1 00:00:02,120 --> 00:00:02,960 Speaker 1: What's up? Its way up? 2 00:00:02,960 --> 00:00:06,040 Speaker 2: But Angela yee, I'm Angela yee. And okay, Mayno's here 3 00:00:06,040 --> 00:00:09,480 Speaker 2: with us, stop it the old one, and Lady Lendon 4 00:00:09,560 --> 00:00:12,039 Speaker 2: is here. How you doing, hi, Lady Leonard, she already 5 00:00:12,119 --> 00:00:14,760 Speaker 2: checked you manaw so she yeah she did. She said 6 00:00:14,880 --> 00:00:19,560 Speaker 2: leave her team alone, relax. This is what we call 7 00:00:19,600 --> 00:00:23,000 Speaker 2: the soft sided Maya, you know. And so we're working 8 00:00:23,079 --> 00:00:25,840 Speaker 2: on that. But Lady Lennon, congratulations, new album is out 9 00:00:25,880 --> 00:00:26,319 Speaker 2: right now. 10 00:00:26,480 --> 00:00:29,040 Speaker 3: Yes, no project, not exactly album. 11 00:00:29,080 --> 00:00:31,040 Speaker 1: You like a project, It's not an album, it's a project. 12 00:00:31,040 --> 00:00:33,880 Speaker 4: Congratulations though you So I know how hard you worked 13 00:00:33,880 --> 00:00:37,159 Speaker 4: on that. Yeah, we watched your grind. Yeah we watched it. 14 00:00:37,440 --> 00:00:39,680 Speaker 4: You know, people was looking even even though you think 15 00:00:39,720 --> 00:00:41,839 Speaker 4: we wasn't. We saw you. We saw you coming up 16 00:00:41,880 --> 00:00:45,839 Speaker 4: those freestyles. And I know how important it is, you know, 17 00:00:45,920 --> 00:00:49,080 Speaker 4: to finally get a deal major and finally be able 18 00:00:49,120 --> 00:00:51,239 Speaker 4: to be in a position put out a project. Right, 19 00:00:51,360 --> 00:00:52,479 Speaker 4: So congrats to that. 20 00:00:52,720 --> 00:00:53,440 Speaker 1: Yes, there's so. 21 00:00:53,360 --> 00:00:56,160 Speaker 4: Many artists come from here and don't even get the opportunity. 22 00:00:56,640 --> 00:00:57,640 Speaker 3: Yes, it's heavy. 23 00:00:57,920 --> 00:00:59,800 Speaker 1: Well let's start off with this, mana, what's your sign? 24 00:01:01,360 --> 00:01:01,760 Speaker 4: Virgo? 25 00:01:02,360 --> 00:01:04,920 Speaker 1: Okay, so what are your thoughts on Virgos. 26 00:01:05,440 --> 00:01:08,880 Speaker 3: Virgos, that's crazy, I do. I think that well. As 27 00:01:08,880 --> 00:01:10,840 Speaker 3: a water sign, I think we really get along. Word's signed. 28 00:01:10,920 --> 00:01:12,839 Speaker 3: So I love virgos. 29 00:01:12,880 --> 00:01:13,559 Speaker 1: And what's your sign? 30 00:01:13,560 --> 00:01:14,119 Speaker 3: I'm a cancer? 31 00:01:14,200 --> 00:01:16,800 Speaker 2: She's a cancer, okay, because I know that this album 32 00:01:16,880 --> 00:01:19,600 Speaker 2: is all about the different signs, So you believe in that. 33 00:01:20,000 --> 00:01:21,600 Speaker 3: I believe it governs your temperament. 34 00:01:21,920 --> 00:01:23,640 Speaker 5: I don't like swear by it, but I do think 35 00:01:23,680 --> 00:01:26,120 Speaker 5: it has a certain characteristics that define you. 36 00:01:26,480 --> 00:01:29,920 Speaker 1: Okay, So what defines you as a cancer? 37 00:01:30,520 --> 00:01:34,080 Speaker 5: I would say on the positive side, cancers are the 38 00:01:34,080 --> 00:01:37,800 Speaker 5: mother of the zodiac, so super nurturing, very like caring 39 00:01:37,880 --> 00:01:40,360 Speaker 5: and the mother of the of the crew. We are 40 00:01:40,440 --> 00:01:43,360 Speaker 5: hyper sensitive and very moody. On the other side of things, 41 00:01:43,880 --> 00:01:47,080 Speaker 5: I've I got you know self. Yeah, I'm very self 42 00:01:47,080 --> 00:01:49,040 Speaker 5: aware in that space, but I also think like we're 43 00:01:49,080 --> 00:01:50,800 Speaker 5: super creative and very intuitive people. 44 00:01:50,880 --> 00:01:53,200 Speaker 4: So they wake up angry. 45 00:01:53,640 --> 00:01:57,120 Speaker 5: No, I'm very rarely angry, but I do get moody, 46 00:01:57,200 --> 00:01:57,520 Speaker 5: you know. 47 00:01:57,640 --> 00:01:59,240 Speaker 1: All right, sometimes you just won't be left alone. 48 00:01:59,320 --> 00:02:02,320 Speaker 2: Yeah, and especially okay, so you get along with virgos, 49 00:02:02,360 --> 00:02:04,240 Speaker 2: who would you say you're most compatible with as a 50 00:02:04,280 --> 00:02:07,360 Speaker 2: sign When it comes to the opposite sex In relationships 51 00:02:07,400 --> 00:02:08,760 Speaker 2: or in friendship relationships. 52 00:02:08,880 --> 00:02:10,240 Speaker 3: Scorpio. 53 00:02:09,840 --> 00:02:11,760 Speaker 1: Who I do not get along with Scorpio. 54 00:02:12,880 --> 00:02:16,280 Speaker 5: I'm a Capricorn okay, okay, yeah, yeah, kind of close. 55 00:02:16,520 --> 00:02:17,720 Speaker 4: I get along with everybody. 56 00:02:17,840 --> 00:02:22,320 Speaker 1: No, no, you don't. Okay. 57 00:02:22,600 --> 00:02:26,000 Speaker 2: One sign for guys, would you say? Is the biggest hose, 58 00:02:26,840 --> 00:02:28,240 Speaker 2: biggest holes for men? 59 00:02:29,120 --> 00:02:34,760 Speaker 3: All them, all the niggas A twelve. I'm gonna go 60 00:02:34,840 --> 00:02:37,440 Speaker 3: to all twelve on that one, for sure, for sure. 61 00:02:37,800 --> 00:02:41,120 Speaker 2: All right, So let's talk about Lady London. So you 62 00:02:41,120 --> 00:02:43,680 Speaker 2: are from You're from the Bronx and Jersey, right, all right? 63 00:02:43,720 --> 00:02:45,760 Speaker 2: So you were born where New York? You were born 64 00:02:45,800 --> 00:02:48,400 Speaker 2: in New York, but spent some time in East Orange. 65 00:02:48,680 --> 00:02:50,359 Speaker 3: No, most of my time was I grew I basically 66 00:02:50,360 --> 00:02:51,280 Speaker 3: grew up in East Orange. 67 00:02:51,400 --> 00:02:53,880 Speaker 2: Okay, yeah, so you know it's funny because I'm from Brooklyn, 68 00:02:54,200 --> 00:02:57,440 Speaker 2: but I did and high school moved to South Orange. 69 00:02:57,440 --> 00:02:57,600 Speaker 1: Oh. 70 00:02:57,639 --> 00:02:58,560 Speaker 3: Nice, you went to Columbia. 71 00:02:58,600 --> 00:03:01,160 Speaker 2: Yeah, I went to Columbia. We were just talking about that. 72 00:03:01,200 --> 00:03:03,120 Speaker 2: I was on Sherry Shepherd. I actually went to school 73 00:03:03,120 --> 00:03:06,800 Speaker 2: with Lauren Hill, Jennifer Williams and basketball wise and that's 74 00:03:06,840 --> 00:03:09,639 Speaker 2: where it wrote to me, says, uh Zach Bathlete. 75 00:03:09,639 --> 00:03:10,959 Speaker 1: All went there whe'd you go to high school? 76 00:03:11,160 --> 00:03:13,440 Speaker 5: I went to all girls Catholic High School and Clark, 77 00:03:13,600 --> 00:03:15,560 Speaker 5: so it's called mother seating. But now it's like kind 78 00:03:15,560 --> 00:03:15,959 Speaker 5: of small. 79 00:03:16,200 --> 00:03:18,200 Speaker 1: Okay, some of the guys were coming up there after 80 00:03:18,240 --> 00:03:19,079 Speaker 1: school all the No. 81 00:03:19,080 --> 00:03:19,960 Speaker 3: We far out. 82 00:03:20,000 --> 00:03:22,160 Speaker 5: We kind of like in the middle of the highway, 83 00:03:22,280 --> 00:03:26,120 Speaker 5: not far out, but we like, uh Clark or railway area. 84 00:03:26,360 --> 00:03:28,679 Speaker 1: Okay, So a little bit further, howd it go into 85 00:03:28,680 --> 00:03:29,480 Speaker 1: an all girls school? 86 00:03:29,560 --> 00:03:32,320 Speaker 2: Affects you as a as a child growing up and 87 00:03:32,360 --> 00:03:33,040 Speaker 2: going to school. 88 00:03:33,160 --> 00:03:34,960 Speaker 3: I ain't have to get dressed every day. I'll getting 89 00:03:34,960 --> 00:03:35,760 Speaker 3: my head done and nothing. 90 00:03:35,840 --> 00:03:37,760 Speaker 5: I was just in school getting what I need to 91 00:03:37,800 --> 00:03:39,640 Speaker 5: get done and then going by my little factors. 92 00:03:39,640 --> 00:03:40,280 Speaker 3: What a uniform? 93 00:03:40,280 --> 00:03:43,320 Speaker 5: But my uniform was fly though, real fly pride is 94 00:03:43,360 --> 00:03:44,880 Speaker 5: going with the unfort the whole nine. 95 00:03:44,960 --> 00:03:46,280 Speaker 3: Yeah, we was. We was fly. 96 00:03:46,840 --> 00:03:49,279 Speaker 1: So what made you parents send you to that school? 97 00:03:49,560 --> 00:03:51,560 Speaker 5: I think I was like really really bad as a kid, 98 00:03:51,720 --> 00:03:53,840 Speaker 5: Like coming in, I was like a little rebellious. I 99 00:03:53,840 --> 00:03:55,760 Speaker 5: was fighting a lot, I was getting into a lot 100 00:03:55,760 --> 00:03:57,320 Speaker 5: of trouble. My mom was like, I got something for 101 00:03:57,360 --> 00:03:59,120 Speaker 5: you. You're going an all. 102 00:03:59,040 --> 00:04:01,800 Speaker 3: Girls Catholic high schoo you know you're gonna figure it out. 103 00:04:01,840 --> 00:04:02,400 Speaker 3: But I'm glad. 104 00:04:02,480 --> 00:04:04,080 Speaker 5: I'm so grateful for me because I don't think I 105 00:04:04,080 --> 00:04:06,280 Speaker 5: would have went on to get my degrees and things 106 00:04:06,320 --> 00:04:08,800 Speaker 5: like that because I literally was a hot head as 107 00:04:08,840 --> 00:04:09,160 Speaker 5: a kid. 108 00:04:09,240 --> 00:04:13,040 Speaker 1: So you went to Howard, right, I did. I rt 109 00:04:13,240 --> 00:04:16,200 Speaker 1: hpc U time and you studied sports medicine. 110 00:04:16,279 --> 00:04:19,359 Speaker 3: Yes, sports medicine and chemistry was my double major. 111 00:04:19,640 --> 00:04:21,039 Speaker 1: Now how did you even come into that? 112 00:04:21,080 --> 00:04:23,200 Speaker 2: First of all, I will say I was a good student, 113 00:04:23,240 --> 00:04:25,880 Speaker 2: but I always hated like science classes when I was 114 00:04:25,920 --> 00:04:27,839 Speaker 2: growing up. What made you you think that was just 115 00:04:28,040 --> 00:04:30,680 Speaker 2: part of your education, like going to that school that 116 00:04:30,760 --> 00:04:32,760 Speaker 2: got you into that or what got you into it. 117 00:04:32,920 --> 00:04:35,240 Speaker 5: No, I've always wanted to be a doctor since I 118 00:04:35,320 --> 00:04:38,000 Speaker 5: was a kid, and science has always come very very 119 00:04:38,080 --> 00:04:40,279 Speaker 5: natural to me. School has just always come very natural. 120 00:04:40,279 --> 00:04:40,720 Speaker 3: Like I was. 121 00:04:40,680 --> 00:04:43,640 Speaker 5: A bad kid out on the behavior side, and like 122 00:04:43,640 --> 00:04:46,719 Speaker 5: a really smart, smart kid academically, which is why my 123 00:04:46,760 --> 00:04:48,600 Speaker 5: mom tried to challenge me a little bit more I 124 00:04:48,640 --> 00:04:51,920 Speaker 5: think growing up. But yeah, I always liked science. So 125 00:04:52,000 --> 00:04:54,160 Speaker 5: a double major in sports medicine and chemistry at Howard, 126 00:04:54,160 --> 00:04:55,560 Speaker 5: and then I went on to get my master's at 127 00:04:55,640 --> 00:04:58,920 Speaker 5: USC for Global medicine and International health policy. So I 128 00:04:58,960 --> 00:05:01,520 Speaker 5: was like really on a track to go, you know, 129 00:05:01,600 --> 00:05:02,440 Speaker 5: on the medicine round. 130 00:05:02,600 --> 00:05:04,599 Speaker 2: A lot of times kids are bad because they're also 131 00:05:04,720 --> 00:05:08,040 Speaker 2: not interested, like when you're really smart, yeah, you know, 132 00:05:08,160 --> 00:05:10,440 Speaker 2: So to find what kids are really interested in and 133 00:05:10,480 --> 00:05:12,800 Speaker 2: to try to make sure that you really hone in 134 00:05:12,839 --> 00:05:13,200 Speaker 2: on that. 135 00:05:13,320 --> 00:05:15,359 Speaker 1: Yeah, may know you was a bad kid too. 136 00:05:15,880 --> 00:05:20,159 Speaker 4: So they say allegedly agedly. 137 00:05:20,800 --> 00:05:22,920 Speaker 1: And then so how did they feel when you made 138 00:05:22,920 --> 00:05:23,480 Speaker 1: that switch? 139 00:05:23,600 --> 00:05:23,680 Speaker 4: Right? 140 00:05:23,720 --> 00:05:28,280 Speaker 2: Because you went to school, you went to Howard Sports medicine, chemistry, 141 00:05:28,680 --> 00:05:32,080 Speaker 2: but then you started doing spoken word poetry, right, So 142 00:05:32,120 --> 00:05:34,120 Speaker 2: tell me about that transition and what you got, what 143 00:05:34,200 --> 00:05:35,120 Speaker 2: got you interested in that? 144 00:05:38,720 --> 00:05:43,359 Speaker 5: Poetry was my outlet too, just to express myself, you know, 145 00:05:44,040 --> 00:05:45,800 Speaker 5: with whatever I was going through. I felt like as 146 00:05:45,800 --> 00:05:47,880 Speaker 5: a kid and then growing into myself as a woman. 147 00:05:48,040 --> 00:05:50,279 Speaker 5: As a transition to Howard, it was just a big thing. 148 00:05:50,360 --> 00:05:52,200 Speaker 5: So I used to sell out poetry shows when I 149 00:05:52,240 --> 00:05:55,520 Speaker 5: was at Howard, mainly just to like give myself some 150 00:05:55,600 --> 00:05:58,320 Speaker 5: extra money because every show they'll like offer the grand 151 00:05:58,360 --> 00:06:00,720 Speaker 5: prize when they're like a fucking twenty dollars Chipotle cards. 152 00:06:00,800 --> 00:06:01,720 Speaker 1: You were like, I'll take it. 153 00:06:01,760 --> 00:06:04,560 Speaker 3: I'm like, I got twenty dollars to my name. I'm 154 00:06:04,560 --> 00:06:08,400 Speaker 3: definitely getting this for sure. Chipotle order vegieable. 155 00:06:09,080 --> 00:06:12,440 Speaker 5: Yeah, I don't eat meat, veggieabole, but yeah, so that 156 00:06:12,560 --> 00:06:18,360 Speaker 5: was cool. I eat seafood, okay, chicken, no chicken, got it? Yeah, 157 00:06:18,720 --> 00:06:21,440 Speaker 5: So yeah, that's that was pretty much my transition. But 158 00:06:21,480 --> 00:06:22,840 Speaker 5: my mom was at first when I sawd I wanted 159 00:06:22,839 --> 00:06:24,280 Speaker 5: to do music. She was like, I don't understand. I 160 00:06:24,279 --> 00:06:26,520 Speaker 5: thought we had a plan, like we had like a 161 00:06:26,640 --> 00:06:29,200 Speaker 5: ten year, full full proof plan. But I don't think 162 00:06:29,200 --> 00:06:31,560 Speaker 5: she knew the impact that I was making already. Like 163 00:06:31,600 --> 00:06:34,360 Speaker 5: I was already viral, I had already been getting twenty 164 00:06:34,360 --> 00:06:37,720 Speaker 5: thousand followers per month or I'm just consistent freestyles being 165 00:06:37,720 --> 00:06:39,039 Speaker 5: put out. And I was trying to tell her like, yeah, 166 00:06:39,000 --> 00:06:41,520 Speaker 5: I'm telling you, it's it's some I'm trying to bust 167 00:06:41,520 --> 00:06:43,400 Speaker 5: to hit me. I'm trying to tell you like, it's crazy. 168 00:06:43,680 --> 00:06:46,160 Speaker 5: This is I think I think she realized now she's 169 00:06:46,200 --> 00:06:48,560 Speaker 5: such a big support at me now, so my family's 170 00:06:48,600 --> 00:06:49,360 Speaker 5: like really behind it. 171 00:06:49,480 --> 00:06:52,120 Speaker 4: Let me ask you what was it? Was it the 172 00:06:52,160 --> 00:06:54,479 Speaker 4: freestyles that got because it is the freestyles for me 173 00:06:54,560 --> 00:06:56,960 Speaker 4: that got my attention that that I noticed, So what 174 00:06:57,640 --> 00:07:00,960 Speaker 4: is that? What was the thing for you? That that 175 00:07:00,960 --> 00:07:04,000 Speaker 4: that guarnered the attention for you. That it was strictly 176 00:07:04,000 --> 00:07:04,520 Speaker 4: the freestyle. 177 00:07:04,920 --> 00:07:06,920 Speaker 5: It was just freestyles for a long time. I hadn't 178 00:07:06,960 --> 00:07:08,880 Speaker 5: I hadn't put out any music at all. It was 179 00:07:08,960 --> 00:07:11,360 Speaker 5: just freestyles. But I was consistent in it because I 180 00:07:11,360 --> 00:07:13,680 Speaker 5: grew my following from ninety five hundred people to one 181 00:07:13,680 --> 00:07:16,480 Speaker 5: point two million organically on my own by just putting 182 00:07:16,480 --> 00:07:18,960 Speaker 5: out freestyles every week. I had this thing called Lady 183 00:07:19,000 --> 00:07:21,840 Speaker 5: Lunday's that I did every Monday for like six months. 184 00:07:21,880 --> 00:07:24,520 Speaker 5: So like I would drop freestyles every Monday for like 185 00:07:24,600 --> 00:07:26,360 Speaker 5: six nine months at a time, and each one of 186 00:07:26,400 --> 00:07:28,560 Speaker 5: them was like catching fire, and it was just it 187 00:07:28,600 --> 00:07:30,280 Speaker 5: was a type of that came behind that. 188 00:07:30,400 --> 00:07:33,320 Speaker 4: Yeah, people started the patching. I mean, listen, when you 189 00:07:33,320 --> 00:07:37,680 Speaker 4: can really rap right and it doesn't hurt that you're beautiful, right, 190 00:07:37,800 --> 00:07:43,120 Speaker 4: that that is a thing, right people, no matter what's 191 00:07:43,120 --> 00:07:45,000 Speaker 4: going on, we want to hear real lyrics. We want 192 00:07:45,040 --> 00:07:47,800 Speaker 4: to hear you know. We we salute it. We love it, 193 00:07:47,920 --> 00:07:52,400 Speaker 4: especially here, you understand. So then you wind up getting 194 00:07:52,440 --> 00:07:54,640 Speaker 4: signed You signed with defam. 195 00:07:55,080 --> 00:07:56,960 Speaker 1: Wow, she smiled, and she said it to death. 196 00:07:57,040 --> 00:07:59,200 Speaker 2: Jam is like such an iconic place to be able 197 00:07:59,240 --> 00:08:02,360 Speaker 2: to sign to because when you grew up, what type 198 00:08:02,400 --> 00:08:04,200 Speaker 2: of music were you listening to and what artists were 199 00:08:04,240 --> 00:08:04,720 Speaker 2: you listening to? 200 00:08:04,880 --> 00:08:06,960 Speaker 3: Kevin I definitely hip hop. My house was a big 201 00:08:07,040 --> 00:08:08,360 Speaker 3: hip hop house. 202 00:08:08,520 --> 00:08:11,640 Speaker 5: I would say, like little Kim Foxy was like early 203 00:08:12,120 --> 00:08:14,480 Speaker 5: early on, I was singing. I was I sick of 204 00:08:14,600 --> 00:08:16,480 Speaker 5: my six and my Christian across and a full Christian 205 00:08:16,520 --> 00:08:18,600 Speaker 5: acrosse out for that three years old. So like, you know, 206 00:08:18,640 --> 00:08:20,440 Speaker 5: that's the culture in New York City like we were, 207 00:08:20,960 --> 00:08:23,280 Speaker 5: we was there, you know, like I grew up in 208 00:08:23,320 --> 00:08:25,640 Speaker 5: the studios, like in loud lobbies. 209 00:08:25,680 --> 00:08:27,680 Speaker 3: You know what I'm saying, Like really grew up here. 210 00:08:27,720 --> 00:08:27,880 Speaker 4: You know. 211 00:08:27,920 --> 00:08:31,320 Speaker 3: Obviously my uncle Sheino Excel, my. 212 00:08:30,880 --> 00:08:33,800 Speaker 4: Uncle Excel from where he's from La right. 213 00:08:33,840 --> 00:08:35,480 Speaker 3: No, he's from the Bronx originally. 214 00:08:35,160 --> 00:08:37,200 Speaker 4: The real I remember him. 215 00:08:38,480 --> 00:08:41,320 Speaker 1: Oh that's wild Okay, So Tina Excel is your uncle. 216 00:08:41,520 --> 00:08:44,680 Speaker 5: That's my uncle. Clark knew me since I was like two, 217 00:08:45,040 --> 00:08:49,200 Speaker 5: So just like Clue like years like so, I've been around. 218 00:08:49,040 --> 00:08:50,040 Speaker 3: The game, freaky. 219 00:08:50,120 --> 00:08:52,360 Speaker 5: I was born in hip hop. I didn't I didn't 220 00:08:52,360 --> 00:08:53,600 Speaker 5: think I would be a part of it. But I've 221 00:08:53,640 --> 00:08:54,560 Speaker 5: always loved the culture. 222 00:08:54,800 --> 00:08:56,680 Speaker 4: And this is why you you wrap the way you rap. 223 00:08:57,080 --> 00:08:59,800 Speaker 2: Yeah, and you paid minds even before you said it 224 00:08:59,840 --> 00:09:03,160 Speaker 2: doing your own original tracks. It's always been you know, 225 00:09:03,240 --> 00:09:05,600 Speaker 2: at first, like you said, freestyle and wrapping over other 226 00:09:05,600 --> 00:09:08,080 Speaker 2: people's beats. What was that transition like for you to 227 00:09:08,080 --> 00:09:09,480 Speaker 2: be like, Okay, now I got to go do some 228 00:09:09,640 --> 00:09:11,080 Speaker 2: like original Yeah. 229 00:09:11,200 --> 00:09:13,520 Speaker 5: I mean it was a process because I had to 230 00:09:13,520 --> 00:09:16,600 Speaker 5: put myself through artists development first and foremost, because the 231 00:09:16,679 --> 00:09:20,720 Speaker 5: transition between freestyle and his songwriting is so different. And 232 00:09:20,760 --> 00:09:22,160 Speaker 5: I think a lot of people that's how we get 233 00:09:22,160 --> 00:09:24,120 Speaker 5: stuck in space is like you know, like a battle 234 00:09:24,200 --> 00:09:26,040 Speaker 5: rap space. That's like you know what I'm saying, It 235 00:09:26,040 --> 00:09:29,160 Speaker 5: could be something that you get kind of like pigeonholeding 236 00:09:29,400 --> 00:09:31,240 Speaker 5: because people can't see you outside that space. And I 237 00:09:31,240 --> 00:09:34,560 Speaker 5: wanted to just make sure I established that, you know, 238 00:09:34,559 --> 00:09:37,080 Speaker 5: a pocket for myself to live in so many different spaces. 239 00:09:37,120 --> 00:09:39,440 Speaker 5: I never want to be one dimensional to anybody, So 240 00:09:39,520 --> 00:09:42,280 Speaker 5: I was just like, let me figure out this song stuff. 241 00:09:42,320 --> 00:09:45,120 Speaker 5: And it took me a while really to like hone 242 00:09:45,160 --> 00:09:48,480 Speaker 5: in on my craft. But this project, to me is 243 00:09:48,520 --> 00:09:50,120 Speaker 5: like a reflection of my best work yet. 244 00:09:50,679 --> 00:09:53,319 Speaker 2: And you'd like to call it a project not an album? Yeah, 245 00:09:53,320 --> 00:09:53,920 Speaker 2: why is that? 246 00:09:54,640 --> 00:09:57,600 Speaker 5: I don't think this is like album work. I think, granted, 247 00:09:57,600 --> 00:09:59,640 Speaker 5: this is my first like original project in the marketplace, 248 00:09:59,640 --> 00:10:01,320 Speaker 5: so it's hard to say. Like most people got an EP, 249 00:10:01,559 --> 00:10:04,680 Speaker 5: an LP, a mixtape something out before they establish themselves, 250 00:10:04,679 --> 00:10:05,959 Speaker 5: and I think I should have the same type of 251 00:10:06,040 --> 00:10:08,760 Speaker 5: leeway before I, you know, go ahead and commit to 252 00:10:08,760 --> 00:10:11,960 Speaker 5: saying I did an album already, Like I just I 253 00:10:12,000 --> 00:10:14,560 Speaker 5: put my all into this project, and I think beyond 254 00:10:14,559 --> 00:10:16,599 Speaker 5: this everything and I will give people will continue to 255 00:10:16,640 --> 00:10:18,760 Speaker 5: be this amount of creative and this amount of intention 256 00:10:19,320 --> 00:10:21,760 Speaker 5: but for our purpose sake. Like you know, it's really 257 00:10:21,800 --> 00:10:24,040 Speaker 5: like an upscal mix tape. 258 00:10:24,160 --> 00:10:26,480 Speaker 4: You know those that line got blurred though, right, So 259 00:10:27,360 --> 00:10:30,080 Speaker 4: what a what a mixtape used to be and what 260 00:10:30,120 --> 00:10:33,679 Speaker 4: an album is now is that that line has been blurred. Right. 261 00:10:33,880 --> 00:10:36,679 Speaker 2: Sometimes we like mixtapes because people get super creative and 262 00:10:36,720 --> 00:10:37,800 Speaker 2: don't think about sales. 263 00:10:38,120 --> 00:10:41,199 Speaker 4: You know what is mixtapes used to be? They used 264 00:10:41,240 --> 00:10:44,120 Speaker 4: to be you had freedom in them, like you wasn't 265 00:10:44,200 --> 00:10:48,480 Speaker 4: having to clear samples and all that clear samples here, right, right, 266 00:10:48,520 --> 00:10:51,240 Speaker 4: So this is more leaning towards an album. The record 267 00:10:51,280 --> 00:10:55,240 Speaker 4: company spent money clearance samples, so it's leaning more to 268 00:10:55,320 --> 00:10:57,760 Speaker 4: it's a project, right, we can call it a project, 269 00:10:57,760 --> 00:11:00,439 Speaker 4: but it's more towards the album because you know they 270 00:11:00,520 --> 00:11:03,360 Speaker 4: had to actually get those because we was listening to 271 00:11:03,400 --> 00:11:08,040 Speaker 4: you get a lot of samples, right that, you know, 272 00:11:08,200 --> 00:11:11,160 Speaker 4: mixtape is like you know, but I feel you though. 273 00:11:11,320 --> 00:11:13,280 Speaker 5: I mean, that's the age of streaming. You know, when 274 00:11:13,280 --> 00:11:16,480 Speaker 5: we trans when we went from analog to digital. It's like, 275 00:11:16,960 --> 00:11:19,240 Speaker 5: you know how it is like when they want their money. 276 00:11:19,280 --> 00:11:20,040 Speaker 3: It is what it is. 277 00:11:20,080 --> 00:11:22,240 Speaker 5: You know, we used to mix tapes out of the 278 00:11:22,280 --> 00:11:24,720 Speaker 5: trump hand, hand by hand. Of course they don't need 279 00:11:24,720 --> 00:11:25,120 Speaker 5: clearance for that. 280 00:11:25,120 --> 00:11:25,679 Speaker 3: You don't even know how. 281 00:11:25,679 --> 00:11:27,400 Speaker 5: Much your soul I bought. I bought Meek mil dream 282 00:11:27,440 --> 00:11:30,280 Speaker 5: chases off the men up the street, Like so you 283 00:11:30,320 --> 00:11:32,000 Speaker 5: know what I'm saying. It's just it's a different era now. 284 00:11:32,040 --> 00:11:34,360 Speaker 5: So now that we have this streaming, the streaming era, 285 00:11:34,440 --> 00:11:36,000 Speaker 5: we have to you know, be is. 286 00:11:36,000 --> 00:11:37,520 Speaker 2: It be content you can end up and you want 287 00:11:37,520 --> 00:11:40,080 Speaker 2: to make sure you can monetize whatever it is that 288 00:11:40,120 --> 00:11:42,679 Speaker 2: you're doing at the seague time, right exactly, how did 289 00:11:43,120 --> 00:11:46,040 Speaker 2: you doing spoken with poetry help with you being able 290 00:11:46,080 --> 00:11:47,839 Speaker 2: to perform in front of audiences? 291 00:11:49,280 --> 00:11:49,839 Speaker 3: It's cool. 292 00:11:49,880 --> 00:11:52,600 Speaker 5: I love like intimate crowds because it reminds me of 293 00:11:52,679 --> 00:11:56,320 Speaker 5: like a poetry lounge. I'm still like I'm still very 294 00:11:56,360 --> 00:11:59,680 Speaker 5: new to performing in like big spaces. I've done like 295 00:11:59,679 --> 00:12:01,760 Speaker 5: two FT and I was like, oh my god, like 296 00:12:01,840 --> 00:12:04,560 Speaker 5: this is like crazy, but like something like an s 297 00:12:04,600 --> 00:12:07,480 Speaker 5: OB's for me just feels good. It feels like me 298 00:12:07,520 --> 00:12:09,160 Speaker 5: and how y'all. I feel like it's my family is 299 00:12:09,160 --> 00:12:12,480 Speaker 5: in here. I can see y'all, I can interact with y'all. 300 00:12:12,679 --> 00:12:15,440 Speaker 5: Festival stage, you can't even pass the lights. You can't 301 00:12:15,480 --> 00:12:17,000 Speaker 5: even walk past a certain point on the stage. 302 00:12:17,040 --> 00:12:17,960 Speaker 1: So it's a nice check. 303 00:12:18,360 --> 00:12:19,000 Speaker 3: It's nice. 304 00:12:20,480 --> 00:12:23,160 Speaker 5: The check is nice, the engagement is cool, and the 305 00:12:23,240 --> 00:12:24,240 Speaker 5: exposure is good. 306 00:12:25,400 --> 00:12:26,240 Speaker 3: It's still nerve wracking. 307 00:12:26,320 --> 00:12:28,960 Speaker 2: You also have a lot of Chicago artists on this project. 308 00:12:29,080 --> 00:12:31,560 Speaker 2: I noticed Tank is on here, Dreez is on here, 309 00:12:31,840 --> 00:12:33,160 Speaker 2: Jeremiah's on here. 310 00:12:33,559 --> 00:12:35,840 Speaker 1: Do you feel like you have a special connection with Chicago. 311 00:12:36,120 --> 00:12:38,120 Speaker 5: Chicago reminds me a lot of New York. It feels 312 00:12:38,160 --> 00:12:40,160 Speaker 5: like it just feels like home to me. I feel 313 00:12:40,160 --> 00:12:42,280 Speaker 5: like a lot of people is like very real in Chicago, 314 00:12:42,360 --> 00:12:44,760 Speaker 5: Like what you see is what you get. Yeah, they 315 00:12:44,840 --> 00:12:47,760 Speaker 5: have like a special pocket of music that they do. 316 00:12:48,080 --> 00:12:50,000 Speaker 5: But also I wanted to touch every base so low key, 317 00:12:50,080 --> 00:12:53,360 Speaker 5: every feature on the project is from some point of somewhere. 318 00:12:53,400 --> 00:12:56,520 Speaker 5: So there's La with me Lejay, there's Houston with Brook Valentine, 319 00:12:56,720 --> 00:13:00,680 Speaker 5: there's Chicago with them, Three Phillies with b Boys Dance, 320 00:13:01,240 --> 00:13:03,679 Speaker 5: and New York with Cappella Gray. So I wanted to 321 00:13:03,720 --> 00:13:06,120 Speaker 5: like make sure we kind of and Thenmaretta is in Atlanta, 322 00:13:06,520 --> 00:13:08,760 Speaker 5: so just making sure I hit every demographic and made 323 00:13:08,760 --> 00:13:10,920 Speaker 5: sure everybody felt a little bit inclusive included. 324 00:13:10,960 --> 00:13:13,880 Speaker 1: And I really like Mila Jay too. What made you 325 00:13:13,960 --> 00:13:14,920 Speaker 1: hit her up to get on? 326 00:13:15,320 --> 00:13:17,440 Speaker 5: She's just really incredible. I feel like I used to 327 00:13:17,520 --> 00:13:19,800 Speaker 5: love listening to like the the EPs that she would 328 00:13:19,800 --> 00:13:22,280 Speaker 5: put out. I feel like they were just so underrated, 329 00:13:22,400 --> 00:13:24,880 Speaker 5: you know. And of course I love Jenneaiko too, like 330 00:13:24,920 --> 00:13:27,480 Speaker 5: their family dynamic is just I have up to sisters too, 331 00:13:27,520 --> 00:13:29,960 Speaker 5: so like how close the sisterhood is. I'm very very 332 00:13:29,960 --> 00:13:32,280 Speaker 5: close to my sister as well. So I don't know, 333 00:13:32,400 --> 00:13:34,320 Speaker 5: I just love her and she's like such a scorpio. 334 00:13:34,400 --> 00:13:37,079 Speaker 5: So of course every feature is a member of the 335 00:13:37,120 --> 00:13:37,920 Speaker 5: sign of the song is. 336 00:13:37,880 --> 00:13:38,280 Speaker 3: A way. 337 00:13:40,720 --> 00:13:42,520 Speaker 2: She's not playing with that now. In the intro you 338 00:13:42,520 --> 00:13:45,600 Speaker 2: talk about love languages. What would you say is your 339 00:13:45,640 --> 00:13:46,440 Speaker 2: love language? 340 00:13:46,600 --> 00:13:49,079 Speaker 5: I would say it's a tie between gifts and words 341 00:13:49,080 --> 00:13:53,000 Speaker 5: of affirmation. Okay, yeah, I think I love receiving gifts 342 00:13:53,000 --> 00:13:55,400 Speaker 5: as much as I love giving them, and that could 343 00:13:55,440 --> 00:13:57,240 Speaker 5: be like could take form in so many different ways, 344 00:13:57,280 --> 00:14:00,320 Speaker 5: not only just like monetary gifts, but just like you know, 345 00:14:00,480 --> 00:14:03,600 Speaker 5: like certain things, yeah, like small gestures just you know, 346 00:14:03,720 --> 00:14:05,920 Speaker 5: but also just words of affirmation. I think oftentimes when 347 00:14:05,920 --> 00:14:08,080 Speaker 5: I'm in this game, I get so defeated by what 348 00:14:08,120 --> 00:14:11,360 Speaker 5: people have to say on the internet, or like how 349 00:14:12,000 --> 00:14:13,920 Speaker 5: some people may have came in the game after me 350 00:14:13,960 --> 00:14:16,280 Speaker 5: and surpassed me, like you know, so having words of 351 00:14:16,360 --> 00:14:19,440 Speaker 5: encouragement would just be like it just be feeling that 352 00:14:19,680 --> 00:14:22,720 Speaker 5: make you feel. I mean, I think everybody has their 353 00:14:22,760 --> 00:14:25,600 Speaker 5: own journey. Like I know, like I don't look I 354 00:14:25,600 --> 00:14:28,080 Speaker 5: don't count nobody's pockets, i don't look at nobody else's paper. 355 00:14:28,120 --> 00:14:30,560 Speaker 5: I'm just more so like hyper focused on myself. But 356 00:14:31,080 --> 00:14:33,440 Speaker 5: you know, it is sometimes where I'm like, oh d 357 00:14:33,920 --> 00:14:35,920 Speaker 5: that happened fast, you know what I'm saying, Like, okay, cool, 358 00:14:35,960 --> 00:14:38,240 Speaker 5: but salute to them. I'm always about giving people flowers 359 00:14:38,280 --> 00:14:41,600 Speaker 5: because you know, God just preordains everything that happens in 360 00:14:41,640 --> 00:14:42,240 Speaker 5: people lives. 361 00:14:42,280 --> 00:14:43,000 Speaker 3: Period. 362 00:14:43,320 --> 00:14:45,440 Speaker 4: It's important to keep that mind stat. I'm sorry, but 363 00:14:45,600 --> 00:14:47,800 Speaker 4: to keep that mindset as an artist, because that's going 364 00:14:47,880 --> 00:14:50,200 Speaker 4: to happen. You want to see people that came out 365 00:14:50,640 --> 00:14:53,960 Speaker 4: after you, you know, maybe with starving to be around you, 366 00:14:54,000 --> 00:14:56,640 Speaker 4: and you're gonna see them pop and then you know, 367 00:14:56,680 --> 00:14:58,280 Speaker 4: you gotta you gotta stay in your car. 368 00:14:58,360 --> 00:15:03,360 Speaker 5: Though, understand, I'm actually really happy for them to be honest, 369 00:15:03,440 --> 00:15:05,960 Speaker 5: Like it's hard in this game. This is like really 370 00:15:06,000 --> 00:15:08,840 Speaker 5: really hard. So anybody who can make it that should 371 00:15:08,840 --> 00:15:12,040 Speaker 5: be like fake inspiring on a low like so. 372 00:15:12,440 --> 00:15:16,000 Speaker 2: Yeah, and then listen, you did the BT Cipher. Yeah 373 00:15:16,080 --> 00:15:19,360 Speaker 2: and people loved that. What was that experience like for you? 374 00:15:19,440 --> 00:15:21,440 Speaker 2: And you Lola brook and then you and Lola Brooker 375 00:15:21,480 --> 00:15:22,160 Speaker 2: have worked together. 376 00:15:22,440 --> 00:15:25,680 Speaker 3: I love Lola. That's my girl. It's just good to 377 00:15:26,000 --> 00:15:26,720 Speaker 3: see everybody. 378 00:15:26,720 --> 00:15:28,960 Speaker 5: You know, we the rap girls have such unity now, 379 00:15:29,040 --> 00:15:30,440 Speaker 5: you know what I'm saying. I think it's really dope, 380 00:15:30,480 --> 00:15:32,400 Speaker 5: because when I showed up, I'm like, oh, Gloss here, 381 00:15:32,520 --> 00:15:34,840 Speaker 5: like Scar here, like you know, we all speak like 382 00:15:34,840 --> 00:15:37,040 Speaker 5: we all you know what I'm saying, like have relationships already. 383 00:15:37,040 --> 00:15:39,880 Speaker 3: But the Cipher itself, I was so nervous. I cried 384 00:15:39,920 --> 00:15:41,920 Speaker 3: after that site. You do a lot of people don't 385 00:15:41,960 --> 00:15:42,560 Speaker 3: know that, but I. 386 00:15:42,640 --> 00:15:44,480 Speaker 1: Like, sweet, you killed it. 387 00:15:44,640 --> 00:15:46,240 Speaker 3: Thank you, but I thought I didn't. 388 00:15:46,880 --> 00:15:50,840 Speaker 2: Just like everybody was like, oh I was stressed out. 389 00:15:50,880 --> 00:15:53,600 Speaker 3: But yeah, I'm very hard on myself. I called my 390 00:15:53,640 --> 00:15:55,720 Speaker 3: moms crying. I was like, yo, it's probably the worst 391 00:15:55,720 --> 00:15:57,200 Speaker 3: freestyle I ad it did. I'm so mad. 392 00:15:57,240 --> 00:15:59,800 Speaker 5: I swear I was so aggravated because I just felt 393 00:15:59,840 --> 00:16:01,920 Speaker 5: like I feel like I wasn't in pocket. 394 00:16:02,040 --> 00:16:02,400 Speaker 3: My my. 395 00:16:02,440 --> 00:16:04,760 Speaker 5: The BPM on the beat was three three too high. 396 00:16:04,840 --> 00:16:07,560 Speaker 5: I'm like, oh god, I don't know, but it came 397 00:16:07,560 --> 00:16:09,160 Speaker 5: out really, really good. And I've seen him in Atlanta 398 00:16:09,200 --> 00:16:10,600 Speaker 5: right before premiere and he was like, I'm telling you 399 00:16:10,560 --> 00:16:14,120 Speaker 5: it was going viral. He was like, watch, I'm telling you, yeah, 400 00:16:14,240 --> 00:16:15,800 Speaker 5: it sure it did. So it's good. 401 00:16:15,880 --> 00:16:17,720 Speaker 2: Who was the first person to reach out to you 402 00:16:18,160 --> 00:16:20,080 Speaker 2: when you were, you know, posting your videos? 403 00:16:20,160 --> 00:16:20,640 Speaker 1: Was it? Buster? 404 00:16:22,280 --> 00:16:24,920 Speaker 5: He was amongst one of the first, for sure, Tam 405 00:16:25,000 --> 00:16:26,600 Speaker 5: Do I remember the first first person? 406 00:16:28,680 --> 00:16:29,080 Speaker 1: I don't know. 407 00:16:29,080 --> 00:16:31,200 Speaker 5: They kind of all were coming around the same time, 408 00:16:31,400 --> 00:16:35,720 Speaker 5: like Bust the Loop, A Cane, Uh yeah, everybody was 409 00:16:35,800 --> 00:16:38,040 Speaker 5: kind of around the same time. It felt good, though, 410 00:16:38,160 --> 00:16:41,080 Speaker 5: did it was like unbelievable, like no way like this 411 00:16:41,200 --> 00:16:41,640 Speaker 5: is crazy. 412 00:16:42,280 --> 00:16:44,200 Speaker 2: And so when def Jam signed you were there are a 413 00:16:44,240 --> 00:16:45,840 Speaker 2: lot of other labels trying to holler at you. 414 00:16:45,960 --> 00:16:47,600 Speaker 5: Oh my god, Yes, it felt like I was doing 415 00:16:47,600 --> 00:16:50,800 Speaker 5: a draft, like I was feeling thokay, yeah, it was 416 00:16:50,800 --> 00:16:54,720 Speaker 5: always beautiful and everybody, everybody, you know. I would have 417 00:16:54,800 --> 00:16:56,480 Speaker 5: loved to have been anywhere, you know what I'm saying, 418 00:16:56,480 --> 00:16:59,320 Speaker 5: for the under the right terms and conditions. But I 419 00:16:59,320 --> 00:17:02,960 Speaker 5: do think like I think we needed, you know, like 420 00:17:03,080 --> 00:17:06,280 Speaker 5: kind of like a face of rap almost. So I'm 421 00:17:06,280 --> 00:17:07,840 Speaker 5: really really happy to be a part of like the 422 00:17:07,840 --> 00:17:11,240 Speaker 5: oldest hip hop label ever because in Green Thinness is 423 00:17:11,400 --> 00:17:14,640 Speaker 5: just excellence. You know, we go from the Rockefeller era 424 00:17:14,840 --> 00:17:18,040 Speaker 5: to right now, it's just it's just fly. I'm happy 425 00:17:18,040 --> 00:17:18,919 Speaker 5: to be here, you know. 426 00:17:19,440 --> 00:17:22,480 Speaker 2: And when we talk about this project, and you know, 427 00:17:22,600 --> 00:17:26,240 Speaker 2: obviously there's a lot of relationship talk on here, it 428 00:17:26,280 --> 00:17:28,639 Speaker 2: feels like you done had your heartbroken. 429 00:17:29,800 --> 00:17:32,760 Speaker 5: I actually draw from many many of my friends' experiences. 430 00:17:32,800 --> 00:17:35,840 Speaker 5: I've actually never been heartbroken, but never Yeah, No, I 431 00:17:35,880 --> 00:17:38,960 Speaker 5: don't play like that. Yeah, I don't really get to 432 00:17:39,480 --> 00:17:41,920 Speaker 5: I don't believe in getting involved past a certain point 433 00:17:41,920 --> 00:17:45,640 Speaker 5: for me personally. But that's because I'm like hyper focused 434 00:17:45,680 --> 00:17:49,520 Speaker 5: on success and I know myself, I'm very black and white. 435 00:17:49,560 --> 00:17:51,840 Speaker 5: I can be all consumed by something that like really 436 00:17:51,840 --> 00:17:54,960 Speaker 5: really matters, and I think I have no room to 437 00:17:55,080 --> 00:17:57,600 Speaker 5: fall off my pivot for things. So I really have 438 00:17:57,760 --> 00:18:03,119 Speaker 5: never been like in love, like super deep heartbroken of 439 00:18:03,280 --> 00:18:04,120 Speaker 5: you know, I've loved people. 440 00:18:04,280 --> 00:18:05,200 Speaker 1: Have you broken hearts? 441 00:18:05,760 --> 00:18:09,199 Speaker 3: I don't claim that sport. I don't know. I don't know. 442 00:18:09,560 --> 00:18:16,720 Speaker 4: I like that. 443 00:18:15,600 --> 00:18:16,400 Speaker 3: Not my ministry. 444 00:18:16,680 --> 00:18:19,240 Speaker 2: And so you also talk about aquarius Is on the 445 00:18:19,320 --> 00:18:21,920 Speaker 2: album and how they're very nonchalant. 446 00:18:22,440 --> 00:18:24,000 Speaker 1: So what's worse for you? 447 00:18:24,080 --> 00:18:27,240 Speaker 2: Okay, if you had to choose somebody who's nonchalant, somebody 448 00:18:27,280 --> 00:18:31,679 Speaker 2: who's smothering right, or somebody who treats you great, but 449 00:18:32,000 --> 00:18:35,760 Speaker 2: they may step out. 450 00:18:34,680 --> 00:18:36,800 Speaker 3: So what's worse? What's that last one was the worst? 451 00:18:36,920 --> 00:18:37,200 Speaker 1: Okay? 452 00:18:37,320 --> 00:18:41,000 Speaker 5: Please don't cheat play with somebody else. Please do not please, 453 00:18:41,160 --> 00:18:41,880 Speaker 5: That's all I ask. 454 00:18:42,600 --> 00:18:44,160 Speaker 3: Just stay with your chest. I'd rather just leave. 455 00:18:44,280 --> 00:18:46,760 Speaker 5: I'm really like very big on like I'm not happy here. 456 00:18:47,560 --> 00:18:49,960 Speaker 5: Then let's just you know, call a spade a space 457 00:18:50,119 --> 00:18:52,400 Speaker 5: or can we see other people that way? At least 458 00:18:52,400 --> 00:18:55,280 Speaker 5: I get the option to, you know, stay, Some people 459 00:18:55,320 --> 00:18:55,840 Speaker 5: be cool with it. 460 00:18:56,119 --> 00:18:56,640 Speaker 3: Me I don't. 461 00:18:56,960 --> 00:18:59,400 Speaker 5: I don't like the devious portion of it though, Okay, 462 00:18:59,400 --> 00:19:01,760 Speaker 5: you don't want to be like, yeah, that's the part, 463 00:19:01,840 --> 00:19:03,240 Speaker 5: like you talk to her and how you talk to 464 00:19:03,320 --> 00:19:05,199 Speaker 5: her with your whole chest, you big about it. 465 00:19:05,240 --> 00:19:08,600 Speaker 1: You know, have you ever called another woman and had 466 00:19:08,600 --> 00:19:09,040 Speaker 1: to like. 467 00:19:09,480 --> 00:19:13,119 Speaker 3: I don't claim that sport either. She was like, she 468 00:19:13,160 --> 00:19:14,040 Speaker 3: doesn't owe me anything. 469 00:19:14,080 --> 00:19:16,600 Speaker 5: That's what I always like tell my friends this too, 470 00:19:16,720 --> 00:19:18,639 Speaker 5: Like they be blacking on women that deal with They 471 00:19:18,720 --> 00:19:22,840 Speaker 5: meant it's like they're they owe you nothing unless that's 472 00:19:22,880 --> 00:19:25,480 Speaker 5: your homegirl, which is crazy. That's just crazy. But like 473 00:19:25,520 --> 00:19:27,120 Speaker 5: if that's somebody who's a stranger, you need to take 474 00:19:27,119 --> 00:19:28,840 Speaker 5: that out with the man that you share your bed with. 475 00:19:28,960 --> 00:19:29,920 Speaker 3: But that's just my thing. 476 00:19:30,840 --> 00:19:31,000 Speaker 4: Now. 477 00:19:31,000 --> 00:19:32,840 Speaker 2: You also said you touch yourself how to wrap in 478 00:19:32,880 --> 00:19:36,159 Speaker 2: three months? Yes, right, So what was that process like 479 00:19:36,200 --> 00:19:38,160 Speaker 2: for you? How do you teach yourself to rap? 480 00:19:38,480 --> 00:19:40,159 Speaker 3: Hard? I heard that I couldn't wrap. 481 00:19:40,680 --> 00:19:42,760 Speaker 5: I was like I was doing my poetry on a 482 00:19:42,800 --> 00:19:44,960 Speaker 5: beat and it was not catching none of the pockets. 483 00:19:45,000 --> 00:19:47,920 Speaker 5: Like I was like over talking, because the thing about 484 00:19:47,920 --> 00:19:50,320 Speaker 5: it is wrap. They have what we call pockets and wrap. 485 00:19:50,359 --> 00:19:53,520 Speaker 5: It's just really like these spaces that can only fit 486 00:19:53,600 --> 00:19:55,639 Speaker 5: certain amount of syllables in it. When you do poetry, 487 00:19:55,680 --> 00:19:58,920 Speaker 5: it's so free range you could just keep talking and whatever. 488 00:19:59,160 --> 00:20:01,679 Speaker 5: But in music it has to be structured, you know, 489 00:20:01,760 --> 00:20:04,760 Speaker 5: like you count meters, you count syllables, And so for me, 490 00:20:04,800 --> 00:20:07,280 Speaker 5: I was always like, dang, it don't sound right, like 491 00:20:07,320 --> 00:20:10,159 Speaker 5: how like how can I do better? And so I 492 00:20:10,200 --> 00:20:11,960 Speaker 5: used to just listen to Jay, listen to the Locks, 493 00:20:12,040 --> 00:20:14,960 Speaker 5: listen to Big L, listen to you know, styles, listen 494 00:20:15,000 --> 00:20:26,360 Speaker 5: to stacks, listen to like all my favorites, rapt, listening 495 00:20:26,400 --> 00:20:29,360 Speaker 5: to my people and like really downloading that like their 496 00:20:29,400 --> 00:20:31,439 Speaker 5: algorithm and things, and then putting my own spin on it. 497 00:20:31,600 --> 00:20:34,160 Speaker 2: You think that going to school and like being structured 498 00:20:34,200 --> 00:20:36,960 Speaker 2: and in the way that you helped you with your career. 499 00:20:36,760 --> 00:20:38,960 Speaker 5: Yes, absolutely, I'm a scholar and I apply it to 500 00:20:39,000 --> 00:20:43,160 Speaker 5: every portion of my life, like absolutely, yeah, for sure. 501 00:20:43,200 --> 00:20:43,959 Speaker 3: I don't even know how. 502 00:20:44,080 --> 00:20:46,120 Speaker 5: It's so funny because I think without college at least 503 00:20:46,160 --> 00:20:48,280 Speaker 5: the way that I like went, I don't know how 504 00:20:48,320 --> 00:20:50,560 Speaker 5: I managed my career right now, right the way that 505 00:20:50,600 --> 00:20:54,880 Speaker 5: my group chats be like it's overkilled, Like it's like pdfiles, 506 00:20:55,040 --> 00:20:57,000 Speaker 5: DOCU signs you out of turned this in and I'm 507 00:20:57,119 --> 00:20:59,200 Speaker 5: very like like on it, you know what I'm saying 508 00:20:59,200 --> 00:21:00,560 Speaker 5: I want to be a part of every email chain 509 00:21:00,640 --> 00:21:02,280 Speaker 5: my team, know, like, do not leave me out the 510 00:21:02,280 --> 00:21:03,520 Speaker 5: email and everyone. 511 00:21:03,200 --> 00:21:05,600 Speaker 1: To see everything I want to see it. 512 00:21:05,680 --> 00:21:08,280 Speaker 5: Yes, I get literally if I start to work approved 513 00:21:08,320 --> 00:21:09,920 Speaker 5: in my phone right now, it comes up more than 514 00:21:09,960 --> 00:21:11,600 Speaker 5: anything ever, you know. 515 00:21:11,680 --> 00:21:13,600 Speaker 1: So that's great. You're very involved in your career and 516 00:21:13,680 --> 00:21:14,760 Speaker 1: your mom is your manager. 517 00:21:15,280 --> 00:21:17,439 Speaker 3: Yes, my mom handles a lot of like my day 518 00:21:17,480 --> 00:21:18,680 Speaker 3: to day stuff right now. 519 00:21:19,840 --> 00:21:21,760 Speaker 2: Does that cause any how is that at home too, 520 00:21:21,760 --> 00:21:23,600 Speaker 2: because sometimes it's hard to turn that off when you're 521 00:21:23,640 --> 00:21:25,320 Speaker 2: like I don't want to talk about business for a moment. 522 00:21:25,480 --> 00:21:28,680 Speaker 5: Yeah, my mom, she yeah, she got an interesting way 523 00:21:28,680 --> 00:21:31,439 Speaker 5: of approaching it. She's definitely still a mom all like 524 00:21:31,520 --> 00:21:34,439 Speaker 5: all day. That never turns off her. So she'll be 525 00:21:34,560 --> 00:21:36,600 Speaker 5: like trying to check me on stuff and I'll be like, girl, 526 00:21:36,760 --> 00:21:38,520 Speaker 5: like we. 527 00:21:37,760 --> 00:21:39,680 Speaker 3: We are in working space right now. If anything, I'd 528 00:21:39,680 --> 00:21:43,560 Speaker 3: be like we're working. It'd be like to me like 529 00:21:43,640 --> 00:21:44,760 Speaker 3: not today, not today. 530 00:21:45,200 --> 00:21:48,800 Speaker 5: Yeah, So we definitely be on that. But you know, 531 00:21:48,880 --> 00:21:51,600 Speaker 5: she's she just wants the best for the whole situation. 532 00:21:51,760 --> 00:21:53,680 Speaker 2: So and look a lot of the women, like you said, 533 00:21:53,680 --> 00:21:55,520 Speaker 2: are supportive of you. How did you feel when CARTI 534 00:21:55,680 --> 00:21:56,520 Speaker 2: talked about. 535 00:21:56,280 --> 00:21:57,800 Speaker 3: You love Carti so much. 536 00:21:57,840 --> 00:22:00,960 Speaker 5: I've always loved Cardi from day one before. Really I 537 00:22:01,040 --> 00:22:03,320 Speaker 5: was following Collie before she started rapping, like when she 538 00:22:03,400 --> 00:22:05,400 Speaker 5: was just funny. It's like when she's doing the vines 539 00:22:05,560 --> 00:22:08,960 Speaker 5: like way before. So it was just beautiful to see 540 00:22:08,960 --> 00:22:12,399 Speaker 5: her her come up because so many people that counted 541 00:22:12,440 --> 00:22:15,159 Speaker 5: her out, and I feel so attached to that. A 542 00:22:15,200 --> 00:22:16,919 Speaker 5: bunch of people just was like, you know, they never 543 00:22:16,960 --> 00:22:18,600 Speaker 5: really saw the potential on what she was trying to do. 544 00:22:18,680 --> 00:22:20,919 Speaker 5: And she works harder than a lot of people, Like 545 00:22:20,920 --> 00:22:22,840 Speaker 5: a lot of people wouldn't know how hard Cardi really 546 00:22:22,920 --> 00:22:25,919 Speaker 5: works day in and day out. And so her speaking 547 00:22:25,960 --> 00:22:28,480 Speaker 5: highly of me is beautiful because she is always the 548 00:22:28,480 --> 00:22:31,639 Speaker 5: same person in every room. I've seen her out, you know, 549 00:22:31,720 --> 00:22:33,359 Speaker 5: walking through the club where she cleared the whole thing, 550 00:22:33,400 --> 00:22:36,720 Speaker 5: and she seen me like like move security out the way, 551 00:22:36,720 --> 00:22:38,880 Speaker 5: the whole nine, And I just I feel like, I'm 552 00:22:38,880 --> 00:22:42,040 Speaker 5: so happy that she never lost how authentic she was, 553 00:22:42,560 --> 00:22:43,880 Speaker 5: how authentic she is, you know. 554 00:22:44,040 --> 00:22:45,560 Speaker 1: And you passed the major highlights. 555 00:22:45,600 --> 00:22:49,200 Speaker 2: I mean, seeing your face on a billboard in Times Square, 556 00:22:49,320 --> 00:22:50,400 Speaker 2: did you cry at that point? 557 00:22:50,520 --> 00:22:52,240 Speaker 3: I didn't cry. I just saw it yesterday live. I 558 00:22:52,280 --> 00:22:54,239 Speaker 3: saw it in La first, but I just saw Yesterday live. 559 00:22:54,280 --> 00:22:57,400 Speaker 5: It's funny. My driver was like, there you go. Casually 560 00:22:57,400 --> 00:22:58,919 Speaker 5: we were like driving, there you go. 561 00:22:59,440 --> 00:23:01,919 Speaker 3: I was like, so we got out the car. We 562 00:23:01,960 --> 00:23:02,760 Speaker 3: took some pictures. 563 00:23:03,920 --> 00:23:06,120 Speaker 5: I notice I don't meditate in my successes as much 564 00:23:06,119 --> 00:23:10,240 Speaker 5: as I analyze my failures. So I'm always like next move, 565 00:23:10,320 --> 00:23:11,800 Speaker 5: next move, next moe. I don't never sit in there 566 00:23:11,840 --> 00:23:14,080 Speaker 5: and be like, wow, this happened. I be more so 567 00:23:14,240 --> 00:23:16,800 Speaker 5: like defeated. Sometimes when I feel like something didn't happen 568 00:23:17,200 --> 00:23:19,040 Speaker 5: longer than I'll be like, wow, that happened. 569 00:23:19,040 --> 00:23:23,560 Speaker 1: You got to celebrate that everything. 570 00:23:24,520 --> 00:23:27,040 Speaker 4: Celebrating today that the clock is going back. 571 00:23:30,320 --> 00:23:33,399 Speaker 5: You know, it's not a lord that cancel that yet. 572 00:23:33,480 --> 00:23:34,440 Speaker 1: I don't think it's happened yet. 573 00:23:34,440 --> 00:23:36,920 Speaker 4: We celebrate that right now listen. 574 00:23:39,119 --> 00:23:40,880 Speaker 3: Basically get your cake. 575 00:23:41,720 --> 00:23:43,719 Speaker 2: You know, every day I'm always say, yo, we got 576 00:23:43,800 --> 00:23:46,439 Speaker 2: to celebrate something. I'll make something up to celebrate just 577 00:23:46,440 --> 00:23:49,719 Speaker 2: because I think it's nice, just because life can be 578 00:23:49,760 --> 00:23:53,040 Speaker 2: really really hard. We all work really hard, and sometimes 579 00:23:53,040 --> 00:23:54,600 Speaker 2: you do have to take the time to be like, man, 580 00:23:54,680 --> 00:23:55,600 Speaker 2: I did this, I can't. 581 00:23:55,800 --> 00:24:00,520 Speaker 1: You know it could be little things too, you know that. 582 00:24:00,560 --> 00:24:03,560 Speaker 3: So I'm definitely learning it all right, Well. 583 00:24:03,440 --> 00:24:05,480 Speaker 2: Listen, we're so excited that you had a chance to 584 00:24:05,480 --> 00:24:08,439 Speaker 2: come through. Also, congrats. We saw the new video with 585 00:24:08,800 --> 00:24:10,520 Speaker 2: well jeremized. He's not in the video. 586 00:24:10,600 --> 00:24:11,919 Speaker 3: He's not. He was on touring Europe. 587 00:24:12,400 --> 00:24:14,600 Speaker 5: We weren't unable to get him on that, but we 588 00:24:14,680 --> 00:24:17,320 Speaker 5: have so much other stuff planned to incorporate him. 589 00:24:17,680 --> 00:24:20,119 Speaker 1: But however, you did have some steamy scene. 590 00:24:20,200 --> 00:24:22,240 Speaker 5: Yeah, I was. 591 00:24:22,280 --> 00:24:25,200 Speaker 3: I got some terrible text today, terrible text when. 592 00:24:25,520 --> 00:24:27,639 Speaker 4: Part of the script that you just went you just 593 00:24:27,640 --> 00:24:29,800 Speaker 4: got caught up in the moment, committed to the moment 594 00:24:29,880 --> 00:24:30,640 Speaker 4: came out and you. 595 00:24:30,720 --> 00:24:33,080 Speaker 5: Was I'm about the art form. It was acting too 596 00:24:33,119 --> 00:24:38,440 Speaker 5: good about the art for I love a good na. Yeah, absolutely, 597 00:24:39,119 --> 00:24:40,440 Speaker 5: tell me about these texts. 598 00:24:41,000 --> 00:24:42,359 Speaker 3: Everybody's like what you know? 599 00:24:42,400 --> 00:24:45,480 Speaker 5: Of course, the niggas and things, it's all like, what's 600 00:24:45,520 --> 00:24:48,320 Speaker 5: going on? This is making my stomach hurd? 601 00:24:48,400 --> 00:24:48,840 Speaker 3: Who is this? 602 00:24:49,320 --> 00:24:51,760 Speaker 2: So it's just yeah, how was it on set like 603 00:24:51,880 --> 00:24:53,560 Speaker 2: for you to have to do that acting? 604 00:24:54,119 --> 00:24:54,640 Speaker 3: It was cool? 605 00:24:54,720 --> 00:24:56,560 Speaker 5: I really want to get like a lot of my videos, 606 00:24:56,600 --> 00:24:58,520 Speaker 5: I will just love I love the narrative. I love 607 00:24:58,560 --> 00:25:01,120 Speaker 5: having like a storylin and being painted and that's kind 608 00:25:01,119 --> 00:25:02,800 Speaker 5: of like the theme of my overall thing. I never 609 00:25:02,840 --> 00:25:04,600 Speaker 5: wanted just to be have a regular video where I'm 610 00:25:04,640 --> 00:25:06,399 Speaker 5: like in a gas station, wrapping in front of a 611 00:25:06,400 --> 00:25:08,000 Speaker 5: car or something like that. Like for me, I'm like, 612 00:25:08,119 --> 00:25:11,000 Speaker 5: let's do let's make it a movie. Let's make a movie. 613 00:25:11,080 --> 00:25:12,920 Speaker 5: And I want to tap more into TV and film. 614 00:25:13,000 --> 00:25:15,000 Speaker 5: So I really want that to kind of be like 615 00:25:15,040 --> 00:25:17,080 Speaker 5: a little bit of a you know, like an icebreaker 616 00:25:17,119 --> 00:25:19,520 Speaker 5: into that space. So I'm about the art form, whatever 617 00:25:19,600 --> 00:25:21,320 Speaker 5: it takes to get to get it done, and that's 618 00:25:21,359 --> 00:25:22,919 Speaker 5: what it is. So I wasn't really nervous that I 619 00:25:22,960 --> 00:25:25,159 Speaker 5: was actually talking to him like y okay, like if 620 00:25:25,240 --> 00:25:26,960 Speaker 5: I forget, you know, he was. 621 00:25:26,920 --> 00:25:29,160 Speaker 3: Just like yeah, he like I'm good, Like I'm good, 622 00:25:29,280 --> 00:25:29,960 Speaker 3: So you know, I. 623 00:25:29,880 --> 00:25:31,200 Speaker 1: Think we need to try this one again. 624 00:25:32,080 --> 00:25:32,680 Speaker 3: We actually did. 625 00:25:32,680 --> 00:25:35,040 Speaker 5: Shoot that same scene twice, which is like crazy, but 626 00:25:36,200 --> 00:25:39,200 Speaker 5: it was cool, you know, like what else. 627 00:25:39,040 --> 00:25:42,960 Speaker 1: She's so professional. Well, Lady Lennon, thank you so much. 628 00:25:43,000 --> 00:25:46,120 Speaker 2: We appreciate you, and congratulations for this new project that's 629 00:25:46,160 --> 00:25:47,720 Speaker 2: available right now, soul. 630 00:25:48,440 --> 00:25:49,879 Speaker 4: Right, congrats, thank you so much. 631 00:25:49,920 --> 00:25:50,480 Speaker 3: I appreciate you. 632 00:25:50,520 --> 00:25:52,000 Speaker 1: Shout out to all the Capricorns. 633 00:25:52,320 --> 00:25:55,080 Speaker 3: Yes, I like cafcorns, so yeah, I get it. 634 00:25:55,200 --> 00:25:58,680 Speaker 1: Yeah, but I'm a Capricorn man, but that let's celebrate. 635 00:25:58,320 --> 00:26:01,959 Speaker 4: Being our sign the worst. Another shot shot. 636 00:26:02,920 --> 00:26:05,520 Speaker 1: All right, Lady London, check her out. It's way up, 637 00:26:08,040 --> 00:26:08,560 Speaker 1: way up,