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Speaker 1: Three seconds recording, and we're at five seven seconds recording

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Speaker 1: so far, and.

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Speaker 2: We'll just past ten seconds. Do we need to be

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Speaker 2: thirteen seconds?

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Speaker 1: It'll be helpful just so we don't have to, but

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Speaker 1: it could be cool if we did figure it out.

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Speaker 3: Okay, just this, Sam is looking at the audio track,

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Speaker 3: and just like hearing the voice say the number of seconds,

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Speaker 3: in addition to seeing it, I think will be useful

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Speaker 3: for it.

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Speaker 1: It's good for Sam. Yeah, and so I guess probably

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Speaker 1: every forty five seconds, let's say we'll announce what time

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Speaker 1: we're at, just so Sam can track it, okay, And

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Speaker 1: that's just that's one of the challenges. But also one

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Speaker 1: of the things that's kind of cool about doing this

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Speaker 1: over zoom is that people can kind of track along

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Speaker 1: at home and maybe start their own microphone to pretend

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Speaker 1: they're in the conversation.

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Speaker 2: And yeah, okay, great, now are we doing it every

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Speaker 2: forty five seconds from the start or are we checking?

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Speaker 1: It doesn't have to be exactly, doesn't have to be exact,

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Speaker 1: and your forty five seconds might not be mine, which

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Speaker 1: is part of why we do it right, So for me,

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Speaker 1: it's at a minute and thirteen seconds right now. So

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Speaker 1: I'll probably do it again somewhere around just shy at

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Speaker 1: two minutes.

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Speaker 2: Is there a way that the check in could be

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Speaker 2: every sixty seconds, because I feel like that might be

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Speaker 2: easier for me in terms of the math of it all.

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Speaker 3: Sixty seconds from at thirteen from the forty five or from.

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Speaker 4: From one thirteen.

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Speaker 2: Sure, I mean, I was just thinking we could just

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Speaker 2: you know, sort of just.

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Speaker 4: As we even talk about this.

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Speaker 1: We do have to figure it out pretty quickly because

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Speaker 1: I am coming up on my next forty five seconds.

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Speaker 1: So if it's going to be sixty rather than forty five,

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Speaker 1: then I do need to know.

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Speaker 5: And we're all in the same time zone.

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Speaker 1: Right that, Joe, have you traveled? I assume that we are.

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Speaker 5: Because i'd have to adjust an hour and a head

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Speaker 5: or an hour back.

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Speaker 1: So it's at forty So I just missed the forty

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Speaker 1: five seconds, so it has to be sixty now because

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Speaker 1: I just missed it because it was one fifty eight.

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Speaker 2: Okay, Well I'm going to do I'm going to do

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Speaker 2: forty five seconds because I feel like that's kind of

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Speaker 2: now you want to do.

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Speaker 1: I can't. Now, I can't. I'm thirteen because you went.

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Speaker 2: To sixty Okay, you went, you went over to sixty

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Speaker 2: because we can make.

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Speaker 1: It higher, but we can't make it lower now than

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Speaker 1: sixty because I waited for you, which a little by show,

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Speaker 1: but right, which is it's fine. I want you to

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Speaker 1: be comfortable. You're the guest. But I do I do

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Speaker 1: think then we have to go higher than sixty, even

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Speaker 1: which is going to get kind of ridiculous.

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Speaker 2: Okay, let's just do a minute forty five and then

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Speaker 2: I feel like we're that's a good compromise we're doing.

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Speaker 2: Everybody wants so little be.

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Speaker 1: If we could only talk about it in terms of seconds, though,

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Speaker 1: So let's say one hundred and five seconds every.

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Speaker 2: One hundred and five seconds. Sure, great, I think that's fine.

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Speaker 2: Let's do that. And now the only thing for me

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Speaker 2: is the digital output on my audio recorder is giving

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Speaker 2: me it in minutes and seconds, which is unfortunate because

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Speaker 2: now I kind of wish it was just all seconds.

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Speaker 2: Is there, Kevin or Sam? Can you get me into

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Speaker 2: my uh sort of the mainframe of my computer so

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Speaker 2: that I can change Do we do a scream share

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Speaker 2: time reporter?

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Speaker 6: What's your WiFi? What's your WiFi?

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Speaker 5: I haven't hacked a mainframe and well, I don't.

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Speaker 2: Think you'll need to be able to have Well, you

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Speaker 2: might be, you might have to. My WiFi is Joe

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Speaker 2: Peanut and then my my and.

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Speaker 1: I just missed my minute forty five, so we're gonna

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Speaker 1: have to extend it again.

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Speaker 2: Okay, all right.

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Speaker 3: So, so Sam's Internet appears to have dropped out just

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Speaker 3: before he said how long it's been since he last

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Speaker 3: hacked a mainframe?

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Speaker 2: Oh?

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Speaker 4: There we are back Sam.

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Speaker 5: All right, do you guys want to start?

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Speaker 3: Yeah, just say how finish your sentence about how long

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Speaker 3: it's been since you last hacked a mainframe?

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Speaker 1: Just so we have I can't say it's been on

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Speaker 1: this show.

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Speaker 5: Yeah, I got out of the joint about two years ago,

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Speaker 5: so i'd say three years, got it.

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Speaker 2: Well, there's been innovations, but I think maybe not so

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Speaker 2: much that it wouldn't be outside of the realm with

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Speaker 2: possibility that I don't think so many things.

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Speaker 3: You want to catch Sam up on some of the

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Speaker 3: innovations of the last two years.

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Speaker 2: Okay, Well, I guess it would be easier to sort

98
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Speaker 2: of take us all back to twenty eighteen. So at

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Speaker 2: that point, I know, for me, I was using rocket mail,

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Speaker 2: and so I think One of the bigger changes from

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Speaker 2: then to now is most people, at like ninety nine

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Speaker 2: percent of people are on Rocket Mail, and now I

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Speaker 2: would say a good fifty percent of those people have

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Speaker 2: moved over to Google Mail. So a lot of people

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Speaker 2: are using Google Mail.

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Speaker 5: Hey, are people still asking Jeeves?

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Speaker 2: Oh? Man? Wow? So this is further Is that important

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Speaker 2: for the way you do stuff? Yeah?

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Speaker 3: Jeeves is my main provider. He gets his mail, He

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Speaker 3: gets a lot of his mail. Jeeves, please show me

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Speaker 3: my mail.

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Speaker 5: You guys want a theme song?

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Speaker 4: Yes? Please?

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Speaker 1: Yeah?

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Speaker 4: And Sean, you.

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Speaker 7: Take it away with you if you want to. When

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Speaker 7: are you saying something? Whenever you're ready, Hayes, take it

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Speaker 7: away and hear me. I'm prepared for you to start it.

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Speaker 7: And whenever you go, are you hearing what I'm saying?

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Speaker 7: I'm say your lead?

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Speaker 4: Okay, I can't. I can hear you.

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Speaker 1: The volume was a little out on the song, but

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Speaker 1: so I didn't hear the beginning of you. But I

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Speaker 1: know you started the show, so you can really Yes,

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Speaker 1: go ahead, Yeah, And it's the balls in your court

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Speaker 1: and I'm ready to back you up. What do you got, brother?

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Speaker 3: I am I am saying, I am initiating do you

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Speaker 3: play the song again?

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Speaker 4: Go ahead? Yes, go ahead, Yes, play the song again?

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Speaker 4: Do we lose Sam? And Sam is gone Sam? So

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Speaker 4: we don't have the song. We don't have the song.

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Speaker 5: Oh, I can play the song for you one second?

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Speaker 4: Okay, all right? Is it playing?

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Speaker 2: I'm hearing it?

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Speaker 4: Yes, you are hearing the song.

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Speaker 2: You hear it. I'm getting the song yet.

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Speaker 1: I don't have it. And it just kicked in for

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Speaker 1: me and.

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Speaker 2: Out's dropped out?

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Speaker 4: So where is it for you?

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Speaker 1: Are you? Is it ending for you?

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Speaker 2: Getting it? No? I can't anything through my head songs.

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Speaker 1: Okay? Should I take my headphones off? Is it coming

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Speaker 1: out of my computer?

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Speaker 2: It couldn't hurt to see what happens if you take

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Speaker 2: your headphones off.

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Speaker 1: All right, I'm taking my headphones off, so I'm not

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Speaker 1: gonna be able to hear your voice. I don't think.

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Speaker 2: Okay, I'll do a lot of like gesticulations and sort

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Speaker 2: of me if.

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Speaker 1: I should put them back on. But I'm going to

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Speaker 1: see if I can hear it when I take them off.

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Speaker 4: Okay, okay, can you hear it?

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Speaker 2: Well?

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Speaker 4: I guess you can't hear me. It's playing for me

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Speaker 4: right now?

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Speaker 2: Playing for me. I'll tell Sean, and.

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Speaker 3: He's doing kind of a chef's kiss. He likes the

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Speaker 3: song that he thinks he oh, he loves the song.

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Speaker 3: It's delicious, it's grooving.

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Speaker 1: So my headphones are back on, so I didn't hear

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Speaker 1: a thing when I took them off.

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Speaker 2: We had it.

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Speaker 4: I just I was getting just the vocal track.

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Speaker 2: Oh, I was getting the full thing you had.

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Speaker 4: You could hear the whole song, Okay, okay.

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Speaker 2: Yeah, I could hear the rabbits out of the drums

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Speaker 2: and the sort of tinkle tinkle of the piano and

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Speaker 2: everything in addition to the Joe.

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Speaker 1: Do you have a musical background? Are you just and

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Speaker 1: hearing the terminology that you're using, it feels like you maybe,

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Speaker 1: I mean I studied with Yeah.

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Speaker 2: I'm a I'm a student of it. I'm a lover

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Speaker 2: of it. But you know it's you know, it's not

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Speaker 2: it's not my full time saying.

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Speaker 1: You know, no, Well, that's it. That keeps it easy

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Speaker 1: to put a.

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Speaker 2: Ring on it. You know, music is just.

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Speaker 4: Music? Yeah?

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Speaker 3: Is your's si B word?

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Speaker 1: Yeah, me and coffee broke up. Me and music are

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Speaker 1: dating now.

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Speaker 2: Oh that's because.

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Speaker 1: Originally sleep and I had broken your sleep and I

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Speaker 1: was with Sleep for a long time. Sleep and I

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Speaker 1: broke up, and I was then dating Coffee for a while,

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Speaker 1: and my ex Sleep was not really a big part

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Speaker 1: of my life because Coffee and I were constantly together.

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Speaker 1: Coffee and I now have broken up.

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Speaker 3: You know, and you and Sleep, I just want to say,

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Speaker 3: like you, the way you handle exchanging the kid, which

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Speaker 3: is of course milk, yes, is like very mature, very

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Speaker 3: like while you don't necessarily have like a great interpersonal relationship,

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Speaker 3: like when it comes to milk, you guys are like

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Speaker 3: very bullying.

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Speaker 1: But we want to keep Milk's best interest at heart. Obviously,

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Speaker 1: Milk and Sleep deserve to have a relationship. But Coffee

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Speaker 1: and Milk and I also, yeah, you know, should stay

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Speaker 1: in touch. And that's true now with music and milk.

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Speaker 1: The music is a part of Milk's life, and I

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Speaker 1: hope that that flourishes. I was afraid about introducing them

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Speaker 1: a little too soon when I did pour the milk

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Speaker 1: off my music, which could have gone either way, but

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Speaker 1: they've been actually getting along great.

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Speaker 4: Yeah, did we lose Sam.

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Speaker 1: Sam may be gone, but we got two theme songs

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Speaker 1: out of him, which is more than he would usually

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Speaker 1: contribute to the show.

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Speaker 3: Welcome to Hollywood Handbook, The Insider's Guide, the Kicking Button,

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Speaker 3: dropping names of the red carbon lineback halls of this

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Speaker 3: industry we call showbiz. We have Joe Wanger, America's number

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Speaker 3: one clean comic, here with us today. Joe, it is

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Speaker 3: so great to have you talk about heard you talk

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Speaker 3: about the you know, like just one on one before

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Speaker 3: and then like kind of group like salon settings. But

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Speaker 3: like why clean comedy is edgier than swearing?

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Speaker 1: Why the choice to never go blue is actually the boldest,

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Speaker 1: most punk rock thing you can do as a community.

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Speaker 3: Yeah, And about your your philosophy that is really interesting

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Speaker 3: to me, which is that not swearing should be rated

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Speaker 3: R because that is actually the edgier, more counter culture

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Speaker 3: decision that people are that like less ready for because

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Speaker 3: it is so bold, and not swearing should be rated R.

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Speaker 3: And keeping your clothes on should be rated R.

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Speaker 2: Yeah, rateed R, you know, and depending on what type

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Speaker 2: of clothes youre rate wearing, you know, maybe even rated

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Speaker 2: NC seventeen.

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Speaker 3: Okay, can you go into more specifics. I'm the kind

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Speaker 3: of clothes that should be rated I mean rated X.

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Speaker 2: Well, I just think it's obscene sometimes with the amount

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Speaker 2: of clothes, Like, the more clothes you put on, the

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Speaker 2: more getting in the way of the sort of natural

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Speaker 2: beauty of the human form.

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Speaker 1: The human skin. Yeah, yes, well, and it also is

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Speaker 1: perverse right to tease and scintillate and to say, hey,

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Speaker 1: everything that you you know, think you want to see

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Speaker 1: sexually is right behind here. Oh no, now it's behind here.

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Speaker 1: Oh no, now it's behind here, and forcing the imagination

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Speaker 1: to go to some of these more depraved places, whereas

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Speaker 1: if you just see the body, no big deal, it's

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Speaker 1: the body.

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Speaker 2: Yes, anything anything could be under a big bulky coat,

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Speaker 2: you know. Yeah, I'm imagining wild insane things.

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Speaker 4: Yeah, it could be a big venus of there. It

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Speaker 4: could a big one a venus.

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Speaker 1: No, there could be an enormous nis and and and

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Speaker 1: we you know, we've talked about this on the show before,

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Speaker 1: of course. But I do think when I see a body,

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Speaker 1: I go, hey, I got one of those. But when

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Speaker 1: I see a big giant coat, which I do not

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Speaker 1: have and I am not allowed to have, I do go,

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Speaker 1: what freaking venus in there?

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Speaker 4: And where is it?

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Speaker 2: And so you're not allowed to have a coat, did

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Speaker 2: you say.

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Speaker 1: Yeah, it's part of the settlement. Between Sleep and Eye.

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Speaker 1: And obviously Coffee also got possession of some of the coats,

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Speaker 1: and any coat that I have is technically, even if

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Speaker 1: I purchase a new one, is the property of either

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Speaker 1: Sleep or Coffee.

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Speaker 2: Okay, so I will say something and it will seem

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Speaker 2: like a joke, I think, but my thing stopped recording

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Speaker 2: eighth four.

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Speaker 3: Okay, so this is why actually we're doing This is

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Speaker 3: why we were supposed to be checking in every one

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Speaker 3: hundred and five seconds, and.

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Speaker 1: Joe, you remember seconds. We would have lost almost nothing that.

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Speaker 4: And why do we think that that happened? That the

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Speaker 4: recording stopped?

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Speaker 2: That maybe uh, the file got too large for my computer,

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Speaker 2: which doesn't bode well for the whole podcast. I would

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Speaker 2: say for the episode, okay, did.

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Speaker 1: You I would possibly start a new recording.

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Speaker 8: Okay, don't delete what you just didn't Yeah, don't delete

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Speaker 8: delete it, Joe, delete it, delete it now.

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Speaker 1: Ideally, then you'll have like an eight minute recording, and

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Speaker 1: then like twelve minute recording, and then that will be

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Speaker 1: the entirety of the episode. I did have this happen once,

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Speaker 1: Joe and I never figured out what it was. I

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Speaker 1: think it was during our famous Alan Yang episode. MM hmm,

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Speaker 1: which is really good.

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Speaker 2: And well, now it looks like it's recording.

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Speaker 3: Okay, but can you hear Sean because he was actually

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Speaker 3: about to tell a story.

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Speaker 1: I was telling a story and what happened to me

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Speaker 1: was I think around.

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Speaker 2: I didn't get Sean because I got the the theme

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Speaker 2: song is kicked back in.

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Speaker 4: You're getting.

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Speaker 2: Okay, And what I'm doing now is I'm hearing us

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Speaker 2: talking about whether or not we can hear the theme song.

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Speaker 3: Okay, So I'm gonna take my headphones off then, okay,

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Speaker 3: so you are hearing the episode. You're hearing possibly that

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Speaker 3: you're listening to the eight minute file that you have just.

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Speaker 1: And I'm getting the theme song. It's coming from somewhere outside.

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Speaker 2: Uh huh.

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Speaker 1: The theme song is happening here.

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Speaker 6: Is that where Sam went?

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Speaker 1: It's Sam maybe outside over his head say anything style

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Speaker 1: playing the theme song in an attempt to reunite.

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Speaker 3: So know, you listen to the song, you enjoy the song,

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Speaker 3: and Sean, if you want to finish your story and

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Speaker 3: then we can. Actually, I don't think we have actually

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Speaker 3: heard Joe talk about Queen comedy yet. I would really

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Speaker 3: like to hear this.

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Speaker 1: Well, this gives me an idea actually too though that

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Speaker 1: if someone wants to make a YouTube video where it

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Speaker 1: is the the scene from Say Anything.

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Speaker 2: Okay, so the theme song finished for me? Now, I

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Speaker 2: just didn't hear it anymore.

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Speaker 1: From Say Anything playing out of the boombox that Lloyd

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Speaker 1: Dobbler is holding above his head and that's how he

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Speaker 1: wins back IONI sky.

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Speaker 2: About what would be coming out of the boombox.

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Speaker 1: It would be the theme song from our show.

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Speaker 2: M that's cool.

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Speaker 1: Yeah, it could be funny.

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Speaker 4: That could be a really good meme. Souh did we

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Speaker 4: finish the Allen Yang story?

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Speaker 1: Oh uh, it was just that I was just trying

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Speaker 1: to connect to Joe a little bit. He seemed sort

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Speaker 1: of yeah, nervous and honestly he was acting fucked up,

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Speaker 1: and I was.

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Speaker 2: Just okay, it's kind of a little.

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Speaker 1: Bit anything to I know that language you don't love okay, it.

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Speaker 2: Way, I'm worried about it because I feel, you know,

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Speaker 2: a little out of my depth with some of the

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Speaker 2: technological things. But then also these letter after e bombs

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Speaker 2: that I'm a little bit worried about. I don't even

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Speaker 2: like to.

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Speaker 3: How it is baby ish and how well here's the

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Speaker 3: thing for baby lots of should be rated.

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Speaker 4: Are we're really good?

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Speaker 2: M hm? I mean I agree with that because comedy

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Speaker 2: who likes to laugh? It's basically everybody, or except for

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Speaker 2: people that are having you know, sort of severe jaw issues. Right,

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Speaker 2: So my comedy I'm trying to reach every one except

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Speaker 2: for those people that have sense, and those people aren't

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Speaker 2: welcome at my shows or to consume any of my comedy.

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Speaker 2: So if as long as your jaws, fine, come in

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Speaker 2: and bring Grandma and bring here and bring everybody.

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Speaker 1: Oh yeah, doing okay?

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Speaker 4: Here, can we hear that again? Really nice noise?

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Speaker 2: Yeah yeah, that's a good.

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Speaker 4: Chocking, very hard yeah, mm hmmm. Can we What are

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Speaker 4: we doing today?

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Speaker 8: Kevin Joe's gonna help us make PG versions of the podcast.

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Speaker 1: Okay, so basically we we have this deal going through.

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Speaker 1: It's not finalized, but Scripts, which we all know is

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Speaker 1: sort of a lame duck, is hopefully being a fired

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Speaker 1: by the Disney Corporation. They've lost the money, lost a

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Speaker 1: lot of money on theme parts being closed and everything

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Speaker 1: else during COVID, and really they've seen the only path

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Speaker 1: out for them is the hard Nation back catalog, which

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Speaker 1: generates the majority of the revenue for Earwolf, script etc.

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Speaker 1: They want to buy it at a premium, but so

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Speaker 1: much of the content, because of their corporate philosophy of

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Speaker 1: being family friendly and being clean, so much of the

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Speaker 1: content they cannot use. And so we have been tasked

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Speaker 1: with helping this deal go through, and we are good partners.

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Speaker 1: We are going to take some of our behind the

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Speaker 1: paywall episodes that have some frankly pretty narsty and narsty language,

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Speaker 1: and Kevin has pulled some of the more egregious clips

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Speaker 1: and we've hired you, America's number one clean comic, to

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Speaker 1: help us dub over sections that would not be acceptable

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Speaker 1: to Disney so that they you know, I was a kid,

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Speaker 1: we would watch a movie on uh TBS or something, right,

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Speaker 1: we watched The Breakfast Club and unfortunately John Hughes was

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Speaker 1: a little bit had a bit of a potty pen

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Speaker 1: and he would dip his pen in the freaking toilet

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Speaker 1: water before he wrote some of this stuff. And they

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Speaker 1: would say fwards, even the teens in the movie. And

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Speaker 1: so what they did, which was nice for me when

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Speaker 1: I was a kid, as I would watch it and

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Speaker 1: they would say flip and fly swatter something like that,

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Speaker 1: something that you know, look the same same number of syllables,

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Speaker 1: but was.

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Speaker 2: Not and from from my vantage point, an improvement. I

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Speaker 2: think so much better, interesting, so much never anybody say

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Speaker 2: that before.

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Speaker 3: That was like it, and that was to replace what

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Speaker 3: was in the actual movie, which was fucking bussy Swater, Yeah,

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Speaker 3: which was something that Anthony Michael Hall character says at

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Speaker 3: the very very end.

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Speaker 2: I didn't love that you said that there has but

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Speaker 2: this is.

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Speaker 3: An education we have to give the exact because like

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Speaker 3: if you we're gonna hear this, it gets very narsty

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Speaker 3: in these clips and.

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Speaker 2: Frankly, and that's fine. I just worry about me. I

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Speaker 2: have a big tour coming up this summer. I don't

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Speaker 2: want to have that be jeopardized in any way. So

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Speaker 2: if you're going to say anything.

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Speaker 1: You are still touring, that's on the tourist.

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Speaker 3: I'm still yes, because you have sort of taken advantage

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Speaker 3: of this moment to go on tour. I yes, these

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Speaker 3: are new days that I've put up mid April to

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Speaker 3: towards the end of April.

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Speaker 2: But I just feel like people need to laugh right now.

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Speaker 2: We need to have a release and so I got

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Speaker 2: to get out there. But I want people to be

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Speaker 2: there and looking at me and going, oh, he wasn't

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Speaker 2: present in any sort of situation where any of these

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00:21:00,119 --> 00:21:04,840
Speaker 2: words have been said ever, So maybe we can do

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Speaker 2: something and obviously don't keep this as part of the

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Speaker 2: Video Slash Audio podcast, but like, if you guys do

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Speaker 2: say something like that, if there's a way that just

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Speaker 2: in post we can photo shop me or I guess

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Speaker 2: video shot me again. Technology changed a lot in the

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Speaker 2: past ten years, video shot me walking out of frame

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Speaker 2: when you guys say this sort of stuff or play

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Speaker 2: these sort of clips.

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Speaker 1: And immediately coming back in with like a snack and

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Speaker 1: going what did I miss?

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Speaker 2: Yeah, exactly, or it doesn't have to be that. It

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Speaker 2: could be like a picnic basket falls on my head

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Speaker 2: and then the people would have believed that I didn't

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Speaker 2: even hear what was just said because my head's being covered.

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Speaker 4: Either way, you get the deal.

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Speaker 2: Yeah, and that's that I'll leave up to you guys

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00:21:54,119 --> 00:21:56,320
Speaker 2: and to your team of whatever you think is best.

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00:21:57,720 --> 00:22:00,960
Speaker 2: I am still recording and I've crossed the minute fifteen

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Speaker 2: second mark, okay.

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Speaker 3: So if we could just keep checking in at those intervals,

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Speaker 3: that would be that's gonna help us.

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Speaker 2: Yeah, great for the other I finally am no longer

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Speaker 2: hearing the song or us talking or anything anymore. So

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Speaker 2: that's also do.

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Speaker 1: You want it for me to just stop joke for you?

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Speaker 1: Do you want to give us a hey, I'm back?

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Speaker 1: What did I miss? Just so you can conversation after

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Speaker 1: being something, maybe with a mouthful of yogurt or something.

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Speaker 2: Yeah, okay, yeah, I'll have to mind the yogurt.

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Speaker 4: Yeah, and it's like spilling out.

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Speaker 2: But I've got water here, so I'll just use water

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Speaker 2: as yogurt. Okay. Oh, hey, guys, I'm back, Just grab

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Speaker 2: some snack. Whoa the r The yogurt that my wife

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Speaker 2: bought is so strange. It's very clear and thin and

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Speaker 2: not viscous in the way that I normally expect it

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Speaker 2: to be. What are we talking about?

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Speaker 1: I just do it again? But what did I miss?

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Speaker 2: Sure?

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Speaker 3: And I honestly think we will need a little more

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Speaker 3: explanation over why the yogurt said.

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Speaker 2: Oh guys, I'm all caught up. I heard everything.

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Speaker 4: From where I was. No, I need to take this again. Here,

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Speaker 4: we need to take this again.

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00:23:26,560 --> 00:23:29,200
Speaker 1: You didn't say anything about the yogurt this time, which

449
00:23:29,400 --> 00:23:33,960
Speaker 1: was really was not reading his yogurt on camera at all. Yeah,

450
00:23:33,960 --> 00:23:36,560
Speaker 1: so we do need some sort of backstory for it,

451
00:23:36,640 --> 00:23:39,320
Speaker 1: and I think just your wife buying it like at

452
00:23:39,320 --> 00:23:41,040
Speaker 1: the store is not going to cut it. There has.

453
00:23:42,920 --> 00:23:45,639
Speaker 3: The whole idea is that you missed what we were saying,

454
00:23:45,800 --> 00:23:47,359
Speaker 3: not that, not that you've.

455
00:23:47,240 --> 00:23:48,719
Speaker 4: Heard everything for you.

456
00:23:48,800 --> 00:23:50,480
Speaker 1: Just to protect you, Joe.

457
00:23:50,560 --> 00:23:52,080
Speaker 2: This is what we we're going to play when you

458
00:23:52,160 --> 00:23:55,280
Speaker 2: guys are using the net the schnarsty language. Okay, right, okay,

459
00:23:55,480 --> 00:23:59,520
Speaker 2: let me go back, okay, and just try to take this.

460
00:23:59,480 --> 00:24:02,359
Speaker 1: Again, not just narsty, it's narsty as well?

461
00:24:03,200 --> 00:24:05,600
Speaker 2: Is it narsty also in terms of narsty? Okay?

462
00:24:06,720 --> 00:24:07,040
Speaker 1: All right?

463
00:24:07,400 --> 00:24:10,440
Speaker 2: And can a word be those things at the same time?

464
00:24:11,040 --> 00:24:13,040
Speaker 2: Can they hold? Can a word hold both both of

465
00:24:13,040 --> 00:24:15,120
Speaker 2: those qualities? Or are they normally? One?

466
00:24:15,280 --> 00:24:17,560
Speaker 4: Is god?

467
00:24:17,680 --> 00:24:19,720
Speaker 3: I mean, I guess we'll go we'll take a case

468
00:24:19,760 --> 00:24:22,960
Speaker 3: by case as we listen, and we'll decide which is which?

469
00:24:23,720 --> 00:24:27,000
Speaker 2: Did you guys miss me, my wife? Guess what they're

470
00:24:27,040 --> 00:24:31,000
Speaker 2: doing now? Remember crystal PEPSI, Well, guess what this is?

471
00:24:31,040 --> 00:24:34,600
Speaker 2: Crystal yogurt And it's just like that, except it's not

472
00:24:34,720 --> 00:24:38,560
Speaker 2: carbonated because it's yogurt. But it is clear and it

473
00:24:38,640 --> 00:24:41,800
Speaker 2: is the voice of a new generation. What's happening?

474
00:24:42,240 --> 00:24:45,480
Speaker 1: So so I love I love so much of this.

475
00:24:46,200 --> 00:24:48,920
Speaker 1: What you said was what you said, my wife, guess

476
00:24:48,920 --> 00:24:52,280
Speaker 1: what they're doing now? Yeah, remember, And it only made

477
00:24:52,280 --> 00:24:54,600
Speaker 1: sense in the context of having heard your first take,

478
00:24:54,680 --> 00:24:56,600
Speaker 1: where you did say that your wife had purchased the

479
00:24:56,680 --> 00:24:59,840
Speaker 1: yogurt and that it was strange, but without.

480
00:24:59,560 --> 00:25:04,400
Speaker 3: So and really I don't think you really address the viscosity,

481
00:25:04,640 --> 00:25:10,680
Speaker 3: just the opacity and is Actually it doesn't really matter

482
00:25:10,720 --> 00:25:14,919
Speaker 3: what you say about whether or not it's clear because

483
00:25:15,280 --> 00:25:16,320
Speaker 3: we can't hear that.

484
00:25:17,160 --> 00:25:20,119
Speaker 2: So what you're really hearing is the not like a

485
00:25:20,240 --> 00:25:23,480
Speaker 2: hard glug of yogurt, but just like an easy slurp

486
00:25:23,560 --> 00:25:24,200
Speaker 2: of water.

487
00:25:24,440 --> 00:25:29,600
Speaker 3: Yeah, it sounds like it's just like extremely wet and slippery.

488
00:25:30,280 --> 00:25:33,200
Speaker 1: And if you bring your wife into this and she's

489
00:25:33,240 --> 00:25:34,760
Speaker 1: going to be complicit, I think first of all, you

490
00:25:34,760 --> 00:25:38,000
Speaker 1: should probably talk to her about that because it is fraud.

491
00:25:38,240 --> 00:25:40,400
Speaker 3: It is you have to tie that. So if you're

492
00:25:40,440 --> 00:25:43,760
Speaker 3: going to bring the audio, you do have to tie it.

493
00:25:44,440 --> 00:25:47,080
Speaker 3: You know, we have to closure on referencing.

494
00:25:47,720 --> 00:25:49,880
Speaker 1: If you just say her name and then start describing

495
00:25:49,880 --> 00:25:51,760
Speaker 1: a product, we're not going to make that connection.

496
00:25:53,359 --> 00:25:56,439
Speaker 2: Yeah, and I don't want to have to sort of

497
00:25:56,880 --> 00:26:00,320
Speaker 2: get into the canoe with her right now, because she

498
00:26:00,560 --> 00:26:03,800
Speaker 2: is kind of peeved at me because we had to

499
00:26:03,880 --> 00:26:06,639
Speaker 2: cancel a lot of our other summer plans for the

500
00:26:06,760 --> 00:26:10,119
Speaker 2: tour that you're working on. We were taking this big

501
00:26:10,840 --> 00:26:18,119
Speaker 2: riverboat cruise all through the the sort of you know,

502
00:26:18,520 --> 00:26:21,560
Speaker 2: the American South, and you can't do that now.

503
00:26:21,800 --> 00:26:26,920
Speaker 3: Murder mystery, murder mystery, Old South murder mystery.

504
00:26:28,520 --> 00:26:33,120
Speaker 2: It's a murder mystery. A different passenger gets murdered quote

505
00:26:33,200 --> 00:26:35,159
Speaker 2: unquote murdered every night, and then you get off at

506
00:26:35,160 --> 00:26:38,480
Speaker 2: the next stop. So about anyway, I don't want to

507
00:26:38,480 --> 00:26:40,760
Speaker 2: get into that with her, So I'm gonna all right,

508
00:26:40,800 --> 00:26:45,600
Speaker 2: what did I miss and yeah?

509
00:26:45,880 --> 00:26:46,720
Speaker 1: Texture of the yogurt?

510
00:26:46,800 --> 00:26:55,880
Speaker 2: Yeah, okay, Oh what did I missed? Guys? It is

511
00:26:56,720 --> 00:27:01,720
Speaker 2: a yummy treat for me to have yogurt where I

512
00:27:01,760 --> 00:27:07,680
Speaker 2: really put it through the magic bullet and mix it

513
00:27:07,720 --> 00:27:15,520
Speaker 2: up with vodka, so much vodka, and it's mostly vodka,

514
00:27:15,680 --> 00:27:20,160
Speaker 2: more vodka than yogurt, and it gets it into a

515
00:27:20,440 --> 00:27:24,760
Speaker 2: very thin state. That's good for me to get that

516
00:27:25,000 --> 00:27:27,880
Speaker 2: stuff in my body. I need it in their asap.

517
00:27:29,720 --> 00:27:33,840
Speaker 3: Great, that was good. No, he did I mean, he

518
00:27:33,920 --> 00:27:35,920
Speaker 3: did not say what and I missed? Which is one

519
00:27:35,920 --> 00:27:39,840
Speaker 3: of the two. Oh, okay, great, that's good. I was

520
00:27:39,880 --> 00:27:43,399
Speaker 3: expecting it at the end because there's not. Yeah, but

521
00:27:43,760 --> 00:27:45,359
Speaker 3: we can always move that around.

522
00:27:45,480 --> 00:27:46,639
Speaker 2: We got it.

523
00:27:46,680 --> 00:27:49,840
Speaker 4: The important thing is we got everything that we need.

524
00:27:50,040 --> 00:27:54,119
Speaker 1: We can stitch that together. Hey, we're stitcher right, this

525
00:27:54,320 --> 00:27:57,200
Speaker 1: is your premium.

526
00:27:57,440 --> 00:28:00,399
Speaker 4: Let's so let's do we get to hear one of

527
00:28:00,440 --> 00:28:03,720
Speaker 4: these clips now, Kevin, here we go. Here's the first clip.

528
00:28:04,040 --> 00:28:08,359
Speaker 1: Okay, imedy should be aggressive and exhausting.

529
00:28:08,440 --> 00:28:12,960
Speaker 4: I'm a killer, started over, and I gotta know who

530
00:28:13,000 --> 00:28:14,280
Speaker 4: this is. That was d C.

531
00:28:14,480 --> 00:28:14,960
Speaker 6: Pearson.

532
00:28:15,640 --> 00:28:21,439
Speaker 1: Okay, imedy should be aggressive and exhausting. I'm a killer.

533
00:28:21,880 --> 00:28:23,320
Speaker 1: I am a killer out there.

534
00:28:23,400 --> 00:28:29,040
Speaker 9: I am a trained fucking assassin coming for your laughs.

535
00:28:29,119 --> 00:28:29,359
Speaker 2: Man.

536
00:28:29,760 --> 00:28:33,080
Speaker 9: I'm wearing your laughs on a fucking chain around my neck.

537
00:28:35,040 --> 00:28:40,360
Speaker 9: I'm loaded for bear laughs wise, and I am gonna

538
00:28:40,400 --> 00:28:46,400
Speaker 9: fucking scalp you, oh boy, and fuck your dead body

539
00:28:47,120 --> 00:28:48,320
Speaker 9: with my comedy.

540
00:28:48,480 --> 00:28:48,720
Speaker 4: Dink.

541
00:28:52,920 --> 00:28:57,480
Speaker 1: Okay, So we obviously do need to dub over a

542
00:28:57,520 --> 00:28:58,600
Speaker 1: couple of those words.

543
00:29:00,080 --> 00:29:01,680
Speaker 3: That was the thing you were and we'll have to

544
00:29:01,720 --> 00:29:04,080
Speaker 3: do the go to the other episodes where you said

545
00:29:04,080 --> 00:29:07,760
Speaker 3: that that was like no cat phrase. There was like

546
00:29:07,800 --> 00:29:11,040
Speaker 3: one spring when you were saying that a lot.

547
00:29:11,280 --> 00:29:13,800
Speaker 1: I was saying that, Yeah, I guess it was just

548
00:29:14,520 --> 00:29:16,840
Speaker 1: mostly for one entire spring of episode, so it was

549
00:29:16,960 --> 00:29:21,600
Speaker 1: every week for three months or so. Yeah, so we'll

550
00:29:21,640 --> 00:29:23,800
Speaker 1: we'll plug it in. But I think it'll match up

551
00:29:23,840 --> 00:29:26,520
Speaker 1: if we just get one. So, Joe, do you have

552
00:29:26,840 --> 00:29:28,640
Speaker 1: because you're the master of this, do you have something

553
00:29:28,680 --> 00:29:33,040
Speaker 1: that's as impactful as Obviously we can all agree that

554
00:29:33,080 --> 00:29:34,000
Speaker 1: clip was good.

555
00:29:35,680 --> 00:29:40,920
Speaker 4: And I use the like comic sensibility as well as that.

556
00:29:41,240 --> 00:29:43,480
Speaker 1: So fuck your dead body with my comedy, Dick, let's

557
00:29:43,480 --> 00:29:44,160
Speaker 1: start there.

558
00:29:44,760 --> 00:29:49,000
Speaker 2: Okay, Well, I think you just have to sort of

559
00:29:49,000 --> 00:29:53,520
Speaker 2: break it down to what's the sort of real thing

560
00:29:53,560 --> 00:29:57,760
Speaker 2: that you're getting at that's relatable to everybody that grandma

561
00:29:57,840 --> 00:30:00,600
Speaker 2: can enjoy that, the kids can enjoy it things. So

562
00:30:01,560 --> 00:30:07,200
Speaker 2: I think the first part of it is you've found

563
00:30:07,280 --> 00:30:11,000
Speaker 2: something that you didn't expect to find. Maybe am I

564
00:30:11,040 --> 00:30:13,280
Speaker 2: reading into too much with that? With the dead body?

565
00:30:14,240 --> 00:30:16,360
Speaker 2: Is it now? Is it a dead body or is

566
00:30:16,400 --> 00:30:17,360
Speaker 2: it my dead body?

567
00:30:17,440 --> 00:30:21,120
Speaker 1: It was it was your dead body? Yeah, So like

568
00:30:21,240 --> 00:30:23,960
Speaker 1: I mean, my first my initial my mind goes to

569
00:30:24,040 --> 00:30:28,600
Speaker 1: like love your dead body with my comedy hug. Okay,

570
00:30:28,640 --> 00:30:30,960
Speaker 1: but I but I go, well, am I just pasting

571
00:30:31,000 --> 00:30:33,560
Speaker 1: over it and does it carry the same intent When

572
00:30:33,560 --> 00:30:34,520
Speaker 1: I say that.

573
00:30:35,080 --> 00:30:39,120
Speaker 2: I actually to me that I actually think it's a

574
00:30:39,120 --> 00:30:43,840
Speaker 2: bit funnier, uh, just because I think hugs are just

575
00:30:44,200 --> 00:30:46,080
Speaker 2: I mean, you guys know, I have this whole bit

576
00:30:46,160 --> 00:30:49,960
Speaker 2: about hugs are just a slow motion tickle. They were

577
00:30:50,040 --> 00:30:51,520
Speaker 2: using both your arms.

578
00:30:52,680 --> 00:30:56,600
Speaker 1: And so it just seeing this kill Yeah.

579
00:30:56,640 --> 00:30:59,400
Speaker 3: I am glad you brought that up, because most people

580
00:30:59,520 --> 00:31:02,520
Speaker 3: do not hug that way.

581
00:31:03,080 --> 00:31:03,960
Speaker 1: They don't hug right.

582
00:31:04,960 --> 00:31:07,240
Speaker 3: So I'm just like, I'm not saying it's like right

583
00:31:07,320 --> 00:31:10,800
Speaker 3: or wrong, But when you deliver that joke, I do

584
00:31:10,880 --> 00:31:12,520
Speaker 3: see some people there.

585
00:31:12,440 --> 00:31:13,640
Speaker 2: Is a lot of surprise.

586
00:31:13,880 --> 00:31:16,240
Speaker 4: That's not really what a way I do. It is

587
00:31:16,360 --> 00:31:17,160
Speaker 4: like for me.

588
00:31:18,320 --> 00:31:20,160
Speaker 2: Wait a minute, I open up the New York Times

589
00:31:20,160 --> 00:31:25,160
Speaker 2: by accident, anything good. I just have to stay current.

590
00:31:25,280 --> 00:31:26,840
Speaker 4: I'm going doing that.

591
00:31:27,120 --> 00:31:32,840
Speaker 3: Yeah uh yeah, okay, that's interesting. That's funny, but it's

592
00:31:32,880 --> 00:31:36,320
Speaker 3: not like my experience of a hug is not really

593
00:31:36,720 --> 00:31:37,959
Speaker 3: a slow motion tickle.

594
00:31:38,120 --> 00:31:40,760
Speaker 1: But it's educational too, because it is telling people like,

595
00:31:40,800 --> 00:31:42,640
Speaker 1: this is how you should be hugging. And then you

596
00:31:42,680 --> 00:31:45,520
Speaker 1: do go, you go, hey, guys, I've seen this bit

597
00:31:45,600 --> 00:31:47,840
Speaker 1: a few times. You go, hey, guys, remember that Christian

598
00:31:48,000 --> 00:31:53,120
Speaker 1: side hug music video and then you perform the entire thing,

599
00:31:54,760 --> 00:31:58,600
Speaker 1: which I just love seeing someone do without the music.

600
00:31:58,840 --> 00:32:01,880
Speaker 2: But yeah, well I've got you know, it's it's great

601
00:32:01,920 --> 00:32:05,920
Speaker 2: to sort of change up and not just find different

602
00:32:06,000 --> 00:32:09,520
Speaker 2: you know, media and using all of my talents, and

603
00:32:09,720 --> 00:32:12,840
Speaker 2: you know, music is my mistress, and so getting music

604
00:32:12,920 --> 00:32:14,920
Speaker 2: involved is always great in that way.

605
00:32:15,680 --> 00:32:18,200
Speaker 1: Yeah, she's she's stepping out on me then, because we're

606
00:32:18,200 --> 00:32:20,640
Speaker 1: she and I are are dating, so.

607
00:32:22,120 --> 00:32:24,400
Speaker 2: That it's not an issue for me because we have

608
00:32:24,440 --> 00:32:26,000
Speaker 2: an open relationship me and music.

609
00:32:26,760 --> 00:32:30,440
Speaker 1: Yeah, and I'm not jealous at all because I know

610
00:32:30,520 --> 00:32:35,520
Speaker 1: that at the end of the day, I'm hermine squeeze.

611
00:32:36,640 --> 00:32:40,520
Speaker 3: But like for you, Joe, it's like open relationship. You say,

612
00:32:40,520 --> 00:32:43,000
Speaker 3: like it's not an issue. It's like encouraged like you

613
00:32:43,080 --> 00:32:45,600
Speaker 3: to say it's open. You have like permanently removed the

614
00:32:45,640 --> 00:32:47,800
Speaker 3: locks from the doors.

615
00:32:47,840 --> 00:32:51,560
Speaker 4: It is open twenty four years.

616
00:32:51,920 --> 00:32:57,480
Speaker 2: Oh yeah, it's it's Yeah. The more the mirror and what.

617
00:32:57,400 --> 00:33:00,360
Speaker 1: I often say to the music, I say, hey, as

618
00:33:00,600 --> 00:33:03,320
Speaker 1: you know, I don't I don't care where you get

619
00:33:03,320 --> 00:33:05,800
Speaker 1: your appetite, as long as you're eating dinner at home

620
00:33:06,400 --> 00:33:07,800
Speaker 1: and dinner is served with milk.

621
00:33:09,640 --> 00:33:11,840
Speaker 4: This is your child, my child.

622
00:33:11,920 --> 00:33:22,000
Speaker 1: Yes, so we'll dub that in and uh yeah, well

623
00:33:22,080 --> 00:33:23,680
Speaker 1: let's just hear the next clip Kevin.

624
00:33:23,560 --> 00:33:26,720
Speaker 6: Okay, this is with Jason Manzukus.

625
00:33:28,520 --> 00:33:30,480
Speaker 1: You know, to be like, oh great, who do we

626
00:33:30,560 --> 00:33:31,040
Speaker 1: need to talk?

627
00:33:31,080 --> 00:33:32,320
Speaker 4: Who should we be chatting up?

628
00:33:32,920 --> 00:33:34,920
Speaker 1: And more importantly who's on their period? Yeah?

629
00:33:35,160 --> 00:33:35,720
Speaker 2: Or who's not?

630
00:33:36,200 --> 00:33:39,200
Speaker 1: Or who's not you know for a change. Yeah, because

631
00:33:39,240 --> 00:33:42,280
Speaker 1: I know the three of us love to fuck girls

632
00:33:42,280 --> 00:33:45,400
Speaker 1: on their periods, but like like a couple of other

633
00:33:45,520 --> 00:33:47,320
Speaker 1: our other friends were like not into it, which was

634
00:33:47,320 --> 00:33:48,440
Speaker 1: what made our group.

635
00:33:51,120 --> 00:33:54,200
Speaker 3: So again, that is sort of a representation of what

636
00:33:54,320 --> 00:33:56,760
Speaker 3: the show used to be for.

637
00:33:57,960 --> 00:34:01,520
Speaker 1: Like for that one crazy where I think we were

638
00:34:01,560 --> 00:34:03,760
Speaker 1: maybe over compensating a little bit.

639
00:34:03,920 --> 00:34:06,000
Speaker 2: You know, you guys are trying to grow past it.

640
00:34:06,000 --> 00:34:09,000
Speaker 2: You don't have to explain yourself every time. Okay, you

641
00:34:09,000 --> 00:34:10,560
Speaker 2: you're okay. In my book, it.

642
00:34:10,640 --> 00:34:13,200
Speaker 1: Was one spring. I mean it was a single spring.

643
00:34:14,320 --> 00:34:18,279
Speaker 2: That's that's okay. People grow and evolve, and you're here

644
00:34:18,360 --> 00:34:21,840
Speaker 2: to sort of, uh do real comedy with me.

645
00:34:22,000 --> 00:34:23,480
Speaker 4: You're cooped up all winner.

646
00:34:24,880 --> 00:34:27,120
Speaker 2: As soon as you hear the robin, yeah, let his

647
00:34:27,239 --> 00:34:30,000
Speaker 2: songbird fly. You just want to get out there and

648
00:34:30,040 --> 00:34:33,360
Speaker 2: talk about narsty and narsty stuff, and you just don't

649
00:34:33,400 --> 00:34:37,279
Speaker 2: realize sometimes if you don't do that, you're actually the

650
00:34:37,320 --> 00:34:38,799
Speaker 2: song sounds a little sweeter.

651
00:34:38,600 --> 00:34:41,799
Speaker 3: And I do your object. Are you still hearing Wait? Sorry, Joe,

652
00:34:41,800 --> 00:34:42,879
Speaker 3: are you still hearing the song?

653
00:34:43,440 --> 00:34:46,439
Speaker 2: Yeah? I'm hearing it now, Okay, the theme song.

654
00:34:46,640 --> 00:34:48,640
Speaker 3: Yeah, Well you were just saying it sounds sweeter, and

655
00:34:48,680 --> 00:34:50,439
Speaker 3: I thought it had stopped.

656
00:34:50,080 --> 00:34:53,040
Speaker 2: For you, but you are still hearing it. No, it

657
00:34:53,200 --> 00:34:56,600
Speaker 2: sounds like a sort of a remaster was done, and

658
00:34:56,680 --> 00:34:59,799
Speaker 2: maybe you know, you we just sort of got in

659
00:34:59,840 --> 00:35:03,719
Speaker 2: there with a great producer and just sort of went

660
00:35:03,800 --> 00:35:07,520
Speaker 2: over the old tapes and tracks and sort of you know,

661
00:35:07,840 --> 00:35:14,000
Speaker 2: bumped the sounds up and cleaned them off and rearranged them.

662
00:35:14,160 --> 00:35:18,400
Speaker 1: And you know, so when I hear this clip, I

663
00:35:18,440 --> 00:35:21,759
Speaker 1: agree it's not family friendly. I agree we should find

664
00:35:21,760 --> 00:35:24,440
Speaker 1: something dub over it. You did describe it as a

665
00:35:24,480 --> 00:35:26,920
Speaker 1: narsty and SCHNARSTI where I think the core concept underneath

666
00:35:26,920 --> 00:35:28,200
Speaker 1: it is actually quite beautiful.

667
00:35:29,280 --> 00:35:34,359
Speaker 3: Really, the language is blunt, but if we could keep

668
00:35:34,440 --> 00:35:36,719
Speaker 3: that core concept, yes, that would be.

669
00:35:36,800 --> 00:35:37,520
Speaker 2: Nice of.

670
00:35:39,080 --> 00:35:42,239
Speaker 1: Thinking that women and their bodies and their cycle is

671
00:35:42,440 --> 00:35:45,680
Speaker 1: beautiful and something to be celebrated and not necessarily.

672
00:35:45,360 --> 00:35:48,520
Speaker 2: Because I actually had an issue with that too, because

673
00:35:48,560 --> 00:35:53,960
Speaker 2: I saw two trouble spots. Yeah, girls having their I

674
00:35:54,200 --> 00:35:57,440
Speaker 2: you know, if there's just a way, God, what's a

675
00:35:57,480 --> 00:36:02,960
Speaker 2: good substitute for that? Girls having their.

676
00:36:05,120 --> 00:36:07,400
Speaker 1: Well, they're a visitor there.

677
00:36:07,120 --> 00:36:12,560
Speaker 2: Maybe special visit, special visit does that. Then I get

678
00:36:12,600 --> 00:36:15,080
Speaker 2: a little bit worried that that almost seems a little

679
00:36:15,080 --> 00:36:18,799
Speaker 2: bit like is it too vague? No? No, no, like

680
00:36:18,960 --> 00:36:22,839
Speaker 2: a special visitor I assume always is a lover. So

681
00:36:24,560 --> 00:36:27,200
Speaker 2: then that's getting us back into hanky panky, which is

682
00:36:27,239 --> 00:36:29,920
Speaker 2: another tough area that I don't love. Maybe, you know what,

683
00:36:30,000 --> 00:36:33,040
Speaker 2: let's skip to this. Sometimes for me, when I'm doing

684
00:36:33,040 --> 00:36:35,440
Speaker 2: this with my material, if I'm just focused on a

685
00:36:35,480 --> 00:36:38,880
Speaker 2: single word, it's almost impossible. But if I'm focused on

686
00:36:39,239 --> 00:36:42,759
Speaker 2: a larger concep of offending ideas.

687
00:36:44,400 --> 00:36:47,960
Speaker 8: Okay, this is a totally different clip with just Saint

688
00:36:48,000 --> 00:36:50,640
Speaker 8: Clair and Lennon Parnum.

689
00:36:51,600 --> 00:36:57,960
Speaker 1: One time, h when I was having sex, Yeah, she

690
00:36:59,200 --> 00:37:05,120
Speaker 1: spotted no, you know, a wolverine. You know. Actually, I'm sorry,

691
00:37:05,160 --> 00:37:07,279
Speaker 1: I thought you meant she spotted little.

692
00:37:07,960 --> 00:37:11,239
Speaker 3: I thought she had had herriod like intermittently, which is

693
00:37:11,280 --> 00:37:12,400
Speaker 3: also called spotting.

694
00:37:12,600 --> 00:37:16,400
Speaker 1: Oh no, that would be that's grounds for dismissal instantly.

695
00:37:17,120 --> 00:37:22,360
Speaker 4: Yeah, you're out of the house. So do they cancel

696
00:37:22,400 --> 00:37:23,560
Speaker 4: each other out?

697
00:37:25,080 --> 00:37:27,040
Speaker 2: Do they cancel each other out? The two clips?

698
00:37:27,040 --> 00:37:32,400
Speaker 3: You mean the following spring, Yeah, they's sort of opposite.

699
00:37:33,480 --> 00:37:34,120
Speaker 4: Sentiments.

700
00:37:35,520 --> 00:37:37,759
Speaker 3: So if one of if someone's mad about one thing,

701
00:37:37,880 --> 00:37:40,200
Speaker 3: then I think we already have this other clip pulled

702
00:37:40,440 --> 00:37:41,920
Speaker 3: that would just play that one instead.

703
00:37:41,920 --> 00:37:43,399
Speaker 4: It's like, well, you must like this.

704
00:37:45,320 --> 00:37:47,120
Speaker 2: I don't follow the logic on that.

705
00:37:47,239 --> 00:37:48,239
Speaker 4: You didn't hear any of it.

706
00:37:49,480 --> 00:37:52,279
Speaker 2: No, I got the theme song again, and that's why

707
00:37:52,320 --> 00:37:54,239
Speaker 2: I was like, I don't know what you guys want

708
00:37:54,239 --> 00:37:56,399
Speaker 2: me to replace in this, because actually think your theme

709
00:37:56,440 --> 00:37:58,360
Speaker 2: song is very nice. I play it for my grandma

710
00:37:58,400 --> 00:37:59,000
Speaker 2: all the time.

711
00:38:00,160 --> 00:38:02,720
Speaker 1: So do you have another clip?

712
00:38:04,640 --> 00:38:17,399
Speaker 10: Okay, okay, right, I have no problem with any of those,

713
00:38:17,400 --> 00:38:18,200
Speaker 10: except for the second.

714
00:38:18,239 --> 00:38:18,439
Speaker 2: Guy.

715
00:38:18,680 --> 00:38:22,640
Speaker 3: Sounded like you were hearing something different, Joe. I heard

716
00:38:22,680 --> 00:38:25,280
Speaker 3: the theme song for a second there, but you sounded

717
00:38:25,360 --> 00:38:26,360
Speaker 3: like you were responding.

718
00:38:29,239 --> 00:38:33,640
Speaker 2: No. I heard you guys talking to uh A guest

719
00:38:33,760 --> 00:38:36,720
Speaker 2: about some stuff that God for me to even describe

720
00:38:36,719 --> 00:38:38,400
Speaker 2: it to you will be difficult for me.

721
00:38:38,480 --> 00:38:41,960
Speaker 1: Now, Okay, yeah it was too, But you at one

722
00:38:41,960 --> 00:38:44,000
Speaker 1: point said no problem with any of those except for

723
00:38:44,040 --> 00:38:46,160
Speaker 1: the second guy. So it sounds like Richard gear is

724
00:38:46,200 --> 00:38:48,560
Speaker 1: an issue for you if you were hearing the theme song.

725
00:38:49,360 --> 00:38:51,840
Speaker 2: No, I wasn't. I was hearing you guys talk to

726
00:38:52,239 --> 00:38:56,400
Speaker 2: a guest and you were getting into some blue material.

727
00:38:57,160 --> 00:38:59,399
Speaker 3: Are you able to say who? If you can't talk

728
00:38:59,400 --> 00:39:01,520
Speaker 3: about the material, are you able to say who the

729
00:39:02,360 --> 00:39:06,279
Speaker 3: guest was so we could maybe, like Meridi, this is

730
00:39:06,320 --> 00:39:08,480
Speaker 3: tough because I heard the theme song. You heard the

731
00:39:08,480 --> 00:39:11,040
Speaker 3: clip that we now need to discuss, but you can't

732
00:39:11,120 --> 00:39:12,040
Speaker 3: share it with us.

733
00:39:12,560 --> 00:39:15,080
Speaker 2: But if it's hard for me to share it, yeah, yeah,

734
00:39:15,120 --> 00:39:17,120
Speaker 2: because I had I kind of had an issue with

735
00:39:17,280 --> 00:39:21,319
Speaker 2: the second guy and what he was saying. And you know,

736
00:39:21,480 --> 00:39:26,440
Speaker 2: he was talking about, you know, blueberries, and I think

737
00:39:26,480 --> 00:39:29,160
Speaker 2: you guys know what I mean when I say blueberries, Okay,

738
00:39:29,200 --> 00:39:33,320
Speaker 2: And he was talking about how he likes to stuff

739
00:39:33,360 --> 00:39:35,200
Speaker 2: an envelope full of blueberries.

740
00:39:35,640 --> 00:39:43,280
Speaker 3: Okay, so familiar with this concept. This sounds really disgusting. Okay,

741
00:39:43,480 --> 00:39:45,600
Speaker 3: it's actually but this is not something I've ever heard

742
00:39:45,640 --> 00:39:46,000
Speaker 3: about me.

743
00:39:46,080 --> 00:39:48,759
Speaker 1: This is more graphic, yeah, than anything we've heard up

744
00:39:48,760 --> 00:39:49,360
Speaker 1: to this point.

745
00:39:49,640 --> 00:39:53,919
Speaker 3: But do you know you follow the comedy scene? Could

746
00:39:53,920 --> 00:39:56,799
Speaker 3: you tell from the voice like who it was, So

747
00:39:56,840 --> 00:39:58,200
Speaker 3: maybe we can narrow down.

748
00:39:59,080 --> 00:40:03,520
Speaker 2: I could give you a age range. Okay, I would

749
00:40:03,560 --> 00:40:12,360
Speaker 2: say probably older everybody. Oh okay, Yeah, I was going

750
00:40:12,440 --> 00:40:17,840
Speaker 2: to say older than kindy Gardener, and then younger than Moses.

751
00:40:17,880 --> 00:40:20,279
Speaker 2: Maybe would be the range. I would give older than

752
00:40:20,360 --> 00:40:21,960
Speaker 2: kindy Gardener, younger than Moses.

753
00:40:23,120 --> 00:40:25,120
Speaker 4: Well, Moses has been different ages.

754
00:40:25,280 --> 00:40:26,840
Speaker 1: Moses was all kinds of ages.

755
00:40:26,920 --> 00:40:30,359
Speaker 3: Yeah, yeah, Moses today.

756
00:40:31,040 --> 00:40:34,200
Speaker 2: I was thinking classic Moses, just.

757
00:40:34,160 --> 00:40:41,880
Speaker 3: Like the ideas Yeah Beard with Moses, Yeah, the main Moses.

758
00:40:43,120 --> 00:40:45,280
Speaker 2: Should Maybe we should just move on to another clip.

759
00:40:45,960 --> 00:40:51,240
Speaker 2: He he was talking about stuffing a envelope with blueberries

760
00:40:51,640 --> 00:40:56,240
Speaker 2: and taking it home and never talking about it ever again.

761
00:40:57,400 --> 00:40:59,560
Speaker 1: Okay, wow, wow, And.

762
00:40:59,520 --> 00:41:00,879
Speaker 3: Yeah, I think you guys know what I mean when

763
00:41:00,880 --> 00:41:04,200
Speaker 3: I really know, but I'm really bad.

764
00:41:04,840 --> 00:41:07,839
Speaker 1: But what I'm guessing is really really bad.

765
00:41:08,600 --> 00:41:10,399
Speaker 2: Do you know what I mean when I say never

766
00:41:10,920 --> 00:41:12,080
Speaker 2: talking about it ever again?

767
00:41:13,400 --> 00:41:14,000
Speaker 1: I hope not.

768
00:41:14,880 --> 00:41:19,160
Speaker 8: Okay, this is a clip with Paul Russ talking about

769
00:41:19,200 --> 00:41:21,360
Speaker 8: an embarrassing moment with Helen Mirren.

770
00:41:21,880 --> 00:41:27,359
Speaker 11: Okay, and she I shook her hand and I guess

771
00:41:27,360 --> 00:41:30,239
Speaker 11: she squeezed it just a little harder than I expected.

772
00:41:31,360 --> 00:41:31,960
Speaker 4: I queathed.

773
00:41:32,320 --> 00:41:32,799
Speaker 1: Thank god.

774
00:41:32,960 --> 00:41:34,839
Speaker 11: She queathed at the same time.

775
00:41:34,719 --> 00:41:35,600
Speaker 4: To put you at ease.

776
00:41:36,160 --> 00:41:39,439
Speaker 1: Yeah, she's just she's a pro. You know, she could

777
00:41:39,440 --> 00:41:41,479
Speaker 1: tell that I was in this business for that long.

778
00:41:41,520 --> 00:41:44,040
Speaker 11: And there's a lot of celebrities, I'll be honest, who

779
00:41:44,040 --> 00:41:46,320
Speaker 11: would have just let me quef and be embarrassed about

780
00:41:46,320 --> 00:41:48,960
Speaker 11: it and kind of have that power trip of like

781
00:41:49,040 --> 00:41:53,920
Speaker 11: I know you did. I've never queafed.

782
00:41:54,520 --> 00:41:58,080
Speaker 4: We had just sort of discovered this concept. I remember.

783
00:41:59,400 --> 00:42:03,440
Speaker 2: Really, I actually didn't have any problem with this clip. Okay,

784
00:42:03,560 --> 00:42:06,160
Speaker 2: because I love to quef. I quef all the time.

785
00:42:06,960 --> 00:42:12,160
Speaker 2: And I'm when I'm sort of meal planning for the

786
00:42:12,200 --> 00:42:14,759
Speaker 2: week and I'm thinking, what do I want to eat

787
00:42:14,800 --> 00:42:17,480
Speaker 2: this week? I'm like, I know, I'm gonna want to

788
00:42:17,520 --> 00:42:21,279
Speaker 2: quef this week, you know, So I just go up.

789
00:42:21,239 --> 00:42:25,160
Speaker 3: Food does certain foods because I don't think of it

790
00:42:25,160 --> 00:42:28,520
Speaker 3: as like a digestive it's not connected to the digestive system.

791
00:42:28,760 --> 00:42:31,719
Speaker 2: You guys have to stay you guys are missing out.

792
00:42:31,760 --> 00:42:34,280
Speaker 2: Then it's the first thing I do. I get inside

793
00:42:34,280 --> 00:42:39,640
Speaker 2: the grocery store and I walk up to the butcher counter, uh,

794
00:42:39,960 --> 00:42:45,000
Speaker 2: and I, you know, get some of the finest, you know,

795
00:42:45,080 --> 00:42:47,439
Speaker 2: the queen's beef, and I take it home and I

796
00:42:47,480 --> 00:42:50,200
Speaker 2: prepared in a variety of ways, and I me and

797
00:42:50,239 --> 00:42:53,680
Speaker 2: my family will queef with that and it's great. And

798
00:42:54,880 --> 00:42:57,920
Speaker 2: I mean, I queaf so much that my wife is like,

799
00:42:58,760 --> 00:43:00,640
Speaker 2: sometimes I think quefing is your job.

800
00:43:02,280 --> 00:43:03,759
Speaker 4: Okay, I wish it was.

801
00:43:03,880 --> 00:43:07,080
Speaker 2: It's it's my part time job. Queefing is my part

802
00:43:07,080 --> 00:43:10,239
Speaker 2: time job. I wish that queefing is my was my

803
00:43:10,640 --> 00:43:16,280
Speaker 2: full time job, because I would quef Saturdays, Sundays, every

804
00:43:16,360 --> 00:43:19,439
Speaker 2: day of the week. I'd get off the the the

805
00:43:19,520 --> 00:43:23,160
Speaker 2: road finally, you know, and just sit at home and queaf.

806
00:43:23,440 --> 00:43:25,160
Speaker 1: To be fair, you just said I'd get off the

807
00:43:25,239 --> 00:43:29,520
Speaker 1: road finally, But this is your first two you just

808
00:43:29,600 --> 00:43:30,000
Speaker 1: set up.

809
00:43:30,040 --> 00:43:33,319
Speaker 2: But I'm feeling it already though. It's just you know,

810
00:43:35,640 --> 00:43:39,160
Speaker 2: I'm a homebody. You know it's gonna be hard.

811
00:43:39,560 --> 00:43:40,000
Speaker 1: Okay.

812
00:43:40,480 --> 00:43:45,440
Speaker 4: The queen's beef mm hmm. This is at the store.

813
00:43:46,239 --> 00:43:49,680
Speaker 2: Well, it's there's not one type of meat that's considered

814
00:43:49,680 --> 00:43:50,399
Speaker 2: the queen's beef.

815
00:43:50,440 --> 00:43:52,759
Speaker 4: It's what's day.

816
00:43:53,680 --> 00:43:56,600
Speaker 2: Yes, it's whatever the most expensive cut of beef at

817
00:43:56,640 --> 00:43:59,560
Speaker 2: your local butcher or grocery store is. And then you

818
00:43:59,680 --> 00:44:03,960
Speaker 2: come home and you bake it in the oven with

819
00:44:04,000 --> 00:44:06,759
Speaker 2: a little ground on top. And then it's the Queen

820
00:44:06,840 --> 00:44:08,640
Speaker 2: the Beef, the Queen's Beef.

821
00:44:09,440 --> 00:44:12,640
Speaker 1: Okay, wow, all right, that's interesting. So that clip is

822
00:44:12,640 --> 00:44:14,319
Speaker 1: that it gets a pass and we don't have to

823
00:44:14,400 --> 00:44:17,600
Speaker 1: redo that great and Disney will actually maybe like it.

824
00:44:17,760 --> 00:44:21,080
Speaker 2: I think. So it's fun to think about. I eat

825
00:44:21,120 --> 00:44:23,279
Speaker 2: the same stuff Hele and Mira and eats. They're just

826
00:44:23,360 --> 00:44:23,839
Speaker 2: like us.

827
00:44:23,960 --> 00:44:25,480
Speaker 1: Yeah, and Paul rust.

828
00:44:25,920 --> 00:44:27,920
Speaker 6: This next clip is from a pro version.

829
00:44:30,040 --> 00:44:32,000
Speaker 4: The hormone estrogene.

830
00:44:32,640 --> 00:44:37,640
Speaker 3: It goes, it injects itself into your breast and it

831
00:44:37,920 --> 00:44:40,400
Speaker 3: swells to enormous size.

832
00:44:40,120 --> 00:44:46,360
Speaker 1: A nation of soy boys with unbelievably juicy gazong.

833
00:44:46,400 --> 00:44:50,320
Speaker 3: Because Kevin is vegan, and I have never been willing

834
00:44:50,320 --> 00:44:52,880
Speaker 3: to address this before, but it's reached a situation where

835
00:44:52,920 --> 00:44:54,920
Speaker 3: I cannot avoid it any longer.

836
00:44:55,600 --> 00:44:58,800
Speaker 4: Kevin has become stacked Kevin.

837
00:44:58,880 --> 00:45:04,359
Speaker 1: When I see Ken been often times he will be

838
00:45:04,960 --> 00:45:07,680
Speaker 1: up on a ladder fixing something on the other side

839
00:45:07,680 --> 00:45:10,240
Speaker 1: of the divider in the studio, so that I can't

840
00:45:10,280 --> 00:45:12,920
Speaker 1: see his head and face. I can only see him

841
00:45:13,000 --> 00:45:15,680
Speaker 1: essentially from the neck down. And the first thing I

842
00:45:15,880 --> 00:45:17,680
Speaker 1: think is I.

843
00:45:17,640 --> 00:45:23,680
Speaker 3: Would, and I do just want to say, since then

844
00:45:24,239 --> 00:45:27,400
Speaker 3: I barely notice it anymore. Like at the time, it

845
00:45:27,440 --> 00:45:29,480
Speaker 3: was something I would like think about a lot, but

846
00:45:30,560 --> 00:45:32,840
Speaker 3: like I know, we never talk about it.

847
00:45:32,840 --> 00:45:37,560
Speaker 1: It's been a great learning uh opportunity for me about

848
00:45:37,800 --> 00:45:43,000
Speaker 1: societal change and how things that seem jarring at first

849
00:45:43,120 --> 00:45:46,719
Speaker 1: if you just don't draw the focus there and you

850
00:45:46,960 --> 00:45:49,560
Speaker 1: just give yourself a little time, you can't just and

851
00:45:49,640 --> 00:45:51,440
Speaker 1: it will become the new normal.

852
00:45:51,840 --> 00:45:54,080
Speaker 3: Right It's part of the furniture at this point, and

853
00:45:54,120 --> 00:45:55,960
Speaker 3: it honestly could be furniture. It could be a bean

854
00:45:56,000 --> 00:45:56,600
Speaker 3: bag chair.

855
00:45:58,320 --> 00:46:00,440
Speaker 1: Each of them, flotation device.

856
00:46:01,520 --> 00:46:03,920
Speaker 2: This is you guys are treading into sort of a

857
00:46:05,400 --> 00:46:08,200
Speaker 2: little bit spicy waters for me right now, even though

858
00:46:08,200 --> 00:46:12,520
Speaker 2: we talk about that, okay, I just I just think

859
00:46:13,280 --> 00:46:19,600
Speaker 2: when you're talking about body parts part of the thing

860
00:46:19,760 --> 00:46:21,560
Speaker 2: that I think a lot of people think they're being

861
00:46:21,640 --> 00:46:24,840
Speaker 2: clean comics when they say things like bean bags or

862
00:46:24,920 --> 00:46:29,400
Speaker 2: flirtation device, because you're sort of replacing the word with

863
00:46:29,719 --> 00:46:33,600
Speaker 2: a thing that isn't something that we normally consider dirty.

864
00:46:33,760 --> 00:46:37,200
Speaker 2: But you have to go one more step away because

865
00:46:37,239 --> 00:46:40,160
Speaker 2: I can so easily figure out what part you're talking about,

866
00:46:40,480 --> 00:46:43,719
Speaker 2: and then I'm thinking about it, and then I am

867
00:46:44,000 --> 00:46:49,600
Speaker 2: a mess mentally and physically, and it's all I can think.

868
00:46:49,480 --> 00:46:52,160
Speaker 1: So you need to fully disguise the intent.

869
00:46:52,040 --> 00:46:56,160
Speaker 2: And my tongue is on the floor. I need release,

870
00:46:57,320 --> 00:47:00,160
Speaker 2: I need this thought to be out of my mind. Uh,

871
00:47:00,800 --> 00:47:04,680
Speaker 2: you're not dealing with mister Jekyl anymore. You're not me

872
00:47:05,040 --> 00:47:07,720
Speaker 2: excuse me, Yes, you're not dealing with mister Jekyl anymore.

873
00:47:07,880 --> 00:47:12,280
Speaker 2: You're dealing with mister Hyde. Because I don't have a doctorate,

874
00:47:12,440 --> 00:47:14,440
Speaker 2: so I don't go from doctor.

875
00:47:14,640 --> 00:47:17,240
Speaker 1: You're never doctor Jekyl, but you are mister Jekyl normally,

876
00:47:18,560 --> 00:47:21,320
Speaker 1: and unfortunately you can also become mister Hyde.

877
00:47:21,840 --> 00:47:22,239
Speaker 2: Mm hmm.

878
00:47:23,520 --> 00:47:23,880
Speaker 4: Uh.

879
00:47:24,080 --> 00:47:27,440
Speaker 3: So it's for we describe furniture that is less like

880
00:47:28,040 --> 00:47:30,359
Speaker 3: the part is that m hm.

881
00:47:30,760 --> 00:47:34,279
Speaker 1: So instead of a beanback chair, we might say that

882
00:47:34,320 --> 00:47:37,680
Speaker 1: could be a tasteful ottoman.

883
00:47:39,520 --> 00:47:43,160
Speaker 2: Ottoman I still have a problem with because I've told

884
00:47:43,280 --> 00:47:49,160
Speaker 2: my I say, like a square ottoman is okay, or

885
00:47:50,320 --> 00:47:54,160
Speaker 2: at so many of them around and I just can't

886
00:47:54,160 --> 00:47:54,839
Speaker 2: have the round one.

887
00:47:54,880 --> 00:47:57,800
Speaker 1: Well, and there's also the sort of poof automan uh

888
00:47:58,280 --> 00:48:02,120
Speaker 1: that is just yeah, which is essentially a fancy or

889
00:48:02,120 --> 00:48:02,759
Speaker 1: beanback chair.

890
00:48:02,800 --> 00:48:04,640
Speaker 4: Maybe an bedside table.

891
00:48:05,400 --> 00:48:08,920
Speaker 2: Yeah, I mean I always have a different issue with

892
00:48:08,960 --> 00:48:13,480
Speaker 2: bedside tables because I think of them as for you

893
00:48:13,560 --> 00:48:16,480
Speaker 2: know what's coming off of a very flat you know what?

894
00:48:16,800 --> 00:48:17,040
Speaker 2: You know?

895
00:48:18,360 --> 00:48:19,320
Speaker 4: Uh huh.

896
00:48:19,680 --> 00:48:22,120
Speaker 2: That's how I think of an end table at bedside table.

897
00:48:22,760 --> 00:48:25,120
Speaker 2: It's for you know what's shooting out of a very

898
00:48:25,160 --> 00:48:28,160
Speaker 2: flat you know what? And so can't have those in

899
00:48:28,200 --> 00:48:31,200
Speaker 2: the bedroom, Okay, no place for that kind of stuff in.

900
00:48:31,360 --> 00:48:34,800
Speaker 3: The drawer those are I mean, like just in terms

901
00:48:34,800 --> 00:48:38,160
Speaker 3: of the end table, the four things are drawers that

902
00:48:38,320 --> 00:48:40,640
Speaker 3: shoot out of the kind of superstructure.

903
00:48:41,480 --> 00:48:46,600
Speaker 2: No, no, oh, my noice.

904
00:48:46,680 --> 00:48:49,279
Speaker 1: Okay, you don't know what? Then I think I do

905
00:48:49,440 --> 00:48:51,520
Speaker 1: know what, and it is for you know what's coming

906
00:48:51,520 --> 00:48:54,000
Speaker 1: out of that you know what? So it is a flat,

907
00:48:54,160 --> 00:48:56,000
Speaker 1: you know what? A flat? You know what?

908
00:48:56,400 --> 00:48:57,160
Speaker 4: That's larger.

909
00:48:57,480 --> 00:48:59,640
Speaker 1: Yes, I think.

910
00:49:03,040 --> 00:49:06,280
Speaker 4: I don't I can see physically the coming of mess.

911
00:49:06,680 --> 00:49:09,360
Speaker 1: What if I like, what if I said it's is

912
00:49:09,480 --> 00:49:11,000
Speaker 1: breakfront to evocative?

913
00:49:12,480 --> 00:49:14,560
Speaker 2: Now I don't know what that is. I don't know

914
00:49:15,360 --> 00:49:16,240
Speaker 2: what's a break front.

915
00:49:16,960 --> 00:49:17,880
Speaker 4: It's sort of a hutch.

916
00:49:18,080 --> 00:49:20,920
Speaker 1: It's like often like a glass doored hutch with like

917
00:49:21,000 --> 00:49:23,800
Speaker 1: a it's like a shelving, like a free standing shelving

918
00:49:23,880 --> 00:49:25,200
Speaker 1: unit with if.

919
00:49:25,080 --> 00:49:27,560
Speaker 2: You if you can locate a piece of furniture that

920
00:49:27,640 --> 00:49:30,440
Speaker 2: I'm unfamiliar with. That would be the way to go.

921
00:49:31,000 --> 00:49:33,160
Speaker 2: And that's what I do in my shows if I

922
00:49:33,239 --> 00:49:35,120
Speaker 2: do have to talk about that kind of stuff.

923
00:49:35,760 --> 00:49:39,279
Speaker 1: Gotten two big Chesterfields hanging out hanging off the front of.

924
00:49:39,280 --> 00:49:44,040
Speaker 2: Us Chesterfields is a problem because this is the first syllable. Yeah,

925
00:49:44,080 --> 00:49:46,480
Speaker 2: it's a huge of it again and okay, then I

926
00:49:46,520 --> 00:49:50,080
Speaker 2: am just roiling inside my body.

927
00:49:50,200 --> 00:49:53,720
Speaker 3: So this addresses how we refer to it just now,

928
00:49:54,920 --> 00:49:58,600
Speaker 3: but it does not address the original clip. Yeah in

929
00:49:58,680 --> 00:50:01,600
Speaker 3: any way, Yes, is there anything you can.

930
00:50:01,560 --> 00:50:02,120
Speaker 4: Do with that?

931
00:50:02,400 --> 00:50:06,120
Speaker 1: Yes? Good call. This didn't help us.

932
00:50:06,520 --> 00:50:10,080
Speaker 2: You use the letter after f word towards the end,

933
00:50:10,160 --> 00:50:12,359
Speaker 2: and I think that's okay. I think that's a good

934
00:50:12,400 --> 00:50:16,600
Speaker 2: strategy to try and use some sort of gibberish. Okay,

935
00:50:16,640 --> 00:50:24,000
Speaker 2: like you did. The problem with that word is it

936
00:50:24,000 --> 00:50:27,360
Speaker 2: it sort of has the shape of the thing somehow,

937
00:50:28,120 --> 00:50:30,680
Speaker 2: So I think you want to go to a different

938
00:50:30,719 --> 00:50:33,319
Speaker 2: sort of gibberish that doesn't have it at all, you know.

939
00:50:33,880 --> 00:50:36,320
Speaker 2: So just you take up a totally made up word

940
00:50:36,360 --> 00:50:39,720
Speaker 2: that doesn't mean anything in reality and say like instead

941
00:50:39,920 --> 00:50:43,680
Speaker 2: instead of I'm looking at that huge pair of you know,

942
00:50:43,760 --> 00:50:45,320
Speaker 2: once you say I'm looking at that huge pair of

943
00:50:45,400 --> 00:50:47,799
Speaker 2: Quibi's or something like a word that doesn't have any

944
00:50:47,800 --> 00:50:48,640
Speaker 2: other sort of meaning.

945
00:50:48,840 --> 00:50:51,000
Speaker 1: Could it be the name of a Pokemon.

946
00:50:51,120 --> 00:50:52,960
Speaker 2: A Pokemon monter, a huge pair.

947
00:50:52,760 --> 00:50:57,400
Speaker 3: Of arcticunos, a pocket monster, a pocket monster.

948
00:50:57,560 --> 00:50:59,879
Speaker 1: I mean, obviously you don't want to go with Jigglypuff, but.

949
00:51:01,760 --> 00:51:05,120
Speaker 2: Huge, and that's where my mind or wiggly tap.

950
00:51:05,239 --> 00:51:07,160
Speaker 4: Honestly, any evolution.

951
00:51:07,719 --> 00:51:11,160
Speaker 2: Honestly, even Snorlax I would say, is a little bit

952
00:51:11,280 --> 00:51:15,600
Speaker 2: too much turning up. And then I don't want to

953
00:51:15,640 --> 00:51:19,480
Speaker 2: talk about mewtwo because I find him to be erotic

954
00:51:19,920 --> 00:51:24,000
Speaker 2: in other ways. This is a whole Problemary, I think.

955
00:51:24,200 --> 00:51:26,839
Speaker 1: Okay, okay, So then quibi was your pitch. I guess

956
00:51:26,880 --> 00:51:27,720
Speaker 1: you are the expert.

957
00:51:27,880 --> 00:51:30,640
Speaker 2: So where we work or just anything just like something

958
00:51:30,640 --> 00:51:33,000
Speaker 2: that's a Nazise work that doesn't have any sort of

959
00:51:33,040 --> 00:51:33,640
Speaker 2: other meaning.

960
00:51:33,800 --> 00:51:35,800
Speaker 1: Yes, a couple of quibis.

961
00:51:36,600 --> 00:51:37,000
Speaker 2: Mm hmm.

962
00:51:37,960 --> 00:51:40,040
Speaker 1: Okay, that's helpful. I think we can plug that in.

963
00:51:45,120 --> 00:51:47,320
Speaker 6: Okay, great, this next clip, I think we can apply

964
00:51:47,400 --> 00:51:48,240
Speaker 6: the same rules.

965
00:51:50,600 --> 00:51:53,800
Speaker 4: Right, Thick is going through the crowd.

966
00:51:54,840 --> 00:51:57,759
Speaker 1: Yeah, all the different layers of the Earth's crust, and

967
00:51:57,760 --> 00:52:01,320
Speaker 1: it's beating the devil in hell. Maybe it kills the devil.

968
00:52:01,440 --> 00:52:05,440
Speaker 3: I was it should so after the Cody flashback, we

969
00:52:05,480 --> 00:52:07,040
Speaker 3: should see brett'stick ruling.

970
00:52:07,120 --> 00:52:07,319
Speaker 4: Hell.

971
00:52:07,719 --> 00:52:10,160
Speaker 1: Well, what I was thinking is that Brett's Dick is

972
00:52:10,200 --> 00:52:12,920
Speaker 1: the one force of pure goodness in the world and

973
00:52:12,960 --> 00:52:15,239
Speaker 1: the devil is the force of pure evil. And so

974
00:52:15,320 --> 00:52:17,640
Speaker 1: these two enemies are finally face to face.

975
00:52:21,280 --> 00:52:21,920
Speaker 4: Yeah.

976
00:52:22,000 --> 00:52:24,680
Speaker 1: So yeah, is there a word? Is there a not

977
00:52:24,719 --> 00:52:27,600
Speaker 1: a we're doing book? Yeah?

978
00:52:27,640 --> 00:52:31,200
Speaker 2: We were comic book idea naughty comic book.

979
00:52:31,400 --> 00:52:31,800
Speaker 4: Yeah.

980
00:52:32,360 --> 00:52:34,960
Speaker 1: Yeah, yeah, I'll take the hit. It was a little naughty.

981
00:52:37,120 --> 00:52:41,400
Speaker 2: Yeah, you know, I mean obviously there's one major offender here.

982
00:52:42,040 --> 00:52:46,160
Speaker 1: And that's the one word to describe Brett's body part

983
00:52:47,000 --> 00:52:47,279
Speaker 1: for me.

984
00:52:47,640 --> 00:52:50,720
Speaker 2: Okay, that I don't like either like to think about

985
00:52:50,800 --> 00:52:53,480
Speaker 2: going subterranean in any way.

986
00:52:53,680 --> 00:52:55,520
Speaker 4: That it's the burrow.

987
00:52:56,680 --> 00:53:00,680
Speaker 2: For you. Yes, it's well physically, I think if you

988
00:53:00,719 --> 00:53:05,640
Speaker 2: think about burrowing or digging, that to me resembles something

989
00:53:05,680 --> 00:53:10,160
Speaker 2: that I do behind closed doors with my wife, just

990
00:53:10,200 --> 00:53:14,239
Speaker 2: the physical movement of burrowing. So that's an issue. And

991
00:53:14,280 --> 00:53:17,120
Speaker 2: then I just think under in the in the soil

992
00:53:17,160 --> 00:53:18,880
Speaker 2: and in the earth is where there's a lot of

993
00:53:18,880 --> 00:53:22,960
Speaker 2: that sort of like you know, temptation lots, you know,

994
00:53:24,520 --> 00:53:31,400
Speaker 2: because wors worms look like to me, you could, in

995
00:53:31,440 --> 00:53:34,920
Speaker 2: a way take four worms and attach them to a

996
00:53:34,960 --> 00:53:37,760
Speaker 2: really flat you know what, and you got a sexy

997
00:53:38,080 --> 00:53:42,000
Speaker 2: end table. You've got the sexiest end table that Beetlejuice

998
00:53:42,000 --> 00:53:47,000
Speaker 2: has ever seen. So that's an issue for me. Okay,

999
00:53:47,120 --> 00:53:50,319
Speaker 2: So is there any way where he could be I

1000
00:53:50,320 --> 00:53:55,759
Speaker 2: mean as generally or yes, I was going to say,

1001
00:53:55,760 --> 00:54:01,200
Speaker 2: maybe he is ruling heaven and Grammy and Grampy are

1002
00:54:01,200 --> 00:54:04,160
Speaker 2: there and he's ruling it with his you know.

1003
00:54:04,480 --> 00:54:07,759
Speaker 1: Sorry, Joe, to double back to words that we're not

1004
00:54:07,800 --> 00:54:11,279
Speaker 1: supposed to use. You did use the B word, the

1005
00:54:11,440 --> 00:54:17,080
Speaker 1: name of mister Juice. You said the sexiest end table

1006
00:54:17,160 --> 00:54:21,400
Speaker 1: that uh, and that for this show. We have used

1007
00:54:21,840 --> 00:54:24,120
Speaker 1: that name once on the show before, so you have

1008
00:54:24,160 --> 00:54:26,800
Speaker 1: taken our second usage of it carries just to stop

1009
00:54:26,840 --> 00:54:29,600
Speaker 1: off if you. If it does get used a third time,

1010
00:54:29,680 --> 00:54:32,640
Speaker 1: we will summon him into the podcast. And so I

1011
00:54:32,680 --> 00:54:38,680
Speaker 1: am hoping that you have the wherewithal to refrain. Certainly,

1012
00:54:39,680 --> 00:54:43,560
Speaker 1: as someone who prides himself on having control over his

1013
00:54:43,719 --> 00:54:46,840
Speaker 1: language a little bit, I'm not angry, but I do

1014
00:54:46,960 --> 00:54:48,359
Speaker 1: want to bring it.

1015
00:54:48,280 --> 00:54:51,239
Speaker 2: To your show. It's your show, and I respect you.

1016
00:54:51,320 --> 00:54:57,160
Speaker 2: That's right, and I respect that, and I just think

1017
00:54:57,200 --> 00:55:00,480
Speaker 2: as a guest anytime I do. Obviously I'm doing a

1018
00:55:00,480 --> 00:55:03,000
Speaker 2: lot of podcasts into the ramp up to this tour,

1019
00:55:03,680 --> 00:55:07,600
Speaker 2: and you know, one of the first things and maybe

1020
00:55:07,600 --> 00:55:10,920
Speaker 2: it's not even you, maybe it's like sportsaff or something

1021
00:55:10,920 --> 00:55:12,920
Speaker 2: no offense, Kevin, but usually one of the first things

1022
00:55:12,960 --> 00:55:15,359
Speaker 2: when I get in the room they update me on

1023
00:55:15,400 --> 00:55:19,480
Speaker 2: what the uh the current keyword count is, just so

1024
00:55:19,560 --> 00:55:22,960
Speaker 2: I know, are we starting from zero? Do we have

1025
00:55:23,040 --> 00:55:26,040
Speaker 2: an issue where we're close to him coming, do we

1026
00:55:26,120 --> 00:55:30,520
Speaker 2: have my personal nightmare, which is he's there and he's

1027
00:55:30,600 --> 00:55:33,640
Speaker 2: just saying the most outrageous.

1028
00:55:32,960 --> 00:55:33,319
Speaker 1: Thing and.

1029
00:55:36,719 --> 00:55:40,720
Speaker 2: Gesticulating and all of that stuff that I absolutely hate.

1030
00:55:40,920 --> 00:55:43,080
Speaker 2: But but that's but okay, this is where we are,

1031
00:55:43,120 --> 00:55:45,240
Speaker 2: and now we know, and now account.

1032
00:55:45,719 --> 00:55:48,360
Speaker 1: I appreciate you being receptive. But we have Brett is

1033
00:55:48,440 --> 00:55:51,160
Speaker 1: ruling heaven with Grammy and Grampy are there, and he's

1034
00:55:51,280 --> 00:55:53,560
Speaker 1: using his He's.

1035
00:55:53,440 --> 00:55:55,840
Speaker 2: Using his closed fist. I think would be just like

1036
00:55:55,920 --> 00:55:58,239
Speaker 2: another thing that you could use that's funny and it

1037
00:55:58,239 --> 00:56:00,879
Speaker 2: doesn't have any sort of just for me.

1038
00:56:00,880 --> 00:56:07,160
Speaker 1: Is erotic because of what I'm so often closing it around.

1039
00:56:12,080 --> 00:56:14,840
Speaker 3: Yeah, then also if it's like the fist is closed

1040
00:56:14,840 --> 00:56:19,040
Speaker 3: and then it's traveling off really far then that that

1041
00:56:19,200 --> 00:56:21,480
Speaker 3: could be very dangerous.

1042
00:56:22,200 --> 00:56:25,960
Speaker 2: Okay, and it we have to have him ruling it

1043
00:56:26,000 --> 00:56:28,520
Speaker 2: with a body part. Could it be he's ruling it

1044
00:56:28,600 --> 00:56:30,520
Speaker 2: with uh, you know.

1045
00:56:30,560 --> 00:56:34,200
Speaker 4: If we can match the or even just a vibe.

1046
00:56:35,040 --> 00:56:37,600
Speaker 1: If he's ruling it with a chill vibe.

1047
00:56:38,160 --> 00:56:40,600
Speaker 2: Chill vibe, do we want to have something that's the

1048
00:56:40,640 --> 00:56:43,719
Speaker 2: same number of syllables and the same sort of linguistic

1049
00:56:43,800 --> 00:56:45,640
Speaker 2: shape as the offending word.

1050
00:56:45,640 --> 00:56:48,840
Speaker 3: Or I do have a question about where you mentioned

1051
00:56:49,760 --> 00:56:53,400
Speaker 3: doing comedy for Grammy and also playing our podcast for Grammy.

1052
00:56:53,680 --> 00:57:00,880
Speaker 3: But Grammy is in heaven as well, So I just like,

1053
00:57:01,000 --> 00:57:07,040
Speaker 3: is that you are playing our podcast for Grammy in heaven?

1054
00:57:08,160 --> 00:57:12,760
Speaker 2: Well? Sure, yeah, when I go Well, first of all,

1055
00:57:14,160 --> 00:57:17,520
Speaker 2: I don't think I'm alone in this. Yeah, you know,

1056
00:57:17,680 --> 00:57:20,400
Speaker 2: I have a lot of Grammys, you know, more than

1057
00:57:20,480 --> 00:57:24,280
Speaker 2: one Grammy, you know, because my parents have remarried a

1058
00:57:24,320 --> 00:57:28,200
Speaker 2: couple of times each. So I don't have just the

1059
00:57:28,240 --> 00:57:30,440
Speaker 2: one Grammy. I got more Grammys that I can barely

1060
00:57:30,520 --> 00:57:33,120
Speaker 2: keep track of. So some of them are with us,

1061
00:57:33,160 --> 00:57:35,080
Speaker 2: and some of them come to my show and they

1062
00:57:35,120 --> 00:57:36,560
Speaker 2: know they're gonna have a good time and they don't

1063
00:57:36,600 --> 00:57:38,200
Speaker 2: have to worry about I see.

1064
00:57:38,320 --> 00:57:40,120
Speaker 1: Joe, I don't know. Maybe I'm the weird one. I

1065
00:57:40,160 --> 00:57:42,480
Speaker 1: only have two. I have one for Best Comedy Album

1066
00:57:42,480 --> 00:57:45,000
Speaker 1: and one for Best Debut Hip Hop Artist.

1067
00:57:45,360 --> 00:57:49,240
Speaker 2: Oh, I see what's happening here? You think I'm talking

1068
00:57:49,280 --> 00:57:54,080
Speaker 2: about the uh you know, an award for musical excellence

1069
00:57:55,240 --> 00:57:58,280
Speaker 2: some people? How many Nana's do you have? Let me

1070
00:57:58,280 --> 00:57:58,680
Speaker 2: ask you.

1071
00:57:58,640 --> 00:58:04,840
Speaker 1: That question I had I had one huge one.

1072
00:58:06,320 --> 00:58:08,960
Speaker 2: And you had one huge one? Would you do with it?

1073
00:58:10,600 --> 00:58:12,959
Speaker 1: Haven't? I haven't thought about it at quite some time.

1074
00:58:16,520 --> 00:58:18,320
Speaker 1: I think it went. I think it turned brown and

1075
00:58:18,320 --> 00:58:21,080
Speaker 1: I baked it into a bread during quarantine like everybody else.

1076
00:58:21,880 --> 00:58:23,440
Speaker 4: Are you? Are you hearing the song?

1077
00:58:24,040 --> 00:58:24,960
Speaker 1: I am no, I'm not.

1078
00:58:25,520 --> 00:58:27,000
Speaker 4: Okay, I am getting it.

1079
00:58:27,040 --> 00:58:29,800
Speaker 1: Too, and that might be our cue to wrap it up.

1080
00:58:30,320 --> 00:58:31,040
Speaker 4: Yeah.

1081
00:58:31,200 --> 00:58:36,240
Speaker 1: I do have to get going. But this has been invaluable.

1082
00:58:36,840 --> 00:58:38,760
Speaker 4: Yeah, this has been so helpful.

1083
00:58:38,840 --> 00:58:41,440
Speaker 2: Joe, Thank you. I'm glad. Yeah, no problem.

1084
00:58:42,760 --> 00:58:46,040
Speaker 4: Anything you wanna plug for? I mean, I guess you

1085
00:58:46,080 --> 00:58:46,720
Speaker 4: have your tour?

1086
00:58:47,280 --> 00:58:49,640
Speaker 1: MM where can we take to that? Do you have

1087
00:58:49,680 --> 00:58:50,160
Speaker 1: a website?

1088
00:58:50,240 --> 00:58:50,400
Speaker 4: Up?

1089
00:58:51,800 --> 00:58:58,360
Speaker 2: I am having issues with every all things here and

1090
00:58:58,480 --> 00:59:01,560
Speaker 2: so I don't have at What I've been asking to

1091
00:59:01,560 --> 00:59:04,440
Speaker 2: do is I've been posting the tour dates outside of

1092
00:59:04,480 --> 00:59:06,840
Speaker 2: my house on a piece of paper, and I'm asking

1093
00:59:06,840 --> 00:59:10,120
Speaker 2: people to just come over there, congregate there, and check

1094
00:59:10,120 --> 00:59:11,040
Speaker 2: out the tour dates.

1095
00:59:11,200 --> 00:59:12,960
Speaker 4: Okay, we got it. We just gotta go.

1096
00:59:13,200 --> 00:59:19,760
Speaker 1: Sorry, Hollywood, Bye, Hollywood Handbook.

1097
00:59:24,320 --> 00:59:25,400
Speaker 2: I'm a horny girl.

1098
00:59:25,440 --> 00:59:25,800
Speaker 4: Wolf.

1099
00:59:26,120 --> 00:59:29,880
Speaker 1: This has been an Earwold production, executive produced by Scott Ackerman,

1100
00:59:30,000 --> 00:59:33,360
Speaker 1: Colin Anderson, and Chris Bannon. For more information and content,

1101
00:59:33,480 --> 00:59:38,800
Speaker 1: visit earwolf dot com. Oh