WEBVTT - The Statue

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<v Speaker 1>History Versus is a production of I Heart Radio and

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<v Speaker 1>Mental Flaws. One thing that happens when you make a

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<v Speaker 1>Theodore Roosevelt themed podcast is that whenever there's tr related news,

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<v Speaker 1>you get a ton of messages about it, which is

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<v Speaker 1>exactly what happened to me when news broke that the

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<v Speaker 1>American Museum of Natural History had asked for the equestrian

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<v Speaker 1>statue of tr that stands outside at Central Park West

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<v Speaker 1>Entrance to be removed. The request comes at a time

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<v Speaker 1>when hundreds of thousands of people are taking to the

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<v Speaker 1>streets to protest police brutality and systemic racism. Statues of

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<v Speaker 1>historical figures, including those of the Confederacy, and monuments dedicated

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<v Speaker 1>to figures who owned or sold enslaved people, are being defaced, removed,

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<v Speaker 1>or pulled down entirely, and not just here in the States,

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<v Speaker 1>but all around the world as well. Although the museum's

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<v Speaker 1>request to remove the statue, which features Tr on horseback

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<v Speaker 1>flanked on the ground by one Native American and one

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<v Speaker 1>for a configure, was made in light of the current movement,

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<v Speaker 1>this particular statue of tr has been controversial for a

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<v Speaker 1>very long time. In nineteen seventy one, activist dumped a

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<v Speaker 1>can of red paint on Roosevelt's head, in what a

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<v Speaker 1>paper at that time called the latest incident against the

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<v Speaker 1>Roosevelt statue. Former New York City Parks Commissioner Gordon Davis

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<v Speaker 1>said he would support the statue being blasted away from

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<v Speaker 1>where it stood unless he noted, Roosevelt got off and

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<v Speaker 1>walked with them. Beginning in two sixteen, activists have protested

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<v Speaker 1>the statue by organizing marches, covering it with a parachute

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<v Speaker 1>and splashing red paint on the base. Removing the statue

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<v Speaker 1>was considered as recently as the Mayoral Advisory Commission on

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<v Speaker 1>City Art, Monuments and Markers, which was, according to a

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<v Speaker 1>report issued in January, committed to a process of historical

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<v Speaker 1>reckoning a nuanced understanding of the complicated histories we have inherited,

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<v Speaker 1>was split about what to do with the statue. Ultimately,

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<v Speaker 1>the city decided to keep the statue where it was

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<v Speaker 1>and asked the museum to add context to the work,

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<v Speaker 1>which the museum did in its exhibit addressing the statue.

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<v Speaker 1>We touched briefly on the statue and on the exhibit

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<v Speaker 1>in a larger discussion of Roosevelt's views on race in

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<v Speaker 1>the episode History Versus t R. Why was the city

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<v Speaker 1>involved in the decision? You ask, because even though many

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<v Speaker 1>associate the statue directly with the museum thanks to its location,

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<v Speaker 1>Roosevelt's own history with the institution, and things like The

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<v Speaker 1>Night of the Museum movies, it's actually part of a

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<v Speaker 1>public memorial to Roosevelt located on public land. While some

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<v Speaker 1>have issues with the statue because of Roosevelt himself, the

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<v Speaker 1>museum has said that its request to move it isn't

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<v Speaker 1>about Roosevelt, but rather because of the statue's composition and

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<v Speaker 1>what it implies. So in this bonus episode of History Versus,

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<v Speaker 1>we're going to talk about the statue, why it's there,

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<v Speaker 1>what the artists intended, and why it's viewed as controversial today,

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<v Speaker 1>and we'll dive in Roosevelt's own views on legacy. The

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<v Speaker 1>statute story begins in nine when the New York State

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<v Speaker 1>Legislature established the Roosevelt Memorial Commission. Nine years later, construction

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<v Speaker 1>began on a memorial within the museum that, according to

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<v Speaker 1>the prospectus of the competition, should express Roosevelt's life as

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<v Speaker 1>a nature lover, naturalist, explorer, an author of works on

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<v Speaker 1>natural history, The memorial may have ended up at a

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<v Speaker 1>m n H because of Henry Fairfield Osbourne, who was

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<v Speaker 1>then both president of the museum and the head of

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<v Speaker 1>the New York State Roosevelt Memorial Commission. Osborne had also

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<v Speaker 1>known Roosevelt, who contributed specimens to the museum and whose

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<v Speaker 1>father was one of the founding members personally. The memorial

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<v Speaker 1>was designed by architect John Russell Pope and included the

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<v Speaker 1>museum's central park, West entrance, it's Theodore Roosevelt Rotunda, and

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<v Speaker 1>the Theatore Roosevelt Memorial Hall. In the equestrian statue of

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<v Speaker 1>Theodore Roosevelt was commissioned to become a part of that

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<v Speaker 1>larger memorial. In Pope wrote that the statue would sit

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<v Speaker 1>on a granite pedestal bearing in equestrian statue of Roosevelt,

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<v Speaker 1>with two accompanying figures on foot, one representing the American

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<v Speaker 1>Indian and the other the primitive African. This heroic group

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<v Speaker 1>will symbolize the fearless leadership the explorer, benefactor and educator

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<v Speaker 1>sculptor James Earl Fraser, who had created, among other things,

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<v Speaker 1>a bust of Roosevelt, a statue of Ben Franklin, and

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<v Speaker 1>the Buffalo. Nickel was chosen to create the sculpture, which

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<v Speaker 1>was based on a statue by Andrea del Vericio. The

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<v Speaker 1>statue was completed in ninety nine and unveiled in nineteen forty.

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<v Speaker 1>Fraser said that the figures beside the former president are

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<v Speaker 1>guides symbolizing the continents of Africa and America, and if

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<v Speaker 1>you choose, may stand for Roosevelt's friendliness to all races.

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<v Speaker 1>The figures have no names and are below and trail

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<v Speaker 1>behind Roosevelt. So we've talked about what the artists intended

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<v Speaker 1>when they created the statue. Now let's talk about how

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<v Speaker 1>the statue is viewed today. Because a white man is

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<v Speaker 1>ahead of an above, an Indigenous American person, and an

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<v Speaker 1>African person, many see a clear picture of racial hierarchy

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<v Speaker 1>and white supremacy. Others see a monument to colonialism and conquest.

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<v Speaker 1>Not only that, but the unnamed figure seemed to be

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<v Speaker 1>a hodgepodge of stereotypes and poor research. The Native American

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<v Speaker 1>figure appears to be a Plains Indian, but it's a

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<v Speaker 1>generic and stereotypical rendering. According to the museum's exhibit about

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<v Speaker 1>the statue, the shield on the African figure appears to

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<v Speaker 1>be based on the Massai people, whom Roosevelt met during

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<v Speaker 1>his time in East Africa, but the museum explains that

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<v Speaker 1>the hairstyle and facial scarification on the figure do not

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<v Speaker 1>accurately reflect Massid traditions, and the cloth draped around the

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<v Speaker 1>body is more akin to a Greek or Roman sculpture

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<v Speaker 1>in James Lowen wrote in his book Lies Across America

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<v Speaker 1>What are Historic Sites get? Wrong? That some authorities claim

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<v Speaker 1>the flanked figures are guides or continents, but visitors without

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<v Speaker 1>such foreknowledge internalized the monument without even thinking about it

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<v Speaker 1>as a declaration of white supremacy. When the statue went up,

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<v Speaker 1>the museum was openly racist. At that time, the museum

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<v Speaker 1>had strong ties to eugenics. Under Osbourne's tenure, two conferences

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<v Speaker 1>about eugenics were held there. Roosevelt himself also supported certain

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<v Speaker 1>aspects of eugenics, especially later in his life. Now about

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<v Speaker 1>TR's quote unquote friendliness to all races, If you listen

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<v Speaker 1>to the History Versus tr episode of this podcast, you'll

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<v Speaker 1>remember just how complicated and sometimes contradictory Tier's views on

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<v Speaker 1>race were. But simply put, Tr held white supremacist and

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<v Speaker 1>racist views that were shaped by his childhood, the books

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<v Speaker 1>he read, his education, and his correspondence with scientists. Roosevelt

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<v Speaker 1>developed a theory of the stages of civilization, a racial

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<v Speaker 1>hierarchy that put the white English speaking man on top.

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<v Speaker 1>According to historian William S. Walker in Controversial Monuments and Memorials,

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<v Speaker 1>A Guide for Community Leaders, Frasier's statue is basically a

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<v Speaker 1>visual representation of the prevalent thinking about race at that time,

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<v Speaker 1>a troubling hierarchy of human groups that places whites above

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<v Speaker 1>indigenous peoples and other people of color on a universal

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<v Speaker 1>scale of human civilization. He writes, the statute symbolism corresponds

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<v Speaker 1>with overtly racist statements Roosevelt made in his writings and

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<v Speaker 1>actions he took, such as his wrongful condemnation and punishment

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<v Speaker 1>of black soldiers after the Brownsville affair in nineteen o six. Moreover,

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<v Speaker 1>the racial imagery of Frasier's statue matches the dominant paternalistic

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<v Speaker 1>attitudes that many whites, including Roosevelt, displayed toward people of

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<v Speaker 1>color in the early twentieth century. We've covered a lot

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<v Speaker 1>of the frankly horrible things Roosevelt said about other races

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<v Speaker 1>in previous episodes of the podcast. But right now I

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<v Speaker 1>want to look at just a few examples of what

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<v Speaker 1>he said about black people to show just how contradictory

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<v Speaker 1>is thinking could be. The first is from remarks he

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<v Speaker 1>made in February five. Our efforts should be to secure

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<v Speaker 1>each man, whatever his color, equality of opportunity, equality of

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<v Speaker 1>treatment before the law, as a people, striving to shape

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<v Speaker 1>our actions in accordance with the great law of righteousness.

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<v Speaker 1>We cannot afford to take part in or be indifferent

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<v Speaker 1>to the oppression or maltreatment of any man who, against

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<v Speaker 1>crushing disadvantages, has, by his own industry, energy, self respect,

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<v Speaker 1>and perseverance, struggled upward to a position which would entitle

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<v Speaker 1>him to the respect of his fellows, if only his

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<v Speaker 1>skin were of a different hue. Sounds pretty good, right,

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<v Speaker 1>But in nineteen oh six, Roosevelt wrote in a letter

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<v Speaker 1>to own Wister, the black people as a race and

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<v Speaker 1>as a mass are all together inferior to the whites.

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<v Speaker 1>And in nineteen sixteen he wrote to Henry Cabot Lodge,

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<v Speaker 1>I believe that the great majority of Negroes in the

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<v Speaker 1>South are wholly unfit for the suffrage, extending them that right,

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<v Speaker 1>he said, could reduce parts of the South to the

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<v Speaker 1>level of Haiti. Historian Thomas Dyer breaks down trs thoughts

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<v Speaker 1>on a number of races in depth in his book

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<v Speaker 1>Theodore Roosevelt and the Idea of Race, and if you

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<v Speaker 1>want more information than I'll ever be able to deliver here,

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<v Speaker 1>you should definitely pick it up. Dire notes that while

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<v Speaker 1>Roosevelt didn't support segregation or disenfranchisement of Black Americans, and

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<v Speaker 1>while he championed specific black individuals like Mini cos, there's

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<v Speaker 1>no question that Roosevelt felt that black people as a

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<v Speaker 1>whole were inferior to white people, and he believed it

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<v Speaker 1>was the white man's job to help the black man

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<v Speaker 1>become as civilized as the white man, a process that

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<v Speaker 1>he believed would take an extremely long time. However, according

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<v Speaker 1>to Dire, Roosevelt shouldn't be lumped in with the deeply

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<v Speaker 1>racist politicians of the Deep South, but instead was associated

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<v Speaker 1>with a group of theorists who promoted the vision of

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<v Speaker 1>racial equipotentiality, and with those politicians who publicly deplored the

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<v Speaker 1>oppression of American Blacks yet opposed social equality dire rights. Thus,

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<v Speaker 1>although Roosevelt may have been a moderating force in an

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<v Speaker 1>age of high racism. He nevertheless harbored strong feelings about

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<v Speaker 1>the inferiority of blacks, feelings which suggest the pervasiveness of

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<v Speaker 1>racism and the harsh character of racial moderation in turn

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<v Speaker 1>of the century America. Though these may have been prevalent

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<v Speaker 1>views at the time, and while one could try and

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<v Speaker 1>justify Roosevelt's racist views by saying that he was a

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<v Speaker 1>product of his time, there were plenty of people at

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<v Speaker 1>that time, like Jane Adams and William English Walling, who

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<v Speaker 1>did not agree with these views, who were much more

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<v Speaker 1>progressive on this particular issue than Roosevelt was. We'll be

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<v Speaker 1>right back right around the time the museum's addressing the

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<v Speaker 1>statue exhibit went up. In July, I spoke with David

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<v Speaker 1>Hurst Thomas, Curator of North American Archaeology, Division of Anthropology

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<v Speaker 1>at a m n H. Here's what he had to

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<v Speaker 1>say about the statue and the exhibit. It was put

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<v Speaker 1>up by the State of New York, demoralizing a governor

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<v Speaker 1>who went on to become a president. And our entire

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<v Speaker 1>Western facade is dedicated to the career Theodore Roosevelt. And

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<v Speaker 1>as you walk along there you know there their sculptures,

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<v Speaker 1>they are all sorts of things. But this standalone one

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<v Speaker 1>on Roosevelt on the horse with with the African and

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<v Speaker 1>the Native American walking along sent one message in the

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<v Speaker 1>nineteen thirties when it was put up, and it sends

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<v Speaker 1>a different message today too many people. So we're trying

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<v Speaker 1>to come to grips with that. What are the different

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<v Speaker 1>points of view here? What does that tell us about

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<v Speaker 1>where we were then and where we are now. In

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<v Speaker 1>the exhibit, the museum grappled with what it called Roosevelt's

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<v Speaker 1>troubling views on race and its own imperfect history, saying

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<v Speaker 1>that such an effort does not excuse the past, but

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<v Speaker 1>it can create a foundation for honest, respectful, open dialogue.

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<v Speaker 1>In a recent statement, the museum said it was proud

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<v Speaker 1>of the exhibition, which helped advance our and the public's

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<v Speaker 1>understanding of the statue and its history, and promoted dialogue

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<v Speaker 1>about important issues of race and cultural representation. But in

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<v Speaker 1>the current moment, it is abundantly clear that this approach

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<v Speaker 1>is not sufficient. While the statue is owned by the city,

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<v Speaker 1>the museum recognizes the importance of taking a position at

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<v Speaker 1>this time. We believe that the statue should no longer remain,

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<v Speaker 1>and have requested that it be moved. Theodore Roosevelt, the

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<v Speaker 1>fourth Tierra's great grandson and a museum trustee, supports the

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<v Speaker 1>statue's removal, as does New York City Mayor Billed A. Blasio,

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<v Speaker 1>who said in a statement that the city supports the

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<v Speaker 1>museum's request. It is the right decision and the right

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<v Speaker 1>time to remove this problematic statue. It hasn't yet been

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<v Speaker 1>decided when the statue will be removed or where it

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<v Speaker 1>will go, and the museum isn't completely cutting ties with

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<v Speaker 1>tr Instead, it will name its Hall of Biodiversity for Roosevelt,

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<v Speaker 1>in honor of his role as a leading conservationist. It's

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<v Speaker 1>possible that Roosevelt would have preferred this memorialization to any statue.

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<v Speaker 1>Michael Cullinane, the historian and author of Theodore Roosevelt's Ghost,

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<v Speaker 1>who I interviewed for this podcast, wrote in a recent

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<v Speaker 1>op ed for The Washington Post that Theodore Roosevelt never

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<v Speaker 1>wanted a statue. Long before he died, he left strict

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<v Speaker 1>instructions to his wife and children that no likeness of himself, equestrian,

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<v Speaker 1>or otherwise appear in stone or Bronze. He even fought

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<v Speaker 1>a memorial group that sought to preserve his birthplace in

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<v Speaker 1>New York City. As a historian, Roosevelt knew that the

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<v Speaker 1>past necessarily gets rewritten. He anticipated an ever changing legacy.

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<v Speaker 1>Clay Jenkinson, who I interviewed or several episodes, also emphasizes

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<v Speaker 1>this point in a new book of essays he co

0:14:03.920 --> 0:14:08.400
<v Speaker 1>edited called Theodore Roosevelt Naturalist in the Arena. He points

0:14:08.400 --> 0:14:12.040
<v Speaker 1>out that when North Dakotan's wanted to erect a statue

0:14:12.080 --> 0:14:15.960
<v Speaker 1>to tr Roosevelt suggested that a pioneer or pioneer family

0:14:16.040 --> 0:14:20.040
<v Speaker 1>would be more appropriate, and in nineteen sixteen, Roosevelt wrote

0:14:20.080 --> 0:14:23.720
<v Speaker 1>a letter against building monuments to the dead, saying, there's

0:14:23.720 --> 0:14:26.480
<v Speaker 1>an occasional great public servant to whom it is well

0:14:26.560 --> 0:14:29.480
<v Speaker 1>to raise a monument, really not for the man himself,

0:14:29.800 --> 0:14:32.960
<v Speaker 1>but for what he typified, a monument to Lincoln or

0:14:32.960 --> 0:14:36.240
<v Speaker 1>Farragut is really a great symbolic statue to commemorate such

0:14:36.320 --> 0:14:40.040
<v Speaker 1>qualities as valor and patriotism, and love of mankind, and

0:14:40.080 --> 0:14:43.960
<v Speaker 1>a willingness to sacrifice everything for the right. As for

0:14:44.000 --> 0:14:46.840
<v Speaker 1>the rest of us, who with failures and shortcomings, but

0:14:46.880 --> 0:14:49.960
<v Speaker 1>according to our lights have striven to lead decent lives.

0:14:50.560 --> 0:14:53.320
<v Speaker 1>If any friends of ours wish to commemorate us after death,

0:14:53.640 --> 0:14:55.920
<v Speaker 1>the way to do it is by some expression of

0:14:55.960 --> 0:14:59.360
<v Speaker 1>good deeds to those who are still living. Surely a

0:14:59.400 --> 0:15:01.320
<v Speaker 1>dead man or woman who is a good man or

0:15:01.360 --> 0:15:03.800
<v Speaker 1>woman would wish to feel that his or her taking

0:15:03.800 --> 0:15:06.520
<v Speaker 1>away had become an occasion for real service for the

0:15:06.520 --> 0:15:09.880
<v Speaker 1>betterment of mankind, rather than to feel that a meaningless

0:15:09.920 --> 0:15:13.200
<v Speaker 1>pile of stone, no matter how beautiful, had been erected

0:15:13.200 --> 0:15:15.440
<v Speaker 1>with his or her name upon it in an enclosure

0:15:15.480 --> 0:15:18.680
<v Speaker 1>crowded with similar piles of stone. For such a tomb

0:15:18.720 --> 0:15:21.480
<v Speaker 1>or mausoleum often bears chief reference not to the worth,

0:15:21.560 --> 0:15:23.760
<v Speaker 1>but to the wealth of the one who is dead.

0:15:24.960 --> 0:15:28.720
<v Speaker 1>In fact, after Tier's own death, Jenkinson notes that his

0:15:28.800 --> 0:15:34.400
<v Speaker 1>family was lukewarm, sometimes outright negative about commemorative statues. That's

0:15:34.440 --> 0:15:37.560
<v Speaker 1>not to say he was against being honored altogether. Jenkinson

0:15:37.600 --> 0:15:40.760
<v Speaker 1>notes that Roosevelt was thrilled when, in nineteen eleven a

0:15:40.840 --> 0:15:44.000
<v Speaker 1>damn in Arizona was named after him. I do not

0:15:44.120 --> 0:15:46.720
<v Speaker 1>know if it is of any consequence to a man

0:15:46.800 --> 0:15:49.160
<v Speaker 1>whether he has a monument. I know it is a

0:15:49.240 --> 0:15:52.000
<v Speaker 1>mighty little consequence whether he has a statue after he

0:15:52.120 --> 0:15:55.480
<v Speaker 1>is dead. Roosevelt said, if there could be any monument

0:15:55.480 --> 0:15:58.400
<v Speaker 1>which would appeal to any man, surely it is this.

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<v Speaker 1>You cannot have done anything which would have pleased and

0:16:01.680 --> 0:16:04.320
<v Speaker 1>touched me more than to name this great damn, this

0:16:04.400 --> 0:16:10.480
<v Speaker 1>reservoir site after me. The unmistakable sense one gets from

0:16:10.520 --> 0:16:13.200
<v Speaker 1>reading Roosevelt on this subject is that he wanted his

0:16:13.200 --> 0:16:17.120
<v Speaker 1>historical memory to be tied to civic, even civilizational achievement,

0:16:17.280 --> 0:16:20.520
<v Speaker 1>Jenkinson writes, and that the giant Cyclopean dam in the

0:16:20.600 --> 0:16:25.040
<v Speaker 1>Arizona Desert named in his honor for his vision, his Americanism,

0:16:25.080 --> 0:16:28.000
<v Speaker 1>his legislative mastery, and his love of the American West

0:16:28.440 --> 0:16:31.120
<v Speaker 1>appealed to him as the right way to pay tribute

0:16:31.120 --> 0:16:35.760
<v Speaker 1>to his life and work. If the Theater Roosevelt Facebook

0:16:35.760 --> 0:16:39.480
<v Speaker 1>group I'm in is any indication opinions about the statues

0:16:39.520 --> 0:16:44.000
<v Speaker 1>removal are heated to be frank Most people in there

0:16:44.040 --> 0:16:48.080
<v Speaker 1>are quite angry, But I, for one, think it could

0:16:48.120 --> 0:16:52.080
<v Speaker 1>be a good thing. Hear me out. Though I'm fascinated

0:16:52.120 --> 0:16:54.480
<v Speaker 1>by t R. It's probably clear by now that he

0:16:54.600 --> 0:16:57.760
<v Speaker 1>was not without his flaws. He was obsessed with his

0:16:57.800 --> 0:17:00.680
<v Speaker 1>image and wasn't above asking his friends to gloss over

0:17:00.720 --> 0:17:03.280
<v Speaker 1>the facts, to paint his life and his accomplishments in

0:17:03.320 --> 0:17:06.640
<v Speaker 1>the best light. He felt he knew what was right

0:17:07.000 --> 0:17:09.639
<v Speaker 1>and did not often want to admit when he'd been wrong.

0:17:10.640 --> 0:17:13.320
<v Speaker 1>He could be as bitter and as nasty as he

0:17:13.320 --> 0:17:16.800
<v Speaker 1>could be kind. And his views on race range trum

0:17:16.880 --> 0:17:22.600
<v Speaker 1>deeply paternalistic to openly racist, but understanding those views is important.

0:17:23.480 --> 0:17:26.560
<v Speaker 1>As historian and assistant professor at the University of Virginia

0:17:26.640 --> 0:17:29.640
<v Speaker 1>Justine Hill Edwards said when I interviewed her, we live

0:17:29.680 --> 0:17:33.120
<v Speaker 1>in a country that from the very beginning has been

0:17:33.160 --> 0:17:36.840
<v Speaker 1>polarized along shoes of race, and so yes, it is

0:17:36.880 --> 0:17:42.119
<v Speaker 1>important to understand our public figures and political figures perspectives

0:17:42.119 --> 0:17:44.919
<v Speaker 1>on race because it's such an important part in my

0:17:44.920 --> 0:17:47.480
<v Speaker 1>my mind of what it means to be American. Thinking

0:17:47.520 --> 0:17:50.399
<v Speaker 1>about these questions, because it's an indelible part of the

0:17:50.400 --> 0:17:54.199
<v Speaker 1>American story, it would be like not understanding, you know,

0:17:54.240 --> 0:17:58.560
<v Speaker 1>the Civil War or the American Revolution, or participation in

0:17:58.560 --> 0:18:02.280
<v Speaker 1>World War one or two. Like many historical figures, t

0:18:02.520 --> 0:18:07.240
<v Speaker 1>R was a person, an incredibly complex person. He did

0:18:07.280 --> 0:18:10.720
<v Speaker 1>both good things and bad things, and those things should

0:18:10.760 --> 0:18:15.919
<v Speaker 1>be considered together. Here's Edwards again, he did amazing things

0:18:16.119 --> 0:18:23.560
<v Speaker 1>for idealizing and realizing the beauty of America's natural landscapes

0:18:23.720 --> 0:18:28.800
<v Speaker 1>right for ideas of um conservation. That's really important, and

0:18:28.880 --> 0:18:33.200
<v Speaker 1>we don't have to detegrate that legacy with his more

0:18:33.200 --> 0:18:37.960
<v Speaker 1>problematic legacy on race. And so I think it's important

0:18:38.000 --> 0:18:43.760
<v Speaker 1>to view historical figures as they were. There complex people

0:18:43.960 --> 0:18:47.639
<v Speaker 1>with complex inner workings of their lives, and it's just

0:18:47.760 --> 0:18:52.080
<v Speaker 1>important to understand that human complexity. In order to even

0:18:52.160 --> 0:18:54.880
<v Speaker 1>get close to a full picture of tr we need

0:18:54.920 --> 0:18:57.640
<v Speaker 1>to consider all of the sides of him, rather than

0:18:57.680 --> 0:18:59.879
<v Speaker 1>picking the parts that support the vision of him that

0:19:00.040 --> 0:19:05.639
<v Speaker 1>you prefer. History like TR is complicated. I think the

0:19:05.680 --> 0:19:08.440
<v Speaker 1>statue's removal spurs us to grapple with all of that,

0:19:09.320 --> 0:19:13.200
<v Speaker 1>as well as with America's own racist history, and that's important,

0:19:14.280 --> 0:19:16.680
<v Speaker 1>which is why I hope that even if the statue

0:19:16.680 --> 0:19:18.920
<v Speaker 1>will one day be gone, a m n H will

0:19:18.960 --> 0:19:21.560
<v Speaker 1>keep its exhibit about the work around so visitors can

0:19:21.640 --> 0:19:25.120
<v Speaker 1>learn from it for decades to come. As Colinane wrote,

0:19:25.160 --> 0:19:30.720
<v Speaker 1>the statue indicates nothing of Roosevelt's environmental legacy. Rather, it

0:19:30.840 --> 0:19:35.520
<v Speaker 1>symbolizes the least appealing aspect of his natural history. Philosophy.

0:19:36.160 --> 0:19:38.960
<v Speaker 1>I think Colinane nailed it when he said, if we

0:19:39.040 --> 0:19:42.080
<v Speaker 1>honor complex figures, we should make sure we do so

0:19:42.160 --> 0:19:46.800
<v Speaker 1>in ways that emphasize their enduring contributions, not their worst failures.

0:19:48.600 --> 0:19:52.280
<v Speaker 1>As Jenkinson points out, Here's legacy isn't in a single statue.

0:19:53.000 --> 0:19:57.640
<v Speaker 1>In fact, it's all around us. Theodore Roosevelt's monumental footprint

0:19:57.640 --> 0:20:01.320
<v Speaker 1>can be found in nearly every state in America, Jenkinson writes.

0:20:02.160 --> 0:20:05.320
<v Speaker 1>While some of it is appropriately visible, still more is

0:20:05.400 --> 0:20:08.320
<v Speaker 1>quietly enshrined in the U. S. Navy, in the National

0:20:08.359 --> 0:20:12.160
<v Speaker 1>Park Service, in the modern identity of the American presidency,

0:20:12.280 --> 0:20:16.679
<v Speaker 1>and in countless landscapes, parks and forests across the Western hemisphere.

0:20:17.640 --> 0:20:21.560
<v Speaker 1>No other president has such a legacy. No other president

0:20:21.600 --> 0:20:25.680
<v Speaker 1>even comes close. I'll leave you with something t R

0:20:25.800 --> 0:20:29.919
<v Speaker 1>expressed to Cecil spring Rice in on the occasion of

0:20:29.960 --> 0:20:32.639
<v Speaker 1>his Secretary of State John Hayes death. It is a

0:20:32.640 --> 0:20:35.040
<v Speaker 1>good thing to die in the harness, at the zenith

0:20:35.119 --> 0:20:38.359
<v Speaker 1>of one's fame, with the consciousness of having lived a long,

0:20:38.840 --> 0:20:43.120
<v Speaker 1>honorable and useful life, he wrote, After we are dead,

0:20:43.359 --> 0:20:45.879
<v Speaker 1>it will make not the slightest difference whether men speak

0:20:45.920 --> 0:20:48.639
<v Speaker 1>well or ill of us but in the days and

0:20:48.720 --> 0:20:51.720
<v Speaker 1>hours before dying, it must be pleasant to feel that

0:20:51.800 --> 0:20:53.679
<v Speaker 1>you have done your part as a man and have

0:20:53.800 --> 0:20:56.359
<v Speaker 1>not yet been thrown aside as useless, and that your

0:20:56.440 --> 0:21:00.000
<v Speaker 1>children and children's children, in short, all those that are

0:21:00.040 --> 0:21:03.600
<v Speaker 1>dearest to you, have just caused for pride in your actions.

0:21:09.320 --> 0:21:13.040
<v Speaker 1>History Versus is hosted by me Aeron McCarthy. This episode

0:21:13.080 --> 0:21:15.560
<v Speaker 1>was written by me, with fact checking and additional research

0:21:15.600 --> 0:21:20.360
<v Speaker 1>by Austin Thompson. The executive producers are Aaron McCarthy, Julie Douglas,

0:21:20.400 --> 0:21:25.000
<v Speaker 1>and Tyler Clang. The supervising producer is Dylan Fagan. The

0:21:25.040 --> 0:21:28.720
<v Speaker 1>show was edited by Dylan Fagan and Low Berlante. To

0:21:28.840 --> 0:21:31.440
<v Speaker 1>learn more about this episode and Theodore Roosevelt, check out

0:21:31.440 --> 0:21:34.240
<v Speaker 1>our website and Mental flass dot com slash History Versus.

0:21:35.320 --> 0:21:37.720
<v Speaker 1>History Versus is a production of I Heart Radio and

0:21:37.800 --> 0:21:53.080
<v Speaker 1>Mental Floss. For more podcasts from my Heart Radio, visit

0:21:53.080 --> 0:21:55.919
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0:21:56.000 --> 0:21:57.280
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