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Speaker 1: But you look like you're what you're making faces like

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Speaker 1: you are what did you want me to like?

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Speaker 2: You're starting to say.

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Speaker 3: Oh, wait, did you want me to do the show?

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Speaker 2: Well you am I supposed to.

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Speaker 3: Be saying something now and start doing the show.

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Speaker 2: Well you said you were going to oh did I yes?

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Speaker 4: Oh?

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Speaker 3: Okay, Well maybe I was mistaken. I think maybe that

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Speaker 3: would have been commanding you too much.

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Speaker 2: Okay.

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Speaker 3: I don't want to be steamrolling you, Hayes. I want

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Speaker 3: to give you space to be you.

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Speaker 1: You know, Okay, is there anything that you would like

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Speaker 1: to talk about? It just seems like there's something that

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Speaker 1: maybe you would like to bring up.

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Speaker 5: I don't know.

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Speaker 3: I guess I could think of something that you know, Uh,

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Speaker 3: maybe some people say some things online for my feelings.

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Speaker 1: Well you did, Can I say because you did mention

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Speaker 1: something to me? I don't know if this is the

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Speaker 1: same thing.

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Speaker 3: Okay, but you're talking, well say it and if it is,

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Speaker 3: I'll tell you yeah you did, and believe me.

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Speaker 1: I'm gonna let you say you did mention. I think

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Speaker 1: that some people mentioned on Reddit. I don't really read

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Speaker 1: this stuff. I don't I don't read the comments.

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Speaker 3: Me, but sometimes people send it to me.

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Speaker 1: And I guess somebody wrote that that you had been

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Speaker 1: a little hyper sometimes in your performance, and that you

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Speaker 1: were commanding me a little too much, and sometimes when

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Speaker 1: I was trying to do my bits, that you were

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Speaker 1: making a little too much noise and being rude. You know,

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Speaker 1: they're like a few there were a few different voices

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Speaker 1: expressing different variations of the same thing.

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Speaker 3: And it sounds like you agree with that. No, I'm

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Speaker 3: just repeating what they said, which great good to know.

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Speaker 3: I always strive to be aware of myself and my

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Speaker 3: short cut. I want to know. And if that's how

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Speaker 3: you feel, then I'll just be who are you talking

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Speaker 3: to me? I'll be laying back in the cut, I'll

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Speaker 3: be kicking it, and I will be giving you plenty

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Speaker 3: of rooms.

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Speaker 1: Okay, I don't want you to do that. I would

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Speaker 1: like you to hoast the show with.

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Speaker 3: But you wouldn't know it from some of this reddit

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Speaker 3: that my cousin Sam is showing me that it's.

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Speaker 2: You wouldn't know that.

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Speaker 1: I want you to do that, But I I have

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Speaker 1: nothing to do with those things, so you wouldn't know it.

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Speaker 1: It's not Yes, I promise you promise, yes, No, I

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Speaker 1: promise I want you to do the show with me,

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Speaker 1: and I love the way.

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Speaker 3: You do it because I always feel like when I'm

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Speaker 3: getting hyper and excited that that's helping the show because

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Speaker 3: I'm having so much fun with my friend Hayes. And

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Speaker 3: I didn't want to think that Hayes is getting mad

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Speaker 3: and going in secret on these sites with the web

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Speaker 3: and doing these madness on the comment and saying I'm

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Speaker 3: commanding being.

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Speaker 1: No, because if I were to do that, I think

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Speaker 1: I know it would happen, which is you would be quite,

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Speaker 1: you'd fold your arms and you'd sit and you would

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Speaker 1: be quiet, and you sit in the.

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Speaker 3: Cut, and I don't want you to say just sit

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Speaker 3: back and the cut And I'm and and because what

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Speaker 3: I'm afraid of is what's happening when I'm just saying

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Speaker 3: my ideas and having fun with my friends, is that

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Speaker 3: people are picturing me be Bee and driving a roller

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Speaker 3: machine that flattens yes through the show.

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Speaker 1: Remember Austin Powers, that's me, And that's me is the

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Speaker 1: guy in Austin Powers trying to back up, No, that

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Speaker 1: was a car.

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Speaker 2: This is like a roller machine that flattens that.

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Speaker 3: And so I don't really ask Brett Brett have you

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Speaker 3: observed this, You've bowed out of doing the show for

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Speaker 3: a few weeks.

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Speaker 2: I had other priorities.

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Speaker 1: But have you as that dynamic ever been something that

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Speaker 1: you have observed.

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Speaker 6: It seems like being commanding is a good thing.

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Speaker 3: Does it. Do you think it's possible that maybe the

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Speaker 3: reason I've sounded slightly more aggressive in some of the

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Speaker 3: recent episodes is that I've been fully in the zone

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Speaker 3: and comedically mastering my own voice, and that I'm sort

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Speaker 3: of strapping the show to my back and carrying it

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Speaker 3: to a funniness land. Well, that sounds a little that.

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Speaker 3: That sounds like an attack at me.

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Speaker 2: Quiet.

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Speaker 6: I mean, I haven't tell.

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Speaker 3: You to talk. You shut up? Is that your turn?

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Speaker 1: I think so it does, doesn't I do have to

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Speaker 1: pick between silence and this and that. Given that those options,

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Speaker 1: I will take this and I'll like it. Hey, welcome

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Speaker 1: to look.

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Speaker 3: You want to do the song again?

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Speaker 2: Yeah? Sure, let's yeah, just play it. Okay.

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Speaker 3: I don't really have anything, so I'll just say whatever,

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Speaker 3: and you know, and now I feel free. Uh So

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Speaker 3: I'm there.

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Speaker 5: I'm in the dark Water Slide Tunnel with Eric Banna

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Speaker 5: and Candice Bushnell and we're on a tube and the

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Speaker 5: tube is deflated and we're stuck and we're punching our

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Speaker 5: way out of the tube.

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Speaker 3: But it's a dream, and I should have planned something

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Speaker 3: to say, Hey, it feels like I'm really struggling.

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Speaker 1: I thought it was great up until you said, well

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Speaker 1: that it was a dream. That seemed like I could

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Speaker 1: have come much theater. So it's not a dream.

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Speaker 3: It's real. And let's just introduce the.

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Speaker 1: Gay Welcome to Hollywood Handbook and Insider's a guy to

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Speaker 1: kicking button dropping names on the red carpet lineback halls

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Speaker 1: of this industry. We call show biz people ask us

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Speaker 1: how we do all this stuff? We we do this show,

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Speaker 1: but that's not all. And we are having conversations on

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Speaker 1: the phone with each other and with each other with friends.

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Speaker 3: We're posting, we're going, we're helping engineer Brett, you know,

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Speaker 3: put his mailbox back up when the kids in the

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Speaker 3: neighborhood knock it down because they're pissed at him.

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Speaker 1: Yes, and that's how candy at Halloween. That takes a

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Speaker 1: long time because the kids are waiting sort of at

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Speaker 1: the bottom of.

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Speaker 3: Every time it is back over.

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Speaker 2: The kids are basically down there and they're.

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Speaker 6: Thank you again for that and so much.

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Speaker 3: It's whatever.

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Speaker 6: They hate those small candies they give out.

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Speaker 3: Yeah, he gives he takes the fun size, and then

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Speaker 3: he gives out what he calls really fun size, which

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Speaker 3: is he like.

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Speaker 1: He's rolled with his hands into perfect balls. Yeah, and

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Speaker 1: it looks and it's got hand stuff. And when the

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Speaker 1: kids come to his door, he kind of like holds

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Speaker 1: the candy up and like in a in a hand

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Speaker 1: gesture that suggests open your mouth, and then he goes.

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Speaker 6: Yeah, try to play catch with them.

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Speaker 3: And when I've said that it seems like sanitary to

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Speaker 3: keep rolling them up, you go, don't worry. I use

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Speaker 3: hand sanitizer between everyone, which seemed like then that's all

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Speaker 3: over to candy.

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Speaker 1: So we want we have this way that we uh

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Speaker 1: do efficient time management, and we want to talk about

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Speaker 1: it with someone else's a practitioner of this that we

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Speaker 1: a is also.

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Speaker 2: Doing acting and writing and.

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Speaker 3: Acting writing post being a star talking on the phone

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Speaker 3: has helped. I'm sure he's helped people with their mailbox

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Speaker 3: is posting online.

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Speaker 2: And it's Zeke Nicholson.

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Speaker 7: What's up everyone?

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Speaker 2: Oh, Zeke wows the energy you got the Zeke?

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Speaker 7: What's up? Everyone?

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Speaker 3: Talk about commanding Zeke, I almost want to lay back

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Speaker 3: in the cut when.

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Speaker 7: Yeah, I won't you squeak back to the cut a

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Speaker 7: little bit.

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Speaker 1: I might have to even suggest that he back at

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Speaker 1: the cut because he will get stuck in there.

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Speaker 4: Here's the thing about the cut, though, It's like it's

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Speaker 4: a state of mind, you know what I mean. It

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Speaker 4: can be a free flowing path of energy. You can

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Speaker 4: go and come from the cut as much as you want.

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Speaker 4: It's not a one way street.

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Speaker 1: I'm trying to picture this so because he yes, okay,

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Speaker 1: we were both kind of under operating under the asception.

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Speaker 2: That it was a real thing. So it was a physical.

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Speaker 4: Oh no, it's a real thing. But what I'm saying

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Speaker 4: is like, it's not like one of those heart valves

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Speaker 4: right where the blood only flows one way.

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Speaker 1: Yes, now this is something I'm an expert at, but

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Speaker 1: now I understand.

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Speaker 3: Now I can take sure it. I thought of the

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Speaker 3: cut almost as like a weasel hole, and it's that. Yeah,

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Speaker 3: and then I'm living in there, right and I'm coming

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Speaker 3: out for food or something, But the rest time, I'm

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Speaker 3: really in that hole with my other weasel.

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Speaker 1: And you would, I guess need a computer to see

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Speaker 1: what people were saying about you being in the cut.

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Speaker 3: Well, that's wi Fi.

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Speaker 7: In the cut. You squeaking into the cut. Your wife,

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Speaker 7: I connected, is.

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Speaker 2: Dope zeke.

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Speaker 3: I.

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Speaker 1: You're no stranger to the dating scene. No, sure, uh

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Speaker 1: you ever tie the cherry together? Put the cherry and

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Speaker 1: you tie it up?

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Speaker 7: Yeah? I've put the cherry together and tied it up

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Speaker 7: a couple of times.

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Speaker 2: Okay, I have a follow up.

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Speaker 3: Sure, have you ever put the cherry flavored starbars in

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Speaker 3: your mouth and the orgami the rapper? Yeah, and then

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Speaker 3: you spit out like a crane and it flies away?

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Speaker 7: Yeah?

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Speaker 4: Yeah, yeah, from time to time. Actually, I was pretty

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Speaker 4: into that when I first moved to La.

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Speaker 3: God, that would feel so good on your pussy, Like,

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Speaker 3: think about it. Yeah, somebody can fold that good.

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Speaker 2: Yeah, I have a follow up question.

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Speaker 4: I used to fire full size orgony cranes into my

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Speaker 4: first girlfriend's pussy.

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Speaker 7: She she loved it.

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Speaker 2: I said, I have a follow up question.

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Speaker 1: Oh, please, you ever put the cherry in there and

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Speaker 1: a cherry starburst? Try to tie the cherry stem around

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Speaker 1: the orgy swas next so it looks like I was

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Speaker 1: wearing doughbird tie, but you accidentally swallowed the entire thing,

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Speaker 1: the whole Cherry and the star Wars and the Rapper.

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Speaker 2: And I have a follow up question to.

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Speaker 1: That, which is is it true that you swallow cherry,

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Speaker 1: you do become a cherry tree George Rosher to chop

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Speaker 1: your death.

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Speaker 7: Yes, all of that is true.

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Speaker 3: Yeah, okay, see yeah no, and I owe hey is

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Speaker 3: an apology because I thought that if you swallow cherry

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Speaker 3: Starman and sanitary, and we can do in cherry Starmann

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Speaker 3: and you do in Cherry stem, that you don't turn

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Speaker 3: a cherry tree George Washington drop you down. That what

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00:10:21,520 --> 00:10:25,600
Speaker 3: happened actually is you just go to sleep and you

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Speaker 3: never wake up. Oh and you don't wake up unless

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Speaker 3: you get a kiss mm hmm from a very special

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Speaker 3: princess or prince or unicorn or troll or elf, an

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Speaker 3: orc or any lord of the Ring. And that's what

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Speaker 3: I thought.

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Speaker 4: You know, I guess it's it's it's dating in the

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Speaker 4: cut versus dating out of the cut.

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Speaker 7: You know, the scenes are different. Yeah maybe, yeah.

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Speaker 4: You know, you don't get chopped down by GBS wash

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Speaker 4: and you do get chopped out by a huge org

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Speaker 4: who then kisses your lips.

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Speaker 1: Yeah, yeah, oh that's right. If you do get chopped

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Speaker 1: at first, but then you get a kiss, right mm hmm,

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Speaker 1: maybe you turn back into Sean again.

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Speaker 3: Yeah, well that would be nice for me.

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Speaker 7: You guys, ever dated anyone who's allergic to paper?

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Speaker 3: Mmm?

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Speaker 7: Doesn't like it when you got me cranes on there?

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Speaker 3: Plus I never dated anybody. Oh all right, we don't

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Speaker 3: like that. We don't play games.

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Speaker 7: You don't play games, you know what I mean. We're

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Speaker 7: straight out no doubt.

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Speaker 3: Yeah, yeah, I hate these games and I'm just over

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Speaker 3: the games. And the scene for me now is about

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Speaker 3: being totally straight up. Either we're married or that's it.

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Speaker 3: And so I'm married to quite a few people right now,

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Speaker 3: really yes, and they all love it and they all

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Speaker 3: want to keep doing it.

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Speaker 7: Do they know about each other?

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Speaker 3: No? I'm sick of the games where you tell them

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Speaker 3: about each other and try to make them jealous of

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Speaker 3: each other. I want to stop playing those games. This

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Speaker 3: is mostly in chat rooms, you know, everyone's cyberg.

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Speaker 2: Yeah.

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Speaker 1: For Sean, it's war like, you know, like ASL do

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Speaker 1: you want to get married?

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Speaker 3: Yeah? Yeah, ASL M marital status, you know. And then

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Speaker 3: a lot of times if they write single, I go

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Speaker 3: not anymore, baby, and I send a ring emoji, and

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Speaker 3: that's how I cybern. I'll do it in Buffy chat rooms.

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Speaker 3: I'll do it in Firefly chat rooms. I'll do it

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Speaker 3: in Dollhouse chat rooms. You know, I'm a Josh boss baby,

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Speaker 3: I'm a weed and terrier. If you catch my flow,

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Speaker 3: I'm gonna get back in the cut for a little while.

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Speaker 7: Like you guys, you want to squeak back in there,

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Speaker 7: do your thing.

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Speaker 1: So we want to talk about this process of doing

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Speaker 1: so much stuff and having all this time to do it,

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Speaker 1: and still working on our bodies and still being able

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Speaker 1: to talk on the phone, having all this time to

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Speaker 1: have a good body, talk on the phone and do

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Speaker 1: your work. And the way that we do this is

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Speaker 1: this sort of strategy where instead of doing all these

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Speaker 1: people do like eight hours of work every day, they

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Speaker 1: go to work and like this is more like Dilbert. Honestly,

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Speaker 1: if you read Dilbert, there is a lot of this

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Speaker 1: stuff in there. He's essentially a groundhog and there are

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Speaker 1: some of this cartoons where the cubicles are like little

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Speaker 1: groundhog holes. And that is what it's like to go

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Speaker 1: to work, not unlike the Cut.

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Speaker 3: Staying out of it, staying out of it giving you room.

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Speaker 3: But this wasn't in response to anything I did. It

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Speaker 3: was that you were I'm just trying to feel more.

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Speaker 3: When is the moment that I should be in the

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Speaker 3: weasel hole?

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Speaker 1: So what we do instead of we don't do this

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Speaker 1: eight hour work day thing that we do and see

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Speaker 1: does as well. It's outdated. Which is the the one

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Speaker 1: hour work season? Yep, there's summer, winter fall and the

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Speaker 1: other one. Yeah, four and right now it's the other one.

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Speaker 3: Yeah. Unfortunately, h and but fortunately.

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Speaker 1: We'll take one hour of maximum efficiency, optimized concentrated Yes,

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Speaker 1: uh like powder like like in its crystal light form.

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Speaker 1: It's like a crystal light powder of an hour. Think

293
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Speaker 1: I was taking straight to the dough.

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Speaker 3: Think about crystal light versus how much orange you need

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Speaker 3: to make an orange juice. Now, think about how much

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Speaker 3: powder you need to make to make the same amount

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Speaker 3: of crystal light juice. And picture the different sizes of

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Speaker 3: powder versus oranges, and know that what most people are

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Speaker 3: doing is chopping down all these oranges, smashing them, squeezing them,

300
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Speaker 3: Seeds in their hair, rinds in their eyes, they're wearing

301
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Speaker 3: the orange peel. And instead we are actually just snorting

302
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Speaker 3: a line of Crystal Light powder and then fucking jamming

303
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Speaker 3: on down to like the met Gala High five and

304
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Speaker 3: with some of the tastemakers there, and then we freaking

305
00:15:24,680 --> 00:15:27,360
Speaker 3: go to the upfronts and see what's gonna be on

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Speaker 3: NBC next fall, and then we freaking go to the

307
00:15:30,920 --> 00:15:33,720
Speaker 3: Super Bowl throw a touchdown and we're working on our

308
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Speaker 3: bodies kind of all the way through, like.

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Speaker 4: And all of that is done in one hour. To

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Speaker 4: be clear, Tell that's worked, because that's worked too. That counts.

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Speaker 1: It's not just so we get the work done in

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Speaker 1: a whole hour. No, the met Galaw's work. And then

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Speaker 1: we do it again next season.

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Speaker 2: M hm.

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Speaker 1: So talk about how we do it like this and

316
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Speaker 1: how we make it look so good?

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Speaker 3: Yeah, yeah, yeah yeah.

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Speaker 7: I mean, well, here's the thing it's about.

319
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Speaker 4: It's about mental states, right, you know, like to use

320
00:16:06,640 --> 00:16:10,360
Speaker 4: your analogy of the orange tree versus the crystal light packet,

321
00:16:10,360 --> 00:16:12,880
Speaker 4: It's like, think about how much effort and thought and

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Speaker 4: time and emotion goes into plucking each individual orange versus

323
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Speaker 4: just that's that's a crystal light packet rip right there.

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Speaker 4: Poo poo poof, pooh poof, And I'm in the water

325
00:16:23,000 --> 00:16:25,040
Speaker 4: fish and I'm swirled, you know.

326
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Speaker 2: But I say, no water even straight to the dome.

327
00:16:27,400 --> 00:16:29,440
Speaker 3: No water, yeah, right straight to the dome.

328
00:16:29,520 --> 00:16:31,320
Speaker 4: I'm weird though, So I think this is maybe where

329
00:16:31,320 --> 00:16:34,480
Speaker 4: you and I different. I snort water straight to my dome. Okay,

330
00:16:34,760 --> 00:16:39,080
Speaker 4: keeping grounded, you know, ice chips, ice chips, Yeah, yeah, yeah.

331
00:16:39,240 --> 00:16:43,320
Speaker 3: So talk about when you're swirling, some of the clenching

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00:16:43,400 --> 00:16:45,600
Speaker 3: that you're doing on different parts of your body to

333
00:16:45,880 --> 00:16:48,480
Speaker 3: exercise the muscles, and some of the electric things you're

334
00:16:48,480 --> 00:16:49,640
Speaker 3: plugging into yourself.

335
00:16:49,680 --> 00:16:52,400
Speaker 7: Sure, I'm clenching, you know, you guys circumcise.

336
00:16:53,560 --> 00:16:57,040
Speaker 2: Okay, I've getting yeah, well I'm getting there.

337
00:16:57,160 --> 00:16:59,600
Speaker 4: Okay, yeah, keep at it.

338
00:16:59,640 --> 00:17:00,440
Speaker 7: Man, it's I said.

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00:17:00,720 --> 00:17:02,560
Speaker 1: I go to the guy and I say, just do

340
00:17:02,800 --> 00:17:04,439
Speaker 1: I'll come back at a couple of weeks and we

341
00:17:04,440 --> 00:17:04,800
Speaker 1: could do.

342
00:17:04,760 --> 00:17:07,080
Speaker 2: A little more. But like, and that's part of the.

343
00:17:07,040 --> 00:17:09,520
Speaker 3: One hour work season is you don't do everything all

344
00:17:09,520 --> 00:17:11,479
Speaker 3: at once. No, you spread it out a little bit

345
00:17:11,480 --> 00:17:13,080
Speaker 3: and go, I don't have time to do a whole

346
00:17:13,119 --> 00:17:13,679
Speaker 3: one today.

347
00:17:13,840 --> 00:17:15,560
Speaker 2: Yes, because you're doing it for your job in your

348
00:17:15,560 --> 00:17:16,200
Speaker 2: shop for a year.

349
00:17:16,240 --> 00:17:17,520
Speaker 1: If you do it in one day, yes, And so

350
00:17:17,680 --> 00:17:20,360
Speaker 1: I actually he has to kind of catch me in

351
00:17:20,520 --> 00:17:23,240
Speaker 1: stride like I'm going I'm going through that office and

352
00:17:23,280 --> 00:17:25,840
Speaker 1: I'm doing one loop around of the waiting room and

353
00:17:25,880 --> 00:17:30,359
Speaker 1: he has to get do yes to do what he's

354
00:17:30,560 --> 00:17:34,040
Speaker 1: got to do before I'm out the door, right, So,

355
00:17:34,480 --> 00:17:36,720
Speaker 1: and I'm clenching also in those moments as well.

356
00:17:37,080 --> 00:17:39,200
Speaker 4: So well, anyway, you'll know this when you get there, Hayes,

357
00:17:39,280 --> 00:17:41,320
Speaker 4: is like there's a kind of the bottom of your

358
00:17:41,359 --> 00:17:43,359
Speaker 4: penis kind of like underneath the head. There's this like

359
00:17:43,440 --> 00:17:46,359
Speaker 4: really sensitive spot and I'm always clenching that. It keeps

360
00:17:46,359 --> 00:17:47,639
Speaker 4: me connected, you feel me.

361
00:17:47,920 --> 00:17:51,160
Speaker 3: No, that's the part because my dick is, as I said, circumcise,

362
00:17:51,320 --> 00:17:54,040
Speaker 3: and uh, there's a part of it that I can

363
00:17:54,119 --> 00:17:58,240
Speaker 3: definitely feel and it works great. Yeah, And I am

364
00:17:58,400 --> 00:18:04,120
Speaker 3: always uh thinking about it, and I'm always looking at

365
00:18:04,240 --> 00:18:08,320
Speaker 3: it and squeezing with it like you said, and clenching it.

366
00:18:08,480 --> 00:18:09,359
Speaker 7: Squeezing with it.

367
00:18:10,520 --> 00:18:13,560
Speaker 3: Yeah, I'm squeezing because I'll usually be holding something with it,

368
00:18:14,359 --> 00:18:18,119
Speaker 3: like I'll be carrying something hand weights, whatever it is.

369
00:18:18,280 --> 00:18:19,959
Speaker 3: You know, it doesn't matter. It doesn't have to be

370
00:18:20,040 --> 00:18:22,119
Speaker 3: a traditional weight. It could be a soup can sure

371
00:18:22,359 --> 00:18:23,360
Speaker 3: you know that has weight.

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00:18:23,520 --> 00:18:25,240
Speaker 7: That's the thing about it is like you find what

373
00:18:25,280 --> 00:18:26,080
Speaker 7: you need everywhere.

374
00:18:26,240 --> 00:18:26,600
Speaker 3: M M.

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00:18:26,920 --> 00:18:30,040
Speaker 4: You know, yeah, the one hour works season. Yeah, so

376
00:18:31,040 --> 00:18:31,760
Speaker 4: I think we're still.

377
00:18:31,600 --> 00:18:33,280
Speaker 7: Talking about things that I'm clenching during this.

378
00:18:33,600 --> 00:18:36,359
Speaker 3: Yeah, some of the electric stuff that's all lugged in.

379
00:18:36,520 --> 00:18:37,280
Speaker 7: Yeah yeah yeah.

380
00:18:37,320 --> 00:18:39,040
Speaker 4: So do you guys have you guys have like a

381
00:18:39,160 --> 00:18:41,320
Speaker 4: kind of standard DJ set up at home?

382
00:18:41,359 --> 00:18:46,880
Speaker 2: I assume yes, thank you, yeah, Brett.

383
00:18:46,640 --> 00:18:51,440
Speaker 4: Trump, yeah yeah, yeah, so I the sort of like needles.

384
00:18:51,520 --> 00:18:54,119
Speaker 4: There's actually an electric charge that run through most DJ needles,

385
00:18:54,119 --> 00:18:58,160
Speaker 4: and I'll just sort of put that on each elbow

386
00:18:58,160 --> 00:19:01,280
Speaker 4: skin and that just kind of it's a north South

387
00:19:01,320 --> 00:19:02,400
Speaker 4: pole electric thing.

388
00:19:02,280 --> 00:19:03,679
Speaker 3: And correct me if I'm wrong. At that point, you

389
00:19:03,760 --> 00:19:04,280
Speaker 3: have the jews.

390
00:19:04,480 --> 00:19:06,440
Speaker 7: I've got the juice. Yeah, yeah, the juice of mine

391
00:19:06,440 --> 00:19:06,920
Speaker 7: at Taplata.

392
00:19:07,000 --> 00:19:07,240
Speaker 3: Yeah.

393
00:19:07,320 --> 00:19:09,399
Speaker 4: So yeah, that's how I stay ground in and connected

394
00:19:09,440 --> 00:19:11,000
Speaker 4: both electrically and emotionally.

395
00:19:11,320 --> 00:19:14,000
Speaker 3: Oh that's really interesting. I do the same thing all

396
00:19:14,040 --> 00:19:17,280
Speaker 3: the same. Hey, here's my here's my question.

397
00:19:17,560 --> 00:19:22,160
Speaker 1: Yeah, when I'm putting the needles on my elbows, okay,

398
00:19:22,680 --> 00:19:27,240
Speaker 1: and I'm spinning route, it's I'm not getting the bpms

399
00:19:27,480 --> 00:19:32,320
Speaker 1: currently that that that that I'm looking for to get

400
00:19:32,760 --> 00:19:34,920
Speaker 1: people high, because like because I, you know, I sort

401
00:19:34,920 --> 00:19:37,680
Speaker 1: of have this like ongoing. It's not a race that

402
00:19:37,720 --> 00:19:39,640
Speaker 1: it's like more low key than that, but like something

403
00:19:39,720 --> 00:19:42,000
Speaker 1: going on it in my living room that I try

404
00:19:42,000 --> 00:19:43,400
Speaker 1: to you know, like people go in and go out,

405
00:19:43,400 --> 00:19:45,720
Speaker 1: but it's kind of this ongoing scene. And right now

406
00:19:45,760 --> 00:19:49,480
Speaker 1: the bpms are like super like the I want to

407
00:19:49,520 --> 00:19:50,959
Speaker 1: sort of bring it to life a little bit.

408
00:19:51,000 --> 00:19:52,159
Speaker 4: Let me ask you a question. He's the first time

409
00:19:52,160 --> 00:19:53,960
Speaker 4: you got in a bike. Did you bike from Bangor,

410
00:19:54,040 --> 00:19:56,399
Speaker 4: Maine to Santa Monica, California.

411
00:19:56,560 --> 00:19:57,280
Speaker 2: The first time?

412
00:19:57,440 --> 00:19:57,480
Speaker 3: No?

413
00:19:59,320 --> 00:20:02,359
Speaker 4: Right, right, So here's the thing is, like it takes practice,

414
00:20:02,400 --> 00:20:03,560
Speaker 4: you know what I mean. You're not going to be

415
00:20:03,600 --> 00:20:05,600
Speaker 4: there overnight. Yeah, You're going to be there in a

416
00:20:05,600 --> 00:20:07,960
Speaker 4: couple of seasons. So I think keep at it and

417
00:20:08,000 --> 00:20:08,880
Speaker 4: you'll find your way.

418
00:20:09,119 --> 00:20:10,800
Speaker 1: Because I have so little time to work on it

419
00:20:10,840 --> 00:20:12,800
Speaker 1: because I can only work on it for like less

420
00:20:12,800 --> 00:20:14,720
Speaker 1: than one second, because I only have an hour to

421
00:20:14,720 --> 00:20:16,880
Speaker 1: do four hours a year to do all my other way.

422
00:20:16,960 --> 00:20:19,520
Speaker 3: Yeah, yeah, yeah, it's a four hour work year, the

423
00:20:19,560 --> 00:20:22,639
Speaker 3: one hour work season. Do you want to talk a

424
00:20:22,680 --> 00:20:25,600
Speaker 3: little bit about chaga mushrooms and the power of those

425
00:20:25,680 --> 00:20:29,160
Speaker 3: mushrooms and how fast they make you move and almost

426
00:20:29,160 --> 00:20:32,399
Speaker 3: like super Mario mushrooms where they make you pretty fast

427
00:20:32,440 --> 00:20:33,440
Speaker 3: and strong and big.

428
00:20:34,320 --> 00:20:37,840
Speaker 4: Oh god, chagas, what a discovery those were. I went

429
00:20:37,880 --> 00:20:41,200
Speaker 4: through seven years in La not having swifted the chaga.

430
00:20:42,480 --> 00:20:47,320
Speaker 3: Oh and at that time you were totally sucking I mean,

431
00:20:47,400 --> 00:20:49,560
Speaker 3: prior to really finding the chaga.

432
00:20:49,680 --> 00:20:52,480
Speaker 4: Right, Yeah, yeah, I liked it. You know, the chaga

433
00:20:52,800 --> 00:20:55,800
Speaker 4: and my shaman. Those two things I really credit for

434
00:20:55,920 --> 00:20:57,280
Speaker 4: having the career that I have had.

435
00:20:57,480 --> 00:21:00,880
Speaker 1: I remember I remember sort of being in the vicinity

436
00:21:00,920 --> 00:21:04,320
Speaker 1: when you laid eyes and I will take a second

437
00:21:04,400 --> 00:21:07,240
Speaker 1: to acknowledge that because you said that was very funny

438
00:21:07,240 --> 00:21:07,680
Speaker 1: what you said.

439
00:21:07,720 --> 00:21:08,199
Speaker 3: I don't know.

440
00:21:09,880 --> 00:21:13,400
Speaker 1: I remember sort of lingering around when you did lay

441
00:21:13,400 --> 00:21:16,119
Speaker 1: eyes on a chaga the first time. And I remember

442
00:21:16,160 --> 00:21:19,360
Speaker 1: the next day turning on my television and there was

443
00:21:19,480 --> 00:21:21,080
Speaker 1: Lopez and there was Zeke there.

444
00:21:21,119 --> 00:21:24,560
Speaker 4: I was yeah, golly, yeah wow. So do you know, actually,

445
00:21:24,600 --> 00:21:26,359
Speaker 4: this is a pretty fun story for how I first

446
00:21:26,600 --> 00:21:28,080
Speaker 4: heard of chaga's.

447
00:21:28,560 --> 00:21:30,680
Speaker 3: Oh I would love a story like that.

448
00:21:30,800 --> 00:21:31,159
Speaker 7: Perfect.

449
00:21:31,320 --> 00:21:33,720
Speaker 4: Yeah, I was on, I was on. I was doing

450
00:21:33,760 --> 00:21:38,960
Speaker 4: birthright in Kenya. Yeah, there's a blank version for birth right.

451
00:21:39,119 --> 00:21:42,040
Speaker 4: Many people don't know that. Oh yeah, yeah, we're African

452
00:21:42,400 --> 00:21:46,200
Speaker 4: warlords will send money to people in the United States

453
00:21:46,280 --> 00:21:48,520
Speaker 4: to have them come over and discover their roots. And

454
00:21:48,600 --> 00:21:51,480
Speaker 4: so I was in Kenya partying with a warlord kind

455
00:21:51,480 --> 00:21:54,040
Speaker 4: of explaining what was going on in my career.

456
00:21:54,160 --> 00:21:56,400
Speaker 7: I couldn't catch a break. And he was like, have

457
00:21:56,440 --> 00:21:59,560
Speaker 7: you tried choga mushroom? How have you tried it?

458
00:22:00,480 --> 00:22:02,639
Speaker 4: And I was like, no, way, to Tombay, I have

459
00:22:02,760 --> 00:22:05,440
Speaker 4: not tried the chalk as yet, what is it?

460
00:22:05,520 --> 00:22:10,520
Speaker 7: And he was like stepid Old, oh wow.

461
00:22:10,800 --> 00:22:13,720
Speaker 4: And I did and got a call from my agent

462
00:22:13,760 --> 00:22:16,200
Speaker 4: the next day. Recurring guest star.

463
00:22:16,840 --> 00:22:22,960
Speaker 3: Oh on the Mario Lopez that's really big. And Hey,

464
00:22:22,960 --> 00:22:25,879
Speaker 3: as you were lingering around watching that warlord conversation, I

465
00:22:25,920 --> 00:22:29,359
Speaker 3: was lingering in the vicinity. Yes, you were already for

466
00:22:29,480 --> 00:22:30,000
Speaker 3: something else.

467
00:22:30,040 --> 00:22:35,000
Speaker 1: I was also doing Blackbirth Right as sort of research, uh,

468
00:22:35,240 --> 00:22:36,280
Speaker 1: for for a role?

469
00:22:36,880 --> 00:22:40,480
Speaker 7: Yeah, as to tombak right, Yeah, what's the state of

470
00:22:40,480 --> 00:22:42,080
Speaker 7: that script? Currently?

471
00:22:42,840 --> 00:22:46,679
Speaker 2: It is winning awards the script.

472
00:22:46,760 --> 00:22:50,280
Speaker 1: They're skipping the movie cool and they are just gonna

473
00:22:50,320 --> 00:22:53,400
Speaker 1: do the script and they have decided that that is eligible.

474
00:22:52,960 --> 00:22:53,800
Speaker 2: For all the awards.

475
00:22:54,040 --> 00:22:54,760
Speaker 7: Yeah.

476
00:22:54,920 --> 00:22:59,840
Speaker 3: Wow, you know where I go to research role cinemon.

477
00:23:03,119 --> 00:23:05,639
Speaker 1: Talk about Mario? Can you can you talk about Mario

478
00:23:05,720 --> 00:23:06,240
Speaker 1: a little bit?

479
00:23:07,240 --> 00:23:07,440
Speaker 4: Yeah.

480
00:23:07,480 --> 00:23:09,000
Speaker 2: Yeah, does he let you like?

481
00:23:09,200 --> 00:23:09,840
Speaker 3: Is he nice?

482
00:23:09,960 --> 00:23:10,240
Speaker 7: God?

483
00:23:10,280 --> 00:23:12,720
Speaker 4: Mario, He's so funny. You know what most people don't

484
00:23:12,720 --> 00:23:17,920
Speaker 4: know about Mario. He sings all the time, funny songs,

485
00:23:17,920 --> 00:23:18,960
Speaker 4: such funny songs.

486
00:23:19,040 --> 00:23:19,240
Speaker 7: God.

487
00:23:19,280 --> 00:23:22,159
Speaker 4: I was over at Mario's house last night and he's like, oh,

488
00:23:22,320 --> 00:23:24,840
Speaker 4: seeky baby, what's going on? And I was like, nothing, madam,

489
00:23:24,880 --> 00:23:27,160
Speaker 4: a little down, you know, like things have been slow.

490
00:23:28,080 --> 00:23:30,639
Speaker 4: And he was like, let me sing you a song.

491
00:23:31,400 --> 00:23:33,119
Speaker 4: And I was like, Mario, I don't know. This is

492
00:23:33,160 --> 00:23:35,679
Speaker 4: a social setting. He also kind of has like low

493
00:23:36,160 --> 00:23:40,000
Speaker 4: fury and sweet frequency, frequent scy raves going on.

494
00:23:40,280 --> 00:23:44,480
Speaker 1: Yes, yeah, and he was like sleepy, sleepy raves, sleepy ripes.

495
00:23:44,640 --> 00:23:48,400
Speaker 4: Yeah. Let me ask you a question. What's your favorite condiment?

496
00:23:49,840 --> 00:23:52,000
Speaker 4: Is this Mario talking to you? Or is this Zeke

497
00:23:52,040 --> 00:23:53,600
Speaker 4: talking to me? In this case, you be me and

498
00:23:53,800 --> 00:23:55,400
Speaker 4: I'm Mario. What's your favorite condiment?

499
00:23:55,880 --> 00:23:58,359
Speaker 2: I'm being okay, so this is Mario talking to me.

500
00:23:58,480 --> 00:24:01,600
Speaker 7: I'll get into character. Is y why your favorite calm?

501
00:24:01,840 --> 00:24:05,040
Speaker 3: Yeah? Okay, okay, it's Mario and you besy and I've

502
00:24:05,040 --> 00:24:08,000
Speaker 3: got as you're okay okay?

503
00:24:09,800 --> 00:24:13,679
Speaker 2: Mustard mustard ooh the heath aw.

504
00:24:14,040 --> 00:24:18,040
Speaker 4: I like to spread the dijon, I got the hot

505
00:24:18,080 --> 00:24:22,360
Speaker 4: dog and I leave a bug, and I'm.

506
00:24:22,200 --> 00:24:22,399
Speaker 3: Just like.

507
00:24:24,359 --> 00:24:24,919
Speaker 2: Singing that.

508
00:24:25,320 --> 00:24:27,200
Speaker 7: He's singing this right off the top of him, Like.

509
00:24:27,200 --> 00:24:29,479
Speaker 3: Does it go with the bead of the rave that's happening,

510
00:24:29,480 --> 00:24:30,200
Speaker 3: But it sure does.

511
00:24:30,440 --> 00:24:34,520
Speaker 4: It's like, you know, when God creates man, he's not

512
00:24:34,560 --> 00:24:38,240
Speaker 4: supposed to have one vessel that contains all the talent,

513
00:24:38,440 --> 00:24:40,520
Speaker 4: you know, He's supposed to spread it around and in

514
00:24:40,640 --> 00:24:41,840
Speaker 4: a cluster of babies.

515
00:24:42,000 --> 00:24:44,680
Speaker 3: Yeah. God doesn't give with both hands, you know, because

516
00:24:44,720 --> 00:24:47,800
Speaker 3: you would think, Okay, Mario's funny and he can sing

517
00:24:47,840 --> 00:24:50,600
Speaker 3: that doesn't seem fair, and he's good looking, could jump high,

518
00:24:50,640 --> 00:24:54,080
Speaker 3: and he has chocolate mushroom yeah, and he bringing is

519
00:24:54,119 --> 00:24:57,000
Speaker 3: good at pipes. Yeah, And then you're going, wait a minute,

520
00:24:57,200 --> 00:24:59,879
Speaker 3: like is this guy really? Is this fair?

521
00:25:00,600 --> 00:25:01,560
Speaker 2: Is God taketh away?

522
00:25:01,880 --> 00:25:05,320
Speaker 3: God grew up? Yeah? Or what's going on? Does he

523
00:25:06,040 --> 00:25:07,960
Speaker 3: really hurt when you go to a bathroom? Or is

524
00:25:07,960 --> 00:25:11,520
Speaker 3: there something that we don't know about Mario the Like

525
00:25:11,520 --> 00:25:13,920
Speaker 3: maybe that's why he's good at pipes. Could be because

526
00:25:13,960 --> 00:25:15,320
Speaker 3: he broke toilet.

527
00:25:15,000 --> 00:25:16,360
Speaker 1: And Zeke, can I tell you that when I said

528
00:25:16,440 --> 00:25:19,920
Speaker 1: mustard before, it was actually trolling Brett and it did work.

529
00:25:20,040 --> 00:25:22,679
Speaker 1: Brett got trolled because Brett's whole thing is like on

530
00:25:22,760 --> 00:25:25,359
Speaker 1: other shows, he like part of his character is that

531
00:25:25,440 --> 00:25:28,159
Speaker 1: he like eats mustard or something. I don't really understand

532
00:25:28,200 --> 00:25:30,159
Speaker 1: what it is. I never but we don't let him

533
00:25:30,200 --> 00:25:31,080
Speaker 1: do that on this show.

534
00:25:31,280 --> 00:25:31,359
Speaker 3: Ye.

535
00:25:31,600 --> 00:25:34,040
Speaker 1: And so when I'm sitting here being like, oh, Mustard's

536
00:25:34,040 --> 00:25:36,240
Speaker 1: my favorite comment, even when I'm doing it as Zeke,

537
00:25:36,720 --> 00:25:38,920
Speaker 1: Brett's sitting here being like, oh, that's like my thing,

538
00:25:39,200 --> 00:25:41,600
Speaker 1: Like now I get to talk, but actually he does

539
00:25:41,640 --> 00:25:44,200
Speaker 1: it no room for him and Brett. Now you can talk,

540
00:25:44,240 --> 00:25:46,040
Speaker 1: but it has to not be about mustard?

541
00:25:46,880 --> 00:25:53,040
Speaker 6: Can it be about horse? Radish's getting saucy?

542
00:25:53,080 --> 00:25:57,919
Speaker 1: And that is so? And Zeke was trolling you and

543
00:25:58,000 --> 00:26:03,880
Speaker 1: it did work, and you got trolled. And so while

544
00:26:03,880 --> 00:26:06,600
Speaker 1: we've been sitting here, Brett's already been doing like almost

545
00:26:06,640 --> 00:26:09,359
Speaker 1: a whole season's worth of work. And so how would

546
00:26:09,400 --> 00:26:13,280
Speaker 1: you suggest, Zeke, when you like looking at Brett uh

547
00:26:13,320 --> 00:26:16,040
Speaker 1: and his body, like, how would you suggest that he

548
00:26:16,119 --> 00:26:20,199
Speaker 1: can translate like he can do less work and do

549
00:26:20,280 --> 00:26:21,360
Speaker 1: almost none.

550
00:26:21,240 --> 00:26:27,080
Speaker 3: And maximize because work sucks. I hate it. All I

551
00:26:27,119 --> 00:26:30,280
Speaker 3: want to be doing is floating all the time. I

552
00:26:30,440 --> 00:26:33,439
Speaker 3: just want to be in a float tank, floating and

553
00:26:33,520 --> 00:26:38,480
Speaker 3: alone and work. I have to be around everybody. They're

554
00:26:38,520 --> 00:26:42,960
Speaker 3: looking at me. I'm raking leaves, you know, if it's

555
00:26:43,000 --> 00:26:47,080
Speaker 3: the autumn season, yes, right, not if it's summer, winter

556
00:26:47,240 --> 00:26:51,200
Speaker 3: or the other one. So you know, for me or

557
00:26:51,320 --> 00:26:54,560
Speaker 3: for Brett, how do we stop and just only be

558
00:26:54,960 --> 00:26:55,679
Speaker 3: having a party.

559
00:26:55,800 --> 00:26:58,240
Speaker 1: Yeah, I will say for just for the leaf breaking

560
00:26:58,359 --> 00:27:01,800
Speaker 1: skill of minimizing the work. It only takes one second

561
00:27:01,880 --> 00:27:04,080
Speaker 1: to turn on the hose, and so you just put

562
00:27:04,080 --> 00:27:07,080
Speaker 1: the hose in the yard, turn it on. That's less

563
00:27:07,080 --> 00:27:10,120
Speaker 1: than a second of work, and then the leaves will

564
00:27:10,119 --> 00:27:11,120
Speaker 1: eventually float away.

565
00:27:11,440 --> 00:27:12,639
Speaker 4: I like to do a really fun thing where I

566
00:27:12,640 --> 00:27:15,440
Speaker 4: turn the hose on inside of my house, wait till

567
00:27:15,480 --> 00:27:17,560
Speaker 4: the house fills up, and then the water rushes out

568
00:27:17,560 --> 00:27:18,240
Speaker 4: the front door and.

569
00:27:18,320 --> 00:27:20,720
Speaker 1: All the leaves are gone. Yes, and then all the

570
00:27:20,760 --> 00:27:22,960
Speaker 1: water's gone in your house to all the.

571
00:27:23,160 --> 00:27:26,800
Speaker 4: Leaves are gone.

572
00:27:25,720 --> 00:27:27,160
Speaker 7: From the water in my house.

573
00:27:27,400 --> 00:27:29,800
Speaker 3: Mario, Now this is Mario.

574
00:27:30,080 --> 00:27:30,960
Speaker 7: Mario Golly.

575
00:27:31,119 --> 00:27:32,439
Speaker 4: I was like, what would Mario do if you were

576
00:27:32,440 --> 00:27:38,200
Speaker 4: here right now and Brett's over your Brett, don't take

577
00:27:38,240 --> 00:27:40,040
Speaker 4: credit for what is my one hour of work?

578
00:27:40,080 --> 00:27:40,359
Speaker 7: Okay?

579
00:27:41,840 --> 00:27:43,919
Speaker 1: Oh so this is your seat. You are doing this

580
00:27:43,960 --> 00:27:45,480
Speaker 1: podcast in your season.

581
00:27:45,480 --> 00:27:47,280
Speaker 4: This is this is, this is a couple of minutes

582
00:27:47,320 --> 00:27:50,560
Speaker 4: of I'm allocating the first chunk. I will be working

583
00:27:50,600 --> 00:27:53,320
Speaker 4: the second half. I would just be coasting. Okay, So

584
00:27:53,400 --> 00:27:56,439
Speaker 4: back to your question, Brett's bott is a disaster. We

585
00:27:56,480 --> 00:27:59,720
Speaker 4: can all agree, and so what he needs to do

586
00:27:59,840 --> 00:28:01,439
Speaker 4: is find community.

587
00:28:00,960 --> 00:28:02,840
Speaker 2: Right Like for me, you need to find a community,

588
00:28:02,880 --> 00:28:03,359
Speaker 2: needs to find a.

589
00:28:03,320 --> 00:28:04,000
Speaker 7: Community, right.

590
00:28:04,160 --> 00:28:05,800
Speaker 4: So, like, from what I understand, Brett, you have a

591
00:28:05,800 --> 00:28:07,960
Speaker 4: bunch of angry children that are knocking your mailbox down

592
00:28:07,960 --> 00:28:09,720
Speaker 4: because you give them dogshit candy every day.

593
00:28:10,760 --> 00:28:12,720
Speaker 2: That's not a community, Brett.

594
00:28:12,400 --> 00:28:13,520
Speaker 7: It's not a community. Bread.

595
00:28:13,560 --> 00:28:16,959
Speaker 4: You need to you need to give them something that

596
00:28:17,000 --> 00:28:19,560
Speaker 4: they need. What is it that those children need more

597
00:28:19,600 --> 00:28:20,240
Speaker 4: than anything?

598
00:28:22,760 --> 00:28:25,880
Speaker 6: Just larger candies? I guess that's.

599
00:28:25,760 --> 00:28:27,480
Speaker 7: Right, larger candies. Bread.

600
00:28:27,480 --> 00:28:32,960
Speaker 4: Okay, So once you find so like a no, think

601
00:28:33,080 --> 00:28:34,480
Speaker 4: larger even bigger?

602
00:28:35,160 --> 00:28:42,239
Speaker 1: Well yeah, don't say like not that big because some

603
00:28:42,320 --> 00:28:45,160
Speaker 1: of them are breaking breat.

604
00:28:44,920 --> 00:28:49,120
Speaker 6: Not like Charleston chewe. No, I get to eat the

605
00:28:49,200 --> 00:28:50,280
Speaker 6: Charleston shoe, right.

606
00:28:50,760 --> 00:28:54,160
Speaker 7: No, Brett, is my point not clear? Do you guys

607
00:28:54,200 --> 00:28:54,800
Speaker 7: understand Bread?

608
00:28:55,320 --> 00:28:57,720
Speaker 3: I mean, I mean I this is when I hate

609
00:28:57,760 --> 00:29:01,360
Speaker 3: being in the cut because Bread, I really needs help.

610
00:29:01,440 --> 00:29:03,320
Speaker 7: He needs you to squeak out and help him out.

611
00:29:03,400 --> 00:29:06,280
Speaker 3: He needs somebody to squeak out. But meanwhile, you know

612
00:29:06,400 --> 00:29:08,560
Speaker 3: you're squeaking back I squeaked back in.

613
00:29:08,880 --> 00:29:11,640
Speaker 7: Or you're fucking hips greased because you're sliding in.

614
00:29:12,200 --> 00:29:14,360
Speaker 2: Yeah, you're getting in and out very fast.

615
00:29:14,440 --> 00:29:17,959
Speaker 1: Though earlier it was it was a little bit more

616
00:29:17,960 --> 00:29:19,960
Speaker 1: of a negotiation to get you in and out.

617
00:29:19,760 --> 00:29:20,200
Speaker 2: Of the cut.

618
00:29:20,520 --> 00:29:24,160
Speaker 3: Yeah, it was more of an effort. And now it

619
00:29:24,360 --> 00:29:28,600
Speaker 3: just seems like the path has been worn pretty cleanly

620
00:29:28,840 --> 00:29:31,480
Speaker 3: so that I can just kind of slide in, not.

621
00:29:31,480 --> 00:29:33,000
Speaker 4: On like a pussy that's had a bunch of border.

622
00:29:33,000 --> 00:29:34,400
Speaker 4: Now me flung into.

623
00:29:35,240 --> 00:29:42,280
Speaker 3: Uh yeah, I'm so glad you brought that up. Part

624
00:29:42,320 --> 00:29:46,720
Speaker 3: of obviously, the work week is fucking I mean our work,

625
00:29:47,160 --> 00:29:52,240
Speaker 3: the work season is rather is fucking and.

626
00:29:55,120 --> 00:29:58,640
Speaker 7: It is it is god something. It really feels like that.

627
00:29:58,760 --> 00:30:04,320
Speaker 3: As somebody who's man married to a lot of sort

628
00:30:04,320 --> 00:30:15,320
Speaker 3: of soft sci fi, uh, light dramedy fans, I gotta

629
00:30:15,720 --> 00:30:18,520
Speaker 3: I gotta be able to deliver the milk a little.

630
00:30:18,360 --> 00:30:20,480
Speaker 7: Bit, some say, some might say that you're in the.

631
00:30:20,440 --> 00:30:29,240
Speaker 3: Weeds and and that is the softest sci fi. Yeah, uh,

632
00:30:29,360 --> 00:30:31,720
Speaker 3: and and I am I'm one of the people who

633
00:30:31,720 --> 00:30:32,719
Speaker 3: would say that people.

634
00:30:32,800 --> 00:30:35,400
Speaker 1: Yes, people don't realize this about we. Oh, I almost

635
00:30:35,400 --> 00:30:37,360
Speaker 1: forgot that this was gonna happen. Hike Kevin, I had

636
00:30:37,360 --> 00:30:38,960
Speaker 1: something really going good going.

637
00:30:38,800 --> 00:30:41,160
Speaker 3: Yeah, Kevin Hayzen finally found his stride.

638
00:30:42,800 --> 00:30:43,480
Speaker 2: Kevin sat down.

639
00:30:45,640 --> 00:30:52,960
Speaker 1: Mm hmm, Hi Kevin, you look different today?

640
00:30:54,480 --> 00:30:55,160
Speaker 6: Theah, there you go.

641
00:30:55,480 --> 00:30:56,840
Speaker 8: Thanks, sorry for interrupting.

642
00:30:58,800 --> 00:31:01,200
Speaker 3: How often do you wear a tie to work? And

643
00:31:01,200 --> 00:31:02,760
Speaker 3: how long has this been going on?

644
00:31:03,280 --> 00:31:05,400
Speaker 8: I wear a tie Monday through Friday and it's been

645
00:31:05,440 --> 00:31:08,040
Speaker 8: going on for like maybe three months.

646
00:31:08,360 --> 00:31:11,160
Speaker 3: So like, but how you look at this guy? Who

647
00:31:11,200 --> 00:31:11,440
Speaker 3: am I?

648
00:31:11,720 --> 00:31:14,760
Speaker 2: Who am I? Who are we seeing when we look

649
00:31:14,800 --> 00:31:16,680
Speaker 2: at him? I think we all go with the hit.

650
00:31:16,720 --> 00:31:17,200
Speaker 3: There is ed.

651
00:31:17,240 --> 00:31:22,920
Speaker 1: It's Dilbert. Absolutely, Dilbert has entered the studio. He's jumped

652
00:31:22,920 --> 00:31:25,480
Speaker 1: out of the newspaper and he has found his way

653
00:31:25,560 --> 00:31:26,360
Speaker 1: into the studio.

654
00:31:26,480 --> 00:31:28,240
Speaker 7: Right, My whole world is two dimensional.

655
00:31:28,520 --> 00:31:31,760
Speaker 1: But this is a groundhog who's in his cubicle and

656
00:31:32,080 --> 00:31:33,440
Speaker 1: work sucks, and he's like.

657
00:31:33,400 --> 00:31:34,560
Speaker 2: No, work is actually great.

658
00:31:34,640 --> 00:31:37,680
Speaker 1: So what would you do to get Like Kevin's job

659
00:31:39,000 --> 00:31:42,920
Speaker 1: is to come in here and take four pictures and

660
00:31:43,040 --> 00:31:47,360
Speaker 1: walk back outside and then stand outside until the next

661
00:31:48,080 --> 00:31:51,200
Speaker 1: people come in, I guess, I mean, there's nothing else

662
00:31:51,200 --> 00:31:53,080
Speaker 1: for him to do here, right, he made.

663
00:31:52,960 --> 00:31:58,240
Speaker 3: A slide show. You noticed Kevin made a slide show,

664
00:31:58,280 --> 00:32:02,880
Speaker 3: and and I hate to sort of get out of

665
00:32:02,920 --> 00:32:05,120
Speaker 3: the cut and stuff on your toes in any way, heyes,

666
00:32:05,600 --> 00:32:12,000
Speaker 3: But to say that all he did yeap room center,

667
00:32:12,280 --> 00:32:17,520
Speaker 3: all yep, zoom, and to say that all he does

668
00:32:17,560 --> 00:32:20,200
Speaker 3: is stand there is to ignore the fact that once

669
00:32:20,240 --> 00:32:21,360
Speaker 3: he made a slide show.

670
00:32:21,280 --> 00:32:23,440
Speaker 1: Like six months ago, and I noticed the slide show

671
00:32:23,480 --> 00:32:26,960
Speaker 1: is being displayed on like an entire computer in the

672
00:32:26,960 --> 00:32:30,040
Speaker 1: middle of the there's like a computer that's dedicated to

673
00:32:30,160 --> 00:32:32,720
Speaker 1: just playing the slide show. And I think they have

674
00:32:32,880 --> 00:32:35,320
Speaker 1: these like little frames that will do that, and then

675
00:32:35,880 --> 00:32:39,560
Speaker 1: the computer could be used for for something else. It

676
00:32:39,640 --> 00:32:41,600
Speaker 1: could go to like a smart little kid.

677
00:32:41,560 --> 00:32:45,440
Speaker 3: But then I wouldn't well but imagine that. So that happens.

678
00:32:45,600 --> 00:32:49,360
Speaker 3: And then I walk in and I don't know was

679
00:32:49,360 --> 00:32:51,760
Speaker 3: how Rennick on Squad Brothers once or you know what

680
00:32:51,800 --> 00:32:56,200
Speaker 3: I mean, Like, I'm not getting this kind of information visually,

681
00:32:57,120 --> 00:32:59,080
Speaker 3: and I'm and I'm a little I'm lost.

682
00:32:59,280 --> 00:33:01,280
Speaker 1: Yeah, And then when it comes up at a party

683
00:33:01,320 --> 00:33:03,240
Speaker 1: with people are like talking about weather.

684
00:33:03,240 --> 00:33:05,840
Speaker 2: How Roddick. What's on Scarborough Country?

685
00:33:06,880 --> 00:33:09,800
Speaker 1: Like the way it is now you can say I

686
00:33:09,840 --> 00:33:14,560
Speaker 1: saw this slide show, but otherwise you know you're you're lost.

687
00:33:15,280 --> 00:33:18,280
Speaker 3: Yeah, and the and the party and I gets over

688
00:33:18,480 --> 00:33:21,400
Speaker 3: kicked out a party and the yeah, and the party ends.

689
00:33:22,720 --> 00:33:23,680
Speaker 2: They three in the pool.

690
00:33:24,680 --> 00:33:27,920
Speaker 3: Oh yeah, and the pool's empty and.

691
00:33:27,360 --> 00:33:29,200
Speaker 1: Then it drains out of the window and it takes

692
00:33:29,200 --> 00:33:31,920
Speaker 1: all the leaves away because it's it's a Zeke's house, right.

693
00:33:33,920 --> 00:33:37,080
Speaker 3: Uh Zeke. Talk a little bit about Kevin.

694
00:33:37,560 --> 00:33:39,200
Speaker 7: Just about Kevin in general.

695
00:33:40,120 --> 00:33:42,960
Speaker 1: Yeah, well, Kevin Bird, I guess is what in the

696
00:33:42,960 --> 00:33:46,000
Speaker 1: nomenclature of the strip would be his name, Kevi Bert,

697
00:33:46,080 --> 00:33:46,560
Speaker 1: keV Bert.

698
00:33:46,680 --> 00:33:48,680
Speaker 4: Okay, I was going to talk about Kevin James, but

699
00:33:48,880 --> 00:33:50,080
Speaker 4: I can do Kevin.

700
00:33:50,200 --> 00:33:50,920
Speaker 2: Kevin can wait?

701
00:33:51,080 --> 00:33:55,880
Speaker 3: We need to talk about Kevin.

702
00:33:56,040 --> 00:33:59,520
Speaker 2: I would have really worked in the opposite direction, Brett please.

703
00:33:59,240 --> 00:34:01,120
Speaker 7: Do that that? What is that?

704
00:34:01,160 --> 00:34:01,880
Speaker 6: What do you mean by that?

705
00:34:01,920 --> 00:34:02,360
Speaker 3: Flipp it?

706
00:34:02,440 --> 00:34:05,160
Speaker 1: If he had said we need to talk about Kevin,

707
00:34:05,280 --> 00:34:09,520
Speaker 1: then my response of Kevin can wait, Oh, so Joyce, is.

708
00:34:09,520 --> 00:34:12,080
Speaker 3: It worth it? Let me work get you could take

709
00:34:12,120 --> 00:34:15,440
Speaker 3: guard jokes and reverse Mario would have said that, yeah.

710
00:34:15,200 --> 00:34:15,840
Speaker 7: You sure would have.

711
00:34:16,320 --> 00:34:23,600
Speaker 1: It's your flippan Kevin, so and so yes, so you

712
00:34:23,600 --> 00:34:24,359
Speaker 1: were talking about Kevin.

713
00:34:24,520 --> 00:34:28,279
Speaker 4: Yeah, so from what I understand, so so dating life

714
00:34:28,280 --> 00:34:31,359
Speaker 4: pretty active, right, Kevin, it seems because here's the thing

715
00:34:31,360 --> 00:34:35,920
Speaker 4: that you guys might not know. Women are drawn to

716
00:34:36,040 --> 00:34:41,040
Speaker 4: PowerPoint presentations like a bat signal in the sky, like

717
00:34:41,080 --> 00:34:44,160
Speaker 4: a bat signal in l CLO.

718
00:34:44,560 --> 00:34:48,040
Speaker 2: Like Batman is drawn to a bat thing, right woman.

719
00:34:48,360 --> 00:34:52,080
Speaker 1: No, yes, and he saw this is an aspect of

720
00:34:52,120 --> 00:34:53,480
Speaker 1: Batman that I hadn't appreciated.

721
00:34:53,560 --> 00:34:57,319
Speaker 2: So he's like kind of for the badat right.

722
00:34:57,440 --> 00:35:03,000
Speaker 4: Yeah, he is looking to be satisfied by the signal.

723
00:35:02,719 --> 00:35:05,000
Speaker 1: And then once he's out there, he's like, Okay, might

724
00:35:05,040 --> 00:35:06,640
Speaker 1: as well be the bad guy.

725
00:35:08,000 --> 00:35:10,319
Speaker 4: Batman might as well be the bad guy exactly. So

726
00:35:10,640 --> 00:35:13,120
Speaker 4: I think, Kevin, you're doing all the right things. Okay,

727
00:35:13,239 --> 00:35:18,440
Speaker 4: I think keep up. Make the power prom presentation bigger, harder, faster, stronger.

728
00:35:18,480 --> 00:35:21,680
Speaker 4: Maybe think about diversifying your pictures of how rudnik you know,

729
00:35:22,440 --> 00:35:25,320
Speaker 4: find beat shots find.

730
00:35:25,320 --> 00:35:26,680
Speaker 2: So this is interesting.

731
00:35:26,680 --> 00:35:30,080
Speaker 1: So right now it is just a slide show, but

732
00:35:30,200 --> 00:35:33,600
Speaker 1: it could be more of a power point presentation, right,

733
00:35:34,120 --> 00:35:36,239
Speaker 1: this would be great. You wouldn't change that slide show

734
00:35:36,280 --> 00:35:39,200
Speaker 1: out there, and it's how Rodneck on Squar Brothers. But

735
00:35:39,320 --> 00:35:41,960
Speaker 1: it's also like some funny some bullets of some funny

736
00:35:42,040 --> 00:35:43,000
Speaker 1: jokes that he did.

737
00:35:43,040 --> 00:35:45,279
Speaker 7: Right, I remember this one joke told can I just

738
00:35:45,280 --> 00:35:46,960
Speaker 7: tell it? Yes?

739
00:35:47,239 --> 00:35:50,200
Speaker 4: So he said, you know, when you draw with a sharpie,

740
00:35:51,719 --> 00:35:53,800
Speaker 4: why is it so? Why is the point so tight?

741
00:35:57,360 --> 00:35:59,280
Speaker 3: No?

742
00:35:59,280 --> 00:36:00,440
Speaker 1: No, I know?

743
00:36:00,600 --> 00:36:04,359
Speaker 3: I yeah, yeah, do you mind if I tell that?

744
00:36:04,640 --> 00:36:05,000
Speaker 7: Please?

745
00:36:05,560 --> 00:36:09,719
Speaker 3: Yeah? You know when you draw with a sharpie, why

746
00:36:09,800 --> 00:36:09,920
Speaker 3: is it?

747
00:36:12,239 --> 00:36:12,440
Speaker 7: You know?

748
00:36:12,560 --> 00:36:13,399
Speaker 3: And you know the rest?

749
00:36:14,320 --> 00:36:14,800
Speaker 7: Yeah?

750
00:36:14,880 --> 00:36:20,400
Speaker 4: Yeah, so yeah, yeah, yeah yeah, Kevin, how do you

751
00:36:20,480 --> 00:36:25,120
Speaker 4: how are your how's your graphing skills?

752
00:36:25,120 --> 00:36:27,320
Speaker 7: How are your graphs? There?

753
00:36:27,680 --> 00:36:29,600
Speaker 2: There? They work? They work?

754
00:36:29,719 --> 00:36:29,959
Speaker 3: Good?

755
00:36:30,000 --> 00:36:30,600
Speaker 7: Good? Good good?

756
00:36:30,680 --> 00:36:32,120
Speaker 4: If I let me, I'm gonna give you three things

757
00:36:32,120 --> 00:36:35,720
Speaker 4: I need you to graph them. Okay, great? A wood table,

758
00:36:36,719 --> 00:36:39,440
Speaker 4: George Washington and.

759
00:36:39,120 --> 00:36:41,840
Speaker 7: The cut and the cut? Yeah, the cut. How do

760
00:36:41,880 --> 00:36:43,880
Speaker 7: you order those three things.

761
00:36:45,840 --> 00:36:46,879
Speaker 3: And do part after?

762
00:36:47,080 --> 00:36:47,279
Speaker 7: Yeah?

763
00:36:48,400 --> 00:36:52,480
Speaker 8: George Washington is the Y access.

764
00:36:51,160 --> 00:36:54,120
Speaker 7: The why access good?

765
00:36:54,160 --> 00:36:57,000
Speaker 1: Good, keep going, and the cut is and Brett's learning too,

766
00:36:57,040 --> 00:36:57,560
Speaker 1: which is good.

767
00:36:57,560 --> 00:36:59,240
Speaker 2: Thank you for being a gage Brett.

768
00:36:59,800 --> 00:37:02,680
Speaker 8: The is the X access and the table.

769
00:37:03,040 --> 00:37:08,160
Speaker 7: Is the Hollywood access. Yes, the good he knows.

770
00:37:08,280 --> 00:37:13,320
Speaker 4: Look, despite the Gilbert experience was what that's called he's.

771
00:37:12,760 --> 00:37:13,319
Speaker 7: Ready to go.

772
00:37:15,400 --> 00:37:18,040
Speaker 1: Yeah, that could be just another good thing to have

773
00:37:18,120 --> 00:37:19,920
Speaker 1: on the on the power point.

774
00:37:19,719 --> 00:37:22,200
Speaker 6: Do you want me to reverse the access Hollywood? You get,

775
00:37:22,280 --> 00:37:23,120
Speaker 6: say access.

776
00:37:22,800 --> 00:37:24,319
Speaker 7: Hollywood, flip it down and reverse it.

777
00:37:24,400 --> 00:37:29,040
Speaker 3: Okay, please, that's gonna be really good. When we finished

778
00:37:29,120 --> 00:37:33,560
Speaker 3: editing this episode, we're gonna be a couple of real smart,

779
00:37:33,600 --> 00:37:36,920
Speaker 3: funny guys because we have been all around it. I

780
00:37:36,960 --> 00:37:40,239
Speaker 3: gotta say. I mean, sometimes you do an episode and

781
00:37:40,280 --> 00:37:46,000
Speaker 3: you're missing and that's today. But we're just missing, and

782
00:37:46,120 --> 00:37:49,080
Speaker 3: that to me is its own kind of strength.

783
00:37:49,320 --> 00:37:49,560
Speaker 7: God.

784
00:37:51,120 --> 00:37:53,880
Speaker 1: Yeah, did you just take a picture under the table?

785
00:37:56,640 --> 00:37:58,000
Speaker 1: Did every did everyone hear that?

786
00:37:58,560 --> 00:38:00,640
Speaker 8: I was getting it ready, warming it up?

787
00:38:00,880 --> 00:38:01,959
Speaker 7: That's good, that's good.

788
00:38:02,200 --> 00:38:04,799
Speaker 2: Did you just take an upskirt? No, let me see

789
00:38:04,800 --> 00:38:06,440
Speaker 2: that camera? Who did you upskirt?

790
00:38:07,040 --> 00:38:08,160
Speaker 8: I just turned the screen on.

791
00:38:09,200 --> 00:38:09,840
Speaker 2: Did you hear it?

792
00:38:10,480 --> 00:38:12,760
Speaker 3: Yes? Yes, it makes a noise.

793
00:38:13,560 --> 00:38:16,319
Speaker 2: Let me see if it's me, don't show him it

794
00:38:16,480 --> 00:38:17,000
Speaker 2: is Brett.

795
00:38:17,320 --> 00:38:23,320
Speaker 6: Goddamn Kevin. What did we talk about?

796
00:38:23,360 --> 00:38:25,439
Speaker 2: Man, he's been upskirting you?

797
00:38:25,560 --> 00:38:31,560
Speaker 6: Yes, creep shot and then he posted on this place.

798
00:38:33,200 --> 00:38:37,440
Speaker 3: Yes, oh no, and then there's a power point about it.

799
00:38:38,600 --> 00:38:41,080
Speaker 4: But in his defense, Brett, you've got to stomp wearing

800
00:38:41,160 --> 00:38:41,920
Speaker 4: cargo shorts.

801
00:38:42,040 --> 00:38:43,080
Speaker 7: You are.

802
00:38:44,160 --> 00:38:49,760
Speaker 3: You are asking for it, Brett, Brett.

803
00:38:50,280 --> 00:38:51,479
Speaker 2: It is blown out.

804
00:38:51,640 --> 00:38:52,959
Speaker 3: It's not worn out.

805
00:38:53,080 --> 00:38:56,520
Speaker 1: It's like freid of, just like something hinge that something

806
00:38:56,560 --> 00:38:57,680
Speaker 1: has exploded.

807
00:38:58,640 --> 00:39:01,080
Speaker 3: It singe around the edge like there was a freaking

808
00:39:01,320 --> 00:39:02,520
Speaker 3: firecracker in there.

809
00:39:02,480 --> 00:39:06,080
Speaker 4: Or something looks like a human, like the when an

810
00:39:06,080 --> 00:39:07,359
Speaker 4: alien has come out of it.

811
00:39:07,440 --> 00:39:10,320
Speaker 7: The fringes are just dingling in the wind.

812
00:39:10,360 --> 00:39:12,440
Speaker 1: To me, it looks like you went to a batting cage,

813
00:39:13,120 --> 00:39:16,799
Speaker 1: set your cargo shorts up on like a clo on

814
00:39:16,840 --> 00:39:20,000
Speaker 1: a tight clothesline, set a baseball on fire, and put

815
00:39:20,040 --> 00:39:20,399
Speaker 1: in the.

816
00:39:20,320 --> 00:39:23,440
Speaker 2: Pitching machine at a million miles an hour.

817
00:39:23,320 --> 00:39:27,000
Speaker 1: And blew it through the cargo shorts. That's what it

818
00:39:27,040 --> 00:39:29,279
Speaker 1: seems like to me. What is the real story? How

819
00:39:29,280 --> 00:39:30,320
Speaker 1: did you do that?

820
00:39:30,400 --> 00:39:33,600
Speaker 3: What happened that made you have to expose your crutch

821
00:39:33,640 --> 00:39:35,240
Speaker 3: to me all the time through your shorts?

822
00:39:36,560 --> 00:39:40,080
Speaker 6: I like the breeze, no, but I want to.

823
00:39:40,760 --> 00:39:42,480
Speaker 2: I don't know why you do it.

824
00:39:42,960 --> 00:39:46,240
Speaker 3: So about the process of distressing. And that's a gentle

825
00:39:46,280 --> 00:39:48,959
Speaker 3: way to say it. Your cargo shorts and the way

826
00:39:49,000 --> 00:39:50,360
Speaker 3: that I see them right now.

827
00:39:51,960 --> 00:39:53,960
Speaker 2: Yeah, I and no mustard stuff.

828
00:39:54,520 --> 00:39:58,279
Speaker 6: Oh well you want the real story. You're gonna have

829
00:39:58,320 --> 00:39:59,520
Speaker 6: to get a mustard and.

830
00:39:59,600 --> 00:40:03,040
Speaker 3: You use hop mustard, yeah, to burn through.

831
00:40:03,719 --> 00:40:08,040
Speaker 6: Don't say that, Keda, Sorry. Yeah, you want just like

832
00:40:08,080 --> 00:40:10,920
Speaker 6: a real nice hot like the Philip's mustard.

833
00:40:11,360 --> 00:40:11,680
Speaker 7: Yeah.

834
00:40:11,760 --> 00:40:14,600
Speaker 6: You submerge the shorts in there, you run over with

835
00:40:14,680 --> 00:40:18,560
Speaker 6: the car. You put some like Catcher's mitt kind of

836
00:40:18,600 --> 00:40:19,439
Speaker 6: oil on them.

837
00:40:19,600 --> 00:40:22,920
Speaker 3: Sure, kevi Bert, talk to me about corporate bureaucracy and

838
00:40:23,680 --> 00:40:26,719
Speaker 3: how some of the inefficient ways that these meetings are

839
00:40:26,760 --> 00:40:27,560
Speaker 3: run these days.

840
00:40:28,760 --> 00:40:31,719
Speaker 8: They're too slow, they go on too long, and they

841
00:40:31,719 --> 00:40:34,799
Speaker 8: could be way more efficient if we just brought some

842
00:40:34,800 --> 00:40:37,520
Speaker 8: PowerPoint presentations and grafts to all these meetings.

843
00:40:38,520 --> 00:40:40,600
Speaker 3: And I bet some of it, some of what's going

844
00:40:40,640 --> 00:40:44,239
Speaker 3: on in there is more about, you know, telling your

845
00:40:44,320 --> 00:40:47,239
Speaker 3: boss that all the smart stuff is his idea, kind

846
00:40:47,239 --> 00:40:48,760
Speaker 3: of satisfied.

847
00:40:48,200 --> 00:40:48,640
Speaker 7: As he go.

848
00:40:49,120 --> 00:40:50,280
Speaker 8: It's feeding the ego.

849
00:40:50,560 --> 00:40:53,480
Speaker 3: Yeah, and then it's not so much about just getting

850
00:40:53,520 --> 00:40:56,239
Speaker 3: the work done, is it, keV Bert, No.

851
00:40:56,280 --> 00:40:59,719
Speaker 2: It's not. And tell me, okay, so here's about Alice.

852
00:41:00,160 --> 00:41:02,600
Speaker 1: Yeah, she you're in trouble if you tell her that

853
00:41:02,640 --> 00:41:05,719
Speaker 1: she looks that your dress looks nice right now, now

854
00:41:05,760 --> 00:41:08,360
Speaker 1: you're being a misogynist. So then I say, Okay, I

855
00:41:08,480 --> 00:41:11,320
Speaker 1: was lying. Your dress looks terrible, and now I'm an even.

856
00:41:11,200 --> 00:41:11,800
Speaker 2: More drunk on.

857
00:41:11,920 --> 00:41:15,920
Speaker 3: Now you're a real a hole and so right, and

858
00:41:15,960 --> 00:41:18,200
Speaker 3: so I can't wait what to do that. The solution

859
00:41:18,320 --> 00:41:21,080
Speaker 3: does to squeak back into the cut. Oh yeah, yeah,

860
00:41:21,120 --> 00:41:25,560
Speaker 3: and literally not talk about her dress or body. And

861
00:41:26,440 --> 00:41:30,839
Speaker 3: Zeke did that. So that's the sound of squeaking back

862
00:41:30,880 --> 00:41:33,040
Speaker 3: in where you're not talking about her dresser body when

863
00:41:33,080 --> 00:41:35,200
Speaker 3: it's like, well, why I don't mind if she talk

864
00:41:35,239 --> 00:41:39,120
Speaker 3: about my body? Yeah, sure, I'm talking about Zeke's over here,

865
00:41:39,200 --> 00:41:43,719
Speaker 3: and the stuff he's clenching is working for me, you know.

866
00:41:44,320 --> 00:41:50,600
Speaker 3: To me, it looks like this guy is really able

867
00:41:50,680 --> 00:41:53,600
Speaker 3: to do sex at a very high level, high.

868
00:41:53,480 --> 00:41:55,840
Speaker 7: Level, high high bpm, high rpm.

869
00:41:56,520 --> 00:42:01,960
Speaker 4: It has the bpm side. Yeah, high squeaks per minute. Okay,

870
00:42:02,120 --> 00:42:07,560
Speaker 4: m squeak, squeepy squeep is your initials.

871
00:42:07,680 --> 00:42:09,560
Speaker 3: Now he's going back to BPF.

872
00:42:09,719 --> 00:42:11,920
Speaker 2: It just took him a little while.

873
00:42:16,000 --> 00:42:16,400
Speaker 3: Earlier.

874
00:42:17,040 --> 00:42:18,600
Speaker 2: You might as well get too.

875
00:42:18,880 --> 00:42:23,920
Speaker 3: Should we should I start saying something like, should we

876
00:42:24,000 --> 00:42:26,520
Speaker 3: just say some things that maybe could get stuck into

877
00:42:26,560 --> 00:42:28,759
Speaker 3: the episode later as long as Brett's gonna make a

878
00:42:28,760 --> 00:42:29,919
Speaker 3: big project out of this.

879
00:42:30,360 --> 00:42:34,520
Speaker 1: Right, any like callback to other stuff seems like the

880
00:42:34,600 --> 00:42:35,600
Speaker 1: Kevin Jabe stuff.

881
00:42:36,320 --> 00:42:39,640
Speaker 2: You could have had more room start saying some things.

882
00:42:40,680 --> 00:42:52,360
Speaker 3: Uh all right, uh uh chaga arunga, oh yeah, chung something. Yeah,

883
00:42:52,400 --> 00:42:54,479
Speaker 3: but like yeah, well no, that was what we were saying.

884
00:42:54,480 --> 00:42:58,200
Speaker 3: We said that there's like a funny twist on that. Yeah,

885
00:42:57,880 --> 00:43:03,520
Speaker 3: Shogo womba maybe something so much beer, I gotta just

886
00:43:03,920 --> 00:43:11,480
Speaker 3: chog it all, okay, Yeah, Ziggy be like yeah the Fox,

887
00:43:11,920 --> 00:43:14,760
Speaker 3: the Fox, Yeah it's dead. And then.

888
00:43:16,760 --> 00:43:20,319
Speaker 4: You guys like Marco Polo the Explorer, did you guys

889
00:43:20,320 --> 00:43:20,600
Speaker 4: see that?

890
00:43:20,640 --> 00:43:21,319
Speaker 3: And we use that?

891
00:43:21,719 --> 00:43:26,520
Speaker 1: Okay, did you guys see that sad episode of The Manchow?

892
00:43:26,600 --> 00:43:29,120
Speaker 2: The other people were setting me these clips.

893
00:43:30,920 --> 00:43:33,200
Speaker 1: Of the Man Show where he like it gets very

894
00:43:33,200 --> 00:43:36,560
Speaker 1: political in a way that is not my experience.

895
00:43:35,960 --> 00:43:36,960
Speaker 7: Of the show.

896
00:43:37,440 --> 00:43:44,040
Speaker 3: Uh yeah. I was also surprised that the Manchow because

897
00:43:44,080 --> 00:43:46,600
Speaker 3: one thing is where are the juggies and all this.

898
00:43:46,920 --> 00:43:51,000
Speaker 1: Yes, there are no juggies in this clip. That's all

899
00:43:51,080 --> 00:43:52,319
Speaker 1: healthcare stuff.

900
00:43:54,239 --> 00:43:56,440
Speaker 3: Even just a reference to like any you know, you

901
00:43:56,480 --> 00:43:58,800
Speaker 3: can also get medical care if you get injured jumping

902
00:43:58,800 --> 00:44:03,120
Speaker 3: on a trampoline and then show me something. Because The

903
00:44:03,120 --> 00:44:04,840
Speaker 3: Man Show has gotten weird.

904
00:44:06,560 --> 00:44:09,360
Speaker 1: I hadn't checked in with it for a while, but

905
00:44:09,480 --> 00:44:11,400
Speaker 1: then they benched Corolla.

906
00:44:11,960 --> 00:44:13,920
Speaker 7: They fined him.

907
00:44:13,960 --> 00:44:16,959
Speaker 4: He's not getting any any pt, He's getting no burn.

908
00:44:17,040 --> 00:44:20,440
Speaker 4: It's like cut off the pine, you know what I mean? Y, Yeah.

909
00:44:20,120 --> 00:44:24,160
Speaker 3: Corolla was conspicuously absent from the latest episode of The

910
00:44:24,200 --> 00:44:28,919
Speaker 3: Man Show. And I'm starting to wonder, Okay, is he

911
00:44:29,040 --> 00:44:31,799
Speaker 3: squeaking back into the cup? Is he squeaking back into

912
00:44:31,880 --> 00:44:32,200
Speaker 3: the cut?

913
00:44:32,239 --> 00:44:33,600
Speaker 7: And what's he working on in there?

914
00:44:34,200 --> 00:44:34,640
Speaker 1: Mm hmm?

915
00:44:34,800 --> 00:44:38,240
Speaker 4: You know they what what? What could the sketch packet?

916
00:44:38,920 --> 00:44:41,759
Speaker 4: He could be working on his sketch spec pilot? Is

917
00:44:41,800 --> 00:44:43,560
Speaker 4: he doing his spec pilot?

918
00:44:43,640 --> 00:44:48,319
Speaker 3: And is it proprietary material developed while he was under

919
00:44:48,320 --> 00:44:51,480
Speaker 3: contract with The Man Show that he's now trying to

920
00:44:51,640 --> 00:44:54,400
Speaker 3: sell as his own individual If you remember when Ricky

921
00:44:54,440 --> 00:44:57,040
Speaker 3: and Ronnie tried to do peripheral Vision Man as a

922
00:44:57,040 --> 00:45:03,160
Speaker 3: sit cop. I never felt so betrayed by anything in

923
00:45:03,200 --> 00:45:06,719
Speaker 3: my life. I thought we were a family for.

924
00:45:06,800 --> 00:45:10,719
Speaker 1: People who don't know what that is, that we might

925
00:45:10,800 --> 00:45:12,640
Speaker 1: just help it. Because I see Kevin just being like,

926
00:45:12,760 --> 00:45:13,520
Speaker 1: what is that?

927
00:45:13,719 --> 00:45:14,400
Speaker 2: Uh huh?

928
00:45:14,440 --> 00:45:19,120
Speaker 1: And right, Kevin, he was at work basically when all

929
00:45:19,160 --> 00:45:20,640
Speaker 1: that was going on, And I know what.

930
00:45:20,560 --> 00:45:22,879
Speaker 2: It is because you don't have to work, yes, yes,

931
00:45:23,120 --> 00:45:24,200
Speaker 2: but yeah.

932
00:45:24,160 --> 00:45:25,040
Speaker 7: Peripheral vision.

933
00:45:25,080 --> 00:45:27,680
Speaker 4: If it was, it was sort of like a comedic

934
00:45:27,840 --> 00:45:32,120
Speaker 4: take on on vehicular man slaughts on vision.

935
00:45:32,520 --> 00:45:35,760
Speaker 3: Yeah, oh yes, yes, that's more accurate.

936
00:45:35,840 --> 00:45:38,080
Speaker 7: It was a guy. It was a guy Storm.

937
00:45:38,440 --> 00:45:42,080
Speaker 4: His first name was Storm Stormbocker and yes, yeah, and

938
00:45:42,239 --> 00:45:46,920
Speaker 4: Storm would get in his Chevrolet Cutlass and he would

939
00:45:47,120 --> 00:45:53,640
Speaker 4: fly down Brooklyn Boulevard and just.

940
00:45:52,200 --> 00:45:53,680
Speaker 7: Just mow him down.

941
00:45:53,960 --> 00:45:56,640
Speaker 4: And it was like a point system where every episode

942
00:45:56,640 --> 00:45:59,880
Speaker 4: he would accrue points for the more mansletters he committed.

943
00:46:00,280 --> 00:46:03,040
Speaker 3: And it was an interesting loophole they found where usually

944
00:46:03,080 --> 00:46:07,160
Speaker 3: you can't use a known car brand for a manslaughter scene,

945
00:46:07,200 --> 00:46:11,640
Speaker 3: but they took the name Chevy and then the Oldsmobile Cutlass,

946
00:46:12,640 --> 00:46:15,640
Speaker 3: and they did kind of a mash up that allowed

947
00:46:15,680 --> 00:46:18,919
Speaker 3: them to use these car companies names because nobody could

948
00:46:18,920 --> 00:46:19,880
Speaker 3: really doesn't exist.

949
00:46:20,000 --> 00:46:21,880
Speaker 7: Can I tell you guys something that show made me

950
00:46:21,920 --> 00:46:22,880
Speaker 7: want to become an actor.

951
00:46:23,800 --> 00:46:26,319
Speaker 3: Yeah, that's what first made me want to go to

952
00:46:26,400 --> 00:46:27,480
Speaker 3: a black birth right.

953
00:46:27,640 --> 00:46:29,480
Speaker 6: Squeak into the cutlass.

954
00:46:29,239 --> 00:46:31,960
Speaker 1: And I yes, I think a lot of us were

955
00:46:32,000 --> 00:46:37,920
Speaker 1: trying to figure out a way to do that, and

956
00:46:38,000 --> 00:46:39,719
Speaker 1: the Priff revision plays into it.

957
00:46:39,760 --> 00:46:41,520
Speaker 2: And what he's like looking. He's like, look, it.

958
00:46:41,520 --> 00:46:45,240
Speaker 1: Doesn't looking to the side that he drives, and normally

959
00:46:45,280 --> 00:46:47,200
Speaker 1: that would be okay to do if you had really

960
00:46:47,239 --> 00:46:48,240
Speaker 1: good priff revision.

961
00:46:48,400 --> 00:46:49,920
Speaker 7: He's like a horse with blinders.

962
00:46:50,040 --> 00:46:51,800
Speaker 4: It's one of those things where they named the show

963
00:46:51,840 --> 00:46:54,120
Speaker 4: after what is the character's primary flaw?

964
00:46:54,280 --> 00:46:54,719
Speaker 7: Uh huh?

965
00:46:54,760 --> 00:46:56,839
Speaker 3: Yeah, it's like, how of the flashes about this guy

966
00:46:56,960 --> 00:47:00,279
Speaker 3: keeps his clothes on the whole show apparently as I

967
00:47:00,320 --> 00:47:06,960
Speaker 3: watch every episode and it hasn't happened yet. Frustrating.

968
00:47:07,280 --> 00:47:11,319
Speaker 4: Yeah, that is exactly right. Wow, Yeah, but it's got

969
00:47:11,680 --> 00:47:12,439
Speaker 4: gone too soon?

970
00:47:12,600 --> 00:47:13,080
Speaker 3: Huh.

971
00:47:13,160 --> 00:47:16,400
Speaker 4: I mean it's like, what was it not enough network sponsors?

972
00:47:16,440 --> 00:47:16,600
Speaker 5: Why?

973
00:47:16,840 --> 00:47:19,320
Speaker 4: How's the show like that getting canceled after four seasons?

974
00:47:19,440 --> 00:47:21,000
Speaker 4: But poogar Aruga is still in the air, you know

975
00:47:21,040 --> 00:47:21,399
Speaker 4: what I mean?

976
00:47:21,960 --> 00:47:24,120
Speaker 3: Yeah, can we all talk about how mad we are

977
00:47:24,160 --> 00:47:30,680
Speaker 3: at Poogaruga and just without risk of you know, repercussions from.

978
00:47:30,560 --> 00:47:32,239
Speaker 7: Uh they had me in a holding deal and let

979
00:47:32,320 --> 00:47:32,760
Speaker 7: me go.

980
00:47:32,719 --> 00:47:35,200
Speaker 1: So the way, Yes, it's the way people talk about it.

981
00:47:35,200 --> 00:47:37,839
Speaker 1: It's like they're scared to like you have to say

982
00:47:37,840 --> 00:47:38,319
Speaker 1: it's good.

983
00:47:38,440 --> 00:47:41,040
Speaker 7: What are they the Hollywood mob? You know, no, they

984
00:47:41,080 --> 00:47:41,680
Speaker 7: don't they don't.

985
00:47:42,600 --> 00:47:44,080
Speaker 2: It's not a good shot.

986
00:47:44,200 --> 00:47:46,640
Speaker 3: And I'm not saying you shouldn't enjoy it. I'm not

987
00:47:46,680 --> 00:47:50,480
Speaker 3: saying you can't watch it. I'm just saying objectively, poogar

988
00:47:50,600 --> 00:47:54,799
Speaker 3: Uga the writing and performance has suffered from of course,

989
00:47:54,840 --> 00:47:56,959
Speaker 3: it was great pilot, best pilot I ever seen. Yes,

990
00:47:57,880 --> 00:48:00,520
Speaker 3: but the journey we've taken from there is the qualt diminished.

991
00:48:00,520 --> 00:48:01,239
Speaker 3: Can we talk about that.

992
00:48:01,280 --> 00:48:03,000
Speaker 4: Let's talk about it. Let's get into it. I mean,

993
00:48:03,040 --> 00:48:06,600
Speaker 4: you got Alan Arkin, right, who is a phenomenal actor.

994
00:48:06,880 --> 00:48:10,920
Speaker 1: Yeah, he is, honestly through through all the Poogaroogas that

995
00:48:10,960 --> 00:48:13,400
Speaker 1: have like gone through the show. He he to me,

996
00:48:13,520 --> 00:48:15,680
Speaker 1: that is my Poogaruga, is Alan Ark.

997
00:48:15,800 --> 00:48:19,920
Speaker 7: I'm with you. She's like, he's the og Pogaruga, you know.

998
00:48:20,320 --> 00:48:23,640
Speaker 3: Oh yeah. It's so weird to see other actors. There's

999
00:48:23,640 --> 00:48:26,440
Speaker 3: been nine or ten other actors playing Pooga Ruga since that,

1000
00:48:27,400 --> 00:48:31,399
Speaker 3: and and I go, it's so strange to me when

1001
00:48:32,200 --> 00:48:34,080
Speaker 3: thing is like, he's no Arkin.

1002
00:48:34,080 --> 00:48:37,960
Speaker 1: Right, Mike O'Malley is not doing it for me in

1003
00:48:38,000 --> 00:48:41,759
Speaker 1: the same in the same way Dame Starboard is who

1004
00:48:41,800 --> 00:48:42,359
Speaker 1: is that guy?

1005
00:48:42,440 --> 00:48:42,680
Speaker 7: Even?

1006
00:48:43,520 --> 00:48:43,840
Speaker 3: Yeah?

1007
00:48:44,040 --> 00:48:45,239
Speaker 2: Yeah, yes, who is Yes?

1008
00:48:45,520 --> 00:48:46,200
Speaker 3: Who is that?

1009
00:48:46,360 --> 00:48:46,560
Speaker 5: You know?

1010
00:48:46,640 --> 00:48:50,560
Speaker 3: It's not a name right, you know star. Isn't that

1011
00:48:50,640 --> 00:48:56,040
Speaker 3: just what that bot? Yeah? Isn't that just like pronounced

1012
00:48:56,080 --> 00:48:57,040
Speaker 3: a little differently?

1013
00:48:57,320 --> 00:48:57,520
Speaker 6: Yeah?

1014
00:48:57,800 --> 00:49:00,120
Speaker 3: Yeah, oh god, you.

1015
00:49:00,120 --> 00:49:03,759
Speaker 7: Know it's sometimes it's it's the those are the things that.

1016
00:49:03,719 --> 00:49:06,279
Speaker 4: Occasionally make me want to quit Hollywood and just pack

1017
00:49:06,360 --> 00:49:06,719
Speaker 4: it up.

1018
00:49:07,080 --> 00:49:09,600
Speaker 3: And then and then I go, no, you know what,

1019
00:49:09,719 --> 00:49:11,440
Speaker 3: I'd be doing them a favor that.

1020
00:49:13,280 --> 00:49:13,680
Speaker 7: They want.

1021
00:49:14,040 --> 00:49:16,800
Speaker 2: That's why. Then, that is why they are doing That's.

1022
00:49:16,600 --> 00:49:17,719
Speaker 3: Why they're making Pooga Ricco.

1023
00:49:18,520 --> 00:49:19,040
Speaker 7: Yeah.

1024
00:49:19,120 --> 00:49:21,520
Speaker 3: Hey, they're letting them off too easy if I get

1025
00:49:21,520 --> 00:49:22,920
Speaker 3: out of town because they don't want me in here,

1026
00:49:23,000 --> 00:49:26,200
Speaker 3: keeping them honest and actually saying, hey, I don't know

1027
00:49:26,200 --> 00:49:28,239
Speaker 3: what this show is. I've never actually heard of it.

1028
00:49:29,239 --> 00:49:30,880
Speaker 3: I don't know if I'm pronouncing it right? Is it

1029
00:49:30,920 --> 00:49:33,160
Speaker 3: a real show? They don't want me to do that.

1030
00:49:34,600 --> 00:49:36,400
Speaker 3: You know, they're scared.

1031
00:49:36,200 --> 00:49:41,520
Speaker 7: A bunch of yes men, yes women, yes, saw women. Hollywood.

1032
00:49:42,560 --> 00:49:42,880
Speaker 4: What do you?

1033
00:49:43,040 --> 00:49:43,560
Speaker 7: What is it?

1034
00:49:43,640 --> 00:49:43,839
Speaker 4: You know?

1035
00:49:44,239 --> 00:49:44,919
Speaker 7: Where is it?

1036
00:49:45,080 --> 00:49:45,480
Speaker 3: Yeah?

1037
00:49:45,520 --> 00:49:47,680
Speaker 7: Where is where is it?

1038
00:49:48,960 --> 00:49:50,080
Speaker 6: I can answer that one.

1039
00:49:50,640 --> 00:49:52,720
Speaker 2: Fire it away, Brett, Yeah, do it, Brett.

1040
00:49:53,040 --> 00:49:58,520
Speaker 3: This will be a good laugh. Oh, Brett's on the

1041
00:49:58,560 --> 00:49:59,760
Speaker 3: Brett's on the docker verse.

1042
00:50:00,719 --> 00:50:01,319
Speaker 2: I could see it.

1043
00:50:01,360 --> 00:50:03,280
Speaker 3: He's looking at the Gawker verse on his computer.

1044
00:50:05,040 --> 00:50:07,280
Speaker 6: He's looking at you, look at my computer.

1045
00:50:08,120 --> 00:50:11,120
Speaker 2: Well, then you shouldn't be on the Gaker verse, which

1046
00:50:11,160 --> 00:50:11,680
Speaker 2: is okay.

1047
00:50:11,719 --> 00:50:15,640
Speaker 3: Well I might as well tell us the news, okay

1048
00:50:16,760 --> 00:50:17,240
Speaker 3: is moto.

1049
00:50:17,560 --> 00:50:20,960
Speaker 1: I'm I'm mad at this site because it followed celebrities

1050
00:50:21,000 --> 00:50:22,480
Speaker 1: around in two thousand and six.

1051
00:50:23,360 --> 00:50:26,400
Speaker 6: Oh, what the hell is this Space Council? Mike Pence

1052
00:50:26,520 --> 00:50:29,600
Speaker 6: is going to lead Captain America is no longer a

1053
00:50:29,600 --> 00:50:33,560
Speaker 6: super villain. He's a monster. That's one of the headlines.

1054
00:50:34,719 --> 00:50:37,200
Speaker 6: And Hollywood, if you just step out of the door,

1055
00:50:37,360 --> 00:50:38,160
Speaker 6: I mean you're in it.

1056
00:50:38,920 --> 00:50:42,440
Speaker 4: Get out of here for real. Does ever not know

1057
00:50:42,600 --> 00:50:44,719
Speaker 4: where you are for extended periods of time?

1058
00:50:45,160 --> 00:50:49,520
Speaker 3: Oh yeah, Well I've been blacked out, as you know,

1059
00:50:50,239 --> 00:50:54,240
Speaker 3: my whole life basically. Yeah, I'm constantly sort of coming

1060
00:50:54,320 --> 00:50:55,440
Speaker 3: back into the room.

1061
00:50:55,560 --> 00:50:58,319
Speaker 1: Is this not what the cut is? Because I thought

1062
00:50:58,360 --> 00:51:01,520
Speaker 1: the way that you squeak back to the cut micro

1063
00:51:01,600 --> 00:51:06,360
Speaker 1: blackout is kind of like choking yourself to like, you know,

1064
00:51:06,680 --> 00:51:08,240
Speaker 1: just go to sleep for a minute.

1065
00:51:09,360 --> 00:51:14,480
Speaker 3: Yeah, I'm permanently readjusting to my surroundings. It's sort of

1066
00:51:14,480 --> 00:51:16,480
Speaker 3: going like okay, and as you know, this part of

1067
00:51:16,480 --> 00:51:20,240
Speaker 3: why I keep doing this show with Hayes's I go, Okay,

1068
00:51:20,280 --> 00:51:22,399
Speaker 3: that's Hayes. I think I'm in here like that.

1069
00:51:22,560 --> 00:51:26,520
Speaker 1: You know, this is sort of anchor, formiliar loadstone to

1070
00:51:26,560 --> 00:51:27,200
Speaker 1: the real world.

1071
00:51:27,719 --> 00:51:31,920
Speaker 3: It's like my talisman in that Insomnia movie or what

1072
00:51:32,000 --> 00:51:34,719
Speaker 3: was the movie with the they're spinning the top air

1073
00:51:34,760 --> 00:51:38,040
Speaker 3: Force one. Yeah, and he's getting mad.

1074
00:51:39,080 --> 00:51:41,080
Speaker 1: And this is why I, you know, I keep a

1075
00:51:41,200 --> 00:51:44,080
Speaker 1: sort of a hand on Bread's shoulder, is that I

1076
00:51:44,080 --> 00:51:46,959
Speaker 1: can always have like a tactile like, Okay, Brett is here.

1077
00:51:47,160 --> 00:51:50,239
Speaker 1: That means I'm doing the show there, Sean, you know,

1078
00:51:50,400 --> 00:51:52,480
Speaker 1: And and that's a nice anchor for me.

1079
00:51:53,080 --> 00:51:54,239
Speaker 2: What is that for you? Z?

1080
00:51:54,520 --> 00:51:55,240
Speaker 7: What is my anchor?

1081
00:51:55,320 --> 00:51:57,440
Speaker 1: When you need to like find your bearings? And so

1082
00:51:57,520 --> 00:51:59,920
Speaker 1: then you're kind of like, okay, this is this is where.

1083
00:51:59,760 --> 00:52:02,400
Speaker 3: Zy and we should say he has two fistfuls of

1084
00:52:02,440 --> 00:52:05,239
Speaker 3: throwing stars. Yeah, you know, and so I'm going to

1085
00:52:05,280 --> 00:52:07,319
Speaker 3: assume that has something to do with your answer. But

1086
00:52:07,400 --> 00:52:08,919
Speaker 3: you've had them the whole show.

1087
00:52:09,120 --> 00:52:14,279
Speaker 7: That's correct. Well, I didn't mention this before, but.

1088
00:52:16,080 --> 00:52:21,080
Speaker 4: It's not just Mario Lopez that is in my life

1089
00:52:21,160 --> 00:52:22,080
Speaker 4: or part of my life.

1090
00:52:22,160 --> 00:52:26,440
Speaker 1: But okay, because I thought it was just him, this

1091
00:52:26,560 --> 00:52:28,479
Speaker 1: is big for me. I like, I I'm just ready

1092
00:52:28,480 --> 00:52:30,160
Speaker 1: to admit that I did think it was just him.

1093
00:52:30,560 --> 00:52:31,799
Speaker 3: Brett, don't type this to.

1094
00:52:31,800 --> 00:52:37,279
Speaker 7: The gawker, don't let him know. But actually, you know,

1095
00:52:37,480 --> 00:52:40,960
Speaker 7: Carson Daley has been involved in my career pretty early on.

1096
00:52:41,680 --> 00:52:43,160
Speaker 7: He sort of groomed me a little bit.

1097
00:52:43,280 --> 00:52:45,160
Speaker 4: He actually gave me these throwing stars and he said,

1098
00:52:45,160 --> 00:52:47,520
Speaker 4: when you go on a podcast, if it starts to

1099
00:52:47,520 --> 00:52:50,560
Speaker 4: get out of hand, you fire these at the hosts. Oh,

1100
00:52:51,239 --> 00:52:53,760
Speaker 4: make sure that you control the narrative.

1101
00:52:53,880 --> 00:52:56,799
Speaker 3: I've seen you almost throw it at me more than once. Yeah,

1102
00:52:56,920 --> 00:52:59,000
Speaker 3: when I've been like kind of squeaking out of the cut.

1103
00:52:59,080 --> 00:52:59,319
Speaker 7: Yeah.

1104
00:52:59,400 --> 00:53:04,560
Speaker 4: Scott Arkham caught one in the neck last week. Yeah,

1105
00:53:06,320 --> 00:53:06,800
Speaker 4: he was trying to.

1106
00:53:06,840 --> 00:53:08,600
Speaker 1: But he doesn't like I have seen him go through

1107
00:53:08,600 --> 00:53:11,120
Speaker 1: that before. He never blank, he never breaks scared me.

1108
00:53:11,280 --> 00:53:12,400
Speaker 7: Here's the thing he's got.

1109
00:53:12,440 --> 00:53:16,560
Speaker 4: He has his whole his surgically, he's got elephant rhino

1110
00:53:16,719 --> 00:53:19,880
Speaker 4: DNA in his skin. Yeacause he's been hosting for so

1111
00:53:19,960 --> 00:53:22,279
Speaker 4: long that you know, people just they attack him.

1112
00:53:22,280 --> 00:53:25,160
Speaker 3: So I'll talk about my you know what, my one

1113
00:53:25,200 --> 00:53:30,480
Speaker 3: of my cars and daily memories, please, which is uh,

1114
00:53:30,920 --> 00:53:36,520
Speaker 3: he came out onto the TV and start talking to me.

1115
00:53:38,520 --> 00:53:41,399
Speaker 2: At night through the screen. Yes, at night.

1116
00:53:41,480 --> 00:53:43,759
Speaker 4: Wait, so he started, he came, he was on, came

1117
00:53:43,760 --> 00:53:45,560
Speaker 4: out onto your TV. So he was on top of

1118
00:53:45,600 --> 00:53:46,000
Speaker 4: your TV.

1119
00:53:46,760 --> 00:53:50,759
Speaker 3: Well, it's more complicated than that. Yeah, he was on

1120
00:53:50,840 --> 00:53:55,120
Speaker 3: top of the bottom part of it inside the screen. Wow,

1121
00:53:56,040 --> 00:53:58,320
Speaker 3: talking to balance the front because you took me a

1122
00:53:58,400 --> 00:54:01,399
Speaker 3: picture of this looking right at me. Yeah, and this

1123
00:54:01,440 --> 00:54:06,640
Speaker 3: is before I got rid of my TV. This was

1124
00:54:06,719 --> 00:54:09,480
Speaker 3: kind of the last Yes, this was the straw for me.

1125
00:54:09,800 --> 00:54:11,080
Speaker 3: Is like this guy gets seen me.

1126
00:54:11,200 --> 00:54:13,480
Speaker 4: This is the last relief that your house water had

1127
00:54:13,520 --> 00:54:14,800
Speaker 4: not yet washed away.

1128
00:54:15,200 --> 00:54:19,200
Speaker 3: And uh and frigging uh. And Carson came out and

1129
00:54:19,239 --> 00:54:22,879
Speaker 3: he said, oh man, the new DMX album came out

1130
00:54:22,920 --> 00:54:25,719
Speaker 3: this week, and he said, boy, this is one of

1131
00:54:25,760 --> 00:54:28,560
Speaker 3: these where I just I literally put it on and

1132
00:54:28,600 --> 00:54:31,040
Speaker 3: I just stared at the speaker for the next hour.

1133
00:54:31,120 --> 00:54:34,920
Speaker 3: And he said, that is a man with something to say.

1134
00:54:37,040 --> 00:54:40,880
Speaker 3: And I recall going, what does he have to say?

1135
00:54:41,200 --> 00:54:44,839
Speaker 3: You know, liked to buy it?

1136
00:54:46,280 --> 00:54:47,080
Speaker 7: Uh?

1137
00:54:47,800 --> 00:54:53,919
Speaker 3: Yeah, I never found out. I think, yes, like why, like, guys,

1138
00:54:53,960 --> 00:54:57,520
Speaker 3: I didn't ask about that, you know, And I also

1139
00:54:57,560 --> 00:55:00,800
Speaker 3: thought like why are you sort of staring the speaker?

1140
00:55:01,719 --> 00:55:05,239
Speaker 3: But I don't know, I don't know what his setup was.

1141
00:55:05,480 --> 00:55:08,240
Speaker 4: You know, if I can just speak to that person,

1142
00:55:08,719 --> 00:55:10,480
Speaker 4: he's in your life, he's in my life. Yeah, And

1143
00:55:10,520 --> 00:55:14,160
Speaker 4: with my personal experience with Carson, it's like he's a

1144
00:55:14,160 --> 00:55:16,920
Speaker 4: man with gifts, you know, not unlike Mario Lopez, and

1145
00:55:16,960 --> 00:55:19,120
Speaker 4: he uses those gifts to their fullest potential.

1146
00:55:19,200 --> 00:55:21,120
Speaker 7: So he was given the power to.

1147
00:55:21,160 --> 00:55:26,520
Speaker 4: Communicate through television screens to one person individually, and he

1148
00:55:26,719 --> 00:55:30,640
Speaker 4: chose you. He told you about that, yeah, to say

1149
00:55:30,719 --> 00:55:32,799
Speaker 4: this is how I feel about the DMX album, because

1150
00:55:32,840 --> 00:55:34,600
Speaker 4: he knew that was what you needed to hear at

1151
00:55:34,600 --> 00:55:36,759
Speaker 4: that moment in your life and correct me if I'm wrong.

1152
00:55:36,880 --> 00:55:42,080
Speaker 4: You went out the next day and you bought.

1153
00:55:42,200 --> 00:55:48,279
Speaker 3: I tried, Yeah, I tried to get uh flesh of

1154
00:55:48,360 --> 00:55:49,040
Speaker 3: my flesh blottle.

1155
00:55:49,920 --> 00:55:55,359
Speaker 4: But this was this during the CD strike.

1156
00:55:56,360 --> 00:55:59,800
Speaker 3: Didn't want it. Yeah, they were marching because they wanted

1157
00:56:00,440 --> 00:56:04,600
Speaker 3: bigger boxes. They wanted record album size because if you recall,

1158
00:56:04,719 --> 00:56:07,880
Speaker 3: we lost a lot in an album art when became.

1159
00:56:09,920 --> 00:56:13,240
Speaker 3: It was a big blow to culture.

1160
00:56:12,960 --> 00:56:15,400
Speaker 7: Plastic that was commensurate with the work that they do.

1161
00:56:16,880 --> 00:56:20,359
Speaker 3: And I remember that being frustrating. And the other time

1162
00:56:20,440 --> 00:56:23,359
Speaker 3: I talked to Carson, or he talked to me rather

1163
00:56:23,920 --> 00:56:25,560
Speaker 3: no he doesn't listen so good.

1164
00:56:25,520 --> 00:56:26,520
Speaker 7: Unlike the cut that isn't.

1165
00:56:26,520 --> 00:56:29,280
Speaker 3: One Way Street is when he was telling me about

1166
00:56:29,400 --> 00:56:34,840
Speaker 3: Asher Wroth and he actually invited me inside the studio

1167
00:56:35,040 --> 00:56:37,720
Speaker 3: to see the genius at were inside the Act studio,

1168
00:56:38,760 --> 00:56:44,640
Speaker 3: wellside inside the Asher studio, Yeah, to watch his flow

1169
00:56:44,840 --> 00:56:45,520
Speaker 3: up close.

1170
00:56:46,920 --> 00:56:48,440
Speaker 2: Yeah, And do.

1171
00:56:48,440 --> 00:56:50,040
Speaker 7: You remember what the song I was working on was.

1172
00:56:50,400 --> 00:56:54,040
Speaker 3: Here's what I recall. He was sutured to the beat.

1173
00:56:57,000 --> 00:57:03,000
Speaker 3: He had been somebody'd take a soldering iron or something

1174
00:57:03,160 --> 00:57:06,640
Speaker 3: sure and attached this man to the beat so aggressively

1175
00:57:07,000 --> 00:57:08,359
Speaker 3: that there was no escape for him.

1176
00:57:08,440 --> 00:57:08,839
Speaker 7: Got it.

1177
00:57:09,320 --> 00:57:12,280
Speaker 3: I think the song was about babes.

1178
00:57:14,160 --> 00:57:17,040
Speaker 7: Yeah, yeah, yeah, yeah, I remember that album. I remember

1179
00:57:17,080 --> 00:57:17,680
Speaker 7: that song yeh.

1180
00:57:17,600 --> 00:57:18,520
Speaker 3: Partying or something.

1181
00:57:18,640 --> 00:57:19,040
Speaker 7: Yeah.

1182
00:57:19,920 --> 00:57:22,200
Speaker 1: I were like, and for you to have like just

1183
00:57:22,920 --> 00:57:27,960
Speaker 1: developed enough trust to buy a TV again, because this

1184
00:57:28,120 --> 00:57:31,880
Speaker 1: was like I remember, this was like twelve years later. Yeah,

1185
00:57:31,920 --> 00:57:34,560
Speaker 1: it was after the first one. And then you turn

1186
00:57:34,600 --> 00:57:38,520
Speaker 1: it on and he is still in there waiting.

1187
00:57:40,040 --> 00:57:43,280
Speaker 3: He was in there doing push ups in his cage,

1188
00:57:44,760 --> 00:57:48,680
Speaker 3: ready to attack. I thought, i'd, you know, taken enough

1189
00:57:48,720 --> 00:57:50,240
Speaker 3: time that it was safe to go.

1190
00:57:50,480 --> 00:57:54,439
Speaker 1: That was him getting out of Bain prison essentially, mm hmmm.

1191
00:57:54,800 --> 00:57:57,240
Speaker 7: And the whole time the Asheras song was bumping.

1192
00:57:58,400 --> 00:58:03,479
Speaker 3: Apparently, Yeah, but do I remember which the heart?

1193
00:58:04,040 --> 00:58:06,040
Speaker 2: That's Asher's heart, so tough to.

1194
00:58:06,040 --> 00:58:08,200
Speaker 3: Pick between which asher Roth song.

1195
00:58:09,040 --> 00:58:11,640
Speaker 4: I think it was like I Love Carson and Love

1196
00:58:11,760 --> 00:58:15,240
Speaker 4: all the Babes, A bin stuck in the TV for

1197
00:58:15,320 --> 00:58:16,919
Speaker 4: some days that one?

1198
00:58:17,160 --> 00:58:19,880
Speaker 3: Okay, yeah, yeah.

1199
00:58:19,320 --> 00:58:21,720
Speaker 4: I remember that album. Actually I lost my virginity to

1200
00:58:21,760 --> 00:58:22,360
Speaker 4: that album.

1201
00:58:22,440 --> 00:58:25,400
Speaker 3: Yeah, yeah, yeah, and I found it to the next one.

1202
00:58:26,280 --> 00:58:27,000
Speaker 2: What do I mean?

1203
00:58:27,960 --> 00:58:30,640
Speaker 4: Bye?

1204
00:58:32,760 --> 00:58:33,840
Speaker 2: I'm a horny girl.

1205
00:58:33,880 --> 00:58:34,240
Speaker 4: Wolf.

1206
00:58:34,560 --> 00:58:38,280
Speaker 3: This has been an Earwolf production executive produced by Scott Ackerman,

1207
00:58:38,440 --> 00:58:40,280
Speaker 3: Colin Anderson, and Chris Bannon.

1208
00:58:40,400 --> 00:58:47,200
Speaker 2: For more information and content, visit earwolf dot com. Oh