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Speaker 1: First of all, you don't know me. Were all about

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Speaker 1: that high school drama, Girl Drama, Girl, all about them

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Speaker 1: high school queens. We'll take you for a ride in

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Speaker 1: our comic girl Cheering for the drama Queens girl Fashion.

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Speaker 1: But you're tough girl, you can sit with us. Girl Drama, Queens, Drama,

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Speaker 1: Queen's Drama, Queen's Drama Drawn MC, Queen's Drama Queens. Everybody.

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Speaker 1: I missed you guys so much. Thank you for taking

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Speaker 1: care of me last week and filling in. Um We're

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Speaker 1: back with our fury. This week is season three premiere. UM.

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Speaker 1: So much happened in this episode, including what a ton

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Speaker 1: of a d R which will explain what. But first

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Speaker 1: things first, Haley came home the night of the fire,

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Speaker 1: which Dan somehow survived. Honestly, Dan, so do you yes? Um?

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Speaker 1: Three months have passed, Nathan ended up going to High Flyers.

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Speaker 1: He still doesn't know if he can trust Haley again.

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Speaker 1: Brook moves into Nathan and Haley's old apartment, which is

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Speaker 1: my favorite set. Like, I love hanging out in that

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Speaker 1: set and I love that they never made us give

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Speaker 1: it up. We just rotated it. Uh. Peyton is still

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Speaker 1: emotionally struggling over what now, like what now her birth mother?

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Speaker 1: And then Brooke and Lucas start casually dating. Were they

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Speaker 1: dating though, Like I don't know the whole Yeah, the

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Speaker 1: whole like friends with benefit thing in the early two

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Speaker 1: thousands was weird because it was like kind of this

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Speaker 1: like girl power movement of we're not going to be

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Speaker 1: your girlfriend, We're just gonna kiss anybody because we can

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Speaker 1: be like boys. Um, I feel like we got kind

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Speaker 1: of hoodwinked on that. Yeah we did. I think we go.

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Speaker 1: I feel like a guy I made this up and

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Speaker 1: said it was our idea. You know what it is

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Speaker 1: the same guy you know have like Victoria's secret. When

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Speaker 1: they started doing like all the angel like fashion shows,

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Speaker 1: we were told like, oh, this is girl power, love

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Speaker 1: your body, and then we find out all these years

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Speaker 1: later it was like super misogynistic and just dudes. Yeah,

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Speaker 1: I feel like that's the movement. They're like, tit's up, girls,

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Speaker 1: tits up? Oh my god, just kissing. It's interesting. I

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Speaker 1: will say, as much as I'm like on the on

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Speaker 1: the idea, what I did like is that the the

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Speaker 1: director of this episode, um, Greg Praine, who was you know,

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Speaker 1: our on site producer, who knew us all really well.

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Speaker 1: He did like to lean into what more was going

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Speaker 1: on with the characters than was on the page, because

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Speaker 1: he was present for every single episode, and so I

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Speaker 1: led about these characters. I know he did, he really did.

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Speaker 1: And I liked that he offered me space as an

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Speaker 1: actor two say the lines, we're going to be casual

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Speaker 1: and whatever, but then to show that it was a

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Speaker 1: defense mechanism. Of course, Brooke was testing Lucas to see

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Speaker 1: if he would play by her rules and keep showing

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Speaker 1: up and sort of earn her trust. And I'm glad

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Speaker 1: we had someone familiar to do that with because otherwise

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Speaker 1: I think it would well, they would want you to

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Speaker 1: make it like sexy and it's not. It's You're totally

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Speaker 1: right when you say it's a defense mechanism. It's how

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Speaker 1: far can I push you and you'll keep your promise

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Speaker 1: to support me? And you know, my Brook needs after

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Speaker 1: what she's been through with the last few guys and

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Speaker 1: with Lucas also like she needs to be able to

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Speaker 1: push a little bit and know that he's not just

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Speaker 1: going to blow away with the wind. Yeah. Brooke also

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Speaker 1: came back like Sabrina from Paris with the bangs that

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Speaker 1: I loved so much. When the last time the banks?

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Speaker 1: Have you done this again, Sophia? Yeah, I come since then, God,

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Speaker 1: I can't remember if it was like just after my

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Speaker 1: thirtieth birthday. I can't believe you didn't cut pandemic bangs.

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Speaker 1: Everybody on the planet cut pandemic bangs, and you're so

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Speaker 1: good with them. I really do enjoy them. But yeah,

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Speaker 1: I have a cowlic and so unless I blow drive

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Speaker 1: them out like, they go into directions. So I've learned

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Speaker 1: that bangs are a bit high maintenance for me. But man,

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Speaker 1: did I like these bangs. And I feel vindicated that

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Speaker 1: all the ladies are in support because I got yelled

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Speaker 1: at when I cut these bangs for our boss. It

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Speaker 1: was a real dick. Oh yeah, and all these years later,

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Speaker 1: I think they stand the test of time. So he

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Speaker 1: can off. My bangs were great. You can just grab

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Speaker 1: the off right off. Sorry everyone at home. We're spicy tonight.

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Speaker 1: It's so spicy. I have my spicy tequila tonight. Yeah,

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Speaker 1: we're doing an evening podcast. We're all happily charged. We

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Speaker 1: I wonder if fans can tell the difference when we

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Speaker 1: do early morning podcast versus like late night, Like we

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Speaker 1: should let them guests from now on, like Morning or Night.

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Speaker 1: We should take a pole every week. We should actually

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Speaker 1: do a poll. That would be so stories. Yeah, that's

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Speaker 1: a good idea. Was that Morning or Night episode is

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Speaker 1: a drunk history edition? Are we going to do a

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Speaker 1: drunk o t h history where we have to tell

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Speaker 1: the story of what happened all season long? But like,

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Speaker 1: oh my god, like when you and I did lame

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Speaker 1: is in four minutes or something, We're going to do

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Speaker 1: a sloppy recap of season two? Um no, I guys,

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Speaker 1: I really really like season three. I have you know,

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Speaker 1: anytime the fans ask us what seasons our favorite? Historically,

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Speaker 1: for me, it's three because I you know, I love Shirley,

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Speaker 1: I love Kevin Kilner, who shows up in this episode.

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Speaker 1: Like I don't have crying all the time, but jeez,

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Speaker 1: I got to work with like, you know, people I loved,

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Speaker 1: and we all looked so cute this season, like you

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Speaker 1: and your little haircut. Everybody's hair was so good. Everybody's

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Speaker 1: got a great braw on and tank tops. What was

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Speaker 1: that bra because it was the same one, guys, it

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Speaker 1: had such a specific front cut, Like yeah, I know

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Speaker 1: it was enjoy. You're the one who spotted it. You

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Speaker 1: were like, we're wearing the same bra, and that's a

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Speaker 1: perfect I don't know what it is, but yeah, I

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Speaker 1: want it. It probably comes from the terrible era of

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Speaker 1: Victoria's Secret Friends with Benefit bra. That's where else was

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Speaker 1: there at a shop for There were really no alternatives,

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Speaker 1: especially not in you know, the one Victoria's Secret at

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Speaker 1: the mall. That was it. That was it, I know.

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Speaker 1: But everybody did look really good. We looked cute. We

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Speaker 1: were we were covering the the basis of Oh my god,

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Speaker 1: like you had the Sophia, you had like the Sandra

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Speaker 1: Bullock thing going on, Oh my god, had Meg Ryan.

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Speaker 1: And I'm an climb into Julia Roberts territory because you

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Speaker 1: never know when my hair is gonna go curly. And

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Speaker 1: I think I think we have this sort of like

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Speaker 1: rom com queen trifecta happening in the in the in

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Speaker 1: the season three, I'm excited about seeing the rest of

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Speaker 1: I'm really excited, you know what to this is when

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Speaker 1: the like hocus pocus, um, not hocus pocus. What am

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Speaker 1: I thinking? I'm practicle magic Hill. This is what the

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Speaker 1: practicable magic things started for us when people were like,

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Speaker 1: you guys should do Bullock and Kidman. I think, Joy,

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Speaker 1: you just nailed it. I think it's the haircuts this season.

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Speaker 1: I who was our costumer this year? I can't even remember,

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Speaker 1: but we had somebody different come in. Was it a

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Speaker 1: guy he was seasoned four? Oh? There. I just feel

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Speaker 1: like there were some changings of the guard between two

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Speaker 1: and three, and you can see all of us feel

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Speaker 1: like more comfortable. Um yeah, like I can get comfortable

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Speaker 1: in those orange pants for myself now in your pants on.

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Speaker 1: But listen, I'm telling you this episode was all tank

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Speaker 1: tops all the time, Like except for Nathan, who's not

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Speaker 1: wearing a shirt at all the whole episode. That's a

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Speaker 1: good d D of choice for him. Though we should

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Speaker 1: tell James be like, wa hey, we made an executive

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Speaker 1: decision for you. Don't wear shirts? A good choice. As

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Speaker 1: your friends, we'd like to tell you we have an opinion.

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Speaker 1: I just love Okay, So do you guys remember when

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Speaker 1: we were filming this whole like who killed Dan? Thing?

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Speaker 1: How obsessed our bosses were about creating the same kind

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Speaker 1: of energy around our show that that show Doubtlas had

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Speaker 1: about like who shot Ja? Oh my gosh, Hillary, I

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Speaker 1: forgot about that. They were obsessed. We would never stop

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Speaker 1: talking about it. And by the way, you know it worked.

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Speaker 1: It's sort of yeah. I mean it literally would have

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Speaker 1: been anyone except you or me, because in the end

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Speaker 1: montage of the show, they show every single character on

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Speaker 1: our show angry at Dan, except for Brooke and Peyton.

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Speaker 1: We're crying about other show. You guys are all trying

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Speaker 1: to kill Dan. It did feel like an episode of Clue.

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Speaker 1: It was like, you know, it was Hayley in the

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Speaker 1: library with a candlestick. That's what the forties episode should

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Speaker 1: have been. Oh my god, it should have been Clue.

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Speaker 1: It's not too late. What if we did What if

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Speaker 1: we did One Tree Hill Clue the movie? Yes, but

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Speaker 1: Lose your Own Adventure. The end of the series, Dan

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Speaker 1: is dead. So who would be like the next victim

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Speaker 1: on the show? If we're gonna do One Tree Hill Clue?

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Speaker 1: Who dies next? Okay, who's the next victim after Dan? Rachel?

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Speaker 1: But she's not around yet? Who else? Who's who's the

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Speaker 1: bad guy? There's no other villain. He's the only villain.

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Speaker 1: I mean, I guess Deb maybe would go next. Oh,

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Speaker 1: it would be such a shame it would be, but

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Speaker 1: I don't know, like she's the only one that seems

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Speaker 1: to have that, like she could go bad if she

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Speaker 1: Why does it have to be a main character? What

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Speaker 1: if somebody dies in Tree Hill and then the rest

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Speaker 1: of us have to investigate and prove our innocence. I

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Speaker 1: didn't do it, guys, I didn't. I've been on a

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Speaker 1: webcam this whole time, being watched by Watch Me Watch You,

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Speaker 1: which we didn't revisit in this episode, and I kind

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Speaker 1: of wish they had just to recap and remind us

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Speaker 1: that there was something creepy going on, because that was

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Speaker 1: a weird mislead in the end of last season. It

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Speaker 1: was very strange, and also they made such a big

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Speaker 1: deal out of it, even in the beginning of the

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Speaker 1: episode where Peyton and Lucas are having this moment where

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Speaker 1: they're becoming like real friends again, and she's like, I've

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Speaker 1: been getting these creepy emails, and I'm like, first of all,

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Speaker 1: they're on a I am and second of all, we're

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Speaker 1: never going to talk about them again, like you confide

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Speaker 1: in him about it, and then they disappear, which feels strange.

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Speaker 1: It feels not like a sixteen year old girl, because

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Speaker 1: what I can tell you, having been a sixteen year

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Speaker 1: old girl, is that when we're weirded out about something,

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Speaker 1: we talk about it all the fucking time. Like we

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Speaker 1: don't just like drop it and then walk away. No,

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Speaker 1: it's so high school. Yeah, you fixate on it. What

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Speaker 1: I will say though, is that Peyton lives in this

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Speaker 1: world have watched me watch you for a while, like

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Speaker 1: for a couple of seasons, and um, I I am

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Speaker 1: so paranoid anytime I stay in a hotel room or

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Speaker 1: like an airbnb or something that there are cameras everywhere.

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Speaker 1: Like the speed was always checking the events, the air conditions.

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Speaker 1: I check every event. Do you know there's an app

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Speaker 1: on your phone that can scan for hidden cameras? Because

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Speaker 1: I do, because Peyton Sawyer traumatized me. So now I'm

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Speaker 1: just out there scanning every room I go into watch this.

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Speaker 1: I'm really I'm into it. I think it's smart. I

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Speaker 1: think everybody should do it. That should be the name

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Speaker 1: of the app watch Watch. I see you, you pervert,

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Speaker 1: I see you you stop me from watching you. You

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Speaker 1: know what else was creepy in this episode is that

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Speaker 1: face in Peyton's bedroom that they kept shining a light on. Yeah,

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Speaker 1: why did that face get a feature light? It's not right.

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Speaker 1: It was a sculpture. What was it. We're in season

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Speaker 1: three and Joy is like, what is that thing on

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Speaker 1: your desk? I'm just like, baby, that's been there since

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Speaker 1: the pilot. It was like it was like a dummy head.

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Speaker 1: It was literally like a mannequin head, but the hair

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Speaker 1: part had been removed and so there was like pencils

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Speaker 1: in it, like it was like a pencil holder on

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Speaker 1: the desk, and of course that's the thing they spotlight

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Speaker 1: and it's so but like Lucas is having this very

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Speaker 1: sincere He's really trying to talk to you, and all

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Speaker 1: I can see behind him is this strange like a

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Speaker 1: boogieman sculpture. Also, I must say there you can tell

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Speaker 1: when something gets highlighted and when it doesn't. And in

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Speaker 1: this episode, that head and that like d whatever that

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Speaker 1: poster was. Yeah, they were like characters in the show.

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Speaker 1: Why were they? So here's what I think. Here's what

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Speaker 1: I think. If you notice everyone's wearing a white tank

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Speaker 1: top in this episode, people's hair rarely changes and we

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Speaker 1: are constantly in front of the same backgrounds. I think

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Speaker 1: we blocked shot the that of this episode because they

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Speaker 1: interesting so much time on the fire like, like, there

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Speaker 1: were certain things we had to spend a ton of

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Speaker 1: time on, and so the other stuff, like the scene work,

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Speaker 1: I think we blocked shot it. I don't know if

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Speaker 1: we've explained block shooting to people at home, but somebody

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Speaker 1: explain it. Tell him what, tell him what it is,

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Speaker 1: Tell him what it is, all right now, guys, you're

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Speaker 1: the directors. I'm just the bitchy actress. Block shooting is

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Speaker 1: when you take everything that's in one location in the

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Speaker 1: whole episode and you film it all at one time,

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Speaker 1: or if there's direct yeah, and in the in the

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Speaker 1: directions so that you're facing I've actually feel like we've

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Speaker 1: explained this on the show before, but I can't remember.

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Speaker 1: So you just face the same direction, and everybody who's

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Speaker 1: in that scene, uh or in scenes in that episode

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Speaker 1: in that location will file in and do their scene

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Speaker 1: in that direction. So everybody's there all day long just

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Speaker 1: waiting for their direction to be up. So you face

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Speaker 1: the window, then you turn around and face the other side,

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Speaker 1: and then you Sometimes it's four ways and then a

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Speaker 1: wide shot, so it can be quite complicated and sometimes

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Speaker 1: in order to avoid the cameras having to move all

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Speaker 1: day long, all the way around the room, around the room,

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Speaker 1: around the room, around the room. They just stay in

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Speaker 1: one place for four hours and then move again and

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Speaker 1: stay in that place for another four or five hours,

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Speaker 1: and then it's not the best way to do. I

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Speaker 1: mean it's it's not. It's a super big time saver,

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Speaker 1: you know. But you can also tell to like you're

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Speaker 1: not moving, um, the other things to lose their minds

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Speaker 1: a little bit. All my scenes, Peyton doesn't look at anybody.

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Speaker 1: It's like Chat over my shoulder or Kevin Kilner over

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Speaker 1: my shoulder, because when you away, it's two actors looking

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Speaker 1: in the same direction. So you only need to set

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Speaker 1: up the camera once. Yeah, So we were saving tons

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Speaker 1: of times so that that fire would be the most

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Speaker 1: epic fire that ever fired. I remember driving out there

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Speaker 1: that night hill we were so palm the build up

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Speaker 1: of this fire. It was like, guys, you're never going

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Speaker 1: to see anything like it ever again in the history

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Speaker 1: of your careers. There's going to be an explosion. We

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Speaker 1: were like, okay. I also just remember being amped to

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Speaker 1: stand in that parking lot because we were like, there's

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Speaker 1: some than to know. Oh, my god, there was just

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Speaker 1: something to do the Deluxe or go to the movie theater,

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Speaker 1: and we were thrilled blowing stuff up. We were in

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Speaker 1: the parking lot of the Independent small What is that road?

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Speaker 1: Is that on Eastwood? Um? I can't remember anymore, but

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Speaker 1: you know it's road, the big one. It's the road

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Speaker 1: with the freaking Victoria's Secret mall, Hot Topic, Victoria's Secret,

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Speaker 1: what other stores packs on? There was? We had everything.

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Speaker 1: We were living the dream blowing stuff up in the

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Speaker 1: parking lot. I remember us sitting in our cars being like, Oh,

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Speaker 1: this is gonna be the coolest thing ever, and everyone

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Speaker 1: made it sound like it was gonna be so dangerous,

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Speaker 1: and looking back at it now, I'm like, it's a fire.

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Speaker 1: Like the building on fire. It's a building on fire.

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Speaker 1: Were we super controlled so it felt it still felt safe?

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Speaker 1: I guess were we worried about Dan? Like, did anyone

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Speaker 1: really think Dan was gonna die? Besides death? I mean,

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Speaker 1: it's awfully hard to be worried about Dan since we

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Speaker 1: know what happens. It's kind of like you know what

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Speaker 1: happens with the Titanic, but like no one is surprised

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Speaker 1: at the movie, but your heart broken guys, that feels right.

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Speaker 1: He really is spurs not going anywhere. Yeah, I spurgs

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Speaker 1: not moving for you. Um. But I will say I

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Speaker 1: do think at the time when the show was airing,

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Speaker 1: people really did wonder if he was going to die. Yeah, yeah,

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Speaker 1: I think so too. It was a big deal. It

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Speaker 1: was it big. Who done it? Like what's going to happen?

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Speaker 1: I think they did splashes on Entertainment Weekly on it.

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Speaker 1: I think it was kind of all over all the

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Speaker 1: little pop culture spots like what's going to happen to Dan?

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Speaker 1: And you can tell even in the way that it

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Speaker 1: was written, you know, where the firefighter says something to Barbara,

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Speaker 1: you know, to deb and she says, my husband was inside,

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Speaker 1: and he goes, they didn't tell you hold on, captain,

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Speaker 1: and you think, well, somebody's coming to do a death notification.

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Speaker 1: And then he comes around the side of that ambulance,

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Speaker 1: sucking on an oxygen mask, and he realizes nobody's happy

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Speaker 1: to see him. What did you say it was like, Hillary, Well,

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Speaker 1: he looks like a Hannibal lecteror with like the mask,

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Speaker 1: but he also looks like another Wilmington icon, Dennis Hopper

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Speaker 1: in blue velvet sucking on that oxygen mask just Creepsville. Yeah,

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Speaker 1: it was really fascinated by the scene with Dan in

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Speaker 1: the confessional because it's the first time we've ever seen

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Speaker 1: him behaving genuinely sincere well, I guess, since I guess

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Speaker 1: he's sincerely awful, but in being sincere about his u

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Speaker 1: his place in the existential climate, the existential world, where

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Speaker 1: does he belong? The first time he's really you know,

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Speaker 1: being genuinely being vulnerable without anyone present who he might

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Speaker 1: get something from. Unless he's like literally trying, I guess

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Speaker 1: because he does ask can I can I get forgiveness

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Speaker 1: for something I haven't done already? So is he trying to?

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Speaker 1: Is he trying to gaslight God? Is this stands? Fine?

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Speaker 1: Doesn't because he doesn't really want forgiveness, I don't think,

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Speaker 1: like right, But why is he bothering to go to

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Speaker 1: the confessional? That's a really interesting choice to make for

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Speaker 1: a person to go to a confessional seeking genuine forgiveness,

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Speaker 1: feeling some kind of genuine repentance, and yet also wanting

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Speaker 1: to get away with something like seeing if God's going

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Speaker 1: to let you get away with something. Yeah, I think

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Speaker 1: that's so interesting. I mean, there's a part of me

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Speaker 1: that thinks Dan gets his kicks seeing what he can

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Speaker 1: get away with, and so going in and basically admitting

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Speaker 1: that you're going to do something bad and now you've

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Speaker 1: got this pastor you know, privilege of are you going

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Speaker 1: to tell on me? What are you going to do

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Speaker 1: about it? You know, like if he can pull one

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Speaker 1: over on an institution that is supposed to be um,

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Speaker 1: I don't know that, like utmost respect, it shows you

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Speaker 1: just how very low he is. Uh. But like in

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Speaker 1: all seriousness, does someone just sit there all day and

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Speaker 1: like you can walk in at any time? I don't

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Speaker 1: know what the rules are. Do they don't have hours?

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Speaker 1: How does that work? Yeah? You make it my mom

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Speaker 1: group Catholic? I should ask her mom, texture I think

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Speaker 1: they do have ours. Is it only Catholic churches that

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Speaker 1: have confessional or is it yes, it's only Catholic. Yeah,

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Speaker 1: and it's private. It was a beautifully shot scene. I

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Speaker 1: thought that was really pretty. I liked how it was

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Speaker 1: edited because we're coming back after, you know, a couple

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Speaker 1: of months, and it reminds the audience of every single

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Speaker 1: person that Dan has hurt and I'd forgotten that he

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Speaker 1: piste off Whitey and you know, like you forget likely

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Speaker 1: assaulted Karen. Karen threw a chair through a window. She

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00:21:16,320 --> 00:21:26,200
Speaker 1: was so mad. But Paul is so good at going

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Speaker 1: back and forth between the sincere and the evil. I

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Speaker 1: mean when when Deb comes up to him and he's

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Speaker 1: got amnesia so you know, so called amnesia, and he

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00:21:33,800 --> 00:21:37,959
Speaker 1: can't remember, and he's being so genuine with her, and

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Speaker 1: I really thought for a moment like, oh my gosh,

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Speaker 1: maybe this amnesia really really changed him. How does he

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Speaker 1: do it every time he gets us? Yeah, he really

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Speaker 1: does well. Because the audience, you know, they're like, surely

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Speaker 1: at some point is this it? No? No, this isn't

365
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Speaker 1: this no? No, how long can it go on before?

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00:22:00,840 --> 00:22:04,359
Speaker 1: The audience is like, it's never happening. But it's really

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00:22:04,359 --> 00:22:07,120
Speaker 1: playing on our emotions. Think about real life, think about

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Speaker 1: the people in your life that you know who are

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00:22:09,800 --> 00:22:13,840
Speaker 1: like that, and you still keep thinking, maybe this is

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00:22:13,880 --> 00:22:17,080
Speaker 1: the Maybe this is the moment, Maybe this is change

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00:22:17,920 --> 00:22:20,960
Speaker 1: we do it. This is why there's eight million memes

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Speaker 1: out there about like set your boundaries walk away, like exactly.

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Speaker 1: I see these Instagram posts. I like them. Um Dan's crazy.

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Speaker 1: But Deb also is, you know, like making her gin comments.

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Speaker 1: She did she finish up pill rehab and now she's drinking.

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Speaker 1: Is that what's happening? She did, but she you're not

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Speaker 1: supposed to do that. I'm not supposed to like drink

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Speaker 1: after you go get go to rehab for pills. Again,

379
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Speaker 1: I don't know what there is sober. I don't either.

380
00:22:55,520 --> 00:22:57,760
Speaker 1: I think sober is sober. I think you're supposed to

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Speaker 1: not do that. So, yeah, she's making these comments and

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00:23:00,560 --> 00:23:03,640
Speaker 1: she's him, and she turned Karen's into a cyber. Yeah. Yeah,

383
00:23:03,680 --> 00:23:06,320
Speaker 1: I wonder if maybe she's making because she goes to

384
00:23:06,359 --> 00:23:09,080
Speaker 1: get coffee but she's making jokes about Jin. Is she

385
00:23:09,200 --> 00:23:11,560
Speaker 1: making fun of herself? But it's just not very good writing.

386
00:23:12,840 --> 00:23:16,040
Speaker 1: I don't I don't think I understand it. I just

387
00:23:16,320 --> 00:23:18,600
Speaker 1: we still don't know who actually lit the fire, and

388
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Speaker 1: I think it was her. I think even though they're

389
00:23:20,760 --> 00:23:24,320
Speaker 1: alluding to that, it was Lucas. I think you're right.

390
00:23:24,359 --> 00:23:26,880
Speaker 1: Somebody who which one of you said Lucas, Hillary said

391
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Speaker 1: Lucas saves Dan stand fire? I think that was it.

392
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Speaker 1: And the giveaway that Lucas saves Dan is that he

393
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Speaker 1: has the burnt card. So Lucas was in that dealership

394
00:23:37,240 --> 00:23:40,879
Speaker 1: when it was already on fire, But why would he

395
00:23:40,960 --> 00:23:44,080
Speaker 1: Why would you save someone's life and take the card

396
00:23:44,119 --> 00:23:47,639
Speaker 1: that what ties you to the crime scene, Because I

397
00:23:47,680 --> 00:23:51,760
Speaker 1: think he's trying to protect whoever did it, because to Lucas,

398
00:23:51,800 --> 00:23:53,639
Speaker 1: he doesn't know if it was Keith, he doesn't know

399
00:23:53,680 --> 00:23:55,600
Speaker 1: if it was na. He doesn't know like if it

400
00:23:55,640 --> 00:23:59,080
Speaker 1: was his mother or Andy. You know, Lucas is trying

401
00:23:59,080 --> 00:24:02,000
Speaker 1: to protect whoever actually did it because he knows that

402
00:24:02,040 --> 00:24:07,719
Speaker 1: those repercussions are well. And it's smart too, because the

403
00:24:07,760 --> 00:24:10,320
Speaker 1: way they set up the deb and Nathan of it all.

404
00:24:10,480 --> 00:24:12,520
Speaker 1: Nathan comes in and she says, I've been here alone

405
00:24:12,560 --> 00:24:15,399
Speaker 1: all night, which sounds ridiculous and like she's trying to

406
00:24:15,480 --> 00:24:19,120
Speaker 1: establish an alibi. But where was Nathan because it could

407
00:24:19,160 --> 00:24:21,600
Speaker 1: have been so So they start playing tricks on you

408
00:24:21,640 --> 00:24:23,159
Speaker 1: where you're like, well, it could have been her or

409
00:24:23,160 --> 00:24:25,159
Speaker 1: if she was home, it could have been him. And

410
00:24:25,200 --> 00:24:26,800
Speaker 1: she says, we're getting out, and he says, I know

411
00:24:26,880 --> 00:24:29,040
Speaker 1: we are, is it? Because he's making sure they are,

412
00:24:29,080 --> 00:24:34,280
Speaker 1: Like they did a good job establishing the question did

413
00:24:34,280 --> 00:24:36,760
Speaker 1: your husband just walk by with his shirt on? Done?

414
00:24:37,680 --> 00:24:42,000
Speaker 1: He just brought me he has a shirt on under

415
00:24:42,000 --> 00:24:47,399
Speaker 1: that is unbuttoned. Sofia's fiance Grant is, so I have

416
00:24:47,520 --> 00:24:50,760
Speaker 1: to say, uh that he's like, they'll become the wine connoisseur.

417
00:24:50,800 --> 00:24:53,160
Speaker 1: I think over the pandemic, right, he became a wine conisseur.

418
00:24:53,440 --> 00:24:56,760
Speaker 1: He was really into wine even before. But yeah, he's

419
00:24:56,800 --> 00:25:01,800
Speaker 1: now made it like his actual organic For me, yes,

420
00:25:02,640 --> 00:25:07,639
Speaker 1: but it's all like organic, bio dio dynamics, biodynamic. Can

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00:25:07,720 --> 00:25:10,400
Speaker 1: I just tell you. I went over to Soaf's house

422
00:25:10,480 --> 00:25:13,600
Speaker 1: and we sat and had dinner, and I drank way

423
00:25:13,600 --> 00:25:17,239
Speaker 1: more wine than I usually do. I'd usually stop at

424
00:25:17,240 --> 00:25:19,720
Speaker 1: a glass and a half because I have to drive home,

425
00:25:20,000 --> 00:25:21,480
Speaker 1: or I just I also just don't like the way

426
00:25:21,520 --> 00:25:24,479
Speaker 1: I feel in the morning and after drinking wine the headache,

427
00:25:24,520 --> 00:25:26,520
Speaker 1: I feel awful, so it's not worth it to me anymore.

428
00:25:27,040 --> 00:25:29,000
Speaker 1: So a glass and a half is usually my limit.

429
00:25:29,040 --> 00:25:31,959
Speaker 1: I definitely went over that, and I tell you, I

430
00:25:32,040 --> 00:25:36,000
Speaker 1: woke up the next morning and felt fine, yeah, fine,

431
00:25:36,520 --> 00:25:40,119
Speaker 1: there's no nothing and nothing. What is this magic? And

432
00:25:40,160 --> 00:25:45,399
Speaker 1: it's because they're all organic wines, because it's not wine

433
00:25:45,440 --> 00:25:48,399
Speaker 1: that makes you feel bad, it's the creepy additives that

434
00:25:48,440 --> 00:25:50,879
Speaker 1: they're allowed to put in it. Grant explained it to

435
00:25:50,880 --> 00:25:53,040
Speaker 1: me this way, which I thought was such A good

436
00:25:53,200 --> 00:25:56,280
Speaker 1: way to understand it is that they've basically made wine

437
00:25:56,359 --> 00:25:59,480
Speaker 1: into Coca cola like they wanted to taste. They want

438
00:25:59,560 --> 00:26:02,520
Speaker 1: every attle to taste the same every time, and wine

439
00:26:02,600 --> 00:26:07,359
Speaker 1: is alive. That's not how it works, you know. And

440
00:26:07,600 --> 00:26:13,480
Speaker 1: so when you drink um completely organic, natural wine, biodynamic

441
00:26:13,560 --> 00:26:17,760
Speaker 1: wine that doesn't have one legally allowed additives in it,

442
00:26:17,840 --> 00:26:20,160
Speaker 1: like most of the wine that comes off a shelf. Yeah,

443
00:26:20,320 --> 00:26:23,480
Speaker 1: you're like, he'll run wine tastings for people over here,

444
00:26:23,760 --> 00:26:25,320
Speaker 1: and you're like, we'll start with a white and then

445
00:26:25,320 --> 00:26:26,840
Speaker 1: go to an orange, and then we'll do a light red,

446
00:26:26,840 --> 00:26:29,120
Speaker 1: and then we'll do a red and everyone's like, what's happening?

447
00:26:29,560 --> 00:26:32,280
Speaker 1: And everybody the next day is like, I don't have

448
00:26:32,320 --> 00:26:35,600
Speaker 1: a headache. I feel great, okay, because you didn't get poisoned.

449
00:26:35,640 --> 00:26:38,560
Speaker 1: You just had a nice day. We gotta sign up

450
00:26:38,560 --> 00:26:40,960
Speaker 1: for Good Good what is it? Good wine, Drink good wine,

451
00:26:41,560 --> 00:26:48,040
Speaker 1: Drink good Wine Club Oka shamelessly plugging your thanks, very

452
00:26:48,040 --> 00:26:51,679
Speaker 1: fun business. And we need the wine suitcase right on

453
00:26:51,760 --> 00:26:54,960
Speaker 1: the front. Yeah, we need a wine suitcase and we'll

454
00:26:55,000 --> 00:26:56,879
Speaker 1: just cart it around with us when we take this

455
00:26:56,960 --> 00:27:00,639
Speaker 1: show on the road. Folks. That's right. Well, you know

456
00:27:00,680 --> 00:27:02,640
Speaker 1: who really needed a glass of wine in this episode?

457
00:27:02,640 --> 00:27:09,280
Speaker 1: Was Hayley work you had to do in this episode?

458
00:27:09,200 --> 00:27:13,200
Speaker 1: Did that beautiful scene between you guys when you come

459
00:27:13,240 --> 00:27:17,960
Speaker 1: in and you ask him if he's awake? Hey, you guys? God,

460
00:27:18,040 --> 00:27:23,200
Speaker 1: that scene was so good. The kissing. I cried. It hurted.

461
00:27:23,880 --> 00:27:27,040
Speaker 1: It's like, yeah, it made me tear, it hurt. I

462
00:27:27,119 --> 00:27:31,639
Speaker 1: remember filming that, and uh, it's It's so one of

463
00:27:31,640 --> 00:27:35,159
Speaker 1: those things where the muscle memory, the visceral muscle memory

464
00:27:35,240 --> 00:27:39,480
Speaker 1: of filming it came rushing back to me and um,

465
00:27:39,920 --> 00:27:43,920
Speaker 1: because we spent a long time in that room that day. Yeah,

466
00:27:44,040 --> 00:27:47,840
Speaker 1: maybe a lot of scenes, but we spent a lot

467
00:27:47,880 --> 00:27:51,320
Speaker 1: of time in that room. And James and I had

468
00:27:51,400 --> 00:27:55,720
Speaker 1: not done any scenes like that before. We had the

469
00:27:55,800 --> 00:28:00,240
Speaker 1: one in the at the concert backstage, which was really

470
00:28:00,280 --> 00:28:04,280
Speaker 1: just me giving a speech and then he leaves. So

471
00:28:04,400 --> 00:28:07,399
Speaker 1: the back and forth, the combative like being a married

472
00:28:07,440 --> 00:28:11,720
Speaker 1: couple struggling. James and I had not done anything like that. Also,

473
00:28:13,000 --> 00:28:16,040
Speaker 1: James was very aloof and he still is. He's a

474
00:28:16,119 --> 00:28:18,720
Speaker 1: very aloof guy. It's one of the great things he

475
00:28:18,840 --> 00:28:21,000
Speaker 1: was going for him to, you know. Um, But but

476
00:28:21,119 --> 00:28:27,480
Speaker 1: he's a good totally and so I never I'm you know,

477
00:28:27,760 --> 00:28:33,439
Speaker 1: very I'm a musical theater kid. I'm like, no, no, no, like,

478
00:28:33,520 --> 00:28:38,320
Speaker 1: you know, what do I have to do all my

479
00:28:38,360 --> 00:28:40,480
Speaker 1: feelings on a platter right here? I'm giving to you.

480
00:28:42,480 --> 00:28:45,200
Speaker 1: And James was always so poker faced, and so I

481
00:28:45,280 --> 00:28:47,200
Speaker 1: never knew whether he liked me or not. And I

482
00:28:47,320 --> 00:28:49,520
Speaker 1: really wanted him to like me, just like as a friend,

483
00:28:49,520 --> 00:28:52,200
Speaker 1: like be. I just wanted to know that he liked

484
00:28:52,240 --> 00:28:54,920
Speaker 1: me as a person approval, and then I wasn't hopelessly

485
00:28:54,960 --> 00:28:59,400
Speaker 1: annoying to him. And so that was always that was

486
00:28:59,480 --> 00:29:01,640
Speaker 1: always going on in the back of my mind. So

487
00:29:01,760 --> 00:29:05,480
Speaker 1: I remember when we filmed these scenes, it was actually

488
00:29:05,560 --> 00:29:14,520
Speaker 1: particularly painful for me to have rejecting me joy Yeah,

489
00:29:14,520 --> 00:29:17,040
Speaker 1: because it tapped because it tapped into a very real fear.

490
00:29:17,200 --> 00:29:19,520
Speaker 1: You were like, he doesn't like me, and in this

491
00:29:19,560 --> 00:29:22,840
Speaker 1: scene having like he doesn't like me. Oh no. It's

492
00:29:22,880 --> 00:29:29,200
Speaker 1: so I totally get it because we do work in

493
00:29:29,240 --> 00:29:32,600
Speaker 1: this world where like, like I would say, most of

494
00:29:32,640 --> 00:29:36,440
Speaker 1: the people that we work with are incredibly like, hey,

495
00:29:36,480 --> 00:29:39,320
Speaker 1: let's be best friends. Let's it's like puppies, right, It's

496
00:29:39,320 --> 00:29:41,640
Speaker 1: like it's just like, you know, getting a pile and

497
00:29:41,760 --> 00:29:45,600
Speaker 1: kuddle and tell each other all our secrets and because

498
00:29:45,720 --> 00:29:48,360
Speaker 1: James is not like that, Like James is very sure

499
00:29:49,040 --> 00:29:51,920
Speaker 1: of who he is and he doesn't need to project,

500
00:29:52,520 --> 00:29:56,840
Speaker 1: and he's like, he's just different. There's a calmness to

501
00:29:57,000 --> 00:30:00,240
Speaker 1: him where he didn't need the same validation that we did.

502
00:30:01,280 --> 00:30:03,520
Speaker 1: And yeah, I felt the same thing, joy because I

503
00:30:03,560 --> 00:30:06,360
Speaker 1: was always like, well, why don't you want to share

504
00:30:06,520 --> 00:30:11,720
Speaker 1: like secrets, Like why don't want Yeah, totally tell me

505
00:30:11,760 --> 00:30:15,600
Speaker 1: you're feelings into an elevator in Paris. I got an

506
00:30:15,640 --> 00:30:18,720
Speaker 1: elevator with him and my pair who had come out

507
00:30:18,760 --> 00:30:21,960
Speaker 1: to watch Maria, and we all got an elevator together.

508
00:30:22,000 --> 00:30:24,360
Speaker 1: He gets off the elevator and my old pair who's German,

509
00:30:24,440 --> 00:30:27,280
Speaker 1: and you know, they're very stoic. He gets off the

510
00:30:27,280 --> 00:30:33,720
Speaker 1: elevator and she's like, he's calm. Yes, we're frantic people,

511
00:30:34,120 --> 00:30:37,480
Speaker 1: we are, We're frantic. But I think I think that

512
00:30:37,600 --> 00:30:40,400
Speaker 1: was also why he he had such a good grounding

513
00:30:40,480 --> 00:30:42,920
Speaker 1: energy for all of us, because you're right that that

514
00:30:43,000 --> 00:30:45,320
Speaker 1: desired a puppy pile that you talk about. It's like

515
00:30:45,880 --> 00:30:48,880
Speaker 1: it's summer camp, it's camp friends. It's like we're in

516
00:30:48,880 --> 00:30:52,520
Speaker 1: this cabin and we're going to be friends forever. If

517
00:30:52,520 --> 00:30:55,600
Speaker 1: you're going to know everything about me. And James was

518
00:30:55,600 --> 00:30:59,120
Speaker 1: always he would look at us. You know what he

519
00:30:59,200 --> 00:31:01,400
Speaker 1: reminds me of. It's like the rancher who watches all

520
00:31:01,440 --> 00:31:06,960
Speaker 1: the baby horses run around like Jim's waste. James was

521
00:31:06,960 --> 00:31:09,320
Speaker 1: in Yellowstone. We were on one dree Home. By the way,

522
00:31:09,360 --> 00:31:11,640
Speaker 1: he should absolutely be on Yellowstone, he should be on

523
00:31:11,680 --> 00:31:15,160
Speaker 1: that show. But he was just very much like, all right, psychos,

524
00:31:15,240 --> 00:31:17,920
Speaker 1: run arounduntil you're tired and then I'll feed you from

525
00:31:17,960 --> 00:31:22,160
Speaker 1: We were like, okay, like that's who he is, and

526
00:31:22,240 --> 00:31:24,960
Speaker 1: he still is. It's like a that's yeah, we gotta

527
00:31:25,080 --> 00:31:26,640
Speaker 1: you know what the moral of the stories we needed

528
00:31:26,680 --> 00:31:30,280
Speaker 1: by James accoutoyant. Yeah, I'm down for that. We'll just

529
00:31:30,320 --> 00:31:33,160
Speaker 1: send it to him with no note. He know he

530
00:31:33,240 --> 00:31:35,800
Speaker 1: made smart choices too, because he was like, I have

531
00:31:35,960 --> 00:31:38,520
Speaker 1: my real friends. They're my friends from home and my

532
00:31:38,560 --> 00:31:41,360
Speaker 1: little brother. And that was something that it took me

533
00:31:41,440 --> 00:31:43,920
Speaker 1: a very long time to learn. In our business is

534
00:31:43,960 --> 00:31:47,880
Speaker 1: like a boundary is important, and keeping your home and

535
00:31:47,920 --> 00:31:52,120
Speaker 1: your work life separate is is a very important tool.

536
00:31:52,280 --> 00:31:56,560
Speaker 1: And jamesonhow figured that out as a child, So kudos

537
00:31:56,600 --> 00:31:59,920
Speaker 1: to him, man, I appreciate it. I wish i'd know, no,

538
00:32:00,000 --> 00:32:03,680
Speaker 1: really really nailed it. But God, isn't that funny. I've

539
00:32:03,720 --> 00:32:06,840
Speaker 1: had that joy, that thing you talk about like Hillary,

540
00:32:06,880 --> 00:32:10,560
Speaker 1: I even remember having it with you. So I was

541
00:32:10,600 --> 00:32:14,080
Speaker 1: totally standoffish and weird on our show. Well, but you

542
00:32:14,160 --> 00:32:17,640
Speaker 1: went in phases because and then it was for me,

543
00:32:18,040 --> 00:32:21,680
Speaker 1: like even inside of our friendship, like we'd be doing

544
00:32:21,720 --> 00:32:24,400
Speaker 1: these scenes where you know, we get to the point

545
00:32:24,400 --> 00:32:27,440
Speaker 1: where brooking Peyton or fighting, and I'm like, it feels

546
00:32:27,520 --> 00:32:31,040
Speaker 1: personal though, like it's on the script, but I feel

547
00:32:31,160 --> 00:32:34,120
Speaker 1: uncomfortable in the scene, and it's really it's breaking my

548
00:32:34,200 --> 00:32:37,080
Speaker 1: real heart, not my brooke heart. Help me, do you

549
00:32:37,080 --> 00:32:44,520
Speaker 1: guys that I did always? Of course, of course, ye dude,

550
00:32:44,560 --> 00:32:47,160
Speaker 1: even like there's there's I have to remind myself to

551
00:32:47,240 --> 00:32:51,840
Speaker 1: not take it personally. It's okay because it feels really

552
00:32:52,000 --> 00:32:54,720
Speaker 1: our job is to make the feelings on the page reel.

553
00:32:55,320 --> 00:32:57,880
Speaker 1: And I think when you finally learned that that can

554
00:32:57,880 --> 00:33:01,280
Speaker 1: emotionally make you feel crazy, you learn coping skills. But

555
00:33:01,360 --> 00:33:03,560
Speaker 1: like God, there were days when we were shooting up

556
00:33:03,600 --> 00:33:06,520
Speaker 1: in Toronto were like Jason and I would be battling

557
00:33:06,600 --> 00:33:09,480
Speaker 1: in these scenes and then we we'd finished the scene

558
00:33:09,480 --> 00:33:13,640
Speaker 1: and I'd be like, Jason Isaacs, it's me. Sophia friended me.

559
00:33:14,360 --> 00:33:17,080
Speaker 1: I need you to hug me, you know, and and

560
00:33:17,120 --> 00:33:18,800
Speaker 1: then you know, he'd be in a sweet little British

561
00:33:18,800 --> 00:33:21,160
Speaker 1: accent like, oh, darling, and I was like, I just

562
00:33:21,200 --> 00:33:24,960
Speaker 1: need to remember in my body that it's not real. Oh.

563
00:33:25,040 --> 00:33:28,200
Speaker 1: I love that. I love asking for that. I remember

564
00:33:28,240 --> 00:33:30,000
Speaker 1: in my body. We didn't know to do that when

565
00:33:30,040 --> 00:33:32,080
Speaker 1: we were doing our show. Like you would have never

566
00:33:32,200 --> 00:33:34,600
Speaker 1: said to James, this has made me very uncomfortable. Could

567
00:33:34,600 --> 00:33:36,360
Speaker 1: you hug me because you're my friend like you would

568
00:33:36,360 --> 00:33:38,960
Speaker 1: have never. Would you please let me know that you

569
00:33:39,000 --> 00:33:44,200
Speaker 1: don't hate me, Hold me, hold me, James. He would

570
00:33:44,280 --> 00:33:49,600
Speaker 1: be like a fresh sure, I don't hate you. I

571
00:33:49,640 --> 00:33:51,640
Speaker 1: don't hate you. And he would have rolled his eyes

572
00:33:51,640 --> 00:33:52,960
Speaker 1: when he said it, and he'd be like, but you

573
00:33:53,040 --> 00:33:59,080
Speaker 1: look like you do. It's like why, I mean, maybe

574
00:33:59,080 --> 00:34:02,479
Speaker 1: that's an artist thing. I've since I was young. I

575
00:34:02,520 --> 00:34:07,520
Speaker 1: remember always being so paranoid, terrified every room I walked

576
00:34:07,520 --> 00:34:11,759
Speaker 1: into that nobody liked me for no reason. Does that

577
00:34:11,800 --> 00:34:16,680
Speaker 1: ever go away? I don't know. I guys, I still

578
00:34:16,719 --> 00:34:20,600
Speaker 1: feel that way constantly too. I go to the grocery

579
00:34:20,600 --> 00:34:22,960
Speaker 1: store and talk to a check out woman for too

580
00:34:22,960 --> 00:34:24,759
Speaker 1: long and like, you know, ask her about where she

581
00:34:24,800 --> 00:34:27,000
Speaker 1: got her nails done, and also I like your hair

582
00:34:27,560 --> 00:34:31,920
Speaker 1: and leave feeling like, oh no, oh no, I messed up,

583
00:34:32,400 --> 00:34:35,160
Speaker 1: Like she's gonna think I'm a psycho. And then I'm

584
00:34:35,239 --> 00:34:37,000
Speaker 1: going to wait for her outside in the parking lot,

585
00:34:37,120 --> 00:34:40,160
Speaker 1: you know, like on the way out, you're like, by

586
00:34:40,160 --> 00:34:43,160
Speaker 1: the way, not not single white female, just think you're awesome.

587
00:34:43,200 --> 00:34:45,640
Speaker 1: I'm sorry, why did I say that? Like? Can I

588
00:34:45,680 --> 00:34:51,839
Speaker 1: have your number? You knowends the it's the weird vacillating

589
00:34:51,880 --> 00:34:55,719
Speaker 1: between really being sincere and just like I like you,

590
00:34:55,800 --> 00:34:58,480
Speaker 1: I think you're cool, and then also the thing of

591
00:34:58,600 --> 00:35:00,520
Speaker 1: perpetuating this do you like me? Do you like me?

592
00:35:00,560 --> 00:35:03,719
Speaker 1: And then people who are good at detecting bullsh I've

593
00:35:03,800 --> 00:35:05,759
Speaker 1: definitely encountered some of those people when I'm in a

594
00:35:05,840 --> 00:35:07,840
Speaker 1: spin and I'm feeling like I need people to like

595
00:35:07,920 --> 00:35:10,120
Speaker 1: me and they just are not having it, not because

596
00:35:10,120 --> 00:35:12,799
Speaker 1: they don't like me, but because they're not interested in

597
00:35:12,840 --> 00:35:15,400
Speaker 1: my need for them to like me. That makes sense,

598
00:35:16,080 --> 00:35:18,560
Speaker 1: Like they can tell that everything that I'm doing is

599
00:35:18,600 --> 00:35:21,319
Speaker 1: only is not really because I'm interested in them, It's

600
00:35:21,360 --> 00:35:24,320
Speaker 1: because I am trying to get some kind of reaction

601
00:35:24,360 --> 00:35:26,920
Speaker 1: out of them to feed myself. Okay, that is some

602
00:35:27,080 --> 00:35:30,920
Speaker 1: major therapy growth, right there. Can we just like like

603
00:35:31,120 --> 00:35:34,279
Speaker 1: have a desire to like snap for that, Like that's

604
00:35:34,280 --> 00:35:39,680
Speaker 1: a big fucking deal. Pause You're like, you're like, oh,

605
00:35:39,880 --> 00:35:43,719
Speaker 1: this is triggering my need for validation. Understood that that's

606
00:35:43,800 --> 00:35:48,399
Speaker 1: some serious grown up lady growth. Yeah, do we need

607
00:35:48,440 --> 00:35:51,839
Speaker 1: to acknowledge when that happens? Like am I doing this

608
00:35:51,920 --> 00:35:54,520
Speaker 1: really for you? Or is this really just all about me?

609
00:35:54,640 --> 00:35:57,920
Speaker 1: And I need to just like allow you to have

610
00:35:58,000 --> 00:36:00,080
Speaker 1: whatever feelings you're having, whether you like me or on

611
00:36:00,280 --> 00:36:03,480
Speaker 1: and just I can share my feelings for you genuinely

612
00:36:03,520 --> 00:36:05,360
Speaker 1: and then walk away. But I don't need to perpetuate

613
00:36:05,400 --> 00:36:07,680
Speaker 1: this like song and dance to make sure that you

614
00:36:07,760 --> 00:36:10,320
Speaker 1: like me, and then I can walk away being like, Okay,

615
00:36:10,480 --> 00:36:12,799
Speaker 1: another another person likes me. Good check check that off

616
00:36:12,840 --> 00:36:16,320
Speaker 1: the list. What is the worst? What is the worst

617
00:36:16,640 --> 00:36:20,279
Speaker 1: like fake fight you've had on a job where you

618
00:36:20,360 --> 00:36:25,239
Speaker 1: have been like scared as real, like because our show

619
00:36:25,280 --> 00:36:27,000
Speaker 1: we were babies and so we didn't know how to

620
00:36:27,040 --> 00:36:31,600
Speaker 1: separate fact and fiction very well. But yeah, like I

621
00:36:31,800 --> 00:36:35,880
Speaker 1: played a mistress on a TV show that Tony Collette

622
00:36:35,960 --> 00:36:39,120
Speaker 1: was the lead in and her husband was Tate Donovan,

623
00:36:39,280 --> 00:36:41,040
Speaker 1: and so I was supposed to be having this affair

624
00:36:41,080 --> 00:36:44,799
Speaker 1: with Tate Donovan, and I was so excited to work

625
00:36:44,800 --> 00:36:47,839
Speaker 1: with Tony Colette. And she was just like, I'm gonna

626
00:36:47,880 --> 00:36:51,120
Speaker 1: need you to stay away from me, and and she

627
00:36:51,280 --> 00:36:55,440
Speaker 1: was so lovely but like very professional, but also like

628
00:36:55,480 --> 00:36:58,839
Speaker 1: we can't be girlfriends. And I just remember being like,

629
00:36:59,600 --> 00:37:04,239
Speaker 1: oh no, oh no, I've come off so hyper. I've

630
00:37:04,280 --> 00:37:07,719
Speaker 1: come all like the mistress, you know, because like my

631
00:37:07,800 --> 00:37:09,879
Speaker 1: character had to apologize to her and be like, oh

632
00:37:09,920 --> 00:37:11,879
Speaker 1: my god, I'm so sorry. You're such an awesome woman

633
00:37:11,960 --> 00:37:14,359
Speaker 1: and I didn't know, and like I'm like, oh no,

634
00:37:14,400 --> 00:37:16,600
Speaker 1: I'm perpetuating this in real life because I'm like, I

635
00:37:16,600 --> 00:37:19,319
Speaker 1: think you're so cool and I like your hair, and

636
00:37:19,360 --> 00:37:21,600
Speaker 1: also your shoes are really pretty today, you know. Like

637
00:37:22,600 --> 00:37:25,640
Speaker 1: that was the weirdest I've ever felt professionally, because I

638
00:37:25,719 --> 00:37:28,120
Speaker 1: was like, no, no, I swear I'm a normal person.

639
00:37:28,200 --> 00:37:32,240
Speaker 1: I swear I'm just playing a horror. I'm just playing

640
00:37:32,520 --> 00:37:36,799
Speaker 1: hor Oh my god, I don't know. I'm I'm really

641
00:37:36,800 --> 00:37:42,120
Speaker 1: trying to think of um oh, I don't know. I

642
00:37:42,120 --> 00:37:44,880
Speaker 1: mean maybe I'm just thinking about it because I literally

643
00:37:44,920 --> 00:37:46,560
Speaker 1: was just talking about it. But when we had that

644
00:37:46,600 --> 00:37:50,759
Speaker 1: fight on the front lawn of Peyton's house, that would hurt.

645
00:37:50,920 --> 00:37:53,719
Speaker 1: That that to me up for a bit, me too,

646
00:37:53,840 --> 00:37:58,160
Speaker 1: Like I didn't feel okay and and I think we

647
00:37:58,360 --> 00:38:03,359
Speaker 1: both were like wounded and then didn't want to say

648
00:38:03,440 --> 00:38:05,480
Speaker 1: it but could see it on each other's faces. So

649
00:38:05,520 --> 00:38:09,160
Speaker 1: we just kind of like you were literally wounded your skull.

650
00:38:09,560 --> 00:38:15,839
Speaker 1: Like we had a moment I was like, something is wrong, um,

651
00:38:15,880 --> 00:38:19,000
Speaker 1: but yeah, I don't know. It felt Oh, I just

652
00:38:19,040 --> 00:38:24,120
Speaker 1: felt so awful into something like dark yeah, to like

653
00:38:24,239 --> 00:38:27,480
Speaker 1: girl wounds, to like the betrayal of the you know,

654
00:38:27,520 --> 00:38:30,200
Speaker 1: the first best friend betrayal you ever go through, or whatever,

655
00:38:30,280 --> 00:38:32,920
Speaker 1: and it just felt big and painful. And it was

656
00:38:32,960 --> 00:38:35,040
Speaker 1: two thousand five and no one was in therapy yet,

657
00:38:35,120 --> 00:38:40,480
Speaker 1: so it was really hard to do with better. No

658
00:38:40,760 --> 00:38:45,000
Speaker 1: we had no like mental health leaders on Instagram sharing

659
00:38:45,080 --> 00:38:48,360
Speaker 1: inspiring infographics in your morning feet would have been amazing.

660
00:38:48,440 --> 00:38:50,319
Speaker 1: Can you imagine if they had actually just made like

661
00:38:50,680 --> 00:38:53,359
Speaker 1: Beth Crooka maybe like or somebody kind of like her

662
00:38:53,400 --> 00:38:55,520
Speaker 1: who was just ten years older than us, so still

663
00:38:55,520 --> 00:38:58,400
Speaker 1: young and cool, but like clearly had her together. It

664
00:38:58,480 --> 00:39:01,560
Speaker 1: just made someone like that are like a guidance counselor

665
00:39:01,719 --> 00:39:06,320
Speaker 1: on why didn't we have a guidens counselor, especially because

666
00:39:06,320 --> 00:39:08,520
Speaker 1: there were so many big things we were going through

667
00:39:09,120 --> 00:39:11,720
Speaker 1: and people treated us like grown ups, but we were kids.

668
00:39:12,280 --> 00:39:14,160
Speaker 1: And then we were like, well, we can't admit that

669
00:39:14,200 --> 00:39:15,800
Speaker 1: we feel like kids, because we're supposed to be the

670
00:39:15,840 --> 00:39:19,080
Speaker 1: grow we're you know, employees, Like we're supposed to have

671
00:39:19,080 --> 00:39:22,160
Speaker 1: it all together, so we just like fumbled around for

672
00:39:22,239 --> 00:39:29,040
Speaker 1: years dumb. Do you think that in in other professions,

673
00:39:29,920 --> 00:39:32,239
Speaker 1: which we I mean, none of us can really know

674
00:39:32,400 --> 00:39:35,720
Speaker 1: because we don't do anything else, But I wonder if

675
00:39:36,440 --> 00:39:40,239
Speaker 1: this is you know, we think this is an extraordinary

676
00:39:40,280 --> 00:39:43,839
Speaker 1: problem just for actors, but maybe in other professions other

677
00:39:43,880 --> 00:39:47,239
Speaker 1: people feel, especially young people coming out of college or

678
00:39:47,280 --> 00:39:50,520
Speaker 1: going you know, going into new jobs or internships. I mean,

679
00:39:50,520 --> 00:39:52,799
Speaker 1: I wonder if kind of the pressure is the same everywhere.

680
00:39:53,520 --> 00:39:56,520
Speaker 1: I think the public notoriety, like that's something else. Well,

681
00:39:56,560 --> 00:39:58,640
Speaker 1: here's what I'm gonna say. I think the pressure is

682
00:39:58,760 --> 00:40:02,000
Speaker 1: very similar. I think the pressure of public notoriety is hard.

683
00:40:02,480 --> 00:40:06,440
Speaker 1: And I also think the utter lack of boundaries in

684
00:40:06,520 --> 00:40:10,000
Speaker 1: film and television, Like when you go to work at

685
00:40:10,000 --> 00:40:15,279
Speaker 1: an office, you're doing spreadsheets. You're not doing like emotional

686
00:40:15,360 --> 00:40:18,560
Speaker 1: scenes where you're fighting your best friend whose parent has died. Like,

687
00:40:18,680 --> 00:40:21,040
Speaker 1: that's not in the wheelhouse. Take a clothes off, you

688
00:40:21,040 --> 00:40:23,440
Speaker 1: look in that bathing suit. Yeah, Like that's not in

689
00:40:23,440 --> 00:40:25,880
Speaker 1: the wheelhouse of a typical nine to five. Not to

690
00:40:25,920 --> 00:40:28,160
Speaker 1: say people don't get pushed around and harassed in all

691
00:40:28,160 --> 00:40:34,480
Speaker 1: the things, but you're not emotionally manipulating yourself in a

692
00:40:34,640 --> 00:40:40,120
Speaker 1: group for your job with no guidance or help. Like,

693
00:40:40,600 --> 00:40:44,120
Speaker 1: so I do feel like, I'll say, I've got a

694
00:40:44,160 --> 00:40:48,440
Speaker 1: lot of work in healthcare and they do emotionally manipulate

695
00:40:48,480 --> 00:40:52,680
Speaker 1: themselves because they have to. That's compartment in a way

696
00:40:52,880 --> 00:40:55,520
Speaker 1: that we had to where it's like feelings, I can

697
00:40:55,600 --> 00:40:58,600
Speaker 1: control these things. Well, yeah, how do you witness suffering

698
00:40:58,640 --> 00:41:01,200
Speaker 1: every day and do your job? If you're a doctor,

699
00:41:01,200 --> 00:41:03,239
Speaker 1: if you're a nurse, if you work in a hospital, Yeah,

700
00:41:03,280 --> 00:41:06,000
Speaker 1: you get real good at disassociating, which, well you have

701
00:41:06,080 --> 00:41:09,160
Speaker 1: to as a profession for any of us. The suffering

702
00:41:09,200 --> 00:41:12,880
Speaker 1: person has to look at you and see a stable person.

703
00:41:12,960 --> 00:41:15,240
Speaker 1: They can't see you breaking down well to that extent

704
00:41:15,280 --> 00:41:17,360
Speaker 1: because the hairdressers have to do the same thing, you know,

705
00:41:17,400 --> 00:41:20,600
Speaker 1: So it's like you can find glimmers of this, of

706
00:41:20,640 --> 00:41:24,200
Speaker 1: that same thread. Yeah, like shadows of it. When you

707
00:41:24,239 --> 00:41:27,160
Speaker 1: are taking care of other people, you are not allowed

708
00:41:27,200 --> 00:41:32,040
Speaker 1: to authentically feel your feelings, and so especially when you're

709
00:41:32,080 --> 00:41:37,800
Speaker 1: a young person, it gets, you know, sloppy. Yeah, it

710
00:41:37,880 --> 00:41:40,920
Speaker 1: gets sloppy. And so I think the nicest thing we

711
00:41:40,960 --> 00:41:45,359
Speaker 1: can do is say, hey, your twenties are real sloppy, Sure,

712
00:41:45,400 --> 00:41:49,200
Speaker 1: love you anyway, and forties get way better. Kids, they

713
00:41:49,239 --> 00:41:51,520
Speaker 1: get so fun. Want to learn some of the stuff

714
00:41:51,560 --> 00:41:54,359
Speaker 1: we learned, will pass it on to you, and we'll

715
00:41:54,400 --> 00:42:00,440
Speaker 1: also give you a discount for therapy. You're welcome, Right's right?

716
00:42:01,040 --> 00:42:04,239
Speaker 1: You know, please cut to the ad right now. Oh

717
00:42:04,280 --> 00:42:08,160
Speaker 1: my god, that's the best transition I've ever done. That

718
00:42:08,200 --> 00:42:18,240
Speaker 1: there's my directing at But it actually is really interesting

719
00:42:18,239 --> 00:42:22,880
Speaker 1: because thinking about the sort of tessellations of that expectation

720
00:42:23,040 --> 00:42:28,839
Speaker 1: to serve the group, you see our characters grappling with it.

721
00:42:29,360 --> 00:42:32,719
Speaker 1: You know, Hailey made a choice for herself and is

722
00:42:32,760 --> 00:42:35,040
Speaker 1: punished for it, and granted it was messy, but she's

723
00:42:35,080 --> 00:42:38,160
Speaker 1: a teenager. What was she supposed to know. Peyton is

724
00:42:39,480 --> 00:42:44,000
Speaker 1: having a real hard time, you know, not taking this

725
00:42:44,120 --> 00:42:48,200
Speaker 1: family stuff personally, and and is struggling to express how

726
00:42:48,239 --> 00:42:51,959
Speaker 1: she feels, and has this conflict with her father because

727
00:42:51,960 --> 00:42:55,919
Speaker 1: she feels betrayed and and Brooke doesn't want to get hurt,

728
00:42:56,440 --> 00:42:59,279
Speaker 1: so she's putting up all these walls and boundaries and

729
00:42:59,360 --> 00:43:01,960
Speaker 1: saying like, I'm in control of this, but really she

730
00:43:02,000 --> 00:43:05,719
Speaker 1: doesn't feel good about it. And all these kids are

731
00:43:05,840 --> 00:43:08,200
Speaker 1: just trying to figure out how to get back to

732
00:43:08,400 --> 00:43:12,720
Speaker 1: normal before they were heartbroken. But you can't unbreak heart,

733
00:43:13,600 --> 00:43:15,840
Speaker 1: and so you're just not the same after a heartbreak

734
00:43:15,880 --> 00:43:17,840
Speaker 1: as you were when you were like an innocent, little

735
00:43:17,920 --> 00:43:21,719
Speaker 1: freshly hatched chickling. Going to write a country song. I'm

736
00:43:21,719 --> 00:43:23,680
Speaker 1: going to write a country song called you Can't Break

737
00:43:23,800 --> 00:43:27,239
Speaker 1: Break Heart. Thank you, So I please write us that song.

738
00:43:28,280 --> 00:43:30,880
Speaker 1: Um So, I just don't matter what you do, you

739
00:43:30,960 --> 00:43:36,560
Speaker 1: can't own break a heart see the win a Grammy.

740
00:43:36,760 --> 00:43:41,359
Speaker 1: But I just think there's something really interesting about that,

741
00:43:41,960 --> 00:43:43,799
Speaker 1: not only in the landscape of our show, but in

742
00:43:43,840 --> 00:43:47,800
Speaker 1: this larger landscape of talking about how, even as grown

743
00:43:47,880 --> 00:43:51,319
Speaker 1: women in rooms, sometimes we don't feel like we know

744
00:43:51,400 --> 00:43:56,360
Speaker 1: what to do with our feelings. Yeah. I read a book.

745
00:43:56,840 --> 00:44:01,600
Speaker 1: It's a novel. It's called Elegance by Kathleen Testsero. I

746
00:44:01,640 --> 00:44:05,799
Speaker 1: read it last year. What a Name? And Uh. It's

747
00:44:05,800 --> 00:44:09,480
Speaker 1: about a woman who's um getting out of a marriage,

748
00:44:09,680 --> 00:44:13,440
Speaker 1: and she's always been sort of rather frumpy and just

749
00:44:13,560 --> 00:44:18,239
Speaker 1: not really given any much thought to her what she

750
00:44:18,320 --> 00:44:20,440
Speaker 1: puts forth into the world. She just shows up at

751
00:44:20,440 --> 00:44:23,960
Speaker 1: work and does her thing and goes back home. And

752
00:44:23,960 --> 00:44:28,000
Speaker 1: and she gets ahold of this vintage book on elegance,

753
00:44:28,040 --> 00:44:31,480
Speaker 1: and she starts going through the chapters for what each

754
00:44:31,560 --> 00:44:34,680
Speaker 1: chapters four And you know, some of its seems quite silly,

755
00:44:36,480 --> 00:44:38,759
Speaker 1: how to match your handbag to your outfit and things

756
00:44:38,760 --> 00:44:42,480
Speaker 1: like that, and then some of the things are are deeper.

757
00:44:42,680 --> 00:44:47,360
Speaker 1: And I tell you I haven't been affected by a

758
00:44:47,520 --> 00:44:51,560
Speaker 1: novel like this in a really long time, because while

759
00:44:51,600 --> 00:44:55,840
Speaker 1: I was reading this novel, I found myself so I

760
00:44:55,920 --> 00:44:58,560
Speaker 1: related to this character so much, and I so wanted

761
00:44:58,640 --> 00:45:01,080
Speaker 1: to slow down the way that she was slowing down

762
00:45:01,120 --> 00:45:04,080
Speaker 1: as she was learning how to not walk into a

763
00:45:04,160 --> 00:45:07,360
Speaker 1: room and apologize for herself immediately, how she was learning

764
00:45:07,400 --> 00:45:11,560
Speaker 1: to slow down instead. And I found myself doing it too,

765
00:45:11,600 --> 00:45:14,919
Speaker 1: Like I'm I'm a I'm like a ping pong ball

766
00:45:14,960 --> 00:45:17,959
Speaker 1: around my house. If I leave something upstairs, I don't

767
00:45:18,000 --> 00:45:21,320
Speaker 1: walk upstairs to get it. I run upstairs and get it,

768
00:45:21,360 --> 00:45:23,640
Speaker 1: and then I run back downstairs to just sit back

769
00:45:23,640 --> 00:45:25,400
Speaker 1: down on the couch where I was like, I can't

770
00:45:25,600 --> 00:45:31,920
Speaker 1: just walk and sorry, I just had to say it.

771
00:45:32,960 --> 00:45:38,839
Speaker 1: Thanks Um. But I've really found that it helped. I've

772
00:45:38,840 --> 00:45:40,879
Speaker 1: been wanting to go back and reread it because I've

773
00:45:40,960 --> 00:45:42,920
Speaker 1: gotten out of the habit that I was in during

774
00:45:43,040 --> 00:45:45,560
Speaker 1: the month. It took me a while to read because

775
00:45:45,560 --> 00:45:47,200
Speaker 1: I was doing other things. But during the month that

776
00:45:47,239 --> 00:45:50,040
Speaker 1: I was reading this book, I really slowed down and

777
00:45:50,080 --> 00:45:54,080
Speaker 1: I really was taking in my the appreciation for myself,

778
00:45:54,120 --> 00:45:57,480
Speaker 1: for my environment, will Um. And it wasn't a vanity

779
00:45:57,560 --> 00:46:00,279
Speaker 1: thing like I want to be elegant. It was I

780
00:46:00,360 --> 00:46:04,280
Speaker 1: deserve to carry myself in the world in a way

781
00:46:04,320 --> 00:46:10,759
Speaker 1: that that reflects my value. And it's really beautiful anyway,

782
00:46:10,760 --> 00:46:13,200
Speaker 1: I recommend it to you girls. But this just makes

783
00:46:13,200 --> 00:46:16,280
Speaker 1: me think of that because we do bounce. We bounce

784
00:46:16,400 --> 00:46:18,120
Speaker 1: all over the place, bing bing bing bing bing bing

785
00:46:18,120 --> 00:46:22,040
Speaker 1: bing from point point A to point z um, and

786
00:46:22,120 --> 00:46:24,880
Speaker 1: sometimes we just need to slow down, and that can

787
00:46:24,920 --> 00:46:26,960
Speaker 1: be hard to do, and we're constantly worried if people

788
00:46:27,000 --> 00:46:32,640
Speaker 1: like us or not. I really like you, guys, I

789
00:46:32,719 --> 00:46:36,680
Speaker 1: like you too. I like you too. Can I say

790
00:46:36,680 --> 00:46:41,600
Speaker 1: one thing about Haley. Um, this is the first time

791
00:46:41,640 --> 00:46:43,000
Speaker 1: this episode. I don't know why. I think it was

792
00:46:43,040 --> 00:46:47,080
Speaker 1: something Peyton said. I can't remember. It was one of

793
00:46:47,120 --> 00:46:52,600
Speaker 1: you two. One of you two said something about like

794
00:46:52,680 --> 00:46:55,479
Speaker 1: the choice that she the choice that I made. And

795
00:46:55,880 --> 00:46:58,520
Speaker 1: I think for the first time, I'm realizing that Haley

796
00:46:58,680 --> 00:47:01,560
Speaker 1: has always been always Peyton. Peyton was mad at Haley,

797
00:47:01,560 --> 00:47:07,279
Speaker 1: and why at Haley. She's mad at yes, yes, but

798
00:47:07,520 --> 00:47:10,040
Speaker 1: what she said wasn't totally untrue. And what I realized

799
00:47:10,160 --> 00:47:12,279
Speaker 1: is that Haley actually has been a part of a

800
00:47:12,400 --> 00:47:16,640
Speaker 1: unit her entire life, a family unit, all those kids,

801
00:47:17,040 --> 00:47:20,200
Speaker 1: and then got married, immediately left her parents house and

802
00:47:20,239 --> 00:47:24,000
Speaker 1: got married, so no wonder. She just was like, ah,

803
00:47:24,040 --> 00:47:25,880
Speaker 1: I gotta I gotta be on my own. I have

804
00:47:25,960 --> 00:47:29,080
Speaker 1: to figure out how to be on Yeah, it kind

805
00:47:29,080 --> 00:47:30,799
Speaker 1: of It was the first time I realized that with her,

806
00:47:32,400 --> 00:47:36,920
Speaker 1: that everyone needs that space that time. UM, I agree

807
00:47:36,920 --> 00:47:39,680
Speaker 1: with you, and I think that the way Haley came back,

808
00:47:40,600 --> 00:47:43,920
Speaker 1: not bouncing all over the place, you were very still,

809
00:47:44,480 --> 00:47:49,520
Speaker 1: and you were very like, quiet but firm. It was

810
00:47:49,560 --> 00:47:54,560
Speaker 1: a strong move because another actress could have been like, please, Nathan,

811
00:47:54,880 --> 00:47:57,520
Speaker 1: take me back Nathan, it's too much. I can't bear it.

812
00:47:58,160 --> 00:48:02,680
Speaker 1: Um and you you were slow and methodical about it,

813
00:48:02,719 --> 00:48:06,320
Speaker 1: and you had to repeat yourself over and over again.

814
00:48:06,440 --> 00:48:09,799
Speaker 1: And it never felt stagnant or stale. It was just

815
00:48:10,000 --> 00:48:13,840
Speaker 1: firm and loving. And I think that's that's what anybody

816
00:48:13,920 --> 00:48:18,200
Speaker 1: who like putting myself in Nathan shoes if the trust

817
00:48:18,400 --> 00:48:23,600
Speaker 1: is gone, firm and slow and steady is exactly what

818
00:48:23,640 --> 00:48:27,920
Speaker 1: you're looking for. It's like, calm it down, let's remove

819
00:48:28,080 --> 00:48:32,239
Speaker 1: the melodrama, make me believe you. And it shows that

820
00:48:32,280 --> 00:48:36,799
Speaker 1: she learned something and is sure. And you have this

821
00:48:36,920 --> 00:48:39,160
Speaker 1: idea that she was always any unit and never got

822
00:48:39,200 --> 00:48:42,560
Speaker 1: to do something for herself. She went out, she went

823
00:48:42,600 --> 00:48:47,080
Speaker 1: and had her hero's journey. She went out on her own. Sure,

824
00:48:48,480 --> 00:48:51,360
Speaker 1: And that's very nice. And it's weird as you're saying

825
00:48:51,360 --> 00:48:53,480
Speaker 1: all this Hillary, where you're like the slow in the steady,

826
00:48:53,800 --> 00:48:56,000
Speaker 1: I'm like, oh, that's what Brooke is trying to get

827
00:48:56,080 --> 00:48:59,399
Speaker 1: Lucas to teach her he is yes. She wants him

828
00:48:59,440 --> 00:49:07,000
Speaker 1: to prove that he is sure being steady storyline. I

829
00:49:07,000 --> 00:49:10,040
Speaker 1: didn't see it until just now, but she's like, you

830
00:49:10,080 --> 00:49:14,480
Speaker 1: want to show your short prove it slow and steady

831
00:49:14,680 --> 00:49:17,680
Speaker 1: I'm gonna test you, I'm gonna push you. Let me

832
00:49:17,719 --> 00:49:21,480
Speaker 1: see it. Yeah, I wonder if Brooke and Nathan are

833
00:49:21,480 --> 00:49:22,880
Speaker 1: about to kind of be in the same place, Like,

834
00:49:22,960 --> 00:49:26,600
Speaker 1: is Nathan going to test Haley? Mm hmmm. I don't know.

835
00:49:26,680 --> 00:49:30,360
Speaker 1: I don't remember. I don't remember, but I'm I'm deeply

836
00:49:30,920 --> 00:49:34,000
Speaker 1: that's what this episode is all about testing love, Like

837
00:49:35,120 --> 00:49:40,120
Speaker 1: because Peyton and Peyton Peyton dad guys. I had no

838
00:49:40,239 --> 00:49:44,759
Speaker 1: recollection of how firm Kevin Kilner was with me in

839
00:49:44,800 --> 00:49:47,360
Speaker 1: those scenes where he's like, you can be mad, but

840
00:49:47,480 --> 00:49:51,440
Speaker 1: don't you dare bring your mother into this, and he

841
00:49:51,520 --> 00:49:54,960
Speaker 1: doesn't hug her and he never tries to like smother

842
00:49:55,040 --> 00:49:57,919
Speaker 1: her with affection or anything like that, and he said

843
00:49:58,000 --> 00:50:02,279
Speaker 1: a boundary. Well, in min mind because Kelvin Kilner was

844
00:50:02,320 --> 00:50:05,040
Speaker 1: someone who I really really liked a lot, and we

845
00:50:05,160 --> 00:50:09,680
Speaker 1: ended up working together later on White Collar Um. Kevin

846
00:50:09,719 --> 00:50:13,200
Speaker 1: Kilner is the best and has such good dad energy,

847
00:50:13,400 --> 00:50:15,520
Speaker 1: and I guess in my mind I thought we were

848
00:50:15,520 --> 00:50:20,440
Speaker 1: all like warm and fuzzy, and Larry is not warm

849
00:50:20,480 --> 00:50:24,400
Speaker 1: and fuzzy with Peyton here and she's testing his love

850
00:50:24,600 --> 00:50:28,359
Speaker 1: and instead of doing the whole like I'm going to

851
00:50:28,400 --> 00:50:31,040
Speaker 1: tell you, I love you over and over again. He's like,

852
00:50:31,400 --> 00:50:36,279
Speaker 1: knock it off, you're being a rat. Stop it like

853
00:50:36,560 --> 00:50:42,800
Speaker 1: good parenting. It was hard parenting, but he's he's I

854
00:50:42,800 --> 00:50:46,000
Speaker 1: I loved Thomas who played my dad before, but Kevin

855
00:50:46,360 --> 00:50:48,960
Speaker 1: felt like dad, Like I wish he would have come

856
00:50:48,960 --> 00:50:51,600
Speaker 1: back for weddings and things because he was so good.

857
00:50:52,120 --> 00:50:56,040
Speaker 1: I know. And you pointed out something so interesting when

858
00:50:56,080 --> 00:50:58,600
Speaker 1: when he came on screen, where we were like, oh

859
00:50:58,640 --> 00:51:06,440
Speaker 1: my god. Even Kilner looks so much like Brian Greenberg.

860
00:51:07,200 --> 00:51:08,799
Speaker 1: They always say like, you know, you fall in love

861
00:51:08,840 --> 00:51:10,560
Speaker 1: with the version of your dad, and it's like, holy

862
00:51:10,800 --> 00:51:17,320
Speaker 1: Jake Jagowski and and Larry Sawyer are twinsies. Yes, Peyton's

863
00:51:17,360 --> 00:51:23,239
Speaker 1: got dad issues, mom issues, best friend issues she has.

864
00:51:23,719 --> 00:51:26,400
Speaker 1: She's just a regular high school girl man. Peyton on

865
00:51:26,400 --> 00:51:28,319
Speaker 1: her walls. I love that, you know what, This is

866
00:51:28,320 --> 00:51:31,600
Speaker 1: the first episode. I know Peyton has been very artistic

867
00:51:31,600 --> 00:51:33,279
Speaker 1: obviously the last few seasons, but this is the first

868
00:51:33,280 --> 00:51:39,680
Speaker 1: episode I really remember seeing the art, the artistry coming

869
00:51:39,719 --> 00:51:43,680
Speaker 1: out literally onto her walls, just pouring out of her

870
00:51:43,760 --> 00:51:47,880
Speaker 1: everywhere she goes. I love that, the breaking the mold,

871
00:51:47,960 --> 00:51:50,880
Speaker 1: breaking the boundaries, just like, yes, paint on my walls

872
00:51:51,000 --> 00:51:55,520
Speaker 1: and the throat whatever. Yeah, that that mural with those

873
00:51:55,560 --> 00:51:59,319
Speaker 1: faces and the one like hypnotist wheel and the six

874
00:51:59,360 --> 00:52:02,880
Speaker 1: billion that is a sense memory for me, like the

875
00:52:03,160 --> 00:52:05,719
Speaker 1: hours we used to spend in that room, like and

876
00:52:05,760 --> 00:52:08,839
Speaker 1: we would find a random face and like make up

877
00:52:08,880 --> 00:52:14,200
Speaker 1: stories about that face in the crowd from yeah, oh

878
00:52:14,200 --> 00:52:17,600
Speaker 1: my god, I remember, and we would like we would

879
00:52:17,640 --> 00:52:21,480
Speaker 1: like assign crew members we worked with to some of

880
00:52:21,480 --> 00:52:23,959
Speaker 1: those faces to be like that's you, Brian, or that's you,

881
00:52:23,960 --> 00:52:26,759
Speaker 1: you know, like, yeah, we just steered at it for

882
00:52:26,960 --> 00:52:31,239
Speaker 1: so so long. And I don't know where that pictures from.

883
00:52:31,280 --> 00:52:35,520
Speaker 1: Like I don't either. I love that backstory. At some

884
00:52:35,640 --> 00:52:37,759
Speaker 1: point we have to have some art department members on

885
00:52:37,800 --> 00:52:40,080
Speaker 1: the show because they can walk us through like the

886
00:52:40,160 --> 00:52:44,160
Speaker 1: lamps of it all that weird head on the desk.

887
00:52:45,440 --> 00:52:47,600
Speaker 1: We've got to do that. I want to know where

888
00:52:47,600 --> 00:52:49,960
Speaker 1: all that stuff came from. That was a really big deal,

889
00:52:50,040 --> 00:52:52,200
Speaker 1: wasn't it. That moment in the city when you painted

890
00:52:52,200 --> 00:52:54,399
Speaker 1: the number on the wall and that of the most

891
00:52:54,520 --> 00:52:58,640
Speaker 1: famous quotes of the show. Yes, I mean that stands

892
00:52:58,640 --> 00:53:01,480
Speaker 1: alone in the Zite Gay. We've had a lot of

893
00:53:01,480 --> 00:53:04,560
Speaker 1: people get engaged using that quote, like and people like

894
00:53:04,640 --> 00:53:06,799
Speaker 1: use it in their wedding videos and stuff, because that's

895
00:53:06,800 --> 00:53:09,760
Speaker 1: all you need is one quote is like, I swear

896
00:53:10,320 --> 00:53:14,279
Speaker 1: that's Lady Gaga's that's where she got it, That's where

897
00:53:14,280 --> 00:53:16,319
Speaker 1: she got it. It has to be I like the

898
00:53:16,320 --> 00:53:20,439
Speaker 1: ownership repeat of her. She used that same quote over

899
00:53:20,440 --> 00:53:22,160
Speaker 1: and over and over in all these different interviews. You

900
00:53:22,160 --> 00:53:25,800
Speaker 1: have to google Lady Gaga. All you need is honestly,

901
00:53:25,840 --> 00:53:28,640
Speaker 1: I'm down for God to be one real fan. Let's

902
00:53:28,640 --> 00:53:31,279
Speaker 1: do wish. That sounds fun. Does she want to come

903
00:53:31,280 --> 00:53:35,200
Speaker 1: from Red Bedroom Records? She should. I used to get

904
00:53:35,200 --> 00:53:37,880
Speaker 1: to hang out with her in Chicago. She's a babe,

905
00:53:38,000 --> 00:53:42,759
Speaker 1: and that's right. She's great. I love that's awesome. I

906
00:53:42,760 --> 00:53:48,560
Speaker 1: remember texting Jenny being like, it's happened. My girlfriend Jenny,

907
00:53:48,760 --> 00:53:52,920
Speaker 1: who's one of my best friends from Walmington's um. You know,

908
00:53:53,320 --> 00:53:56,200
Speaker 1: we we used to like take a party bus down

909
00:53:56,239 --> 00:54:00,120
Speaker 1: to Rally to go to Gaga shows, UM when she

910
00:54:00,200 --> 00:54:02,400
Speaker 1: was touring, So like, oh my god, I was like,

911
00:54:02,600 --> 00:54:10,239
Speaker 1: it's happening. I've met her. It's so great. We've we've

912
00:54:10,239 --> 00:54:13,440
Speaker 1: achieved to the next level of Super Mario Brothers or whatever,

913
00:54:13,480 --> 00:54:16,520
Speaker 1: the you know, Like I was like, Gus insane. I

914
00:54:16,560 --> 00:54:20,879
Speaker 1: mean in the Matrix. Yeah, weird in life, those those

915
00:54:20,960 --> 00:54:23,279
Speaker 1: level of moments where I'm just like, did I hit

916
00:54:23,320 --> 00:54:30,040
Speaker 1: the right mushroom? And now I'm here? What? Like what happened? Guys? Literally,

917
00:54:30,239 --> 00:54:33,360
Speaker 1: my son just got a game Boy from the nineties

918
00:54:33,440 --> 00:54:35,960
Speaker 1: for he we went to like a vintage Tetris. He

919
00:54:36,080 --> 00:54:38,360
Speaker 1: got Tetris, but he got Super Mario Brothers too, and

920
00:54:38,400 --> 00:54:42,200
Speaker 1: so he's like, it's like it's like we're back because

921
00:54:42,200 --> 00:54:50,120
Speaker 1: I hear that sound, just like it's like he's hitting

922
00:54:50,239 --> 00:54:54,160
Speaker 1: all the mushrooms. Um, go for it. Guess you get

923
00:54:54,160 --> 00:54:58,520
Speaker 1: those mushrooms you get? Guys, we have listener questions we do?

924
00:54:58,520 --> 00:55:00,480
Speaker 1: Do you want to should we read some of the Yeah,

925
00:55:01,080 --> 00:55:04,880
Speaker 1: well she just Beth wants to know who your favorite

926
00:55:04,960 --> 00:55:08,120
Speaker 1: musical guest over your time on the show was. Yeah,

927
00:55:08,239 --> 00:55:13,319
Speaker 1: I wish we'd had Gaga on this show. Right, it's

928
00:55:13,360 --> 00:55:20,000
Speaker 1: like the beginning of her like trajectory. Yeah, damn, I

929
00:55:20,040 --> 00:55:21,880
Speaker 1: would love. Did we ever end up getting like pe

930
00:55:22,080 --> 00:55:24,960
Speaker 1: I know you loved Peaches early on? Did she ever come?

931
00:55:25,640 --> 00:55:30,839
Speaker 1: My God? I love Peaches? I know, guys, we love that.

932
00:55:31,640 --> 00:55:34,640
Speaker 1: We will play in the trailer and make people and

933
00:55:34,680 --> 00:55:39,480
Speaker 1: over again. I love it so much. Oh God, that

934
00:55:39,600 --> 00:55:44,960
Speaker 1: was I forgot about that. Joy, I'm so glad you're man. Okay,

935
00:55:44,960 --> 00:55:47,719
Speaker 1: so she wasn't on this show, but anyway, I remember that. No,

936
00:55:48,080 --> 00:55:52,120
Speaker 1: I loved Grace Potter, man, I still love Grace Potter.

937
00:55:52,280 --> 00:55:56,960
Speaker 1: Of her Yeah, she's so talented. Yeah, one of for me,

938
00:55:57,040 --> 00:55:59,879
Speaker 1: also one of the best. Like there were so many

939
00:56:00,040 --> 00:56:05,280
Speaker 1: moments that were cool, but god, she was just she's

940
00:56:05,360 --> 00:56:08,000
Speaker 1: like a she's like a mirrage, Like she feels like

941
00:56:08,040 --> 00:56:15,360
Speaker 1: she came from another world. She's awesomember to Yeah, and

942
00:56:15,440 --> 00:56:18,680
Speaker 1: that felt so cool too, because that that when they

943
00:56:18,719 --> 00:56:20,880
Speaker 1: came on the show, we got to do that big

944
00:56:21,040 --> 00:56:25,560
Speaker 1: USO show and it felt so special to be able

945
00:56:25,600 --> 00:56:28,120
Speaker 1: to kind of use the platform of our television show

946
00:56:28,600 --> 00:56:32,120
Speaker 1: to go and throw a massive event like for the

947
00:56:32,160 --> 00:56:35,439
Speaker 1: troops and their families. That that was special. That's when

948
00:56:35,480 --> 00:56:37,360
Speaker 1: I think a lot of us were like, oh, we

949
00:56:37,400 --> 00:56:41,480
Speaker 1: could do stuff with this. Yeah, we could actually do

950
00:56:41,560 --> 00:56:44,279
Speaker 1: good in the world or like at least, you know,

951
00:56:44,440 --> 00:56:49,680
Speaker 1: interact with people on a more authentic basis. Like it's

952
00:56:49,719 --> 00:56:51,759
Speaker 1: one thing to go and like sign autographs and shake hands,

953
00:56:51,760 --> 00:56:53,520
Speaker 1: but it's another thing to put on a show and

954
00:56:53,520 --> 00:56:56,160
Speaker 1: go spend time with the families and get to know people,

955
00:56:56,560 --> 00:57:01,160
Speaker 1: and that was a that was a really special experience. Um,

956
00:57:01,239 --> 00:57:06,520
Speaker 1: Jack's mannequin was another really great get you know. That

957
00:57:06,640 --> 00:57:11,760
Speaker 1: was God, that was a fun one. Yeah, we were lucky.

958
00:57:10,600 --> 00:57:14,680
Speaker 1: We're anybody anybody right now that you guys would want

959
00:57:14,719 --> 00:57:17,800
Speaker 1: on like who who right now? Would be? I know

960
00:57:17,800 --> 00:57:22,840
Speaker 1: who you want? But I wasn't even going to say

961
00:57:22,880 --> 00:57:26,560
Speaker 1: that because I, yeah, everyone already knows that I'm not

962
00:57:26,720 --> 00:57:29,480
Speaker 1: trying to make Who do I want? That little chick

963
00:57:29,600 --> 00:57:31,920
Speaker 1: is so cute? You know who? I would love if

964
00:57:31,960 --> 00:57:35,120
Speaker 1: we were making the show right now, I would make

965
00:57:35,120 --> 00:57:40,200
Speaker 1: my friend Jack Garrett come and play because he's just God,

966
00:57:40,240 --> 00:57:44,240
Speaker 1: He's just the best. And like, I love nothing more

967
00:57:44,280 --> 00:57:48,040
Speaker 1: than taking people who haven't seen him perform live to

968
00:57:48,120 --> 00:57:50,160
Speaker 1: a Jack Garrett show because I'm like, your brain is

969
00:57:50,160 --> 00:57:55,520
Speaker 1: going to explode and I can't wait to have it explodes. Yeah,

970
00:57:55,720 --> 00:57:59,479
Speaker 1: it's my favorite. What about Leo Leon Bridges? That would

971
00:57:59,480 --> 00:58:05,640
Speaker 1: be some that feels real brand that'd be special. Yeah, yeah,

972
00:58:06,800 --> 00:58:10,680
Speaker 1: all right, what's our other question? Well, Katie says, I

973
00:58:10,720 --> 00:58:12,600
Speaker 1: want to know how much of how a line is

974
00:58:12,640 --> 00:58:15,240
Speaker 1: said is down to the actor and how much is

975
00:58:15,280 --> 00:58:20,400
Speaker 1: down to the director. Depends on the director truly, I

976
00:58:20,480 --> 00:58:22,280
Speaker 1: will say. And we talked about this while we were

977
00:58:22,280 --> 00:58:26,040
Speaker 1: watching the episode and as we're all um in our

978
00:58:26,200 --> 00:58:30,000
Speaker 1: in our late night Spice Brooks one liners are getting

979
00:58:30,080 --> 00:58:33,640
Speaker 1: so good, so good. Oh you've got the best dialogue

980
00:58:33,720 --> 00:58:37,680
Speaker 1: right now in the airport when Haley comes to the apartment,

981
00:58:38,000 --> 00:58:42,800
Speaker 1: and I remember being so thrilled, like the sense memory

982
00:58:42,840 --> 00:58:45,240
Speaker 1: I had watching that scene when you walked enjoy and

983
00:58:45,280 --> 00:58:46,920
Speaker 1: I went, I got room for you, but not a

984
00:58:46,960 --> 00:58:51,560
Speaker 1: lot of pity. And I remember when we were shooting

985
00:58:51,560 --> 00:58:56,360
Speaker 1: it and whatever that is, like I caught the rhythm

986
00:58:56,400 --> 00:59:00,800
Speaker 1: and I was like, that's it, that's the and I

987
00:59:00,840 --> 00:59:03,320
Speaker 1: forgot the feeling because it was twenty years ago and

988
00:59:03,680 --> 00:59:06,840
Speaker 1: we watched the scene and I was like, oh my god,

989
00:59:07,000 --> 00:59:10,960
Speaker 1: and you guys just been laughing because at the airport

990
00:59:11,000 --> 00:59:15,360
Speaker 1: at the beginning it was great, too funny, and these

991
00:59:15,360 --> 00:59:18,320
Speaker 1: aren't for me, okay, great, like there's my cap I

992
00:59:18,520 --> 00:59:21,560
Speaker 1: just god, it was like what do you say? Quick? Quick?

993
00:59:21,560 --> 00:59:27,439
Speaker 1: Tell me you love me? Loved it? Oh my god.

994
00:59:27,640 --> 00:59:31,160
Speaker 1: So I will say I think like yeah, sometimes a

995
00:59:31,240 --> 00:59:33,080
Speaker 1: director will come and say, you know, put more of

996
00:59:33,120 --> 00:59:35,800
Speaker 1: this under it or whatever. They don't tell you how

997
00:59:35,880 --> 00:59:38,720
Speaker 1: to say something. It's like very there's a big faulx

998
00:59:38,800 --> 00:59:41,640
Speaker 1: paw in our industry with what's called a line reading.

999
00:59:41,760 --> 00:59:44,680
Speaker 1: Someone comes and like reads your line for you. They're

1000
00:59:44,720 --> 00:59:50,640
Speaker 1: they're emotionally fired. Um. But I actually don't mind a

1001
00:59:50,680 --> 00:59:55,320
Speaker 1: line reading really, um, just the director and I trust

1002
00:59:55,320 --> 00:59:58,120
Speaker 1: the director. Yes, if it's not working, that's the thing,

1003
00:59:58,400 --> 00:59:59,760
Speaker 1: you have to let me try it. If I if

1004
00:59:59,760 --> 01:00:02,200
Speaker 1: I'm trying it and I'm not understanding what you're saying,

1005
01:00:02,520 --> 01:00:04,560
Speaker 1: just tell me what you just tell me. It's fine

1006
01:00:04,760 --> 01:00:07,080
Speaker 1: because because if I can hear you say it the

1007
01:00:07,080 --> 01:00:09,240
Speaker 1: way that you think it should be said, then I

1008
01:00:09,280 --> 01:00:11,560
Speaker 1: can actually understand whether or not that's going to make

1009
01:00:11,560 --> 01:00:13,280
Speaker 1: sense for me or not. But if I don't really

1010
01:00:13,280 --> 01:00:17,200
Speaker 1: get what you're saying, if you can't communicate in a way,

1011
01:00:17,280 --> 01:00:20,480
Speaker 1: that's like if we're just we're missing like you're saying it,

1012
01:00:20,520 --> 01:00:23,760
Speaker 1: and I'm not here for whatever for whatever reason, Yeah,

1013
01:00:24,040 --> 01:00:26,080
Speaker 1: then I don't mind. I don't mind a line reading.

1014
01:00:27,120 --> 01:00:30,800
Speaker 1: I remember I remember working on White Collar and you know,

1015
01:00:30,840 --> 01:00:34,480
Speaker 1: we had just come from North Carolina for six seven years,

1016
01:00:35,040 --> 01:00:38,360
Speaker 1: and I had to say some like business word and

1017
01:00:38,400 --> 01:00:42,320
Speaker 1: I kept saying it was like a jojo accident, and

1018
01:00:42,440 --> 01:00:47,439
Speaker 1: the director would just yell from behind the monitor. God,

1019
01:00:47,480 --> 01:00:50,120
Speaker 1: what was that word? It was? Oh, it was something

1020
01:00:50,240 --> 01:00:53,400
Speaker 1: so stupid about like business contracts or some legal ship.

1021
01:00:53,800 --> 01:00:56,280
Speaker 1: And they were just like, where did you come from

1022
01:00:56,320 --> 01:00:59,600
Speaker 1: in that situation? Yes, give me that line reading, say

1023
01:00:59,640 --> 01:01:03,560
Speaker 1: it over again, spell it out phonetically, put it on

1024
01:01:03,600 --> 01:01:07,840
Speaker 1: a cue card. Oh I love it. But yeah, I

1025
01:01:07,880 --> 01:01:11,440
Speaker 1: think that's that's the interesting thing. You know, directors rotate

1026
01:01:12,040 --> 01:01:16,760
Speaker 1: on TV and we're there all the time. So um,

1027
01:01:16,880 --> 01:01:19,440
Speaker 1: there's just something that happens in this season where you

1028
01:01:19,480 --> 01:01:22,240
Speaker 1: can really see everybody kind of clicking into the next level.

1029
01:01:22,920 --> 01:01:28,280
Speaker 1: And something happened, particularly because I'm reliving it now, like

1030
01:01:29,120 --> 01:01:32,800
Speaker 1: something happened with the way that the writer's room and

1031
01:01:33,000 --> 01:01:37,600
Speaker 1: I like clicked into Brooks comedy in like a deeper way.

1032
01:01:38,080 --> 01:01:40,600
Speaker 1: And I would just read the scripts and giggle. I

1033
01:01:40,680 --> 01:01:43,240
Speaker 1: was so excited. I think they realized everybody else was

1034
01:01:43,600 --> 01:01:49,240
Speaker 1: everybody else was weeping in the I just got so excited.

1035
01:01:49,240 --> 01:01:51,560
Speaker 1: I'd read these lines and be like, oh, I can't wait,

1036
01:01:52,000 --> 01:01:58,440
Speaker 1: I have i'mun them up with this one. So well,

1037
01:01:58,480 --> 01:02:01,560
Speaker 1: you did it brilliantly or so good. I love book.

1038
01:02:01,600 --> 01:02:04,640
Speaker 1: I love brook more and more every day. Me too. God,

1039
01:02:04,680 --> 01:02:14,480
Speaker 1: I loved her. I get it. Well, should we spen

1040
01:02:14,480 --> 01:02:18,680
Speaker 1: a wheel? I want to spend the wheel. It's amazing

1041
01:02:18,680 --> 01:02:33,080
Speaker 1: that we can talk for long. I know. This is joy, guys,

1042
01:02:34,880 --> 01:02:37,919
Speaker 1: this is is killing at home? We know. Uh. This

1043
01:02:38,000 --> 01:02:42,000
Speaker 1: week's most likely too, is who is most likely to

1044
01:02:42,200 --> 01:02:46,360
Speaker 1: leave their It's not even a question and a question

1045
01:02:46,400 --> 01:02:48,840
Speaker 1: of who is a question of when's the last time

1046
01:02:48,960 --> 01:02:54,960
Speaker 1: she did it? Yes? When last time in Charleston in November.

1047
01:02:57,040 --> 01:03:00,320
Speaker 1: Oh my god, that cute guy in charle E'll say

1048
01:03:00,400 --> 01:03:04,000
Speaker 1: we got a picture he was. I love it so much.

1049
01:03:04,560 --> 01:03:07,160
Speaker 1: She'll text us and be like, guess what I did?

1050
01:03:07,320 --> 01:03:13,440
Speaker 1: We know what you did. It's why we love you.

1051
01:03:13,760 --> 01:03:22,200
Speaker 1: We know every little detail were enough to have Joy

1052
01:03:22,320 --> 01:03:27,280
Speaker 1: lens saunter into your establishment. You better, mama. We might

1053
01:03:27,320 --> 01:03:32,560
Speaker 1: get a phone number. Never know. Okay who who the characters?

1054
01:03:33,080 --> 01:03:40,040
Speaker 1: I think Brooke, Oh yeah, Brooke Davis. Yeah, Brooke Davis

1055
01:03:40,040 --> 01:03:42,080
Speaker 1: would leave her phone number on a receipt and then

1056
01:03:42,160 --> 01:03:46,840
Speaker 1: walk up to the waiter and hold it. They would not,

1057
01:03:47,240 --> 01:03:51,560
Speaker 1: It wouldn't be But you know I like that about her.

1058
01:03:51,800 --> 01:03:55,280
Speaker 1: Love it well, guys are next episode is the three

1059
01:03:55,320 --> 01:03:59,280
Speaker 1: episode two from the Edge of the Deep Green Sea. Wow.

1060
01:03:59,480 --> 01:04:05,640
Speaker 1: So drum. Well this I missed you guys, guys so much.

1061
01:04:05,720 --> 01:04:08,760
Speaker 1: I missed you too. Next time, what's reporter like four

1062
01:04:08,800 --> 01:04:11,800
Speaker 1: o'clock in the morning, you know, like we'll let the

1063
01:04:11,800 --> 01:04:14,800
Speaker 1: fans figure out what we're up to our late night antics.

1064
01:04:14,840 --> 01:04:17,760
Speaker 1: Thanks for bearing with us, guy, all right, see you

1065
01:04:17,840 --> 01:04:21,960
Speaker 1: next week, lovey, Hey, thanks for listening. Don't forget to

1066
01:04:22,040 --> 01:04:24,320
Speaker 1: leave us a review. You can also follow us on

1067
01:04:24,320 --> 01:04:28,360
Speaker 1: Instagram at Drama Queens O t H. Or email us

1068
01:04:28,360 --> 01:04:32,000
Speaker 1: at Drama Queens at I heart radio dot com. See

1069
01:04:32,040 --> 01:04:36,360
Speaker 1: you next time. We are all about that high school drama.

1070
01:04:36,400 --> 01:04:40,120
Speaker 1: Girl Drama Girl, all about them high school queens. We'll

1071
01:04:40,160 --> 01:04:43,160
Speaker 1: take you for a ride at our comic girl cheering

1072
01:04:43,240 --> 01:04:48,200
Speaker 1: for the right drama Queens up girl fashion, but you'll tough. Girl.

1073
01:04:48,360 --> 01:04:51,360
Speaker 1: You can sit with us. Girl Drama Queens, Drama, Queens Drama,

1074
01:04:51,440 --> 01:04:55,040
Speaker 1: Queen's Drama, Drama, Queen's Drama, Queens