 00:43:04,440 Speaker 16: about since we started playing out there, and we've kind 999 00:43:04,440 --> 00:43:06,640 Speaker 16: of got to be pretty good friends. And he kept 1000 00:43:06,640 --> 00:43:09,279 Speaker 16: telling me, George, you gotta get into movies, you know, 1001 00:43:09,360 --> 00:43:10,800 Speaker 16: I just kind of laugh. 1002 00:43:11,360 --> 00:43:15,080 Speaker 2: At number four. His acting debut was actually a flop, 1003 00:43:15,360 --> 00:43:18,279 Speaker 2: but his soundtrack was not. But Pure Country was not 1004 00:43:18,360 --> 00:43:21,560 Speaker 2: a massive success at the box office. It became kind 1005 00:43:21,560 --> 00:43:24,719 Speaker 2: of a cult country music. That's George Strait and I 1006 00:43:24,840 --> 00:43:27,959 Speaker 2: like it. That's awesome, Dusty, Yeah, but it really didn't 1007 00:43:27,960 --> 00:43:31,640 Speaker 2: do well at the box office. However, the soundtrack was 1008 00:43:31,719 --> 00:43:34,719 Speaker 2: massive because of what song I Crossed my Heart. I 1009 00:43:34,920 --> 00:43:40,880 Speaker 2: crossed my Heart. It's George Wait's best selling album. 1010 00:43:40,880 --> 00:43:45,520 Speaker 3: The soundtrack to this Wow and Heartland sing a song about. 1011 00:43:45,239 --> 00:43:48,919 Speaker 2: The Heartland Number three. He didn't find immedia success in music, 1012 00:43:48,960 --> 00:43:51,120 Speaker 2: and he almost gave up. In college, he became friends 1013 00:43:51,120 --> 00:43:53,680 Speaker 2: with the bar owner who worked at MCA Records, and 1014 00:43:54,160 --> 00:43:56,759 Speaker 2: that barner said, hey, executives, come listen to this guy. 1015 00:43:57,120 --> 00:43:59,439 Speaker 2: So they did, and they did not give him a deal. 1016 00:43:59,640 --> 00:44:04,360 Speaker 2: They were like, yeah, not for us to western to 1017 00:44:05,000 --> 00:44:10,040 Speaker 2: Texas cowboy leaning, and so that's what happened. But his 1018 00:44:10,120 --> 00:44:12,120 Speaker 2: wife encouraged him to give it one more try, one 1019 00:44:12,120 --> 00:44:14,320 Speaker 2: more like good year than in nineteen eighty one, he 1020 00:44:14,360 --> 00:44:16,319 Speaker 2: got a record deal and the rest, as they say, 1021 00:44:16,400 --> 00:44:20,640 Speaker 2: is history. Then he flopped his actor number two. He 1022 00:44:20,640 --> 00:44:22,800 Speaker 2: didn't even get into country music until later in life. 1023 00:44:22,960 --> 00:44:25,120 Speaker 2: Georgetre grew up in Texas, but most of his childhood 1024 00:44:25,120 --> 00:44:27,040 Speaker 2: working on a ranch. He didn't even listen to the 1025 00:44:27,080 --> 00:44:28,600 Speaker 2: radio growing up, really, and if he did, he was 1026 00:44:28,600 --> 00:44:31,759 Speaker 2: listening to news or farmers reports. He didn't find an 1027 00:44:31,760 --> 00:44:34,680 Speaker 2: interest in high music until high school and he joined 1028 00:44:34,680 --> 00:44:38,120 Speaker 2: a garage rock band, Wow, George Tray and a rock band. 1029 00:44:39,360 --> 00:44:41,279 Speaker 2: It wasn't until later that he got to play country music. 1030 00:44:41,320 --> 00:44:44,239 Speaker 2: And that's obviously, you know, I don't know if you 1031 00:44:44,280 --> 00:44:46,520 Speaker 2: know he's a big star now country music. Yeah, and 1032 00:44:46,520 --> 00:44:49,319 Speaker 2: then number one. Amarello by Morning never went to number one. 1033 00:44:49,560 --> 00:44:53,640 Speaker 2: Crazy and it was a cover. That's ridiculous. Despite holding 1034 00:44:53,719 --> 00:44:56,719 Speaker 2: the record for most number one hits with sixty, Amarello 1035 00:44:56,840 --> 00:44:59,719 Speaker 2: by Morning maybe his best known song. I think it 1036 00:44:59,719 --> 00:45:01,640 Speaker 2: became me, That's what I would say. That's what Amy said. 1037 00:45:02,000 --> 00:45:10,200 Speaker 2: It was first released by Terry Stafford and it only 1038 00:45:10,200 --> 00:45:15,000 Speaker 2: peaked at number four. Wow, what a joke. We should 1039 00:45:15,040 --> 00:45:17,480 Speaker 2: play it every segment, get it number one, Get it 1040 00:45:17,600 --> 00:45:20,920 Speaker 2: number one for a whole week, every segment, just to 1041 00:45:20,920 --> 00:45:23,320 Speaker 2: get that song. It's first number one? Amy, What do 1042 00:45:23,360 --> 00:45:24,880 Speaker 2: you want to say to George people listening. 1043 00:45:24,680 --> 00:45:26,400 Speaker 4: Oh, happy birthday, George. 1044 00:45:26,440 --> 00:45:29,760 Speaker 5: I hope you feel the love today and you enjoy 1045 00:45:29,840 --> 00:45:33,640 Speaker 5: seventy one And maybe you're out on the ranch hanging 1046 00:45:33,680 --> 00:45:35,480 Speaker 5: with your horses, roping. 1047 00:45:35,200 --> 00:45:40,239 Speaker 2: Some Well, you have really romantic thoughts. I don't be 1048 00:45:40,320 --> 00:45:41,560 Speaker 2: romantic like dating. I mean like. 1049 00:45:43,000 --> 00:45:45,840 Speaker 5: You can, George, you can have your shirt on, it's fine. 1050 00:45:45,960 --> 00:45:47,920 Speaker 2: Some other songs that never went to number one from 1051 00:45:47,920 --> 00:45:55,520 Speaker 2: George Straight Run Jam, Hobie Baby. Yeah, that's that's one 1052 00:45:55,520 --> 00:45:59,080 Speaker 2: of my favorite George Trait songs. The Fireman, not number 1053 00:45:59,120 --> 00:45:59,919 Speaker 2: one coming. 1054 00:46:00,000 --> 00:46:00,759 Speaker 1: He's Farman. 1055 00:46:01,640 --> 00:46:08,000 Speaker 2: That's my name, not a number one song? True? Can 1056 00:46:08,040 --> 00:46:08,600 Speaker 2: you sing true? 1057 00:46:08,680 --> 00:46:09,320 Speaker 13: No reue? 1058 00:46:09,760 --> 00:46:12,040 Speaker 2: You'll be there wrapped. I don't know that. I don't 1059 00:46:12,040 --> 00:46:15,200 Speaker 2: know it's I know the first one is happy seventy 1060 00:46:15,239 --> 00:46:21,000 Speaker 2: first birthday, George Straight his voicemail from Jenny in Broken Arrow, Oklahoma. 1061 00:46:21,719 --> 00:46:25,400 Speaker 7: Help help, help, please, I need advice. I had a 1062 00:46:25,520 --> 00:46:29,240 Speaker 7: tree that hit by lightning. I guess because it's split 1063 00:46:29,320 --> 00:46:32,080 Speaker 7: in two. So there's a handyman. He gave me a 1064 00:46:32,120 --> 00:46:35,040 Speaker 7: bid to cut down the tree and haul it off. 1065 00:46:35,280 --> 00:46:36,680 Speaker 7: Do I have to tip him? 1066 00:46:37,040 --> 00:46:37,520 Speaker 10: I don't know. 1067 00:46:37,600 --> 00:46:40,080 Speaker 7: Do you tip somebody like that? Or can I just 1068 00:46:40,120 --> 00:46:42,920 Speaker 7: pay him what he told me? Help? 1069 00:46:43,480 --> 00:46:45,480 Speaker 2: You can just pay him what he told you, and 1070 00:46:45,760 --> 00:46:49,680 Speaker 2: nobody will think the second thing about it. However, if 1071 00:46:49,760 --> 00:46:52,480 Speaker 2: you do throw him an extra ten bucks twenty bucks, 1072 00:46:53,160 --> 00:46:54,960 Speaker 2: maybe you'll do a little better job on the cleanup. 1073 00:46:55,560 --> 00:46:57,440 Speaker 2: Maybe if something happens again and he comes back, he 1074 00:46:57,440 --> 00:46:59,840 Speaker 2: gives you priority next time because you know. But no, 1075 00:47:00,040 --> 00:47:03,200 Speaker 2: you don't owe him anything, especially if it's his own company. 1076 00:47:03,239 --> 00:47:05,200 Speaker 2: Think about that, because he's given you a quote. He's 1077 00:47:05,239 --> 00:47:07,640 Speaker 2: all in on himself. Let's say he works for tree 1078 00:47:07,640 --> 00:47:10,720 Speaker 2: removal Service dot com. Incorporated of National America. 1079 00:47:11,160 --> 00:47:15,520 Speaker 6: Well then yeah, well then he's got to give most 1080 00:47:15,520 --> 00:47:18,200 Speaker 6: of that money to tremovile service dot com slash net, 1081 00:47:18,800 --> 00:47:24,200 Speaker 6: so the tip probably more welcomed expected treasured. 1082 00:47:24,960 --> 00:47:28,759 Speaker 2: You tip him before the job, yeah, I do sometimes. Yeah, 1083 00:47:28,920 --> 00:47:31,719 Speaker 2: like movers job break you off a little some extra. 1084 00:47:31,880 --> 00:47:33,279 Speaker 2: I appreciate you. I may not see you when it's over, 1085 00:47:33,320 --> 00:47:35,640 Speaker 2: so I want to tip you now. Oh I do that. Yeah, 1086 00:47:35,680 --> 00:47:37,160 Speaker 2: I may not see you when it's but I'm I'm 1087 00:47:37,160 --> 00:47:40,000 Speaker 2: I balling them the whole time anyway, So yes, absolutely, 1088 00:47:40,080 --> 00:47:42,880 Speaker 2: But do not feel Genny like you have to because 1089 00:47:42,920 --> 00:47:45,800 Speaker 2: you don't. You just don't have to. But you can. Okay, 1090 00:47:45,840 --> 00:47:50,279 Speaker 2: there you go. We're watching the show on HBO Max 1091 00:47:50,320 --> 00:47:53,239 Speaker 2: called Love and Death and it's got the Olsen not 1092 00:47:53,320 --> 00:47:55,359 Speaker 2: the twin, but the younger sister who's more famous now 1093 00:47:55,400 --> 00:47:58,759 Speaker 2: acting Elizabeth Olsen, and she played this is all true 1094 00:47:58,760 --> 00:48:01,279 Speaker 2: story from down A, Texas in like nineteen eighty. I 1095 00:48:01,320 --> 00:48:03,759 Speaker 2: don't know how the story ends, but there's like two 1096 00:48:03,760 --> 00:48:06,640 Speaker 2: episodes left, and so here's the can I even tell it? 1097 00:48:06,719 --> 00:48:08,000 Speaker 2: So it's a new story, right. 1098 00:48:07,960 --> 00:48:10,200 Speaker 5: Yes, And what's the real story that happened back in 1099 00:48:10,200 --> 00:48:12,120 Speaker 5: the eighties, and so you're giving anything on. 1100 00:48:12,239 --> 00:48:14,120 Speaker 2: In the beginning, it's like, this is a true story. 1101 00:48:14,280 --> 00:48:16,680 Speaker 2: It's a very end it. Some of the conversations may 1102 00:48:16,680 --> 00:48:18,480 Speaker 2: have had to be scripted out because they don't know 1103 00:48:18,480 --> 00:48:21,520 Speaker 2: people are saying behind closed doors. Right, But apparently this 1104 00:48:21,560 --> 00:48:25,080 Speaker 2: woman is cheating with this dude. Two normal families, but 1105 00:48:25,200 --> 00:48:28,280 Speaker 2: she starts cheating with this dude. They'd stop having an affair, 1106 00:48:28,400 --> 00:48:30,600 Speaker 2: go back to normal. The wife of the dude finds 1107 00:48:30,640 --> 00:48:33,080 Speaker 2: out and shows up with an axe to kill her, 1108 00:48:33,640 --> 00:48:36,399 Speaker 2: and then she takes the acts from her she's getting 1109 00:48:36,440 --> 00:48:38,960 Speaker 2: attacked and kills her and they just want to trial 1110 00:48:39,160 --> 00:48:42,560 Speaker 2: cool in the show. It's it's a little slow to 1111 00:48:42,560 --> 00:48:44,680 Speaker 2: start the show, but it's so it's really good now 1112 00:48:45,040 --> 00:48:47,240 Speaker 2: and it takes everything that I have not to google 1113 00:48:47,280 --> 00:48:50,440 Speaker 2: what happened because it's a big news story. Apparently they've 1114 00:48:50,440 --> 00:48:52,120 Speaker 2: done two shows on it. This is the one HBO 1115 00:48:52,160 --> 00:48:53,600 Speaker 2: Max with Jessica esk a Bile. 1116 00:48:53,640 --> 00:48:54,239 Speaker 4: It's a good bial. 1117 00:48:54,320 --> 00:48:55,960 Speaker 5: So I watched that one. It was on Hulu and 1118 00:48:55,960 --> 00:48:59,720 Speaker 5: it's called Candy and it's it's. 1119 00:48:59,520 --> 00:49:01,360 Speaker 2: The same thing, yeah, the same person. 1120 00:49:01,440 --> 00:49:04,040 Speaker 5: It was so good that I could also see myself 1121 00:49:04,080 --> 00:49:06,040 Speaker 5: going to watch the HBO Max one. 1122 00:49:06,080 --> 00:49:10,080 Speaker 2: The Elizabeth Olsen actor actress. She's so good. She was 1123 00:49:10,120 --> 00:49:13,520 Speaker 2: Wanda and WandaVision. Such a good actress. But I mean, 1124 00:49:13,600 --> 00:49:16,960 Speaker 2: it's crazy what happens, Like she was attacked by one 1125 00:49:17,000 --> 00:49:18,320 Speaker 2: with an actor and then she turns the acts on 1126 00:49:18,360 --> 00:49:20,080 Speaker 2: her kills her and they just go to trial and 1127 00:49:20,120 --> 00:49:21,120 Speaker 2: she's like, I didn't do it. 1128 00:49:21,239 --> 00:49:24,920 Speaker 5: The craziest part to me was after she did it, Eddie, 1129 00:49:25,400 --> 00:49:28,000 Speaker 5: she like went and showered and put her clothes back on, 1130 00:49:28,040 --> 00:49:30,480 Speaker 5: and then like went to church to like pick up her. 1131 00:49:30,719 --> 00:49:32,960 Speaker 5: Like it was just like this whole it's almost like. 1132 00:49:33,080 --> 00:49:34,799 Speaker 2: And make her seem like she was at church to 1133 00:49:34,800 --> 00:49:37,000 Speaker 2: give her an alibi too. Yes, she was like, hey, 1134 00:49:37,000 --> 00:49:38,959 Speaker 2: I'm here. Remember I'm at church. 1135 00:49:39,040 --> 00:49:41,120 Speaker 5: She's like sorry, I'm a little late. It was like, 1136 00:49:41,239 --> 00:49:41,600 Speaker 5: oh my. 1137 00:49:41,560 --> 00:49:43,360 Speaker 2: God, it's wild. 1138 00:49:43,640 --> 00:49:46,880 Speaker 5: And how she went to the husband too, Like she 1139 00:49:47,040 --> 00:49:49,080 Speaker 5: just like sat him down in a car one day 1140 00:49:49,120 --> 00:49:52,040 Speaker 5: and was like, hey, thinking about having an affair you 1141 00:49:52,040 --> 00:49:52,360 Speaker 5: want to? 1142 00:49:52,680 --> 00:49:55,879 Speaker 2: Yeah with the guy? This is very early. Yeah, it's 1143 00:49:55,920 --> 00:49:59,359 Speaker 2: a very normal town. Very they're all big in their 1144 00:49:59,440 --> 00:50:03,480 Speaker 2: local church. That's a big part of it. So five 1145 00:50:03,560 --> 00:50:06,839 Speaker 2: of the seven are done on HBO. Max I knew 1146 00:50:06,840 --> 00:50:08,120 Speaker 2: there was another show out, but I haven't watched it. 1147 00:50:08,120 --> 00:50:09,239 Speaker 2: Did you like the Candy Show too? 1148 00:50:09,320 --> 00:50:09,520 Speaker 6: Yeah? 1149 00:50:09,560 --> 00:50:10,280 Speaker 2: Yeah, I thought. 1150 00:50:10,160 --> 00:50:11,640 Speaker 5: Jessica Bield did great in it too. 1151 00:50:11,800 --> 00:50:13,280 Speaker 2: Really, yeah, it's wild. 1152 00:50:13,520 --> 00:50:17,120 Speaker 6: Speaking of church, Lunchboxes asked for prayer warriors, which. 1153 00:50:16,920 --> 00:50:18,680 Speaker 2: I see on Facebook. Sometimes people are like, we need 1154 00:50:18,719 --> 00:50:21,680 Speaker 2: the prayer Warriors and they do the praying emoji and 1155 00:50:21,760 --> 00:50:24,840 Speaker 2: usually it's somebody sick or somebody at a time of crisis. 1156 00:50:24,880 --> 00:50:26,840 Speaker 2: But Lunchbox, why do you need the prayer warriors? 1157 00:50:27,160 --> 00:50:29,839 Speaker 6: Because the Ultimate is injured again. She's been, you know, 1158 00:50:29,960 --> 00:50:33,239 Speaker 6: like having a real hard time starting. I turned the 1159 00:50:33,320 --> 00:50:36,160 Speaker 6: key and it kind of shakes and sometimes it doesn't 1160 00:50:36,200 --> 00:50:39,120 Speaker 6: start and then it starts up. And yesterday the check 1161 00:50:39,160 --> 00:50:41,120 Speaker 6: engine light came on, so I had to drop her 1162 00:50:41,120 --> 00:50:43,120 Speaker 6: off at the shop. And now we're just sitting around 1163 00:50:43,120 --> 00:50:45,600 Speaker 6: waiting and waiting for the you know, the doctor to 1164 00:50:45,640 --> 00:50:46,000 Speaker 6: call and. 1165 00:50:45,960 --> 00:50:47,480 Speaker 2: Tell us life support. 1166 00:50:47,560 --> 00:50:51,040 Speaker 6: There's no you no, it's life or death, like this 1167 00:50:51,080 --> 00:50:53,080 Speaker 6: could be the end and we don't know, like the 1168 00:50:53,120 --> 00:50:55,600 Speaker 6: doctor is going to do a diagnosis. Look over her. 1169 00:50:56,160 --> 00:50:59,239 Speaker 6: It's like I need everybody, Like, I mean, if you're 1170 00:50:59,560 --> 00:51:02,359 Speaker 6: worked to you're at church, you know, wherever you are, 1171 00:51:02,400 --> 00:51:04,520 Speaker 6: to please just take a moment put your hands together 1172 00:51:04,600 --> 00:51:07,080 Speaker 6: and talk to the man upstairs or talk to whoever 1173 00:51:07,120 --> 00:51:10,279 Speaker 6: you talk to, and please pray for the Ultima, the 1174 00:51:10,520 --> 00:51:13,960 Speaker 6: five Ultima. She is in dire needs of prayers. We 1175 00:51:14,040 --> 00:51:17,520 Speaker 6: need to gather together at this Okay, okay, Like if 1176 00:51:17,560 --> 00:51:19,440 Speaker 6: you could stop by the church and light a candle, 1177 00:51:19,520 --> 00:51:20,880 Speaker 6: that would be really great for me. 1178 00:51:21,000 --> 00:51:23,040 Speaker 2: Thank you. By the way, for everybody listening, it's new 1179 00:51:23,120 --> 00:51:24,600 Speaker 2: lunchbox has an ultimate? What year is it? 1180 00:51:24,719 --> 00:51:27,640 Speaker 6: O five Ultima two hundred and fourteen, four hundred and 1181 00:51:27,680 --> 00:51:28,839 Speaker 6: thirty six miles. 1182 00:51:29,080 --> 00:51:30,840 Speaker 2: I feel like at this point you're praying for the 1183 00:51:30,880 --> 00:51:32,560 Speaker 2: oldest person on earth to survive. You should just be 1184 00:51:32,600 --> 00:51:34,480 Speaker 2: happy they've survived to be the oldest person on earth. 1185 00:51:34,920 --> 00:51:36,520 Speaker 2: I know the car's not going to last much longer, 1186 00:51:36,560 --> 00:51:38,040 Speaker 2: and I feel like you're spending more money on it 1187 00:51:38,080 --> 00:51:41,160 Speaker 2: than you could actually get for it if you traded 1188 00:51:41,200 --> 00:51:41,360 Speaker 2: it in. 1189 00:51:42,080 --> 00:51:42,160 Speaker 7: Uh. 1190 00:51:42,239 --> 00:51:44,520 Speaker 6: Yeah, I think it's worth two hundred and fifty dollars 1191 00:51:44,560 --> 00:51:48,760 Speaker 6: according to Kelly Blue Book. And so I just really 1192 00:51:48,920 --> 00:51:51,080 Speaker 6: I don't have another option. I don't have another car, 1193 00:51:51,160 --> 00:51:52,560 Speaker 6: so I would be without a car. 1194 00:51:52,760 --> 00:51:55,040 Speaker 2: Now you can go and buy a car, so you're 1195 00:51:55,120 --> 00:51:55,839 Speaker 2: not hard up. 1196 00:51:56,040 --> 00:51:58,560 Speaker 6: I am just asking for the prayers like right now, 1197 00:51:58,600 --> 00:51:59,960 Speaker 6: Like if you guys, if you guys want to join 1198 00:52:00,120 --> 00:52:00,600 Speaker 6: me right now? 1199 00:52:01,160 --> 00:52:04,359 Speaker 2: No, no chance, no chance. You hear his You don't 1200 00:52:04,360 --> 00:52:06,759 Speaker 2: hear his mood change because he's acting right now. He's 1201 00:52:06,760 --> 00:52:08,440 Speaker 2: trying to act and act all sad. I hope the 1202 00:52:08,520 --> 00:52:09,480 Speaker 2: Ultimate is okay. 1203 00:52:09,640 --> 00:52:11,680 Speaker 5: Yeah, I mean it is going to be heartbreaking for him. 1204 00:52:11,840 --> 00:52:14,040 Speaker 2: So, but he's not sad like he's trying to get 1205 00:52:14,080 --> 00:52:15,440 Speaker 2: us all to prey right now live on the air 1206 00:52:15,480 --> 00:52:18,600 Speaker 2: for the Ultima. He's not that sad. He's never asked 1207 00:52:18,640 --> 00:52:20,720 Speaker 2: us all to pray anywhere his whole life together. 1208 00:52:20,920 --> 00:52:21,600 Speaker 9: I know there. 1209 00:52:21,600 --> 00:52:23,520 Speaker 6: It is like one of the biggest moments of my life, like, 1210 00:52:23,560 --> 00:52:24,600 Speaker 6: this is something I need. 1211 00:52:24,640 --> 00:52:26,920 Speaker 2: So do your car gods. No, it stops. You're not 1212 00:52:26,960 --> 00:52:29,839 Speaker 2: trying to the car gods. Lunchbox is also upset at 1213 00:52:29,840 --> 00:52:33,359 Speaker 2: our company because of iHeart Country Festival. Apparently he found 1214 00:52:33,360 --> 00:52:35,640 Speaker 2: out there was an after party and now he's upset. 1215 00:52:35,960 --> 00:52:38,799 Speaker 6: Yeah, did you guys know there was an after party? 1216 00:52:39,120 --> 00:52:40,400 Speaker 2: Yeah? I did. 1217 00:52:40,560 --> 00:52:42,560 Speaker 6: No one told me about an after party. And I 1218 00:52:42,600 --> 00:52:45,080 Speaker 6: see someone in the hall yesterday and they're like, hey, 1219 00:52:45,120 --> 00:52:47,400 Speaker 6: why weren't you at the after party? And I said 1220 00:52:47,600 --> 00:52:50,160 Speaker 6: after party? Oh, you didn't know. There was no no, 1221 00:52:50,239 --> 00:52:53,680 Speaker 6: I had no idea there was an after party. Yeah, oh, 1222 00:52:54,840 --> 00:52:56,520 Speaker 6: how did I mean? No one told me either. I'm 1223 00:52:56,520 --> 00:52:58,440 Speaker 6: not mister after party, so I get it, but no 1224 00:52:58,480 --> 00:52:58,960 Speaker 6: one told me. 1225 00:52:59,120 --> 00:53:00,360 Speaker 2: Well that's what I'm saying. 1226 00:53:00,800 --> 00:53:03,360 Speaker 5: We tried to go but couldn't get Stevenson in. 1227 00:53:03,440 --> 00:53:08,200 Speaker 6: So you tried to get your kid into a bar. 1228 00:53:08,640 --> 00:53:11,120 Speaker 5: Well, I also had my nephew, Gunner, my sister, and 1229 00:53:11,120 --> 00:53:11,520 Speaker 5: then I. 1230 00:53:11,440 --> 00:53:13,399 Speaker 2: Was with, it's not Disneyland, it's a bar. 1231 00:53:13,640 --> 00:53:15,640 Speaker 5: It's a party, I know, But because it was our 1232 00:53:15,719 --> 00:53:18,840 Speaker 5: work party, I don't know. Elizabeth went to the should 1233 00:53:18,920 --> 00:53:20,400 Speaker 5: check out the scene, and we all waited in the 1234 00:53:20,440 --> 00:53:22,439 Speaker 5: car and she was like, yeah, no, twelve year old's 1235 00:53:22,440 --> 00:53:22,799 Speaker 5: gotta go. 1236 00:53:23,719 --> 00:53:25,160 Speaker 2: So lunchbucks, what do you want to see happen? 1237 00:53:25,440 --> 00:53:27,520 Speaker 6: I want to see whoever's in charge of this after party. 1238 00:53:27,560 --> 00:53:30,360 Speaker 6: I want them fired. I want them off, like I 1239 00:53:30,400 --> 00:53:32,359 Speaker 6: want them out of a job. Like i am one 1240 00:53:32,360 --> 00:53:34,520 Speaker 6: of the biggest people in this company, and I'm not 1241 00:53:34,560 --> 00:53:36,320 Speaker 6: even told about the after party. 1242 00:53:36,560 --> 00:53:37,800 Speaker 2: Like that makes no sense. 1243 00:53:38,080 --> 00:53:40,880 Speaker 6: Like you have little like behind the scenes people that 1244 00:53:41,080 --> 00:53:43,680 Speaker 6: like hand out snacks. They're at the after party and 1245 00:53:43,719 --> 00:53:46,560 Speaker 6: me I'm not even included. Didn't even know about it. 1246 00:53:46,840 --> 00:53:52,040 Speaker 2: They did orange slices after the Oh no, I'm more 1247 00:53:52,120 --> 00:53:52,879 Speaker 2: upset about that. 1248 00:53:53,200 --> 00:53:55,640 Speaker 6: I can't believe that no one told me there was 1249 00:53:55,640 --> 00:53:57,839 Speaker 6: an after party or where it was anything like that. 1250 00:53:58,080 --> 00:54:01,600 Speaker 6: How is that not included in my ide hetererary like at. 1251 00:54:01,400 --> 00:54:05,400 Speaker 2: Some point, No, that's a bad anybody go? No, No, 1252 00:54:05,440 --> 00:54:07,360 Speaker 2: I didn't go because I didn't know about it. Okay, 1253 00:54:07,440 --> 00:54:10,400 Speaker 2: we know, well, did any prayer warriors for that? 1254 00:54:10,800 --> 00:54:11,000 Speaker 1: No? 1255 00:54:11,280 --> 00:54:13,399 Speaker 6: I mean we should praise it, saying get fired, let's 1256 00:54:13,400 --> 00:54:14,959 Speaker 6: do that dinner firing. God. 1257 00:54:15,040 --> 00:54:19,279 Speaker 2: No, no, there's a firing. Guys. There's a voicemail we 1258 00:54:19,320 --> 00:54:19,960 Speaker 2: got last night. 1259 00:54:20,880 --> 00:54:24,799 Speaker 9: Hey, Bobby, I'll just get been listening to your podcast 1260 00:54:24,880 --> 00:54:29,719 Speaker 9: with Patrick keis very interesting, very interesting stories and kills 1261 00:54:29,960 --> 00:54:33,279 Speaker 9: my question though. At one point you asked him what 1262 00:54:33,520 --> 00:54:36,319 Speaker 9: his favorite concert he's ever been to, and you kind 1263 00:54:36,320 --> 00:54:39,960 Speaker 9: of threw off that you're jaded and you didn't name 1264 00:54:40,320 --> 00:54:42,960 Speaker 9: what your favorite concert that you've ever been to was, 1265 00:54:43,200 --> 00:54:44,920 Speaker 9: And I'm just curious what that is. 1266 00:54:45,680 --> 00:54:47,479 Speaker 2: I guess I'm jaded because I just see all behind 1267 00:54:47,480 --> 00:54:50,480 Speaker 2: the scenes of it and know it's not really as 1268 00:54:50,760 --> 00:54:54,719 Speaker 2: a romantic experience or like most times the artists, like 1269 00:54:54,840 --> 00:54:57,600 Speaker 2: I'm tired. I don't want to go on. Mine's probably 1270 00:54:57,680 --> 00:55:00,480 Speaker 2: John Maren Minneapolis. It's a great show. I love John 1271 00:55:00,480 --> 00:55:02,440 Speaker 2: Mayer or Garth Brooks and Lot of Rock, two completely 1272 00:55:02,440 --> 00:55:05,719 Speaker 2: different shows. We have that one together, so two of 1273 00:55:05,760 --> 00:55:08,560 Speaker 2: my favorite artists, Garth Brooks and Little Rock. Not the 1274 00:55:08,600 --> 00:55:10,560 Speaker 2: one Eddie and I played in front of that that's 1275 00:55:10,560 --> 00:55:13,600 Speaker 2: pretty cool too, Yeah, but the one we saw all 1276 00:55:13,640 --> 00:55:16,279 Speaker 2: three of us drove over me and yeah or Garth 1277 00:55:16,280 --> 00:55:18,640 Speaker 2: Brooks and MINNIAPPL Right, John Mayer and Minneapolis. But I 1278 00:55:18,680 --> 00:55:20,640 Speaker 2: appreciate that. The new Bobby Cast is with a guy 1279 00:55:20,640 --> 00:55:23,239 Speaker 2: that I follow on TikTok named Patrick Kicks tell such 1280 00:55:23,239 --> 00:55:25,360 Speaker 2: good music stories. Check it out. Go search for the 1281 00:55:25,360 --> 00:55:27,200 Speaker 2: Bobby Cast if you looking for something to listen to. 1282 00:55:27,440 --> 00:55:32,520 Speaker 2: But right now, let's do the news Bobby's stories. There 1283 00:55:32,600 --> 00:55:35,200 Speaker 2: is no such thing as a midlife crisis, thoughts Amy. 1284 00:55:36,000 --> 00:55:39,160 Speaker 5: I mean, is there like a little bit after midlife 1285 00:55:39,200 --> 00:55:40,160 Speaker 5: crisis or a little bit. 1286 00:55:40,080 --> 00:55:43,000 Speaker 2: Before recorder like one third life, Like. 1287 00:55:43,200 --> 00:55:47,320 Speaker 5: There's circumstantial life crisis crisis? 1288 00:55:47,360 --> 00:55:50,439 Speaker 2: Is there? Are it's a variable life crisis like whatever 1289 00:55:50,520 --> 00:55:51,800 Speaker 2: is happening in your life? Yeah? 1290 00:55:51,880 --> 00:55:54,560 Speaker 5: I think sometimes things pop up and you're you're like, oh, wait, 1291 00:55:55,200 --> 00:55:57,279 Speaker 5: why am I acting this way? And then you can 1292 00:55:57,320 --> 00:55:58,400 Speaker 5: assess and reel it in. 1293 00:55:58,880 --> 00:56:01,200 Speaker 2: So I feel like that's a very personal things you're 1294 00:56:01,200 --> 00:56:04,520 Speaker 2: saying there. Psychological research reveals that we're constantly questioning our 1295 00:56:04,560 --> 00:56:07,080 Speaker 2: lives and if we're living it right. In fact, at 1296 00:56:07,080 --> 00:56:10,600 Speaker 2: age twenty eight people start questioning the meaningfulness of their lives, 1297 00:56:10,840 --> 00:56:14,000 Speaker 2: which is well before midlife crisis. The questioning of our 1298 00:56:14,040 --> 00:56:16,160 Speaker 2: lives peaks at twenty nine and then starts to decline 1299 00:56:16,200 --> 00:56:18,080 Speaker 2: at thirty and then we go through the cycle again 1300 00:56:18,120 --> 00:56:19,560 Speaker 2: at thirty eight, forty eight, and fifty eight and the 1301 00:56:19,560 --> 00:56:21,400 Speaker 2: rest of our lives. So there's not really one point 1302 00:56:21,440 --> 00:56:22,239 Speaker 2: it towards the. 1303 00:56:22,280 --> 00:56:23,839 Speaker 6: End of a decade, although you do see a lot 1304 00:56:23,840 --> 00:56:25,960 Speaker 6: of those guys at fifty eight and the convertible. 1305 00:56:25,560 --> 00:56:28,600 Speaker 2: Yeah yeah, midlife crisis. Yeah yeah yeah, which is like 1306 00:56:28,680 --> 00:56:30,800 Speaker 2: maybe like holding on to ye or I can just 1307 00:56:30,880 --> 00:56:32,879 Speaker 2: now afford what I wanted when I was younger. It's 1308 00:56:32,880 --> 00:56:35,560 Speaker 2: a good point, Like that's a thing too. Next up, 1309 00:56:35,719 --> 00:56:39,160 Speaker 2: artificial sweeteners do not help weight loss. People look into 1310 00:56:39,280 --> 00:56:42,439 Speaker 2: shed a few pounds by turning to artificial sweeteners, they're 1311 00:56:42,440 --> 00:56:45,200 Speaker 2: actually not doing themselves any favors. This is new research 1312 00:56:45,320 --> 00:56:48,200 Speaker 2: The World Health or organization is now advising against using 1313 00:56:48,280 --> 00:56:50,680 Speaker 2: these non sugar sweeteness for weight loss, and they go 1314 00:56:50,719 --> 00:56:53,759 Speaker 2: through a lot of them, but then they start talking 1315 00:56:53,760 --> 00:56:56,080 Speaker 2: about some of the bad things. Listen, if it's not natural, 1316 00:56:56,480 --> 00:57:00,080 Speaker 2: it ain't naturally good for you, just generally speaking. My 1317 00:57:00,080 --> 00:57:03,120 Speaker 2: favorite food group, but one of my favorite food is preservatives. 1318 00:57:03,120 --> 00:57:06,800 Speaker 2: I love it. Yeah, just I like fruits and vegetables. 1319 00:57:07,520 --> 00:57:10,440 Speaker 2: I like preservatives, and I know that's not good for me. 1320 00:57:11,400 --> 00:57:14,960 Speaker 2: But they say that these sweeteners that have no nutritional value, 1321 00:57:15,600 --> 00:57:19,200 Speaker 2: they are not good for you in many areas, including 1322 00:57:19,200 --> 00:57:20,440 Speaker 2: that they're not from the ground. 1323 00:57:20,560 --> 00:57:22,080 Speaker 5: But gosh, diet coke is so good. 1324 00:57:22,080 --> 00:57:24,520 Speaker 2: I hate die cook I hate the aftertaste. The aftertaste 1325 00:57:24,520 --> 00:57:26,960 Speaker 2: tastes like I got frogged in the arm when my 1326 00:57:27,040 --> 00:57:29,640 Speaker 2: arm was asleep. Right, oh man, you know that tingle feeling. 1327 00:57:29,680 --> 00:57:32,200 Speaker 2: It's like, ah, when your arms asleep. That's what die 1328 00:57:32,280 --> 00:57:33,560 Speaker 2: coke tastes like to me, like I got punched in 1329 00:57:33,600 --> 00:57:33,840 Speaker 2: the arm. 1330 00:57:33,960 --> 00:57:35,880 Speaker 5: The problem is I got hooked as a child, so 1331 00:57:36,480 --> 00:57:37,320 Speaker 5: I don't know what to do. 1332 00:57:37,560 --> 00:57:38,960 Speaker 2: My grandma drank it all the time, right. 1333 00:57:39,080 --> 00:57:41,600 Speaker 5: I never drink the regular coke like I. If you 1334 00:57:41,600 --> 00:57:43,240 Speaker 5: were to put a regular coke in a diet in 1335 00:57:43,240 --> 00:57:45,200 Speaker 5: front of me. I'm going to choose the diet. It's 1336 00:57:45,240 --> 00:57:48,320 Speaker 5: not even about the tastes so much better to me, 1337 00:57:48,520 --> 00:57:49,040 Speaker 5: it's what my. 1338 00:57:49,000 --> 00:57:51,760 Speaker 2: Body is used to, like die Coke, no regular coke 1339 00:57:51,840 --> 00:57:53,960 Speaker 2: all the way, Mountain Dew too, and die Mountain de 1340 00:57:54,080 --> 00:57:54,840 Speaker 2: They should have never made it. 1341 00:57:54,880 --> 00:57:59,360 Speaker 5: Oh, die Mountain Dew's words that female like, we just 1342 00:57:59,400 --> 00:58:00,480 Speaker 5: always drink the diet. 1343 00:58:00,680 --> 00:58:03,520 Speaker 2: Oscar Meyer is changing the name of the Wiener Mobile 1344 00:58:03,560 --> 00:58:09,040 Speaker 2: to the Frank Mobile to the Wiener. Yeah. Basically, mm 1345 00:58:09,080 --> 00:58:12,360 Speaker 2: hmm is this Come on, guys, it's a Wiener, it's 1346 00:58:12,360 --> 00:58:16,800 Speaker 2: a it's funny to say Wiener. The new name is 1347 00:58:16,920 --> 00:58:20,880 Speaker 2: the first to nearly one hundred years. They basically just 1348 00:58:21,200 --> 00:58:23,200 Speaker 2: are doing be Franks, and they're saying that's the reason 1349 00:58:23,240 --> 00:58:27,120 Speaker 2: they're doing the Frank Mobile. So they had Wiener whistles 1350 00:58:27,120 --> 00:58:28,120 Speaker 2: and now the Frank whistles. 1351 00:58:28,840 --> 00:58:31,560 Speaker 5: I never thought about how that's how it got its 1352 00:58:31,600 --> 00:58:36,000 Speaker 5: nick name, like a hot dog being called that a Wiener. 1353 00:58:36,240 --> 00:58:39,880 Speaker 2: Yeah, how did he get his name? I never thought 1354 00:58:39,880 --> 00:58:40,439 Speaker 2: about it either. 1355 00:58:41,480 --> 00:58:43,520 Speaker 5: I've not thought about it. You told the story like 1356 00:58:43,560 --> 00:58:44,720 Speaker 5: who decided one day? 1357 00:58:45,440 --> 00:58:46,200 Speaker 2: And where does the word? 1358 00:58:46,600 --> 00:58:46,680 Speaker 6: Do? 1359 00:58:46,760 --> 00:58:49,000 Speaker 2: They name it after? The human wiener because of that? 1360 00:58:49,160 --> 00:58:51,640 Speaker 2: Or did the human wiener get named after the chicken 1361 00:58:51,680 --> 00:58:53,880 Speaker 2: on the edge but the hot dog. 1362 00:58:53,800 --> 00:58:54,760 Speaker 4: Version like, de look it up. 1363 00:58:56,360 --> 00:58:57,560 Speaker 2: We'll come back over to you in a second. 1364 00:58:57,600 --> 00:58:57,720 Speaker 6: Mike. 1365 00:58:57,760 --> 00:58:59,920 Speaker 2: I never thought about it either, just called it a wiener. 1366 00:59:00,120 --> 00:59:01,360 Speaker 2: Was it based off of that it looked like a 1367 00:59:01,400 --> 00:59:01,960 Speaker 2: human meaner? 1368 00:59:02,080 --> 00:59:02,640 Speaker 5: Yeah, I don't know. 1369 00:59:03,600 --> 00:59:03,680 Speaker 9: Uh. 1370 00:59:03,720 --> 00:59:05,560 Speaker 2: The writer of Vet Sheeran's Thinking Out Loud got a 1371 00:59:05,560 --> 00:59:09,760 Speaker 2: tattoo that says independently created to celebrate their winning copyright 1372 00:59:09,840 --> 00:59:12,960 Speaker 2: verdict at Sharon with Court. He won, so one of 1373 00:59:13,000 --> 00:59:15,960 Speaker 2: the writers, Amy Wage, got a tattoo, and so Mike 1374 00:59:16,000 --> 00:59:17,720 Speaker 2: did ask the question, if you were to get a tattoo 1375 00:59:17,840 --> 00:59:19,920 Speaker 2: there was a pinnacle of your career on your body, 1376 00:59:20,280 --> 00:59:23,320 Speaker 2: what would it represent and where would you get it? Now? 1377 00:59:23,840 --> 00:59:25,439 Speaker 2: Cheating for me a little bit because I have a couple. 1378 00:59:25,560 --> 00:59:28,600 Speaker 2: I have the microphone on my inside of my forearm 1379 00:59:29,080 --> 00:59:30,720 Speaker 2: for when I was put into the Radio Hall of Fame, 1380 00:59:30,800 --> 00:59:32,680 Speaker 2: and then I have mirror ball and small text on 1381 00:59:32,720 --> 00:59:35,760 Speaker 2: the back of my arm. Career wise, I also have 1382 00:59:35,760 --> 00:59:39,760 Speaker 2: my grandma's initial my mom's initials, and Caitlin's, but those 1383 00:59:39,800 --> 00:59:41,840 Speaker 2: are mine, which I already have Amy yours. 1384 00:59:42,360 --> 00:59:44,560 Speaker 5: I mean I won a Gracie Award, which is for 1385 00:59:44,640 --> 00:59:49,240 Speaker 5: women in media, so that's very special. But mine would 1386 00:59:49,240 --> 00:59:52,120 Speaker 5: be question mark because I don't think hit the pinnacle yet. 1387 00:59:52,320 --> 00:59:53,960 Speaker 2: Oh I don't think I have either, but it's like 1388 00:59:54,000 --> 00:59:54,760 Speaker 2: the Pinnacle so far. 1389 00:59:54,880 --> 00:59:57,720 Speaker 5: Oh I love the Gracie was very very sore to me. 1390 00:59:57,840 --> 00:59:59,960 Speaker 2: What did be the HBO Max logo from your movie Nice? 1391 01:00:00,080 --> 01:00:01,720 Speaker 2: That'd be cool or the movie logo? 1392 01:00:01,920 --> 01:00:04,600 Speaker 5: Wow, I had not thought of that. Maybe all my lines? 1393 01:00:05,680 --> 01:00:10,440 Speaker 3: Yeah, yeah, Eddie, Yeah, mine would be uh, probably walking 1394 01:00:10,440 --> 01:00:11,640 Speaker 3: from West Virginia, Tennessee. 1395 01:00:12,080 --> 01:00:14,080 Speaker 2: Yes, we like the money that I made as much 1396 01:00:14,120 --> 01:00:15,720 Speaker 2: as you meant race for charity, I like fourth to 1397 01:00:15,760 --> 01:00:18,120 Speaker 2: four hundred thousand, you know, just in this small little 1398 01:00:18,280 --> 01:00:21,080 Speaker 2: lunchbox yours. Oh man, I don't know. 1399 01:00:21,240 --> 01:00:22,959 Speaker 6: I mean I would have to just have a bunch 1400 01:00:23,000 --> 01:00:25,040 Speaker 6: of women on my arm because next in the day, 1401 01:00:25,440 --> 01:00:25,960 Speaker 6: you know what I mean? 1402 01:00:25,960 --> 01:00:31,520 Speaker 2: When I was just single and hitting sixth Street. Is 1403 01:00:31,560 --> 01:00:33,360 Speaker 2: it because you got them because of your career? 1404 01:00:34,080 --> 01:00:35,720 Speaker 6: No? But I was in my career at that point, 1405 01:00:35,800 --> 01:00:38,520 Speaker 6: So I mean, what about I don't know, a problem 1406 01:00:38,680 --> 01:00:41,640 Speaker 6: like a crown, But I wasn't that wasn't in my career. 1407 01:00:41,840 --> 01:00:44,720 Speaker 6: I wasn't working then I was in high school either. 1408 01:00:45,520 --> 01:00:47,640 Speaker 6: I'm just saying of the things that you're choosing, it 1409 01:00:47,680 --> 01:00:49,840 Speaker 6: doesn't matter. Okay, thank you, thank you, lunchbox. 1410 01:00:50,240 --> 01:00:53,640 Speaker 2: Yeah, no problem, man. Elizabeth Holmes must report to prison 1411 01:00:53,680 --> 01:00:58,120 Speaker 2: by May thirtieth. So she got it denied. That's crazy. 1412 01:00:58,120 --> 01:00:59,920 Speaker 2: She's really going to go to jail. She's so nor 1413 01:01:00,080 --> 01:01:02,120 Speaker 2: well now they'd they've normalized her so much. Her voice 1414 01:01:02,160 --> 01:01:05,200 Speaker 2: is not deep anymore. She's she's the woman who started 1415 01:01:05,240 --> 01:01:09,520 Speaker 2: the company then went to jail. Yeah, for fraud, basically 1416 01:01:09,560 --> 01:01:13,000 Speaker 2: because they said that they were representing something they couldn't do. 1417 01:01:13,040 --> 01:01:14,120 Speaker 2: They were taking money for people. 1418 01:01:14,120 --> 01:01:16,200 Speaker 5: Although I will say, and I think you agree with me, 1419 01:01:16,320 --> 01:01:19,240 Speaker 5: that she did start out with good intentions, and I 1420 01:01:19,280 --> 01:01:20,800 Speaker 5: do think she thought they were going to be able 1421 01:01:20,840 --> 01:01:23,240 Speaker 5: to do it, and then they just never quite got there. 1422 01:01:23,280 --> 01:01:24,680 Speaker 2: Well, I was going to the bank just to take 1423 01:01:24,720 --> 01:01:26,720 Speaker 2: out a deposit for one in myself, and I decided 1424 01:01:26,720 --> 01:01:29,560 Speaker 2: to rob it. My attentions were good. That doesn't really work. 1425 01:01:30,240 --> 01:01:32,560 Speaker 6: Rivers Cuomo from Weezer thinks they made too much music. 1426 01:01:33,800 --> 01:01:36,120 Speaker 2: I don't agree with that. And then finally, a brawl 1427 01:01:36,200 --> 01:01:38,320 Speaker 2: breaks out at Disney World over a family being asked 1428 01:01:38,320 --> 01:01:41,040 Speaker 2: to move for a picture. The scuffle at the Disney 1429 01:01:41,080 --> 01:01:43,760 Speaker 2: Theme Park on Monday ignited after one family asked another 1430 01:01:43,840 --> 01:01:45,160 Speaker 2: move so they could take a group picture in front 1431 01:01:45,160 --> 01:01:48,360 Speaker 2: of the park's iconic one hundredth year anniversary sign. Then 1432 01:01:48,360 --> 01:01:49,840 Speaker 2: the family sort of pushing into one of you know, 1433 01:01:49,880 --> 01:01:53,160 Speaker 2: the kids like stop, so dad sounds because you know 1434 01:01:53,120 --> 01:01:56,439 Speaker 2: it's too dad. The fight raged on for several minutes. 1435 01:01:56,480 --> 01:01:59,240 Speaker 2: People were recording it, so people started filming the fight. 1436 01:01:59,440 --> 01:02:02,160 Speaker 2: Love it all this footage up official said later. One 1437 01:02:02,160 --> 01:02:04,840 Speaker 2: individualide to receive medical attention, but then no one would 1438 01:02:04,840 --> 01:02:07,640 Speaker 2: press charges. I know. The video showed workers and security 1439 01:02:07,680 --> 01:02:13,320 Speaker 2: eventually arriving to break them up. Oh my Disney too, families. Wow, 1440 01:02:13,360 --> 01:02:20,600 Speaker 2: that's from the Daily Mail. That is the news. Bobby's story, Eddie, 1441 01:02:20,680 --> 01:02:23,760 Speaker 2: homeless guy gave you something? Yeah, isn't that crazy? What happened? 1442 01:02:23,920 --> 01:02:26,680 Speaker 3: Well, I was at a red light and homeless guy's 1443 01:02:26,720 --> 01:02:28,600 Speaker 3: just walking by, and I usually just like roll down 1444 01:02:28,640 --> 01:02:29,960 Speaker 3: the window and talk to him. I don't if I 1445 01:02:29,960 --> 01:02:31,480 Speaker 3: have change. I gave him change, but I normally don't 1446 01:02:31,480 --> 01:02:33,160 Speaker 3: give him money. Also, you're in a jeep where there's 1447 01:02:33,160 --> 01:02:35,640 Speaker 3: no top, totally wide open. It's wide anybody can talk 1448 01:02:35,640 --> 01:02:37,800 Speaker 3: to you, right, so I'm just like, how's it going, man, 1449 01:02:37,840 --> 01:02:40,280 Speaker 3: He's like, where's your ducky? And I go, excuse me, 1450 01:02:40,560 --> 01:02:42,760 Speaker 3: your rubber ducky? You drive a jeep and jeeps all 1451 01:02:42,760 --> 01:02:45,000 Speaker 3: have rubber duckies. I'm like, Oh, no one's ever give 1452 01:02:45,000 --> 01:02:45,640 Speaker 3: me a rubber ducky. 1453 01:02:45,680 --> 01:02:47,920 Speaker 2: I don't know. So he reaches in his pocket and 1454 01:02:47,960 --> 01:02:50,280 Speaker 2: pulls out of duckies. Here you go, man, put that 1455 01:02:50,320 --> 01:02:53,000 Speaker 2: on your dash I was like, that's amazing. The homeless 1456 01:02:53,040 --> 01:02:56,040 Speaker 2: guy gave me something. So now it's on my dash 1457 01:02:56,080 --> 01:02:58,000 Speaker 2: and he had a ducky in his pocket. Yeah, that 1458 01:02:58,040 --> 01:02:59,840 Speaker 2: crazy Morgan. You have a jeep, you have a ducky. 1459 01:03:00,080 --> 01:03:01,640 Speaker 4: I have like six of them on my dashboard. 1460 01:03:01,680 --> 01:03:03,160 Speaker 2: Why would you know you have anyone that's rude. 1461 01:03:03,160 --> 01:03:04,040 Speaker 4: I did give it one. 1462 01:03:04,120 --> 01:03:07,640 Speaker 2: Hey, that's American. You gave me, you know what. 1463 01:03:07,800 --> 01:03:09,760 Speaker 11: I was waiting for him to bring it up, and 1464 01:03:09,800 --> 01:03:10,760 Speaker 11: I ducked him one time. 1465 01:03:10,800 --> 01:03:12,200 Speaker 4: And you know what, I think? He throw it away? 1466 01:03:12,400 --> 01:03:15,200 Speaker 2: Oh that's what that was. She put it on my 1467 01:03:15,280 --> 01:03:16,640 Speaker 2: door hand. Know what it was? 1468 01:03:16,760 --> 01:03:19,280 Speaker 3: No idea and I did throw it away. What did 1469 01:03:19,280 --> 01:03:21,280 Speaker 3: you think it was? I thought somebody pranked me. I'm like, 1470 01:03:21,280 --> 01:03:21,760 Speaker 3: I have no idea. 1471 01:03:21,760 --> 01:03:25,880 Speaker 2: What you get ducked, so people give you ducks. What's 1472 01:03:26,160 --> 01:03:27,320 Speaker 2: I had a jeep for a while and the way 1473 01:03:27,360 --> 01:03:30,080 Speaker 2: thing got annoying. Oh yeah, I thinking I knew them 1474 01:03:30,080 --> 01:03:31,320 Speaker 2: and I was like, who was that? Oh yeah, you 1475 01:03:31,320 --> 01:03:33,000 Speaker 2: know what happens to me. I dropped my wife's cars, 1476 01:03:33,040 --> 01:03:34,360 Speaker 2: not a jeep, and I waved to people and then't 1477 01:03:34,400 --> 01:03:38,800 Speaker 2: wave back. I'm like, you they what's the duck thing, Morgan? 1478 01:03:38,960 --> 01:03:41,760 Speaker 11: It's basically them saying they like your jeep, so they'll 1479 01:03:41,840 --> 01:03:43,480 Speaker 11: duck you and they'll leave a little note with it, 1480 01:03:43,560 --> 01:03:45,320 Speaker 11: or they may just leave a duck and it's just like. 1481 01:03:45,320 --> 01:03:46,600 Speaker 4: We ducked you because we like your jeep. 1482 01:03:46,680 --> 01:03:48,760 Speaker 2: So no one except for Morgan has ever ducked you. 1483 01:03:48,800 --> 01:03:51,840 Speaker 2: No one's ever ducked me. Pretty cool, except now home 1484 01:03:51,920 --> 01:03:53,560 Speaker 2: was guy ducked me? Well, you know why Morgan gets 1485 01:03:53,640 --> 01:03:55,600 Speaker 2: ducked hot chick. 1486 01:03:57,440 --> 01:04:00,600 Speaker 6: Thet They see her get out the jeep like. 1487 01:04:00,560 --> 01:04:03,200 Speaker 2: Hot blonde, let me this my in on and waiting 1488 01:04:03,240 --> 01:04:04,160 Speaker 2: to duck here for a long time. 1489 01:04:05,200 --> 01:04:06,880 Speaker 5: They don't stick around. 1490 01:04:07,600 --> 01:04:09,280 Speaker 4: Yeah, they do it when I'm not in the car. Right, 1491 01:04:09,720 --> 01:04:10,480 Speaker 4: it happens, But it's like. 1492 01:04:11,720 --> 01:04:12,880 Speaker 5: Is their phone number on the duck? 1493 01:04:13,040 --> 01:04:15,880 Speaker 11: No, It's just like sometimes people will do little stickers. 1494 01:04:15,520 --> 01:04:16,959 Speaker 4: With them and be like, this is my jeep. 1495 01:04:17,200 --> 01:04:18,760 Speaker 2: That'd be the way to do it. The number or 1496 01:04:18,840 --> 01:04:19,440 Speaker 2: Instagram name. 1497 01:04:19,560 --> 01:04:21,600 Speaker 11: No, that's that hasn't happened, but I did have to 1498 01:04:21,840 --> 01:04:23,160 Speaker 11: like in a row, and I think it might have 1499 01:04:23,240 --> 01:04:24,240 Speaker 11: been somebody. 1500 01:04:24,840 --> 01:04:26,560 Speaker 4: That's no follow up ever happened. 1501 01:04:26,920 --> 01:04:28,680 Speaker 2: Can people without a jep duck someone. 1502 01:04:28,800 --> 01:04:29,840 Speaker 4: I think people have tried. 1503 01:04:29,920 --> 01:04:32,000 Speaker 11: It just doesn't catch on like jeep ducking does. 1504 01:04:32,240 --> 01:04:33,680 Speaker 2: No, no, no no. If I don't have a jeep, but 1505 01:04:33,680 --> 01:04:34,720 Speaker 2: I like your jeep, can I duck you? 1506 01:04:34,720 --> 01:04:36,200 Speaker 4: Oh yeah, yeah. 1507 01:04:36,000 --> 01:04:37,600 Speaker 1: You totally. Why would you. 1508 01:04:37,680 --> 01:04:39,480 Speaker 5: It's like you're trying to be a partisanthing when you're not. 1509 01:04:39,760 --> 01:04:42,320 Speaker 2: That's my whole life, Junior high. Whenever you want to, 1510 01:04:42,360 --> 01:04:44,800 Speaker 2: let you duck me. Okay, all right, all right, this 1511 01:04:44,880 --> 01:04:48,280 Speaker 2: this whole segment's been ducked up, right, Hey, well we 1512 01:04:48,360 --> 01:04:49,800 Speaker 2: have to go because we're gonna get fired already. 1513 01:04:49,840 --> 01:04:53,840 Speaker 5: So phone auto corrects the bad word, Yeah, to duck, 1514 01:04:53,920 --> 01:04:56,440 Speaker 5: to duck, you're still using foul language. 1515 01:04:57,600 --> 01:05:02,120 Speaker 2: Nice, all right, hilarious. I like that, don't do. 1516 01:05:02,160 --> 01:05:05,760 Speaker 10: It, Bobby Bone Show Today. 1517 01:05:06,280 --> 01:05:10,440 Speaker 6: This story comes with us from Philadelphia, Pennsylvania. A young 1518 01:05:10,520 --> 01:05:12,960 Speaker 6: pastor took o over a very old church, and he 1519 01:05:13,080 --> 01:05:14,880 Speaker 6: was like, man, we need to spruce it up a 1520 01:05:14,920 --> 01:05:16,280 Speaker 6: little bit, modernize it. 1521 01:05:16,560 --> 01:05:19,280 Speaker 2: He's like, now it's a pastor bonehead. I don't we 1522 01:05:19,360 --> 01:05:21,600 Speaker 2: may be in uncharted territory. Here, go ahead. 1523 01:05:22,080 --> 01:05:23,840 Speaker 6: And he was like, oh, you know those old stained 1524 01:05:23,880 --> 01:05:26,400 Speaker 6: glass windows. Let's get rid of those. Let's sell them. 1525 01:05:26,840 --> 01:05:27,919 Speaker 6: So he put them up for sale. 1526 01:05:28,040 --> 01:05:29,120 Speaker 2: They're worth so much money. 1527 01:05:29,120 --> 01:05:31,800 Speaker 6: I bet he sell them for six thousand dollars. Okay, 1528 01:05:32,240 --> 01:05:34,560 Speaker 6: And turns out they're a rare Tiffany glass and they're 1529 01:05:34,560 --> 01:05:35,640 Speaker 6: worth half a million apiece. 1530 01:05:40,480 --> 01:05:43,400 Speaker 2: Yeah. Hey, somebody got a good deal. Someone got a 1531 01:05:43,440 --> 01:05:45,760 Speaker 2: great deal. Someone put them up for auction. It's wild. 1532 01:05:45,920 --> 01:05:47,800 Speaker 5: Maybe that the person that got them for a good 1533 01:05:47,800 --> 01:05:48,840 Speaker 5: deal prayed for a good deal. 1534 01:05:50,040 --> 01:05:53,600 Speaker 2: Maybe yeah. Or maybe they were like, I'm going to 1535 01:05:53,640 --> 01:05:55,720 Speaker 2: take advantage of the situation. Maybe it was the devil 1536 01:05:57,920 --> 01:05:59,280 Speaker 2: for sale came in human form and was. 1537 01:05:59,280 --> 01:06:01,320 Speaker 5: Like, oh I didn't know that route. 1538 01:06:01,760 --> 01:06:04,960 Speaker 2: Wow, I have a very similar story to that I'll 1539 01:06:05,000 --> 01:06:07,880 Speaker 2: be able to share one day. I can't share right 1540 01:06:07,960 --> 01:06:10,280 Speaker 2: this moment. One day I will be able to share 1541 01:06:10,280 --> 01:06:14,120 Speaker 2: a very similar story. So just write it down. You know. 1542 01:06:14,480 --> 01:06:17,640 Speaker 2: That's it's middle of May right now. Mike August. First, 1543 01:06:18,400 --> 01:06:19,840 Speaker 2: I will try to. I think I'll be able to 1544 01:06:19,840 --> 01:06:22,520 Speaker 2: tell my story by then. Okay, Oho, you sold some windows, 1545 01:06:23,400 --> 01:06:26,400 Speaker 2: I busted some, you bought a church threw a basically, yeah, 1546 01:06:26,480 --> 01:06:27,440 Speaker 2: you're a young pastor. 1547 01:06:27,680 --> 01:06:31,400 Speaker 6: Okay, Lunchbox, I'm lunchbox. 1548 01:06:31,440 --> 01:06:35,000 Speaker 2: That's your bonehead story of the day. Let's get a 1549 01:06:35,080 --> 01:06:37,160 Speaker 2: movie review in before we get out of here. 1550 01:06:37,560 --> 01:06:40,200 Speaker 10: And now movie Mike's movie minute. 1551 01:06:40,200 --> 01:06:40,800 Speaker 2: What's the movie? 1552 01:06:40,840 --> 01:06:41,040 Speaker 6: Mike? 1553 01:06:41,280 --> 01:06:42,880 Speaker 12: Hypnotics starring Ben Affleck. 1554 01:06:44,400 --> 01:06:46,560 Speaker 2: You know, when I watched Air with Ben Affleck, I 1555 01:06:46,600 --> 01:06:48,760 Speaker 2: was reminded I'd really like Ben Affleck a movie. He's 1556 01:06:48,800 --> 01:06:52,080 Speaker 2: not just a dope because the memes of him outside 1557 01:06:52,160 --> 01:06:55,120 Speaker 2: with the dunkin Donuts, smoking like a or even just walking. 1558 01:06:55,920 --> 01:06:58,960 Speaker 2: He's just always like a He's a really good, great director, 1559 01:06:59,000 --> 01:07:00,960 Speaker 2: great actor. Yeah, he really is. So he's in a 1560 01:07:00,960 --> 01:07:02,280 Speaker 2: movie called Hypnotic. What's it about? 1561 01:07:02,360 --> 01:07:04,840 Speaker 17: It's about He plays as detective trying to find out 1562 01:07:04,880 --> 01:07:07,680 Speaker 17: what happened to his missing daughter. There's a secret government 1563 01:07:07,760 --> 01:07:09,160 Speaker 17: agency that he thinks is behind it. 1564 01:07:09,200 --> 01:07:11,560 Speaker 2: Okay, I like that sounds interesting. What's it on? 1565 01:07:11,840 --> 01:07:13,560 Speaker 12: It is in theaters? 1566 01:07:14,240 --> 01:07:16,360 Speaker 2: You're outa good No. 1567 01:07:16,480 --> 01:07:18,200 Speaker 17: I think I'm the only one who saw this movie. 1568 01:07:18,200 --> 01:07:20,640 Speaker 17: It only made two point four million dollars cost sixty 1569 01:07:20,640 --> 01:07:24,040 Speaker 17: five million dollars to make. Oh have you ever seen Inception? Yeah, 1570 01:07:24,240 --> 01:07:26,760 Speaker 17: this is like if an inception was made a dollar tree. 1571 01:07:26,880 --> 01:07:28,440 Speaker 17: It's a dollar tree version of inception. 1572 01:07:29,240 --> 01:07:31,920 Speaker 2: I thought it was like a daughter being stolen in 1573 01:07:31,960 --> 01:07:32,880 Speaker 2: an FBI tip movie. 1574 01:07:32,880 --> 01:07:34,880 Speaker 17: And then it gets crazy because there's these people who 1575 01:07:34,920 --> 01:07:37,880 Speaker 17: have this ability to like hypnotize you, and they can 1576 01:07:37,920 --> 01:07:39,440 Speaker 17: manipulate the things you see. 1577 01:07:39,680 --> 01:07:41,480 Speaker 12: It really goes off the rails really quickly. 1578 01:07:41,960 --> 01:07:44,800 Speaker 2: Those kind of movies have that that that's risky. You know. 1579 01:07:44,880 --> 01:07:46,320 Speaker 2: The movie that could have gone off the rails was 1580 01:07:46,320 --> 01:07:48,200 Speaker 2: the one where they did the split timelines that won 1581 01:07:48,280 --> 01:07:52,640 Speaker 2: all the Oscars. Leonardo DiCaprio is on Amazon. I watched 1582 01:07:52,640 --> 01:07:54,000 Speaker 2: on Amazon. It's the movie that won all the Oscars 1583 01:07:54,080 --> 01:07:57,000 Speaker 2: last year, like seven of them, everything, everything else, everything 1584 01:07:57,080 --> 01:08:01,000 Speaker 2: that one that one could have easily done, Hypnotic did. Oh, 1585 01:08:01,200 --> 01:08:02,600 Speaker 2: it could have lost its place, and it did and 1586 01:08:02,640 --> 01:08:04,120 Speaker 2: that did a great job, and so it one Oscars. 1587 01:08:04,280 --> 01:08:06,000 Speaker 3: When that happens and they lose that much money, does 1588 01:08:06,040 --> 01:08:09,240 Speaker 3: that exact like I don't know whatever green lit that 1589 01:08:09,360 --> 01:08:09,720 Speaker 3: or whatever. 1590 01:08:09,880 --> 01:08:12,360 Speaker 2: They probably didn't promote it. They probably knew it wasn't 1591 01:08:12,400 --> 01:08:14,960 Speaker 2: gonna make money, so they didn't promote it and waste 1592 01:08:15,000 --> 01:08:16,720 Speaker 2: that money, and then they wrote off. They get to 1593 01:08:16,720 --> 01:08:19,080 Speaker 2: write off the loss. It probably was a strategy once 1594 01:08:19,120 --> 01:08:20,200 Speaker 2: they realized the movie sucked. 1595 01:08:20,400 --> 01:08:23,799 Speaker 5: Okay, Mike, did you know at what point they realize it, 1596 01:08:24,120 --> 01:08:25,040 Speaker 5: they just keep going. 1597 01:08:25,080 --> 01:08:27,360 Speaker 2: They're like, well, well you gotta put it out. 1598 01:08:27,640 --> 01:08:29,920 Speaker 17: Yeah, once you're so investigated, you still got to put 1599 01:08:29,960 --> 01:08:30,679 Speaker 17: it out and then you can. 1600 01:08:30,840 --> 01:08:31,439 Speaker 12: Do the ride off. 1601 01:08:31,720 --> 01:08:33,640 Speaker 2: Remember like was it like a Batgirl? 1602 01:08:33,920 --> 01:08:35,200 Speaker 12: Yeah, never came out. 1603 01:08:35,280 --> 01:08:37,719 Speaker 2: They made the whole movie and said it would be 1604 01:08:37,720 --> 01:08:40,120 Speaker 2: better just write it off as a loss than to 1605 01:08:40,200 --> 01:08:40,639 Speaker 2: put it out. 1606 01:08:40,640 --> 01:08:42,280 Speaker 12: It is ready to go, going to be on HBO, 1607 01:08:42,400 --> 01:08:43,360 Speaker 12: and then never came out. 1608 01:08:43,439 --> 01:08:45,400 Speaker 3: And I think the star is like her first big 1609 01:08:45,439 --> 01:08:46,680 Speaker 3: movie and they cut it. 1610 01:08:47,479 --> 01:08:50,400 Speaker 2: That's one day that has to come out, right, Yeah, 1611 01:08:50,520 --> 01:08:52,960 Speaker 2: you have to pay the government back. I don't know, 1612 01:08:53,040 --> 01:08:54,200 Speaker 2: you know if you write it all off and then 1613 01:08:54,240 --> 01:08:56,760 Speaker 2: it comes out later, So not, what do you give it? 1614 01:08:56,800 --> 01:08:59,200 Speaker 17: I give it one point five out of five. It's 1615 01:08:59,240 --> 01:09:01,920 Speaker 17: probably the same worst movie I've seen so far this year. 1616 01:09:02,280 --> 01:09:04,400 Speaker 17: It was so boring that this guy fell asleep in 1617 01:09:04,439 --> 01:09:06,200 Speaker 17: the movie theater and you could hear him snoring. 1618 01:09:07,000 --> 01:09:08,080 Speaker 2: Wow, what was the worst? 1619 01:09:08,800 --> 01:09:10,760 Speaker 17: A movie called sixty five with Adam Driver was a 1620 01:09:10,800 --> 01:09:12,920 Speaker 17: sci fi movie. That's still the worst of the year. 1621 01:09:14,160 --> 01:09:16,920 Speaker 2: Do you see where that everything, everything after whatever could 1622 01:09:16,920 --> 01:09:18,439 Speaker 2: have could have easily gone off the rills. 1623 01:09:18,479 --> 01:09:20,519 Speaker 17: Yeah, whenever you go to so far into sci fi 1624 01:09:20,840 --> 01:09:21,719 Speaker 17: you can lose people. 1625 01:09:21,960 --> 01:09:24,920 Speaker 2: This one loses you. Yeah. The Mario Brothers movie now 1626 01:09:24,960 --> 01:09:26,080 Speaker 2: is out of theaters though. 1627 01:09:26,200 --> 01:09:27,200 Speaker 12: Yeah, you can buy it. 1628 01:09:27,680 --> 01:09:29,960 Speaker 2: You can't watch it for free. It'll be on. 1629 01:09:30,400 --> 01:09:33,000 Speaker 12: Yeah, it'll be on Peacock later in June. 1630 01:09:32,680 --> 01:09:34,240 Speaker 2: But right now you can ask it for Peacock. 1631 01:09:34,280 --> 01:09:35,880 Speaker 12: Yeah, you can pay thirty bucks to watch it. 1632 01:09:35,920 --> 01:09:37,720 Speaker 2: Peacock has one of the playoff games too coming up 1633 01:09:37,720 --> 01:09:41,040 Speaker 2: football season. Goddess streamed only on Peacock. We're gonna have 1634 01:09:41,080 --> 01:09:44,280 Speaker 2: to get Peacock now. You may have it. I don't 1635 01:09:44,320 --> 01:09:45,800 Speaker 2: have it. It's like a free version of Peacock or 1636 01:09:46,080 --> 01:09:48,599 Speaker 2: I think with ads is it. Yeah, I have Peacock 1637 01:09:48,680 --> 01:09:50,920 Speaker 2: because Snake in the Grass is on Peacock, my show 1638 01:09:50,960 --> 01:09:53,280 Speaker 2: that I did with NBC, and so you can still 1639 01:09:53,280 --> 01:09:56,360 Speaker 2: watch it up there. But yeah, Peacock's been trying, but 1640 01:09:56,479 --> 01:09:59,759 Speaker 2: football wrestling is good for it. And then the Mario 1641 01:09:59,800 --> 01:10:02,839 Speaker 2: brother movie, because that's the biggest movie, like the moneymaker 1642 01:10:02,840 --> 01:10:02,960 Speaker 2: of the. 1643 01:10:03,000 --> 01:10:04,439 Speaker 12: Year, right, a billion dollars bill. 1644 01:10:04,760 --> 01:10:07,759 Speaker 2: That's crazy, that's opposite of the benefletic movie. Exact opposite 1645 01:10:07,920 --> 01:10:08,559 Speaker 2: by everybody 1646 01:10:11,880 --> 01:10:12,120 Speaker 6: Show