WEBVTT - Four Weddings and a Funeral with Kate Cheka

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<v Speaker 1>On the cast. The questions asked if movies have women

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<v Speaker 1>and them all their discussions just boyfriends and husbands, or

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<v Speaker 1>do they have individualism? It's the patriarchy, zeph and Beast

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<v Speaker 1>start changing it with the Bechdel cast.

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<v Speaker 2>Do do do do Do?

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<v Speaker 3>Do do do do?

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<v Speaker 4>Oh no, I'm gay and I've had a heart attack.

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<v Speaker 2>Oh no, And then oh and then there's a funeral.

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<v Speaker 2>What's the funeral music?

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<v Speaker 4>Oh god, I don't know if there's a go to funeral.

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<v Speaker 5>I guess there isn't. I was going to say do

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<v Speaker 5>do do do do do do, but I don't think

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<v Speaker 5>people like people don't really do that.

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<v Speaker 1>Yeah.

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<v Speaker 2>Yeah, that kind of reminded me of the Darth Vader March,

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<v Speaker 2>like the Imperial March.

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<v Speaker 4>Yeah, that felt like, yeah, maybe if someone shitty died,

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<v Speaker 4>I want that to play at my funeral. Something I

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<v Speaker 4>like about funerals now, something I appreciate about the contemporary

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<v Speaker 4>a funeral is that a lot of people just plug

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<v Speaker 4>their phone in. That's what we did at my dad's funeral.

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<v Speaker 4>We made like a communal playlist of music he liked.

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<v Speaker 4>I plugged it in.

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<v Speaker 2>Okay, I was like, what do you mean?

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<v Speaker 4>I mean, it's just like, you just play the music

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<v Speaker 4>that the person liked. It makes way more sense than

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<v Speaker 4>like crying music. You know, yeah, play the sex pistols

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<v Speaker 4>have some fun totally. Anyways, I don't they play more

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<v Speaker 4>generic music at ED. I think, you know, probably in

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<v Speaker 4>the interest of budget. They're playing kind of in the movie.

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<v Speaker 4>You mean, hey, yes, they're playing low budget, royalty free music.

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<v Speaker 3>Right.

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<v Speaker 2>Exactly, because the movie is four Weddings in a Funeral.

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<v Speaker 2>The podcast is the Bechdel Cast. Totally Caitlin Durante, who

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<v Speaker 2>are you, Jamie?

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<v Speaker 4>I truly am like having a like delayed brain. Here's

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<v Speaker 4>what happened. I had a Celsius at six am, and

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<v Speaker 4>then I started to crash at like nine thirty, and

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<v Speaker 4>I was like, I have to I have to maintain

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<v Speaker 4>my buzz. So I just got a gigantic coffee. I'm

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<v Speaker 4>Jamie Loftus and this is the Bexel Cast. The movie

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<v Speaker 4>where we take a look at your favorite the podcast

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<v Speaker 4>where we take the oh no, the podcast where we

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<v Speaker 4>take a look at your favorite movie is using from

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<v Speaker 4>an intersectional feminist, using the Bexel test as a jumping

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<v Speaker 4>off point for discussion. All of those words felt.

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<v Speaker 5>New in my mouth, like I never said, are you okay?

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<v Speaker 5>Something is going on.

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<v Speaker 4>It's gonna be one podcast and one funeral.

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<v Speaker 5>Caitleb. What's the Bechtyl test? What the hell is it?

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<v Speaker 2>I'll tell I'll tell you. It is a media metric

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<v Speaker 2>created by close friend of the show, Alison Bechdel, first

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<v Speaker 2>appearing in her comic collection Dicks to Watch out For

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<v Speaker 2>in the eighties, has since been kind of adapted to

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<v Speaker 2>a more like mainstream media metric that has many different

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<v Speaker 2>versions of it. The one that we use is this,

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<v Speaker 2>do two characters of a marginalized gender have names? Do

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<v Speaker 2>they speak to each other? And is there conversation about

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<v Speaker 2>something other than a man? And then we particularly like

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<v Speaker 2>it when it's a narratively relevant, meaningful conversation and not

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<v Speaker 2>dialogue that could be cut out of the movie and

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<v Speaker 2>nothing would really change, right, And we're and we'll apply

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<v Speaker 2>it to four weddings in a funeral today. Did I

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<v Speaker 2>pay attention if it passes the Bechdel Test or not?

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<v Speaker 4>No?

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<v Speaker 2>I didn't.

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<v Speaker 4>Why would you say that at the beginning of the episode.

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<v Speaker 2>Well, look, this is a chaos episode. I can feel it.

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<v Speaker 2>We're just we're loose.

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<v Speaker 4>I actually I was just googling if it passed, and

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<v Speaker 4>the phrase I googled was Bechtel test, four sisters and

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<v Speaker 4>a wedding. I'm not sure what's going on today? Okay, amazing, Okay, okay,

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<v Speaker 4>nothing is working. Let's just let's bring our guests in here.

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<v Speaker 5>Okay.

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<v Speaker 2>Maybe maybe she'll help stabilize us. Maybe it'll be even

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<v Speaker 2>more chaotic.

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<v Speaker 4>See, she's living in the night time, we're living in

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<v Speaker 4>the day.

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<v Speaker 2>So true because she comes to us from across a sea.

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<v Speaker 2>She is a comedian. You can check out her show

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<v Speaker 2>The Last Funny Woman at Edinburgh Fringe this year in August.

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<v Speaker 2>And you remember her from our episode on angus, thongs

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<v Speaker 2>and perfect snogging. It's Kate Cheka.

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<v Speaker 3>Yeah, thank you for having me.

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<v Speaker 5>Welcome back.

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<v Speaker 2>Oh gosh, thank you.

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<v Speaker 3>I'm so happy to be back.

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<v Speaker 2>We're delighted to have you. So you've brought us four

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<v Speaker 2>weddings in a funeral?

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<v Speaker 3>Tell us I did? I was excuse me of bringing it?

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<v Speaker 2>Well you did? Yeah, Well I do feel that wayship.

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<v Speaker 2>What's your relationship with this movie?

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<v Speaker 3>My relationship with it? It was one of those ones

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<v Speaker 3>I saw as a child. I guess Richard Curtis is

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<v Speaker 3>like one of those British things, and so are Richard Curtis.

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<v Speaker 3>Movie is one of his British things. And you've seen

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<v Speaker 3>it as a child, and you've been raised with it,

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<v Speaker 3>and it just feels like a part of your culture.

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<v Speaker 3>I think is the thing. And I've had issues with

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<v Speaker 3>other ones of his films, like Love Actually, which I'm

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<v Speaker 3>sure you've done right, one.

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<v Speaker 4>Of our very Yeah, I think we're due for a

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<v Speaker 4>real look maybe this holiday season. We didn't, but also

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<v Speaker 4>we didn't. We didn't care for it the first. Richard

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<v Speaker 4>Curtis has not fair age particularly well on our show.

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<v Speaker 3>No, he doesn't age well usually. And I and Love Actually,

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<v Speaker 3>I thought Love Actually was one of my favorite films.

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<v Speaker 3>I was under the impression. And then on the weekend

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<v Speaker 3>before Christmas last Christmas, I woke up in this beautiful

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<v Speaker 3>two bedroom flat in North London, Islington with this man there.

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<v Speaker 3>He's not that important, but I was. It was a

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<v Speaker 3>hook up. But then I ended up staying the weekend

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<v Speaker 3>in his beautiful flat because he had such a great flight.

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<v Speaker 3>He had like a claw foot bath and a fireplace,

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<v Speaker 3>and he kept saying things that I enjoyed, like there's

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<v Speaker 3>bubbly wine in the fridge. Left over from the Christmas party.

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<v Speaker 3>Do you want me to get it? I was like yes,

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<v Speaker 3>and like, do you want quack emole? And I was like, yeah, great,

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<v Speaker 3>I love it this house. And so I stayed there

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<v Speaker 3>at the house, not for him but for the beautiful house.

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<v Speaker 3>And we watched Love Actually and ate homemade Quackamoley.

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<v Speaker 5>That does sound nice, right.

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<v Speaker 3>I was like, Wow, it's a Christmas romance. And then yeah,

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<v Speaker 3>I watched this film and I was like, this film

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<v Speaker 3>is awful. Did everyone know this because I hadn't seen it?

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<v Speaker 2>Okay, so long we were so we didn't.

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<v Speaker 5>We didn't know which this was gonna go.

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<v Speaker 2>We honestly didn't know.

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<v Speaker 3>It was like, this film's horrible, Like it's a treatment

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<v Speaker 3>of women of people of color. I was like, this

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<v Speaker 3>is a bad film and it's so odd because I

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<v Speaker 3>was under the impression it was one of my favorite films.

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<v Speaker 2>But no, I think a lot of us have had

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<v Speaker 2>that journey with many such cases. But how do you

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<v Speaker 2>feel about for weddings in a funeral?

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<v Speaker 3>Now, I'd watched it quite recently and I didn't feel

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<v Speaker 3>the same visceral. This is bad. But if we're going

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<v Speaker 3>to look at it through a feminist intersexual lens. I

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<v Speaker 3>don't think it does very good, but I awso. But

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<v Speaker 3>there's somehow with this film, and I don't know why,

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<v Speaker 3>I'm more nostalgic.

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<v Speaker 5>Towards it interesting.

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<v Speaker 3>Sure, Yeah.

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<v Speaker 2>Do you think maybe because it's just a bit older,

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<v Speaker 2>like it was with you for a longer time, an

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<v Speaker 2>earlier age.

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<v Speaker 3>Yeah. I think there's something about the two thousand line,

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<v Speaker 3>the year two thousand, where there's like, you can forgive

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<v Speaker 3>things that happened in the twentieth century. It was a

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<v Speaker 3>different you forgive them if they happened in the twenty

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<v Speaker 3>it was a different century.

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<v Speaker 2>Right.

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<v Speaker 3>Where is the twenty first century despite the handful of

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<v Speaker 3>years between these films, is a different century and by

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<v Speaker 3>the two thousands, we needed.

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<v Speaker 2>To know a different millennium.

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<v Speaker 3>Yeah, So I guess maybe it's that.

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<v Speaker 2>Yeah, Yeah, I do.

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<v Speaker 4>I felt like there's a version of Hugh Grant's face.

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<v Speaker 2>Hugh Grant in.

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<v Speaker 4>His thirties is like a completely different vibe to contemporary

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<v Speaker 4>hugrit They're all great, but I feel like, yes, Hugh Grant,

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<v Speaker 4>for me, age is like a fine wine. You know,

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<v Speaker 4>we have to get through four weddings and a funeral

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<v Speaker 4>to get to Paddington.

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<v Speaker 5>Too kind of thing.

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<v Speaker 4>Tell me about it performance, as Caitlin I said it before,

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<v Speaker 4>a generational performance. But there's also I don't know, I'm curious, Kitlyn,

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<v Speaker 4>what's your history with this movie?

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<v Speaker 2>Well? I saw it for the first time in the

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<v Speaker 2>Great Caitlin Movie Binge of two thousand and five. I

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<v Speaker 2>did not care for it at the time. I watched

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<v Speaker 2>it again twice for a podcast that I guessed it

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<v Speaker 2>on in twenty twenty one called five hundred Greatest Films

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<v Speaker 2>podcast hosted by my buds Hector and Keller. Oh yes,

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<v Speaker 2>I find on that as well.

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<v Speaker 5>I forget what movie I covered.

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<v Speaker 2>Who can say, but I really waxed poetic on that

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<v Speaker 2>episode about how much I deeply hate this movie. Wow.

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<v Speaker 4>You disliking this movie went back so far.

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<v Speaker 2>Yeah, I have a long history of really loathing.

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<v Speaker 3>Wow.

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<v Speaker 2>And I thought maybe, I was like, look, it's been

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<v Speaker 2>five years since then, maybe I'll find something appealing about it.

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<v Speaker 2>And there are little nuggets of things that I don't hate,

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<v Speaker 2>and we'll talk about them. But by and large, this

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<v Speaker 2>movie so much. So sorry, in advance to all of

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<v Speaker 2>our listeners love this movie. I am going to be

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<v Speaker 2>taking a massive dump on.

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<v Speaker 4>It, you know, and normally when Caitlin is taking a

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<v Speaker 4>massive dump, I tend to fall somewhere. I tend to

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<v Speaker 4>fall somewhere in the middle.

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<v Speaker 5>However, I will be.

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<v Speaker 4>Joining you today and jump, I really like, for reasons

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<v Speaker 4>that have to do with our podcasts and reasons that don't.

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<v Speaker 4>The barrier gaze in Four Weddings and a Funeral is

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<v Speaker 4>so egregious and pisses me right off.

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<v Speaker 5>Right from the jump.

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<v Speaker 4>I was like, if I literally wrote out at the beginning,

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<v Speaker 4>if one of our only identifiably queer characters is.

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<v Speaker 5>The funeral, I'm gonna blow my house up.

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<v Speaker 3>And I think so it.

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<v Speaker 5>Was, and so it was.

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<v Speaker 4>But yeah, I think, honestly, for me, i'd never seen

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<v Speaker 4>this movie before. I mix it up with another movie,

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<v Speaker 4>I forget what it is. And I know that there

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<v Speaker 4>was a remake of this movie that Kate.

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<v Speaker 2>Mindy Kahaling did a series in twenty nineteen.

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<v Speaker 4>I think, Okay, I did not watch that either, But yeah,

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<v Speaker 4>I had never seen it before, and I honestly like,

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<v Speaker 4>I just thought it was boring. Honestly, that was I

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<v Speaker 4>think the movie's worst crime for me is I was

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<v Speaker 4>bored and I did like the only characters.

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<v Speaker 5>I the only character I like died, so you know.

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<v Speaker 2>So I would say I did not like it.

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<v Speaker 4>And also even given the period, because I can Kate,

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<v Speaker 4>I totally agree, Like there are certain comedies and rom

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<v Speaker 4>coms that you're like, you know, it's it's worth the

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<v Speaker 4>monkey paw situation that you put yourself into by watching it.

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<v Speaker 4>But for and this movie for me on every level,

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<v Speaker 4>there are better Hugh Grant movies in the nineties to watch.

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<v Speaker 4>There are better Richard Curtis movies in the nineties to watch,

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<v Speaker 4>like it just I can't do it. I still haven't

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<v Speaker 4>seen Nodding Hill. But of the other Richard Curtis movies

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<v Speaker 4>we've covered on the pod, I think my favorite is

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<v Speaker 4>MoMA me I Here We Go Again, which she is

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<v Speaker 4>a credited writer on, so there's.

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<v Speaker 2>A story by credit. I think. Yeah. His his filmography

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<v Speaker 2>is wild because.

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<v Speaker 4>I randomly Warhorse, he wrote war Horse that and then

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<v Speaker 4>Bizarre Notting Hill Love actually Bridgie Jones Diary and Bridgide

0:12:23.520 --> 0:12:27.920
<v Speaker 4>Jones too. He is also deep into Rowan Atkinson. Oh

0:12:28.040 --> 0:12:31.720
<v Speaker 4>he is Mester, He's mister well, he's well, he's not

0:12:31.760 --> 0:12:35.800
<v Speaker 4>mister Yeah, he's mister mister Bean.

0:12:35.880 --> 0:12:36.360
<v Speaker 5>We got there.

0:12:38.000 --> 0:12:39.640
<v Speaker 2>Yes, also Rowan Atkinson.

0:12:39.760 --> 0:12:42.200
<v Speaker 4>Oh my god, every time I see Ron Atkinson, I

0:12:42.200 --> 0:12:45.480
<v Speaker 4>think of the James A. Caster Special, my favorite story

0:12:45.520 --> 0:12:48.920
<v Speaker 4>ever about how James Acaster's fiance dumped him for mister

0:12:49.000 --> 0:12:51.480
<v Speaker 4>Bean and then married mister Bean and had mister Bean's baby.

0:12:51.880 --> 0:12:52.160
<v Speaker 1>Wow.

0:12:52.320 --> 0:12:56.240
<v Speaker 4>Like, every time something bad happens to me, I'm like, damn,

0:12:56.360 --> 0:12:57.520
<v Speaker 4>at least at least.

0:12:58.120 --> 0:12:59.800
<v Speaker 5>I didn't leave me for mister Bean.

0:13:00.320 --> 0:13:02.600
<v Speaker 2>That would be really bad. There's still time.

0:13:02.679 --> 0:13:04.240
<v Speaker 3>I love the idea of that day day Caster is

0:13:04.280 --> 0:13:06.000
<v Speaker 3>a gateway for mister Bean.

0:13:08.160 --> 0:13:11.480
<v Speaker 4>And I'm sure that, like, given his like exact age,

0:13:11.520 --> 0:13:13.720
<v Speaker 4>he probably loved mister Bean too.

0:13:13.800 --> 0:13:15.960
<v Speaker 5>That had to be like devastating.

0:13:15.400 --> 0:13:19.960
<v Speaker 3>On many levels for traumatizing thoughts.

0:13:19.640 --> 0:13:24.640
<v Speaker 4>In prayers Podcaster He's fine, He's fine.

0:13:24.880 --> 0:13:29.280
<v Speaker 2>Yeah, Yeah, he's doing just great. So so yeah. Richard

0:13:29.360 --> 0:13:34.280
<v Speaker 2>Curtis directed by Mike Newell, who I think has mostly

0:13:34.320 --> 0:13:36.480
<v Speaker 2>done a lot of British things that I am not

0:13:36.720 --> 0:13:39.640
<v Speaker 2>familiar with. And then he directed one Harry Potter movie.

0:13:39.800 --> 0:13:41.920
<v Speaker 4>He killed Robert Pattinson, that's to me.

0:13:43.000 --> 0:13:43.720
<v Speaker 2>Yeah, he won.

0:13:45.160 --> 0:13:47.559
<v Speaker 4>That's the only thing I remember from that particular Harry

0:13:47.559 --> 0:13:50.920
<v Speaker 4>Potter movie is that Harry Potter has long hair and

0:13:51.040 --> 0:13:55.079
<v Speaker 4>Robert Pattinson dies. I think that's all that happens. I'm

0:13:55.080 --> 0:13:56.680
<v Speaker 4>sure who cares?

0:13:57.040 --> 0:14:01.280
<v Speaker 2>Yeah, who fucking cares? When it was written by history's greatest,

0:14:01.320 --> 0:14:03.559
<v Speaker 2>the transphob piece of shit.

0:14:04.200 --> 0:14:05.559
<v Speaker 3>Put all in the trash.

0:14:05.640 --> 0:14:07.960
<v Speaker 2>Shall we take a break and then come back for

0:14:08.120 --> 0:14:08.920
<v Speaker 2>the recap.

0:14:09.320 --> 0:14:10.040
<v Speaker 5>Let's do it.

0:14:20.000 --> 0:14:20.920
<v Speaker 2>And we're back.

0:14:22.080 --> 0:14:24.640
<v Speaker 4>Let's check in, Kate, Are you mad at us?

0:14:25.360 --> 0:14:31.280
<v Speaker 3>I'm know, I'm just like, I'm interested, open minded here.

0:14:32.000 --> 0:14:35.200
<v Speaker 3>Maybe it's a cultural thing, and I can argue very

0:14:35.200 --> 0:14:38.360
<v Speaker 3>well could be, but this is just so very British.

0:14:38.480 --> 0:14:40.800
<v Speaker 4>I wonder that the whole time, where I'm like, am

0:14:40.880 --> 0:14:42.960
<v Speaker 4>I just too American to enjoy this movie?

0:14:43.240 --> 0:14:44.320
<v Speaker 3>That's what I'm wondering.

0:14:45.080 --> 0:14:48.880
<v Speaker 2>Well for me, Like I love a lot of British humor.

0:14:49.360 --> 0:14:54.000
<v Speaker 2>I love The Full Monty is one of my favorite movies.

0:14:54.520 --> 0:15:00.440
<v Speaker 2>I love like Simon Pegg penned films, Monty, Python, Yeah,

0:15:00.480 --> 0:15:02.800
<v Speaker 2>et cetera. Yeah, I love all of these things.

0:15:03.280 --> 0:15:05.800
<v Speaker 3>Like I am cultured. I know about Britain.

0:15:05.600 --> 0:15:08.040
<v Speaker 2>I exactly.

0:15:08.440 --> 0:15:10.880
<v Speaker 4>I know that Kitlyn's about to say staph while it's flats.

0:15:10.920 --> 0:15:12.280
<v Speaker 4>I know you're about to drop it.

0:15:12.920 --> 0:15:17.440
<v Speaker 2>That's flat. Is the best show ever made? Yeah? So

0:15:17.640 --> 0:15:21.160
<v Speaker 2>I enjoy a lot of British humor. It's just that

0:15:21.320 --> 0:15:24.760
<v Speaker 2>this movie to me isn't funny.

0:15:26.040 --> 0:15:31.320
<v Speaker 3>Sorry, sorry, so funny. Why do I think it's so funny?

0:15:30.600 --> 0:15:34.520
<v Speaker 4>I think it's it's like a whistle that we can't hear.

0:15:36.320 --> 0:15:37.520
<v Speaker 5>I don't know what it is.

0:15:38.680 --> 0:15:41.320
<v Speaker 3>It's yeah, I think I wanted to say because I like.

0:15:41.360 --> 0:15:43.240
<v Speaker 3>The one thing I was like thinking when I was

0:15:43.280 --> 0:15:47.160
<v Speaker 3>rewatching this was it's not good in terms of like

0:15:47.920 --> 0:15:50.720
<v Speaker 3>representation and stuff, but boy is it funny.

0:15:51.640 --> 0:15:52.520
<v Speaker 5>I'm willing.

0:15:54.040 --> 0:15:59.720
<v Speaker 2>I'm willing to I'm willing to be swede. Yeah, yeah,

0:15:59.800 --> 0:16:02.440
<v Speaker 2>I'm I mean, look, I've got an open mind and

0:16:02.480 --> 0:16:03.240
<v Speaker 2>an open heart.

0:16:03.600 --> 0:16:06.440
<v Speaker 5>Yes, so it's true.

0:16:06.680 --> 0:16:07.200
<v Speaker 2>It's true.

0:16:07.360 --> 0:16:07.720
<v Speaker 5>All right.

0:16:07.800 --> 0:16:10.160
<v Speaker 2>So let's take a look at what happens in the movie.

0:16:10.680 --> 0:16:13.320
<v Speaker 2>We meet several people as they are getting ready to

0:16:13.400 --> 0:16:18.160
<v Speaker 2>head to a wedding, one of them being Charles. This

0:16:18.320 --> 0:16:22.120
<v Speaker 2>is Hugh Grant of Paddington two fame. Charles and his

0:16:22.200 --> 0:16:26.840
<v Speaker 2>flatmate Scarlett played by Charlotte Coleman. They wake up late

0:16:26.880 --> 0:16:29.320
<v Speaker 2>and have to rush to the wedding. This will become

0:16:29.360 --> 0:16:35.200
<v Speaker 2>a motif where he's always late to weddings. Their other

0:16:35.280 --> 0:16:39.600
<v Speaker 2>friends are sister and brother Fiona and Tom played by

0:16:39.720 --> 0:16:43.400
<v Speaker 2>Kristin Scott Thomas and James Fleet. There is a gay

0:16:43.440 --> 0:16:48.680
<v Speaker 2>couple Gareth and Matthew played by Simon Callo and John Hannah.

0:16:48.760 --> 0:16:53.680
<v Speaker 2>Charles's brother David played by David Bauer. They all attend

0:16:54.080 --> 0:16:57.880
<v Speaker 2>the wedding of Angus and Laura. Also at this wedding

0:16:58.120 --> 0:17:02.200
<v Speaker 2>is a woman who catches Charles's eye. This is Carrie

0:17:02.320 --> 0:17:06.560
<v Speaker 2>played by Andy McDowell. Fiona seems to know her, and

0:17:06.960 --> 0:17:11.919
<v Speaker 2>she says that Carrie is American and a slut, but

0:17:12.359 --> 0:17:16.960
<v Speaker 2>that does not deter Charles, and he approaches her. That's

0:17:17.080 --> 0:17:22.160
<v Speaker 2>so brave of him. Yeah, he approaches her at the reception,

0:17:22.680 --> 0:17:25.359
<v Speaker 2>but then immediately makes a fool out of himself in

0:17:25.359 --> 0:17:30.120
<v Speaker 2>front of an acquaintance of his played by Simon Koontz,

0:17:30.200 --> 0:17:33.480
<v Speaker 2>who we all recognize as Martin the Butler in Lindsay

0:17:33.520 --> 0:17:34.800
<v Speaker 2>Lohan's My Parent Trap.

0:17:34.880 --> 0:17:35.720
<v Speaker 5>I was cheering.

0:17:35.880 --> 0:17:38.680
<v Speaker 4>I was cheering, cheering, cheering to see Martin the Butler.

0:17:38.760 --> 0:17:40.920
<v Speaker 4>I don't think I've ever seen him in anything else.

0:17:43.560 --> 0:17:45.760
<v Speaker 3>It was a true I feel like he's a very

0:17:45.920 --> 0:17:47.920
<v Speaker 3>one of those actors that's in a lot of us stuff.

0:17:48.160 --> 0:17:50.920
<v Speaker 4>Okay, Yeah, it's like watching a Mike Lee movie where

0:17:50.960 --> 0:17:56.320
<v Speaker 4>you're like these these people look familiar, but who are they?

0:17:57.880 --> 0:18:02.000
<v Speaker 2>Okay, So Charles gives his best man speech and people

0:18:02.080 --> 0:18:05.639
<v Speaker 2>are laughing their little asses off, and Carrie seems to

0:18:05.680 --> 0:18:11.160
<v Speaker 2>think he's funny and charming. Then you know, people start dancing.

0:18:12.000 --> 0:18:17.000
<v Speaker 2>Mister Bean is there. He's a priest in training. The

0:18:17.119 --> 0:18:22.520
<v Speaker 2>night wears on, people are getting wasted. One of the bridesmaids, Lydia,

0:18:23.080 --> 0:18:25.679
<v Speaker 2>thought that she was gonna find a hunk at the

0:18:25.720 --> 0:18:28.119
<v Speaker 2>wedding to sleep with, like it was gonna be a

0:18:28.160 --> 0:18:31.119
<v Speaker 2>sure thing that she's a bridesmaid, so she's gonna have sex,

0:18:32.240 --> 0:18:34.560
<v Speaker 2>but she can't find anyone. And then this guy, Bernard

0:18:34.680 --> 0:18:37.479
<v Speaker 2>is like, I'll do it, and she's like, ooh, yucky.

0:18:37.840 --> 0:18:41.080
<v Speaker 2>But then later they start furiously making out and they

0:18:41.359 --> 0:18:48.119
<v Speaker 2>love it. They're the second wedding. Yes. Yes. At the

0:18:48.200 --> 0:18:51.600
<v Speaker 2>end of the night, Carrie, who Charles thought had left,

0:18:52.320 --> 0:18:55.480
<v Speaker 2>approaches him and asks him where he's staying that night,

0:18:55.720 --> 0:18:58.840
<v Speaker 2>and he's like, oh, I'm staying at my friend's castle,

0:18:59.560 --> 0:19:02.200
<v Speaker 2>and she's like like, oh, well, I'm staying at the Boatman,

0:19:02.320 --> 0:19:05.320
<v Speaker 2>where he was originally supposed to stay. So he blows

0:19:05.320 --> 0:19:09.480
<v Speaker 2>off his friends and goes there to try to run

0:19:09.520 --> 0:19:14.200
<v Speaker 2>into her again, which he does. There's a part where

0:19:14.200 --> 0:19:19.040
<v Speaker 2>he's getting cock blocked by some wind bag. Yeah, but

0:19:19.119 --> 0:19:22.680
<v Speaker 2>Carrie invites Charles up to her room and pretty soon

0:19:23.160 --> 0:19:25.520
<v Speaker 2>they're smooching and then they have sex.

0:19:25.880 --> 0:19:28.280
<v Speaker 3>Did you catch what the wind bag said as well?

0:19:28.320 --> 0:19:30.600
<v Speaker 3>I thought that was quite dark for a rom com.

0:19:30.840 --> 0:19:35.639
<v Speaker 2>He was like stalking Carrie, being like, I have a

0:19:35.760 --> 0:19:37.600
<v Speaker 2>chance with her. I'm pretty sure I'm going to get

0:19:37.600 --> 0:19:38.280
<v Speaker 2>to fuck.

0:19:38.080 --> 0:19:42.680
<v Speaker 4>HER's and she's actively hiding from him.

0:19:42.920 --> 0:19:44.160
<v Speaker 3>I hide mind the sofa.

0:19:44.280 --> 0:19:46.800
<v Speaker 4>Yeah, it does feel like and we'll have a whole

0:19:46.800 --> 0:19:52.560
<v Speaker 4>conversation about how Carrie's sexuality is discussed within the movie.

0:19:52.960 --> 0:19:55.960
<v Speaker 4>But it seems like her reputation precedes her in a

0:19:55.960 --> 0:19:59.879
<v Speaker 4>way that is getting her actively harassed by everyone. And

0:20:00.040 --> 0:20:02.920
<v Speaker 4>I think if we bou chevy test sort of, well,

0:20:03.000 --> 0:20:06.080
<v Speaker 4>I guess not as much with Charles, because she does

0:20:06.160 --> 0:20:11.480
<v Speaker 4>approach Charles and indicate interest, which does not happen with

0:20:11.960 --> 0:20:12.600
<v Speaker 4>anyone else.

0:20:12.960 --> 0:20:18.359
<v Speaker 2>Correct. Yes, Yeah, So they have sex and then the

0:20:18.359 --> 0:20:22.720
<v Speaker 2>next morning she's like, Okay, since we slept together, we

0:20:22.840 --> 0:20:29.560
<v Speaker 2>have to get married. Just kidding, hahha, I'm quirky.

0:20:28.840 --> 0:20:32.280
<v Speaker 4>And then he does the bajillionth It is wild. We

0:20:32.680 --> 0:20:37.720
<v Speaker 4>covered it a long time ago, but the long influential

0:20:37.840 --> 0:20:41.640
<v Speaker 4>tale of oh my gosh, fatal attraction.

0:20:41.840 --> 0:20:44.840
<v Speaker 5>I almost said final destination. I was like, that's not right,

0:20:44.960 --> 0:20:45.600
<v Speaker 5>that's not right.

0:20:46.920 --> 0:20:50.119
<v Speaker 4>But the amount of times that fatal attraction is like

0:20:50.280 --> 0:20:55.560
<v Speaker 4>referenced just as a shorthand for like woman who is unhinged,

0:20:56.240 --> 0:20:57.520
<v Speaker 4>it happens to this day.

0:20:57.800 --> 0:20:58.320
<v Speaker 5>That movie.

0:20:58.520 --> 0:21:01.800
<v Speaker 4>That movie really did a dirty one on culture.

0:21:02.240 --> 0:21:06.000
<v Speaker 2>It really made an impression on insecure men.

0:21:06.440 --> 0:21:10.240
<v Speaker 4>God forbid, Glenn Close, do a good job, Jesus.

0:21:11.800 --> 0:21:15.680
<v Speaker 2>Yeah. Okay. So she like makes a joke and then

0:21:15.720 --> 0:21:18.560
<v Speaker 2>she's like, okay, bye, I have to go back to America,

0:21:18.800 --> 0:21:23.199
<v Speaker 2>see ya, And she leaves and Charles is like, won't.

0:21:23.280 --> 0:21:23.639
<v Speaker 3>Won't.

0:21:23.920 --> 0:21:28.359
<v Speaker 2>There goes my dream woman. We cut to three months later.

0:21:28.520 --> 0:21:32.959
<v Speaker 2>It is the wedding of Lydia and Bernard. Once again,

0:21:33.200 --> 0:21:36.080
<v Speaker 2>Charles and Scarlet are running late to the wedding, so

0:21:36.119 --> 0:21:42.640
<v Speaker 2>they have to sprint there. The same friend group is there, Fiona, Tom, Matthew, Gareth, David,

0:21:42.840 --> 0:21:47.280
<v Speaker 2>and then mister Bean is officiating. But it's his first

0:21:47.320 --> 0:21:49.439
<v Speaker 2>wedding and so he's really nervous and he does a

0:21:49.560 --> 0:21:54.920
<v Speaker 2>terrible job in a scene that is, I'm sorry, way

0:21:54.920 --> 0:22:03.280
<v Speaker 2>too long and dare I say name funny? He makes

0:22:03.320 --> 0:22:03.800
<v Speaker 2>so many.

0:22:03.720 --> 0:22:05.359
<v Speaker 3>Kooky mistakes because.

0:22:06.640 --> 0:22:12.560
<v Speaker 2>I'm Swisszerland here there? Okay, So then at the reception,

0:22:13.400 --> 0:22:17.760
<v Speaker 2>guess who's there? It's Carrie. Even though we don't know

0:22:17.800 --> 0:22:20.720
<v Speaker 2>who she knows at any of these weddings or other events.

0:22:20.760 --> 0:22:23.360
<v Speaker 2>We don't know who she's friends with.

0:22:23.560 --> 0:22:28.200
<v Speaker 4>Seriously, we don't know. We know the things about her

0:22:28.240 --> 0:22:30.040
<v Speaker 4>that the plot requires that we know.

0:22:30.400 --> 0:22:33.159
<v Speaker 2>Which is that she's had sex with a bunch of people.

0:22:33.280 --> 0:22:36.840
<v Speaker 2>She's had sex with thirty two thirty three people. Thirty

0:22:36.880 --> 0:22:37.439
<v Speaker 2>three people.

0:22:37.720 --> 0:22:40.000
<v Speaker 3>Yeah, yes, not even that many.

0:22:40.440 --> 0:22:45.960
<v Speaker 5>I know. Well, yeah, yeah, totally not.

0:22:46.160 --> 0:22:48.920
<v Speaker 3>To not to like make out. I'm not trying to

0:22:48.960 --> 0:22:52.159
<v Speaker 3>shame her for not having more sex. I'm just saying it.

0:22:52.240 --> 0:22:53.399
<v Speaker 3>I don't think it's that deep.

0:22:54.119 --> 0:22:57.760
<v Speaker 2>But yeah, right, I feel like by today's standards, it's

0:22:58.119 --> 0:23:03.359
<v Speaker 2>rookie number because this is nothing. Yeah, she's basically a virgin.

0:23:05.440 --> 0:23:08.320
<v Speaker 3>But the guest lists don't make any sense for this movie.

0:23:08.320 --> 0:23:10.639
<v Speaker 3>I will say that, like, it never makes any sense

0:23:10.760 --> 0:23:14.520
<v Speaker 3>who knows who at these weddings? Like it doesn't seem

0:23:14.560 --> 0:23:16.000
<v Speaker 3>like these people know each other, you know.

0:23:16.400 --> 0:23:18.760
<v Speaker 4>Well, yeah, the plot just needs them all in the

0:23:18.800 --> 0:23:19.400
<v Speaker 4>same room.

0:23:19.840 --> 0:23:23.520
<v Speaker 2>Well, because Charles is the best man at the first

0:23:23.560 --> 0:23:27.440
<v Speaker 2>wedding with some guy named Angus, and you would think

0:23:27.440 --> 0:23:30.280
<v Speaker 2>that because he's the best man, he and Angus are

0:23:30.680 --> 0:23:33.640
<v Speaker 2>I don't know, best friends. But then we never see

0:23:33.720 --> 0:23:38.399
<v Speaker 2>Angus again. He's not even at Charles's wedding spoiler alert.

0:23:38.440 --> 0:23:41.880
<v Speaker 3>At the end, he's at Charles's wedding. He is, Yeah,

0:23:41.960 --> 0:23:44.800
<v Speaker 3>it's him and his wife are there and they're holding twins.

0:23:45.080 --> 0:23:47.199
<v Speaker 4>Oh oh yeah, because every time we see them, that's like,

0:23:47.240 --> 0:23:48.879
<v Speaker 4>how we know how much time has passed?

0:23:48.920 --> 0:23:51.440
<v Speaker 5>Is how many kids that couples?

0:23:51.480 --> 0:23:54.280
<v Speaker 3>Yeah, because like she gets pregnant and then now she's

0:23:54.280 --> 0:23:55.160
<v Speaker 3>holding twins.

0:23:55.320 --> 0:23:57.400
<v Speaker 2>Yeah, okay, my mistake.

0:23:57.720 --> 0:24:00.800
<v Speaker 3>And he's at the funeral. He is at the Yeah,

0:24:00.800 --> 0:24:03.080
<v Speaker 3>so Angus is back. But it is odd because it

0:24:03.080 --> 0:24:05.879
<v Speaker 3>doesn't feel like Angus is in his best mate friendship group.

0:24:06.160 --> 0:24:08.960
<v Speaker 3>So it is odd to be the best man. But

0:24:09.440 --> 0:24:12.040
<v Speaker 3>I think I know people that would choose someone who's like, oh,

0:24:12.119 --> 0:24:15.160
<v Speaker 3>it's someone I've known for a long time, rather than someone.

0:24:15.000 --> 0:24:18.159
<v Speaker 4>That yeah I was I was gonna say, like, sometimes

0:24:18.160 --> 0:24:21.359
<v Speaker 4>the person who ends up being like having the highest

0:24:21.800 --> 0:24:23.720
<v Speaker 4>role at your wedding is like, it's more of like

0:24:23.960 --> 0:24:26.040
<v Speaker 4>a handshake deal you made when you were ten.

0:24:26.000 --> 0:24:30.840
<v Speaker 5>Years old versus your current closest friend.

0:24:31.240 --> 0:24:36.040
<v Speaker 2>Yeah. Anyway, Carrie is at the reception, who Charles hasn't

0:24:36.080 --> 0:24:39.600
<v Speaker 2>seen or heard from since the last wedding, and he's

0:24:39.720 --> 0:24:43.320
<v Speaker 2>very excited to see her. But then she introduces him

0:24:43.640 --> 0:24:51.200
<v Speaker 2>to her fiance, Hamish, some pompous old politician, and Charles

0:24:51.280 --> 0:24:58.479
<v Speaker 2>is like, oh bollocks, oh bugger, oh twat, And the

0:24:58.520 --> 0:25:02.480
<v Speaker 2>rest of the evening Charles Carles is depressed and he's

0:25:02.600 --> 0:25:05.119
<v Speaker 2>running into all of his ex girlfriends. We learned that

0:25:05.200 --> 0:25:08.160
<v Speaker 2>he has said horrible things about all of them, including

0:25:08.600 --> 0:25:11.480
<v Speaker 2>something that was very fat phobic. And then he runs

0:25:11.520 --> 0:25:17.560
<v Speaker 2>into another ex Henrietta, who is acting quote unquote hysterical,

0:25:19.040 --> 0:25:21.199
<v Speaker 2>and she's crying about how it didn't work out with

0:25:21.400 --> 0:25:24.800
<v Speaker 2>Charles and he was so noncommittal and it broke her

0:25:24.840 --> 0:25:30.919
<v Speaker 2>heart and stuff like that. Meanwhile, Fiona confides in a

0:25:31.040 --> 0:25:35.280
<v Speaker 2>random wedding guest that she's in love with someone, but

0:25:35.400 --> 0:25:37.960
<v Speaker 2>we don't know who. And we'll put a pin in

0:25:38.040 --> 0:25:42.520
<v Speaker 2>that and come back. There's a woman who approaches David.

0:25:42.960 --> 0:25:44.880
<v Speaker 2>We have learned that he is deaf and he uses

0:25:44.960 --> 0:25:49.160
<v Speaker 2>British sign language. Turns out she has been learning sign

0:25:49.280 --> 0:25:52.840
<v Speaker 2>language so that they can communicate, and so they're signing together.

0:25:53.480 --> 0:25:59.520
<v Speaker 2>And then there's another long scene where the bride and

0:25:59.600 --> 0:26:03.400
<v Speaker 2>grew come into a room that they didn't realize Charles

0:26:03.520 --> 0:26:08.000
<v Speaker 2>is in and they start having very ridiculous sex and

0:26:08.040 --> 0:26:11.679
<v Speaker 2>he has to like try to sneak out. At the

0:26:11.800 --> 0:26:16.200
<v Speaker 2>end of the night, Charles bumps into Carrie again. Her

0:26:16.400 --> 0:26:19.720
<v Speaker 2>fiance has left for the evening, so Carrie invites Charles

0:26:19.800 --> 0:26:22.840
<v Speaker 2>over for a nightcap. We cut to the next morning.

0:26:23.600 --> 0:26:26.439
<v Speaker 2>They're in bed cuddling. They've had sex the night before,

0:26:27.280 --> 0:26:32.440
<v Speaker 2>and he leaves clearly lamenting that they can't be together.

0:26:34.119 --> 0:26:37.040
<v Speaker 2>We cut to a month later. Charles receives an invitation

0:26:37.160 --> 0:26:41.640
<v Speaker 2>for Carrie's wedding, and then he bumps into her at

0:26:41.760 --> 0:26:46.119
<v Speaker 2>a shop where I think it's like her registry store,

0:26:46.240 --> 0:26:50.280
<v Speaker 2>like wedding registry store, and everything is like thousands of pounds.

0:26:50.680 --> 0:26:53.760
<v Speaker 4>Yeah, it seems like it's a lot of like the

0:26:53.880 --> 0:26:55.719
<v Speaker 4>kind of thing you see at a museum and say

0:26:55.800 --> 0:27:01.920
<v Speaker 4>this was unethically stolen. Yeah, that's the at her British museum.

0:27:02.119 --> 0:27:03.200
<v Speaker 5>Yes, exactly.

0:27:04.640 --> 0:27:07.040
<v Speaker 3>She registered at the British Museum for the stuff that.

0:27:07.480 --> 0:27:11.919
<v Speaker 4>Big colonial vibes at the wedding registry, for sure.

0:27:13.200 --> 0:27:16.440
<v Speaker 2>So they run into each other and Carrie invites him

0:27:16.480 --> 0:27:19.919
<v Speaker 2>to go wedding dress shopping with her. There's a dress

0:27:20.040 --> 0:27:23.240
<v Speaker 2>trying on montage that I think is supposed to endear

0:27:23.480 --> 0:27:27.359
<v Speaker 2>the audience to Carrie, but it did not work for me.

0:27:28.119 --> 0:27:31.360
<v Speaker 4>I also was like, what kind of I was curious,

0:27:31.440 --> 0:27:34.840
<v Speaker 4>and well, we'll talk about it, but like Carrie is,

0:27:35.280 --> 0:27:37.879
<v Speaker 4>because we're kept kind of at arm's length from like

0:27:38.160 --> 0:27:40.120
<v Speaker 4>Carrie's interior life, I'm.

0:27:39.960 --> 0:27:41.320
<v Speaker 5>Like, what is she?

0:27:41.840 --> 0:27:45.000
<v Speaker 4>What is she doing by being like, come wedding dress

0:27:45.000 --> 0:27:48.080
<v Speaker 4>shopping with me? Guy, I've had sex with twice, Like,

0:27:48.600 --> 0:27:52.400
<v Speaker 4>I don't understand who these people are to each other.

0:27:52.480 --> 0:27:54.000
<v Speaker 4>And then at the end it's like, Okay, they're each

0:27:54.040 --> 0:28:01.160
<v Speaker 4>other's true love, sure, but but yeah, her so many

0:28:01.200 --> 0:28:05.880
<v Speaker 4>of her actions were confusing to me and also possible

0:28:05.920 --> 0:28:08.800
<v Speaker 4>to justify only because we know so little of her

0:28:08.840 --> 0:28:11.720
<v Speaker 4>that like you're like, well, I guess maybe she's the

0:28:11.800 --> 0:28:13.200
<v Speaker 4>kind of person that does this.

0:28:13.840 --> 0:28:14.320
<v Speaker 5>I don't know.

0:28:14.400 --> 0:28:17.520
<v Speaker 2>I don't know this lady. I don't know her. No.

0:28:17.960 --> 0:28:20.920
<v Speaker 2>The only things we know about her are that she

0:28:21.000 --> 0:28:25.440
<v Speaker 2>has a reputation for being a slut parentheses pejorative. We know.

0:28:25.680 --> 0:28:28.439
<v Speaker 4>I don't think the movie sees her as being a

0:28:28.480 --> 0:28:31.000
<v Speaker 4>slut pejorative, though I think the movie sees hears being

0:28:31.040 --> 0:28:31.960
<v Speaker 4>a slut positive.

0:28:32.080 --> 0:28:33.719
<v Speaker 5>They just forgot to write a character.

0:28:36.280 --> 0:28:39.560
<v Speaker 2>We know that she has cheated on her fiance with

0:28:39.800 --> 0:28:43.800
<v Speaker 2>Charles Yes, and has like a really wishy washy code

0:28:43.840 --> 0:28:46.320
<v Speaker 2>of ethics about it. She's like, well, once I'm married,

0:28:46.440 --> 0:28:49.560
<v Speaker 2>I won't cheat, but only because I told my the

0:28:49.640 --> 0:28:52.320
<v Speaker 2>love of my life, that I'd kill him if he

0:28:52.400 --> 0:28:54.440
<v Speaker 2>cheats on me. So I guess I should not be

0:28:54.520 --> 0:28:55.240
<v Speaker 2>a hypocrite.

0:28:55.840 --> 0:28:57.560
<v Speaker 5>I don't know. I kind of I didn't hate that.

0:28:57.760 --> 0:28:59.560
<v Speaker 3>I thought I like this woman.

0:29:00.440 --> 0:29:03.440
<v Speaker 4>I was like, all right, she's you know, she's flawed,

0:29:03.520 --> 0:29:04.480
<v Speaker 4>but I'm listening.

0:29:04.880 --> 0:29:05.280
<v Speaker 5>I didn't.

0:29:05.320 --> 0:29:09.680
<v Speaker 4>I mean, honestly, most of how her sexuality was presented

0:29:09.760 --> 0:29:13.240
<v Speaker 4>within the character and by her, I was kind of

0:29:13.400 --> 0:29:15.920
<v Speaker 4>into and felt, I mean, especially for nineteen ninety four,

0:29:16.120 --> 0:29:18.840
<v Speaker 4>kind of like I thought that the movie was going

0:29:18.920 --> 0:29:21.680
<v Speaker 4>to pass far more judgment on her than it does.

0:29:22.840 --> 0:29:25.720
<v Speaker 4>It's one of the only things I enjoyed about this movie.

0:29:25.880 --> 0:29:28.120
<v Speaker 4>But it's also so frustrating because it's attached to this

0:29:28.240 --> 0:29:32.640
<v Speaker 4>character who other like other than that element of like

0:29:33.120 --> 0:29:36.360
<v Speaker 4>she has sex for pleasure and isn't judged by the

0:29:36.400 --> 0:29:39.920
<v Speaker 4>movie or the romantic lead for that we'd know that

0:29:39.960 --> 0:29:43.080
<v Speaker 4>she I think that they're like, oh, we sort of

0:29:43.080 --> 0:29:44.880
<v Speaker 4>find out what her job is. I think she's in

0:29:44.960 --> 0:29:48.480
<v Speaker 4>like fashion journalism, very sort of vague rom comedy kind

0:29:48.480 --> 0:29:52.040
<v Speaker 4>of job. But even that we're only told so that

0:29:52.120 --> 0:29:54.920
<v Speaker 4>we're told that so she has sex with a lot

0:29:54.920 --> 0:29:57.760
<v Speaker 4>of fancy guys. Like the only reason we know what

0:29:57.800 --> 0:30:00.640
<v Speaker 4>her job is is so that we understand that she

0:30:00.760 --> 0:30:03.120
<v Speaker 4>has a lot of sex. Everything goes back to that

0:30:03.160 --> 0:30:07.640
<v Speaker 4>with this character for the most part, so you.

0:30:07.640 --> 0:30:11.160
<v Speaker 2>Know, including what's about to happen, which is that after

0:30:11.560 --> 0:30:16.440
<v Speaker 2>the wedding dress trying on montage, they grab a coffee

0:30:16.440 --> 0:30:21.080
<v Speaker 2>and they're chatting and she goes through her list of

0:30:21.160 --> 0:30:25.120
<v Speaker 2>everyone she's had sex with. It's again thirty three people,

0:30:25.560 --> 0:30:30.240
<v Speaker 2>though she says number thirty two was lovely, and guess

0:30:30.280 --> 0:30:35.760
<v Speaker 2>who's number thirty two. It's Charles, so he's like awe,

0:30:36.000 --> 0:30:36.960
<v Speaker 2>But also.

0:30:37.080 --> 0:30:40.720
<v Speaker 4>Lovely is like, honestly, lovely is a little vague for me.

0:30:40.960 --> 0:30:44.120
<v Speaker 4>If someone's citing me and their sexual history and they

0:30:44.120 --> 0:30:49.480
<v Speaker 4>say lovely, I'm like Okay, what do you mean that's

0:30:49.560 --> 0:30:52.600
<v Speaker 4>not that's I mean, that's nice for something casual, But

0:30:52.640 --> 0:30:55.120
<v Speaker 4>if if this is the love of my life, I'm like,

0:30:55.360 --> 0:30:59.080
<v Speaker 4>I you would hope for better than lovely, right, you

0:30:59.120 --> 0:31:01.080
<v Speaker 4>know drug.

0:31:01.400 --> 0:31:04.080
<v Speaker 3>I think she's saying it like that because she knows

0:31:04.120 --> 0:31:08.520
<v Speaker 3>it's about him. She's like, I enjoyed her sex list.

0:31:08.680 --> 0:31:12.240
<v Speaker 3>She sort of gave descriptions, but only for some people.

0:31:12.800 --> 0:31:17.000
<v Speaker 2>Yeah, sometimes she's like eleven, twelve, thirteen, fourteen, was seeing

0:31:17.760 --> 0:31:18.920
<v Speaker 2>fun or whatever.

0:31:19.160 --> 0:31:22.000
<v Speaker 3>Yeah, and then we revealed that two of them were

0:31:22.040 --> 0:31:27.840
<v Speaker 3>together at the same time, she had threesome. I like

0:31:27.920 --> 0:31:28.480
<v Speaker 3>that for her.

0:31:29.320 --> 0:31:32.400
<v Speaker 4>That scene is interesting because it's very much like a

0:31:32.440 --> 0:31:34.320
<v Speaker 4>tip it. For me, it was like a tipping point

0:31:34.320 --> 0:31:36.440
<v Speaker 4>in the movie of like, oh, the way that this

0:31:36.560 --> 0:31:40.520
<v Speaker 4>scene plays out will very much affect my opinion. And

0:31:41.320 --> 0:31:43.960
<v Speaker 4>it felt I'm curious what you'veould think.

0:31:44.040 --> 0:31:45.920
<v Speaker 5>It felt like Charles.

0:31:46.400 --> 0:31:49.320
<v Speaker 4>And it's hard not just to say Hugh Grant because

0:31:49.400 --> 0:31:51.600
<v Speaker 4>that is sort of the part here, to be honest,

0:31:52.200 --> 0:31:55.120
<v Speaker 4>but like Charles, it looks like for a moment is

0:31:55.280 --> 0:31:59.800
<v Speaker 4>deciding whether he's going to judge her and then sort

0:31:59.800 --> 0:32:03.440
<v Speaker 4>of decides not to. Maybe I'm overthinking it, but that

0:32:03.560 --> 0:32:05.640
<v Speaker 4>was sort of how I read because we have these

0:32:05.680 --> 0:32:09.640
<v Speaker 4>like long takes of like him taking this in and

0:32:09.800 --> 0:32:13.920
<v Speaker 4>like kind of squinting when the list keeps going, but

0:32:13.960 --> 0:32:16.640
<v Speaker 4>then he kind of comes back and is cool with it,

0:32:17.120 --> 0:32:19.040
<v Speaker 4>and then it sort of doesn't come up again, at

0:32:19.120 --> 0:32:21.960
<v Speaker 4>least between the two of them, and I don't know,

0:32:22.240 --> 0:32:24.760
<v Speaker 4>like I didn't hate it for nineteen ninety four.

0:32:25.320 --> 0:32:26.200
<v Speaker 2>I was impressed.

0:32:27.640 --> 0:32:33.040
<v Speaker 3>I felt like the squinting was like more his own insecurity.

0:32:33.600 --> 0:32:35.600
<v Speaker 2>Interesting. That's how I read it too, that.

0:32:35.640 --> 0:32:40.440
<v Speaker 3>He was like, I just haven't had this much sex,

0:32:40.640 --> 0:32:44.640
<v Speaker 3>and this movie, I think is basically trying to be

0:32:44.720 --> 0:32:47.680
<v Speaker 3>like sex is cool and people that have a lot

0:32:47.680 --> 0:32:48.560
<v Speaker 3>of sex.

0:32:49.480 --> 0:32:53.280
<v Speaker 2>Here first, sex is cool according to for what.

0:32:55.640 --> 0:32:57.160
<v Speaker 3>That's the vibe I got, because there was so much

0:32:57.160 --> 0:32:59.040
<v Speaker 3>like shagging chat from the get go.

0:32:59.600 --> 0:33:01.880
<v Speaker 5>Yeah it's a sex positive movie.

0:33:02.200 --> 0:33:04.920
<v Speaker 2>Yeah yeah, yeah, yeah, but I read it that way too,

0:33:05.000 --> 0:33:09.440
<v Speaker 2>where she continues on with her list and Charles is

0:33:10.000 --> 0:33:14.640
<v Speaker 2>intimidated by her number, which seems to be much higher

0:33:14.680 --> 0:33:18.200
<v Speaker 2>than his, and then it's confirmed that it is because

0:33:18.360 --> 0:33:21.680
<v Speaker 2>shortly after this he reveals that he's had sex with

0:33:22.000 --> 0:33:27.960
<v Speaker 2>nine people, so he's insecure. Yeah yeah, Okay, So the

0:33:28.240 --> 0:33:30.920
<v Speaker 2>conversation happens, and then he has to leave to meet

0:33:31.000 --> 0:33:33.880
<v Speaker 2>up with his brother David. But then he's like, you

0:33:33.920 --> 0:33:36.440
<v Speaker 2>know what, fuck it, and he turns around and runs

0:33:36.520 --> 0:33:41.800
<v Speaker 2>after Carrie and then like blatheringly tells her that he

0:33:41.920 --> 0:33:46.360
<v Speaker 2>thinks he's in love with her, and she's basically like, oh,

0:33:46.560 --> 0:33:53.600
<v Speaker 2>that's cute, okay, best of luck with everything. Then we

0:33:53.720 --> 0:33:59.320
<v Speaker 2>cut to Carrie in Hamish's wedding in Scotland. Charles is

0:33:59.360 --> 0:34:03.120
<v Speaker 2>of course late to the wedding. He comes in right

0:34:03.200 --> 0:34:07.240
<v Speaker 2>as they're saying, there I dos, and he's like, damn

0:34:08.120 --> 0:34:10.400
<v Speaker 2>bugger bollocks, et cetera.

0:34:10.920 --> 0:34:11.240
<v Speaker 3>Yeah.

0:34:11.280 --> 0:34:16.040
<v Speaker 2>At the reception, Charles runs into his ex Henrietta again,

0:34:17.040 --> 0:34:19.560
<v Speaker 2>and this time she seems more stable and she has

0:34:19.600 --> 0:34:21.440
<v Speaker 2>a new boyfriend, and.

0:34:21.440 --> 0:34:25.000
<v Speaker 4>She basically hints at having an eating disorder. It's all

0:34:25.360 --> 0:34:27.960
<v Speaker 4>very nineteen ninety four.

0:34:27.719 --> 0:34:30.440
<v Speaker 2>Yeah, I wrote, because she says, I weigh almost nothing

0:34:30.640 --> 0:34:34.600
<v Speaker 2>and I have a new boyfriend. I'm so happy, And

0:34:34.640 --> 0:34:37.680
<v Speaker 2>it's like, right, the two things that would make a

0:34:37.719 --> 0:34:38.440
<v Speaker 2>woman happen.

0:34:38.719 --> 0:34:43.320
<v Speaker 4>I mean, and at almost every phase of like every

0:34:43.360 --> 0:34:47.880
<v Speaker 4>decade of media has a different way of presenting disordered eating,

0:34:48.280 --> 0:34:51.400
<v Speaker 4>Like we have simply not moved past it, but This

0:34:51.520 --> 0:34:54.320
<v Speaker 4>is a very nineties way of you. It almost reminds

0:34:54.320 --> 0:34:59.040
<v Speaker 4>me of like Monica on Friends, where there is a

0:34:59.200 --> 0:35:04.120
<v Speaker 4>reference to a character who is now very thin used

0:35:04.160 --> 0:35:07.840
<v Speaker 4>to be fat, but you never actually see a fat person.

0:35:07.880 --> 0:35:10.600
<v Speaker 5>You see a former fat person bullied.

0:35:11.360 --> 0:35:12.800
<v Speaker 2>And also she's wearing a fat suit.

0:35:13.600 --> 0:35:15.440
<v Speaker 4>If you see her, it's a thin actor in a

0:35:15.480 --> 0:35:18.920
<v Speaker 4>fat suit. Right, So that was a very I mean

0:35:19.320 --> 0:35:21.680
<v Speaker 4>not to say that that stopped after the nineties, but

0:35:21.719 --> 0:35:24.840
<v Speaker 4>it just feels like a very nineties way to even

0:35:25.000 --> 0:35:29.319
<v Speaker 4>reference fatness as a pejorative. It's not even present, it

0:35:29.440 --> 0:35:30.640
<v Speaker 4>is past tense.

0:35:30.800 --> 0:35:37.560
<v Speaker 2>Right, Yeah, yeah, for sure. Okay, So Charles runs into

0:35:37.760 --> 0:35:43.000
<v Speaker 2>Henrietta again. She seems more stable than last time, and

0:35:43.080 --> 0:35:47.080
<v Speaker 2>I think this is to establish that maybe she is

0:35:47.360 --> 0:35:53.200
<v Speaker 2>romantically viable for Charles question Mark, to potentially foreshadow something

0:35:53.239 --> 0:35:53.880
<v Speaker 2>I don't really know.

0:35:54.760 --> 0:35:57.120
<v Speaker 5>I was still surprised, honestly at the end that it

0:35:57.120 --> 0:35:57.960
<v Speaker 5>turns out to be her.

0:35:58.239 --> 0:36:01.560
<v Speaker 2>Yeah, yeah, I know. I thought maybe I didn't know.

0:36:01.600 --> 0:36:03.839
<v Speaker 2>I couldn't remember who it ended up being, and I

0:36:03.880 --> 0:36:05.000
<v Speaker 2>was just like, oh her.

0:36:05.160 --> 0:36:07.200
<v Speaker 4>I thought I was gonna be Fiona, And that would

0:36:07.200 --> 0:36:09.520
<v Speaker 4>have made me really sad because that would have been

0:36:09.640 --> 0:36:11.080
<v Speaker 4>so cruel to her.

0:36:11.600 --> 0:36:17.160
<v Speaker 2>Because what happens next is that Fiona divulges to Charles

0:36:17.239 --> 0:36:19.120
<v Speaker 2>that the man that she has been in love with

0:36:19.160 --> 0:36:23.080
<v Speaker 2>for a very long time is none other than Charles,

0:36:23.960 --> 0:36:27.520
<v Speaker 2>and they're both just sort of like, oh shucks.

0:36:28.760 --> 0:36:31.960
<v Speaker 4>That was Yeah, that was I thought that again, like

0:36:32.120 --> 0:36:37.040
<v Speaker 4>of the subversive things that this movie does, I was surprised,

0:36:37.560 --> 0:36:39.799
<v Speaker 4>I guess by that plot point, and not in a

0:36:39.840 --> 0:36:40.359
<v Speaker 4>bad way.

0:36:41.000 --> 0:36:41.960
<v Speaker 5>I appreciate that.

0:36:42.040 --> 0:36:45.120
<v Speaker 4>It also seems like Fiona is bummed out that she's

0:36:45.160 --> 0:36:46.160
<v Speaker 4>in love with Charles.

0:36:47.800 --> 0:36:48.279
<v Speaker 3>Like she.

0:36:49.800 --> 0:36:52.600
<v Speaker 4>It seems like she's like, I mean, it is like

0:36:52.960 --> 0:36:55.640
<v Speaker 4>the whatever the curse of being like attracted to a

0:36:55.680 --> 0:36:58.279
<v Speaker 4>good friend is. You also know you're well aware of

0:36:58.360 --> 0:37:01.479
<v Speaker 4>everything that's wrong with though. Yeah, so it's like hard

0:37:01.520 --> 0:37:05.120
<v Speaker 4>to romanticize she but yeah, she's sort of I thought

0:37:05.160 --> 0:37:07.560
<v Speaker 4>it was just funny the way that she sort of

0:37:07.560 --> 0:37:09.080
<v Speaker 4>presents like, yeah, I'm in love with you.

0:37:09.440 --> 0:37:11.319
<v Speaker 5>I'm just as upset about it as you are.

0:37:11.719 --> 0:37:16.520
<v Speaker 4>Like it's a bummer, but you know, I guess, I

0:37:16.520 --> 0:37:20.080
<v Speaker 4>guess I hadn't seen that dynamic presented in quite that way.

0:37:21.640 --> 0:37:23.479
<v Speaker 3>I liked it because it was not really like old

0:37:23.560 --> 0:37:26.160
<v Speaker 3>school love, like where you just like you like love

0:37:26.200 --> 0:37:27.960
<v Speaker 3>someone and there's like nothing you can do about it.

0:37:28.000 --> 0:37:29.520
<v Speaker 3>I don't even know if that would happen to me.

0:37:29.600 --> 0:37:32.680
<v Speaker 2>Now, yeah, I feel like i'd be too jaded.

0:37:32.800 --> 0:37:35.759
<v Speaker 3>Yeah, yeah, I'm too jaded. I'd just be like I

0:37:35.800 --> 0:37:37.799
<v Speaker 3>wouldn't be even able to get to those levels of

0:37:37.840 --> 0:37:38.800
<v Speaker 3>feelings for someone.

0:37:40.160 --> 0:37:42.279
<v Speaker 2>Well, yeah, I know I would.

0:37:42.320 --> 0:37:47.000
<v Speaker 5>After forty five seconds, it's nice.

0:37:47.400 --> 0:37:55.400
<v Speaker 2>I'm sick. Oh freak uh no. Anyway, so Carrie and

0:37:55.480 --> 0:37:59.759
<v Speaker 2>Hamish each give a speech at the reception during what

0:38:00.760 --> 0:38:05.600
<v Speaker 2>Charles's friend Gareth suffers I think a heart attack and

0:38:06.080 --> 0:38:10.120
<v Speaker 2>passes away. And so the funeral part of the title

0:38:10.160 --> 0:38:15.400
<v Speaker 2>of this movie is his funeral. All of his friends attend.

0:38:15.760 --> 0:38:21.600
<v Speaker 4>I was pissed off it pissed curiating, don't piss me

0:38:21.800 --> 0:38:26.080
<v Speaker 4>off there, It's like, of course, yeah, it's it's four

0:38:27.640 --> 0:38:32.719
<v Speaker 4>weddings of eight annoying straight people and we kill one

0:38:32.760 --> 0:38:34.480
<v Speaker 4>of our only two queer characters.

0:38:34.640 --> 0:38:39.920
<v Speaker 3>Yes, but don't you think that mirrors life often? I mean,

0:38:40.000 --> 0:38:41.840
<v Speaker 3>you go to a lot of weddings are very annoying

0:38:41.880 --> 0:38:42.520
<v Speaker 3>straight people.

0:38:43.360 --> 0:38:48.120
<v Speaker 4>That's true, that is true, But it's like I'm watching

0:38:48.120 --> 0:38:49.320
<v Speaker 4>this in my spare time.

0:38:51.200 --> 0:38:55.160
<v Speaker 2>There's also a line because Matthew gives a very heartfelt eulogy.

0:38:55.920 --> 0:39:02.040
<v Speaker 2>He says that Gareth preferred going funerals over weddings because

0:39:02.080 --> 0:39:05.200
<v Speaker 2>he liked the idea of going to something that he

0:39:05.239 --> 0:39:08.600
<v Speaker 2>would actually experience one day, because he couldn't experience a

0:39:08.640 --> 0:39:12.879
<v Speaker 2>wedding since he's gay. And I don't know when or it's.

0:39:12.840 --> 0:39:16.319
<v Speaker 4>Same sex marriage twenty fourteen, Okay, yeah, no, it's very

0:39:16.600 --> 0:39:17.719
<v Speaker 4>very much not like.

0:39:17.960 --> 0:39:20.160
<v Speaker 3>Ten years away from twenty years.

0:39:20.600 --> 0:39:21.920
<v Speaker 5>Yeah, but I also.

0:39:21.640 --> 0:39:25.200
<v Speaker 4>Think, you know, I even so, even if it was not,

0:39:25.760 --> 0:39:31.080
<v Speaker 4>you know, legal, there's plenty of like partnership celebrations that happened,

0:39:31.400 --> 0:39:34.359
<v Speaker 4>like with gay couples for sure, prior to like it

0:39:34.440 --> 0:39:38.080
<v Speaker 4>could have it didn't need to be a recognized by

0:39:38.800 --> 0:39:40.960
<v Speaker 4>the government wedding.

0:39:41.080 --> 0:39:45.400
<v Speaker 5>We could have had a gay wedding. Come on, yeah,

0:39:45.440 --> 0:39:47.760
<v Speaker 5>why did we have a gay funeral? I'm so pissed.

0:39:48.120 --> 0:39:51.399
<v Speaker 3>Akay, Yeah, it's sad, but I don't know. I think

0:39:51.440 --> 0:39:53.480
<v Speaker 3>that's one of the bits where it was like the

0:39:53.680 --> 0:39:59.080
<v Speaker 3>secretly gay surprise like the whole time, and I was like,

0:39:59.160 --> 0:40:02.160
<v Speaker 3>isn't that great that they're secretly gay, And like a

0:40:02.160 --> 0:40:04.799
<v Speaker 3>friend of mine who's also Americans and maybe was like, well,

0:40:04.840 --> 0:40:06.799
<v Speaker 3>I don't know. It just sort of implies that their

0:40:06.840 --> 0:40:08.799
<v Speaker 3>friends didn't pay an attention to what was going on

0:40:08.840 --> 0:40:10.680
<v Speaker 3>in their lives, Like you should have known that your

0:40:10.680 --> 0:40:11.560
<v Speaker 3>friends were gay.

0:40:11.800 --> 0:40:14.719
<v Speaker 4>I thought that they were because they they kind of

0:40:14.760 --> 0:40:17.160
<v Speaker 4>they like share an affectionate moment. I think it's like

0:40:17.200 --> 0:40:19.200
<v Speaker 4>a kiss on the cheek the first time we see them.

0:40:19.239 --> 0:40:21.520
<v Speaker 4>So I guess I thought that they were like that

0:40:21.800 --> 0:40:24.520
<v Speaker 4>they were out and everyone knew the whole movie, or

0:40:24.520 --> 0:40:25.560
<v Speaker 4>that's how I interpreted it.

0:40:25.920 --> 0:40:29.520
<v Speaker 3>No, no one knows. That's the point. Oh, they find

0:40:29.560 --> 0:40:30.719
<v Speaker 3>out at the funeral.

0:40:31.400 --> 0:40:31.800
<v Speaker 5>Really.

0:40:32.200 --> 0:40:35.439
<v Speaker 3>Oh that wait, you were under the impression that they

0:40:35.520 --> 0:40:39.480
<v Speaker 3>knew the whole time those two were gay. Yes, No,

0:40:39.480 --> 0:40:42.879
<v Speaker 3>no one knows. Everyone finds out at the funeral, which

0:40:42.920 --> 0:40:47.080
<v Speaker 3>is why Childs says afterwards to Tom, we were proud

0:40:47.120 --> 0:40:49.480
<v Speaker 3>that we were in a friendship group where we were single,

0:40:49.520 --> 0:40:52.360
<v Speaker 3>but to all intensive purposes, two of us were secretly married,

0:40:52.360 --> 0:40:55.120
<v Speaker 3>and Tom says, yes, traitors in our midst No one,

0:40:55.520 --> 0:40:58.360
<v Speaker 3>Oh my god, I'm choking with emotion. No one knew

0:40:58.400 --> 0:41:00.680
<v Speaker 3>they were gay until the funeral. Well that's why it's

0:41:00.719 --> 0:41:01.759
<v Speaker 3>so like hotbreaking.

0:41:02.520 --> 0:41:02.800
<v Speaker 2>Wow.

0:41:02.880 --> 0:41:06.200
<v Speaker 4>Okay, see that was like where my nineteen ninety four

0:41:06.239 --> 0:41:08.600
<v Speaker 4>goggles were not on, because I guess when you put

0:41:08.640 --> 0:41:12.719
<v Speaker 4>it that way, I guess we don't see other characters

0:41:12.840 --> 0:41:17.000
<v Speaker 4>acknowledge their relationship, but we as the audience, see that

0:41:17.040 --> 0:41:19.320
<v Speaker 4>they're together right away. So I guess I just I

0:41:19.760 --> 0:41:22.560
<v Speaker 4>put something contemporary on it and assumed that, like, of

0:41:22.600 --> 0:41:24.840
<v Speaker 4>course everyone knows they're together.

0:41:25.600 --> 0:41:29.000
<v Speaker 3>Yeah, but also the infection between them throughout the whole thing,

0:41:29.080 --> 0:41:31.560
<v Speaker 3>and like we know, I think that they like live together,

0:41:31.680 --> 0:41:34.160
<v Speaker 3>but I think people just think they're roommates so like friends.

0:41:34.480 --> 0:41:39.520
<v Speaker 2>So I had two very different experiences watching this movie

0:41:40.160 --> 0:41:42.920
<v Speaker 2>within like a day apart to prep for this episode.

0:41:42.960 --> 0:41:45.200
<v Speaker 2>Because all the previous times I watched this movie, I

0:41:45.320 --> 0:41:47.759
<v Speaker 2>forgot everything. That's the other thing about this movie. As

0:41:47.760 --> 0:41:50.759
<v Speaker 2>soon as like if a few days pass I like

0:41:50.880 --> 0:41:53.520
<v Speaker 2>leaves you in a few days from now, it'll everything,

0:41:53.600 --> 0:41:56.279
<v Speaker 2>every detail will leave me. So when I watched it

0:41:56.320 --> 0:41:58.360
<v Speaker 2>this time, it was basically like watching it for the

0:41:58.400 --> 0:42:00.840
<v Speaker 2>first time again. I remembered nothing. So I didn't remember

0:42:01.480 --> 0:42:06.279
<v Speaker 2>anything about the relationship between Gareth and Matthew. So the

0:42:06.280 --> 0:42:08.640
<v Speaker 2>first time I watched this the other day to prep

0:42:08.680 --> 0:42:12.080
<v Speaker 2>for this episode, it took me till the end of

0:42:12.120 --> 0:42:16.000
<v Speaker 2>the movie to realize that they had been romantically partnered.

0:42:16.239 --> 0:42:16.439
<v Speaker 3>Wow.

0:42:16.560 --> 0:42:18.720
<v Speaker 2>Prior to that, I just was like, because I noticed

0:42:18.760 --> 0:42:22.400
<v Speaker 2>the moments that they like had a little bit of

0:42:22.600 --> 0:42:27.719
<v Speaker 2>like you know, uh, Matthew like wipes something off of Gareth's.

0:42:27.239 --> 0:42:31.279
<v Speaker 4>Bearney all had such different experiences because I thought from

0:42:31.280 --> 0:42:33.560
<v Speaker 4>the moment you meet these two characters, I was like, oh,

0:42:33.600 --> 0:42:35.960
<v Speaker 4>these two are together, Look how like affectionate and sweet

0:42:36.000 --> 0:42:36.359
<v Speaker 4>they're being.

0:42:37.320 --> 0:42:41.120
<v Speaker 2>I chalked that up to again, the first viewing of

0:42:41.160 --> 0:42:44.760
<v Speaker 2>this movie the other day, to Gareth is like really

0:42:45.320 --> 0:42:48.960
<v Speaker 2>wacky and zany, and so most of the times when

0:42:48.960 --> 0:42:53.080
<v Speaker 2>they have a moment like that of like physical embracing

0:42:53.200 --> 0:42:56.280
<v Speaker 2>or affection, I just chalked it up to like he's

0:42:56.600 --> 0:42:59.160
<v Speaker 2>a goof interests.

0:43:00.120 --> 0:43:03.200
<v Speaker 3>One of those people that's like in the Historian, you know,

0:43:03.200 --> 0:43:05.000
<v Speaker 3>you go back in history and it's like they shared

0:43:05.000 --> 0:43:07.359
<v Speaker 3>a bed. One of them inherited the other as well.

0:43:07.840 --> 0:43:10.239
<v Speaker 3>It's like God in the bass Gates.

0:43:10.000 --> 0:43:14.560
<v Speaker 4>You know, goofy, my aunt and her friend, Yeah run

0:43:14.600 --> 0:43:15.800
<v Speaker 4>a plant business.

0:43:15.920 --> 0:43:18.800
<v Speaker 3>It's like she lived alone and she never got married.

0:43:18.880 --> 0:43:21.000
<v Speaker 3>She just all of her money went to a woman

0:43:21.040 --> 0:43:24.680
<v Speaker 3>whose bed she shared for twelve years. And you're like okay,

0:43:24.960 --> 0:43:25.759
<v Speaker 3>well okay.

0:43:25.520 --> 0:43:29.400
<v Speaker 2>But then once I realized that they had been partnered

0:43:29.440 --> 0:43:32.600
<v Speaker 2>that whole time. On my second watch of this movie

0:43:33.480 --> 0:43:38.239
<v Speaker 2>aka this morning, I felt from like the whole time,

0:43:38.320 --> 0:43:40.400
<v Speaker 2>I was like, oh, yeah, no, it is clear that

0:43:40.480 --> 0:43:41.920
<v Speaker 2>they are romantically together.

0:43:42.360 --> 0:43:46.080
<v Speaker 4>That's so in I guess that there. I mean, obviously,

0:43:46.200 --> 0:43:50.880
<v Speaker 4>nineteen ninety four, while you know, seeing queer characters in

0:43:50.920 --> 0:43:54.640
<v Speaker 4>movies obviously wasn't completely unheard of. But I do think

0:43:54.680 --> 0:44:00.480
<v Speaker 4>that it's especially presentations of gay characters in movies in

0:44:00.520 --> 0:44:04.879
<v Speaker 4>the nineties, I feel like it's so important because of

0:44:04.920 --> 0:44:08.360
<v Speaker 4>how prevalent AIDS was in the late eighties into the nineties,

0:44:08.400 --> 0:44:13.719
<v Speaker 4>that all representation specifically of gay men was like very intentional,

0:44:13.760 --> 0:44:17.040
<v Speaker 4>which is why it really really really bothered me that

0:44:17.120 --> 0:44:19.960
<v Speaker 4>they killed off one of our only gay characters.

0:44:20.080 --> 0:44:23.080
<v Speaker 5>It's just, ugh, I hated it.

0:44:23.640 --> 0:44:27.759
<v Speaker 4>I okay, I'm like trying to figure out if there

0:44:27.800 --> 0:44:31.440
<v Speaker 4>is a definitive read of like did people know or not?

0:44:32.040 --> 0:44:35.040
<v Speaker 4>And it seemed I this is blowing my mind. This

0:44:35.080 --> 0:44:36.760
<v Speaker 4>is a very interesting Ruschac test.

0:44:37.400 --> 0:44:40.239
<v Speaker 3>Yeah, I guess for me, that's like one of the

0:44:40.320 --> 0:44:42.920
<v Speaker 3>key moments is the movie, and one of the reasons

0:44:42.920 --> 0:44:45.759
<v Speaker 3>why I think historically I've always said I quite liked

0:44:45.760 --> 0:44:49.880
<v Speaker 3>it is like the presence of a gay relationship that

0:44:50.239 --> 0:44:53.919
<v Speaker 3>isn't out, because I think it kind of is trying

0:44:53.920 --> 0:44:56.880
<v Speaker 3>to say something about that about that. I don't think

0:44:56.920 --> 0:44:59.799
<v Speaker 3>for these group of people at the time we were in

0:44:59.840 --> 0:45:03.040
<v Speaker 3>at it would be necessarily be super comfortable to be out,

0:45:03.480 --> 0:45:07.320
<v Speaker 3>and I think it's the funeral that forces that out

0:45:07.440 --> 0:45:09.839
<v Speaker 3>because it's like because British people will not talk about

0:45:09.880 --> 0:45:12.440
<v Speaker 3>their feelings, as we can see from this entire movie,

0:45:12.680 --> 0:45:15.720
<v Speaker 3>including one man who like just doesn't marry the person

0:45:15.760 --> 0:45:17.759
<v Speaker 3>he wants to marry because he can't be bothered to

0:45:17.760 --> 0:45:18.759
<v Speaker 3>tell her that he loves her.

0:45:19.800 --> 0:45:23.680
<v Speaker 4>Well tried and it didn't work, so I guess has

0:45:23.760 --> 0:45:24.560
<v Speaker 4>to suck it.

0:45:24.680 --> 0:45:27.160
<v Speaker 5>He has to take a woman down with him.

0:45:27.360 --> 0:45:29.800
<v Speaker 3>But that's just Britain for you. That's just the British,

0:45:30.080 --> 0:45:34.040
<v Speaker 3>like we can't proses our emotions and so the entire

0:45:34.080 --> 0:45:36.839
<v Speaker 3>world has to come down with us because that's our

0:45:36.880 --> 0:45:41.759
<v Speaker 3>deal as a nation state. But I think, yeah, I

0:45:41.800 --> 0:45:45.440
<v Speaker 3>guess that's why at the time it was considered quite

0:45:45.920 --> 0:45:48.000
<v Speaker 3>radical maybe or not like radical. I don't know if

0:45:48.000 --> 0:45:50.319
<v Speaker 3>anyone would describe Fallings as the Funerals radical, but like

0:45:50.719 --> 0:45:54.319
<v Speaker 3>poignant that there was like these characters that were gay

0:45:54.320 --> 0:45:57.000
<v Speaker 3>and no one knew, and then like, but when you

0:45:57.080 --> 0:46:00.000
<v Speaker 3>love someone and you lose them, you have to admit

0:46:01.440 --> 0:46:03.040
<v Speaker 3>that you loved.

0:46:02.840 --> 0:46:07.080
<v Speaker 4>Them, right, I agree, and I do, there's a way.

0:46:07.160 --> 0:46:08.960
<v Speaker 4>It's still it will always bother me that one of

0:46:09.000 --> 0:46:12.680
<v Speaker 4>the gay characters died and a million boring straight people lived.

0:46:13.000 --> 0:46:14.440
<v Speaker 3>But I do that's fat.

0:46:15.480 --> 0:46:20.359
<v Speaker 4>It does feel intentional in a positive way. And again,

0:46:20.400 --> 0:46:22.600
<v Speaker 4>I'm like trying to put nineteen ninety four goggles on.

0:46:23.400 --> 0:46:26.279
<v Speaker 4>It feels like intentional in a positive way, that their

0:46:27.000 --> 0:46:30.920
<v Speaker 4>love was in spite of all of the cultural stigma

0:46:30.960 --> 0:46:32.880
<v Speaker 4>and the fact that even their friends were not completely

0:46:32.880 --> 0:46:36.920
<v Speaker 4>aware that they were together, that their relationship was an

0:46:36.920 --> 0:46:40.880
<v Speaker 4>extremely positive and beautiful.

0:46:40.440 --> 0:46:43.160
<v Speaker 2>Probably the healthiest relationship of all the characters in the

0:46:43.320 --> 0:46:45.800
<v Speaker 2>entire movie exactly. And I don't think healthy is aware

0:46:45.840 --> 0:46:47.680
<v Speaker 2>of that. I do think the movie's aware of that.

0:46:47.719 --> 0:46:52.160
<v Speaker 2>And I did like whatever the end, like polaroids. I

0:46:52.160 --> 0:46:54.480
<v Speaker 2>love when a movie ends with a couple of polaroids.

0:46:54.560 --> 0:46:59.239
<v Speaker 4>It's very parent Trapped nineteen ninety eight. True, but that

0:46:59.320 --> 0:47:04.560
<v Speaker 4>you see that Matthew like finds love again, and I thought, yeah, I.

0:47:04.640 --> 0:47:05.759
<v Speaker 3>Think that's soul.

0:47:06.120 --> 0:47:10.239
<v Speaker 2>Yes, yeah, I mean again in nineteen ninety four, the

0:47:10.320 --> 0:47:13.960
<v Speaker 2>bar was so low for queer representation on screen, but

0:47:14.000 --> 0:47:17.839
<v Speaker 2>the fact that like these characters are like not the

0:47:17.880 --> 0:47:21.040
<v Speaker 2>butt of a joke ever, or like their queerness is

0:47:21.080 --> 0:47:22.240
<v Speaker 2>never the butt of a joke.

0:47:22.480 --> 0:47:25.680
<v Speaker 4>Well, and it's not just coded. It is like over,

0:47:26.560 --> 0:47:29.040
<v Speaker 4>oh they are over. It's I guess you can't really

0:47:29.080 --> 0:47:32.279
<v Speaker 4>say they're out characters because that's, I.

0:47:32.160 --> 0:47:32.959
<v Speaker 2>Guess not true.

0:47:32.960 --> 0:47:34.880
<v Speaker 4>Even though I didn't realize that I was.

0:47:34.960 --> 0:47:37.920
<v Speaker 3>I was. I love that you thought everyone knew I

0:47:38.000 --> 0:47:40.520
<v Speaker 3>just But then why would the conversation happen after its

0:47:40.560 --> 0:47:43.200
<v Speaker 3>where he's like, we all thought we was sinking.

0:47:43.040 --> 0:47:45.720
<v Speaker 2>I was being missus Millennium. I don't know, I'm.

0:47:45.600 --> 0:47:48.440
<v Speaker 3>Just because the whole thing is like they have this

0:47:48.480 --> 0:47:50.520
<v Speaker 3>comversation where they're like, oh my god, crazy that two

0:47:50.560 --> 0:47:52.560
<v Speaker 3>of our friends were in love this whole time.

0:47:53.239 --> 0:47:56.040
<v Speaker 2>A similar scene happens in the full Monty Actually, where

0:47:56.560 --> 0:48:01.120
<v Speaker 2>two of the characters on Like the Dance Troupe start

0:48:01.120 --> 0:48:04.399
<v Speaker 2>hooking up. They like, they get together, maybe fall in love,

0:48:05.040 --> 0:48:07.480
<v Speaker 2>and no one else in the troop knows about it

0:48:07.600 --> 0:48:11.040
<v Speaker 2>until at a funeral. Although it's neither of the gay

0:48:11.200 --> 0:48:14.520
<v Speaker 2>characters who dies, but they're at someone else's funeral and

0:48:14.520 --> 0:48:18.160
<v Speaker 2>they're like holding hands, and then the other men in

0:48:18.239 --> 0:48:21.760
<v Speaker 2>the dance troupe are like, whoa, yeah, I had no idea.

0:48:22.520 --> 0:48:25.160
<v Speaker 2>I have to watch the full Monty again. Oh it's

0:48:25.160 --> 0:48:30.920
<v Speaker 2>so good anyway. Uh. And we can talk more about

0:48:31.040 --> 0:48:35.960
<v Speaker 2>their relationship if we want. But back to the flim

0:48:36.320 --> 0:48:40.600
<v Speaker 2>Carrie is at the funeral. Why who does she know

0:48:40.719 --> 0:48:41.440
<v Speaker 2>of these people?

0:48:42.840 --> 0:48:44.000
<v Speaker 3>Yeah?

0:48:44.160 --> 0:48:47.000
<v Speaker 2>I was like, okay, maybe for this one. Perhaps she's

0:48:47.040 --> 0:48:50.319
<v Speaker 2>there to like pay her respects because it was her

0:48:50.400 --> 0:48:54.680
<v Speaker 2>wedding that Gareth died at, So like maybe maybe that's

0:48:54.680 --> 0:48:56.280
<v Speaker 2>why she's there. Yeah.

0:48:56.360 --> 0:48:59.960
<v Speaker 4>Yes, Also I don't know. Okay, let's do a thought exit.

0:49:00.400 --> 0:49:02.520
<v Speaker 4>If someone died at your wedding but they were a

0:49:02.520 --> 0:49:03.400
<v Speaker 4>plus one.

0:49:04.440 --> 0:49:05.080
<v Speaker 2>I would I.

0:49:07.320 --> 0:49:10.920
<v Speaker 4>Would, I just I would worry. Here's I would worry

0:49:11.080 --> 0:49:14.120
<v Speaker 4>that you would be viewed as like people would be

0:49:14.160 --> 0:49:15.879
<v Speaker 4>nervous to be around me after that.

0:49:16.120 --> 0:49:18.120
<v Speaker 5>Like, I don't know if people would want you there.

0:49:18.480 --> 0:49:20.480
<v Speaker 2>Oh you know, I think that you're like a bad

0:49:20.520 --> 0:49:21.400
<v Speaker 2>omen or something.

0:49:21.520 --> 0:49:23.920
<v Speaker 4>They died at your wedding, but you weren't friends because

0:49:23.920 --> 0:49:24.719
<v Speaker 4>they were plus one.

0:49:24.920 --> 0:49:25.080
<v Speaker 3>Yeah.

0:49:25.120 --> 0:49:27.520
<v Speaker 4>I feel like you kind of look like the grim

0:49:27.560 --> 0:49:30.960
<v Speaker 4>Reaper showing up at the funeral, Like, I don't know,

0:49:31.239 --> 0:49:33.720
<v Speaker 4>I feel like that's that's I would I would send,

0:49:34.360 --> 0:49:36.480
<v Speaker 4>I would send flowers. I would send flowers, But I

0:49:36.480 --> 0:49:38.319
<v Speaker 4>don't think I would go because I think people would

0:49:38.440 --> 0:49:39.680
<v Speaker 4>look at me like the grim reaper.

0:49:40.160 --> 0:49:43.719
<v Speaker 3>Would you cancel your honeymoon as well for someone else's

0:49:43.719 --> 0:49:46.080
<v Speaker 3>like a plus one that died at your wedding plus one?

0:49:46.239 --> 0:49:50.920
<v Speaker 4>That's tough. That's it depends on if the flights are.

0:49:50.320 --> 0:49:52.400
<v Speaker 3>But do we know for sure he was a plus one?

0:49:52.880 --> 0:49:56.439
<v Speaker 5>We kind of how any of the how, I don't

0:49:56.520 --> 0:49:58.240
<v Speaker 5>know how. She knows Matthew either.

0:49:58.480 --> 0:50:03.800
<v Speaker 3>So they met wedding number two Gareth and Carrie because

0:50:03.840 --> 0:50:06.359
<v Speaker 3>he's like, oh, we had this really funny girl at

0:50:06.400 --> 0:50:08.440
<v Speaker 3>this American girl at our table. She was really funny.

0:50:09.360 --> 0:50:11.360
<v Speaker 4>So maybe Gareth was the invite.

0:50:11.719 --> 0:50:14.160
<v Speaker 3>Yeah, So I wondered if maybe, you know, like sometimes

0:50:14.200 --> 0:50:15.799
<v Speaker 3>you meet someone and then like you have a really

0:50:15.800 --> 0:50:19.040
<v Speaker 3>good fun bonding. And maybe because she's American and not repressed,

0:50:19.520 --> 0:50:22.000
<v Speaker 3>she knew he was gay, and she'd worked at Vogue

0:50:22.040 --> 0:50:24.480
<v Speaker 3>as well, so maybe she like met other queer people,

0:50:24.800 --> 0:50:27.439
<v Speaker 3>so she was like, this man is fun and gay,

0:50:27.520 --> 0:50:29.760
<v Speaker 3>and then actually maybe they developed a kind of bond

0:50:29.800 --> 0:50:32.200
<v Speaker 3>where she was like, I'm gonna invite this guy to

0:50:32.200 --> 0:50:33.600
<v Speaker 3>my wedding. We had a really good time at that

0:50:33.640 --> 0:50:34.200
<v Speaker 3>other wedding.

0:50:34.360 --> 0:50:37.080
<v Speaker 4>I would I love this headcanon because that would require

0:50:37.120 --> 0:50:39.680
<v Speaker 4>that we get to know Gareth and Carrie, which I

0:50:40.320 --> 0:50:41.080
<v Speaker 4>would love.

0:50:41.800 --> 0:50:44.080
<v Speaker 3>Imagine if we got a scene of Gareth and Carrie,

0:50:44.200 --> 0:50:46.440
<v Speaker 3>they would enough like the best of fun.

0:50:46.760 --> 0:50:49.239
<v Speaker 2>It would have been really nice and well, I think

0:50:49.239 --> 0:50:52.399
<v Speaker 2>it would have been Gareth being fun and Carrie being

0:50:52.520 --> 0:50:54.200
<v Speaker 2>boring as fuck.

0:50:56.400 --> 0:50:59.080
<v Speaker 3>She's had sex with three people. She's not boring.

0:51:00.600 --> 0:51:03.040
<v Speaker 2>You're right, you're right, you're right. I just find her

0:51:03.120 --> 0:51:05.880
<v Speaker 2>to be such a like nothing character.

0:51:06.160 --> 0:51:09.080
<v Speaker 5>But I don't think that's the fault of the character.

0:51:09.600 --> 0:51:16.799
<v Speaker 2>No, no, no, it's the fault the writer. Yeh, ch exactly, yes, Okay.

0:51:16.960 --> 0:51:21.719
<v Speaker 2>So Carrie is at the funeral and she goes up

0:51:21.719 --> 0:51:25.560
<v Speaker 2>to Charles and she's like, remember when you told me

0:51:25.719 --> 0:51:30.560
<v Speaker 2>that you loved me? Well I liked that. Okay, bye,

0:51:31.080 --> 0:51:35.719
<v Speaker 2>and then she leaves her like grow up. And so

0:51:36.080 --> 0:51:41.000
<v Speaker 2>at this funeral, Charles, I'm not exactly sure whoa I mean.

0:51:41.040 --> 0:51:43.600
<v Speaker 2>So he has that conversation with Tom. They're talking about

0:51:44.000 --> 0:51:48.719
<v Speaker 2>love and romance, and the impression I got was that

0:51:48.840 --> 0:51:53.040
<v Speaker 2>Charles realizes that you that you could die at any

0:51:53.120 --> 0:51:56.920
<v Speaker 2>moment the way his friend died at any moment, and

0:51:56.960 --> 0:52:00.600
<v Speaker 2>that you have to kind of, to quote Jack Dawson

0:52:00.680 --> 0:52:05.120
<v Speaker 2>in Titanic, make each day count. Because we cut to

0:52:05.440 --> 0:52:09.680
<v Speaker 2>ten months later, Charles wakes up for a wedding. But

0:52:09.719 --> 0:52:13.959
<v Speaker 2>whose wedding is it? Surprise? It's his wedding. But wait,

0:52:14.080 --> 0:52:19.560
<v Speaker 2>who is he marrying his ex girlfriend Henrietta? So apparently

0:52:19.760 --> 0:52:20.920
<v Speaker 2>he'd had some kind of.

0:52:22.640 --> 0:52:26.200
<v Speaker 4>Get away from her. Justice for Henrietta, she was literally

0:52:26.440 --> 0:52:30.360
<v Speaker 4>just getting over him too. She was just getting over him. Yes, indeed,

0:52:31.600 --> 0:52:35.520
<v Speaker 4>but he's not. He's he's marrying her instead. No, he's well,

0:52:37.440 --> 0:52:43.640
<v Speaker 4>he's thinking about it. He should end with her shooting him.

0:52:44.280 --> 0:52:48.560
<v Speaker 2>Yeah, okay, So we're at his wedding. Charles is greeting

0:52:48.600 --> 0:52:53.040
<v Speaker 2>people as they arrive, including Carrie. She reveals that she

0:52:53.280 --> 0:52:57.600
<v Speaker 2>and Hamish have split up, and so Charles starts having

0:52:57.640 --> 0:53:02.120
<v Speaker 2>second thoughts about the marriage that he's about to enter into.

0:53:02.719 --> 0:53:08.360
<v Speaker 2>His feet are getting so cold, and he's asking Matthew

0:53:08.480 --> 0:53:11.800
<v Speaker 2>and David what he should do, but he ultimately decides

0:53:11.840 --> 0:53:14.680
<v Speaker 2>to go through with it despite all of his misgivings.

0:53:15.120 --> 0:53:18.560
<v Speaker 2>So the wedding begins and the priest gets to the

0:53:18.560 --> 0:53:22.720
<v Speaker 2>part where he says, you know, if anyone opposes this union,

0:53:23.000 --> 0:53:26.560
<v Speaker 2>speak now or forever hold your piece, which we all

0:53:26.600 --> 0:53:29.360
<v Speaker 2>remember is a very iconic moment in the movie Shrek.

0:53:29.880 --> 0:53:33.600
<v Speaker 4>Yes, it's also a very iconic moment in fictional weddings

0:53:33.640 --> 0:53:37.160
<v Speaker 4>that I've actually never heard at an actual wedding. Because

0:53:37.239 --> 0:53:40.759
<v Speaker 4>I would love to object as like a joke, but

0:53:41.280 --> 0:53:43.120
<v Speaker 4>I've never actually heard it said at all.

0:53:43.239 --> 0:53:44.799
<v Speaker 5>Five trillion been.

0:53:44.719 --> 0:53:46.520
<v Speaker 3>To You've never had it said?

0:53:47.080 --> 0:53:49.560
<v Speaker 2>No, Maybe they don't do it at American weddings.

0:53:49.640 --> 0:53:50.960
<v Speaker 5>Wait, have you heard it?

0:53:51.440 --> 0:53:52.439
<v Speaker 3>I have had it.

0:53:52.719 --> 0:53:54.680
<v Speaker 5>I'm so jealous.

0:53:55.040 --> 0:53:57.960
<v Speaker 3>I've had it. But some people choose to have it caughtau.

0:53:58.000 --> 0:54:00.080
<v Speaker 4>Okay, see because they don't want to give any and

0:54:00.120 --> 0:54:02.040
<v Speaker 4>the opportunity because they're gonna get divorced.

0:54:02.520 --> 0:54:06.360
<v Speaker 3>I think so. But I've had it in church weddings before.

0:54:07.400 --> 0:54:10.040
<v Speaker 4>Interesting. I'm gonna, I think, at my wedding, I'm gonna

0:54:10.120 --> 0:54:11.520
<v Speaker 4>let them. I'm gonna let them say it, and if

0:54:11.520 --> 0:54:13.479
<v Speaker 4>it's not there, I'm gonna say add it in added

0:54:13.560 --> 0:54:15.120
<v Speaker 4>in let's make this a group discussion.

0:54:15.200 --> 0:54:16.120
<v Speaker 3>Yeah, get it in there.

0:54:16.160 --> 0:54:17.960
<v Speaker 4>I feel like it's almost a way of showing your

0:54:18.040 --> 0:54:21.360
<v Speaker 4>confident enough in your relationship that you don't think anyone's

0:54:21.400 --> 0:54:22.080
<v Speaker 4>going to object.

0:54:22.239 --> 0:54:25.320
<v Speaker 2>Yeah, yeah, yeah, okay, okay, so obviously I'm going to

0:54:25.360 --> 0:54:26.400
<v Speaker 2>your wedding, Jimmy.

0:54:26.840 --> 0:54:28.880
<v Speaker 5>Well going to object.

0:54:30.200 --> 0:54:32.719
<v Speaker 3>I guess of people. I don't really know.

0:54:35.160 --> 0:54:38.760
<v Speaker 2>We'll see. I'm going to bring a projector and play

0:54:38.800 --> 0:54:40.480
<v Speaker 2>that scene from Shrek.

0:54:40.280 --> 0:54:43.360
<v Speaker 4>A super cut of wedding objections. There's it's statistically you

0:54:43.400 --> 0:54:45.799
<v Speaker 4>would think it happens every other wedding if you had

0:54:45.880 --> 0:54:49.560
<v Speaker 4>just seen weddings in movies. Yeah, exactly, And honestly, if

0:54:49.600 --> 0:54:53.040
<v Speaker 4>someone objects like that, that keeps the afternoon juicy. That

0:54:53.080 --> 0:54:54.680
<v Speaker 4>I feel like, you know, people are traveling from out

0:54:54.719 --> 0:54:57.880
<v Speaker 4>of town, they should get a show, exactly.

0:54:58.280 --> 0:54:59.600
<v Speaker 5>Yeah.

0:54:59.640 --> 0:55:06.040
<v Speaker 2>Anyway, so David objects, yeah, and he signs while Charles

0:55:06.080 --> 0:55:11.320
<v Speaker 2>translates vocally that David suspects that the groom is having doubts,

0:55:11.680 --> 0:55:16.920
<v Speaker 2>having such doubts that he loves someone else, and Charles

0:55:17.040 --> 0:55:20.680
<v Speaker 2>admits this is true. So Henrietta punches him in the

0:55:20.760 --> 0:55:25.160
<v Speaker 2>face and the wedding is called off. We cut to

0:55:25.640 --> 0:55:31.600
<v Speaker 2>Charles and his friends like backstage or whatever. He's freaking

0:55:31.680 --> 0:55:35.439
<v Speaker 2>the fuck out, and then the doorbell rings and it's

0:55:35.560 --> 0:55:38.920
<v Speaker 2>Carrie and she's soaking wet from the rain and she's like,

0:55:39.560 --> 0:55:41.800
<v Speaker 2>whoops it, Aisy, I shouldn't have come to the wedding.

0:55:41.880 --> 0:55:44.319
<v Speaker 2>I guess I kind of ruined it. And he's like, no,

0:55:44.880 --> 0:55:47.560
<v Speaker 2>I'm glad you did. It made me realize that I

0:55:47.640 --> 0:55:50.080
<v Speaker 2>was about to marry the wrong person because I love

0:55:50.160 --> 0:55:53.279
<v Speaker 2>someone else and that someone else is you, and I

0:55:53.320 --> 0:55:56.640
<v Speaker 2>want to be with you forever, but let's not get

0:55:56.719 --> 0:56:01.080
<v Speaker 2>married because I don't think I believe even marriage or

0:56:01.080 --> 0:56:02.040
<v Speaker 2>it's not for me.

0:56:02.960 --> 0:56:05.839
<v Speaker 4>I was like, yeah, you too, Like I mean, not

0:56:05.880 --> 0:56:09.279
<v Speaker 4>to defend marriage, but I'm like, yeah, clearly, you too

0:56:09.920 --> 0:56:13.439
<v Speaker 4>are not very decisive people, so maybe marriage is not

0:56:13.520 --> 0:56:15.000
<v Speaker 4>for you.

0:56:15.480 --> 0:56:17.279
<v Speaker 3>I think it was like a lot to go through

0:56:17.280 --> 0:56:19.880
<v Speaker 3>for this man to realize that what he's against is

0:56:19.960 --> 0:56:24.359
<v Speaker 3>like getting married as an institution like like that that

0:56:24.560 --> 0:56:28.439
<v Speaker 3>was kind of like the big takeaway was that this

0:56:28.520 --> 0:56:31.680
<v Speaker 3>guy shouldn't really get married. Of the film, which is like,

0:56:32.040 --> 0:56:36.240
<v Speaker 3>you needed too much stuff to happen for that growth

0:56:36.280 --> 0:56:36.800
<v Speaker 3>to happen.

0:56:37.160 --> 0:56:41.560
<v Speaker 4>Yeah, well, like they need like an open relationship or

0:56:41.600 --> 0:56:45.319
<v Speaker 4>something too, because yeah, because she I mean again and

0:56:45.440 --> 0:56:49.200
<v Speaker 4>I I'm trying not to pass judgment on her, and

0:56:49.280 --> 0:56:51.200
<v Speaker 4>because I really don't care, And I actually kind of

0:56:51.239 --> 0:56:53.400
<v Speaker 4>thought it was cool that she cheated on her fialt

0:56:53.560 --> 0:56:56.960
<v Speaker 4>and the movie didn't punish her for it, even though

0:56:57.160 --> 0:56:58.560
<v Speaker 4>is that a nice thing to do.

0:56:58.719 --> 0:56:59.960
<v Speaker 2>In a monogamous relationship?

0:57:00.120 --> 0:57:04.120
<v Speaker 4>Obviously not, but I feel like, usually, particularly for women

0:57:04.120 --> 0:57:07.960
<v Speaker 4>who cheat, the punishment by the plot is so over

0:57:08.040 --> 0:57:12.279
<v Speaker 4>the top, like she dies, like right, and so for

0:57:12.360 --> 0:57:14.759
<v Speaker 4>that to not happen in this movie I really liked.

0:57:15.320 --> 0:57:18.280
<v Speaker 4>But also they should like be in an open relationship,

0:57:18.280 --> 0:57:20.439
<v Speaker 4>they should just date for a while, Yeah, for sure,

0:57:20.640 --> 0:57:22.400
<v Speaker 4>And it seems like that's what they decide to do.

0:57:22.680 --> 0:57:27.160
<v Speaker 4>While David gets married and Matthew finds a new partner

0:57:27.200 --> 0:57:28.720
<v Speaker 4>in La La La.

0:57:28.560 --> 0:57:33.640
<v Speaker 2>Right, because the movie ends with a montage of photos

0:57:34.040 --> 0:57:38.040
<v Speaker 2>of a bunch of people getting together romantically. Henrietta marries

0:57:38.280 --> 0:57:40.800
<v Speaker 2>someone else. I don't know who that guy is, but

0:57:41.040 --> 0:57:44.720
<v Speaker 2>she finds love elsewhere better.

0:57:44.200 --> 0:57:49.240
<v Speaker 3>Than He had the same face as her, which I enjoyed,

0:57:49.240 --> 0:57:52.520
<v Speaker 3>didn't that he looked like.

0:57:55.000 --> 0:57:59.160
<v Speaker 2>So we get those snapshots, we see David has married

0:57:59.240 --> 0:58:02.360
<v Speaker 2>the woman he at the second wedding who had been

0:58:02.440 --> 0:58:08.120
<v Speaker 2>learning that British sign language. Scarlet marries an American guy

0:58:08.200 --> 0:58:14.280
<v Speaker 2>that she met at the third wedding chester Chester. Tom

0:58:14.360 --> 0:58:20.360
<v Speaker 2>marries a lady who he knew for I Okay, now

0:58:20.440 --> 0:58:21.160
<v Speaker 2>that's funny.

0:58:21.360 --> 0:58:23.240
<v Speaker 5>I'm laughing. I'm laughing.

0:58:23.280 --> 0:58:27.080
<v Speaker 3>Yeah, because he's like, I'm cousin Judy or whatever, and

0:58:27.120 --> 0:58:29.520
<v Speaker 3>he's like, oh so your family. She's like, only very

0:58:29.520 --> 0:58:33.840
<v Speaker 3>distantly and it's so posh and it's so upper class

0:58:33.840 --> 0:58:37.240
<v Speaker 3>British to definitely marry someone you're already slightly related to.

0:58:37.480 --> 0:58:38.240
<v Speaker 2>Oh my god.

0:58:38.320 --> 0:58:43.000
<v Speaker 4>Yeah, that felt very class commentary to me, which I did.

0:58:43.800 --> 0:58:47.400
<v Speaker 4>Maybe I'm being too cavalier, but it definitely felt like

0:58:47.440 --> 0:58:48.760
<v Speaker 4>a class commentary thing.

0:58:49.880 --> 0:58:52.080
<v Speaker 2>But for a moment I was watching that scene, I

0:58:52.120 --> 0:58:55.360
<v Speaker 2>was like, what is this incest meet cute that I'm watching?

0:58:55.600 --> 0:58:58.480
<v Speaker 3>Like, that's what it was, And that's how rich people

0:58:58.640 --> 0:59:01.120
<v Speaker 3>in England find. Part is they.

0:59:00.960 --> 0:59:03.280
<v Speaker 2>Find they go to the family reunion.

0:59:03.040 --> 0:59:05.720
<v Speaker 3>Reunion and they marry cousin dedre.

0:59:06.280 --> 0:59:13.120
<v Speaker 2>You hate to see. Yeah, anyway, Fiona marries Prince Charles.

0:59:13.120 --> 0:59:15.120
<v Speaker 4>Really bizarre, really bizarre.

0:59:15.480 --> 0:59:18.880
<v Speaker 3>I feel like that's trying to say she's so optight

0:59:19.280 --> 0:59:21.360
<v Speaker 3>that that would be passing good enough for her.

0:59:21.880 --> 0:59:24.920
<v Speaker 2>Well, because it's mine because she and Tom are brothers, right,

0:59:24.960 --> 0:59:27.800
<v Speaker 2>and it's established that Tom is like the seventh richest

0:59:27.840 --> 0:59:30.000
<v Speaker 2>person in the UK or something.

0:59:30.240 --> 0:59:30.520
<v Speaker 3>Yeah.

0:59:30.800 --> 0:59:33.640
<v Speaker 4>So, and also, this is an interesting time to be

0:59:33.720 --> 0:59:36.560
<v Speaker 4>portrayed as marrying Prince Charles because I had to like

0:59:36.640 --> 0:59:40.360
<v Speaker 4>fact check. I'm like, what amount of divorced were Charles

0:59:40.360 --> 0:59:45.800
<v Speaker 4>and Diana at this point? And the answer is sort of, oh,

0:59:45.880 --> 0:59:47.200
<v Speaker 4>wait was she When.

0:59:47.000 --> 0:59:48.880
<v Speaker 2>Did she die?

0:59:48.920 --> 0:59:53.040
<v Speaker 4>She died in ninety seven, but their divorce wasn't finalized

0:59:53.120 --> 0:59:55.560
<v Speaker 4>until ninety six. But I think that they were already

0:59:55.560 --> 0:59:57.520
<v Speaker 4>in the process of splitting up. I don't know, some

0:59:58.200 --> 1:00:00.560
<v Speaker 4>nebulous in between. I was like, there's some there's some

1:00:00.600 --> 1:00:03.240
<v Speaker 4>British stuff going on here that I don't fully understand.

1:00:04.040 --> 1:00:08.160
<v Speaker 4>Was like, I don't know how the timeline worked. Wasn't

1:00:08.160 --> 1:00:09.240
<v Speaker 4>there for sure?

1:00:09.320 --> 1:00:09.680
<v Speaker 2>For sure?

1:00:10.440 --> 1:00:10.560
<v Speaker 3>Uh?

1:00:10.800 --> 1:00:14.280
<v Speaker 2>And then finally we see Charles and Carrie together. They're

1:00:14.320 --> 1:00:20.040
<v Speaker 2>not getting married, but they are holding a baby the end.

1:00:21.320 --> 1:00:23.600
<v Speaker 5>Yes, yeay, we.

1:00:25.920 --> 1:00:27.920
<v Speaker 2>Let's take a quick break and we'll come back to

1:00:28.080 --> 1:00:40.880
<v Speaker 2>discuss and we're back, and we're back.

1:00:41.680 --> 1:00:44.320
<v Speaker 4>I guess let's start by just sort of closing the

1:00:44.360 --> 1:00:48.760
<v Speaker 4>loop on Carrie. We've been talking about her quite a bit. Yeah,

1:00:48.840 --> 1:00:53.400
<v Speaker 4>I think that I've basically said what I wanted to

1:00:53.400 --> 1:00:54.960
<v Speaker 4>say about the carry, like I do think that there

1:00:55.000 --> 1:01:00.640
<v Speaker 4>are subversive aspects to her character, but there is a

1:01:00.680 --> 1:01:05.080
<v Speaker 4>really clear lack of character outside of that subversion. So

1:01:06.000 --> 1:01:09.360
<v Speaker 4>her being sex positive great, her not being punished by

1:01:09.400 --> 1:01:13.280
<v Speaker 4>the plot for being sex positive and having sex for

1:01:13.320 --> 1:01:20.360
<v Speaker 4>pleasure great, But like a second fact about her never materializes,

1:01:20.600 --> 1:01:23.520
<v Speaker 4>and in a way that like, and I love Auntie McDowell,

1:01:23.560 --> 1:01:25.840
<v Speaker 4>but it's like she just doesn't really have Like I

1:01:25.920 --> 1:01:28.439
<v Speaker 4>found so much of her behavior confusing because I don't

1:01:28.480 --> 1:01:32.640
<v Speaker 4>know anything about her. I don't understand why she's doing

1:01:33.240 --> 1:01:36.400
<v Speaker 4>like a wedding dress montage with this guy she's hooked

1:01:36.440 --> 1:01:38.720
<v Speaker 4>up with, a couple of times. I don't understand, Like

1:01:38.840 --> 1:01:42.840
<v Speaker 4>there's I couldn't track her behavior because anything with her

1:01:42.880 --> 1:01:46.560
<v Speaker 4>could be true outside of anything related to her being

1:01:46.600 --> 1:01:47.320
<v Speaker 4>sex positive.

1:01:47.440 --> 1:01:50.160
<v Speaker 5>So I just like, I guess it's it's weird because

1:01:50.200 --> 1:01:51.600
<v Speaker 5>it's glaring to me.

1:01:51.720 --> 1:01:53.439
<v Speaker 4>But I also don't have that much to say about

1:01:53.480 --> 1:01:55.400
<v Speaker 4>it because it's like I don't really object to a

1:01:55.400 --> 1:01:57.840
<v Speaker 4>lot about her character because there isn't.

1:01:57.560 --> 1:02:02.520
<v Speaker 2>There isn't much. Yeah, I also found her sense of

1:02:02.760 --> 1:02:05.920
<v Speaker 2>humor really she clearly has a sense of humor, but

1:02:05.960 --> 1:02:11.320
<v Speaker 2>I found it so confusing, especially the scene where It's

1:02:11.360 --> 1:02:14.080
<v Speaker 2>the morning after they've had sex for the first time,

1:02:14.560 --> 1:02:16.880
<v Speaker 2>and she says something like, when were you planning to

1:02:17.000 --> 1:02:20.280
<v Speaker 2>announce the engagement? Well, we've slept together, of course the

1:02:20.360 --> 1:02:23.920
<v Speaker 2>way assumed we'd be getting married. And then Hugh Grant

1:02:24.040 --> 1:02:28.120
<v Speaker 2>is doing his like stammering Hugh Grant thing, and then

1:02:28.120 --> 1:02:30.640
<v Speaker 2>he's like, wait a minute, you're just fucking with me,

1:02:30.720 --> 1:02:33.160
<v Speaker 2>and she's like tea, And I was like, what is

1:02:33.200 --> 1:02:33.760
<v Speaker 2>this joke?

1:02:34.000 --> 1:02:35.640
<v Speaker 3>Like, I didn't think it was a joke.

1:02:36.480 --> 1:02:37.640
<v Speaker 2>Oh you think she was serious?

1:02:38.160 --> 1:02:40.600
<v Speaker 3>Yeah, because she then says, I think we both missed

1:02:40.600 --> 1:02:41.880
<v Speaker 3>a great opportunity here.

1:02:43.000 --> 1:02:45.120
<v Speaker 4>I think that both things are true, though I think

1:02:45.160 --> 1:02:48.360
<v Speaker 4>she thinks that they they did miss an opportunity to

1:02:48.560 --> 1:02:50.480
<v Speaker 4>like spend more time together.

1:02:50.800 --> 1:02:52.560
<v Speaker 2>I thought that was in reference to her, like she's

1:02:52.600 --> 1:02:54.560
<v Speaker 2>about to go back to the US, so they like

1:02:54.600 --> 1:02:58.240
<v Speaker 2>couldn't pursue anything. But I did assume that she was

1:02:58.360 --> 1:03:02.800
<v Speaker 2>joking about that, like weird let's get married thing.

1:03:02.920 --> 1:03:05.960
<v Speaker 4>I sort of viewed that joke as like just a

1:03:06.000 --> 1:03:08.800
<v Speaker 4>way to set up the lazy fatal attraction joke.

1:03:09.760 --> 1:03:10.080
<v Speaker 2>I don't know.

1:03:10.520 --> 1:03:16.360
<v Speaker 3>I thought she was a slut who but in a

1:03:16.360 --> 1:03:21.160
<v Speaker 3>positive way, and she had hit the time that she

1:03:21.280 --> 1:03:23.280
<v Speaker 3>wanted to get married was the vibe I got of her.

1:03:23.360 --> 1:03:25.760
<v Speaker 3>And I'm reading a lot intern and I think she

1:03:25.880 --> 1:03:28.840
<v Speaker 3>felt like it was her time. She'd worked a vogue,

1:03:28.840 --> 1:03:31.360
<v Speaker 3>it was her time now to find her husband. So

1:03:31.440 --> 1:03:35.080
<v Speaker 3>I think she was saying to him, Yeah, a little

1:03:35.120 --> 1:03:37.080
<v Speaker 3>bit in jest, but like a little bit serious, like

1:03:37.120 --> 1:03:42.080
<v Speaker 3>if you're serious about this, I will come from America,

1:03:42.160 --> 1:03:44.280
<v Speaker 3>and like we can pursue something, but you need to

1:03:44.320 --> 1:03:48.000
<v Speaker 3>be in it, and you're not giving me any vibes

1:03:48.000 --> 1:03:50.080
<v Speaker 3>that you want to necessarily see me like more than this,

1:03:50.200 --> 1:03:54.040
<v Speaker 3>So like is there anymore? And then how Hamish got

1:03:54.080 --> 1:03:57.800
<v Speaker 3>her was he just got her at a time where

1:03:57.840 --> 1:04:00.680
<v Speaker 3>she was like I'm looking for a husband, because otherwise

1:04:00.680 --> 1:04:02.520
<v Speaker 3>why would she marry that old man?

1:04:03.080 --> 1:04:06.000
<v Speaker 4>Well, I just don't know enough about her to understand

1:04:06.080 --> 1:04:09.320
<v Speaker 4>what drew her to Himish, Like I is she looking

1:04:09.360 --> 1:04:12.440
<v Speaker 4>for security? Does she genuinely love him? It doesn't really

1:04:12.560 --> 1:04:14.360
<v Speaker 4>seem that way. I mean it seems more like a

1:04:14.400 --> 1:04:17.880
<v Speaker 4>handshake marriage than anything else, because she doesn't really have

1:04:17.960 --> 1:04:20.040
<v Speaker 4>an issue with cheating on him, which.

1:04:19.840 --> 1:04:21.840
<v Speaker 5>Is like relationships like that exist.

1:04:21.960 --> 1:04:24.560
<v Speaker 4>But like I, I just didn't have enough information, and

1:04:25.040 --> 1:04:29.600
<v Speaker 4>that also is not limited to Carrie's character because I

1:04:29.920 --> 1:04:31.920
<v Speaker 4>guess I just sort of like, oh, I don't think

1:04:31.960 --> 1:04:34.240
<v Speaker 4>that she would want to really be with Charles because

1:04:34.560 --> 1:04:38.680
<v Speaker 4>we're told by Fiona that, like he doesn't have enough

1:04:38.720 --> 1:04:40.720
<v Speaker 4>money for her, which leads me to.

1:04:40.680 --> 1:04:43.520
<v Speaker 5>The question, what does he do?

1:04:44.000 --> 1:04:45.880
<v Speaker 4>What's a second fact about him?

1:04:46.040 --> 1:04:48.080
<v Speaker 5>And I was like, I don't know anything about.

1:04:47.880 --> 1:04:49.760
<v Speaker 3>Him, any second facts about him.

1:04:49.920 --> 1:04:52.000
<v Speaker 4>We don't really know anything about anyone.

1:04:52.400 --> 1:04:56.560
<v Speaker 3>No, you can say that this woman character was badly portrayed,

1:04:56.640 --> 1:05:01.000
<v Speaker 3>but no one has a job, No one see kind

1:05:01.040 --> 1:05:04.200
<v Speaker 3>of do anything apart from just go to a series

1:05:04.920 --> 1:05:11.480
<v Speaker 3>of like different life events services in churches, and that's unusual.

1:05:12.480 --> 1:05:16.160
<v Speaker 2>So I found something about this basically Richard Curtis, who

1:05:16.240 --> 1:05:20.440
<v Speaker 2>kind of based this movie off of like his experience

1:05:20.480 --> 1:05:24.120
<v Speaker 2>of over the course of four years or something like that,

1:05:24.680 --> 1:05:29.720
<v Speaker 2>he attended sixty five weddings what and it one of

1:05:29.760 --> 1:05:30.880
<v Speaker 2>them so popular?

1:05:31.040 --> 1:05:31.360
<v Speaker 3>Right?

1:05:31.760 --> 1:05:35.120
<v Speaker 4>Wow? I was like, Wow, he must be a really

1:05:35.160 --> 1:05:36.280
<v Speaker 4>fun guy to hang out with.

1:05:36.720 --> 1:05:37.720
<v Speaker 2>You must be, he didn't think.

1:05:37.800 --> 1:05:42.000
<v Speaker 3>So he was friends with David Cameron, who did Brexit Jesus.

1:05:42.080 --> 1:05:45.880
<v Speaker 2>Okay, yeah, so well, okay, so At won such wedding. Yeah,

1:05:45.960 --> 1:05:52.320
<v Speaker 2>he was propositioned by someone and turned that person down

1:05:52.520 --> 1:05:55.520
<v Speaker 2>and then lived to regret it. And so he was like, Okay,

1:05:55.560 --> 1:05:58.920
<v Speaker 2>what if what if I wrote a movie that the

1:05:58.960 --> 1:06:03.080
<v Speaker 2>person doesn't earn the other person down and four weddings

1:06:03.080 --> 1:06:04.440
<v Speaker 2>in a funeral was born.

1:06:04.680 --> 1:06:08.440
<v Speaker 4>Guess what, Richard Curtis, I look as someone who famously

1:06:08.920 --> 1:06:09.480
<v Speaker 4>fucked my.

1:06:09.520 --> 1:06:10.560
<v Speaker 5>Life up for a goudy.

1:06:10.760 --> 1:06:13.680
<v Speaker 4>You never go home with someone at a wedding and

1:06:13.720 --> 1:06:17.240
<v Speaker 4>then talk to them again. You can go home with them.

1:06:17.240 --> 1:06:19.520
<v Speaker 5>But then you have to just wake up and be like,

1:06:20.800 --> 1:06:23.000
<v Speaker 5>all right, let's see you never see.

1:06:23.000 --> 1:06:26.840
<v Speaker 4>You never enjoy your life. If you ever have regretted

1:06:26.880 --> 1:06:29.320
<v Speaker 4>not hooking up with someone at a wedding or not

1:06:29.480 --> 1:06:32.480
<v Speaker 4>following up after you hooked up with them, don't make

1:06:32.560 --> 1:06:34.840
<v Speaker 4>my mistakes. Don't contact them.

1:06:35.680 --> 1:06:37.640
<v Speaker 3>I feel like I need to know so much about

1:06:37.640 --> 1:06:38.400
<v Speaker 3>this story.

1:06:39.480 --> 1:06:40.040
<v Speaker 2>I can't.

1:06:40.720 --> 1:06:43.640
<v Speaker 5>We'll talk, we'll talk about it, we'll talk about it.

1:06:43.680 --> 1:06:45.840
<v Speaker 4>But I think I think that is another I should

1:06:45.880 --> 1:06:48.200
<v Speaker 4>have said that at the beginning. I will never be

1:06:48.440 --> 1:06:51.040
<v Speaker 4>like I really enjoyed this movie where two people meet

1:06:51.080 --> 1:06:51.600
<v Speaker 4>at a wedding.

1:06:51.840 --> 1:06:55.040
<v Speaker 3>It's triggering, that's traumatizing.

1:06:55.760 --> 1:06:57.240
<v Speaker 5>Actually, don't do that.

1:06:57.560 --> 1:07:01.200
<v Speaker 2>But the point is that Richard car just based this

1:07:01.400 --> 1:07:04.520
<v Speaker 2>off of some of like some experiences he had kind

1:07:04.520 --> 1:07:09.120
<v Speaker 2>of and he said that he chose to omit the

1:07:09.200 --> 1:07:14.480
<v Speaker 2>characters like talking about their jobs or like giving us

1:07:14.520 --> 1:07:16.880
<v Speaker 2>a sense of what they do for a living, because

1:07:16.920 --> 1:07:21.000
<v Speaker 2>he felt a group of friends would not discuss their

1:07:21.120 --> 1:07:23.400
<v Speaker 2>jobs while at weddings.

1:07:24.120 --> 1:07:27.360
<v Speaker 3>I think in the nineties that's true. I think we're

1:07:27.400 --> 1:07:29.520
<v Speaker 3>at a different stage of capitalism where everyone discusses their

1:07:29.560 --> 1:07:31.800
<v Speaker 3>job all the time because it's very stressful and everyone

1:07:31.840 --> 1:07:34.360
<v Speaker 3>works a lot and it's very burnt out. But I

1:07:34.400 --> 1:07:37.280
<v Speaker 3>think people in the nineties didn't work that much and

1:07:37.320 --> 1:07:40.000
<v Speaker 3>still have quite nice houses. And so what you're going

1:07:40.040 --> 1:07:41.720
<v Speaker 3>to talk about, I guess.

1:07:41.800 --> 1:07:45.240
<v Speaker 4>I guess that still doesn't explain. That explains the friend

1:07:45.320 --> 1:07:48.240
<v Speaker 4>stuff to me. That doesn't explain Carrie though, because she

1:07:48.320 --> 1:07:50.600
<v Speaker 4>doesn't know them, Like what else does she have to

1:07:50.680 --> 1:07:54.040
<v Speaker 4>talk to them about, other than how she knows that

1:07:54.080 --> 1:07:54.920
<v Speaker 4>people getting.

1:07:54.640 --> 1:07:56.680
<v Speaker 5>Married, but she will famously never disclose.

1:07:57.600 --> 1:08:01.400
<v Speaker 2>Also, like, I'm okay with not knowing what a person

1:08:01.520 --> 1:08:04.560
<v Speaker 2>does for their job, because people are not defined by

1:08:04.560 --> 1:08:07.600
<v Speaker 2>the labor that they do. If we knew other things

1:08:07.640 --> 1:08:11.000
<v Speaker 2>about them, what are their interests, what are their views

1:08:11.040 --> 1:08:15.840
<v Speaker 2>on the world, like any other things. But that's also lacking.

1:08:15.640 --> 1:08:19.000
<v Speaker 3>These people are too posh.

1:08:17.960 --> 1:08:21.960
<v Speaker 4>Maybe, I mean, yeah, because I had that question as well.

1:08:22.040 --> 1:08:24.720
<v Speaker 4>I mean we sometimes I think the most we learned

1:08:24.720 --> 1:08:27.840
<v Speaker 4>about characters is like whether they're rich or not by

1:08:27.880 --> 1:08:29.840
<v Speaker 4>the standards of the people at the wedding, which seems

1:08:29.920 --> 1:08:33.000
<v Speaker 4>quite high. Yeah, because we find out that like whoever

1:08:33.120 --> 1:08:36.400
<v Speaker 4>has like castle money or Tom Yeah, like we don't

1:08:36.400 --> 1:08:40.280
<v Speaker 4>really understand how, but like he has castle money, sure

1:08:41.040 --> 1:08:45.960
<v Speaker 4>inheritage that's happened, right, Like it's like scary generational wealth.

1:08:46.800 --> 1:08:52.000
<v Speaker 5>I guess it's tricky because I don't. Personally, I don't.

1:08:52.479 --> 1:08:54.679
<v Speaker 4>It makes it for me, makes it just like hard

1:08:54.720 --> 1:08:57.599
<v Speaker 4>to get attached to any of the characters if if

1:08:57.640 --> 1:09:02.160
<v Speaker 4>they're in this kind of behavioral war. But it doesn't

1:09:02.280 --> 1:09:07.040
<v Speaker 4>at least seem like it's a gendered decision where we

1:09:07.120 --> 1:09:09.320
<v Speaker 4>know a lot about the male characters and we don't

1:09:09.360 --> 1:09:10.960
<v Speaker 4>know about the women. We kind of just know nothing

1:09:11.000 --> 1:09:14.920
<v Speaker 4>about anyone, but there are gendered elements to how we

1:09:15.000 --> 1:09:18.599
<v Speaker 4>see women, and especially women who are not Carrie.

1:09:19.400 --> 1:09:23.439
<v Speaker 2>Yeah, well I was thinking about that where I'm like, Okay,

1:09:23.520 --> 1:09:28.160
<v Speaker 2>why do Charles and Carrie like each other? Since we

1:09:28.240 --> 1:09:31.120
<v Speaker 2>know so little about either of them and there is

1:09:31.160 --> 1:09:35.759
<v Speaker 2>a scene where you could argue Charles is being funny

1:09:35.800 --> 1:09:38.840
<v Speaker 2>and charming during his best man speech, and maybe that's

1:09:38.880 --> 1:09:42.240
<v Speaker 2>part of what endears Carrie to him, But we don't

1:09:42.240 --> 1:09:46.280
<v Speaker 2>have anything like that for Carrie for Charles to be

1:09:46.479 --> 1:09:47.519
<v Speaker 2>endeared to carry.

1:09:47.640 --> 1:09:50.600
<v Speaker 4>So it just seems I think if you think that

1:09:51.080 --> 1:09:54.160
<v Speaker 4>weird joke about don't you want to get married? Is funny,

1:09:54.320 --> 1:09:57.519
<v Speaker 4>then they crack each other up, then maybe I don't

1:09:57.560 --> 1:10:01.960
<v Speaker 4>know I did understand why they Also, I'm not convinced

1:10:01.960 --> 1:10:04.960
<v Speaker 4>that they're in love. I'm convinced that they're like really

1:10:05.000 --> 1:10:08.160
<v Speaker 4>horny for each other and it's long distance and exciting,

1:10:08.439 --> 1:10:10.920
<v Speaker 4>Like these two don't actually know each other. They've spent

1:10:11.040 --> 1:10:14.519
<v Speaker 4>a lot of really sexually charged time together, so like

1:10:14.640 --> 1:10:17.120
<v Speaker 4>whatever that can turn into love. But like when he

1:10:17.200 --> 1:10:18.680
<v Speaker 4>first says I think I'm in love with you, I

1:10:18.720 --> 1:10:20.760
<v Speaker 4>know that word as the audience supposed to believe it,

1:10:20.800 --> 1:10:24.000
<v Speaker 4>but like if you've been alive long enough, you're like, well, no,

1:10:24.080 --> 1:10:24.519
<v Speaker 4>you don't.

1:10:24.640 --> 1:10:27.160
<v Speaker 2>He's known her, he hung out with her three times

1:10:27.200 --> 1:10:28.160
<v Speaker 2>at that point.

1:10:28.280 --> 1:10:30.080
<v Speaker 5>But that does happen. I don't know.

1:10:30.120 --> 1:10:32.800
<v Speaker 4>It's very movie logic, but I'm never gonna question, like,

1:10:32.880 --> 1:10:35.360
<v Speaker 4>why does someone think they're in love with nineteen ninety

1:10:35.400 --> 1:10:38.360
<v Speaker 4>four Hugh Grant like it just makes sense, beautiful, And

1:10:38.479 --> 1:10:40.960
<v Speaker 4>same with Andy McDowell like the I'm like, yeah, of

1:10:40.960 --> 1:10:42.880
<v Speaker 4>course you think you're in love with her.

1:10:43.080 --> 1:10:48.439
<v Speaker 3>Look, I think the movie is fundamental. Everyone's purpose in

1:10:48.479 --> 1:10:50.799
<v Speaker 3>the movie for some reason, seems to be getting married.

1:10:50.920 --> 1:10:53.439
<v Speaker 3>Like no one seems to have a personality alive or

1:10:53.479 --> 1:10:56.400
<v Speaker 3>anything other than like, I'm trying to get married here.

1:10:56.840 --> 1:10:58.479
<v Speaker 3>And that's why what I think what she says is

1:10:58.479 --> 1:11:01.479
<v Speaker 3>not a joke. And I think the movie is like

1:11:01.600 --> 1:11:05.640
<v Speaker 3>sex is cool and everyone's trying to get married.

1:11:05.400 --> 1:11:08.439
<v Speaker 2>Again a concept that this movie invented.

1:11:09.040 --> 1:11:12.479
<v Speaker 3>Yeah, sex is cool and everyone's trying to get married. So, like,

1:11:12.800 --> 1:11:15.120
<v Speaker 3>I don't know. I just was like, Oh, for these

1:11:15.200 --> 1:11:18.479
<v Speaker 3>people who maybe have very little in terms of like

1:11:18.560 --> 1:11:22.519
<v Speaker 3>problems or strife or conflict in their life, they just

1:11:22.600 --> 1:11:25.120
<v Speaker 3>marry someone that they're like really horny for because they

1:11:25.120 --> 1:11:26.759
<v Speaker 3>don't have anything else.

1:11:28.360 --> 1:11:33.280
<v Speaker 4>So but then she is she horny for Hamish? Like again,

1:11:33.320 --> 1:11:33.960
<v Speaker 4>I just feel like.

1:11:33.880 --> 1:11:36.200
<v Speaker 3>I don't know, but she was horny for marriage.

1:11:36.400 --> 1:11:37.160
<v Speaker 5>She's okay.

1:11:37.280 --> 1:11:40.599
<v Speaker 4>So that was my a question I had about this

1:11:40.640 --> 1:11:45.520
<v Speaker 4>movie that I'm like, it feels both progressive and regressive

1:11:45.520 --> 1:11:48.559
<v Speaker 4>at the same time, because it is a sex positive movie,

1:11:48.840 --> 1:11:54.479
<v Speaker 4>but everyone is obsessed with like legal marriage in the UK,

1:11:54.640 --> 1:11:58.599
<v Speaker 4>and so it's like it just feels like these two

1:11:58.680 --> 1:12:01.760
<v Speaker 4>things are sort of odd, and I think that maybe

1:12:01.760 --> 1:12:04.560
<v Speaker 4>to some extent, that's what it's about. But the institution

1:12:04.680 --> 1:12:09.440
<v Speaker 4>of marriage itself experiences really not a ton of pushback,

1:12:09.600 --> 1:12:12.559
<v Speaker 4>other than at the very end when they realize, oh,

1:12:12.600 --> 1:12:14.240
<v Speaker 4>we just don't want to get married.

1:12:14.800 --> 1:12:18.559
<v Speaker 3>But that's why it's the twist, yeah, right, because everyone

1:12:18.880 --> 1:12:22.320
<v Speaker 3>everyone gets married in this movie for the most part,

1:12:22.600 --> 1:12:25.360
<v Speaker 3>Like Bernard and Lydia are like the most obvious is

1:12:25.400 --> 1:12:28.000
<v Speaker 3>like Lydia is like, I'm not going to hook up

1:12:28.000 --> 1:12:29.600
<v Speaker 3>with you, Bernard, You're a loser.

1:12:29.360 --> 1:12:30.679
<v Speaker 2>And I'm not that desperate.

1:12:30.920 --> 1:12:33.000
<v Speaker 3>And then they really drunk and they start snogging at

1:12:33.040 --> 1:12:35.439
<v Speaker 3>the end of the night, which I kind of really

1:12:35.520 --> 1:12:38.240
<v Speaker 3>like enjoy, I like enjoy those kind of developments of

1:12:38.280 --> 1:12:41.559
<v Speaker 3>these secondary characters, and then they just like get married

1:12:41.560 --> 1:12:43.880
<v Speaker 3>because clearly they love to fuck. And it's like the

1:12:43.880 --> 1:12:47.920
<v Speaker 3>only reason, only justification anyone has in this movie to

1:12:48.000 --> 1:12:51.240
<v Speaker 3>be with someone else is like the sex was bomb,

1:12:51.840 --> 1:12:54.880
<v Speaker 3>and maybe we'd have a lot less problems if the

1:12:55.040 --> 1:12:58.000
<v Speaker 3>only reason anyone got married was because it was like,

1:12:58.040 --> 1:13:00.959
<v Speaker 3>I just want to fuck you. Oh, rest of time.

1:13:00.880 --> 1:13:03.840
<v Speaker 4>It's like, yeah, you can do that for like you

1:13:03.920 --> 1:13:07.800
<v Speaker 4>don't need to legally. Yeah, you're really right where it's

1:13:08.680 --> 1:13:11.439
<v Speaker 4>I don't know, I mean, and obviously that was something

1:13:11.439 --> 1:13:13.519
<v Speaker 4>that existed in the nineties, but.

1:13:13.479 --> 1:13:15.400
<v Speaker 5>It also just feels a little.

1:13:15.720 --> 1:13:16.439
<v Speaker 2>Maybe I'm wrong.

1:13:16.880 --> 1:13:19.720
<v Speaker 4>It feels a little outdated in nineteen ninety four to

1:13:19.840 --> 1:13:23.040
<v Speaker 4>suggest that, like you, I don't know, I know that

1:13:23.040 --> 1:13:26.479
<v Speaker 4>the movie subverted at the end. It's just the premise

1:13:26.560 --> 1:13:27.680
<v Speaker 4>is kind of bizarre to me.

1:13:28.560 --> 1:13:31.640
<v Speaker 2>Right, Well, okay, I was trying to figure out what,

1:13:31.800 --> 1:13:35.200
<v Speaker 2>if anything this movie is trying to say about sure,

1:13:35.280 --> 1:13:38.120
<v Speaker 2>the institution of marriage, because the way it ends with

1:13:38.240 --> 1:13:41.280
<v Speaker 2>the two main characters we've been following this whole time

1:13:42.000 --> 1:13:46.200
<v Speaker 2>is Charles saying, let's not get married. I don't think

1:13:46.240 --> 1:13:49.080
<v Speaker 2>I'm cut out for it, and she says, I do

1:13:50.040 --> 1:13:52.040
<v Speaker 2>want to be with you, but not want to get married. Right,

1:13:52.080 --> 1:13:54.240
<v Speaker 2>So I'm just like, okay, right, it seems like the

1:13:54.280 --> 1:13:59.920
<v Speaker 2>movie is saying a committed relationship doesn't need to Coleman

1:14:00.000 --> 1:14:03.479
<v Speaker 2>and I legally binding marriage. You don't have to get

1:14:03.479 --> 1:14:08.720
<v Speaker 2>married to be happy. Sure, which I very much support that,

1:14:09.040 --> 1:14:12.000
<v Speaker 2>and I appreciate when a movie puts forward a message

1:14:12.040 --> 1:14:16.280
<v Speaker 2>like that. However, the way this movie handles that doesn't

1:14:16.320 --> 1:14:18.839
<v Speaker 2>really work for me, because I'm not seeing how Charles

1:14:19.080 --> 1:14:23.040
<v Speaker 2>or Carrie come to this realization, Like I'm not seeing

1:14:23.160 --> 1:14:26.879
<v Speaker 2>much in the way of character growth or a character

1:14:27.080 --> 1:14:30.240
<v Speaker 2>arc that leads them to this line of thinking. They

1:14:30.320 --> 1:14:34.080
<v Speaker 2>just kind of like randomly decide it one day, and

1:14:34.120 --> 1:14:36.280
<v Speaker 2>it honestly just feels like it's kind of tacked on

1:14:36.840 --> 1:14:39.280
<v Speaker 2>at the end of the movie without feeling earned in

1:14:39.320 --> 1:14:42.479
<v Speaker 2>any way. And then if this is the message of

1:14:42.560 --> 1:14:48.120
<v Speaker 2>the movie of like a happy, healthy, romantic relationship does

1:14:48.160 --> 1:14:52.080
<v Speaker 2>not have to lead to marriage, it almost feels like

1:14:52.120 --> 1:14:56.679
<v Speaker 2>it's being undermined by the photomontage of like five different

1:14:56.840 --> 1:15:01.000
<v Speaker 2>couples getting married. Yeah, and then the only ones that

1:15:01.080 --> 1:15:05.879
<v Speaker 2>don't are Matthew and his new boyfriend because they legally

1:15:05.960 --> 1:15:09.960
<v Speaker 2>cannot get married, and then Charles and Kerry because they've

1:15:10.040 --> 1:15:13.759
<v Speaker 2>decided not to write, which again is like pretty reflective

1:15:13.800 --> 1:15:16.360
<v Speaker 2>of real life. A lot of people do get married.

1:15:16.439 --> 1:15:20.679
<v Speaker 2>And but like the ethos of this movie is really it's.

1:15:20.600 --> 1:15:26.960
<v Speaker 4>Just weird, vague, it's weird, and it was worth saying

1:15:27.000 --> 1:15:31.400
<v Speaker 4>I mean tremendously successful. It was oh, a surprise hit

1:15:31.880 --> 1:15:35.120
<v Speaker 4>a budget of around three million pounds that made two

1:15:35.200 --> 1:15:37.880
<v Speaker 4>hundred and eighteen million pounds.

1:15:37.960 --> 1:15:42.200
<v Speaker 2>It was the highest grossing British film of the time,

1:15:42.439 --> 1:15:43.880
<v Speaker 2>which is like four a time.

1:15:44.160 --> 1:15:45.720
<v Speaker 5>Pretty wild. I don't know.

1:15:45.800 --> 1:15:48.160
<v Speaker 4>It reminds me of I feel like the American version

1:15:48.200 --> 1:15:50.720
<v Speaker 4>of this is my big fact Greek wedding, a surprise

1:15:51.280 --> 1:15:55.280
<v Speaker 4>hit wedding movie and who can say why, also very

1:15:55.280 --> 1:15:58.800
<v Speaker 4>reflective of their respective times. But yeah, I don't know.

1:15:58.840 --> 1:16:02.440
<v Speaker 4>And then the other women in this friend group, Fiona

1:16:02.600 --> 1:16:07.400
<v Speaker 4>I thought was quite interesting and whatever. I didn't love

1:16:07.479 --> 1:16:09.920
<v Speaker 4>the joke they sent her character out on, but it

1:16:10.040 --> 1:16:12.400
<v Speaker 4>just I don't know. We do get characters that I'm

1:16:12.520 --> 1:16:16.160
<v Speaker 4>curious to know more about. Unfortunately, Charles and Carrie are

1:16:16.200 --> 1:16:20.240
<v Speaker 4>not two of those characters. But Fiona, I felt like,

1:16:20.680 --> 1:16:25.320
<v Speaker 4>is a pretty rich character who we because again we

1:16:25.360 --> 1:16:28.559
<v Speaker 4>mostly know about her through the lens of like romance.

1:16:28.640 --> 1:16:31.880
<v Speaker 4>But it was like, that's a very complicated dynamic you

1:16:31.880 --> 1:16:35.200
<v Speaker 4>don't see very often, at least in this way where

1:16:35.200 --> 1:16:38.240
<v Speaker 4>it's like she's in love with her friend, they find

1:16:38.240 --> 1:16:40.600
<v Speaker 4>out and then they just have to sort of continue

1:16:40.640 --> 1:16:41.400
<v Speaker 4>being friends.

1:16:42.120 --> 1:16:43.080
<v Speaker 5>And I was.

1:16:43.200 --> 1:16:45.400
<v Speaker 4>I guess I was like more curious about what her

1:16:45.479 --> 1:16:48.880
<v Speaker 4>emotional journey was if the limitations on this movie are

1:16:48.920 --> 1:16:52.160
<v Speaker 4>like we only care about like the romantic goals of

1:16:52.200 --> 1:16:55.439
<v Speaker 4>these characters. And I really like Christin Scott Thomas, which

1:16:55.479 --> 1:16:58.040
<v Speaker 4>is maybe a part of it. But yeah, I don't know.

1:16:58.080 --> 1:17:00.400
<v Speaker 4>I just thought, like, that's an interesting character who we

1:17:00.800 --> 1:17:05.600
<v Speaker 4>only really scratch the surface of. Poor Henrietta is just

1:17:06.920 --> 1:17:10.880
<v Speaker 4>like the subject of fat jokes, appears to have an

1:17:10.920 --> 1:17:14.320
<v Speaker 4>active eating disorder. It seemed to be in a like

1:17:14.880 --> 1:17:18.080
<v Speaker 4>really emotional like I think she's basically made out to

1:17:18.080 --> 1:17:21.800
<v Speaker 4>be hysterical at multiple points for sure the plot. And

1:17:21.880 --> 1:17:25.240
<v Speaker 4>so I think by the time that Charles marries her

1:17:25.240 --> 1:17:27.919
<v Speaker 4>and breaks her heart, sure she gets the like nineties

1:17:28.000 --> 1:17:31.080
<v Speaker 4>girl power punch, but I don't I think by then

1:17:31.200 --> 1:17:33.880
<v Speaker 4>we've kind of been conditioned as the audience to like

1:17:34.000 --> 1:17:35.719
<v Speaker 4>dismiss her and not care.

1:17:35.680 --> 1:17:38.680
<v Speaker 2>We are rooting against them getting married, against them.

1:17:38.760 --> 1:17:41.599
<v Speaker 4>Yeah, we're not necessarily rooting against her, which is why

1:17:41.640 --> 1:17:43.880
<v Speaker 4>she gets the punch in But I just I don't know.

1:17:43.960 --> 1:17:47.120
<v Speaker 2>That just bummed me. It bummed me out, Yeah, for sure.

1:17:47.160 --> 1:17:50.519
<v Speaker 2>And then Scarlett was a character who I'm like, she's

1:17:50.840 --> 1:17:54.640
<v Speaker 2>she seems fun, she's quirky. There's a weird scene. I

1:17:54.640 --> 1:17:58.679
<v Speaker 2>think it's the second wedding. She's a bridesmaid and part

1:17:58.680 --> 1:18:00.840
<v Speaker 2>of her dress, like the back of her dress is

1:18:00.880 --> 1:18:04.439
<v Speaker 2>open and it exposes her underwear. And I kept thinking, Oh,

1:18:04.479 --> 1:18:07.200
<v Speaker 2>this is gonna be a big moment where someone notices

1:18:07.240 --> 1:18:10.320
<v Speaker 2>it and starts laughing and she's super embarrassed and it

1:18:11.120 --> 1:18:15.400
<v Speaker 2>humiliates the bride or something. But then nothing happens. It

1:18:15.479 --> 1:18:17.120
<v Speaker 2>just cuts to the next scene.

1:18:17.920 --> 1:18:20.160
<v Speaker 3>Which is funny because when she loses her like bo

1:18:20.360 --> 1:18:22.200
<v Speaker 3>on her dress, he does say, don't worry, no one

1:18:22.200 --> 1:18:23.960
<v Speaker 3>will notice that. Clearly they did.

1:18:23.800 --> 1:18:26.600
<v Speaker 2>It, and they didn't even though her whole ass was

1:18:26.640 --> 1:18:29.400
<v Speaker 2>hanging out. Yeah, whoa wild.

1:18:29.800 --> 1:18:33.320
<v Speaker 3>She's a great character. I think she's fun.

1:18:33.560 --> 1:18:37.000
<v Speaker 2>I thought she was super fun. She does surprise kiss

1:18:37.000 --> 1:18:39.960
<v Speaker 2>a man and then say, don't let me drink too much.

1:18:39.960 --> 1:18:44.120
<v Speaker 2>I'll get really flirty.

1:18:42.840 --> 1:18:45.559
<v Speaker 4>Kate, I'm gonna hear you out. I liked Scarlet too.

1:18:45.800 --> 1:18:49.120
<v Speaker 4>I thought she was the most like visually distinct, like

1:18:49.160 --> 1:18:51.880
<v Speaker 4>she had style, she had like I liked her.

1:18:52.640 --> 1:18:56.120
<v Speaker 3>She felt like she didn't fit in their rich friendship group,

1:18:56.240 --> 1:18:58.200
<v Speaker 3>the rich person friendship group, like I don't think she

1:18:58.240 --> 1:19:01.519
<v Speaker 3>made sense there, And so the impression I got was

1:19:01.520 --> 1:19:04.240
<v Speaker 3>that she was like Charles's housemaid. But I like that

1:19:04.320 --> 1:19:09.280
<v Speaker 3>she's like under the table telling this like child who there. Yeah,

1:19:09.320 --> 1:19:12.320
<v Speaker 3>there's like a child she's telling who She's like the

1:19:12.400 --> 1:19:15.280
<v Speaker 3>men I like, I like, they bonk me and then

1:19:15.280 --> 1:19:17.840
<v Speaker 3>they leave me. And then the men that like me,

1:19:19.040 --> 1:19:20.680
<v Speaker 3>I think a dweebs and I can't be bothered to

1:19:20.720 --> 1:19:22.280
<v Speaker 3>bonk them. And she's sort of having this really adult

1:19:22.320 --> 1:19:25.760
<v Speaker 3>conversation with the child under the table, which I really

1:19:25.800 --> 1:19:27.680
<v Speaker 3>enjoy it. And then she's also the closest person we

1:19:27.760 --> 1:19:29.680
<v Speaker 3>get to someone who having a job because she goes

1:19:29.720 --> 1:19:33.960
<v Speaker 3>for a job interview at some sort of social store.

1:19:34.479 --> 1:19:38.720
<v Speaker 3>Yeah that sells like latex PVC, like a.

1:19:38.840 --> 1:19:41.160
<v Speaker 5>Very nineties way of describing a sex story.

1:19:41.160 --> 1:19:43.400
<v Speaker 4>Be So first I was like it's a what and

1:19:43.439 --> 1:19:45.840
<v Speaker 4>then you're like, oh, okay, I guess that she's just

1:19:45.880 --> 1:19:47.000
<v Speaker 4>being British about.

1:19:46.760 --> 1:19:52.360
<v Speaker 3>It, called spanks, and so she we know that like

1:19:52.439 --> 1:19:57.439
<v Speaker 3>she at least looks to earn her money, which maybe

1:19:57.479 --> 1:19:58.880
<v Speaker 3>the other these other people in the film, I don't

1:19:58.920 --> 1:20:01.400
<v Speaker 3>get the impression they seem to earn money or need

1:20:01.439 --> 1:20:02.200
<v Speaker 3>to earn money.

1:20:02.320 --> 1:20:03.640
<v Speaker 5>Yeah, I guess it's just like I I.

1:20:04.640 --> 1:20:07.280
<v Speaker 4>The more we talk about this, like the nebulous nature

1:20:07.320 --> 1:20:10.160
<v Speaker 4>of this friend group, like I just needed like a

1:20:10.200 --> 1:20:13.599
<v Speaker 4>big chill kind of framing device. Just tell me they're

1:20:13.640 --> 1:20:15.880
<v Speaker 4>friends from childhood, they went to school together.

1:20:16.000 --> 1:20:20.160
<v Speaker 3>Give me something just to push people friends.

1:20:20.720 --> 1:20:22.519
<v Speaker 4>I mean, I guess I just don't care about that,

1:20:22.640 --> 1:20:25.400
<v Speaker 4>and maybe that's a barrier to entry with this movie.

1:20:25.439 --> 1:20:29.600
<v Speaker 4>I'm like, Oh, I don't know, Scarlette's too cool for

1:20:29.640 --> 1:20:30.040
<v Speaker 4>the movie.

1:20:30.120 --> 1:20:33.479
<v Speaker 3>I agree, Yeah, she's really cool and she seems like

1:20:33.520 --> 1:20:36.639
<v Speaker 3>the most normal. I think there's a class thing where

1:20:37.720 --> 1:20:43.080
<v Speaker 3>going on, and it's certain likely exemplified by the creepy

1:20:43.120 --> 1:20:47.439
<v Speaker 3>man that's chasing Carrie in the beginning, because there's a

1:20:47.439 --> 1:20:52.120
<v Speaker 3>bit when they're sat at the Boatman Pub and he's like,

1:20:52.479 --> 1:20:55.080
<v Speaker 3>how did you know the guy? Like how do you

1:20:55.120 --> 1:20:57.800
<v Speaker 3>know the guy who's wedding? It was Angus? He's like, oh,

1:20:57.840 --> 1:20:59.800
<v Speaker 3>from university and he's like, oh, I knew him from

1:20:59.800 --> 1:21:04.160
<v Speaker 3>s school. His brother buggered me senseless, which is quite

1:21:04.200 --> 1:21:06.360
<v Speaker 3>an insane thing to have in a movie that I

1:21:06.400 --> 1:21:09.800
<v Speaker 3>don't think is like very highly rated, but like, do

1:21:09.840 --> 1:21:13.680
<v Speaker 3>you know are you familiar with no? No? Is?

1:21:13.720 --> 1:21:15.440
<v Speaker 2>It like was he being sexually assaulted.

1:21:16.080 --> 1:21:21.400
<v Speaker 3>Yes, so buggering in a British private school what we

1:21:21.479 --> 1:21:25.000
<v Speaker 3>call the public schools because that's what they were historically called,

1:21:25.720 --> 1:21:29.000
<v Speaker 3>but like in a British boarding school is when the

1:21:29.120 --> 1:21:32.639
<v Speaker 3>older kids sexually assault the younger ones.

1:21:32.840 --> 1:21:35.160
<v Speaker 2>I've heard of this as a thing that happens very

1:21:35.240 --> 1:21:36.599
<v Speaker 2>commonly in British schools.

1:21:36.680 --> 1:21:40.519
<v Speaker 3>Yeah, and it's kind of so normalized and accepted in

1:21:40.560 --> 1:21:44.360
<v Speaker 3>our culture that this thing happens that you can throw

1:21:44.400 --> 1:21:48.400
<v Speaker 3>it in a movie with like no, I don't know,

1:21:48.760 --> 1:21:52.000
<v Speaker 3>like nothing around it, no summer, and no real acknowledgment

1:21:52.040 --> 1:21:54.080
<v Speaker 3>that this man has probably been through something like.

1:21:54.080 --> 1:21:55.040
<v Speaker 2>A throwaway joke.

1:21:55.160 --> 1:21:58.360
<v Speaker 3>Almost Yeah, that's like a throwaway joke. And I find that,

1:21:58.479 --> 1:22:01.040
<v Speaker 3>like I don't know, kind of really interesting that in

1:22:01.040 --> 1:22:03.160
<v Speaker 3>one of our biggest movies, everyone's like, yeah, sure that

1:22:03.439 --> 1:22:06.160
<v Speaker 3>just like someone said that, and then we just it's

1:22:06.200 --> 1:22:07.280
<v Speaker 3>nothing to do with anything.

1:22:07.960 --> 1:22:08.920
<v Speaker 2>Yeah, right.

1:22:09.080 --> 1:22:12.559
<v Speaker 4>There's also I was curious if either of you picked

1:22:12.640 --> 1:22:19.360
<v Speaker 4>up on this of in Carrie's list, there's like one

1:22:19.400 --> 1:22:22.439
<v Speaker 4>person who I thought it was maybe referencing an assault.

1:22:23.560 --> 1:22:26.320
<v Speaker 4>I believe it was number eleven, and I think it

1:22:26.360 --> 1:22:29.360
<v Speaker 4>was like some sort of distancing phrase of like an

1:22:29.520 --> 1:22:33.240
<v Speaker 4>unpleasant surprise or like there's a there's a bizarre turn

1:22:33.320 --> 1:22:37.240
<v Speaker 4>of phrase that I was like, is this nineties distancing

1:22:37.320 --> 1:22:41.439
<v Speaker 4>talk for like an assault that she didn't yet kind

1:22:41.439 --> 1:22:45.120
<v Speaker 4>of view as an assault. Yeah, there's a few things

1:22:45.120 --> 1:22:48.160
<v Speaker 4>that feel extremely of the time, and Kate, Yeah, I

1:22:48.160 --> 1:22:50.960
<v Speaker 4>didn't even have the language to pick up on that.

1:22:50.960 --> 1:22:51.879
<v Speaker 5>That's wild.

1:22:52.439 --> 1:22:54.880
<v Speaker 3>I think that's the thing, Like, like I get that

1:22:54.920 --> 1:22:57.080
<v Speaker 3>they're all right, I think, but that situates for me

1:22:57.120 --> 1:23:01.800
<v Speaker 3>that they're all incredibly posh people, and posh people don't

1:23:01.840 --> 1:23:05.200
<v Speaker 3>necessarily need jobs, and that's why they've got time to

1:23:05.200 --> 1:23:07.760
<v Speaker 3>go to like sixty five weddings, Like I don't know

1:23:07.760 --> 1:23:10.840
<v Speaker 3>anyone who's got the time to do that more than right,

1:23:11.280 --> 1:23:14.639
<v Speaker 3>And that's why they don't have personalities, because you don't

1:23:14.640 --> 1:23:16.880
<v Speaker 3>need a personality if you've been born into money.

1:23:18.680 --> 1:23:20.599
<v Speaker 2>Wow, bleak but true.

1:23:21.240 --> 1:23:23.280
<v Speaker 4>I was like, Wow, a moment of silence for that.

1:23:24.800 --> 1:23:25.080
<v Speaker 5>God.

1:23:25.479 --> 1:23:30.599
<v Speaker 2>Yes, I mean also worth noting that this is a

1:23:31.040 --> 1:23:36.880
<v Speaker 2>profoundly white yes movie. Yeah, every one everywhere, in all

1:23:36.920 --> 1:23:40.200
<v Speaker 2>of the scenes, at all the weddings and the funeral

1:23:40.600 --> 1:23:44.200
<v Speaker 2>and that are taking place in and around London. Yeah,

1:23:44.240 --> 1:23:45.599
<v Speaker 2>every single person is white.

1:23:46.040 --> 1:23:48.719
<v Speaker 3>Yes, there is one black person in the whole movie,

1:23:48.720 --> 1:23:50.880
<v Speaker 3>and it's just at the funeral, and it's just a

1:23:50.920 --> 1:23:53.040
<v Speaker 3>cut to his face and he's doing a sort of

1:23:53.120 --> 1:23:58.160
<v Speaker 3>pensive smile and that's it. And my mother's like, I

1:23:58.200 --> 1:24:00.479
<v Speaker 3>love that black guy. And I'm like, sure.

1:24:02.920 --> 1:24:06.920
<v Speaker 4>Representation when I guess we don't know any less about

1:24:06.960 --> 1:24:11.240
<v Speaker 4>him than we do anyone else in so it doesn't Lastly,

1:24:11.560 --> 1:24:14.400
<v Speaker 4>if he likes sex, then we know the same amount

1:24:14.400 --> 1:24:14.960
<v Speaker 4>about him a.

1:24:14.960 --> 1:24:16.000
<v Speaker 5>Sweet about everybody else.

1:24:16.280 --> 1:24:18.360
<v Speaker 4>But yeah, I also picked up on that shot where

1:24:18.400 --> 1:24:20.800
<v Speaker 4>you were like, and it's also in the eleventh hour

1:24:20.960 --> 1:24:22.360
<v Speaker 4>of the movie, at.

1:24:22.240 --> 1:24:23.240
<v Speaker 2>The very end.

1:24:23.680 --> 1:24:26.920
<v Speaker 3>Yes, they're like, there's this black guy. He's also here.

1:24:27.520 --> 1:24:33.040
<v Speaker 2>Don't worry, right, I want to talk about David Charles's brother.

1:24:33.960 --> 1:24:37.640
<v Speaker 2>He is deaf. It did take me a while to

1:24:37.800 --> 1:24:42.200
<v Speaker 2>figure out who he was to everyone, and.

1:24:42.520 --> 1:24:44.519
<v Speaker 4>Yeah, which is I did at least in step with

1:24:44.720 --> 1:24:46.640
<v Speaker 4>the rest of the movie where it does take you

1:24:46.680 --> 1:24:48.960
<v Speaker 4>a while. It took me a while to figure out

1:24:48.960 --> 1:24:51.360
<v Speaker 4>that they were brothers, right.

1:24:51.360 --> 1:24:53.479
<v Speaker 3>They says so early on in the film that brother

1:24:54.080 --> 1:24:54.439
<v Speaker 3>they do.

1:24:54.520 --> 1:24:57.000
<v Speaker 2>But if you turn your head for one second, which

1:24:57.080 --> 1:25:00.040
<v Speaker 2>I did quite often watching this movie because I I

1:25:00.240 --> 1:25:03.680
<v Speaker 2>just kept checking out, you miss that, and it's not

1:25:03.800 --> 1:25:06.760
<v Speaker 2>until about halfway through the movie where Charles goes to

1:25:06.920 --> 1:25:10.519
<v Speaker 2>meet up with him and then promptly abandon him, but

1:25:10.560 --> 1:25:14.240
<v Speaker 2>that you actually realize, oh, like, okay, these are the brothers.

1:25:14.360 --> 1:25:18.839
<v Speaker 2>Here's the situation. Anyway, So he is he's a deaf character.

1:25:19.280 --> 1:25:23.439
<v Speaker 2>He is played by a deaf actor, David Bauer. He

1:25:23.560 --> 1:25:27.280
<v Speaker 2>studied at the British Theater of the Deaf. I want

1:25:27.280 --> 1:25:30.360
<v Speaker 2>to share a quote from him from a BBC interview

1:25:30.600 --> 1:25:35.759
<v Speaker 2>in twenty ten about this movie. He said, quote, Richard

1:25:35.840 --> 1:25:39.240
<v Speaker 2>Curtis wanted an actor who was actually deaf in real

1:25:39.280 --> 1:25:43.840
<v Speaker 2>life to play that role, which I think was particularly enlightened.

1:25:44.400 --> 1:25:47.479
<v Speaker 2>People ask me why I gave up film acting. I

1:25:47.479 --> 1:25:50.160
<v Speaker 2>didn't give it up. I just couldn't find the parts.

1:25:50.360 --> 1:25:52.719
<v Speaker 2>I'm hoping that one day deaf actors will be able

1:25:52.760 --> 1:25:57.120
<v Speaker 2>to play all kinds of parts, not just deaf people. Unquote,

1:25:57.680 --> 1:26:00.240
<v Speaker 2>which speaks to a conversation we've had many many times

1:26:00.240 --> 1:26:04.640
<v Speaker 2>on the show before as far as disability representation. Oftentimes

1:26:04.680 --> 1:26:08.439
<v Speaker 2>a disabled character will be played by an able bodied actor,

1:26:09.200 --> 1:26:13.040
<v Speaker 2>you know, and all the problems inherent in that. So

1:26:13.240 --> 1:26:17.120
<v Speaker 2>I was encouraged by the fact that he does have

1:26:17.160 --> 1:26:23.040
<v Speaker 2>a few important moments in the movie, particularly at Charles's wedding,

1:26:23.640 --> 1:26:26.599
<v Speaker 2>where he's the catalyst to putting an end to it

1:26:26.640 --> 1:26:30.120
<v Speaker 2>and kind of saving these two characters from a marriage

1:26:30.120 --> 1:26:32.439
<v Speaker 2>that would have been absolutely miserable for both of them.

1:26:32.760 --> 1:26:35.400
<v Speaker 4>But still, I mean still firmly a side character which

1:26:35.439 --> 1:26:38.559
<v Speaker 4>is not shock. I was reminded of the conversation we

1:26:38.680 --> 1:26:44.440
<v Speaker 4>had around the holidays last year around actor Tyrone Giordano,

1:26:44.560 --> 1:26:48.679
<v Speaker 4>who write plays I had to look it up because

1:26:48.680 --> 1:26:51.600
<v Speaker 4>I do not remember the name of the characters in

1:26:51.640 --> 1:26:57.040
<v Speaker 4>the family Stone, but he played Tadstone of courd Who

1:26:57.080 --> 1:27:01.040
<v Speaker 4>can forget that the character's name of tad Stone. But

1:27:01.360 --> 1:27:03.240
<v Speaker 4>a similar a movie that came out ten years later

1:27:03.400 --> 1:27:07.320
<v Speaker 4>with you know, kind of a similar trajectory for the actor,

1:27:07.360 --> 1:27:09.280
<v Speaker 4>where it was a deaf character played by a deaf

1:27:09.320 --> 1:27:13.560
<v Speaker 4>actor who did not go on to work as extensively

1:27:13.680 --> 1:27:17.760
<v Speaker 4>as he deserved to. Yeah, so I'm just tacking that

1:27:17.840 --> 1:27:21.719
<v Speaker 4>on that ten years passed in that did not improve,

1:27:21.840 --> 1:27:24.840
<v Speaker 4>but also in nineteen ninety four, it's that's a great

1:27:24.880 --> 1:27:27.080
<v Speaker 4>precedent to set and I think one of the other

1:27:27.200 --> 1:27:29.839
<v Speaker 4>kind of more subversive elements of this of this movie.

1:27:30.120 --> 1:27:32.599
<v Speaker 3>I think it's so sweet as well that that woman like, well,

1:27:32.640 --> 1:27:35.200
<v Speaker 3>she basically decides she thinks he's fit and then decides

1:27:35.240 --> 1:27:39.040
<v Speaker 3>to learn sign language for him and then signs everything

1:27:39.200 --> 1:27:41.640
<v Speaker 3>wrong a little bit. And that's quite funny.

1:27:41.880 --> 1:27:44.559
<v Speaker 2>Which is again every single relationship in this movie where

1:27:44.600 --> 1:27:46.880
<v Speaker 2>someone's like, oh, that person's hot, let me see if

1:27:46.880 --> 1:27:49.719
<v Speaker 2>I can go have sex with them. Yeah, So it's

1:27:49.720 --> 1:27:52.759
<v Speaker 2>not even cool to step with the rest of the movie.

1:27:52.880 --> 1:27:54.920
<v Speaker 2>But I was really I thought it was like, really

1:27:55.720 --> 1:28:01.120
<v Speaker 2>encouraging to see a non disabled character put in effort

1:28:01.560 --> 1:28:04.640
<v Speaker 2>to learn a language so that they could communicate with

1:28:04.720 --> 1:28:07.519
<v Speaker 2>a disabled character and then have that work out great

1:28:07.560 --> 1:28:10.080
<v Speaker 2>for them because they seem to fall in love and

1:28:10.120 --> 1:28:10.599
<v Speaker 2>get married.

1:28:10.880 --> 1:28:13.840
<v Speaker 4>Yeah, and that like it was. It's just presented. I

1:28:13.840 --> 1:28:17.280
<v Speaker 4>think similarly in the way that I like how Carrie's

1:28:17.680 --> 1:28:21.120
<v Speaker 4>attitudes towards sex for pleasure is presented. It's very matter

1:28:21.160 --> 1:28:23.280
<v Speaker 4>of factly. The movie kind of doesn't comment on it.

1:28:23.280 --> 1:28:25.880
<v Speaker 5>It just is. I like that.

1:28:26.240 --> 1:28:26.800
<v Speaker 2>Yeah.

1:28:26.840 --> 1:28:30.440
<v Speaker 3>How did you feel about the comments about Americans?

1:28:31.200 --> 1:28:32.920
<v Speaker 2>Oh, oh, I don't hear about that.

1:28:33.720 --> 1:28:34.200
<v Speaker 5>I agree.

1:28:35.200 --> 1:28:38.360
<v Speaker 3>Yeah, that's the thing is if you talk to Americans,

1:28:38.360 --> 1:28:42.160
<v Speaker 3>they're like no, no, correct, Yeah, that is how it is.

1:28:42.640 --> 1:28:45.120
<v Speaker 3>I don't know, because there was quite a lot of like, well,

1:28:45.200 --> 1:28:49.360
<v Speaker 3>when Scarlett falls in love with Chester and seemingly she

1:28:49.439 --> 1:28:53.840
<v Speaker 3>just falls in love because he says his name's read right,

1:28:53.920 --> 1:28:56.080
<v Speaker 3>and then she laughs at that for ages, and then

1:28:56.080 --> 1:28:57.400
<v Speaker 3>she's like, wow, I'm in love with him.

1:28:57.439 --> 1:29:01.639
<v Speaker 2>Basically there's a gun with a wind referenced and she's like, wow,

1:29:01.920 --> 1:29:02.920
<v Speaker 2>we're in love now.

1:29:03.320 --> 1:29:07.160
<v Speaker 4>So like, yeah, when when British people are bullying American people,

1:29:07.200 --> 1:29:10.400
<v Speaker 4>I'm like, it's colonizers bullying colonizers. You're like, it's it's

1:29:10.439 --> 1:29:14.080
<v Speaker 4>it's like neutral, it's neutral whatever. Yeah, yeah, we all

1:29:14.120 --> 1:29:15.960
<v Speaker 4>wear cowboy hats whatever, cheerio.

1:29:16.479 --> 1:29:20.080
<v Speaker 3>But maybe that depends on which American people were talking about,

1:29:20.680 --> 1:29:22.080
<v Speaker 3>So we have to be sure.

1:29:22.280 --> 1:29:24.920
<v Speaker 2>I mean, I guess anyone who's like proud to be

1:29:25.040 --> 1:29:28.680
<v Speaker 2>an American would take offense to Yeah, the jokes in

1:29:28.720 --> 1:29:29.599
<v Speaker 2>this movie about that.

1:29:29.600 --> 1:29:32.519
<v Speaker 4>But that's a yeah, I mean, that's a dog whistley.

1:29:32.800 --> 1:29:34.439
<v Speaker 3>But that in itself is a problem.

1:29:34.600 --> 1:29:38.040
<v Speaker 2>Yeah, yes, not to keep beating the dead horse of

1:29:38.160 --> 1:29:43.519
<v Speaker 2>the of the maybe joke that Carrie does in the

1:29:43.600 --> 1:29:46.680
<v Speaker 2>bedroom where she's like, we had sex, so now we

1:29:46.760 --> 1:29:49.640
<v Speaker 2>have to get engaged and get married. I thought that

1:29:49.720 --> 1:29:55.240
<v Speaker 2>might have been her playing into British people's perception of

1:29:55.320 --> 1:29:59.200
<v Speaker 2>Americans where I don't know, I feel like a lot

1:29:59.200 --> 1:30:02.640
<v Speaker 2>of people think that Americans are really like puritanical when

1:30:02.680 --> 1:30:03.479
<v Speaker 2>it comes to sex.

1:30:03.720 --> 1:30:06.519
<v Speaker 3>Yeah, okay, I think that's why I read it as

1:30:06.600 --> 1:30:09.960
<v Speaker 3>not a joke. But in okay, for a lot of

1:30:10.040 --> 1:30:14.080
<v Speaker 3>British people, I think we think that Americans are quite

1:30:14.160 --> 1:30:17.120
<v Speaker 3>quick to get married on the whole, Like there's a

1:30:17.200 --> 1:30:23.000
<v Speaker 3>kind of cultural thing around it that like Americans would

1:30:23.200 --> 1:30:25.679
<v Speaker 3>want to get engaged after set.

1:30:25.760 --> 1:30:29.080
<v Speaker 4>But that's like, but everyone in this movie gets married

1:30:29.080 --> 1:30:32.559
<v Speaker 4>after forty five seconds, So it's kind of like he's

1:30:32.680 --> 1:30:33.960
<v Speaker 4>casting stones here.

1:30:34.560 --> 1:30:35.960
<v Speaker 2>They're like, no, you're doing that.

1:30:36.320 --> 1:30:38.799
<v Speaker 4>But also meanwhile, everyone's getting married after three.

1:30:38.640 --> 1:30:42.960
<v Speaker 2>Months in this movie. Truly, I think that she is

1:30:43.000 --> 1:30:47.160
<v Speaker 2>aware of that perception of Americans and played on it

1:30:47.200 --> 1:30:49.679
<v Speaker 2>and made that joke. That's how I interpreted it.

1:30:49.880 --> 1:30:52.639
<v Speaker 3>I think they don't even haven't even thought this through,

1:30:52.640 --> 1:30:55.160
<v Speaker 3>and we're giving it so much depth, and I love

1:30:55.240 --> 1:30:59.120
<v Speaker 3>that We're like, we're giving this woman like this is

1:30:59.160 --> 1:31:02.879
<v Speaker 3>a really clever joke to make or something. But actually

1:31:03.479 --> 1:31:06.360
<v Speaker 3>I don't know if at any point they thought this through.

1:31:06.680 --> 1:31:10.840
<v Speaker 2>Yeah, perhaps not. I will say that this is a

1:31:10.960 --> 1:31:16.160
<v Speaker 2>rare case of a woman co lead being paid more

1:31:17.000 --> 1:31:20.200
<v Speaker 2>than the man even though she has less screen time.

1:31:20.240 --> 1:31:22.320
<v Speaker 2>And I think it's just because Anty McDowell was more

1:31:22.479 --> 1:31:25.280
<v Speaker 2>famous than Hugh Grant at the time. But she was

1:31:25.360 --> 1:31:28.840
<v Speaker 2>paid two hundred and fifty thousand dollars up front, while

1:31:28.960 --> 1:31:34.800
<v Speaker 2>Hugh Grant was paid thirty five thousand British pounds, which

1:31:34.840 --> 1:31:37.599
<v Speaker 2>would have been the equivalent of what like around fifty

1:31:37.680 --> 1:31:41.519
<v Speaker 2>thousand dollars depending on the conversion rate at the time,

1:31:42.000 --> 1:31:44.920
<v Speaker 2>So she was paid almost two hundred thousand dollars more

1:31:44.960 --> 1:31:45.360
<v Speaker 2>than him.

1:31:45.520 --> 1:31:47.599
<v Speaker 3>I'm really happy to hear that she was paid loads

1:31:47.640 --> 1:31:49.839
<v Speaker 3>more for I would say, quite a lot less.

1:31:49.680 --> 1:31:51.800
<v Speaker 2>Work, A lot less work. Yeah, I love that.

1:31:52.000 --> 1:31:52.479
<v Speaker 5>I love that.

1:31:52.560 --> 1:31:57.240
<v Speaker 4>I love Antie McDowell rocks. I wish that they had

1:31:57.280 --> 1:32:01.400
<v Speaker 4>written more of a part for her, but uh, a

1:32:01.439 --> 1:32:04.360
<v Speaker 4>win for Andy McDowell, I feel is a win for

1:32:04.439 --> 1:32:04.760
<v Speaker 4>us all.

1:32:05.040 --> 1:32:09.439
<v Speaker 3>And in terms of like girl Boss feminism, maybe it's

1:32:09.479 --> 1:32:12.760
<v Speaker 3>quite cool that she had a very small part and

1:32:12.880 --> 1:32:15.960
<v Speaker 3>didn't have to do any character study or really act

1:32:16.040 --> 1:32:18.800
<v Speaker 3>all that much and still get more money.

1:32:18.840 --> 1:32:23.160
<v Speaker 4>I kind of I have to agree with you where

1:32:23.200 --> 1:32:26.960
<v Speaker 4>it's like, there are certain times where I I don't know.

1:32:27.040 --> 1:32:30.639
<v Speaker 4>I'm like, well, you know, even if the part isn't great,

1:32:31.320 --> 1:32:34.120
<v Speaker 4>a woman made a shitload of money and she didn't

1:32:34.120 --> 1:32:35.519
<v Speaker 4>even really need to try.

1:32:37.200 --> 1:32:37.920
<v Speaker 5>So there you go.

1:32:38.680 --> 1:32:41.879
<v Speaker 3>Maybe Richard Curtis is the most feminist of us all.

1:32:43.439 --> 1:32:47.800
<v Speaker 2>Feminist icon Richard Curtis. The last very quick thing I

1:32:47.840 --> 1:32:51.000
<v Speaker 2>had in my notes was it seems like there are

1:32:51.000 --> 1:32:55.080
<v Speaker 2>a couple agist jokes about an old man who I

1:32:55.120 --> 1:32:58.960
<v Speaker 2>think makes like two appearances at different weddings, who like,

1:32:59.040 --> 1:33:02.960
<v Speaker 2>we're meant to think that he's quote unquote senile.

1:33:03.680 --> 1:33:04.920
<v Speaker 5>Oh yeah, I'll just say.

1:33:04.920 --> 1:33:06.840
<v Speaker 4>I was like, there were so many nineties tropes present

1:33:06.880 --> 1:33:08.200
<v Speaker 4>that didn't even register for me.

1:33:08.280 --> 1:33:09.720
<v Speaker 5>But you're you are absolutely right.

1:33:10.200 --> 1:33:13.680
<v Speaker 3>I really enjoyed that old man, that he was so funny.

1:33:13.720 --> 1:33:16.519
<v Speaker 2>I like the man, but it's just that, like it's

1:33:16.560 --> 1:33:19.960
<v Speaker 2>problem there's agism at his expense. I do, like, I

1:33:20.000 --> 1:33:22.639
<v Speaker 2>think it's funny when someone says to him, like Brider

1:33:22.720 --> 1:33:25.439
<v Speaker 2>Groom when he's like entering the church and he's like,

1:33:25.640 --> 1:33:28.360
<v Speaker 2>it's perfectly obvious that I'm neither, and I'm like, that's

1:33:28.400 --> 1:33:29.240
<v Speaker 2>actually pretty funny.

1:33:29.320 --> 1:33:29.519
<v Speaker 3>Yeah.

1:33:29.600 --> 1:33:32.160
<v Speaker 4>I don't even know if that's like senility as much

1:33:32.240 --> 1:33:35.880
<v Speaker 4>as like a different, more nebulous trope of like old

1:33:35.960 --> 1:33:39.400
<v Speaker 4>people don't understand what young people are saying.

1:33:39.920 --> 1:33:43.240
<v Speaker 2>Well, I thought it was implied that he's senile, because

1:33:43.360 --> 1:33:46.160
<v Speaker 2>the other time we see him earlier is when Charles

1:33:46.160 --> 1:33:48.880
<v Speaker 2>says like, hello, nice to meet you. I'm Charles, and

1:33:48.880 --> 1:33:52.519
<v Speaker 2>then he goes, no, you're not. Charles died twenty years ago.

1:33:53.200 --> 1:33:54.920
<v Speaker 2>Do you think I don't know my own brother.

1:33:55.640 --> 1:33:58.360
<v Speaker 4>I checked that up to British. I've checked that up

1:33:58.360 --> 1:34:00.559
<v Speaker 4>to I don't know. I was just like, people are

1:34:00.640 --> 1:34:04.479
<v Speaker 4>so weird, like, okay, yeah, I see what you're saying.

1:34:04.640 --> 1:34:05.519
<v Speaker 2>I see what you're saying.

1:34:06.040 --> 1:34:09.400
<v Speaker 3>Yeah. I thought too cracking jokes basic.

1:34:11.479 --> 1:34:13.960
<v Speaker 2>Well, okay, the one thing, the one joke that I

1:34:14.000 --> 1:34:19.639
<v Speaker 2>did think was funny in the entire Sorry, sorry everyone, Sorry,

1:34:19.800 --> 1:34:24.120
<v Speaker 2>you're not sorry. I'm not sorry. Okay. It's at the funeral,

1:34:24.520 --> 1:34:29.040
<v Speaker 2>Charles and Tom are talking about love and relationships and oh,

1:34:29.080 --> 1:34:32.400
<v Speaker 2>well they ever find someone and you know, and then

1:34:32.760 --> 1:34:36.479
<v Speaker 2>Tom says, I just hope to meet a nice woman

1:34:36.600 --> 1:34:40.439
<v Speaker 2>and settle down. It worked for my parents, well apart

1:34:40.439 --> 1:34:45.040
<v Speaker 2>from the divorce. And I'm like, that's pretty funny, but

1:34:45.160 --> 1:34:48.840
<v Speaker 2>otherwise I was struggling.

1:34:48.520 --> 1:34:50.679
<v Speaker 3>Wow, that's so funny. I thought there were so many

1:34:50.760 --> 1:34:52.160
<v Speaker 3>great jokes.

1:34:53.840 --> 1:34:57.320
<v Speaker 2>I maybe I just maybe I just don't get this,

1:34:57.320 --> 1:34:59.599
<v Speaker 2>this brand of British humor.

1:35:01.960 --> 1:35:04.400
<v Speaker 3>Yeah. What about when he accidentally in the beginning is

1:35:04.439 --> 1:35:06.479
<v Speaker 3>like to that guy where he's like, ah, she's no

1:35:06.560 --> 1:35:12.640
<v Speaker 3>longer my girlfriend. Oh and then he's mardon, oh, no worries. Yeah, like,

1:35:12.720 --> 1:35:15.519
<v Speaker 3>no worries. She's was shagging someone else. And then he

1:35:15.640 --> 1:35:17.120
<v Speaker 3>was like, she's now my wife.

1:35:17.360 --> 1:35:19.400
<v Speaker 2>Okay, fine, I was okay with that.

1:35:20.160 --> 1:35:24.080
<v Speaker 5>Yeah, I was like, the women of this world are cheaters.

1:35:24.400 --> 1:35:27.160
<v Speaker 3>The women in this world are like big sluts. But

1:35:27.240 --> 1:35:29.599
<v Speaker 3>everyone's here for it, I think, which is I think

1:35:29.640 --> 1:35:30.440
<v Speaker 3>quite progressive.

1:35:30.760 --> 1:35:35.040
<v Speaker 2>I'd have to agree, Yeah, well does it Does this

1:35:35.160 --> 1:35:39.679
<v Speaker 2>movie pass the Bechdel test? No, No it doesn't. No,

1:35:39.880 --> 1:35:40.439
<v Speaker 2>it doesn't.

1:35:40.720 --> 1:35:44.799
<v Speaker 4>And it's not even close, because, as with most movies

1:35:45.000 --> 1:35:46.479
<v Speaker 4>that there's a few cool.

1:35:46.280 --> 1:35:48.080
<v Speaker 2>Women in that it is written by a man.

1:35:48.479 --> 1:35:53.920
<v Speaker 4>They are like, almost implausibly kept away from each other.

1:35:55.160 --> 1:35:57.280
<v Speaker 2>They are never there.

1:35:57.320 --> 1:36:00.559
<v Speaker 4>There is one that I saw people arguing passing at

1:36:00.560 --> 1:36:04.880
<v Speaker 4>the very beginning, where they are insulting the first bride's

1:36:04.880 --> 1:36:07.519
<v Speaker 4>wedding dress. They say, she looks like I'm arangue. But

1:36:07.600 --> 1:36:10.559
<v Speaker 4>I would say, by our standard, it is not a

1:36:10.600 --> 1:36:13.800
<v Speaker 4>meaningful exchange of dialogue, and it's the only time these

1:36:13.880 --> 1:36:14.479
<v Speaker 4>characters talk.

1:36:14.600 --> 1:36:17.559
<v Speaker 3>So the only conversation I'd noticed that was between two

1:36:17.640 --> 1:36:20.959
<v Speaker 3>people who I think were both women was when Fiona's

1:36:21.000 --> 1:36:25.719
<v Speaker 3>talking to that old lady at the reception of the

1:36:25.880 --> 1:36:30.000
<v Speaker 3>second wedding, and the old lady says, are you married?

1:36:30.080 --> 1:36:32.320
<v Speaker 3>And she says, no, I'm in love with someone, but

1:36:32.400 --> 1:36:33.960
<v Speaker 3>he's not in love with me, and until I get

1:36:33.960 --> 1:36:36.680
<v Speaker 3>over that, and then she says, or like before she

1:36:36.720 --> 1:36:40.479
<v Speaker 3>says that, she says, are you a lesbian? And I

1:36:40.640 --> 1:36:44.080
<v Speaker 3>guess asking someone if they're a lesbian is kind of

1:36:44.080 --> 1:36:46.080
<v Speaker 3>a conversation not about a man.

1:36:46.280 --> 1:36:48.160
<v Speaker 2>I'd agree, yeah, but.

1:36:48.120 --> 1:36:52.080
<v Speaker 3>It lasts for about ten seconds where she says, yeah,

1:36:52.120 --> 1:36:54.519
<v Speaker 3>are you a lesbian? She says, good, greateus. What makes

1:36:54.520 --> 1:36:56.160
<v Speaker 3>you say that? And then she said, it's just a

1:36:56.200 --> 1:36:58.559
<v Speaker 3>more interesting question to ask than like, oh, I'm sorry

1:36:58.600 --> 1:37:01.559
<v Speaker 3>you haven't found the right man, and then she sort

1:37:01.560 --> 1:37:05.400
<v Speaker 3>of reveals that she was a lesbian briefly for fifteen.

1:37:04.640 --> 1:37:07.920
<v Speaker 5>Minutes in Uni Yes, yeah, which is yeah.

1:37:07.960 --> 1:37:12.639
<v Speaker 4>Obviously her progressive way of that was how people talked

1:37:12.640 --> 1:37:15.400
<v Speaker 4>about it in the ninety shore. Yeah, we already talked

1:37:15.400 --> 1:37:20.760
<v Speaker 4>about how queerness is and isn't portrayed in this You know,

1:37:20.840 --> 1:37:22.400
<v Speaker 4>there are so many things that I'm like, oh, yeah,

1:37:22.400 --> 1:37:24.479
<v Speaker 4>that actually is a Bechtel cast thing to talk about.

1:37:24.600 --> 1:37:26.560
<v Speaker 5>And I just my eyes were glazed.

1:37:27.960 --> 1:37:29.599
<v Speaker 2>I know, I'm sure we're missing stuff.

1:37:29.720 --> 1:37:33.800
<v Speaker 5>Sorry, we're being such haters. Sorry to the UK because.

1:37:35.160 --> 1:37:37.160
<v Speaker 3>And you should be sorry. This is a national film.

1:37:38.560 --> 1:37:40.080
<v Speaker 2>I mean, it is wild how.

1:37:41.720 --> 1:37:43.400
<v Speaker 4>It is like one of those things where it's like

1:37:43.439 --> 1:37:46.240
<v Speaker 4>I know that people in the US have obviously a

1:37:46.240 --> 1:37:47.800
<v Speaker 4>lot of people have seen and liked it, but it

1:37:47.880 --> 1:37:50.479
<v Speaker 4>is just like not a classic in the way that

1:37:50.560 --> 1:37:51.439
<v Speaker 4>it is in the UK.

1:37:51.920 --> 1:37:54.480
<v Speaker 3>It feels like such a classic from my childhood.

1:37:54.560 --> 1:37:58.400
<v Speaker 4>Yeah, but it's unfortunately for the UK, does not pass

1:37:58.439 --> 1:37:59.880
<v Speaker 4>the Bechtel test by our.

1:38:01.439 --> 1:38:04.559
<v Speaker 2>True But what about our nipple scale, where we create

1:38:04.640 --> 1:38:08.880
<v Speaker 2>the movie on a scale of zero zero to five nipples,

1:38:08.960 --> 1:38:12.800
<v Speaker 2>examining it through an intersectional feminist lens. I'll give it

1:38:13.520 --> 1:38:18.760
<v Speaker 2>one nibble, maybe even one and a half for a

1:38:18.800 --> 1:38:22.080
<v Speaker 2>few of the things we talked about. The movie is

1:38:22.160 --> 1:38:29.360
<v Speaker 2>allowing women to be sexually open and interested and just

1:38:29.439 --> 1:38:31.639
<v Speaker 2>having sex with a bunch of people in the movies,

1:38:31.720 --> 1:38:35.840
<v Speaker 2>not judging them for that it has. And again this

1:38:36.000 --> 1:38:38.759
<v Speaker 2>is like Crumbs, but it's it has a deaf character

1:38:38.960 --> 1:38:43.040
<v Speaker 2>played by a deaf actor. It has a queer relationship

1:38:43.120 --> 1:38:48.240
<v Speaker 2>that reflects that I think, like realistically reflects how it

1:38:48.520 --> 1:38:52.240
<v Speaker 2>could have been at the time where they were in

1:38:52.280 --> 1:38:56.320
<v Speaker 2>the closet, even to their closest friends. But when it

1:38:56.400 --> 1:39:00.800
<v Speaker 2>is revealed that they were in a queer relationship, their

1:39:00.840 --> 1:39:04.160
<v Speaker 2>friends still seem to be supportive. But it also does

1:39:04.200 --> 1:39:07.280
<v Speaker 2>the bury your gaye trope by killing one of the

1:39:07.280 --> 1:39:10.360
<v Speaker 2>two queer characters. So so I'm going to take it

1:39:10.400 --> 1:39:15.400
<v Speaker 2>down to one nipple. Again, such an aggressively white movie,

1:39:15.720 --> 1:39:23.080
<v Speaker 2>no racial diversity whatsoever. The smiles but sorry, sorry, sorry, yes,

1:39:23.200 --> 1:39:28.559
<v Speaker 2>don't erase him. Yeah, my apologies. Yeah, one nipple. I'll

1:39:28.600 --> 1:39:33.000
<v Speaker 2>give it to Scarlet because I would have liked more

1:39:33.000 --> 1:39:34.280
<v Speaker 2>of the movie to be about her.

1:39:34.840 --> 1:39:37.880
<v Speaker 4>Yeah, I'll meet you. I'll meet you at like one

1:39:37.960 --> 1:39:40.560
<v Speaker 4>point two five.

1:39:40.760 --> 1:39:41.320
<v Speaker 5>I don't know.

1:39:42.720 --> 1:39:44.639
<v Speaker 4>Yeah, I do think that this movie, Like, I don't

1:39:44.640 --> 1:39:46.840
<v Speaker 4>want to take away the things that this movie does

1:39:46.840 --> 1:39:50.559
<v Speaker 4>that are genuinely subversive and interesting for their time, having

1:39:50.600 --> 1:39:53.120
<v Speaker 4>a woman who has sex for pleasure and a sex positive,

1:39:53.640 --> 1:39:57.839
<v Speaker 4>having a gay couple that is not just heavily coded

1:39:57.880 --> 1:40:00.160
<v Speaker 4>as we're so used to seeing in the nineties, or

1:40:00.280 --> 1:40:04.320
<v Speaker 4>as like primarily a sassy sidekick. Although the barrier gaze

1:40:04.360 --> 1:40:08.840
<v Speaker 4>thing really really really bothers me in this movie, I

1:40:08.920 --> 1:40:10.360
<v Speaker 4>was like, oh, the funeral, I.

1:40:10.400 --> 1:40:11.439
<v Speaker 5>Just know it. I just know it.

1:40:11.479 --> 1:40:15.759
<v Speaker 4>And sure enough, and yeah, I think every we've basically

1:40:15.840 --> 1:40:18.840
<v Speaker 4>discussed everything. So I'm going to give it one point

1:40:18.840 --> 1:40:22.519
<v Speaker 4>twenty five and I'm going to give them to my

1:40:22.880 --> 1:40:24.760
<v Speaker 4>friend Andy McDowell.

1:40:25.000 --> 1:40:25.880
<v Speaker 5>I love her smile.

1:40:26.439 --> 1:40:28.120
<v Speaker 2>Hmm, Kate, how about you.

1:40:28.560 --> 1:40:32.760
<v Speaker 3>I think i'd give it too, on the grounds that

1:40:33.120 --> 1:40:37.719
<v Speaker 3>I think actually the only characters that really show any

1:40:38.560 --> 1:40:42.200
<v Speaker 3>deeper feeling other than like, I married this person because

1:40:42.200 --> 1:40:48.160
<v Speaker 3>they bang good were the gay characters, because like that,

1:40:48.680 --> 1:40:51.840
<v Speaker 3>the heartbreak of that funeral, I think is really poignant,

1:40:51.880 --> 1:40:53.640
<v Speaker 3>and I think it's sort of like it's revealed at

1:40:53.640 --> 1:40:55.920
<v Speaker 3>the same time it' suddenly revealed that these people were

1:40:55.920 --> 1:40:58.479
<v Speaker 3>in love, and I think that's quite I do think

1:40:58.520 --> 1:41:00.439
<v Speaker 3>that was probably quite a progressive thing to do for

1:41:00.600 --> 1:41:04.800
<v Speaker 3>that society in nineteen ninety four Britain, for sure, and

1:41:04.840 --> 1:41:10.879
<v Speaker 3>I think that is really good. And then the second nipple,

1:41:11.240 --> 1:41:14.240
<v Speaker 3>I think is for I just love the fact that

1:41:14.240 --> 1:41:17.240
<v Speaker 3>Annie McDowell got paid so much money to basically do

1:41:17.680 --> 1:41:22.040
<v Speaker 3>bugger all and I'm really here for that. And once

1:41:22.080 --> 1:41:25.280
<v Speaker 3>I knew that, I'm like, Okay, great work. I'd like

1:41:25.320 --> 1:41:28.880
<v Speaker 3>to see more. I'd like to see more representation of

1:41:28.920 --> 1:41:33.000
<v Speaker 3>people that don't seemingly have jobs, including the actors. I'd

1:41:33.040 --> 1:41:36.120
<v Speaker 3>like that. I want people to have money, zero work,

1:41:36.360 --> 1:41:40.720
<v Speaker 3>and that feels, you know, progressive and good and socialist.

1:41:40.800 --> 1:41:44.480
<v Speaker 2>Maybe maybebe this is a socialist.

1:41:45.400 --> 1:41:49.360
<v Speaker 3>It's actually a communist film, and it's hard to see

1:41:49.479 --> 1:41:52.320
<v Speaker 3>because they're all so posh and they're all like seemingly

1:41:52.439 --> 1:41:56.360
<v Speaker 3>landed gentry, but no one has a job.

1:41:57.360 --> 1:41:59.799
<v Speaker 2>A communist movie about the bourgeois class.

1:42:01.200 --> 1:42:02.920
<v Speaker 3>Yeah, kind of, I guess.

1:42:05.520 --> 1:42:07.000
<v Speaker 2>Oh gosh, nipples.

1:42:07.840 --> 1:42:10.519
<v Speaker 3>I think I would give it two nipples. Yeah, I

1:42:11.120 --> 1:42:13.960
<v Speaker 3>don't know. I love Scarlet's character. I think there's like,

1:42:14.280 --> 1:42:16.679
<v Speaker 3>there's so many characters in it that I do really enjoy.

1:42:17.720 --> 1:42:20.800
<v Speaker 3>They're not the main characters, but they feel minor to

1:42:20.840 --> 1:42:21.559
<v Speaker 3>this movie.

1:42:21.800 --> 1:42:22.080
<v Speaker 5>I know.

1:42:22.560 --> 1:42:28.840
<v Speaker 3>Yeah, yeah, I will give my nipples to I don't know,

1:42:28.840 --> 1:42:33.879
<v Speaker 3>maybe Lydia for just getting with Bernard even though she's settled,

1:42:33.920 --> 1:42:36.719
<v Speaker 3>but he's really good and bad. It turns out so true.

1:42:37.400 --> 1:42:38.280
<v Speaker 3>I'm happy for her.

1:42:38.880 --> 1:42:40.160
<v Speaker 2>We're happy for her.

1:42:40.920 --> 1:42:44.240
<v Speaker 4>Oh yeah, well, Kate, thank you so much for joining us,

1:42:44.280 --> 1:42:47.040
<v Speaker 4>and sorry that we shit all over a movie that

1:42:47.320 --> 1:42:48.559
<v Speaker 4>the entire country lies.

1:42:50.479 --> 1:42:53.080
<v Speaker 3>Yeah, we will be. I will be saying something to

1:42:53.200 --> 1:42:56.080
<v Speaker 3>the Home Office. I don't know who does our visas.

1:42:55.720 --> 1:42:59.439
<v Speaker 2>But I guess Oh yeah, we're don't ban me. I

1:42:59.479 --> 1:43:02.519
<v Speaker 2>have to come watch Paddington the Musical again, although it

1:43:02.600 --> 1:43:03.800
<v Speaker 2>is coming to Broadway, so.

1:43:04.360 --> 1:43:05.400
<v Speaker 3>Ah is it?

1:43:06.600 --> 1:43:06.960
<v Speaker 5>It is?

1:43:07.160 --> 1:43:08.240
<v Speaker 3>Paddington gets around.

1:43:09.760 --> 1:43:12.480
<v Speaker 2>He's kind of like Andy McDowell's character in that way,

1:43:13.000 --> 1:43:14.560
<v Speaker 2>except Paddington is asexual.

1:43:14.760 --> 1:43:15.840
<v Speaker 5>It's true, it's true.

1:43:16.000 --> 1:43:18.160
<v Speaker 2>Kate. Thank you so much for joining us.

1:43:18.479 --> 1:43:20.519
<v Speaker 3>Thank you so much for having me come.

1:43:20.400 --> 1:43:24.000
<v Speaker 2>Back any time and tell us about your fringe show

1:43:24.360 --> 1:43:26.000
<v Speaker 2>and lug anything else you want to.

1:43:25.960 --> 1:43:29.240
<v Speaker 3>Plug bainly that comes. If you're an Edinburgh this summer

1:43:29.280 --> 1:43:31.439
<v Speaker 3>at the Fringe Festival, please come to my show. It's

1:43:31.439 --> 1:43:36.000
<v Speaker 3>at seventeen fifty five, that's five minutes to six at

1:43:36.439 --> 1:43:37.320
<v Speaker 3>the Voodoo Rooms.

1:43:37.439 --> 1:43:38.600
<v Speaker 2>Thank you for clarifying.

1:43:39.560 --> 1:43:41.840
<v Speaker 3>And it's free and you can just walk in and come.

1:43:41.960 --> 1:43:45.679
<v Speaker 3>And it's about what it's like to be a good

1:43:45.680 --> 1:43:50.040
<v Speaker 3>time gal like Andy McDowell and a feminist during these times,

1:43:50.080 --> 1:43:53.200
<v Speaker 3>which are the apocalypse times, and how maybe I should

1:43:53.240 --> 1:43:57.679
<v Speaker 3>have been a chadwife instead, But I don't know. If

1:43:58.280 --> 1:44:00.559
<v Speaker 3>anything tells you that being a slash is good. It's

1:44:00.600 --> 1:44:04.000
<v Speaker 3>full weddings and a funeral, that's true.

1:44:04.280 --> 1:44:04.840
<v Speaker 5>It's true.

1:44:05.040 --> 1:44:09.800
<v Speaker 4>We'll always have four weddings in a funeral. Thank you

1:44:09.840 --> 1:44:11.519
<v Speaker 4>so much for trining us. I wish, I wish I

1:44:11.560 --> 1:44:14.280
<v Speaker 4>could see the show have a great run. I know

1:44:14.320 --> 1:44:14.800
<v Speaker 4>you always do.

1:44:16.439 --> 1:44:19.960
<v Speaker 2>And then you can follow us on Instagram at Bechdel Cast.

1:44:20.000 --> 1:44:24.439
<v Speaker 2>You can subscribe to our Patreon aka Matreon, where for

1:44:24.680 --> 1:44:28.639
<v Speaker 2>five dollars a month you get two bonus episodes every month,

1:44:29.439 --> 1:44:33.720
<v Speaker 2>always based on an amazing genius theme, and then you

1:44:33.760 --> 1:44:37.479
<v Speaker 2>also get access to our back catalog of around two

1:44:37.680 --> 1:44:42.160
<v Speaker 2>hundred bonus episodes. What a bargain, truly.

1:44:42.880 --> 1:44:46.320
<v Speaker 4>And with that, let's go get married or die?

1:44:46.880 --> 1:44:47.559
<v Speaker 2>Sounds great?

1:44:47.840 --> 1:44:49.120
<v Speaker 3>Two options?

1:44:49.280 --> 1:44:53.200
<v Speaker 2>Bye bye, bye bye.

1:44:54.920 --> 1:44:58.280
<v Speaker 4>The Bechdel Cast is a production of iHeartMedia, hosted and

1:44:58.360 --> 1:45:01.759
<v Speaker 4>produced by me Jamie Loft and me Kitlyn Durrante.

1:45:02.080 --> 1:45:05.479
<v Speaker 2>The podcast is also produced by Sophie Lichtermann.

1:45:05.240 --> 1:45:07.920
<v Speaker 5>And edited by Caitlyn Durrante. Ever heard of Them?

1:45:08.400 --> 1:45:11.840
<v Speaker 2>That's me? And our logo and merch and all of

1:45:11.880 --> 1:45:15.599
<v Speaker 2>our artwork, in fact, are designed by Jamie Loftus ever

1:45:15.640 --> 1:45:16.960
<v Speaker 2>heard of her? Oh My God?

1:45:17.560 --> 1:45:20.040
<v Speaker 4>And our theme song, by the way, was composed by

1:45:20.080 --> 1:45:21.200
<v Speaker 4>Mike Kaplan.

1:45:21.080 --> 1:45:24.200
<v Speaker 2>With vocals by Katherine Voskrasinski.

1:45:23.720 --> 1:45:26.559
<v Speaker 4>Iconic and a special thanks to the one and only

1:45:26.920 --> 1:45:28.200
<v Speaker 4>Aristotle Acevedo.

1:45:28.720 --> 1:45:32.519
<v Speaker 2>For more information about the podcast, please visit Linktree Slash

1:45:32.520 --> 1:45:33.360
<v Speaker 2>Spectel Cast