1 00:00:01,040 --> 00:00:05,320 Speaker 1: It's time for the Bobby Bones post show. Here's your host, 2 00:00:05,800 --> 00:00:16,960 Speaker 1: Bobby Bone. Fun New York City. The studios here pretty nice. 3 00:00:16,960 --> 00:00:19,319 Speaker 1: I don't like being in New York as in the 4 00:00:19,400 --> 00:00:22,640 Speaker 1: city because I'm just not comfortable. But I've been hunting 5 00:00:22,640 --> 00:00:24,160 Speaker 1: down that guy that spit on my wife last time, 6 00:00:24,160 --> 00:00:26,200 Speaker 1: the homeless guy. I can't find him in the big city. Yeah, 7 00:00:26,200 --> 00:00:27,560 Speaker 1: I've been looking around. I've been asking some of the 8 00:00:27,560 --> 00:00:28,960 Speaker 1: other guys, how you're seeing this Guys put him away 9 00:00:29,640 --> 00:00:32,080 Speaker 1: because the last time we were here, the homeless guys 10 00:00:32,080 --> 00:00:36,560 Speaker 1: spit on her, and so that's that's that's weird. And 11 00:00:37,240 --> 00:00:40,000 Speaker 1: I'm here for justice. Okay, So if he's listening right now, 12 00:00:40,000 --> 00:00:41,920 Speaker 1: I'm looking for you. I should stay hidden because i'mna 13 00:00:41,960 --> 00:00:44,440 Speaker 1: here for a couple more days. But we're here. It's fine. 14 00:00:44,479 --> 00:00:47,159 Speaker 1: It's rained. Doing the Today Show was awesome. That part 15 00:00:47,200 --> 00:00:50,680 Speaker 1: of it's really amazing. But Mike D's here, and he's 16 00:00:50,720 --> 00:00:52,440 Speaker 1: up here for a couple of days producing the show. 17 00:00:52,440 --> 00:00:54,680 Speaker 1: It's almost like old times. Mike Dy and I've lived 18 00:00:54,680 --> 00:00:57,240 Speaker 1: together so many times in our life, our professional life. 19 00:00:57,280 --> 00:01:00,840 Speaker 1: When he moved here, when we moved to LA for 20 00:01:00,960 --> 00:01:02,600 Speaker 1: what three months or so, I like to do Dancing 21 00:01:02,640 --> 00:01:07,160 Speaker 1: with the Stars and then Costa Rica to just take 22 00:01:07,200 --> 00:01:09,200 Speaker 1: in Mike d and I have spent some time together. 23 00:01:09,240 --> 00:01:13,039 Speaker 1: I think what allows us to remain not only good 24 00:01:13,040 --> 00:01:15,360 Speaker 1: professionally but also close friends is neither one of us talk. 25 00:01:15,920 --> 00:01:19,200 Speaker 1: And it's hard to have opinions that are different from 26 00:01:19,240 --> 00:01:21,119 Speaker 1: each other when you have no opinion or don't speak 27 00:01:21,120 --> 00:01:23,920 Speaker 1: any words at all. And so here we are or 28 00:01:23,959 --> 00:01:26,560 Speaker 1: two quiet fellas taken on New York City that right 29 00:01:26,680 --> 00:01:28,520 Speaker 1: might so you can't even hear him. He his microphones' 30 00:01:28,600 --> 00:01:30,000 Speaker 1: even on. He doesn't he didn't even want you to 31 00:01:30,040 --> 00:01:32,880 Speaker 1: hear him. But I'm here and it's been pretty good. 32 00:01:33,280 --> 00:01:36,279 Speaker 1: What else have we done here in New York? Really nothing. 33 00:01:36,360 --> 00:01:39,959 Speaker 1: We went to dinner the first night. It's at like 34 00:01:40,200 --> 00:01:43,319 Speaker 1: an Italian place, It's like really authentic Italian and they 35 00:01:43,360 --> 00:01:45,920 Speaker 1: brought out all these desserts at the end and I'm 36 00:01:45,920 --> 00:01:47,760 Speaker 1: not eating sugar. I'm six days in no sugar, and 37 00:01:47,760 --> 00:01:50,960 Speaker 1: I didn't have and I love sugar. If my food groups, 38 00:01:51,560 --> 00:01:55,400 Speaker 1: you know, soup, smoothies, cereal, and then grab bag, but 39 00:01:55,480 --> 00:01:57,840 Speaker 1: most of that grab bag sugar. And so I've had 40 00:01:57,840 --> 00:01:59,880 Speaker 1: no sugar for almost a week. I think I had 41 00:02:00,000 --> 00:02:03,520 Speaker 1: headaches the first couple of days. Either I didn't have 42 00:02:03,600 --> 00:02:07,120 Speaker 1: enough water, I was dehydrated, or I'm having sugar withdrawal. 43 00:02:07,520 --> 00:02:09,320 Speaker 1: And I've gotten over that stage. But here I am, 44 00:02:09,480 --> 00:02:10,720 Speaker 1: and now I'm want a streak, and now I never 45 00:02:10,760 --> 00:02:13,320 Speaker 1: want sugar again. I never want to have sugar again, 46 00:02:13,320 --> 00:02:15,480 Speaker 1: but I want sugar every second. Does that make sense? Yes? 47 00:02:15,840 --> 00:02:17,799 Speaker 1: But that's my New York life. And I get home 48 00:02:17,919 --> 00:02:21,680 Speaker 1: tomorrow night and I'm just I'm home just in time. 49 00:02:22,240 --> 00:02:24,480 Speaker 1: What is happening? I feel like I got the Razorbacks 50 00:02:24,480 --> 00:02:25,840 Speaker 1: are playing Saturday. I would love to go to that 51 00:02:25,880 --> 00:02:28,919 Speaker 1: game in Fayetteville. They're playing South Carolina. But it's an 52 00:02:28,919 --> 00:02:31,200 Speaker 1: eleven o'clock AM game and I only get a couple 53 00:02:31,200 --> 00:02:33,359 Speaker 1: of spots to be able to go back to games. 54 00:02:33,639 --> 00:02:35,000 Speaker 1: And do I really want to go to an eleven 55 00:02:35,040 --> 00:02:38,440 Speaker 1: am game? Because it's the worst to go to. But 56 00:02:38,520 --> 00:02:44,120 Speaker 1: it's like the worst. Why is eleven bad? It's morning, 57 00:02:44,840 --> 00:02:48,960 Speaker 1: it's really early early. Yeah. Yeah, you're you gonna get 58 00:02:48,960 --> 00:02:52,760 Speaker 1: to the tailgate at like five am to start partying. Yeah, 59 00:02:52,800 --> 00:02:56,200 Speaker 1: but even then, the stadium's kind of you know, it's 60 00:02:56,240 --> 00:03:00,920 Speaker 1: just every it's just not active. I like a good 61 00:03:01,720 --> 00:03:03,840 Speaker 1: you know, a three thirty game. It's fine. I like 62 00:03:03,880 --> 00:03:07,600 Speaker 1: a three thirty game. I love six o'clock, seven o'clock. 63 00:03:08,360 --> 00:03:10,920 Speaker 1: Those are awesome because I am drunk and ready to 64 00:03:11,080 --> 00:03:15,160 Speaker 1: get kronk okay, so trying to figure out what I'm 65 00:03:15,160 --> 00:03:19,600 Speaker 1: gonna do there. Um, But yes, here we are. We're 66 00:03:19,600 --> 00:03:22,240 Speaker 1: doing a post show. We're loving life, and that's it. 67 00:03:22,360 --> 00:03:24,480 Speaker 1: I would feel good about it. Um. A couple of 68 00:03:24,520 --> 00:03:27,119 Speaker 1: things one at the house before I left. I don't 69 00:03:27,120 --> 00:03:28,600 Speaker 1: know how they weren't given to me until now. And 70 00:03:28,639 --> 00:03:30,920 Speaker 1: I'd like to apologize to everybody that's ever sent me 71 00:03:30,960 --> 00:03:36,920 Speaker 1: a wedding invite or a birth or graduation invite. But 72 00:03:37,080 --> 00:03:40,760 Speaker 1: I had probably forty wedding and graduation invites that were 73 00:03:40,760 --> 00:03:44,000 Speaker 1: delivered to me at once, all stacked together, and I 74 00:03:44,080 --> 00:03:47,720 Speaker 1: was like, what how, and they'd sent it to my management. 75 00:03:47,720 --> 00:03:50,720 Speaker 1: I blame Morgan number one because was it you? Morgan? 76 00:03:50,760 --> 00:03:53,440 Speaker 1: Were you the reason I didn't get them? Morgan number 77 00:03:53,440 --> 00:03:56,120 Speaker 1: one is here, can we can we tr miconferr. Morgan 78 00:03:56,200 --> 00:03:57,440 Speaker 1: is in New York. I should have said, Morgan is 79 00:03:57,480 --> 00:03:59,520 Speaker 1: coming in to come in the room. She's in a 80 00:03:59,520 --> 00:04:01,320 Speaker 1: conference or the window looking in. I think she started 81 00:04:01,360 --> 00:04:02,920 Speaker 1: to talk through a phone microphone or something. Did you 82 00:04:02,920 --> 00:04:05,360 Speaker 1: see her lean over? Yeah? There she is right there? 83 00:04:05,440 --> 00:04:07,960 Speaker 1: Hi Morgan, So did you were you the one that 84 00:04:08,000 --> 00:04:10,400 Speaker 1: gave me all these cards? Oh? Your Mike's not working. 85 00:04:11,240 --> 00:04:14,080 Speaker 1: It's okay, we'll figure it out. Which one is it? Say? 86 00:04:14,160 --> 00:04:21,120 Speaker 1: Hi Morgan? No, can you guys hear no? No like distance? Yeah, 87 00:04:21,160 --> 00:04:25,599 Speaker 1: try try any of them. Mike, why is that not working? 88 00:04:26,920 --> 00:04:29,720 Speaker 1: We hear Mike? Now you hear him? Also? Oh you 89 00:04:29,760 --> 00:04:36,599 Speaker 1: do hear the mike? Yeah? Talk try try try Mike's Yeah, 90 00:04:36,640 --> 00:04:38,520 Speaker 1: get Petos headphones on so you can hear them too. 91 00:04:39,760 --> 00:04:41,480 Speaker 1: First of all, it's good to have you back. Have 92 00:04:41,600 --> 00:04:43,360 Speaker 1: you been on the show except for on the phone. Oh, 93 00:04:43,400 --> 00:04:45,000 Speaker 1: we need to check up on that too. Yes. So 94 00:04:45,120 --> 00:04:46,480 Speaker 1: we never got an update on the dude that was 95 00:04:46,520 --> 00:04:50,240 Speaker 1: coming over. Okay, So two things. One, how did you 96 00:04:50,320 --> 00:04:53,840 Speaker 1: see all the cards? I got graduation? So basically our 97 00:04:53,880 --> 00:04:56,080 Speaker 1: interns brought up a big stack of mail and I 98 00:04:56,440 --> 00:04:58,760 Speaker 1: brought him up to you. So that was it, that's all. 99 00:04:58,839 --> 00:05:01,480 Speaker 1: But they were from like April, I know, can we 100 00:05:01,520 --> 00:05:03,640 Speaker 1: get her volume up? Why is there you can barely 101 00:05:03,720 --> 00:05:06,280 Speaker 1: hear say bones? I thought you were controlling the board. 102 00:05:07,400 --> 00:05:10,039 Speaker 1: That's why you can't hear it, anyone, it's not working 103 00:05:10,160 --> 00:05:13,600 Speaker 1: a little bit. Try again. I'm right there, you go, there, 104 00:05:14,360 --> 00:05:19,120 Speaker 1: we go. Okay, So the interns were hiding my mail apparently. 105 00:05:19,520 --> 00:05:21,440 Speaker 1: If I will take the blame, well, here's the thing. 106 00:05:21,440 --> 00:05:22,760 Speaker 1: If I got him a time, I'd have been at 107 00:05:22,800 --> 00:05:26,320 Speaker 1: every one of those weddings. Wow. Yeah, pretty those people, 108 00:05:27,320 --> 00:05:29,720 Speaker 1: it's all my fault. I'm so sorry, guys, it is. Um. 109 00:05:30,040 --> 00:05:31,320 Speaker 1: So I got those and I went through every one 110 00:05:31,360 --> 00:05:35,520 Speaker 1: of them. Um. And then there's a dude that came 111 00:05:35,560 --> 00:05:37,760 Speaker 1: to your house updating a segment and he was good looking, 112 00:05:37,800 --> 00:05:40,240 Speaker 1: you said, and he left his number because he's gonna 113 00:05:40,240 --> 00:05:42,240 Speaker 1: do some house repair. And then you texted him. We 114 00:05:42,279 --> 00:05:44,480 Speaker 1: told you to text him. I texted him, I hate 115 00:05:44,520 --> 00:05:48,200 Speaker 1: this update. I wish that it was better. I texted him. So, basically, 116 00:05:48,400 --> 00:05:50,839 Speaker 1: my wall is broken at my house. He came here, 117 00:05:50,880 --> 00:05:53,280 Speaker 1: he looked at the wall, and I sent him a 118 00:05:53,400 --> 00:05:56,200 Speaker 1: text after I talk to you guys, just asking a 119 00:05:56,360 --> 00:05:59,600 Speaker 1: question about the wall. So it was totally work related. 120 00:05:59,680 --> 00:06:03,479 Speaker 1: I wanted to just sneak in there with like something 121 00:06:03,560 --> 00:06:05,720 Speaker 1: work related and then get to the flirting if it 122 00:06:05,839 --> 00:06:10,000 Speaker 1: was going to happen. But he never responded. He never responded. 123 00:06:10,240 --> 00:06:13,840 Speaker 1: So I looked him up on Facebook and he is 124 00:06:13,960 --> 00:06:18,200 Speaker 1: in a relationship. M okay, weird that he wouldn't respond 125 00:06:18,240 --> 00:06:22,200 Speaker 1: at although aside from a relationship, because I understand secondarily 126 00:06:22,320 --> 00:06:24,400 Speaker 1: that it's like, oh, this pointing, But why would he 127 00:06:24,480 --> 00:06:26,480 Speaker 1: not respond at all if it's a professional question for 128 00:06:26,560 --> 00:06:28,560 Speaker 1: a job he came to your house to possibly do. 129 00:06:29,240 --> 00:06:31,640 Speaker 1: I don't know. I think he was so attracted to 130 00:06:31,680 --> 00:06:34,880 Speaker 1: you it made him nervous that if you responded, then 131 00:06:35,400 --> 00:06:40,040 Speaker 1: you'd probably start immediately and love merrit all that. I've 132 00:06:40,080 --> 00:06:42,279 Speaker 1: gotten that a lot. But we're literally using a different 133 00:06:42,320 --> 00:06:47,640 Speaker 1: company now because he didn't respond. Oh yeah, I mentioned 134 00:06:47,720 --> 00:06:49,880 Speaker 1: being because we're all in New York right now, and 135 00:06:50,040 --> 00:06:51,960 Speaker 1: I mentioned my wife getting spit on by the homeless guy. 136 00:06:52,000 --> 00:06:53,920 Speaker 1: But you were with my wife and you also were 137 00:06:53,960 --> 00:06:57,360 Speaker 1: spit at or on which one spit on you? So 138 00:06:57,400 --> 00:06:58,960 Speaker 1: you both got spit on? Can you tell the story 139 00:06:58,960 --> 00:07:01,960 Speaker 1: because I wasn't there. Yes. So, we had just walked 140 00:07:02,000 --> 00:07:04,080 Speaker 1: out of a store. We were doing a little shopping, 141 00:07:04,680 --> 00:07:09,200 Speaker 1: and this guy just rushed us, and we took a 142 00:07:09,279 --> 00:07:11,640 Speaker 1: couple of steps back because that's just human nature to 143 00:07:11,680 --> 00:07:14,920 Speaker 1: step away from somebody charging at you, and that apparently 144 00:07:15,000 --> 00:07:17,200 Speaker 1: made him bad, like really mad, and he hawked a 145 00:07:17,240 --> 00:07:20,160 Speaker 1: lukie at us and spit It hit like our ankles 146 00:07:20,200 --> 00:07:22,960 Speaker 1: in our feet. But still, it was really really disgusting. 147 00:07:23,200 --> 00:07:25,400 Speaker 1: What do you think would have happened had you not moved? 148 00:07:26,000 --> 00:07:30,840 Speaker 1: I think he would have grabbed probably her. She was 149 00:07:30,920 --> 00:07:35,280 Speaker 1: the closest one. He was clearly on some drugs or 150 00:07:35,360 --> 00:07:41,120 Speaker 1: something not completely right, but it was definitely scary and jarring. 151 00:07:41,360 --> 00:07:43,680 Speaker 1: We were shaken up. You saw us, Yeah, just a 152 00:07:43,720 --> 00:07:45,680 Speaker 1: few minutes later, I brought five guys here, one of 153 00:07:45,680 --> 00:07:47,200 Speaker 1: them probably out him. Will you point them out if 154 00:07:47,200 --> 00:07:51,680 Speaker 1: this one of them to him? Come on, guys, Yeah, 155 00:07:51,840 --> 00:07:53,880 Speaker 1: I'm looking for him, trying to find I was just 156 00:07:54,000 --> 00:07:55,520 Speaker 1: right on the corner. I don't know what I would 157 00:07:55,520 --> 00:07:56,680 Speaker 1: have done. I think I would have shoved him. I 158 00:07:56,680 --> 00:07:58,320 Speaker 1: started kicking, I'm going to punched him. I think I 159 00:07:58,320 --> 00:08:00,320 Speaker 1: would have shoved him immediately and then started kicking the 160 00:08:00,360 --> 00:08:02,320 Speaker 1: crab out of him. I walked away and looked at 161 00:08:02,400 --> 00:08:05,120 Speaker 1: Kitlin was like, I'm so glad Bobby wasn't here, because 162 00:08:05,240 --> 00:08:08,400 Speaker 1: I'd probably got in trouble. Yeah, this would have gone 163 00:08:08,440 --> 00:08:10,239 Speaker 1: really bad. I only I don't want to punch anybodies 164 00:08:10,240 --> 00:08:14,080 Speaker 1: because I don't want to hurt my hands, that's all. Okay, 165 00:08:14,280 --> 00:08:16,640 Speaker 1: I'm a whimp. But I can shove someone to the 166 00:08:16,680 --> 00:08:18,320 Speaker 1: ground and I put my leg behind their legs and 167 00:08:18,320 --> 00:08:19,840 Speaker 1: they fall down. Then I start kicking the crab out 168 00:08:19,840 --> 00:08:21,760 Speaker 1: of him. I think you probably could have taken this guy. 169 00:08:21,840 --> 00:08:23,560 Speaker 1: He was not in his right mind, for sure, but 170 00:08:23,760 --> 00:08:25,560 Speaker 1: was he probably big Dohan, I probably that's why you 171 00:08:25,600 --> 00:08:26,960 Speaker 1: see him and you go even though his big Bobby 172 00:08:26,960 --> 00:08:29,600 Speaker 1: could sure take him, big muscular, probably doesn't wait lifting. 173 00:08:29,640 --> 00:08:32,880 Speaker 1: It wasn't that big either. But you know, how's everything 174 00:08:32,880 --> 00:08:35,679 Speaker 1: else happening in your life? Good? I can't complain things 175 00:08:35,720 --> 00:08:38,280 Speaker 1: are going well. You all know Morgan really well. Morgan 176 00:08:38,400 --> 00:08:41,360 Speaker 1: was the executive producer before Scoop Steve was Eddie. You 177 00:08:41,440 --> 00:08:43,880 Speaker 1: see Morgan plenty because she's with us a bit when 178 00:08:43,880 --> 00:08:46,120 Speaker 1: we pat m right, yeah, Amy, How often do you 179 00:08:46,120 --> 00:08:48,880 Speaker 1: see Morgan? Not that much? I mean I feel like 180 00:08:48,920 --> 00:08:51,000 Speaker 1: a lot because on social media I see her and 181 00:08:51,040 --> 00:08:53,920 Speaker 1: I watch her videos. But I wish I saw her more. 182 00:08:54,200 --> 00:08:56,880 Speaker 1: And you still do middays with Morgan? I do, yeah, 183 00:08:57,000 --> 00:08:59,560 Speaker 1: here and there I do. And then that your your 184 00:08:59,600 --> 00:09:03,040 Speaker 1: name is Morgan is cool or something? What is it? No? Now? 185 00:09:03,440 --> 00:09:06,360 Speaker 1: It's just Morgan mass and girl just my name, okay, 186 00:09:06,520 --> 00:09:09,000 Speaker 1: what it used to be? It was it was radio 187 00:09:09,080 --> 00:09:11,480 Speaker 1: girl Morgan, and then I changed it to rad girl 188 00:09:11,559 --> 00:09:13,960 Speaker 1: Morgan for a while, got it and I'm getting older. 189 00:09:14,120 --> 00:09:17,240 Speaker 1: Bobby Girl just didn't seem to suit anymore. All right, Well, 190 00:09:17,280 --> 00:09:19,880 Speaker 1: it's good to talk to you. What rad did well, 191 00:09:20,000 --> 00:09:23,199 Speaker 1: rad from radio she's removed to two levels. She made 192 00:09:23,240 --> 00:09:26,599 Speaker 1: it basically the same. Lunch I see nothing change but 193 00:09:27,760 --> 00:09:32,880 Speaker 1: lunchbox one of you see Morgan last I ran into 194 00:09:33,000 --> 00:09:36,079 Speaker 1: lunchbox out of Public's one day. He was doing a 195 00:09:36,400 --> 00:09:39,319 Speaker 1: hidden mic segment. You saw him doing that, Yeah, and 196 00:09:39,400 --> 00:09:41,439 Speaker 1: he came up to me. Yeah, I saw her. She 197 00:09:41,520 --> 00:09:46,120 Speaker 1: was unmasked. This was in the middle of COVID. Okay, 198 00:09:48,080 --> 00:09:50,120 Speaker 1: is that? Why? Is that why? You had COVID? Nine times? Morgan? 199 00:09:50,280 --> 00:09:52,560 Speaker 1: I have had I get a call from Morgan right 200 00:09:52,600 --> 00:09:55,240 Speaker 1: every week, Hey, I got COVID. I'm like, you had 201 00:09:55,280 --> 00:09:57,280 Speaker 1: it last week? You have it again. I've had it 202 00:09:57,400 --> 00:10:02,079 Speaker 1: three times, three times, Morgan. Thank you. It's good to 203 00:10:02,080 --> 00:10:04,560 Speaker 1: see at the grocer. Morgan. Yeah, let's say it again. 204 00:10:04,600 --> 00:10:07,160 Speaker 1: Did you guys talk lunchbox? I said, I got COVID. 205 00:10:07,240 --> 00:10:09,720 Speaker 1: I'm Mike. She had COVID into what if She's never 206 00:10:09,800 --> 00:10:11,480 Speaker 1: had COVID, guys, and this is just her thing all 207 00:10:11,520 --> 00:10:14,160 Speaker 1: the time I got COVID. It can't do it. Okay, 208 00:10:14,200 --> 00:10:16,480 Speaker 1: thanks Morgan, M I do want to mention this. We 209 00:10:16,600 --> 00:10:19,480 Speaker 1: talked in the show about Ray and Bay his wife 210 00:10:19,520 --> 00:10:21,560 Speaker 1: winning over five thousand dollars at the slides. I've never 211 00:10:21,640 --> 00:10:23,240 Speaker 1: won crap with the slides. I don't play the slots 212 00:10:23,240 --> 00:10:25,560 Speaker 1: that often, but I've never won even a little bit 213 00:10:25,800 --> 00:10:28,800 Speaker 1: playing just a little bit. So it's awesome news. But 214 00:10:28,960 --> 00:10:31,520 Speaker 1: you went five grand I was watching your Instagram stories 215 00:10:31,559 --> 00:10:34,200 Speaker 1: because you went for your birthday, and I also saw 216 00:10:34,240 --> 00:10:36,440 Speaker 1: in your story that Abby was singing at a bar. Now, Ray, 217 00:10:36,480 --> 00:10:40,040 Speaker 1: how did this happen? Um? Abby and Beazer were talking 218 00:10:40,160 --> 00:10:41,800 Speaker 1: and so they met up with us. Let's stay around 219 00:10:41,880 --> 00:10:43,959 Speaker 1: nine o'clock at night with her family, and then we 220 00:10:44,040 --> 00:10:47,199 Speaker 1: went to Losers Bar at our hotel, which is a 221 00:10:47,280 --> 00:10:50,640 Speaker 1: country bar. And but there was a dude performing on stage. 222 00:10:50,679 --> 00:10:52,920 Speaker 1: So it's not karaoke you We just go up there 223 00:10:52,960 --> 00:10:55,840 Speaker 1: and let drunk people do it. And so Abby had 224 00:10:55,840 --> 00:10:58,000 Speaker 1: said something, we've been drinking, and she goes, hey, I 225 00:10:58,040 --> 00:10:59,640 Speaker 1: would love to go singing. I mean, she only had 226 00:10:59,640 --> 00:11:01,400 Speaker 1: a couple and I said, you really want to sing? 227 00:11:01,760 --> 00:11:03,640 Speaker 1: And her parents were there. It was a pretty cool moment. 228 00:11:03,760 --> 00:11:05,839 Speaker 1: Her dad is he recently retired to what is he's 229 00:11:05,840 --> 00:11:10,120 Speaker 1: just chilling out? Now he's okay, he's there are two options. 230 00:11:10,160 --> 00:11:13,520 Speaker 1: He's either retired or chilling out means he doesn't have 231 00:11:13,559 --> 00:11:16,280 Speaker 1: a job anymore. Was fired. No, he's earned what he's 232 00:11:16,400 --> 00:11:19,199 Speaker 1: chilling so he's retired, and he wanted to really see 233 00:11:19,240 --> 00:11:21,360 Speaker 1: her perform. He said that would mean a lot to him. 234 00:11:21,360 --> 00:11:23,920 Speaker 1: So I was like, you know what, guys, I'm I'm 235 00:11:24,000 --> 00:11:26,439 Speaker 1: like kind of an agent type guy, like doing negotiations. 236 00:11:26,720 --> 00:11:28,800 Speaker 1: Let me talk to the manager. So I did and 237 00:11:28,920 --> 00:11:31,640 Speaker 1: it failed. Then about twenty minutes later, Yeah I did, 238 00:11:31,760 --> 00:11:33,559 Speaker 1: And what did you say? Did you name drop? No? 239 00:11:33,720 --> 00:11:35,199 Speaker 1: I just had said, hey, I got a girl, she's 240 00:11:35,240 --> 00:11:37,319 Speaker 1: pretty talented, she can sing. She'd love to go sing 241 00:11:37,400 --> 00:11:39,160 Speaker 1: with that guy. And they said, well, we've paid him 242 00:11:39,160 --> 00:11:40,959 Speaker 1: a lot of They actually flew him in from Nashville 243 00:11:41,040 --> 00:11:42,920 Speaker 1: to perform, and they go, well, we're not just gonna 244 00:11:42,960 --> 00:11:44,719 Speaker 1: have a karaoke person come up and sing. We're not 245 00:11:44,760 --> 00:11:46,600 Speaker 1: allowed to do that. So then I had to regroup 246 00:11:46,800 --> 00:11:48,800 Speaker 1: and get a little bit sober and decide how he's 247 00:11:48,800 --> 00:11:49,959 Speaker 1: gonna do it. And so then I went back to 248 00:11:50,080 --> 00:11:51,560 Speaker 1: him and I pitched it as I'm gonna do an 249 00:11:51,559 --> 00:11:54,120 Speaker 1: Instagram live and I'll make sure I show losers bar 250 00:11:54,480 --> 00:11:56,160 Speaker 1: a lot of people in Nashville. We have people all 251 00:11:56,240 --> 00:11:58,439 Speaker 1: over America listen to our show. They will use the 252 00:11:58,440 --> 00:12:00,280 Speaker 1: show that time. That time he didn name drop O. 253 00:12:00,320 --> 00:12:02,040 Speaker 1: Hey got it. So I went that route and they 254 00:12:02,080 --> 00:12:04,400 Speaker 1: said heck yeah, So they said let she gets to 255 00:12:04,440 --> 00:12:06,199 Speaker 1: play one hit and so then she went on and 256 00:12:06,280 --> 00:12:13,120 Speaker 1: did heads Carolina Tells California and she rocked it. But yeah, 257 00:12:13,120 --> 00:12:15,880 Speaker 1: that's a story. Abby. How did you feel about ray 258 00:12:16,520 --> 00:12:20,800 Speaker 1: crowbarring you in and then your performance both? I honestly 259 00:12:20,880 --> 00:12:22,679 Speaker 1: didn't know he did that. He was like, hey, you 260 00:12:22,760 --> 00:12:24,600 Speaker 1: have five minutes. Pick a song. Let's get that's all 261 00:12:24,640 --> 00:12:28,679 Speaker 1: he said, yeah. Yeah. He disappeared for a while. He's 262 00:12:28,679 --> 00:12:30,680 Speaker 1: like hold on, and then he came back and he's like, okay, 263 00:12:30,679 --> 00:12:32,600 Speaker 1: you gotta pick something. They're only letting you do one song. 264 00:12:32,679 --> 00:12:35,720 Speaker 1: What is it? And I wanted to do a different song, 265 00:12:35,960 --> 00:12:38,000 Speaker 1: but the guy came up and he's like, look like 266 00:12:38,480 --> 00:12:41,280 Speaker 1: I could get fired if if you mess up or anything. 267 00:12:41,559 --> 00:12:42,720 Speaker 1: So I was like Okay, I'll just do the one 268 00:12:42,720 --> 00:12:44,880 Speaker 1: I'm most comfortable with. Oh my god, yeah, I mean 269 00:12:44,960 --> 00:12:50,120 Speaker 1: that is pressure. Why so that she thinks she's good 270 00:12:50,200 --> 00:12:52,120 Speaker 1: enough to just go like she thinks she can just 271 00:12:52,240 --> 00:12:56,440 Speaker 1: drop in at bars in cities and sing like she didn't. 272 00:12:56,480 --> 00:12:58,120 Speaker 1: By the way, by the way raised the one that 273 00:12:58,200 --> 00:13:02,319 Speaker 1: made it happen. Okay, this is what Carrie Underwood can do, 274 00:13:02,600 --> 00:13:05,599 Speaker 1: or Garth Brooks. Abby is not good enough. And so 275 00:13:05,720 --> 00:13:08,880 Speaker 1: when you watched the video, it isn't good. And I 276 00:13:09,320 --> 00:13:11,400 Speaker 1: even texted Ray and his wife and said, saved me 277 00:13:11,520 --> 00:13:14,200 Speaker 1: the video. And they were so protective of Abby because 278 00:13:14,200 --> 00:13:16,160 Speaker 1: they knew it wasn't good. They didn't save the video 279 00:13:16,240 --> 00:13:20,400 Speaker 1: for me. It was alive. He forgot to save it. 280 00:13:20,640 --> 00:13:23,079 Speaker 1: No ieted him. He put it on his story and 281 00:13:23,120 --> 00:13:25,679 Speaker 1: I said, hey, save that video. I need it. And 282 00:13:25,800 --> 00:13:29,160 Speaker 1: they both have. Oh we forgot to show you guys 283 00:13:29,200 --> 00:13:32,319 Speaker 1: that it is so bad that. I mean, not only 284 00:13:32,440 --> 00:13:38,199 Speaker 1: was Abby bad, the guy was bad too. Anybody. I 285 00:13:38,280 --> 00:13:40,280 Speaker 1: can't he know he's a performer, Amy, he should know 286 00:13:40,400 --> 00:13:43,199 Speaker 1: he's bad. Wait, but did you actually watch it? You 287 00:13:43,240 --> 00:13:44,800 Speaker 1: watched a love That's what I'm wondering. How did the 288 00:13:44,840 --> 00:13:50,559 Speaker 1: lunchbox know if Ray put it on his store Instagram story. Anybody, 289 00:13:50,600 --> 00:13:52,559 Speaker 1: you don't follow Ray, and I thought it was alive 290 00:13:52,640 --> 00:13:54,959 Speaker 1: and you don't follow anybody that. Yeah, good point, guys, 291 00:13:55,000 --> 00:13:56,880 Speaker 1: I don't understand what you mean by alive. Ray put 292 00:13:56,960 --> 00:13:59,199 Speaker 1: the video in his Instagram story, but you have no 293 00:13:59,320 --> 00:14:01,640 Speaker 1: search it. And so I said, oh, how did you 294 00:14:01,760 --> 00:14:03,720 Speaker 1: know if you didn't follow him? And didn't because someone 295 00:14:03,840 --> 00:14:06,720 Speaker 1: posted on the Sore Losers Facebook page that Ray hit 296 00:14:06,800 --> 00:14:11,400 Speaker 1: some money on the on the Lunchbox lives on Facebook, 297 00:14:12,400 --> 00:14:14,680 Speaker 1: they hit something on the slot machine. So I assumed 298 00:14:14,760 --> 00:14:17,760 Speaker 1: Ray would put it in his on Instagram. And then 299 00:14:17,840 --> 00:14:21,360 Speaker 1: as I'm looking at the Instagram for the slot machines, Oh, 300 00:14:21,480 --> 00:14:23,600 Speaker 1: what do you know, Abby's on stage singing with some 301 00:14:23,800 --> 00:14:26,560 Speaker 1: dude and it's awful. And so that's when I texted. 302 00:14:26,920 --> 00:14:30,000 Speaker 1: I immediately texted Ray and his wife save that video 303 00:14:30,080 --> 00:14:33,280 Speaker 1: for me because I need it, and they both go, oh, sorry, 304 00:14:33,400 --> 00:14:36,360 Speaker 1: we forgot Like I mean, well, it's always an archive, 305 00:14:36,480 --> 00:14:38,920 Speaker 1: It's always if it's not a story, it's an archive story. 306 00:14:39,120 --> 00:14:41,520 Speaker 1: Oh then Ray, what's going on? But but but if 307 00:14:41,520 --> 00:14:42,600 Speaker 1: he doesn't want to give it to you, doesn't want 308 00:14:42,600 --> 00:14:44,080 Speaker 1: to give it to you exactly because he knows that 309 00:14:44,200 --> 00:14:47,080 Speaker 1: it wasn't good. Abby, How did you feel about your performance? 310 00:14:47,160 --> 00:14:49,720 Speaker 1: I thought it went well. It was awesome. The managers 311 00:14:49,760 --> 00:14:52,800 Speaker 1: looked happy because they were right, So you mean where 312 00:14:52,800 --> 00:14:54,720 Speaker 1: they were like, oh man, we want to book you. No, 313 00:14:54,960 --> 00:14:58,600 Speaker 1: that's what I was trying to do. I'm just saying, Bobby, 314 00:14:58,640 --> 00:15:00,840 Speaker 1: you've created a monster that she's she can drop into 315 00:15:00,920 --> 00:15:04,440 Speaker 1: bars and sing what she did. She can. Okay, Well, 316 00:15:04,640 --> 00:15:06,440 Speaker 1: Y made it happen, and I think Abby's getting I 317 00:15:06,480 --> 00:15:09,080 Speaker 1: think Abby's actually getting better as well. At the same 318 00:15:09,120 --> 00:15:12,080 Speaker 1: time she's performing so much. I think she's actually started 319 00:15:12,080 --> 00:15:13,400 Speaker 1: to get a little better. If it was so good, 320 00:15:13,440 --> 00:15:16,400 Speaker 1: then why wouldn't they give us the audio? I don't know. 321 00:15:16,560 --> 00:15:21,680 Speaker 1: I can't read Ray. Ray was calling thirty four hundred 322 00:15:21,680 --> 00:15:24,080 Speaker 1: bucks three point four thousand earlier. I have no idea 323 00:15:25,200 --> 00:15:28,120 Speaker 1: why Ray think certain things. Ray any response to this 324 00:15:28,160 --> 00:15:30,080 Speaker 1: before we move off of it. Um, I did alive, 325 00:15:30,160 --> 00:15:32,080 Speaker 1: and you have to save the live immediately or it 326 00:15:32,160 --> 00:15:34,520 Speaker 1: doesn't exist. So mine doesn't exist. The only audio was 327 00:15:34,600 --> 00:15:36,600 Speaker 1: through my wife's and my wife said she's not giving 328 00:15:36,640 --> 00:15:38,040 Speaker 1: it to me because she didn't want you to make 329 00:15:38,080 --> 00:15:40,680 Speaker 1: fun Abbey exactly. She knew your angle, but she wasn't 330 00:15:40,760 --> 00:15:42,880 Speaker 1: saying it was bad. She just knew what you're gonna say. Well, 331 00:15:43,000 --> 00:15:47,240 Speaker 1: let everybody else judge. Okay, well can I I've just 332 00:15:47,320 --> 00:15:49,400 Speaker 1: been handed it? Held on, I've just been handed a 333 00:15:49,480 --> 00:15:51,920 Speaker 1: page by Mike d Let's walk to this segment called 334 00:15:51,920 --> 00:15:54,440 Speaker 1: who's a better singer? Abby or a random dude? What? Okay? 335 00:15:55,280 --> 00:15:58,280 Speaker 1: Why you did? No? No, it's not pitched. She already 336 00:15:58,280 --> 00:16:00,520 Speaker 1: went out and did it. Apparently he just handed to me. 337 00:16:00,560 --> 00:16:02,200 Speaker 1: Here we go over the break. Let me just read 338 00:16:02,240 --> 00:16:04,480 Speaker 1: to you what it's written over the break. Lunchboxes down 339 00:16:04,480 --> 00:16:05,680 Speaker 1: to Florida and while at a bar, he heard his 340 00:16:05,720 --> 00:16:08,200 Speaker 1: singer crushing it. Lunchbox, we want to set this up 341 00:16:08,240 --> 00:16:09,800 Speaker 1: at all? Yeah. So, I mean I didn't need to 342 00:16:09,840 --> 00:16:11,880 Speaker 1: go on my original vacation, so we just drove down 343 00:16:11,920 --> 00:16:13,800 Speaker 1: to Florida like a little three day thing because we 344 00:16:13,840 --> 00:16:15,840 Speaker 1: were like, man, we got to do something. And we're 345 00:16:15,880 --> 00:16:17,800 Speaker 1: just at a restaurant and there's this dude singing on 346 00:16:17,840 --> 00:16:19,800 Speaker 1: the patio of the beach and I'm like, man, this 347 00:16:19,920 --> 00:16:23,640 Speaker 1: dude's freaking good, Like this is what And this is 348 00:16:23,720 --> 00:16:26,360 Speaker 1: dude just in a random place in Florida. This ain't 349 00:16:26,400 --> 00:16:28,120 Speaker 1: some guy that is getting everything handed to him. He's 350 00:16:28,120 --> 00:16:30,880 Speaker 1: out here grinding. He needs some recognition. And this tells you, 351 00:16:30,960 --> 00:16:33,080 Speaker 1: Abby that you need to get more talent. Go ahead, Okay, okay, 352 00:16:33,120 --> 00:16:35,920 Speaker 1: what's his name? Lunchbox? Have no idea? You said getting recognition. 353 00:16:37,000 --> 00:16:38,480 Speaker 1: He didn't have his name. He didn't have a freaking 354 00:16:38,600 --> 00:16:41,000 Speaker 1: banner up there. They do have their name or their 355 00:16:41,040 --> 00:16:43,600 Speaker 1: Instagram or their will never find him. But also you 356 00:16:43,680 --> 00:16:46,400 Speaker 1: just said get him recognition. He's getting no recognition because 357 00:16:46,400 --> 00:16:48,520 Speaker 1: you don't know his name. I mean someone will recognize 358 00:16:48,560 --> 00:16:51,080 Speaker 1: his voice. Oh my god. Okay, here is a guy 359 00:16:51,200 --> 00:17:13,680 Speaker 1: doing killing me softly? See pretty good? I mean it's 360 00:17:13,680 --> 00:17:18,600 Speaker 1: really good, but there's not a competition. I'm just saying 361 00:17:18,680 --> 00:17:20,560 Speaker 1: that that's the kind of guy like that guy is 362 00:17:20,600 --> 00:17:22,800 Speaker 1: just at a bar in Florida, like on a beach, 363 00:17:22,920 --> 00:17:25,280 Speaker 1: like trying to make it, and he doesn't want to 364 00:17:25,280 --> 00:17:28,359 Speaker 1: make it. Maybe loves a beach life. I don't know. Man, Hey, Abby, 365 00:17:28,600 --> 00:17:31,640 Speaker 1: do you know that song? I do? Would you? Would 366 00:17:31,680 --> 00:17:38,880 Speaker 1: you care to sing that that chorus? Can't? Let's killing 367 00:17:39,040 --> 00:17:45,280 Speaker 1: me softly with his song, telling my whole life with 368 00:17:45,720 --> 00:17:52,080 Speaker 1: his words, killing me sofly? Come on? That was good 369 00:17:52,240 --> 00:17:54,960 Speaker 1: and on the spot, let's watch you gotta admit she's 370 00:17:55,000 --> 00:17:57,440 Speaker 1: actually getting better from even where she was. She thought 371 00:17:57,480 --> 00:17:59,760 Speaker 1: she was pretty good. If you guys think that's getting better, 372 00:18:00,000 --> 00:18:02,880 Speaker 1: I mean, it still sounds like a nasal like she's singing. 373 00:18:04,560 --> 00:18:06,560 Speaker 1: Do you have anything I know? That's how you sound. 374 00:18:07,160 --> 00:18:09,160 Speaker 1: It's not it's not all I have, it's how you sound. 375 00:18:09,320 --> 00:18:13,760 Speaker 1: La la la laha. Here's the thing. She's actually less nasal. 376 00:18:13,840 --> 00:18:15,880 Speaker 1: If that's your complaint, then she was when she first 377 00:18:15,920 --> 00:18:17,399 Speaker 1: started singing again. I mean, you won't to know how 378 00:18:17,440 --> 00:18:21,000 Speaker 1: good that was. Amy put her face in her hands. No, 379 00:18:22,600 --> 00:18:25,360 Speaker 1: I didn't look at Amy. I can't say. I can't 380 00:18:25,359 --> 00:18:31,040 Speaker 1: look at anybody. I just munch. There's no Amy a minute? 381 00:18:31,119 --> 00:18:33,320 Speaker 1: Did you did you put your hands in your don't 382 00:18:33,359 --> 00:18:34,840 Speaker 1: speak for me? Did you put your hand in yours 383 00:18:35,200 --> 00:18:38,439 Speaker 1: for me? Abby? That sounded good, Amy. Amy's a hater too. 384 00:18:38,440 --> 00:18:41,720 Speaker 1: Amy's a hater. Put on the hater squad. She did 385 00:18:41,840 --> 00:18:44,920 Speaker 1: put her I can't lunch. I can't look at lunch. 386 00:18:45,520 --> 00:18:47,840 Speaker 1: I wasn't even looking at you. I have to look 387 00:18:47,840 --> 00:18:49,560 Speaker 1: at you. I'm looking right at you. So if I 388 00:18:49,680 --> 00:18:52,480 Speaker 1: put my head down, I don't have to look at you. Hey, Abby, 389 00:18:52,800 --> 00:18:55,879 Speaker 1: So without that song playing, I'm gonna put I just 390 00:18:55,960 --> 00:18:58,000 Speaker 1: kind of go back to you here, So just start 391 00:18:58,080 --> 00:19:00,920 Speaker 1: from the part that says, strum in my pain with 392 00:19:01,080 --> 00:19:04,119 Speaker 1: his fingers, h can you yeah, would you mind doing that, 393 00:19:05,040 --> 00:19:10,639 Speaker 1: strumming my pain with his fingers, sharing my lafe with 394 00:19:10,960 --> 00:19:17,359 Speaker 1: his words, kim softly with his song, kill me softly 395 00:19:18,320 --> 00:19:24,679 Speaker 1: with his song, tilling my hole with his words, killing 396 00:19:24,880 --> 00:19:30,320 Speaker 1: me softly. Come on, Yeah, I made up some of 397 00:19:30,359 --> 00:19:33,240 Speaker 1: the words, obviously, And that's where we do. Yeah, but 398 00:19:33,520 --> 00:19:36,080 Speaker 1: I kept singing absolutely, that's what we do. Now. We 399 00:19:36,160 --> 00:19:37,560 Speaker 1: mess up, we act like we didn't mess up, and 400 00:19:37,560 --> 00:19:40,280 Speaker 1: we keep going. Yes, it's a great job. Thank you. 401 00:19:41,000 --> 00:19:43,000 Speaker 1: And Amy. Amy was watching the whole time. Thank you, 402 00:19:43,080 --> 00:19:45,240 Speaker 1: thank you. And I just looked at you, not lunchbox. 403 00:19:45,359 --> 00:19:47,280 Speaker 1: Don't want me in with lunchbox. I'm not a hater. 404 00:19:47,560 --> 00:19:49,960 Speaker 1: I look at you. I can't look at lunchbox. Thank you, Eddie. 405 00:19:50,000 --> 00:19:51,720 Speaker 1: What do you think about that? I thought that was great, man, 406 00:19:51,800 --> 00:19:54,560 Speaker 1: I mean, on the spot like that. It's abby and 407 00:19:54,800 --> 00:19:58,080 Speaker 1: Bobby's exactly right. You have gotten so much better, Like 408 00:19:58,240 --> 00:20:00,280 Speaker 1: even since we started talking about this and trying to 409 00:20:00,320 --> 00:20:03,520 Speaker 1: start hating, you've gotten so much better. Well, no, just 410 00:20:03,760 --> 00:20:06,240 Speaker 1: people get better, artists say It's like a muscle. If 411 00:20:06,280 --> 00:20:08,159 Speaker 1: you work it out, you get stronger. To get better 412 00:20:08,240 --> 00:20:10,840 Speaker 1: doesn't mean you were once awful. We can always get better. 413 00:20:11,080 --> 00:20:13,520 Speaker 1: Tom Brady can get better. He may go twenty two 414 00:20:13,560 --> 00:20:16,439 Speaker 1: for twenty nine at the game with four touchdowns. Can 415 00:20:16,480 --> 00:20:18,960 Speaker 1: he get better? Yeah? He sure again, and sometimes he does? 416 00:20:19,720 --> 00:20:22,639 Speaker 1: And why am I talking about side belt is an? 417 00:20:23,320 --> 00:20:25,359 Speaker 1: How good was my dude? It's pretty good. But I 418 00:20:25,359 --> 00:20:27,800 Speaker 1: would be to his name, dang man, we can bring 419 00:20:27,880 --> 00:20:31,440 Speaker 1: him in. Well, your whole point was recognition, that's my No. 420 00:20:31,720 --> 00:20:34,000 Speaker 1: His whole point was like, look at those guys than 421 00:20:34,520 --> 00:20:36,840 Speaker 1: But Abby also just killed it. Yeah, listen to this 422 00:20:36,960 --> 00:20:40,399 Speaker 1: dude again. No, I'm not hit him again. Hey, Ray, Yo, 423 00:20:40,920 --> 00:20:42,960 Speaker 1: you're trying to be Abby's agent in real life. Well, 424 00:20:43,080 --> 00:20:45,520 Speaker 1: and justin we kind of signed a basic contract just 425 00:20:45,600 --> 00:20:48,159 Speaker 1: with it. What Well, No, it's happening. It was just 426 00:20:48,280 --> 00:20:50,600 Speaker 1: a napkin and some mask ere we made some signage. 427 00:20:50,680 --> 00:20:52,679 Speaker 1: But anyways, my thing is this. I told her if 428 00:20:52,680 --> 00:20:54,480 Speaker 1: I'm in a bar, it might promise to her. I 429 00:20:54,520 --> 00:20:56,440 Speaker 1: always try to get her on stage. And that's something 430 00:20:56,480 --> 00:20:58,000 Speaker 1: I can do because I feel like I have the 431 00:20:58,040 --> 00:20:59,800 Speaker 1: gift to gab where I can talk to a manager 432 00:21:00,119 --> 00:21:02,760 Speaker 1: told the galue from my show, well, I did have 433 00:21:02,800 --> 00:21:04,960 Speaker 1: to use that again, just because they had flown the 434 00:21:05,040 --> 00:21:07,560 Speaker 1: dude out. He gets paid thousands to fly to another 435 00:21:07,680 --> 00:21:10,040 Speaker 1: city and play at a bar that we already have here. 436 00:21:10,240 --> 00:21:12,240 Speaker 1: Why would he not just play this one? It made 437 00:21:12,320 --> 00:21:13,639 Speaker 1: no sense to me, but yeah, we were able to 438 00:21:13,680 --> 00:21:16,879 Speaker 1: finagle that. It was pretty sweet. Abby. Don't give Bray 439 00:21:16,920 --> 00:21:20,440 Speaker 1: any of your money. I don't know. I didn't know 440 00:21:20,600 --> 00:21:24,320 Speaker 1: what the terms were. I forget, hey, Bobby, Bobby. Yeah, 441 00:21:24,480 --> 00:21:26,720 Speaker 1: he's not making any money, not yet. Now. You haven't 442 00:21:27,280 --> 00:21:29,520 Speaker 1: until you make money. Sometimes you make no money like 443 00:21:29,600 --> 00:21:34,440 Speaker 1: tips or something made. I made crap, I mean crap forever. 444 00:21:34,840 --> 00:21:37,480 Speaker 1: And so I'm gonna trying to find that guy's name. Yeah, 445 00:21:37,560 --> 00:21:39,920 Speaker 1: good luck with that. Uh. So, Amy, you said you 446 00:21:39,960 --> 00:21:42,360 Speaker 1: were shocked to see something on your booking an appointment. 447 00:21:42,400 --> 00:21:45,680 Speaker 1: What was it? Oh my goodness, I'm just gonna pull 448 00:21:45,720 --> 00:21:47,719 Speaker 1: it up so I can read it to you verbatim. 449 00:21:48,080 --> 00:21:51,840 Speaker 1: It was where were you? It was for a massage, 450 00:21:52,000 --> 00:21:57,040 Speaker 1: place like this, very particular kind of massage. I've gone before, 451 00:21:57,119 --> 00:21:59,560 Speaker 1: but it's been years, and I do remember the woman 452 00:21:59,640 --> 00:22:03,520 Speaker 1: being really pretty. But so I'm on her website and 453 00:22:03,560 --> 00:22:05,639 Speaker 1: you can book through her website, and when you're on 454 00:22:05,760 --> 00:22:10,200 Speaker 1: the booking page it says in all caps attention mail clients, 455 00:22:10,720 --> 00:22:16,440 Speaker 1: we do not offer happy endings. Unfortunately, enough pervert encounters 456 00:22:16,480 --> 00:22:19,760 Speaker 1: have forced us to explicitly state this to all new 457 00:22:19,840 --> 00:22:23,040 Speaker 1: mail clients. Please keep your jug covered at all times. 458 00:22:25,600 --> 00:22:27,560 Speaker 1: I can't believe they'd have to actually put that. That 459 00:22:27,800 --> 00:22:32,240 Speaker 1: has happened so many times. I know my mind was 460 00:22:32,359 --> 00:22:35,600 Speaker 1: a blown, but I mean they said it there. Unfortunately 461 00:22:35,840 --> 00:22:38,359 Speaker 1: enough encounters have happened where they just put it on 462 00:22:38,480 --> 00:22:43,320 Speaker 1: their booking site. Crazy. I just can't imagine. I don't 463 00:22:43,320 --> 00:22:45,240 Speaker 1: think I know a guy that would try that. Does 464 00:22:45,320 --> 00:22:47,760 Speaker 1: that mean that they actually are asking for it? Like 465 00:22:47,880 --> 00:22:49,480 Speaker 1: they're they're like being like, hey, do you guys do 466 00:22:49,560 --> 00:22:52,240 Speaker 1: that here? Or do they just expect it or they 467 00:22:52,280 --> 00:22:53,840 Speaker 1: just pull you know, and are like I think at 468 00:22:53,880 --> 00:22:57,680 Speaker 1: the end they're just like, Okay, it was crazy. Here 469 00:22:57,800 --> 00:23:02,280 Speaker 1: we go. Final thing. I know, right, I've never seen that. 470 00:23:03,240 --> 00:23:05,919 Speaker 1: I even double checked I was on the right west side. 471 00:23:07,359 --> 00:23:09,879 Speaker 1: Where am I right now? But yeah, which I mean 472 00:23:09,960 --> 00:23:12,800 Speaker 1: made me sad for her because that sucks, Like she like, 473 00:23:13,600 --> 00:23:15,600 Speaker 1: you know, she might get to a point where she's like, uh, 474 00:23:15,760 --> 00:23:23,160 Speaker 1: I don't even work on men anymore a mens sister. Tomorrow, 475 00:23:23,680 --> 00:23:26,320 Speaker 1: tickets go on sale for my comedically inspirational show in 476 00:23:26,400 --> 00:23:29,200 Speaker 1: Las Vegas at the Win. It's that's a big deal 477 00:23:29,320 --> 00:23:31,159 Speaker 1: to me to play to win? Are you kidding me? 478 00:23:31,560 --> 00:23:33,840 Speaker 1: It's crazy. I couldn't believe it, and so I couldn't 479 00:23:33,840 --> 00:23:35,160 Speaker 1: believe when they came and said, hey, will you play? 480 00:23:35,680 --> 00:23:38,040 Speaker 1: And I said yes, And so I'm having to only 481 00:23:38,080 --> 00:23:40,240 Speaker 1: pay a little bit to play. So I'm only gonna 482 00:23:40,240 --> 00:23:42,400 Speaker 1: go in the whole sum But if you guys want 483 00:23:42,400 --> 00:23:44,040 Speaker 1: to come, this is the only show I'm gonna do, 484 00:23:44,760 --> 00:23:46,560 Speaker 1: I think out of Nashville, I'm not touring the show 485 00:23:46,600 --> 00:23:49,200 Speaker 1: at all. But in Vegas, we're trying to do something 486 00:23:49,240 --> 00:23:52,560 Speaker 1: to the West because a lot of our listeners in Colorado, California, 487 00:23:52,920 --> 00:23:55,520 Speaker 1: in Vegas, in Nevada, like we can't come to your 488 00:23:55,600 --> 00:23:59,879 Speaker 1: Nashville shows. So this is the one's going on sale tomorrow. Listen, 489 00:24:00,040 --> 00:24:01,840 Speaker 1: there's a controversy right now on which ten am the 490 00:24:01,840 --> 00:24:03,520 Speaker 1: tickets are gonna go on. So if I'm being honest, 491 00:24:04,400 --> 00:24:07,160 Speaker 1: I'm still gonna say ten am Central, eight am Pacific, 492 00:24:07,720 --> 00:24:11,320 Speaker 1: outside chance not until ten am Pacific. But it is 493 00:24:11,400 --> 00:24:13,480 Speaker 1: what it is. I've said what I said, I hope 494 00:24:13,480 --> 00:24:15,119 Speaker 1: you guys come and I think I think that's it. 495 00:24:15,160 --> 00:24:16,760 Speaker 1: I think we're pretty good there. Hey, bones, if you 496 00:24:16,800 --> 00:24:18,760 Speaker 1: want to play Losers in Vegas, Ray can get you 497 00:24:18,880 --> 00:24:23,280 Speaker 1: a little spot there too, sweet Ray, can't you. Yeah. 498 00:24:23,640 --> 00:24:26,000 Speaker 1: I go up to the guy, I record myself playing, Hey, 499 00:24:26,080 --> 00:24:27,800 Speaker 1: anyway I can play here, and he's like no, no. 500 00:24:27,880 --> 00:24:33,960 Speaker 1: It's like I guess I'll just go to the wine 501 00:24:34,320 --> 00:24:37,000 Speaker 1: and then I text him, Hey, but sorry, couldn't play there, 502 00:24:37,080 --> 00:24:40,920 Speaker 1: but uh yeah that'd be funny. Okay, that's it, Thank 503 00:24:41,000 --> 00:24:44,840 Speaker 1: you guys. I guess how lunchbox, what's the sort of 504 00:24:44,840 --> 00:24:47,480 Speaker 1: loser schedule this week? Since Monday didn't happen. Yeah, we 505 00:24:47,560 --> 00:24:51,040 Speaker 1: did one yesterday and we'll do one tomorrow Monday, Wednesday, Friday. 506 00:24:51,040 --> 00:24:53,240 Speaker 1: We didn't do Monday because vacation, but yeah we did 507 00:24:53,280 --> 00:24:56,080 Speaker 1: when yesterday. We'll do one tomorrow sort of losers. Otherwise, 508 00:24:56,119 --> 00:24:58,040 Speaker 1: I think that's it. Thank you guys. We will see 509 00:24:58,040 --> 00:25:00,520 Speaker 1: it tomorrow and have a good day. Bye. Budding