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Speaker 1: Quest Love Supreme is a production of iHeartRadio.

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Speaker 2: What Up, y'all, It's Layah from West Love Supreme. We

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Speaker 2: are back with part two of the conversation between Adam

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Speaker 2: Levine and Quest Love Supreme and rhymes. So it must

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Speaker 2: make sense anyway. Look, if you haven't, you must hear

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Speaker 2: part one. We never forget. We did this in studio

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Speaker 2: in New York. So there's a really great role called

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Speaker 2: that Adam Killed and talks about his first musical memories,

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Speaker 2: lots of funny stories and so much more.

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Speaker 3: So check that out.

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Speaker 2: Now, let's get to part two of Adam Levine and

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Speaker 2: kick it off with the brilliant, the ever so brilliant

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Speaker 2: Fonte with his question.

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Speaker 4: How did y'all make the transition from you know, the

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Speaker 4: Karross Flowers days to working on your first songs about

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Speaker 4: jamie first record?

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Speaker 5: So I remember very distinctly like we were like, okay,

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Speaker 5: I mean, Gret Fortunately, we were all super young, you know,

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Speaker 5: so I thought in my mind, I'm like you running

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Speaker 5: out of time, you know, nineteen.

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Speaker 4: You know, you don't realize how young you are, you know, And.

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Speaker 5: That's part of the motivation though, because you're so I

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Speaker 5: was so driven that I was like okay, and you know,

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Speaker 5: we gotta go now or it's gonna be too late,

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Speaker 5: and it's just a lot of exploration and you know,

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Speaker 5: getting into I started loving different musical styles because for

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Speaker 5: a long time, that's kind of like when Stevie Wonder

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Speaker 5: came in, I started listening to a lot of Al

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Speaker 5: Green and Bill Withers record So it's just shit just

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Speaker 5: changed for me. And I was like, oh, like because

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Speaker 5: I knew I I hadn't found like my own thing yet, right,

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Speaker 5: And so I and I started listening to the Police

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Speaker 5: a lot, Prince, just shit that wasn't like like Weezer,

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Speaker 5: like Green Day or the shit that I was growing up.

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Speaker 5: Influence started changing. I started loving to go see people,

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Speaker 5: you know, musicians play you know for hours, you know,

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Speaker 5: just going to see stuff, going to see guys that

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Speaker 5: could do it on a level that was really amazing.

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Speaker 5: And so that changed the way I approached music. And

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Speaker 5: I think singing definitely. I think Steve I have to

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Speaker 5: credit Stevie with like the big shift in the way

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Speaker 5: I started going at it. And I was like, in

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Speaker 5: like los feelis at this point with a bunch of

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Speaker 5: hipsters that we're all trying to be like the Strokes,

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Speaker 5: you know, and ship. So it was super uncool to

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Speaker 5: try and sound like what we were trying to sound like.

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Speaker 3: What was the Stevie record that grabbed you?

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Speaker 5: So that's what that's what gets you in, and you

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Speaker 5: got to go everywhere else, but that, of course go back.

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Speaker 5: That's also like the White Album, like like yeah, yeah,

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Speaker 5: that's crazy everybody's starting point.

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Speaker 6: Double record.

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Speaker 3: That'd be like off the wall, or would be like Thriller.

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Speaker 7: The thriller, yeah, okay, Songs is thriller, yeah, and Inner

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Speaker 7: Visions is.

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Speaker 8: Off the wall.

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Speaker 5: Inner Visions came second always.

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Speaker 7: All right, so we're having Rivers is coming on the show.

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Speaker 7: So because you're weezer, heead and this is my favorite subject.

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Speaker 1: Are you a Pinkerton?

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Speaker 8: All right?

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Speaker 6: Here's the deal.

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Speaker 5: That records so fucking incredible. Okay, well, the Blue Record

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Speaker 5: is the shit.

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Speaker 7: Everyone lives for the Blue Record, no man, But I

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Speaker 7: feel like people sometimes ride for Pinkerton too hard, as

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Speaker 7: in like that establishes who they are. I'm sticking to

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Speaker 7: my initial feelings of Pinkerton. I listened to it and

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Speaker 7: I was like, it's not like the Blue Record, and

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Speaker 7: I let it go. But then when I started reading

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Speaker 7: every critic, every music snop was like Pinkerton's there Dad

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Speaker 7: in a moment. So Weezer came out with his debut

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Speaker 7: record and you know, in an era of like grunge

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Speaker 7: music and all that stuff, and sort of created their

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Speaker 7: own lane in nineteen ninety four, and then in ninety

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Speaker 7: six they kind of pulled a one to eighty and

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Speaker 7: did like an opposite record or maybe a departure record.

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Speaker 7: I don't know, it remains to be seen. We'll ask

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Speaker 7: them on the show in the future. And so they

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Speaker 7: did this like art record, and I don't know for me.

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Speaker 5: Look, I understand the criticism of it because the first

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Speaker 5: one was super polished, right, and it was like thought

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Speaker 5: through and like every song had I don't know. It

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Speaker 5: was kind of a perfect album, honestly, and then the

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Speaker 5: second one was raw and unleashed and it was like

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Speaker 5: kind of a fuck you.

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Speaker 8: Record kind of.

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Speaker 9: I kind of think they were trying to Yeah, it's

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Speaker 9: not their progress, maybe these things that I look, we

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Speaker 9: shared a manager at the time, so he gave us

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Speaker 9: the record, and I remember cassette tapes.

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Speaker 5: I had the tape before it came out, and I

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Speaker 5: like wore it out in my car and I listened

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Speaker 5: to it every single day whenever I could, so I

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Speaker 5: have like a special relationship with it because I felt

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Speaker 5: like I had this like in where I could hear

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Speaker 5: something before everyone else did. And then they did the record.

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Speaker 6: I went to Tower Records, Cower.

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Speaker 5: Records Parking Lot. They played the sac whole Saging record,

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Speaker 5: and now they're coming back and playing the Blue record

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Speaker 5: right which I got to see. But Pinkerton is like,

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Speaker 5: it doesn't sound good, like it's the productions kind of

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Speaker 5: it's kind of like you could tell they were trying

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Speaker 5: to just like throw it, throw it together. The guitar

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Speaker 5: sounds weren't like pristine like the ones that recal cases

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Speaker 5: that were like so huge. It didn't have like an

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Speaker 5: aggressive feeling to it.

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Speaker 6: It was artsy like you said.

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Speaker 5: But like the songs were just kind of as good

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Speaker 5: as I believe the songs were as good.

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Speaker 6: It just they didn't give a shit.

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Speaker 5: They didn't want to sit there and like do takes

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Speaker 5: forever and you could feel that. But I kind of

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Speaker 5: like I kind of just looked through it and it

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Speaker 5: kind of has like Pixies production, you know, where it's

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Speaker 5: just like like big fat drums and just kind of disorganized.

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Speaker 5: But it's chaos, but it's great and I don't know,

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Speaker 5: I love it.

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Speaker 6: And then they got more.

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Speaker 5: Then they kind of went back to like toge, So

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Speaker 5: it's special. I think that's why everyone sees who knows,

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Speaker 5: but it feels like that's what was so special.

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Speaker 7: I always expected Departure album to be like the fourth

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Speaker 7: or fifth album after you established a cannon, And for them, it's.

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Speaker 5: Kind of hard though, to like come out and just

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Speaker 5: be like, here you go.

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Speaker 8: What you well.

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Speaker 7: I was held confused at the time, and I think,

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Speaker 7: you know, once three or four years went by him

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Speaker 7: and suddenly I saw this critical turnaround, like that was

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Speaker 7: their greatest album. I didn't want to immediately jump on

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Speaker 7: the bandwagon, so I like held on tight to my

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Speaker 7: initial feelings to it.

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Speaker 5: What's crazy, though, is that like they had a crazy

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Speaker 5: thing because that happened, and then you thought that was

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Speaker 5: a wrap, probably right, because it was like but then

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Speaker 5: they like like then people don't even know that record

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Speaker 5: if you either love Pinkerton or you don't even know

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Speaker 5: or care about it, because they made these other poppier

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Speaker 5: records as time went on that were like much more

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Speaker 5: akin to the first one. So it was this weird

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Speaker 5: blip on their on their on their trajectory and they.

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Speaker 7: Really touch it live in concert, which to me, I

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Speaker 7: don't know if they.

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Speaker 5: I don't know how they see listened to it, see

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Speaker 5: how he feels about it, because it's must be a

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Speaker 5: really interesting perspective coming from him, But who knows.

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Speaker 8: So was your north star? You can be your own

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Speaker 8: nor star.

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Speaker 5: You see me trying to figure that one out. Yeah,

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Speaker 5: I mean it isn't.

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Speaker 10: Not my north.

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Speaker 3: You won't hit the five. Oh yeah.

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Speaker 5: Weezer was the band and I was like, and then

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Speaker 5: we departed from them and I started listening to all

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Speaker 5: this other ship and then change everything. And also I

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Speaker 5: love the fact I loved going against this a sick

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Speaker 5: desire to always not do what everybody was doing. Like

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Speaker 5: in town, it was this like resurgence of like it

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Speaker 5: was like joy division was back, and then was loving

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Speaker 5: that and it was all you know, strokes were so

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Speaker 5: big and you can't One thing I would have I've

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Speaker 5: learned over time is like you cannot do it better

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Speaker 5: than the people who are doing it best in that moment,

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Speaker 5: and everyone kind of tries to go for that, and

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Speaker 5: you're like, don't do that like juxtaposed, this is a

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Speaker 5: little bit and so, and trust me, people didn't like it.

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Speaker 5: Like we start doing shows and ship and people be

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Speaker 5: like that sounds like Michael Jackson, Like what the is

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Speaker 5: this guy?

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Speaker 3: Like that's when the Negroes came back.

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Speaker 5: The whites didn't understand we've been.

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Speaker 6: But the whites did understand it in the beginning.

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Speaker 8: Everybody understand.

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Speaker 5: The beginnings in Hollywood were like this guy and it's

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Speaker 5: l A two.

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Speaker 3: He's not in New York.

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Speaker 2: Now.

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Speaker 3: The whites in New York, ya, I probably would down.

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Speaker 11: Because that sounded like a funk band. White kids who

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Speaker 11: could play funk.

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Speaker 6: It was exciting to be doing ship.

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Speaker 5: We kind of like weren't supposed to be doing it

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Speaker 5: because I was like, fuck it, we're gonna do it.

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Speaker 5: We can we can pose.

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Speaker 7: I remember once I forget who I saw on MTV

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Speaker 7: and they were talking about like, oh, that's my jam

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Speaker 7: whatever this love and I was d jaying and I

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Speaker 7: remember that I needed like a mid temple song and

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Speaker 7: C and I was like there scrolling that was at

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Speaker 7: the end of the alphabet, and I saw this love.

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Speaker 7: I was like, well, I never played that before. Let

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Speaker 7: me see what happens, and I played and motherfuckers started.

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Speaker 8: Like people love that.

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Speaker 6: And one of those ones.

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Speaker 7: Yeah, yeah, in a moment of desperation. I didn't know

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Speaker 7: that was even clubbable, you know.

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Speaker 6: Weirdly it is.

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Speaker 5: And like when you when even still when we play

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Speaker 5: it live, like the minute you're going to people just

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Speaker 5: freak out, and it's that's.

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Speaker 8: One of those moments, lighter moment.

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Speaker 5: That's the like knowing, like the moment in the conte,

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Speaker 5: I'm like, yeah, is this time for this ship?

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Speaker 8: Where does your set?

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Speaker 12: Early?

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Speaker 6: You're one of those guys early.

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Speaker 12: Here's the thing.

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Speaker 7: Number one, You guys have a lot of hs, so

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Speaker 7: you can afford that flex.

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Speaker 1: In the last six months, we did a show with

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Speaker 1: the Spin Doctors.

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Speaker 7: Oh Jesus and them motherfuckers actually had the nerve to

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Speaker 7: make like two princes like number five in a seventeen

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Speaker 7: song set and I'm looking at I ran to the

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Speaker 7: side of the stage like, yo, they can afford the

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Speaker 7: flex two princes that early And the answer is kind

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Speaker 7: of no, like and I was wondering how that works

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Speaker 7: when like you play your biggest ship like oh, and

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Speaker 7: they just did it so casual, like this song.

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Speaker 5: Just like start and end with your unbelievable.

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Speaker 11: Biz Marquee biz Marquis starts with Jeseni.

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Speaker 6: You know's gonna argue with that people.

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Speaker 3: The crowd want.

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Speaker 5: Yeah, it's so it's so it's like not self respecting,

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Speaker 5: but it's so sick to do.

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Speaker 11: Wait, what what is it like in a culture where

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Speaker 11: it's like single single singles. I've written an album of hits.

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Speaker 11: You guys have that album. It's hits. It's hits, it

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Speaker 11: hits out. It's like I've never I haven't. I mean

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Speaker 11: there are other of course, but like that's a rarity.

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Speaker 8: How's that? Yeah?

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Speaker 6: Well, what's crazy? Do we talk about?

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Speaker 5: Like Eddie Grant and people who had the one and

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Speaker 5: they gotta chase that. That's always like the craziest thing.

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Speaker 5: I remember when we had our first big hit, and

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Speaker 5: it was funny because because this Love was our first

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Speaker 5: huge hit. I remember actually it was the second biggest

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Speaker 5: song of the year. The first biggest song of the

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Speaker 5: year was Usher Yeah and I'll Never were number two man,

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Speaker 5: But it was that meant both those songs were so

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Speaker 5: big and it was like my whole thought process because

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Speaker 5: the first one we had, the Harder Breathe was the

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Speaker 5: first album song album that was like top five I think,

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Speaker 5: and then back back when you could know what a

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Speaker 5: hit was. Now, yeah, it's no gauge. This love got

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Speaker 5: so big and I'm like, oh, like and then she

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Speaker 5: will be loved beauty and I'm like, oh my god.

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Speaker 5: I was like tear worthy because you think, okay, it

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Speaker 5: could be it, one might be it, and you know what.

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Speaker 7: Lucky You get worried when something gets too successful. Are

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Speaker 7: you automatically thinking like, okay, can we keep it up?

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Speaker 8: Can we can we?

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Speaker 5: The hit game is a crazy thing because like your

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Speaker 5: expectations get really unreasonably high.

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Speaker 8: What is that okay?

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Speaker 10: Well, metaphorically speaking, what is that high?

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Speaker 5: Like when God having hits multiple hits, it's like two

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Speaker 5: number one hits feels like a million because you've officially escaped, right,

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Speaker 5: So that's when you know it's real, and that's when

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Speaker 5: you know you could like really run with it. I

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Speaker 5: think it's heart. You get pigeonholed, you know, you get

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Speaker 5: you get put in this place where you're like, ah,

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Speaker 5: this is like this will define you forever. This song

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Speaker 5: is going to follow you around. And when you escape

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Speaker 5: that a little bit, it feels really liberating because then

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Speaker 5: you're like, okay, like this is gonna this has a

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Speaker 5: life beyond and then again and a lot of ways

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Speaker 5: it's a champagne problem because a hit is a hit

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Speaker 5: is a hit, like but it's look, as we know,

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Speaker 5: it's hard to latch onto that when that's all people know.

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Speaker 3: Can you even fit all your hits in one show?

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Speaker 3: Or do you go?

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Speaker 5: I mean it depends like I'm a weirdo where it's

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Speaker 5: like I love it when they're all big, big, and

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Speaker 5: then the ones that aren't as big, I'm like, we'll

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Speaker 5: do that one. But that's how it started, as like

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Speaker 5: I remember, because we the band would fight a lot

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Speaker 5: more back in the day about songs being and we

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Speaker 5: we still they still want to put you on the

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Speaker 5: in the set. I'm like, are you crazy?

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Speaker 7: How do you guys decide who who's the alpha when

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Speaker 7: it comes to.

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Speaker 5: Okay, yeah me but but but also we've done things

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Speaker 5: where we tried shit out and I'm like, it's not

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Speaker 5: a good idea, I don't want to do it. We'll

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Speaker 5: do it anyway, and then maybe and it's something on

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Speaker 5: the rare the rare occasions, I'm wrong, okay, but people

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Speaker 5: want to hear I think when you and I guess

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Speaker 5: you could say it's like, sometimes I wish we could

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Speaker 5: kind of branch out and play more that I thought

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Speaker 5: was going to be more received well, but then I

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Speaker 5: feel like there's an expectation, like you're not not gonna

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Speaker 5: play girls like you have to playing that song or

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Speaker 5: you're an asshole. So like that's and once again, it

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Speaker 5: can have many problems, but it's so fun to have

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Speaker 5: a set full of hits. And I remember when we

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Speaker 5: first started, it was like, shit, Okay, this one is

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Speaker 5: gonna go here, and then this on's gonna go here,

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Speaker 5: and then this one has to go here, and then

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Speaker 5: it was like, oh, but why not. My whole thing

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Speaker 5: was like, oh what if we were just all hits?

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Speaker 5: That's what I was thinking. I was like, manifest, but manifest,

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Speaker 5: I was like, why to make them all hits?

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Speaker 8: Where is weight in y'all? Section?

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Speaker 6: I love that song, man, we don't play that song enough.

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Speaker 6: One of them.

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Speaker 5: You don't play that song enough. And I love that song.

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Speaker 5: That's hard because it's kind of mellow. So it's like

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Speaker 5: it's hard because we have also we don't want of

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Speaker 5: ballads all of a sudden, I love that song.

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Speaker 6: Though, No, that's that's a jam man, for real.

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Speaker 7: I mostly judge acts, not on the hits, but the filler.

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Speaker 7: Like again, a lot of your favorite wonder songs are

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Speaker 7: filler songs, like at least for me, like Pastime Paradise

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Speaker 7: wasn't a single another I know, but still like when

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Speaker 7: people think of songs in the key life, they're thinking

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Speaker 7: of summer soft, they're thinking of other songs.

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Speaker 13: Like they're not do you were thinking of you just

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Speaker 13: dropped the one song I don't like here's no. But

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Speaker 13: here's another great example. Do you know what song was

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Speaker 13: not a single? Isn't She Lovely? Was never a single?

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Speaker 13: One song I thought Isn't She Lovely? Was the first single.

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Speaker 6: It wasn't a single.

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Speaker 7: No, it was an album cut that was so goddamn

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Speaker 7: popular that we just thought he eventually made it a

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Speaker 7: B side of as which I never I wish was

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Speaker 7: the first single.

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Speaker 6: I never knew that.

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Speaker 7: I actually thought, Isn't She Lovely was the first single

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Speaker 7: off song, which wasn't the case.

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Speaker 1: I wish was first.

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Speaker 8: Uh, then it heard Duke was second.

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Speaker 5: And and I wish her back to back right on

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Speaker 5: the record, they go into each other, yos, that's what's

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Speaker 5: so fucked up about that? Records? Like, oh my god, but.

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Speaker 3: Ps Adam was it?

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Speaker 2: What did you feel like when you saw that PJ

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Speaker 2: did the whole Stevie duet, Because like you said, right.

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Speaker 3: Like what was that?

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Speaker 5: He's talked about a lot too. Okay, We're like, oh,

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Speaker 5: you talk like you'll be late.

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Speaker 7: We're like, oh, Steve, can you talk about the expansion

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Speaker 7: of the band and the whole story of how with PJ?

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Speaker 5: Yes, Basically like Jesse left for a little bit and

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Speaker 5: came back, so he when he left, should we have

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Speaker 5: someone to play he PJ came in. I think that

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Speaker 5: was it. I think once PJ was in, we had

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Speaker 5: like it was like okay, well like a bunch of

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Speaker 5: people are gonna come today and PJ came in. I'm like, no,

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Speaker 5: we're good.

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Speaker 2: This is now full story because we have Pj's perspective.

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Speaker 2: Adam Blackstone too, right, because Adam Blackstone involved.

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Speaker 7: In Yes, Yeah, there was a period where I thought

355
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Speaker 7: I was going to be the exhibit of music, like

356
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Speaker 7: the whole Pimp My Ride thing.

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Speaker 8: Well, because we.

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Speaker 6: Started you were playing with jay Z right.

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00:16:13,920 --> 00:16:18,720
Speaker 7: And right I was, And then Eminem called and was like, yo,

360
00:16:18,880 --> 00:16:20,480
Speaker 7: fix my ship and then we fixed this ship, and

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Speaker 7: I think once the Tonight show came then it was

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Speaker 7: like I can't do this, so I gotta pass it

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Speaker 7: off to somebody. So then you guys called and I

364
00:16:28,560 --> 00:16:31,000
Speaker 7: was like, wait, why would a group with hits want

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Speaker 7: anyone from the roots to determine their future? Like I

366
00:16:36,640 --> 00:16:39,120
Speaker 7: literally taught myself out of man. I'm like, wait, he

367
00:16:39,200 --> 00:16:42,160
Speaker 7: wants me to what they got hits? Like they don't

368
00:16:42,200 --> 00:16:45,880
Speaker 7: need me, like just you know, fer six hits like

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Speaker 7: throughout the And so we put Adam on the case,

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Speaker 7: of which I thought like they might not go for this,

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Speaker 7: like I think they want me there, So I physically

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Speaker 7: went out there well.

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Speaker 5: And then Blackstone taught me a lot about ship that

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Speaker 5: I took from him, and I was like, okay, like

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Speaker 5: I'm gonna I'm gonna.

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Speaker 3: Do because he was I'm music director.

377
00:17:00,840 --> 00:17:02,400
Speaker 6: He was r MD for a couple of tours.

378
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Speaker 5: But then I was like, then I kind of like

379
00:17:03,920 --> 00:17:05,920
Speaker 5: took all the I was like, okay, now I know dude,

380
00:17:05,960 --> 00:17:09,919
Speaker 5: it'll we do good.

381
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Speaker 4: But I wanted to ask you the session for heard

382
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Speaker 4: him say with Kanye, what do you.

383
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Speaker 3: Remember about Oh my god?

384
00:17:16,359 --> 00:17:20,479
Speaker 5: Yes, where he's thank you for putting that up. Those

385
00:17:20,480 --> 00:17:24,240
Speaker 5: were my most favorite moments. You know, back then it

386
00:17:24,320 --> 00:17:26,240
Speaker 5: was like everybody was around everybody all the time. It

387
00:17:26,280 --> 00:17:29,440
Speaker 5: was just there was actually a scene still. And we

388
00:17:29,440 --> 00:17:31,320
Speaker 5: were at the e m As. We were on our

389
00:17:31,400 --> 00:17:35,119
Speaker 5: way to the e m As in Europe, and uh

390
00:17:36,080 --> 00:17:38,679
Speaker 5: he was on the plane and we met and we

391
00:17:38,720 --> 00:17:42,880
Speaker 5: talked and he was like, hey, I got this. They

392
00:17:43,000 --> 00:17:45,560
Speaker 5: let's do something. And so we're on the plane. Place

393
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Speaker 5: me in this beat and I was like, I have

394
00:17:48,440 --> 00:17:50,960
Speaker 5: I got something perfect for it. He's like, all right, cool,

395
00:17:51,119 --> 00:17:52,720
Speaker 5: I'll hit you and get back in LA. We'll go

396
00:17:52,760 --> 00:17:54,359
Speaker 5: in the studio and was with John Bryan, which I

397
00:17:54,359 --> 00:17:57,920
Speaker 5: thought was like the craziest choice, so cool, like that

398
00:17:58,000 --> 00:18:00,239
Speaker 5: what makes that record sound so great? I think that

399
00:18:00,240 --> 00:18:03,439
Speaker 5: that collaboration was awesome. So we show up and I'm like,

400
00:18:03,520 --> 00:18:05,360
Speaker 5: I'm like, he's there. They're there, and they're like, hey,

401
00:18:05,400 --> 00:18:06,679
Speaker 5: go in do it, and we cut it and it

402
00:18:06,760 --> 00:18:09,400
Speaker 5: was like it was just one of the best music

403
00:18:09,680 --> 00:18:12,080
Speaker 5: I've discovered. And it's taken me long enough to realize

404
00:18:12,080 --> 00:18:16,280
Speaker 5: this happens instantly and without thinking about it, and the

405
00:18:16,280 --> 00:18:17,680
Speaker 5: worst thing you could ever do, I think is sit

406
00:18:17,720 --> 00:18:19,800
Speaker 5: down and like try to write a song, because that

407
00:18:19,920 --> 00:18:23,480
Speaker 5: won't ever work, you know, I can't just be like okay,

408
00:18:23,600 --> 00:18:25,119
Speaker 5: and so it just has to be you have to

409
00:18:25,160 --> 00:18:27,800
Speaker 5: be so unself conscious and just freedid and that was it,

410
00:18:27,840 --> 00:18:31,600
Speaker 5: and he trusted me. I trusted him. Neither one of

411
00:18:31,640 --> 00:18:33,160
Speaker 5: them really said much. They were kind of just let

412
00:18:33,160 --> 00:18:35,359
Speaker 5: me do my thing. And then I left and I

413
00:18:35,359 --> 00:18:37,159
Speaker 5: was there for an hour, you know, And but it

414
00:18:37,200 --> 00:18:38,840
Speaker 5: was just so quick and easy.

415
00:18:39,720 --> 00:18:42,000
Speaker 8: So you wrote what you say he.

416
00:18:42,000 --> 00:18:46,679
Speaker 5: Had like heard him say sometimes. And so then I

417
00:18:46,760 --> 00:18:50,119
Speaker 5: had a song that actually I put the song on

418
00:18:50,200 --> 00:18:52,280
Speaker 5: an album of ours that was not that was the

419
00:18:52,400 --> 00:18:54,520
Speaker 5: version I heard him say before. But ours was like

420
00:18:54,840 --> 00:18:58,679
Speaker 5: nothing's ever. His was nothing's ever promised tomorrow today, and

421
00:18:58,760 --> 00:19:01,560
Speaker 5: mine was nothing last forever. But be honest, it hurts, hurts,

422
00:19:01,600 --> 00:19:03,200
Speaker 5: but it will be the maybe the only way I took.

423
00:19:03,240 --> 00:19:06,199
Speaker 5: We took those two and we smashed them together and

424
00:19:06,359 --> 00:19:08,960
Speaker 5: made him made what became hurt him say, but it

425
00:19:09,000 --> 00:19:10,200
Speaker 5: was it was the same melody.

426
00:19:10,240 --> 00:19:11,360
Speaker 6: So the melody went.

427
00:19:11,200 --> 00:19:15,359
Speaker 5: Over the beat perfectly, like eerily perfectly, and I was

428
00:19:15,400 --> 00:19:18,280
Speaker 5: like ship. That was one of those like synergistic moments

429
00:19:18,320 --> 00:19:20,000
Speaker 5: that I'll never forget. And then it's one of my

430
00:19:20,040 --> 00:19:24,920
Speaker 5: favorite things I wrote. Yeah, it's and to this day

431
00:19:25,000 --> 00:19:27,720
Speaker 5: that's like all the ship I've managed to accomplisable Room five,

432
00:19:28,200 --> 00:19:33,560
Speaker 5: Like that's the number one thing. Especially guys, guys I

433
00:19:33,640 --> 00:19:35,760
Speaker 5: feel comfortable saying that they love. They may not stay

434
00:19:35,800 --> 00:19:36,960
Speaker 5: comfortably like Sugar, but the.

435
00:19:41,359 --> 00:19:43,200
Speaker 8: Record where you.

436
00:19:43,200 --> 00:19:47,680
Speaker 7: Guys are now with doing your your residency stuff, how

437
00:19:47,720 --> 00:19:50,159
Speaker 7: do you? And it's so weird that you know, maybe

438
00:19:50,200 --> 00:19:54,160
Speaker 7: pre Celine Dion, Vegas was seeing as a four letter

439
00:19:54,200 --> 00:19:58,160
Speaker 7: word of a career, like you want to avoid the

440
00:19:58,280 --> 00:20:00,400
Speaker 7: end of the train stop, which is that?

441
00:20:00,440 --> 00:20:04,160
Speaker 1: But now it's almost like you gotta get a Vegas.

442
00:20:03,960 --> 00:20:06,720
Speaker 6: Regular kill that shit. Vegas used to be that way.

443
00:20:06,880 --> 00:20:08,520
Speaker 6: A singer being on TV used to be that way.

444
00:20:08,600 --> 00:20:10,080
Speaker 5: He'd be like, shit, this is it, You're gonna do

445
00:20:10,400 --> 00:20:13,640
Speaker 5: this TV. So it's changed so much, and I think

446
00:20:13,680 --> 00:20:15,560
Speaker 5: we kind of let we gotta let it come to

447
00:20:15,640 --> 00:20:17,320
Speaker 5: us over time, because we had a couple offers early.

448
00:20:17,359 --> 00:20:20,560
Speaker 5: Early I was like it was too scary because nobody

449
00:20:20,640 --> 00:20:21,640
Speaker 5: was really doing it yet.

450
00:20:21,920 --> 00:20:25,000
Speaker 7: Did you have trepidation about accepting the voice like wait

451
00:20:25,040 --> 00:20:26,639
Speaker 7: a minute, oh yeah, oh.

452
00:20:26,560 --> 00:20:28,639
Speaker 8: Yeah, I'm a singer song and I don't want to.

453
00:20:30,240 --> 00:20:33,399
Speaker 6: Back then, I mean it was like twenty eleven twelve.

454
00:20:33,560 --> 00:20:35,720
Speaker 10: Did you discuss it with the band first or like, oh,

455
00:20:35,760 --> 00:20:36,399
Speaker 10: the band was not.

456
00:20:36,880 --> 00:20:38,520
Speaker 3: I know they weren't because it's like, I'm not working.

457
00:20:38,560 --> 00:20:40,080
Speaker 3: What do you mean you're going to work every day?

458
00:20:40,280 --> 00:20:42,479
Speaker 6: Also like but also forget about that. They were like

459
00:20:42,560 --> 00:20:43,800
Speaker 6: what are you doing right?

460
00:20:43,800 --> 00:20:44,960
Speaker 3: And what does what make us look like?

461
00:20:45,040 --> 00:20:45,480
Speaker 5: To share?

462
00:20:45,560 --> 00:20:48,160
Speaker 6: This has spin around ruin our career.

463
00:20:48,720 --> 00:20:50,560
Speaker 5: So there was a lot of fear with the voice,

464
00:20:50,760 --> 00:20:53,040
Speaker 5: like I remember that too, and I remember even then

465
00:20:53,080 --> 00:20:56,280
Speaker 5: being like remember earlier, hey let me lead. I didn't

466
00:20:56,280 --> 00:20:58,119
Speaker 5: believe my own words. But I was like, it's good,

467
00:20:58,200 --> 00:21:01,640
Speaker 5: It's gonna be great. Like shit, I don't know, because

468
00:21:01,640 --> 00:21:03,679
Speaker 5: the band kind of like plateaued a little bit, and

469
00:21:03,720 --> 00:21:06,000
Speaker 5: so we were looking for something and it was one

470
00:21:06,000 --> 00:21:07,400
Speaker 5: of those moments where I was like, this could either

471
00:21:07,440 --> 00:21:10,280
Speaker 5: be the biggest disaster or the or the greatest I'm

472
00:21:10,280 --> 00:21:11,840
Speaker 5: either go like a genius or an idiot. There's no

473
00:21:11,880 --> 00:21:12,399
Speaker 5: in between it.

474
00:21:12,840 --> 00:21:15,320
Speaker 7: So what was the process of coming up with Jagger

475
00:21:15,320 --> 00:21:18,000
Speaker 7: And at the time did you feel like all right,

476
00:21:18,040 --> 00:21:20,200
Speaker 7: this is it or was it like an arranged marriage

477
00:21:20,359 --> 00:21:22,560
Speaker 7: situation where it's like I gotta have a song for

478
00:21:22,640 --> 00:21:23,480
Speaker 7: the show, and.

479
00:21:23,600 --> 00:21:26,119
Speaker 5: Well, what's crazy, this is a great story. So how

480
00:21:26,160 --> 00:21:27,600
Speaker 5: they could say, gus the story, this is a great

481
00:21:27,640 --> 00:21:30,000
Speaker 5: fucking story. So we had a single out, so we

482
00:21:30,080 --> 00:21:32,920
Speaker 5: had I think this was like our third third album.

483
00:21:33,040 --> 00:21:35,200
Speaker 5: We had a single out called never Gonna Leave This Bed,

484
00:21:36,080 --> 00:21:38,080
Speaker 5: which is a great song, but it just wasn't a hit,

485
00:21:38,119 --> 00:21:40,520
Speaker 5: and it wasn't and it was kind of stalling and

486
00:21:40,560 --> 00:21:42,560
Speaker 5: all that stuff, and the label it would kind of

487
00:21:42,560 --> 00:21:43,679
Speaker 5: like one of the like I said, we were kind

488
00:21:43,680 --> 00:21:45,640
Speaker 5: of it was kind of platauing a little bit, and

489
00:21:45,840 --> 00:21:48,399
Speaker 5: but I was on the voice. It just started shooting

490
00:21:48,440 --> 00:21:52,960
Speaker 5: the voice and this song kind of it was like

491
00:21:53,040 --> 00:21:54,720
Speaker 5: Jagger just kind of just fell into our laps, like

492
00:21:55,119 --> 00:21:58,480
Speaker 5: these guys had it and they were like Originally the

493
00:21:58,640 --> 00:22:01,119
Speaker 5: story with it was that it was meant for like

494
00:22:01,160 --> 00:22:04,080
Speaker 5: a female artist to sing about a guy he's like

495
00:22:04,119 --> 00:22:07,800
Speaker 5: he got the moves like Jackson and knowing what he

496
00:22:07,880 --> 00:22:11,920
Speaker 5: wanted to touch it really and then I think even maybe

497
00:22:11,920 --> 00:22:13,760
Speaker 5: it was pitched to like Genell Monad, I'm sure, and

498
00:22:13,800 --> 00:22:17,119
Speaker 5: point it was like, I know that sounds crazy. She

499
00:22:17,160 --> 00:22:18,639
Speaker 5: didn't obviously didn't want to do it, but like I

500
00:22:18,680 --> 00:22:22,120
Speaker 5: remember hearing that name. It was early early, and then

501
00:22:22,480 --> 00:22:24,359
Speaker 5: I kind of got in there and I had like,

502
00:22:24,359 --> 00:22:26,600
Speaker 5: I'm a lyrics guy, like if the lyrics are really bad,

503
00:22:26,760 --> 00:22:28,919
Speaker 5: like I can't touch something. So I had to go

504
00:22:28,960 --> 00:22:30,360
Speaker 5: in and I was like, look, I think this could

505
00:22:30,359 --> 00:22:32,120
Speaker 5: be great. I'll say I got the moves like Jack,

506
00:22:32,119 --> 00:22:33,640
Speaker 5: and they're like, are sure you want to do that?

507
00:22:33,640 --> 00:22:35,199
Speaker 5: That's kind of a crazy thing to say because the

508
00:22:35,240 --> 00:22:38,480
Speaker 5: song was about like a romantic, you know, love interest

509
00:22:38,520 --> 00:22:40,320
Speaker 5: for a girl. It was like a totally different perspective.

510
00:22:40,880 --> 00:22:42,800
Speaker 5: And I was like, yeah, fuck it, why not? And

511
00:22:42,840 --> 00:22:46,119
Speaker 5: then fixed the lyrics, which were like not good and

512
00:22:46,240 --> 00:22:49,639
Speaker 5: Shellback great songwriter producer kind of it was his like Kernel.

513
00:22:49,640 --> 00:22:52,040
Speaker 5: He was basically his idea, but there was like gibberish

514
00:22:52,040 --> 00:22:53,520
Speaker 5: on the lyrics. So I got to run with those

515
00:22:53,520 --> 00:22:53,960
Speaker 5: a little bit.

516
00:22:54,200 --> 00:22:56,480
Speaker 8: Were you allowed to Yeah?

517
00:22:56,800 --> 00:23:00,480
Speaker 5: Okay, I couldn't live with what was there? Bro?

518
00:23:01,000 --> 00:23:02,560
Speaker 8: That sounds like a Max.

519
00:23:02,440 --> 00:23:04,800
Speaker 6: One I never co wrote before, know the rules.

520
00:23:04,840 --> 00:23:06,720
Speaker 5: I was like, yeah, we gotta change Swedish.

521
00:23:07,000 --> 00:23:07,560
Speaker 8: They're Swedish.

522
00:23:07,640 --> 00:23:09,080
Speaker 5: It was very It.

523
00:23:08,960 --> 00:23:11,360
Speaker 6: Was a lot I want to sing.

524
00:23:13,040 --> 00:23:14,800
Speaker 5: It wasn't Yeah, it was shell Back and that was

525
00:23:14,800 --> 00:23:17,439
Speaker 5: like early because he was like maxis protege kind of.

526
00:23:17,880 --> 00:23:19,639
Speaker 5: That was like the beginning of my relationship with Max

527
00:23:19,680 --> 00:23:21,480
Speaker 5: and and show Back and all the that was like

528
00:23:21,520 --> 00:23:25,840
Speaker 5: the Swede the Swede era, who did you physically go there?

529
00:23:26,119 --> 00:23:26,199
Speaker 8: No?

530
00:23:26,200 --> 00:23:28,200
Speaker 6: I didn't go. I haven't gone yet, okay, and I still

531
00:23:28,200 --> 00:23:28,560
Speaker 6: haven't gone.

532
00:23:28,600 --> 00:23:29,639
Speaker 5: But I love they were all here.

533
00:23:29,680 --> 00:23:31,320
Speaker 11: Their lyrics are all gibberish, though it's most of them.

534
00:23:31,400 --> 00:23:33,960
Speaker 5: They don't give it about later, which was great.

535
00:23:34,200 --> 00:23:37,880
Speaker 8: What do they care about?

536
00:23:38,200 --> 00:23:40,720
Speaker 6: But that was a dream for me because I'm like, oh, cool,

537
00:23:40,760 --> 00:23:41,359
Speaker 6: I do give.

538
00:23:41,240 --> 00:23:44,639
Speaker 5: A ship about and They're like, great, we don't give

539
00:23:44,640 --> 00:23:46,320
Speaker 5: a ship. So I was like, awesome. It was a

540
00:23:46,320 --> 00:23:47,240
Speaker 5: perfect relationship.

541
00:23:47,680 --> 00:23:51,080
Speaker 8: So they then may prioritize that, but that's what That's

542
00:23:51,119 --> 00:23:51,600
Speaker 8: what I'm saying.

543
00:23:51,640 --> 00:23:54,080
Speaker 5: But they were the best at that. So they had

544
00:23:54,160 --> 00:23:55,840
Speaker 5: that and I was like, I'm gonna talking about like

545
00:23:56,320 --> 00:24:00,720
Speaker 5: your favorite car, you're Ferra. I'm like, no, that sounds

546
00:24:00,720 --> 00:24:02,639
Speaker 5: like him. I was like, that ship right.

547
00:24:02,680 --> 00:24:03,480
Speaker 6: So we changed it.

548
00:24:03,560 --> 00:24:06,560
Speaker 5: We made him more bearable anyway, So that happened.

549
00:24:06,600 --> 00:24:07,080
Speaker 6: It was great.

550
00:24:07,119 --> 00:24:08,320
Speaker 5: It was fun. We were like, man, we got a

551
00:24:08,359 --> 00:24:09,920
Speaker 5: fucking monster. I went to Mark Burnett, it was a

552
00:24:09,920 --> 00:24:12,040
Speaker 5: producer of the voice, and I'm like, so we had

553
00:24:12,040 --> 00:24:12,399
Speaker 5: a single.

554
00:24:12,400 --> 00:24:13,760
Speaker 6: So here's where the story gets really good.

555
00:24:13,800 --> 00:24:15,760
Speaker 5: So we had a single out so the you know,

556
00:24:15,880 --> 00:24:19,000
Speaker 5: Interscope was pushing the single and we had this other

557
00:24:19,119 --> 00:24:21,560
Speaker 5: song right that he didn't really I mean I wrote it,

558
00:24:21,600 --> 00:24:25,439
Speaker 5: but not really. And uh Jordan, our manager, kind of

559
00:24:25,480 --> 00:24:27,919
Speaker 5: hatched this scheme of like, okay, so we got Christina

560
00:24:27,960 --> 00:24:29,760
Speaker 5: Aguilera to do the bridge of that song. It was

561
00:24:29,760 --> 00:24:33,119
Speaker 5: like Jack, she's on the voice too. Obviously, Mark Burnett's like,

562
00:24:33,200 --> 00:24:35,200
Speaker 5: I want this song, like I don't want you to

563
00:24:35,240 --> 00:24:36,440
Speaker 5: do your single. I want you to do that. I

564
00:24:36,480 --> 00:24:38,080
Speaker 5: played it for him, I played the song from him.

565
00:24:38,119 --> 00:24:38,560
Speaker 6: He was crazy.

566
00:24:38,560 --> 00:24:39,760
Speaker 5: He's like, dude on the show, but you have to

567
00:24:39,760 --> 00:24:41,320
Speaker 5: get someone from the voice. And I'm gonna we can't

568
00:24:41,320 --> 00:24:42,639
Speaker 5: put your single. You gotta do this song. I'm like,

569
00:24:42,640 --> 00:24:47,000
Speaker 5: all right, fine, fucking Interscope's not gonna like this at all.

570
00:24:47,240 --> 00:24:50,520
Speaker 1: Is Ron fair anywhere in the story, No, damn.

571
00:24:50,600 --> 00:24:51,640
Speaker 8: He was going as like Jimmy.

572
00:24:51,680 --> 00:24:54,919
Speaker 5: Jimmy was still Jimmy was still kind of running things

573
00:24:55,640 --> 00:24:59,560
Speaker 5: whenever Beach was like about to happen, Oka, he almost

574
00:24:59,600 --> 00:25:00,280
Speaker 5: got dig a ship.

575
00:25:00,400 --> 00:25:07,199
Speaker 14: Even back then, I've been there before anywhere goes.

576
00:25:07,520 --> 00:25:08,960
Speaker 5: I want to just keep.

577
00:25:10,760 --> 00:25:23,960
Speaker 15: You already known, so fact come on Loca this guy.

578
00:25:24,960 --> 00:25:27,200
Speaker 5: So so you're like, okay, how do we do this

579
00:25:27,240 --> 00:25:30,120
Speaker 5: because we got a song. So we didn't tell anybody

580
00:25:30,200 --> 00:25:32,879
Speaker 5: in the scope, which is like crazy, right. We just

581
00:25:33,160 --> 00:25:36,119
Speaker 5: did it and it was live, right, So so that

582
00:25:36,280 --> 00:25:38,320
Speaker 5: was when like the song will go available, they would like,

583
00:25:38,359 --> 00:25:41,000
Speaker 5: you do something on TV, A zillion people will watch

584
00:25:41,000 --> 00:25:42,879
Speaker 5: it because's wheople used to watch TV. And then the

585
00:25:42,920 --> 00:25:45,200
Speaker 5: next day the ship would just shoot to the top

586
00:25:45,640 --> 00:25:48,280
Speaker 5: on like iTunes all that stuff. And so we just

587
00:25:48,480 --> 00:25:53,520
Speaker 5: didn't tell anybody. We did it live. And so that night, Jimmy,

588
00:25:54,080 --> 00:25:58,240
Speaker 5: everybody calls and it's like, what the fuck, like our present,

589
00:25:58,480 --> 00:26:00,200
Speaker 5: our label, guys are in indie guy.

590
00:26:00,200 --> 00:26:00,960
Speaker 6: I was like, this is fuck.

591
00:26:01,000 --> 00:26:01,480
Speaker 3: What the fuck?

592
00:26:01,520 --> 00:26:03,360
Speaker 5: You guys went rogue, like you have a single out.

593
00:26:03,680 --> 00:26:04,600
Speaker 5: I can't believe you didn't.

594
00:26:04,600 --> 00:26:06,120
Speaker 6: This is the worst piece of shit I've ever heard

595
00:26:06,160 --> 00:26:07,720
Speaker 6: in my life. What are you doing?

596
00:26:08,200 --> 00:26:10,159
Speaker 5: And Jordy it was just like cold blooded. He was

597
00:26:10,200 --> 00:26:16,240
Speaker 5: just like, let's talk in the morning. He was like,

598
00:26:16,320 --> 00:26:17,760
Speaker 5: let's just talk in the morning. And of course the

599
00:26:17,800 --> 00:26:20,440
Speaker 5: morning boom, biggest song on the planet and uh. And

600
00:26:20,560 --> 00:26:22,960
Speaker 5: so that was like that was the moment where it

601
00:26:23,080 --> 00:26:27,800
Speaker 5: was like, okay, record label, we will deliver the songs

602
00:26:27,840 --> 00:26:30,119
Speaker 5: to you and you will put them out Like that

603
00:26:30,240 --> 00:26:32,359
Speaker 5: was the battle that we won. And I still I

604
00:26:32,400 --> 00:26:34,159
Speaker 5: will talk shit about all this because I don't give

605
00:26:34,160 --> 00:26:36,960
Speaker 5: a fuck, like because record label shouldn't tell I don't

606
00:26:37,000 --> 00:26:39,200
Speaker 5: think what PANTS was to do. And so that was

607
00:26:39,200 --> 00:26:42,600
Speaker 5: where we took all the power because they were completely wrong. Hey,

608
00:26:42,680 --> 00:26:45,480
Speaker 5: if we were wrong, it would be like we would

609
00:26:45,480 --> 00:26:47,040
Speaker 5: be babysat for the rest of our lives.

610
00:26:48,040 --> 00:26:49,600
Speaker 3: But plus you had a steady path after that.

611
00:26:49,680 --> 00:26:51,480
Speaker 2: It's like, I'm still on this platform, so I'm gonna

612
00:26:51,480 --> 00:26:53,480
Speaker 2: still be selling your ship and it's to go higher

613
00:26:53,520 --> 00:26:54,080
Speaker 2: because I'm here.

614
00:26:54,119 --> 00:26:57,240
Speaker 5: So, like I said, we became an r in that moment.

615
00:26:57,800 --> 00:27:00,200
Speaker 6: I was like, give me my badge over that.

616
00:27:00,320 --> 00:27:02,159
Speaker 8: After that, then they just left you guys alone, and

617
00:27:02,359 --> 00:27:02,760
Speaker 8: I don't.

618
00:27:02,600 --> 00:27:04,600
Speaker 6: Think I talked to another person in the regular label

619
00:27:04,880 --> 00:27:06,760
Speaker 6: to this day. I love that.

620
00:27:07,720 --> 00:27:11,480
Speaker 7: Okay, So I did want to ask you as a

621
00:27:11,640 --> 00:27:16,159
Speaker 7: member of a band whose manager was kind of like

622
00:27:16,320 --> 00:27:21,560
Speaker 7: our fifth beatle, Richard Nichols, like he was our Peter Grant,

623
00:27:22,119 --> 00:27:25,600
Speaker 7: you know, our George Martin. That devastated us so much

624
00:27:25,680 --> 00:27:28,440
Speaker 7: that we never made an album after, Like we're it's

625
00:27:28,560 --> 00:27:30,920
Speaker 7: it's always ten years to make and one of the

626
00:27:30,960 --> 00:27:35,720
Speaker 7: biggest fears was how do we even navigate without his

627
00:27:35,960 --> 00:27:40,720
Speaker 7: presence to tell us things? How did you bounce back

628
00:27:40,800 --> 00:27:43,720
Speaker 7: from from Jordan's passing away? Like, how did that affect

629
00:27:43,760 --> 00:27:44,120
Speaker 7: the band?

630
00:27:45,359 --> 00:27:48,600
Speaker 5: You know, it'll never be the same, I think, like

631
00:27:49,320 --> 00:27:53,120
Speaker 5: for accepting that is important because when he passed away,

632
00:27:53,400 --> 00:27:55,560
Speaker 5: First of all, it was super sudden, it was super tragic.

633
00:27:55,640 --> 00:27:57,760
Speaker 5: He was too young, was so you know, still to

634
00:27:58,000 --> 00:27:59,640
Speaker 5: every single band, not a day goes by I don't

635
00:27:59,680 --> 00:28:04,560
Speaker 5: think about. And it was a crazy moment because he

636
00:28:04,760 --> 00:28:07,080
Speaker 5: passed away all of a sudden, we were thrust into

637
00:28:07,080 --> 00:28:10,639
Speaker 5: that whole Super Bowl nightmare, which couldn't have needed him

638
00:28:10,680 --> 00:28:13,720
Speaker 5: more for anything than I did in that moment. Didn't

639
00:28:13,760 --> 00:28:17,720
Speaker 5: have him twenty nineteen, Okay, so that all these things

640
00:28:17,840 --> 00:28:20,560
Speaker 5: happened that I really needed him for. So yeah, Look,

641
00:28:20,880 --> 00:28:23,560
Speaker 5: I thought we talked every day. Every single decision we

642
00:28:23,640 --> 00:28:26,280
Speaker 5: made was was a joint decision. Nothing was decided alone.

643
00:28:26,600 --> 00:28:29,040
Speaker 5: So I felt overwhelmed because I did make a lot

644
00:28:29,080 --> 00:28:32,560
Speaker 5: of these decisions with him, right, So, and then we'd

645
00:28:32,600 --> 00:28:35,439
Speaker 5: go to talk to the band and so shit, I mean,

646
00:28:35,880 --> 00:28:38,680
Speaker 5: it's a hole that will never be filled. I think

647
00:28:38,920 --> 00:28:42,120
Speaker 5: that I kind of thought to myself, Okay, we got

648
00:28:42,200 --> 00:28:44,400
Speaker 5: to have a couple of big songs, because first of all,

649
00:28:44,880 --> 00:28:45,600
Speaker 5: he lived.

650
00:28:45,400 --> 00:28:47,600
Speaker 6: And died by if we could do that.

651
00:28:48,480 --> 00:28:51,520
Speaker 5: It was almost like that's what kept me going, was like, Okay,

652
00:28:51,600 --> 00:28:54,640
Speaker 5: I know what this dude wants, right, and you know,

653
00:28:54,680 --> 00:28:56,560
Speaker 5: you get into the ethereal and the spiritual and all

654
00:28:56,560 --> 00:28:59,000
Speaker 5: that stuff. But like I definitely felt like I knew

655
00:28:59,000 --> 00:29:01,320
Speaker 5: what he would be saying right, Like whether I was

656
00:29:01,360 --> 00:29:03,560
Speaker 5: telling myself that or not, it's still I could feel

657
00:29:03,600 --> 00:29:05,160
Speaker 5: him all the time, and I kind of tried to

658
00:29:05,280 --> 00:29:07,560
Speaker 5: let him because you know, we have great people, and

659
00:29:07,600 --> 00:29:10,400
Speaker 5: you know, great people taking taking the reins. But of

660
00:29:10,480 --> 00:29:12,160
Speaker 5: course it's never gonna be They all know it's never

661
00:29:12,200 --> 00:29:14,440
Speaker 5: gonna be the same. And I just tried to like

662
00:29:14,600 --> 00:29:17,080
Speaker 5: listen for him a little bit and just go, Okay,

663
00:29:17,720 --> 00:29:20,800
Speaker 5: I could tell when he was angry, fucking laughing. I

664
00:29:20,880 --> 00:29:22,640
Speaker 5: could tell when I could I could tell when I

665
00:29:22,680 --> 00:29:24,160
Speaker 5: was about to make a decision that he would be

666
00:29:24,240 --> 00:29:26,360
Speaker 5: pissed that I would make right, and just tried to

667
00:29:26,480 --> 00:29:28,600
Speaker 5: like adhere to that a little bit. But I mean

668
00:29:28,760 --> 00:29:31,280
Speaker 5: it's just and still, I mean it's it's not as

669
00:29:31,400 --> 00:29:33,560
Speaker 5: heavy as it was in the beginning, but like, and

670
00:29:33,640 --> 00:29:34,920
Speaker 5: I mean to do the super Bowl. I mean, no,

671
00:29:35,120 --> 00:29:37,120
Speaker 5: no one really caught it. But this first thing I

672
00:29:37,200 --> 00:29:38,800
Speaker 5: said on that mic was like this for you, Jordy,

673
00:29:38,880 --> 00:29:41,760
Speaker 5: you know, the most exciting moment I think for me

674
00:29:42,160 --> 00:29:45,280
Speaker 5: kind of post Jordan was surviving the super Bowl. But

675
00:29:45,360 --> 00:29:49,360
Speaker 5: that's the whole fucking nightmare conversation. But it was it

676
00:29:49,480 --> 00:29:53,200
Speaker 5: was like having a big, big, big memories girls like you,

677
00:29:53,360 --> 00:29:55,640
Speaker 5: Like those were big songs and they were after Jordy,

678
00:29:56,160 --> 00:29:59,800
Speaker 5: and so like that made me feel like like, can

679
00:30:00,160 --> 00:30:03,160
Speaker 5: we can do a version of this like without him?

680
00:30:03,280 --> 00:30:05,280
Speaker 5: But it also never feels like he was really gone.

681
00:30:05,320 --> 00:30:07,880
Speaker 5: So until every night I play Memories, is like think

682
00:30:07,920 --> 00:30:11,320
Speaker 5: about him every single time. So it's he's still around.

683
00:30:11,680 --> 00:30:14,520
Speaker 5: He's still around. But yeah, it's it's it's impossible. It's

684
00:30:14,800 --> 00:30:15,440
Speaker 5: impossible not.

685
00:30:15,560 --> 00:30:15,920
Speaker 6: To have him.

686
00:30:16,400 --> 00:30:18,800
Speaker 8: But it forces you to grow up and now, yeah.

687
00:30:18,640 --> 00:30:23,640
Speaker 5: And take more accountability for the decisions, you know, make

688
00:30:23,680 --> 00:30:26,480
Speaker 5: those decisions with confidence and grow up. You gotta grow

689
00:30:26,560 --> 00:30:28,800
Speaker 5: up because he was he was my greatest I always say,

690
00:30:28,800 --> 00:30:30,920
Speaker 5: he was like my protector, the dude I have my back.

691
00:30:31,280 --> 00:30:31,440
Speaker 6: You know.

692
00:30:37,880 --> 00:30:48,560
Speaker 12: Oh my god, I cannot believe we have winning.

693
00:30:48,720 --> 00:31:01,800
Speaker 6: God I'm happy, isn't live.

694
00:31:05,560 --> 00:31:07,800
Speaker 8: How the field to have these guys in your band?

695
00:31:07,840 --> 00:31:12,440
Speaker 1: And please six grammys?

696
00:31:12,640 --> 00:31:13,920
Speaker 8: These guys, these guys.

697
00:31:14,320 --> 00:31:19,160
Speaker 6: Know the band we have eight? We got eight Grammys. Yeah, ok, yeah,

698
00:31:19,160 --> 00:31:21,000
Speaker 6: we only responsible for less than half of those.

699
00:31:22,880 --> 00:31:23,520
Speaker 8: Doesn't matter.

700
00:31:23,680 --> 00:31:26,320
Speaker 5: No, really, no, if it matter, we wouldn't be talking

701
00:31:26,320 --> 00:31:26,600
Speaker 5: about it.

702
00:31:26,640 --> 00:31:27,720
Speaker 6: We'd be holding it inside.

703
00:31:28,000 --> 00:31:28,200
Speaker 12: Yeah.

704
00:31:28,960 --> 00:31:32,640
Speaker 6: Notice the fact he jokes about it on stage almost

705
00:31:32,680 --> 00:31:36,280
Speaker 6: every night. I'm like, I'm like, like, keyboard, introduce this guy.

706
00:31:36,320 --> 00:31:39,040
Speaker 6: He loves when I talk about all his Grammys, right

707
00:31:39,360 --> 00:31:40,040
Speaker 6: because I hate it.

708
00:31:40,200 --> 00:31:41,200
Speaker 15: I hate it.

709
00:31:41,840 --> 00:31:44,320
Speaker 10: Yeah, they told me I was gonna win more Grammys, and.

710
00:31:44,320 --> 00:31:45,440
Speaker 6: I'm like, man, you know it's cool.

711
00:31:45,440 --> 00:31:47,520
Speaker 14: I'm happy to get that one. It took forever for

712
00:31:47,680 --> 00:31:50,600
Speaker 14: me to get one. I'm like, you know, man, look,

713
00:31:50,640 --> 00:31:51,280
Speaker 14: I'm just happy.

714
00:31:51,440 --> 00:31:53,240
Speaker 1: I'm just they fit in the bathroom.

715
00:31:53,560 --> 00:31:55,880
Speaker 6: You got to put them out on your Yeah.

716
00:31:56,000 --> 00:31:56,040
Speaker 4: No.

717
00:31:56,280 --> 00:31:59,680
Speaker 6: But I mean I think it's also such different worlds too.

718
00:31:59,760 --> 00:32:01,480
Speaker 6: I mean, you know, you know on the.

719
00:32:01,480 --> 00:32:02,920
Speaker 5: Tour thread, you know, on our band, thread will be

720
00:32:02,960 --> 00:32:03,720
Speaker 5: like can you grass PJ?

721
00:32:04,720 --> 00:32:08,560
Speaker 6: Like I just asked Adam.

722
00:32:08,600 --> 00:32:10,080
Speaker 2: I was like, love a life when you saw the

723
00:32:10,120 --> 00:32:12,320
Speaker 2: PJ got to duet with Stevie's like, man, I like

724
00:32:12,360 --> 00:32:12,959
Speaker 2: to remind him.

725
00:32:13,040 --> 00:32:15,080
Speaker 5: I'm like, whatever, man, I remember my first beer.

726
00:32:18,120 --> 00:32:21,080
Speaker 14: Yeah yeah, no, you performed live when I'm at like

727
00:32:21,240 --> 00:32:23,040
Speaker 14: Live eight or something live.

728
00:32:23,000 --> 00:32:25,440
Speaker 5: And almost was so petrified I almost didn't make to

729
00:32:25,520 --> 00:32:28,400
Speaker 5: the stage and really, oh yeah. It was like a

730
00:32:28,440 --> 00:32:34,280
Speaker 5: mill record us delivery.

731
00:32:35,120 --> 00:32:37,640
Speaker 6: And by the way, talk about no rehearsal. I meet

732
00:32:37,680 --> 00:32:38,040
Speaker 6: the dude.

733
00:32:38,080 --> 00:32:39,959
Speaker 5: Sorry, I'm taking your ship right now, but you can

734
00:32:39,960 --> 00:32:46,040
Speaker 5: talk about yours. I'm chilling, he goes, he goes, he goes,

735
00:32:46,200 --> 00:32:49,080
Speaker 5: uh no, like I'm listening to the record kind of thing.

736
00:32:49,080 --> 00:32:52,920
Speaker 6: I'm like, sh okay, I know the record, Okay, practicing

737
00:32:52,960 --> 00:32:53,080
Speaker 6: to it.

738
00:32:53,520 --> 00:32:55,800
Speaker 5: I meet him for thirty seconds, right, and he gives

739
00:32:55,840 --> 00:32:58,040
Speaker 5: me a big bear hug, big Stevie Barrack and he's like.

740
00:32:58,240 --> 00:32:58,640
Speaker 6: Like all right.

741
00:32:58,880 --> 00:33:01,320
Speaker 5: He's like minutes before we go, right, and he's like

742
00:33:01,320 --> 00:33:03,000
Speaker 5: all right, So like you do like a fool, He's

743
00:33:03,000 --> 00:33:03,960
Speaker 5: telling me all the ship I gotta do.

744
00:33:04,040 --> 00:33:07,600
Speaker 6: I'm like, really, bro, like this is it. He's like yeah,

745
00:33:07,720 --> 00:33:09,680
Speaker 6: He's like oh downstown yeah.

746
00:33:10,040 --> 00:33:11,840
Speaker 5: And so I'm like all right. And so I'm standing

747
00:33:11,920 --> 00:33:13,600
Speaker 5: on side of the stage and Fred you know, tour

748
00:33:13,680 --> 00:33:16,520
Speaker 5: managers got me in and He's goes, come out here

749
00:33:16,640 --> 00:33:20,440
Speaker 5: just sing this ship, and I'm like, like, I've never

750
00:33:20,560 --> 00:33:21,400
Speaker 5: frozen before.

751
00:33:21,960 --> 00:33:23,960
Speaker 6: But it was like a million people there and.

752
00:33:24,000 --> 00:33:24,640
Speaker 12: It was Steve.

753
00:33:25,360 --> 00:33:27,880
Speaker 6: I'm like, if this up, it's not good. And so

754
00:33:28,280 --> 00:33:29,800
Speaker 6: I'm like, oh ship, And you can see this the

755
00:33:29,880 --> 00:33:30,280
Speaker 6: video of it.

756
00:33:30,360 --> 00:33:32,640
Speaker 5: You see me running to get to the mic, and then,

757
00:33:32,920 --> 00:33:36,640
Speaker 5: of course, in the worst fashion, I mess up the

758
00:33:36,680 --> 00:33:38,920
Speaker 5: first line so bad. I mean I I caught myself

759
00:33:38,960 --> 00:33:39,960
Speaker 5: and finally got into the.

760
00:33:40,360 --> 00:33:41,960
Speaker 6: It was great. It wound up being great, but I

761
00:33:42,080 --> 00:33:54,480
Speaker 6: was like to stay too long and then like it's horrible.

762
00:33:55,280 --> 00:33:59,480
Speaker 5: Still here, man, God, I figured out anywhere that's my.

763
00:33:59,560 --> 00:34:03,000
Speaker 7: Se so sorry for So, how how far in the

764
00:34:03,080 --> 00:34:07,880
Speaker 7: creative process are you guys into another product like your

765
00:34:07,960 --> 00:34:08,560
Speaker 7: next project?

766
00:34:08,880 --> 00:34:10,960
Speaker 6: Man, I'm writing we have us too.

767
00:34:11,160 --> 00:34:14,880
Speaker 5: I am on on one, like I no more code writers,

768
00:34:15,080 --> 00:34:21,160
Speaker 5: So I'm done. It got It's just after however, many

769
00:34:21,239 --> 00:34:23,000
Speaker 5: years and all the things we got to do, like

770
00:34:23,239 --> 00:34:26,560
Speaker 5: I finally have just started doing it on my own

771
00:34:27,320 --> 00:34:30,080
Speaker 5: and everything now is coming from me, starting with me,

772
00:34:31,280 --> 00:34:35,200
Speaker 5: and that's I have never been happier like it originally was. Yeah,

773
00:34:35,440 --> 00:34:35,959
Speaker 5: going nuts.

774
00:34:36,239 --> 00:34:41,200
Speaker 7: So when do you for your creative process? When is

775
00:34:41,320 --> 00:34:43,800
Speaker 7: your best time of creating. Are you a nighttime person?

776
00:34:43,920 --> 00:34:45,080
Speaker 7: First thing? In the morning person?

777
00:34:45,280 --> 00:34:49,920
Speaker 5: Daytime like midday like I'm useless like after eight and

778
00:34:50,360 --> 00:34:52,440
Speaker 5: and in the early early morning, like I need to

779
00:34:52,520 --> 00:34:54,920
Speaker 5: do shit to like get my brain right, Like.

780
00:34:55,080 --> 00:34:56,200
Speaker 8: What is your morning routine?

781
00:34:56,600 --> 00:35:00,239
Speaker 5: Just like exercise, I have to exercise. I can't think,

782
00:35:00,600 --> 00:35:02,240
Speaker 5: like I have to get out and run.

783
00:35:03,760 --> 00:35:04,600
Speaker 6: Shout out to Austin.

784
00:35:07,719 --> 00:35:10,040
Speaker 14: Yeah, it's exciting for me because I joined the band

785
00:35:10,600 --> 00:35:14,479
Speaker 14: at a unique time, you know, be fourteen years in July.

786
00:35:16,040 --> 00:35:19,600
Speaker 14: But I joined on the last album where it was

787
00:35:19,680 --> 00:35:22,840
Speaker 14: like heavy heavy, like all band, right, the one you

788
00:35:22,920 --> 00:35:25,880
Speaker 14: guys did in Switzerland. And then I always say pre

789
00:35:26,040 --> 00:35:28,480
Speaker 14: moves like Jagger, post moves like Jagger. But then I

790
00:35:28,560 --> 00:35:31,120
Speaker 14: think he just needed a break in a way, like

791
00:35:31,280 --> 00:35:33,600
Speaker 14: just a brain break. And it took years, I think

792
00:35:33,680 --> 00:35:36,120
Speaker 14: from all of that, I mean eighth grade, you know,

793
00:35:36,320 --> 00:35:38,719
Speaker 14: being a band, all of that, and to see him

794
00:35:38,800 --> 00:35:40,000
Speaker 14: now I hadn't.

795
00:35:40,120 --> 00:35:41,800
Speaker 6: This is like vintage Adam.

796
00:35:41,880 --> 00:35:45,680
Speaker 14: He's like excited like a kid, like sending me records

797
00:35:45,880 --> 00:35:49,120
Speaker 14: every other day, like and they're good and they sound

798
00:35:49,280 --> 00:35:51,799
Speaker 14: like him, and it's like I tried to give him one.

799
00:35:51,880 --> 00:35:52,040
Speaker 2: You know.

800
00:35:52,160 --> 00:35:53,880
Speaker 14: Some of my boys be like yo, man, slide this,

801
00:35:55,640 --> 00:35:57,160
Speaker 14: I said him. He was like, bro, I just gotta

802
00:35:57,200 --> 00:35:59,919
Speaker 14: I gotta do it myself, you know. And I told

803
00:36:00,280 --> 00:36:02,040
Speaker 14: understand that. So I'm just I'm excited.

804
00:36:02,160 --> 00:36:04,279
Speaker 6: It's the opposite for this era. It's the opposite it

805
00:36:04,400 --> 00:36:04,640
Speaker 6: used to be.

806
00:36:05,320 --> 00:36:07,040
Speaker 5: For a minute, I felt like the security blanket of

807
00:36:07,080 --> 00:36:09,560
Speaker 5: like if the ideas came from elsewhere, that I wouldn't

808
00:36:09,600 --> 00:36:13,000
Speaker 5: have the pressure of creating them. And that's addictive, especially

809
00:36:13,040 --> 00:36:15,279
Speaker 5: when you have some success with it, because you're like, Okay, fuck,

810
00:36:15,360 --> 00:36:18,919
Speaker 5: this formula works. And then very very recently with people,

811
00:36:19,000 --> 00:36:21,279
Speaker 5: I don't know what's going on. This is a whole

812
00:36:21,360 --> 00:36:25,880
Speaker 5: other sidebar. But music is crazy, like I don't know,

813
00:36:26,040 --> 00:36:27,840
Speaker 5: I have lost and maybe I'm old. I don't know

814
00:36:27,920 --> 00:36:31,080
Speaker 5: what's going on, but like shit is sideways so much,

815
00:36:31,280 --> 00:36:36,080
Speaker 5: I don't know what's happening. So I started getting ideas

816
00:36:36,080 --> 00:36:38,440
Speaker 5: as usual, but like every idea was one idea was

817
00:36:38,440 --> 00:36:40,080
Speaker 5: worse than the next. I'm like, I can do better

818
00:36:40,239 --> 00:36:42,760
Speaker 5: than this. So I think that was a very organic

819
00:36:42,960 --> 00:36:46,440
Speaker 5: like way to come to that conclusion. It wasn't like yeah, because.

820
00:36:46,200 --> 00:36:48,719
Speaker 14: You were cool with the other I mean, like you're curating,

821
00:36:48,840 --> 00:36:50,719
Speaker 14: you know, you would fix these lyrics to make it

822
00:36:50,840 --> 00:36:51,719
Speaker 14: fit fit us.

823
00:36:51,880 --> 00:36:54,040
Speaker 6: But like now it's like now I can't even hear

824
00:36:54,080 --> 00:36:56,080
Speaker 6: I don't want to hear other stuff. I'm not interested

825
00:36:56,440 --> 00:36:58,279
Speaker 6: like I used to only be interested in that.

826
00:36:59,239 --> 00:37:01,200
Speaker 3: But I hope I'm not asking this this. This is

827
00:37:01,200 --> 00:37:01,719
Speaker 3: a dumb question.

828
00:37:01,800 --> 00:37:03,640
Speaker 2: And y'all have already done this because I know that PJA,

829
00:37:03,719 --> 00:37:06,080
Speaker 2: you do background vocals and stuff, But have y'all.

830
00:37:05,960 --> 00:37:07,960
Speaker 3: Ever have y'all done anything together yet?

831
00:37:09,640 --> 00:37:10,440
Speaker 6: Well, even written.

832
00:37:10,680 --> 00:37:12,160
Speaker 14: You need to come by the way, like I know,

833
00:37:12,320 --> 00:37:15,799
Speaker 14: I know, we talked about it. Look it's crazy to say.

834
00:37:15,920 --> 00:37:17,520
Speaker 14: I mean, I've been in this band a long time.

835
00:37:18,680 --> 00:37:20,120
Speaker 14: I'd be super busy when.

836
00:37:19,960 --> 00:37:20,959
Speaker 6: I'm not the band.

837
00:37:23,880 --> 00:37:27,160
Speaker 14: He's locked in so much now I'm like, man, why

838
00:37:27,280 --> 00:37:29,759
Speaker 14: you wait till I just like fill in every gap

839
00:37:29,880 --> 00:37:30,840
Speaker 14: that we have, you know.

840
00:37:31,200 --> 00:37:34,400
Speaker 6: But I'm like, I need parts of this, like what

841
00:37:34,520 --> 00:37:35,359
Speaker 6: he's doing right now.

842
00:37:35,719 --> 00:37:37,360
Speaker 14: I'm trying to trying to get in. I sent a

843
00:37:37,400 --> 00:37:39,560
Speaker 14: couple of tracks, but he's just moved. I'm talking about

844
00:37:39,640 --> 00:37:41,399
Speaker 14: like three songs a day type vibe.

845
00:37:41,560 --> 00:37:42,640
Speaker 6: That's what he's on right now.

846
00:37:43,040 --> 00:37:45,200
Speaker 14: But I've only written one song with the band, and

847
00:37:45,280 --> 00:37:48,960
Speaker 14: it was because it was an experiment. Twenty four hours

848
00:37:50,320 --> 00:37:53,160
Speaker 14: to not remember. I know, bro, we had to create

849
00:37:53,239 --> 00:37:55,520
Speaker 14: a song in twenty four hours in front of the

850
00:37:55,600 --> 00:37:59,320
Speaker 14: world watching this was early like live stream.

851
00:38:00,239 --> 00:38:03,920
Speaker 1: Just put a camera side this, yeah, straight.

852
00:38:03,680 --> 00:38:06,640
Speaker 6: Up and then you say and there were comment it's

853
00:38:06,680 --> 00:38:06,880
Speaker 6: on you.

854
00:38:07,000 --> 00:38:09,560
Speaker 14: So you see the America go to sleep and then

855
00:38:09,600 --> 00:38:11,960
Speaker 14: you see Asia wake up and they're all commenting like

856
00:38:12,040 --> 00:38:12,919
Speaker 14: we love this part.

857
00:38:13,440 --> 00:38:15,560
Speaker 6: And it's like he took a nap and I was like,

858
00:38:16,040 --> 00:38:17,920
Speaker 6: we need to they have to watch the take a bridge.

859
00:38:18,320 --> 00:38:20,640
Speaker 6: He went to the other room. It was and I

860
00:38:20,760 --> 00:38:23,120
Speaker 6: wrote the bridge was all night. It was twenty four hours.

861
00:38:23,160 --> 00:38:23,320
Speaker 12: It was.

862
00:38:23,480 --> 00:38:28,200
Speaker 14: It was kind of like torture, like this experience literally torture.

863
00:38:28,480 --> 00:38:30,160
Speaker 14: Know that twenty four is a little different.

864
00:38:30,160 --> 00:38:32,799
Speaker 5: Well now now now I feel like right now we'd

865
00:38:32,840 --> 00:38:36,120
Speaker 5: be out in like three hours, it's done.

866
00:38:36,400 --> 00:38:37,719
Speaker 6: But back then it was like weird.

867
00:38:37,800 --> 00:38:40,520
Speaker 7: I think the general rule for me, if we're still

868
00:38:41,200 --> 00:38:44,520
Speaker 7: harping on an idea after twenty minutes, then it's time

869
00:38:44,600 --> 00:38:46,480
Speaker 7: to lock it down and do it or go to

870
00:38:46,560 --> 00:38:47,040
Speaker 7: the next door.

871
00:38:47,160 --> 00:38:49,319
Speaker 6: It's gotta be in an instant. It's gotta be it's there.

872
00:38:49,440 --> 00:38:51,960
Speaker 11: If it's not there, it's not there, I.

873
00:38:51,960 --> 00:38:53,399
Speaker 8: Don't work it. If it's work. It's work.

874
00:38:53,600 --> 00:38:54,960
Speaker 6: You don't write music, so you.

875
00:38:55,000 --> 00:38:55,920
Speaker 5: Just get so stuck.

876
00:38:56,040 --> 00:38:58,640
Speaker 7: I know you guys don't like that idea, but I

877
00:38:59,680 --> 00:39:03,439
Speaker 7: now I now want to creatively explore that idea as

878
00:39:03,600 --> 00:39:04,160
Speaker 7: a project.

879
00:39:04,200 --> 00:39:06,279
Speaker 10: The twenty four though, but you don't. You don't like

880
00:39:06,360 --> 00:39:07,120
Speaker 10: the pressure.

881
00:39:07,239 --> 00:39:10,600
Speaker 6: I don't remember it because it was trauma. I mean, like, yeah,

882
00:39:10,680 --> 00:39:13,640
Speaker 6: you you you don't want people to watch you were eighteen.

883
00:39:13,840 --> 00:39:17,359
Speaker 5: You're like, okay, look there's a world where I could

884
00:39:17,360 --> 00:39:19,960
Speaker 5: see it's it's like and I can see your wheels

885
00:39:19,960 --> 00:39:21,640
Speaker 5: turning about it because you're like this sounds kind of dope.

886
00:39:21,680 --> 00:39:23,480
Speaker 8: Like yeah, I'm like documenting right now.

887
00:39:23,680 --> 00:39:24,399
Speaker 6: Yeah, you get in there.

888
00:39:24,400 --> 00:39:26,720
Speaker 14: I write a platform that will I like the Compact

889
00:39:26,800 --> 00:39:30,120
Speaker 14: Time I just did out in thirty days in Africa,

890
00:39:30,280 --> 00:39:30,880
Speaker 14: So I like that.

891
00:39:31,560 --> 00:39:33,640
Speaker 6: But the twenty four, like, I like sleep.

892
00:39:33,840 --> 00:39:34,439
Speaker 8: You know what I'm saying.

893
00:39:34,880 --> 00:39:37,640
Speaker 6: People watch you have to like watch it.

894
00:39:37,920 --> 00:39:40,520
Speaker 4: Why It's like, I just think to observe a process

895
00:39:40,640 --> 00:39:43,160
Speaker 4: is to change it, Like you're not really if you're

896
00:39:43,200 --> 00:39:46,160
Speaker 4: watching me create now I'm conscious that you're watching me.

897
00:39:46,239 --> 00:39:48,759
Speaker 5: So now, even a documentary I remember because they came

898
00:39:48,800 --> 00:39:50,360
Speaker 5: to shoot us like a couple of weeks ago, and

899
00:39:50,440 --> 00:39:52,320
Speaker 5: I was like it was me. I was flying like

900
00:39:52,800 --> 00:39:54,319
Speaker 5: I was on one and then the second they all

901
00:39:54,360 --> 00:39:56,239
Speaker 5: got in my face because when we did the thing,

902
00:39:56,440 --> 00:39:59,880
Speaker 5: it was camera people and sound people everywhere, hundred people there.

903
00:40:00,000 --> 00:40:00,200
Speaker 8: Action.

904
00:40:00,360 --> 00:40:04,240
Speaker 6: It's not good. It's probably like sex scene, but everybody

905
00:40:05,640 --> 00:40:06,520
Speaker 6: maybe a go pros.

906
00:40:06,680 --> 00:40:10,760
Speaker 5: But make sure there's no people after like other style.

907
00:40:13,880 --> 00:40:14,359
Speaker 2: Here right now.

908
00:40:14,719 --> 00:40:15,279
Speaker 8: We can damn it.

909
00:40:15,400 --> 00:40:17,120
Speaker 5: We can improve this process, all right, We gotta wrap

910
00:40:17,200 --> 00:40:17,640
Speaker 5: the show up.

911
00:40:18,520 --> 00:40:21,480
Speaker 7: However, one final question, because I wanted to ask you

912
00:40:21,560 --> 00:40:25,279
Speaker 7: just frothy everyday regular questions, but I'll pose it to

913
00:40:25,320 --> 00:40:25,759
Speaker 7: the both of you.

914
00:40:26,120 --> 00:40:29,760
Speaker 1: House on fire, and you got to save five albums.

915
00:40:30,640 --> 00:40:34,880
Speaker 6: I don't do this and not box sets or greatest

916
00:40:34,920 --> 00:40:35,960
Speaker 6: hits about double albums.

917
00:40:36,400 --> 00:40:39,239
Speaker 7: Double albums are allowed as a single album. What five

918
00:40:39,280 --> 00:40:40,160
Speaker 7: albums are you saving?

919
00:40:41,640 --> 00:40:48,240
Speaker 14: You should go back and forth, okay, Steed with Stevie Visions.

920
00:40:48,320 --> 00:40:51,320
Speaker 6: Probably for me that's not as much music songs and

921
00:40:51,560 --> 00:40:54,760
Speaker 6: life though no repeat those nine songs.

922
00:40:58,400 --> 00:41:05,680
Speaker 1: Warrant Sweet Cherry be making just a drum solo and

923
00:41:05,719 --> 00:41:08,719
Speaker 1: you got you gotta say in the microphone.

924
00:41:10,280 --> 00:41:11,960
Speaker 5: I'm gonna take sons like y life just because it's

925
00:41:12,000 --> 00:41:13,279
Speaker 5: longer and I'll get more out of it.

926
00:41:13,320 --> 00:41:13,880
Speaker 8: And it's safer.

927
00:41:13,920 --> 00:41:17,160
Speaker 6: All right, albums I like her? Sure, I'm looking for

928
00:41:17,320 --> 00:41:18,279
Speaker 6: like the albums I like.

929
00:41:18,880 --> 00:41:21,880
Speaker 2: Okay, don't worry about impressing this crew, just say that

930
00:41:22,280 --> 00:41:23,080
Speaker 2: ship you go.

931
00:41:23,160 --> 00:41:27,479
Speaker 6: I'll probably take abbey Road. I was gonna say, take yours,

932
00:41:31,440 --> 00:41:33,879
Speaker 6: all right, off the Wall, yes, sir?

933
00:41:34,440 --> 00:41:35,600
Speaker 8: All right? Three?

934
00:41:35,880 --> 00:41:38,239
Speaker 5: Now I'm tempted to go, like doing another Michael record.

935
00:41:38,680 --> 00:41:42,200
Speaker 6: Now do you do well?

936
00:41:42,520 --> 00:41:43,560
Speaker 1: Thriller's not on your list.

937
00:41:43,640 --> 00:41:45,239
Speaker 12: Your house deserves to get burned.

938
00:41:46,719 --> 00:41:47,200
Speaker 6: Like the Pree.

939
00:41:47,280 --> 00:41:50,920
Speaker 8: I like the Pree, the Pinkerton of Thriller's Blue album.

940
00:41:51,719 --> 00:41:54,359
Speaker 5: Not because you said off the Wall, but I would

941
00:41:54,360 --> 00:41:56,920
Speaker 5: between those two Thriller, look at the Thriller. That's three.

942
00:41:57,000 --> 00:41:59,919
Speaker 3: All right, all right, you'll gotta name someone.

943
00:42:00,120 --> 00:42:02,400
Speaker 6: Now I'm throw me the one album.

944
00:42:02,520 --> 00:42:05,360
Speaker 10: You wouldn't expect your fan base to expect that you

945
00:42:05,600 --> 00:42:06,960
Speaker 10: like my fan.

946
00:42:08,440 --> 00:42:09,839
Speaker 6: They wouldn't know about Abby.

947
00:42:09,600 --> 00:42:15,960
Speaker 7: Rose's Beatles and black people were with j No.

948
00:42:16,120 --> 00:42:17,640
Speaker 14: No, I'm saying, I don't know if my fans would

949
00:42:17,680 --> 00:42:20,360
Speaker 14: think that abbey Road is my pick. I would expect

950
00:42:20,400 --> 00:42:22,600
Speaker 14: you James Taylor record.

951
00:42:22,760 --> 00:42:27,560
Speaker 6: Probably. Yeah. Well, I started on a on the greatest

952
00:42:27,640 --> 00:42:28,080
Speaker 6: type thing.

953
00:42:28,440 --> 00:42:30,560
Speaker 14: I didn't I didn't go separate records, but like like

954
00:42:30,840 --> 00:42:34,360
Speaker 14: Carolina on My Mind and uh sweet Baby James.

955
00:42:34,520 --> 00:42:36,120
Speaker 6: Yeah, so it's probably that record.

956
00:42:36,320 --> 00:42:38,840
Speaker 3: Shout out to the James Taylor episode The Quest of Supreme,

957
00:42:39,880 --> 00:42:43,960
Speaker 3: you know, like you like that was so good?

958
00:42:44,960 --> 00:42:47,000
Speaker 8: Yeah, President j Man.

959
00:42:48,920 --> 00:42:50,680
Speaker 6: Know it's so crazy.

960
00:42:50,760 --> 00:42:53,720
Speaker 14: I don't want to but I found out about James

961
00:42:53,800 --> 00:42:56,560
Speaker 14: way later in life. It was like American Music Awards

962
00:42:56,640 --> 00:42:58,480
Speaker 14: or something, and they were honoring him and they played

963
00:42:58,560 --> 00:43:01,400
Speaker 14: Fire and Rain and I was like, yeah, yeah, is that?

964
00:43:02,280 --> 00:43:04,800
Speaker 14: And I just went and like, man, I always go

965
00:43:04,920 --> 00:43:05,799
Speaker 14: all the way back and I.

966
00:43:05,840 --> 00:43:06,759
Speaker 6: Got the Apples Ship.

967
00:43:06,920 --> 00:43:09,080
Speaker 7: We found out about James at the episode because we

968
00:43:09,200 --> 00:43:11,520
Speaker 7: thought his music would reflect his life.

969
00:43:12,840 --> 00:43:14,359
Speaker 5: His life is the exact.

970
00:43:14,120 --> 00:43:16,799
Speaker 6: Opposite, is war.

971
00:43:17,239 --> 00:43:21,520
Speaker 1: Yeah like that everywhere?

972
00:43:21,680 --> 00:43:22,720
Speaker 8: Alright, your last record.

973
00:43:23,800 --> 00:43:25,600
Speaker 5: I've been sitting here trying to think about it, and

974
00:43:25,680 --> 00:43:30,080
Speaker 5: that's hard. I got only the three man. Anyway, we

975
00:43:30,120 --> 00:43:32,719
Speaker 5: didn't know who's counting. Okay, I don't want to skiss you.

976
00:43:32,880 --> 00:43:35,000
Speaker 5: I'm gonna be like, you're gonna judge my choice.

977
00:43:36,680 --> 00:43:38,480
Speaker 8: Hip hop? What's one of my favorite hip hop albums?

978
00:43:38,480 --> 00:43:38,719
Speaker 12: Just picked?

979
00:43:38,760 --> 00:43:41,040
Speaker 6: Well say hip hop got narrowed down.

980
00:43:40,880 --> 00:43:43,040
Speaker 5: But then you're gonna judge this choice. Okay, just because

981
00:43:43,040 --> 00:43:43,360
Speaker 5: it was the.

982
00:43:43,360 --> 00:43:50,440
Speaker 6: First one's judging you on the stop, not overtly, just quietly.

983
00:43:51,520 --> 00:43:52,600
Speaker 12: Will you get out of my head?

984
00:43:54,120 --> 00:43:56,560
Speaker 5: I'm okay, listen if I'm only taking my five records

985
00:43:56,760 --> 00:43:58,239
Speaker 5: as far as hip hop, as far as the first

986
00:43:58,320 --> 00:43:59,920
Speaker 5: hip hop record, her first record I ever heard, the

987
00:44:00,040 --> 00:44:03,960
Speaker 5: blew my mind raising Hill. It's like, I gotta take

988
00:44:03,960 --> 00:44:08,000
Speaker 5: go all the way back and then fine, I would

989
00:44:08,000 --> 00:44:11,120
Speaker 5: be it is going to be so generic, no.

990
00:44:12,640 --> 00:44:16,520
Speaker 1: I have there's so many we respect that.

991
00:44:16,800 --> 00:44:16,880
Speaker 12: Ye.

992
00:44:18,160 --> 00:44:21,480
Speaker 14: I was gonna say witch Prints record because Raspberry Beret

993
00:44:21,560 --> 00:44:25,520
Speaker 14: is my favorite around the world. That's not my favorite album,

994
00:44:25,800 --> 00:44:26,600
Speaker 14: that's my favorite song.

995
00:44:27,400 --> 00:44:31,040
Speaker 1: My favorite album is Parade, which you know was sort

996
00:44:31,080 --> 00:44:32,480
Speaker 1: of a weird period for him.

997
00:44:32,560 --> 00:44:36,319
Speaker 6: But yeah, first round, Yes, Yeah, that's great.

998
00:44:36,640 --> 00:44:38,120
Speaker 8: Yeah, all right, so.

999
00:44:39,920 --> 00:44:40,640
Speaker 6: There you go, there we go.

1000
00:44:41,480 --> 00:44:42,880
Speaker 8: Yes, I know you got to get you.

1001
00:44:42,920 --> 00:44:45,320
Speaker 1: Out of here because motherfucker's kind of coming.

1002
00:44:45,160 --> 00:44:49,600
Speaker 6: And go do fellon. We're about to go, do we

1003
00:44:49,719 --> 00:44:49,920
Speaker 6: are on?

1004
00:44:54,320 --> 00:44:56,920
Speaker 7: I don't even look at the schedule anymore. Yo, thank

1005
00:44:56,960 --> 00:44:58,560
Speaker 7: you guys so much for coming on the show.

1006
00:45:00,920 --> 00:45:01,279
Speaker 8: Thank you for.

1007
00:45:04,280 --> 00:45:05,000
Speaker 12: Thank you so much.

1008
00:45:05,600 --> 00:45:08,719
Speaker 7: We have a brand new bill. I'm forgetting your name

1009
00:45:09,800 --> 00:45:13,759
Speaker 7: just the bill. Yes, and Si Steve and Liah G.

1010
00:45:13,920 --> 00:45:15,600
Speaker 8: Schneider called want you to go suck yourself.

1011
00:45:23,000 --> 00:45:23,600
Speaker 7: That was awesome.

1012
00:45:25,160 --> 00:45:26,840
Speaker 6: Thank you for listening to Quest Love stream.

1013
00:45:27,320 --> 00:45:30,640
Speaker 4: This podcast is hosted by a mere quest Love, Thomas,

1014
00:45:31,080 --> 00:45:34,200
Speaker 4: The Boss Man, Light Here, Saint Clair So Black and

1015
00:45:34,280 --> 00:45:38,920
Speaker 4: The Black Myself Fan Sigelo Fante, Colden Sugar, Steve Mandell

1016
00:45:39,360 --> 00:45:43,399
Speaker 4: and Unpaid Bill Sherman. The executive producers are a near

1017
00:45:43,520 --> 00:45:47,600
Speaker 4: Quest Love, Thompson, John g and The Unbothered Brian Calhouns

1018
00:45:47,880 --> 00:45:52,200
Speaker 4: produced by Brittany Benjamin, My Dog Cousin, Jake Payin, My

1019
00:45:52,320 --> 00:45:58,120
Speaker 4: Motherfucking Man, and Like My Work White edited by Alex Conroe.

1020
00:45:58,520 --> 00:46:00,680
Speaker 4: Produced for Our Heart by Brown.

1021
00:46:05,520 --> 00:46:05,759
Speaker 8: West.

1022
00:46:05,800 --> 00:46:13,080
Speaker 1: Love Supreme is a production of Iheartened Radio. For more

1023
00:46:13,120 --> 00:46:17,600
Speaker 1: podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

1024
00:46:17,640 --> 00:46:19,280
Speaker 1: wherever you listen to your favorite shows.