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Speaker 1: Good morning us a yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo.

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Speaker 2: Yo yo yo, Charlemagne, Peace to the planet. Guess what

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Speaker 2: day it is? Guess what day it is? Yes, it's Wednesday,

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Speaker 2: it's home day, it's middle.

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Speaker 1: Of the week.

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Speaker 3: And we got our special guest host, Miko Grimes joining

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Speaker 3: us this morning.

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Speaker 2: Me hope to be here, co host of Gillis Gilbert

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Speaker 2: Arenas's podcast ex Professional basketball Player, and I.

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Speaker 4: Got a new podcast, Ask me yes, ask me okay,

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Speaker 4: Charlotte Okay, dealing homework. I love it.

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Speaker 2: Good morning, Good morning. How you feeling. How you feeling?

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Speaker 5: Man?

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Speaker 6: It's early.

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Speaker 4: I don't know how y'all do this every day, but

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Speaker 4: I love it here.

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Speaker 7: I love it.

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Speaker 3: I'm a little tired. I watched the VMA's last night.

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Speaker 3: So oh, I was a little tired. You didn't watch

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Speaker 3: it last night, No, Charlamagne, you watch it.

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Speaker 2: I didn't see none of it. My homegirl was in

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Speaker 2: uh In town. From from all over the world, but

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Speaker 2: she's from Nigeria. DJ Cuppy so oh I met coffee.

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Speaker 2: Yeah we met copy yeah, yeah, yeah, yeah, yep, so

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Speaker 2: we her mom cooked a nice Nigerian meal last night.

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Speaker 8: Year.

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Speaker 2: Okay, so we was eating dinner. I didn't see nothing

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Speaker 2: except for what was on social media, and I barely

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Speaker 2: watched that.

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Speaker 3: All right, A lot of a lot of dope performances.

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Speaker 3: Of course, everybody's been celebrating fifty years of hip hop.

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Speaker 3: I'm sure we'll break it.

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Speaker 2: Down in the rooms. Who performed two one and all.

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Speaker 3: That other good stuff. And today we got some special

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Speaker 3: guests joining us from the CEO of the Zeus Network.

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Speaker 2: Let me lamel he'll be joining us, Like Lamel, don't

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Speaker 2: get enough smoke, because when you think about the history

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Speaker 2: of reality television and you think about how, you know,

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Speaker 2: we used to talk about Mona Scott. Young people used

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Speaker 2: to even give Shannie O'Neil smoke. Let me don't get

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Speaker 2: enough smoke for the content that's on the Zeus network.

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Speaker 3: Okay, you know, but he's also a brother that created

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Speaker 3: a group, well a big franchise.

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Speaker 2: He created TV everything, the infrastructure. We're talking about the content.

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Speaker 2: I love them for structure.

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Speaker 9: Want I'm with you.

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Speaker 3: You said you you said you were watching a show

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Speaker 3: the other day and how many fights did you see

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Speaker 3: in that show?

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Speaker 2: Oh? Yeah, Joscelyn's Cabaret. I watched that. I watched the

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Speaker 2: episode of Watch That First.

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Speaker 3: That doesn't seem like something turn okay, that makes it.

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Speaker 2: There was three fights in an hour. Really, yes, bad ones.

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Speaker 4: Yes, you're always sad, that's what you watched. Though, for

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Speaker 4: those reality shows on Zeus's as the.

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Speaker 2: Butt with them, I would think so damn all right,

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Speaker 2: Well I can't. I don't see any other reason to watch,

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Speaker 2: well said well, him and Natalie None will be joining

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Speaker 2: us this morning.

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Speaker 3: Natalie, what they called you a bitch asshinja.

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Speaker 2: I can't wait to see Natalie. I haven't seen her

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Speaker 2: in a long time.

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Speaker 3: She wants all the smoke with you, So she'll be

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Speaker 3: joining us. And then uh salam, Remy will be joining us.

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Speaker 3: He was supposed to were supposed to actually get that

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Speaker 3: interview on yesterday, but we pivoted a little bit. We

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Speaker 3: hit audible yesterday.

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Speaker 2: Yes we did.

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Speaker 3: That's right, all right, Well let's get the show crack

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Speaker 3: and when we come back front page news testing figure

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Speaker 3: out will be joining us.

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Speaker 2: Nobody else It is warming here. It was just me

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Speaker 2: because I had a sweat show.

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Speaker 4: I brought Florida with me.

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Speaker 2: What it is, all right? We'll get to it next.

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Speaker 2: It's the breakfast Cloak. Good morning, Burning.

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Speaker 3: Everybody is dj n V Charlamagne to gud. We are

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Speaker 3: a breakfast club. Let's get in some front page news.

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Speaker 3: We got our guest, special guest co host Meko Grimes

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Speaker 3: here and Tesla and figure out Morning Test.

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Speaker 5: Good morning DJ and me, Good morning beautiful mego morning.

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Speaker 2: Now. Sorry to all the Jets fans.

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Speaker 3: Look like Aaron Rodgers is out for the year torn achilles,

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Speaker 3: So he won't be playing for yet.

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Speaker 2: Does that mean he retires after this? I would think so.

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Speaker 6: I don't think so.

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Speaker 4: He has some some more stuff to prove, and this

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Speaker 4: Achilles is gonna give me more motivation.

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Speaker 2: To come back. He's forty years old.

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Speaker 9: Though.

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Speaker 4: Listen, you don't have to be that mobile anyways to

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Speaker 4: be a football a quarterback in the NFL. Yeah, you

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Speaker 4: just got them gotta work, that's.

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Speaker 2: All the matters. I don't like to see people get hurt.

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Speaker 2: But I'll tell you one thing. You're playing my Dallas Cowboys,

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Speaker 2: Charle Main hoping Cowboys. This Sunday, go us go ask

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Speaker 2: you stupid. Now, let's talk about McCarthy. What's going on

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Speaker 2: with McCarthy.

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Speaker 5: Well, House Speaker Kevin McCarthy announced Tuesday he is calling

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Speaker 5: on his committees to open a formal impeachment inquiry into

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Speaker 5: President Joe Biden, even though he has not proved anything

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Speaker 5: that has to do with him profiting off of his

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Speaker 5: son hernd And Biden.

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Speaker 2: Now.

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Speaker 5: The move comes amid increasing pressure from the right flank

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Speaker 5: to move ahead with the inquiry, including some on the

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Speaker 5: far right who have threatened to alse McCarthy.

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Speaker 10: Which they've been doing from the very beginning.

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Speaker 5: You may remember that from his speakership if he does

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Speaker 5: not move swiftly enough on the investigation.

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Speaker 10: Let's take a listen to what he had to say.

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Speaker 11: These are allegations of abusive power, obstruction, and corruption, and

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Speaker 11: they weren't further investigation by the House of Representatives. That's

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Speaker 11: why today I am directing our House committee to open

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Speaker 11: a formal impeachment inquiry into President Joe Biden.

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Speaker 2: Oh God, I'm tired of the tip for tat man.

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Speaker 2: This is messy. And when you look at what's happening

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Speaker 2: in America right now, folks trying to keep food on

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Speaker 2: the table, crime through the roof Supreme Court, rolling back rights,

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Speaker 2: and they're doing a tit for tat. I just feel

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Speaker 2: like they care about everything except every day American people's lives.

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Speaker 2: This is messy now, he's saying.

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Speaker 5: MacCarthy is saying that this has to do with over

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Speaker 5: twenty million dollars of pavements that went into shell companies

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Speaker 5: of Hunter Biden and saying that President Biden was aware

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Speaker 5: that he and he used his official office to coordinate deals.

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Speaker 5: But again, he's been investigating this for about nine months.

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Speaker 5: They haven't came up with any evidence, and Democrats are

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Speaker 5: saying this is just mccarthury playing politics to your point, Charlotmagne,

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Speaker 5: because he can't get anything done in the House of Representatives,

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Speaker 5: he can't get them to vote on anything. They're holding

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Speaker 5: their votes, and so this is something that he's saying,

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Speaker 5: you know, maybe I can get people to rally around this.

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Speaker 5: Democrats saying that it will backfire ultimately because if they

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Speaker 5: don't come up with anything, it could ultimately help Democrats

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Speaker 5: win on next year.

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Speaker 2: Yeah, if something was really there, I'm all for it.

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Speaker 2: Nobody is above the law. But it feels like, you know,

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Speaker 2: this is just get back for a couple of times,

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Speaker 2: then peace there guy.

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Speaker 10: Yep, putting cases on everybody all of y'all.

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Speaker 3: All right, lat is front page News. All right, thank

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Speaker 3: you Tess. We've seen in a couple of minutes.

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Speaker 10: Absolutely everybody else.

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Speaker 2: Get it off your chest.

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Speaker 3: Eight hundred five eight five one oh five one. If

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Speaker 3: you need to vent, phone lines of wide open. Let

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Speaker 3: us know what's going on in your life. Maybe seeing

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Speaker 3: the VMA's tonight last night, you loved it, you hated it.

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Speaker 3: Maybe you hate going to work todaycause this morning it

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Speaker 3: was a lot of rain. I ain't gon front. It

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Speaker 3: was barring, But whatever it may be, call us up

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Speaker 3: right now. Phone lines are wide open. Eight hundred five

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Speaker 3: eight five one oh five one. Get it off your chest.

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Speaker 3: It's the Breakfast Club. Good morning, the Breakfast Club. This

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Speaker 3: is your time to get it off your chest. Eight

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Speaker 3: hundred five eight five one five one. We want to

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Speaker 3: hear from you on the Breakfast Club.

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Speaker 9: Hello, this right?

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Speaker 1: What's going on?

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Speaker 12: Dj av Charlamade a dog in Queens from Canada.

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Speaker 9: Light.

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Speaker 12: I'm the one they chopped off the candles. They stand up.

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Speaker 12: I just want to know if you like the candles.

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Speaker 12: Charlemagne be there every Thank you for posting it and stuff.

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Speaker 12: You know we're from the same hood. I appreciate you

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Speaker 12: so much.

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Speaker 2: And he said he loved the one called lick me

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Speaker 2: all over.

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Speaker 3: No, no, I did not see it. Every time I

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Speaker 3: like the giants candle. He come and blowed out, you.

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Speaker 12: Got your your cowboys candle, Charlemagne.

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Speaker 2: That without it's one of the put it backwards so

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Speaker 2: we couldn't see what it was.

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Speaker 12: Yeah, and I put a I put a cancer in

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Speaker 12: the front of it as well, because I know you

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Speaker 12: are cancer, Charlemagne.

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Speaker 2: I appreciate that. I see it now. I didn't see it.

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Speaker 2: They hit it from me. Yeah, you see, I got

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Speaker 2: right now.

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Speaker 12: It's how y'all did us on Sunday.

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Speaker 5: Man.

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Speaker 12: It was so disrespectful.

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Speaker 3: Don't talk about that's the past. We don't talking about

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Speaker 3: the past.

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Speaker 12: Brother, Can I can I shout out my my Instagram

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Speaker 12: or people could come just check out the Candle's office

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Speaker 12: candle d A N D L E period B E,

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Speaker 12: period L I T E. And that's on Instagram and

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Speaker 12: you got to go to my website anybody and for

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Speaker 12: some kids or with the as session and where I

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Speaker 12: teach you how to make some candles.

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Speaker 2: All right, all right, brother, I'm going hello, who's this

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Speaker 2: from de trait?

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Speaker 13: How you doing?

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Speaker 14: Hi?

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Speaker 13: Handy, Hi Shailah, He's not sure what the third person is.

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Speaker 1: Hi, Hi God, how you doing?

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Speaker 8: Okay?

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Speaker 13: So this is something I'm trying to get off my

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Speaker 13: chest and I kind of want to talk to DJ

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Speaker 13: n V about it.

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Speaker 8: Okay.

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Speaker 13: So I'm a DJ from Detroit and uh I've been

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Speaker 13: DJ and restley for about two years now.

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Speaker 2: What's uh? DJ?

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Speaker 13: Men's the Monsters?

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Speaker 2: The monster? Okay?

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Speaker 1: Yep.

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Speaker 13: So probably like six months ago, I had a DJ

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Speaker 13: friend most of my friends they are mailed DJ.

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Speaker 10: He showed me.

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Speaker 13: Some things and he kind of like switch music with him,

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Speaker 13: and then he asked me because he borrowed my stickers.

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Speaker 13: I had like two twelve inch evs and some mics

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Speaker 13: that I let him borrow. But that was six months ago,

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Speaker 13: and I've been like trying to reach out to him,

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Speaker 13: call him. It's either he's sick or he can't answer

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Speaker 13: my phone calls. So you be in the DJ you

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Speaker 13: think I should take this in different matters? Like should

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Speaker 13: I take it on Judge Matthews because I believe want

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Speaker 13: my speakers back even though.

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Speaker 2: I have yes. Matter of fact, you should say his name.

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Speaker 2: He took your speakers and didn't bring it back.

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Speaker 13: No, his name because then we from de tray.

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Speaker 2: I don't want to well, then you can't take that name,

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Speaker 2: got to say his name in court. I'm trying to.

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Speaker 13: Get vice first at vice ers before I did all that.

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Speaker 13: So do you think I should go like another level

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Speaker 13: because I feel like he just doing that because I'm female?

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Speaker 3: Yeah, I mean Detroit is a is a big place,

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Speaker 3: but it's a small place where everybody knows each other.

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Speaker 3: I mean I think you just tell the homies that

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Speaker 3: he stole your equipment.

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Speaker 4: Well, Philly, right, he's not giving a gag and he's ignoring.

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Speaker 13: Yes, he's ignoring the big time. So I don't know

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Speaker 13: if that was a good thing that I should do

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Speaker 13: to try to like take him the court about it, the.

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Speaker 3: Course and the brother that stole dj mes the monster's equipment.

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Speaker 3: Give a backup equipment, man, she's DJing, give her back

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Speaker 3: up equipment.

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Speaker 8: Sorry, thanks so much.

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Speaker 2: You can do, Judge matthis all you could do, Judge

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Speaker 2: Evanye k Williams, she's got to show coming equal justice,

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Speaker 2: equal justice, equal justice.

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Speaker 1: Wow.

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Speaker 13: Okay, thank y'all guys so much.

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Speaker 2: All right, have a good one. Yeah, but taking that

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Speaker 2: k Williams show, she helped you out. I will all right, man,

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Speaker 2: it's crazy. Barron Allen does both those shows. Judge. That's

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Speaker 2: the barn Allen's media group.

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Speaker 3: Get It off your Chest eight hundred and five eighty

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Speaker 3: five one on five one.

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Speaker 2: If you need to vent here us up now. It's

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Speaker 2: the Breakfast Club. Good morning, the Breakfast Club from today?

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Speaker 9: Is it your time to get it off your chest?

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Speaker 9: Way up?

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Speaker 2: Whether you're mad or blast, time to get up and

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Speaker 2: get something call him now eight hundred and five eighty

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Speaker 2: five one oh five one. We want to hear from

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Speaker 2: you on the Breakfast Club. Hello. Who's this? Hey?

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Speaker 1: A DZ people are going on. Charlotte Mane and his

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Speaker 1: coach David. How y'all doing, coach?

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Speaker 2: Good morning?

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Speaker 1: What's up y'all? How you doing? To the guest me?

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Speaker 1: I guess right, I'm sorry if I got the name

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Speaker 1: her y go Grimes?

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Speaker 2: How you doing again, lady? Good morning?

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Speaker 1: Good morning? Hey listen man, you know I'm hitting a

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Speaker 1: milestone this weekend. I'm turning fifty. You just want to

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Speaker 1: say happy birthday to me. I won't be here on Friday,

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Speaker 1: you know, to get my shadow, but I just want

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Speaker 1: to do that a little earlier.

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Speaker 2: Vic.

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Speaker 1: Oh yeah, no, doubt I'm going to from the corn

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Speaker 1: of tomorrow, so I gotta tele it.

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Speaker 2: Brady, all right, you know, don't get you drunk out there.

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Speaker 1: Oh not at all. But listen, can I do one thing?

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Speaker 1: I'd like to get two shot up if it's possible,

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Speaker 1: my man, my man six? Who's who's the man? It's

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Speaker 1: this retirement party is this weekend. I can't get there,

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Speaker 1: but yo, my men. Graduation And about about two months ago,

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Speaker 1: I think y'all had ice Cube up there about the

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Speaker 1: Big three. Right. One of the things he talked about

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Speaker 1: was the A B A and how the ABA is

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Speaker 1: gonna come up. Well, I'm a general manager of the

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Speaker 1: Coney Island Sharks and we're the first A B A

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Speaker 1: team out of Brooklyn, and our inaudial year is this year, man,

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Speaker 1: and I just want everybody to come out. We in

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Speaker 1: Kingsboro College in Brooklyn, and we're gonna have a great year.

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Speaker 1: And ice Cube is right, we're gonna we're gonna come up,

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Speaker 1: and I just want everybody to come out and sport

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Speaker 1: the A B A in the in the Coney Island Sharks.

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Speaker 1: My man Rubert McLaughlin, right, So y'all have a blessed day, man,

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Speaker 1: and I appreciate y'all. And uh, like I said, a charloaeae,

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Speaker 1: it's a virgo king's birthday. My man is the virgo

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Speaker 1: virgos is out here?

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Speaker 2: You heard, coach. I don't know why you're telling me that,

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Speaker 2: Like I cancer, I'm a cancer? Hello? Who's this?

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Speaker 15: Yo?

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Speaker 16: We got mac Ritch on the line.

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Speaker 2: How y'all doing, mad Rich? Mac Rich?

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Speaker 13: Man mac Rich may see man starlet Maine.

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Speaker 16: Man, I'm straight out of Somerville, South Carolina, A.

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Speaker 2: A four three? What's happening in Somerville? Love? I started

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Speaker 2: to say, we used to say that when we was kids.

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Speaker 2: So I'm a grown ass man. I ain't calling some

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Speaker 2: of those Slummerville to Somerville.

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Speaker 16: Hell no, Man, were on the bigger things.

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Speaker 2: Man.

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Speaker 16: I just want to give a shout out to y'all. Man,

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Speaker 16: I'm super proud of you and y'all whole team. Man,

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Speaker 16: dj MV Yes, Charla Magne Man, y'all are great people.

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Speaker 1: Man, I'm proud of y'all.

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Speaker 16: How y'all became.

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Speaker 1: Y'all are awesome.

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Speaker 12: Man, keep that energy.

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Speaker 2: Please, thank you, my brother. You on the way to work.

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Speaker 1: I'm on the way to work right now.

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Speaker 8: Man.

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Speaker 16: You know what it is got to get this money, man,

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Speaker 16: keep your children fed where you were at Carolina Gutters

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Speaker 16: and West Ashley.

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Speaker 2: Oh okay, okay, okay, South everybody in West Ashley as well.

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Speaker 2: All right, brother, yeah, man.

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Speaker 16: I just wanted to take a moment man, and let

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Speaker 16: y'all know. Man, I'm super proud of y'all, and I

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Speaker 16: appreciate everything y'all do for the people, keeping that good

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Speaker 16: energy for us and mac Rich Man, it may feet

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Speaker 16: all right, create new song we'll just sold.

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Speaker 2: Just drop on all platforms after mac Rich, you go

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Speaker 2: support wom that soldiers. Man, my little country brethren. Hello,

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Speaker 2: who's this? You know? It's Mark for BA seventy five seven.

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Speaker 2: Get it off your chest.

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Speaker 12: It's seven oh three.

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Speaker 1: But look this week a jot appreciation league. I think

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Speaker 1: the tough and more appreciation because while we y'all knackety

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Speaker 1: mills down, everybody in the house is doing for your

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Speaker 1: food and barbecue whing late night early more on.

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Speaker 2: The Okay, well, let's drive appreciation. We blow the whole

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Speaker 2: for us one time. And though if you want you

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Speaker 2: to blow him early blow there you go, there you go.

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Speaker 2: I have a going off. We saved one of the roads.

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Speaker 2: He is truck appreciated, he said, his drive appreciation.

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Speaker 4: Shout out my uncle David Moses truck.

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Speaker 2: Drivers, Luther David. What do you driving here with?

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Speaker 4: Yeah?

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Speaker 17: Okay, yeah, save my life?

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Speaker 2: How you saved your life?

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Speaker 4: I ran away and he moved me in with him

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Speaker 4: and raised me since I was about twelve years old.

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Speaker 2: Dope.

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Speaker 4: Wo yeah, like a father.

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Speaker 2: Most more people need to go get their CDLs by

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Speaker 2: the way, Yeah, I remember that used to be a

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Speaker 2: thing back in the day.

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Speaker 4: My nephew is a driver too. Really yeah, Emmanual Primer.

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Speaker 2: See and I bet you didn't make any great money.

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Speaker 4: Yeah, he's good. He's young too.

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Speaker 2: Oh. Get your CDL kids, Devin, Yeah, good morning, Good

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Speaker 2: morning now, Devin.

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Speaker 3: She says she's a stay at home mom for ten

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Speaker 3: years and now she got to go back to work.

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Speaker 2: And you're nervous.

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Speaker 4: Oh, man, well.

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Speaker 8: I went back like a week and a half ago,

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Speaker 8: and it's a struggle to switch gears.

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Speaker 1: You know what I mean?

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Speaker 2: What do you do?

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Speaker 8: I worked in a warehouse, uh that exclusively works with Apple.

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Speaker 2: Okay.

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Speaker 3: We's so nervous about it, Mama. Is it leaving your

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Speaker 3: kids or is it well.

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Speaker 8: For one, leaving my kids, obviously just being out there

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Speaker 8: with because I'm not used to being with adults.

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Speaker 2: You're a man.

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Speaker 8: I'm struck with kids all day. My oldest is nine

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Speaker 8: and I had five.

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Speaker 2: Damn yep.

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Speaker 3: I mean I could get it because you've been with

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Speaker 3: the kids for the last ten years, so you on

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Speaker 3: mommy mode and now you gotta have a doupt conversations

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Speaker 3: and no blues clues and cocomela.

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Speaker 8: Oh yes. And I feel like I had no time

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Speaker 8: for anything. I mean I been home for ten years,

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Speaker 8: and then the last two I started my own business,

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Speaker 8: and now I don't have time for that or extracurricular activities,

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Speaker 8: you know what I mean.

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Speaker 10: It's just a what happened?

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Speaker 2: What happened.

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Speaker 8: The end last year. I had my daughter early and

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Speaker 8: she spent two months in the YouTube Nick you, I'm sorry,

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Speaker 8: and then a week later went back for another two

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Speaker 8: weeks because she caught RSV and so bills just started

397
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Speaker 8: piling up and she was in a hospital hour away,

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Speaker 8: so we had to he had to stop going to

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Speaker 8: work so that we were able to go visit her.

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Speaker 8: And I only visit her like once a week because

401
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Speaker 8: we just didn't have the gas or money to do it,

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Speaker 8: you know what I mean. Yeah, so everything piling up,

403
00:16:58,960 --> 00:17:00,960
Speaker 8: gotta go back to work. Just see under it, you

404
00:17:00,960 --> 00:17:01,440
Speaker 8: know what I mean?

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Speaker 2: All right, well Devin, you stay you stay strong and

406
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Speaker 2: will pray for you, Devin.

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Speaker 8: Yeah, thank you.

408
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Speaker 10: I appreciate it.

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Speaker 4: So defeated, Yeah, gotta you know, it's funny a lot

410
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Speaker 4: of people would rather go to work than to be

411
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Speaker 4: at home, Like they would rather have something where they

412
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Speaker 4: get clock in and out of. You don't get the

413
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Speaker 4: clock in and out when you're a parent. You on

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Speaker 4: the clock twenty four to seven.

415
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Speaker 2: But that's got to be something that you ain't been

416
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Speaker 2: to work in ten years, you know how to get

417
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Speaker 2: back accustomed to waking up to go work.

418
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Speaker 4: So listening to other people tell you what to do.

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Speaker 2: God, but yeah, because she had a schedule.

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Speaker 3: She probably dropped the kids off at school and this

421
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Speaker 3: one took a nap for this time and yeah this

422
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Speaker 3: but now it's not like I.

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Speaker 2: Think she wanted us to give her a pep talk.

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Speaker 2: I ain't had nothing for it.

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Speaker 4: That's what I.

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Speaker 2: Pray for me.

427
00:17:45,280 --> 00:17:47,600
Speaker 4: That's in real life, man. A lot of people have

428
00:17:47,680 --> 00:17:49,720
Speaker 4: been doing it the whole time. Like working, you get

429
00:17:49,840 --> 00:17:51,840
Speaker 4: you get off work and you're still at work at home.

430
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Speaker 4: So I know it's tough, but you know it's an adjustment.

431
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Speaker 4: She's got to push through. Get all them five babies.

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Speaker 9: Jesus.

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00:17:58,359 --> 00:18:01,480
Speaker 2: He's an extracurricular activities boy. No, she had a lot

434
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Speaker 2: of sex with.

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00:18:02,440 --> 00:18:04,359
Speaker 4: A lot of haunching already happened.

436
00:18:04,400 --> 00:18:06,920
Speaker 2: But you got this, Devin, We got got this, Devin.

437
00:18:07,000 --> 00:18:09,560
Speaker 4: They're strong. Find you something you like to do, that's

438
00:18:09,560 --> 00:18:11,280
Speaker 4: what you should do. Find you something that you really

439
00:18:11,359 --> 00:18:13,200
Speaker 4: like to do, a job you actually enjoy.

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00:18:13,640 --> 00:18:14,640
Speaker 2: Get it off your chest.

441
00:18:14,720 --> 00:18:16,919
Speaker 3: Eight hundred and five eight five, one oh five one.

442
00:18:17,000 --> 00:18:18,560
Speaker 3: Now when we come back, we got rumors. Give us

443
00:18:18,560 --> 00:18:19,680
Speaker 3: a little Tea's what we're talking about.

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Speaker 4: Miko on the Room report, we're gonna talk about the

445
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Speaker 4: vm as.

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Speaker 9: That's right.

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00:18:23,200 --> 00:18:25,440
Speaker 3: VMA's last night. Did you see it? Did you watch? Well,

448
00:18:25,440 --> 00:18:26,960
Speaker 3: we'll put you on what happened last night?

449
00:18:27,000 --> 00:18:29,960
Speaker 2: You don't move. It's to Breakfast Club on b ET

450
00:18:29,960 --> 00:18:31,440
Speaker 2: the Breakfast Club.

451
00:18:33,640 --> 00:18:36,680
Speaker 3: Morning, everybody at CEJ MV charlamagnea god.

452
00:18:36,720 --> 00:18:38,600
Speaker 2: We are the Breakfast Club. We got our guest co.

453
00:18:38,600 --> 00:18:41,080
Speaker 3: Host, Miko grind to see y'all what up and let's

454
00:18:41,080 --> 00:18:41,760
Speaker 3: get to the rooms.

455
00:18:42,480 --> 00:18:46,360
Speaker 2: Listen, listen, being a loud mouth.

456
00:18:46,440 --> 00:18:48,800
Speaker 1: I got seventeen years. You need me.

457
00:18:49,440 --> 00:18:50,280
Speaker 6: I have to see this.

458
00:18:52,080 --> 00:18:53,120
Speaker 2: Made it.

459
00:18:52,720 --> 00:18:54,119
Speaker 9: This is the room report.

460
00:18:54,440 --> 00:18:55,920
Speaker 7: Sorry, I'm a true teller.

461
00:18:56,440 --> 00:19:00,320
Speaker 2: We go, run, we go. I got to see baby

462
00:19:00,640 --> 00:19:01,840
Speaker 2: the fites see.

463
00:19:03,440 --> 00:19:03,920
Speaker 7: All right.

464
00:19:04,080 --> 00:19:07,600
Speaker 4: So the twenty twenty three The twenty twenty three VMAs

465
00:19:07,640 --> 00:19:11,000
Speaker 4: took place in New Jersey last night. I did not watch,

466
00:19:11,160 --> 00:19:12,000
Speaker 4: did you guys watch?

467
00:19:12,400 --> 00:19:16,280
Speaker 2: No? I was having Nigerian food, my Nigerian family, sleutha

468
00:19:16,320 --> 00:19:18,520
Speaker 2: cuppy and her mother. No, I did watch last night.

469
00:19:18,520 --> 00:19:19,480
Speaker 2: I've seen some of it last night.

470
00:19:19,560 --> 00:19:19,720
Speaker 1: Yeah.

471
00:19:19,840 --> 00:19:21,400
Speaker 4: Yeah, so we're gonna talk about it a little bit.

472
00:19:21,440 --> 00:19:24,360
Speaker 4: So Nicki Minaj hosted and she also performed her new

473
00:19:24,480 --> 00:19:26,560
Speaker 4: song last Time I Saw.

474
00:19:26,400 --> 00:19:28,679
Speaker 3: You, and she performed a couple of times last night.

475
00:19:28,760 --> 00:19:32,280
Speaker 3: She also performed in the Hip Hop fifty celebration. She

476
00:19:32,320 --> 00:19:34,440
Speaker 3: saw that any Piggy, anybody Piggy?

477
00:19:34,480 --> 00:19:35,760
Speaker 2: Yes, she did that as well, and she brought out

478
00:19:35,760 --> 00:19:38,120
Speaker 2: a Little Wayne, which was dope. Wow, I thought lowle

479
00:19:38,119 --> 00:19:38,880
Speaker 2: Wayne opened the show.

480
00:19:39,080 --> 00:19:40,880
Speaker 3: No what, She did a part where she said something

481
00:19:40,880 --> 00:19:43,520
Speaker 3: and and she was like MILLI like the Little Wayne record.

482
00:19:43,200 --> 00:19:46,320
Speaker 2: And Milly a Mille a million and Little Wayne. Yeah,

483
00:19:46,320 --> 00:19:48,920
Speaker 2: it was that social little way performing uproar. I thought

484
00:19:48,920 --> 00:19:50,639
Speaker 2: they said you opened the show. He came out in

485
00:19:50,720 --> 00:19:54,720
Speaker 2: Hip Hop fifty oh a million millions, wait.

486
00:19:54,840 --> 00:19:57,320
Speaker 4: See what we gotta watch? But she also won Best

487
00:19:57,359 --> 00:20:01,160
Speaker 4: Hip Hop Awards and she had a very interesting acceptance.

488
00:20:01,200 --> 00:20:05,119
Speaker 3: If you don't got but an except the species was like,

489
00:20:05,160 --> 00:20:07,240
Speaker 3: thank you so much, I appreciate it. She was like, uh,

490
00:20:07,600 --> 00:20:09,080
Speaker 3: this side of me and she pointing to the right

491
00:20:09,119 --> 00:20:10,800
Speaker 3: side of what it wants to be mean, and then

492
00:20:10,800 --> 00:20:12,639
Speaker 3: she said, the left side of me wants to be I.

493
00:20:12,640 --> 00:20:15,800
Speaker 2: Don't want to hear you. I want to produced. I

494
00:20:15,840 --> 00:20:18,399
Speaker 2: want the producers. They don't have the audio, but there

495
00:20:18,440 --> 00:20:20,600
Speaker 2: is this. It's just like this. It was just the

496
00:20:20,680 --> 00:20:22,919
Speaker 2: MTV V and as that was on last night, they

497
00:20:23,040 --> 00:20:25,320
Speaker 2: did they had twelve hours to get it. It's not there.

498
00:20:25,680 --> 00:20:27,560
Speaker 2: It's not there. We teased it. So she said, this

499
00:20:27,600 --> 00:20:28,280
Speaker 2: side wants.

500
00:20:28,119 --> 00:20:28,520
Speaker 16: To know me.

501
00:20:28,840 --> 00:20:31,600
Speaker 3: I know every other morning show and have it be happy.

502
00:20:31,920 --> 00:20:34,080
Speaker 3: And then she says, but it's Barbie.

503
00:20:35,000 --> 00:20:37,080
Speaker 4: Shots fired, shots fire.

504
00:20:38,880 --> 00:20:40,239
Speaker 2: No, I want to hear from Nikki. I don't want

505
00:20:40,240 --> 00:20:41,520
Speaker 2: to hear it from Envy. I want to hear the

506
00:20:41,560 --> 00:20:42,440
Speaker 2: audiences that there.

507
00:20:43,240 --> 00:20:46,280
Speaker 4: It's not there, shots fire. Everybody gets you, get gets together. Okay,

508
00:20:46,280 --> 00:20:49,600
Speaker 4: we need the audio anyway. She also did he perform

509
00:20:49,680 --> 00:20:51,840
Speaker 4: last night and he had his son King Combs come

510
00:20:51,880 --> 00:20:53,200
Speaker 4: out and join him on the stage.

511
00:21:04,400 --> 00:21:09,239
Speaker 2: Up half Man, half Drug. Yes, what's up?

512
00:21:09,520 --> 00:21:09,800
Speaker 1: Wow?

513
00:21:10,480 --> 00:21:13,720
Speaker 2: Y'all had Diddy audio, but not Nikki. This Nikki hate

514
00:21:13,720 --> 00:21:17,800
Speaker 2: train has to don't start because I can't believe that

515
00:21:17,920 --> 00:21:21,280
Speaker 2: y'all got hate train. This has to say and it.

516
00:21:21,280 --> 00:21:22,720
Speaker 4: Has to be the day I'm on here. You know

517
00:21:22,800 --> 00:21:25,320
Speaker 4: they don't they don't. The barbs don't fool will be either.

518
00:21:25,400 --> 00:21:26,159
Speaker 4: Let me see me.

519
00:21:26,240 --> 00:21:28,960
Speaker 2: Y'all got all these audio clips with Nikki. Y'all got

520
00:21:28,960 --> 00:21:31,160
Speaker 2: some Nikki, you got the speech down. She only hopes

521
00:21:31,280 --> 00:21:32,560
Speaker 2: the show. We got the speech.

522
00:21:32,720 --> 00:21:33,760
Speaker 4: Let's look to the speech.

523
00:21:34,480 --> 00:21:37,880
Speaker 18: I thank you, guys, the people who go out and support,

524
00:21:38,480 --> 00:21:41,960
Speaker 18: the people who never skip a beat on the internet

525
00:21:42,119 --> 00:21:46,400
Speaker 18: helping holding us down, the people who at the tours,

526
00:21:46,480 --> 00:21:49,639
Speaker 18: and you know, I want to just thank you guys

527
00:21:49,680 --> 00:21:52,719
Speaker 18: and MTV, thank you for showcasing Rapp and thank you

528
00:21:52,800 --> 00:21:53,800
Speaker 18: for showing me love.

529
00:21:54,520 --> 00:21:55,680
Speaker 6: And you know, what.

530
00:22:01,920 --> 00:22:03,160
Speaker 2: Should I be mean right now?

531
00:22:03,160 --> 00:22:03,800
Speaker 17: What should I be?

532
00:22:03,920 --> 00:22:04,200
Speaker 6: Nice?

533
00:22:04,480 --> 00:22:04,720
Speaker 2: Mean?

534
00:22:06,960 --> 00:22:07,280
Speaker 4: Nice?

535
00:22:11,280 --> 00:22:17,080
Speaker 6: It's Barbie speech.

536
00:22:16,640 --> 00:22:20,879
Speaker 4: For she won the Best Hip Hop Award. Yeah, you

537
00:22:20,920 --> 00:22:23,880
Speaker 4: didn't do a good impersonation, but that was not good.

538
00:22:24,320 --> 00:22:30,440
Speaker 2: Ted tried and the video award was the Van Got

539
00:22:30,600 --> 00:22:33,280
Speaker 2: Gord Award. An he won the Global Icon Award.

540
00:22:33,480 --> 00:22:36,119
Speaker 3: Right and Mary Mary brought him out and he performed

541
00:22:36,160 --> 00:22:40,119
Speaker 3: for about six minutes. He did uh more money, more problems,

542
00:22:40,400 --> 00:22:42,560
Speaker 3: Benjamin's he did uh.

543
00:22:44,240 --> 00:22:46,560
Speaker 4: Catch that? Please Goodness, look at me.

544
00:22:47,200 --> 00:22:50,520
Speaker 3: He brought out City Girl, He brought out Kresha, Don't

545
00:22:50,520 --> 00:22:50,879
Speaker 3: Forget It.

546
00:22:50,880 --> 00:22:53,800
Speaker 4: He brought out Keisha Cole. That was the best performance

547
00:22:53,880 --> 00:22:56,160
Speaker 4: right there. Keisha Kids sing.

548
00:22:56,040 --> 00:22:58,000
Speaker 2: By the way last night is one of my favorite

549
00:22:58,040 --> 00:23:00,480
Speaker 2: records of all time, Like like.

550
00:23:00,560 --> 00:23:02,879
Speaker 4: Literally, you cannot be in a bad moved when you

551
00:23:02,960 --> 00:23:04,880
Speaker 4: hit even though the song is about.

552
00:23:08,200 --> 00:23:10,119
Speaker 6: I love you so much.

553
00:23:12,520 --> 00:23:12,960
Speaker 7: Let me not.

554
00:23:13,040 --> 00:23:21,280
Speaker 2: Sing to come and take this paint away last night

555
00:23:22,520 --> 00:23:26,880
Speaker 2: last dropping a record, Yeah, last night of my favorite

556
00:23:26,880 --> 00:23:27,760
Speaker 2: records of all time.

557
00:23:28,240 --> 00:23:29,960
Speaker 3: Me, well, they killed it last night. I know we

558
00:23:30,000 --> 00:23:32,399
Speaker 3: gotta wrap up. Dozey Cat. She killed it last night.

559
00:23:32,480 --> 00:23:35,120
Speaker 3: She performed Don't Forget Cardi.

560
00:23:34,960 --> 00:23:37,440
Speaker 4: B Mega Stallion before Bongos.

561
00:23:37,520 --> 00:23:46,160
Speaker 2: Got to play a clip of Bongos dump don't buck

562
00:23:46,200 --> 00:23:51,080
Speaker 2: your mouth for your jumba. I'm coming the bottle talking

563
00:23:53,600 --> 00:23:55,679
Speaker 2: Bongos drown me a lot when I first heard it,

564
00:23:55,720 --> 00:23:57,720
Speaker 2: I didn't get it all the way. Well, it's growing

565
00:23:57,760 --> 00:23:59,480
Speaker 2: on me a lot after seeing the video and that

566
00:23:59,640 --> 00:24:02,880
Speaker 2: and that performance, but even just hearing it, I'm like, yeah,

567
00:24:02,880 --> 00:24:03,280
Speaker 2: I get it.

568
00:24:03,359 --> 00:24:05,399
Speaker 4: But CARDI don't miss, come on, she really does, she

569
00:24:05,480 --> 00:24:09,280
Speaker 4: don't miss. Just don't miss. Sweety had a rough day

570
00:24:09,880 --> 00:24:14,280
Speaker 4: at work, sweetie. I know y'all caught the clips of

571
00:24:14,320 --> 00:24:16,520
Speaker 4: her kind of flubb and that's a hard job. I

572
00:24:16,520 --> 00:24:18,480
Speaker 4: want to just put that out there. That's a hard job.

573
00:24:18,480 --> 00:24:21,440
Speaker 4: It's her first time, but it was very entertaining.

574
00:24:21,520 --> 00:24:24,399
Speaker 2: I got to say, can we hear it? We've got more,

575
00:24:25,160 --> 00:24:27,520
Speaker 2: we got more from your favorite nominees.

576
00:24:27,160 --> 00:24:30,560
Speaker 4: Mark Clips, Mark Lamb and definitely warm music coming your

577
00:24:30,680 --> 00:24:31,800
Speaker 4: way right after the break.

578
00:24:31,960 --> 00:24:34,520
Speaker 18: And you're not gonna want to and you're not gonna

579
00:24:34,520 --> 00:24:36,960
Speaker 18: want to miss what we have up coming on the

580
00:24:37,200 --> 00:24:38,200
Speaker 18: v m A pre show.

581
00:24:38,280 --> 00:24:39,040
Speaker 10: I'm not that's right.

582
00:24:39,480 --> 00:24:40,360
Speaker 2: I know that's right.

583
00:24:40,400 --> 00:24:41,800
Speaker 17: I know that's right, y'all.

584
00:24:41,800 --> 00:24:45,200
Speaker 2: Producers up the teleprompt, I know that's right.

585
00:24:45,280 --> 00:24:46,840
Speaker 4: Yeah, and it was her first time too. I'm sure

586
00:24:46,840 --> 00:24:49,280
Speaker 4: if she was already nervous and the teleprompter just rolling

587
00:24:49,320 --> 00:24:49,640
Speaker 4: on her.

588
00:24:49,640 --> 00:24:52,840
Speaker 2: Per thing, because you do rehearse that like people don't

589
00:24:52,840 --> 00:24:55,720
Speaker 2: realize that you do rehearse that, so clearly something messed

590
00:24:55,800 --> 00:24:56,639
Speaker 2: up in the teleprompter.

591
00:24:56,920 --> 00:25:00,480
Speaker 3: Yeah, well we were too fast. That's that's the sad

592
00:25:00,480 --> 00:25:02,359
Speaker 3: thing about it. Like people are blaming on Sweedi. We

593
00:25:02,359 --> 00:25:04,440
Speaker 3: don't know what happens. And sometimes will teleprompters go.

594
00:25:04,400 --> 00:25:05,480
Speaker 2: Out, There ain't no time.

595
00:25:05,760 --> 00:25:09,520
Speaker 3: Sometimes they move too fast, sometimes they too slow. Like

596
00:25:09,560 --> 00:25:11,280
Speaker 3: you can't blame it for somebody who was, like you said,

597
00:25:11,320 --> 00:25:12,280
Speaker 3: who hasn't done it before.

598
00:25:12,880 --> 00:25:15,200
Speaker 2: If you ain't never read off a prompter, don't judge that.

599
00:25:15,200 --> 00:25:17,600
Speaker 2: That that human That's right. And the beautiful thing about

600
00:25:17,640 --> 00:25:21,159
Speaker 2: being a radio personality, You know, even a comedian like

601
00:25:21,200 --> 00:25:21,800
Speaker 2: you can, you can.

602
00:25:23,400 --> 00:25:24,920
Speaker 4: You don't have to do it work for work.

603
00:25:25,040 --> 00:25:26,639
Speaker 2: You can't catch the weedy all guard like that.

604
00:25:26,760 --> 00:25:31,639
Speaker 4: You know me the freestyle, hold on, let me let

605
00:25:31,680 --> 00:25:33,520
Speaker 4: me catch the all right.

606
00:25:33,720 --> 00:25:36,200
Speaker 2: Well that is your rumor report. Thank you, Miko grind.

607
00:25:36,200 --> 00:25:38,239
Speaker 3: Hopefully next that we'll get you together right, because they

608
00:25:38,240 --> 00:25:39,280
Speaker 3: had you all over the place, they.

609
00:25:39,240 --> 00:25:42,119
Speaker 4: Have all over all right, I'm a play about mine

610
00:25:42,240 --> 00:25:42,680
Speaker 4: all right.

611
00:25:42,800 --> 00:25:44,720
Speaker 3: When we come back, Tesling figure O will be joining

612
00:25:44,760 --> 00:25:45,680
Speaker 3: us for some front page news.

613
00:25:45,680 --> 00:25:48,040
Speaker 2: They don't move. It's the breakfast club. Good Morning, the

614
00:25:48,080 --> 00:25:52,680
Speaker 2: Breakfast Club. Your mornings will never be the same. NFL

615
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Speaker 2: is here.

616
00:25:53,600 --> 00:25:56,280
Speaker 3: Draft Kings Sports Book is an official sports betting partner

617
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Speaker 3: of the NFL. They'll load the Draft Kings Sports Book

618
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Speaker 3: app today and you colde Envy for a special offer

619
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Speaker 3: when you sign up. That's cold Envy e env Y

620
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Speaker 3: only at Draftking Sports Book.

621
00:26:06,960 --> 00:26:07,120
Speaker 9: Bring.

622
00:26:07,200 --> 00:26:10,600
Speaker 3: Everybody is DJ Envy, Charlamagne the Guy. We are the

623
00:26:10,640 --> 00:26:14,160
Speaker 3: Breakfast Club. We got our special guest co host Miko Grimes,

624
00:26:14,359 --> 00:26:18,679
Speaker 3: and let's get in some front page news.

625
00:26:17,520 --> 00:26:20,080
Speaker 10: What's going on DJ MV.

626
00:26:20,200 --> 00:26:23,680
Speaker 5: Good morning, Miko and Charlemagne the Guy test good morning.

627
00:26:23,880 --> 00:26:26,280
Speaker 3: Let's right into it, says, let's talk about spider Man

628
00:26:26,320 --> 00:26:28,320
Speaker 3: that escaped out of prison.

629
00:26:28,960 --> 00:26:31,240
Speaker 5: Yeah, for those who remember, this is the guy that

630
00:26:31,480 --> 00:26:34,360
Speaker 5: crab walked up the prison wall last week.

631
00:26:34,400 --> 00:26:35,680
Speaker 10: He is still on the run now.

632
00:26:35,680 --> 00:26:39,200
Speaker 5: The convicted killer who escaped from Eastern Pennsylvania prison nearly

633
00:26:39,200 --> 00:26:42,440
Speaker 5: two weeks ago is considered armed and extremely dangerous now

634
00:26:42,720 --> 00:26:44,879
Speaker 5: after he stole a rifle from the garage of a

635
00:26:44,920 --> 00:26:48,520
Speaker 5: local homeowner, who fired several shots at the fugitive as

636
00:26:48,560 --> 00:26:49,160
Speaker 5: he fled.

637
00:26:49,720 --> 00:26:50,520
Speaker 10: Let's take a listen.

638
00:26:50,800 --> 00:26:51,840
Speaker 2: He's killed two people.

639
00:26:51,880 --> 00:26:54,520
Speaker 4: Previously, I would suspect that he's desperate enough to use

640
00:26:54,560 --> 00:26:55,040
Speaker 4: that weapon.

641
00:26:55,359 --> 00:26:57,840
Speaker 2: We have considered him dangerous right from the very start.

642
00:26:57,920 --> 00:27:00,439
Speaker 9: It changes nothing. We have always considered him to be

643
00:27:00,480 --> 00:27:00,840
Speaker 9: a risk.

644
00:27:01,640 --> 00:27:04,240
Speaker 2: We just now absolutely know that he has a weapon.

645
00:27:04,520 --> 00:27:07,160
Speaker 2: And then he stablished girlfriend like thirty eight times.

646
00:27:07,320 --> 00:27:10,000
Speaker 5: Yeah, he was convicted for murder. We talked about that

647
00:27:10,040 --> 00:27:13,040
Speaker 5: earlier this week. So yeah, he's definitely you know, armed

648
00:27:13,040 --> 00:27:16,600
Speaker 5: and dangerous. Literally now, so folks there are you know,

649
00:27:16,720 --> 00:27:19,160
Speaker 5: concerned and you know, making sure they're keeping an eye out.

650
00:27:19,200 --> 00:27:21,920
Speaker 10: And this guy's just I guess what.

651
00:27:22,000 --> 00:27:25,880
Speaker 5: He's been spotted like what nine times, and they can't

652
00:27:25,920 --> 00:27:28,320
Speaker 5: catch him. And they just can't catch this guy. He

653
00:27:28,359 --> 00:27:30,200
Speaker 5: literally might be Spider Man for real.

654
00:27:30,280 --> 00:27:32,560
Speaker 2: Yeah, what's going on? This man escaped from prison and

655
00:27:32,600 --> 00:27:34,439
Speaker 2: he's been on the run for nine days. Don't let

656
00:27:34,480 --> 00:27:36,639
Speaker 2: the conspiracy theorists and me start going it's just one

657
00:27:36,680 --> 00:27:39,440
Speaker 2: of them super soldiers they was working on and he escaped.

658
00:27:39,720 --> 00:27:42,000
Speaker 2: You know what I'm saying, What the hell's happening out here?

659
00:27:42,000 --> 00:27:45,080
Speaker 2: Why do they want him free? Why are they letting

660
00:27:45,160 --> 00:27:47,159
Speaker 2: him be free for these nine days? Why did they

661
00:27:47,240 --> 00:27:48,720
Speaker 2: let him out in the first place. What they're going

662
00:27:48,760 --> 00:27:49,040
Speaker 2: on here?

663
00:27:49,080 --> 00:27:51,440
Speaker 3: They're telling people don't don't go near him because he's

664
00:27:51,440 --> 00:27:53,840
Speaker 3: extremely dangerous. It was like, you know, people are out

665
00:27:53,840 --> 00:27:55,600
Speaker 3: and about stay in the house. There was like this

666
00:27:55,640 --> 00:27:57,960
Speaker 3: dude is serious business. So and they said, let the

667
00:27:58,000 --> 00:28:00,760
Speaker 3: authorities get him, don't don't try to at vigilant tea

668
00:28:00,760 --> 00:28:01,920
Speaker 3: and trying to get him yourself.

669
00:28:01,960 --> 00:28:03,080
Speaker 2: Didn't somebody shoot at him?

670
00:28:03,200 --> 00:28:07,880
Speaker 4: Yeah, he shot at him, But now nine days, doesn't

671
00:28:07,920 --> 00:28:10,000
Speaker 4: that mean that he did a good job. A great

672
00:28:10,080 --> 00:28:12,439
Speaker 4: joice is amazing skill.

673
00:28:12,760 --> 00:28:14,800
Speaker 2: The fact is, remember I'm talking about that the other day.

674
00:28:14,960 --> 00:28:17,160
Speaker 2: You know, they should have a reality show to where

675
00:28:17,200 --> 00:28:19,440
Speaker 2: if you are able to escape from prison and able

676
00:28:19,480 --> 00:28:23,600
Speaker 2: to elude what's the word police, allude police for a

677
00:28:23,640 --> 00:28:25,720
Speaker 2: certain amount of time, they got to cut some time

678
00:28:25,720 --> 00:28:30,000
Speaker 2: off times. I ain't saying that you should let him out,

679
00:28:30,080 --> 00:28:31,399
Speaker 2: you know what I mean. I'm saying you got to

680
00:28:31,440 --> 00:28:32,640
Speaker 2: cut a little bit of you got light.

681
00:28:32,840 --> 00:28:38,360
Speaker 4: Your extra juice or something in prison, something juice life.

682
00:28:40,240 --> 00:28:42,200
Speaker 5: Yeah, and when you got se let the authorities have

683
00:28:42,320 --> 00:28:45,720
Speaker 5: I mean literally over five hundred law enforced enforcement officers

684
00:28:45,720 --> 00:28:47,840
Speaker 5: have been trying to get this guy. The police, the FBI,

685
00:28:48,000 --> 00:28:52,600
Speaker 5: the ATM, and U. S. Marshalls on your guy, all

686
00:28:52,800 --> 00:28:53,960
Speaker 5: your skills.

687
00:28:55,120 --> 00:28:58,400
Speaker 2: Anti ducking bullets and he broke into somebody house and

688
00:28:58,440 --> 00:29:00,680
Speaker 2: they shot at him and he ducking bullets. Something A right, y'all,

689
00:29:00,880 --> 00:29:03,160
Speaker 2: what was he before? Like, what was his background?

690
00:29:03,400 --> 00:29:05,520
Speaker 10: We only know I didn't look into his background. We

691
00:29:05,520 --> 00:29:09,400
Speaker 10: don't know or yeah, I have no idea.

692
00:29:09,480 --> 00:29:09,920
Speaker 1: I didn't know.

693
00:29:09,920 --> 00:29:12,520
Speaker 5: He murdered his girlfriend and you know this, this is

694
00:29:12,520 --> 00:29:13,719
Speaker 5: where we're all were getting to know him now.

695
00:29:13,720 --> 00:29:15,360
Speaker 10: But he got mad skills. I know that for sure.

696
00:29:15,400 --> 00:29:17,360
Speaker 2: By the way, I don't believe in not engaging. If

697
00:29:17,360 --> 00:29:19,880
Speaker 2: the man killed his girlfriend and they said he threat

698
00:29:19,960 --> 00:29:21,880
Speaker 2: if you see him in your yard or something.

699
00:29:23,360 --> 00:29:24,000
Speaker 4: Take him down.

700
00:29:24,720 --> 00:29:26,800
Speaker 5: Yeah, well he tried, but I guess he wasn't a

701
00:29:26,800 --> 00:29:29,480
Speaker 5: good shot because he tried, so shout out to the homeowner.

702
00:29:29,520 --> 00:29:29,800
Speaker 2: But tried.

703
00:29:29,880 --> 00:29:31,880
Speaker 5: The hall one was definitely strapped up because he had

704
00:29:31,880 --> 00:29:34,160
Speaker 5: a gun on him and then the guy stole his

705
00:29:34,240 --> 00:29:38,200
Speaker 5: other rifle, so he was ready to go.

706
00:29:38,280 --> 00:29:38,920
Speaker 4: He just missed.

707
00:29:38,960 --> 00:29:40,440
Speaker 10: So we'll keep following the story.

708
00:29:40,520 --> 00:29:42,720
Speaker 2: Now, let's talk about this sad story and a police

709
00:29:42,760 --> 00:29:43,680
Speaker 2: training exercise.

710
00:29:43,960 --> 00:29:46,720
Speaker 5: Yeah, I wanted to bump this story back up. The

711
00:29:46,760 --> 00:29:50,560
Speaker 5: story is actually old. It happened August four, twenty twenty two,

712
00:29:50,760 --> 00:29:53,840
Speaker 5: but the shade room released the video, the actual video

713
00:29:53,920 --> 00:29:55,640
Speaker 5: last night of the incident, so a lot of folks

714
00:29:55,640 --> 00:29:57,400
Speaker 5: were talking about it, sending it to me, Oh did

715
00:29:57,440 --> 00:30:00,000
Speaker 5: you hear about the story? And I wanted to remind

716
00:30:00,280 --> 00:30:02,400
Speaker 5: it's actually an old story and people maybe didn't catch it.

717
00:30:02,440 --> 00:30:04,440
Speaker 10: So let's take a listen and we'll talk about it.

718
00:30:04,680 --> 00:30:07,240
Speaker 19: Police say the training session was held in a lower

719
00:30:07,360 --> 00:30:11,040
Speaker 19: level room at the Anacostia Library on Good Hope Road Southeast.

720
00:30:11,360 --> 00:30:14,440
Speaker 19: Its purpose was to teach a group of DC Library

721
00:30:14,520 --> 00:30:18,840
Speaker 19: police officers how to use an extendable police baton. Sources

722
00:30:18,840 --> 00:30:21,880
Speaker 19: familiar with the investigation tell News for that when the trainer,

723
00:30:22,200 --> 00:30:26,120
Speaker 19: described by officials as a retired MPD lieutenant, drew a

724
00:30:26,120 --> 00:30:28,600
Speaker 19: pistol to illustrate how quickly it could be done, he

725
00:30:28,680 --> 00:30:31,880
Speaker 19: fired one shot, striking an officer in the chest. She

726
00:30:32,080 --> 00:30:36,200
Speaker 19: was unconscious and not breathing. When emergency responders arrived around

727
00:30:36,200 --> 00:30:39,720
Speaker 19: three thirty pm. DC Police Chief Robert Conte spoke at

728
00:30:39,760 --> 00:30:43,000
Speaker 19: the scene. He was asked why the training included real

729
00:30:43,120 --> 00:30:45,160
Speaker 19: bullets known as live ammunition.

730
00:30:45,400 --> 00:30:49,360
Speaker 11: I don't have answers as to why the live firearm

731
00:30:49,400 --> 00:30:50,680
Speaker 11: was in an aspaton training.

732
00:30:51,160 --> 00:30:52,840
Speaker 9: I don't have those answers. For you right now.

733
00:30:53,400 --> 00:30:54,480
Speaker 2: That's that. Yeah.

734
00:30:54,560 --> 00:30:58,120
Speaker 5: So she was a twenty five year old Marcilla Mayon

735
00:30:58,240 --> 00:31:00,320
Speaker 5: and a lot of people you know were really you

736
00:31:00,360 --> 00:31:03,720
Speaker 5: know shocked by the story. A young woman, a black woman,

737
00:31:04,120 --> 00:31:06,120
Speaker 5: and again it was just during the training. And so

738
00:31:06,240 --> 00:31:09,360
Speaker 5: in that actual video you see you know him panic

739
00:31:09,680 --> 00:31:12,200
Speaker 5: because it was an accident, and just wanted to give

740
00:31:12,200 --> 00:31:14,280
Speaker 5: everybody the background. This is why a lot of this

741
00:31:14,320 --> 00:31:16,080
Speaker 5: stuff takes a long time, you know, to go through

742
00:31:16,080 --> 00:31:19,120
Speaker 5: the process. They went through a lot of pushing, you know,

743
00:31:19,160 --> 00:31:22,320
Speaker 5: for him to have some criminal charges and so it

744
00:31:22,360 --> 00:31:24,040
Speaker 5: took about a year for all of this to kind

745
00:31:24,040 --> 00:31:25,480
Speaker 5: of you know come out in that video.

746
00:31:25,600 --> 00:31:26,800
Speaker 10: So his name was.

747
00:31:26,800 --> 00:31:30,880
Speaker 5: Jesse Porter and he was he played guilty to involuntary

748
00:31:30,960 --> 00:31:35,360
Speaker 5: manslaughter while armed and unlawful discharge and he was sentenced

749
00:31:35,400 --> 00:31:36,320
Speaker 5: to three years.

750
00:31:36,480 --> 00:31:37,920
Speaker 10: So again old story.

751
00:31:38,040 --> 00:31:40,920
Speaker 5: But when the clip went out yesterday, the facts weren't

752
00:31:40,920 --> 00:31:43,120
Speaker 5: attached to it on what actually happened. Folks were saying, oh,

753
00:31:43,160 --> 00:31:45,400
Speaker 5: he needs to go to jail, what's gonna happen next,

754
00:31:45,440 --> 00:31:47,920
Speaker 5: and so all of that has already happened. So just

755
00:31:48,000 --> 00:31:49,440
Speaker 5: kind of shows you, you know, it takes a while

756
00:31:49,480 --> 00:31:50,400
Speaker 5: to go through the process.

757
00:31:51,120 --> 00:31:52,200
Speaker 2: Yeah, very sad case.

758
00:31:52,240 --> 00:31:54,520
Speaker 3: I mean, anybody who's been through any type of gun training,

759
00:31:54,560 --> 00:31:56,160
Speaker 3: the first thing they tell you is never point the

760
00:31:56,200 --> 00:31:59,280
Speaker 3: gun at somebody and make sure the gun is unladed

761
00:31:59,360 --> 00:32:01,440
Speaker 3: so gun accidentally does go off.

762
00:32:01,440 --> 00:32:02,880
Speaker 2: It's never pointed at a person.

763
00:32:03,200 --> 00:32:05,480
Speaker 3: Also, even if if you're shooting any type of movie

764
00:32:05,520 --> 00:32:08,320
Speaker 3: or series or anything like that, it might look like

765
00:32:08,320 --> 00:32:10,120
Speaker 3: the gun is pointing at somebody, but they never point

766
00:32:10,200 --> 00:32:11,960
Speaker 3: at the person. It's always a little off to the

767
00:32:12,000 --> 00:32:14,560
Speaker 3: side where the look pointing at somebody, which is very

768
00:32:14,560 --> 00:32:17,320
Speaker 3: weird of why he was actually pointing a gun at somebody,

769
00:32:17,320 --> 00:32:18,760
Speaker 3: because that's the first thing they tell you.

770
00:32:18,680 --> 00:32:22,160
Speaker 2: You never point the firearm at somebody. A stupid question.

771
00:32:22,240 --> 00:32:24,320
Speaker 2: But why did they use real ammo during training?

772
00:32:24,720 --> 00:32:25,640
Speaker 10: Well, that's the whole thing.

773
00:32:26,160 --> 00:32:27,920
Speaker 4: You have to Even when I went and got my

774
00:32:28,000 --> 00:32:30,280
Speaker 4: license to carry, they tell you they make you sign

775
00:32:30,320 --> 00:32:33,800
Speaker 4: paperwork that actually says if you get shot while you're training,

776
00:32:33,880 --> 00:32:34,520
Speaker 4: you can't suit.

777
00:32:35,080 --> 00:32:35,640
Speaker 2: Yeah, they have.

778
00:32:35,760 --> 00:32:38,200
Speaker 5: But in this yeah, yeah, in this particular case, he

779
00:32:38,280 --> 00:32:40,240
Speaker 5: was not supposed to have live AMMO. This was in

780
00:32:40,280 --> 00:32:43,480
Speaker 5: a library, so this was not on like at a

781
00:32:43,560 --> 00:32:47,720
Speaker 5: training site or you know, actual you know, weaponsite. This

782
00:32:47,800 --> 00:32:50,920
Speaker 5: was in a DC library. And she was just trying

783
00:32:50,960 --> 00:32:52,920
Speaker 5: to They were teaching them how to be you know,

784
00:32:53,000 --> 00:32:56,120
Speaker 5: cops for library. So he wasn't supposed to have AMMO

785
00:32:56,200 --> 00:32:58,280
Speaker 5: at all. Devin was supposed to have live AMMO. They

786
00:32:58,280 --> 00:33:00,560
Speaker 5: don't even know why. That's why the sheep was saying,

787
00:33:00,560 --> 00:33:02,920
Speaker 5: I don't know why he had those things. So it

788
00:33:02,960 --> 00:33:06,200
Speaker 5: was actually against the law, you know, against the law

789
00:33:06,200 --> 00:33:07,000
Speaker 5: with DC laws.

790
00:33:07,000 --> 00:33:09,040
Speaker 10: So this this was just a sad incident all the

791
00:33:09,040 --> 00:33:09,520
Speaker 10: way around.

792
00:33:09,560 --> 00:33:12,840
Speaker 2: That's horrible, man. All right, Well that is Front Page News.

793
00:33:12,840 --> 00:33:15,520
Speaker 2: Thank you, Tiz. Thank you, and make sure you subscribed

794
00:33:15,560 --> 00:33:18,040
Speaker 2: to Teslin Figureo's podcast The Streat Shot No Chase of

795
00:33:18,080 --> 00:33:20,800
Speaker 2: podcasts on the Black Effect, iHeart Radio podcast Network and

796
00:33:20,840 --> 00:33:24,120
Speaker 2: follow at Teslin figure on all social media platforms at

797
00:33:24,120 --> 00:33:26,720
Speaker 2: Teslin figure Out. All right, thank you, Jazz.

798
00:33:26,760 --> 00:33:28,880
Speaker 3: Now when we come back, we have the CEO of

799
00:33:28,920 --> 00:33:32,920
Speaker 3: the Zeus Network, Lamel, and also Natalie None.

800
00:33:33,200 --> 00:33:35,840
Speaker 2: Natalie None. I ain't seen Natalie None in a long time.

801
00:33:35,920 --> 00:33:37,840
Speaker 3: Well I've seen them last week on Live when you

802
00:33:37,880 --> 00:33:39,000
Speaker 3: call your bitch ass Ninja.

803
00:33:39,280 --> 00:33:42,200
Speaker 2: Yeah, and Lamel be pushing that type of stuff. That's

804
00:33:42,200 --> 00:33:44,760
Speaker 2: what that's what we need to get on. Okay, y'all

805
00:33:44,800 --> 00:33:48,640
Speaker 2: be letting lamel walk around out here with no smoke,

806
00:33:48,720 --> 00:33:51,840
Speaker 2: and I don't understand why. Okay, I just want every listen,

807
00:33:51,880 --> 00:33:54,200
Speaker 2: we all get smoked right, one different thing, So I

808
00:33:54,280 --> 00:33:56,120
Speaker 2: want him to get his fast as smoke because I

809
00:33:56,120 --> 00:33:58,240
Speaker 2: don't see it. Am I tripping you?

810
00:33:58,400 --> 00:33:58,520
Speaker 1: Not?

811
00:33:58,880 --> 00:33:59,160
Speaker 2: Okay?

812
00:33:59,600 --> 00:34:01,080
Speaker 3: All right, We're gonna kick it with them when we

813
00:34:01,120 --> 00:34:03,080
Speaker 3: come back, so don't move. It's the Breakfast Club, Good morning,

814
00:34:03,760 --> 00:34:04,880
Speaker 3: the Breakfast Club.

815
00:34:08,640 --> 00:34:13,360
Speaker 2: Oh why did you feel like we canceled your interview?

816
00:34:13,680 --> 00:34:15,600
Speaker 6: Because I was told that we were gonna come up

817
00:34:15,600 --> 00:34:18,080
Speaker 6: here last week when the batties were here, and then

818
00:34:18,360 --> 00:34:21,080
Speaker 6: I was like, why are we not invited anymore? I

819
00:34:21,080 --> 00:34:25,239
Speaker 6: don't know one. We have multiple publicists, so they must

820
00:34:25,239 --> 00:34:28,120
Speaker 6: have lied schedule. But I'm here.

821
00:34:27,960 --> 00:34:30,360
Speaker 17: Now, let's let's get into.

822
00:34:32,680 --> 00:34:34,319
Speaker 6: I'm still I've been wanting to come up here for

823
00:34:34,400 --> 00:34:40,400
Speaker 6: years after that interview years ago became it was not Natalie, okay,

824
00:34:40,400 --> 00:34:41,320
Speaker 6: will you still be talking?

825
00:34:43,400 --> 00:34:46,360
Speaker 2: But I think what happened was somebody took a clip

826
00:34:46,400 --> 00:34:49,680
Speaker 2: with an old interview and repurposed.

827
00:34:48,960 --> 00:34:51,600
Speaker 6: It because it's been going around again. Yes, and I

828
00:34:51,640 --> 00:34:52,439
Speaker 6: was annoyed.

829
00:34:52,120 --> 00:34:54,239
Speaker 2: All over and you were annoyed all over again. I

830
00:34:54,800 --> 00:34:57,480
Speaker 2: understand that what were you annoyed about in that conversation.

831
00:34:57,200 --> 00:34:59,759
Speaker 6: Everything because you're because you because you used to just

832
00:34:59,840 --> 00:35:02,440
Speaker 6: be like I don't know, because I feel like over

833
00:35:02,480 --> 00:35:04,880
Speaker 6: the years you have gotten a little bit more like

834
00:35:05,080 --> 00:35:07,759
Speaker 6: you just used to be an asshole. And it was

835
00:35:07,800 --> 00:35:10,640
Speaker 6: just like to the point where like cringe to come

836
00:35:10,719 --> 00:35:11,240
Speaker 6: up here.

837
00:35:11,160 --> 00:35:11,359
Speaker 2: You know.

838
00:35:11,640 --> 00:35:13,680
Speaker 6: I mean I was always I was like, let's go.

839
00:35:13,719 --> 00:35:15,760
Speaker 6: It gave me Donkey of the Day on a Friday before.

840
00:35:15,840 --> 00:35:19,560
Speaker 6: Do you remember that you used to go in so

841
00:35:19,880 --> 00:35:22,440
Speaker 6: And then the video came back up and I was like, oh, yeah,

842
00:35:22,440 --> 00:35:24,120
Speaker 6: I'm about to go back up to the breakfast club

843
00:35:24,120 --> 00:35:25,440
Speaker 6: because we got to have a conversation.

844
00:35:25,800 --> 00:35:28,000
Speaker 2: Well, I apologize if anything.

845
00:35:28,800 --> 00:35:33,000
Speaker 6: Then he was just like, well it was bad girls

846
00:35:33,040 --> 00:35:35,120
Speaker 6: club days and he was like, Oh, you're a big

847
00:35:35,239 --> 00:35:36,160
Speaker 6: chin loud mouth.

848
00:35:36,480 --> 00:35:40,680
Speaker 3: You're never gonna do anything that sounds like that, sounds

849
00:35:40,680 --> 00:35:42,080
Speaker 3: like sounds like.

850
00:35:43,680 --> 00:35:43,919
Speaker 2: Things.

851
00:35:43,960 --> 00:35:48,040
Speaker 6: It's funny though, And I was just sitting in the

852
00:35:48,160 --> 00:35:50,239
Speaker 6: chair and I was I was younger, so I was like,

853
00:35:50,440 --> 00:35:53,960
Speaker 6: what the like? But no, he just you know, used

854
00:35:54,000 --> 00:35:57,080
Speaker 6: to be rude. A lot of reality TV stars really

855
00:35:57,080 --> 00:35:58,799
Speaker 6: always us to feel some type of way coming up here,

856
00:35:58,880 --> 00:35:59,720
Speaker 6: especially the females.

857
00:36:00,040 --> 00:36:02,440
Speaker 2: I apologize to you if that means anything, thank you,

858
00:36:02,600 --> 00:36:04,719
Speaker 2: thank you. Yeah. But I'm gonna get on lamel ass though,

859
00:36:04,760 --> 00:36:07,240
Speaker 2: because lamel out here, you know, with this damn Zeus

860
00:36:07,280 --> 00:36:10,719
Speaker 2: network bringing down the Black community one show at a time,

861
00:36:11,360 --> 00:36:16,040
Speaker 2: We're gonna get on the We're gonna get on your ass.

862
00:36:16,480 --> 00:36:18,720
Speaker 6: I'm still a bad girl, So you want to be careful.

863
00:36:19,560 --> 00:36:21,959
Speaker 3: Look, a lot of people do feel that, they feel

864
00:36:21,960 --> 00:36:24,319
Speaker 3: like that Zeus is a low when it comes to

865
00:36:24,400 --> 00:36:27,719
Speaker 3: our people, showing the fighting, showing the things that sometimes

866
00:36:27,760 --> 00:36:29,000
Speaker 3: make our community look bad.

867
00:36:29,040 --> 00:36:30,080
Speaker 2: What is your response to that?

868
00:36:30,239 --> 00:36:34,040
Speaker 20: You know, we're telling real, authentic stories. You know, we

869
00:36:34,040 --> 00:36:37,920
Speaker 20: were giving out, you know, opportunities to all sorts of folks.

870
00:36:38,040 --> 00:36:40,040
Speaker 20: I don't look at it like I'm doing anything different

871
00:36:40,080 --> 00:36:42,600
Speaker 20: than HBO and Netflix.

872
00:36:42,719 --> 00:36:45,279
Speaker 2: And that's fiction though.

873
00:36:45,520 --> 00:36:47,040
Speaker 20: Oh they have a lot of reality shows. They have

874
00:36:47,040 --> 00:36:48,680
Speaker 20: a lot of unscripted shows that.

875
00:36:48,840 --> 00:36:51,000
Speaker 2: I ain't never see Nobody on HBO get busted over

876
00:36:51,040 --> 00:36:53,640
Speaker 2: the head and have a gas so deep that they

877
00:36:53,680 --> 00:36:54,840
Speaker 2: had to go get stitches.

878
00:36:55,040 --> 00:36:58,520
Speaker 20: Hey, listen, HBO has shows like real sex. They have

879
00:36:58,640 --> 00:37:01,960
Speaker 20: shows that they end up showing the real you know,

880
00:37:02,040 --> 00:37:02,400
Speaker 20: I don't know.

881
00:37:02,440 --> 00:37:04,280
Speaker 17: I think I think for me because I'm black.

882
00:37:04,080 --> 00:37:06,759
Speaker 20: Owned you know, we're young, renewed or hot. I think

883
00:37:06,920 --> 00:37:08,640
Speaker 20: you know, people are feeling away.

884
00:37:08,760 --> 00:37:11,239
Speaker 2: And I commend you on the infrastructure. I commend you

885
00:37:11,280 --> 00:37:13,839
Speaker 2: on what you've built. It's hard to build any type

886
00:37:13,840 --> 00:37:16,640
Speaker 2: of subscription based platform to have. I think you got

887
00:37:16,680 --> 00:37:18,640
Speaker 2: like a million subscribers. Yeah, we have.

888
00:37:20,640 --> 00:37:21,560
Speaker 17: He does this every time.

889
00:37:22,280 --> 00:37:24,800
Speaker 2: We have a lot of subscriber got a lot of subscribers,

890
00:37:24,800 --> 00:37:25,960
Speaker 2: you know what I mean. So I commend that.

891
00:37:26,000 --> 00:37:29,040
Speaker 20: But you know, green lighting, you know Kashan and Blue

892
00:37:29,080 --> 00:37:32,040
Speaker 20: Face show, that wasn't me bringing now in the black community.

893
00:37:32,040 --> 00:37:35,080
Speaker 20: I mean that's that we just you know, we allowed

894
00:37:35,080 --> 00:37:36,520
Speaker 20: them to tell their story in their way.

895
00:37:36,680 --> 00:37:40,759
Speaker 17: We made sure it was raw, it was real, uncensored, unfiltered.

896
00:37:41,440 --> 00:37:42,920
Speaker 3: A lot of people didn't like that because they were

897
00:37:42,920 --> 00:37:45,440
Speaker 3: fighting each other during it and it was showed. And

898
00:37:45,560 --> 00:37:47,640
Speaker 3: I guess people want to know is their balance on

899
00:37:47,719 --> 00:37:50,520
Speaker 3: your network and not just continuous.

900
00:37:50,000 --> 00:37:50,960
Speaker 2: The problem fighting.

901
00:37:51,040 --> 00:37:53,160
Speaker 3: You know, I don't think it's a positive show, is

902
00:37:53,160 --> 00:37:55,319
Speaker 3: there or this? Because in all these networks.

903
00:37:55,000 --> 00:37:57,719
Speaker 17: That I mean, well we have, we have tons of

904
00:37:57,719 --> 00:37:58,720
Speaker 17: shows on the platform.

905
00:37:58,760 --> 00:38:01,600
Speaker 20: I think folks highlights some of our you know, our

906
00:38:01,680 --> 00:38:04,359
Speaker 20: hit shows, and that's the ones that they focus on.

907
00:38:04,560 --> 00:38:06,680
Speaker 20: But I think we have We have fitness shows, we

908
00:38:06,719 --> 00:38:09,160
Speaker 20: have short form content, we have some scripted we have

909
00:38:09,520 --> 00:38:11,719
Speaker 20: those is Andrea has a show on the network. I

910
00:38:11,719 --> 00:38:14,480
Speaker 20: think we have dating shows, you know, one more chance.

911
00:38:14,560 --> 00:38:19,800
Speaker 20: We had Tokyo Tony's dating show, beat Simone Quay Bobby

912
00:38:19,880 --> 00:38:25,960
Speaker 20: Lights early days around the time we first long Have

913
00:38:26,000 --> 00:38:27,360
Speaker 20: you have the Real Black China? That I mean that

914
00:38:27,440 --> 00:38:29,560
Speaker 20: was a real show, had a lot of heart. I

915
00:38:29,600 --> 00:38:33,400
Speaker 20: mean our shows have you know, uh so many different

916
00:38:33,400 --> 00:38:36,680
Speaker 20: components to it. I think that the Battie Show Baddie's

917
00:38:37,160 --> 00:38:40,240
Speaker 20: is one of our hit shows. I think Jocelyn's Cabaret

918
00:38:40,320 --> 00:38:43,160
Speaker 20: is is a hit show, and I think people focus

919
00:38:43,200 --> 00:38:44,400
Speaker 20: on that Krashan Bluefish.

920
00:38:44,440 --> 00:38:45,200
Speaker 17: Those are hit shows.

921
00:38:45,239 --> 00:38:47,600
Speaker 2: I watched the hour I watched Jocelyn's Cabaret for the

922
00:38:47,600 --> 00:38:51,200
Speaker 2: first time. Last week, just Hilarius had me watch an episode.

923
00:38:51,320 --> 00:38:54,839
Speaker 2: I saw three fights in one episode. Jesus, the girl

924
00:38:54,880 --> 00:38:58,440
Speaker 2: got hit so bad. She had a gas so deep

925
00:38:58,440 --> 00:38:59,680
Speaker 2: in her head that she had to go through the

926
00:38:59,719 --> 00:39:01,920
Speaker 2: hot Right, y'all.

927
00:39:01,800 --> 00:39:03,560
Speaker 3: Don't play like the other networks, like I know, VH

928
00:39:03,600 --> 00:39:06,600
Speaker 3: one and MTV. Sometimes if there is a fight, the

929
00:39:06,600 --> 00:39:09,560
Speaker 3: person is suspended. That, y'all just is reality's reality.

930
00:39:10,080 --> 00:39:13,600
Speaker 20: I mean, there are there are consequences for things that happen,

931
00:39:13,760 --> 00:39:15,759
Speaker 20: you know, on set, when people do things. I mean,

932
00:39:15,800 --> 00:39:19,080
Speaker 20: I look, I'm a little different than most CEOs when

933
00:39:19,080 --> 00:39:21,520
Speaker 20: it comes to working with certain folks.

934
00:39:21,320 --> 00:39:22,000
Speaker 17: When things happen.

935
00:39:22,280 --> 00:39:22,640
Speaker 1: I don't know.

936
00:39:22,760 --> 00:39:23,040
Speaker 2: I think.

937
00:39:23,120 --> 00:39:25,239
Speaker 20: I think we have a great relationship with a lot

938
00:39:25,280 --> 00:39:28,040
Speaker 20: of our content partners. I'm a little bit more lenient

939
00:39:28,040 --> 00:39:30,480
Speaker 20: when it comes to certain things, I understand. I mean,

940
00:39:30,480 --> 00:39:33,600
Speaker 20: we have real conversations about things that happen, whether it's

941
00:39:33,640 --> 00:39:37,920
Speaker 20: Natalie or Jocelyn or China or Blue Face Kashan. I mean,

942
00:39:37,960 --> 00:39:40,960
Speaker 20: we have real conversations. So you know, I understand. I'm

943
00:39:41,000 --> 00:39:42,719
Speaker 20: just a little bit more you know, flexible.

944
00:39:42,760 --> 00:39:43,040
Speaker 2: I'm not.

945
00:39:43,120 --> 00:39:46,000
Speaker 20: We're not a traditional network. You know, we're non traditional.

946
00:39:46,160 --> 00:39:49,480
Speaker 20: We're independent, we are black owned, and so you know,

947
00:39:49,520 --> 00:39:51,919
Speaker 20: we understand the folks that we're working with as well.

948
00:39:52,120 --> 00:39:56,799
Speaker 17: Some of them, you know, may not pass the psyche balls, y'all.

949
00:39:58,280 --> 00:40:00,160
Speaker 20: We if we need to do something, we'll do some

950
00:40:00,280 --> 00:40:02,080
Speaker 20: we do background checks, we do, we do we do

951
00:40:02,120 --> 00:40:03,920
Speaker 20: our due diligence when it comes to folks that we

952
00:40:03,960 --> 00:40:06,880
Speaker 20: work with. But for me, it's just about giving people

953
00:40:06,960 --> 00:40:09,839
Speaker 20: an opportunity to tell their story, and some networks aren't

954
00:40:09,840 --> 00:40:10,840
Speaker 20: looking to work with people.

955
00:40:10,840 --> 00:40:11,560
Speaker 17: I see value.

956
00:40:11,560 --> 00:40:13,480
Speaker 20: I see value in all of our cast members, all

957
00:40:13,520 --> 00:40:16,080
Speaker 20: of our talent, all of our content partners, and so

958
00:40:16,160 --> 00:40:18,640
Speaker 20: I think everybody's different, everybody has a different story to tell,

959
00:40:19,120 --> 00:40:21,200
Speaker 20: and we just provide those opportunities.

960
00:40:21,200 --> 00:40:22,840
Speaker 17: To have to have hundreds of people.

961
00:40:22,640 --> 00:40:25,799
Speaker 20: Working for your network given jobs. I mean that's on

962
00:40:25,920 --> 00:40:28,880
Speaker 20: and in front of the screen and behind the scenes

963
00:40:28,920 --> 00:40:29,799
Speaker 20: is a big deal for me.

964
00:40:29,960 --> 00:40:32,000
Speaker 3: Let me ask you, how did for people that don't know,

965
00:40:32,320 --> 00:40:33,919
Speaker 3: you know, what was the idea of this network? How'd

966
00:40:33,920 --> 00:40:35,719
Speaker 3: you get this network started? And how did you get

967
00:40:35,760 --> 00:40:37,319
Speaker 3: it off the ground. He was in a club and

968
00:40:37,320 --> 00:40:38,360
Speaker 3: saw a bunch of girls.

969
00:40:39,080 --> 00:40:41,879
Speaker 2: There you go. I mean, that's exactly what's on saving room.

970
00:40:42,000 --> 00:40:43,680
Speaker 2: We can record it on on a team.

971
00:40:44,560 --> 00:40:48,680
Speaker 20: Not at all, No, I think for me, originally I

972
00:40:48,719 --> 00:40:52,560
Speaker 20: wanted to launch a television network. I come from working

973
00:40:52,560 --> 00:40:55,360
Speaker 20: with parents who owned networks, so I just I just

974
00:40:55,360 --> 00:40:58,680
Speaker 20: thought it was you come from parents that owns television networks.

975
00:40:58,719 --> 00:41:03,560
Speaker 2: Okay, oh your parents owned like low Goo cable, Yeah yeah.

976
00:41:02,239 --> 00:41:04,520
Speaker 20: Yeah, And so for me it was just important to

977
00:41:04,680 --> 00:41:07,400
Speaker 20: launch my own network. But I felt like the Netflix

978
00:41:07,440 --> 00:41:09,840
Speaker 20: model was the new wave, you know all about convenience

979
00:41:09,920 --> 00:41:14,040
Speaker 20: choice and control, you know, subscription model, you know vod

980
00:41:14,160 --> 00:41:15,920
Speaker 20: all that stuff was just like the new wave, and

981
00:41:16,000 --> 00:41:16,600
Speaker 20: so for me, I just.

982
00:41:16,600 --> 00:41:17,760
Speaker 17: Wanted to get ahead of it.

983
00:41:17,800 --> 00:41:20,320
Speaker 20: And you know, I aggregated a lot of content partners,

984
00:41:20,360 --> 00:41:23,480
Speaker 20: and kind of my model or philosophy in the beginning was,

985
00:41:23,520 --> 00:41:25,000
Speaker 20: you know, we're putting the hands back into the power

986
00:41:25,000 --> 00:41:28,160
Speaker 20: of the content creators, and you know, we want to

987
00:41:28,160 --> 00:41:30,640
Speaker 20: empower them. We wanted to let them tell their stories,

988
00:41:31,040 --> 00:41:33,600
Speaker 20: and so we I guess I aggregated a lot of

989
00:41:34,040 --> 00:41:36,560
Speaker 20: folks to come be a part of the network. So

990
00:41:36,719 --> 00:41:38,440
Speaker 20: I think for me it was just it was just

991
00:41:38,480 --> 00:41:42,600
Speaker 20: really about empowering the content, you know, creators and the

992
00:41:42,680 --> 00:41:46,480
Speaker 20: talent and giving them different types of deals and allowing

993
00:41:46,480 --> 00:41:47,280
Speaker 20: them to tell their stories.

994
00:41:47,320 --> 00:41:50,000
Speaker 17: And so for me, I launched a network in twenty eighteen.

995
00:41:50,040 --> 00:41:52,879
Speaker 20: We've been up and running for over five years, and

996
00:41:53,160 --> 00:41:56,240
Speaker 20: you know it's been growing and scaling ever since.

997
00:41:56,320 --> 00:41:57,799
Speaker 2: And so when did you stop making money?

998
00:41:57,960 --> 00:41:58,040
Speaker 5: Did?

999
00:41:58,080 --> 00:41:59,440
Speaker 2: When did you stop making money? How long?

1000
00:41:59,520 --> 00:42:01,279
Speaker 17: Let me take it took it took a minute to

1001
00:42:01,280 --> 00:42:03,239
Speaker 17: make some money. It was a little bit of trial

1002
00:42:03,280 --> 00:42:03,680
Speaker 17: and error.

1003
00:42:03,800 --> 00:42:06,759
Speaker 20: Uh, and you know, we a little bit of experimentation

1004
00:42:07,120 --> 00:42:08,759
Speaker 20: when it comes to certain projects.

1005
00:42:08,920 --> 00:42:10,280
Speaker 2: But how much is a subscription?

1006
00:42:10,760 --> 00:42:14,520
Speaker 17: Six six dollars nine five nine?

1007
00:42:14,880 --> 00:42:17,640
Speaker 3: And what was the what was the first show were

1008
00:42:17,680 --> 00:42:19,239
Speaker 3: about to do? The math was what was your first

1009
00:42:19,239 --> 00:42:21,040
Speaker 3: show to take off? That was like, oh, this is it.

1010
00:42:21,320 --> 00:42:23,400
Speaker 20: We had a couple of shows we had, you know,

1011
00:42:24,400 --> 00:42:27,200
Speaker 20: blame it on Quashow actually did fairly well for us

1012
00:42:27,200 --> 00:42:30,200
Speaker 20: when we first like started moving and getting things going and.

1013
00:42:30,280 --> 00:42:31,520
Speaker 17: Me simone show did really well.

1014
00:42:31,880 --> 00:42:33,680
Speaker 2: Then you know, One.

1015
00:42:33,480 --> 00:42:37,399
Speaker 20: More Chance, Uh, one More Chance did really well, and

1016
00:42:37,400 --> 00:42:40,480
Speaker 20: and then Black China just kind of really took us

1017
00:42:40,520 --> 00:42:41,080
Speaker 20: over the top.

1018
00:42:42,320 --> 00:42:45,480
Speaker 3: Put everybody, it's DJ n V, Charlamagne the guy. We

1019
00:42:45,520 --> 00:42:47,560
Speaker 3: are to Breakfast Club. We're still kicking it with Lameel

1020
00:42:47,680 --> 00:42:50,160
Speaker 3: Plumber and Natalie Nunne. You know, he's the CEO of

1021
00:42:50,160 --> 00:42:52,440
Speaker 3: the ZEUS network. And now what about the partnership with

1022
00:42:52,440 --> 00:42:53,120
Speaker 3: Floyd Maywell?

1023
00:42:53,440 --> 00:42:53,719
Speaker 9: Was that?

1024
00:42:54,040 --> 00:42:54,239
Speaker 2: Yeah?

1025
00:42:54,280 --> 00:42:54,840
Speaker 9: That was great.

1026
00:42:54,880 --> 00:42:56,960
Speaker 20: We we you know, we partnered with Floyd and the

1027
00:42:56,960 --> 00:42:59,920
Speaker 20: Money team and shout out to you know, Daryl Farmer

1028
00:43:00,120 --> 00:43:05,719
Speaker 20: and Wall and uh you know that profitable Yeah, Rella

1029
00:43:05,800 --> 00:43:08,160
Speaker 20: and Jonah, Yeah, they all did a great job making

1030
00:43:08,160 --> 00:43:08,479
Speaker 20: it happen.

1031
00:43:08,520 --> 00:43:10,760
Speaker 17: But Floyd loves working with us. We love working with Floyd.

1032
00:43:10,880 --> 00:43:12,280
Speaker 17: We we do good business together.

1033
00:43:12,719 --> 00:43:16,600
Speaker 20: You know, he's a great partner, and uh, the fights

1034
00:43:16,640 --> 00:43:17,920
Speaker 20: are fun.

1035
00:43:18,200 --> 00:43:18,640
Speaker 6: I did.

1036
00:43:18,719 --> 00:43:24,239
Speaker 20: I was on the undercard her another Floyd Floyd. You know,

1037
00:43:24,280 --> 00:43:26,400
Speaker 20: we are talking about some some some other fights.

1038
00:43:26,400 --> 00:43:28,319
Speaker 2: But that fight looked so pitiful. It looked like y'all

1039
00:43:28,320 --> 00:43:29,080
Speaker 2: were so damned tight.

1040
00:43:29,640 --> 00:43:30,000
Speaker 17: I was.

1041
00:43:30,080 --> 00:43:32,600
Speaker 6: I wanted to keep going. It was her who just

1042
00:43:32,760 --> 00:43:34,480
Speaker 6: fell to the ground, like, what are you doing?

1043
00:43:34,560 --> 00:43:37,640
Speaker 2: Get she was tired? Did you have a chin guard on?

1044
00:43:37,920 --> 00:43:38,839
Speaker 1: Oh? You know what.

1045
00:43:40,760 --> 00:43:42,480
Speaker 2: Today? Not today?

1046
00:43:42,760 --> 00:43:47,440
Speaker 6: Listen, I'm gonna slide to listen.

1047
00:43:47,880 --> 00:43:50,320
Speaker 3: That you posted a picture and everybody thought you had surgery.

1048
00:43:50,480 --> 00:43:52,239
Speaker 3: They thought you show in your chin. I didn't even know

1049
00:43:52,239 --> 00:43:53,720
Speaker 3: that that's possible.

1050
00:43:53,360 --> 00:43:58,719
Speaker 2: But him, nobody That wasn't room. But I didn't never

1051
00:43:58,719 --> 00:43:59,440
Speaker 2: see that. Listen.

1052
00:43:59,480 --> 00:44:01,600
Speaker 6: Was that a room? It was a rumor, and it's

1053
00:44:01,600 --> 00:44:04,359
Speaker 6: a rumor. But I feel like what happened was when

1054
00:44:04,360 --> 00:44:07,040
Speaker 6: I first got in Hollywood, I was like probably one

1055
00:44:07,120 --> 00:44:09,080
Speaker 6: hundred and twenty five pounds. I was like twenty four

1056
00:44:09,160 --> 00:44:12,719
Speaker 6: years old. So you know, past forward thirteen years, my

1057
00:44:12,800 --> 00:44:16,400
Speaker 6: body's changed. I like when people grow into there whatever,

1058
00:44:16,840 --> 00:44:19,400
Speaker 6: so I'm like I grew into my chin now the

1059
00:44:19,480 --> 00:44:20,840
Speaker 6: fact I have nothing else to talk about.

1060
00:44:21,080 --> 00:44:23,920
Speaker 2: I mentioned you too, so you didn't get there was.

1061
00:44:24,200 --> 00:44:26,000
Speaker 6: No I didn't get. No, I just got I gained

1062
00:44:26,040 --> 00:44:27,880
Speaker 6: more weight, like well, not one hundred and twenty five

1063
00:44:27,880 --> 00:44:29,959
Speaker 6: pounds anymore. So yeah, I put it on in my face.

1064
00:44:30,000 --> 00:44:34,600
Speaker 17: I guess I don't know you loot. There's nothing wrong

1065
00:44:34,640 --> 00:44:35,360
Speaker 17: with no.

1066
00:44:35,480 --> 00:44:37,560
Speaker 6: Yeah, Nikki said something about it when she said something

1067
00:44:37,560 --> 00:44:40,279
Speaker 6: about my chin in her new song. There was a

1068
00:44:40,320 --> 00:44:44,919
Speaker 6: whole viral moment that I had my chin. No, because

1069
00:44:44,960 --> 00:44:46,400
Speaker 6: that's cys, that's big cis.

1070
00:44:46,480 --> 00:44:49,279
Speaker 2: You know, check something like that.

1071
00:44:49,560 --> 00:44:54,640
Speaker 6: Yea, she said, yeah, even if you guys are annoying,

1072
00:44:54,640 --> 00:44:57,919
Speaker 6: because that everybody does this everywhere we go. She just said,

1073
00:44:57,960 --> 00:45:01,120
Speaker 6: even if my name was Natalie Nunne can check me.

1074
00:45:02,920 --> 00:45:06,040
Speaker 2: That's a good double times. Did you be chin checking people?

1075
00:45:06,480 --> 00:45:06,640
Speaker 15: You know?

1076
00:45:07,840 --> 00:45:09,200
Speaker 2: What about in the winter when you wear a chin

1077
00:45:09,280 --> 00:45:09,920
Speaker 2: chill you know.

1078
00:45:12,920 --> 00:45:15,000
Speaker 6: It's sho And then when I get on his ass

1079
00:45:15,040 --> 00:45:17,520
Speaker 6: then he's mad that when I just randomly in that

1080
00:45:17,719 --> 00:45:19,239
Speaker 6: bars in New York, sho.

1081
00:45:21,520 --> 00:45:23,480
Speaker 2: The only thing I thought about that video was I

1082
00:45:23,520 --> 00:45:25,480
Speaker 2: was like, which one of y'all canceled? Natalie not the

1083
00:45:25,520 --> 00:45:27,200
Speaker 2: interview because I didn't know nothing about it. We didn't

1084
00:45:27,239 --> 00:45:27,920
Speaker 2: know nothing about it.

1085
00:45:28,760 --> 00:45:30,600
Speaker 6: I guess it was I don't know. It was like

1086
00:45:30,640 --> 00:45:33,319
Speaker 6: three different publicists at work, obviously at Zeus and then.

1087
00:45:33,239 --> 00:45:37,399
Speaker 2: My puble was y'all were up here after the old one.

1088
00:45:37,400 --> 00:45:40,120
Speaker 2: That's what I'm like, Yeah, it's never a problem. Be

1089
00:45:40,120 --> 00:45:42,719
Speaker 2: a few times like three. That's why would be banning.

1090
00:45:43,320 --> 00:45:46,319
Speaker 16: He him my chin.

1091
00:45:46,400 --> 00:45:47,080
Speaker 2: He didn't ban me.

1092
00:45:47,120 --> 00:45:47,839
Speaker 6: So that's why I'm here.

1093
00:45:47,920 --> 00:45:52,279
Speaker 2: Actually, acronym Natalie. Why do people think you're scared of?

1094
00:45:52,360 --> 00:45:54,640
Speaker 2: Josly Just hilarious.

1095
00:45:55,200 --> 00:45:57,839
Speaker 6: I know, just just has favorites. That's okay, my.

1096
00:45:57,800 --> 00:46:00,480
Speaker 17: Favorite just got y'all got a little thing.

1097
00:46:00,960 --> 00:46:03,560
Speaker 2: Yeah, she just.

1098
00:46:04,880 --> 00:46:13,279
Speaker 6: That she don't want to do that. I don't have

1099
00:46:13,320 --> 00:46:16,080
Speaker 6: a problem with okay. So look, let's let's be very clear.

1100
00:46:16,440 --> 00:46:20,280
Speaker 6: I think with Jocelyn and I, you know, we both

1101
00:46:20,520 --> 00:46:23,040
Speaker 6: I feel like we both came into the industry around

1102
00:46:23,080 --> 00:46:25,520
Speaker 6: the same time. We could say in the reality TV

1103
00:46:25,600 --> 00:46:29,200
Speaker 6: world that Lane, you know, she owned her lane at

1104
00:46:29,200 --> 00:46:31,600
Speaker 6: the time for Love and Hip Hop, and I definitely

1105
00:46:31,640 --> 00:46:34,080
Speaker 6: owned the Bad Girls Club. We all can just say

1106
00:46:34,080 --> 00:46:36,480
Speaker 6: that about the two of us. So, you know, when

1107
00:46:36,560 --> 00:46:40,520
Speaker 6: it came down to me coming to Zeus, I think

1108
00:46:40,560 --> 00:46:43,560
Speaker 6: she was already like three seasons in on Johnson's Cabaret,

1109
00:46:43,560 --> 00:46:46,360
Speaker 6: and I've always supported her shop like I've always reposted,

1110
00:46:46,719 --> 00:46:49,200
Speaker 6: posted it up. I mean, given you agree to thatt me,

1111
00:46:49,320 --> 00:46:52,719
Speaker 6: I've always I don't. It was never like a you know,

1112
00:46:53,160 --> 00:46:55,759
Speaker 6: but I think, you know, when once Battis came and

1113
00:46:56,080 --> 00:46:58,600
Speaker 6: kind of did our thing and started taking off a

1114
00:46:58,600 --> 00:47:01,759
Speaker 6: little more, and now obviously the season four, I think

1115
00:47:01,800 --> 00:47:05,400
Speaker 6: it started becoming more of just like a competition in

1116
00:47:05,600 --> 00:47:07,840
Speaker 6: the sense of like who's the queen of Zeus or

1117
00:47:07,840 --> 00:47:09,240
Speaker 6: whose show is running Zeus?

1118
00:47:10,520 --> 00:47:13,000
Speaker 20: You know, listen, I'll say they both they both doing

1119
00:47:13,040 --> 00:47:16,960
Speaker 20: an amazing job. I love Jocelyn, I love Natalie, I

1120
00:47:16,960 --> 00:47:19,920
Speaker 20: love all our content partners. I think that, you know,

1121
00:47:20,000 --> 00:47:23,560
Speaker 20: it's just a little healthy competitions. Jocelyn show does incredibly

1122
00:47:23,560 --> 00:47:26,239
Speaker 20: well and shout out to Joson Ballistic the success of

1123
00:47:26,280 --> 00:47:30,320
Speaker 20: Johnson's Cabaret. We just you know, Jocelyn's Jocelyn's Cabaret in

1124
00:47:30,320 --> 00:47:33,560
Speaker 20: New York is Aeron is doing incredibly well. I have

1125
00:47:33,600 --> 00:47:37,680
Speaker 20: a great relationship with both of them. They do interact sometimes,

1126
00:47:37,680 --> 00:47:39,560
Speaker 20: and you know, it's been a little up and down

1127
00:47:39,680 --> 00:47:41,160
Speaker 20: time and time, but I think for the most part,

1128
00:47:41,200 --> 00:47:42,520
Speaker 20: I think they do.

1129
00:47:44,280 --> 00:47:47,719
Speaker 6: Yes, we do sometimes. I mean I would, but I

1130
00:47:47,719 --> 00:47:48,479
Speaker 6: don't know if she would.

1131
00:47:48,560 --> 00:47:50,160
Speaker 2: But why only record that?

1132
00:47:50,440 --> 00:47:52,440
Speaker 17: I mean I would Jocelyn.

1133
00:47:52,560 --> 00:47:54,920
Speaker 20: Jocelyn's focus is on our music in her show. I

1134
00:47:54,960 --> 00:47:56,279
Speaker 20: don't think she wants to do that.

1135
00:47:57,600 --> 00:47:58,800
Speaker 2: I think she could an agree with you for the

1136
00:47:58,840 --> 00:48:02,879
Speaker 2: right y'all make a lot of money.

1137
00:48:03,280 --> 00:48:04,000
Speaker 17: Hey, I'm down.

1138
00:48:04,920 --> 00:48:08,160
Speaker 6: No, it's not it's it's it's not like a. I

1139
00:48:08,200 --> 00:48:10,279
Speaker 6: also think people stir it up. I think people like

1140
00:48:10,400 --> 00:48:14,680
Speaker 6: jazz or people like she well, she said, you know,

1141
00:48:14,760 --> 00:48:18,440
Speaker 6: she'll say things like, oh, you know the comedian. I know, listen,

1142
00:48:18,560 --> 00:48:27,880
Speaker 6: I let everybody live, okay. Well, originally just she started

1143
00:48:27,920 --> 00:48:31,239
Speaker 6: off by saying that Tanisha was her favorite from Bag

1144
00:48:31,239 --> 00:48:34,279
Speaker 6: Girls Club and that I shouldn't be running Bad Girls

1145
00:48:34,360 --> 00:48:37,480
Speaker 6: Club over at Zeus. That's how it started, and I

1146
00:48:37,520 --> 00:48:39,680
Speaker 6: was like, what is she talking about? Like, you know,

1147
00:48:40,000 --> 00:48:42,560
Speaker 6: so she started with that. Then the second thing was

1148
00:48:42,680 --> 00:48:45,120
Speaker 6: when Kashan and Blueface's show came and you know, my

1149
00:48:45,200 --> 00:48:47,680
Speaker 6: name's in the credits as an executive producer. She went

1150
00:48:47,719 --> 00:48:50,560
Speaker 6: on to say Natalie is exploiting Kashan and making all

1151
00:48:50,560 --> 00:48:52,759
Speaker 6: this money off of her, and there's a whole thing

1152
00:48:52,800 --> 00:48:54,400
Speaker 6: on YouTube if you google it like she just went

1153
00:48:54,440 --> 00:48:58,640
Speaker 6: on a rant and so I just be like, how

1154
00:48:58,760 --> 00:49:01,640
Speaker 6: is another female? Are you going to be mad at

1155
00:49:01,840 --> 00:49:04,040
Speaker 6: me for just working? I'm just doing my job. Like

1156
00:49:04,120 --> 00:49:06,640
Speaker 6: let me said, you know, we're just following people's stories.

1157
00:49:06,680 --> 00:49:09,239
Speaker 6: I'm not telling Krashan to do this. I'm not telling

1158
00:49:09,320 --> 00:49:12,040
Speaker 6: Kshan to you know, We're just following them. It's just raw,

1159
00:49:12,160 --> 00:49:16,680
Speaker 6: uncensored you know, uh, whatever they're doing. So I'm like,

1160
00:49:17,200 --> 00:49:18,319
Speaker 6: how am I exploiting her?

1161
00:49:18,400 --> 00:49:19,960
Speaker 2: Like what? Like, you know, the only thing I would

1162
00:49:20,000 --> 00:49:22,880
Speaker 2: correct just on is not just you exploiting her? Is

1163
00:49:22,960 --> 00:49:23,359
Speaker 2: let me too.

1164
00:49:23,640 --> 00:49:25,120
Speaker 6: No, but we're not. We're not.

1165
00:49:30,280 --> 00:49:32,280
Speaker 2: Jo shows.

1166
00:49:32,600 --> 00:49:33,520
Speaker 17: First of all, I love Jess.

1167
00:49:33,520 --> 00:49:33,959
Speaker 9: He's great.

1168
00:49:34,239 --> 00:49:39,600
Speaker 2: Oh god, I sex.

1169
00:49:39,880 --> 00:49:41,360
Speaker 20: You guys were getting into it. I was trying to

1170
00:49:41,360 --> 00:49:43,000
Speaker 20: calm her down and I was like, hey, you know.

1171
00:49:43,000 --> 00:49:44,879
Speaker 17: She got into Yeah.

1172
00:49:44,920 --> 00:49:49,920
Speaker 6: We were at let me sponsor that Tycoon weekend, one

1173
00:49:49,920 --> 00:49:50,719
Speaker 6: of the sponsors with.

1174
00:49:50,680 --> 00:49:52,920
Speaker 17: Fifty and they were kind of having a little thing.

1175
00:49:53,000 --> 00:49:53,200
Speaker 7: But I.

1176
00:49:54,920 --> 00:49:55,719
Speaker 17: Yeah, she was.

1177
00:49:57,840 --> 00:50:03,880
Speaker 6: Bottom drink like you we're just talking.

1178
00:50:05,200 --> 00:50:09,680
Speaker 20: Listen Jess, just Jess, Jess and that they both listened

1179
00:50:09,719 --> 00:50:13,239
Speaker 20: to me in that moment. It was it was we

1180
00:50:13,280 --> 00:50:15,479
Speaker 20: diffuse it. And you know, I don't think they've talked

1181
00:50:15,480 --> 00:50:16,759
Speaker 20: ever since, but I think you guys should talk.

1182
00:50:16,760 --> 00:50:18,560
Speaker 6: And this is.

1183
00:50:22,560 --> 00:50:24,719
Speaker 17: What did you ask me about Rashan were exploiting.

1184
00:50:26,080 --> 00:50:27,200
Speaker 3: I don't even know what you can see what I

1185
00:50:27,560 --> 00:50:30,000
Speaker 3: think that they don't know. We're telling grown people.

1186
00:50:30,239 --> 00:50:31,000
Speaker 6: We cannot tell.

1187
00:50:31,400 --> 00:50:34,240
Speaker 20: First of all, I don't I don't exploit Blue Face

1188
00:50:34,320 --> 00:50:38,760
Speaker 20: and Krashan. They're very their executive producers. They're very aware

1189
00:50:38,840 --> 00:50:41,719
Speaker 20: of what we're filming. They are very hands on with

1190
00:50:41,760 --> 00:50:46,000
Speaker 20: the post production aspect. They watched the cuts before they

1191
00:50:46,200 --> 00:50:49,600
Speaker 20: are released. They give notes. They are very hands on.

1192
00:50:49,760 --> 00:50:51,960
Speaker 20: We don't even exploy. We don't exploit. We don't exploit

1193
00:50:51,960 --> 00:50:55,160
Speaker 20: our talent. We don't exploit, and that that narrative, he's

1194
00:50:55,200 --> 00:50:58,480
Speaker 20: the stop. I mean, everybody is pretty.

1195
00:50:58,320 --> 00:51:00,759
Speaker 17: Hands on and aware. We don't control what people do.

1196
00:51:01,040 --> 00:51:04,200
Speaker 20: I can't control, Like there's no universe where I can

1197
00:51:04,200 --> 00:51:07,000
Speaker 20: control Tommy and how she comes off on camera. She did,

1198
00:51:07,120 --> 00:51:08,480
Speaker 20: she did a great job. She was a producer, she

1199
00:51:08,520 --> 00:51:10,320
Speaker 20: was hands on with Batti's West and I love Tommy.

1200
00:51:10,360 --> 00:51:10,839
Speaker 17: She's great.

1201
00:51:10,960 --> 00:51:13,160
Speaker 20: But she's gonna be Tommy, just like I have no

1202
00:51:13,200 --> 00:51:15,280
Speaker 20: control over Natalie. She's gonna do Natalie.

1203
00:51:15,400 --> 00:51:19,000
Speaker 17: I have no control over the blue Face Kashan. You know, Jocelyn.

1204
00:51:19,280 --> 00:51:21,880
Speaker 20: I love all of them, and you know, I appreciate

1205
00:51:21,920 --> 00:51:24,680
Speaker 20: that they love the relationship with me and Zeus and

1206
00:51:24,719 --> 00:51:27,919
Speaker 20: they do their thing, and I think that people appreciate,

1207
00:51:28,000 --> 00:51:30,759
Speaker 20: which is part of the success of Zeus at this

1208
00:51:30,920 --> 00:51:35,359
Speaker 20: current time. You know, the real realness, in the rawness

1209
00:51:35,120 --> 00:51:38,600
Speaker 20: of in the authenticity piece of it all.

1210
00:51:38,760 --> 00:51:40,760
Speaker 2: I will keep a lock. We got more with Lamel Plumber,

1211
00:51:40,960 --> 00:51:41,640
Speaker 2: Natalie Nothing.

1212
00:51:41,719 --> 00:51:43,800
Speaker 3: It's the breakfast Luve of the morning, burning everybody in

1213
00:51:43,920 --> 00:51:47,160
Speaker 3: dej n V. Charlamage the God we are to Breakfast Club.

1214
00:51:47,160 --> 00:51:49,640
Speaker 3: We're still kicking it with Lamel Plumber and Natalie None.

1215
00:51:49,680 --> 00:51:51,560
Speaker 3: You know, he's the CEO of the Zeus network.

1216
00:51:51,640 --> 00:51:54,880
Speaker 2: Cha you do have a double major in sociology, sociology

1217
00:51:54,880 --> 00:51:57,759
Speaker 2: and communication, which when you was here ten years ago,

1218
00:51:57,800 --> 00:51:59,000
Speaker 2: that's one of the things I said. I was like,

1219
00:51:59,040 --> 00:52:01,920
Speaker 2: don't you want to utilize Yeah, those degrees. Do you

1220
00:52:01,920 --> 00:52:03,040
Speaker 2: feel like you're utilizing them?

1221
00:52:03,400 --> 00:52:06,239
Speaker 6: Yes, for sure. I feel like now that I'm like

1222
00:52:06,280 --> 00:52:10,520
Speaker 6: executive producing Baddies, I deal with all of the girls

1223
00:52:10,560 --> 00:52:13,920
Speaker 6: every day like I'm hands on, you know, with Lemmy

1224
00:52:14,040 --> 00:52:18,040
Speaker 6: and the team, whether it's casting, you know, working with

1225
00:52:18,080 --> 00:52:21,160
Speaker 6: the girls on camera and off camera. Just you know,

1226
00:52:21,200 --> 00:52:26,040
Speaker 6: I feel like my communications degree definitely helps that field

1227
00:52:26,200 --> 00:52:29,200
Speaker 6: because for some reason, I could smack the shit out

1228
00:52:29,200 --> 00:52:31,280
Speaker 6: of a girl we still have a conversation five minutes

1229
00:52:31,320 --> 00:52:35,799
Speaker 6: after and then even then, you know, sociology, I really

1230
00:52:35,840 --> 00:52:38,600
Speaker 6: understand a lot of the girls and and just any

1231
00:52:38,719 --> 00:52:41,440
Speaker 6: even the bad boys, like you know, the study of

1232
00:52:41,480 --> 00:52:44,279
Speaker 6: people is really you know what sociology is. So I

1233
00:52:44,280 --> 00:52:47,880
Speaker 6: feel like I definitely am able to utilize both of

1234
00:52:47,880 --> 00:52:49,839
Speaker 6: my degrees. I think I told you that before, even

1235
00:52:49,920 --> 00:52:51,520
Speaker 6: you know, when I was up here years ago. But

1236
00:52:51,680 --> 00:52:55,200
Speaker 6: like reality TV, I think that is really what's helped

1237
00:52:55,239 --> 00:53:00,120
Speaker 6: me be a reality star and now even like a

1238
00:52:59,760 --> 00:53:02,719
Speaker 6: b because I can literally sit there listen to them

1239
00:53:03,080 --> 00:53:05,000
Speaker 6: get I get it, I get it, and you know,

1240
00:53:05,320 --> 00:53:05,719
Speaker 6: work with.

1241
00:53:05,680 --> 00:53:09,200
Speaker 2: Them, and it's helped you to manipulate people, right because

1242
00:53:09,239 --> 00:53:11,560
Speaker 2: because you know what you're doing on social media, and

1243
00:53:11,560 --> 00:53:13,040
Speaker 2: I guess that's the only thing that I'd be tripping

1244
00:53:13,080 --> 00:53:14,719
Speaker 2: off because like you know, even last week when you

1245
00:53:14,800 --> 00:53:17,319
Speaker 2: went to the whole tirade. Oh but I'm like, and

1246
00:53:18,040 --> 00:53:22,399
Speaker 2: what's I do? Know what I'm doing? I know, y'all

1247
00:53:22,480 --> 00:53:25,400
Speaker 2: just wake up, just just just make up, make up.

1248
00:53:26,239 --> 00:53:28,360
Speaker 2: But I know, but I know these things, and I

1249
00:53:28,360 --> 00:53:29,200
Speaker 2: guess that's the only thing.

1250
00:53:29,440 --> 00:53:31,520
Speaker 17: And he's a great story of producer, is really good.

1251
00:53:31,560 --> 00:53:35,440
Speaker 2: I just want people to see that side because people

1252
00:53:35,480 --> 00:53:38,480
Speaker 2: do follow you, they do watch you, and I think

1253
00:53:38,480 --> 00:53:40,160
Speaker 2: you owe it to these people to show them all

1254
00:53:40,200 --> 00:53:42,319
Speaker 2: of that whole totality of Natalie Nhing.

1255
00:53:42,800 --> 00:53:45,160
Speaker 6: I think they they're getting it. I mean that the

1256
00:53:45,200 --> 00:53:47,000
Speaker 6: thing is is like I do feel like I live

1257
00:53:47,040 --> 00:53:49,120
Speaker 6: two lives. And I'm gonna be honest because I you know,

1258
00:53:49,120 --> 00:53:52,240
Speaker 6: I'm on reality shows with other females that you probably

1259
00:53:52,280 --> 00:53:54,480
Speaker 6: would not see me with all the time and every day.

1260
00:53:54,480 --> 00:53:56,959
Speaker 6: But we're living together for a month and a half,

1261
00:53:56,960 --> 00:53:59,040
Speaker 6: two months whatever while we're filming, and then I go home,

1262
00:53:59,160 --> 00:54:02,520
Speaker 6: you know, have like family and so you know, my

1263
00:54:02,719 --> 00:54:07,040
Speaker 6: friends from home, and so it is like a balance

1264
00:54:07,120 --> 00:54:09,400
Speaker 6: for me. I have to you know, tap back into

1265
00:54:09,680 --> 00:54:11,760
Speaker 6: you know, being the boss baddie.

1266
00:54:11,760 --> 00:54:11,920
Speaker 4: Now.

1267
00:54:12,120 --> 00:54:14,279
Speaker 6: I don't really I'm not on the show like Bad

1268
00:54:14,320 --> 00:54:17,719
Speaker 6: Girls Club ten years ago, like being manipulative and do that.

1269
00:54:17,880 --> 00:54:20,400
Speaker 6: I actually am in just sitting there like how can

1270
00:54:20,400 --> 00:54:22,319
Speaker 6: we figure this out? Girls? Like you know, you guys

1271
00:54:22,360 --> 00:54:23,759
Speaker 6: want to fight it out, fight it out if not

1272
00:54:23,800 --> 00:54:27,239
Speaker 6: like you know, so I have grown up, but I

1273
00:54:27,280 --> 00:54:30,520
Speaker 6: can still be very manipulative, you know, special sociology degree.

1274
00:54:30,600 --> 00:54:33,200
Speaker 2: Yeah yeah, and you was an athlete and you go

1275
00:54:33,239 --> 00:54:34,040
Speaker 2: to the Junior Olympics.

1276
00:54:34,120 --> 00:54:35,680
Speaker 6: I did, and I played soccer at USC.

1277
00:54:35,760 --> 00:54:37,480
Speaker 2: You know what I'm saying that, like people need to

1278
00:54:37,520 --> 00:54:40,080
Speaker 2: see that. That's why I get frustrated at because I'm like,

1279
00:54:40,080 --> 00:54:41,480
Speaker 2: You're more than just the.

1280
00:54:41,360 --> 00:54:42,800
Speaker 17: Reality show, for sure.

1281
00:54:43,120 --> 00:54:45,719
Speaker 6: I mean, but I feel like over the what is

1282
00:54:45,760 --> 00:54:48,160
Speaker 6: it fourteen years now of me being on reality TV?

1283
00:54:48,400 --> 00:54:51,759
Speaker 6: People know that, you know, they know, they know, they know.

1284
00:54:51,840 --> 00:54:54,440
Speaker 2: How do you keep yourself from really getting mad? Like

1285
00:54:54,480 --> 00:54:56,759
Speaker 2: when you like, when you're really about to get upset, Like,

1286
00:54:56,760 --> 00:54:59,640
Speaker 2: what do you do? Chin up, shoulders back, breathe yourself.

1287
00:54:59,680 --> 00:55:12,960
Speaker 2: You got this is what he does. Let's chin up,

1288
00:55:13,160 --> 00:55:22,080
Speaker 2: shoulder back. You got this. That's a technique your therapist.

1289
00:55:19,719 --> 00:55:30,960
Speaker 6: Again, smack. Why the thing is is you know the girls,

1290
00:55:31,040 --> 00:55:33,359
Speaker 6: dude still to this day, and I think at this

1291
00:55:33,400 --> 00:55:36,959
Speaker 6: point because of where I'm at, you know, like even

1292
00:55:37,360 --> 00:55:40,360
Speaker 6: especially at Zeus, I mean that everybody wants to be

1293
00:55:40,680 --> 00:55:43,080
Speaker 6: at the top, so they find a way to come

1294
00:55:43,120 --> 00:55:46,080
Speaker 6: for me, whether you know, if it's Tommy coming on

1295
00:55:46,080 --> 00:55:47,920
Speaker 6: my show. And again like I got in the ring

1296
00:55:47,960 --> 00:55:50,080
Speaker 6: with Tommy. We did our big one. We fought at

1297
00:55:50,080 --> 00:55:52,520
Speaker 6: the reunion because it was it was more than just

1298
00:55:52,840 --> 00:55:55,160
Speaker 6: the words and the bickering. Now it's like you're trying

1299
00:55:55,200 --> 00:55:58,080
Speaker 6: to come for a spot that's not your spot, and

1300
00:55:58,239 --> 00:56:01,279
Speaker 6: let's just be very clear, like you're just you're on

1301
00:56:01,280 --> 00:56:04,279
Speaker 6: my show, which is Baddies is my show, and have.

1302
00:56:04,200 --> 00:56:04,920
Speaker 17: A little respect.

1303
00:56:05,000 --> 00:56:07,040
Speaker 6: But the thing about females are there were just really

1304
00:56:07,080 --> 00:56:11,000
Speaker 6: caddy and it's just never gonna that is never gonna change.

1305
00:56:11,239 --> 00:56:15,239
Speaker 6: Girls are caddy, jealous, they can be malicious, just they

1306
00:56:15,239 --> 00:56:18,680
Speaker 6: could be very nasty individuals. So I feel like now

1307
00:56:18,719 --> 00:56:21,000
Speaker 6: for me, the only way I'm gonna really snap and

1308
00:56:21,040 --> 00:56:23,560
Speaker 6: smack this out of the beach is if you're really

1309
00:56:23,680 --> 00:56:25,920
Speaker 6: doing my money, or you're you're doing some weird you're

1310
00:56:25,960 --> 00:56:29,640
Speaker 6: being weird behind the scenes. That's when it can get ugly.

1311
00:56:29,719 --> 00:56:31,640
Speaker 6: So I got in the ring with Tommy. We did

1312
00:56:31,680 --> 00:56:34,120
Speaker 6: our thing, and she's still you know, I think it

1313
00:56:34,160 --> 00:56:36,080
Speaker 6: was what Floyd made whether we can try to pull

1314
00:56:36,160 --> 00:56:38,520
Speaker 6: up on me at a little spot in the South beach.

1315
00:56:38,680 --> 00:56:44,399
Speaker 2: I told her to come inside and she.

1316
00:56:44,480 --> 00:56:49,120
Speaker 6: Was just outside doing you know ton Now the Housewives

1317
00:56:49,239 --> 00:56:51,680
Speaker 6: was just they're fifty fighting. I'm only in my third

1318
00:56:52,640 --> 00:56:54,320
Speaker 6: I didn't say it was right, but I'm just saying,

1319
00:56:54,480 --> 00:56:56,279
Speaker 6: we get I get backlash for that too.

1320
00:56:56,400 --> 00:56:58,520
Speaker 2: Well, we appreciate you guys joining, and I think I

1321
00:56:58,560 --> 00:57:00,480
Speaker 2: think we're gonna continue to see a lot of evolution

1322
00:57:00,560 --> 00:57:02,719
Speaker 2: from Natalie nothing, just like people see continue to see

1323
00:57:02,760 --> 00:57:04,560
Speaker 2: a lot of evolution from me. You know. I mean,

1324
00:57:04,600 --> 00:57:06,800
Speaker 2: I think that you're going to continue to brow. I

1325
00:57:06,800 --> 00:57:10,960
Speaker 2: think we're going to start to see the whole totality.

1326
00:57:10,320 --> 00:57:12,640
Speaker 6: What's what's kind of girl? My chin?

1327
00:57:15,760 --> 00:57:18,200
Speaker 2: I'm telling you this sincerely. I'm sending you nothing but

1328
00:57:18,240 --> 00:57:20,400
Speaker 2: positive love and light. I want you to keep your

1329
00:57:20,400 --> 00:57:23,240
Speaker 2: head up, keep your chin up, and most importantly, keep smiling,

1330
00:57:23,360 --> 00:57:25,880
Speaker 2: because that's the beautiful thing. Okay, there's so much to smile.

1331
00:57:25,920 --> 00:57:28,600
Speaker 6: So we're cool now, So we're cool.

1332
00:57:27,200 --> 00:57:28,360
Speaker 2: We're getting.

1333
00:57:31,160 --> 00:57:36,680
Speaker 3: That's so sweet that.

1334
00:57:35,600 --> 00:57:37,440
Speaker 17: I wanted to say one other thing. You gotta talk

1335
00:57:37,480 --> 00:57:40,080
Speaker 17: about your show that drops this Sunday.

1336
00:57:40,160 --> 00:57:41,560
Speaker 2: This Sunday, that is East.

1337
00:57:41,760 --> 00:57:43,320
Speaker 6: That is East, so we're on the East.

1338
00:57:43,080 --> 00:57:47,800
Speaker 17: Coast and it is this season is really we got Suki.

1339
00:57:47,600 --> 00:57:53,680
Speaker 6: On there, we got Mariah Lynn, Shaan's on there. I'm

1340
00:57:53,680 --> 00:57:58,520
Speaker 6: getting backlash for that I mean, well, she's on there

1341
00:57:58,560 --> 00:58:00,560
Speaker 6: performing and stuff, and she was pregnant. People were like,

1342
00:58:00,880 --> 00:58:01,520
Speaker 6: she's pregnant.

1343
00:58:01,800 --> 00:58:04,480
Speaker 17: Her sister's on there to sisters, she was there with her.

1344
00:58:04,520 --> 00:58:08,320
Speaker 20: We have returning, Scotty's returning, got it with the body?

1345
00:58:08,760 --> 00:58:11,040
Speaker 17: Who else returning? Big Eaves returning.

1346
00:58:12,680 --> 00:58:16,240
Speaker 20: But the show does come out this Sunday, this Sunday,

1347
00:58:16,440 --> 00:58:20,200
Speaker 20: this September seventeenth, September seventeenth. So we're really really excited

1348
00:58:20,200 --> 00:58:23,040
Speaker 20: about Baddie's East and uh, you know.

1349
00:58:23,200 --> 00:58:25,640
Speaker 6: The fans are so excited about Batty's ease, Like the

1350
00:58:25,680 --> 00:58:26,600
Speaker 6: East Coast.

1351
00:58:27,560 --> 00:58:30,280
Speaker 17: Therea Camila, who else is on there?

1352
00:58:30,320 --> 00:58:32,360
Speaker 6: It's a big this was this is a big season

1353
00:58:32,480 --> 00:58:38,120
Speaker 6: for real, Like this is probably Anna Annamiley. Oh god,

1354
00:58:39,560 --> 00:58:42,800
Speaker 6: that's going by right now that she snatched myr Island's chain.

1355
00:58:43,040 --> 00:58:51,000
Speaker 2: Let me Plumber doesn't care about black women. List Plumber

1356
00:58:51,560 --> 00:58:56,560
Speaker 2: about black let me say him you know me social media,

1357
00:58:57,160 --> 00:58:57,880
Speaker 2: don't let me know.

1358
00:58:58,600 --> 00:59:01,320
Speaker 17: You're going to manifest this.

1359
00:59:02,280 --> 00:59:03,240
Speaker 2: It's crazy.

1360
00:59:03,480 --> 00:59:07,680
Speaker 17: Listen, I will say this. I love all of our talent.

1361
00:59:07,840 --> 00:59:11,000
Speaker 20: I know there's been you know, folks that have worked

1362
00:59:11,040 --> 00:59:14,120
Speaker 20: with us that you know, there's been some challenging times,

1363
00:59:14,160 --> 00:59:15,800
Speaker 20: But I love whoever you are out there.

1364
00:59:15,800 --> 00:59:18,320
Speaker 17: I just know if we've ever had any you know, hardships.

1365
00:59:18,520 --> 00:59:19,080
Speaker 17: I love you.

1366
00:59:19,280 --> 00:59:23,720
Speaker 20: I appreciate everything that you've done. I appreciate everybody that's

1367
00:59:24,160 --> 00:59:26,720
Speaker 20: you know, contributed to the growth and success of Zeus.

1368
00:59:27,680 --> 00:59:28,120
Speaker 2: I love you.

1369
00:59:28,120 --> 00:59:29,920
Speaker 20: If I don't mention you all the time, I'm sorry,

1370
00:59:30,360 --> 00:59:33,040
Speaker 20: you know, for folks that may you know, be mad

1371
00:59:33,080 --> 00:59:35,520
Speaker 20: at me at this moment, I love you. I'm sorry

1372
00:59:35,640 --> 00:59:38,560
Speaker 20: I ever hurt you, you know, or did anything that

1373
00:59:39,000 --> 00:59:39,200
Speaker 20: you know?

1374
00:59:39,280 --> 00:59:40,040
Speaker 6: I love you.

1375
00:59:40,360 --> 00:59:43,440
Speaker 2: Got canceled yet and you apologize. You're getting ahead of them.

1376
00:59:44,720 --> 00:59:45,720
Speaker 2: You just called me.

1377
00:59:45,720 --> 00:59:48,440
Speaker 17: You know you're trying the story produce me.

1378
00:59:48,480 --> 00:59:49,240
Speaker 2: I'm just walking through it.

1379
00:59:49,640 --> 00:59:52,200
Speaker 6: Listen, listen everybody else.

1380
00:59:52,360 --> 00:59:54,600
Speaker 17: I love everybody. I love everybody.

1381
00:59:54,640 --> 00:59:55,360
Speaker 2: I love everybody.

1382
00:59:55,440 --> 01:00:04,520
Speaker 3: Appreciate you coming. It's the breakfast club. Let's get right

1383
01:00:04,520 --> 01:00:04,920
Speaker 3: to the room.

1384
01:00:05,040 --> 01:00:10,840
Speaker 2: He already apologize for being a loud mouth.

1385
01:00:10,920 --> 01:00:13,240
Speaker 4: I got seventeen years and do you need me?

1386
01:00:13,400 --> 01:00:14,560
Speaker 6: You need I've got the sea.

1387
01:00:17,200 --> 01:00:18,600
Speaker 2: This the room report.

1388
01:00:18,920 --> 01:00:20,400
Speaker 7: Sorry, I'm a true teller.

1389
01:00:20,920 --> 01:00:23,960
Speaker 16: N go right, you go, I.

1390
01:00:23,960 --> 01:00:24,840
Speaker 4: Got the sea babies.

1391
01:00:24,880 --> 01:00:30,120
Speaker 2: Tell him what to ben to see? All right, Miko,

1392
01:00:30,200 --> 01:00:30,640
Speaker 2: what we got?

1393
01:00:31,240 --> 01:00:33,920
Speaker 4: All right? So you guys have probably heard about Houston

1394
01:00:34,000 --> 01:00:38,040
Speaker 4: Rocket is Kevin Porter Junior fracturing his girlfriend's vertebrae here

1395
01:00:38,080 --> 01:00:41,200
Speaker 4: in New York City. This is a very tragic story.

1396
01:00:41,200 --> 01:00:44,360
Speaker 4: I believe we got some audio for that new details.

1397
01:00:44,480 --> 01:00:47,600
Speaker 21: NBA player Kevin Porter's bail was set at seventy five

1398
01:00:47,640 --> 01:00:50,560
Speaker 21: thousand dollars after he pleaded not guilty to assaulting and

1399
01:00:50,600 --> 01:00:54,760
Speaker 21: strangling his girlfriend in a Manhattan hotel. Prosecutors say the

1400
01:00:54,840 --> 01:00:57,960
Speaker 21: twenty three year old attacked his twenty six year old

1401
01:00:57,960 --> 01:01:00,680
Speaker 21: girlfriend at the Millennium Hotel on the East Side early

1402
01:01:00,760 --> 01:01:03,640
Speaker 21: yesterday morning. They say Porter repeatedly punched her in the

1403
01:01:03,720 --> 01:01:06,880
Speaker 21: face and squeezed her neck so hard that he broke.

1404
01:01:07,320 --> 01:01:08,680
Speaker 2: At least one bone.

1405
01:01:08,920 --> 01:01:12,040
Speaker 21: Jesus, the NBA and the Houston Rockets so they are

1406
01:01:12,080 --> 01:01:13,560
Speaker 21: also investigating.

1407
01:01:14,800 --> 01:01:15,280
Speaker 2: Tragic Now.

1408
01:01:15,280 --> 01:01:17,320
Speaker 4: I always like to wait for everything to come out

1409
01:01:17,360 --> 01:01:19,520
Speaker 4: before I pick a side, but I'm picking a side

1410
01:01:19,600 --> 01:01:22,480
Speaker 4: right here. This sounds awful. I just want to put

1411
01:01:22,520 --> 01:01:24,960
Speaker 4: her name out there. Kaiser Condrez. She she was a

1412
01:01:24,960 --> 01:01:26,760
Speaker 4: lottery pick for the Indiana Fever.

1413
01:01:26,840 --> 01:01:27,720
Speaker 1: And then w n B A.

1414
01:01:28,240 --> 01:01:32,280
Speaker 4: Yeah, she's a ballplayer and apparently there's been a history

1415
01:01:32,280 --> 01:01:35,920
Speaker 4: of abuse. She has a sister who whose name is

1416
01:01:36,000 --> 01:01:40,080
Speaker 4: Calabria Haskins. She was married to Dwayne Haskins, who was

1417
01:01:40,080 --> 01:01:43,480
Speaker 4: an NFL quarterback for the Pittsburgh Steelers. He was did

1418
01:01:43,480 --> 01:01:45,160
Speaker 4: you guys hear about that he got hit by a

1419
01:01:45,280 --> 01:01:50,200
Speaker 4: dump truck last year in Fort Laudadell. No, yeah, yes,

1420
01:01:50,960 --> 01:01:56,480
Speaker 4: he got hit by dump truck. So that's that's spending around.

1421
01:01:56,520 --> 01:02:00,480
Speaker 4: That's his wife. Is this girl's sister, right? So the

1422
01:02:00,560 --> 01:02:03,600
Speaker 4: sister went on her Instagram and she wrote, she at him,

1423
01:02:03,680 --> 01:02:06,160
Speaker 4: Kevin Porter Jr. If you think you're gonna touch my

1424
01:02:06,280 --> 01:02:09,960
Speaker 4: sister and not get touched, count your effing days better,

1425
01:02:10,000 --> 01:02:12,439
Speaker 4: hope and prayer you'll be able to ever walk again,

1426
01:02:12,560 --> 01:02:15,280
Speaker 4: let alone dribble. You may have gotten away with this

1427
01:02:15,680 --> 01:02:18,680
Speaker 4: stuff in the past because Yo, Mama ain't raised you right,

1428
01:02:18,960 --> 01:02:25,080
Speaker 4: But we spank little punk painting nailed sissy wenches like

1429
01:02:25,160 --> 01:02:27,840
Speaker 4: you every day. Don't show up to the crib. Were

1430
01:02:27,880 --> 01:02:29,440
Speaker 4: gonna do it to you, little.

1431
01:02:30,880 --> 01:02:31,240
Speaker 6: Wench.

1432
01:02:31,560 --> 01:02:34,960
Speaker 4: This is after he got arrested and she has him

1433
01:02:35,080 --> 01:02:39,080
Speaker 4: saved in her phone as Kevin downlow Porter Jr. The

1434
01:02:39,160 --> 01:02:42,120
Speaker 4: sister hasn't saved, is that? So apparently this has been

1435
01:02:42,160 --> 01:02:43,960
Speaker 4: going on for a while. He was also arrested in

1436
01:02:43,960 --> 01:02:47,640
Speaker 4: twenty twenty for having a gun in his car. I

1437
01:02:47,680 --> 01:02:51,360
Speaker 4: heard about that one in marijuana. Yeah, so apparently there's

1438
01:02:51,400 --> 01:02:53,680
Speaker 4: been a history of abuse here.

1439
01:02:54,640 --> 01:02:54,840
Speaker 2: Have you.

1440
01:02:54,880 --> 01:02:57,480
Speaker 4: Houston Rockets cut him yet they have not made a

1441
01:02:57,480 --> 01:03:00,240
Speaker 4: statement yet because they're waiting for you know you he's

1442
01:03:00,240 --> 01:03:02,360
Speaker 4: got to make sure you wait until somebody is actually

1443
01:03:02,480 --> 01:03:04,200
Speaker 4: guilty of something. But I mean, if if she was

1444
01:03:04,280 --> 01:03:06,760
Speaker 4: running down the hallway, I'm pretty sure they have footage

1445
01:03:06,760 --> 01:03:09,320
Speaker 4: of this. She was bloody, she was bleeding and broke

1446
01:03:09,360 --> 01:03:09,840
Speaker 4: a bone.

1447
01:03:10,600 --> 01:03:13,320
Speaker 3: Yeah, well they said, I guess this is what the

1448
01:03:13,360 --> 01:03:15,360
Speaker 3: reports that in the paper today, the Daily News that

1449
01:03:15,760 --> 01:03:18,040
Speaker 3: I guess he got back from I guess party and

1450
01:03:18,080 --> 01:03:20,440
Speaker 3: they believe and the door was locked and he couldn't

1451
01:03:20,440 --> 01:03:22,040
Speaker 3: get in, so he had to get you know, hotel

1452
01:03:22,120 --> 01:03:23,440
Speaker 3: security to get him in.

1453
01:03:23,480 --> 01:03:26,240
Speaker 2: And he was upset about that. But like you said, uh,

1454
01:03:27,240 --> 01:03:28,520
Speaker 2: do all that now. But it happened.

1455
01:03:28,640 --> 01:03:30,520
Speaker 3: They said some of it in the hallway, so hopefully

1456
01:03:30,560 --> 01:03:34,800
Speaker 3: there are cameras there. Very sad man, I mean, she's

1457
01:03:35,080 --> 01:03:36,880
Speaker 3: the young lady's twenty six years old.

1458
01:03:36,760 --> 01:03:40,080
Speaker 2: And it's horrible. And then also from a business perspective,

1459
01:03:40,160 --> 01:03:42,240
Speaker 2: if the Rockets cut him, they still got to pay him, right,

1460
01:03:44,960 --> 01:03:45,360
Speaker 2: got to be more.

1461
01:03:46,160 --> 01:03:48,280
Speaker 4: It depends. These type of things are a little touchy.

1462
01:03:48,280 --> 01:03:48,360
Speaker 2: Bit.

1463
01:03:48,440 --> 01:03:50,880
Speaker 4: I do also want to say that her godfather's name

1464
01:03:50,920 --> 01:03:53,280
Speaker 4: is John Lucas. He is in the front office of

1465
01:03:53,320 --> 01:03:56,640
Speaker 4: the Houston Rockets as well. So this is like all

1466
01:03:56,840 --> 01:03:59,840
Speaker 4: types of messiness, and it sounds like he might need

1467
01:03:59,880 --> 01:04:00,640
Speaker 4: some help for real.

1468
01:04:00,720 --> 01:04:03,680
Speaker 3: And they say they had the best Uh, I guess

1469
01:04:03,480 --> 01:04:05,920
Speaker 3: the best season last year. He averaged ten points and

1470
01:04:05,920 --> 01:04:08,960
Speaker 3: all whatever. But I mean he should be cut. You

1471
01:04:08,960 --> 01:04:11,480
Speaker 3: don't put your hands and strangly strangle somebody to they

1472
01:04:11,480 --> 01:04:12,440
Speaker 3: break a bone.

1473
01:04:12,200 --> 01:04:12,640
Speaker 2: In his nock.

1474
01:04:13,280 --> 01:04:14,680
Speaker 4: What kind of rage were you in?

1475
01:04:14,800 --> 01:04:16,800
Speaker 2: Jesus ch Absolutely, I guess that's why they say you

1476
01:04:16,840 --> 01:04:19,120
Speaker 2: got to investigate, even though you hear all of these details,

1477
01:04:19,240 --> 01:04:21,800
Speaker 2: Like Miko said, they gotta wait until everything's fully played

1478
01:04:21,800 --> 01:04:23,880
Speaker 2: out correct just for business purposes.

1479
01:04:24,160 --> 01:04:26,640
Speaker 4: Yeah, because if you if you fire him and let's

1480
01:04:26,880 --> 01:04:29,800
Speaker 4: stranger things have happened. Let's say she did something to him,

1481
01:04:30,080 --> 01:04:32,280
Speaker 4: which I don't know why what would warrant what he

1482
01:04:32,320 --> 01:04:35,000
Speaker 4: did either way, But let's just say that the players have,

1483
01:04:35,280 --> 01:04:37,440
Speaker 4: you know, a defense of some kind, and you fire him,

1484
01:04:37,440 --> 01:04:41,480
Speaker 4: now you're lost. Yeah, so they have to wait. But

1485
01:04:41,480 --> 01:04:44,439
Speaker 4: but he has to be in court October sixteenth here

1486
01:04:44,800 --> 01:04:47,480
Speaker 4: and they have a preseason game. He'll probably miss that,

1487
01:04:47,560 --> 01:04:48,960
Speaker 4: but he does have to be back in court here

1488
01:04:48,960 --> 01:04:50,520
Speaker 4: in Manhattan October sixteenth.

1489
01:04:50,760 --> 01:04:54,160
Speaker 3: Definitely sending healing energy to that young lady. That woman,

1490
01:04:54,520 --> 01:04:56,040
Speaker 3: I mean, twenty six years old.

1491
01:04:56,040 --> 01:05:00,520
Speaker 4: Is oh my god, and other news.

1492
01:05:00,560 --> 01:05:03,400
Speaker 2: I feel her sister, Absolutely feel her sister. And I'm

1493
01:05:03,400 --> 01:05:05,720
Speaker 2: sure it's not just her sister feels like that she got.

1494
01:05:06,040 --> 01:05:08,560
Speaker 3: And daddy or uncle. Yeah, I feel her whole family.

1495
01:05:08,600 --> 01:05:10,240
Speaker 3: I'm sure that's been.

1496
01:05:10,080 --> 01:05:12,200
Speaker 4: Going through a lot too as a family. I believe

1497
01:05:12,200 --> 01:05:14,720
Speaker 4: their brother passed away not too long ago as well.

1498
01:05:14,800 --> 01:05:17,720
Speaker 4: So the other sister's husband was killed in that, and

1499
01:05:17,760 --> 01:05:21,920
Speaker 4: that there was foul play. Apparently he was drugged the accident.

1500
01:05:22,680 --> 01:05:25,040
Speaker 2: We reported that one. Yeah, think of situations like that.

1501
01:05:25,160 --> 01:05:27,920
Speaker 2: Nobody gonna wait uh for for law enforcement to do

1502
01:05:27,960 --> 01:05:30,360
Speaker 2: their job. If you if you're that young lady's family.

1503
01:05:30,680 --> 01:05:32,720
Speaker 3: All you see is your niece or your daughter or

1504
01:05:32,720 --> 01:05:35,200
Speaker 3: your sister bloody and they're talking about a broken bone

1505
01:05:35,200 --> 01:05:35,760
Speaker 3: in her neck.

1506
01:05:35,840 --> 01:05:37,600
Speaker 2: Are you kidding? You're not. You're not waiting. I don't

1507
01:05:37,600 --> 01:05:39,040
Speaker 2: want to wait for nothing. Now, You're not waiting for

1508
01:05:39,080 --> 01:05:39,320
Speaker 2: the law.

1509
01:05:39,520 --> 01:05:41,800
Speaker 4: End of that that's why she probably posted on her story.

1510
01:05:41,880 --> 01:05:49,120
Speaker 4: She probably likes but yeah, man, but I hope that

1511
01:05:49,200 --> 01:05:54,600
Speaker 4: she recovers. Well, that's tough. You want to go to

1512
01:05:54,640 --> 01:05:55,080
Speaker 4: the next rum.

1513
01:05:56,520 --> 01:05:58,480
Speaker 3: Now we got done, we got wrapped it up. We

1514
01:05:58,800 --> 01:06:01,680
Speaker 3: took a little too long on that one. And that's uh, Miko.

1515
01:06:01,400 --> 01:06:03,440
Speaker 2: With the worthy story to take the time with the

1516
01:06:03,560 --> 01:06:06,479
Speaker 2: Absolutely that's Charlamagne. Who you get that Duncan? Two man,

1517
01:06:06,640 --> 01:06:09,960
Speaker 2: four after the hour. We need a woman named Jessica

1518
01:06:10,000 --> 01:06:11,840
Speaker 2: Carlin to come to the front of the congregation. We

1519
01:06:11,880 --> 01:06:14,840
Speaker 2: would like to have a world whatever because you know,

1520
01:06:14,880 --> 01:06:17,080
Speaker 2: a lot of times here at the breakfast Club, I

1521
01:06:17,120 --> 01:06:20,640
Speaker 2: want to go to HR. But what happens when HR

1522
01:06:20,800 --> 01:06:24,080
Speaker 2: does something to you? Whow you go to when HR

1523
01:06:24,200 --> 01:06:26,760
Speaker 2: does something to you? We'll discuss. Okay, all right, we'll

1524
01:06:26,760 --> 01:06:28,520
Speaker 2: get into that next. It's the breakfast Club. Good morning,

1525
01:06:29,320 --> 01:06:32,520
Speaker 2: the breakfast club. Your mornings will never be the same.

1526
01:06:33,360 --> 01:06:36,520
Speaker 2: Hiring isn't cheat with new highest costing almost five thousand dollars.

1527
01:06:36,520 --> 01:06:38,080
Speaker 2: You want to get it right. Four out of five

1528
01:06:38,080 --> 01:06:40,440
Speaker 2: employees on zip recruiter get a quality candidate on the

1529
01:06:40,440 --> 01:06:43,080
Speaker 2: first day. Get hiring right. Go to ZipRecruiter dot com,

1530
01:06:43,080 --> 01:06:49,880
Speaker 2: Flash breakfast to try zip recruiter for free. Damn heg,

1531
01:06:53,360 --> 01:06:55,120
Speaker 2: I mean trying to be dunky today.

1532
01:06:55,160 --> 01:06:55,480
Speaker 9: No more.

1533
01:06:55,520 --> 01:06:57,720
Speaker 2: They should be embarrassed by what they already did. I'm

1534
01:06:57,720 --> 01:06:58,840
Speaker 2: not making these people do these.

1535
01:06:58,760 --> 01:07:01,760
Speaker 20: Days called donkey of the Jay and it really caught

1536
01:07:01,800 --> 01:07:02,480
Speaker 20: me off guard.

1537
01:07:02,600 --> 01:07:03,600
Speaker 2: Damn Charlamagne.

1538
01:07:03,760 --> 01:07:05,160
Speaker 6: Who got the donkey of.

1539
01:07:05,240 --> 01:07:09,440
Speaker 2: To day today? Well, jess hilarious Donkey today for Wednesday,

1540
01:07:09,440 --> 01:07:12,480
Speaker 2: September thirteenth goes to a human resources manager at an

1541
01:07:12,480 --> 01:07:16,440
Speaker 2: Oregon property maintenance company named Jessica Carlin. Please keep in

1542
01:07:16,480 --> 01:07:19,920
Speaker 2: mind that I said she's HR human resources. Now, Jessica

1543
01:07:19,960 --> 01:07:24,040
Speaker 2: Carlin is the HR supervisory human resources worker at the

1544
01:07:24,120 --> 01:07:27,640
Speaker 2: company she works at, and she's being accused of harassing

1545
01:07:27,640 --> 01:07:31,600
Speaker 2: a Spanish employee without consequence of courses without consequence because

1546
01:07:31,640 --> 01:07:34,160
Speaker 2: she's the person who folks go to when they want

1547
01:07:34,160 --> 01:07:37,480
Speaker 2: to administer the consequences. Okay, everybody reports the HR when

1548
01:07:37,520 --> 01:07:39,600
Speaker 2: they have issues in the workplace, So who the hell

1549
01:07:39,680 --> 01:07:42,040
Speaker 2: you going to report to when the person causing you

1550
01:07:42,160 --> 01:07:46,960
Speaker 2: issues is HR? Well, what did Jessica Carlin do? Jessica

1551
01:07:47,000 --> 01:07:49,600
Speaker 2: did something that is very inappropriate and something that I

1552
01:07:49,600 --> 01:07:53,600
Speaker 2: would never ever even think of doing. Jessica Carlin is

1553
01:07:53,600 --> 01:08:00,640
Speaker 2: being accused of sending a large black chalklate penis and

1554
01:08:00,880 --> 01:08:04,760
Speaker 2: scrolled them to a janitorial manager named Stephen Orinda at

1555
01:08:04,760 --> 01:08:08,919
Speaker 2: a company called Dasher Lights LLC with the message eat

1556
01:08:09,360 --> 01:08:12,480
Speaker 2: a Dick Gregory on the inside box cover. All right,

1557
01:08:12,520 --> 01:08:16,799
Speaker 2: that's right. She sent a chocolately chuck dickens, a delicious dingling,

1558
01:08:17,000 --> 01:08:20,400
Speaker 2: a tasty twig and berries to Stephen with a note

1559
01:08:20,439 --> 01:08:23,680
Speaker 2: that said eat a Dick van Dyke. All right. She

1560
01:08:23,720 --> 01:08:26,080
Speaker 2: should have sent a message that said hungry, eat a

1561
01:08:26,160 --> 01:08:29,080
Speaker 2: d R. You're not yourself when you're hungry, eat a

1562
01:08:29,160 --> 01:08:31,439
Speaker 2: d Who would ever send something like that to somebody?

1563
01:08:31,479 --> 01:08:34,200
Speaker 2: What a six six sick world we live in where

1564
01:08:34,240 --> 01:08:37,640
Speaker 2: people are sending their body parts the folks in the workplace.

1565
01:08:37,680 --> 01:08:40,800
Speaker 2: Who does that? Okay? Whether it's in the form of

1566
01:08:40,800 --> 01:08:43,519
Speaker 2: of chocolate or a cake or a mold of a

1567
01:08:43,560 --> 01:08:46,680
Speaker 2: private part, how inappropriate? Okay? Who would do such a thing?

1568
01:08:46,760 --> 01:08:49,120
Speaker 2: And who does one report to? And when it's actually

1569
01:08:49,400 --> 01:08:51,920
Speaker 2: hr doing it to you? Now? According to the New

1570
01:08:51,960 --> 01:08:55,040
Speaker 2: York Posts and The Daily Mail, Jessica Carlin allegedly sent

1571
01:08:55,040 --> 01:08:58,200
Speaker 2: the president and harassed the Spanish employee, forcing him to

1572
01:08:58,240 --> 01:09:02,200
Speaker 2: resign due to the hostile work environment. Now, Stephen is

1573
01:09:02,240 --> 01:09:04,879
Speaker 2: seeking five hundred and twenty five thousand dollars in damages

1574
01:09:05,160 --> 01:09:09,800
Speaker 2: following the alleged racist harassment caused by the big chocolate penis. Now, listen,

1575
01:09:09,840 --> 01:09:12,000
Speaker 2: I can understand the harassment part, But why is this

1576
01:09:12,040 --> 01:09:15,519
Speaker 2: considered racist because it was a black chocolate penis? Huh?

1577
01:09:15,560 --> 01:09:18,599
Speaker 2: Would you have preferred a brown caramel penis? Since your Spanish? Now,

1578
01:09:18,640 --> 01:09:21,880
Speaker 2: why is Jessica Carlin getting donkey of the day? Exactly? Well,

1579
01:09:21,920 --> 01:09:24,200
Speaker 2: she's getting donkey of today because she sent this milk

1580
01:09:24,280 --> 01:09:27,640
Speaker 2: chocolate magic stick to Steve and Jorinda, and she mistakenly

1581
01:09:27,720 --> 01:09:31,759
Speaker 2: left her own name on the package and later admitted

1582
01:09:31,840 --> 01:09:33,680
Speaker 2: sending it. I mean, she had no choice, right, what

1583
01:09:33,800 --> 01:09:37,679
Speaker 2: a rookie move. Now get this, she didn't get fired. Instead,

1584
01:09:38,560 --> 01:09:42,880
Speaker 2: her company offered Steven a fifty dollars gift certificate to

1585
01:09:42,960 --> 01:09:47,160
Speaker 2: Chipotle and a promised apology from Jessica Carlin. Now, I

1586
01:09:47,200 --> 01:09:49,280
Speaker 2: don't know if the give certificate was actually Chippotle, but

1587
01:09:49,320 --> 01:09:52,000
Speaker 2: in my mind it was Chipotle. Okay, maybe Taco Bell.

1588
01:09:52,040 --> 01:09:54,080
Speaker 2: That's why this Spanish brother thought it was racist. But

1589
01:09:54,120 --> 01:09:58,679
Speaker 2: apparently he took the gift certificate. But Jessica never said sorry,

1590
01:09:58,880 --> 01:10:03,360
Speaker 2: and since she never s said sorry, he filed a lawsuit. Now,

1591
01:10:03,560 --> 01:10:06,040
Speaker 2: this is why apologies are important. If you hurt someone,

1592
01:10:06,160 --> 01:10:09,800
Speaker 2: just apologize. Apologizing re establishes dignity for those you hurt.

1593
01:10:09,960 --> 01:10:11,640
Speaker 2: Letting the hurt person know that you know it was

1594
01:10:11,680 --> 01:10:14,719
Speaker 2: your fault, not their, and it helps him feel better. Okay.

1595
01:10:14,760 --> 01:10:17,920
Speaker 2: Apologize helps repair relationships, especially in the workplace. You know,

1596
01:10:17,960 --> 01:10:20,599
Speaker 2: you get people talking again. An apology makes people feel

1597
01:10:20,640 --> 01:10:24,800
Speaker 2: comfortable with each other. But instead Jessica Carlin didn't apologize,

1598
01:10:24,800 --> 01:10:27,439
Speaker 2: which is the equivalent of telling this man to sit down,

1599
01:10:27,560 --> 01:10:29,920
Speaker 2: each your burrito boll and be quiet. Now what you

1600
01:10:30,160 --> 01:10:34,000
Speaker 2: like to hear more? Jessica Carlin really was terrorizing this man.

1601
01:10:34,120 --> 01:10:38,040
Speaker 2: Jessica a few days prior to sending the gift called

1602
01:10:38,080 --> 01:10:41,760
Speaker 2: Stephen a huge dick tracy to management, and that's what

1603
01:10:41,880 --> 01:10:44,559
Speaker 2: prompted her to send the package to his house. According

1604
01:10:44,600 --> 01:10:49,040
Speaker 2: to court documents, Steven's wife and daughter were home when

1605
01:10:49,080 --> 01:10:51,559
Speaker 2: this one eyed chocolate e chunk of heaven was sent

1606
01:10:51,760 --> 01:10:55,400
Speaker 2: and they were deeply disturbed. Rightfully, so, now was the gift?

1607
01:10:55,760 --> 01:10:58,280
Speaker 2: The gift was purchased. You're not gonna believe this, and

1608
01:10:58,320 --> 01:10:59,960
Speaker 2: don't you write this down when you hear it, envy.

1609
01:11:00,120 --> 01:11:03,920
Speaker 2: The gift was purchased at a company called d at

1610
01:11:04,000 --> 01:11:08,559
Speaker 2: your Door. I am not making this up. I'm not

1611
01:11:08,640 --> 01:11:09,120
Speaker 2: this good.

1612
01:11:09,160 --> 01:11:09,519
Speaker 9: Okay.

1613
01:11:09,680 --> 01:11:14,080
Speaker 2: They do custom deliveries of crude edibles, and eighty nine

1614
01:11:14,120 --> 01:11:17,559
Speaker 2: percent of people who purchased penis from this store gave

1615
01:11:17,640 --> 01:11:21,360
Speaker 2: them five star reviews. All right, the company rode online.

1616
01:11:21,560 --> 01:11:24,680
Speaker 2: Roses are two thousand dollars. Chocolate is even better at

1617
01:11:24,760 --> 01:11:27,640
Speaker 2: chocolate d This milk chocolate d in a box is

1618
01:11:27,680 --> 01:11:30,599
Speaker 2: perfect for a special occasion. Are just a friendly reminder

1619
01:11:30,760 --> 01:11:34,439
Speaker 2: to eat a Dick Clark. Okay. What makes Jessica Carlin

1620
01:11:34,400 --> 01:11:37,120
Speaker 2: and even bigger donkey is that the whole point in

1621
01:11:37,240 --> 01:11:42,000
Speaker 2: his company is to remain anonymous. Okay, They ship anonymously

1622
01:11:42,080 --> 01:11:44,639
Speaker 2: on purpose, so her dumb ass had to go out

1623
01:11:44,680 --> 01:11:47,680
Speaker 2: of her way to intentionally put her name on this

1624
01:11:47,760 --> 01:11:51,640
Speaker 2: dick York Now. Steve's lawyer said to allow a supervisory

1625
01:11:51,640 --> 01:11:54,680
Speaker 2: employee in a position of power, especially one responsibility for

1626
01:11:54,760 --> 01:11:57,640
Speaker 2: human resource functions, that acting such a blatantly racist and

1627
01:11:57,640 --> 01:12:00,720
Speaker 2: harassing manner toward an employee is an excuse enough. But

1628
01:12:00,800 --> 01:12:04,400
Speaker 2: the retaliation my client received while advocating for some basic

1629
01:12:04,479 --> 01:12:08,439
Speaker 2: human dignity and a safe working environment went the step beyond.

1630
01:12:10,280 --> 01:12:12,080
Speaker 2: I'm still trying to figure out why this is racist.

1631
01:12:12,160 --> 01:12:15,960
Speaker 2: Maybe I need more details inappropriate, yes, but racist? Why

1632
01:12:16,000 --> 01:12:18,720
Speaker 2: because it was black? What's crazy is I never knew

1633
01:12:18,720 --> 01:12:20,639
Speaker 2: that black penis was worth five hundred and twenty five

1634
01:12:20,640 --> 01:12:23,599
Speaker 2: thousand dollars. I always thought it was worth forty. The

1635
01:12:23,600 --> 01:12:26,240
Speaker 2: marl of the story is everybody grow up. Okay. I

1636
01:12:26,280 --> 01:12:27,960
Speaker 2: just don't understand what kind of world we live in

1637
01:12:28,000 --> 01:12:30,599
Speaker 2: when people think it's normal to do this kind of stuff.

1638
01:12:30,720 --> 01:12:33,400
Speaker 2: And what a chocolate covered pickle you find yourself in

1639
01:12:33,640 --> 01:12:37,000
Speaker 2: when it's hr doing it? Do you please give Jessica

1640
01:12:37,000 --> 01:12:38,680
Speaker 2: Carlin the sweet sounds of the Hamiltons?

1641
01:12:39,080 --> 01:12:44,320
Speaker 6: Oh no, you are the dogee of.

1642
01:12:43,960 --> 01:12:56,680
Speaker 2: The day, the dogee all the day. Ye, what a

1643
01:12:57,080 --> 01:12:57,639
Speaker 2: change world.

1644
01:12:58,600 --> 01:12:59,879
Speaker 6: The name of the company again.

1645
01:13:00,080 --> 01:13:04,120
Speaker 2: It's called di a your Dog, but the actual spell

1646
01:13:04,160 --> 01:13:04,400
Speaker 2: it out.

1647
01:13:04,479 --> 01:13:05,120
Speaker 4: Okay, So.

1648
01:13:06,800 --> 01:13:08,679
Speaker 2: Answer your question, why why your mouth water?

1649
01:13:10,960 --> 01:13:14,920
Speaker 4: Because you probably wanted it to be a light scant.

1650
01:13:18,479 --> 01:13:22,000
Speaker 3: Human Resources sent that man a penis and he got

1651
01:13:22,000 --> 01:13:24,120
Speaker 3: five hundred thousand dollars chocolate covered pans.

1652
01:13:24,160 --> 01:13:25,560
Speaker 2: No he's sewing from.

1653
01:13:25,680 --> 01:13:28,040
Speaker 4: Got nothing, and he got fifty dollars gift certificate to

1654
01:13:28,360 --> 01:13:29,639
Speaker 4: possibly I go bell.

1655
01:13:29,880 --> 01:13:34,080
Speaker 3: So a coworker sent me an ass and asked with

1656
01:13:34,280 --> 01:13:37,360
Speaker 3: his scroton, your scrotons was on that?

1657
01:13:38,200 --> 01:13:40,960
Speaker 4: About the ass you sent him? He talking about you?

1658
01:13:41,040 --> 01:13:43,559
Speaker 2: I know he is about how much you think I

1659
01:13:43,560 --> 01:13:43,920
Speaker 2: could get?

1660
01:13:45,160 --> 01:13:45,679
Speaker 7: You could eat?

1661
01:13:45,760 --> 01:13:47,360
Speaker 2: Well, I don't even know what you're talking about.

1662
01:13:47,720 --> 01:13:51,680
Speaker 4: You could probably get more. Why because there's probably a

1663
01:13:51,680 --> 01:13:52,639
Speaker 4: bigger bag over here.

1664
01:13:52,680 --> 01:13:53,439
Speaker 6: You you can have.

1665
01:13:53,520 --> 01:13:54,599
Speaker 4: You know that you're important.

1666
01:13:54,680 --> 01:13:56,240
Speaker 2: Can I say it's racist because it was a dog

1667
01:13:56,280 --> 01:13:58,680
Speaker 2: skin ass? You should shut up? Definitely, that's what you

1668
01:13:58,720 --> 01:14:02,559
Speaker 2: should do. You you should shut up, envy. He wanted

1669
01:14:02,680 --> 01:14:03,920
Speaker 2: to be that what you should do.

1670
01:14:03,960 --> 01:14:05,800
Speaker 4: You wanted it to be welcome vy.

1671
01:14:06,040 --> 01:14:10,799
Speaker 2: You should shut up? No, okay, what did you send me, sir? Nothing? Okay,

1672
01:14:11,200 --> 01:14:12,520
Speaker 2: what did you say?

1673
01:14:11,880 --> 01:14:16,200
Speaker 4: You tell on him? Tell tell he's saving it.

1674
01:14:16,720 --> 01:14:20,559
Speaker 2: I'm gonna save put it in my next book, Real life,

1675
01:14:20,600 --> 01:14:24,760
Speaker 2: Real Charlamage. You did you do that? I'm gonna get

1676
01:14:24,760 --> 01:14:25,120
Speaker 2: in line.

1677
01:14:25,520 --> 01:14:31,960
Speaker 22: Oh my god, guys are a wild b T will

1678
01:14:31,960 --> 01:14:37,639
Speaker 22: see tomorrow everybody else salam remy will be joining us.

1679
01:14:39,200 --> 01:14:40,160
Speaker 2: What's wrong with you?

1680
01:14:40,360 --> 01:14:41,480
Speaker 10: What's wrong with you?

1681
01:14:41,560 --> 01:14:43,720
Speaker 2: If you do we have a conversation yesterday.

1682
01:14:44,840 --> 01:14:48,479
Speaker 4: You don't take things serious y'all like this, y'all like this.

1683
01:14:48,800 --> 01:14:49,439
Speaker 2: I don't know what you do.

1684
01:14:50,560 --> 01:14:52,599
Speaker 3: Remy will be joining us when we come back. It's

1685
01:14:52,640 --> 01:15:03,400
Speaker 3: the Little Gate Breakfast Club, the Breakfast Club. Your mornings

1686
01:15:03,400 --> 01:15:09,040
Speaker 3: will never be the same morning. Everybody's DJ Envy, Charlamagne,

1687
01:15:09,080 --> 01:15:10,880
Speaker 3: the Gud. We are the Breakfast Club. We got a

1688
01:15:10,880 --> 01:15:13,640
Speaker 3: special guest in the building. We got a legendary producer,

1689
01:15:13,800 --> 01:15:15,639
Speaker 3: salam Remy. Welcome bro, welcome back.

1690
01:15:15,760 --> 01:15:17,920
Speaker 9: What's up? What's up? Brothers. I'm so glad to.

1691
01:15:17,880 --> 01:15:21,679
Speaker 2: Be salam Is in here being ultra creative this morning.

1692
01:15:21,760 --> 01:15:22,200
Speaker 9: That's right.

1693
01:15:22,240 --> 01:15:25,520
Speaker 2: What's the what the what is the muse zoom museum?

1694
01:15:25,800 --> 01:15:29,479
Speaker 23: Museum decided to put the m USC instead of just

1695
01:15:29,720 --> 01:15:31,920
Speaker 23: you know, muse and the ZUM. Basically he's playing around

1696
01:15:31,960 --> 01:15:35,479
Speaker 23: with it, but basically, you know, I created a First

1697
01:15:35,479 --> 01:15:38,280
Speaker 23: of all, I've retired from producer on my fiftieth birthday

1698
01:15:38,320 --> 01:15:38,760
Speaker 23: last year.

1699
01:15:39,240 --> 01:15:40,840
Speaker 2: You's done with music. I don't believe.

1700
01:15:40,880 --> 01:15:41,559
Speaker 9: How could you do that?

1701
01:15:42,520 --> 01:15:44,080
Speaker 23: Just because I needed to? You know what I'm saying.

1702
01:15:44,200 --> 01:15:45,920
Speaker 23: I felt like I put my thirty six years in.

1703
01:15:46,120 --> 01:15:48,160
Speaker 2: You just produced a masterpiece a couple of years ago.

1704
01:15:48,439 --> 01:15:50,320
Speaker 23: Yeah, a couple of years ago. But at this point,

1705
01:15:50,400 --> 01:15:51,640
Speaker 23: you know what I'm saying. That's something I wanted to

1706
01:15:51,640 --> 01:15:53,400
Speaker 23: do since I was thirty, you know what I'm saying,

1707
01:15:53,760 --> 01:15:56,400
Speaker 23: be able to focus on life. I've given almost all

1708
01:15:56,439 --> 01:15:59,840
Speaker 23: my life force for my entire adult life into just

1709
01:16:00,040 --> 01:16:02,680
Speaker 23: being in the studio helping artists do things on that

1710
01:16:02,760 --> 01:16:04,880
Speaker 23: level performing for record companies.

1711
01:16:04,920 --> 01:16:06,320
Speaker 9: At some point, you gotta work for you, you know what

1712
01:16:06,320 --> 01:16:06,760
Speaker 9: I'm saying.

1713
01:16:06,760 --> 01:16:09,439
Speaker 23: So my last five years of doing for the culture

1714
01:16:09,439 --> 01:16:11,280
Speaker 23: stuff was more of me just doing what I felt.

1715
01:16:11,560 --> 01:16:13,400
Speaker 23: And then at the same time, I also wanted to

1716
01:16:13,400 --> 01:16:15,720
Speaker 23: see what else I could do, and the pandemic gave

1717
01:16:15,760 --> 01:16:17,760
Speaker 23: me enough time to just have you know, I can't

1718
01:16:17,760 --> 01:16:20,960
Speaker 23: see nobody, and I discovered other ways to channel my

1719
01:16:21,000 --> 01:16:24,439
Speaker 23: creativity rather than needing to just be strictly in the

1720
01:16:24,800 --> 01:16:27,800
Speaker 23: musical form the way that I'd done it already. And

1721
01:16:28,200 --> 01:16:29,840
Speaker 23: you know, after I put out my last album, Black

1722
01:16:29,880 --> 01:16:32,200
Speaker 23: on Purpose in twenty twenty, I was in the crib

1723
01:16:32,200 --> 01:16:34,320
Speaker 23: and I was kicking it with my Homeworld artist Sheen,

1724
01:16:34,360 --> 01:16:34,960
Speaker 23: and I was like, yah.

1725
01:16:34,880 --> 01:16:37,120
Speaker 9: That's maybe should do some art. She's like, yeah, you should,

1726
01:16:37,160 --> 01:16:38,559
Speaker 9: and I was like, well, all right, cool.

1727
01:16:38,600 --> 01:16:41,280
Speaker 23: So that turned into me going and getting some spray

1728
01:16:41,320 --> 01:16:43,880
Speaker 23: cans and kind of messing around with pieces, and then

1729
01:16:44,200 --> 01:16:47,200
Speaker 23: it was actually Angie Martinez. His birthday were coming up

1730
01:16:47,240 --> 01:16:49,280
Speaker 23: right after that Ginger and m So I asked Ronda who's.

1731
01:16:49,080 --> 01:16:51,920
Speaker 9: Her favorite artist? They sell your cruise my verse.

1732
01:16:51,800 --> 01:16:53,360
Speaker 2: And now I get to sell your cruise picture and

1733
01:16:53,360 --> 01:16:55,040
Speaker 2: I'm starting to mess with it to make a gift

1734
01:16:55,040 --> 01:16:55,360
Speaker 2: for her.

1735
01:16:56,000 --> 01:16:58,080
Speaker 23: Then now I was like, ite what you're doing. I'm

1736
01:16:58,080 --> 01:16:59,720
Speaker 23: like yeah, He's like, oh, that's crazy. So I had

1737
01:16:59,720 --> 01:17:01,720
Speaker 23: to rock ken picture I started messing with. He's like, nah,

1738
01:17:01,720 --> 01:17:03,439
Speaker 23: I use this raw picture. So I just was really

1739
01:17:03,600 --> 01:17:06,000
Speaker 23: finding some other way to utilize my creativity.

1740
01:17:06,040 --> 01:17:07,880
Speaker 2: And you had a background in art because this picture

1741
01:17:07,920 --> 01:17:10,120
Speaker 2: y'all looking at Salam actually painted.

1742
01:17:11,560 --> 01:17:13,439
Speaker 9: It's actually a mixed media art.

1743
01:17:13,479 --> 01:17:15,160
Speaker 23: So what I started doing at first was I was

1744
01:17:15,240 --> 01:17:18,719
Speaker 23: using pictures and then actually take a spray paint piece

1745
01:17:18,760 --> 01:17:21,000
Speaker 23: and then doing a picture in the middle of it,

1746
01:17:21,080 --> 01:17:23,120
Speaker 23: which I still have to get rights from the photographer.

1747
01:17:23,320 --> 01:17:25,639
Speaker 23: Then what I decided to do was my creative director,

1748
01:17:25,680 --> 01:17:28,280
Speaker 23: Tasiana actually drew this slick rick from me because I had,

1749
01:17:28,280 --> 01:17:30,679
Speaker 23: you know, I wanted to rolls on the eye patch

1750
01:17:30,720 --> 01:17:32,920
Speaker 23: and the crown leaned a certain way and everything else.

1751
01:17:33,080 --> 01:17:34,520
Speaker 9: So then now it's like a combination.

1752
01:17:34,640 --> 01:17:37,639
Speaker 23: It's a combination mixed media where I spray painted the

1753
01:17:37,760 --> 01:17:40,080
Speaker 23: Gucci in the background and the speakers and the audio

1754
01:17:40,120 --> 01:17:43,439
Speaker 23: system and everything else. But I actually put a picture

1755
01:17:43,520 --> 01:17:46,280
Speaker 23: of Rick into this whole piece. And it's a split

1756
01:17:46,360 --> 01:17:50,759
Speaker 23: between myself, her as the illustrator, me as a canvas artist,

1757
01:17:50,920 --> 01:17:53,800
Speaker 23: my engineer building audio systems with me. And that's just

1758
01:17:53,800 --> 01:17:55,599
Speaker 23: pretty much the products that I ended up doing. Now

1759
01:17:55,600 --> 01:17:59,200
Speaker 23: I have like speaker boxes that have different people on it,

1760
01:17:59,280 --> 01:18:04,599
Speaker 23: like I came Camnize, Black Dog, Quest Love, Sell Your Cruise,

1761
01:18:04,760 --> 01:18:07,639
Speaker 23: Bob Marley, all these different people that I've created different

1762
01:18:07,680 --> 01:18:10,160
Speaker 23: versions of this type of technology for. But I felt

1763
01:18:10,160 --> 01:18:12,280
Speaker 23: like the ballplayer that's coming to be like, hey, I

1764
01:18:12,280 --> 01:18:14,040
Speaker 23: do art now, And I just said that to you.

1765
01:18:14,120 --> 01:18:15,600
Speaker 9: It was like whatever, but I had to bring it

1766
01:18:15,600 --> 01:18:16,479
Speaker 9: out so I can show you.

1767
01:18:16,960 --> 01:18:19,680
Speaker 2: So how does the splits work? We you know, we

1768
01:18:20,160 --> 01:18:21,320
Speaker 2: heard you talking behind.

1769
01:18:21,080 --> 01:18:22,720
Speaker 3: The scenes about the split, So so how does that

1770
01:18:22,760 --> 01:18:24,719
Speaker 3: work for somebody to buy the piece? Like this huge

1771
01:18:24,760 --> 01:18:27,320
Speaker 3: piece right here, speakers and every day? How much is

1772
01:18:27,360 --> 01:18:28,400
Speaker 3: this piece and how does it work?

1773
01:18:29,080 --> 01:18:31,840
Speaker 23: This piece is fifty k And basically how it works

1774
01:18:31,920 --> 01:18:34,960
Speaker 23: is that you know, I went to Bob Marley's family

1775
01:18:35,000 --> 01:18:36,320
Speaker 23: first and Marvin Gaye's family.

1776
01:18:36,320 --> 01:18:38,120
Speaker 9: You know, I had working relationships with them.

1777
01:18:37,960 --> 01:18:41,080
Speaker 2: On the musical side, and I basically said, what would

1778
01:18:41,080 --> 01:18:43,360
Speaker 2: you be happy with for just name and likeness if

1779
01:18:43,360 --> 01:18:45,160
Speaker 2: we were going to utilize something, because I knew that

1780
01:18:45,200 --> 01:18:48,080
Speaker 2: they were really on top of their business game, and

1781
01:18:48,120 --> 01:18:49,479
Speaker 2: I wanted to see what was the strong deal.

1782
01:18:49,479 --> 01:18:51,320
Speaker 23: And it's like it was you was thirty no, no, no, like,

1783
01:18:51,439 --> 01:18:53,680
Speaker 23: what's it? What do you really want? They said they

1784
01:18:53,680 --> 01:18:56,080
Speaker 23: were like forty percent. So I was like, all right, cool.

1785
01:18:56,160 --> 01:18:58,200
Speaker 23: So we set up the deal, all the terms to it,

1786
01:18:58,240 --> 01:19:00,280
Speaker 23: and I said, okay, forty percent is what they're going

1787
01:19:00,320 --> 01:19:02,320
Speaker 23: to get just for their name and likeness, regardless of

1788
01:19:02,400 --> 01:19:04,880
Speaker 23: who drew the picture, regardless of who took a photo,

1789
01:19:05,000 --> 01:19:07,679
Speaker 23: everything else. And I made that the standard for museum.

1790
01:19:07,840 --> 01:19:09,920
Speaker 23: So now forty percent goes to the person for their

1791
01:19:09,960 --> 01:19:13,120
Speaker 23: name and likeness, which is not law, that's how we're rolling.

1792
01:19:13,400 --> 01:19:15,920
Speaker 23: And then the other sixty percent goes between either the

1793
01:19:15,960 --> 01:19:18,479
Speaker 23: photographer if I'm splitting something with a photographer or somebody

1794
01:19:18,600 --> 01:19:20,800
Speaker 23: drawing it. I'm sure you've gone somewhere and soon it's like, hey,

1795
01:19:21,040 --> 01:19:22,240
Speaker 23: this is my favorite picture of you.

1796
01:19:22,280 --> 01:19:24,800
Speaker 9: I've drawn and they selling it. But then what do

1797
01:19:24,800 --> 01:19:25,519
Speaker 9: your kids get from that?

1798
01:19:26,240 --> 01:19:28,879
Speaker 23: The whole idea of the museum for me, is about

1799
01:19:28,960 --> 01:19:32,280
Speaker 23: us making sure that we're utilizing my relationships because I'm

1800
01:19:32,280 --> 01:19:33,640
Speaker 23: gonna do art for a while, but I normally go

1801
01:19:33,760 --> 01:19:35,920
Speaker 23: do something else. But just for me, this whole ecosystem

1802
01:19:35,960 --> 01:19:38,799
Speaker 23: is by everything that we do. Hey, it's artist approval.

1803
01:19:38,840 --> 01:19:40,320
Speaker 23: I can't you know, if you take a picture with

1804
01:19:40,360 --> 01:19:41,920
Speaker 23: your wives, can you just post it?

1805
01:19:41,920 --> 01:19:42,040
Speaker 1: Now?

1806
01:19:42,120 --> 01:19:43,799
Speaker 9: Hold hold up, let me see it. Wait a minute.

1807
01:19:43,960 --> 01:19:46,439
Speaker 23: They will check it, and they always any artist is

1808
01:19:46,479 --> 01:19:48,000
Speaker 23: going to have in a perspective where they want to

1809
01:19:48,040 --> 01:19:49,360
Speaker 23: make sure that their image looks right.

1810
01:19:49,439 --> 01:19:50,559
Speaker 9: So that's number one.

1811
01:19:50,800 --> 01:19:53,559
Speaker 23: Number two, you know, I want to make sure that

1812
01:19:53,600 --> 01:19:56,240
Speaker 23: they are the controlling party, not whoever does something of them.

1813
01:19:56,520 --> 01:19:58,559
Speaker 23: And then when it really gets down to it, you know,

1814
01:19:58,640 --> 01:20:00,960
Speaker 23: besides getting financially rais so got to ask them.

1815
01:20:01,040 --> 01:20:02,320
Speaker 9: You know, somebody wants to buy it.

1816
01:20:02,360 --> 01:20:04,280
Speaker 23: I got to call up you know, Mandy and Rick

1817
01:20:04,320 --> 01:20:06,679
Speaker 23: and be like, are you cool with X buying your picture?

1818
01:20:06,720 --> 01:20:08,120
Speaker 9: Because that's the way I would feel, you know what

1819
01:20:08,160 --> 01:20:08,519
Speaker 9: I'm saying.

1820
01:20:08,600 --> 01:20:10,760
Speaker 3: So God, how does it work for a fan? Let's

1821
01:20:10,800 --> 01:20:12,400
Speaker 3: you know that doesn't have a name like, you know,

1822
01:20:12,479 --> 01:20:13,679
Speaker 3: Nick the camera guy.

1823
01:20:13,720 --> 01:20:15,519
Speaker 23: You know what I mean, Camera Guy might still be

1824
01:20:15,560 --> 01:20:18,080
Speaker 23: approved by whoever to do. It's not just about being famous.

1825
01:20:18,120 --> 01:20:21,200
Speaker 23: I think it's really about it's really about just understanding

1826
01:20:21,240 --> 01:20:23,839
Speaker 23: who's having it and just having some type of approval process,

1827
01:20:23,880 --> 01:20:26,000
Speaker 23: just as anything else. If it's your property, if you're

1828
01:20:26,000 --> 01:20:27,639
Speaker 23: own the house, does anybody get to buy your house?

1829
01:20:28,120 --> 01:20:29,519
Speaker 23: You get to decide who you want to sell it to.

1830
01:20:29,600 --> 01:20:33,439
Speaker 23: And looking at your intellectual property as property just as

1831
01:20:33,479 --> 01:20:34,320
Speaker 23: well as everything else.

1832
01:20:34,439 --> 01:20:36,000
Speaker 2: Is really where I'm at now because I had to

1833
01:20:36,000 --> 01:20:38,439
Speaker 2: look at my own career and part of me get

1834
01:20:38,439 --> 01:20:40,639
Speaker 2: into fifty and looking back was like, wait a minute,

1835
01:20:41,040 --> 01:20:43,360
Speaker 2: how much is it before people were selling catalogs, how

1836
01:20:43,400 --> 01:20:45,479
Speaker 2: much is my catalog worth? I put thirty six years

1837
01:20:45,479 --> 01:20:47,200
Speaker 2: and that's some type of pension or something like where

1838
01:20:47,200 --> 01:20:49,280
Speaker 2: am I at? Rather than feeling like I got to

1839
01:20:49,280 --> 01:20:50,760
Speaker 2: get on the next project? I got to get to

1840
01:20:50,800 --> 01:20:51,160
Speaker 2: the next one.

1841
01:20:51,160 --> 01:20:53,760
Speaker 23: A lot of times people operate from a place of

1842
01:20:53,880 --> 01:20:56,080
Speaker 23: feeling like they don't have any value, And at the

1843
01:20:56,160 --> 01:20:58,599
Speaker 23: end of the day, your value is also you being

1844
01:20:58,600 --> 01:21:00,760
Speaker 23: able to find the people who value you. Who you are,

1845
01:21:00,880 --> 01:21:03,880
Speaker 23: what you do, where it is, and everything else. For me,

1846
01:21:03,960 --> 01:21:08,120
Speaker 23: it was a self discovery process that also turned into

1847
01:21:08,160 --> 01:21:09,840
Speaker 23: wait a minute, if I know this and I'm able

1848
01:21:09,880 --> 01:21:11,519
Speaker 23: to be in my house and not have to feel

1849
01:21:11,520 --> 01:21:13,200
Speaker 23: like I got to run up and down and chase,

1850
01:21:13,520 --> 01:21:16,960
Speaker 23: you know, the things in my elder years, then also

1851
01:21:17,040 --> 01:21:19,320
Speaker 23: I share this information with the rest of my peers

1852
01:21:19,720 --> 01:21:20,479
Speaker 23: and other people.

1853
01:21:20,560 --> 01:21:21,559
Speaker 9: You know, the same way.

1854
01:21:21,400 --> 01:21:23,839
Speaker 23: That both of you have a shoe box of photos

1855
01:21:23,880 --> 01:21:26,400
Speaker 23: from your long careers that you might have a picture

1856
01:21:26,400 --> 01:21:28,479
Speaker 23: of somebody that they never seen before, and then also

1857
01:21:28,600 --> 01:21:30,920
Speaker 23: photos that you have with artists. NAS might need a

1858
01:21:30,920 --> 01:21:31,920
Speaker 23: photo of him by.

1859
01:21:31,760 --> 01:21:35,559
Speaker 2: The coliseum, especially old that he probably forgot he even took.

1860
01:21:35,840 --> 01:21:36,320
Speaker 9: All the time.

1861
01:21:36,400 --> 01:21:38,519
Speaker 23: So what happened was I actually was going through my

1862
01:21:38,560 --> 01:21:40,840
Speaker 23: own photos and then I have photos that I took

1863
01:21:40,840 --> 01:21:42,439
Speaker 23: in the studio of Amy, or I have photos I

1864
01:21:42,439 --> 01:21:44,320
Speaker 23: took a nas a lot of them, and then he's

1865
01:21:44,360 --> 01:21:46,599
Speaker 23: looking throughing like, whoa, I forgot my daughter was there? Wait,

1866
01:21:46,640 --> 01:21:48,840
Speaker 23: my postules there like he forgot because he never seen

1867
01:21:48,960 --> 01:21:51,479
Speaker 23: me being in the captain's chair. Just like niggas taking

1868
01:21:51,479 --> 01:21:53,880
Speaker 23: pictures of with the room. He got a whole lot

1869
01:21:53,880 --> 01:21:56,400
Speaker 23: of images of different things that you might need at

1870
01:21:56,439 --> 01:21:58,800
Speaker 23: some point. And now we're able to bring value to it.

1871
01:21:59,080 --> 01:22:02,519
Speaker 23: That's where my goal is, bringing value to everyone and

1872
01:22:02,560 --> 01:22:04,519
Speaker 23: being able to also speak to a lot of artists

1873
01:22:04,520 --> 01:22:06,320
Speaker 23: that might even be in their fifties and sixties that

1874
01:22:06,439 --> 01:22:08,920
Speaker 23: work in day jobs that aren't being appreciated. They feel like, oh,

1875
01:22:09,000 --> 01:22:11,840
Speaker 23: that was my twenties and I did something back then.

1876
01:22:11,920 --> 01:22:14,280
Speaker 23: But we as fans still want to be able to

1877
01:22:14,400 --> 01:22:17,200
Speaker 23: connect with them, and that's really you know, the purpose

1878
01:22:17,240 --> 01:22:20,000
Speaker 23: of it, kind of connecting icons with up and coming

1879
01:22:20,120 --> 01:22:22,200
Speaker 23: artists and paintings and also just having brand new people

1880
01:22:22,240 --> 01:22:24,439
Speaker 23: that I think a dope. There's a picture I have

1881
01:22:24,479 --> 01:22:27,439
Speaker 23: a pop up here in New York right now, which

1882
01:22:27,479 --> 01:22:29,680
Speaker 23: we're actually is sending to September thirty if that is

1883
01:22:31,240 --> 01:22:34,519
Speaker 23: museum here, because I needed to show once again everybody dies,

1884
01:22:34,640 --> 01:22:36,640
Speaker 23: I'm working on art stuff and what we're doing. But

1885
01:22:36,760 --> 01:22:38,920
Speaker 23: there's a picture in the window that this cat justin

1886
01:22:38,960 --> 01:22:41,439
Speaker 23: Wylington had done the NAS and I saw it on

1887
01:22:41,439 --> 01:22:42,880
Speaker 23: the ground. I was like, that's dope. So I sent

1888
01:22:42,920 --> 01:22:44,360
Speaker 23: it to NOAs He's like, yoh, I like that. I

1889
01:22:44,400 --> 01:22:45,800
Speaker 23: know only like pictures of me. But he got the

1890
01:22:45,840 --> 01:22:48,160
Speaker 23: old me with the god, he got the young older

1891
01:22:48,240 --> 01:22:50,320
Speaker 23: me with the twist He's like, I kind of like that.

1892
01:22:50,360 --> 01:22:52,720
Speaker 23: So I contacted him and now they have a collaboration

1893
01:22:52,800 --> 01:22:55,280
Speaker 23: where it's business together, where he's cool with NAS getting

1894
01:22:55,320 --> 01:22:58,120
Speaker 23: forty percent, and at the same time, now they're selling merchandise.

1895
01:22:58,200 --> 01:23:00,439
Speaker 23: Now that works together, and that's me is just you

1896
01:23:00,479 --> 01:23:02,599
Speaker 23: know what I felt like I could bring to the table,

1897
01:23:02,640 --> 01:23:05,200
Speaker 23: because most artists, you know, even for photographers that took

1898
01:23:05,200 --> 01:23:06,960
Speaker 23: pictures of artists in the nineties, they don't have a

1899
01:23:07,000 --> 01:23:08,760
Speaker 23: contact to get to them. They don't know how to

1900
01:23:08,800 --> 01:23:10,640
Speaker 23: speak to them. And then you know, you get the

1901
01:23:10,720 --> 01:23:12,599
Speaker 23: five selects, but what about the other one hundred?

1902
01:23:13,000 --> 01:23:14,920
Speaker 2: We got more with salam Remy when we come back,

1903
01:23:14,960 --> 01:23:17,320
Speaker 2: So don't move. It's the Breakfast Club. Good Morning Morning.

1904
01:23:17,360 --> 01:23:20,760
Speaker 3: Everybody is DJ Envy, Charlamagne the God. We are the

1905
01:23:20,760 --> 01:23:23,800
Speaker 3: Breakfast Club. We're still kicking it with salam Remy, who's

1906
01:23:23,800 --> 01:23:24,880
Speaker 3: the most requested artist.

1907
01:23:25,400 --> 01:23:26,360
Speaker 9: Well, you know, it's crazy.

1908
01:23:26,680 --> 01:23:28,840
Speaker 23: The first thing is first when people walk into the

1909
01:23:28,880 --> 01:23:30,760
Speaker 23: space either you know, I have a three thousand square

1910
01:23:30,760 --> 01:23:33,320
Speaker 23: foot gallery and went with in Miami, and then to

1911
01:23:33,360 --> 01:23:36,640
Speaker 23: pop up here, it's so much. They have sensory overloads.

1912
01:23:36,640 --> 01:23:40,200
Speaker 23: So they're sitting there going, oh gosh, this by Marley,

1913
01:23:40,280 --> 01:23:42,519
Speaker 23: you know, or Marvin Gaye. But then they'll turn around

1914
01:23:42,560 --> 01:23:44,479
Speaker 23: like yo, I really like the Supercat, Like I never

1915
01:23:44,520 --> 01:23:46,880
Speaker 23: thought I would see super Cat on the wall, you know, Oh,

1916
01:23:46,920 --> 01:23:49,280
Speaker 23: I never thought I would see you know, Brumman, you

1917
01:23:49,280 --> 01:23:50,800
Speaker 23: know what I'm saying, Like I had brum Man from

1918
01:23:50,800 --> 01:23:52,519
Speaker 23: Martin come out of the host my season two open

1919
01:23:52,560 --> 01:23:55,040
Speaker 23: in Miami. But people like I don't even know his name,

1920
01:23:55,360 --> 01:23:57,599
Speaker 23: but you know, Martin fans is heavy and they are

1921
01:23:58,400 --> 01:24:02,040
Speaker 23: from the fourth floor, pro man from fifth floor, you

1922
01:24:02,040 --> 01:24:03,479
Speaker 23: know what I'm saying. But they opened off it but

1923
01:24:03,479 --> 01:24:05,719
Speaker 23: they don't even know his name. But to me, he's

1924
01:24:05,760 --> 01:24:07,600
Speaker 23: so much a part of culture he should.

1925
01:24:07,360 --> 01:24:08,880
Speaker 9: Be like no Deebo. Know what I'm saying.

1926
01:24:08,880 --> 01:24:11,120
Speaker 23: How many people named a dog Diebo at the Friday?

1927
01:24:11,439 --> 01:24:13,080
Speaker 23: You know what I'm saying, Like, where'd that actually goes?

1928
01:24:13,080 --> 01:24:15,160
Speaker 23: So to me, it's just about being able to help

1929
01:24:15,200 --> 01:24:17,040
Speaker 23: and you know, bridge that gap. So I look at

1930
01:24:17,080 --> 01:24:20,439
Speaker 23: it like this is my continued give back, not just

1931
01:24:20,600 --> 01:24:22,120
Speaker 23: I got to make a beat for you. You know,

1932
01:24:22,200 --> 01:24:23,479
Speaker 23: this is what the artist portion of.

1933
01:24:23,520 --> 01:24:25,320
Speaker 2: It got you. You know, we had Fab five Freddy

1934
01:24:25,400 --> 01:24:26,800
Speaker 2: up here, and you know he came up in the

1935
01:24:26,880 --> 01:24:29,160
Speaker 2: arts scene here in New York and he was great

1936
01:24:29,160 --> 01:24:31,800
Speaker 2: friends with Boskaya and then they connected with Walhall, and

1937
01:24:31,840 --> 01:24:33,840
Speaker 2: it made me ask him the question, what is the

1938
01:24:33,920 --> 01:24:35,400
Speaker 2: what's arts impact on the coach?

1939
01:24:35,680 --> 01:24:38,000
Speaker 23: So first of all, Fab is also with five five

1940
01:24:38,040 --> 01:24:40,200
Speaker 23: Filly Piece, which is actually on Orchard Street right now

1941
01:24:40,200 --> 01:24:42,880
Speaker 23: on Delancey. And then Fab is also on the board

1942
01:24:43,000 --> 01:24:45,320
Speaker 23: of our team, and he's also my cousin and you know,

1943
01:24:46,400 --> 01:24:50,200
Speaker 23: so the reality is that for me understanding that that

1944
01:24:50,560 --> 01:24:53,679
Speaker 23: the visual art, it was always you know, some portions

1945
01:24:53,760 --> 01:24:56,720
Speaker 23: graffiti was more popular than music at some points with

1946
01:24:56,800 --> 01:24:59,160
Speaker 23: hip hop, you know, to me, that's just always part

1947
01:24:59,200 --> 01:25:02,719
Speaker 23: of it culture. So the art goes with the music,

1948
01:25:02,840 --> 01:25:05,240
Speaker 23: goes with the style, address goes with everything else, you know,

1949
01:25:05,479 --> 01:25:08,560
Speaker 23: how you're styling yourself, how you're working your avatar, you

1950
01:25:08,600 --> 01:25:09,960
Speaker 23: know what I'm saying. And I feel like it's a

1951
01:25:10,040 --> 01:25:14,479
Speaker 23: misimportion from the aspect of you know, even museum. To me,

1952
01:25:14,520 --> 01:25:17,080
Speaker 23: it's like the pillars of the community. I'm putting you

1953
01:25:17,160 --> 01:25:19,919
Speaker 23: on the wall. Why because I think Pooh Bay, Justice

1954
01:25:20,000 --> 01:25:22,519
Speaker 23: and shine Head and these people belong on the wall

1955
01:25:22,600 --> 01:25:23,960
Speaker 23: just the same way that you have your wall in

1956
01:25:24,000 --> 01:25:26,040
Speaker 23: head with the icons of what you feel should be there.

1957
01:25:26,200 --> 01:25:28,840
Speaker 23: We're not waiting for someone else's approval. And that's what

1958
01:25:28,920 --> 01:25:31,320
Speaker 23: I feel like a lot of things have done because

1959
01:25:31,680 --> 01:25:35,960
Speaker 23: you know, normally a museum is stolen artifacts of someone

1960
01:25:36,040 --> 01:25:38,080
Speaker 23: that don't didn't even know it. Know, j catch the

1961
01:25:38,080 --> 01:25:40,320
Speaker 23: second case. I mean, you know the politics, but you're

1962
01:25:40,360 --> 01:25:43,479
Speaker 23: trying to get his heismod trophy. So you know, the

1963
01:25:43,520 --> 01:25:45,080
Speaker 23: other day I had to tell my dude, like, Yo, hell,

1964
01:25:45,080 --> 01:25:46,680
Speaker 23: if somebody stole your phone, Yeah, I'm tracking them. I'm

1965
01:25:46,680 --> 01:25:48,360
Speaker 23: going on ninety five. I see them with my phone.

1966
01:25:48,439 --> 01:25:51,000
Speaker 23: He's easy, Easys. That's not the case we want. I

1967
01:25:51,000 --> 01:25:53,439
Speaker 23: know it's your phone and it's wrong, but like we

1968
01:25:53,479 --> 01:25:56,240
Speaker 23: don't really want to do that right now. And that's

1969
01:25:56,280 --> 01:25:58,439
Speaker 23: just to me the process of it, Like if we

1970
01:25:58,439 --> 01:26:00,639
Speaker 23: can turn around and say that the art is actually

1971
01:26:00,640 --> 01:26:03,160
Speaker 23: bringing the visuality back to it, and then also you're

1972
01:26:03,160 --> 01:26:05,160
Speaker 23: gonna collect what you love. That's one of the things

1973
01:26:05,200 --> 01:26:08,800
Speaker 23: the museum and being able to say I love what's there,

1974
01:26:08,920 --> 01:26:09,839
Speaker 23: see if you feel.

1975
01:26:09,680 --> 01:26:10,320
Speaker 9: It or you don't.

1976
01:26:11,320 --> 01:26:13,439
Speaker 23: And that's really about it, like finding one hundred people

1977
01:26:13,479 --> 01:26:15,760
Speaker 23: that really add value to what it's going to be.

1978
01:26:15,880 --> 01:26:17,960
Speaker 23: And you know, my goal is to raise everybody's IP

1979
01:26:18,120 --> 01:26:21,080
Speaker 23: because that's not something that is always done, like I said,

1980
01:26:21,120 --> 01:26:23,240
Speaker 23: especially for our legacy artists, and at the same time

1981
01:26:23,320 --> 01:26:24,720
Speaker 23: I'm helping artists across the board.

1982
01:26:24,760 --> 01:26:27,479
Speaker 2: I think what you said is so true, man, because

1983
01:26:27,479 --> 01:26:31,439
Speaker 2: I feel like the culture feels very disposable now because

1984
01:26:31,439 --> 01:26:34,439
Speaker 2: we're not treating it like art. So when you see

1985
01:26:34,439 --> 01:26:37,679
Speaker 2: the culture presented as actual art and at the art piece,

1986
01:26:37,720 --> 01:26:40,879
Speaker 2: it makes you value it all more exactly.

1987
01:26:41,160 --> 01:26:44,360
Speaker 23: And that's kind of like where I'd done pop ups

1988
01:26:44,680 --> 01:26:47,280
Speaker 23: during the Art Basle in Miami in twenty eighteen and

1989
01:26:47,280 --> 01:26:49,840
Speaker 23: twenty nineteen, and what was happening was, I know, lived

1990
01:26:49,840 --> 01:26:52,599
Speaker 23: in Miami twenty something years, but when I would walk around,

1991
01:26:52,600 --> 01:26:56,639
Speaker 23: I would see one Michael Jackson, one Jimmy Hendrix, one Prince.

1992
01:26:57,080 --> 01:26:58,519
Speaker 23: But then I was like, I didn't feel at home.

1993
01:26:58,560 --> 01:26:59,800
Speaker 23: So then what I saw of doing was just bring

1994
01:26:59,840 --> 01:27:02,000
Speaker 23: them my home collection where I got come into America,

1995
01:27:02,120 --> 01:27:04,839
Speaker 23: or a Mally piece or Michael Jackson piece that I commissioned,

1996
01:27:04,880 --> 01:27:06,560
Speaker 23: different things, and then I was just selling to do

1997
01:27:06,600 --> 01:27:08,519
Speaker 23: it for the culture merch just saying, you know, cool,

1998
01:27:08,840 --> 01:27:11,519
Speaker 23: let's do different pieces, but for me just being able

1999
01:27:11,520 --> 01:27:13,840
Speaker 23: to have the opportunity, like I say, to also cut

2000
01:27:13,840 --> 01:27:16,400
Speaker 23: a check, you know, to where I can cut a

2001
01:27:16,520 --> 01:27:20,000
Speaker 23: check to King, cut a check to different photographers and

2002
01:27:20,080 --> 01:27:22,880
Speaker 23: back to our heroes. That's really you know, it's part

2003
01:27:22,880 --> 01:27:24,320
Speaker 23: of the give back, you know what I'm saying. That's

2004
01:27:24,439 --> 01:27:26,920
Speaker 23: not just a fifty years saying that's how it should

2005
01:27:26,920 --> 01:27:29,439
Speaker 23: be in general, and you know, hoping to change your standard.

2006
01:27:29,560 --> 01:27:31,479
Speaker 2: How long does it take you to put a piece together?

2007
01:27:31,880 --> 01:27:32,400
Speaker 9: One like this?

2008
01:27:32,640 --> 01:27:36,040
Speaker 23: Takes about a week, I would say all together, you know,

2009
01:27:36,080 --> 01:27:39,040
Speaker 23: between depending on if I'm using the photograph and I'm

2010
01:27:39,080 --> 01:27:42,240
Speaker 23: incorporating that or if I'm actually just drawing something, if

2011
01:27:42,240 --> 01:27:45,759
Speaker 23: I'm stenciling into it, you know, probably a few days

2012
01:27:45,800 --> 01:27:48,719
Speaker 23: for what you know, Tatiana Crooks, my creative director, actually

2013
01:27:49,040 --> 01:27:51,040
Speaker 23: did to draw a rick. But then actually it's spray

2014
01:27:51,040 --> 01:27:53,040
Speaker 23: paint in the back. So me doing the spray paint

2015
01:27:53,160 --> 01:27:55,960
Speaker 23: goes down quickly. A couple layers of a POxy three

2016
01:27:56,040 --> 01:27:58,519
Speaker 23: four days, depending on what the audio system and the

2017
01:27:58,600 --> 01:28:01,400
Speaker 23: lighting system and you know, we hear it sure. And

2018
01:28:01,439 --> 01:28:04,160
Speaker 23: you know, also each system I make sure that it's

2019
01:28:04,200 --> 01:28:05,000
Speaker 23: tuned to the.

2020
01:28:05,040 --> 01:28:06,200
Speaker 9: Artists one by one.

2021
01:28:06,280 --> 01:28:10,200
Speaker 23: This is me using my timas Edison High school soldering class.

2022
01:28:10,240 --> 01:28:12,840
Speaker 23: You know what I'm saying, my electronics and really putting

2023
01:28:12,840 --> 01:28:15,320
Speaker 23: it in and many of my engineer, Ryan Evans, really

2024
01:28:15,360 --> 01:28:16,400
Speaker 23: designed each one.

2025
01:28:16,560 --> 01:28:19,160
Speaker 9: So every one of them, I'm using a different sonic level.

2026
01:28:19,000 --> 01:28:20,960
Speaker 23: Which other people put speakers and stuff, but they didn't

2027
01:28:20,960 --> 01:28:21,840
Speaker 23: have no type of sounds.

2028
01:28:22,120 --> 01:28:24,640
Speaker 2: When you said you customized to Flick Riggs music, what

2029
01:28:24,720 --> 01:28:25,400
Speaker 2: do you what do you mean?

2030
01:28:26,600 --> 01:28:29,800
Speaker 23: A how the wood actually react to speak. A speaker

2031
01:28:29,800 --> 01:28:31,719
Speaker 23: doesn't do anything on the owner. It's the speaker box

2032
01:28:32,000 --> 01:28:34,800
Speaker 23: the components I use. Because I put the tweets at

2033
01:28:34,800 --> 01:28:37,400
Speaker 23: the top, it now makes the highs come out differently,

2034
01:28:37,439 --> 01:28:40,080
Speaker 23: which makes Slick Riggs voice cut through. Slick Rick has

2035
01:28:40,080 --> 01:28:42,680
Speaker 23: a different timbre of voice to another artist. And then

2036
01:28:42,800 --> 01:28:45,400
Speaker 23: also his music also got a little bit of shakers

2037
01:28:45,400 --> 01:28:48,240
Speaker 23: and up, whereas in DiAngelo's music will sound different on it.

2038
01:28:48,640 --> 01:28:51,120
Speaker 23: Gangelo's piece that we have in the space is the

2039
01:28:51,160 --> 01:28:54,400
Speaker 23: basis heavy. His voice custom a different way. Marvin Gay

2040
01:28:54,439 --> 01:28:55,960
Speaker 23: has a different type of music to it. So I

2041
01:28:56,000 --> 01:28:57,679
Speaker 23: just wanted to make sure that you know to sell

2042
01:28:57,680 --> 01:28:59,200
Speaker 23: your cruise speace from you here. I know, I love

2043
01:28:59,200 --> 01:29:01,040
Speaker 23: for you to come by and check out the space

2044
01:29:01,200 --> 01:29:04,360
Speaker 23: because each one really moves along into another energy. But

2045
01:29:04,479 --> 01:29:07,080
Speaker 23: you know by the crossovers the box, you know just

2046
01:29:07,160 --> 01:29:08,679
Speaker 23: all the things that you do to tune the speaker.

2047
01:29:08,920 --> 01:29:10,519
Speaker 23: Not every set of speakers sound the same. It's like

2048
01:29:10,560 --> 01:29:12,080
Speaker 23: every speed of headphones will sound the same.

2049
01:29:12,240 --> 01:29:14,320
Speaker 2: And now the only pictures you got the pictures that

2050
01:29:14,479 --> 01:29:18,000
Speaker 2: people you've done business with deals with, So like.

2051
01:29:18,000 --> 01:29:20,680
Speaker 23: Yeah, everything that you see is all totally licensed and

2052
01:29:20,760 --> 01:29:21,960
Speaker 23: they're totally in it.

2053
01:29:22,000 --> 01:29:23,040
Speaker 2: They have to have their approval.

2054
01:29:23,200 --> 01:29:25,680
Speaker 23: The people that I haven't got approval from yet is

2055
01:29:25,720 --> 01:29:28,040
Speaker 23: in the tuck until they come through and see you know,

2056
01:29:28,120 --> 01:29:31,479
Speaker 23: till LL come see the LL piece and Claudine and LLLL.

2057
01:29:31,400 --> 01:29:31,760
Speaker 9: Get on it.

2058
01:29:31,880 --> 01:29:34,680
Speaker 23: So Londelle and Primary Wave and Prince's siblings see the

2059
01:29:34,680 --> 01:29:36,880
Speaker 23: French feast, and that's in the tough because it's always

2060
01:29:36,880 --> 01:29:38,640
Speaker 23: about approval. To me, it's like how I want to

2061
01:29:38,640 --> 01:29:41,160
Speaker 23: be treated like you, I'm not doing anything for who

2062
01:29:41,200 --> 01:29:43,360
Speaker 23: I am. That's going to be outside the pocket, you

2063
01:29:43,360 --> 01:29:45,400
Speaker 23: know what I'm saying. And then for every piece of

2064
01:29:45,439 --> 01:29:47,160
Speaker 23: things that we come up with, even down to you know,

2065
01:29:47,240 --> 01:29:50,040
Speaker 23: so Deella Mally touched the material on the Bob Mally hoodie.

2066
01:29:50,200 --> 01:29:52,160
Speaker 23: I was like, yeah, yeah, not that one, this one,

2067
01:29:52,200 --> 01:29:53,880
Speaker 23: And I want them to approve the colors, like you know,

2068
01:29:54,200 --> 01:29:56,599
Speaker 23: I sent the Marvin Gay Estate. The Marvin Gay bags

2069
01:29:56,600 --> 01:29:59,439
Speaker 23: were dropping now and I made sure that they touched

2070
01:29:59,439 --> 01:30:02,719
Speaker 23: it and that no, and you know Lloyd and Frankie

2071
01:30:02,800 --> 01:30:05,479
Speaker 23: and Marvin June like that will need their approval to say, Okay,

2072
01:30:05,640 --> 01:30:07,599
Speaker 23: I'm with this, this is how we want to do it.

2073
01:30:07,760 --> 01:30:09,320
Speaker 23: And that's just really what it is. I look at

2074
01:30:09,520 --> 01:30:11,880
Speaker 23: someone's name and like this, like they're publishing. It should

2075
01:30:11,880 --> 01:30:13,640
Speaker 23: always be something that's approved.

2076
01:30:13,800 --> 01:30:16,839
Speaker 2: I tell them where this is now. The New York location.

2077
01:30:17,000 --> 01:30:19,920
Speaker 23: New York location is at ninety eight Orchard Street until

2078
01:30:19,920 --> 01:30:24,320
Speaker 23: September thirtieth. Doing a pop up museum Legacy NYC, owned

2079
01:30:24,320 --> 01:30:28,160
Speaker 23: by Dead prez Onomi and one stick there until September thirtieth.

2080
01:30:28,240 --> 01:30:30,640
Speaker 23: Definitely with twenty pieces. You know, every Thursday we do

2081
01:30:30,640 --> 01:30:33,600
Speaker 23: a little champagne toast turn up. So we're definitely in

2082
01:30:33,600 --> 01:30:36,639
Speaker 23: the city with all the exclusive merch and twenty plus

2083
01:30:36,640 --> 01:30:40,320
Speaker 23: pieces of art. We flagship spaces in Miami open Fridays

2084
01:30:40,320 --> 01:30:43,639
Speaker 23: and Saturdays noon til midnight or twenty thirty two Northwest

2085
01:30:43,640 --> 01:30:45,960
Speaker 23: Second Avenue in the heart of Winwood, right across from

2086
01:30:46,000 --> 01:30:48,680
Speaker 23: the Old House of Mac. You know, we're consistently doing that.

2087
01:30:48,760 --> 01:30:52,360
Speaker 23: We got Slick Rick in Miami ten twenty eight Halloween special.

2088
01:30:52,960 --> 01:30:55,639
Speaker 23: Constantly you know, bringing other artists. You know, we've done

2089
01:30:55,680 --> 01:30:58,080
Speaker 23: Kane and Rob km Slick. Rick is my favorite rapper.

2090
01:30:58,200 --> 01:31:00,160
Speaker 23: Is the way that it needs to go next to

2091
01:31:00,200 --> 01:31:03,040
Speaker 23: making that happen. And just in general, you know, follow

2092
01:31:03,160 --> 01:31:09,400
Speaker 23: us online NUSC dot z U m as on the Gram, Facebook,

2093
01:31:09,439 --> 01:31:11,600
Speaker 23: et cetera. You know, follow me Salon Remy s A

2094
01:31:11,720 --> 01:31:14,680
Speaker 23: L A m. Constantly giving updates on what we're working on,

2095
01:31:14,800 --> 01:31:16,960
Speaker 23: the new pieces dropping and like I said, this is

2096
01:31:16,960 --> 01:31:18,719
Speaker 23: a tip of iceberg. I bought the Rick out because

2097
01:31:18,720 --> 01:31:20,479
Speaker 23: I knew it stood out, but when you really see

2098
01:31:20,520 --> 01:31:23,280
Speaker 23: everything else that's going on, it's Colder's.

2099
01:31:23,040 --> 01:31:25,080
Speaker 3: All right, Well, we appreciate you for joining us. Brother,

2100
01:31:25,160 --> 01:31:27,920
Speaker 3: the salam Remy is the Breakfast Club. Good morning, the

2101
01:31:28,080 --> 01:31:29,000
Speaker 3: Breakfast Club.

2102
01:31:31,520 --> 01:31:32,280
Speaker 2: Morning everybody.

2103
01:31:32,280 --> 01:31:35,160
Speaker 3: It's DJ n V Charlamagne the God. We are the

2104
01:31:35,160 --> 01:31:38,200
Speaker 3: Breakfast Club. We have Nico gramc our guest co host

2105
01:31:38,280 --> 01:31:38,679
Speaker 3: and listen.

2106
01:31:38,680 --> 01:31:41,360
Speaker 2: I want to salute my homegirl, Angela zing Man. Angela

2107
01:31:41,439 --> 01:31:43,960
Speaker 2: zing has a great product, a great juice that I

2108
01:31:44,000 --> 01:31:46,520
Speaker 2: like to drink is a plant based juice called Carviva

2109
01:31:46,640 --> 01:31:49,960
Speaker 2: and Carviv juices are now available in Stopping Shop. So

2110
01:31:50,040 --> 01:31:52,800
Speaker 2: salut to Angela. I watched her build Carviva from the

2111
01:31:52,840 --> 01:31:55,360
Speaker 2: ground up, so for her to now be in stopping

2112
01:31:55,439 --> 01:31:58,719
Speaker 2: shop is a big thing, man, So salute the Angela

2113
01:31:58,800 --> 01:32:02,400
Speaker 2: Zing and everybody over there car Beva juices. All right,

2114
01:32:03,040 --> 01:32:04,719
Speaker 2: let's jump into your room or report.

2115
01:32:04,840 --> 01:32:06,200
Speaker 4: Yeah, so before we get to the room of shout

2116
01:32:06,240 --> 01:32:09,120
Speaker 4: out Christina Williams, my girl who covers the WNBA. She

2117
01:32:09,160 --> 01:32:12,479
Speaker 4: helped me with the Kevin Porter junior tea. I appreciate you.

2118
01:32:12,520 --> 01:32:14,840
Speaker 4: I love when black sisters get together and help each

2119
01:32:14,880 --> 01:32:16,360
Speaker 4: other get a story together.

2120
01:32:16,439 --> 01:32:19,920
Speaker 2: All right, all right, well let's get into the roomors. Listen.

2121
01:32:20,720 --> 01:32:22,719
Speaker 2: Well he go up north again a loud mouth.

2122
01:32:22,800 --> 01:32:23,800
Speaker 7: I got seventeen years.

2123
01:32:24,400 --> 01:32:25,120
Speaker 6: Do you need me?

2124
01:32:25,280 --> 01:32:26,479
Speaker 2: You need me? I caught thee.

2125
01:32:28,200 --> 01:32:28,639
Speaker 6: I had.

2126
01:32:28,720 --> 01:32:30,439
Speaker 2: It's the room report.

2127
01:32:30,760 --> 01:32:32,240
Speaker 7: Sorry, I'm a true teller.

2128
01:32:32,800 --> 01:32:34,000
Speaker 6: We go, right, we go.

2129
01:32:35,680 --> 01:32:36,639
Speaker 4: I caught the tea baby.

2130
01:32:36,720 --> 01:32:38,040
Speaker 2: Tell them what the bendi said.

2131
01:32:39,120 --> 01:32:39,360
Speaker 6: Okay.

2132
01:32:39,400 --> 01:32:41,799
Speaker 4: So on Friday, Team USA fel one hundred and thirteen

2133
01:32:41,800 --> 01:32:44,679
Speaker 4: to one hundred eleven to Germany and the semifinal before

2134
01:32:44,760 --> 01:32:48,800
Speaker 4: losing to Canada one twenty seven to one eighteen in overtime.

2135
01:32:49,280 --> 01:32:50,040
Speaker 17: And we didn't meddle.

2136
01:32:51,120 --> 01:32:53,519
Speaker 4: We got nothing. We didn't even get up on the box.

2137
01:32:54,160 --> 01:32:57,880
Speaker 4: So now we gotta pull Lebron off the shelf, put

2138
01:32:57,920 --> 01:32:59,599
Speaker 4: a cape on. You gotta play captain, save a hole

2139
01:32:59,640 --> 01:33:02,599
Speaker 4: for us, say in twenty twenty four Olympics in Paris,

2140
01:33:02,680 --> 01:33:05,000
Speaker 4: And now he is beginning to recruit other stars to

2141
01:33:05,080 --> 01:33:05,920
Speaker 4: come play with him.

2142
01:33:06,360 --> 01:33:08,200
Speaker 2: Yeah, I think it's I think it's only right. I think.

2143
01:33:08,240 --> 01:33:09,920
Speaker 3: But you need you need the best of the best.

2144
01:33:09,920 --> 01:33:15,120
Speaker 3: You need Steph, you need Durant, you need you know, Kyrie, them.

2145
01:33:15,000 --> 01:33:16,960
Speaker 2: The old guys, now you know what I'm saying, they

2146
01:33:17,000 --> 01:33:19,240
Speaker 2: should be making the new young stars go out there

2147
01:33:19,240 --> 01:33:20,439
Speaker 2: and ball the job. Morants.

2148
01:33:20,600 --> 01:33:23,439
Speaker 4: You want, you want something done right, you gotta you gotta.

2149
01:33:23,360 --> 01:33:25,439
Speaker 2: Bring out with yourself the big guns.

2150
01:33:25,880 --> 01:33:28,000
Speaker 4: Mort Yes, we need the big guns.

2151
01:33:28,120 --> 01:33:29,400
Speaker 2: We need good, good segues.

2152
01:33:29,520 --> 01:33:30,439
Speaker 4: Definitely need Steph.

2153
01:33:30,600 --> 01:33:30,760
Speaker 9: Yes.

2154
01:33:31,040 --> 01:33:34,479
Speaker 2: You know what's so interesting about that is everybody is

2155
01:33:34,560 --> 01:33:36,760
Speaker 2: trying to use this to justify with no allows. With

2156
01:33:36,840 --> 01:33:39,680
Speaker 2: no allows is like you know, the the USA, the

2157
01:33:39,800 --> 01:33:43,160
Speaker 2: NBA players aren't world champions. They're not the best in

2158
01:33:43,240 --> 01:33:45,600
Speaker 2: the world. Yes, they are the best players in the

2159
01:33:45,640 --> 01:33:47,680
Speaker 2: world still playing in the NBA. They just didn't play

2160
01:33:47,720 --> 01:33:48,360
Speaker 2: for the USA.

2161
01:33:48,680 --> 01:33:50,360
Speaker 4: Well, this is the thing about feed But this isn't

2162
01:33:50,400 --> 01:33:53,040
Speaker 4: our best This is like the you know, there's tiers

2163
01:33:53,120 --> 01:33:55,360
Speaker 4: of NBA players, you don't nobody wants to play in

2164
01:33:55,400 --> 01:33:57,880
Speaker 4: the feb And also the other teams will have all

2165
01:33:57,920 --> 01:34:00,240
Speaker 4: their best players either, So this is like as like

2166
01:34:00,320 --> 01:34:02,080
Speaker 4: a practice for the Olympics.

2167
01:34:02,800 --> 01:34:05,000
Speaker 2: And even when the other teams do have their best players,

2168
01:34:05,040 --> 01:34:07,479
Speaker 2: those best players are from the NBA. Yes, they are

2169
01:34:08,920 --> 01:34:10,320
Speaker 2: is the best players in the world playing NBA.

2170
01:34:10,680 --> 01:34:13,719
Speaker 4: Yeah, so Lebron's trying to recruit all the big start

2171
01:34:13,840 --> 01:34:16,160
Speaker 4: the big names. He reporter reached out to Steph Curry,

2172
01:34:16,200 --> 01:34:20,880
Speaker 4: Kevin Durant, Anthony Davis, Jason Tatum, and Draymond green Man.

2173
01:34:21,120 --> 01:34:23,439
Speaker 4: We gotta we gotta redeem ourselves. This is embarrassing though

2174
01:34:23,680 --> 01:34:25,799
Speaker 4: even our c team shouldn't be not meddling.

2175
01:34:25,920 --> 01:34:30,840
Speaker 2: Yeah, the Redeemed team too. Yes.

2176
01:34:31,439 --> 01:34:36,479
Speaker 4: And other news, Nellie and Shanti are confirmed relationship. Nellie

2177
01:34:36,520 --> 01:34:39,040
Speaker 4: recently sat down with love and hip hop star Rashida

2178
01:34:39,360 --> 01:34:43,240
Speaker 4: and Kirk a Rashida's Boss Moves podcast, and during the conversation,

2179
01:34:43,360 --> 01:34:45,400
Speaker 4: he spoke on his relationship with Ashanti.

2180
01:34:45,880 --> 01:34:59,960
Speaker 15: So you are back together. We're cool again again.

2181
01:35:00,640 --> 01:35:02,599
Speaker 14: I think it's surprised both of us though it wasn't

2182
01:35:02,640 --> 01:35:04,719
Speaker 14: anything that was like, I don't think planned.

2183
01:35:05,280 --> 01:35:07,439
Speaker 9: I think we both was pretty much doing what we do.

2184
01:35:07,920 --> 01:35:12,240
Speaker 14: But sometimes being separate you understand one another more. You

2185
01:35:12,280 --> 01:35:15,040
Speaker 14: could be like, well, yo, let me exactly see maybe

2186
01:35:15,120 --> 01:35:15,800
Speaker 14: what they see.

2187
01:35:16,520 --> 01:35:18,160
Speaker 7: Is it feel good now?

2188
01:35:18,520 --> 01:35:18,760
Speaker 1: Yeah?

2189
01:35:18,920 --> 01:35:20,839
Speaker 9: I mean because it's no pressure.

2190
01:35:21,240 --> 01:35:23,800
Speaker 14: You know, before I felt like both of us are

2191
01:35:23,880 --> 01:35:27,400
Speaker 14: doing what we're doing career wise, and when you got

2192
01:35:27,479 --> 01:35:29,800
Speaker 14: so many people in the middle of it.

2193
01:35:30,520 --> 01:35:31,320
Speaker 15: It could be tough.

2194
01:35:31,760 --> 01:35:32,880
Speaker 2: That's a dope ass couple.

2195
01:35:32,960 --> 01:35:33,120
Speaker 1: Man.

2196
01:35:33,200 --> 01:35:35,719
Speaker 4: Wait a minute, I don't know he said we cool.

2197
01:35:36,600 --> 01:35:38,759
Speaker 4: I don't like that, Like if I spend the block

2198
01:35:39,160 --> 01:35:43,439
Speaker 4: on you, if I spend the block after everything I

2199
01:35:43,479 --> 01:35:45,479
Speaker 4: done went through and you don't, you know, did me

2200
01:35:45,640 --> 01:35:48,320
Speaker 4: this way? You can't say we cool again. You gotta

2201
01:35:48,360 --> 01:35:50,160
Speaker 4: say we locked in? Okay?

2202
01:35:50,600 --> 01:35:50,920
Speaker 2: You better?

2203
01:35:50,960 --> 01:35:51,280
Speaker 6: You better.

2204
01:35:51,360 --> 01:35:53,360
Speaker 4: She's carrying a purse on the red carpet with an

2205
01:35:53,439 --> 01:35:56,160
Speaker 4: old throwback picture of y'all. You better say a little

2206
01:35:56,160 --> 01:35:58,160
Speaker 4: bit more than that, Nelly, y'all try to say something

2207
01:35:58,200 --> 01:35:58,640
Speaker 4: bigger than that.

2208
01:35:59,640 --> 01:36:01,320
Speaker 2: We just it's just cool. Huh.

2209
01:36:01,720 --> 01:36:04,040
Speaker 3: Well, the pocket book she wore yesterday that you're referring

2210
01:36:04,080 --> 01:36:06,760
Speaker 3: to was twenty years ago at the MTV Awards was

2211
01:36:06,800 --> 01:36:09,120
Speaker 3: the first time they exchanged numbers, so it was a

2212
01:36:09,200 --> 01:36:10,240
Speaker 3: throwback picture to that.

2213
01:36:10,640 --> 01:36:12,720
Speaker 4: But it's very sweet. Look at her being sentimental. He

2214
01:36:12,760 --> 01:36:13,920
Speaker 4: talked about we cool again.

2215
01:36:14,120 --> 01:36:15,639
Speaker 2: So Nella, you know what you gotta do. You gotta

2216
01:36:15,640 --> 01:36:17,400
Speaker 2: go out there and get you a T shirt of

2217
01:36:17,560 --> 01:36:20,479
Speaker 2: you hugging her at versus you walking across that stage

2218
01:36:20,840 --> 01:36:22,920
Speaker 2: to go hug her adverses because to me, that's where

2219
01:36:22,920 --> 01:36:24,200
Speaker 2: it re kindled, just in my mind.

2220
01:36:24,280 --> 01:36:24,640
Speaker 9: I don't know.

2221
01:36:25,280 --> 01:36:27,680
Speaker 4: Yeah, he saw all fine as Shanty been looking. We

2222
01:36:27,760 --> 01:36:28,320
Speaker 4: all seen it.

2223
01:36:28,520 --> 01:36:31,760
Speaker 2: Come on, man, we've seen it, Shanty. Instagram is a

2224
01:36:31,840 --> 01:36:37,439
Speaker 2: safe space for men. What are you talking about. It's

2225
01:36:37,479 --> 01:36:39,000
Speaker 2: a safe space for men. That's where we go to

2226
01:36:39,040 --> 01:36:44,200
Speaker 2: congregate and have conversations amongst each other. Sluta, Shanti and

2227
01:36:44,360 --> 01:36:45,920
Speaker 2: Mama Mama Tina. Yes.

2228
01:36:45,960 --> 01:36:46,000
Speaker 8: So.

2229
01:36:46,120 --> 01:36:50,400
Speaker 4: Corla Ray posted a picture of flowers that she received

2230
01:36:50,439 --> 01:36:52,800
Speaker 4: from Beyonce, and then the flowers say I'm a fan

2231
01:36:52,880 --> 01:36:56,519
Speaker 4: of yours and I love watching you grow. You're a

2232
01:36:56,680 --> 01:36:59,840
Speaker 4: very talented young lady. Love Beyonce, and some people in

2233
01:36:59,880 --> 01:37:02,120
Speaker 4: the comments were saying it was capped that Beyonce didn't

2234
01:37:02,160 --> 01:37:04,360
Speaker 4: send her these flowers, But isn't this the thing that

2235
01:37:04,439 --> 01:37:05,360
Speaker 4: Beyonce always does.

2236
01:37:05,520 --> 01:37:07,680
Speaker 2: Beyonce does do that a lot, and I mean it

2237
01:37:07,680 --> 01:37:09,360
Speaker 2: would make sense. First of all, let's be clear, Coiler

2238
01:37:09,400 --> 01:37:11,800
Speaker 2: Rat is talented. Yeah, y'all kiss my ass. Coiler Ray

2239
01:37:11,880 --> 01:37:14,160
Speaker 2: is very talented. And this is just me and my

2240
01:37:14,240 --> 01:37:16,720
Speaker 2: mind and my imagination. Right Buster RNs puts out a

2241
01:37:16,760 --> 01:37:19,680
Speaker 2: new record with Coiler Ray. They rapping over jay Z

2242
01:37:20,000 --> 01:37:22,639
Speaker 2: Ain't no nigga jay Z and Beyonce in the car

2243
01:37:23,040 --> 01:37:25,240
Speaker 2: on the jet and they're like, oh, that's dope. And

2244
01:37:25,320 --> 01:37:27,760
Speaker 2: Beyonce like, Yo, Coiler Ray, Benfire. You know what I'm saying.

2245
01:37:27,760 --> 01:37:30,200
Speaker 2: I'm gonna send us some flowers because she talented. I'm

2246
01:37:30,200 --> 01:37:32,800
Speaker 2: a fan. Boom put you put all that in your

2247
01:37:32,840 --> 01:37:37,120
Speaker 2: mom I mean that that does sound makes sense. Run

2248
01:37:37,200 --> 01:37:38,720
Speaker 2: with that, Run with that one.

2249
01:37:38,800 --> 01:37:41,280
Speaker 3: It could have been just she seeing girls of players too.

2250
01:37:41,400 --> 01:37:42,880
Speaker 3: Beyonce was like, yeah, I like this song. It's just

2251
01:37:42,920 --> 01:37:43,479
Speaker 3: send the flowers.

2252
01:37:43,680 --> 01:37:46,439
Speaker 2: My way better. Mine was way better.

2253
01:37:46,840 --> 01:37:49,000
Speaker 4: We have time for one more mm yeah all right.

2254
01:37:49,040 --> 01:37:52,920
Speaker 4: So Doja Cat and Quavo sparking dating rumors. Apparently they

2255
01:37:52,960 --> 01:37:56,439
Speaker 4: were spotted having dinner at Carbone in New York City

2256
01:37:56,479 --> 01:37:59,400
Speaker 4: earlier this week, and the nature of the dinner is unclear.

2257
01:38:00,160 --> 01:38:02,320
Speaker 4: There weren't any pictures of them together, but people call

2258
01:38:02,400 --> 01:38:05,800
Speaker 4: pictures outside and so now there's speculations that they might

2259
01:38:06,040 --> 01:38:08,960
Speaker 4: be dating. What do you think about that them.

2260
01:38:08,840 --> 01:38:10,840
Speaker 3: As a couple, or they could have been in the

2261
01:38:10,840 --> 01:38:12,880
Speaker 3: studio working on some music and they said let's go

2262
01:38:12,880 --> 01:38:13,519
Speaker 3: get a bite to eat.

2263
01:38:13,760 --> 01:38:16,320
Speaker 4: That does happen a lot too. Anytime you get recorded

2264
01:38:16,400 --> 01:38:20,080
Speaker 4: somewhere with people, they automatically assume y'all hunching behind closed

2265
01:38:20,160 --> 01:38:21,000
Speaker 4: doors and everything.

2266
01:38:21,160 --> 01:38:22,439
Speaker 2: By the way, you just don't get a bite to

2267
01:38:22,479 --> 01:38:23,639
Speaker 2: eat a car bone, you don't.

2268
01:38:24,320 --> 01:38:25,280
Speaker 4: You gotta get a reservation.

2269
01:38:25,720 --> 01:38:35,680
Speaker 3: That's got something, I'm sure, especially a week like this

2270
01:38:35,800 --> 01:38:41,040
Speaker 3: with fashion and they moved some tables around.

2271
01:38:41,240 --> 01:38:45,599
Speaker 2: Maybe, but you still made a call. Just walking car boone,

2272
01:38:45,600 --> 01:38:49,080
Speaker 2: I don't care who you are. Wow, can walk right

2273
01:38:49,280 --> 01:38:49,880
Speaker 2: in car bos?

2274
01:38:50,280 --> 01:38:53,439
Speaker 4: Okay, so a video service of meg Wait wait you

2275
01:38:53,520 --> 01:38:54,240
Speaker 4: said what I said?

2276
01:38:54,240 --> 01:38:56,080
Speaker 2: Hole walk writing cars? A lot of people can walk

2277
01:38:56,080 --> 01:38:56,599
Speaker 2: in car bos.

2278
01:38:56,800 --> 01:38:58,519
Speaker 4: You could just walk in and get a table.

2279
01:38:58,680 --> 01:39:00,960
Speaker 2: No, I'm not regular people, but I'm some celebrities can.

2280
01:39:01,080 --> 01:39:03,519
Speaker 4: I don't know because other people have reservations. If they

2281
01:39:03,640 --> 01:39:06,839
Speaker 4: move me because hole walked in, I am pissed.

2282
01:39:07,280 --> 01:39:07,960
Speaker 2: I'm sorry.

2283
01:39:08,360 --> 01:39:11,080
Speaker 4: I don't care I'm mad, like, you know, how hard

2284
01:39:11,280 --> 01:39:14,200
Speaker 4: to get a reservation there? Just because I'm nobody I

2285
01:39:14,280 --> 01:39:14,840
Speaker 4: get I'm just.

2286
01:39:17,400 --> 01:39:17,800
Speaker 17: Look at you.

2287
01:39:18,520 --> 01:39:20,840
Speaker 4: That's that's why people don't like you. Right now, That's

2288
01:39:20,840 --> 01:39:24,800
Speaker 4: why people don't like you. You ha sidity and epity.

2289
01:39:25,240 --> 01:39:26,360
Speaker 2: Skin light, skin sexual?

2290
01:39:26,479 --> 01:39:26,720
Speaker 9: That's you?

2291
01:39:27,439 --> 01:39:29,559
Speaker 2: What skin sexual?

2292
01:39:31,640 --> 01:39:35,160
Speaker 4: Okay? A video service of Megna Stallion and justin Timberlake

2293
01:39:35,200 --> 01:39:38,479
Speaker 4: that seemed like they were having an aggressive altercation. Fans

2294
01:39:38,520 --> 01:39:41,880
Speaker 4: immediately assumed that there was a beef, but apparently they

2295
01:39:41,920 --> 01:39:45,759
Speaker 4: were just having fun conversation backstage about, you know, finally

2296
01:39:45,840 --> 01:39:48,400
Speaker 4: meeting each other. I hate when people see stuff like

2297
01:39:48,520 --> 01:39:50,640
Speaker 4: that and they have no idea what's going on, and

2298
01:39:50,640 --> 01:39:53,519
Speaker 4: then they just make a rumor saying somebody's beefing and fighting.

2299
01:39:53,640 --> 01:39:55,360
Speaker 4: But I guess this is what happens when you're famous.

2300
01:39:55,640 --> 01:39:57,880
Speaker 2: Yeah, they weren't heard. They weren't arguing. I heard that.

2301
01:39:58,240 --> 01:39:59,920
Speaker 2: It was like a what was it you?

2302
01:40:00,080 --> 01:40:02,760
Speaker 3: You said you said nice to meet you, and she

2303
01:40:02,880 --> 01:40:04,000
Speaker 3: was like, no, I didn't meet you like this, We

2304
01:40:04,080 --> 01:40:05,080
Speaker 3: have to meet again or something like that.

2305
01:40:05,160 --> 01:40:06,560
Speaker 2: I guess they were joking and playing. I don't know,

2306
01:40:06,680 --> 01:40:06,960
Speaker 2: it was a.

2307
01:40:07,000 --> 01:40:09,720
Speaker 4: Joke, and money Long came to her defense and said

2308
01:40:09,800 --> 01:40:12,960
Speaker 4: like why are people always calling black women angry? Like

2309
01:40:13,040 --> 01:40:14,880
Speaker 4: that's what they were saying, like, oh, she looks angry,

2310
01:40:15,040 --> 01:40:18,040
Speaker 4: Like we can't just be animated and be silly and fun,

2311
01:40:18,439 --> 01:40:20,639
Speaker 4: you know, like it's it's very annoying. But I'm glad

2312
01:40:20,920 --> 01:40:21,920
Speaker 4: that Money said that.

2313
01:40:22,200 --> 01:40:23,920
Speaker 2: And if you don't get the sense of humor, you

2314
01:40:23,960 --> 01:40:25,080
Speaker 2: know what I'm saying, If you don't get the sense

2315
01:40:25,120 --> 01:40:27,120
Speaker 2: of humor, if you don't understand that Meig was, if

2316
01:40:27,160 --> 01:40:29,680
Speaker 2: you were in that context, right, you know, you might

2317
01:40:29,760 --> 01:40:31,680
Speaker 2: not understand that it's a cultural thing in a lot

2318
01:40:31,720 --> 01:40:34,360
Speaker 2: of ways. Yeah, Justin might have thought he was getting.

2319
01:40:34,120 --> 01:40:38,519
Speaker 4: Yelled just as like kind of like honorary black right,

2320
01:40:38,720 --> 01:40:41,200
Speaker 4: you be around enough of us. Yeah, he shouldn't know anyone.

2321
01:40:41,920 --> 01:40:45,160
Speaker 3: All right, Well that is your rumor report. Thank you, Miko,

2322
01:40:45,720 --> 01:40:47,599
Speaker 3: Thank you. Now when we come back, we got.

2323
01:40:47,560 --> 01:40:49,519
Speaker 2: The People's Choice mix. It don't move. It's the Breakfast Club.

2324
01:40:49,560 --> 01:40:53,240
Speaker 3: Good morning everybody, It's the EJ MV. Charlamaga die. We

2325
01:40:53,360 --> 01:40:55,720
Speaker 3: are the Breakfast Club. Miko Grimes, thank you for joining

2326
01:40:55,840 --> 01:40:58,800
Speaker 3: us today. Thanks for having me go tell people they

2327
01:40:58,840 --> 01:41:00,000
Speaker 3: could find you and all that good stuff.

2328
01:41:00,520 --> 01:41:03,720
Speaker 4: You can find me on Instagram at Iheartmico. You know,

2329
01:41:03,800 --> 01:41:05,600
Speaker 4: I got banned from Twitter back in the day, so

2330
01:41:05,680 --> 01:41:08,560
Speaker 4: I have a new Twitter og Meek Millie, and I

2331
01:41:08,680 --> 01:41:11,080
Speaker 4: just found out somebody has iheartmco on Twitter, so I'm

2332
01:41:11,280 --> 01:41:12,760
Speaker 4: trying to get that back if I can talk to

2333
01:41:12,840 --> 01:41:15,680
Speaker 4: Elon but catch me on Yeah, IM gonna reach out

2334
01:41:15,680 --> 01:41:18,519
Speaker 4: to him. Catch me on Instagram at Iheartmico and also

2335
01:41:18,640 --> 01:41:22,400
Speaker 4: my YouTube channel Iheartmico where you can find my podcast

2336
01:41:22,840 --> 01:41:25,280
Speaker 4: Ask Miko and everything Miko on YouTube.

2337
01:41:25,560 --> 01:41:27,839
Speaker 2: And you are you on every Gilbert episode?

2338
01:41:28,080 --> 01:41:29,800
Speaker 4: Not every one of them. I'm just doing every other

2339
01:41:29,880 --> 01:41:32,120
Speaker 4: week because I'm mom. I had it, you know, I

2340
01:41:32,200 --> 01:41:35,040
Speaker 4: couldn't really commit to That's pretty much living in LA.

2341
01:41:35,520 --> 01:41:37,080
Speaker 2: I like that podet. I didn't see it. I didn't

2342
01:41:37,080 --> 01:41:38,800
Speaker 2: see you on the one with when he interviewed Steph Curry.

2343
01:41:38,840 --> 01:41:40,519
Speaker 2: That's why they were in DC for that one.

2344
01:41:40,800 --> 01:41:41,560
Speaker 6: I didn't go to d C.

2345
01:41:42,160 --> 01:41:45,519
Speaker 3: Yeahs luthor, Gilbert Man, Yes, no part all right when

2346
01:41:45,560 --> 01:41:47,519
Speaker 3: we come back. We got positive notice to Breakfast Club.

2347
01:41:47,560 --> 01:41:51,400
Speaker 3: Good morning everybody. It's DJ MV Charlamagne, the guy. We

2348
01:41:51,520 --> 01:41:54,760
Speaker 3: are the Breakfast Club Charlamage. Is time to get a

2349
01:41:54,800 --> 01:41:55,360
Speaker 3: positive note.

2350
01:41:55,600 --> 01:41:57,439
Speaker 2: Yes, First of all, I want to remind people too. Man,

2351
01:41:57,520 --> 01:42:00,360
Speaker 2: make sure you come to my third annual Mental Wealth Expo.

2352
01:42:00,520 --> 01:42:03,679
Speaker 2: It is October seventh at the Marriyout Marquee and Times

2353
01:42:03,680 --> 01:42:07,080
Speaker 2: Square from eleven am to four pm. I'm bringing together

2354
01:42:07,160 --> 01:42:09,800
Speaker 2: some of the best psychotherapists, some of the best psychiatrists,

2355
01:42:09,840 --> 01:42:13,040
Speaker 2: some of the best therapists in the country, Doctor Alfre

2356
01:42:13,120 --> 01:42:16,880
Speaker 2: Breeland Noble, doctor Rita Walker, doctor j Barnett, Elliott Connie

2357
01:42:16,960 --> 01:42:20,280
Speaker 2: my Man, Rashan Miller, Angela Ryt is gonna be there.

2358
01:42:20,320 --> 01:42:22,080
Speaker 2: You know, she's a big mental health advocate. My Man

2359
01:42:22,160 --> 01:42:24,639
Speaker 2: Carson Daily is gonna be there. He's a big mental

2360
01:42:24,680 --> 01:42:26,800
Speaker 2: health advocate as well. Man, so join us at eleven

2361
01:42:26,840 --> 01:42:29,439
Speaker 2: am to four pm. It is a free event at

2362
01:42:29,479 --> 01:42:33,400
Speaker 2: the Marriott Marquee in Times Square on Saturday, October the seventh.

2363
01:42:33,479 --> 01:42:37,400
Speaker 2: Go to mentalealthexpo dot com for more information. Anybody that

2364
01:42:37,560 --> 01:42:39,760
Speaker 2: wants to get started on their healing journey, this is

2365
01:42:39,840 --> 01:42:42,679
Speaker 2: the place for you to be. Remember it's a free event.

2366
01:42:42,800 --> 01:42:45,360
Speaker 2: All ages are welcome. And that leads me right into

2367
01:42:45,479 --> 01:42:47,720
Speaker 2: my positive note, and my positive note is simply this,

2368
01:42:48,080 --> 01:42:51,120
Speaker 2: Please do not let anyone take the piece that you

2369
01:42:51,240 --> 01:42:53,439
Speaker 2: have worked so hard to create. Have a great day

2370
01:42:53,680 --> 01:42:56,360
Speaker 2: breakfast club bit is you don't finish for y'all done.