WEBVTT - This is CBS! (On The Brink)

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<v Speaker 1>For more than ninety years, CBS, a front runner in

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<v Speaker 1>the broadcast arena, has been keeping its eye on the

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<v Speaker 1>world of changing media. But somewhere along the line, they

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<v Speaker 1>lost sight of what emerging markets wanted to watch, missing

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<v Speaker 1>the news that they needed to appeal to younger viewers.

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<v Speaker 1>So in the mid ninety nineties, they hired someone who

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<v Speaker 1>seemingly could guess programming trends before they even happened, to

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<v Speaker 1>revitalize the station, and that someone would send CBS, at

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<v Speaker 1>least for a good while, over the brink and bang

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<v Speaker 1>zoom to the moon. This is CBS on the brink.

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<v Speaker 1>I always wanted to say that, Ariel, that's nice. Yeah, Hi,

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<v Speaker 1>I'm Jonathan and I'm Ariel. And in case you didn't

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<v Speaker 1>get the bank Zoom, that's from the Honeymooners, which premiered

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<v Speaker 1>on CBS and along with their prestigious television shows like

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<v Speaker 1>Big Bang Theory and Murphy Brown and Murphy Brown. And

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<v Speaker 1>we're going to talk about TVs and stuff. But before

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<v Speaker 1>we jump into that, we're in a different age than

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<v Speaker 1>we were. When I was growing up, there were only

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<v Speaker 1>the three broadcast stations, and then there were some local channels.

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<v Speaker 1>You used your little Bunny Ears to watch them. Yeah,

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<v Speaker 1>and also my antenna sometimes, but I would try and

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<v Speaker 1>tune into that kind of stuff. I did get cable,

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<v Speaker 1>Like cable existed when I was a little kid, It's

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<v Speaker 1>just my family didn't have it. Until maybe I was

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<v Speaker 1>seven or eight. We got cable that opened up a

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<v Speaker 1>bunch of more channels, but you still had the three

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<v Speaker 1>big broadcast stations. It wouldn't be for many years after

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<v Speaker 1>word that we would say that there are four broadcast stations. Right.

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<v Speaker 1>But today is very different than when I was growing up,

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<v Speaker 1>So keeping in mind that today is a very different landscape,

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<v Speaker 1>I'm curious, how do you watch television or do you

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<v Speaker 1>watch TV? Well? I do enjoy television. I am a

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<v Speaker 1>self proclaimed giant geek, and so I like watching all

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<v Speaker 1>of the geeky things that come out and then not

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<v Speaker 1>geeky things. I watched antenna type television growing up and

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<v Speaker 1>occasionally cable. I have cable now actually because I like

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<v Speaker 1>watching the shows when they come out without spoilers. And

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<v Speaker 1>sometimes there are channels that I just can't get on

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<v Speaker 1>Hulu or Netflix, or shows that I can't watch in arrears,

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<v Speaker 1>so I do have cable. I also like watching the

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<v Speaker 1>occasional football or hockey game, and that's easier on cable.

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<v Speaker 1>But I also have Netflix and Amazon and probably the

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<v Speaker 1>Disney Service, and I have Cable. I can't tell you

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<v Speaker 1>the last time I watched it. I honestly don't remember

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<v Speaker 1>the last time I turned on cable TV. I have

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<v Speaker 1>it because it's bundled, and so I tend to watch

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<v Speaker 1>things online. And honestly, these days, I don't watch that

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<v Speaker 1>much television programming at all. I'm watching a lot of

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<v Speaker 1>like independent YouTube type video stuff, um, like highly produced

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<v Speaker 1>YouTube stuff. It's not like I'm watching some guy throw

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<v Speaker 1>darts at balloons for minutes. But I'll watch Twitch for

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<v Speaker 1>a while. Yeah, I do watch some Twitch programming as well.

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<v Speaker 1>So it's a very different world. But CBS obviously is

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<v Speaker 1>steeped in the traditional forms of media, although they've obviously

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<v Speaker 1>also expanded beyond that. So we're gonna give a quick

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<v Speaker 1>overview of CBS origins because I find them fascinating to

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<v Speaker 1>do too. Let's let's set our minds back, all right,

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<v Speaker 1>just before I'm going to go through this as fast

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<v Speaker 1>as I can. But I'm also really a geek out

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<v Speaker 1>about this. Before World War One, you had radio, just

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<v Speaker 1>starting to get started in the United States, like you

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<v Speaker 1>started to have radio broadcast stations just barely begin just

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<v Speaker 1>before World War One. World War one starts to break out,

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<v Speaker 1>and the United States government kind of flips its lid

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<v Speaker 1>because a lot of the companies that we're running those

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<v Speaker 1>radio broadcast stations, which were mostly for the use of

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<v Speaker 1>sending telegrams wirelessly, a lot of them were owned by

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<v Speaker 1>overseas companies, companies in Europe. Interesting, and the government is saying, huh,

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<v Speaker 1>don't really want this foreign owned company to have such

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<v Speaker 1>an important role in our communications infrastructures. So what we're

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<v Speaker 1>gonna do is sees all the companies, and they did.

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<v Speaker 1>World War One ends and they said, well, now we've

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<v Speaker 1>got all these radio broadcast towers that we can't use anymore.

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<v Speaker 1>We need to get rid of them. So the government

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<v Speaker 1>turns to a group of companies, including General Electric being

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<v Speaker 1>the largest of them, to create a new corporation, the

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<v Speaker 1>Radio Corporation of America, better known as r c A.

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<v Speaker 1>R c a's job is to oversee all these radio stations,

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<v Speaker 1>which gradually evolve into broadcast radio as we would think

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<v Speaker 1>of it today. All right, So it becomes broadcast radio

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<v Speaker 1>and our c A as part of this, decides to

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<v Speaker 1>create its own subsidiary to oversee this, the National Broadcast

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<v Speaker 1>Company or in BC. It's important to remember the NBC

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<v Speaker 1>plays an integral role in the formation of CBS because

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<v Speaker 1>along comes a talent agent. He's got a heck of

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<v Speaker 1>an act to show you, I can't this podcast. So

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<v Speaker 1>this guy named Arthur Judson is pitching his clients to

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<v Speaker 1>NBC and he's getting nowhere. So what do you do

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<v Speaker 1>when you can't get your clients booked on the radio station?

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<v Speaker 1>You cry in a corner. No, you make a new

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<v Speaker 1>radio station. In fact, you make a new chain of

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<v Speaker 1>radio stations. In fact, you get your own radio network.

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<v Speaker 1>And that's what he did. He started to go out

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<v Speaker 1>and try and form his own radio network. Uh. It

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<v Speaker 1>started off as the United Independent Broadcasters, but not too

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<v Speaker 1>long after he founded that. In ninety seven, he agreed

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<v Speaker 1>to a merger with Columbia Phonograph and Records Company and

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<v Speaker 1>this would become CBS. This happened in nineteen It became

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<v Speaker 1>known as the Columbia Phonograph Broadcasting Company and the company struggled.

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<v Speaker 1>It was it was up against a behemoth because NBC

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<v Speaker 1>had this bigger company, our c A and behind that

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<v Speaker 1>General Electric. Right, so NBC has this huge safety net

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<v Speaker 1>behind it. CBS doesn't. It's independent, it's struggling. So then

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<v Speaker 1>this wealthy guy named william S. Paley comes in, um

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<v Speaker 1>and he says, you know what, I think I can

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<v Speaker 1>do something with this this broadcast company. And his father

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<v Speaker 1>had been a very successful businessman, you could say it

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<v Speaker 1>was something of a lifesaver. And he comes in and

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<v Speaker 1>he buys this struggling company, calls it the Columbia Broadcasting

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<v Speaker 1>System or CBS proper so much better than CPBC. Yeah,

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<v Speaker 1>and this was the formation of CBS. But at the

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<v Speaker 1>time we have to remember CBS was a radio network.

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<v Speaker 1>Television comes later, and NBC was too, exactly, and so

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<v Speaker 1>then we get into another big change, a big difference

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<v Speaker 1>between CBS and NBC. The guy who was overseeing NBC

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<v Speaker 1>thought that advertising was gosh. He didn't like it. That

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<v Speaker 1>was foolish of him. Yeah, he actually there were famous

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<v Speaker 1>stories that he would refuse to meet with advertising executives.

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<v Speaker 1>He would let his his direct reports handle that for

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<v Speaker 1>him because he hated it. Hailey was the opposite, and

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<v Speaker 1>he was like, I'm gonna wine and dine these guys

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<v Speaker 1>so that they advertise on my shows. In fact, I'm

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<v Speaker 1>going to convince them to sponsor entire shows and we

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<v Speaker 1>will feature their products either in every advertising break or

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<v Speaker 1>we'll incorporate them directly into the scripts. You know, Wow,

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<v Speaker 1>you sure do look nice wearing that dapper dan hair

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<v Speaker 1>hair wellmade? Yeah, which is that you should write commercials? John? Yeah,

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<v Speaker 1>not not my strong suit, I admit it. I bet

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<v Speaker 1>that made NBC pretty mad though. Yeah, they got into

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<v Speaker 1>a fierce rivalry, and that wouldn't be the only thing

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<v Speaker 1>that CBS would do that would make NBC mad. But

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<v Speaker 1>there also was an interesting side note to this, which

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<v Speaker 1>just very quickly, is that CBS and NBC were the

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<v Speaker 1>dominant players in radio. There was no one else, to

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<v Speaker 1>the point where another organization called the Mutual Broadcasting System

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<v Speaker 1>filed a complaint with the f c C, the Federal

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<v Speaker 1>Communications Commission in the United States, and said, this is

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<v Speaker 1>a do woppoli. These two companies control everything. That's not acceptable.

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<v Speaker 1>So FCC says, you know what, you're right, NBC, you

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<v Speaker 1>guys split into two. Now, NBC already had two networks,

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<v Speaker 1>both called NBC. So they said, well, all right, we'll

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<v Speaker 1>sell off one of these and we'll keep the other one,

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<v Speaker 1>and the one they sold off would eventually become the

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<v Speaker 1>American Broadcast Company or ABC. So now you get all

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<v Speaker 1>three of the big broadcast companies, and you could argue

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<v Speaker 1>that all three, either directly or indirectly came out of

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<v Speaker 1>our c A and just get excited about No, that's

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<v Speaker 1>very exciting, it's very very interesting. As you said, advertising

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<v Speaker 1>isn't the only thing that caused a sore spot between

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<v Speaker 1>NBC and CBS because CBS stole a bunch of talent

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<v Speaker 1>away from NBC. Yeah, they did a whole head hunting thing.

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<v Speaker 1>Paley led the charge, and they offered NBC stars deal

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<v Speaker 1>they couldn't refuse. They gave them such lucrative contracts that

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<v Speaker 1>multiple NBC stars jumped ship. And this was right around

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<v Speaker 1>the same time that the industry was starting to embrace television.

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<v Speaker 1>So they got icons like Jack Benny and George Burns

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<v Speaker 1>to come over to CBS. Really good timing on their part, yep,

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<v Speaker 1>and uh, the rivalry between the two companies went beyond that. Again,

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<v Speaker 1>I'm not going to dwell too much on there, but

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<v Speaker 1>you had our c A and in BC backing certain

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<v Speaker 1>types of media, whereas CBS and Columbia Records were backing

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<v Speaker 1>other types of media. You had CBS put forward it's

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<v Speaker 1>standard for color television and it got accepted as the

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<v Speaker 1>FCC standard, while our c A was saying, not so fast,

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<v Speaker 1>our versions better, and the FCC said, you know what,

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<v Speaker 1>you're right, We're gonna reverse our decision. So this was

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<v Speaker 1>a battle going back and forth in those early days,

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<v Speaker 1>but both companies were largely thriving off that competition. The Again,

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<v Speaker 1>the interesting part being that CBS was doing this as

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<v Speaker 1>an independent company. It wasn't, it wasn't under the umbrella

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<v Speaker 1>of a larger corporation. But you know, they had trouble

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<v Speaker 1>making their TVs around the time of the Korean War

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<v Speaker 1>and just gave up on it and focused on television. Yeah,

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<v Speaker 1>because their television. And I won't go into the details

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<v Speaker 1>of this either, but it was a electro mechanical color TV,

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<v Speaker 1>meaning that there were actually moving parts inside your television

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<v Speaker 1>to make the color work, like little elves On treadmill, well,

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<v Speaker 1>like a color wheel. But yes, it was powered by

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<v Speaker 1>el Son tre and mills. Same thing. Well. In nineteen

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<v Speaker 1>fifty one, as a part of focusing more on television.

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<v Speaker 1>They come up with their CBS I logo. I like

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<v Speaker 1>that you said, by focusing more on television, I meant

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<v Speaker 1>to do that. Yes, I did. And then we're not

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<v Speaker 1>going to focus on the year by year because things

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<v Speaker 1>go pretty well for television. We're just gonna hit a

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<v Speaker 1>few key points. Yeah, and and kind of highlight how

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<v Speaker 1>the transition was happening. Yeah, between the years of nineteen

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<v Speaker 1>sixty and nineteen sixty two, CBS stopped offering radio serials

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<v Speaker 1>and dramas. Yeah, they were. They were just moving away

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<v Speaker 1>from the audio drama format, which Ariel and I both love. Yes,

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<v Speaker 1>we have been involved with audio drama before, and we

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<v Speaker 1>we would love to Podcasting is allowed that to come back.

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<v Speaker 1>But this was the era where people were saying, let's

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<v Speaker 1>move those stories over to television. Let's tell these stories

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<v Speaker 1>in a different format. And in ninety eight we got

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<v Speaker 1>sixty minutes. We get sixty minutes every hour the television show,

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<v Speaker 1>right right right, the news show. You know, I knew

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<v Speaker 1>that you did. By nineteen sixty nine, did you know

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<v Speaker 1>that CBS had employees and was making over sixty four

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<v Speaker 1>million dollars? I did not did not know that part.

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<v Speaker 1>And in the next decade. In the nineteen seventies, Uh,

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<v Speaker 1>we started seeing CBS debut shows that would end up

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<v Speaker 1>becoming iconic. All in the Family is often thought of

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<v Speaker 1>as one of the best sitcoms, you know, one of

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<v Speaker 1>the best examples of the sitcom format. Ever, it broke

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<v Speaker 1>barriers of what was acceptable and not acceptable on television.

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<v Speaker 1>That could be a whole article in and of itself. Sure, Mash,

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<v Speaker 1>another phenomenal series, came out in the nineteen seventies. This

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<v Speaker 1>is obviously it's also when I was growing up, so

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<v Speaker 1>I have a lot of fond memories of this stuff.

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<v Speaker 1>It's a little before my time, but I really enjoyed

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<v Speaker 1>Mash and the Waltons, which were the focus of a

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<v Speaker 1>gag I wrote for the video series that we used

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<v Speaker 1>to do large neer drunkle later because we talked about

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<v Speaker 1>Battle beyond the Stars. Yeah, yeah, anyway, that's neither here,

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<v Speaker 1>no good memories. In nineteen seventy four, the company was

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<v Speaker 1>known as CBS Incorporated. And in sony six they start

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<v Speaker 1>seeing a troubling thing on the horizon, because that was

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<v Speaker 1>right when the cable industry started taking off. Cable originally,

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<v Speaker 1>by the way, was just meant to bring television signals

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<v Speaker 1>to people who were having trouble picking them up because

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<v Speaker 1>they were living in either remote areas or they were

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<v Speaker 1>living in dense cities where buildings were blocking television frequencies.

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<v Speaker 1>So it wasn't originally meant to deliver eight billion channels

0:13:28.200 --> 0:13:31.360
<v Speaker 1>with nothing on them, but rather to just allow people

0:13:31.360 --> 0:13:33.679
<v Speaker 1>to get those television feeds that they couldn't get over

0:13:33.720 --> 0:13:35.000
<v Speaker 1>the air well. And this is part of what got

0:13:35.040 --> 0:13:37.400
<v Speaker 1>CBS in trouble because they didn't view cable as a

0:13:37.440 --> 0:13:41.520
<v Speaker 1>competitor and so they didn't prepare to compete with it.

0:13:42.160 --> 0:13:45.040
<v Speaker 1>In eight three, CBS joints with Columbia Pictures in HBO

0:13:45.200 --> 0:13:48.679
<v Speaker 1>and they make TriStar Pictures. But then CBS cells its

0:13:48.720 --> 0:13:52.439
<v Speaker 1>shares to Sony two years later. Yeah, it wouldn't stick

0:13:52.480 --> 0:13:57.720
<v Speaker 1>with that particular approach. And then we get a dramatic

0:13:57.800 --> 0:13:59.680
<v Speaker 1>story in Ariel. I want you to take this part

0:13:59.720 --> 0:14:02.040
<v Speaker 1>because you researched this part and you wrote this. I

0:14:02.080 --> 0:14:05.320
<v Speaker 1>want to hear exactly what was going on here because

0:14:05.360 --> 0:14:09.360
<v Speaker 1>this is the first part where we actually see internal conflict. Yes,

0:14:09.480 --> 0:14:15.439
<v Speaker 1>So in Lawrence known as Larry Tish and his brother

0:14:15.960 --> 0:14:22.000
<v Speaker 1>Robert Bob Tish step in and save CBS from a takeover.

0:14:22.600 --> 0:14:25.320
<v Speaker 1>So TBS was trying to buy CBS. New York Times

0:14:25.360 --> 0:14:28.760
<v Speaker 1>called it a takeover of corporate waters and conservative politicians.

0:14:29.920 --> 0:14:32.120
<v Speaker 1>And this is interesting to me because of you know,

0:14:32.160 --> 0:14:34.640
<v Speaker 1>you look at TBS, that's one of those channels that

0:14:35.200 --> 0:14:38.880
<v Speaker 1>became famous for flourishing in the cable era. Like that

0:14:38.920 --> 0:14:43.560
<v Speaker 1>with Cable is what gave TBS. It's incredible boost. And

0:14:43.640 --> 0:14:46.320
<v Speaker 1>so like you were saying, we're CBS, Hatton really viewed

0:14:46.360 --> 0:14:50.160
<v Speaker 1>Cable as a competitor and now it's directly threatening the company.

0:14:50.640 --> 0:14:53.200
<v Speaker 1>We had Turner behind Ted Turner behind it. Yeah, and

0:14:53.280 --> 0:14:56.400
<v Speaker 1>we here in Atlanta have a lot of stories about

0:14:56.480 --> 0:14:59.600
<v Speaker 1>Mr Ted Turner. Yes, So Larry and Bob use a

0:14:59.600 --> 0:15:03.480
<v Speaker 1>company day own blows to buy a minority stake in CBS.

0:15:04.240 --> 0:15:10.200
<v Speaker 1>They purchased of the outstanding stock of CBS for nine dollars,

0:15:10.200 --> 0:15:14.760
<v Speaker 1>so just shy of a billion, and this stops TBS

0:15:14.800 --> 0:15:18.280
<v Speaker 1>from being able to take over. Yeah. And also Larry

0:15:18.440 --> 0:15:21.880
<v Speaker 1>is invited to join the board of directors on CBS

0:15:21.960 --> 0:15:24.600
<v Speaker 1>and then would later end up being named its chief

0:15:24.600 --> 0:15:28.360
<v Speaker 1>executive officer. Yes. Sadly, during his time as CEO, he

0:15:28.440 --> 0:15:31.400
<v Speaker 1>sold off the record division of CBS and the publishing

0:15:31.480 --> 0:15:35.200
<v Speaker 1>side and had to institute a bunch of cutbacks and

0:15:35.240 --> 0:15:38.560
<v Speaker 1>cost saving measures. Now, the records in the publishing side

0:15:38.560 --> 0:15:40.480
<v Speaker 1>were still the core business of CBS at that time,

0:15:40.520 --> 0:15:42.920
<v Speaker 1>so they were focusing on TV, but they still yeah,

0:15:42.960 --> 0:15:45.920
<v Speaker 1>the revenue generators were there parts of the business that

0:15:45.960 --> 0:15:49.000
<v Speaker 1>they divested themselves of. And it was also that you

0:15:49.080 --> 0:15:52.800
<v Speaker 1>could remove those concerns while concentering on the television. But

0:15:52.840 --> 0:15:55.040
<v Speaker 1>a lot of people question that move if they said,

0:15:55.080 --> 0:15:57.520
<v Speaker 1>they said, if those parts of the business were the

0:15:57.520 --> 0:15:59.840
<v Speaker 1>parts that are making money, why were those the parts

0:15:59.840 --> 0:16:02.480
<v Speaker 1>that you sold off? Yeah? Yeah, it kind of gave

0:16:02.560 --> 0:16:06.000
<v Speaker 1>him a bad rap. It did, however, allow CBS to

0:16:06.040 --> 0:16:09.400
<v Speaker 1>focus mainly on television programming. Yeah, but that was not

0:16:09.560 --> 0:16:13.400
<v Speaker 1>something that would immediately help the company. No. In fact,

0:16:13.880 --> 0:16:17.840
<v Speaker 1>CBS started seeing losses because of these changes. We'll talk

0:16:17.880 --> 0:16:20.480
<v Speaker 1>about how they address those losses in just a moment,

0:16:20.520 --> 0:16:35.920
<v Speaker 1>but first let's take a quick break. Alright, Ariel, let's

0:16:35.960 --> 0:16:41.400
<v Speaker 1>set the scene. It's okay, we've got cable that's still

0:16:42.160 --> 0:16:45.120
<v Speaker 1>very much an issue. It's a growing issue. Yeah, it's

0:16:45.160 --> 0:16:49.320
<v Speaker 1>grown from around seven channels to thirty three, and now

0:16:49.360 --> 0:16:53.160
<v Speaker 1>you're looking at a point where the cable channels are

0:16:53.200 --> 0:16:58.440
<v Speaker 1>starting to become a credible threat to the long established

0:16:58.760 --> 0:17:04.119
<v Speaker 1>broadcast company. Yeah. By cable channels were making revenues just

0:17:04.160 --> 0:17:08.200
<v Speaker 1>a billion dollars under the Big three. Yeah. So if

0:17:08.240 --> 0:17:09.600
<v Speaker 1>you look at the Big three and then you look

0:17:09.640 --> 0:17:13.000
<v Speaker 1>at the cable channels, now, grant you're looking collectively and collectively,

0:17:13.040 --> 0:17:17.159
<v Speaker 1>but still you're starting to say, these these broadcast companies up.

0:17:17.160 --> 0:17:19.560
<v Speaker 1>For the longest time, we thought of as unassailable, like

0:17:19.600 --> 0:17:21.840
<v Speaker 1>they had been around for so long. It was kind

0:17:21.840 --> 0:17:24.960
<v Speaker 1>of like that too big to fail mentality. And now

0:17:25.040 --> 0:17:28.879
<v Speaker 1>suddenly the writing appears to be different. On the wall.

0:17:29.000 --> 0:17:31.000
<v Speaker 1>It doesn't sound like it's too big to fail. Now

0:17:31.040 --> 0:17:33.960
<v Speaker 1>it sounds like you better pay attention to this. Well.

0:17:34.000 --> 0:17:37.160
<v Speaker 1>Part of what allowed cable channels to net almost as

0:17:37.240 --> 0:17:39.560
<v Speaker 1>much money as the Big three is the fact that

0:17:39.760 --> 0:17:43.600
<v Speaker 1>on top of getting ad money, that the broadcasting companies

0:17:43.600 --> 0:17:47.120
<v Speaker 1>also were doing. Yes, they were getting subscription money, yeah,

0:17:47.200 --> 0:17:50.680
<v Speaker 1>which the broadcast companies weren't doing at least at least

0:17:50.720 --> 0:17:55.879
<v Speaker 1>not for another year. Yeah, but two CBS at least

0:17:55.920 --> 0:18:01.120
<v Speaker 1>had one crowning achievement it could point to that was insignificant.

0:18:01.200 --> 0:18:05.679
<v Speaker 1>They were the number one broadcast company in the United States.

0:18:05.920 --> 0:18:08.280
<v Speaker 1>They were the first network to rise to first place

0:18:08.359 --> 0:18:12.240
<v Speaker 1>in just one season. Yeah, which is pretty impressive, like

0:18:12.280 --> 0:18:15.639
<v Speaker 1>being able to go uh and and claim that spot

0:18:16.080 --> 0:18:18.200
<v Speaker 1>and not have it be like a super long trend

0:18:18.200 --> 0:18:20.720
<v Speaker 1>to get there. Yeah. So then in ninety two the

0:18:20.800 --> 0:18:23.359
<v Speaker 1>Cable Act past. This was a big deal. It was

0:18:23.400 --> 0:18:27.560
<v Speaker 1>because it allowed local networks to charge carriers like Comcast

0:18:27.960 --> 0:18:34.360
<v Speaker 1>for t Spectrum a retransmission fee to air their broadcasts.

0:18:34.359 --> 0:18:38.000
<v Speaker 1>So this allowed local news to reach cable subscribers and

0:18:38.040 --> 0:18:41.760
<v Speaker 1>things like that. But the Big Three saw this and

0:18:41.920 --> 0:18:46.200
<v Speaker 1>started also requesting retransmission fees and fees from those local

0:18:46.240 --> 0:18:51.199
<v Speaker 1>networks that were subsidiaries and and syndicating the Big Three programming.

0:18:51.720 --> 0:18:57.400
<v Speaker 1>This ended up creating a real conflict in the television industry,

0:18:57.640 --> 0:19:02.560
<v Speaker 1>and it was an expensive one actually would go all

0:19:02.600 --> 0:19:05.359
<v Speaker 1>the way through the nineties and into the two thousand's

0:19:05.400 --> 0:19:09.720
<v Speaker 1>and up to two thousand thirteen. Really for the next

0:19:09.720 --> 0:19:12.000
<v Speaker 1>part of this particular story, we're gonna get back into

0:19:12.040 --> 0:19:15.360
<v Speaker 1>the nineties in a second, But it was when CBS

0:19:15.400 --> 0:19:20.400
<v Speaker 1>and Showtime stopped airing two specific key markets that time

0:19:20.440 --> 0:19:25.840
<v Speaker 1>Warner Cable was servicing because they were having this fundamental

0:19:25.840 --> 0:19:30.320
<v Speaker 1>disagreement of what the retransmission fees should be. CBS wanted

0:19:30.400 --> 0:19:33.960
<v Speaker 1>their retransmission fees bumped up make more money, and time

0:19:33.960 --> 0:19:36.440
<v Speaker 1>warners saying, I can't we if we do that for you,

0:19:36.520 --> 0:19:39.240
<v Speaker 1>we have to do it for everybody when their contracts

0:19:39.240 --> 0:19:41.560
<v Speaker 1>are And if we do it for everybody, then in

0:19:41.640 --> 0:19:43.520
<v Speaker 1>order for us to make a profit, we have to

0:19:43.600 --> 0:19:47.400
<v Speaker 1>increase the cost to the subscriber, and this customer will

0:19:47.400 --> 0:19:51.040
<v Speaker 1>stop subscribing. Yeah, and you'll see a lot of cord cutters.

0:19:51.280 --> 0:19:53.880
<v Speaker 1>And keep in mind that by two thousand thirteen, you're

0:19:54.000 --> 0:19:58.399
<v Speaker 1>starting to see the early trends of cord cutting already. Yeah.

0:19:58.840 --> 0:20:01.960
<v Speaker 1>At that time, reach transmission fees were already about three

0:20:02.000 --> 0:20:05.280
<v Speaker 1>billion dollars. So it's a pretty big number to start with,

0:20:05.320 --> 0:20:07.960
<v Speaker 1>and then to raise that is a lot. Yeah. And

0:20:08.080 --> 0:20:10.920
<v Speaker 1>on top of that, you can say that this might

0:20:10.960 --> 0:20:15.600
<v Speaker 1>have been an anticipation for that cord cutting trend, the

0:20:15.680 --> 0:20:20.160
<v Speaker 1>idea that the Internet was now the new threat. Where

0:20:20.280 --> 0:20:22.960
<v Speaker 1>cable had been the threat in the seventies and eighties,

0:20:23.560 --> 0:20:27.480
<v Speaker 1>now it was the Internet and streaming services. Yeah. Well,

0:20:27.520 --> 0:20:30.960
<v Speaker 1>back to let's jump back to their CBS gets a

0:20:30.960 --> 0:20:33.840
<v Speaker 1>big blow. They lose the NFL I guess they were

0:20:33.920 --> 0:20:37.320
<v Speaker 1>no longer ready for some football. Fox took it over.

0:20:38.440 --> 0:20:40.520
<v Speaker 1>At this time, Fox became the fourth network, so it

0:20:40.640 --> 0:20:43.639
<v Speaker 1>was the Big four, which I remember how weird that

0:20:43.800 --> 0:20:46.680
<v Speaker 1>was to me when it was happening, because throughout my

0:20:46.760 --> 0:20:49.719
<v Speaker 1>childhood there are only three networks, and then you have

0:20:49.800 --> 0:20:53.760
<v Speaker 1>Fox that officially becomes a network. And in large part

0:20:54.280 --> 0:20:56.439
<v Speaker 1>it was when the NFL came over to Fox. There

0:20:56.440 --> 0:20:59.960
<v Speaker 1>were certain things that really helped establish Fox, the Simpsons

0:21:00.080 --> 0:21:05.080
<v Speaker 1>being one of them, but NFL certainly went a long way. Well,

0:21:05.200 --> 0:21:07.440
<v Speaker 1>the NFL, I think is part of what was keeping

0:21:07.480 --> 0:21:12.960
<v Speaker 1>CBS is younger viewership watching that channel, because outside of that,

0:21:13.160 --> 0:21:15.879
<v Speaker 1>they had programs like Sixty Minutes and Murphy Brown and

0:21:15.960 --> 0:21:18.960
<v Speaker 1>Murder she wrote, and Dr Quinn Medicine Women. Mind you.

0:21:19.320 --> 0:21:21.880
<v Speaker 1>I love all those shows, Yes, but you're secretly fifty

0:21:21.960 --> 0:21:25.760
<v Speaker 1>years old and secretly fifty years old. This was when

0:21:26.040 --> 0:21:28.840
<v Speaker 1>CBS was starting to gain that reputation that this is

0:21:28.880 --> 0:21:32.040
<v Speaker 1>the network that old people watch. Like that was that

0:21:32.119 --> 0:21:34.360
<v Speaker 1>was just generally what people felt. Yeah, but I mean

0:21:34.400 --> 0:21:39.560
<v Speaker 1>the thing is advertisers key advertising ranges twenties to fifties,

0:21:40.000 --> 0:21:42.840
<v Speaker 1>so you get over fifty and advertisers just aren't targeting

0:21:42.840 --> 0:21:46.080
<v Speaker 1>them as much, right, Yeah, you're typically like the sweet

0:21:46.080 --> 0:21:48.679
<v Speaker 1>spuzz like eighteen to thirty four. That's where you really

0:21:48.720 --> 0:21:53.720
<v Speaker 1>are concentrating your advertising money typically, So when you start

0:21:54.040 --> 0:21:58.920
<v Speaker 1>thinking that a channel's demographics or networks demographics are beyond that,

0:21:59.840 --> 0:22:02.760
<v Speaker 1>you're far less likely to spend advertising money. So this

0:22:02.840 --> 0:22:06.880
<v Speaker 1>was a perception problem that CBS really needed to address.

0:22:06.920 --> 0:22:09.919
<v Speaker 1>It's very similar to another story that we covered not

0:22:10.000 --> 0:22:13.160
<v Speaker 1>too long ago on the Brink. Yeah, old spice, Yeah,

0:22:13.320 --> 0:22:15.440
<v Speaker 1>you don't want to be the You don't want to

0:22:15.480 --> 0:22:17.760
<v Speaker 1>be the cologne that you're or the smell that your

0:22:17.800 --> 0:22:19.399
<v Speaker 1>grandfather smells like. And you don't want to be the

0:22:19.440 --> 0:22:22.640
<v Speaker 1>channel that your grandfather watches. I guess I mean unless

0:22:22.880 --> 0:22:26.480
<v Speaker 1>you're me aerial secret fifty year old. Yeah, not that

0:22:26.520 --> 0:22:29.040
<v Speaker 1>fifty years old by any means in my mind, But

0:22:29.119 --> 0:22:32.679
<v Speaker 1>this was this was the perception. Yes, we're not judging,

0:22:32.720 --> 0:22:37.320
<v Speaker 1>I'm closer to fifty than I am to thirty. So uh, Now,

0:22:37.560 --> 0:22:40.800
<v Speaker 1>all of this, the drop of viewership from the NFL,

0:22:41.560 --> 0:22:44.840
<v Speaker 1>the lack of younger viewers, meant that CBS needed to

0:22:44.840 --> 0:22:49.000
<v Speaker 1>provide advertising spots to advertisers at less costs. Yeah, they

0:22:49.040 --> 0:22:52.960
<v Speaker 1>couldn't afford or they couldn't command higher prices, so they

0:22:53.000 --> 0:22:56.439
<v Speaker 1>had to start cutting how much they could ask for

0:22:56.480 --> 0:22:59.520
<v Speaker 1>these advertising deals, which of course hurts the bottom line.

0:22:59.600 --> 0:23:02.240
<v Speaker 1>So what do they do. Well, first, they had a

0:23:02.280 --> 0:23:07.399
<v Speaker 1>couple of shows, The Nanny and Chicago Hope, Yeah, which

0:23:07.720 --> 0:23:11.760
<v Speaker 1>I enjoyed. So they're still catering to the secret fifty

0:23:11.800 --> 0:23:15.639
<v Speaker 1>year old. Hey, let's say Nanny is a solid forty

0:23:15.640 --> 0:23:20.800
<v Speaker 1>two all right, Well, the story continues to go poorly

0:23:20.840 --> 0:23:25.719
<v Speaker 1>for CBS because they actually fall to last place among

0:23:26.200 --> 0:23:30.000
<v Speaker 1>the three major networks. Yeah, yeah, despite Fox being the fourth,

0:23:30.000 --> 0:23:34.360
<v Speaker 1>it's still kind of not counting. Yeah, there they were.

0:23:34.840 --> 0:23:38.320
<v Speaker 1>Fox kind of had this nebulous sort of descriptor as

0:23:38.320 --> 0:23:41.200
<v Speaker 1>being a broadcast network. But keep in mind ninety two

0:23:41.240 --> 0:23:43.840
<v Speaker 1>was when CBS had been on top, and now we're

0:23:43.840 --> 0:23:46.400
<v Speaker 1>talking to ninety four and now they're in last place. Yeah,

0:23:46.480 --> 0:23:49.320
<v Speaker 1>and and at this time Fox was starting to buy affiliates,

0:23:49.480 --> 0:23:54.520
<v Speaker 1>so they're they're rampant sucking up. Yeah. CBS did make

0:23:54.560 --> 0:23:57.000
<v Speaker 1>a profit that year despite being last place in the

0:23:57.000 --> 0:24:02.240
<v Speaker 1>Big three, two one point six million dollars, but that

0:24:02.240 --> 0:24:06.159
<v Speaker 1>that profit was not growth. That was actually they weren't

0:24:06.160 --> 0:24:08.680
<v Speaker 1>profiting by as much as they had the previous year, right,

0:24:09.200 --> 0:24:11.680
<v Speaker 1>because the year before they had made more than three

0:24:11.720 --> 0:24:16.560
<v Speaker 1>hundred million. Yeah, well, by they were down another so

0:24:16.720 --> 0:24:21.399
<v Speaker 1>by they only had one prime time night that was

0:24:22.000 --> 0:24:24.800
<v Speaker 1>top in the seven nights, and that would be Saturday,

0:24:25.480 --> 0:24:27.520
<v Speaker 1>when old people are staying home and everyone else knows

0:24:27.560 --> 0:24:32.040
<v Speaker 1>it's all right for fighting. Yes, because of CBS's drop. However,

0:24:32.160 --> 0:24:35.280
<v Speaker 1>Westinghouse Electric Corporation put out a bid to buy CBS

0:24:35.520 --> 0:24:38.560
<v Speaker 1>in August of and CBS that'd sure, Yeah, this was

0:24:38.960 --> 0:24:42.639
<v Speaker 1>a huge, huge shift because now you finally have this

0:24:42.840 --> 0:24:47.359
<v Speaker 1>true independent or more or less true independent company that's

0:24:47.400 --> 0:24:53.120
<v Speaker 1>becoming folded under another company. So CBS for so long

0:24:53.160 --> 0:24:55.919
<v Speaker 1>had been standing on its own and now agrees to

0:24:55.960 --> 0:24:59.159
<v Speaker 1>this acquisition. And it was for the princely sum of

0:24:59.320 --> 0:25:04.520
<v Speaker 1>five point for billion dollars, which is pretty good. It's

0:25:04.560 --> 0:25:08.320
<v Speaker 1>even better considering that's about eighty one dollar per cash

0:25:08.320 --> 0:25:11.920
<v Speaker 1>share of stock, which the previous year stocks had gone

0:25:11.920 --> 0:25:14.720
<v Speaker 1>as low as fifty dollars a year. So it was

0:25:14.960 --> 0:25:18.560
<v Speaker 1>so at least for shareholders, that didn't look awful, right,

0:25:18.600 --> 0:25:21.679
<v Speaker 1>because it looks like they're they're selling at a price

0:25:21.800 --> 0:25:24.760
<v Speaker 1>that they might not otherwise see if CBS were to

0:25:24.800 --> 0:25:27.760
<v Speaker 1>stand on its own, and it was an exceptionally big

0:25:27.800 --> 0:25:31.840
<v Speaker 1>deal because CBS was, in theory, the last independent TV

0:25:31.920 --> 0:25:38.080
<v Speaker 1>network by that time. So Westinghouse goes through this and

0:25:39.000 --> 0:25:42.919
<v Speaker 1>the company itself already had a strong reputation. It was

0:25:42.960 --> 0:25:47.240
<v Speaker 1>a broadcast pioneer. But while they had been in broadcast

0:25:47.280 --> 0:25:50.080
<v Speaker 1>in the early days, in fact Westinghouse was one of

0:25:50.119 --> 0:25:53.600
<v Speaker 1>the entities that was important in the formation of the networks,

0:25:54.200 --> 0:25:57.000
<v Speaker 1>at this point that really wasn't their business anymore. They

0:25:57.000 --> 0:26:00.560
<v Speaker 1>had moved away from that. They had gone into manufactring really,

0:26:01.200 --> 0:26:06.680
<v Speaker 1>so broadcast was a tiny part of their empire. However,

0:26:07.720 --> 0:26:09.400
<v Speaker 1>even though it was a tiny part of the empire,

0:26:09.520 --> 0:26:12.120
<v Speaker 1>it was still important because it was the most profitable

0:26:12.280 --> 0:26:18.160
<v Speaker 1>part of their empire. Fun fact about this Westinghouse buyout

0:26:19.640 --> 0:26:22.960
<v Speaker 1>is that the announcement came one day after Disney announced

0:26:23.000 --> 0:26:25.680
<v Speaker 1>its merger with ABC. So that's how I was able

0:26:25.680 --> 0:26:29.560
<v Speaker 1>to be the last independent by day. It was interesting

0:26:29.600 --> 0:26:32.840
<v Speaker 1>because you have tishe they're saying that this was this

0:26:32.920 --> 0:26:36.439
<v Speaker 1>was a win. Mark. This is a win because the

0:26:36.480 --> 0:26:39.880
<v Speaker 1>investors who had put their money into the company saw

0:26:39.920 --> 0:26:44.480
<v Speaker 1>a return on that investment. But CBS was not immediately

0:26:44.640 --> 0:26:47.920
<v Speaker 1>like repaired, like the damage that had been done the

0:26:48.760 --> 0:26:51.280
<v Speaker 1>losing its way. It wasn't like immediately put on the

0:26:51.359 --> 0:26:54.600
<v Speaker 1>right course now, although Westinghouse seemed to be really committed

0:26:54.960 --> 0:26:58.200
<v Speaker 1>to pushing CBS as a network because they started selling

0:26:58.240 --> 0:27:01.080
<v Speaker 1>off all of their manufacturing and production side of their

0:27:01.119 --> 0:27:04.840
<v Speaker 1>business to focus on the television. Yeah, kind of reminds

0:27:04.840 --> 0:27:07.360
<v Speaker 1>me of the story we just said about CBS when

0:27:07.960 --> 0:27:10.440
<v Speaker 1>when they made the move to sell off the production

0:27:10.640 --> 0:27:14.320
<v Speaker 1>and music sides. But in this case, the television side

0:27:14.400 --> 0:27:16.320
<v Speaker 1>was the most profitable part of westing else so that

0:27:16.520 --> 0:27:21.480
<v Speaker 1>is the fundamental difference there. So in n CBS is

0:27:21.520 --> 0:27:24.879
<v Speaker 1>looking to improve their programming. So who do they turn to?

0:27:25.280 --> 0:27:28.880
<v Speaker 1>They turned to a gentleman named Leslie moon Vos. Yeah,

0:27:29.160 --> 0:27:33.320
<v Speaker 1>this would be someone who becomes incredibly important in CBS.

0:27:33.359 --> 0:27:36.560
<v Speaker 1>It's also a very problematic person to talk about, and

0:27:36.560 --> 0:27:39.480
<v Speaker 1>we'll get into why. But chances are if you've heard

0:27:39.520 --> 0:27:42.760
<v Speaker 1>the name, you understand where we're going already. However, let's

0:27:42.800 --> 0:27:47.960
<v Speaker 1>talk about what moonvest was doing upon joining CBS. Well,

0:27:47.960 --> 0:27:50.040
<v Speaker 1>he's working at the w B and he had also

0:27:50.080 --> 0:27:53.920
<v Speaker 1>helped recently develop E R and Friends for NBC, which

0:27:53.960 --> 0:27:57.840
<v Speaker 1>were huge. Friends is still huge, I will say, Yeah,

0:27:57.840 --> 0:28:00.960
<v Speaker 1>it's it's enjoying a renaissance for reasons I haven't yet

0:28:01.000 --> 0:28:05.120
<v Speaker 1>been able to understand. Now. Movis had originally started as

0:28:05.160 --> 0:28:07.840
<v Speaker 1>an actor in the nineteen seventies. Yeah, that didn't work out,

0:28:07.880 --> 0:28:11.720
<v Speaker 1>so and study moves behind the scenes, and he worked

0:28:11.760 --> 0:28:15.160
<v Speaker 1>for as a producer on The Smothers Brothers Comedy Hour,

0:28:15.400 --> 0:28:19.920
<v Speaker 1>which can I tell them? So when when Ariel wrote

0:28:19.920 --> 0:28:23.200
<v Speaker 1>that down she had written the smother Brothers Comedy Hour,

0:28:23.560 --> 0:28:26.080
<v Speaker 1>which it was a type of, it made me laugh

0:28:26.160 --> 0:28:27.879
<v Speaker 1>so hard because it made me think that it was

0:28:27.920 --> 0:28:30.280
<v Speaker 1>a comedy hour that has one joke. It's the same

0:28:30.359 --> 0:28:32.680
<v Speaker 1>joke every week, and you know exactly what it is

0:28:32.720 --> 0:28:36.640
<v Speaker 1>from the title. Yeah. Leslie Moonves was tasked to create

0:28:36.680 --> 0:28:40.160
<v Speaker 1>the New CBS because he was so successful a creating

0:28:40.200 --> 0:28:43.840
<v Speaker 1>new TV for new era. But at first he tried

0:28:43.880 --> 0:28:47.760
<v Speaker 1>to do it too quickly. Yeah. The company already had

0:28:47.800 --> 0:28:51.240
<v Speaker 1>a lot of momentum built up in a certain direction

0:28:51.320 --> 0:28:54.160
<v Speaker 1>and was already being viewed as a as a company

0:28:54.160 --> 0:28:57.840
<v Speaker 1>that was catering to an older audience, So switching that

0:28:58.000 --> 0:29:01.880
<v Speaker 1>up to a younger one super fast ended up being

0:29:01.880 --> 0:29:05.360
<v Speaker 1>counterproductive initially. So they were developing about twenty hours of

0:29:05.360 --> 0:29:09.840
<v Speaker 1>new programming to plug into their lineup for the year,

0:29:10.240 --> 0:29:12.200
<v Speaker 1>and even if they were only putting in ten to

0:29:12.240 --> 0:29:15.520
<v Speaker 1>twelve hours of that programming, history showed that maybe two

0:29:15.640 --> 0:29:18.880
<v Speaker 1>or three hours of that would be really successful and

0:29:18.920 --> 0:29:21.360
<v Speaker 1>the rest wipe shows that would do okay and need

0:29:21.400 --> 0:29:23.640
<v Speaker 1>to be changed out in the future. So if they're

0:29:23.720 --> 0:29:28.040
<v Speaker 1>changing that big chunk of their lineup and it has

0:29:28.080 --> 0:29:31.080
<v Speaker 1>a low success rate, it's not, in my opinion, very

0:29:31.120 --> 0:29:36.240
<v Speaker 1>smart idea. Yeah, So it was still questionable about what

0:29:36.320 --> 0:29:39.480
<v Speaker 1>moves is Uh impact was going to be on the channel,

0:29:39.480 --> 0:29:42.080
<v Speaker 1>but as we will see in our next section, it

0:29:42.200 --> 0:29:54.960
<v Speaker 1>ended up being just what they needed. All right. So

0:29:55.280 --> 0:29:59.680
<v Speaker 1>after the initial push, what happens next, Well, Moves decides

0:29:59.720 --> 0:30:02.640
<v Speaker 1>to t a tried in true show and bring it

0:30:02.680 --> 0:30:05.280
<v Speaker 1>to CBS, to show that had originally been on NBC

0:30:05.760 --> 0:30:11.320
<v Speaker 1>The Cosby Show, and they started to kind of experiment

0:30:11.320 --> 0:30:13.640
<v Speaker 1>a bit. They did something that had not been done previously.

0:30:13.680 --> 0:30:16.920
<v Speaker 1>They actually showed a preview of their new lineup of

0:30:17.000 --> 0:30:20.760
<v Speaker 1>TV shows. Yeah, they're hoping that the sneak peek would

0:30:20.840 --> 0:30:26.040
<v Speaker 1>get younger audiences invested earlier. While showing their program early

0:30:26.360 --> 0:30:29.200
<v Speaker 1>was a good idea because Movis did have his finger

0:30:29.240 --> 0:30:31.120
<v Speaker 1>on the pulse of what viewers wanted to watch, look

0:30:31.160 --> 0:30:35.000
<v Speaker 1>at Friends and things like that. It had mixed success.

0:30:35.840 --> 0:30:39.080
<v Speaker 1>I want to mention here that Moonvis was very stereotypical

0:30:39.120 --> 0:30:41.400
<v Speaker 1>and what he liked, so he was good at developing

0:30:41.440 --> 0:30:43.959
<v Speaker 1>shows and knowing what shows would take off, even before

0:30:44.240 --> 0:30:46.560
<v Speaker 1>the trend really took off in television. So you might

0:30:46.880 --> 0:30:50.240
<v Speaker 1>say shows about geeks are really popular. Like with the

0:30:50.280 --> 0:30:53.440
<v Speaker 1>Big Bang theory, it wouldn't necessarily be popular at the time.

0:30:53.480 --> 0:30:56.680
<v Speaker 1>He was trying to integrate it, but he really liked

0:30:56.720 --> 0:31:01.000
<v Speaker 1>things like alpha males and smart, pretty women and very

0:31:01.080 --> 0:31:04.959
<v Speaker 1>stereotypical roles. And he also wanted to keep CBS programming.

0:31:05.560 --> 0:31:07.520
<v Speaker 1>He wanted to keep it from being too dark, but

0:31:07.680 --> 0:31:11.720
<v Speaker 1>you get with Showtime or HBO. So he started introducing

0:31:11.880 --> 0:31:16.080
<v Speaker 1>other new shows like Everybody Loves Raymond. I take issue

0:31:16.080 --> 0:31:19.160
<v Speaker 1>with that title. You don't love Raymond, I don't hate Raymond.

0:31:19.320 --> 0:31:23.240
<v Speaker 1>I'm indifferent towards Raymond. And by seven they had pulled

0:31:23.280 --> 0:31:27.360
<v Speaker 1>back from introducing too many new shows, so about two

0:31:27.400 --> 0:31:30.640
<v Speaker 1>thirds of their lineup was returning and about one third

0:31:30.800 --> 0:31:34.120
<v Speaker 1>was new, and Westing Else would officially change its name

0:31:34.160 --> 0:31:38.840
<v Speaker 1>to the CBS Corporation and then in an old friend

0:31:38.920 --> 0:31:43.920
<v Speaker 1>came back to the network. Yes football, yes, the American football,

0:31:44.560 --> 0:31:49.920
<v Speaker 1>not not soccer. Not soccer. Now in Viacom, which started

0:31:49.960 --> 0:31:53.320
<v Speaker 1>as a television syndicate of CBS in the fifties, then

0:31:53.360 --> 0:31:56.080
<v Speaker 1>split from CBS, got bought a bunch of Times and

0:31:56.120 --> 0:31:59.360
<v Speaker 1>made a bunch of acquisitions, acquired CBS, and then in

0:31:59.400 --> 0:32:03.560
<v Speaker 1>two thousand the deal became final. They acquired CBS forty

0:32:03.840 --> 0:32:08.560
<v Speaker 1>billion dollars. So we see this continue, this trend continue

0:32:08.560 --> 0:32:12.400
<v Speaker 1>where he starts to work on programming too again grab

0:32:12.480 --> 0:32:17.360
<v Speaker 1>those younger audiences to turn around this this perception of CBS.

0:32:17.960 --> 0:32:20.960
<v Speaker 1>And so you started getting shows like c S I

0:32:21.200 --> 0:32:25.920
<v Speaker 1>coming out and then really one of the key television

0:32:25.960 --> 0:32:29.800
<v Speaker 1>shows of the reality television era, Survivor, comes out in

0:32:29.800 --> 0:32:34.560
<v Speaker 1>two thousand. By two, Survivor has hit thirty eight seasons.

0:32:34.760 --> 0:32:37.840
<v Speaker 1>That's that's insane, it's impressive. And then he gets some

0:32:37.880 --> 0:32:41.240
<v Speaker 1>more popular shows that you know, I haven't really watched,

0:32:41.320 --> 0:32:43.760
<v Speaker 1>like Two and a Half Men. Not not a fan

0:32:43.840 --> 0:32:47.080
<v Speaker 1>of it myself, but it was extremely popular. Yes, and

0:32:47.080 --> 0:32:50.640
<v Speaker 1>then in two thousand four, moonves Mary's early show host

0:32:50.920 --> 0:32:54.800
<v Speaker 1>Julie Chen and he becomes president and co chief operating

0:32:54.840 --> 0:33:00.160
<v Speaker 1>officer of Viacom. But Viacom and CBS wouldn't remain a

0:33:00.360 --> 0:33:03.479
<v Speaker 1>united entity, right, because in two thousand and five they

0:33:03.480 --> 0:33:07.360
<v Speaker 1>would split into two publicly trade companies, so kind of

0:33:07.400 --> 0:33:10.680
<v Speaker 1>a reversal of the merger. Yeah, but both were still

0:33:10.680 --> 0:33:14.800
<v Speaker 1>owned by Sumner Redstone. Interesting, and then he was named

0:33:14.880 --> 0:33:19.560
<v Speaker 1>president and CEO of CBS after that split, because obviously

0:33:19.560 --> 0:33:24.160
<v Speaker 1>he was no longer CEO of Viacom, Right, So this

0:33:24.240 --> 0:33:27.760
<v Speaker 1>is the point where we start seeing analysts say that

0:33:28.040 --> 0:33:32.440
<v Speaker 1>his direction had really turned things around for CBS. Yeah,

0:33:32.440 --> 0:33:34.840
<v Speaker 1>and that's even before Big Bang Theory came out. It

0:33:34.880 --> 0:33:37.840
<v Speaker 1>was a year before Big Bang Theory were debut. And

0:33:37.880 --> 0:33:40.440
<v Speaker 1>then around the same time, they launched the c W

0:33:40.960 --> 0:33:45.080
<v Speaker 1>and took over showtime. And this was all because of

0:33:45.080 --> 0:33:48.120
<v Speaker 1>that split between CBS and Viacom that they wouldn't have

0:33:48.120 --> 0:33:51.120
<v Speaker 1>been possible without that. Those those shows were a part

0:33:51.160 --> 0:33:54.600
<v Speaker 1>of Viacom, and CBS took them. Yeah. So two thousand

0:33:54.640 --> 0:33:58.720
<v Speaker 1>and eight, it's the number one network by viewership, but

0:33:59.240 --> 0:34:04.680
<v Speaker 1>not across all programming. News viewership was down partly because

0:34:05.400 --> 0:34:07.600
<v Speaker 1>broadcaster wasn't the only game in town anymore. Now you've

0:34:07.640 --> 0:34:10.000
<v Speaker 1>got all these different cable news stations as well. And

0:34:10.040 --> 0:34:13.560
<v Speaker 1>those cable news stations are twenty four hour news. Yeah. Now,

0:34:13.560 --> 0:34:14.880
<v Speaker 1>in two thousand and eight, I want to do a

0:34:14.960 --> 0:34:17.520
<v Speaker 1>quick little side note just because it personally impacts me.

0:34:17.600 --> 0:34:20.480
<v Speaker 1>That's when CBS purchased the web company c net for

0:34:20.600 --> 0:34:22.640
<v Speaker 1>one point eight billion dollars. And I had a lot

0:34:22.640 --> 0:34:24.520
<v Speaker 1>of friends who worked over there, some of them still

0:34:24.560 --> 0:34:27.120
<v Speaker 1>do high friends. I guess that was to compete with

0:34:27.120 --> 0:34:29.480
<v Speaker 1>all of the twenty four news networks. Yeah. Well, it's

0:34:29.480 --> 0:34:36.040
<v Speaker 1>also I've often seen traditional media companies purchase established online

0:34:36.760 --> 0:34:41.000
<v Speaker 1>companies because it's a business that the traditional media doesn't

0:34:41.040 --> 0:34:43.359
<v Speaker 1>have a lot of expertise in, and so rather than

0:34:43.400 --> 0:34:46.800
<v Speaker 1>try to build up natively, which could take a really

0:34:46.840 --> 0:34:48.880
<v Speaker 1>long time as you get your head wrapped around it,

0:34:49.200 --> 0:34:51.200
<v Speaker 1>a lot of these traditional media companies will go out

0:34:51.280 --> 0:34:54.080
<v Speaker 1>and buy an existing company, and that way kind of

0:34:54.360 --> 0:34:58.319
<v Speaker 1>it's like trying to get a jump start on that business.

0:34:58.360 --> 0:35:02.240
<v Speaker 1>So CBS had their finger on the pulse of sitcoms,

0:35:02.280 --> 0:35:07.400
<v Speaker 1>of reality shows, drama, drama, and they were successful at

0:35:07.400 --> 0:35:09.400
<v Speaker 1>it for a while, and then in two thousand fourteen

0:35:09.440 --> 0:35:12.920
<v Speaker 1>they introduced CBS All Access to compete with streaming networks.

0:35:13.120 --> 0:35:16.040
<v Speaker 1>And this to me is rough because I pay for

0:35:16.120 --> 0:35:19.799
<v Speaker 1>CBS on my cable subscription, but I cannot watch Star

0:35:19.880 --> 0:35:24.239
<v Speaker 1>Trek Discovery without buying the all access. Yeah, it's frustrating.

0:35:24.520 --> 0:35:28.120
<v Speaker 1>I love CBS programming, but it's another streaming service I

0:35:28.120 --> 0:35:31.960
<v Speaker 1>gotta buy. I hear we should just watch The Orville.

0:35:32.239 --> 0:35:38.759
<v Speaker 1>I do enjoy The Orville. Actually program um and two

0:35:38.760 --> 0:35:41.720
<v Speaker 1>thou fourteen. They also start selling reruns of their shows

0:35:42.480 --> 0:35:46.480
<v Speaker 1>to their streaming services, and they're getting revenue from local

0:35:46.520 --> 0:35:50.040
<v Speaker 1>networks and cable playing reruns. So I'm sure NBC is

0:35:50.040 --> 0:35:54.120
<v Speaker 1>banking a lot off of Friends still being on Netflix. Yeah,

0:35:54.160 --> 0:35:57.719
<v Speaker 1>it's it's crazy to think that a program that was

0:35:57.840 --> 0:36:01.600
<v Speaker 1>made decades ago can still be and it hasn't been

0:36:01.640 --> 0:36:04.920
<v Speaker 1>on the air for a long time, can still be

0:36:04.960 --> 0:36:08.560
<v Speaker 1>making money for for a network like that. All right, Well,

0:36:09.080 --> 0:36:12.360
<v Speaker 1>one thing that's happened recently, uh, this is fairly recently,

0:36:12.440 --> 0:36:16.319
<v Speaker 1>within the last year, was that NBC was able to

0:36:16.440 --> 0:36:20.080
<v Speaker 1>catch up to CBS as and actually overtake it as

0:36:20.080 --> 0:36:23.279
<v Speaker 1>the most watched network, which first it was the first

0:36:23.280 --> 0:36:25.279
<v Speaker 1>time it had happened since two thousand two, So this

0:36:25.320 --> 0:36:29.520
<v Speaker 1>was in February. Like, that's a long run. But without

0:36:29.800 --> 0:36:32.320
<v Speaker 1>taking that top spot, which is also kind of amazing

0:36:33.000 --> 0:36:35.120
<v Speaker 1>when you sit there and think about some of the

0:36:35.160 --> 0:36:38.000
<v Speaker 1>programming that was on NBC in those in those years too.

0:36:38.040 --> 0:36:39.919
<v Speaker 1>But you know, the first time, it's two thousand two

0:36:39.920 --> 0:36:43.560
<v Speaker 1>that NBC had taken the top spot. However, it wasn't

0:36:43.680 --> 0:36:48.040
<v Speaker 1>like a permanent displacement, right, Yeah. But as of May

0:36:48.040 --> 0:36:50.719
<v Speaker 1>have two thousand eighteen, CBS hit its tenth season in

0:36:50.760 --> 0:36:53.600
<v Speaker 1>a row of being America's most watched television network, the

0:36:53.680 --> 0:36:57.560
<v Speaker 1>fifteenth time in sixteen years. Because it goes by seasons,

0:36:57.840 --> 0:36:59.799
<v Speaker 1>so it's not a whole year of being top, it's

0:36:59.800 --> 0:37:02.319
<v Speaker 1>a season. So there's some things that we want to

0:37:02.360 --> 0:37:05.360
<v Speaker 1>wrap up with. One is that we haven't really mentioned it,

0:37:05.400 --> 0:37:10.440
<v Speaker 1>but there's obviously been a lot of talk about allegations

0:37:10.440 --> 0:37:16.240
<v Speaker 1>of sexual misconduct, specifically directed to Moonves that have been

0:37:16.600 --> 0:37:20.279
<v Speaker 1>very disturbing, and they came from six different women, so

0:37:20.320 --> 0:37:22.839
<v Speaker 1>it's not like it's a single person who's made this accusation.

0:37:23.400 --> 0:37:26.640
<v Speaker 1>You know, We've obviously seen a lot arise in those

0:37:26.640 --> 0:37:32.080
<v Speaker 1>reports as women are becoming more empowered and they feel

0:37:32.200 --> 0:37:35.080
<v Speaker 1>that they have the place to be able to speak

0:37:35.160 --> 0:37:37.600
<v Speaker 1>up about it. Whereas in years past, the sort of

0:37:37.600 --> 0:37:40.359
<v Speaker 1>stuff would happen and often would just get swept under

0:37:40.400 --> 0:37:44.560
<v Speaker 1>the rug. But that is turning around. That's still something

0:37:44.760 --> 0:37:47.719
<v Speaker 1>that is playing out to this day. Yeah. In September

0:37:47.760 --> 0:37:51.960
<v Speaker 1>of two eighteen, Moves resigned and Julie Chen also stepped

0:37:51.960 --> 0:37:55.120
<v Speaker 1>down from her roles at CBS, and Joe n. L

0:37:55.200 --> 0:37:58.239
<v Speaker 1>O came out as the acting CEO for CBS at

0:37:58.280 --> 0:38:02.120
<v Speaker 1>that time, but then into umber. CBS after an investigation

0:38:02.120 --> 0:38:06.319
<v Speaker 1>it launched into these allegations decided to deny mus a

0:38:06.360 --> 0:38:11.240
<v Speaker 1>severance package, a hefty one twenty million dollar severance package,

0:38:11.440 --> 0:38:14.920
<v Speaker 1>saying that he wouldn't cooperate fully with the investigations. Is

0:38:14.960 --> 0:38:19.000
<v Speaker 1>fighting back because these allegations are still obviously being investigated. Yeah,

0:38:19.160 --> 0:38:23.000
<v Speaker 1>but still it's not a good story to tell. And

0:38:23.840 --> 0:38:29.000
<v Speaker 1>we're back at an old story again about CBS and Viacom. Yeah,

0:38:29.080 --> 0:38:32.080
<v Speaker 1>there are talks about them re emerging. I guess, I

0:38:32.080 --> 0:38:35.640
<v Speaker 1>guess they just can't quit each other. Uh yeah, so

0:38:35.920 --> 0:38:39.879
<v Speaker 1>interesting story. It's uh, whenever we talk about these big

0:38:39.920 --> 0:38:42.319
<v Speaker 1>media companies and this, I mean, it doesn't get much

0:38:42.320 --> 0:38:46.200
<v Speaker 1>bigger than a broadcast network. The story is always so complicated.

0:38:46.760 --> 0:38:49.000
<v Speaker 1>It's kind of like some of our other really big

0:38:49.000 --> 0:38:52.360
<v Speaker 1>company stories, and that you have all these major corporate players.

0:38:52.640 --> 0:38:56.360
<v Speaker 1>You've got lots of maneuvering, You've got lots of talks

0:38:56.400 --> 0:38:58.920
<v Speaker 1>of acquisitions that may or may not happen. A lot

0:38:58.960 --> 0:39:02.680
<v Speaker 1>of them are are such big deals that there's questions

0:39:02.719 --> 0:39:05.560
<v Speaker 1>about whether the FCC would allow to have comment steps

0:39:05.560 --> 0:39:08.399
<v Speaker 1>in and says nope, you can't. Yeah. So this one

0:39:08.480 --> 0:39:11.879
<v Speaker 1>was another complicated story. And again it's it's one that's

0:39:11.920 --> 0:39:14.799
<v Speaker 1>not over. You know, we've seen the person who is

0:39:14.880 --> 0:39:18.640
<v Speaker 1>who is pointed at as the savior of CBS now

0:39:19.040 --> 0:39:24.000
<v Speaker 1>resigned and under investigation. So there's a big question mark there.

0:39:24.440 --> 0:39:28.440
<v Speaker 1>And the other question mark is can the the new leadership,

0:39:28.880 --> 0:39:32.160
<v Speaker 1>the relatively new leadership, can they pick up the baton

0:39:32.560 --> 0:39:36.160
<v Speaker 1>and run with it and keep CBS forefront among the

0:39:36.200 --> 0:39:39.000
<v Speaker 1>broadcast companies. I guess we'll have to keep our eyes peeled.

0:39:39.200 --> 0:39:41.879
<v Speaker 1>I guess we need to tune in the TV. Yeah. Well,

0:39:42.000 --> 0:39:45.319
<v Speaker 1>until then, we're going to wrap this one up. Let's

0:39:45.360 --> 0:39:48.319
<v Speaker 1>say that people have questions or maybe a suggestion for

0:39:48.320 --> 0:39:51.399
<v Speaker 1>a future topic. Where might they reach us? Well, they

0:39:51.440 --> 0:39:55.399
<v Speaker 1>can reach us at feedback at the Brink podcast dot show, Yes,

0:39:55.480 --> 0:39:58.839
<v Speaker 1>or you can go to www. Dot the Brink podcast

0:39:59.080 --> 0:40:01.880
<v Speaker 1>dot show. There you're going to find the archive of

0:40:01.880 --> 0:40:06.440
<v Speaker 1>all our episodes and also information about Little Me and

0:40:06.520 --> 0:40:10.319
<v Speaker 1>Little Old Me. Yeah, she's in there too. Until next time,

0:40:10.400 --> 0:40:12.640
<v Speaker 1>I have been Jonathan Strickland and I have been aerial

0:40:12.719 --> 0:40:13.080
<v Speaker 1>casting