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Speaker 1: And I invited you here. I thought I made myself

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Speaker 1: perfectly clear. But you're a guest to my home. You

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Speaker 1: gotta come to me empty. And I said, no, guests,

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Speaker 1: your presences presence enough. I already had too much stuff.

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Speaker 2: So how do you dare to surbey me? Welcome to

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Speaker 2: I said, no gifts. I'm prettuer winnegar or you know,

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Speaker 2: exploring my life or getting into the details. You know,

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Speaker 2: there's a parade of things I go through daily that

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Speaker 2: I'm just trying to share these different exciting things with you. Ah.

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Speaker 2: I did come to the studio today and it was

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Speaker 2: entirely empty. It started to feel like, why am I

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Speaker 2: not getting the level of attention I need? Is really

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Speaker 2: what I was thinking. So whatever I ate my cheese,

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Speaker 2: it's starting to feel a little weird. I spit part

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Speaker 2: of it in the garbage can. And what else? I've

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Speaker 2: got my drink here. Two nights ago, I got overcharged

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Speaker 2: for a sandwich at a diner. Didn't speak up for myself.

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Speaker 2: There's no turning back. I don't know. I don't know.

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Speaker 2: That's what's going on. My lawn has been torn out

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Speaker 2: of the backyard. That's a big deal. It's a dirt

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Speaker 2: patch and the dog refuses to use it as a bathroom.

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Speaker 2: Let's get into the podcast. I love today's guest. I

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Speaker 2: really love her. It's Kylie Brakeman, Kylie welcomed.

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Speaker 3: I say hi, Hi, Hello. There was something really meditative

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Speaker 3: about all the things you just listened, where I'm like, wow, this,

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Speaker 3: this could have happened to me. This feels like, yeah,

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Speaker 3: I do eat a beat, a bit of cheese, and

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Speaker 3: then sometimes it doesn't feel right, you have to spit

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Speaker 3: it out. I am certainly never speaking up in a

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Speaker 3: service establishment, after all my years serving in restaurants. I

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Speaker 3: of course I wouldn't dare say a word.

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Speaker 2: Right, And I was with a friend and I was like, well,

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Speaker 2: maybe that whatever the sandwich that she ordered seemed comparable

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Speaker 2: to my sandwich. But I was like, well maybe hers

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Speaker 2: was like ninety dollars. And I can't say anything to

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Speaker 2: her about the price of her sand.

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Speaker 3: You simply can't say anything. But sometimes I mean, these places,

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Speaker 3: you add one extra thing and they're like, well, a

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Speaker 3: side of pershudo is simply twelve dollars, so we're going

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Speaker 3: to add that on.

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Speaker 2: I don't know what it was, the lobster tail, the

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Speaker 2: order I ordered a Ruben and a diet coke, and look,

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Speaker 2: rubens can get expensive. They can, of course, they're strangely expensive.

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Speaker 3: I'm getting acclimated to the median sandwich price becoming twenty

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Speaker 3: five dollars. I'm not excited when it's happening, but I'm

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Speaker 3: acclimated my body temperature.

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Speaker 2: It doesn't I don't think I ever will. And it

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Speaker 2: feels like the price is you know, every four years

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Speaker 2: it would go up a little bit. Now it's probably

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Speaker 2: every month, and like, oh, well, it's a new prices

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Speaker 2: double it.

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Speaker 3: We're just coming up with new numbers all the time.

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Speaker 2: The menus can't keep up.

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Speaker 3: No, no, you got to keep printing.

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Speaker 2: Um.

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Speaker 3: That's why they're switching a QR code so they can switch.

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Speaker 3: There's a new conspiracy to.

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Speaker 2: Keep us away from what the prices actually are.

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Speaker 3: Yes, to keep to make us slide into that dynamic

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Speaker 3: pricing age much.

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Speaker 2: Yes, I forgot about dynamic pricing. Wendy's was trying to

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Speaker 2: do dynamic price.

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Speaker 3: I feel like every six months they're like, dynamic pricing

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Speaker 3: is about to happen. You're about to go to the

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Speaker 3: store and you're going to make eye contact with the

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Speaker 3: fruit and it's going to tell you it's fourteen dollars.

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Speaker 3: It hasn't happened yet.

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Speaker 2: But I'm ready everything Like the gas station. Yeah, they're

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Speaker 2: going to have those big things where they have to

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Speaker 2: take the numbers down on the sign daily.

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Speaker 3: Sliding them in, sliding them out.

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Speaker 2: That actually doesn't that's not the worst idea for every

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Speaker 2: business to essentially have a gas station sign where they

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Speaker 2: have to have the employee go take the numbers down

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Speaker 2: every day and let us know what the prices are

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Speaker 2: now for things.

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Speaker 3: Yeah, it at least creates a barrier of entry to

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Speaker 3: changing the price, to get somebody physically out there to

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Speaker 3: fiddle with the numbers.

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Speaker 2: I was just reading about there's a gas station in

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Speaker 2: downtown LA that is charging like eight fifty a gallon

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Speaker 2: for gas, and they're kind of loving it. They're kind

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Speaker 2: of they're like, this is us, this.

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Speaker 3: Is our moment in the sun, and what with things

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Speaker 3: being the way they are now, we have now we

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Speaker 3: can go crazy.

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Speaker 2: I think that they're kind of doing it almost to

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Speaker 2: be like a news item, because you know, like places

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Speaker 2: outside of LA will be like, prices of gas in

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Speaker 2: La are eight dollars a gallon, and so they sing

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Speaker 2: they look at this one gas station. These people are

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Speaker 2: loving the spotlight.

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Speaker 3: They are gonna go absolutely gang bus on ant ant Facebook.

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Speaker 2: It's a Facebook bait.

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Speaker 3: It is like, did you see the prices in LA

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Speaker 3: are eight dollars? You have to be careful over there.

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Speaker 2: I was thinking, well, I don't have a Guess car anymore,

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Speaker 2: but I thought, wouldn't that be a fun novelty to

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Speaker 2: go get a gallon of gas for eight dollars? That'd

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Speaker 2: be an interesting, little kind of fun.

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Speaker 3: It's like paying for a water bottle at Disney Lake exactly.

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Speaker 3: It's like, oh, well, this is.

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Speaker 2: Just a fun tree that felt bad.

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Speaker 3: That felt bad in a novel way.

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Speaker 2: Maybe I could go down and just kind of spray

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Speaker 2: a gallon across the parking lot or some It's my

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Speaker 2: eight dollars. I can do what I want.

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Speaker 3: Anyway you want, right. I've never held one of those

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Speaker 3: gas cans in my hand before. That would be a novelty.

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Speaker 2: That's interesting. When you have one of those in your hands,

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Speaker 2: something's usually gone pretty wrong.

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Speaker 3: That's true.

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Speaker 2: It's like I've just hiked back from the highway where

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Speaker 2: the car broke down.

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Speaker 3: Yeah, you're not taking it as a souvenir A fun little.

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Speaker 2: No, but I guess you could just get does gas expire?

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Speaker 2: Leave some of the.

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Speaker 3: Put some in the yard for later, a little.

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Speaker 2: For later or something. No, I haven't. I truly haven't

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Speaker 2: pumped gas in such a long time. I wonder if

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Speaker 2: I would be able to do it at this point.

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Speaker 2: I think I would be panicking.

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Speaker 3: What would you do when you got to the pump?

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Speaker 2: Do you think you I think I would be able

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Speaker 2: to handle it?

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Speaker 3: Yeah, you know, off gas?

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Speaker 2: I think forty five years. Okay, five years. I've been

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Speaker 2: caring about what's going on, and nobody else does, right, right,

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Speaker 2: I've been doing my part.

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Speaker 3: I don't enjoy caring, and that's the reason why I'm

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Speaker 3: hooked on the stuff. That gasoline you're absolutely smell. I

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Speaker 3: do have a hybrid, ok, I care a little bit.

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Speaker 3: I care a little bit.

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Speaker 2: And you've got the You don't have what aunt Facebook

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Speaker 2: refers to as range anxiety, which is how far your

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Speaker 2: electric car can go? Yes, yeah, big thing that I've

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Speaker 2: never experienced. But people tell me I should feel Oh,

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Speaker 2: they should be worried about how far my car can go.

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Speaker 3: You should be constantly budgeting how far your car is going?

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Speaker 2: Right.

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Speaker 3: I do think my parents have range anxiety. They have

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Speaker 3: an electric car, and they are I do hear them

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Speaker 3: talking about, Okay, well this many miles and how are

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Speaker 3: we going to get there? And does this even make

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Speaker 3: any sense? Should we even go?

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Speaker 2: Oh? No, So it sounds like they just don't want

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Speaker 2: to go. This feels like a nice excuse.

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Speaker 3: Maybe it's a good excuse.

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Speaker 2: Right, And I'm just careless and we'll probably end up

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Speaker 2: in a dangerous situation where I didn't budget the miles,

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Speaker 2: and then all of the range anxiety freaks will be laughing.

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Speaker 3: At their day in the sun will come. I'm sure

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Speaker 3: you were.

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Speaker 2: In New York recently. What were you doing?

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Speaker 3: I was in New York. I went to watch my

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Speaker 3: friend Jeremy on Saturday Night Live the progressl NL as

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Speaker 3: it's vernacularly, No, just.

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Speaker 2: Go with it, and you should have stopped.

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Speaker 3: Now people know now they know you don't know what

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Speaker 3: you're talking about. No, I got to go CSNL and

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Speaker 3: then we got to walk around. It's so cold there.

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Speaker 3: The first person to say this, it's rather cold, it's

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Speaker 3: rather cold there. And then to come back here it

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Speaker 3: we're in the middle of a heat wave in ninety

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Speaker 3: five degrees ninety five degrees. That's why I'm doing something

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Speaker 3: I've never done before in my life. I'm podcasting an address.

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Speaker 2: This is your first time.

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Speaker 3: This is my first time podcasting an address. Because all

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Speaker 3: I could think about was the heat. But normally I'm like, no, no, no, no, no,

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Speaker 3: let's show respect to the podcasting form. We have to

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Speaker 3: wear pants. But I thought it's just so hot outside,

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Speaker 3: I might as.

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Speaker 2: Well I podcasted in an address before. Well, a tunic.

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Speaker 3: You've podcasted in a tunic multiple times?

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Speaker 2: Wow, legs bear?

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Speaker 3: And did you feel any hesitation about the cameras and

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Speaker 3: you and the knees? This is the that I'm feeling.

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Speaker 2: The entire time. That didn't. That took up probably twenty

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Speaker 2: percent of my brain powered slow key worrying and wondering

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Speaker 2: what are people seeing regarding my legs? Yeah?

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Speaker 3: And if I just keep if I'm yeah, I'm putting

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Speaker 3: a lot of mental stock in how I'm crossing them

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Speaker 3: and what which parts of the knees I.

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Speaker 2: Could say, embrace the thrill, Yeah.

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Speaker 3: It's it's it is the thrilling. I was driving over

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Speaker 3: going you know what, I think this is gonna be thrilling.

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Speaker 2: Actually, what else did you do while you were in

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Speaker 2: New York.

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Speaker 3: Okay, we got there. We saw the show Putnam County Spelling.

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Speaker 2: Be Oh how was that?

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Speaker 3: It was great? It was very funny. And then it

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Speaker 3: was guest starring Kevin McHale from Glee, who was great

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Speaker 3: as the If you're familiar with the show, the guy

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Speaker 3: with the Magic foot.

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Speaker 2: Okay, this is getting actually more confusing.

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Speaker 3: Okay, then I won't to explain any further.

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Speaker 2: The magic foot is someone in Glee or the Spelling Bee?

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Speaker 3: Oh okay, yes, so valid question. So this is a

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Speaker 3: stock character in Putnam County Spelling Bee, the stereotype with Glee,

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Speaker 3: it does not have that as.

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Speaker 2: Far as if they don't have anyone with a magic

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Speaker 2: foot act.

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Speaker 3: As far it's been a minute since I rewatched it.

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Speaker 2: For a long time.

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Speaker 3: It aired for a long time, and to tell you

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Speaker 3: the truth, I stopped watching after they went to New York. Okay,

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Speaker 3: so I don't know what happened after that. It's very

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Speaker 3: possible that somebody had a magic foot.

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Speaker 2: They went to New York.

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Speaker 3: They went to New York because they were and I

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Speaker 3: will say this was brave. This is something brave that

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Speaker 3: Glee was doing that I'm remembering is that they aged

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Speaker 3: the characters exactly year.

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Speaker 2: To year real time.

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Speaker 3: Yeah. So if I recall, the first season, there were

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Speaker 3: people in their junior year, and the second season they

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Speaker 3: would go to their senior year, and then in the

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Speaker 3: third season they would graduate, which is why they went

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Speaker 3: to New York City.

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Speaker 2: And we went why we saw them all die eventually,

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Speaker 2: and that's why I ultimately we watched them ah to

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Speaker 2: the grave over. Okay, so they went to New York,

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Speaker 2: then you, but you also went to New York.

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Speaker 3: I went to New York as well. I saw you

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Speaker 3: know who else was in New York Me? I went

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Speaker 3: to Puttnham County Spelling B. It was a great show.

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Speaker 3: It was very fun, and I didn't realize it started

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Speaker 3: as a character show, like like it started as a

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Speaker 3: sketch comedy show.

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Speaker 2: As so oh so like multiple people doing spelling be people.

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Speaker 3: Yeah, And that was the original. It was sort of

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Speaker 3: a a UCB adjacent type adventure. And then it someone

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Speaker 3: someone Broadway saw it. The Broadway people listening are they're so,

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Speaker 3: I'm sure you'll get some fact checks. But there was

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Speaker 3: a Broadway man interested in putting songs to this, and

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Speaker 3: and I and here we are today.

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Speaker 2: Wow, and you went with our friends Patrick.

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Speaker 3: Angela, Yes yes, and parens of the pod.

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Speaker 2: Patrick McDonald's a very big musical.

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Speaker 3: Oh yes, yes, and there I very much just defaulted

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Speaker 3: to them for any sure theater right, Like I felt

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Speaker 3: really nervous to send links in the group chat to

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Speaker 3: potential shows.

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Speaker 2: Oh my god, you could really fall on your face.

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Speaker 3: I could egg on my face indeed, because it was

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Speaker 3: just so like, it's so it's so high pressure to

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Speaker 3: send it to a musical theater person.

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Speaker 2: There's no chance. Yeah, I wouldn't even dare.

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Speaker 3: I wouldn't dare. I wouldn't dare, And so I stayed quiet.

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Speaker 2: And they that can also read as like you're not

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Speaker 2: interested at all.

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Speaker 3: I know that's the thing. And in my head I

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Speaker 3: was like, should I send a link to Death Becomes Her?

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Speaker 3: Or is that gonna be so beginner? Is that? Like?

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Speaker 3: Is that? What is that?

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Speaker 2: What is it?

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Speaker 3: What kind of Because I believe it's a very good

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Speaker 3: show show, but I don't know what it indicates to

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Speaker 3: any I don't know. I just don't know the stereotypes

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Speaker 3: of the musical theater community. I don't know what the

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Speaker 3: hot takes are. I don't know what the news is.

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Speaker 3: I don't know what's going on so on Broadway World.

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Speaker 3: I'm not on Broadway World, but I do encounter I

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Speaker 3: don't know if you're on this algorithm or if you're

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Speaker 3: on a TikTok algorithm, but if we.

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Speaker 2: Can get into mine in a moment, but let's let's

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Speaker 2: hear about yours, okay.

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Speaker 3: Well I am. I do every once in a while

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Speaker 3: get Broadway drama people, okay. And they're always like sort

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Speaker 3: of ordinary looking people like who I don't think are

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Speaker 3: in the industry. I think they're like adjacent and their

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Speaker 3: love it and they're fans, sure, and they're always walking

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Speaker 3: down the street in New York in a rush and

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Speaker 3: they're like, I just heard this musical is closing, and.

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Speaker 2: Are they on their way? But I don't follow me

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Speaker 2: into a closing musical.

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Speaker 3: They really give off the energy of they have just

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Speaker 3: come from somewhere important, they are on their way to

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Speaker 3: somewhere important. I have just left a closed musical on

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Speaker 3: my way into a new show. And they say it

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Speaker 3: with it, and they're they're delivering it with such urgency

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Speaker 3: it feels like a bulletin has just been handed me.

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Speaker 2: Like that's how you get viewers.

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Speaker 3: Yeah, and so I'm not really familiar with the shows

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Speaker 3: that they're talking about. I haven't seen any clips. I

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Speaker 3: don't know them, but I'm just captivated by the urgency of.

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Speaker 2: It, right, that whole world. My boyfriend's in the Broadway

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Speaker 2: world a lot of the time, and he's educated me

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Speaker 2: in some about certain things. One thing I learned about

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Speaker 2: is have you heard it? If you want to watch

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Speaker 2: a Broadway bootleg, somebody filmed it. Do you know what

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Speaker 2: they call it? A slime tutorial? Yes?

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Speaker 3: I just heard this is it?

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Speaker 2: Which is so odd to me because it seems slime

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Speaker 2: tutorial Obviously they've been around for a while now, but

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Speaker 2: they still seem so recent that it's weird. That's the

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Speaker 2: keyword for recording Broadway musicals on a camera, yeah, before right,

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Speaker 2: that's at least since the ninety right.

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Speaker 3: And slime tutorials I thought were like kind of pandemic,

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Speaker 3: like very.

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Speaker 2: Recently, right within the last ten fifteen years. I would say, Yeah, So,

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Speaker 2: how did those two worlds.

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Speaker 3: Collib How did they get together?

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Speaker 2: What little freak decided?

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Speaker 3: One little freak decided, I'm going to combine my two

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Speaker 3: interests today and I'm going to start a movement.

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Speaker 2: It's very odd. There's a I mean, there's a whole

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Speaker 2: like kind of dark web of getting bootlegs for Broadbery musicals.

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Speaker 2: It's a very serious thing. But these people are very serious,

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Speaker 2: and they're rushing to closing shows.

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Speaker 3: I'm sure. And is it accepted within the Broadway fan

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Speaker 3: community to be looking at slime tutorials or is it

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Speaker 3: sort of frowned upon.

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Speaker 2: I think that there's it's a fine line that people walk.

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Speaker 2: I think that, well, it's probably bad for Broadway in

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Speaker 2: some way, but I think if you care enough that

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Speaker 2: you're looking those up, you're probably also wanting to see

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Speaker 2: it live.

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Speaker 3: Sort of the like zoo predicament, where like the love

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Speaker 3: that there are zoos, they don't make me feel amazing,

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Speaker 3: But also I guess you need to see an animal

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Speaker 3: to inspire the seed of interest that will then lead

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Speaker 3: you to bede biologist or something.

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Speaker 2: See when you said zoo predicament, what I was thinking was, well,

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Speaker 2: the zoos. We cannot believe, my friend, there are the zoos.

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Speaker 2: Worried about pictures and videos of animals online.

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Speaker 3: We can't leak this super footage.

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Speaker 2: You've got to get people to the actual zo We.

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Speaker 3: Have to pay, well, we have to pay all these.

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Speaker 2: Lions slime tutorial wolf got to see this, got to

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Speaker 2: get my eyes.

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Speaker 3: On tutorial Spotted Leopard. Don't send this, They're going to

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Speaker 3: take it down.

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Speaker 2: And to be totally fair to me, it makes perfect sense.

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Speaker 2: And I do think the zoo is worried about these

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Speaker 2: videos being online.

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Speaker 3: It does because what use do you think the zoo

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Speaker 3: is angry with Animal Planet and that GEO.

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Speaker 2: Footage, all those free footage of the animal I know

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Speaker 2: that people should be seeing in person. That's at least

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Speaker 2: according to the zoo. According to the zoo, they probably

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Speaker 2: also don't like shelters. They don't like people going and

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Speaker 2: saying free animals zo Yeah.

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Speaker 3: Yeah, the ASPCA and the zoo famous enemies.

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Speaker 2: Yeah. I think that there's a lot of things going

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Speaker 2: on at the zoo that they've got some concerns about.

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Speaker 2: I haven't been to a zoo in I can't remember

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Speaker 2: the last time I was at the zoo.

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Speaker 3: I haven't been in a very long time. I went.

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Speaker 3: I think I've been like twice in the past ten years.

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Speaker 3: And the most memorable time was going in college when

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Speaker 3: I was doing like an acting class where you had

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Speaker 3: to pick an animal and be that animal, which is

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Speaker 3: of course a wonderful way to spend your money. It's

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Speaker 3: a wonderful way. It's very educational, it's very helpful. Really,

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Speaker 3: it was good. It was good and necessary. But you

357
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Speaker 3: had to go to the zoo ten times in a semester.

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Speaker 2: Ten times. Okay. So they're like they're obviously they've teamed

359
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Speaker 2: up with this.

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Speaker 3: My professor and cahoos.

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Speaker 2: There's kicks from the zoo.

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Speaker 3: Absolutely kickbacks because you don't I because I picked a goat, okay,

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Speaker 3: I wouldn't say I needed to go more than once.

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Speaker 2: No, And you could also go to the farm for

365
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Speaker 2: that one. Of course, you can go to the mountains,

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Speaker 2: have you.

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Speaker 3: Okay, I this is off off topics slightly. But I

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Speaker 3: saw a petting zoo recently in a place that I

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Speaker 3: didn't think there should be a petting.

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Speaker 2: Zoo, downtown LA.

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Speaker 3: It was the Sweet Green on Sunset Boulevard. Was inside

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Speaker 3: the restaurant, it was right outside it, and it was like,

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Speaker 3: it's like busy, but it's a salad restaurant, of course,

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Speaker 3: and they've covered it with like goats and little baby

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Speaker 3: animals and.

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Speaker 2: The restaurant's still functioning.

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Speaker 3: Yeah, the restaurant was still going.

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Speaker 2: And the petting zoo is by Sweet Green.

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Speaker 3: It was it was like I can't even express how

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Speaker 3: close it was to sweet Like it was on the

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Speaker 3: Sweet Green property for sure.

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Speaker 2: So do we think of a Sweet Green sponsored petting zoo?

383
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Speaker 3: Absolutely?

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Speaker 2: What sort of animals that they have there?

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Speaker 3: I remember seeing a goat and a baby, maybe like

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Speaker 3: lamb or something, but like definitely like farm animals.

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Speaker 2: Which is not where farm animals should be.

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Speaker 3: It feels absolutely not where they should be. And I

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Speaker 3: haven't heard anyone talk about this. So the second, thank god,

390
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Speaker 3: I have a microphone in front of me. I've been

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Speaker 3: waiting for a platform.

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Speaker 2: Well, I will say, when you said I remember seeing

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Speaker 2: a goat, it sounds like this may not have actually happened.

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Speaker 2: This is some sort of bizarre this.

395
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Speaker 3: This does sound like a dream I had.

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Speaker 2: It was like three days ago, and you're saying I

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Speaker 2: remember seeing.

398
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Speaker 3: No, this is something I feel like I can't prove.

399
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Speaker 3: I've looked it up. I can't find any sort of

400
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Speaker 3: like Sweet Green ex petting zoo cutting down the Sunset

401
00:19:55,000 --> 00:19:58,679
Speaker 3: Boulevard this weekend, like there's no advertising for it.

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Speaker 2: Fascinating. I wonder what was going were they feeding them

403
00:20:00,920 --> 00:20:03,960
Speaker 2: silence from the restaurant. That feels like the only reason

404
00:20:04,000 --> 00:20:05,359
Speaker 2: the way you would be able to like kind of

405
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Speaker 2: just like.

406
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Speaker 3: The most intuitive version of that collaboration.

407
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Speaker 2: I mean, I've said this before, but Sweet Green has

408
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Speaker 2: the driest kale in the business.

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Speaker 3: Find a dryer carry.

410
00:20:16,960 --> 00:20:18,600
Speaker 2: Oh you're choking on that kale.

411
00:20:18,960 --> 00:20:22,080
Speaker 3: Yeah, it's not it's at least not wet.

412
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Speaker 2: It's not wet. To certainly not give them.

413
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Speaker 3: That it is not wet, so I don't have to

414
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Speaker 3: worry on that front.

415
00:20:28,400 --> 00:20:30,760
Speaker 2: So you went and learned about the goat.

416
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Speaker 3: I went and learned about the goat to absorb. And

417
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Speaker 3: then the ultimate result of all of this that we

418
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Speaker 3: were working towards was a two hour performance where you

419
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Speaker 3: performed kind of like a life like you just were

420
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Speaker 3: that goat for two hours.

421
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Speaker 2: It was a one woman show with you as a goat.

422
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Speaker 3: Well, it was like a ten person show and we

423
00:20:54,359 --> 00:20:57,879
Speaker 3: were all the animals. There was no structure, there was

424
00:20:57,920 --> 00:21:01,840
Speaker 3: no like an I think only a few people came

425
00:21:01,880 --> 00:21:03,639
Speaker 3: in to watch it at a time because it was

426
00:21:03,720 --> 00:21:06,280
Speaker 3: just you would filter in. You'd go into the lobby

427
00:21:06,280 --> 00:21:08,040
Speaker 3: of the theater building and there'd be a bunch of

428
00:21:08,040 --> 00:21:13,480
Speaker 3: people going like ah, and then you'd kind of walk out.

429
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Speaker 3: You'd probably take pictures of your friend, and then you'd leave.

430
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Speaker 2: An absolute waste of time.

431
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Speaker 3: It was, I and for like to the timing of

432
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Speaker 3: it all, to go through all this and then for

433
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Speaker 3: the industry to sort of U shilen.

434
00:21:31,040 --> 00:21:34,679
Speaker 2: Yes, yes, everyone's kind of drowning and money and the

435
00:21:34,720 --> 00:21:36,440
Speaker 2: opportunities are everywhere you go.

436
00:21:36,720 --> 00:21:40,120
Speaker 3: Yes, right before the big boom of twenty twenty one,

437
00:21:40,520 --> 00:21:44,639
Speaker 3: the gold rush, the gold rush, Yes, it was a

438
00:21:44,640 --> 00:21:47,520
Speaker 3: good precursor to the absolute rich as we find ourselves

439
00:21:47,600 --> 00:21:52,280
Speaker 3: in now, to look back and go, that's what the

440
00:21:52,359 --> 00:21:56,600
Speaker 3: train we certainly, I mean, if they had even taken

441
00:21:56,600 --> 00:21:58,920
Speaker 3: a moment to teach us how to upload a YouTube video,

442
00:21:58,960 --> 00:22:01,720
Speaker 3: I'm sure, I'm sure we'd all be in a different place.

443
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Speaker 2: They must be pivoting to that in some way, right,

444
00:22:04,320 --> 00:22:07,639
Speaker 2: These places are like, okay, just turn it to front

445
00:22:07,680 --> 00:22:09,359
Speaker 2: facing and here's how you upload it.

446
00:22:09,480 --> 00:22:11,919
Speaker 3: Go to the zoo r with a selfie.

447
00:22:11,560 --> 00:22:17,040
Speaker 2: Stick, you guys, I'm taking you to the zoo. Wow.

448
00:22:17,080 --> 00:22:19,680
Speaker 2: So you were just did you speak as a goat

449
00:22:19,840 --> 00:22:21,120
Speaker 2: or you were just making goat noise?

450
00:22:21,359 --> 00:22:30,040
Speaker 3: I made like some goat noises like and I tried

451
00:22:30,080 --> 00:22:32,480
Speaker 3: to do it very demure, very like, very like. I

452
00:22:32,480 --> 00:22:34,920
Speaker 3: didn't come in with this. This wasn't my like I

453
00:22:34,960 --> 00:22:35,320
Speaker 3: want it.

454
00:22:35,400 --> 00:22:41,040
Speaker 2: I And did you have to interact with the other animals? No,

455
00:22:41,720 --> 00:22:43,320
Speaker 2: it seems like a missed opportunity.

456
00:22:43,400 --> 00:22:45,640
Speaker 3: It does seem like a missed opportunity because I think

457
00:22:45,640 --> 00:22:47,679
Speaker 3: we were supposed to just kind of pretend that the

458
00:22:47,720 --> 00:22:51,760
Speaker 3: others weren't there. Okay, because I guess what happens when

459
00:22:51,800 --> 00:22:53,080
Speaker 3: a goat meets a bear.

460
00:22:54,119 --> 00:22:55,720
Speaker 2: Well, see, that's what I want to see.

461
00:22:55,880 --> 00:22:57,720
Speaker 3: I do want to I want to see us work

462
00:22:57,720 --> 00:22:58,040
Speaker 3: it out.

463
00:22:58,119 --> 00:23:00,399
Speaker 2: I want to see another acting student shred you a piece.

464
00:23:00,880 --> 00:23:08,840
Speaker 3: Yeah, I want to get literally eaten by a tech student,

465
00:23:09,040 --> 00:23:13,080
Speaker 3: just like hitting their acting one requirement. Don't even want

466
00:23:13,080 --> 00:23:14,240
Speaker 3: to be here and they just want to be on

467
00:23:14,320 --> 00:23:20,439
Speaker 3: the band saw Wow it was crazy. Yeah and then

468
00:23:20,520 --> 00:23:22,480
Speaker 3: so and yeah it was like a full year of

469
00:23:22,760 --> 00:23:25,720
Speaker 3: freshman year where we didn't get to do really any

470
00:23:25,760 --> 00:23:26,200
Speaker 3: scene work.

471
00:23:26,320 --> 00:23:28,080
Speaker 2: Well, you were at the zoo most of the time.

472
00:23:28,800 --> 00:23:30,000
Speaker 3: All my time at the zoo.

473
00:23:30,240 --> 00:23:31,320
Speaker 2: Wait, what college was this?

474
00:23:31,520 --> 00:23:32,880
Speaker 3: I was at Occidental College.

475
00:23:33,040 --> 00:23:35,359
Speaker 2: Okay, So you were going to the La Zoo.

476
00:23:35,560 --> 00:23:36,640
Speaker 3: I was going to the La Zoo.

477
00:23:36,680 --> 00:23:38,160
Speaker 2: Okay, I've never been to the l a zoo.

478
00:23:38,240 --> 00:23:39,560
Speaker 3: It's like it's it's good.

479
00:23:39,640 --> 00:23:40,240
Speaker 2: Oh, it's good.

480
00:23:40,440 --> 00:23:42,160
Speaker 3: I think I think it's good.

481
00:23:42,160 --> 00:23:44,240
Speaker 2: I'm just picturing something. I don't love zoo's.

482
00:23:44,359 --> 00:23:48,000
Speaker 3: It's so much concrete. It's very hot, it's very hot.

483
00:23:49,320 --> 00:23:51,560
Speaker 3: I yeah, I don't go to a lot of zoos,

484
00:23:51,560 --> 00:23:55,480
Speaker 3: so I can't tell because my general discomfort with a

485
00:23:55,680 --> 00:23:59,800
Speaker 3: whole vibe. But zoo, what should we do about it?

486
00:24:00,200 --> 00:24:01,159
Speaker 3: Should we do something?

487
00:24:01,240 --> 00:24:02,679
Speaker 2: I think it's time to do something about this.

488
00:24:03,080 --> 00:24:04,639
Speaker 3: We have to do something about the zoo.

489
00:24:04,680 --> 00:24:07,040
Speaker 2: The zoo's complicated though, right because I feel like the

490
00:24:07,160 --> 00:24:12,160
Speaker 2: kind of a good zoo. I suppose that science based

491
00:24:12,400 --> 00:24:18,199
Speaker 2: is probably helping keep certain animals going. Yeah, or you know,

492
00:24:18,280 --> 00:24:21,159
Speaker 2: like endangered species.

493
00:24:20,520 --> 00:24:21,440
Speaker 3: The pandas survive.

494
00:24:21,600 --> 00:24:24,000
Speaker 2: They probably the pandas they need a lot of it.

495
00:24:24,080 --> 00:24:26,520
Speaker 3: They need a zoo. The zoo is basically a hotel.

496
00:24:26,640 --> 00:24:31,439
Speaker 2: Yeah, that's one animal that probably needs the zoo.

497
00:24:31,800 --> 00:24:33,240
Speaker 3: They probably need the zoo.

498
00:24:33,359 --> 00:24:34,720
Speaker 2: I think the last time I was at the zoo

499
00:24:34,760 --> 00:24:37,920
Speaker 2: was at the San Diego Zoo Safari Park.

500
00:24:38,160 --> 00:24:39,520
Speaker 3: I've heard that's a great zoo.

501
00:24:39,640 --> 00:24:43,280
Speaker 2: Well that's simply not true. The San Diego Safari Park

502
00:24:43,680 --> 00:24:48,000
Speaker 2: is you I essentially had heat stroke there and all

503
00:24:48,080 --> 00:24:48,840
Speaker 2: to see half.

504
00:24:48,720 --> 00:24:51,840
Speaker 3: Of an animal, half of an animal.

505
00:24:51,880 --> 00:24:54,639
Speaker 2: I feel like I saw almost nothing. Maybe a deer.

506
00:24:55,280 --> 00:24:56,600
Speaker 2: I think I may have seen a deer, but I

507
00:24:56,640 --> 00:24:57,960
Speaker 2: don't even think it was part of the zoo. I

508
00:24:57,960 --> 00:25:00,199
Speaker 2: think it may have gotten over the fence. It was

509
00:25:00,240 --> 00:25:02,360
Speaker 2: so hot that I mean literally, I mean obviously every

510
00:25:02,400 --> 00:25:04,960
Speaker 2: animal is like, please get me out of this. Oh yeah,

511
00:25:04,960 --> 00:25:08,160
Speaker 2: I found their shade. And then it's just my sister

512
00:25:08,240 --> 00:25:11,960
Speaker 2: and I and my brother in law. That's that's not

513
00:25:12,080 --> 00:25:13,080
Speaker 2: erase him from this.

514
00:25:13,359 --> 00:25:16,640
Speaker 3: No, we will not be doing brother in law erasure

515
00:25:16,720 --> 00:25:17,360
Speaker 3: on this podcast.

516
00:25:17,480 --> 00:25:22,240
Speaker 2: Mason was there. We wandered around just I was wet.

517
00:25:22,400 --> 00:25:26,080
Speaker 2: My clothes were wet, and not from like a splash zone,

518
00:25:26,240 --> 00:25:29,560
Speaker 2: they were wet from my body and it was agony.

519
00:25:30,000 --> 00:25:33,119
Speaker 2: But maybe that's not the experience of the normal person

520
00:25:33,160 --> 00:25:34,640
Speaker 2: going to this thing. But you're out in some weird

521
00:25:34,720 --> 00:25:36,879
Speaker 2: valley in San Diego. It's not comfortable.

522
00:25:37,040 --> 00:25:42,200
Speaker 3: It's it's really like concrete makes everything, yes difficult, right,

523
00:25:42,320 --> 00:25:45,520
Speaker 3: it's so hot and warm. There's something about being really

524
00:25:45,600 --> 00:25:48,400
Speaker 3: warm on concrete that makes me feel like a six

525
00:25:48,480 --> 00:25:49,880
Speaker 3: year old and I can't like.

526
00:25:49,960 --> 00:25:50,960
Speaker 2: I wonder what that is.

527
00:25:51,080 --> 00:25:52,040
Speaker 3: I don't know what that is.

528
00:25:52,800 --> 00:25:54,840
Speaker 2: I think maybe just a full loss of control and

529
00:25:54,880 --> 00:25:57,200
Speaker 2: there's nowhere to run and you just feel like I'm

530
00:25:57,240 --> 00:25:58,639
Speaker 2: a child and I need help.

531
00:25:58,800 --> 00:26:02,119
Speaker 3: Yes, I'm a child. I need help. I like smell sunscreen.

532
00:26:02,240 --> 00:26:05,360
Speaker 3: I'm on my way from swimming lessons. Like, maybe it's

533
00:26:05,440 --> 00:26:06,840
Speaker 3: just like those flash memories.

534
00:26:06,960 --> 00:26:10,159
Speaker 2: Is it the recess element of it being out for recessing?

535
00:26:10,520 --> 00:26:12,960
Speaker 2: What was your school's playground? Like, okay, a.

536
00:26:12,960 --> 00:26:16,399
Speaker 3: Lot of concrete. It was southern California. I do remember

537
00:26:16,440 --> 00:26:18,639
Speaker 3: it being very hot. Okay, all right, I think we

538
00:26:20,119 --> 00:26:22,520
Speaker 3: found it already. I think we found it already. I

539
00:26:22,520 --> 00:26:26,359
Speaker 3: think it's making sense. But yeah, it was like a

540
00:26:26,359 --> 00:26:31,080
Speaker 3: big spread out. It was a very like open open campus.

541
00:26:31,119 --> 00:26:35,159
Speaker 3: Everything was outside because we don't have winter, so you

542
00:26:35,240 --> 00:26:37,719
Speaker 3: just kind of run around. I remember there being something

543
00:26:38,359 --> 00:26:40,600
Speaker 3: in recess that happened very briefly for a couple of

544
00:26:40,600 --> 00:26:44,040
Speaker 3: weeks where we started to create a sort of trading

545
00:26:44,080 --> 00:26:47,879
Speaker 3: system different kinds of dirt and rocks, and we started

546
00:26:47,880 --> 00:26:49,159
Speaker 3: to create to create our own.

547
00:26:49,040 --> 00:26:50,520
Speaker 2: Little like economy.

548
00:26:50,720 --> 00:26:53,120
Speaker 3: Yeah, it was an economy, and then the teachers shut

549
00:26:53,160 --> 00:26:54,760
Speaker 3: it down because.

550
00:26:54,520 --> 00:26:55,640
Speaker 2: They didn't too powerful.

551
00:26:55,920 --> 00:26:59,720
Speaker 3: Yeah, our lobby was too powerful. They they just didn't

552
00:26:59,760 --> 00:27:02,399
Speaker 3: enjoy and we weren't doing anything wrong.

553
00:27:02,600 --> 00:27:05,160
Speaker 2: That's very odd. Were they worried your hands were getting dirty?

554
00:27:05,280 --> 00:27:06,600
Speaker 3: Maybe that seems like.

555
00:27:06,520 --> 00:27:08,320
Speaker 2: A very healthy thing for kids to be doing.

556
00:27:08,480 --> 00:27:12,040
Speaker 3: Yeah, creating a civilization as a sort of system of government,

557
00:27:12,200 --> 00:27:13,720
Speaker 3: right and value and currency.

558
00:27:13,840 --> 00:27:16,679
Speaker 2: Yeah, that seems very I wonder there's a darker element

559
00:27:16,720 --> 00:27:19,680
Speaker 2: to this that these T shirts sure didn't want it happening.

560
00:27:19,840 --> 00:27:23,639
Speaker 3: They're like, we can't have you guys discovering agency in

561
00:27:23,680 --> 00:27:24,119
Speaker 3: this way.

562
00:27:24,160 --> 00:27:26,680
Speaker 2: Did you ever get into like going into the bathroom

563
00:27:26,680 --> 00:27:28,600
Speaker 2: and playing Bloody Mary or any of these things?

564
00:27:29,640 --> 00:27:32,600
Speaker 3: I feel like I remember doing that at like a sleepover.

565
00:27:32,840 --> 00:27:36,840
Speaker 2: Maybe this was something that took our playground by storm. Yeah,

566
00:27:36,920 --> 00:27:39,399
Speaker 2: you go into the bathroom, turn off the lights, et cetera.

567
00:27:39,680 --> 00:27:42,880
Speaker 3: And was it was it scary? Did you feel it

568
00:27:42,960 --> 00:27:47,240
Speaker 3: was show up? She showed up every time, so it

569
00:27:47,320 --> 00:27:51,439
Speaker 3: was delighted as I'm sorry, I'm being rude. Did Bloody

570
00:27:51,440 --> 00:27:52,199
Speaker 3: Mary ever show up?

571
00:27:52,359 --> 00:27:53,359
Speaker 2: Of course she showed up.

572
00:27:54,320 --> 00:27:57,159
Speaker 3: That's her thing, right right, right, right, right right, that's.

573
00:27:57,040 --> 00:27:59,080
Speaker 2: Her trade trademark move is showing up.

574
00:27:59,320 --> 00:28:01,359
Speaker 3: If it wasn't true, why would we do the chat?

575
00:28:02,600 --> 00:28:05,520
Speaker 2: She's there and she was great. She was there, she

576
00:28:05,600 --> 00:28:11,439
Speaker 2: was great, she was great this scal I don't remember

577
00:28:11,440 --> 00:28:15,040
Speaker 2: her ever showing up for me. Unfortunately, I do remember

578
00:28:15,040 --> 00:28:17,840
Speaker 2: the fear. Yeah, I do think it was probably scarier

579
00:28:17,920 --> 00:28:19,520
Speaker 2: just to go to the bathroom, to go to the

580
00:28:19,560 --> 00:28:22,959
Speaker 2: bathroom in elementary school, because you know, you're like, everyone's like,

581
00:28:23,119 --> 00:28:25,480
Speaker 2: if somebody else comes in here while I'm using the bathroom,

582
00:28:26,080 --> 00:28:28,840
Speaker 2: they're going to be rattling the stall or something. It's

583
00:28:28,920 --> 00:28:30,400
Speaker 2: just so uncertain, terrify.

584
00:28:30,560 --> 00:28:33,320
Speaker 3: You've had so much less experience with the bathroom.

585
00:28:33,560 --> 00:28:36,320
Speaker 2: Yeah, until then, and now I'm kind of a seasoned bathroom.

586
00:28:36,440 --> 00:28:40,000
Speaker 3: There's kind of a bathroom vet at this point. There's

587
00:28:40,080 --> 00:28:41,640
Speaker 3: nothing in there that's going to surprise me.

588
00:28:42,280 --> 00:28:47,560
Speaker 2: I'm a hobbyist. I get in there. I have the

589
00:28:47,560 --> 00:28:48,480
Speaker 2: time of my life.

590
00:28:48,680 --> 00:28:50,880
Speaker 3: I mean, I'm an amateur. I'm I'm not doing a

591
00:28:50,880 --> 00:28:57,080
Speaker 3: professional core. I'm just simply I mean it's something I practice.

592
00:28:57,400 --> 00:28:59,600
Speaker 2: But I have a good time. No, but we did

593
00:28:59,600 --> 00:29:04,000
Speaker 2: play Mary and that never got shut down. That never

594
00:29:04,040 --> 00:29:08,920
Speaker 2: got That's nice that they let you that, right. We

595
00:29:08,960 --> 00:29:11,120
Speaker 2: did have one day where my in fifth grade where

596
00:29:11,160 --> 00:29:13,480
Speaker 2: my teacher shut class down entirely and told us about

597
00:29:13,520 --> 00:29:18,080
Speaker 2: the devil whoa told us about how Satan can take over,

598
00:29:18,280 --> 00:29:21,280
Speaker 2: which is this was in a public school system.

599
00:29:21,200 --> 00:29:23,120
Speaker 3: And it was it was public okay.

600
00:29:24,480 --> 00:29:26,160
Speaker 2: So that's an interesting thing to think about.

601
00:29:26,440 --> 00:29:28,720
Speaker 3: And did you say she shut the door or shut.

602
00:29:28,520 --> 00:29:31,200
Speaker 2: The door she turned off? Did she turn off the lights?

603
00:29:31,560 --> 00:29:33,600
Speaker 2: That seems like a weird move if you're like about

604
00:29:33,600 --> 00:29:35,000
Speaker 2: to talk about the.

605
00:29:34,760 --> 00:29:36,640
Speaker 3: Devil, I mean adds theater.

606
00:29:36,720 --> 00:29:40,160
Speaker 2: Certainly, I feel like the lights got dimmed at least.

607
00:29:40,360 --> 00:29:40,640
Speaker 3: Yeah.

608
00:29:40,680 --> 00:29:42,720
Speaker 2: And then she told us about like don't use weedi

609
00:29:42,800 --> 00:29:45,960
Speaker 2: boards all sorts of things. The devil will come for you.

610
00:29:46,080 --> 00:29:46,400
Speaker 3: Whoa.

611
00:29:46,720 --> 00:29:49,040
Speaker 2: This was a utah, So that kind of explains a

612
00:29:49,040 --> 00:29:52,600
Speaker 2: little bit of the but still this was a public servant.

613
00:29:52,720 --> 00:29:54,320
Speaker 3: Now do you know if this was like a speech

614
00:29:54,360 --> 00:29:56,640
Speaker 3: that she did every year. Was it sort of like

615
00:29:56,720 --> 00:30:00,760
Speaker 3: a like, okay, now now it's time. You know this

616
00:30:00,800 --> 00:30:03,400
Speaker 3: is coming. The devil will come to you through weedy

617
00:30:03,440 --> 00:30:04,920
Speaker 3: words and this and this and this this is the

618
00:30:04,960 --> 00:30:10,240
Speaker 3: syllabus or did she feel like did she feel like

619
00:30:10,240 --> 00:30:11,280
Speaker 3: it was spur of the moment.

620
00:30:11,520 --> 00:30:12,920
Speaker 2: I think it felt a little spur of the moment.

621
00:30:12,960 --> 00:30:14,440
Speaker 2: We got a lot of spur of the moments from

622
00:30:14,520 --> 00:30:18,560
Speaker 2: this particular teacher about like how her. I remember her

623
00:30:18,680 --> 00:30:21,160
Speaker 2: telling us about how her daughter had been stepping out

624
00:30:21,160 --> 00:30:26,200
Speaker 2: on her son, and WoT I.

625
00:30:25,640 --> 00:30:31,520
Speaker 3: Whoa, just like that, that's really cool. You can't be

626
00:30:31,640 --> 00:30:32,640
Speaker 3: telling kids that.

627
00:30:33,480 --> 00:30:36,480
Speaker 2: She's warning us don't step out on your go don't.

628
00:30:36,280 --> 00:30:40,600
Speaker 3: Step out, don't talk to the devil, and don't step out.

629
00:30:42,800 --> 00:30:45,360
Speaker 2: So it was an interesting education. Yeah, interesting.

630
00:30:46,400 --> 00:30:49,200
Speaker 3: Sure. I don't know if I ever got like a devil.

631
00:30:51,840 --> 00:30:55,040
Speaker 3: I think, like, I think there were some parents who

632
00:30:55,080 --> 00:30:57,760
Speaker 3: were upset about some plays.

633
00:30:57,440 --> 00:30:59,960
Speaker 2: At Okay, do you remember what plays they were upset?

634
00:31:00,160 --> 00:31:02,120
Speaker 3: I think it was actually before I got it was

635
00:31:02,200 --> 00:31:04,720
Speaker 3: in high school. It was before I got there. But

636
00:31:04,760 --> 00:31:07,560
Speaker 3: it like did a brief stint on the National On

637
00:31:07,680 --> 00:31:08,840
Speaker 3: the National News.

638
00:31:09,360 --> 00:31:10,920
Speaker 2: There's always a parent mad about the tea.

639
00:31:11,040 --> 00:31:13,360
Speaker 3: Yeah, bat boy, bat boy?

640
00:31:13,480 --> 00:31:16,280
Speaker 2: Okay, And that I assume is based on the Weekly

641
00:31:16,320 --> 00:31:19,840
Speaker 2: World News story about bat Boy. Do you remember the

642
00:31:19,840 --> 00:31:23,160
Speaker 2: Weekly World News, the black and white tabloid that was

643
00:31:23,240 --> 00:31:27,040
Speaker 2: like bat boy or Hillary Clinton had an alien baby?

644
00:31:27,160 --> 00:31:27,520
Speaker 1: Oh?

645
00:31:27,600 --> 00:31:30,800
Speaker 3: Yeah, I mean something like that. I'm sure I'm not

646
00:31:30,920 --> 00:31:32,720
Speaker 3: familiar with the actual.

647
00:31:32,440 --> 00:31:34,760
Speaker 2: It was an excellent piece of Oh the play right,

648
00:31:35,200 --> 00:31:36,280
Speaker 2: but boy, it.

649
00:31:36,280 --> 00:31:38,680
Speaker 3: Had something to do with I think parent what the

650
00:31:38,760 --> 00:31:42,640
Speaker 3: parents were worried about bestiality. Oh interesting, and so they

651
00:31:42,800 --> 00:31:44,960
Speaker 3: got the theater shut down, which we love to shut

652
00:31:44,960 --> 00:31:45,400
Speaker 3: down theater.

653
00:31:45,640 --> 00:31:47,200
Speaker 2: Of course, we're doing it all the time.

654
00:31:47,840 --> 00:31:49,560
Speaker 3: It's really good, it's really good.

655
00:31:49,840 --> 00:31:52,520
Speaker 2: Well, look, I think I've been trying to avoid this

656
00:31:52,600 --> 00:31:55,800
Speaker 2: topic the entire time. Of course, there's something I do

657
00:31:55,880 --> 00:31:59,000
Speaker 2: need to bring up, and I'm not comfortable, Kylie. I

658
00:31:59,080 --> 00:32:01,040
Speaker 2: was looking forward to having you here today.

659
00:32:01,120 --> 00:32:02,200
Speaker 3: Yeah, and so was I.

660
00:32:02,480 --> 00:32:05,480
Speaker 2: You know, I was. Of course, the podcast is called

661
00:32:05,520 --> 00:32:09,080
Speaker 2: I said no gifts, so I kind of hit the

662
00:32:09,160 --> 00:32:12,800
Speaker 2: roof when I saw you come into the studio holding

663
00:32:12,840 --> 00:32:14,080
Speaker 2: an obvious gift for me.

664
00:32:14,400 --> 00:32:16,480
Speaker 3: I mean, I've entered your space.

665
00:32:16,280 --> 00:32:17,520
Speaker 2: You've entered my space.

666
00:32:17,560 --> 00:32:22,720
Speaker 3: I would feel insane not bringing something.

667
00:32:23,120 --> 00:32:27,320
Speaker 2: Okay, interesting, Well I don't believe any of that. Should

668
00:32:27,320 --> 00:32:29,040
Speaker 2: we open it here on the podcast? Sure?

669
00:32:29,240 --> 00:32:33,480
Speaker 3: Sure, would you like to?

670
00:32:34,280 --> 00:32:34,560
Speaker 2: Okay?

671
00:32:34,600 --> 00:32:37,280
Speaker 3: So this is a I've wrapped it in sort of

672
00:32:37,320 --> 00:32:39,760
Speaker 3: a Apple TV FYC.

673
00:32:39,520 --> 00:32:43,800
Speaker 2: Bag for the company get severance. When you vote this.

674
00:32:45,200 --> 00:32:50,320
Speaker 3: For your consideration, consider this severance. Great show.

675
00:32:51,440 --> 00:32:53,880
Speaker 2: Yeah, this is kind of a you know, it's like

676
00:32:54,040 --> 00:32:57,720
Speaker 2: from the world of Yes Severance. This is a lumen bag.

677
00:32:57,840 --> 00:32:58,360
Speaker 3: Yeah.

678
00:32:58,400 --> 00:33:01,400
Speaker 2: So this is somebody's I guess an Audi or an

679
00:33:01,400 --> 00:33:06,560
Speaker 2: Innie could use Yeah. In the world of the show,

680
00:33:06,640 --> 00:33:07,720
Speaker 2: let's not forget Yeah.

681
00:33:07,720 --> 00:33:10,800
Speaker 3: I wonder if the Audies use the merch of the

682
00:33:10,840 --> 00:33:12,400
Speaker 3: innis job interesting?

683
00:33:12,440 --> 00:33:14,160
Speaker 2: That's what they should explore in the next season.

684
00:33:14,200 --> 00:33:16,080
Speaker 3: I hope they get into that in season three.

685
00:33:16,320 --> 00:33:18,560
Speaker 2: That should be the whole thing next season when they

686
00:33:18,560 --> 00:33:20,160
Speaker 2: release it in twenty thirty seven.

687
00:33:19,960 --> 00:33:23,600
Speaker 3: What do you do about the merch? Seven? I can't wait.

688
00:33:24,640 --> 00:33:27,000
Speaker 2: Aut down, Okay, let me reach in here.

689
00:33:27,120 --> 00:33:29,800
Speaker 3: Okay, pulling it all right, I will say, I.

690
00:33:29,760 --> 00:33:33,680
Speaker 2: Actually have you have this? No, no, I've got all

691
00:33:33,760 --> 00:33:34,400
Speaker 2: kinds of these.

692
00:33:35,520 --> 00:33:37,120
Speaker 3: No way, no.

693
00:33:37,200 --> 00:33:38,800
Speaker 2: I was going to say, I have no idea what

694
00:33:38,840 --> 00:33:40,880
Speaker 2: it is, but then I kind of So.

695
00:33:40,960 --> 00:33:43,640
Speaker 3: It's a it's a present that must be activated. I

696
00:33:43,680 --> 00:33:47,440
Speaker 3: will say, let's see it is activated with a button. Yes.

697
00:33:48,280 --> 00:33:51,080
Speaker 2: Now, listener, if you're just listening, you're missing out on

698
00:33:51,160 --> 00:33:55,760
Speaker 2: a huge visual right now. It's a tiny one of

699
00:33:55,800 --> 00:33:59,480
Speaker 2: the carror dealership. What do we call these? Sort of

700
00:33:59,480 --> 00:34:01,720
Speaker 2: like a wave balloon, the wavy man.

701
00:34:02,160 --> 00:34:08,279
Speaker 3: Yeah, and he is inflatable by this battery pack. I

702
00:34:08,520 --> 00:34:11,160
Speaker 3: believe I won this in a Dave and Busters.

703
00:34:11,760 --> 00:34:14,399
Speaker 2: Wow, this is a good David Busters. Yeah, listener, can

704
00:34:14,400 --> 00:34:16,080
Speaker 2: you hear the We'll probably have to turn this off

705
00:34:16,120 --> 00:34:18,759
Speaker 2: or I'm gonna get it screamed at. But let's let

706
00:34:18,800 --> 00:34:21,480
Speaker 2: it run for a moment. It is just low hum

707
00:34:21,600 --> 00:34:22,040
Speaker 2: for a bit.

708
00:34:22,280 --> 00:34:26,120
Speaker 3: It is quite loud if anyone enjoys like lawnmower ASMR,

709
00:34:26,840 --> 00:34:27,640
Speaker 3: stuff like that.

710
00:34:28,520 --> 00:34:30,840
Speaker 2: Well, this podcast used to be almost entirely recorded in

711
00:34:30,880 --> 00:34:32,840
Speaker 2: my backyard, so this is kind of a throwback to

712
00:34:32,920 --> 00:34:34,600
Speaker 2: all of the things you would hear in my backyard.

713
00:34:34,680 --> 00:34:37,439
Speaker 3: Yeah, it's sort of outdoors, right.

714
00:34:37,440 --> 00:34:40,480
Speaker 2: Right, So okay, so you got this at a daven Busters.

715
00:34:40,560 --> 00:34:41,720
Speaker 2: We'll turn it off for a minute.

716
00:34:42,040 --> 00:34:45,400
Speaker 3: Yeah. And the thing about this guy, and what I

717
00:34:46,360 --> 00:34:50,920
Speaker 3: hoped would happen when I finally found the battery required

718
00:34:50,960 --> 00:34:54,640
Speaker 3: to activate this, right, was that he would get some

719
00:34:54,719 --> 00:34:56,920
Speaker 3: are in him and he'd stay up for a while. Sure,

720
00:34:57,520 --> 00:34:59,600
Speaker 3: but he deflates as soon as you turn him off.

721
00:34:59,680 --> 00:35:01,880
Speaker 2: Oh yeah, he falls off. And look at that. And

722
00:35:01,920 --> 00:35:03,680
Speaker 2: then it's just like what is this thing?

723
00:35:03,840 --> 00:35:05,399
Speaker 3: And then ultimately what is it?

724
00:35:07,000 --> 00:35:08,680
Speaker 2: This can't this has to go in a drawer at

725
00:35:08,680 --> 00:35:10,320
Speaker 2: that point. This can't just be out on your counter.

726
00:35:10,400 --> 00:35:11,360
Speaker 3: This was my problem.

727
00:35:11,440 --> 00:35:13,799
Speaker 2: Unless it's on. Unless it's on, But then how long

728
00:35:13,840 --> 00:35:15,080
Speaker 2: does the battery last.

729
00:35:15,400 --> 00:35:16,919
Speaker 3: And I've never run it all the way through.

730
00:35:17,040 --> 00:35:19,360
Speaker 2: This is interesting. It has a little warning on the

731
00:35:19,360 --> 00:35:21,600
Speaker 2: back that is not all batteries are created equal.

732
00:35:23,600 --> 00:35:24,719
Speaker 3: I've never noticed that.

733
00:35:25,560 --> 00:35:26,640
Speaker 2: Why did they put that on?

734
00:35:27,080 --> 00:35:28,160
Speaker 3: What does it say about?

735
00:35:30,719 --> 00:35:32,560
Speaker 2: No, I guess it's oh for it does say they

736
00:35:32,560 --> 00:35:37,080
Speaker 2: have recommended brands. Oh that's too weird. Uh why do

737
00:35:37,160 --> 00:35:37,640
Speaker 2: they care?

738
00:35:38,120 --> 00:35:40,160
Speaker 3: Why did they? Maybe they're getting kickbacks?

739
00:35:40,400 --> 00:35:40,640
Speaker 1: Oh?

740
00:35:40,760 --> 00:35:42,960
Speaker 2: Interesting, this is with dura Cel. This is with.

741
00:35:43,120 --> 00:35:49,399
Speaker 3: Energize, a classic Zoo kickback situation. Uh, but with dura Cel. Yeah,

742
00:35:49,480 --> 00:35:52,600
Speaker 3: this is Uh, I don't know if I have the

743
00:35:52,680 --> 00:35:53,440
Speaker 3: right battery in.

744
00:35:53,400 --> 00:35:55,160
Speaker 2: There, then oh, you put a new battery in.

745
00:35:55,719 --> 00:35:57,959
Speaker 3: I had to buy a battery and you.

746
00:35:57,840 --> 00:35:59,360
Speaker 2: Had to unscrew it in everything.

747
00:35:59,520 --> 00:36:01,040
Speaker 3: I had to do a lot.

748
00:36:01,360 --> 00:36:04,520
Speaker 2: This is more than like replacing a battery on an iPhone. Yeah,

749
00:36:04,520 --> 00:36:05,920
Speaker 2: it's probably more difficult.

750
00:36:06,280 --> 00:36:09,480
Speaker 3: And I think the because I, yeah, I David Busters

751
00:36:09,520 --> 00:36:12,640
Speaker 3: gave this to me. I believe it's David Busters. Uh

752
00:36:12,719 --> 00:36:13,480
Speaker 3: Sands battery.

753
00:36:13,880 --> 00:36:15,320
Speaker 2: Oh they didn't give you a battery.

754
00:36:15,600 --> 00:36:18,560
Speaker 3: No they didn't, and so I had to go. I

755
00:36:18,600 --> 00:36:21,000
Speaker 3: had it on my I remember this was years ago.

756
00:36:21,280 --> 00:36:23,759
Speaker 3: I had it on my list on my phone forever,

757
00:36:24,040 --> 00:36:28,160
Speaker 3: like in my like house chores list by double D

758
00:36:28,600 --> 00:36:32,319
Speaker 3: D battery or whatever. That's probably not double D double D.

759
00:36:33,960 --> 00:36:36,640
Speaker 3: It seems like a crossover. Yeah, I think, I think work.

760
00:36:36,719 --> 00:36:38,560
Speaker 3: I think it's crossing.

761
00:36:38,160 --> 00:36:40,960
Speaker 2: Over two worlds. You've got double A triple A.

762
00:36:41,440 --> 00:36:44,399
Speaker 3: Yeah, sort of a thirty four A thirty four double B.

763
00:36:47,400 --> 00:36:49,120
Speaker 2: What I guess there's just a D battery.

764
00:36:49,840 --> 00:36:52,600
Speaker 3: Yeah, okay, so I think that's probably a D battery.

765
00:36:53,360 --> 00:36:54,239
Speaker 3: Those can run you.

766
00:36:54,800 --> 00:36:57,319
Speaker 2: Those are at eleven dollars. You can't buy those in

767
00:36:57,360 --> 00:36:59,640
Speaker 2: like a thirty pack. Like with the small ones. They

768
00:37:00,160 --> 00:37:02,239
Speaker 2: get like a couple solid battery. It's the is it

769
00:37:02,239 --> 00:37:04,160
Speaker 2: the one that you can stick to your tongue? Have

770
00:37:04,239 --> 00:37:04,799
Speaker 2: you ever done this?

771
00:37:05,520 --> 00:37:06,880
Speaker 3: Stick a battery on your tongue?

772
00:37:06,920 --> 00:37:07,560
Speaker 2: You've never heard of.

773
00:37:08,320 --> 00:37:11,680
Speaker 3: Is it the little like the the circular one.

774
00:37:11,800 --> 00:37:13,440
Speaker 2: No, it's the one with the two little things on

775
00:37:13,520 --> 00:37:15,560
Speaker 2: the top. I think that's a D battery. And if

776
00:37:15,600 --> 00:37:17,239
Speaker 2: you touch your tongue at zaps you.

777
00:37:17,719 --> 00:37:18,600
Speaker 3: Should we take it out.

778
00:37:19,920 --> 00:37:23,759
Speaker 2: If we had the screwdriver, I would I absolutely get

779
00:37:23,760 --> 00:37:26,040
Speaker 2: to bust this open. No I didn't, not a shame.

780
00:37:26,080 --> 00:37:27,960
Speaker 2: I could have really zapped myself on.

781
00:37:29,480 --> 00:37:33,520
Speaker 3: That'll some wonderful engagement.

782
00:37:34,719 --> 00:37:37,160
Speaker 2: That this is something I would recommend trying at home.

783
00:37:37,480 --> 00:37:39,640
Speaker 3: I might. I mean with the other battery that I'm

784
00:37:39,640 --> 00:37:40,520
Speaker 3: sure I have laying.

785
00:37:40,360 --> 00:37:42,640
Speaker 2: Around that pack, get home and zap yourself.

786
00:37:42,920 --> 00:37:47,799
Speaker 3: So does it matter which way.

787
00:37:46,000 --> 00:37:49,440
Speaker 2: Because it's the sort of battery that only has one

788
00:37:51,120 --> 00:37:54,040
Speaker 2: I don't know what the battery components are, the zapper

789
00:37:54,160 --> 00:37:57,120
Speaker 2: elements that we'll send the battery juice into the tool.

790
00:37:57,640 --> 00:38:00,239
Speaker 2: It's like the bottom of it, it's like a square

791
00:38:00,239 --> 00:38:02,799
Speaker 2: like this, and then at the top are too little.

792
00:38:02,880 --> 00:38:04,879
Speaker 3: And this is Are these the plus signs?

793
00:38:05,719 --> 00:38:08,120
Speaker 2: Now that's where I don't know. Yeah, okay, but they're

794
00:38:08,160 --> 00:38:10,879
Speaker 2: the only part of it that would have electricity coming

795
00:38:10,960 --> 00:38:13,399
Speaker 2: out of it. So once that touches to the tongue,

796
00:38:13,440 --> 00:38:16,160
Speaker 2: you're getting zapped. You're having the time of your life.

797
00:38:16,160 --> 00:38:17,600
Speaker 2: It's thrill, your heart's.

798
00:38:17,360 --> 00:38:20,400
Speaker 3: Racing, dancing. Never felt so alive.

799
00:38:21,320 --> 00:38:23,160
Speaker 2: That feels like something that you could take to That

800
00:38:23,200 --> 00:38:24,719
Speaker 2: should be a new trend of like taking those to

801
00:38:24,840 --> 00:38:28,240
Speaker 2: music festivals and zapping yourself right at the moment.

802
00:38:30,920 --> 00:38:33,520
Speaker 3: You could lick a little bit of battery. Have you

803
00:38:33,560 --> 00:38:37,279
Speaker 3: ever Have you ever been to Santa Cruz and licked

804
00:38:37,320 --> 00:38:38,320
Speaker 3: a banana slug?

805
00:38:40,080 --> 00:38:41,279
Speaker 2: The first half of that mates.

806
00:38:42,719 --> 00:38:45,879
Speaker 3: Okay, so this is this is my friend who grew

807
00:38:45,960 --> 00:38:47,759
Speaker 3: up in Santa Cruz. This is like something that the

808
00:38:47,840 --> 00:38:50,720
Speaker 3: you see Santa Cruz kids doing, okay, because there's tons

809
00:38:50,719 --> 00:38:51,959
Speaker 3: of banana slugs.

810
00:38:51,640 --> 00:38:53,920
Speaker 2: There, and this is an actual slug.

811
00:38:54,360 --> 00:38:58,840
Speaker 3: This is a literal slug. They're like big obvious slugs okay,

812
00:38:59,440 --> 00:39:01,880
Speaker 3: but yellow. So they're like kind of pretty okay, Like

813
00:39:01,880 --> 00:39:04,399
Speaker 3: they don't look like a typical like slug you find

814
00:39:04,400 --> 00:39:04,960
Speaker 3: in the dirt.

815
00:39:04,800 --> 00:39:06,560
Speaker 2: That are they like ocean slugs.

816
00:39:06,960 --> 00:39:08,720
Speaker 3: They're like forests slugs.

817
00:39:08,920 --> 00:39:09,360
Speaker 2: Okay.

818
00:39:10,200 --> 00:39:13,319
Speaker 3: And they're a little bit poisonous, but not so much

819
00:39:13,360 --> 00:39:15,480
Speaker 3: that it'll make you sick, just so much that it'll

820
00:39:15,640 --> 00:39:18,520
Speaker 3: numb your tongue in kind of a fun way. So

821
00:39:18,560 --> 00:39:21,120
Speaker 3: if you touch your tongue to them, they get it.

822
00:39:21,200 --> 00:39:22,759
Speaker 3: You get a little like buzz Wow.

823
00:39:22,800 --> 00:39:26,000
Speaker 2: This makes me feel better about only putting a battery

824
00:39:26,000 --> 00:39:28,400
Speaker 2: to my tongue. Yeah, have you done this with the slug?

825
00:39:28,520 --> 00:39:29,160
Speaker 3: I did do it.

826
00:39:29,200 --> 00:39:30,640
Speaker 2: And how numb did your tongue get?

827
00:39:30,920 --> 00:39:33,000
Speaker 3: Just a tiny bit. I was a little afraid. I

828
00:39:33,000 --> 00:39:35,920
Speaker 3: didn't go like whole hall. I also did want to

829
00:39:36,080 --> 00:39:40,680
Speaker 3: invade this animal space, right, so I went for a

830
00:39:40,880 --> 00:39:44,480
Speaker 3: very respectful sort of like light tap, light tap of

831
00:39:44,520 --> 00:39:47,279
Speaker 3: the tongue on the slug and it was just kind

832
00:39:47,320 --> 00:39:49,959
Speaker 3: of numb in the on the tip.

833
00:39:50,000 --> 00:39:50,879
Speaker 2: And for how long?

834
00:39:51,480 --> 00:39:55,080
Speaker 3: For like ten minutes? Fascinating Maybe I'm overestimating maybe like

835
00:39:55,080 --> 00:39:55,640
Speaker 3: two minutes.

836
00:39:55,800 --> 00:39:57,319
Speaker 2: So if you were to put your whole tongue to that,

837
00:39:57,360 --> 00:39:59,239
Speaker 2: you there's a chance you would bite your tongue, you.

838
00:39:59,280 --> 00:40:01,200
Speaker 3: Know, I mean, dentists need to know about it.

839
00:40:01,239 --> 00:40:02,760
Speaker 2: Yeah, dentist should be warned.

840
00:40:03,239 --> 00:40:07,400
Speaker 3: Dentists should be warned. Dentist, I'd like to warn dentists.

841
00:40:08,960 --> 00:40:11,319
Speaker 2: Wow, and did it taste gross? Yeah?

842
00:40:11,320 --> 00:40:13,799
Speaker 3: I don't remember what it tasted like, but it like

843
00:40:14,440 --> 00:40:18,000
Speaker 3: I don't think it was like good necessarily, but.

844
00:40:18,680 --> 00:40:22,480
Speaker 2: It's probably I would guess my guesses would be salty

845
00:40:22,640 --> 00:40:26,280
Speaker 2: or like kind of funky.

846
00:40:25,280 --> 00:40:29,880
Speaker 3: Funky for sure. Probably it's not like really a but

847
00:40:29,920 --> 00:40:33,760
Speaker 3: it also didn't taste like much. It was the main

848
00:40:34,000 --> 00:40:37,480
Speaker 3: thing I recall is is the sort of slug.

849
00:40:37,320 --> 00:40:39,960
Speaker 2: Buzz, Right, And so you went to Santa Cruz and

850
00:40:40,000 --> 00:40:41,520
Speaker 2: this just happened to be a thing you did or

851
00:40:41,600 --> 00:40:42,600
Speaker 2: was this part of the plan.

852
00:40:42,600 --> 00:40:44,960
Speaker 3: This is like part of the lore that you're supposed

853
00:40:45,000 --> 00:40:47,239
Speaker 3: to do. And I visited a friend and She's like,

854
00:40:47,520 --> 00:40:49,960
Speaker 3: this is what we do. This is what we do here.

855
00:40:50,320 --> 00:40:52,360
Speaker 3: So if you want to do it, you can't.

856
00:40:52,440 --> 00:40:54,080
Speaker 2: Wow. And so then did you have to go to

857
00:40:54,120 --> 00:40:56,200
Speaker 2: the forest to get it or did you have.

858
00:40:56,160 --> 00:40:57,719
Speaker 3: One you had to go through the for like you

859
00:40:57,880 --> 00:40:59,880
Speaker 3: they're but they're just kind of everywhere in the forest.

860
00:41:00,000 --> 00:41:04,160
Speaker 3: They are like very easy to find. Weirdly, it's very

861
00:41:04,280 --> 00:41:05,480
Speaker 3: it's a beautiful forest.

862
00:41:05,680 --> 00:41:09,160
Speaker 2: It's like a gorgeous like mushrooms growing and you're foraging

863
00:41:09,239 --> 00:41:09,680
Speaker 2: for things.

864
00:41:09,760 --> 00:41:11,600
Speaker 3: I think I think it's a big mushroom town.

865
00:41:11,680 --> 00:41:13,879
Speaker 2: Okay, see, this is something I would actually like to do.

866
00:41:14,080 --> 00:41:16,759
Speaker 2: I've never lived in an environment where, well maybe New

867
00:41:16,880 --> 00:41:18,400
Speaker 2: York you could probably forage, but you'd have to go

868
00:41:18,440 --> 00:41:21,839
Speaker 2: outside the city. But La, there's no forest that's going

869
00:41:21,880 --> 00:41:24,880
Speaker 2: to have any real foraging happening.

870
00:41:25,080 --> 00:41:27,480
Speaker 3: No, no where. It's multiple I mean, every once in

871
00:41:27,520 --> 00:41:31,480
Speaker 3: a while, I'll see like a big mushroom in a

872
00:41:31,560 --> 00:41:36,040
Speaker 3: random sort of like dirty X tree stuff parking. Yeah,

873
00:41:36,040 --> 00:41:39,000
Speaker 3: something where you're like, something is a rye here. This

874
00:41:39,080 --> 00:41:42,120
Speaker 3: shouldn't be here. It doesn't look happy here exactly.

875
00:41:42,719 --> 00:41:44,640
Speaker 2: No. I want to go into the forest, find those

876
00:41:44,719 --> 00:41:49,360
Speaker 2: find various berries. And now there's this slug element.

877
00:41:49,040 --> 00:41:50,839
Speaker 3: And now there's a slug element for you as well.

878
00:41:50,920 --> 00:41:52,320
Speaker 2: And there's no fear of getting sick.

879
00:41:52,960 --> 00:41:55,879
Speaker 3: I was afraid of that, Okay, I definitely had that fear.

880
00:41:56,400 --> 00:41:58,359
Speaker 2: Somebody must have gotten sick from that at some point.

881
00:41:58,440 --> 00:41:59,640
Speaker 2: That's a filthy creature.

882
00:42:00,680 --> 00:42:05,480
Speaker 3: There's no way nobody has. It certainly felt like a risk, okay.

883
00:42:05,480 --> 00:42:07,640
Speaker 2: And a Santa Cruz where they have the little like

884
00:42:08,000 --> 00:42:10,600
Speaker 2: Carnival by the Ocean, the little fair or the little

885
00:42:11,120 --> 00:42:13,799
Speaker 2: amusement park, yeah, because I believe when I went there

886
00:42:13,920 --> 00:42:16,640
Speaker 2: they had the roller coaster. And it's kind of claim

887
00:42:16,719 --> 00:42:19,720
Speaker 2: to fame is that it was in the Michelle Pfeiffer

888
00:42:19,920 --> 00:42:21,719
Speaker 2: film Dangerous Minds.

889
00:42:21,960 --> 00:42:24,160
Speaker 3: Oh ye did I write it?

890
00:42:24,200 --> 00:42:25,040
Speaker 2: I can't remember?

891
00:42:25,320 --> 00:42:28,440
Speaker 3: That sounds right, I mean it feels like kind of

892
00:42:28,440 --> 00:42:30,640
Speaker 3: a yeah, it's kind of like a spooky carnival, sort

893
00:42:30,719 --> 00:42:36,720
Speaker 3: of like like not Coney Island entirely. Okay, there's vibes

894
00:42:36,760 --> 00:42:37,040
Speaker 3: of that.

895
00:42:37,120 --> 00:42:40,880
Speaker 2: It's anytime you have an old kind of amusement park. Yeah.

896
00:42:41,080 --> 00:42:45,040
Speaker 2: The Michelle Pfeiffer has used as a shooting location of course.

897
00:42:45,320 --> 00:42:52,719
Speaker 3: Of course, where there's carnival, there's fifer. Do you ever

898
00:42:52,760 --> 00:42:56,760
Speaker 3: get those clips of like fake podcasts that are ads.

899
00:42:56,800 --> 00:42:59,560
Speaker 2: They're ramping up. Yeah, they're really ramping up a lot

900
00:42:59,560 --> 00:43:01,839
Speaker 2: of the fake ones and now even faker where they're

901
00:43:01,840 --> 00:43:05,520
Speaker 2: now AI people. So it's like, ye, before it was

902
00:43:05,600 --> 00:43:07,239
Speaker 2: just like, well, this is certainly not a clip from

903
00:43:07,239 --> 00:43:09,000
Speaker 2: a real podcast. It's an actor or whatever.

904
00:43:09,040 --> 00:43:10,920
Speaker 3: It's like, okay, they're acting it out. Now it's just

905
00:43:11,000 --> 00:43:15,480
Speaker 3: like have you seen this insurance? Yes, I've seen this insurance?

906
00:43:18,080 --> 00:43:19,520
Speaker 3: Wait where do I sign up?

907
00:43:20,200 --> 00:43:23,040
Speaker 2: Where are they sourcing these fake people outside of the

908
00:43:23,080 --> 00:43:26,240
Speaker 2: AI realm to be like you reach out to somebody

909
00:43:26,239 --> 00:43:28,960
Speaker 2: and you're like, will you do a fake I mean

910
00:43:29,000 --> 00:43:31,400
Speaker 2: I think that not only ads at this point, but

911
00:43:31,400 --> 00:43:34,560
Speaker 2: people are like creating. They'll make a phony little podcast

912
00:43:34,600 --> 00:43:37,440
Speaker 2: studio just to make clips to post to a TikTok

913
00:43:37,719 --> 00:43:39,880
Speaker 2: that lead and they don't ever lead back to an

914
00:43:39,880 --> 00:43:40,759
Speaker 2: actual podcast.

915
00:43:40,920 --> 00:43:44,919
Speaker 3: Yeah, it's sort of this weird circular industry now where

916
00:43:44,920 --> 00:43:48,880
Speaker 3: it's all just like imitating a thing that isn't real.

917
00:43:49,040 --> 00:43:51,680
Speaker 3: That is also, but I don't know where where you

918
00:43:51,719 --> 00:43:54,640
Speaker 3: get these fake people. I'm not sure I get these

919
00:43:54,760 --> 00:44:00,520
Speaker 3: mass emails sometimes because I've like posted on TikTok for years.

920
00:44:00,520 --> 00:44:02,880
Speaker 3: I was doing that, and so I think I've gotten

921
00:44:02,920 --> 00:44:06,279
Speaker 3: on this like some random track, but it'll be like

922
00:44:06,920 --> 00:44:09,359
Speaker 3: random emails that like I can't really pronounce the name

923
00:44:09,400 --> 00:44:11,839
Speaker 3: of Like it'll be a company that's like keyGo or

924
00:44:12,040 --> 00:44:14,880
Speaker 3: Gee Geeky, right, like a bunch of cues and exes,

925
00:44:15,320 --> 00:44:18,920
Speaker 3: and they're like, we're paying creators three hundred dollars to

926
00:44:19,040 --> 00:44:24,880
Speaker 3: do this script. And then it's always like ads for

927
00:44:24,960 --> 00:44:27,680
Speaker 3: mobile games where it's like the exact same script and

928
00:44:27,719 --> 00:44:30,400
Speaker 3: they want like five hundred different.

929
00:44:30,160 --> 00:44:32,839
Speaker 2: People to do it these mobile games. The money being

930
00:44:32,880 --> 00:44:34,200
Speaker 2: poured into mobile game.

931
00:44:34,040 --> 00:44:37,160
Speaker 3: Ads, it's unbelievable.

932
00:44:37,520 --> 00:44:40,880
Speaker 2: I've tried. Something is a foot, Something's extremely a foot.

933
00:44:41,000 --> 00:44:44,600
Speaker 2: Because years ago I read that they had the Monopoly

934
00:44:44,680 --> 00:44:48,759
Speaker 2: goes ad budget was five hundred million dollars. That's not

935
00:44:48,800 --> 00:44:51,680
Speaker 2: an exaggeration. They spent half a billion.

936
00:44:51,360 --> 00:44:54,960
Speaker 3: Dollars half a billion dollars.

937
00:44:54,600 --> 00:44:58,919
Speaker 2: To advertise Monopoly Go. And I never fall for these games.

938
00:44:58,960 --> 00:45:02,799
Speaker 2: I know this is your garbage, but people do. And

939
00:45:02,840 --> 00:45:04,759
Speaker 2: then I remember a listener reached out and she's like,

940
00:45:04,840 --> 00:45:09,680
Speaker 2: this is I'm so ashamed to say. My boyfriend found

941
00:45:09,880 --> 00:45:12,640
Speaker 2: out I had spent six hundred dollars on Monopoly Go.

942
00:45:14,120 --> 00:45:16,280
Speaker 2: So they're bringing there, they're hooking people.

943
00:45:16,320 --> 00:45:18,520
Speaker 3: What are you spending the money on is it just

944
00:45:19,040 --> 00:45:21,960
Speaker 3: well I guess, I guess it's a money game, so

945
00:45:22,000 --> 00:45:23,360
Speaker 3: that actually.

946
00:45:24,600 --> 00:45:27,480
Speaker 2: Yeah, it's like the money it's almost like an exchange rate.

947
00:45:28,000 --> 00:45:32,000
Speaker 2: My money goes towards Monopoly bucks probably, yeah, But most

948
00:45:32,000 --> 00:45:34,160
Speaker 2: of these games, it's just like the game is horrible

949
00:45:34,200 --> 00:45:36,520
Speaker 2: and unusable until you start spending money on it.

950
00:45:36,680 --> 00:45:38,280
Speaker 3: And it's not even like cute.

951
00:45:38,719 --> 00:45:41,160
Speaker 2: No, none of them are cute. It's like garb. I mean,

952
00:45:41,160 --> 00:45:42,280
Speaker 2: it's true garbage.

953
00:45:42,520 --> 00:45:47,840
Speaker 3: The king is stuck in a tube. What's going on

954
00:45:47,920 --> 00:45:50,879
Speaker 3: with this king? What is his jurisdiction? What country does

955
00:45:50,880 --> 00:45:53,200
Speaker 3: he rule over? Who am I in this situation?

956
00:45:53,360 --> 00:45:56,719
Speaker 2: Why is he drowning in sewage? It's like he puts

957
00:45:56,800 --> 00:45:58,840
Speaker 2: himself in such precarious situations?

958
00:45:59,280 --> 00:46:01,560
Speaker 3: Is the king in all this? The king is like

959
00:46:01,719 --> 00:46:04,040
Speaker 3: Bart Simpson, she's up to no good.

960
00:46:05,239 --> 00:46:06,960
Speaker 2: I just want to see him on his throne and

961
00:46:07,080 --> 00:46:10,120
Speaker 2: just kind of looking out for his people. Yet sometimes

962
00:46:10,120 --> 00:46:13,080
Speaker 2: like he's near spikes, things are falling on him and

963
00:46:13,120 --> 00:46:14,279
Speaker 2: they want me to protect him.

964
00:46:14,440 --> 00:46:17,120
Speaker 3: And you think with a king game, like there's there's

965
00:46:17,160 --> 00:46:19,960
Speaker 3: like king things you could do that would be fun

966
00:46:20,120 --> 00:46:23,880
Speaker 3: to gamify, Like, Okay, we're going to sign a treaty,

967
00:46:23,920 --> 00:46:27,240
Speaker 3: We're going to like start a war if that's fun

968
00:46:27,320 --> 00:46:29,800
Speaker 3: for some video gamers.

969
00:46:29,560 --> 00:46:32,319
Speaker 2: Yeah, they're like there's certain like escapist elements of being

970
00:46:32,360 --> 00:46:33,760
Speaker 2: a king in a fantasy.

971
00:46:33,440 --> 00:46:36,440
Speaker 3: Land that makes sense, Jewels.

972
00:46:35,560 --> 00:46:39,120
Speaker 2: Not being trapped in death traps, you know, like big moments.

973
00:46:38,840 --> 00:46:41,240
Speaker 3: From wish I were a king, so then I could

974
00:46:41,600 --> 00:46:45,040
Speaker 3: be stuck in a poop tube. Somebody has to get.

975
00:46:44,840 --> 00:46:48,239
Speaker 2: Me out that. There's that king that I often get

976
00:46:48,239 --> 00:46:51,279
Speaker 2: confronted by. And then there's this poor gal. She's got

977
00:46:51,320 --> 00:46:53,920
Speaker 2: all sorts of like blemishes and she's out in the cold.

978
00:46:55,880 --> 00:47:01,160
Speaker 2: She's kind of like a nineteenth century peasant in Russia somewhere,

979
00:47:01,200 --> 00:47:04,360
Speaker 2: but she also has zits, and it's like, help change

980
00:47:04,360 --> 00:47:07,279
Speaker 2: her life. That's I think that's like the game is

981
00:47:07,280 --> 00:47:10,120
Speaker 2: called like basically, I've.

982
00:47:09,640 --> 00:47:13,320
Speaker 3: Seen ones like these where it is like this poor woman,

983
00:47:13,640 --> 00:47:16,800
Speaker 3: look at this loser. My god, she's in a situation,

984
00:47:17,719 --> 00:47:20,680
Speaker 3: and we have to do something about this. A lot

985
00:47:20,760 --> 00:47:24,280
Speaker 3: of times it's like okay, and should I have a baby,

986
00:47:24,480 --> 00:47:27,480
Speaker 3: or should I marry the poor man? Or should I

987
00:47:27,560 --> 00:47:30,440
Speaker 3: marry the rich man? And it just doesn't seem like

988
00:47:30,480 --> 00:47:31,759
Speaker 3: there's a whole lot to.

989
00:47:31,719 --> 00:47:34,200
Speaker 2: Be no doing. And then I imagine, once you get

990
00:47:34,200 --> 00:47:37,799
Speaker 2: into the game, it's just candy crush, but in different colors. Yeah, right,

991
00:47:37,880 --> 00:47:40,080
Speaker 2: Like they're not You're not actually helping this gal or

992
00:47:40,120 --> 00:47:43,200
Speaker 2: this king. You're just matching different colors and then spending

993
00:47:43,239 --> 00:47:44,960
Speaker 2: your money while your boyfriend doesn't know.

994
00:47:45,120 --> 00:47:48,080
Speaker 3: How does this candy crush get this woman out of

995
00:47:48,080 --> 00:47:48,799
Speaker 3: this situation?

996
00:47:48,920 --> 00:47:51,879
Speaker 2: And meanwhile, there's no class, no game about this about

997
00:47:51,880 --> 00:47:53,680
Speaker 2: the middle class. You know, we have the king and

998
00:47:53,800 --> 00:47:55,200
Speaker 2: we have this peasant out in the cold.

999
00:47:55,719 --> 00:47:56,720
Speaker 3: What about the everyman?

1000
00:47:56,920 --> 00:47:59,960
Speaker 2: The middle class is disappearing, even in mobiles.

1001
00:47:59,719 --> 00:48:01,239
Speaker 3: Merch class. The blacksmith.

1002
00:48:01,360 --> 00:48:03,919
Speaker 2: Yes, somebody with a job who's that kind of together

1003
00:48:04,000 --> 00:48:06,240
Speaker 2: should also be in life threatening danger.

1004
00:48:06,560 --> 00:48:09,439
Speaker 3: Yeah, and we can get him out of stuff. There's

1005
00:48:10,640 --> 00:48:12,799
Speaker 3: there's no in between. There's these extremes.

1006
00:48:13,080 --> 00:48:16,839
Speaker 2: We're so divided the world we live in. I've been

1007
00:48:17,800 --> 00:48:21,440
Speaker 2: watching a lot of garbage on TV, seper Lives and

1008
00:48:21,480 --> 00:48:24,160
Speaker 2: Mormon Wives in Real House and the ads.

1009
00:48:24,160 --> 00:48:25,719
Speaker 3: I'm sure love Salt Lake City.

1010
00:48:25,880 --> 00:48:28,120
Speaker 2: We love our gals on Salt Lake City, don't we.

1011
00:48:28,680 --> 00:48:31,880
Speaker 3: I'm a little behind. I confess I'm a season behind it. Okay,

1012
00:48:32,000 --> 00:48:33,239
Speaker 3: I do love them.

1013
00:48:33,239 --> 00:48:36,840
Speaker 2: There are some big I think some big changes coming yeah,

1014
00:48:37,800 --> 00:48:40,200
Speaker 2: I've heard things. I've heard the things I've heard.

1015
00:48:40,880 --> 00:48:44,479
Speaker 3: WHOA Okay, anyway, I'm on the edge of my seat.

1016
00:48:45,680 --> 00:48:48,000
Speaker 2: I'm forced to watch this ad for this new thing

1017
00:48:48,080 --> 00:48:50,760
Speaker 2: called missed Play. Have you heard of missed play?

1018
00:48:50,880 --> 00:48:53,120
Speaker 3: That sounds so familiar, But I couldn't tell you it was.

1019
00:48:53,080 --> 00:48:56,600
Speaker 2: The newest obvious game scam. But they're trying to tell

1020
00:48:56,640 --> 00:48:59,120
Speaker 2: people it's a job. They say, you play the game

1021
00:48:59,600 --> 00:49:02,279
Speaker 2: to make funny and it's just like it's literally like

1022
00:49:02,280 --> 00:49:04,600
Speaker 2: the ad is this woman who's failing at every other

1023
00:49:04,680 --> 00:49:06,680
Speaker 2: area of her life, she's trying to make money. She

1024
00:49:06,760 --> 00:49:10,319
Speaker 2: finally settles on playing a mobile game to make money. Oh,

1025
00:49:10,440 --> 00:49:12,239
Speaker 2: I mean, what are they doing to these people? Like

1026
00:49:12,440 --> 00:49:15,040
Speaker 2: what dark end is happening with this game?

1027
00:49:15,200 --> 00:49:19,040
Speaker 3: Yeah, we can't, we can't. We've never ever took taken

1028
00:49:19,120 --> 00:49:21,520
Speaker 3: the advertising angle of these are jobs.

1029
00:49:21,680 --> 00:49:24,080
Speaker 2: Yeah, candy Crush is job.

1030
00:49:24,840 --> 00:49:27,279
Speaker 3: But I have heard these like AI women being like

1031
00:49:28,080 --> 00:49:29,080
Speaker 3: I used to have.

1032
00:49:29,400 --> 00:49:32,600
Speaker 2: I like I was a peasant in the cold, covered

1033
00:49:32,640 --> 00:49:33,160
Speaker 2: in zits.

1034
00:49:34,520 --> 00:49:37,280
Speaker 3: I was a Russian peasant covered in zits and now

1035
00:49:37,920 --> 00:49:42,719
Speaker 3: I'm a millionaire. It's so crazy, Like I make three

1036
00:49:42,800 --> 00:49:46,279
Speaker 3: hundred dollars a week playing. Oh, it's solitaire, so one

1037
00:49:46,320 --> 00:49:48,319
Speaker 3: that I keep getting. I keep getting these women who

1038
00:49:48,360 --> 00:49:50,719
Speaker 3: are playing solitaire for money as a job.

1039
00:49:51,320 --> 00:49:51,800
Speaker 2: Gambling.

1040
00:49:52,440 --> 00:49:53,280
Speaker 3: It is gambling.

1041
00:49:53,480 --> 00:49:56,680
Speaker 2: Gambling is a job. That's what they all are. Really,

1042
00:49:56,760 --> 00:49:58,320
Speaker 2: They're all essentially just gambling.

1043
00:49:58,719 --> 00:49:59,359
Speaker 3: Yeah.

1044
00:49:59,600 --> 00:50:04,200
Speaker 2: Ye, every area of American and probably everyone's life at

1045
00:50:04,200 --> 00:50:05,080
Speaker 2: this point is gambling.

1046
00:50:05,239 --> 00:50:07,240
Speaker 3: It's all gambling. Do you like gambling?

1047
00:50:07,520 --> 00:50:09,319
Speaker 2: You hate gambling. I went to.

1048
00:50:09,400 --> 00:50:12,360
Speaker 3: Vegas one time and I spent a total of I

1049
00:50:12,400 --> 00:50:15,160
Speaker 3: gambled eighty dollars, okay, And I was like, oh, yeah,

1050
00:50:15,360 --> 00:50:17,600
Speaker 3: I'll give myself like one hundred dollars to just like

1051
00:50:17,719 --> 00:50:19,920
Speaker 3: gamble away and then like it doesn't matter what happens

1052
00:50:19,920 --> 00:50:22,920
Speaker 3: to it. But they never gave me an ounce of

1053
00:50:23,040 --> 00:50:23,880
Speaker 3: money back.

1054
00:50:23,960 --> 00:50:25,319
Speaker 2: Like I never made anything back.

1055
00:50:25,360 --> 00:50:27,680
Speaker 3: I never made anything back except for like a dollar

1056
00:50:27,760 --> 00:50:30,879
Speaker 3: here and there. But I never, like, they never hooked.

1057
00:50:30,560 --> 00:50:32,560
Speaker 2: Me with any amount. You want a little hook so

1058
00:50:32,640 --> 00:50:35,880
Speaker 2: you're like, oh, it can work. Yeah, you need to

1059
00:50:35,880 --> 00:50:37,959
Speaker 2: know at least once that like there will be some

1060
00:50:38,640 --> 00:50:40,640
Speaker 2: coming back to you so then you'll keep doing it.

1061
00:50:40,719 --> 00:50:42,640
Speaker 3: I need like a little bit of an incentive. I

1062
00:50:42,640 --> 00:50:44,520
Speaker 3: need like a twenty or something here and there. But

1063
00:50:44,560 --> 00:50:46,319
Speaker 3: they didn't. They didn't give me any of that, and

1064
00:50:46,400 --> 00:50:48,960
Speaker 3: I was willing to start a gambling problem.

1065
00:50:49,000 --> 00:50:50,640
Speaker 2: The casino industry failed you.

1066
00:50:50,680 --> 00:50:56,240
Speaker 3: The casino industry failed I felt othered and had cast

1067
00:50:56,320 --> 00:50:58,239
Speaker 3: aside unwanted.

1068
00:50:58,360 --> 00:50:59,400
Speaker 2: What games were you playing?

1069
00:50:59,680 --> 00:51:01,440
Speaker 3: I was playing a lot of slot machines.

1070
00:51:01,440 --> 00:51:03,520
Speaker 2: Okay, see this is one, like that's the only one

1071
00:51:03,520 --> 00:51:05,040
Speaker 2: that I can kind of figure out how to play.

1072
00:51:05,160 --> 00:51:08,400
Speaker 2: And apparently that's the worst one for gambling, Apparently it's.

1073
00:51:08,239 --> 00:51:12,600
Speaker 3: Not good for actually making money, right. And then I

1074
00:51:12,680 --> 00:51:15,560
Speaker 3: played blackjack a couple times with like one of those

1075
00:51:15,640 --> 00:51:21,080
Speaker 3: like hot virtual blackjack dealers. Hey, big play, you want

1076
00:51:21,080 --> 00:51:25,879
Speaker 3: to put down a card? And I was just mesmerized

1077
00:51:25,920 --> 00:51:30,680
Speaker 3: by her. But I also don't really know blackjack very well,

1078
00:51:30,800 --> 00:51:35,440
Speaker 3: so I didn't have the confidence to like fully right

1079
00:51:35,520 --> 00:51:39,680
Speaker 3: to show off. Yeah, she may be so nervous. No,

1080
00:51:39,880 --> 00:51:42,000
Speaker 3: I think I just didn't know how to play. So

1081
00:51:42,080 --> 00:51:43,880
Speaker 3: I didn't make any money. But I thought that the

1082
00:51:43,880 --> 00:51:46,840
Speaker 3: slot machines would give me at least something.

1083
00:51:46,880 --> 00:51:51,320
Speaker 2: No. I recently was kind of had to gamble and

1084
00:51:51,640 --> 00:51:53,560
Speaker 2: I did slot machine and I was just like, I

1085
00:51:53,760 --> 00:51:55,799
Speaker 2: don't think I made a cent, and I was it

1086
00:51:55,840 --> 00:51:59,640
Speaker 2: wasn't even fun. Yeah, Okay, there's no element of this

1087
00:51:59,640 --> 00:52:00,359
Speaker 2: that I'm in joint.

1088
00:52:00,520 --> 00:52:03,160
Speaker 3: No, I like the free watery drinks though, that's I

1089
00:52:03,160 --> 00:52:05,880
Speaker 3: didn't even get a free watery drink. Nobody brought you

1090
00:52:05,920 --> 00:52:06,799
Speaker 3: a free watery drink.

1091
00:52:06,840 --> 00:52:08,799
Speaker 2: Oh, this was at the Palm Springs Casino. I think

1092
00:52:08,800 --> 00:52:12,040
Speaker 2: it's a little low rent. Oh yeah, you know, it's

1093
00:52:12,160 --> 00:52:16,280
Speaker 2: kind of just one medium size room of yeah sad people.

1094
00:52:16,400 --> 00:52:19,680
Speaker 2: And uh, what I was shocked to learn was I

1095
00:52:19,680 --> 00:52:22,000
Speaker 2: barely knew how to use a slot machine, which feels

1096
00:52:22,040 --> 00:52:25,440
Speaker 2: like there's one step I got to it. I was like,

1097
00:52:25,440 --> 00:52:26,960
Speaker 2: oh my god, this is complicated.

1098
00:52:27,120 --> 00:52:29,560
Speaker 3: Yeah, like, certainly I should be smart enough to use

1099
00:52:29,600 --> 00:52:30,359
Speaker 3: this thing because they.

1100
00:52:30,320 --> 00:52:32,600
Speaker 2: Don't really have the arm as much anymore. It's more

1101
00:52:32,600 --> 00:52:34,600
Speaker 2: of the buttons and the touch screens.

1102
00:52:34,840 --> 00:52:37,719
Speaker 3: Yeah, and there's like the doubler and the multiplier and

1103
00:52:37,760 --> 00:52:39,480
Speaker 3: like the one X like weird.

1104
00:52:39,560 --> 00:52:40,880
Speaker 2: Yeah, all of those little things.

1105
00:52:40,920 --> 00:52:42,759
Speaker 3: I want to pull a lever.

1106
00:52:42,880 --> 00:52:44,080
Speaker 2: I don't need to read a book on how to

1107
00:52:44,200 --> 00:52:46,279
Speaker 2: use this thing. No, let me pull it. And then

1108
00:52:46,360 --> 00:52:50,120
Speaker 2: like three cherries line up and I'm yeah, headed to MAUI.

1109
00:52:52,400 --> 00:52:53,279
Speaker 3: That's what I want.

1110
00:52:53,400 --> 00:52:53,799
Speaker 2: I want.

1111
00:52:53,880 --> 00:52:56,560
Speaker 3: I need something tac time, right, because if it's just

1112
00:52:56,600 --> 00:53:00,080
Speaker 3: on a screen, this is what I don't really. I

1113
00:53:00,080 --> 00:53:03,320
Speaker 3: I don't think I could get addicted to mobile sports

1114
00:53:03,320 --> 00:53:06,280
Speaker 3: betting because I'm like, I feel like I want the texature.

1115
00:53:06,560 --> 00:53:08,120
Speaker 3: I want to be at the race tracks.

1116
00:53:08,320 --> 00:53:11,279
Speaker 2: Right. Yeah, it all goes away and then it is

1117
00:53:11,360 --> 00:53:13,680
Speaker 2: just literally taking your money and there's no other thing

1118
00:53:13,719 --> 00:53:16,480
Speaker 2: about it. Yeah, at least in a casino, somebody's breathing

1119
00:53:16,520 --> 00:53:17,600
Speaker 2: smoke down your throat.

1120
00:53:18,080 --> 00:53:22,560
Speaker 3: Yes, you're like, where does the exit start and end?

1121
00:53:22,239 --> 00:53:25,879
Speaker 3: How long have I been here? I can't tell where

1122
00:53:25,880 --> 00:53:26,200
Speaker 3: I am.

1123
00:53:26,880 --> 00:53:30,080
Speaker 2: My family doesn't know where I am. I've lost service,

1124
00:53:30,160 --> 00:53:30,719
Speaker 2: no one has.

1125
00:53:30,640 --> 00:53:34,880
Speaker 3: Heard from me. I'm hungry, I'm drunk. There's like stuff

1126
00:53:35,040 --> 00:53:38,120
Speaker 3: going on. There's there's a bit of glamor to that.

1127
00:53:39,040 --> 00:53:40,200
Speaker 2: What casino where you at?

1128
00:53:40,719 --> 00:53:42,880
Speaker 3: I couldn't tell you. Wow, I mean they're all I

1129
00:53:42,920 --> 00:53:46,040
Speaker 3: was in Vegas and they're all like they all just

1130
00:53:46,120 --> 00:53:48,480
Speaker 3: kind of blend into it. It's really hard to tell.

1131
00:53:49,400 --> 00:53:52,560
Speaker 3: But I liked the other parts of Vegas. It kind

1132
00:53:52,560 --> 00:53:55,799
Speaker 3: of feels like you're in like a weird sort of

1133
00:53:55,840 --> 00:54:02,920
Speaker 3: like European Disneyland. Everyone's open, containering. It's like a strange playground.

1134
00:54:03,080 --> 00:54:05,880
Speaker 3: I saw the Blue Man Group and they were phenomenal.

1135
00:54:07,440 --> 00:54:09,439
Speaker 2: Are they over now? Did they close it down.

1136
00:54:09,680 --> 00:54:13,680
Speaker 3: Oh, I think they've closed down a different theater still

1137
00:54:13,719 --> 00:54:14,280
Speaker 3: in Vegas.

1138
00:54:14,360 --> 00:54:16,879
Speaker 2: Oh, I think maybe they closed the one in maybe

1139
00:54:16,960 --> 00:54:19,840
Speaker 2: New York, the Village or something. Yeah, I feel like

1140
00:54:19,840 --> 00:54:22,480
Speaker 2: I've walked past it closed Blue Men group that you

1141
00:54:22,600 --> 00:54:27,680
Speaker 2: hate to see that our nation's bluemn group shutting down. Well,

1142
00:54:27,719 --> 00:54:29,120
Speaker 2: so you've got to see the Blue Man group and

1143
00:54:29,160 --> 00:54:29,880
Speaker 2: do anything else.

1144
00:54:30,080 --> 00:54:33,719
Speaker 3: I hung out in the Flamingo pool for a while,

1145
00:54:34,480 --> 00:54:39,880
Speaker 3: which was yeah, and I couldn't. It was where I

1146
00:54:39,920 --> 00:54:42,000
Speaker 3: wish I could like turn off my brain and know

1147
00:54:42,160 --> 00:54:47,719
Speaker 3: less things. But my friend's dad works in the pool industry. Okay,

1148
00:54:47,840 --> 00:54:51,400
Speaker 3: he says highest levels of poop are in the Vegas

1149
00:54:51,400 --> 00:54:55,600
Speaker 3: pools of any pool in the in the state, not

1150
00:54:55,719 --> 00:54:56,680
Speaker 3: the state of the country.

1151
00:54:56,800 --> 00:54:58,960
Speaker 2: I don't need a pool PhD to tell you that

1152
00:54:58,960 --> 00:55:01,440
Speaker 2: those are just full of absolute carpet.

1153
00:55:01,560 --> 00:55:03,120
Speaker 3: I guess this is not a revelation.

1154
00:55:03,520 --> 00:55:05,919
Speaker 2: I mean, I'm sure the poop is probably the least

1155
00:55:05,920 --> 00:55:07,480
Speaker 2: of your worries in one of those pools. Oh yeah,

1156
00:55:07,480 --> 00:55:11,360
Speaker 2: there's probably just blood in those pools. Filth.

1157
00:55:12,520 --> 00:55:16,640
Speaker 3: Really, you really can't look down when you're in just

1158
00:55:16,719 --> 00:55:21,799
Speaker 3: looking up directly the get heat stroke. Three margaritas in

1159
00:55:22,640 --> 00:55:26,000
Speaker 3: it really is. You don't feel well the entire time.

1160
00:55:26,120 --> 00:55:29,600
Speaker 2: That's kind of the Vegas experience, at least. I can't

1161
00:55:29,600 --> 00:55:32,879
Speaker 2: speak for everyone. Of course, some people love the Vegas experience. Course,

1162
00:55:33,000 --> 00:55:35,120
Speaker 2: they love the glitz and glam and poop and pools

1163
00:55:36,239 --> 00:55:40,200
Speaker 2: and losing money and all of those other things. For me,

1164
00:55:41,080 --> 00:55:43,680
Speaker 2: not a not a place I really need to return to.

1165
00:55:44,120 --> 00:55:48,120
Speaker 3: No, I think I experienced it right, and I'm so

1166
00:55:48,160 --> 00:55:49,320
Speaker 3: grateful for that time.

1167
00:55:49,520 --> 00:55:52,759
Speaker 2: I'm slowly starting to feel the pull of the Sphere

1168
00:55:53,719 --> 00:55:57,719
Speaker 2: to experience whatever's going on in there once probably and

1169
00:55:57,920 --> 00:56:01,680
Speaker 2: I'll probably hate it. Yeah, I would like to see

1170
00:56:01,719 --> 00:56:02,440
Speaker 2: what's happening.

1171
00:56:02,560 --> 00:56:05,600
Speaker 3: I am also feeling the pull of the sphere right

1172
00:56:05,640 --> 00:56:07,960
Speaker 3: before they close it down, because I know it's all

1173
00:56:08,120 --> 00:56:12,200
Speaker 3: or something. Yeah, everyone, I feel like the online narrative

1174
00:56:12,280 --> 00:56:13,319
Speaker 3: of the sphere is like.

1175
00:56:13,719 --> 00:56:14,680
Speaker 2: This is bad.

1176
00:56:14,800 --> 00:56:18,000
Speaker 3: We don't want to go to the sphere, But I

1177
00:56:18,120 --> 00:56:18,840
Speaker 3: keep seeing it.

1178
00:56:18,880 --> 00:56:20,239
Speaker 2: I think you get in there and you're having a

1179
00:56:20,280 --> 00:56:23,000
Speaker 2: good time. You sure you're having you know, have you

1180
00:56:23,000 --> 00:56:26,160
Speaker 2: seen the mini sphere here in Burbank? No, they have

1181
00:56:26,280 --> 00:56:30,239
Speaker 2: a sphere we have. It's not public. This is a

1182
00:56:30,280 --> 00:56:31,200
Speaker 2: private sphere.

1183
00:56:31,239 --> 00:56:32,760
Speaker 3: This is a private sphere.

1184
00:56:33,920 --> 00:56:37,400
Speaker 2: This is their sphere. This is I believe the spheres,

1185
00:56:37,680 --> 00:56:41,040
Speaker 2: the beta sphere, enter the beta.

1186
00:56:40,800 --> 00:56:42,320
Speaker 3: Sphere, enter the beta sphere.

1187
00:56:44,600 --> 00:56:48,200
Speaker 2: That does feel like kind of uh, that's that you

1188
00:56:48,239 --> 00:56:50,279
Speaker 2: want to graduate from that into the Mano sphere. It's

1189
00:56:50,280 --> 00:56:53,280
Speaker 2: probably yeah, you started the beta sphere.

1190
00:56:53,320 --> 00:56:56,560
Speaker 3: That's you've got to get out of there so you

1191
00:56:56,600 --> 00:56:59,200
Speaker 3: could be a big, big, big man who eats protein

1192
00:56:59,280 --> 00:56:59,720
Speaker 3: all day.

1193
00:57:01,000 --> 00:57:04,120
Speaker 2: The more I say sphere, the more disoriented I fear.

1194
00:57:04,400 --> 00:57:08,680
Speaker 3: Sphere. It's like as it feels very future. Yeah, this

1195
00:57:08,719 --> 00:57:09,319
Speaker 3: feels like.

1196
00:57:09,320 --> 00:57:11,279
Speaker 2: We're touching something that has not been touched for.

1197
00:57:11,680 --> 00:57:15,520
Speaker 3: In the twenty first century right now, Like there is

1198
00:57:15,560 --> 00:57:19,600
Speaker 3: a two in front of all those numbers hard to

1199
00:57:20,160 --> 00:57:21,120
Speaker 3: We're not talking.

1200
00:57:20,880 --> 00:57:25,240
Speaker 2: About cubes or blocks or even pyramids.

1201
00:57:25,400 --> 00:57:29,280
Speaker 3: This is this is ancient history. This is Industrial revolution stuff.

1202
00:57:29,400 --> 00:57:31,520
Speaker 3: The sphere is the future.

1203
00:57:31,480 --> 00:57:34,400
Speaker 2: And there is a beta sphere, and I believe they

1204
00:57:34,400 --> 00:57:36,280
Speaker 2: go in there and they try out the things in there.

1205
00:57:36,480 --> 00:57:38,959
Speaker 3: Oh, so it's like a narrow reach out.

1206
00:57:39,760 --> 00:57:42,440
Speaker 2: I guess it's kind of a NASA gravity you know,

1207
00:57:42,480 --> 00:57:42,960
Speaker 2: I guess.

1208
00:57:42,800 --> 00:57:47,120
Speaker 3: It's gravity sort of simulators. But oh my gosh, do

1209
00:57:47,160 --> 00:57:49,920
Speaker 3: you think it So it's not open to the public.

1210
00:57:50,080 --> 00:57:52,920
Speaker 2: No, not open to the public. Can't buy tickets, Okay,

1211
00:57:53,000 --> 00:57:54,680
Speaker 2: I have to assume that they could give us a

1212
00:57:54,720 --> 00:57:57,360
Speaker 2: private tour. Sure, Spear reach.

1213
00:57:57,160 --> 00:58:00,800
Speaker 3: Out Sphere, Spear reach Out Sphere. If the AI for

1214
00:58:00,880 --> 00:58:04,320
Speaker 3: the sphere is scanning podcasts, I listen to the phrase

1215
00:58:04,400 --> 00:58:05,920
Speaker 3: I want to go to the sphere.

1216
00:58:06,760 --> 00:58:08,160
Speaker 2: I want to try Beta sphere.

1217
00:58:08,240 --> 00:58:09,680
Speaker 3: I would like to try betas.

1218
00:58:09,480 --> 00:58:14,600
Speaker 2: Before graduating to Alpha sphere. And that's the classic Vegas sphere.

1219
00:58:15,120 --> 00:58:17,200
Speaker 2: I wonder they're probably gonna build a sphere elsewhere.

1220
00:58:17,640 --> 00:58:20,400
Speaker 3: I'm sure if I mean, if I'm the sphere, I'm

1221
00:58:20,440 --> 00:58:23,680
Speaker 3: putting the sphere in everywhere I can get, every country

1222
00:58:23,720 --> 00:58:28,480
Speaker 3: I can find. I'm putting speares anywhere they'll let me.

1223
00:58:28,960 --> 00:58:30,560
Speaker 2: You're gonna see the sphere next time you go to

1224
00:58:30,600 --> 00:58:32,800
Speaker 2: the Burbank Airport or something, keep your eye out for

1225
00:58:33,560 --> 00:58:34,280
Speaker 2: a sphere.

1226
00:58:34,880 --> 00:58:37,760
Speaker 3: And right next to that guy Fiery restaurant and the

1227
00:58:38,440 --> 00:58:39,560
Speaker 3: is it an earth Cafe?

1228
00:58:40,240 --> 00:58:42,640
Speaker 2: Do you know what? I hate? Earth Cafe?

1229
00:58:42,760 --> 00:58:45,760
Speaker 3: Wow? I've never had something good from there.

1230
00:58:46,040 --> 00:58:48,240
Speaker 2: Not in a million years. I've had a lot of

1231
00:58:48,360 --> 00:58:53,240
Speaker 2: wilted spinach and sunflower seeds and very bad tasting coffee.

1232
00:58:53,600 --> 00:58:56,400
Speaker 2: But it's still kind of has maintained some sort of

1233
00:58:56,560 --> 00:58:57,560
Speaker 2: seeniness to it.

1234
00:58:57,800 --> 00:59:01,000
Speaker 3: I think it like has some there's some there's like

1235
00:59:01,080 --> 00:59:03,800
Speaker 3: a value to the brand, like they've got like a

1236
00:59:03,840 --> 00:59:06,200
Speaker 3: good name everyone. I think it's one of those things

1237
00:59:06,240 --> 00:59:07,640
Speaker 3: that everybody assumes.

1238
00:59:07,240 --> 00:59:09,280
Speaker 2: Is good, right, because it's you are.

1239
00:59:09,400 --> 00:59:11,960
Speaker 3: I've been going there since I was like it was

1240
00:59:12,000 --> 00:59:13,640
Speaker 3: like a place you'd go.

1241
00:59:13,480 --> 00:59:17,240
Speaker 2: Around for a while, right, Yeah, And it feels very

1242
00:59:17,440 --> 00:59:20,760
Speaker 2: entourage to me. Yeah, it feels like the guys would

1243
00:59:20,840 --> 00:59:23,360
Speaker 2: head down to Earth Cafe and now at a woman

1244
00:59:23,480 --> 00:59:24,200
Speaker 2: or something.

1245
00:59:24,320 --> 00:59:27,960
Speaker 3: You gotta be it's a great spot to yell at women. Oh,

1246
00:59:28,680 --> 00:59:30,080
Speaker 3: I have lots of women there.

1247
00:59:30,680 --> 00:59:34,320
Speaker 2: My entire assumption about what entourage is is guys driving

1248
00:59:34,320 --> 00:59:35,120
Speaker 2: around yelling.

1249
00:59:34,920 --> 00:59:40,320
Speaker 3: At If you'd said where what restaurant are the entourage

1250
00:59:40,560 --> 00:59:42,640
Speaker 3: guys going to? I don't know if I'd say Earth

1251
00:59:42,680 --> 00:59:44,120
Speaker 3: Cafe first.

1252
00:59:44,120 --> 00:59:46,640
Speaker 2: They probably make fun within that time period. They probably

1253
00:59:46,640 --> 00:59:48,560
Speaker 2: make fun of somebody going to the Earth Cafe.

1254
00:59:48,640 --> 00:59:49,720
Speaker 3: Oh, totally.

1255
00:59:49,800 --> 00:59:51,880
Speaker 2: The guy goes to the Earth Cafe and they say,

1256
00:59:52,120 --> 00:59:54,280
Speaker 2: what's going on with him? It's going on here, and

1257
00:59:54,280 --> 00:59:55,480
Speaker 2: then they call him a metro se.

1258
00:59:57,440 --> 00:59:58,240
Speaker 3: Metrosexual.

1259
00:59:58,440 --> 01:00:00,919
Speaker 2: We need to get back to calling people metro sexuals.

1260
01:00:01,000 --> 01:00:06,240
Speaker 3: Yeah, what a time period that one. What a time period.

1261
01:00:06,720 --> 01:00:10,120
Speaker 3: And I remember using the word. I remember using.

1262
01:00:09,800 --> 01:00:12,600
Speaker 2: The word in a very nasty way.

1263
01:00:13,880 --> 01:00:20,040
Speaker 3: Yes, and I said it derogatory metro sexual and it's

1264
01:00:20,120 --> 01:00:21,480
Speaker 3: just guys with scarves.

1265
01:00:21,560 --> 01:00:24,240
Speaker 2: Yeah, it was guys with scarves that had more than

1266
01:00:24,600 --> 01:00:28,800
Speaker 2: one ingredient in their coffee. Yeah, you were suddenly you

1267
01:00:28,840 --> 01:00:30,320
Speaker 2: were metro. You were sexual.

1268
01:00:31,080 --> 01:00:34,520
Speaker 3: You were metro. Oh and boy were you sexual?

1269
01:00:34,720 --> 01:00:37,560
Speaker 2: You were down at what I guess you would go

1270
01:00:37,560 --> 01:00:39,280
Speaker 2: to Forever twenty one or what's the other one?

1271
01:00:39,320 --> 01:00:39,400
Speaker 1: Oh?

1272
01:00:40,160 --> 01:00:42,440
Speaker 3: Yeah, Forever twenty one.

1273
01:00:42,840 --> 01:00:46,120
Speaker 2: There's the other h and M. No, there's the one

1274
01:00:46,120 --> 01:00:48,080
Speaker 2: that's kind of like it feels like this is where

1275
01:00:48,080 --> 01:00:50,080
Speaker 2: you would go for a cheap New Year's Eve outfit.

1276
01:00:50,200 --> 01:00:52,880
Speaker 3: Oh my god, ah for Charlotte Ruse.

1277
01:00:53,080 --> 01:00:56,920
Speaker 2: No, it's for boys and girls, Boys and girls Express Express.

1278
01:00:56,960 --> 01:00:59,120
Speaker 2: That's what I'm like. That feels like you would go

1279
01:00:59,160 --> 01:01:00,880
Speaker 2: for a cheap New Your's Eve outfit.

1280
01:01:01,000 --> 01:01:04,120
Speaker 3: Right, I'm a metrosexual in twenty ten and it's New

1281
01:01:04,200 --> 01:01:06,200
Speaker 3: Year's Eve. There's only one place I'm going.

1282
01:01:06,400 --> 01:01:10,440
Speaker 2: I've just done finished painting my nails. People are wondering,

1283
01:01:10,920 --> 01:01:12,760
Speaker 2: But the answer is, I'm metro.

1284
01:01:12,920 --> 01:01:16,000
Speaker 3: I'm Metro, and the New York Times is banging down

1285
01:01:16,040 --> 01:01:19,040
Speaker 3: my door to write a thing piece about me and

1286
01:01:19,160 --> 01:01:23,240
Speaker 3: several other men who look like me. Does anyone straight

1287
01:01:24,040 --> 01:01:28,640
Speaker 3: there's not much to say. We wear cardigans.

1288
01:01:28,800 --> 01:01:31,960
Speaker 2: Does anyone in the world identify as a metrosexual at

1289
01:01:32,000 --> 01:01:32,360
Speaker 2: this point?

1290
01:01:32,520 --> 01:01:34,840
Speaker 3: Metrosexuals, we want to hear from you. The sphere, we

1291
01:01:34,880 --> 01:01:35,560
Speaker 3: want to hear from you.

1292
01:01:36,400 --> 01:01:39,440
Speaker 2: The sphere overrun with metrosexuals.

1293
01:01:41,280 --> 01:01:45,480
Speaker 3: It's metrosexual night at the Sphere. Come on back.

1294
01:01:45,800 --> 01:01:48,160
Speaker 2: It's metrosexuals like you never have before.

1295
01:01:49,400 --> 01:01:52,320
Speaker 3: There the sphere is plastered with them.

1296
01:01:53,120 --> 01:01:54,800
Speaker 2: I'm going to ring in the new year at the

1297
01:01:54,840 --> 01:01:57,920
Speaker 2: Sphere with other metrosexuals, me and.

1298
01:01:57,880 --> 01:01:59,960
Speaker 3: A bunch of like minded guys.

1299
01:02:01,080 --> 01:02:03,160
Speaker 2: Now, a woman could never be a metro sensual.

1300
01:02:03,280 --> 01:02:07,800
Speaker 3: No, that's the tragic thing. That's the tragic thing, because cardigans,

1301
01:02:08,040 --> 01:02:10,400
Speaker 3: I would say, come from women in general.

1302
01:02:11,880 --> 01:02:13,600
Speaker 2: I think women need to break that.

1303
01:02:15,320 --> 01:02:17,840
Speaker 3: No, it's not you can't say anything anymore.

1304
01:02:18,400 --> 01:02:20,480
Speaker 2: Cardigan's Coming podcast.

1305
01:02:20,640 --> 01:02:24,800
Speaker 3: This is a thank you microphone. Thank god I have this.

1306
01:02:26,680 --> 01:02:29,640
Speaker 2: Ah, is there anything left to say about this?

1307
01:02:32,840 --> 01:02:35,960
Speaker 3: I mean, it's it's such a thing to be enjoyed

1308
01:02:36,080 --> 01:02:40,760
Speaker 3: when the noise is going and maybe perhaps there's other

1309
01:02:40,880 --> 01:02:43,240
Speaker 3: noises happening in the background to mask it.

1310
01:02:43,360 --> 01:02:45,560
Speaker 2: Kind of a white noise machine. Yeah.

1311
01:02:45,560 --> 01:02:46,920
Speaker 3: I bet you could sleep to it.

1312
01:02:47,000 --> 01:02:48,680
Speaker 2: Oh, that would be nice, and then wake up and

1313
01:02:48,880 --> 01:02:50,160
Speaker 2: scream when you see this.

1314
01:02:50,960 --> 01:02:55,480
Speaker 3: Yeah, if you're okay with encountering a monster sleep paralysis demon.

1315
01:02:56,760 --> 01:02:58,360
Speaker 2: Do you remember what game you played to win this?

1316
01:02:59,240 --> 01:03:02,440
Speaker 3: I don't know, but if I I mean when I

1317
01:03:02,520 --> 01:03:05,760
Speaker 3: go to Dave and Buster's, I'm heading straight for the

1318
01:03:05,800 --> 01:03:10,200
Speaker 3: Dealer No Deal Game time. I really like the Dealer

1319
01:03:10,240 --> 01:03:13,360
Speaker 3: No Deal Game it. I mean it is kind of

1320
01:03:13,400 --> 01:03:16,760
Speaker 3: like one of those only virtual things.

1321
01:03:17,200 --> 01:03:19,720
Speaker 2: And what are you doing. You're just picking which briefcase.

1322
01:03:20,200 --> 01:03:23,080
Speaker 3: Picking ladies, and you're going like, okay, number twelve, and

1323
01:03:23,160 --> 01:03:25,160
Speaker 3: then she opens it up and then she either goes

1324
01:03:25,200 --> 01:03:30,280
Speaker 3: like ooh or she goes like yay, and it's really good.

1325
01:03:30,360 --> 01:03:31,200
Speaker 3: I love those girls.

1326
01:03:31,240 --> 01:03:32,840
Speaker 2: Did they ever have bad things come out of the

1327
01:03:32,840 --> 01:03:34,000
Speaker 2: suitcases in the show?

1328
01:03:35,200 --> 01:03:41,760
Speaker 3: Like bad number? That's such a missed opportunity time to reboot.

1329
01:03:42,160 --> 01:03:43,560
Speaker 3: Because it's a suitcase.

1330
01:03:43,800 --> 01:03:45,520
Speaker 2: There should be all sorts of horrible things that come

1331
01:03:45,560 --> 01:03:45,840
Speaker 2: out of you.

1332
01:03:46,280 --> 01:03:48,840
Speaker 3: It shouldn't all be money, no, and then the banker

1333
01:03:48,840 --> 01:03:51,800
Speaker 3: should have to make a calculation with like okay, well

1334
01:03:51,920 --> 01:03:54,840
Speaker 3: that one's rats we know that there's still worms a

1335
01:03:54,880 --> 01:03:57,400
Speaker 3: million dollars and twelve dollars left, so I'm gonna go

1336
01:03:57,400 --> 01:04:00,000
Speaker 3: ahead and offer you ten thousand dollars.

1337
01:04:00,080 --> 01:04:03,320
Speaker 2: Feels like a real new version of the show. Yeah,

1338
01:04:03,440 --> 01:04:05,120
Speaker 2: one of those could have a person who's running out

1339
01:04:05,120 --> 01:04:09,360
Speaker 2: of oxygen. Yeah, just all kinds of things inside the briefcases.

1340
01:04:09,440 --> 01:04:12,400
Speaker 3: They could have activated it so much. Well, there was,

1341
01:04:12,640 --> 01:04:14,920
Speaker 3: and I didn't watch it all the way through. Dealer,

1342
01:04:15,040 --> 01:04:16,400
Speaker 3: No Deal Island.

1343
01:04:18,080 --> 01:04:20,040
Speaker 2: No Deal the movie.

1344
01:04:22,040 --> 01:04:27,520
Speaker 3: No, but I hope another unexplored fingers crossed there's an

1345
01:04:27,560 --> 01:04:34,040
Speaker 3: island Dealer, No Deal Island. Okay, So so from the

1346
01:04:34,080 --> 01:04:36,720
Speaker 3: pilot episode that I watched, most of.

1347
01:04:37,440 --> 01:04:38,360
Speaker 2: You didn't even make it through.

1348
01:04:38,840 --> 01:04:42,720
Speaker 3: I couldn't follow it. I confess I couldn't follow it.

1349
01:04:43,480 --> 01:04:46,840
Speaker 3: But like they're all on this island. There are models

1350
01:04:47,320 --> 01:04:50,920
Speaker 3: of all genders now, okay, so we're there's no problem

1351
01:04:50,960 --> 01:04:58,560
Speaker 3: anymore with with just pretty ladies holding everybody. There's pretty guys,

1352
01:04:59,120 --> 01:05:07,240
Speaker 3: well not there yet. Everybody's still hot and they like

1353
01:05:07,320 --> 01:05:09,200
Speaker 3: you would have to go running around the island with

1354
01:05:09,240 --> 01:05:13,200
Speaker 3: your team to like find briefcases. The briefcase it kind

1355
01:05:13,200 --> 01:05:17,000
Speaker 3: of became more of a like Survivor esque kind of thing.

1356
01:05:17,280 --> 01:05:21,160
Speaker 3: But it it's it's interesting to watch, right.

1357
01:05:21,200 --> 01:05:24,280
Speaker 2: It feels like maybe there were just one too many ingredients.

1358
01:05:24,360 --> 01:05:28,480
Speaker 3: I'd say there's many ideas. This was No Deal Island.

1359
01:05:29,800 --> 01:05:30,280
Speaker 2: Interesting.

1360
01:05:30,360 --> 01:05:33,760
Speaker 3: Well, uh, and I might go I might tap back.

1361
01:05:33,920 --> 01:05:35,680
Speaker 2: Yeah, and I'm like, you know what where do I

1362
01:05:35,880 --> 01:05:37,720
Speaker 2: access Dealer No Deal Island?

1363
01:05:37,760 --> 01:05:41,160
Speaker 3: Because I just start? Do you watch Survivor on occasion?

1364
01:05:41,160 --> 01:05:43,400
Speaker 2: I've watched a decent chunk of it, especially during the pandemic.

1365
01:05:43,480 --> 01:05:44,400
Speaker 2: I watched a lot of it.

1366
01:05:44,640 --> 01:05:47,760
Speaker 3: Yeah, I just started. I had never been on it.

1367
01:05:47,840 --> 01:05:51,320
Speaker 3: But because of because it's fifty, I'm like, I'm swept

1368
01:05:51,400 --> 01:05:52,320
Speaker 3: up in the ferber.

1369
01:05:52,080 --> 01:05:53,960
Speaker 2: And season fifty is happening.

1370
01:05:54,000 --> 01:05:56,640
Speaker 3: Season fifty is happening. It's like a big event.

1371
01:05:56,760 --> 01:06:01,000
Speaker 2: Dearest, Congratulations and I forgive me, I've been rude.

1372
01:06:01,640 --> 01:06:05,200
Speaker 3: Congratulations are in order to survive her on fifty incredible seasons.

1373
01:06:06,200 --> 01:06:08,880
Speaker 3: But they have all these like celebrities popping in. There's

1374
01:06:08,960 --> 01:06:12,959
Speaker 3: like the Billie Eilish boomerang idol is being hidden all.

1375
01:06:12,840 --> 01:06:15,440
Speaker 2: Over the island with the boomerang.

1376
01:06:15,600 --> 01:06:18,840
Speaker 3: She is nowhere to be found. Oh but she left

1377
01:06:18,840 --> 01:06:20,800
Speaker 3: a note on the idol. And I'm still like getting

1378
01:06:20,880 --> 01:06:23,120
Speaker 3: used to Survivor culture. I kind of thought that Billie

1379
01:06:23,120 --> 01:06:26,680
Speaker 3: Eilish would show up. I in my in my TV

1380
01:06:26,840 --> 01:06:31,280
Speaker 3: literacy like expectation. I saw them unwrap the Billie Eilish

1381
01:06:31,280 --> 01:06:34,360
Speaker 3: Boomerang idol read the little note being like, Hi, I'm

1382
01:06:34,400 --> 01:06:37,760
Speaker 3: Billie Eilish and this is the Boomerang idol and I'm like, okay, cool.

1383
01:06:37,800 --> 01:06:39,480
Speaker 3: So at the end of the episode, she'll show up.

1384
01:06:39,840 --> 01:06:42,960
Speaker 2: But really, stupid of you, I think that a celebrity's

1385
01:06:43,000 --> 01:06:44,959
Speaker 2: name would lead to the celebrity being on the show.

1386
01:06:45,080 --> 01:06:47,960
Speaker 3: I know, I feel led astray, but maybe we're saving

1387
01:06:48,000 --> 01:06:48,760
Speaker 3: him for the finale.

1388
01:06:48,880 --> 01:06:52,120
Speaker 2: I don't think she's like circling the island in a helicopter.

1389
01:06:52,520 --> 01:06:55,680
Speaker 3: She's waiting for just the right time, just for the

1390
01:06:55,720 --> 01:06:57,760
Speaker 3: stakes to get high enough and then she'll drop down.

1391
01:06:58,720 --> 01:07:02,000
Speaker 3: But Survivor's very it's a very interesting show, so it

1392
01:07:02,560 --> 01:07:04,640
Speaker 3: fun sharked kind of a like, Okay, maybe I'll go

1393
01:07:04,720 --> 01:07:06,480
Speaker 3: back to Dealer No deal island, right.

1394
01:07:06,520 --> 01:07:09,720
Speaker 2: My problem with Survivor is there no briefcases. So this

1395
01:07:09,800 --> 01:07:11,120
Speaker 2: is kind of the perfect solve for that.

1396
01:07:11,280 --> 01:07:13,520
Speaker 3: If these two shows would just talk to each other.

1397
01:07:13,680 --> 01:07:16,200
Speaker 2: Get some sort of luggage or something you could take

1398
01:07:16,200 --> 01:07:18,760
Speaker 2: to the office.

1399
01:07:19,440 --> 01:07:20,960
Speaker 3: What are you going to do with all those totems

1400
01:07:20,960 --> 01:07:22,440
Speaker 3: when you go home? How are you going to get them?

1401
01:07:22,440 --> 01:07:22,640
Speaker 1: There?

1402
01:07:23,120 --> 01:07:24,400
Speaker 3: Give these people a briefcase.

1403
01:07:24,400 --> 01:07:28,600
Speaker 2: It's an easy solution to an obvious problem. Yeah, well,

1404
01:07:28,640 --> 01:07:31,280
Speaker 2: I think we should play a game. Okay, deal or

1405
01:07:31,320 --> 01:07:32,680
Speaker 2: no Deal's got me in the mood.

1406
01:07:33,040 --> 01:07:34,240
Speaker 3: Oh yeah, well we're going.

1407
01:07:34,160 --> 01:07:37,200
Speaker 2: To play a game called Gift or a Curse. I

1408
01:07:37,240 --> 01:07:39,720
Speaker 2: need a number between one and ten from you. Seven. Okay.

1409
01:07:39,760 --> 01:07:41,640
Speaker 2: I have to do some light calculating to get our

1410
01:07:41,680 --> 01:07:44,680
Speaker 2: game pieces. So right now, you can recommend promote to

1411
01:07:44,760 --> 01:07:46,320
Speaker 2: whatever you want. I'll be right back.

1412
01:07:46,480 --> 01:07:52,320
Speaker 3: Okay, Hi everybody, Hello listeners, This is Kylie. I am

1413
01:07:52,600 --> 01:07:55,840
Speaker 3: the person who's been on this podcast since then. I

1414
01:07:55,880 --> 01:07:59,520
Speaker 3: have a podcast as well that Bridger's been on that

1415
01:07:59,840 --> 01:08:02,080
Speaker 3: is is called Artists on Artists on Artists on Artists.

1416
01:08:02,160 --> 01:08:06,320
Speaker 3: It's an improvised Hollywood roundtable podcast where we play different

1417
01:08:06,400 --> 01:08:12,000
Speaker 3: characters every time. And then I also have a live

1418
01:08:12,160 --> 01:08:15,840
Speaker 3: show at the Illegion that I don't remember the date of,

1419
01:08:15,920 --> 01:08:18,599
Speaker 3: but you can follow me on Instagram at Dead Eye

1420
01:08:18,600 --> 01:08:23,160
Speaker 3: Brakemen and I will provide that information willingly and when

1421
01:08:23,200 --> 01:08:25,840
Speaker 3: I have it. In terms of other things I can recommend.

1422
01:08:26,080 --> 01:08:30,360
Speaker 3: I am watching season ten of Love is Blind, although

1423
01:08:30,520 --> 01:08:35,320
Speaker 3: I now realize I am a few weeks behind Ohio, Ohio.

1424
01:08:35,680 --> 01:08:37,240
Speaker 2: It's the only season I've ever watched.

1425
01:08:37,560 --> 01:08:40,439
Speaker 3: Yeah, I mean they're all kind of like this. Okay,

1426
01:08:40,600 --> 01:08:42,960
Speaker 3: they all hit the same like decibel.

1427
01:08:43,120 --> 01:08:44,759
Speaker 2: Okay, I'd say that makes sense.

1428
01:08:45,080 --> 01:08:48,479
Speaker 3: Every city like they are different from each other. But

1429
01:08:48,520 --> 01:08:50,960
Speaker 3: it's like it's all kind of the same size of

1430
01:08:51,040 --> 01:08:57,759
Speaker 3: city and like type of person. Right, everybody looks similar.

1431
01:08:58,080 --> 01:08:58,800
Speaker 2: That makes sense.

1432
01:08:59,800 --> 01:09:02,080
Speaker 3: But I'm still gobbling it up.

1433
01:09:02,400 --> 01:09:04,680
Speaker 2: I had an excellent time watching it. Where are you

1434
01:09:04,680 --> 01:09:05,160
Speaker 2: in the show?

1435
01:09:05,560 --> 01:09:07,960
Speaker 3: I think I'm on. I haven't gotten to we haven't

1436
01:09:07,960 --> 01:09:10,800
Speaker 3: gone to Mexico yet. Oh okay, so I'm still early.

1437
01:09:10,920 --> 01:09:12,760
Speaker 2: Got a lot, a lot ahead at you.

1438
01:09:12,840 --> 01:09:13,920
Speaker 3: There's a lot to go.

1439
01:09:14,120 --> 01:09:18,599
Speaker 2: Yeah, there's some revelations, there's some behavior. Just brace yourself.

1440
01:09:18,640 --> 01:09:19,880
Speaker 3: Okay, I'm getting ready.

1441
01:09:20,000 --> 01:09:22,519
Speaker 2: Brace yourself. And the reunion. I mean, I've never seen

1442
01:09:22,880 --> 01:09:25,599
Speaker 2: a reunion special like this. This felt like they really

1443
01:09:26,200 --> 01:09:30,439
Speaker 2: it was really. I mean, the culture has become entirely

1444
01:09:30,520 --> 01:09:34,360
Speaker 2: Jerry Springer at this point. Yes, yes, yes, maybe beyond

1445
01:09:34,520 --> 01:09:36,880
Speaker 2: Jerry Springer. Yes, so crazy.

1446
01:09:36,960 --> 01:09:40,960
Speaker 3: Jerry Springer planted a seed, yet we are now seeing

1447
01:09:41,360 --> 01:09:44,240
Speaker 3: harvesting over and over we continue to harvest.

1448
01:09:44,360 --> 01:09:49,240
Speaker 2: Yes everyone, Yes, go find everything that Kylie is involved with.

1449
01:09:49,439 --> 01:09:54,320
Speaker 2: It's all wonderful and wonderful. Let's play the game. This

1450
01:09:54,360 --> 01:09:56,320
Speaker 2: is how we play. I'm going to name three things,

1451
01:09:56,320 --> 01:09:57,479
Speaker 2: so you'll tell me if there are a gift or

1452
01:09:57,479 --> 01:09:59,680
Speaker 2: a curse and why. Then I'll tell you if you're

1453
01:09:59,680 --> 01:10:02,280
Speaker 2: a writer wrong, there are correct answers. You can fail,

1454
01:10:02,360 --> 01:10:05,280
Speaker 2: you can win big great, you can get an in between.

1455
01:10:05,320 --> 01:10:08,599
Speaker 2: I suppose. All right, these are all suggestions from our

1456
01:10:08,640 --> 01:10:11,599
Speaker 2: Patreon listeners today. This first one is from Rick. Gift

1457
01:10:11,680 --> 01:10:14,919
Speaker 2: or a curse referring to your personal life as behind

1458
01:10:15,040 --> 01:10:15,679
Speaker 2: the scenes.

1459
01:10:18,640 --> 01:10:23,920
Speaker 3: Okay, this is okay that and would I like to

1460
01:10:23,960 --> 01:10:25,120
Speaker 3: receive this as a gift?

1461
01:10:25,240 --> 01:10:27,280
Speaker 2: No, the concept you think it is?

1462
01:10:27,479 --> 01:10:30,000
Speaker 3: Ok yes? Is that a gift to riccurse? I think

1463
01:10:30,000 --> 01:10:32,960
Speaker 3: that's a gift. I think that provides sort of like

1464
01:10:33,080 --> 01:10:37,080
Speaker 3: a theatricality to your life that enables you to continue

1465
01:10:37,120 --> 01:10:42,320
Speaker 3: making big, bold choices in your life. If you feel

1466
01:10:42,320 --> 01:10:45,720
Speaker 3: you are the star of a show, you might act accordically,

1467
01:10:45,920 --> 01:10:48,000
Speaker 3: if you feel there's some stakes and some drama to it.

1468
01:10:49,560 --> 01:10:53,320
Speaker 2: Correct gift. Oh, that's a gift. That's a little taste

1469
01:10:53,320 --> 01:10:56,320
Speaker 2: of Hollywood, of course, have the self respect to think

1470
01:10:56,360 --> 01:11:00,519
Speaker 2: that you are the protagonists. That everybody's watching you and

1471
01:11:00,560 --> 01:11:03,360
Speaker 2: they want to know what's happening behind the scenes. Yeah,

1472
01:11:03,400 --> 01:11:05,280
Speaker 2: they want that BTS footage.

1473
01:11:05,400 --> 01:11:09,400
Speaker 3: You have to live as though you are the star, yes,

1474
01:11:09,439 --> 01:11:12,400
Speaker 3: and not the star's accountant or whatnot.

1475
01:11:12,800 --> 01:11:15,320
Speaker 2: Everyone at the office should be hearing about your behind

1476
01:11:15,360 --> 01:11:15,919
Speaker 2: the scenes.

1477
01:11:16,120 --> 01:11:20,360
Speaker 3: Yes, I need to tell you about my behind the scenes.

1478
01:11:21,000 --> 01:11:24,400
Speaker 2: I keep that behind the scene. So that's a gift.

1479
01:11:24,439 --> 01:11:27,160
Speaker 2: That's a gift you can give yourself and everyone else

1480
01:11:27,160 --> 01:11:29,760
Speaker 2: in your life. Okay, this next one is from Lorraine.

1481
01:11:29,800 --> 01:11:30,519
Speaker 2: Gift or a curse?

1482
01:11:30,640 --> 01:11:36,840
Speaker 3: Bruises, bruises, bruises, curse Why I always hit my leg

1483
01:11:37,040 --> 01:11:40,919
Speaker 3: in the dang night and I don't know how it's happening,

1484
01:11:41,520 --> 01:11:43,439
Speaker 3: but I wake up I have and you might even

1485
01:11:43,439 --> 01:11:45,639
Speaker 3: be able to see it because I'm podcasting in a drawer.

1486
01:11:46,320 --> 01:11:47,840
Speaker 2: For God's sake, God's sake.

1487
01:11:48,560 --> 01:11:50,800
Speaker 3: But I feel like I'm constantly covered in bruises. I

1488
01:11:50,840 --> 01:11:55,240
Speaker 3: feel like this is nothing but a curse. Hmm, Am

1489
01:11:55,240 --> 01:11:55,719
Speaker 3: I wrong?

1490
01:11:56,760 --> 01:12:01,080
Speaker 2: Wrong? No, this is a gift. Okay. This is a

1491
01:12:01,120 --> 01:12:04,200
Speaker 2: color that we don't see often. This is a little

1492
01:12:04,200 --> 01:12:05,800
Speaker 2: thing that you get to just kind of your body

1493
01:12:05,840 --> 01:12:08,760
Speaker 2: gets to explore a new color for a period, and

1494
01:12:08,800 --> 01:12:10,680
Speaker 2: it's a reminder of the mistakes you make.

1495
01:12:11,000 --> 01:12:13,600
Speaker 3: So true, I forgot about art the blue period.

1496
01:12:13,400 --> 01:12:18,080
Speaker 2: Yes exactly. And it's like, well you you caused it. Yeah,

1497
01:12:18,160 --> 01:12:21,280
Speaker 2: you're to blame for the bruise, and so why not

1498
01:12:21,439 --> 01:12:24,519
Speaker 2: live with it for a few days. Put a dress on,

1499
01:12:25,000 --> 01:12:27,559
Speaker 2: go out. Let people know I kicked something in the night.

1500
01:12:28,800 --> 01:12:30,559
Speaker 2: I can't be trusted to sleep in.

1501
01:12:30,520 --> 01:12:31,879
Speaker 3: A bit, I can't be trusted.

1502
01:12:32,000 --> 01:12:35,959
Speaker 2: Bruise is it's a badge of honor that nature provides

1503
01:12:36,040 --> 01:12:38,920
Speaker 2: and it's a lesson. It's ultimately a lesson. So you

1504
01:12:39,040 --> 01:12:42,120
Speaker 2: got that wrong. Now. Finally, this is from a listener

1505
01:12:42,200 --> 01:12:44,679
Speaker 2: named Grace. Gift or a curse Garbage day?

1506
01:12:45,520 --> 01:12:52,400
Speaker 3: Garbage day is? I mean, I think it's a gift. Yeah,

1507
01:12:52,479 --> 01:12:58,120
Speaker 3: that's a gift. Society takes away the garbage for you,

1508
01:12:58,520 --> 01:12:59,719
Speaker 3: and I think that's nice.

1509
01:13:00,080 --> 01:13:00,559
Speaker 2: Mm hmmm.

1510
01:13:00,840 --> 01:13:05,559
Speaker 3: It's it's nice that someone comes along and relieves you

1511
01:13:05,640 --> 01:13:09,840
Speaker 3: of of your mess. It's nice and it's the mark

1512
01:13:09,920 --> 01:13:13,519
Speaker 3: of a civilized society. I think. So I would say,

1513
01:13:13,600 --> 01:13:14,240
Speaker 3: I would say.

1514
01:13:14,080 --> 01:13:17,639
Speaker 2: Gift, Well, you're wrong, that's that's a curse.

1515
01:13:17,680 --> 01:13:18,519
Speaker 3: I knew. I would be.

1516
01:13:18,800 --> 01:13:21,719
Speaker 2: Garbage Day is a curse. They're taking away my things.

1517
01:13:23,400 --> 01:13:26,759
Speaker 2: They're taking my things, and it's noisy. What's good about

1518
01:13:26,760 --> 01:13:29,960
Speaker 2: any of that? I think that's bad. Garbage Day is

1519
01:13:29,960 --> 01:13:30,439
Speaker 2: a curse.

1520
01:13:31,880 --> 01:13:37,080
Speaker 3: Things are wrappers, You're precious wrappers and boxes. Things.

1521
01:13:37,360 --> 01:13:40,680
Speaker 2: Stop taking my taking my things. He took my thing

1522
01:13:42,560 --> 01:13:48,920
Speaker 2: chasing the garbage truck. You took my things. Do they

1523
01:13:49,040 --> 01:13:52,960
Speaker 2: let garbage trucks on the freeway? That feels like I

1524
01:13:52,960 --> 01:13:54,160
Speaker 2: shouldn't be able to go that fast.

1525
01:13:54,240 --> 01:13:56,760
Speaker 3: I think I saw one on the freeway recently and

1526
01:13:56,880 --> 01:14:01,560
Speaker 3: it was going quite slow. Interesting, it doesn't feel like

1527
01:14:01,640 --> 01:14:03,960
Speaker 3: an intuitive spot for that.

1528
01:14:04,600 --> 01:14:06,920
Speaker 2: A garbage truck should not be going eighty five. No,

1529
01:14:07,360 --> 01:14:08,120
Speaker 2: it feels bad.

1530
01:14:08,240 --> 01:14:09,720
Speaker 3: Garbage struck shouldn't be gunning it.

1531
01:14:12,520 --> 01:14:14,600
Speaker 2: What a feeling, What a feeling that would be to me?

1532
01:14:14,840 --> 01:14:16,000
Speaker 3: Just race into the dump.

1533
01:14:17,080 --> 01:14:18,120
Speaker 2: Gotta get to the top.

1534
01:14:18,920 --> 01:14:22,000
Speaker 3: One hundred miles an hour, flying down the carpool lane, I.

1535
01:14:22,160 --> 01:14:23,200
Speaker 2: Gotta get to the dump.

1536
01:14:26,200 --> 01:14:28,880
Speaker 3: Where do you gotta be? Where on earth do you

1537
01:14:28,960 --> 01:14:29,840
Speaker 3: have to be so bad?

1538
01:14:30,720 --> 01:14:31,679
Speaker 2: Looking at your watch?

1539
01:14:32,439 --> 01:14:36,200
Speaker 3: Oh my god, I'm late for the dump. Guys, the

1540
01:14:36,280 --> 01:14:37,800
Speaker 3: dump are gonna be furious.

1541
01:14:39,640 --> 01:14:41,760
Speaker 2: If I'm light to the dump. One more time.

1542
01:14:43,840 --> 01:14:45,879
Speaker 3: They're not gonna let me pick up any more trash.

1543
01:14:47,240 --> 01:14:50,160
Speaker 2: It's just rude. It's just rude. Yeah, you gotta get

1544
01:14:50,160 --> 01:14:52,040
Speaker 2: to the dump on time. Well, you got one out

1545
01:14:52,080 --> 01:14:52,400
Speaker 2: of three.

1546
01:14:54,280 --> 01:14:58,640
Speaker 3: Hey, that's if this was a baseball stat that'd be

1547
01:14:58,720 --> 01:15:02,200
Speaker 3: a that'd be a batting average of three thirty three?

1548
01:15:02,520 --> 01:15:03,000
Speaker 2: Is that good?

1549
01:15:03,360 --> 01:15:07,960
Speaker 3: Which is good? Believe that you believe that that's good.

1550
01:15:08,160 --> 01:15:08,960
Speaker 2: One out of three.

1551
01:15:09,280 --> 01:15:14,960
Speaker 3: That's actually an incredible batting average because it's usually like, yeah,

1552
01:15:15,000 --> 01:15:18,960
Speaker 3: you hit one out of every eight, okay.

1553
01:15:18,960 --> 01:15:21,200
Speaker 2: Okay, so you're never one out of three. Yeah, you

1554
01:15:21,400 --> 01:15:22,320
Speaker 2: hit chunk of the pie.

1555
01:15:22,479 --> 01:15:23,679
Speaker 3: It's a big chunk of the pie.

1556
01:15:23,680 --> 01:15:26,800
Speaker 2: And they're that bad at hitting the ball that Wow,

1557
01:15:26,920 --> 01:15:29,680
Speaker 2: it's really a picture's game. Interesting. Batters have got to

1558
01:15:29,680 --> 01:15:31,880
Speaker 2: get better at the game. They do. I've never hit

1559
01:15:31,920 --> 01:15:34,559
Speaker 2: a baseball. You've never hit a baseball once in my life.

1560
01:15:34,640 --> 01:15:35,400
Speaker 3: Oh my gosh.

1561
01:15:36,160 --> 01:15:38,040
Speaker 2: And I think I've tried to get out there hard.

1562
01:15:38,120 --> 01:15:40,800
Speaker 2: But you know, as a child, you're exposed to baseball. Yeah,

1563
01:15:41,360 --> 01:15:44,280
Speaker 2: my batting average is it's not.

1564
01:15:44,600 --> 01:15:49,000
Speaker 3: I played good softball for ten years, but all through

1565
01:15:49,040 --> 01:15:53,439
Speaker 3: the child part before you've become like it becomes actually competitive.

1566
01:15:53,479 --> 01:15:56,599
Speaker 3: Oh okay, and I barely ever hit the ball. It's very,

1567
01:15:56,720 --> 01:15:57,280
Speaker 3: very difficult.

1568
01:15:57,320 --> 01:15:59,040
Speaker 2: Oh, it's scary difficult, and it's scary.

1569
01:15:59,080 --> 01:16:00,719
Speaker 3: It's coming at you very I don't.

1570
01:16:00,600 --> 01:16:02,639
Speaker 2: Like that feeling. No, I shouldn't have to hit things

1571
01:16:02,640 --> 01:16:03,160
Speaker 2: away from me.

1572
01:16:03,400 --> 01:16:05,760
Speaker 3: No, and I always hit very defensively, like.

1573
01:16:07,560 --> 01:16:15,000
Speaker 2: Scream. No. Okay, well, let's answer a listener question. People

1574
01:16:15,040 --> 01:16:17,800
Speaker 2: are writing into I said no gifts at gmail dot com,

1575
01:16:18,000 --> 01:16:20,880
Speaker 2: or they're sending voice notes, et cetera. We hope me

1576
01:16:20,880 --> 01:16:23,360
Speaker 2: answer one of these. Of course, it says deer bridger

1577
01:16:23,439 --> 01:16:26,559
Speaker 2: and guest, that's very cold. Okay. I want to give

1578
01:16:26,600 --> 01:16:29,680
Speaker 2: a present to my fifty eight Oh, I want to

1579
01:16:29,720 --> 01:16:32,439
Speaker 2: give a present to my fifty eight year old sugar daddy.

1580
01:16:32,560 --> 01:16:34,720
Speaker 2: He basically funds my life, and I'd love to show

1581
01:16:34,800 --> 01:16:38,800
Speaker 2: him my appreciation. No, I don't, but I don't know

1582
01:16:38,840 --> 01:16:41,559
Speaker 2: if it would be weird basically using his own money

1583
01:16:41,640 --> 01:16:44,519
Speaker 2: to buy him a gift. He loves dogs, cooking, travel,

1584
01:16:44,920 --> 01:16:54,920
Speaker 2: and spending money, and spending money on young women. And

1585
01:16:55,040 --> 01:17:01,479
Speaker 2: that's from Sabrina. Sabrina, I'm sorry, my apology. I'm trying

1586
01:17:01,520 --> 01:17:05,320
Speaker 2: to show this email the respect it deserves. This is serious,

1587
01:17:05,520 --> 01:17:10,040
Speaker 2: this is real. What does Sabrina get her sugar daddy.

1588
01:17:10,080 --> 01:17:12,479
Speaker 2: He's fifty eight. Wow, he.

1589
01:17:14,680 --> 01:17:17,679
Speaker 3: He loves so what is what does he love? Again?

1590
01:17:17,720 --> 01:17:20,719
Speaker 3: He loves I mean I heard spending other than the obvious,

1591
01:17:21,120 --> 01:17:22,320
Speaker 3: spending money on young women.

1592
01:17:23,560 --> 01:17:26,480
Speaker 2: He loves dogs, cooking, travel.

1593
01:17:26,320 --> 01:17:31,400
Speaker 3: Dogs, cooking travel. Yes, okay, Wow, this is sort of

1594
01:17:31,479 --> 01:17:36,759
Speaker 3: a like I cut off my hair to buy you jewels.

1595
01:17:36,920 --> 01:17:40,040
Speaker 2: But oh it's got a cold gift of the magic

1596
01:17:40,200 --> 01:17:40,519
Speaker 2: gift of.

1597
01:17:40,520 --> 01:17:43,960
Speaker 3: The magi, A classic gift of the classic gift of

1598
01:17:44,040 --> 01:17:46,240
Speaker 3: the magi. Because the thing he wants most of all

1599
01:17:46,360 --> 01:17:48,040
Speaker 3: is to spend money on you, all right.

1600
01:17:48,160 --> 01:17:50,639
Speaker 2: But if she spends it all on him, he won't

1601
01:17:50,640 --> 01:17:51,479
Speaker 2: be able to spend it on her.

1602
01:17:51,960 --> 01:17:53,800
Speaker 3: Yeah, there's there's math here.

1603
01:17:54,200 --> 01:17:54,960
Speaker 2: A dangerous game.

1604
01:17:55,160 --> 01:17:58,800
Speaker 3: This is a dangerous game. Oh my gosh. I mean, okay,

1605
01:17:59,680 --> 01:18:00,680
Speaker 3: but he loves.

1606
01:18:00,520 --> 01:18:04,160
Speaker 2: That she's spending the money, or that his money's being suspenced.

1607
01:18:04,280 --> 01:18:10,600
Speaker 3: So I guess you could buy yourself like an expensive

1608
01:18:10,760 --> 01:18:11,719
Speaker 3: piece of jewelry.

1609
01:18:11,920 --> 01:18:12,759
Speaker 2: Oh that's nice.

1610
01:18:12,840 --> 01:18:16,000
Speaker 3: I'm sure he would like to know that that's happening,

1611
01:18:16,200 --> 01:18:19,200
Speaker 3: or you could buy I wonder if he has multiple

1612
01:18:20,240 --> 01:18:23,439
Speaker 3: I don't know if this is a monogamous sugar Daddy situation,

1613
01:18:23,840 --> 01:18:24,200
Speaker 3: or if he.

1614
01:18:24,840 --> 01:18:27,120
Speaker 2: Has sugar daddy of six.

1615
01:18:27,479 --> 01:18:33,080
Speaker 3: Yeah, he's a sugar daddy of six, sugar father, a

1616
01:18:33,160 --> 01:18:35,200
Speaker 3: sugar father. You know, he has to put food on

1617
01:18:35,240 --> 01:18:37,959
Speaker 3: the table. There's six beautiful women.

1618
01:18:38,760 --> 01:18:39,320
Speaker 2: Who all.

1619
01:18:40,800 --> 01:18:41,320
Speaker 3: Eat a bag.

1620
01:18:41,840 --> 01:18:44,519
Speaker 2: I have six beautiful twenty two year olds who depend

1621
01:18:44,640 --> 01:18:44,840
Speaker 2: on me.

1622
01:18:45,360 --> 01:18:51,519
Speaker 3: Oh my girls, my girls, My girls need me. Yeah,

1623
01:18:51,600 --> 01:18:56,439
Speaker 3: I'm like, would you get a Okay, he loves spending

1624
01:18:56,439 --> 01:18:58,880
Speaker 3: money on young women, but it is his money. It

1625
01:18:59,000 --> 01:19:01,800
Speaker 3: is is a brain puzzle because I'm like, maybe she

1626
01:19:01,880 --> 01:19:05,240
Speaker 3: could give him some money to spend on another sugar baby,

1627
01:19:05,360 --> 01:19:08,560
Speaker 3: but I don't know if that's the point. Maybe this

1628
01:19:08,720 --> 01:19:14,080
Speaker 3: is a one on one sugar daddy relationship and this

1629
01:19:14,280 --> 01:19:19,080
Speaker 3: is an saft. This is a logic problem. It's his money.

1630
01:19:20,280 --> 01:19:23,040
Speaker 3: So maybe you have to give him something that money

1631
01:19:23,120 --> 01:19:23,599
Speaker 3: can't buy.

1632
01:19:23,960 --> 01:19:25,920
Speaker 2: Oh see, but I think that's gonna make him mad.

1633
01:19:26,479 --> 01:19:28,439
Speaker 2: He's gonna be so mad that his money is a

1634
01:19:28,640 --> 01:19:30,720
Speaker 2: fucking craft you make this.

1635
01:19:33,640 --> 01:19:36,320
Speaker 3: But then you know, maybe he has a community of

1636
01:19:36,360 --> 01:19:39,000
Speaker 3: sugar daddy is that he can like bring. Okay, yeah,

1637
01:19:39,080 --> 01:19:41,880
Speaker 3: my sugar baby made me this friendship bracelet. She made

1638
01:19:41,920 --> 01:19:42,479
Speaker 3: me this mug.

1639
01:19:43,760 --> 01:19:46,960
Speaker 2: That might be kind of nice, right, Right, So maybe

1640
01:19:47,040 --> 01:19:49,960
Speaker 2: that's a and maybe there are relationships getting boring. It's

1641
01:19:50,000 --> 01:19:51,960
Speaker 2: a little like, yeah, I know you're spending your money

1642
01:19:52,000 --> 01:19:55,680
Speaker 2: on me, you love doing it. I'm bringing in a

1643
01:19:55,720 --> 01:19:58,679
Speaker 2: free element. I made this with crap I found around

1644
01:19:58,680 --> 01:20:03,719
Speaker 2: the house. It's a picture of us.

1645
01:20:03,840 --> 01:20:06,920
Speaker 3: To show my appreciation. I made you a macaroni frame

1646
01:20:07,360 --> 01:20:14,120
Speaker 3: right us right at noboo. I can only assume yeah,

1647
01:20:14,280 --> 01:20:18,000
Speaker 3: I mean, okay, okay, if he is, if he is

1648
01:20:18,160 --> 01:20:20,800
Speaker 3: just giving. If it is, maybe I'll just show him

1649
01:20:20,840 --> 01:20:26,680
Speaker 3: something nice. Maybe you buy a trip. It depends on

1650
01:20:26,720 --> 01:20:29,080
Speaker 3: how much money he's giving you. Right, But if you

1651
01:20:29,240 --> 01:20:31,840
Speaker 3: buy a trip for the two of you to take

1652
01:20:31,880 --> 01:20:35,599
Speaker 3: on together, right, well, that feels like something he should

1653
01:20:35,600 --> 01:20:38,200
Speaker 3: be doing, right, that's what he loves. Okay, So maybe

1654
01:20:38,240 --> 01:20:40,160
Speaker 3: you can get him like a gift from the airport.

1655
01:20:42,240 --> 01:20:44,360
Speaker 2: Maybe something that would make him happy, which would be

1656
01:20:44,439 --> 01:20:47,479
Speaker 2: free for her. Is to get really demanding, even more

1657
01:20:47,560 --> 01:20:50,960
Speaker 2: demanding and screaming and wanting, you know, even more than

1658
01:20:51,120 --> 01:20:53,840
Speaker 2: she already may be. Yeah, because he wants to give

1659
01:20:54,000 --> 01:20:57,479
Speaker 2: give me more money, right to start making demands threats.

1660
01:20:57,640 --> 01:21:00,880
Speaker 2: Maybe there aren't enough threats in the relationship. Yes, I'll

1661
01:21:01,000 --> 01:21:04,040
Speaker 2: leave give me money where I walk I'll tell your wife.

1662
01:21:04,479 --> 01:21:05,479
Speaker 3: I'll tell your wife.

1663
01:21:05,960 --> 01:21:06,960
Speaker 2: I'll crash your car.

1664
01:21:07,280 --> 01:21:11,240
Speaker 3: I'll crash your car. I'll twist your watch up, I'll.

1665
01:21:13,400 --> 01:21:16,320
Speaker 2: I'll break glass in the pool. Yeah. Oh, that's a

1666
01:21:16,680 --> 01:21:18,400
Speaker 2: tough one. That that's a tough one.

1667
01:21:18,479 --> 01:21:19,559
Speaker 3: That's a good threat.

1668
01:21:19,680 --> 01:21:21,200
Speaker 2: It's a big threat that you can do to a

1669
01:21:21,280 --> 01:21:21,800
Speaker 2: sugar dead.

1670
01:21:21,840 --> 01:21:25,520
Speaker 3: It could be a big problem for him, Yes, big problem, huge.

1671
01:21:25,479 --> 01:21:26,720
Speaker 2: And it's going to cost him a lot.

1672
01:21:27,080 --> 01:21:29,920
Speaker 3: Yeah, well, is there a night? I assume I assume

1673
01:21:30,040 --> 01:21:33,160
Speaker 3: the appeal of having a sugar baby is like I'm

1674
01:21:33,280 --> 01:21:37,920
Speaker 3: stepping out on the town. I'm fifty eight, she's twenty two.

1675
01:21:38,520 --> 01:21:42,200
Speaker 3: Here we go, look at me. I'm here, I am

1676
01:21:42,600 --> 01:21:44,559
Speaker 3: you know, so sort of arriving, sort of like he's

1677
01:21:44,600 --> 01:21:46,680
Speaker 3: a This is his version of being a debutante.

1678
01:21:46,960 --> 01:21:47,360
Speaker 2: Totally.

1679
01:21:47,640 --> 01:21:49,960
Speaker 3: So maybe it's like a concert or something that he

1680
01:21:50,160 --> 01:21:53,479
Speaker 3: might enjoy that other men might be around so that

1681
01:21:53,600 --> 01:21:56,240
Speaker 3: he can go, look at me, look at this. Can

1682
01:21:56,320 --> 01:21:58,679
Speaker 3: you believe this? What a what a gal?

1683
01:21:58,920 --> 01:21:59,880
Speaker 2: A trip to the sphere?

1684
01:22:00,640 --> 01:22:03,240
Speaker 3: A trip to the sphere, A trip to the sphere,

1685
01:22:03,400 --> 01:22:07,559
Speaker 3: A trip to the sphere for some uh for sugar Daddy,

1686
01:22:07,640 --> 01:22:09,599
Speaker 3: doctor fit, grateful Dead.

1687
01:22:13,040 --> 01:22:16,599
Speaker 2: Fifty eight somewhere around there, probably leaning fish at this point.

1688
01:22:16,520 --> 01:22:25,840
Speaker 3: Fish sugar Daddy's love Sugar Daddy, I assume, I assume.

1689
01:22:25,680 --> 01:22:27,560
Speaker 2: Take him to the sphere, or if he's got the

1690
01:22:27,640 --> 01:22:31,880
Speaker 2: bucks and the access, take him to the Beta Sphere. Yeah,

1691
01:22:32,000 --> 01:22:34,760
Speaker 2: a private even at the spere. What could be better?

1692
01:22:35,920 --> 01:22:39,000
Speaker 3: A private evening at the Beta Sphere with my sugar

1693
01:22:39,120 --> 01:22:46,240
Speaker 3: daddy and his six beautiful sugar babies. Why, sugar sisters,

1694
01:22:46,520 --> 01:22:53,320
Speaker 3: if you will, I think.

1695
01:22:53,200 --> 01:22:56,639
Speaker 2: We answered the question perfectly. I think so, don't write

1696
01:22:56,680 --> 01:22:59,160
Speaker 2: back in and go enjoy the Beta Sphere and your

1697
01:22:59,200 --> 01:23:02,760
Speaker 2: sugar daddy. They're probably listening to the podcast now out

1698
01:23:02,840 --> 01:23:05,800
Speaker 2: on a boat. Yeah, he's wondering, what is this? What

1699
01:23:06,040 --> 01:23:08,960
Speaker 2: is all this? We're turning to a podcast for for help.

1700
01:23:09,160 --> 01:23:14,080
Speaker 3: You keep me young, is what he's saying. Gen Z, Oh,

1701
01:23:14,439 --> 01:23:18,360
Speaker 3: gen Z, you kids, you kids today.

1702
01:23:18,720 --> 01:23:21,839
Speaker 2: Well, we answered the question perfectly. I now have my tool.

1703
01:23:22,680 --> 01:23:25,000
Speaker 3: This is a tool. Yes, it's a tool for sleeping.

1704
01:23:25,160 --> 01:23:25,800
Speaker 3: It's a tool for.

1705
01:23:26,720 --> 01:23:29,799
Speaker 2: Whimsy, whimsy, it's a tool to sell cars.

1706
01:23:30,120 --> 01:23:33,559
Speaker 3: Yes, you can sell tiny cars with it. You could

1707
01:23:33,560 --> 01:23:36,000
Speaker 3: create a whole little car dealership. Oh, if anyone never

1708
01:23:36,040 --> 01:23:39,439
Speaker 3: gives you hot wheels, you can have all if.

1709
01:23:39,400 --> 01:23:41,800
Speaker 2: This was like a path towards something that's wrong with me.

1710
01:23:44,360 --> 01:23:47,160
Speaker 2: I've had such a wonderful time, Kylie time.

1711
01:23:47,280 --> 01:23:48,560
Speaker 3: I'm sorry for disobeying you.

1712
01:23:48,800 --> 01:23:50,680
Speaker 2: Thank you. That's kind of what I've been fishing for

1713
01:23:50,800 --> 01:23:51,639
Speaker 2: this entire time.

1714
01:23:51,800 --> 01:23:53,600
Speaker 3: Well, you got it, I got it, you got it.

1715
01:23:53,760 --> 01:23:58,320
Speaker 2: I get what I want. Listener, the podcast is over.

1716
01:23:58,400 --> 01:24:01,240
Speaker 2: We're leaving the noise on your but the you're gonna

1717
01:24:01,240 --> 01:24:03,679
Speaker 2: have to get your own white noise very soon because

1718
01:24:03,720 --> 01:24:06,120
Speaker 2: the audio will end and then you're gonna freak out,

1719
01:24:06,560 --> 01:24:14,320
Speaker 2: So start preparing. I love you, goodbye, I said, No

1720
01:24:14,479 --> 01:24:18,920
Speaker 2: Gifts is an exactly right production. Our senior producer is

1721
01:24:19,280 --> 01:24:23,200
Speaker 2: Ellis Nelson, and our episodes are beautifully mixed by Ben Holliday.

1722
01:24:23,840 --> 01:24:27,200
Speaker 2: The theme song is by miracle Worker Amy Mann, and

1723
01:24:27,320 --> 01:24:30,160
Speaker 2: we couldn't do it without our booker, Patrick Coottner. You

1724
01:24:30,560 --> 01:24:33,639
Speaker 2: must follow the show on Instagram And I said, No Gifts.

1725
01:24:33,680 --> 01:24:35,400
Speaker 2: That's where you're going to see pictures of all these

1726
01:24:35,520 --> 01:24:38,200
Speaker 2: wonderful gifts I'm getting. And don't you want to see

1727
01:24:38,240 --> 01:24:42,040
Speaker 2: the gifts? And wy did you hear?

1728
01:24:44,600 --> 01:24:49,800
Speaker 1: Funa man myself perfectly clear, But you're a guess to me.

1729
01:24:52,680 --> 01:24:58,759
Speaker 1: You gotta come to me empty, and I said, no guests,

1730
01:24:59,040 --> 01:25:05,839
Speaker 1: your present persons enough and I already had too much stuff.

1731
01:25:06,640 --> 01:25:09,760
Speaker 1: So how do you dare to surbey me?