WEBVTT - The Murder Years S2: Ep. 3, Cornflake Girl

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<v Speaker 1>The following podcast contains explicit descriptions of violence, including sexual violence,

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<v Speaker 1>that some listeners may find upsetting. Continue at your own risk.

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<v Speaker 2>Oh yeah, you didn't have to be a fan if

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<v Speaker 2>you followed popular culture in the nineties, if you were

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<v Speaker 2>into music at all, hell, if you were in your

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<v Speaker 2>twenties or even anywhere near him. You remember Kurt Cobain's suicide.

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<v Speaker 2>You don't necessarily remember the date, like nine to eleven.

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<v Speaker 3>Well I do.

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<v Speaker 2>It was April the nineteen ninety four. That's the day

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<v Speaker 2>they found his body. Anyway, he'd been dead a couple days.

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<v Speaker 2>Crazy right, one of the biggest stars on the planet,

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<v Speaker 2>and his dead body was rotting in the room above

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<v Speaker 2>his garage for days. It wasn't even family who found him.

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<v Speaker 2>It was some electrician dude who came over to install

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<v Speaker 2>some lighting.

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<v Speaker 1>That's Connor Langford remembering one of the seminal events of

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<v Speaker 1>the nineteen nine the suicide of Nirvana frontman Kurt Cobain.

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<v Speaker 1>You may remember from our previous episodes that Connor is

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<v Speaker 1>the son of Domino Beach City councilman Greg Langford and

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<v Speaker 1>one of the two men who found the body of

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<v Speaker 1>the Domino Beach killer's first victim anyway.

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<v Speaker 2>Shocked under the head blame no more Nirvana. He quoted

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<v Speaker 2>Neil Young in a suicide note. You know it's better

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<v Speaker 2>to burn out than to fade away. I don't know,

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<v Speaker 2>maybe he was right.

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<v Speaker 1>Here's Maya Morales, Connor's girlfriend at the time.

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<v Speaker 4>Oh yeah, when the news hit, I was working first

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<v Speaker 4>shift at Gravel Records. Spring break was just kicking up,

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<v Speaker 4>so there were a lot of college kids in town.

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<v Speaker 4>By noon the next day, we had sold out of

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<v Speaker 4>every Nirvana ced, every vinyl record, every cassette, every T shirt, poster,

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<v Speaker 4>even those little metal buttons you pinned on your jacket,

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<v Speaker 4>remember those. Yeah, all of a sudden, Nirvana was everyone's

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<v Speaker 4>favorite band, a bunch of posers.

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<v Speaker 3>They were really fans.

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<v Speaker 4>Don't you think that they would have already had all

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<v Speaker 4>that stuff.

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<v Speaker 1>I was twenty three years old in April of ninety four,

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<v Speaker 1>and I have to admit I was one of the

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<v Speaker 1>posers I was talking about. I was dating a guy

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<v Speaker 1>who was in med school at USC at the time

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<v Speaker 1>and was a huge grunge fan. So he was absolutely devastated.

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<v Speaker 1>And I don't really know why, but I fell victim

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<v Speaker 1>to the collective sadness of it all, Nirvana wasn't really

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<v Speaker 1>my kind of band. I was still mostly into eighties

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<v Speaker 1>music back then, and if you haven't figured it out

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<v Speaker 1>by now, I was desperately uncool in my twenties. But

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<v Speaker 1>Nirvana had had such an impact on popular music and

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<v Speaker 1>a huge influence on so many of my fellow gen xers.

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<v Speaker 1>In the weeks after Cobain's death, I listened to them

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<v Speaker 1>more than I ever had before or since. I mean

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<v Speaker 1>to be honest, the only reason I bought their breakthrough

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<v Speaker 1>CD never Mind in the first place was to hear

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<v Speaker 1>the song Paully that the Murderer of Vera Kendrick had

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<v Speaker 1>quoted a year and a half earlier. To say Cobain's

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<v Speaker 1>death was a big deal is an understatement. It may

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<v Speaker 1>have affected us all in different ways. Some of us

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<v Speaker 1>would miss his music, some of us related to the

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<v Speaker 1>depression he felt. Some of us were simply saddened by

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<v Speaker 1>the idea of a twenty seven year old musical genius

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<v Speaker 1>at the top of his game checking out. And there

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<v Speaker 1>are those who believe his suicide had an impact on

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<v Speaker 1>the Domino Beach Killer because what he did next was

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<v Speaker 1>a major escalation. I'm Courtney Barnes and this is the

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<v Speaker 1>Murder Years, Episode three, Cornflake Girl.

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<v Speaker 5>You got to understand. April is when Domino Beach started

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<v Speaker 5>to wake up after the lean winter months.

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<v Speaker 1>That's Damon Stokes retired Sheriff of Delsoul County.

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<v Speaker 5>As soon as the spring breakers started rolling into town,

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<v Speaker 5>the population tripled and everything opened up. Shops, restaurants, and

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<v Speaker 5>bars that were only opened two or three days a

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<v Speaker 5>week from September to March were open pretty much now

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<v Speaker 5>twenty four to seven.

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<v Speaker 3>Almost every hotel.

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<v Speaker 5>And rental house was packed and booked solid until the

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<v Speaker 5>end of August.

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<v Speaker 3>It's like everything really came to life all of a sudden.

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<v Speaker 3>I was a local. It was truly something to.

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<v Speaker 1>See, it really was. Nineteen ninety four marked my second

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<v Speaker 1>spring break spent in Domino Beach, and by then I

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<v Speaker 1>had become a full fledged reporter on the payroll of

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<v Speaker 1>the SoCal Journal. Glenn Sherman was still covering crime in

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<v Speaker 1>politics and for the most part not letting me anywhere

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<v Speaker 1>near it. My beat was lifestyle and entertainment, which, to

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<v Speaker 1>be honest, I was pretty happy about covering the murder

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<v Speaker 1>of Via Kendrick right out of the gate and then,

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<v Speaker 1>shadowing Glenn for a year had led me to the

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<v Speaker 1>conclusion that I did not want to be a crime reporter,

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<v Speaker 1>at least not yet. Even a small tourist town like

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<v Speaker 1>Domino Beach had crime. Besides the two unsolved murders of

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<v Speaker 1>Via Kendrick and Billy Boy Reeves, there was the inland

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<v Speaker 1>drug trade and everything that comes with that, prostitution, muggings,

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<v Speaker 1>some shootings, you know, that sort of thing, and then

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<v Speaker 1>you had domestic abuse cases, burglaries, bar fights. It was

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<v Speaker 1>just too much for me. It's weird for me to

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<v Speaker 1>think of myself like that, to remember there was a

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<v Speaker 1>time before the world and all its cynicism burned away

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<v Speaker 1>any sense of innocence and naivete I once had. Anyway,

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<v Speaker 1>I'd been promoted over the winter, so spring break was

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<v Speaker 1>going to be my first chance to shine, to plant

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<v Speaker 1>my flag and really own my beat. I'd spend time

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<v Speaker 1>on the crowded beaches writing about all that the college

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<v Speaker 1>kids were doing. I'd eat it all the restaurants in

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<v Speaker 1>town and review the ones I liked. And remember, this

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<v Speaker 1>was long before the birth of Yo, when everyone and

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<v Speaker 1>their brothers suddenly became a food critic. Although unlike most yelpers.

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<v Speaker 1>I promised to never pan a place fight didn't like it.

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<v Speaker 1>I'd follow the if you can't say anything nice, don't

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<v Speaker 1>say anything at all rule. I still had to live

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<v Speaker 1>with these people, and of course I'd cover the spring

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<v Speaker 1>break nightlife, listening to live music and dive bars and

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<v Speaker 1>watching half naked college kids rive on outdoor dance floors

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<v Speaker 1>overlooking the ocean. It's going to be fun. It was

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<v Speaker 1>supposed to be fun, and I have no doubt that's

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<v Speaker 1>exactly what Holly Blake, Mary Crouch, and Sandra Gerard thought

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<v Speaker 1>when they drove all the way from Arizona State University

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<v Speaker 1>to Domino Beach.

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<v Speaker 5>The way I understand it, Holly Blake had an unclehole

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<v Speaker 5>in the house where they stayed. He never lived there himself,

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<v Speaker 5>though you know it only met him once or twice.

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<v Speaker 5>It was purely a rental property for him, you know,

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<v Speaker 5>a money maker and a good one.

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<v Speaker 1>Can you describe it?

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<v Speaker 5>Well, sure, it's a long time since you know. It's

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<v Speaker 5>torn down now, as you know, but I remember it

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<v Speaker 5>pretty clearly. It was one level, three bedrooms, I mean

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<v Speaker 5>maybe four, but I think three, and it was a

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<v Speaker 5>modern kitchen, A couple of decent sized bathrooms, massive back deck.

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<v Speaker 3>On stilts that overlooked the ocean. It's real beauty.

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<v Speaker 5>Booked all summer long, but it was, you know, usually

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<v Speaker 5>empty during the spring break. It was one of the

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<v Speaker 5>most expensive rentals in town, too much for most college kids.

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<v Speaker 3>So you know it was going to stay empty most

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<v Speaker 3>of April.

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<v Speaker 5>I guess miss Blake's uncle decided he might as well

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<v Speaker 5>let her and her friends just use it.

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<v Speaker 3>Oh.

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<v Speaker 5>It was in a very active part of Domino Beach too,

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<v Speaker 5>within walking distance of downtown and not too far from

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<v Speaker 5>Senior Gusto, the beach front bar of choice for the

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<v Speaker 5>spring Breakers. Cheap shots, live music, some nights of DJ others,

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<v Speaker 5>wet t shirt contest, karaoke, and know all that nonsense.

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<v Speaker 1>Holly, Mary and Sandra must have felt like they'd hit

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<v Speaker 1>the jackpot. They were three fun, pretty college girls staying

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<v Speaker 1>in one of the hottest houses on the coolest part

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<v Speaker 1>of the beach, and yeah, it proved too good to

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<v Speaker 1>be true.

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<v Speaker 3>The way it went down was like this. Nine to one.

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<v Speaker 5>One got a call a little after three in the

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<v Speaker 5>morning on April twenty first. It was oh god, Thursday, Yeah, right,

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<v Speaker 5>it's Thursday.

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<v Speaker 3>The house next door was home to the Gillen family.

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<v Speaker 5>Adam Gillen was a lawyer who worked in San Diego's wife, Darla,

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<v Speaker 5>was a TV writer in Hollywood. I don't remember what

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<v Speaker 5>shows she worked on. I didn't watch a lot of

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<v Speaker 5>TV back then. Well, they were year round residents. Darla

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<v Speaker 5>worked from home most times and Adam commuted back and

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<v Speaker 5>forth from San Diego. Well, they didn't think too much

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<v Speaker 5>of these spring breakers. I mean, like I said before,

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<v Speaker 5>the house these girls were staying and was usually vacant

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<v Speaker 5>during spring break, but that week the house was party central.

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<v Speaker 5>Didn't take too long for those girls to become the

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<v Speaker 5>most popular tourists in town. During the daytime, there were

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<v Speaker 5>upwards of twenty kids going in and out from the beach,

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<v Speaker 5>beating the heat or refilling their drinks and so on.

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<v Speaker 5>And at night the girls invited half the town over

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<v Speaker 5>to keep the park going after the bar has closed.

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<v Speaker 3>I mean, you know they were doing it up.

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<v Speaker 5>So anyway, it was after three am Thursday morning, April

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<v Speaker 5>twenty first, nine to one one gets a call from

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<v Speaker 5>Adam Gillen.

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<v Speaker 3>Apparently there'd been some loud music.

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<v Speaker 5>Coming from the house next door all night and he

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<v Speaker 5>couldn't take it anymore. He had to go to work

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<v Speaker 5>the next morning, so he walked over there in a huff.

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<v Speaker 5>He's in his bathrobe and slippers, and he wants to

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<v Speaker 5>ask him to turn it down. When he got there,

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<v Speaker 5>he found the front door standing wide open, says He

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<v Speaker 5>called out, but the music was so loud you could

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<v Speaker 5>barely hear himself, so he took a few steps inside.

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<v Speaker 1>What Adam Gillen saw inside the house made him turn

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<v Speaker 1>right around, run outside, throw up in the bushes, and

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<v Speaker 1>then hurry back to his house to call nine one one.

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<v Speaker 5>What I saw when I arrived, I mean, it was

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<v Speaker 5>just horrific. The deputy on duty beat me there, but

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<v Speaker 5>only about by ten minutes. The nine one one dispatcher

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<v Speaker 5>called me at home, told me that if what Adam

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<v Speaker 5>Gillen was saying turned out to be true, I better

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<v Speaker 5>go see it for myself.

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<v Speaker 1>And what did you see when you got there?

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<v Speaker 5>The first thing I saw was blood, lots of it,

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<v Speaker 5>silking in the pale gray carpet of this living room.

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<v Speaker 5>And lying in the middle of that blood is twenty

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<v Speaker 5>year old Sandra Gerard.

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<v Speaker 3>She was wearing shorts and a tank.

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<v Speaker 5>Top, but you know, a nice one summertime going out closed.

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<v Speaker 3>The top was torn up pretty good.

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<v Speaker 5>She had the stab wounds all over her body, at

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<v Speaker 5>least a couple of dozen. She was lying face down,

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<v Speaker 5>the wrist tied behind her back, the plastic zip tie.

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<v Speaker 5>There was another puddle of blood on the carpet right

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<v Speaker 5>next to her, quite so big, and the start of

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<v Speaker 5>a long red smear that went all the way across

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<v Speaker 5>the living room carpet into the kitchen tile. And that's

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<v Speaker 5>where twenty one year old Holly Blake was found. And

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<v Speaker 5>she was wearing one of those summer dresses like her

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<v Speaker 5>friend Sandra. She was just covered in stab wounds, had

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<v Speaker 5>her hands bound. It look like sh she'd been dragged

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<v Speaker 5>and reguled her way into the kitchen and probably trying

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<v Speaker 5>to get to the phone call for help.

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<v Speaker 3>But you know she I don't know, she didn't make it.

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<v Speaker 1>And what about Mary Crouch?

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<v Speaker 5>We found Mary, also twenty one years old, uh in

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<v Speaker 5>the master bedroom.

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<v Speaker 3>She was found naked.

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<v Speaker 5>She'd been raped, beaten, uh, and she had been strangled

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<v Speaker 5>to death.

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<v Speaker 1>Just like Vera Hendrick.

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<v Speaker 3>That's right.

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<v Speaker 1>Adam Gillen, the next door neighbor who found the bodies,

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<v Speaker 1>had come over to complain about the loud music coming

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<v Speaker 1>from the house. As if the volume hadn't been annoying enough,

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<v Speaker 1>it was the same song playing over and over for

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<v Speaker 1>at least an hour that really got to him, Cornflake

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<v Speaker 1>Girl by Tory Amos. The source of the music was

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<v Speaker 1>a ninety minute cassette tape with that one song recorded

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<v Speaker 1>onto it, repeating itself over and over on the living

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<v Speaker 1>room stereo. Apparently the killer had played it during his

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<v Speaker 1>assault on the women and let it play while he

0:13:42.960 --> 0:13:47.760
<v Speaker 1>raped and strangled Mary Crouch, then repeatedly stabbed Sandra Gerard

0:13:47.760 --> 0:13:50.719
<v Speaker 1>and Holly Blake. Then he cranked up the volume and

0:13:50.800 --> 0:13:53.600
<v Speaker 1>left it playing on his way out the door, likely

0:13:53.640 --> 0:13:56.000
<v Speaker 1>because he wanted the bodies to be found sooner rather

0:13:56.040 --> 0:13:58.640
<v Speaker 1>than later. He was proud of what he'd done and

0:13:58.720 --> 0:14:02.920
<v Speaker 1>wanted others to see his work. But why that song?

0:14:03.720 --> 0:14:05.439
<v Speaker 1>Why Cornflake Girl?

0:14:06.520 --> 0:14:09.920
<v Speaker 4>Cornflake Girl was kind of like a feminist anthem of

0:14:09.960 --> 0:14:13.000
<v Speaker 4>the nineties. I was more of a hip hop R

0:14:13.040 --> 0:14:16.600
<v Speaker 4>and B girl myself back then, so Tori Amos wasn't

0:14:16.679 --> 0:14:19.840
<v Speaker 4>my jam. But it was a pretty good song, I

0:14:19.960 --> 0:14:22.720
<v Speaker 4>admit it. Supposedly it was about how some women will

0:14:22.760 --> 0:14:26.000
<v Speaker 4>screw over other women, even if they're good friends and

0:14:26.080 --> 0:14:28.280
<v Speaker 4>that's what a cornflake girl is.

0:14:30.520 --> 0:14:33.840
<v Speaker 1>In retrospect, it's not surprising that the Domino Beach killer

0:14:33.840 --> 0:14:37.240
<v Speaker 1>would subvert a feminist song like that, letting it play

0:14:37.280 --> 0:14:40.240
<v Speaker 1>while he raped and murdered these young women. He probably

0:14:40.320 --> 0:14:43.360
<v Speaker 1>got some weird kind of pleasure out of it. If

0:14:43.360 --> 0:14:46.240
<v Speaker 1>you listen to the lyrics. There are some ominous sounding

0:14:46.280 --> 0:14:49.600
<v Speaker 1>phrases in there, like she's gone to the other side,

0:14:50.080 --> 0:14:53.760
<v Speaker 1>and a nervous sounding stuttering of this is not really happening,

0:14:54.240 --> 0:14:57.960
<v Speaker 1>followed by Amos almost screeching you bet your life it is.

0:14:58.960 --> 0:15:04.000
<v Speaker 1>It's weirdly haunted. But that's not why the killer chose

0:15:04.040 --> 0:15:07.880
<v Speaker 1>that song, at least it wasn't the only reason.

0:15:09.400 --> 0:15:12.480
<v Speaker 4>So the story, and I heard this before the murders,

0:15:12.640 --> 0:15:15.320
<v Speaker 4>but back when I was working at Gravel Records, is

0:15:15.360 --> 0:15:18.240
<v Speaker 4>that Torri Amos had read some book.

0:15:18.040 --> 0:15:21.640
<v Speaker 1>And was possessing the Secret of Joy. Huh, Possessing the

0:15:21.680 --> 0:15:24.120
<v Speaker 1>Secret of Joy by Alice Walker. That was the book.

0:15:24.760 --> 0:15:26.720
<v Speaker 3>Are you telling this or am I?

0:15:27.840 --> 0:15:28.200
<v Speaker 6>You are?

0:15:28.320 --> 0:15:28.600
<v Speaker 1>Maya?

0:15:29.160 --> 0:15:33.840
<v Speaker 4>So she read this book which apparently talked about the

0:15:33.880 --> 0:15:38.160
<v Speaker 4>practice of female genital mutilation in some parts of Africa,

0:15:38.680 --> 0:15:41.680
<v Speaker 4>and I guess it was pretty common for a girl's

0:15:41.760 --> 0:15:45.440
<v Speaker 4>friend or aunt or cousin or whatever to betray the

0:15:45.520 --> 0:15:49.680
<v Speaker 4>girl and either do the deed themselves or bring them

0:15:49.720 --> 0:15:52.960
<v Speaker 4>to someone who did sick, twisted shit right.

0:15:54.640 --> 0:15:58.240
<v Speaker 1>Mary Crouch, the victim who was found raped and strangled

0:15:58.240 --> 0:16:00.880
<v Speaker 1>to death in the bedroom, had her literal glands and

0:16:01.000 --> 0:16:04.360
<v Speaker 1>labia minora sliced off with the same knife used to

0:16:04.440 --> 0:16:05.760
<v Speaker 1>stab her friends to death.

0:16:07.200 --> 0:16:11.160
<v Speaker 5>What we determined was after the party cleared out, the

0:16:11.240 --> 0:16:14.520
<v Speaker 5>killer came in. Girls may have left the door unlocked,

0:16:14.640 --> 0:16:17.960
<v Speaker 5>or maybe they he had been at the party. We

0:16:17.960 --> 0:16:20.960
<v Speaker 5>weren't sure, but there was no sign of forced entry.

0:16:21.920 --> 0:16:24.600
<v Speaker 5>He attacked the women, all three of them who had

0:16:24.640 --> 0:16:28.200
<v Speaker 5>been drinking heavily that night, and tied them up, then

0:16:28.200 --> 0:16:31.080
<v Speaker 5>put on the music and took Mary into the bedroom,

0:16:31.080 --> 0:16:34.640
<v Speaker 5>where he raped and strangled her. Then he went into

0:16:34.680 --> 0:16:38.760
<v Speaker 5>the kitchen, grabbed a knife, murdered Holly and Sandra, and

0:16:39.200 --> 0:16:44.600
<v Speaker 5>went back into the bedroom and did what he did

0:16:44.640 --> 0:16:45.040
<v Speaker 5>to Marry.

0:16:46.120 --> 0:16:48.560
<v Speaker 3>At least you know, she was already dead.

0:16:50.560 --> 0:16:53.320
<v Speaker 1>The knife was found on the floor next to the bed.

0:16:54.000 --> 0:16:56.520
<v Speaker 1>The removed genitalia were never recovered.

0:16:57.200 --> 0:16:59.720
<v Speaker 5>These were not only the most violent murders ever committed

0:16:59.720 --> 0:17:03.400
<v Speaker 5>by the Domino Beach Killer, they were the most violent

0:17:03.480 --> 0:17:06.879
<v Speaker 5>murders I have ever seen in my career and still

0:17:06.920 --> 0:17:08.160
<v Speaker 5>are to this day.

0:17:10.440 --> 0:17:14.520
<v Speaker 1>Maybe everyone, myself included, had fallen under the spell of

0:17:14.600 --> 0:17:19.560
<v Speaker 1>Councilman Langford's there's nothing to see here rhetoric. But prior

0:17:19.600 --> 0:17:22.720
<v Speaker 1>to the murders of Holly, Sandra and Mary, the thought

0:17:22.840 --> 0:17:25.600
<v Speaker 1>of a serial killer in Domino Beach had never even

0:17:25.720 --> 0:17:29.480
<v Speaker 1>entered my mind. Not in September nineteen ninety two, when

0:17:29.560 --> 0:17:32.960
<v Speaker 1>Vera Kendrick was murdered, Not in July of ninety three,

0:17:33.040 --> 0:17:35.960
<v Speaker 1>when the body of teenage junkie and prostitute Billy Boy

0:17:36.040 --> 0:17:38.400
<v Speaker 1>Reeves was found with his throat slit ear to ear

0:17:38.440 --> 0:17:42.359
<v Speaker 1>in the dumpster behind Triple Bes. Those two murders still

0:17:42.359 --> 0:17:46.840
<v Speaker 1>felt completely disconnected. No one even considered they were related.

0:17:47.720 --> 0:17:50.080
<v Speaker 1>Up until then, there had been no real sense of

0:17:50.119 --> 0:17:54.200
<v Speaker 1>fear and certainly no panic in Domino Beach. But all

0:17:54.240 --> 0:17:59.840
<v Speaker 1>that changed in April nineteen ninety four. I remember being

0:17:59.840 --> 0:18:03.080
<v Speaker 1>in the journal offices the day Holly, Sandra and Mary's

0:18:03.080 --> 0:18:07.719
<v Speaker 1>bodies were found, watching a pale, uncharacteristically quiet Glenn Sherman

0:18:07.840 --> 0:18:10.720
<v Speaker 1>bang out the story on his old clunky mat. He

0:18:10.880 --> 0:18:13.800
<v Speaker 1>wasn't nervous just because he suspected whatever he wrote would

0:18:13.840 --> 0:18:16.520
<v Speaker 1>be picked up by other papers all across the country,

0:18:16.840 --> 0:18:21.600
<v Speaker 1>which it was. No he had other concerns. It's hard

0:18:21.680 --> 0:18:24.600
<v Speaker 1>to write about things like women being butchered in such

0:18:24.640 --> 0:18:27.760
<v Speaker 1>horrible ways and still sound like you're being respectful to

0:18:27.800 --> 0:18:32.280
<v Speaker 1>the victims and their families. And Glenn he was never

0:18:32.359 --> 0:18:35.240
<v Speaker 1>the tight to hold back. He was looking to walk

0:18:35.359 --> 0:18:39.000
<v Speaker 1>right up to the line where detailed accuracy becomes unnecessary

0:18:39.119 --> 0:18:43.760
<v Speaker 1>exploitation without crossing it. And to his credit, I think

0:18:43.800 --> 0:18:49.400
<v Speaker 1>he was successful. That was a rough year for our

0:18:49.400 --> 0:18:50.840
<v Speaker 1>little town of Domino Beach.

0:18:53.880 --> 0:18:56.440
<v Speaker 2>Well, my fucking dad couldn't exactly sweep that one under

0:18:56.480 --> 0:18:59.840
<v Speaker 2>the rug, could he? Vera even though she was a

0:19:00.240 --> 0:19:03.880
<v Speaker 2>of mine, didn't rate. Can you imagine that your own

0:19:03.880 --> 0:19:05.359
<v Speaker 2>son is trying to get you to help solve the

0:19:05.440 --> 0:19:07.720
<v Speaker 2>murder of someone he cared about and your response is

0:19:07.800 --> 0:19:12.040
<v Speaker 2>essentially fuck it. She was just a homeless hippie, right,

0:19:13.640 --> 0:19:15.920
<v Speaker 2>and she never contributed any money to the community.

0:19:16.080 --> 0:19:16.679
<v Speaker 3>Who cares?

0:19:18.640 --> 0:19:21.640
<v Speaker 2>But those girls, they went to college, They had families,

0:19:21.680 --> 0:19:24.440
<v Speaker 2>families with money. Their murders got talked about on the

0:19:24.520 --> 0:19:28.879
<v Speaker 2>national fucking news. There was no hiding this one, huh.

0:19:28.920 --> 0:19:32.840
<v Speaker 2>And my father always true to fucking form. He saw

0:19:32.880 --> 0:19:36.719
<v Speaker 2>it as a goddamn opportunity. He had his political sights

0:19:36.840 --> 0:19:39.160
<v Speaker 2>set on a bigger office, and he saw this as

0:19:39.160 --> 0:19:41.600
<v Speaker 2>a way to get his name out there, get people

0:19:41.680 --> 0:19:44.160
<v Speaker 2>all over the country to know who he was off

0:19:44.160 --> 0:19:49.000
<v Speaker 2>the backs of three mutilated college students piece of shit.

0:19:48.840 --> 0:19:52.760
<v Speaker 3>Writing It's true.

0:19:53.040 --> 0:19:56.879
<v Speaker 5>Counsel in Laneford leaned on me hard, especially when there

0:19:56.880 --> 0:19:59.760
<v Speaker 5>were cameras around, said if I didn't solve those murders

0:19:59.760 --> 0:20:01.680
<v Speaker 5>by the end of tourist season, I might as well

0:20:01.720 --> 0:20:04.440
<v Speaker 5>just pack up and leave, because he'd make sure his

0:20:04.520 --> 0:20:07.159
<v Speaker 5>hell I didn't win my next election, and he had

0:20:07.200 --> 0:20:11.840
<v Speaker 5>the pull to make that happen too. So I started

0:20:11.840 --> 0:20:15.000
<v Speaker 5>working on the only lead I had, Stan Majors.

0:20:18.520 --> 0:20:21.880
<v Speaker 1>If you remember from last episode, Stan Majors was an

0:20:21.880 --> 0:20:25.760
<v Speaker 1>ex con, registered sex defender and person of interest in

0:20:25.800 --> 0:20:28.080
<v Speaker 1>the nineteen ninety two murder of Vera Kendrick.

0:20:29.200 --> 0:20:31.679
<v Speaker 3>I admit that I never believed Majors was involved in

0:20:31.680 --> 0:20:34.440
<v Speaker 3>the murder of the Asu girls, but we.

0:20:34.400 --> 0:20:37.240
<v Speaker 5>Didn't have anywhere else to go. There were no usable

0:20:37.280 --> 0:20:40.920
<v Speaker 5>fingerprints on the murder weapon or anywhere else on the scene,

0:20:41.560 --> 0:20:44.679
<v Speaker 5>No semen or hair was found, no skin or blood

0:20:44.760 --> 0:20:47.399
<v Speaker 5>under any of the girl's fingernails. No one saw a

0:20:47.400 --> 0:20:51.240
<v Speaker 5>goddamn thing, you know. So the girls had thrown a

0:20:51.280 --> 0:20:54.480
<v Speaker 5>party that night. There were at least two or three

0:20:54.520 --> 0:20:57.080
<v Speaker 5>dozen kids at the house, most of them from out

0:20:57.119 --> 0:20:57.480
<v Speaker 5>of town.

0:20:58.160 --> 0:21:00.359
<v Speaker 3>We talked to every single one of them got nowhere.

0:21:01.080 --> 0:21:03.360
<v Speaker 5>No one would admit to being the last one to leave,

0:21:04.200 --> 0:21:06.280
<v Speaker 5>and no one said there was anyone who looked.

0:21:06.080 --> 0:21:07.080
<v Speaker 3>Suspicious or shady.

0:21:07.080 --> 0:21:11.600
<v Speaker 5>There either, just a bunch of kids getting drunk, getting high, dancing,

0:21:11.840 --> 0:21:15.840
<v Speaker 5>hooking up. So I didn't see the harm in bringing

0:21:15.920 --> 0:21:18.120
<v Speaker 5>Stan Majors back to the station for a word or two.

0:21:19.440 --> 0:21:21.480
<v Speaker 3>But you know I was wrong.

0:21:23.800 --> 0:21:26.400
<v Speaker 1>There was plenty of out of town press in Domino Beach.

0:21:26.400 --> 0:21:29.040
<v Speaker 1>In the days after the murders of the ASU students

0:21:29.080 --> 0:21:32.399
<v Speaker 1>and councilman Langford leaked to reporters from TV stations in

0:21:32.440 --> 0:21:35.480
<v Speaker 1>Los Angeles and San Diego that Stokes was bringing in

0:21:35.520 --> 0:21:40.520
<v Speaker 1>a suspect for questioning. This wasn't exactly true, since Stan

0:21:40.600 --> 0:21:43.720
<v Speaker 1>Majors was never officially declared a suspect in any of

0:21:43.720 --> 0:21:46.639
<v Speaker 1>the Domino Beach murders. But when Stokes arrived at the

0:21:46.680 --> 0:21:49.280
<v Speaker 1>station with Majors in the backseat of his car.

0:21:49.640 --> 0:21:51.880
<v Speaker 3>It was a shit show, is what it was. Goddamn

0:21:51.920 --> 0:21:52.720
<v Speaker 3>media circus.

0:21:53.359 --> 0:21:55.040
<v Speaker 5>It took me about an hour to make the round

0:21:55.040 --> 0:21:57.000
<v Speaker 5>trip all the way to and from the gas.

0:21:56.800 --> 0:21:59.800
<v Speaker 3>Station where Majors was working, and when I pulled up.

0:21:59.720 --> 0:22:02.639
<v Speaker 5>To the sh station, if you have thought it was

0:22:02.680 --> 0:22:04.040
<v Speaker 5>the red carpet of the oscars.

0:22:05.520 --> 0:22:09.280
<v Speaker 1>Here's some archive footage from Sheriff Stokes interview with Stan

0:22:09.359 --> 0:22:10.240
<v Speaker 1>Major's that day.

0:22:12.040 --> 0:22:16.800
<v Speaker 6>No, I haven't been to Domino Beach in uh not

0:22:16.880 --> 0:22:18.480
<v Speaker 6>since maybe last October.

0:22:19.320 --> 0:22:20.240
<v Speaker 3>Why are you lying to me?

0:22:20.320 --> 0:22:22.960
<v Speaker 6>Stan? I'm not lying?

0:22:23.760 --> 0:22:25.439
<v Speaker 7>Yeah you are now.

0:22:25.440 --> 0:22:28.320
<v Speaker 3>Maybe you killed those girls and maybe you didn't. I didn't.

0:22:28.520 --> 0:22:29.680
<v Speaker 3>I didn't kill either way.

0:22:29.760 --> 0:22:32.600
<v Speaker 7>Stan, you're lying to me right now, and I don't

0:22:32.640 --> 0:22:35.240
<v Speaker 7>care for it. You were at that party that night,

0:22:35.280 --> 0:22:35.840
<v Speaker 7>weren't you?

0:22:35.880 --> 0:22:35.960
<v Speaker 6>What?

0:22:36.760 --> 0:22:39.840
<v Speaker 7>No, you think they'd led me into that house. They

0:22:39.880 --> 0:22:42.199
<v Speaker 7>were from out of town. Stand they didn't know you.

0:22:42.480 --> 0:22:45.280
<v Speaker 7>They didn't know what you've done. What you're capable of.

0:22:46.160 --> 0:22:49.480
<v Speaker 6>I'm not capable of that. I couldn't hurt anyone.

0:22:49.240 --> 0:22:52.280
<v Speaker 7>Like you've done it before. You beat a minor half

0:22:52.359 --> 0:22:57.640
<v Speaker 7>unconscious because she turned you down. That what happened here?

0:22:58.000 --> 0:23:00.520
<v Speaker 7>You tried to get with Mary and what after you

0:23:00.920 --> 0:23:01.600
<v Speaker 7>made you mad.

0:23:02.840 --> 0:23:05.840
<v Speaker 6>No, I don't know who that is. I never seen

0:23:05.960 --> 0:23:07.040
<v Speaker 6>those girls.

0:23:06.880 --> 0:23:08.680
<v Speaker 7>Yeah, never met them before that night.

0:23:09.440 --> 0:23:13.520
<v Speaker 6>Never look, men, what I did. It was almost ten

0:23:13.640 --> 0:23:16.960
<v Speaker 6>years ago. Now I pay my debt to society. I'm

0:23:17.000 --> 0:23:20.399
<v Speaker 6>still paying it. I hardly ever go anywhere besides working

0:23:20.480 --> 0:23:23.560
<v Speaker 6>my trailer. I just want to get back there now.

0:23:24.119 --> 0:23:25.920
<v Speaker 6>Please let me go back there.

0:23:37.000 --> 0:23:40.200
<v Speaker 5>I I mean, I regret going at him so hard,

0:23:40.240 --> 0:23:42.280
<v Speaker 5>considering he had no evidence on him whatsoever.

0:23:42.400 --> 0:23:44.679
<v Speaker 3>But you know, like I said, I was under a lot.

0:23:44.560 --> 0:23:47.000
<v Speaker 1>Of pressure from counseling Langford.

0:23:47.119 --> 0:23:50.480
<v Speaker 2>Right, yeah, he saw that fucking guy.

0:23:50.480 --> 0:23:51.479
<v Speaker 3>It's the perfect target.

0:23:52.400 --> 0:23:54.199
<v Speaker 2>I don't know if my dad ever thought he actually

0:23:54.240 --> 0:23:57.240
<v Speaker 2>killed those students or not. I don't think the idea

0:23:57.240 --> 0:24:00.720
<v Speaker 2>of justice ever entered into his thinking. No, what he

0:24:00.800 --> 0:24:03.040
<v Speaker 2>cared about was making it go away. What was going

0:24:03.080 --> 0:24:05.120
<v Speaker 2>through his mind was how can I put an end

0:24:05.119 --> 0:24:08.000
<v Speaker 2>to this shit storm as fast as possible? And his

0:24:08.119 --> 0:24:12.080
<v Speaker 2>answer was depended on the local registered sex offender. And

0:24:12.119 --> 0:24:14.320
<v Speaker 2>it wasn't a bad idea either. I mean, who fuck

0:24:14.320 --> 0:24:15.960
<v Speaker 2>cares about a guy like that? Who's going to go

0:24:16.000 --> 0:24:17.680
<v Speaker 2>to bat for a goddamn rapist?

0:24:22.680 --> 0:24:25.760
<v Speaker 1>Okay, look, I have to state for the record that

0:24:26.359 --> 0:24:29.760
<v Speaker 1>like Connor Langford is saying Stan Majors was a tough

0:24:29.760 --> 0:24:30.840
<v Speaker 1>guy to feel sorry for.

0:24:31.440 --> 0:24:32.359
<v Speaker 3>He was found.

0:24:32.119 --> 0:24:35.199
<v Speaker 1>Guilty for and later admitted to trying to rape a

0:24:35.240 --> 0:24:38.280
<v Speaker 1>seventeen year old girl in Los Angeles in the nineteen eighties.

0:24:38.720 --> 0:24:41.240
<v Speaker 1>So first and foremost, fuck that guy.

0:24:42.720 --> 0:24:46.000
<v Speaker 3>But oh, that poor son of a bitch went through hell.

0:24:46.040 --> 0:24:48.720
<v Speaker 5>I mean, there was footage of him walking into the

0:24:48.800 --> 0:24:51.800
<v Speaker 5>sheriff's station with me on every channel on every TV

0:24:51.880 --> 0:24:54.359
<v Speaker 5>in the country. Over the next couple of months, they

0:24:54.400 --> 0:24:58.240
<v Speaker 5>did investigations and expose a's on them on a couple

0:24:58.280 --> 0:25:01.800
<v Speaker 5>of those primetime news shows, you know, making it seem

0:25:01.920 --> 0:25:05.520
<v Speaker 5>like suspect number one. Even though I never charged him

0:25:05.520 --> 0:25:08.600
<v Speaker 5>with the damn thing, he couldn't set foot outside his

0:25:08.640 --> 0:25:10.760
<v Speaker 5>trailer without being called a rapist and a murder and

0:25:10.760 --> 0:25:11.879
<v Speaker 5>a hell of a lot worse than that.

0:25:13.840 --> 0:25:15.720
<v Speaker 3>In June of that year, a couple of frat.

0:25:15.440 --> 0:25:18.720
<v Speaker 5>Boys from Asu came to town, found on the gas

0:25:18.760 --> 0:25:21.240
<v Speaker 5>station where he worked, and beat the living shit out

0:25:21.240 --> 0:25:23.400
<v Speaker 5>of him. I mean, they put him in the hospital

0:25:24.320 --> 0:25:27.200
<v Speaker 5>and I put them in a lockup, but their daddy's

0:25:27.200 --> 0:25:29.960
<v Speaker 5>made some calls to Greg Langford and they got out

0:25:30.000 --> 0:25:33.280
<v Speaker 5>without so much as a slap on the wrist. I'm

0:25:33.320 --> 0:25:36.400
<v Speaker 5>telling you, whatever Stan Majors has done, and he's done

0:25:36.440 --> 0:25:40.840
<v Speaker 5>a lot, he paid for a dozen times over until.

0:25:42.160 --> 0:25:42.480
<v Speaker 3>Well.

0:25:46.600 --> 0:25:50.560
<v Speaker 1>On September twelfth, nineteen ninety four, just six days shy

0:25:50.640 --> 0:25:53.600
<v Speaker 1>of the two year anniversary of the death of Vera Hendrick,

0:25:54.440 --> 0:25:58.200
<v Speaker 1>Stan Majors locked himself in his trailer, took a shotgun

0:25:58.240 --> 0:26:02.200
<v Speaker 1>to his head, and committed so side just like Kurt

0:26:02.280 --> 0:26:03.800
<v Speaker 1>Cobain had back in April.

0:26:08.680 --> 0:26:11.720
<v Speaker 5>Within a couple of weeks, the District Attorney's office posthumously

0:26:11.800 --> 0:26:15.040
<v Speaker 5>charged him with the murders of Holly Blake, Sandra Gerard,

0:26:15.200 --> 0:26:19.160
<v Speaker 5>and Mary Crouch. And then they tacked on Vera Kendrick because.

0:26:19.080 --> 0:26:22.600
<v Speaker 1>You know, why the hell not so you didn't believe

0:26:22.640 --> 0:26:23.919
<v Speaker 1>Stan Majors was the killer.

0:26:24.240 --> 0:26:28.960
<v Speaker 5>Even back then, I believed he could have possibly killed

0:26:29.040 --> 0:26:31.840
<v Speaker 5>Vera Kendrick since that was, you know, an impulse crime.

0:26:32.040 --> 0:26:35.040
<v Speaker 5>But when it came to those girls, Stan wasn't the

0:26:35.080 --> 0:26:37.359
<v Speaker 5>sharpest tack in the box. You know, he had an

0:26:37.400 --> 0:26:39.879
<v Speaker 5>IQ in the low eighties. I don't think he was

0:26:39.960 --> 0:26:41.960
<v Speaker 5>capable of the planning it would have taken to pull

0:26:42.000 --> 0:26:45.720
<v Speaker 5>off those murders without getting caught. But you know, I

0:26:45.880 --> 0:26:48.439
<v Speaker 5>wanted him to be the killer, and not for the

0:26:48.440 --> 0:26:51.159
<v Speaker 5>same reasons Langford wanted it. All he cared about was

0:26:51.240 --> 0:26:54.520
<v Speaker 5>keeping the image of Domino Beaches, this fun, easygoing beach

0:26:54.600 --> 0:26:56.920
<v Speaker 5>town where people could come and spend their money without

0:26:56.960 --> 0:26:59.920
<v Speaker 5>fear of being raped or murdered. I mean, to him,

0:27:00.000 --> 0:27:04.600
<v Speaker 5>it was all about perception. I wanted justice, and maybe

0:27:04.600 --> 0:27:07.280
<v Speaker 5>because I wanted it so bad, for a while there,

0:27:08.359 --> 0:27:10.720
<v Speaker 5>I deluded myself into believing justice.

0:27:10.480 --> 0:27:11.240
<v Speaker 3>Had been served.

0:27:14.560 --> 0:27:18.600
<v Speaker 1>We all wanted to believe that Domino Beach had experienced

0:27:18.800 --> 0:27:22.560
<v Speaker 1>five murders and a suicide in less than two years.

0:27:22.960 --> 0:27:25.359
<v Speaker 1>My friends back in Los Angeles were concerned for me,

0:27:25.560 --> 0:27:27.960
<v Speaker 1>trying to get me to move back home. Can you

0:27:28.000 --> 0:27:31.240
<v Speaker 1>imagine that? Who the hell moves to LA to feel safer?

0:27:32.680 --> 0:27:35.760
<v Speaker 1>And I can't say I didn't consider it. I mean,

0:27:36.040 --> 0:27:38.760
<v Speaker 1>what the hell was I still doing in Domino Beach anyway?

0:27:39.320 --> 0:27:41.679
<v Speaker 1>I had enough experience at that point. I could have

0:27:41.720 --> 0:27:44.120
<v Speaker 1>easily gotten a job in a major city. I mean,

0:27:44.240 --> 0:27:47.960
<v Speaker 1>maybe not LA, but somewhere. And I was only making

0:27:48.000 --> 0:27:50.600
<v Speaker 1>like twenty five grand a year, and rent wasn't exactly

0:27:50.680 --> 0:27:53.840
<v Speaker 1>cheap in Domino Beach. I was barely making ends meet.

0:27:54.560 --> 0:27:58.680
<v Speaker 1>Why was I still there. I didn't have a good

0:27:58.680 --> 0:28:02.160
<v Speaker 1>answer back then, and I don't. All I could say

0:28:02.280 --> 0:28:06.760
<v Speaker 1>was that somehow, somehow I knew Domino Beach was where

0:28:06.800 --> 0:28:10.720
<v Speaker 1>I was supposed to be, and despite what the police

0:28:10.720 --> 0:28:13.359
<v Speaker 1>and the politicians were saying in late nineteen ninety four,

0:28:13.880 --> 0:28:18.320
<v Speaker 1>after the death of Stan Majors, somehow I knew it

0:28:18.400 --> 0:28:19.000
<v Speaker 1>wasn't over.

0:28:20.720 --> 0:28:23.919
<v Speaker 4>No, no one believed it was him. When that rapist

0:28:23.960 --> 0:28:28.119
<v Speaker 4>piece of shit killed himself, all anyone thought was, oh good,

0:28:28.320 --> 0:28:30.639
<v Speaker 4>there's one less rapist piece of shit in the world.

0:28:30.960 --> 0:28:32.240
<v Speaker 3>But no one believed.

0:28:31.920 --> 0:28:33.679
<v Speaker 4>It was the rapist piece of shit who killed those

0:28:33.680 --> 0:28:35.840
<v Speaker 4>spring Breakers.

0:28:35.440 --> 0:28:38.200
<v Speaker 1>So you thought it was a serial killer. Even back then,

0:28:39.360 --> 0:28:40.000
<v Speaker 1>I don't.

0:28:39.920 --> 0:28:41.920
<v Speaker 4>Know if I thought it was a serial killer. I

0:28:42.000 --> 0:28:45.440
<v Speaker 4>just knew it was a cycle and I guess I

0:28:45.480 --> 0:28:47.920
<v Speaker 4>hoped whoever it was left town by the end of

0:28:47.960 --> 0:28:49.240
<v Speaker 4>the tourist season that year.

0:28:49.960 --> 0:28:51.640
<v Speaker 1>But we know now that he didn't.

0:28:52.200 --> 0:28:54.840
<v Speaker 4>Yeah, we found that out pretty quick.

0:28:58.680 --> 0:29:00.920
<v Speaker 1>There would be other murders and die Beach before it

0:29:00.960 --> 0:29:04.040
<v Speaker 1>was over, but nothing would measure up to the violence

0:29:04.040 --> 0:29:07.240
<v Speaker 1>and depravity of the murders of Mary Crouch, Sandra Gerard,

0:29:07.240 --> 0:29:10.320
<v Speaker 1>and Holly Blake. Up to that point, the killer had

0:29:10.320 --> 0:29:13.640
<v Speaker 1>been very careful. He had not left behind any evidence

0:29:13.640 --> 0:29:15.800
<v Speaker 1>that could be traced back to him, and no one

0:29:15.840 --> 0:29:18.600
<v Speaker 1>had so much as gotten a glimpse of him, his car,

0:29:18.920 --> 0:29:24.040
<v Speaker 1>or anything. He was a ghost, but he was about

0:29:24.080 --> 0:29:39.120
<v Speaker 1>to make his first mistake. The Murder Years is a

0:29:39.160 --> 0:29:45.200
<v Speaker 1>production of AYR Media and iHeartMedia. Executive producer Elisa Rosen

0:29:45.320 --> 0:29:50.960
<v Speaker 1>for AYR Media. Written by Tim Huddleston, directed by Alisa Rosen,

0:29:51.840 --> 0:29:57.280
<v Speaker 1>Editing and sound designed by Tristan Bankston, Consulting producer Jean

0:29:57.440 --> 0:30:04.440
<v Speaker 1>Chandil coordinator All Goldberg, Audio engineering and mastering by Justin

0:30:04.680 --> 0:30:11.520
<v Speaker 1>Longerbeam studio engineer Josh Hook. Original music by Nathan Bankston.

0:30:12.360 --> 0:30:16.360
<v Speaker 1>Original concept developed in partnership with Anne Margaret Johns and

0:30:16.480 --> 0:30:23.920
<v Speaker 1>Greg Spring, Executive producer for iHeartMedia. Maya Howard performances for

0:30:24.000 --> 0:30:29.800
<v Speaker 1>this episode by Erica Leniac as Courtney Barnes, Tom Virtue

0:30:29.920 --> 0:30:35.920
<v Speaker 1>as Sheriff Damon Stokes, Alex Salem as Connor Langford, Melon

0:30:36.080 --> 0:30:43.120
<v Speaker 1>Faxis as Maya Morales, Michael Cussman as Stan Majors, Matt

0:30:43.200 --> 0:30:45.840
<v Speaker 1>Fogerty as young Detective Stokes.