WEBVTT - The History of Fake Towns.

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<v Speaker 1>Hey, everybody. We are very excited to be going back

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<v Speaker 1>out on the road in early February to Seattle, Portland's

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<v Speaker 1>and San Francisco. That's right, February first, second, third, the future.

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<v Speaker 1>We're gonna be in those fabulous towns on stage for

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<v Speaker 1>the first time in three years. Chuck. That's right. Tickets

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<v Speaker 1>are on sale now, go get them, come see us,

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<v Speaker 1>and you can get those tickets at link Tree slash

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<v Speaker 1>s y s K Live. That's l I n K

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<v Speaker 1>t R dot E slash s y s K Live.

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<v Speaker 1>Welcome to Stuff you Should Know, a production of I

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<v Speaker 1>Heart Radio. Hey, and welcome to the podcast. I'm Josh,

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<v Speaker 1>there's Chuck. Jerry's here too, across the country. Even, what

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<v Speaker 1>a time to be alive, What a time to be

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<v Speaker 1>alive listening to Stuff you Should Know? Uh? Yes, and

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<v Speaker 1>should we can? We start off with a little shout

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<v Speaker 1>out to our colleagues. Yes, for sure, our buddies that

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<v Speaker 1>stuff they don't want to to know, did something big, huh.

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<v Speaker 1>They wrote a book like we did. And we are

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<v Speaker 1>very proud of these guys are colleagues. We've known our

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<v Speaker 1>friends for so long now mm hmm. And what do

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<v Speaker 1>they cover? They cover conspiracies, but not like trust me.

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<v Speaker 1>It's not like this big pro conspiracy thing. No. No,

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<v Speaker 1>they do a lot of um ripping the lid off

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<v Speaker 1>of the crack pots. It's a good way to say

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<v Speaker 1>thank you. Well. What they do is they apply critical

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<v Speaker 1>thought and critical thinking, which is one thing that's missing

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<v Speaker 1>a lot when it comes to conspiracy theories, right exactly,

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<v Speaker 1>because they're all smart dudes and they're pretty down to earth,

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<v Speaker 1>um and they have a great podcast, and now they

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<v Speaker 1>have a great book and it's um an eponymous book.

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<v Speaker 1>Stuff they don't want you to know is the name

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<v Speaker 1>of the book and the podcast, and I think it

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<v Speaker 1>just published, Chuck. So that means that you can get

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<v Speaker 1>it everywhere. I mean everywhere. You can get it at

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<v Speaker 1>like Eagle Eye Books in Atlanta, you can get it

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<v Speaker 1>at UM, the Corner Shop, Amazon dot com. Uh, you

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<v Speaker 1>can get it everywhere in between the stuff they don't

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<v Speaker 1>want you to know in hardcover because it just came

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<v Speaker 1>out hot off the presses. As a matter of fact,

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<v Speaker 1>when you pick up this book, you should probably be

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<v Speaker 1>wearing other myths because it is that new. That's right.

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<v Speaker 1>I can't wait to get my own copy. If you're

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<v Speaker 1>into history, for into reading about proven conspiracies and uh

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<v Speaker 1>not a bunch of goblody cook then highly recommend. I'm

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<v Speaker 1>sure you can't wait go check it out. Um, so

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<v Speaker 1>we're talking today about fake cities, right, yeah, like rock Ridge,

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<v Speaker 1>rock Ridge, do you get that? No, Oh, it's Blazing Saddles.

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<v Speaker 1>The name of the real town was rock Ridge. But

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<v Speaker 1>they at the end of Blazing Saddles Cleveland Little comes

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<v Speaker 1>up with a g enius plan to build a fake

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<v Speaker 1>rock Ridge for when the bad guys come in and

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<v Speaker 1>then they'll blow it up. So well, that's that's sort

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<v Speaker 1>of kind of what we're talking about today. Yeah, I

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<v Speaker 1>was gonna say that that, Um mel Brooks like really

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<v Speaker 1>did his research because there's a there's a lot of

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<v Speaker 1>reality in that people have done that kind of thing

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<v Speaker 1>many times over the years, many times, and some are

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<v Speaker 1>cooler than others. For sure. I can't wait to talk

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<v Speaker 1>about the Seattle thing that's really cool. Well, which one

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<v Speaker 1>is not cool? Let's start with that. Well, I don't

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<v Speaker 1>know about not cool, but possibly not even didn't even

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<v Speaker 1>really happen. Is in the seventeen hundreds there was a Russian,

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<v Speaker 1>very famous Russian military leader named Gregory Timken because he's Russian.

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<v Speaker 1>It's not Gregory, right, it's Gregory with an eye. I

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<v Speaker 1>don't see a lot of that anymore, hey, greg Although

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<v Speaker 1>it did have a friend in high school. His last

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<v Speaker 1>name was Griggs though, all right, I take that back. Yeah,

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<v Speaker 1>that's way different. But supposedly, as the story goes, they

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<v Speaker 1>built under his guidance what we're called, um what was

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<v Speaker 1>called a Potemkin village in order to impress Empress Catherine

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<v Speaker 1>the Second as she came through town and like, here,

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<v Speaker 1>look at this great fake town that she would think

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<v Speaker 1>is real. And then they would supposedly strike the set

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<v Speaker 1>and then go build it down river, and then she

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<v Speaker 1>would see and I guess believe it was a different

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<v Speaker 1>place and like, look, how great we're doing kind of thing.

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<v Speaker 1>But then I believe, after more digging, historians have said,

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<v Speaker 1>I don't think they actually did that. It was probably

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<v Speaker 1>more of a let's get this place all cleaned up

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<v Speaker 1>for her visit, and somehow history kind of changed that. Yeah,

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<v Speaker 1>which is I mean, I buy that he was one

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<v Speaker 1>of Catherine the great favorites of the court, so um,

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<v Speaker 1>it's possible that he would have gone to all that

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<v Speaker 1>trouble to please her. Um. Regardless of whether it happened

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<v Speaker 1>or not. Potemkin Village is now like a whole term

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<v Speaker 1>for any kind of fake facade that's used generally as

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<v Speaker 1>some sort of propaganda. The fact that it was kind

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<v Speaker 1>of like Catherine the Great um centric kind of leads

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<v Speaker 1>to that that extension of government propaganda. And and there's

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<v Speaker 1>a very famous North Korean village that's frequently referred to

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<v Speaker 1>as a Pattempkan village to yeah, the peace village. How

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<v Speaker 1>are you going to pronounce that North Korean name? I'm

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<v Speaker 1>going to pronounce it as such Jong Dong. I think

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<v Speaker 1>that's it. Uh. They also call it propaganda village, while

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<v Speaker 1>they don't call it that, but other people call it that. Um.

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<v Speaker 1>But you know the famous d m Z there the

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<v Speaker 1>Demilitarized Zone, you can you know, you can see this

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<v Speaker 1>very clean, lovely, modern, prosperous area of North Korea right

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<v Speaker 1>there from the d m Z. But you know, as

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<v Speaker 1>far as people speculate, there's really it's kind of just fake.

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<v Speaker 1>There's nothing there. There's no people, there's no nothing. Yeah,

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<v Speaker 1>And if you look like closely at it, there's no

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<v Speaker 1>glass in the windows. Even like it's as far as

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<v Speaker 1>pattemp and villages go. It's a halfhearted effort if you

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<v Speaker 1>ask me. The Nazis did this too in World War

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<v Speaker 1>Two too, you know, disgusting effect as well. Right, Yeah,

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<v Speaker 1>they did an altered version of it. They took a

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<v Speaker 1>real village UH and dressed it up in a way

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<v Speaker 1>for that that suited their propaganda needs. But there was

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<v Speaker 1>a place called UH. I think it's thair sheen stopped,

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<v Speaker 1>but that might be wrong. So it was a it

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<v Speaker 1>was a depot essentially, it was a sorting place for

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<v Speaker 1>um Jewish Germans and um Jews from other countries the

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<v Speaker 1>Germany had invaded there were shipped to this place and

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<v Speaker 1>then they were sorted out and basically sent to different

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<v Speaker 1>death camps around Germany. So so many people passed through

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<v Speaker 1>this that even for the short time they were there,

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<v Speaker 1>conditions were so bad ad that they would um, they

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<v Speaker 1>would die while they were there. Plenty of people died.

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<v Speaker 1>But the this thing was such a focal point, It

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<v Speaker 1>was such a crux of this Nazi death machine that um,

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<v Speaker 1>if it were you know, revealed for what it actually was,

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<v Speaker 1>the Nazis plans would have been revealed to the world.

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<v Speaker 1>So when the Red Cross said we want to see

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<v Speaker 1>this place that we want to make sure everybody's being

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<v Speaker 1>cared for appropriately. Um, the Nazis kind of started scrambling there,

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<v Speaker 1>like give us two weeks. You know. It's funny as

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<v Speaker 1>I was going to say, give us three weeks. You're

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<v Speaker 1>you're way more aggressive on your schedule than I. Totally,

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<v Speaker 1>that's very appropriate. Uh yeah, you know, they cleaned it up.

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<v Speaker 1>They brought in apparently rose bushes. They changed the hospital

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<v Speaker 1>to a library. They changed the gymnasium or as you

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<v Speaker 1>would say in Germany, ga nasium into a place of

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<v Speaker 1>prayer for the Jewish people. They shipped out out anyone

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<v Speaker 1>who didn't look well basically, and only people who looked

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<v Speaker 1>healthy and were in good health remain. And you know,

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<v Speaker 1>they put a town square and made it look like

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<v Speaker 1>a really lovely thing with swings and sandboxes and even

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<v Speaker 1>a phony restaurant. And uh, what I didn't see was

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<v Speaker 1>how it worked. It worked perfectly. The Red Cross came

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<v Speaker 1>and we're like, oh, this is delightful, and left and

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<v Speaker 1>then everything just got right back to business after that.

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<v Speaker 1>So it served its purpose, Like it fooled the Red

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<v Speaker 1>Cross into going back and telling the rest of the

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<v Speaker 1>world like, no, the Nazis aren't running death camps. Come on,

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<v Speaker 1>everybody relaxed. They've got a restaurant and rose bushes. So

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<v Speaker 1>we know this only because of post World War two history, right. Um.

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<v Speaker 1>The thing that I saw that makes it just just

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<v Speaker 1>the the uey gouey evil topping on this horrible Sunday

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<v Speaker 1>is um. They build it to the rest of the

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<v Speaker 1>world as a spa town that elderly drewman Jews could

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<v Speaker 1>go live in in peace and safely. Just when you

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<v Speaker 1>think you've learned all the bad stuff the Nazis did, Yeah,

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<v Speaker 1>here comes another one. I've never heard of this before. Surprising. Yeah,

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<v Speaker 1>and I just wanted to reiterate, Chuck, I hate Nazis.

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<v Speaker 1>I hate Nazis of today. I hate the Nazis back then.

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<v Speaker 1>If you're a Nazi, I hate your guts. You can't

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<v Speaker 1>stand you. You're You're terrible. You're on record. I'm with you.

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<v Speaker 1>I'm on record too, So I feel like Chuck, Um,

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<v Speaker 1>you can kind of swing the whole thing back around.

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<v Speaker 1>It's not necessarily for propaganda, but um, there's there's decoy

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<v Speaker 1>cities that were essentially created to um well to to

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<v Speaker 1>act as decoys during wartime. Right yeah, and this was

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<v Speaker 1>I think this was the initial seat of the idea

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<v Speaker 1>for this topic. Maybe I don't think anyone said anything

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<v Speaker 1>in or maybe they did. But the more I started

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<v Speaker 1>kind of poking around, I was like, wow, there's been

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<v Speaker 1>a lot of times in history where for one reason

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<v Speaker 1>or another, a fake city was built old and once

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<v Speaker 1>I started sort of unpeeling that onion, I was like, wow,

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<v Speaker 1>there there's been all kinds of fake cities, and decoy

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<v Speaker 1>cities was a big part of it in World War Two, uh,

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<v Speaker 1>specifically in Britain what they did at first, it started

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<v Speaker 1>out as something called a que site, which is when

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<v Speaker 1>they just said, hey, let's put up like a fake

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<v Speaker 1>factory or something that will divert uh. The German bombs

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<v Speaker 1>that way and they'll waste some ordinances and they'll we'll

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<v Speaker 1>get them off track and confuse them, and more importantly,

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<v Speaker 1>they won't be bombing the real factories. Uh. And this

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<v Speaker 1>was I believe the idea of someone named Colonel John Turner.

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<v Speaker 1>And they said, well that bully to that, sir, that

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<v Speaker 1>works so well, why don't you go out and build

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<v Speaker 1>seven fake cities? And he went huh, And they said, hey,

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<v Speaker 1>it only has to look like a city from a

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<v Speaker 1>guy throwing a bomb out of a plane, so you

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<v Speaker 1>don't have to get too fancy. Yeah, that was like

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<v Speaker 1>a stroke of genius when they figured out, like, yeah,

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<v Speaker 1>you don't. You can just do like the rough edges

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<v Speaker 1>of it, because they remembered that they were hiding from

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<v Speaker 1>bombardiers who were looking for cities that were undergoing blackouts,

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<v Speaker 1>so that you know, there wasn't supposed to be much

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<v Speaker 1>of the city visible at all. They would look for

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<v Speaker 1>maybe somebody had left their door open accidentally, or someone

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<v Speaker 1>had forgot to extinguish a street light, something like that.

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<v Speaker 1>So they were able to just kind of make a

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<v Speaker 1>few structures, put some scaffolding together, and then light it

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<v Speaker 1>randomly here there, um, and all of a sudden you

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<v Speaker 1>had the impression of, at least from you know, ten

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<v Speaker 1>thousand feet or however high up you are when you

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<v Speaker 1>drop bombs on British cities, um, that it looked like

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<v Speaker 1>there's your target right there. And it actually worked to

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<v Speaker 1>great success. It really did work, and they ended up

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<v Speaker 1>being I believe the first site was called Starfish and

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<v Speaker 1>so they ended up calling them Starfish Cities just from

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<v Speaker 1>that first one. But initially they were called special fire

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<v Speaker 1>sits or s f sites, And part of that had

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<v Speaker 1>to do with the fact that after the bombing run

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<v Speaker 1>would go through, they would go through and set little

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<v Speaker 1>fires and set off a little explosions on their little

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<v Speaker 1>fake scaffolded city. Uh so again, so the bombardier would

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<v Speaker 1>look down and say, we got them. Look at that.

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<v Speaker 1>Look at that beautiful, big firetown there. Yeah. And even

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<v Speaker 1>more to the point, successive bombardiers that came the next

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<v Speaker 1>night or whatever would be like, oh, that was the target.

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<v Speaker 1>They hit it, and now that's where I'm gonna drop

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<v Speaker 1>my bombs too. Beautiful. Yeah, it really was. And here's

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<v Speaker 1>the thing though, you said they actually worked, uh and

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<v Speaker 1>I bailed on you, but I'm back with numbers. They

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<v Speaker 1>built two hundred and thirty seven of these uh starfish

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<v Speaker 1>sites or starfish cities, and I think the estimates are

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<v Speaker 1>they diverted about seven hundred bombing raids and potentially saved

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<v Speaker 1>about three thousand lives. Pretty great, big success. So um as, Yeah,

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<v Speaker 1>it was extraordinarily successful. But the British weren't the first

0:12:57.800 --> 0:13:00.280
<v Speaker 1>um to come up with this idea and leave on

0:13:00.360 --> 0:13:02.719
<v Speaker 1>little wasn't even the first to come up with it.

0:13:02.720 --> 0:13:07.439
<v Speaker 1>It was actually our friends, um Leigh Francais uh in Paris.

0:13:07.480 --> 0:13:10.559
<v Speaker 1>They decided in World War One that they were sufficiently

0:13:10.600 --> 0:13:15.760
<v Speaker 1>concerned about German zeppelin bombing raids, which has got to

0:13:15.800 --> 0:13:20.120
<v Speaker 1>be the slowest most just you know, terrible bombing well

0:13:20.160 --> 0:13:24.000
<v Speaker 1>probably not terrible, but definitely the slowest bombing um around.

0:13:24.559 --> 0:13:27.280
<v Speaker 1>So they said, we need to we need to find

0:13:27.320 --> 0:13:30.720
<v Speaker 1>a different site and build a replica of Paris. And

0:13:30.760 --> 0:13:34.840
<v Speaker 1>the whole idea was to like really rebuild a replica

0:13:34.880 --> 0:13:38.079
<v Speaker 1>of Paris with the champsi Lisse and the Arc de

0:13:38.160 --> 0:13:41.240
<v Speaker 1>Triomphe and um, like you don't I don't know if

0:13:41.280 --> 0:13:43.320
<v Speaker 1>they had plans for an Eiffel Tower. Surely they did,

0:13:43.679 --> 0:13:46.360
<v Speaker 1>but um they had it in three sections, and the

0:13:46.400 --> 0:13:49.120
<v Speaker 1>first section they worked on was the industrial section, and

0:13:49.200 --> 0:13:51.320
<v Speaker 1>eventually that that came to be the only one that

0:13:51.400 --> 0:13:55.400
<v Speaker 1>was completed. But it sounded like it was pretty amazing. Yeah,

0:13:55.440 --> 0:13:57.720
<v Speaker 1>I mean they had they were I would love to

0:13:57.720 --> 0:14:00.520
<v Speaker 1>see pictures of this thing. Did you see pictures? It's

0:14:00.520 --> 0:14:04.160
<v Speaker 1>pretty cool. I mean, how how to scale was it?

0:14:04.160 --> 0:14:08.240
<v Speaker 1>It was giant, so they made it life size, but

0:14:08.360 --> 0:14:14.720
<v Speaker 1>they used you know, um Chinsey materials, so they used

0:14:14.760 --> 0:14:17.839
<v Speaker 1>like really kind of you know scaffolding like a skeleton

0:14:17.920 --> 0:14:20.400
<v Speaker 1>of a giant building like that would serve as a

0:14:20.920 --> 0:14:24.120
<v Speaker 1>like a fake industrial building. And then they would put

0:14:24.160 --> 0:14:28.080
<v Speaker 1>some sort of like um opaque canvas over it or

0:14:28.120 --> 0:14:31.280
<v Speaker 1>an opaque covering up subsort, and then light it from inside,

0:14:31.560 --> 0:14:34.360
<v Speaker 1>so to a bombar deer, it looked like a glass

0:14:34.400 --> 0:14:39.240
<v Speaker 1>ceiling industrial UM building at night. So they were doing

0:14:39.280 --> 0:14:41.760
<v Speaker 1>stuff like that. They had UM they had like a

0:14:41.760 --> 0:14:45.440
<v Speaker 1>little platforms that moved along that were carrying lamps, so

0:14:45.520 --> 0:14:49.280
<v Speaker 1>it looked like trains moving around the area. Uh. They

0:14:49.320 --> 0:14:53.000
<v Speaker 1>did it to to really great effect. UM. And apparently

0:14:53.040 --> 0:14:54.960
<v Speaker 1>the only reason they didn't move on with the rest

0:14:54.960 --> 0:14:58.600
<v Speaker 1>of the plan was because the French military got good

0:14:58.720 --> 0:15:03.280
<v Speaker 1>enough at UM shooting down zeppelin's that the Zeppelin attack stopped.

0:15:03.480 --> 0:15:05.880
<v Speaker 1>The Germans were like, you should probably figure out something

0:15:05.920 --> 0:15:08.600
<v Speaker 1>faster than a zeppelin to to drop bombs from. Yeah,

0:15:08.600 --> 0:15:10.360
<v Speaker 1>the difference is like, why are we building these fake cities.

0:15:10.360 --> 0:15:12.880
<v Speaker 1>Look how slow that thing is. Somebody just shoot a

0:15:12.920 --> 0:15:16.400
<v Speaker 1>flaming arrow that way, Yeah exactly. We can all just

0:15:16.640 --> 0:15:18.760
<v Speaker 1>move to the left at our leisure and we'll all

0:15:18.800 --> 0:15:21.720
<v Speaker 1>be all right. Well, all of this it's funny. Um

0:15:21.920 --> 0:15:23.440
<v Speaker 1>ed helped us out with this one, and he kind

0:15:23.440 --> 0:15:25.520
<v Speaker 1>of started out with a section that we're not going

0:15:25.560 --> 0:15:29.200
<v Speaker 1>to cover about, like movie backlots. But I'm sure all

0:15:29.280 --> 0:15:31.760
<v Speaker 1>of this stuff, I mean, in World War two and

0:15:31.840 --> 0:15:35.360
<v Speaker 1>beyond was influenced by the fact that they're like, oh,

0:15:35.360 --> 0:15:37.600
<v Speaker 1>wait a minute, we're making movies now where we build

0:15:37.920 --> 0:15:41.000
<v Speaker 1>fake cities. It's a great effect. Like it ain't that hard,

0:15:42.760 --> 0:15:45.960
<v Speaker 1>right exactly. I mean, it's just I guess it's it

0:15:46.040 --> 0:15:48.200
<v Speaker 1>must just be one of those ideas that's out there

0:15:48.200 --> 0:15:50.840
<v Speaker 1>where it's like, we needed a new city, but we

0:15:50.880 --> 0:15:53.080
<v Speaker 1>don't want to build a whole new city, so let's

0:15:53.120 --> 0:15:55.360
<v Speaker 1>just build a part of a city, just enough to

0:15:55.440 --> 0:15:58.600
<v Speaker 1>kind of fool people from a distance. Yeah, the whole

0:15:58.600 --> 0:16:02.200
<v Speaker 1>backlock thing, bat backlot thing is pretty. It's pretty. It's

0:16:02.240 --> 0:16:07.960
<v Speaker 1>got its own interesting um story itself. The thing is is,

0:16:08.000 --> 0:16:09.720
<v Speaker 1>if you stop and think about it, you're like, oh,

0:16:09.800 --> 0:16:12.200
<v Speaker 1>they had a they had a fake barbershop there. Oh,

0:16:12.240 --> 0:16:16.280
<v Speaker 1>they had a fake Victorian mansion there. It's like, if

0:16:16.320 --> 0:16:17.840
<v Speaker 1>you really step back and think about it, you're like,

0:16:17.880 --> 0:16:21.880
<v Speaker 1>who cares? But for some reason, there's something really engrossing

0:16:21.920 --> 0:16:24.960
<v Speaker 1>about that kind of stuff. Oh I love it, alright,

0:16:25.040 --> 0:16:27.760
<v Speaker 1>So that's a good set up there. You ready to

0:16:27.760 --> 0:16:30.760
<v Speaker 1>take a break, I am, Chuck. Let's take a break

0:16:31.000 --> 0:16:33.240
<v Speaker 1>right now, all right, and then we'll talk about Seattle

0:16:36.360 --> 0:16:56.040
<v Speaker 1>stuff you should know, Nash stuff you should know. And

0:16:56.120 --> 0:16:59.480
<v Speaker 1>speaking of Seattle, Chuck, we're gonna be in Seattle. Had

0:16:59.480 --> 0:17:02.720
<v Speaker 1>a feeling you're gonna work a live show promo into this. Yeah,

0:17:02.720 --> 0:17:05.399
<v Speaker 1>we're gonna be in Seattle on February one at the

0:17:05.440 --> 0:17:11.840
<v Speaker 1>More Theater. That's last February. And this is actually happening

0:17:11.840 --> 0:17:13.880
<v Speaker 1>to This isn't something we forgot to edit out, like

0:17:14.240 --> 0:17:16.720
<v Speaker 1>these shows are going on come hell or high water.

0:17:17.160 --> 0:17:19.600
<v Speaker 1>That's right, We're going to Seattle, to a real city.

0:17:19.680 --> 0:17:22.560
<v Speaker 1>But one of the cooler stories I think in this

0:17:22.640 --> 0:17:29.399
<v Speaker 1>episode is the fake city that Boeing built in Uh.

0:17:29.440 --> 0:17:34.080
<v Speaker 1>This was Boeing was building B seventeen bombers at what

0:17:34.119 --> 0:17:38.000
<v Speaker 1>was called Plant Number two, and that was a very

0:17:38.119 --> 0:17:41.919
<v Speaker 1>dangerous place to work in World War Two and for

0:17:41.960 --> 0:17:44.160
<v Speaker 1>obvious reasons. So they said, all right, here's what we're

0:17:44.160 --> 0:17:46.800
<v Speaker 1>gonna do instead of building because what you typically do

0:17:46.880 --> 0:17:49.200
<v Speaker 1>with like a decoy factory or que site or whatever

0:17:49.840 --> 0:17:53.840
<v Speaker 1>is build something, you know, fifteen miles away. And they said,

0:17:53.840 --> 0:17:56.560
<v Speaker 1>why don't we just build, like, build something that looks

0:17:56.560 --> 0:17:58.280
<v Speaker 1>like the real thing. Fifth females away, they said, why

0:17:58.280 --> 0:18:01.679
<v Speaker 1>don't we just shield our real thing by building an

0:18:01.720 --> 0:18:05.960
<v Speaker 1>innocuous faketown on top of the factory. And that's exactly

0:18:05.960 --> 0:18:08.480
<v Speaker 1>what they did they did. Have you seen pictures of this,

0:18:08.840 --> 0:18:11.880
<v Speaker 1>Oh yeah, this is super cool. It's all about what

0:18:11.920 --> 0:18:15.000
<v Speaker 1>it looks like from overhead. So again they didn't need

0:18:15.080 --> 0:18:19.960
<v Speaker 1>to build everything exactly life size and exactly with great material.

0:18:20.000 --> 0:18:23.000
<v Speaker 1>They built cars out of plywood, and the grass was

0:18:23.080 --> 0:18:25.600
<v Speaker 1>like dyed burr lap and stuff like that. The trees

0:18:25.640 --> 0:18:31.560
<v Speaker 1>were these weird kind of surrealist approximation of trees um.

0:18:31.680 --> 0:18:33.960
<v Speaker 1>So when you were walking among this stuff, you're like

0:18:34.040 --> 0:18:37.760
<v Speaker 1>that car is um cut off in half lengthwise, or

0:18:37.800 --> 0:18:40.800
<v Speaker 1>that house is like all it is is like the top,

0:18:41.240 --> 0:18:43.920
<v Speaker 1>you know, third in the roof. It's weird, but from

0:18:44.080 --> 0:18:47.000
<v Speaker 1>overhead it really did a good job disguising it. And

0:18:47.000 --> 0:18:49.280
<v Speaker 1>they would send Boeing workers up there once in a while,

0:18:49.440 --> 0:18:53.000
<v Speaker 1>like hang laundry or sunbathe, or walk along the sidewalks

0:18:53.000 --> 0:18:55.359
<v Speaker 1>and just to give the impression. And I was thinking

0:18:55.359 --> 0:18:57.679
<v Speaker 1>about I'm like, that is a really dangerous thing to

0:18:57.760 --> 0:19:02.520
<v Speaker 1>have your employees do yeah, so like, hey, if you're

0:19:02.520 --> 0:19:04.840
<v Speaker 1>gonna take a smoke break, go up there. Yeah. But

0:19:04.880 --> 0:19:07.600
<v Speaker 1>at the same time, if the if the building is

0:19:07.640 --> 0:19:10.119
<v Speaker 1>gonna get bombed, whether they're up there in the building,

0:19:10.160 --> 0:19:12.400
<v Speaker 1>I guess it doesn't really matter. So it's more good point,

0:19:12.560 --> 0:19:15.879
<v Speaker 1>no more dangerous than working inside anyway. Yeah, that's a

0:19:15.920 --> 0:19:18.480
<v Speaker 1>really good point. I didn't think about that. Uh. Yeah,

0:19:18.560 --> 0:19:21.640
<v Speaker 1>they had, um, I think kind of the more ingenious

0:19:21.640 --> 0:19:25.800
<v Speaker 1>things because obviously they're seeing it built, uh from way

0:19:25.880 --> 0:19:29.480
<v Speaker 1>way high up where the bombers are, it couldn't look

0:19:29.560 --> 0:19:32.600
<v Speaker 1>out of place, like in relation to everything else around it,

0:19:32.680 --> 0:19:34.840
<v Speaker 1>So they couldn't just like stick it down there in

0:19:35.160 --> 0:19:37.960
<v Speaker 1>any old order. They had to align the street grid

0:19:38.440 --> 0:19:41.640
<v Speaker 1>with generally what was going on around them. And it's

0:19:41.680 --> 0:19:44.080
<v Speaker 1>it's really cool. There's a cool website that has a

0:19:44.119 --> 0:19:46.480
<v Speaker 1>lot of really great pictures of like and you know

0:19:46.520 --> 0:19:49.960
<v Speaker 1>it's the time too, so this like super cool lady

0:19:50.040 --> 0:19:52.840
<v Speaker 1>in like standing at the street corner. They got a

0:19:52.880 --> 0:19:57.119
<v Speaker 1>little cheeky with the street signs Burlett Boulevard and Synthetic Street,

0:19:58.160 --> 0:20:01.560
<v Speaker 1>so I think they ended up uh having a little

0:20:01.600 --> 0:20:06.200
<v Speaker 1>fun with it, maybe a little. Somebody thought in the

0:20:06.200 --> 0:20:08.800
<v Speaker 1>middle of World War two to put joke signs up.

0:20:08.800 --> 0:20:12.800
<v Speaker 1>At least, that's pretty great, right. Um. Also, Chuck, I

0:20:13.680 --> 0:20:17.119
<v Speaker 1>heard that those streets were so well lined up you

0:20:17.160 --> 0:20:20.760
<v Speaker 1>could get on in the middle of that fake suburb

0:20:20.960 --> 0:20:24.359
<v Speaker 1>on top of the Boeing building and drive straight through

0:20:24.400 --> 0:20:26.919
<v Speaker 1>all the way to Portland's and then on to San Francisco,

0:20:27.200 --> 0:20:34.760
<v Speaker 1>where we'll be on February two and very nice. So um, yeah,

0:20:34.840 --> 0:20:37.199
<v Speaker 1>the whole Boeing thing, Luckily it never worked out. The

0:20:37.200 --> 0:20:39.240
<v Speaker 1>whole reason that they did that was because they were

0:20:39.280 --> 0:20:41.200
<v Speaker 1>on the West Coast in Seattle and they were worried

0:20:41.200 --> 0:20:45.840
<v Speaker 1>about Japanese bombing raids that never happened. Um, obviously, I

0:20:45.840 --> 0:20:51.040
<v Speaker 1>think it's possible. I mean I know that we in

0:20:51.080 --> 0:20:54.520
<v Speaker 1>our book. I think on our chapter about Coma Kaze.

0:20:55.280 --> 0:20:58.960
<v Speaker 1>This is a really book forward episode, isn't it. Um.

0:20:59.000 --> 0:21:02.800
<v Speaker 1>The Japanese Actually there was a battle in the United States,

0:21:02.800 --> 0:21:05.119
<v Speaker 1>but it was in Alaska. So I don't think the

0:21:05.200 --> 0:21:09.040
<v Speaker 1>Japanese ever came to the West Coast, did they. Well no,

0:21:09.480 --> 0:21:11.280
<v Speaker 1>I was just kind of kidding, like I think they

0:21:11.280 --> 0:21:13.600
<v Speaker 1>would have known if there was, you know, a bunch

0:21:13.600 --> 0:21:15.520
<v Speaker 1>of plane circling overhead, and they were just like, we

0:21:15.600 --> 0:21:20.399
<v Speaker 1>just can't find where it's working. Just keep smiling, just

0:21:20.560 --> 0:21:26.040
<v Speaker 1>keep pretending we're in a sober Uh. Sometimes the project. Uh,

0:21:26.080 --> 0:21:27.920
<v Speaker 1>it seems like a lot of these I think they're

0:21:27.960 --> 0:21:30.000
<v Speaker 1>well intended and they get off on the right foot

0:21:30.440 --> 0:21:32.639
<v Speaker 1>and then it ends up being scrapped for one reason

0:21:32.760 --> 0:21:35.800
<v Speaker 1>or another. But you know, it makes a great point.

0:21:35.880 --> 0:21:39.439
<v Speaker 1>If you're the United States Military and you want to

0:21:39.440 --> 0:21:43.359
<v Speaker 1>build some big facility somewhere, you you want to build

0:21:43.359 --> 0:21:45.960
<v Speaker 1>it away from things, obviously, so it's a little more secretive.

0:21:46.000 --> 0:21:48.280
<v Speaker 1>But you can't build it too far from stuff because

0:21:48.280 --> 0:21:52.160
<v Speaker 1>you need workers, and you need equipment and shipping and

0:21:52.880 --> 0:21:56.359
<v Speaker 1>construction and all the things that being close to things provide.

0:21:56.400 --> 0:22:00.560
<v Speaker 1>So uh with the town of apix floor to a

0:22:00.680 --> 0:22:03.399
<v Speaker 1>p I X, which will explain what that means in

0:22:03.400 --> 0:22:05.919
<v Speaker 1>a minute. This was in Palm Beach County in the

0:22:06.040 --> 0:22:12.000
<v Speaker 1>nineteen fifties, where they bought up ten square miles in

0:22:12.119 --> 0:22:14.880
<v Speaker 1>what was at the time kind of rural western Palm Beach.

0:22:14.880 --> 0:22:17.439
<v Speaker 1>There weren't a lot of people around then because they

0:22:17.440 --> 0:22:20.040
<v Speaker 1>wanted to build a factory. They were developing liquid hydrogen

0:22:20.240 --> 0:22:23.800
<v Speaker 1>is UH fuel, and they're like, let's develop this fuel,

0:22:24.160 --> 0:22:26.719
<v Speaker 1>will build this factory in another place nearby and we'll

0:22:26.760 --> 0:22:29.920
<v Speaker 1>build a pipeline. Uh, And it just kind of never

0:22:29.960 --> 0:22:32.280
<v Speaker 1>fully came to fruition, I think because they realized it

0:22:32.359 --> 0:22:37.359
<v Speaker 1>was too expensive to ship liquid hydrogen that way. Yeah,

0:22:37.359 --> 0:22:39.399
<v Speaker 1>they figured out it was cheaper to just put them

0:22:39.400 --> 0:22:42.600
<v Speaker 1>in refrigerated trucks and drive them. So they actually did

0:22:42.840 --> 0:22:46.760
<v Speaker 1>create the liquefaction plant to produce the hydrogen for the

0:22:46.840 --> 0:22:50.159
<v Speaker 1>rocket fuel UM, but they just never went on to

0:22:50.320 --> 0:22:54.560
<v Speaker 1>do UM the full project, which was built a worker's

0:22:54.760 --> 0:22:57.960
<v Speaker 1>village to support the plant. And the whole idea was

0:22:58.000 --> 0:23:00.680
<v Speaker 1>they were just going to say, this is a nilizer plant,

0:23:00.680 --> 0:23:03.320
<v Speaker 1>and this is a basically, you know, a suburb, suburban

0:23:03.359 --> 0:23:08.040
<v Speaker 1>town that's sprouted up around the fertilizer plant, just filled

0:23:08.080 --> 0:23:10.320
<v Speaker 1>with normal people. Nothing to see here. This is a

0:23:10.440 --> 0:23:15.080
<v Speaker 1>pix Florida Welcome and goodbye. But what does APIs stand for?

0:23:15.200 --> 0:23:18.359
<v Speaker 1>This sort of the funny I'm not sure why they

0:23:18.400 --> 0:23:22.119
<v Speaker 1>did this, but go ahead. So it was actually technical

0:23:22.160 --> 0:23:25.400
<v Speaker 1>designation that that had to do with the project itself,

0:23:25.840 --> 0:23:31.439
<v Speaker 1>Air Products Incorporated Experimental. So a pix UM you just

0:23:31.480 --> 0:23:33.560
<v Speaker 1>remove the E and replace it with the X. You

0:23:33.640 --> 0:23:36.840
<v Speaker 1>got a pix right and ED. Actually UM had a

0:23:36.840 --> 0:23:39.080
<v Speaker 1>little editorial comment that I thought was pretty interesting, and

0:23:39.160 --> 0:23:42.600
<v Speaker 1>he's like, I don't why would you possibly name the

0:23:42.640 --> 0:23:46.960
<v Speaker 1>town like a technical term from the very project you're

0:23:46.960 --> 0:23:49.800
<v Speaker 1>working on, the super secret rocket fuel. And he said

0:23:49.800 --> 0:23:53.920
<v Speaker 1>that his wife Meg pointed out that, um, it actually

0:23:53.920 --> 0:23:56.120
<v Speaker 1>worked pretty well, or it could work well, because if

0:23:56.119 --> 0:23:58.560
<v Speaker 1>you heard people talking about a PIX, you just assume

0:23:58.600 --> 0:24:01.480
<v Speaker 1>they were talking about that town of Florida and maybe

0:24:01.520 --> 0:24:06.120
<v Speaker 1>not consider searching much further into what was actually being

0:24:06.160 --> 0:24:08.680
<v Speaker 1>discussed when they were actually talking about the rocket fuel.

0:24:09.119 --> 0:24:11.679
<v Speaker 1>Go Meg, Yeah, I thought so too. I think it's

0:24:11.680 --> 0:24:15.639
<v Speaker 1>the first time we've heard from Meg, right, yeah, alright,

0:24:15.680 --> 0:24:18.320
<v Speaker 1>I love it. Uh. This it's interesting. This is kind

0:24:18.320 --> 0:24:21.000
<v Speaker 1>of functioning as a top ten in a way because

0:24:21.000 --> 0:24:23.800
<v Speaker 1>we move on to yet another sub topic, which are

0:24:24.160 --> 0:24:27.560
<v Speaker 1>paper towns. And I had never heard of this before.

0:24:27.600 --> 0:24:30.399
<v Speaker 1>This is so cool. I need to talk to my

0:24:30.440 --> 0:24:34.359
<v Speaker 1>buddy Rad, the cartographer out in Montana and see if

0:24:34.400 --> 0:24:38.199
<v Speaker 1>he puts any uh trap streets or copyright traps in

0:24:38.280 --> 0:24:42.679
<v Speaker 1>his work, because they were initially called trap streets. And

0:24:42.720 --> 0:24:45.879
<v Speaker 1>this is when a map maker a cartographers drawing a map,

0:24:46.320 --> 0:24:48.359
<v Speaker 1>and they even knew early on. They're like, hey, listen,

0:24:48.640 --> 0:24:50.920
<v Speaker 1>anyone can just go out and print copies of these

0:24:50.960 --> 0:24:53.000
<v Speaker 1>and then sell them. I did all the hard work,

0:24:53.320 --> 0:24:55.040
<v Speaker 1>and now they're just going to sell these maps as

0:24:55.080 --> 0:24:58.120
<v Speaker 1>their own. So they started putting trap streets, like made

0:24:58.200 --> 0:25:00.520
<v Speaker 1>up streets in there. It's sort of like the brown

0:25:00.560 --> 0:25:04.000
<v Speaker 1>Eminem's and the Van Halen writer. So they would know

0:25:04.280 --> 0:25:06.480
<v Speaker 1>if they saw a map with their trap street that

0:25:06.560 --> 0:25:09.760
<v Speaker 1>there was copyright infringement. Man, what a great analogy you

0:25:09.920 --> 0:25:13.080
<v Speaker 1>just made the brown Eminem's. Yeah, that's the person I

0:25:13.160 --> 0:25:17.399
<v Speaker 1>thought of. So, um, they're the This one particular story

0:25:17.480 --> 0:25:21.800
<v Speaker 1>centers on aglow or a glow. No one on the

0:25:21.920 --> 0:25:25.520
<v Speaker 1>planet has any idea exactly how to pronounce it. New York,

0:25:26.119 --> 0:25:29.520
<v Speaker 1>Upstate New York and the cat Skills and uh, there

0:25:29.600 --> 0:25:32.960
<v Speaker 1>was a firm that was basically two guys from what

0:25:33.040 --> 0:25:35.639
<v Speaker 1>I could tell uh in the twenties who were making

0:25:35.680 --> 0:25:39.600
<v Speaker 1>maps and they created that town, which is a an

0:25:39.600 --> 0:25:45.680
<v Speaker 1>amalgam um an amalgam okay of their of letters from

0:25:45.720 --> 0:25:49.680
<v Speaker 1>their name. So aglow Um New York is just it's

0:25:49.720 --> 0:25:52.200
<v Speaker 1>one of those paper cities that didn't exist, and it

0:25:52.240 --> 0:25:54.440
<v Speaker 1>was meant as a copyright trap, like you were saying.

0:25:54.840 --> 0:25:57.520
<v Speaker 1>But the reason that Anglo New York is probably the

0:25:57.520 --> 0:26:02.440
<v Speaker 1>most famous paper city is because it managed to fall

0:26:03.160 --> 0:26:06.879
<v Speaker 1>um backwards into reality. It went from a fake town

0:26:06.880 --> 0:26:10.120
<v Speaker 1>on a map to a real town in upstate New

0:26:10.200 --> 0:26:13.720
<v Speaker 1>York in a weird roundabout way. Yeah, but we should

0:26:13.760 --> 0:26:18.119
<v Speaker 1>say town very much in quotation marks, because there was

0:26:18.240 --> 0:26:20.240
<v Speaker 1>not a lot going on there. There are a couple

0:26:20.280 --> 0:26:22.960
<v Speaker 1>of ways the story went down, and the one I

0:26:23.000 --> 0:26:26.640
<v Speaker 1>saw that seems most reliable is kind of the second one.

0:26:27.920 --> 0:26:31.119
<v Speaker 1>But apparently there was a fishing lodge that was built

0:26:31.359 --> 0:26:33.960
<v Speaker 1>after this map was drawn with a fake town name

0:26:34.000 --> 0:26:36.719
<v Speaker 1>on it, the paper town, and they saw that it

0:26:36.800 --> 0:26:40.080
<v Speaker 1>was near this place, so they just named it after it.

0:26:40.080 --> 0:26:42.560
<v Speaker 1>They said, all right, that's the closest town. So this

0:26:42.640 --> 0:26:48.040
<v Speaker 1>is now the Aglow Lodge farms fishing lodge. And the

0:26:48.080 --> 0:26:51.159
<v Speaker 1>New York Times ended up reporting on it and said

0:26:51.200 --> 0:26:53.800
<v Speaker 1>that some of the first guests there, one of them

0:26:53.840 --> 0:26:58.080
<v Speaker 1>was a map publishing firm and official from a publishing firm,

0:26:58.160 --> 0:27:00.320
<v Speaker 1>and said the owner said you should put this place

0:27:00.400 --> 0:27:02.800
<v Speaker 1>on the map. Even though that was like a New

0:27:02.840 --> 0:27:08.080
<v Speaker 1>York Times contemporaneous piece, I don't know if that's super accurate.

0:27:08.119 --> 0:27:09.520
<v Speaker 1>I think the other ones is a little more accurate.

0:27:11.200 --> 0:27:14.720
<v Speaker 1>Not only is that questionable. It's it's very confusing to

0:27:14.960 --> 0:27:18.440
<v Speaker 1>like was the map was the map publishing executive one

0:27:18.480 --> 0:27:21.600
<v Speaker 1>of the guys who created Aglow, New York? As the

0:27:21.640 --> 0:27:24.000
<v Speaker 1>trap is it is it did things really come that

0:27:24.119 --> 0:27:27.560
<v Speaker 1>full circle? Was it somebody from Rand McNally who would

0:27:27.600 --> 0:27:31.840
<v Speaker 1>later use it to their advantage. I've got a lot

0:27:31.880 --> 0:27:37.040
<v Speaker 1>of questions about was it a minotaur? But the second

0:27:37.160 --> 0:27:41.159
<v Speaker 1>version um is, really it's not that much different. There's uh,

0:27:41.240 --> 0:27:44.000
<v Speaker 1>somebody who decided to open a general store on the

0:27:44.080 --> 0:27:47.439
<v Speaker 1>spot where that was marked Aglow. And the other thing

0:27:47.440 --> 0:27:51.360
<v Speaker 1>about this too is the fact that this town became

0:27:51.560 --> 0:27:54.480
<v Speaker 1>real in a certain way means that there was the

0:27:54.760 --> 0:28:00.480
<v Speaker 1>monumentally coincidental fact that they happened to have the type

0:28:00.520 --> 0:28:03.119
<v Speaker 1>of map that have been created by that firm that

0:28:03.160 --> 0:28:06.159
<v Speaker 1>made up Aglow. Because remember, no other map is going

0:28:06.240 --> 0:28:08.560
<v Speaker 1>to have that town. It's a copyright town that just

0:28:08.720 --> 0:28:11.600
<v Speaker 1>one firm's maps would show. So they happened to have

0:28:11.800 --> 0:28:15.800
<v Speaker 1>that firm's maps two when they decided to figure out

0:28:15.880 --> 0:28:18.760
<v Speaker 1>where their general store was or their fishing latch was,

0:28:19.160 --> 0:28:22.679
<v Speaker 1>and so they named this general store the Anglo General Store.

0:28:23.119 --> 0:28:25.720
<v Speaker 1>But the weird thing about it is where Rand McNally

0:28:25.760 --> 0:28:28.760
<v Speaker 1>comes in in this story. Yeah, and I will just

0:28:28.840 --> 0:28:31.080
<v Speaker 1>in defense of that, I will say it was an

0:28:31.240 --> 0:28:34.920
<v Speaker 1>s O gas station map. So I think those things

0:28:34.960 --> 0:28:39.800
<v Speaker 1>were kind of everywhere. Uh that was my interpretation. Yeah,

0:28:39.800 --> 0:28:41.760
<v Speaker 1>but I'm just pointing out it wasn't some like weird

0:28:41.800 --> 0:28:44.480
<v Speaker 1>obscure map. It was a it was a pretty heavily

0:28:45.120 --> 0:28:48.880
<v Speaker 1>it was a map in the rotation, you know. So

0:28:49.080 --> 0:28:52.280
<v Speaker 1>they built this general store, Rand McNally comes along. They

0:28:52.280 --> 0:28:57.160
<v Speaker 1>publish a map, uh, you know, seemingly using the other

0:28:57.200 --> 0:28:59.920
<v Speaker 1>map because Aglow was on there, and they got sued

0:29:00.040 --> 0:29:01.760
<v Speaker 1>but they said no, no, no, no, no, you can't

0:29:01.760 --> 0:29:04.320
<v Speaker 1>sue us, like this is a town now that I'm

0:29:04.360 --> 0:29:06.240
<v Speaker 1>standing in front of the ago. They had a press

0:29:06.240 --> 0:29:10.000
<v Speaker 1>conference in front of the Anglo General Store. They didn't

0:29:10.000 --> 0:29:13.240
<v Speaker 1>they didn't really, but they probably should have and said,

0:29:13.360 --> 0:29:15.120
<v Speaker 1>you know, this is a real place. And you know,

0:29:15.160 --> 0:29:18.160
<v Speaker 1>they ended up winning that case because of that, and

0:29:18.280 --> 0:29:22.520
<v Speaker 1>at various times over the years, Aglow is sometimes on maps.

0:29:22.600 --> 0:29:27.000
<v Speaker 1>Sometimes it's on Google Maps, sometimes it's not. I think

0:29:27.080 --> 0:29:29.280
<v Speaker 1>the fishing lodge is there, but it doesn't go by

0:29:29.280 --> 0:29:32.560
<v Speaker 1>that anymore. No, but it's there still. I mean, there

0:29:32.640 --> 0:29:35.280
<v Speaker 1>is a fishing lodge there, but there is no the

0:29:35.320 --> 0:29:37.840
<v Speaker 1>building of the general stores there, but I don't think

0:29:37.840 --> 0:29:40.440
<v Speaker 1>it's a general store anymore. Right, I've seen both. I've

0:29:40.440 --> 0:29:43.280
<v Speaker 1>seen that you can find the general store still. Yeah,

0:29:43.360 --> 0:29:45.640
<v Speaker 1>I've seen that the fishing lodge and the general store there,

0:29:45.680 --> 0:29:49.640
<v Speaker 1>which is kind of like putting both both UM stories together,

0:29:50.040 --> 0:29:52.520
<v Speaker 1>and I guess they don't have to be mutually exclusive.

0:29:53.120 --> 0:29:56.520
<v Speaker 1>I also saw mentioned that at its peak, UM a

0:29:56.600 --> 0:30:00.479
<v Speaker 1>little mini town sprang up around either the general or

0:30:00.640 --> 0:30:03.920
<v Speaker 1>or lodge or both, that there was a gas station,

0:30:04.720 --> 0:30:09.600
<v Speaker 1>two houses. Um there, there was something happened. It came

0:30:09.680 --> 0:30:13.280
<v Speaker 1>up out of the map, the map became reality. It's

0:30:13.280 --> 0:30:17.240
<v Speaker 1>such a great story. And there's an author named Tom Green.

0:30:17.400 --> 0:30:19.800
<v Speaker 1>He's a y a author. I've not heard heard of

0:30:19.840 --> 0:30:22.360
<v Speaker 1>him and read his stuff, but he he wrote a

0:30:22.360 --> 0:30:25.720
<v Speaker 1>book called Paper Towns that were Aglow figures into it.

0:30:25.800 --> 0:30:29.200
<v Speaker 1>So apparently UM teens will show up once in a

0:30:29.240 --> 0:30:32.320
<v Speaker 1>while and be like, I'm an aglow so by this stuff.

0:30:32.360 --> 0:30:35.440
<v Speaker 1>They don't want you to know. Book by the stuff

0:30:35.440 --> 0:30:39.280
<v Speaker 1>you should know book by Paper Towns. Yeah, I didn't

0:30:39.280 --> 0:30:41.440
<v Speaker 1>even think about it. That's another book. It's another book

0:30:41.840 --> 0:30:47.000
<v Speaker 1>by Rand McNally Atlas. If you've only if here's my advice.

0:30:47.080 --> 0:30:49.720
<v Speaker 1>If you're a a person of a certain age who

0:30:49.760 --> 0:30:52.000
<v Speaker 1>was literally never used a real map in your life

0:30:52.360 --> 0:30:56.680
<v Speaker 1>and only interacted with digital interfaces by by an Atlas.

0:30:56.680 --> 0:30:58.760
<v Speaker 1>By wrote Atlas, it's kind of fun. It's good to

0:30:58.800 --> 0:31:02.360
<v Speaker 1>have around in case, you know, in case that it

0:31:02.400 --> 0:31:05.880
<v Speaker 1>all goes down the tubes and we're all feral wandering

0:31:05.920 --> 0:31:10.360
<v Speaker 1>around the country. I was road tripping with Emily recently

0:31:10.360 --> 0:31:13.320
<v Speaker 1>and kind of reminiscing about, Yeah, I remember when you

0:31:13.360 --> 0:31:14.920
<v Speaker 1>sat the pull over on the side of the road

0:31:15.600 --> 0:31:17.640
<v Speaker 1>and get out the map and say, well, I think

0:31:17.720 --> 0:31:20.560
<v Speaker 1>you can take this to this to this to get

0:31:20.600 --> 0:31:23.040
<v Speaker 1>to that. Yeah, it was fun. It was a good

0:31:23.040 --> 0:31:26.120
<v Speaker 1>sense of adventure that has now been ruined by technology.

0:31:26.440 --> 0:31:28.360
<v Speaker 1>But also I've said before and I'll say it again,

0:31:28.400 --> 0:31:34.880
<v Speaker 1>I think that, um it made people smarter in some ways,

0:31:36.240 --> 0:31:40.000
<v Speaker 1>um than than today. Yeah. Again, I think we talked

0:31:40.000 --> 0:31:42.360
<v Speaker 1>about like balancing your checkbook or something like that. You

0:31:42.440 --> 0:31:45.040
<v Speaker 1>had to do that. Oh no, it was keeping bowling

0:31:45.120 --> 0:31:49.440
<v Speaker 1>scores by hands, right. It's it's the same kind of thing,

0:31:49.520 --> 0:31:52.640
<v Speaker 1>like having to stop and figure out where you are

0:31:52.800 --> 0:31:55.000
<v Speaker 1>and where you're going and then how to get there

0:31:55.000 --> 0:31:57.640
<v Speaker 1>on a map. So much different than like take a

0:31:57.720 --> 0:32:00.320
<v Speaker 1>left in a hundred and eighty feet um, and I'm

0:32:00.360 --> 0:32:02.320
<v Speaker 1>not like, I'm not mad about that. I use ways

0:32:02.560 --> 0:32:06.360
<v Speaker 1>every time I drive that I don't know where I'm going. Yeah,

0:32:06.680 --> 0:32:11.040
<v Speaker 1>but there's there's a qualitative difference in what your brain

0:32:11.160 --> 0:32:13.880
<v Speaker 1>is doing when you're using ways and when you are

0:32:14.360 --> 0:32:17.640
<v Speaker 1>looking at a paper map and figuring out yourself. Yeah,

0:32:18.120 --> 0:32:20.480
<v Speaker 1>like I like knowing where the best breakfast burrito is

0:32:20.520 --> 0:32:23.560
<v Speaker 1>in the next down I'm going to and the old

0:32:23.640 --> 0:32:27.280
<v Speaker 1>rand mc now I didn't show you that. Should we

0:32:27.320 --> 0:32:31.600
<v Speaker 1>take a break? Yeah, let's let's take a break. Okay,

0:32:31.760 --> 0:32:38.920
<v Speaker 1>a question, breakfast burrito. We'll finish up after this. Stuff.

0:32:38.960 --> 0:33:00.600
<v Speaker 1>You should know, stuff you should know, so UMO. One

0:33:00.600 --> 0:33:03.000
<v Speaker 1>of the other reasons that people make fake towns is

0:33:03.200 --> 0:33:07.160
<v Speaker 1>not to just um act as decoys, but instead to

0:33:07.320 --> 0:33:11.840
<v Speaker 1>use for testing, often weapons testing. Probably the most famous

0:33:11.840 --> 0:33:15.560
<v Speaker 1>fake town that has been used to test weapons is

0:33:15.600 --> 0:33:20.400
<v Speaker 1>in Nevada. The Nevada is in Nevada, Nevada, Nevada, Nevada.

0:33:20.440 --> 0:33:23.760
<v Speaker 1>You're right, the Nevada Test Site, UM, which in the

0:33:23.800 --> 0:33:27.560
<v Speaker 1>fifties until the mid sixties I believe, was where we

0:33:27.880 --> 0:33:32.080
<v Speaker 1>set off I think seven hundred plus nuclear bombs and

0:33:32.160 --> 0:33:35.440
<v Speaker 1>we would often build little towns and be like, k boom,

0:33:35.560 --> 0:33:39.080
<v Speaker 1>did you see what happened to that town? And yeah,

0:33:39.160 --> 0:33:42.200
<v Speaker 1>I'm only a few miles from it, because that's what

0:33:42.280 --> 0:33:45.240
<v Speaker 1>happened with I've've seen it called survival town. Probably the

0:33:45.280 --> 0:33:47.080
<v Speaker 1>most famous one is the one where they actually shot

0:33:47.080 --> 0:33:51.360
<v Speaker 1>a bunch of footage the Apple To test site, uh

0:33:51.360 --> 0:33:55.720
<v Speaker 1>in ninety five, where they gathered six thousand people to

0:33:55.800 --> 0:33:59.360
<v Speaker 1>watch from six miles away. I believe the army was

0:33:59.360 --> 0:34:02.600
<v Speaker 1>about two to three miles away. And they built, you know,

0:34:02.600 --> 0:34:04.560
<v Speaker 1>they built a bunch of stuff. They built some houses,

0:34:05.080 --> 0:34:09.800
<v Speaker 1>built some buildings. They had a away station, some trailer parks,

0:34:09.800 --> 0:34:14.919
<v Speaker 1>some cars, apparently a propane tank station. So they built

0:34:14.920 --> 0:34:17.160
<v Speaker 1>a little bit of infrastructure. And this is the one,

0:34:17.200 --> 0:34:20.279
<v Speaker 1>if you've ever seen, the very famous footage. And part

0:34:20.320 --> 0:34:22.480
<v Speaker 1>of the reason they did this was to be able

0:34:22.520 --> 0:34:25.920
<v Speaker 1>to show Americans like and scare them, say, here's what

0:34:25.960 --> 0:34:29.239
<v Speaker 1>will happen to you of the you know, those mannequins

0:34:29.320 --> 0:34:33.000
<v Speaker 1>dissolving into fiery blast right before your eyes. And by

0:34:33.000 --> 0:34:34.719
<v Speaker 1>the way, you call your senator and tell them you

0:34:34.760 --> 0:34:40.800
<v Speaker 1>want American defense spending doubled. Basically, very well known footage,

0:34:40.840 --> 0:34:42.799
<v Speaker 1>but um one of these houses that it's called the

0:34:42.840 --> 0:34:47.440
<v Speaker 1>bell And Building was manufactured by a company Bellon Manufacturing,

0:34:47.480 --> 0:34:50.839
<v Speaker 1>who did steel panels. Uh. It was only six feet

0:34:50.840 --> 0:34:54.520
<v Speaker 1>away and it survived very famously. The blast And was

0:34:54.640 --> 0:34:57.800
<v Speaker 1>a legit, you know, tourist attraction for a long time.

0:34:58.200 --> 0:35:00.719
<v Speaker 1>It may still be. Is it still there, Yeah, still is.

0:35:00.760 --> 0:35:04.120
<v Speaker 1>There's a couple of houses that are still there that survived.

0:35:04.440 --> 0:35:09.120
<v Speaker 1>One was a two story colonial or two stories something, um, yeah,

0:35:09.160 --> 0:35:13.000
<v Speaker 1>colonial with a brick fireplace and chimney on the outside,

0:35:13.640 --> 0:35:15.360
<v Speaker 1>and a lot of it survived. The other one was

0:35:15.400 --> 0:35:18.880
<v Speaker 1>an all all straight up brick house, um, which I

0:35:18.920 --> 0:35:21.640
<v Speaker 1>believe was the inspiration for the Commodore song. Brick house,

0:35:22.120 --> 0:35:25.680
<v Speaker 1>that's right. And the one of straw did not make it. No,

0:35:26.200 --> 0:35:29.239
<v Speaker 1>But if you looked inside those houses, they had like

0:35:29.360 --> 0:35:33.480
<v Speaker 1>mannequins dressed up, some of them dressed to the nines frankly. Um.

0:35:33.520 --> 0:35:37.280
<v Speaker 1>They had like frozen food, canned food in some cases

0:35:37.320 --> 0:35:42.439
<v Speaker 1>fresh food. They had stuff, infrigerators, they had like they

0:35:42.480 --> 0:35:45.959
<v Speaker 1>had oh yeah, that's right. That was the third one, right, yeah,

0:35:46.440 --> 0:35:51.480
<v Speaker 1>fourth one? Okay? Um? Oh yeah, no yeah, what was

0:35:51.520 --> 0:35:56.239
<v Speaker 1>the third one? Thet I don't know what's happening in

0:35:56.280 --> 0:36:00.440
<v Speaker 1>my aging mind. Um, but the if you looked to

0:36:00.520 --> 0:36:03.040
<v Speaker 1>see like the before and after, I have to say

0:36:03.040 --> 0:36:06.480
<v Speaker 1>the mannequins fared pretty well. They got bounced around, they

0:36:06.600 --> 0:36:09.080
<v Speaker 1>definitely weren't standing up anymore afterward, but they weren't like

0:36:09.160 --> 0:36:14.200
<v Speaker 1>vapor either. Right. It's just great the test work. Our

0:36:14.239 --> 0:36:17.759
<v Speaker 1>buddy Van Nostrin said he went to that site really

0:36:17.880 --> 0:36:20.640
<v Speaker 1>one of the more amazing places he's been. Yeah, I'll

0:36:20.640 --> 0:36:22.880
<v Speaker 1>have to check that out. Japan did something kind of

0:36:22.920 --> 0:36:29.080
<v Speaker 1>similar with Project Ichiban and that this was post Hiroshima

0:36:29.120 --> 0:36:31.600
<v Speaker 1>and Nagasaki when they're like, hey, we want to see

0:36:32.160 --> 0:36:35.840
<v Speaker 1>like what radiation does to people and what radiation sickness

0:36:35.960 --> 0:36:38.880
<v Speaker 1>might do. So they built a village that could actually

0:36:38.920 --> 0:36:43.319
<v Speaker 1>be moved around. It was built on wooden skids, so

0:36:43.400 --> 0:36:46.799
<v Speaker 1>you could move this village around two different uh, you know,

0:36:46.880 --> 0:36:49.640
<v Speaker 1>and subject it to different levels of radiation to see

0:36:49.640 --> 0:36:53.400
<v Speaker 1>what would happen. I think that was actually American built

0:36:54.120 --> 0:36:56.960
<v Speaker 1>umulated to Japanese village. Yeah, because they're like, WHOA a

0:36:57.000 --> 0:37:00.080
<v Speaker 1>lot of people died of radiation sickness. We weren't expecting it.

0:37:00.600 --> 0:37:02.320
<v Speaker 1>I guess so because it was built on the Yucca

0:37:02.360 --> 0:37:07.040
<v Speaker 1>Flat and that in Japan. It's a outside of Nagao,

0:37:07.400 --> 0:37:11.680
<v Speaker 1>I know, big big with by me. So um. There

0:37:11.680 --> 0:37:15.680
<v Speaker 1>are other cities that are built for testing not nearly

0:37:15.719 --> 0:37:19.480
<v Speaker 1>as much destructive stuff as like a nuclear bomb. And

0:37:19.520 --> 0:37:22.640
<v Speaker 1>there's one of the University of Michigan in ann Arbor,

0:37:23.040 --> 0:37:28.360
<v Speaker 1>Um called m City, and it's basically like uh fake

0:37:29.960 --> 0:37:33.759
<v Speaker 1>drive around town, you know what I'm saying. Yeah, No,

0:37:33.960 --> 0:37:35.880
<v Speaker 1>I don't think anybody knows what I'm saying. Let me

0:37:35.960 --> 0:37:39.320
<v Speaker 1>just rephrase that. It's like it's the it's like a um,

0:37:39.360 --> 0:37:41.839
<v Speaker 1>it's like a town, a fake town that's really um

0:37:42.080 --> 0:37:45.919
<v Speaker 1>car centric. It's like Los Angeles but in Anna Arbor, right,

0:37:46.000 --> 0:37:48.600
<v Speaker 1>but fully like it's it's only fake in the sense

0:37:48.800 --> 0:37:52.120
<v Speaker 1>is that there are fake buildings that no one lives there,

0:37:52.160 --> 0:37:54.960
<v Speaker 1>like they really because what they're doing is there. Uh

0:37:55.120 --> 0:37:58.360
<v Speaker 1>it's all in partnership with I believe, initially Forward, but

0:37:58.440 --> 0:38:00.680
<v Speaker 1>I don't know who all is involved now to test

0:38:00.760 --> 0:38:03.680
<v Speaker 1>driverless car, so they the streets have to be really

0:38:03.719 --> 0:38:06.480
<v Speaker 1>real and the stoplights, like it has to really function

0:38:06.520 --> 0:38:08.759
<v Speaker 1>as a real city if you want to really test

0:38:08.920 --> 0:38:11.480
<v Speaker 1>driverless cars out. Yeah. I saw they even have like

0:38:11.680 --> 0:38:14.480
<v Speaker 1>you know, crash test dummies as pedestrians and stuff to

0:38:14.480 --> 0:38:17.640
<v Speaker 1>make sure the things stop when they're supposed to. It's

0:38:17.640 --> 0:38:21.520
<v Speaker 1>pretty cool. And there's an app where if you are

0:38:21.760 --> 0:38:24.520
<v Speaker 1>testing at m city, you will have access to an

0:38:24.560 --> 0:38:28.279
<v Speaker 1>app that lets you like control different conditions around the

0:38:28.320 --> 0:38:33.719
<v Speaker 1>fake town Truman Show. Yeah, I guess so, but you

0:38:33.719 --> 0:38:35.440
<v Speaker 1>can use it on your phone. I don't know if

0:38:35.440 --> 0:38:37.600
<v Speaker 1>they can really make it rain, although I bet you

0:38:37.640 --> 0:38:39.640
<v Speaker 1>they can. I'll bet they can at the very least

0:38:39.640 --> 0:38:41.640
<v Speaker 1>make the streets wet. Well, that's what I'm saying. That's

0:38:41.640 --> 0:38:47.920
<v Speaker 1>a road condition. I mean, that's legit right. So that

0:38:48.000 --> 0:38:50.200
<v Speaker 1>reminds me of something I went to when I grew

0:38:50.320 --> 0:38:54.919
<v Speaker 1>up um in Toledo called Safety City. Oh, I think

0:38:54.920 --> 0:38:58.160
<v Speaker 1>I've heard about this. It's so amazing. You you take

0:38:58.200 --> 0:39:01.520
<v Speaker 1>your big will um and you go to Safety City,

0:39:01.520 --> 0:39:06.080
<v Speaker 1>which is a small miniature fake town with like intersections

0:39:06.120 --> 0:39:08.919
<v Speaker 1>and a railroad crossing and traffic lights, and you learn

0:39:09.600 --> 0:39:12.200
<v Speaker 1>like what all the stuff means, like what do you

0:39:12.239 --> 0:39:13.919
<v Speaker 1>do at a yield time? And you get to ride

0:39:13.960 --> 0:39:15.880
<v Speaker 1>around on your big wheel like you're in a car

0:39:16.560 --> 0:39:19.480
<v Speaker 1>driving around town. It was one of the better experiences

0:39:19.520 --> 0:39:23.120
<v Speaker 1>of my young life until you that's amazing. Uh, there's

0:39:23.160 --> 0:39:26.239
<v Speaker 1>another one that seems really creepy uh in every way,

0:39:26.280 --> 0:39:29.960
<v Speaker 1>but it's hasn't come to fruition and it really isn't creepy.

0:39:30.520 --> 0:39:32.360
<v Speaker 1>I think it's just the fact that it's called the

0:39:32.400 --> 0:39:36.760
<v Speaker 1>Center Capital T Capital C and it's this billion dollar

0:39:37.120 --> 0:39:41.359
<v Speaker 1>future fake city. Uh. That's they've been planning missing out

0:39:41.400 --> 0:39:47.400
<v Speaker 1>since twelve. Uh. It's Pegasus Global Holdings. That's also creepy sounding,

0:39:47.840 --> 0:39:51.319
<v Speaker 1>although it's probably completely innocuous. Uh. And the Center for

0:39:51.360 --> 0:39:56.319
<v Speaker 1>Innovation again Capital TC and I and Testing and Evaluation.

0:39:56.400 --> 0:39:59.840
<v Speaker 1>So it's the Center for Innovation, Testing and Evaluation, sorry,

0:40:00.040 --> 0:40:03.200
<v Speaker 1>C I, T E. UH. And what they're doing it

0:40:03.280 --> 0:40:07.120
<v Speaker 1>seems like, or what they want to do eventually. It

0:40:07.160 --> 0:40:09.480
<v Speaker 1>seems like there's all kinds of testing that could go on,

0:40:09.520 --> 0:40:11.920
<v Speaker 1>but a lot of it has to do with energy

0:40:12.080 --> 0:40:17.360
<v Speaker 1>savings and you know, transporting energy, um, getting water from

0:40:17.440 --> 0:40:22.160
<v Speaker 1>one place to another more safely. Uh. It just seems

0:40:22.200 --> 0:40:24.920
<v Speaker 1>like transportation. It seems sort of like a catch all

0:40:25.520 --> 0:40:27.600
<v Speaker 1>of anything that you would want to use the city

0:40:27.600 --> 0:40:30.719
<v Speaker 1>for without having to block off real streets and pay

0:40:30.840 --> 0:40:34.280
<v Speaker 1>real money and suffer repercussions from real damage and stuff

0:40:34.320 --> 0:40:36.359
<v Speaker 1>like that. But it does seem to have a real

0:40:36.400 --> 0:40:40.480
<v Speaker 1>focus on sustainability, like like the some of the projects

0:40:40.520 --> 0:40:44.560
<v Speaker 1>also include UM like you could test UM low and

0:40:44.840 --> 0:40:49.000
<v Speaker 1>low loss transmission lines remember and like I can't remember

0:40:49.000 --> 0:40:51.239
<v Speaker 1>what episode that Like that is a huge problem with

0:40:51.320 --> 0:40:54.440
<v Speaker 1>creating a renewable grid. Is there so much energy loss

0:40:54.440 --> 0:40:57.000
<v Speaker 1>over time? Like you could test that. You could also

0:40:57.040 --> 0:40:59.920
<v Speaker 1>test driverless cars um And have you seen the die

0:41:00.040 --> 0:41:04.080
<v Speaker 1>grammar the renderings of this city. Yeah, it's pretty amazing.

0:41:04.239 --> 0:41:06.600
<v Speaker 1>It is. There's like a whole highway that comes into

0:41:06.719 --> 0:41:09.400
<v Speaker 1>town just like a regular city. There's a rural area,

0:41:09.480 --> 0:41:13.000
<v Speaker 1>there's suburbs, there's like a downtown area. It looks like

0:41:13.040 --> 0:41:16.600
<v Speaker 1>it's going to be really great. And I could whoever

0:41:16.680 --> 0:41:18.640
<v Speaker 1>thought of building that. I think it's one of those

0:41:18.680 --> 0:41:20.440
<v Speaker 1>if you build that, they will come kind of things.

0:41:20.800 --> 0:41:23.399
<v Speaker 1>But it sounds like they're having trouble convincing people about

0:41:23.440 --> 0:41:26.480
<v Speaker 1>the second part, right, I bet it will happen at

0:41:26.520 --> 0:41:30.040
<v Speaker 1>some point, I hope. So, yeah, And it's not creepy

0:41:30.040 --> 0:41:31.880
<v Speaker 1>at all. It just at all of like all the

0:41:31.920 --> 0:41:35.239
<v Speaker 1>capital letters really free to me. Right, No, But that

0:41:35.400 --> 0:41:37.120
<v Speaker 1>on top of the idea that if you went to

0:41:37.160 --> 0:41:39.640
<v Speaker 1>this place, it would be like a Twilight Zone episode

0:41:39.680 --> 0:41:42.800
<v Speaker 1>where there's no one there. You've got like a city

0:41:42.840 --> 0:41:45.600
<v Speaker 1>and no one's in it. That's just so creepy. That's

0:41:45.600 --> 0:41:47.680
<v Speaker 1>one of the reasons why this is so this whole

0:41:47.680 --> 0:41:51.000
<v Speaker 1>episode is me and gross. There's just some creep factor

0:41:51.080 --> 0:41:54.040
<v Speaker 1>that's lurking right under the surface. Yeah, it's it's the

0:41:54.080 --> 0:41:58.120
<v Speaker 1>same creep factor from like an abandoned city almost. There's

0:41:58.120 --> 0:42:01.799
<v Speaker 1>just something creepy about infrastructure with no one there. Yeah,

0:42:01.840 --> 0:42:03.319
<v Speaker 1>So I just want to give a shout out one

0:42:03.320 --> 0:42:06.000
<v Speaker 1>more um for one more thing on Florida. We were

0:42:06.000 --> 0:42:08.719
<v Speaker 1>talking about APIs Florida and reminded me that down in

0:42:08.800 --> 0:42:12.520
<v Speaker 1>Dade County there's something called the Arrow Jet Facility and

0:42:12.560 --> 0:42:15.880
<v Speaker 1>it was a rocket testing site, a missile testing site,

0:42:16.360 --> 0:42:20.760
<v Speaker 1>and there is a missile in an underground silo still there.

0:42:21.040 --> 0:42:24.200
<v Speaker 1>It's obviously not armed or anything, but there's some really

0:42:24.280 --> 0:42:29.440
<v Speaker 1>cool Urban Explorer pictures of this this missile, usually from

0:42:29.480 --> 0:42:31.719
<v Speaker 1>the top down, but somebody went figured out how to

0:42:31.719 --> 0:42:33.640
<v Speaker 1>get down to the bottom. So they're like standing at

0:42:33.800 --> 0:42:36.880
<v Speaker 1>at the base of this missile. It's towering over them,

0:42:36.920 --> 0:42:40.760
<v Speaker 1>but it's it's in this weird overgrown area outside of Miami.

0:42:40.840 --> 0:42:44.840
<v Speaker 1>It's really cool looking. To check it out on the Internet.

0:42:45.280 --> 0:42:47.840
<v Speaker 1>It's like the bomb and Savannah in the ocean. They

0:42:47.880 --> 0:42:51.319
<v Speaker 1>saw it, found that right, No, no, but they know

0:42:51.360 --> 0:42:56.640
<v Speaker 1>where this is. Oh yeah sure. Uh so the last

0:42:56.640 --> 0:42:58.680
<v Speaker 1>it's kind of fake city has been used a bunch

0:42:58.719 --> 0:43:02.920
<v Speaker 1>of times by the military and by UM as we'll

0:43:02.920 --> 0:43:06.799
<v Speaker 1>see later. Uh the modern police forces a k a.

0:43:07.320 --> 0:43:12.120
<v Speaker 1>The mini military UM. But you know training centers every

0:43:12.239 --> 0:43:15.600
<v Speaker 1>everyone from the FBI to the c i A to

0:43:16.160 --> 0:43:19.879
<v Speaker 1>the army has training centers all over the country where

0:43:19.920 --> 0:43:24.160
<v Speaker 1>they have fake towns built tactical villages. Um. You know,

0:43:24.200 --> 0:43:28.759
<v Speaker 1>if you ever seen like Jodie Foster walking through the CIA,

0:43:29.480 --> 0:43:33.200
<v Speaker 1>or was the FBI, she was FBI FBI training where

0:43:33.280 --> 0:43:35.360
<v Speaker 1>you know the bad guys pop around the corner of

0:43:35.400 --> 0:43:39.359
<v Speaker 1>a fake house like this is more along those lines. Basically, Yeah,

0:43:39.400 --> 0:43:42.400
<v Speaker 1>that was actually either said at or meant to be

0:43:42.760 --> 0:43:46.839
<v Speaker 1>um Hogan's alley at Quantico UM. And yes, she didn't

0:43:46.840 --> 0:43:49.560
<v Speaker 1>look behind the door. Remember I didn't look behind the door,

0:43:50.160 --> 0:43:53.440
<v Speaker 1>so um. Yeah. There's also Fort Polkan, Louisiana used to

0:43:53.560 --> 0:43:58.080
<v Speaker 1>have a like a Vietnamese village for training before shipping

0:43:58.120 --> 0:44:02.640
<v Speaker 1>out to Vietnam and the sixties UM for Irwin in Barstow,

0:44:02.760 --> 0:44:06.480
<v Speaker 1>where the drugs kick in. They had um Afghani Village

0:44:06.560 --> 0:44:10.839
<v Speaker 1>basically UM built for the U S military to train

0:44:10.920 --> 0:44:14.600
<v Speaker 1>at UM. And then you mentioned the mini military today's

0:44:14.640 --> 0:44:18.200
<v Speaker 1>police forces. UM. In the sixties, the US built two

0:44:18.320 --> 0:44:22.640
<v Speaker 1>different fake towns on military bases. I didn't see which, UM,

0:44:22.840 --> 0:44:25.000
<v Speaker 1>but in the United States there were two what were

0:44:25.080 --> 0:44:28.600
<v Speaker 1>called Riotsvilles, and that was like an informal term forum

0:44:29.160 --> 0:44:32.480
<v Speaker 1>and it was a place where local police officers or

0:44:32.960 --> 0:44:38.120
<v Speaker 1>law enforcement could travel to these bases and be trained

0:44:38.680 --> 0:44:44.680
<v Speaker 1>in violently suppressing protests. UM. In like a fake town

0:44:45.040 --> 0:44:48.960
<v Speaker 1>that that simulated a real world situation. Yeah, this is

0:44:49.040 --> 0:44:51.320
<v Speaker 1>one I think we should do a full episode on

0:44:52.480 --> 0:44:55.640
<v Speaker 1>for sure. There's a new documentary out called Riotsville, USA

0:44:56.719 --> 0:44:59.319
<v Speaker 1>that popped up I believe in just September of this year.

0:45:00.160 --> 0:45:02.840
<v Speaker 1>Was this year, I think, so it's pretty recent and

0:45:02.920 --> 0:45:05.359
<v Speaker 1>this actually may have been where I got the idea.

0:45:05.400 --> 0:45:07.799
<v Speaker 1>I might have seen an article about this. But it's

0:45:07.880 --> 0:45:10.600
<v Speaker 1>really interesting because then we can get into the Kerner Commission,

0:45:10.719 --> 0:45:15.360
<v Speaker 1>which was basically this you know, in depth study of

0:45:15.600 --> 0:45:19.960
<v Speaker 1>history and data where they concluded that hey, um, social

0:45:20.040 --> 0:45:23.560
<v Speaker 1>welfare funding is is necessary in this country. UM. And

0:45:23.640 --> 0:45:26.240
<v Speaker 1>it wasn't just as simple as like, hey, there's racism,

0:45:26.320 --> 0:45:29.440
<v Speaker 1>so we need social welfare funding. It's hey, the way

0:45:29.480 --> 0:45:33.759
<v Speaker 1>this country went and when everything happened with industrialization and

0:45:33.840 --> 0:45:37.080
<v Speaker 1>where people live and where African Americans were coming out

0:45:37.120 --> 0:45:41.360
<v Speaker 1>of Jim Crow like, it all aligned in this terrible

0:45:41.440 --> 0:45:47.640
<v Speaker 1>perfect storm and imperfect storm where uh, we need to

0:45:48.160 --> 0:45:50.800
<v Speaker 1>help take care of people a little bit more. And

0:45:51.200 --> 0:45:54.719
<v Speaker 1>this was all reversed, and I believe it was a

0:45:54.800 --> 0:45:58.120
<v Speaker 1>Johnson administration said Oh, actually, what we're gonna do is

0:45:58.280 --> 0:46:00.640
<v Speaker 1>we're gonna take We're gonna divert all the money we

0:46:00.719 --> 0:46:04.520
<v Speaker 1>can towards making the United States military or i'm sorry,

0:46:04.560 --> 0:46:09.040
<v Speaker 1>police forces more like paramilitary forces and train them in

0:46:09.560 --> 0:46:12.440
<v Speaker 1>you know, standing down these riots where people are asking

0:46:12.560 --> 0:46:15.880
<v Speaker 1>for you know, basic human needs, right right, And as

0:46:16.080 --> 0:46:18.440
<v Speaker 1>Ed points out, the fact that these two riots bills

0:46:18.480 --> 0:46:22.280
<v Speaker 1>were built basically shows like no, it's essentially the official

0:46:22.360 --> 0:46:27.480
<v Speaker 1>policy of the United States to like suppress protests brutally

0:46:27.680 --> 0:46:32.120
<v Speaker 1>often rather than actually addressed like the actual issues that

0:46:32.239 --> 0:46:37.320
<v Speaker 1>are causing unrest in the first place. So yeah, I

0:46:37.440 --> 0:46:39.840
<v Speaker 1>think that we should, um, we should do an episode

0:46:39.880 --> 0:46:41.880
<v Speaker 1>on that too. That's a great idea. Yeah, I want

0:46:41.920 --> 0:46:43.600
<v Speaker 1>to watch that doc because I think there's just a

0:46:43.640 --> 0:46:46.040
<v Speaker 1>lot more to it than an addendum here at the

0:46:46.120 --> 0:46:49.000
<v Speaker 1>end of this one, for sure. And if only Riotsville,

0:46:49.120 --> 0:46:52.279
<v Speaker 1>USA the documentary have been a book instead, that would

0:46:52.320 --> 0:46:55.279
<v Speaker 1>have been the ultimate button anonymous episode, you know, it

0:46:55.360 --> 0:46:58.080
<v Speaker 1>would have. I do want to mention a movie though,

0:46:58.600 --> 0:47:02.640
<v Speaker 1>Joel Schumacher made a movie called tiger Land, which was

0:47:03.280 --> 0:47:07.960
<v Speaker 1>the name of the training place in in Yeah, in Polk,

0:47:08.000 --> 0:47:12.200
<v Speaker 1>Louisiana where it's sort of simulated an Asian jungle environment.

0:47:12.360 --> 0:47:19.360
<v Speaker 1>Was Colin Farrell in tiger Land rated are coming to

0:47:19.440 --> 0:47:23.719
<v Speaker 1>a theater ten years ago? Yeah? Or more? Um, well,

0:47:23.760 --> 0:47:27.000
<v Speaker 1>you got anything else? I got nothing else. Well, since

0:47:27.120 --> 0:47:30.799
<v Speaker 1>Chuck evoked the name of Colin Farrell, that obviously means

0:47:30.840 --> 0:47:35.200
<v Speaker 1>it's time for a listener mail. All right, I'm gonna

0:47:35.239 --> 0:47:41.279
<v Speaker 1>call this a little more detail on our vinyl stereo exclamation,

0:47:41.719 --> 0:47:48.399
<v Speaker 1>explanation and exclamation I make dear mrs stuff. You said

0:47:48.400 --> 0:47:50.920
<v Speaker 1>in your episode on vinyl that stereo records are created

0:47:50.920 --> 0:47:54.680
<v Speaker 1>by cutting the left right audio on the left right

0:47:54.800 --> 0:47:58.280
<v Speaker 1>side of the record. Proove it's even more black magic

0:47:58.320 --> 0:48:01.040
<v Speaker 1>ey than that. An old technology g WHI shellac records.

0:48:01.480 --> 0:48:05.000
<v Speaker 1>The mono information was engraved from side to side with stereo.

0:48:05.600 --> 0:48:08.120
<v Speaker 1>The mono information is engraved in the same way, and

0:48:08.239 --> 0:48:12.279
<v Speaker 1>the side information is engraved up and down. Uh. This

0:48:12.480 --> 0:48:14.799
<v Speaker 1>is then, I know, I mean that's still I mean,

0:48:14.840 --> 0:48:17.799
<v Speaker 1>I can't even understand this. Uh. This is then turned

0:48:17.840 --> 0:48:22.000
<v Speaker 1>into the left right audio using a process called midside decoding,

0:48:22.560 --> 0:48:27.320
<v Speaker 1>which is basically duplicating the mid information phase, inverting it,

0:48:27.800 --> 0:48:31.000
<v Speaker 1>and then adding it together with the mid and other

0:48:31.120 --> 0:48:34.279
<v Speaker 1>side information. If that blew your mind as much as

0:48:34.320 --> 0:48:36.759
<v Speaker 1>it did me when I got it explained, check out

0:48:36.800 --> 0:48:42.760
<v Speaker 1>this article and this is uh. Uh just google sound

0:48:42.880 --> 0:48:47.759
<v Speaker 1>processing mid side stereo and that will probably answer right. Ah.

0:48:49.160 --> 0:48:51.319
<v Speaker 1>And that is from Marcus, who is also, by the way,

0:48:51.800 --> 0:48:57.240
<v Speaker 1>not satisfied with our description of compressed digital audio. Sorry Marcus,

0:48:57.360 --> 0:49:01.640
<v Speaker 1>but that is really interesting email. And it was one

0:49:01.680 --> 0:49:03.200
<v Speaker 1>of those things like every once in a while we'll

0:49:03.239 --> 0:49:06.759
<v Speaker 1>hear something from somebody and you just it almost like

0:49:06.880 --> 0:49:10.759
<v Speaker 1>hurts in your guts that you didn't know that thing,

0:49:11.120 --> 0:49:12.759
<v Speaker 1>or you didn't know it to that degree, you know

0:49:12.760 --> 0:49:14.279
<v Speaker 1>what I'm saying, Like you almost want to go back

0:49:14.360 --> 0:49:17.759
<v Speaker 1>and correct it somehow. Yeah, And we also should mention

0:49:17.840 --> 0:49:21.680
<v Speaker 1>we got a few emails from other audio file uh

0:49:22.280 --> 0:49:26.520
<v Speaker 1>people who also said, hey, you guys kind of glossed

0:49:26.600 --> 0:49:29.279
<v Speaker 1>over the digital audio compression because there's a bunch of

0:49:30.080 --> 0:49:34.120
<v Speaker 1>codex and ways of doing things. And uh, we also

0:49:34.160 --> 0:49:36.360
<v Speaker 1>got a not very nice email where someone was like,

0:49:36.880 --> 0:49:40.640
<v Speaker 1>you guys are playing your stuff wrong. Why bother? I

0:49:40.840 --> 0:49:43.120
<v Speaker 1>didn't notice that one. But I mean, it's not like

0:49:43.239 --> 0:49:48.200
<v Speaker 1>a how digital compression works episode. It was about final

0:49:48.400 --> 0:49:50.920
<v Speaker 1>give us a break, everybody. Those were the people I

0:49:51.080 --> 0:49:53.279
<v Speaker 1>was talking about when I made the disclaimer at the

0:49:53.360 --> 0:49:56.279
<v Speaker 1>beginning of the episode, and they didn't listen to me. Yeah,

0:49:56.560 --> 0:49:58.759
<v Speaker 1>that this, I'll send you the email. Then that nice

0:49:58.760 --> 0:50:01.120
<v Speaker 1>guy he basically said, Josh, you Moneys will give away

0:50:01.160 --> 0:50:04.960
<v Speaker 1>your records to someone who can play him right, Okay. Cool,

0:50:05.360 --> 0:50:10.200
<v Speaker 1>And for the aspect of my record playing, so we're

0:50:10.239 --> 0:50:12.359
<v Speaker 1>doing it wrong, but hey, we're living our best life

0:50:12.400 --> 0:50:16.279
<v Speaker 1>and having a good time. Think as as my wife

0:50:16.320 --> 0:50:18.920
<v Speaker 1>would say, Oh never mind, I'm not gonna say that. Okay.

0:50:19.440 --> 0:50:21.720
<v Speaker 1>And that was from Marcus, right, that was from Marcus.

0:50:21.800 --> 0:50:24.680
<v Speaker 1>Marcus was fairly kind about it. Cool. Thanks a lot, Marcus.

0:50:24.800 --> 0:50:27.400
<v Speaker 1>Thanks for all the extra info. I mean, that's definitely

0:50:27.480 --> 0:50:29.960
<v Speaker 1>something you can do to boost your chances of being

0:50:30.000 --> 0:50:32.759
<v Speaker 1>on listener mails. Adding info that we just didn't know

0:50:32.880 --> 0:50:35.839
<v Speaker 1>about in a nice way. Um, and if you want

0:50:35.880 --> 0:50:38.000
<v Speaker 1>to be like Marcus and send us some extra info

0:50:38.080 --> 0:50:40.520
<v Speaker 1>we didn't know about in a nice way, you can

0:50:40.600 --> 0:50:43.560
<v Speaker 1>send it in an email to Stuff podcast at iHeart

0:50:43.640 --> 0:50:48.960
<v Speaker 1>radio dot com. Stuff you Should Know is a production

0:50:49.040 --> 0:50:52.399
<v Speaker 1>of iHeart Radio. For more podcasts my heart Radio, visit

0:50:52.480 --> 0:50:55.560
<v Speaker 1>the iHeart Radio app, Apple Podcasts, or wherever you listen

0:50:55.640 --> 0:51:00.200
<v Speaker 1>to your favorite shows. One