1 00:00:05,200 --> 00:00:08,840 Speaker 1: The Setta episode nine, Make your Own Adventure. 2 00:00:12,560 --> 00:00:16,720 Speaker 2: You're literally at war with yourself, Nando, and I understand 3 00:00:16,760 --> 00:00:17,520 Speaker 2: how that feels. 4 00:00:18,040 --> 00:00:20,200 Speaker 3: I was there for a really, really long. 5 00:00:20,079 --> 00:00:23,840 Speaker 2: Time, but I'm not there anymore, and I don't think 6 00:00:24,480 --> 00:00:25,919 Speaker 2: I can be with someone who is. 7 00:00:27,120 --> 00:00:27,280 Speaker 4: Well. 8 00:00:27,480 --> 00:00:29,440 Speaker 3: Just give me a chance. Goodbye, Fernando. 9 00:00:31,120 --> 00:00:31,880 Speaker 5: What please? 10 00:00:41,640 --> 00:00:43,160 Speaker 3: Oh, it's just a dream for none. 11 00:00:44,320 --> 00:00:57,680 Speaker 6: Just remember breathing exercises. Dad six o'clock to night, drinks. 12 00:01:04,720 --> 00:01:06,160 Speaker 7: At least he can't tell me I'm late. 13 00:01:14,680 --> 00:01:18,440 Speaker 4: Come in, Fernando, I had the maid opened the cigar 14 00:01:18,560 --> 00:01:19,440 Speaker 4: lounge for us. 15 00:01:20,560 --> 00:01:31,240 Speaker 7: Dad, what's going on here, scach? I'm fine, Thank you, 16 00:01:31,680 --> 00:01:36,280 Speaker 7: suit yourself. I have to admit I was surprised to 17 00:01:36,319 --> 00:01:39,600 Speaker 7: hear from you, especially after how things went to G's missing. 18 00:01:40,440 --> 00:01:43,959 Speaker 3: Excuse me, she's been kidnapped. Are you serious? 19 00:01:44,040 --> 00:01:44,360 Speaker 5: Right now? 20 00:01:46,280 --> 00:01:49,440 Speaker 7: God, right when I was beginning to think we might 21 00:01:49,440 --> 00:01:52,080 Speaker 7: be able to have a normal conversation, a normal relationship. 22 00:01:52,080 --> 00:01:55,880 Speaker 4: Oh, for Christ's sake, Fernando, sit down. 23 00:01:57,600 --> 00:02:01,280 Speaker 3: I know who took. It's my partner, Damian. 24 00:02:01,920 --> 00:02:05,000 Speaker 4: He left a ransom note in my office this morning, 25 00:02:05,400 --> 00:02:07,680 Speaker 4: demanding that I give him something. 26 00:02:07,760 --> 00:02:12,040 Speaker 8: Remind me why I should care, Because Gigi is family. 27 00:02:11,800 --> 00:02:15,840 Speaker 3: And what does this Damien want in exchange gig four 28 00:02:15,880 --> 00:02:19,120 Speaker 3: for what? Gigi's basically the key to your entire fortune. 29 00:02:19,240 --> 00:02:24,440 Speaker 7: What could you possibly have that's more valuable than Gigi's life? Oh, 30 00:02:24,560 --> 00:02:25,840 Speaker 7: it's a literal key. 31 00:02:26,080 --> 00:02:29,600 Speaker 4: This key, Fernando, belongs to a steamer say that Damien 32 00:02:29,680 --> 00:02:32,720 Speaker 4: and I acquired over thirty years ago. Damien and I 33 00:02:32,840 --> 00:02:36,720 Speaker 4: discovered the safe and its contents together, and we agreed 34 00:02:36,760 --> 00:02:39,359 Speaker 4: to trust each other and only each other with its 35 00:02:39,400 --> 00:02:42,120 Speaker 4: whereabouts excecept. 36 00:02:41,480 --> 00:02:44,360 Speaker 7: You didn't trust him, of course, because the only person 37 00:02:44,400 --> 00:02:47,560 Speaker 7: a comment can truly trust is himself. 38 00:02:48,040 --> 00:02:49,359 Speaker 3: Yes, exactly. 39 00:02:50,400 --> 00:02:54,760 Speaker 4: The contents of that safe were too dangerous for our family, 40 00:02:55,120 --> 00:03:02,120 Speaker 4: for the legacy we'd already established, So I stole. I 41 00:03:02,240 --> 00:03:06,560 Speaker 4: hit it deep, deep in the Andy Mountains, and until 42 00:03:06,639 --> 00:03:13,160 Speaker 4: today I was convinced it was secure that Damien would 43 00:03:13,200 --> 00:03:13,880 Speaker 4: never find it. 44 00:03:14,800 --> 00:03:16,120 Speaker 3: Except he did. 45 00:03:16,880 --> 00:03:20,560 Speaker 7: And now Damien wants that key to unlock this mysterious 46 00:03:20,560 --> 00:03:24,440 Speaker 7: safe that contains what exactly? Let me guess. You're not 47 00:03:24,440 --> 00:03:25,000 Speaker 7: gonna tell. 48 00:03:24,880 --> 00:03:27,040 Speaker 3: Me unless you know the better home. 49 00:03:27,240 --> 00:03:29,880 Speaker 7: My god, what do you want from me? Dad? 50 00:03:30,200 --> 00:03:32,240 Speaker 3: Gone your way into Damien's regime? 51 00:03:32,720 --> 00:03:37,280 Speaker 4: Find Gigi extractor, bring the safe home together. 52 00:03:37,560 --> 00:03:40,280 Speaker 7: Even if I did agree to help you find Gigi. 53 00:03:40,360 --> 00:03:42,080 Speaker 7: She's not gonna come with me. 54 00:03:42,200 --> 00:03:47,920 Speaker 4: She's this business is fickle, Fernando. Things are always shifty. 55 00:03:48,360 --> 00:03:54,720 Speaker 4: Piece is always being moved around. Things can always change 56 00:03:55,520 --> 00:03:58,080 Speaker 4: if you play your guards right. 57 00:03:58,680 --> 00:04:00,520 Speaker 7: Are you bribing me with business? 58 00:04:00,560 --> 00:04:04,000 Speaker 4: You are the only person who can do this. You 59 00:04:05,040 --> 00:04:08,240 Speaker 4: and maybe that whine of yours, the one who fooled 60 00:04:08,240 --> 00:04:11,680 Speaker 4: both of you and Gig. I never saw that coming. 61 00:04:11,720 --> 00:04:13,800 Speaker 4: You have no idea when you bot you. 62 00:04:13,840 --> 00:04:16,320 Speaker 3: A flight takes off at eight pm sharp. 63 00:04:16,760 --> 00:04:16,960 Speaker 5: Leave. 64 00:04:17,080 --> 00:04:24,080 Speaker 3: Now take the key and finish this. Finish this, finish this, 65 00:04:25,279 --> 00:04:31,000 Speaker 3: finish this. So what do you say? You're right? 66 00:04:33,560 --> 00:04:34,479 Speaker 7: I do need to finish this. 67 00:04:37,200 --> 00:04:43,400 Speaker 3: You forgot something, Oh right, Fernando, But that key with 68 00:04:43,480 --> 00:04:45,039 Speaker 3: your life. Now go. 69 00:04:53,680 --> 00:05:21,880 Speaker 5: Taxi. 70 00:05:23,080 --> 00:05:25,680 Speaker 9: Thank you all so much for joining us this evening 71 00:05:25,680 --> 00:05:29,400 Speaker 9: for the grand opening of the Museum's winter exhibit. Please 72 00:05:29,480 --> 00:05:33,840 Speaker 9: welcome to the stage our new head curator and the 73 00:05:33,880 --> 00:05:36,440 Speaker 9: man with the vision, Juan Gassilla. 74 00:05:40,160 --> 00:05:41,719 Speaker 10: Thanks up, Melcome. 75 00:05:41,440 --> 00:05:48,800 Speaker 2: Dead nerd, good evening, musing patrons, and honor guest. The 76 00:05:48,880 --> 00:05:54,320 Speaker 2: latest exhibit is the product of many, many hands working 77 00:05:55,320 --> 00:05:59,920 Speaker 2: to make this lifelong dream of mine a reality. Mayaboela 78 00:06:00,120 --> 00:06:04,240 Speaker 2: once told me life is the adventure you make it. 79 00:06:04,240 --> 00:06:07,480 Speaker 2: It doesn't have to be anything grand. Hell, it doesn't 80 00:06:07,480 --> 00:06:13,279 Speaker 2: even have to be remarkable. Adventure can be a wayward 81 00:06:13,360 --> 00:06:17,680 Speaker 2: brushstroke on a fresh canvas. It can be an accidental 82 00:06:17,720 --> 00:06:22,919 Speaker 2: divot in a precisely sculpted piece of marble, or a 83 00:06:23,000 --> 00:06:27,120 Speaker 2: chip on a frame. So when I sought out to 84 00:06:27,160 --> 00:06:30,960 Speaker 2: create the Museum's Winter Exhibit, I wanted to evoke that 85 00:06:31,240 --> 00:06:36,440 Speaker 2: very same feeling of an adventure, a forging your own path, 86 00:06:36,839 --> 00:06:40,920 Speaker 2: regardless of what you or others think you should be doing. 87 00:06:41,800 --> 00:06:47,200 Speaker 10: Without further ado, it is my honor to present the 88 00:06:47,360 --> 00:06:50,000 Speaker 10: Museum's Winter Exhibit. 89 00:07:00,080 --> 00:07:05,679 Speaker 3: M Jesus Christ. 90 00:07:05,680 --> 00:07:06,719 Speaker 7: It's almost seven thirty. 91 00:07:06,760 --> 00:07:07,520 Speaker 5: We're not even moving. 92 00:07:07,960 --> 00:07:11,000 Speaker 3: Hey, buddy, I'm doing all I can here. I know, 93 00:07:11,200 --> 00:07:11,880 Speaker 3: I know, I'm sorry. 94 00:07:11,920 --> 00:07:13,600 Speaker 7: I just I'm kind of in a rush. 95 00:07:13,760 --> 00:07:15,040 Speaker 2: You the rest in New York? 96 00:07:15,360 --> 00:07:17,680 Speaker 5: Is there any way to get around the trap? Try 97 00:07:17,720 --> 00:07:18,200 Speaker 5: the FDR? 98 00:07:18,600 --> 00:07:20,360 Speaker 10: Do I look like I keep a little wand in 99 00:07:20,360 --> 00:07:22,440 Speaker 10: my glove compartment? Do you wanna give where you're going? 100 00:07:22,480 --> 00:07:23,960 Speaker 4: Faster? Stop running? 101 00:07:24,920 --> 00:07:27,240 Speaker 3: What you're right here? 102 00:07:27,440 --> 00:07:30,440 Speaker 5: Just covered? And some extra for the trump? Hey? What's 103 00:07:30,480 --> 00:07:31,600 Speaker 5: this the job? What are you all with? 104 00:07:38,640 --> 00:07:39,000 Speaker 10: Coluck? 105 00:07:39,080 --> 00:07:50,600 Speaker 11: Come on hey, look out now I think that's Are 106 00:07:50,640 --> 00:07:51,679 Speaker 11: you crazy or something? 107 00:07:51,800 --> 00:07:55,000 Speaker 5: Running in a bike lane? I'm sorry, I'm sorry. 108 00:07:55,160 --> 00:07:57,160 Speaker 3: Hey, hey, hey, you that then my bike? 109 00:07:57,200 --> 00:07:59,120 Speaker 5: You need to pay for that? Oh, I'm here here 110 00:07:59,240 --> 00:08:01,080 Speaker 5: you know what tickets bag? 111 00:08:01,920 --> 00:08:05,120 Speaker 3: Oh my god, it's the holes ride a new bike? 112 00:08:09,680 --> 00:08:11,320 Speaker 5: Oh god? What the hell? 113 00:08:12,120 --> 00:08:12,640 Speaker 3: Excuse me? 114 00:08:12,680 --> 00:08:15,880 Speaker 5: What's going on? Streets closed off for the parade? I 115 00:08:15,920 --> 00:08:18,240 Speaker 5: need to get through you? How to take the long way? 116 00:08:18,400 --> 00:08:22,920 Speaker 5: I don't have time for a role all sudden, that's 117 00:08:22,960 --> 00:08:25,720 Speaker 5: your plan on runey straight down the middle of the 118 00:08:25,760 --> 00:08:28,360 Speaker 5: parade route. Looks like your ship out of lock. 119 00:08:32,559 --> 00:08:34,319 Speaker 3: Excuse me, excuse me? 120 00:08:42,280 --> 00:08:47,719 Speaker 8: Sorry, like something's going actual tomato at me? 121 00:08:47,840 --> 00:08:48,600 Speaker 5: What is wrong with. 122 00:08:49,600 --> 00:08:52,360 Speaker 1: What's wrong with us? What's wrong with you? You're the 123 00:08:52,400 --> 00:08:54,240 Speaker 1: one particularly the parade like a mad man. 124 00:08:54,320 --> 00:08:57,400 Speaker 5: It's in an ergency on the mergency. 125 00:08:57,440 --> 00:09:01,120 Speaker 1: Wait, guys, guys, guys, he's having emerging thing. 126 00:09:02,320 --> 00:09:04,040 Speaker 10: Okay, how can you? 127 00:09:04,360 --> 00:09:06,800 Speaker 5: Okay, Well, all of a sudden, this feels really public. 128 00:09:07,120 --> 00:09:09,120 Speaker 1: So what's the emergency? 129 00:09:09,320 --> 00:09:09,640 Speaker 3: Okay? 130 00:09:09,679 --> 00:09:12,680 Speaker 8: Well, have you ever made a really big mistake? 131 00:09:12,760 --> 00:09:14,160 Speaker 3: Like, like, have you ever done. 132 00:09:14,040 --> 00:09:16,760 Speaker 7: Something you're pretty sure you will regret every hour of 133 00:09:16,840 --> 00:09:23,040 Speaker 7: every day for the rest of your life. Okay, Okay, 134 00:09:23,080 --> 00:09:25,400 Speaker 7: so what if you were given a chance to fix it? 135 00:09:26,400 --> 00:09:28,240 Speaker 7: What if you were having the opportunity to put the 136 00:09:28,240 --> 00:09:31,240 Speaker 7: pieces back together, wouldn't you do everything in your power 137 00:09:31,240 --> 00:09:32,920 Speaker 7: to make it right? 138 00:09:33,200 --> 00:09:33,520 Speaker 5: Yeah? 139 00:09:33,559 --> 00:09:56,840 Speaker 1: Whatever? Let him through one over here? There he is, 140 00:09:57,520 --> 00:09:58,400 Speaker 1: mister head. 141 00:09:58,640 --> 00:09:59,800 Speaker 5: You see him? Great? 142 00:10:00,160 --> 00:10:00,880 Speaker 3: I will like you. 143 00:10:00,920 --> 00:10:02,840 Speaker 10: Don't have to call me that every time you see me? 144 00:10:03,280 --> 00:10:03,920 Speaker 3: Yes, I do? 145 00:10:04,360 --> 00:10:05,319 Speaker 10: Yeah, please don't. 146 00:10:05,440 --> 00:10:06,760 Speaker 9: I still gotta work with him. 147 00:10:07,200 --> 00:10:13,800 Speaker 12: About time the boy flexes on this pendh whoa, I'm more. 148 00:10:13,880 --> 00:10:16,319 Speaker 5: I always knew you had it in you. 149 00:10:17,040 --> 00:10:19,480 Speaker 12: But okay, Parsa, quite the long face? 150 00:10:19,840 --> 00:10:21,400 Speaker 3: What you I find? 151 00:10:21,400 --> 00:10:25,720 Speaker 9: I feel amazing except for the Fernando shaped hole in 152 00:10:25,760 --> 00:10:31,240 Speaker 9: his heart. Stefanie, I'll get you a drink, bestie, waiter one. 153 00:10:33,200 --> 00:10:36,440 Speaker 10: More you okay, I you know I think I just 154 00:10:36,480 --> 00:10:37,640 Speaker 10: need a second alone. 155 00:10:37,640 --> 00:10:37,880 Speaker 4: I will. 156 00:10:38,120 --> 00:10:40,160 Speaker 10: I'm gonna yeah, I'm gonna go for. 157 00:10:40,120 --> 00:10:42,440 Speaker 3: A quick spin to the exhibit. Okay, I really like. 158 00:10:42,800 --> 00:10:46,760 Speaker 9: Okay, why wait up, he's been like that all week. 159 00:10:47,320 --> 00:10:49,840 Speaker 9: Twenty Bucks says he's gonna go stare at the Delano painting. 160 00:10:51,720 --> 00:11:19,920 Speaker 12: Do you think see salu. 161 00:11:19,920 --> 00:11:24,719 Speaker 3: W Why you can't run from this? 162 00:11:25,120 --> 00:11:25,840 Speaker 13: Get out of my head? 163 00:11:27,520 --> 00:11:29,839 Speaker 3: Don't lie for some deep down do you know why 164 00:11:29,880 --> 00:11:33,120 Speaker 3: you're happy. You feel like something is this? I don't. 165 00:11:33,160 --> 00:11:34,520 Speaker 3: I don't, I really don't. 166 00:11:34,720 --> 00:11:39,880 Speaker 7: I really disten you under the adventure, the thrill, the no, 167 00:11:40,040 --> 00:11:40,439 Speaker 7: that's not. 168 00:11:42,400 --> 00:11:42,559 Speaker 2: Why? 169 00:11:44,200 --> 00:11:44,480 Speaker 3: Why? 170 00:11:45,800 --> 00:11:54,080 Speaker 5: What married? Back care? I don't know? 171 00:11:54,720 --> 00:11:58,679 Speaker 7: Don't get off from wah go Okay, I know him, 172 00:11:59,040 --> 00:11:59,480 Speaker 7: I know him. 173 00:11:59,480 --> 00:12:03,920 Speaker 10: Please get off, mister Castillo or sincere apologies. This man 174 00:12:04,040 --> 00:12:05,360 Speaker 10: just sprang it through the front entrance. 175 00:12:05,520 --> 00:12:06,920 Speaker 4: Will escort him off the premises. 176 00:12:07,160 --> 00:12:09,040 Speaker 10: No, that won't be necessary. 177 00:12:09,040 --> 00:12:10,400 Speaker 3: Okay, thank you, thank you very much. 178 00:12:11,080 --> 00:12:11,800 Speaker 10: You can let him go. 179 00:12:13,520 --> 00:12:16,040 Speaker 3: Thank you feel the way you're doing. 180 00:12:16,320 --> 00:12:18,960 Speaker 8: Look, you have every right to hate me, every right 181 00:12:19,520 --> 00:12:21,360 Speaker 8: to hate me, but please hear me out. 182 00:12:22,480 --> 00:12:24,240 Speaker 3: I really messed up one. 183 00:12:24,160 --> 00:12:25,880 Speaker 7: And it kills me that I still haven't figured out 184 00:12:25,880 --> 00:12:27,280 Speaker 7: a way to make it up to you, to show 185 00:12:27,320 --> 00:12:28,920 Speaker 7: you who I really am without. 186 00:12:28,640 --> 00:12:32,880 Speaker 8: Any of the disguises or the or the lies, because honestly, 187 00:12:32,920 --> 00:12:34,760 Speaker 8: I haven't quite figured that out for myself yet. 188 00:12:35,920 --> 00:12:41,040 Speaker 5: But when I have figured out, well, I figured. 189 00:12:40,720 --> 00:12:43,400 Speaker 8: Out that I miss you every second of every day. 190 00:12:43,960 --> 00:12:46,640 Speaker 8: I figured that I didn't really know myself until I 191 00:12:46,679 --> 00:12:49,800 Speaker 8: meet you, and I realized that I really like who 192 00:12:49,800 --> 00:12:52,320 Speaker 8: I am when I'm with you, and I think or 193 00:12:52,320 --> 00:12:55,040 Speaker 8: I hope that somewhere deep down you might like who 194 00:12:55,040 --> 00:12:59,400 Speaker 8: you are when you're with me too. 195 00:12:59,559 --> 00:13:01,640 Speaker 7: I guess what I'm trying to say is. 196 00:13:03,200 --> 00:13:03,680 Speaker 3: I love you. 197 00:13:07,480 --> 00:13:11,000 Speaker 10: God damn it, I love you too. 198 00:13:13,080 --> 00:13:15,960 Speaker 2: Maybe we can finish the rest of this conversation outside 199 00:13:16,280 --> 00:13:16,800 Speaker 2: in private. 200 00:13:28,760 --> 00:13:30,760 Speaker 7: You trusted me to tell you the truth about G, 201 00:13:31,240 --> 00:13:34,320 Speaker 7: and I failed because I was afraid of what you 202 00:13:34,400 --> 00:13:37,720 Speaker 7: think of me, so I lied like a goddamn reflex. 203 00:13:37,920 --> 00:13:38,400 Speaker 10: I get that. 204 00:13:38,520 --> 00:13:40,880 Speaker 2: Actually, when I find out the truth about what happened 205 00:13:40,920 --> 00:13:44,840 Speaker 2: with G, I just suddenly felt so angry and betrayed, 206 00:13:45,400 --> 00:13:47,680 Speaker 2: and the only thing I could do was to. 207 00:13:47,800 --> 00:13:50,360 Speaker 3: Hurt me back. Yeah, protect yourself. 208 00:13:50,400 --> 00:13:54,880 Speaker 7: Yeah, anytime I think somebody's gonna hurt me, I have 209 00:13:54,920 --> 00:13:57,000 Speaker 7: to beat them to the pont or punch them harder. 210 00:14:00,040 --> 00:14:00,319 Speaker 5: Sorry. 211 00:14:00,400 --> 00:14:04,320 Speaker 10: Yeah, I'm sorry too for leaving it like that. 212 00:14:04,679 --> 00:14:08,920 Speaker 7: Well, I honestly I forgave you the moment you jumped 213 00:14:08,920 --> 00:14:09,960 Speaker 7: off that boat because it. 214 00:14:09,880 --> 00:14:10,400 Speaker 3: Was kind of hot. 215 00:14:12,280 --> 00:14:14,800 Speaker 2: Yeah it was pretty badass, wasn't it. 216 00:14:14,800 --> 00:14:15,800 Speaker 3: It was bass? 217 00:14:17,920 --> 00:14:19,600 Speaker 10: So what now? 218 00:14:20,440 --> 00:14:23,200 Speaker 3: Where do we go from here? Well, I'm kind of 219 00:14:23,200 --> 00:14:23,840 Speaker 3: glad you asked. 220 00:14:23,880 --> 00:14:27,680 Speaker 7: Actually I need your help, my help, Okay, so please 221 00:14:27,720 --> 00:14:32,680 Speaker 7: don't freak out, but I sort of kind of I 222 00:14:32,720 --> 00:14:34,600 Speaker 7: need your help saving Gigi from the clutches of my 223 00:14:34,600 --> 00:14:37,520 Speaker 7: father's crazy ax business partner. What I know, it sounds insane, 224 00:14:37,560 --> 00:14:39,680 Speaker 7: but just hear me out. I have a plan we 225 00:14:39,760 --> 00:14:43,000 Speaker 7: save gg and take the business back. My dad even said, 226 00:14:43,040 --> 00:14:43,480 Speaker 7: oh way. 227 00:14:43,360 --> 00:14:45,960 Speaker 10: Okay, stop stop right there. Okay, I'm finally doing what 228 00:14:46,040 --> 00:14:47,120 Speaker 10: I want to do for Anando. 229 00:14:47,720 --> 00:14:49,760 Speaker 2: I have my dream job as a head curator, and 230 00:14:50,240 --> 00:14:52,560 Speaker 2: now you just want me to walk away from it all. 231 00:14:53,200 --> 00:14:54,000 Speaker 10: Absolutely not. 232 00:14:54,240 --> 00:14:57,840 Speaker 7: This time will be different. We'll work as true partners, 233 00:14:57,880 --> 00:15:00,920 Speaker 7: full transparency, our business, our rules. 234 00:15:00,920 --> 00:15:02,960 Speaker 10: We do this our this is how it always starts. 235 00:15:03,400 --> 00:15:06,040 Speaker 10: You promised me that we've got this under control. 236 00:15:06,080 --> 00:15:08,120 Speaker 7: On If you swear to me that the life you 237 00:15:08,200 --> 00:15:12,000 Speaker 7: have is everything you've ever wanted, that it's enough for you, 238 00:15:12,520 --> 00:15:14,040 Speaker 7: and that this is as good as it's ever going 239 00:15:14,120 --> 00:15:17,440 Speaker 7: to get, then I will leave you alone. You will 240 00:15:17,480 --> 00:15:20,120 Speaker 7: never hear from me again. Look me in the eyes 241 00:15:20,360 --> 00:15:22,640 Speaker 7: and tell me that you don't want more than this. 242 00:15:23,480 --> 00:15:28,160 Speaker 13: I I am. 243 00:15:26,800 --> 00:15:32,640 Speaker 6: It's it's it's it's okatchally thrive, I understand this. 244 00:15:34,320 --> 00:15:34,560 Speaker 5: Wait. 245 00:15:37,080 --> 00:15:40,640 Speaker 2: No more collateral damage, okay, no more hurting other people, 246 00:15:41,600 --> 00:15:42,960 Speaker 2: and no more lies. 247 00:15:43,600 --> 00:15:46,160 Speaker 10: A new way of working. 248 00:15:45,800 --> 00:15:46,760 Speaker 3: A new empire. 249 00:15:47,280 --> 00:15:47,840 Speaker 10: Shake on it. 250 00:15:48,920 --> 00:16:00,239 Speaker 13: I've got a better idea. 251 00:16:08,640 --> 00:16:13,280 Speaker 10: Don't up, don't good evening? Miss Can I interest you 252 00:16:13,320 --> 00:16:15,000 Speaker 10: in a refreshment before we take off? 253 00:16:15,120 --> 00:16:16,960 Speaker 3: Dirty Martini to. 254 00:16:16,680 --> 00:16:22,240 Speaker 10: All of us, Oh broad away, I'm on the plane. 255 00:16:22,840 --> 00:16:25,240 Speaker 10: Flight time is just over eight hours. 256 00:16:25,600 --> 00:16:32,280 Speaker 1: See you soon, Damien. Here you go, Miss thank you? 257 00:16:33,280 --> 00:16:35,760 Speaker 1: Are you traveling for work or for pleasure? 258 00:16:36,240 --> 00:16:36,800 Speaker 3: Revenge? 259 00:16:52,960 --> 00:16:56,760 Speaker 1: The setup was produced by Sono in partnership with Iheart'smichael 260 00:16:56,800 --> 00:17:01,080 Speaker 1: Dura podcast Network. Created and written by Ivy Marie and 261 00:17:01,120 --> 00:17:09,280 Speaker 1: Philippe Baujan, directed by Bettina Lopez, Produced by Luis Luardo Castillo, 262 00:17:09,359 --> 00:17:15,600 Speaker 1: developed by Bettina Lopez, story editing by Nick Milanes. Executive 263 00:17:15,600 --> 00:17:19,560 Speaker 1: produced by Harvey Gillen and Christian Navarro. Connel Byrne and 264 00:17:19,600 --> 00:17:23,879 Speaker 1: Giselle Banss for iHeart and Camilla Victoriano and Joshua Weinstein 265 00:17:24,000 --> 00:17:29,800 Speaker 1: for Sonorro. Performances in this episode by Harvey gi Yen, 266 00:17:30,560 --> 00:17:37,640 Speaker 1: Christian Navarro, Daniela Alonso, j D. Garfield, Sophina Lejesus, Shila, 267 00:17:37,720 --> 00:17:45,320 Speaker 1: Sheila Corsi, josevi Real, Cristina Mueller, Jackson Gutierrez, Nico Farrow, 268 00:17:45,960 --> 00:17:52,639 Speaker 1: Aaron Ledex, and Isabela Olivas. Our production and supervising managers 269 00:17:52,640 --> 00:17:57,520 Speaker 1: are Gustav Gua Riler and kerensa Chaides. Recording engineering and 270 00:17:57,600 --> 00:18:03,280 Speaker 1: sound designed by Edwin Idigoying Dias and Andres Bayina. Casting 271 00:18:03,320 --> 00:18:08,760 Speaker 1: and coordination by Ansley Martinez and Alex Monsiles. Voices recorded 272 00:18:08,800 --> 00:18:11,960 Speaker 1: at the Invisible Studios in Los Angeles, the Relic Room 273 00:18:12,000 --> 00:18:16,320 Speaker 1: in New York, and Cabby Sound Studios in Albuquerque, New Mexico, 274 00:18:16,600 --> 00:18:21,240 Speaker 1: with engineering by Lester Danglar, Brett Tubin, and Colin Ungerlier. 275 00:18:23,240 --> 00:18:26,240 Speaker 1: If you're enjoying the setup, please subscribe, rate, and review 276 00:18:26,280 --> 00:18:27,960 Speaker 1: our show wherever you're listening