WEBVTT - "Hairline Switch" with Janelle James

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<v Speaker 1>I want to love seeing goddamn right, who doesn't want

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<v Speaker 1>to make out on TV? It's pretty cool. I mean,

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<v Speaker 1>while titty is still up in the end, you know, right,

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<v Speaker 1>let me make out while my titties are fresh. They're

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<v Speaker 1>gonna soil eventually. I'd like it on wax as evidence

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<v Speaker 1>so I could show my kids later. You see them

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<v Speaker 1>titties like I wouldn't said back in the day. I

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<v Speaker 1>know you don't like talking about your mama's titties, but

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<v Speaker 1>I'm gonna show you. I need you to see him

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<v Speaker 1>just so you respect me. Goddamn it, boys, gather round

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<v Speaker 1>something to share with you. Everyone around the fireplace. I

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<v Speaker 1>have a big announcement that your daddy ever tell you

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<v Speaker 1>about this? Why chips racist? She's turning stuff I can't

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<v Speaker 1>tell me. Yeah, there it is. There it is, Ladies

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<v Speaker 1>and gentlemen, here we are welcome to another phenomenal, devastating,

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<v Speaker 1>thick booty episode of My Mama Told Me, the podcast

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<v Speaker 1>where we dive deep into the pockets of black conspiracy

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<v Speaker 1>theories and we finally start that go fund me to

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<v Speaker 1>recollect iced teas Ponytail. The man ain't been the same

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<v Speaker 1>since they took his ponytail from him. We got to

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<v Speaker 1>get that ponytail back by all means, by any coast,

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<v Speaker 1>we will get iced tea back his ponytail. I am

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<v Speaker 1>your host, lakes Nick Herman. I am excited to be here.

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<v Speaker 1>It is hot in my house. I ain't wearing no sleeves.

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<v Speaker 1>We're getting it popping today. And my guest today apparently

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<v Speaker 1>she's not wearing no shirt, which is very exciting for

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<v Speaker 1>everyone involved. It's an audio podcast, but now you get

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<v Speaker 1>to use your imagination, which is very fun. She's hilarious.

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<v Speaker 1>She's just so fucking funny. You know from Netflix, you

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<v Speaker 1>know from Black Monday. She's just hilarious. I'm a big fan.

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<v Speaker 1>Give it up from my guest today, Miss Janelle James.

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<v Speaker 1>Oh yeah, I haven't felt applause and so long again

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<v Speaker 1>one more time. I got It's nice, right, Yeah, you

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<v Speaker 1>haven't done any of the you know, the outdoor shows.

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<v Speaker 1>You haven't gone and ventured out. Two days ago it

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<v Speaker 1>was my first one with Chelsea Handler. But it was

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<v Speaker 1>such ah, it was such a huge ordeal and uh

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<v Speaker 1>that I'm not sure. I'm still trying to figure out

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<v Speaker 1>if I enjoyed it or not. It was so stressful.

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<v Speaker 1>First show in five months. That weird thing of like

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<v Speaker 1>you're not comfortable doing your art the way that you

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<v Speaker 1>used to do your art. Tacked on top of the

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<v Speaker 1>fact that like you're putting couzies on top of your

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<v Speaker 1>microphone from spreading germs, it's all very well, that's not

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<v Speaker 1>even half of it. It was a shoot, not just

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<v Speaker 1>a show. So it's a sad rules and it is

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<v Speaker 1>intense so to you know, sanitize and audience and mask

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<v Speaker 1>and isolation, and it's just like, yo, is this fun?

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<v Speaker 1>Just worth it? Yeah? I mean I got paid. I

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<v Speaker 1>was like, I had told myself I wasn't gonna come

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<v Speaker 1>venture out unless it's for a good amount of money.

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<v Speaker 1>So they got me on that. But then I was

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<v Speaker 1>just like, yo, this is this is crazy. I don't

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<v Speaker 1>know if the money Now I'm like, I don't know

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<v Speaker 1>if the money was right. It was so much, it

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<v Speaker 1>was so much to deal with. So yeah, I feel

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<v Speaker 1>like after a certain point of success, we're all asking ourselves, like,

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<v Speaker 1>I don't know. I had planned on hitting there so quickly,

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<v Speaker 1>you know. So I once did a commercial where I

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<v Speaker 1>dressed up like a giant piece of checks mix, and uh,

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<v Speaker 1>I hit that prettier only in my career. I remember that.

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<v Speaker 1>It's not a fond memory. I'm not brand commercial. Uh nope.

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<v Speaker 1>Oh well okay. And it was the internet. It was

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<v Speaker 1>like weird no websites only no, no, not even in

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<v Speaker 1>residual checks to take the edge off your regret to

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<v Speaker 1>be a whore. You know, we all do. The point

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<v Speaker 1>is we all make choices exactly. Well, I'm really excited

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<v Speaker 1>you're here today because you came with a conspiracy theory

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<v Speaker 1>that has been very near and dear to my heart

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<v Speaker 1>for quite a while. And after some deliberating, we deliberated

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<v Speaker 1>a little bit, but you can. I want to make

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<v Speaker 1>sure we get this correct. You said. My mama told

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<v Speaker 1>me black men with bad haircuts are perceived as safer

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<v Speaker 1>in the eyes of white America. Is it a conspiracy

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<v Speaker 1>if it's true. Yeah, but that's what they say. I've

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<v Speaker 1>heard it before, and I love that you picked it.

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<v Speaker 1>Tell me where this comes from for you, well, my

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<v Speaker 1>mama first, but also I think it perpetuates through Hollywood.

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<v Speaker 1>Anytime the good guy steps on the scene, that hairline

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<v Speaker 1>is is all the way funked up, you know what

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<v Speaker 1>I mean. And so I think it's so almost anti

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<v Speaker 1>black to be walking around with your head oh messed up.

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<v Speaker 1>That It's like you gotta be working on the other side,

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<v Speaker 1>you know what I mean, or trying to not working

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<v Speaker 1>on the other side, but trying to present yourself is

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<v Speaker 1>differently then, right, So you're saying that to some extent,

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<v Speaker 1>this is like the men or the people involved in

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<v Speaker 1>this consenting to a shitty hairline for the sake of

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<v Speaker 1>like getting in good with Hollywood. It started as a

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<v Speaker 1>conspiracy and people are now using it, you know what

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<v Speaker 1>I mean, just my just my theory. I listen, there's

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<v Speaker 1>no reason in the run from this. Let's dig deep

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<v Speaker 1>and we all code switch. Some people here line switch,

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<v Speaker 1>you know what I mean. You're trying to get trying

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<v Speaker 1>to get exactly Exam James. Her voice on the phone

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<v Speaker 1>calls some of y'all tell your barber a, don't touch that.

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<v Speaker 1>I'm trying to get up to the VP spot. You know.

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<v Speaker 1>So I got my I love that. Wait, your mother

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<v Speaker 1>has this opinion, she shares this conspiracy theory. Now I

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<v Speaker 1>was lying. I was just trying to go with just

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<v Speaker 1>playing along. Good. Yeah, my mother, I'm from the Island,

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<v Speaker 1>so we I don't know what our conspiracy theory. We

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<v Speaker 1>just have a lot of sayings that are rooted in

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<v Speaker 1>religion bullshit that I can Yeah, but this one is

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<v Speaker 1>I picked because I've definitely no, it's a thing. Sure,

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<v Speaker 1>let's start digging into examples, because I do feel like

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<v Speaker 1>even for our white listeners, we have to imagine that

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<v Speaker 1>some of them are even confused about what a good

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<v Speaker 1>hairline is. Do you know what I mean? Like, I

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<v Speaker 1>can't imagine that that half the time they even know

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<v Speaker 1>when a black man has us. I would say, look

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<v Speaker 1>at any recent upgrade on the NBA. You know it's

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<v Speaker 1>an NBA that was looking a little different than they

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<v Speaker 1>were a couple of years ago. That's the new version

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<v Speaker 1>is the good hairline. That's that's Look at you trying

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<v Speaker 1>to keep your money by not saying Lebron James, I

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<v Speaker 1>was very professional of you. You're like, I have to

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<v Speaker 1>dress as a Graham packer next to him in a

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<v Speaker 1>commercial coming up. You don't know, you don't know he

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<v Speaker 1>sometimes you know, might right be a check I'm gonna be,

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<v Speaker 1>but you never know. When the individuals crossover into a

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<v Speaker 1>comedic comedy or whatever, they always crossed the no. But

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<v Speaker 1>I might have to meet this dude one day, you

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<v Speaker 1>never know. But yeah, an Janelle James jam too. Oh

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<v Speaker 1>my god, I wish anyway, don't we all? But I

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<v Speaker 1>totally agree. I think that to some extent, Uh, there

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<v Speaker 1>was a celebration of a lot of NBA or sort

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<v Speaker 1>of big celebrity figures at the point that their hair

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<v Speaker 1>looked shitty or is continuing to look shitty. Complicated, We'll sure. Yeah,

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<v Speaker 1>I was just gonna say, white people want to know

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<v Speaker 1>what we're trying to achieve here as far as perfection,

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<v Speaker 1>look to the ones that were paid for right there

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<v Speaker 1>you go that look okay, look there, Well that's okay.

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<v Speaker 1>Now you're explaining something. So so a old lebron is

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<v Speaker 1>what we're fighting again, current lebron is what we are

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<v Speaker 1>trying to achieve. I've said it. I've said it a

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<v Speaker 1>few times in other places, but I genuinely believe that

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<v Speaker 1>Jalen Rose made a deal with the devil to have

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<v Speaker 1>the hairline that he has. It is magnificent. This dude up.

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<v Speaker 1>Oh you don't know Jalen Rose. No, I'm not a

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<v Speaker 1>big forceman ever exists. He's more famous for being an

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<v Speaker 1>Indiana pacer and then getting uh, well he wasn't a

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<v Speaker 1>pacer at the time, but he took eighty one points

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<v Speaker 1>from Kobe. Kobe scored eighty one points on the man

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<v Speaker 1>and now he's a commentator. And this is an example

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<v Speaker 1>of a great heirline. It's what you're saying is fantastic. Oh.

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<v Speaker 1>I'm like, wait a minute, what do you okay? I

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<v Speaker 1>thought you were saying the opposite. I'm like, well, ship,

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<v Speaker 1>what's the good one? If this is awful? This, yeah,

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<v Speaker 1>this is pretty fucking perfect. It's the perfect airline. And

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<v Speaker 1>I have to believe that he did something. He murdered

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<v Speaker 1>an orphan to get it. Oh he forty seven with

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<v Speaker 1>this strong ass headline something going on? Uh something at

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<v Speaker 1>and I'm looking at a picture of his younger self

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<v Speaker 1>and he had a low he had the almost a

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<v Speaker 1>buzz cut. What's that? Like? What's the call when the

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<v Speaker 1>five o'clock shadow on your ball fade? And the headline

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<v Speaker 1>it's Chris listen, it's never moved, It's never in forty

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<v Speaker 1>seven years. This is a conspiracy right here, Jalen roses him.

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<v Speaker 1>That's all that ship. Wow, what blood did you drink

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<v Speaker 1>to get that haircut to stay exactly where it is

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<v Speaker 1>in forties seven years. Oh my goodness, I am amazing

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<v Speaker 1>this conspiracy specifically, I think was presented under the guys

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<v Speaker 1>of black men. But do you find that that also

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<v Speaker 1>applies to women, that black women in Hollywood are forced

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<v Speaker 1>to sort of consent too bad hair on ourselves, yeah,

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<v Speaker 1>or just you know, white people sort of like wanting

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<v Speaker 1>that look so well, you know, I definitely switch up,

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<v Speaker 1>switch up the wigs depending on what I'm trying to

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<v Speaker 1>go for it. You know, since the girl gets uh

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<v Speaker 1>braids or you know, uh color, you know, corporate, corporate

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<v Speaker 1>lady gets gets the wig, you know, the straight relaxed here,

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<v Speaker 1>maybe a little fair or falset and fair little uh,

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<v Speaker 1>what's it? A little scandal little carry Washington. That's kind

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<v Speaker 1>of standard the last couple of years. I got you.

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<v Speaker 1>So you think the sisters in general are getting a

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<v Speaker 1>little more grace when it comes to their hair, that

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<v Speaker 1>they're having more options to choose. I don't know. In Hollywood,

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<v Speaker 1>I mean, I don't know if it's grace. We're all

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<v Speaker 1>also constantly trying to figure out what hairstyle is least

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<v Speaker 1>scary to white people, or or or just the right

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<v Speaker 1>enough black that they're like, Okay, we got a black

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<v Speaker 1>person but not too black that she's gonna call us

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<v Speaker 1>on our ship. Right, if you twist that all the

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<v Speaker 1>way to the scout that you're gonna cause some problems,

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<v Speaker 1>it's gonna be tighter or you know what I mean,

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<v Speaker 1>she's not gonna like my jokes and ship, you know,

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<v Speaker 1>so that's fair. I think what's fascinating in this conspiracy theory,

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<v Speaker 1>or certainly has so much to explore in this conspiracy theory,

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<v Speaker 1>is what the intention of the sort of white Hollywood

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<v Speaker 1>is in controlling black hair. Do you know what I mean? Like,

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<v Speaker 1>what what's your goal here? What is what are you

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<v Speaker 1>ultimately trying to achieve in your control of black hair,

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<v Speaker 1>well diversity without being too diverse? Mm hmmm without without

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<v Speaker 1>I don't know what's scary to h I mean, there's

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<v Speaker 1>pretty conceived notions about different types of hairstyles. So if

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<v Speaker 1>you got dreads, you're radical, or you smoke weed, or

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<v Speaker 1>you know, if you're natural, maybe you in the front

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<v Speaker 1>of the Black Lives Matter protests or whatever they think,

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<v Speaker 1>which isn't necessarily true, but in Hollywood don't really move quickly.

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<v Speaker 1>So the same stereotypes they had in the eighties are

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<v Speaker 1>the same one they judging us by. Now you know,

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<v Speaker 1>I changed my hair every five seconds, so whoever, who

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<v Speaker 1>am I? But you know, I'm sure you show up

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<v Speaker 1>to work and they're like, that's a new lady girl,

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<v Speaker 1>so fast it was you had a bob yesterday and

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<v Speaker 1>it's down to your Black people are amazing black girl magic. Anyway,

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<v Speaker 1>I think you're making a very valid point that so

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<v Speaker 1>much of this is rooted in like antiquated stereotypes, right that,

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<v Speaker 1>like what white people were scared of in nineties six

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<v Speaker 1>about black associations and hairstyles is still the exact same

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<v Speaker 1>thing that they're pretty much afraid of today. I feel like,

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<v Speaker 1>you know, outside of Hollywood, it's still true that white

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<v Speaker 1>people don't have many encounters with black people, so they

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<v Speaker 1>still everything they believe is still what's on TV or

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<v Speaker 1>what they saw back then, and then I don't think

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<v Speaker 1>they until recently even went out of their way to

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<v Speaker 1>see us, So it's just what they happened to see

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<v Speaker 1>in a movie with a black person one time. You know,

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<v Speaker 1>they're not necessarily seeking out black entertainment. Always say that

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<v Speaker 1>this what's happening now with diversity and always having to

0:13:48.520 --> 0:13:51.520
<v Speaker 1>include a black person or one of each and all

0:13:51.520 --> 0:13:53.760
<v Speaker 1>of that, I don't know. Sure, I'm happy for the work,

0:13:53.760 --> 0:13:56.240
<v Speaker 1>but I don't know if that makes better products. And

0:13:56.280 --> 0:13:59.600
<v Speaker 1>it's not realistic because a lot of white people they

0:13:59.679 --> 0:14:02.960
<v Speaker 1>hang out with people that look like them. It's it's yeah,

0:14:03.200 --> 0:14:05.800
<v Speaker 1>I hate when I'm watching a white production and then

0:14:05.840 --> 0:14:08.040
<v Speaker 1>here it comes as black dude, Like yo, what like

0:14:08.080 --> 0:14:09.680
<v Speaker 1>they would never be friends? You know what I mean?

0:14:09.720 --> 0:14:13.200
<v Speaker 1>And you don't have to trick me. You don't have

0:14:13.240 --> 0:14:16.800
<v Speaker 1>to wedge this person in here because you feel bad

0:14:16.880 --> 0:14:21.480
<v Speaker 1>about not casting someone, Like like writing the story with

0:14:21.560 --> 0:14:23.960
<v Speaker 1>a black person in it just right. You write the

0:14:24.040 --> 0:14:27.240
<v Speaker 1>story you know how to write, and hopefully the story

0:14:27.280 --> 0:14:29.720
<v Speaker 1>you know how to write includes black people. But it

0:14:29.760 --> 0:14:33.080
<v Speaker 1>shouldn't just be you turn this into a black character

0:14:33.160 --> 0:14:35.520
<v Speaker 1>for a reason. And what would happen in the eighties

0:14:35.600 --> 0:14:38.160
<v Speaker 1>is not eighties. In the nineties with the black guy

0:14:38.200 --> 0:14:40.200
<v Speaker 1>that would show up with the hey what up would

0:14:40.200 --> 0:14:43.400
<v Speaker 1>always have a blacks haircut, would always have a wack haircut.

0:14:43.440 --> 0:14:47.360
<v Speaker 1>And I think that's just stuck right, And I think

0:14:47.400 --> 0:14:49.520
<v Speaker 1>part of it is like you can't have the one

0:14:49.600 --> 0:14:51.840
<v Speaker 1>dude show up who's like the best friend and he

0:14:51.920 --> 0:14:54.920
<v Speaker 1>looks sexy and flexy. You tried to show up and

0:14:54.960 --> 0:14:58.760
<v Speaker 1>look like average and something that can fade into the background.

0:14:58.800 --> 0:15:02.160
<v Speaker 1>We don't need this mother. Well. Also, I think just

0:15:02.240 --> 0:15:04.880
<v Speaker 1>from experience, dudes, black dudes, who's walking around with them

0:15:04.920 --> 0:15:07.440
<v Speaker 1>type of head cuts? Grew up around white people. They're

0:15:07.480 --> 0:15:14.520
<v Speaker 1>going up, what's the what's supercut? Super cut? Exactly? They

0:15:14.560 --> 0:15:17.280
<v Speaker 1>and you know, letting barb cut here or whatever. I mean,

0:15:17.280 --> 0:15:18.920
<v Speaker 1>I've lived in the neighborhoods like that. Wh there's no

0:15:19.000 --> 0:15:21.640
<v Speaker 1>black barbershop where else you're gonna go, you know. So

0:15:22.880 --> 0:15:27.320
<v Speaker 1>uh as a as a I've only been a victim once,

0:15:27.400 --> 0:15:29.840
<v Speaker 1>but as a former victim of super cuts, I can

0:15:29.960 --> 0:15:33.800
<v Speaker 1>say I can say that it's never going to turn

0:15:33.840 --> 0:15:36.480
<v Speaker 1>out to be the experience you wanted to be. I

0:15:36.560 --> 0:15:41.080
<v Speaker 1>wouldn't imagine why you would think that, but you know,

0:15:41.200 --> 0:15:44.200
<v Speaker 1>when you're a boy growing up in the suburbs, you

0:15:44.240 --> 0:15:47.720
<v Speaker 1>get desperate. You start to think, like, I want to

0:15:47.720 --> 0:15:50.480
<v Speaker 1>look good. Maybe this this white lady can help me out.

0:15:51.120 --> 0:15:53.160
<v Speaker 1>I've done my kids old school where I just went

0:15:53.200 --> 0:15:55.240
<v Speaker 1>on some YouTube beds and said, let me figure out

0:15:55.240 --> 0:15:59.280
<v Speaker 1>how to cut this ship, because I don't know. I mean,

0:15:59.480 --> 0:16:02.560
<v Speaker 1>at a certain point, my mom was cutting my hair,

0:16:02.600 --> 0:16:05.320
<v Speaker 1>and she wasn't good at it, and YouTube didn't exist,

0:16:05.840 --> 0:16:09.280
<v Speaker 1>so it was like she's just like making some ship

0:16:09.480 --> 0:16:12.080
<v Speaker 1>up and it wasn't helping. And then I thought like, oh,

0:16:12.120 --> 0:16:15.080
<v Speaker 1>I'm gonna be a big boy and independent and try

0:16:15.160 --> 0:16:17.960
<v Speaker 1>this on my own. And you know, you you funk up.

0:16:18.400 --> 0:16:20.840
<v Speaker 1>But so did they cut your hair with the scissors?

0:16:21.680 --> 0:16:28.320
<v Speaker 1>Of course, that's that's where they start. And then you

0:16:28.360 --> 0:16:30.840
<v Speaker 1>walk out You're like, okay, line me up, and then

0:16:30.840 --> 0:16:33.520
<v Speaker 1>you got bangs. For some reason, it's just you know,

0:16:33.600 --> 0:16:35.880
<v Speaker 1>I feel like that's the writer passage from black people here,

0:16:35.960 --> 0:16:38.120
<v Speaker 1>Like I've definitely sat down in a white woman's chair,

0:16:38.240 --> 0:16:40.880
<v Speaker 1>Like actually that just happened to me on sat where

0:16:42.000 --> 0:16:45.240
<v Speaker 1>it's so funny because because of YouTube. This is off topic,

0:16:45.280 --> 0:16:48.560
<v Speaker 1>but because of YouTube, and I appreciate it. You know,

0:16:48.600 --> 0:16:50.680
<v Speaker 1>there's the white hair solids are trying to learn about

0:16:50.720 --> 0:16:54.160
<v Speaker 1>black hair more. And this woman was so proud of

0:16:54.200 --> 0:16:57.600
<v Speaker 1>having some edge control gel like she pulled it out,

0:16:58.080 --> 0:17:01.120
<v Speaker 1>Like before she pulled it out, her face was beaming.

0:17:01.200 --> 0:17:02.560
<v Speaker 1>I was like, what was she about to pull out?

0:17:02.600 --> 0:17:04.720
<v Speaker 1>Because she was like, I'm about to fucking blow this

0:17:04.880 --> 0:17:08.400
<v Speaker 1>chick's mind, like and she pulled out this edge control

0:17:09.440 --> 0:17:12.320
<v Speaker 1>and brush, and she's like, should I do your edges?

0:17:12.440 --> 0:17:16.040
<v Speaker 1>And I just she couldn't wait to say that, you know,

0:17:16.119 --> 0:17:19.760
<v Speaker 1>she was up all night and look how nice I am.

0:17:19.920 --> 0:17:22.200
<v Speaker 1>I said, sure, I ain't need a head that ship.

0:17:22.240 --> 0:17:24.960
<v Speaker 1>But I was like, you look so excited to crack

0:17:25.040 --> 0:17:27.400
<v Speaker 1>up and it was fresh, not one fingerprinting that ship.

0:17:27.760 --> 0:17:30.920
<v Speaker 1>I was the first. She killed it, no meaning when

0:17:30.960 --> 0:17:34.000
<v Speaker 1>she opened the gael, I was obviously the first. She

0:17:34.040 --> 0:17:36.119
<v Speaker 1>hadn't even put her finger in it yet it was

0:17:36.160 --> 0:17:38.959
<v Speaker 1>a fresh move surface. I was the first edges she

0:17:39.000 --> 0:17:42.199
<v Speaker 1>had ever brushed down. She was cracking the seal on

0:17:42.240 --> 0:17:46.080
<v Speaker 1>this edge control jel exactly. She was waiting for you

0:17:46.119 --> 0:17:50.399
<v Speaker 1>and and to your point, that's very nice that she tried.

0:17:50.640 --> 0:17:55.640
<v Speaker 1>But whatever. The more wanted alternative is that they left

0:17:55.800 --> 0:17:58.680
<v Speaker 1>black people into the unions for her styling on sets.

0:17:58.760 --> 0:18:02.680
<v Speaker 1>But anyway, so that would be so ideal, I too

0:18:02.680 --> 0:18:06.399
<v Speaker 1>have had some horrifying that stories where it's just like

0:18:06.880 --> 0:18:09.160
<v Speaker 1>you show up and they don't have a black barber,

0:18:09.400 --> 0:18:12.040
<v Speaker 1>and if they do, it's not really a black barber.

0:18:12.119 --> 0:18:14.840
<v Speaker 1>It's just like somebody who qualifies as being able to

0:18:14.880 --> 0:18:19.159
<v Speaker 1>do ethnic hair, which doesn't mean anything. It's like you

0:18:19.240 --> 0:18:22.919
<v Speaker 1>know what I mean, goddamn thing, black hair, That's what

0:18:22.960 --> 0:18:26.960
<v Speaker 1>I want. Do you know how to be a nigga

0:18:27.000 --> 0:18:30.320
<v Speaker 1>and a barbershop? Can you cut my hair while you

0:18:30.359 --> 0:18:33.320
<v Speaker 1>tell me about you cheating on your wife? The kind

0:18:33.320 --> 0:18:36.159
<v Speaker 1>of energy I need to get a solid hair, do

0:18:36.160 --> 0:18:37.880
<v Speaker 1>you know what I mean? So that brings us back

0:18:37.880 --> 0:18:39.800
<v Speaker 1>to our conspiracy and that I think part of the

0:18:39.840 --> 0:18:43.919
<v Speaker 1>reason black dudes with horrible haircuts are more palatable and

0:18:44.160 --> 0:18:47.080
<v Speaker 1>safer to white people is that they know that they're

0:18:47.080 --> 0:18:51.000
<v Speaker 1>not experiencing the indoctricate nation or what it is, the

0:18:51.080 --> 0:18:56.520
<v Speaker 1>indoctor nation of black barbershops. Who knows what they think

0:18:57.080 --> 0:18:59.080
<v Speaker 1>it's happening in there. Probably they think we in there

0:18:59.080 --> 0:19:05.160
<v Speaker 1>getting radical make plans with each other. WHOA wait, I'm

0:19:05.119 --> 0:19:07.840
<v Speaker 1>must Let's take a step back. I really thought about this.

0:19:08.440 --> 0:19:11.000
<v Speaker 1>You might have just you might have just cracked open

0:19:11.080 --> 0:19:13.959
<v Speaker 1>something that I need you to really explore this. This

0:19:14.000 --> 0:19:16.000
<v Speaker 1>brings me to a section of the show that I

0:19:16.080 --> 0:19:18.960
<v Speaker 1>like to call talk that talk, and what you're suggesting

0:19:19.400 --> 0:19:22.320
<v Speaker 1>is groundbreaking in a way that I never expected. So, Janelle,

0:19:22.359 --> 0:19:24.919
<v Speaker 1>I'm gonna give you thirty seconds, thirty seconds to just

0:19:25.040 --> 0:19:29.080
<v Speaker 1>break down exactly what you mean about this potential indoctrination

0:19:29.200 --> 0:19:32.960
<v Speaker 1>from the black barbershop. Whenever you're ready, I'm ready. So

0:19:34.200 --> 0:19:36.680
<v Speaker 1>I think black barbershops is one of the few spaces

0:19:36.720 --> 0:19:40.200
<v Speaker 1>that white people have not gentrified, and so they don't

0:19:40.200 --> 0:19:42.240
<v Speaker 1>know what the fund is happening in there, and usually

0:19:42.560 --> 0:19:46.119
<v Speaker 1>just based on behaviors that and things that are happening

0:19:46.119 --> 0:19:49.119
<v Speaker 1>and have always happened, they for whatever reason, having their

0:19:49.160 --> 0:19:51.919
<v Speaker 1>head that anytime we're left to our own devices, that

0:19:51.960 --> 0:19:54.800
<v Speaker 1>we're plotting against them. So if you're in a barbershop

0:19:54.840 --> 0:19:57.200
<v Speaker 1>with the fresh fade oh and don't have a fresh

0:19:57.200 --> 0:19:58.600
<v Speaker 1>line up all the time, I mean you and this

0:19:58.840 --> 0:20:04.720
<v Speaker 1>so much who knows what you're there? Are scary, scared

0:20:04.840 --> 0:20:07.600
<v Speaker 1>of the unknown, which is is the basis for a

0:20:07.640 --> 0:20:17.280
<v Speaker 1>lot of basing. There is oh man, that okay, compute now,

0:20:17.600 --> 0:20:21.280
<v Speaker 1>okay that oh now you crack something open, because I

0:20:21.320 --> 0:20:24.600
<v Speaker 1>think that's exactly right. I think there's this constant fear

0:20:24.960 --> 0:20:28.480
<v Speaker 1>of what we're doing without them, and so they are

0:20:28.600 --> 0:20:32.199
<v Speaker 1>essentially making us get our haircut by white people or

0:20:32.280 --> 0:20:35.400
<v Speaker 1>by sort of like their insiders, so that they can

0:20:35.440 --> 0:20:39.480
<v Speaker 1>avoid the risk that we're constantly treading in this space

0:20:39.560 --> 0:20:43.200
<v Speaker 1>that they're afraid to enter. On their own, and then

0:20:44.280 --> 0:20:47.440
<v Speaker 1>there's a constant risk that maybe if I'm alone with

0:20:47.480 --> 0:20:49.919
<v Speaker 1>my barber, I'm gonna be planning some sort of like

0:20:50.119 --> 0:20:56.960
<v Speaker 1>terrorist attack against the the white community who by a

0:20:57.080 --> 0:21:00.640
<v Speaker 1>dude who has bad opinions about like women and Lebron

0:21:00.880 --> 0:21:03.960
<v Speaker 1>Like I don't. It doesn't have to be all that well,

0:21:04.040 --> 0:21:06.640
<v Speaker 1>you know, I found that white people think we think

0:21:06.680 --> 0:21:09.119
<v Speaker 1>about their way more than we do, So that's what

0:21:09.200 --> 0:21:13.159
<v Speaker 1>I think is happening. Uh, honestly, this changed everything for

0:21:13.240 --> 0:21:16.520
<v Speaker 1>me and I I've got more reading to do because

0:21:16.560 --> 0:21:19.760
<v Speaker 1>this is powerful. All Right, We're gonna take a break

0:21:19.800 --> 0:21:21.879
<v Speaker 1>and then we're gonna be back with more Janelle James

0:21:21.960 --> 0:21:43.560
<v Speaker 1>and more, my mama told me. And we are bad anyway. Yeah,

0:21:43.760 --> 0:21:46.399
<v Speaker 1>We're back here with more Janelle James and more. My

0:21:46.520 --> 0:21:49.240
<v Speaker 1>mama told me. We're still talking about those trash gass

0:21:49.320 --> 0:21:54.119
<v Speaker 1>hairlines that Hollywood approves and allows people to excel in

0:21:54.160 --> 0:21:57.920
<v Speaker 1>their careers based on the fucked up linings that they

0:21:58.080 --> 0:22:01.760
<v Speaker 1>put out in the world. Do you think this extends

0:22:01.840 --> 0:22:04.720
<v Speaker 1>beyond Hollywood? Do you think that this goes into other

0:22:04.840 --> 0:22:08.920
<v Speaker 1>spaces of six? Yeah, I mean every big purchase I've

0:22:08.920 --> 0:22:10.960
<v Speaker 1>ever made that was from a black man was with

0:22:11.080 --> 0:22:17.240
<v Speaker 1>a dude with a hairline. My car, my house is

0:22:17.280 --> 0:22:20.560
<v Speaker 1>always a guy, come on back, got the papers for you?

0:22:20.640 --> 0:22:23.400
<v Speaker 1>That those only people that they let get the papers,

0:22:23.600 --> 0:22:28.359
<v Speaker 1>you know what I mean? So I ain't never bought

0:22:28.400 --> 0:22:32.400
<v Speaker 1>nothing expensive from a sharp airline, right. I started thinking

0:22:32.400 --> 0:22:37.040
<v Speaker 1>about it in terms of like politicians, right, even beyond politics,

0:22:37.119 --> 0:22:41.120
<v Speaker 1>like he sort of like massive figures in history, Barack

0:22:41.200 --> 0:22:45.679
<v Speaker 1>Obama not that great of a hairline, Martin Luther King Jr.

0:22:46.000 --> 0:22:49.520
<v Speaker 1>Ain't nobody talking about that faith Nelson Mandela? Do you

0:22:49.560 --> 0:22:51.920
<v Speaker 1>think they would let him be Nelson Mandela if he

0:22:51.960 --> 0:22:54.240
<v Speaker 1>didn't have that slick back afro? Do you you know what

0:22:54.280 --> 0:22:58.360
<v Speaker 1>I mean? Like I will say stuff. I will say

0:22:58.600 --> 0:23:01.600
<v Speaker 1>Barack just like his of takes really walk the line

0:23:01.640 --> 0:23:04.119
<v Speaker 1>of his hairline, Like he has a hairline, but he

0:23:04.119 --> 0:23:07.520
<v Speaker 1>ain't too sharp, you know what. He's laughing to laugh

0:23:07.720 --> 0:23:11.840
<v Speaker 1>like that's his that's his play. That's exactly right. And

0:23:11.960 --> 0:23:14.440
<v Speaker 1>we're not gonna you know that, we're not gonna roast him.

0:23:14.920 --> 0:23:19.320
<v Speaker 1>But then white people are like, Okay, well it's fuzzy,

0:23:19.640 --> 0:23:22.720
<v Speaker 1>it's funny. Sometimes he was like, hey, line me up,

0:23:22.760 --> 0:23:26.480
<v Speaker 1>but don't you hit them corners there? Hit them corners.

0:23:27.200 --> 0:23:32.000
<v Speaker 1>You leave them corners, so exactly, I can't afford for

0:23:32.040 --> 0:23:34.880
<v Speaker 1>these motherfucker's to get uncomfortable with my corners. I feel

0:23:34.920 --> 0:23:36.600
<v Speaker 1>like that's how he lives life right in the middle,

0:23:37.280 --> 0:23:48.800
<v Speaker 1>right middle real by Raciel oh Man. That hurts my feelings.

0:23:51.720 --> 0:23:54.640
<v Speaker 1>I have some research that I love to unpack with you,

0:23:54.680 --> 0:23:57.480
<v Speaker 1>because I do think that there's a lot of legitimacy

0:23:57.600 --> 0:24:00.639
<v Speaker 1>to this conspiracy theory. One of the things that I found,

0:24:00.680 --> 0:24:04.280
<v Speaker 1>one of the as we were measuring success, I guess

0:24:04.320 --> 0:24:07.639
<v Speaker 1>the easiest sort of like a measure of success or

0:24:07.760 --> 0:24:10.720
<v Speaker 1>clearest measure of success, was to go to the Forbes

0:24:10.840 --> 0:24:14.880
<v Speaker 1>list of billionaires, right, And of the two thousand, one

0:24:14.960 --> 0:24:18.560
<v Speaker 1>hundred and fifty three people listed on the Forbes list

0:24:18.640 --> 0:24:24.080
<v Speaker 1>of billionaires last year, that's saying that, no, you're right,

0:24:25.520 --> 0:24:28.960
<v Speaker 1>hundred people are billionaires. That doesn't even make sense. But

0:24:29.000 --> 0:24:31.440
<v Speaker 1>go ahead. So I'm sorry, and we're out here starving

0:24:31.480 --> 0:24:34.679
<v Speaker 1>and freezing, and by we, I mean y'all. I'm fine.

0:24:34.800 --> 0:24:38.800
<v Speaker 1>But the point is, oh, it's coming for us. It

0:24:39.000 --> 0:24:42.640
<v Speaker 1>is I'm not I'm not far enough into any game

0:24:43.000 --> 0:24:46.280
<v Speaker 1>to get to be exactly from this exactly, But so

0:24:46.520 --> 0:24:51.639
<v Speaker 1>of the people, thirteen of them are black in the world.

0:24:52.320 --> 0:24:56.640
<v Speaker 1>Of those thirteen, that's another I'm surprised. Oh, it's more

0:24:56.640 --> 0:24:59.200
<v Speaker 1>than you expect, more than I thought. I wouldn't even

0:24:59.240 --> 0:25:01.040
<v Speaker 1>think they would let that many of us get there,

0:25:01.080 --> 0:25:04.439
<v Speaker 1>for sure. Yeah, they let thirteens slip through. And of

0:25:04.600 --> 0:25:08.760
<v Speaker 1>those thirteen, all thirteen of them are black men with

0:25:08.880 --> 0:25:13.920
<v Speaker 1>trash hairlines or that's the that's the breakdown. I think

0:25:13.920 --> 0:25:16.200
<v Speaker 1>there's another lady in there, but that's not the way

0:25:16.240 --> 0:25:21.040
<v Speaker 1>the bits go. And every single one of them, I'll

0:25:21.040 --> 0:25:24.560
<v Speaker 1>read you something. Some of them are concrete tycoons and

0:25:24.680 --> 0:25:28.760
<v Speaker 1>Michael Jordan's and uh yeah, I'm looking now, these are dudes.

0:25:28.800 --> 0:25:31.159
<v Speaker 1>They just put on the number five guard and go

0:25:31.280 --> 0:25:37.480
<v Speaker 1>straight back. Just run this through. I'm gonna just run

0:25:37.480 --> 0:25:40.040
<v Speaker 1>this through like a comb just straight back. Hey man,

0:25:40.160 --> 0:25:44.120
<v Speaker 1>hit me with that lawnmower and keep it moving. Time

0:25:44.160 --> 0:25:46.440
<v Speaker 1>I have to go shut down an orphanage room. Take

0:25:46.480 --> 0:25:48.680
<v Speaker 1>the perimeter, just take it down to take the shrubbery.

0:25:49.160 --> 0:25:52.720
<v Speaker 1>You know, I think to your point, there's not a

0:25:52.800 --> 0:25:55.880
<v Speaker 1>lot of evidence of like a dude at the highest

0:25:56.480 --> 0:26:00.240
<v Speaker 1>level of at least certainly like financial success. Right that

0:26:00.359 --> 0:26:02.560
<v Speaker 1>looks like he goes to a black barbershop. I'm telling you,

0:26:02.600 --> 0:26:06.119
<v Speaker 1>it's all around the barbershop. These dudes are not known.

0:26:06.280 --> 0:26:07.879
<v Speaker 1>I mean, you're a billionaire. First of all, you have

0:26:07.960 --> 0:26:11.520
<v Speaker 1>your own barber, but this you ain't in the shop

0:26:12.040 --> 0:26:17.760
<v Speaker 1>getting indoctuated, being around other brothers. You're already a billionaire,

0:26:17.800 --> 0:26:20.320
<v Speaker 1>so you're already a black billionaire. So you're already isolated.

0:26:20.600 --> 0:26:23.320
<v Speaker 1>So your only careers of other white people, you know

0:26:23.359 --> 0:26:25.240
<v Speaker 1>what I mean. You can't be in there with the

0:26:25.280 --> 0:26:27.760
<v Speaker 1>waves and a wave cap, like get out of here.

0:26:28.200 --> 0:26:31.399
<v Speaker 1>And at that point, who are you doing it for? Right? Like, if,

0:26:31.680 --> 0:26:33.720
<v Speaker 1>like you said, if my peers are all white people

0:26:33.880 --> 0:26:36.800
<v Speaker 1>who gives the fun straight hair line, they can't tell

0:26:36.840 --> 0:26:40.040
<v Speaker 1>the difference. Now, I will say I was surprised that

0:26:40.119 --> 0:26:43.359
<v Speaker 1>jay Z went locks after billionaire. That's almost like a

0:26:43.359 --> 0:26:46.680
<v Speaker 1>little fuck you if you think about it. I mean,

0:26:46.760 --> 0:26:48.840
<v Speaker 1>jay Z wasn't known for his hair to begin with.

0:26:48.880 --> 0:26:51.119
<v Speaker 1>True that, true that, But he's gone like in a

0:26:51.160 --> 0:26:54.879
<v Speaker 1>real wacky way right now that you know I was

0:26:55.480 --> 0:26:59.440
<v Speaker 1>surprised about. I almost jay Z is a fascinating one though,

0:26:59.440 --> 0:27:02.400
<v Speaker 1>because I do you think he's almost playing both sides right,

0:27:02.440 --> 0:27:05.520
<v Speaker 1>because you see this dude who now, like you said,

0:27:05.520 --> 0:27:08.359
<v Speaker 1>he sort of has like this afro lock sort of

0:27:08.359 --> 0:27:12.200
<v Speaker 1>look now, which makes him very like connected to Africa

0:27:12.400 --> 0:27:16.440
<v Speaker 1>and blackness and all this other stuff, while simultaneously having

0:27:16.480 --> 0:27:21.399
<v Speaker 1>a hairstyle that you see on like Cheerios commercials, do

0:27:21.440 --> 0:27:23.000
<v Speaker 1>you know what I mean? Like they put like a

0:27:23.080 --> 0:27:26.800
<v Speaker 1>curly haired black man in the Cheerios commercial and make him,

0:27:27.040 --> 0:27:30.479
<v Speaker 1>uh say, how yummy honey is on his oaks? And

0:27:30.800 --> 0:27:34.360
<v Speaker 1>I knew jay Z crossed over when he I saw

0:27:34.520 --> 0:27:37.199
<v Speaker 1>footage of him. I think it was he was at

0:27:37.200 --> 0:27:40.560
<v Speaker 1>a basketball game with Beyonce and the story was about

0:27:40.800 --> 0:27:43.359
<v Speaker 1>how they must have had an argument because Beyonce had

0:27:43.400 --> 0:27:45.080
<v Speaker 1>a bad look on her face or something. But what

0:27:45.160 --> 0:27:49.560
<v Speaker 1>I noticed was at one point, jay Z spots another

0:27:49.840 --> 0:27:52.880
<v Speaker 1>I can only assume super rich friend across the way,

0:27:53.200 --> 0:27:57.399
<v Speaker 1>and he waved at them in his hands straight out

0:27:57.880 --> 0:28:01.800
<v Speaker 1>and just did the fingers. That's that's I was like,

0:28:02.320 --> 0:28:08.359
<v Speaker 1>that's not Brooklyn, Blyn, Jason. Jay Z is waving like

0:28:08.480 --> 0:28:13.760
<v Speaker 1>to the lou Yes, a real fucking Samantha asked, wiggle

0:28:13.840 --> 0:28:17.120
<v Speaker 1>figure a real see you at the tennis courts tomorrow

0:28:17.200 --> 0:28:19.440
<v Speaker 1>type wave, and I was like, oh, they got him.

0:28:19.520 --> 0:28:22.480
<v Speaker 1>So so that's what makes the hair confusing because he

0:28:22.600 --> 0:28:25.360
<v Speaker 1>is definitely playing both sides. I mean, I don't think

0:28:25.359 --> 0:28:27.840
<v Speaker 1>he I think jay Z is a smart enough dude

0:28:27.880 --> 0:28:30.359
<v Speaker 1>to be aware that life. All right. I can't be

0:28:30.400 --> 0:28:33.199
<v Speaker 1>a trash hairline guy, but I can be sort of

0:28:33.240 --> 0:28:42.000
<v Speaker 1>like this weird acartistic going in. I collect paintings now technia. Yeah,

0:28:42.040 --> 0:28:46.160
<v Speaker 1>I get it, yep, I love this. And there's so

0:28:46.240 --> 0:28:48.920
<v Speaker 1>many other great examples of people who have reached sort

0:28:48.920 --> 0:28:52.320
<v Speaker 1>of like a weird peak with like terrible hairlines. Tiger

0:28:52.360 --> 0:28:56.400
<v Speaker 1>Woods is a great example. But he did he have

0:28:56.400 --> 0:28:58.760
<v Speaker 1>a claim us. I don't think that Tiger ever said

0:28:58.800 --> 0:29:01.400
<v Speaker 1>he was what me had a black daddy. It's hard

0:29:01.440 --> 0:29:03.720
<v Speaker 1>not to that was his best friend. I don't think

0:29:03.720 --> 0:29:06.600
<v Speaker 1>that he wanted to, but right, I mean, I ain't

0:29:06.600 --> 0:29:08.680
<v Speaker 1>pushing black on nobody don't want it. So that's why

0:29:10.160 --> 0:29:13.040
<v Speaker 1>you ain't you only trying to say, be proud about it,

0:29:13.080 --> 0:29:15.080
<v Speaker 1>that I don't want you. But I just don't remember

0:29:15.160 --> 0:29:17.520
<v Speaker 1>him ever saying that he's black. So he had a

0:29:17.600 --> 0:29:25.360
<v Speaker 1>headline fall like it. That's fair. I'm gonna read you

0:29:25.400 --> 0:29:31.960
<v Speaker 1>a quote claim him. You're not with me no more time.

0:29:33.120 --> 0:29:40.400
<v Speaker 1>I'm not gay, no more Tiger? You something else? Right,

0:29:40.960 --> 0:29:44.160
<v Speaker 1>He's his own category, which is fine. So this has

0:29:44.200 --> 0:29:48.080
<v Speaker 1>been an ongoing issue, so much so that in Hollywood

0:29:48.120 --> 0:29:52.120
<v Speaker 1>Reporter wrote an article called Hollywood's black hair problem on

0:29:52.280 --> 0:29:56.320
<v Speaker 1>set We've all cried in our trailers, which basically chronicles

0:29:56.400 --> 0:29:59.160
<v Speaker 1>like sort of and it's primarily women, but it chronicles

0:29:59.200 --> 0:30:04.360
<v Speaker 1>the exactly what you were talking about, Yes, black women

0:30:04.520 --> 0:30:08.640
<v Speaker 1>sort of being cast and then not having hairstylists on

0:30:08.720 --> 0:30:13.479
<v Speaker 1>the other side to show up already done exactly, And

0:30:13.520 --> 0:30:15.760
<v Speaker 1>that's one of the things that people say. In the article,

0:30:15.840 --> 0:30:19.080
<v Speaker 1>Natasha Rothwell talks a lot about how she has to

0:30:19.080 --> 0:30:21.920
<v Speaker 1>wake up an hour early from the time she would

0:30:21.960 --> 0:30:24.920
<v Speaker 1>have normally woke up just so she could do her hair,

0:30:25.320 --> 0:30:27.800
<v Speaker 1>show up on set and not let them like do

0:30:28.000 --> 0:30:31.080
<v Speaker 1>something way worse to it. Again, off topic, because this

0:30:31.160 --> 0:30:35.320
<v Speaker 1>is about male hellines, but this also goes to white

0:30:35.360 --> 0:30:38.040
<v Speaker 1>people not being around us. They don't even know what

0:30:38.040 --> 0:30:39.840
<v Speaker 1>our hair is supposed to look like. You know what

0:30:39.920 --> 0:30:43.240
<v Speaker 1>I mean, I've purposely showed up on set looking fucked,

0:30:43.320 --> 0:30:45.400
<v Speaker 1>Like if I walked into a black room, y'all would

0:30:45.400 --> 0:30:47.920
<v Speaker 1>be like, what the fun I've purposely gone on set

0:30:48.040 --> 0:30:50.000
<v Speaker 1>and being like, no, I'm good and have the hair

0:30:50.000 --> 0:30:52.160
<v Speaker 1>stylist look at me and like you look great, Like

0:30:52.240 --> 0:30:58.400
<v Speaker 1>they have no idea. Yeah, they're like, okay, I have

0:30:58.480 --> 0:30:59.960
<v Speaker 1>to be like, no, I'm joking. I just woke up.

0:31:00.040 --> 0:31:03.200
<v Speaker 1>Then they're like, oh, because they just don't know. Oh

0:31:03.240 --> 0:31:06.640
<v Speaker 1>thank god, I hated what I saw, but I didn't know. Yeah,

0:31:06.880 --> 0:31:09.240
<v Speaker 1>not even that they hated that. They just don't know. Yeah,

0:31:09.280 --> 0:31:11.880
<v Speaker 1>they just don't know. I don't like the Oh, if

0:31:11.880 --> 0:31:14.200
<v Speaker 1>you don't have any black friends, you not that, because

0:31:14.200 --> 0:31:16.640
<v Speaker 1>there's many places in America where you can walk around

0:31:16.640 --> 0:31:18.160
<v Speaker 1>for days and not see one of us, you know

0:31:18.200 --> 0:31:21.760
<v Speaker 1>what I mean. So, but once you get up into

0:31:21.800 --> 0:31:24.760
<v Speaker 1>Hollywood and you and we're on set, these are things

0:31:25.320 --> 0:31:28.760
<v Speaker 1>we have to even have someone who knows for they

0:31:28.800 --> 0:31:30.760
<v Speaker 1>have to be trained. They're not training them to do

0:31:30.840 --> 0:31:33.360
<v Speaker 1>our hair, which means that this is an industry that

0:31:33.480 --> 0:31:35.840
<v Speaker 1>was set up with no thought of us ever being

0:31:35.880 --> 0:31:39.760
<v Speaker 1>in it, right, you know, I think that's exactly right.

0:31:40.080 --> 0:31:42.880
<v Speaker 1>And this is where it gets even more fascinating for me,

0:31:43.000 --> 0:31:48.920
<v Speaker 1>is that this conversation extends well beyond the industry, right that, Like,

0:31:49.000 --> 0:31:52.400
<v Speaker 1>there's so many different examples of sort of this war

0:31:52.600 --> 0:31:57.800
<v Speaker 1>on black hair in other spaces. For example, a student

0:31:57.960 --> 0:32:01.840
<v Speaker 1>is sent home from Christ the King Elementary School in Terrytown, Louisiana,

0:32:01.960 --> 0:32:05.560
<v Speaker 1>because she's wearing box braids. They basically just decide box

0:32:05.640 --> 0:32:08.160
<v Speaker 1>braids are wrong. For a different time in two thousand

0:32:08.200 --> 0:32:11.120
<v Speaker 1>and eighteen, where a six year old a six year

0:32:11.160 --> 0:32:14.600
<v Speaker 1>old is sent home band from school because he has locks,

0:32:14.920 --> 0:32:17.840
<v Speaker 1>and the principal like justifies this as being a rule

0:32:17.920 --> 0:32:21.400
<v Speaker 1>that's been in the schools like doctrine since nineteen seventy one,

0:32:21.440 --> 0:32:26.240
<v Speaker 1>and he's like, dude, I'm the first black person hit right, right,

0:32:27.760 --> 0:32:32.959
<v Speaker 1>I never it's a racial band. You're just asking it

0:32:33.080 --> 0:32:36.920
<v Speaker 1>under a protective hairstyle, right. And this is also again,

0:32:37.000 --> 0:32:39.120
<v Speaker 1>this is fair of the unknown. They don't know what

0:32:39.160 --> 0:32:42.560
<v Speaker 1>these hairstyles means. It makes them uncomfortable. It's not they're

0:32:42.600 --> 0:32:45.520
<v Speaker 1>not around it. They don't. It's too different, it's too black,

0:32:45.640 --> 0:32:51.040
<v Speaker 1>and it reminds them that we exists. Basically, yes, and

0:32:51.080 --> 0:32:54.040
<v Speaker 1>to your earlier point, nineteen seventy one was when you

0:32:54.240 --> 0:32:57.240
<v Speaker 1>established this rule, because you're basing it off of fears

0:32:57.280 --> 0:33:01.360
<v Speaker 1>that existed in nine seven exactly, like, we're not even

0:33:01.440 --> 0:33:03.840
<v Speaker 1>afraid of the same ship that we were afrash in

0:33:03.960 --> 0:33:07.120
<v Speaker 1>nineteen seventy one. We were afraid that Russians were gonna

0:33:07.200 --> 0:33:10.760
<v Speaker 1>knuke us through like weird satellites in the sky. Now

0:33:10.800 --> 0:33:15.960
<v Speaker 1>we know they're gonna knoke us through like elections, elections

0:33:14.600 --> 0:33:19.160
<v Speaker 1>and weird emails and Facebook messages, and it's a completely

0:33:19.200 --> 0:33:21.560
<v Speaker 1>different world. And they're more of a poisoning kind of

0:33:21.560 --> 0:33:24.200
<v Speaker 1>people rather than nukes. And now we're finding out, you know,

0:33:24.280 --> 0:33:26.680
<v Speaker 1>that's their thing. We would see the bombs they do.

0:33:27.040 --> 0:33:32.040
<v Speaker 1>They're more poison people, you know, correct yourself, yeah, update,

0:33:33.480 --> 0:33:37.120
<v Speaker 1>But talking about I mean, this is also entertainment industry.

0:33:37.160 --> 0:33:39.680
<v Speaker 1>But I feel like the patron saint of safe hairstyles.

0:33:39.760 --> 0:33:43.520
<v Speaker 1>It's Bill Cosby, Bill Tosby and every dude that he

0:33:43.600 --> 0:33:50.120
<v Speaker 1>had on that show. Yes, Elvin, Elvin's thirty campus, trash

0:33:50.200 --> 0:33:54.640
<v Speaker 1>that hitcut, the dude in the military, Denise's husband, trash

0:33:54.800 --> 0:33:57.080
<v Speaker 1>like that never had a sweet line up on them.

0:33:57.120 --> 0:33:59.320
<v Speaker 1>If anyone of them girls showed up with a do

0:33:59.480 --> 0:34:02.760
<v Speaker 1>rag nigga and lost his mind, yeah, I think that's

0:34:02.960 --> 0:34:06.760
<v Speaker 1>now you're talking. Now you're really talking. Because THEO was

0:34:06.800 --> 0:34:09.200
<v Speaker 1>about to go on a date wearing a Gordon Guard

0:34:09.239 --> 0:34:15.239
<v Speaker 1>trail and had a trash lineup. He wouldn't even let

0:34:15.280 --> 0:34:18.600
<v Speaker 1>thee have a real flat top it was like it

0:34:18.719 --> 0:34:23.640
<v Speaker 1>was an afro that he panted into a flat. Uh,

0:34:23.920 --> 0:34:27.600
<v Speaker 1>he shaped into a flat And I think Cosby knew

0:34:27.640 --> 0:34:30.560
<v Speaker 1>the whole time. Cosby was the king of of sort

0:34:30.600 --> 0:34:34.960
<v Speaker 1>of like respectability politics, and that man knew that if

0:34:35.000 --> 0:34:39.320
<v Speaker 1>he had THEO looking too much like Jalen Rose, THEO

0:34:39.680 --> 0:34:43.320
<v Speaker 1>was not an endearing character to his white audience exactly

0:34:43.320 --> 0:34:45.360
<v Speaker 1>that it would have It would have been a special episode.

0:34:45.719 --> 0:34:50.799
<v Speaker 1>THEO gets a line UPO gets a lineup and gets

0:34:50.880 --> 0:34:53.600
<v Speaker 1>kicked out of the family. He like, you've been over

0:34:53.760 --> 0:34:58.880
<v Speaker 1>to Flatbush. You know who cut your hair? Was like

0:34:59.000 --> 0:35:02.000
<v Speaker 1>in a Clinton Hill or something, right, Yeah, he was

0:35:02.040 --> 0:35:05.840
<v Speaker 1>like Brooklyn Heights. So that that episode, THEO went across

0:35:05.840 --> 0:35:09.040
<v Speaker 1>the tracks, Tosh or whatever. It got a haircut, and

0:35:09.080 --> 0:35:11.000
<v Speaker 1>now the whole family got to do a dance to

0:35:11.040 --> 0:35:14.080
<v Speaker 1>convince him to come back. THEO took the two train

0:35:14.239 --> 0:35:20.040
<v Speaker 1>too far, and now we don't know if we s anymore, right,

0:35:20.960 --> 0:35:24.799
<v Speaker 1>all right? So in two thousand nineteen, and this is interesting,

0:35:25.160 --> 0:35:29.839
<v Speaker 1>Corey Booker into another trash hairline. Uh. Corey Booker introduced

0:35:29.840 --> 0:35:33.480
<v Speaker 1>the Crown Act, which is an act meant to protect

0:35:33.520 --> 0:35:37.759
<v Speaker 1>against discrimination based on hair, specifically for black people with

0:35:37.920 --> 0:35:41.919
<v Speaker 1>tightly coiled or protective styles. Uh, And it's only been

0:35:41.960 --> 0:35:46.919
<v Speaker 1>accepted since two thousand nineteen in three states California, New York,

0:35:47.040 --> 0:35:49.880
<v Speaker 1>and New Jersey. Everybody else can still fire you or

0:35:49.960 --> 0:35:53.000
<v Speaker 1>keep you from a school based on your hair if

0:35:53.000 --> 0:35:55.160
<v Speaker 1>they want to. And let me tell you that this

0:35:55.200 --> 0:35:57.799
<v Speaker 1>was a conscious choice. But this is why comedy has

0:35:57.880 --> 0:36:01.000
<v Speaker 1>been such a relief for me, because I've had corporate

0:36:01.080 --> 0:36:03.840
<v Speaker 1>jobs and worked in offices, and I just cannot see

0:36:03.880 --> 0:36:07.399
<v Speaker 1>me as myself as an adult, having other adults telling

0:36:07.400 --> 0:36:09.439
<v Speaker 1>me what to do with my head. It's just it's

0:36:09.480 --> 0:36:14.120
<v Speaker 1>so demeaning. It's so demeaning, it's so Uh. You take

0:36:14.960 --> 0:36:19.479
<v Speaker 1>people's humanity, like become be this other thing in order

0:36:19.520 --> 0:36:23.120
<v Speaker 1>to earn money for the job that you're doing. Right,

0:36:23.160 --> 0:36:26.000
<v Speaker 1>take And I think that's such an important point because

0:36:26.040 --> 0:36:28.440
<v Speaker 1>I think at the essence of what we're talking about

0:36:28.600 --> 0:36:32.360
<v Speaker 1>is an ability to take away someone's confidence, right, the

0:36:32.560 --> 0:36:37.720
<v Speaker 1>thing that makes them feel most themselves. Oftentimes we look

0:36:39.400 --> 0:36:42.400
<v Speaker 1>exactly and so I do think to your earlier point,

0:36:42.719 --> 0:36:47.839
<v Speaker 1>this is like an intentional want to damage our confidence

0:36:47.880 --> 0:36:53.600
<v Speaker 1>and keep us in this place of emotional disarray force assimilation. Yeah,

0:36:53.880 --> 0:36:56.440
<v Speaker 1>so either you look a little ashy, you look a

0:36:56.480 --> 0:37:00.279
<v Speaker 1>little bummy, or you look your best, but you're not

0:37:00.480 --> 0:37:04.000
<v Speaker 1>welcome in you know, whatever country. And also your best

0:37:04.040 --> 0:37:06.799
<v Speaker 1>intimidates me. I don't like you looking better than me. Yeah,

0:37:06.840 --> 0:37:11.240
<v Speaker 1>we'll look better than a black man shined up, flinging charm.

0:37:11.680 --> 0:37:14.440
<v Speaker 1>He's spinning your wife out at the company picnic and

0:37:14.440 --> 0:37:17.000
<v Speaker 1>ship she giggling. Nobody wants that. Have come in here

0:37:17.040 --> 0:37:19.440
<v Speaker 1>with this fun up line up and stop intimidating me.

0:37:19.760 --> 0:37:23.200
<v Speaker 1>That's why I'm scared to put in the James bond.

0:37:23.440 --> 0:37:26.359
<v Speaker 1>Come on, who do you want to follow him? They

0:37:26.400 --> 0:37:29.640
<v Speaker 1>because they know that white tuxedo that's gonna look better

0:37:29.640 --> 0:37:33.000
<v Speaker 1>on that chocolate skin than anybody. But Idris gets bond,

0:37:33.719 --> 0:37:35.719
<v Speaker 1>his love interest is gonna be the blackest bitch on

0:37:35.719 --> 0:37:41.160
<v Speaker 1>the planet. It's they will never let him. It just

0:37:41.239 --> 0:37:44.719
<v Speaker 1>blows up the whole, just the whole theory that this

0:37:44.840 --> 0:37:48.200
<v Speaker 1>is like the best thing if you make him bonded,

0:37:48.280 --> 0:37:50.680
<v Speaker 1>so you have to keep him sort of, you know,

0:37:50.960 --> 0:37:54.080
<v Speaker 1>they need him be loother. It's also it's him with

0:37:54.160 --> 0:37:57.640
<v Speaker 1>a trans hairline. That's the only difference. I mean, he

0:37:57.680 --> 0:38:02.360
<v Speaker 1>pulls it off. But anyway, all right, put your loins away,

0:38:02.719 --> 0:38:07.000
<v Speaker 1>let's focus on the argument here we over there, let's

0:38:07.000 --> 0:38:08.800
<v Speaker 1>forgot I ain't got no shirt on, and I forgot

0:38:09.960 --> 0:38:11.400
<v Speaker 1>I bumped up on the table for a menu and

0:38:11.480 --> 0:38:15.120
<v Speaker 1>got excited. My bad um. But in his British luthor, yeah,

0:38:15.200 --> 0:38:17.759
<v Speaker 1>all his love interests are white women. I don't know

0:38:17.800 --> 0:38:19.760
<v Speaker 1>if you know that, and his sidekicks are black women.

0:38:19.800 --> 0:38:22.080
<v Speaker 1>I'm saying if they did a bond that was a

0:38:22.200 --> 0:38:25.880
<v Speaker 1>US based production, they would not let him have a

0:38:25.880 --> 0:38:30.320
<v Speaker 1>white love interest. I don't It wouldn't be alec wet

0:38:30.400 --> 0:38:33.560
<v Speaker 1>or something like that you would have to have because

0:38:34.280 --> 0:38:37.839
<v Speaker 1>part of it is again where the theory being that

0:38:38.960 --> 0:38:43.480
<v Speaker 1>certain white people are still afraid of old uh stereotypes.

0:38:43.840 --> 0:38:48.040
<v Speaker 1>The black buck that's coming to still your woman really

0:38:48.080 --> 0:38:52.080
<v Speaker 1>does play into that. So right, my guesses is that

0:38:52.160 --> 0:38:55.600
<v Speaker 1>if they make him the bond that he deserves to be,

0:38:55.880 --> 0:38:59.160
<v Speaker 1>they're probably going to give him like some vaguely ethnically

0:38:59.440 --> 0:39:03.920
<v Speaker 1>like sort of ambiguous woman, give him like a Preanka

0:39:04.239 --> 0:39:07.839
<v Speaker 1>Chopra what I mean, and let that be his love

0:39:07.880 --> 0:39:11.640
<v Speaker 1>interest that doesn't offend them as much as black women do.

0:39:11.760 --> 0:39:14.840
<v Speaker 1>For whatever reason, the idea of black women having sex

0:39:14.960 --> 0:39:24.399
<v Speaker 1>consensually is very upsetting to Hollywood. That's a whole other bagga. Yeah, yeah,

0:39:24.440 --> 0:39:26.960
<v Speaker 1>it gets sad at the end. I get that. All right,

0:39:27.000 --> 0:39:29.000
<v Speaker 1>We're gonna take another break and we'll be back with

0:39:29.160 --> 0:39:31.680
<v Speaker 1>more Janelle James and more of My mama told me

0:39:39.800 --> 0:39:46.200
<v Speaker 1>we are back. I got bron guidance. Ain't nobody got

0:39:46.239 --> 0:39:49.440
<v Speaker 1>time for that. We're back here with more. My mama

0:39:49.520 --> 0:39:53.560
<v Speaker 1>told me more Janelle James. We have I think fully

0:39:53.640 --> 0:39:57.239
<v Speaker 1>unpacked the possibility that this is all rooted in a

0:39:57.440 --> 0:40:00.680
<v Speaker 1>fear of the black barbershop and really a fear of

0:40:00.760 --> 0:40:04.560
<v Speaker 1>black revolution that they, the white people, think is coming

0:40:04.600 --> 0:40:08.719
<v Speaker 1>out of the black barbershop. It's all scary and exciting.

0:40:08.760 --> 0:40:10.719
<v Speaker 1>I love where we're headed. And you know, jokes on

0:40:10.760 --> 0:40:14.400
<v Speaker 1>them because those heirlines, I mean, I feel like that's

0:40:14.400 --> 0:40:20.040
<v Speaker 1>some undercover spoship. Okay, okay, I like where this is going.

0:40:20.120 --> 0:40:23.600
<v Speaker 1>Tell me more. So you trust in the fun up headlines,

0:40:23.680 --> 0:40:25.880
<v Speaker 1>but they know what they're doing to get up in

0:40:25.880 --> 0:40:30.080
<v Speaker 1>your spaces. Yeah, you you fucked up my airline, but

0:40:30.160 --> 0:40:33.680
<v Speaker 1>you didn't take my mind from me. Still connected to

0:40:33.800 --> 0:40:38.680
<v Speaker 1>a comm I'm still working with a people. So yeah, okay,

0:40:38.880 --> 0:40:42.160
<v Speaker 1>that's right. You made my hairline look like sharp teeth.

0:40:42.360 --> 0:40:46.080
<v Speaker 1>But guess what, motherfucker. I'm gonna go report back everything

0:40:46.120 --> 0:40:48.719
<v Speaker 1>I've learned on set or in this community or in

0:40:48.760 --> 0:40:58.239
<v Speaker 1>this boardroom channel Barbershop Network. We gonna get you, motherfucker.

0:40:58.760 --> 0:41:02.200
<v Speaker 1>Oh my god. All right, let's play a game. I

0:41:02.239 --> 0:41:04.960
<v Speaker 1>have a fun game that I like to play. This

0:41:05.000 --> 0:41:09.440
<v Speaker 1>game is called lies Ugly, You're disgusting. I'm gonna kill you.

0:41:09.480 --> 0:41:12.799
<v Speaker 1>Give me two. This is white Lines. It's a it's

0:41:12.840 --> 0:41:16.360
<v Speaker 1>a fun game where I will introduce to you, Janelle,

0:41:16.400 --> 0:41:20.920
<v Speaker 1>a traditional white conspiracy, a very famous white conspiracy. And

0:41:20.920 --> 0:41:22.880
<v Speaker 1>then I would like you to take the time to

0:41:23.120 --> 0:41:26.680
<v Speaker 1>unpack that conspiracy, really break it all down. Why do

0:41:26.760 --> 0:41:29.879
<v Speaker 1>you think white people care about this conspiracy so much?

0:41:30.120 --> 0:41:34.600
<v Speaker 1>What are these sneaky motherfucker's up to? Yeah, but your

0:41:34.600 --> 0:41:41.600
<v Speaker 1>goofy on, Uh, put on, light up your eyes, do

0:41:41.640 --> 0:41:44.719
<v Speaker 1>whatever you gotta do to really to really open that

0:41:44.840 --> 0:41:47.000
<v Speaker 1>third eye. And let's get into this. Have you ever

0:41:47.080 --> 0:41:51.560
<v Speaker 1>heard of the conspiracy Paul is dead? No? Okay, so

0:41:51.680 --> 0:41:56.240
<v Speaker 1>there is a conspiracy a claim that the Beatles member

0:41:56.280 --> 0:42:00.320
<v Speaker 1>Paul McCartney in nineteen sixty six died in a car crash,

0:42:00.520 --> 0:42:04.040
<v Speaker 1>and uh he was replaced by a man named Billy

0:42:04.200 --> 0:42:08.239
<v Speaker 1>Shears who looked like him and then became the Paul

0:42:08.360 --> 0:42:13.320
<v Speaker 1>McCartney we now know today. This has been spread over

0:42:13.719 --> 0:42:18.319
<v Speaker 1>decades of Beatles, you know whatever conspiracies, and so much

0:42:18.360 --> 0:42:20.920
<v Speaker 1>so that even in the cover of Abbey Road they

0:42:20.960 --> 0:42:25.480
<v Speaker 1>claimed that Paul is wearing a suit that signifies him

0:42:25.520 --> 0:42:27.920
<v Speaker 1>at his funeral and he has no shoes on as

0:42:28.000 --> 0:42:31.480
<v Speaker 1>he's crossing Abbey Road, which I guess implies that he is.

0:42:31.800 --> 0:42:33.960
<v Speaker 1>I don't know, Barefield get buried and you don't get

0:42:34.000 --> 0:42:37.919
<v Speaker 1>buried in shot. Yeah, listen, I don't get what they're doing.

0:42:38.160 --> 0:42:40.200
<v Speaker 1>But what I would love for you to do is

0:42:40.280 --> 0:42:45.359
<v Speaker 1>explained to me. Why after decades of this conspiracy continuing,

0:42:45.520 --> 0:42:48.640
<v Speaker 1>why it is so important that white people believe that

0:42:48.680 --> 0:42:52.319
<v Speaker 1>Paul McCartney died in that car crash. That's a tough

0:42:52.360 --> 0:42:57.279
<v Speaker 1>one because it makes absolutely no sense, But so they

0:42:57.400 --> 0:42:59.919
<v Speaker 1>the conspiracy is that they want to believe that he's dead.

0:43:01.000 --> 0:43:04.360
<v Speaker 1>Maybe they know that they've founded him and the Beatles,

0:43:04.440 --> 0:43:07.520
<v Speaker 1>and you know, it's such bad because the Beatles were

0:43:08.040 --> 0:43:09.799
<v Speaker 1>the Michael Jackson of their time, you know what I mean,

0:43:09.880 --> 0:43:13.680
<v Speaker 1>right right? They were the biggest, they were the baddest,

0:43:14.000 --> 0:43:16.600
<v Speaker 1>they were all the things I would think a better

0:43:16.600 --> 0:43:20.240
<v Speaker 1>conspiracy would be that he faked his death or something

0:43:20.280 --> 0:43:23.319
<v Speaker 1>like that to get away from the limelight and he

0:43:23.400 --> 0:43:25.919
<v Speaker 1>was tired of the of the business and then kind

0:43:25.920 --> 0:43:31.040
<v Speaker 1>of like Tupac is in in on an island chilling, right, Okay,

0:43:31.080 --> 0:43:34.799
<v Speaker 1>that Paul McCartney just wanted out from thee. I can't

0:43:34.800 --> 0:43:37.520
<v Speaker 1>even wrap my mind around this conspiracy that he's dead

0:43:37.520 --> 0:43:41.000
<v Speaker 1>and replaced for what for what purpose? Is are the

0:43:41.040 --> 0:43:45.160
<v Speaker 1>Beatles still touring? Is he's still collecting right? Right at

0:43:45.200 --> 0:43:48.080
<v Speaker 1>this point Paul McCartney just shows up on S and

0:43:48.239 --> 0:43:51.200
<v Speaker 1>L every day. He was he murdered? Is that part

0:43:51.239 --> 0:43:53.359
<v Speaker 1>of the conspiracy that well, it was that the car

0:43:53.400 --> 0:43:56.120
<v Speaker 1>crash killed him on accident. It wasn't on purpose. And

0:43:56.200 --> 0:43:59.200
<v Speaker 1>so instead of I think the hope or at least

0:43:59.200 --> 0:44:02.080
<v Speaker 1>what they're suggest thing is that instead of losing the

0:44:02.120 --> 0:44:05.320
<v Speaker 1>Beatles and their front man, right because him and Lennon

0:44:05.400 --> 0:44:10.960
<v Speaker 1>were basically like they just they just happened to have

0:44:11.040 --> 0:44:14.720
<v Speaker 1>a ringer just ready to jump in, just just ready

0:44:14.760 --> 0:44:17.160
<v Speaker 1>at the ready, because they had already thought about this,

0:44:17.360 --> 0:44:23.000
<v Speaker 1>like what if if fall dies, we're gonna who we're

0:44:23.000 --> 0:44:25.560
<v Speaker 1>gonna have because we're blowing up right now and I

0:44:25.600 --> 0:44:32.000
<v Speaker 1>can't suck this money up. So, like, I'm that's that

0:44:32.200 --> 0:44:35.160
<v Speaker 1>is fun to believe that every famous artist has a

0:44:35.280 --> 0:44:39.480
<v Speaker 1>double placement dude, that that the evil record company just

0:44:39.520 --> 0:44:41.480
<v Speaker 1>has on standby, like y'all at about to sunk up

0:44:41.480 --> 0:44:45.400
<v Speaker 1>this money. We now, we gotta finish this towards Billy.

0:44:45.400 --> 0:44:49.640
<v Speaker 1>You up like you're saying Bruno Mars was in a

0:44:49.719 --> 0:44:53.200
<v Speaker 1>plane crash. Well that's you, James. You gotta come on,

0:44:53.400 --> 0:44:55.680
<v Speaker 1>you gotta go do your job. You see how fast

0:44:55.680 --> 0:44:59.040
<v Speaker 1>they got Kevin Hard out of that car accident, Like, yeah, okay,

0:44:59.160 --> 0:45:04.319
<v Speaker 1>I mean conspiracy right, know what happened with that whole situation? Uh, Kevin?

0:45:04.360 --> 0:45:05.680
<v Speaker 1>I respect you and would love to work on the

0:45:05.680 --> 0:45:12.760
<v Speaker 1>movie with you. Later you'll see Janelle and Pets three

0:45:13.360 --> 0:45:19.640
<v Speaker 1>coming out. Fingers motherfucking crossed. Um. I think this is

0:45:19.680 --> 0:45:23.600
<v Speaker 1>a fascinating train to go down that Hollywood does have fixers.

0:45:23.640 --> 0:45:26.000
<v Speaker 1>I do believe in that people that make things happen,

0:45:26.080 --> 0:45:29.480
<v Speaker 1>and but I don't know why people would want to

0:45:29.520 --> 0:45:32.719
<v Speaker 1>believe this conspiracy. Well, I think to your point, it

0:45:32.880 --> 0:45:36.319
<v Speaker 1>really is the maintaining of the status quo, right that, like,

0:45:36.560 --> 0:45:41.279
<v Speaker 1>as long as this person continues to exist and and

0:45:41.440 --> 0:45:46.120
<v Speaker 1>these entities seem unharmed and unchanged. We have our power

0:45:46.480 --> 0:45:48.799
<v Speaker 1>at the point that they seem fallible, they can be

0:45:48.880 --> 0:45:53.960
<v Speaker 1>broken suddenly. Our power is not as everlasting. And yeah,

0:45:54.360 --> 0:45:57.160
<v Speaker 1>kind of. But the conspiracy is that people think he's

0:45:57.160 --> 0:46:00.160
<v Speaker 1>dead though, so it's not. They don't believe that this

0:46:00.239 --> 0:46:02.920
<v Speaker 1>current Paul McCartney, who I just googled, that's on a

0:46:02.960 --> 0:46:07.000
<v Speaker 1>canoe on a river somewhere enjoining quarantine. They don't think

0:46:07.040 --> 0:46:11.319
<v Speaker 1>that's him. Sense to me, right, But that's the Internet, right,

0:46:11.440 --> 0:46:14.920
<v Speaker 1>or that's the Internet of old. I think that the powers,

0:46:15.600 --> 0:46:18.400
<v Speaker 1>what is their motivation for it? I think their want

0:46:18.520 --> 0:46:22.319
<v Speaker 1>is to maintain status quo. To your point, why do

0:46:22.800 --> 0:46:26.560
<v Speaker 1>random people want to believe that? Right? That's the part

0:46:26.600 --> 0:46:28.640
<v Speaker 1>that scares me. I can understand wanting to believe to

0:46:28.719 --> 0:46:31.239
<v Speaker 1>Pocket is still alive, but wanting to believe that Paul

0:46:31.320 --> 0:46:33.880
<v Speaker 1>McCartney is dead and it's now replaced And it's not

0:46:33.920 --> 0:46:36.279
<v Speaker 1>even some out there conspiracy like he's been replaced by

0:46:36.360 --> 0:46:41.560
<v Speaker 1>lizard person or an alien or or anything. It's a

0:46:41.600 --> 0:46:47.080
<v Speaker 1>man named Jimmy she Dude, it's not. It's not even

0:46:47.080 --> 0:46:51.160
<v Speaker 1>a sexy name. Nobody gets morny for Jimmy Shears. They

0:46:51.160 --> 0:46:54.080
<v Speaker 1>find him in a hotel lobby and a Beatles cover band,

0:46:54.120 --> 0:47:01.040
<v Speaker 1>and they say, hey, get those shoes off. We're gonna

0:47:01.040 --> 0:47:04.680
<v Speaker 1>need to make a weird album cover. We wanted to

0:47:04.719 --> 0:47:06.680
<v Speaker 1>be dead, but we want to tell people a secret

0:47:06.680 --> 0:47:09.279
<v Speaker 1>that he alive. I mean the whole thing. Don't ask questions.

0:47:09.280 --> 0:47:12.239
<v Speaker 1>There's got some money, We'll leave some little hints and

0:47:12.600 --> 0:47:17.839
<v Speaker 1>everywhere we go, you'll you'll be Paul from down. Yeah,

0:47:17.920 --> 0:47:22.120
<v Speaker 1>we don't give a fuck. We're willing to risk it

0:47:22.200 --> 0:47:27.120
<v Speaker 1>all for a little old Marges towards well, Janelle. I

0:47:27.120 --> 0:47:29.080
<v Speaker 1>think we did it. Could think we nailed it. This

0:47:29.160 --> 0:47:32.479
<v Speaker 1>was a fantastic episode. Could you tell the people where

0:47:32.520 --> 0:47:35.080
<v Speaker 1>they can find you any cool stuff you have going on? Yeah?

0:47:35.160 --> 0:47:39.600
<v Speaker 1>You can find me on line and in my online

0:47:39.600 --> 0:47:42.279
<v Speaker 1>you know, and in my house basically because I'm in

0:47:42.360 --> 0:47:48.080
<v Speaker 1>quarantine like everybody else. Uh. But watch Black Monday. Uh,

0:47:48.200 --> 0:47:51.239
<v Speaker 1>I'm on season two and it's a fantastic black as

0:47:51.239 --> 0:47:53.960
<v Speaker 1>show and I'm I'm proud of it. Watch my Netflix

0:47:54.160 --> 0:47:58.080
<v Speaker 1>uh comedy lineup? Uh, I don't know, Google me. I'm

0:47:58.080 --> 0:48:02.680
<v Speaker 1>out there. Yeah, Google she's out there, and uh Netflix

0:48:02.880 --> 0:48:06.960
<v Speaker 1>her Netflix specialist hilarious Black Monday. Listen to my album

0:48:07.000 --> 0:48:09.600
<v Speaker 1>Black and Mild. The comic just offered to pay me

0:48:09.680 --> 0:48:11.720
<v Speaker 1>to listen to my album, which is like it's Quarantine

0:48:11.800 --> 0:48:15.160
<v Speaker 1>dropping everybody crazy that's crazy, and will send their email

0:48:15.239 --> 0:48:21.480
<v Speaker 1>over to me. I was touched, but but yeah, listen

0:48:21.520 --> 0:48:23.640
<v Speaker 1>to that. It's the thing I'm most proud of. And

0:48:23.760 --> 0:48:29.439
<v Speaker 1>I guess my kids too or whatever. But yeah, yeah, yeah,

0:48:29.480 --> 0:48:32.279
<v Speaker 1>I guess my kids cool. But Black and Mild, that's

0:48:32.320 --> 0:48:34.719
<v Speaker 1>where I really feel like I nailed it. I kill

0:48:34.800 --> 0:48:38.840
<v Speaker 1>that ship. All right, Well, this has been another episode

0:48:38.840 --> 0:48:42.000
<v Speaker 1>of my Mama told me once again, follow us and

0:48:42.000 --> 0:48:45.360
<v Speaker 1>and like and subscribe on whatever platforms you do that ship.

0:48:45.719 --> 0:48:49.279
<v Speaker 1>Oh and last thing, if you have anything that you

0:48:49.320 --> 0:48:53.600
<v Speaker 1>would like to send us, drops, artwork, alien, dick pis,

0:48:53.840 --> 0:48:57.120
<v Speaker 1>whatever it may be, please send those to my Mama

0:48:57.160 --> 0:48:59.880
<v Speaker 1>pot at gmail dot com. I would love to see it.

0:49:00.200 --> 0:49:02.319
<v Speaker 1>I would love to read it. I would love to

0:49:02.440 --> 0:49:06.120
<v Speaker 1>experience it and potentially play it in one of our episodes.

0:49:06.640 --> 0:49:15.400
<v Speaker 1>Have a good day because my cron chips in yours

0:49:16.960 --> 0:49:27.120
<v Speaker 1>a qualms are racist, the ossy money marshals many turning stuff. Really,

0:49:28.040 --> 0:49:28.960
<v Speaker 1>I can't tell me