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Speaker 1: One of my teams from college had a buddy who

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Speaker 1: he was at a Drake concert and one of the

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Speaker 1: one of the one of Drake's guys came up to

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Speaker 1: his girlfriend was like, hey, Drake wants to meet you,

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Speaker 1: and she's like, oh, okay, like y'all definitely meet him.

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Speaker 1: And then the guy started to come with and they

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Speaker 1: got the security. I was like, no, man, just her,

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Speaker 1: and he's like, hey, you better don't go don't don't

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Speaker 1: go in there if you go in there, and.

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Speaker 2: She's like, I don't. I just don't even. I'm just

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Speaker 2: gonna say hi. She's there for three hours. Oh that

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Speaker 2: is fucking I don't know what I get hard on that.

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Speaker 2: You know exactly what happened in that room.

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Speaker 3: I don't know the details, but I know if my

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Speaker 3: girl does that, it's over. She better not even fucking

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Speaker 3: try at home. Yeah, Oh her definitely got it.

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Speaker 2: I just I don't know.

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Speaker 1: I'm just gonna go say hi for five minutes, like, oh,

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Speaker 1: should be right out, don't worry.

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Speaker 4: Welcome back to Busting with the Boys, Episode ninety five.

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Speaker 5: Is that right?

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Speaker 4: Episode ninety five? We are We're honing in on episode

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Speaker 4: one hundred. I try I truly cannot believe we're getting

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Speaker 4: We've made it this far, but this episode is a banger.

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Speaker 4: Chase comes on the bus. I'm not gonna lie like

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Speaker 4: feeling the episode out. We had him on last year,

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Speaker 4: Like you just kind of don't know how his demeanor is,

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Speaker 4: like if he's kind of like an asshole. It has

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Speaker 4: a little arrogance to him, but the dude just kind

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Speaker 4: of knows what he wants, Like he's extremely focused. He's

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Speaker 4: a very focused individual, and I fuck with this vibe.

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Speaker 4: Like we had a really good podcast. It's really interesting too.

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Speaker 4: We dove into a lot of stuff the concert last

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Speaker 4: year and a lot of things like the way he

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Speaker 4: writes music, the way he's kind of into his craft,

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Speaker 4: and I just really respect the way he goes about

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Speaker 4: a shit about his craft. But before we get into

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Speaker 4: that episode, Chase Rice is a Chevy boy by the way,

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Speaker 4: he drives a phenomenal looking Chevy, and Chevy specifically the

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Speaker 4: Chevy Silverado is the strongest, most advanced Silverado ever. It

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Speaker 4: is dependable like the people who drive them. You hard workers, gritty, dependable,

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Speaker 4: lunch pale guys. First and last out, take blue Collar,

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Speaker 4: Take in your lunchbox, to work. I guess that goes

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Speaker 4: with the Lunchbell guys too, but they are a partner

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Speaker 4: with a grit determination. Anything is possible with the Silverado.

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Speaker 4: You can tailgate, you can haul, you can tow, you

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Speaker 4: can off road moving day shit, whether you're helping out

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Speaker 4: your friends or family members road trips with the boys.

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Speaker 4: Go to a dealership near you, a local Chevy dealership,

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Speaker 4: let them know that the Boys sent you. Were dabbling

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Speaker 4: around some ideas, were still brainstorming a couple of things

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Speaker 4: on what we can do for people who hand their

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Speaker 4: phone to their girlfriend, their wife. Maybe, hey, maybe your

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Speaker 4: chick listening, You need to get that Chevy Silverado and

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Speaker 4: you hand it to your boyfriend or husband, your brother,

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Speaker 4: whoever it is, whoever's around. You give them the phone,

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Speaker 4: have them hit record, and kind of do a play

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Speaker 4: on of like, Hey, the boys sent me. You jump

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Speaker 4: in your Chevy Silverado, you drive off in the sunset,

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Speaker 4: but go to a local dealership near you, let them

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Speaker 4: know the boys sent you. And I think we're going

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Speaker 4: to have a nice little gift for you. But without

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Speaker 4: further ado, let's jump into this episode. I think you're

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Speaker 4: going to really enjoy it. Shout it from the Mountaintops.

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Speaker 4: After you listen to it, subscribe on every channel, But

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Speaker 4: as always for the boys, biggest pugs and tiny stuff kisses.

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Speaker 5: I'm a bison rancher.

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Speaker 2: Now that's it.

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Speaker 6: I got kicked out of country last year. I'm a

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Speaker 6: bison rancher.

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Speaker 2: So what do you mean kick out of country? What

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Speaker 2: does that mean? I just did a show that people

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Speaker 2: got pissed about. What they get mad about you? Before

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Speaker 2: we started this episode is brought to you by Chevy

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Speaker 2: and Barstool. Hey, it's brought to you by Chevy and

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Speaker 2: Barseool and Bison.

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Speaker 4: Because he said he had some good some good bison

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Speaker 4: stories and stuff. So before we got.

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Speaker 1: Going, yeah, no, yeah, brought to you by Chevy. This

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Speaker 1: is our third pod brought to you by Chevy. I

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Speaker 1: feel like I said that every single time, but at

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Speaker 1: a number, because that's how it goes.

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Speaker 2: That's what numbers go. Alex, did you have me fired up?

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Speaker 2: Are you mad?

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Speaker 5: Fired up?

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Speaker 2: You were mad? Just pissed? They said I liked you

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Speaker 2: just said that in front of Chases.

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Speaker 3: Yeah.

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Speaker 2: I sit in front of Chase like god damn.

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Speaker 3: I got my Jack here, so I'm like, oh, man,

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Speaker 3: if he's not gonna be here for about ten or twenty.

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Speaker 6: That's gonna get it. You're gonna start to this interview.

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Speaker 1: So okay, Yeah, I told I told Will I wasn't

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Speaker 1: gonna go today, and then he really believed it. So

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Speaker 1: that's that fucking story that that was a good one.

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Speaker 5: I didn't believe it.

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Speaker 4: No, I know you didn't believe I believe that. When

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Speaker 4: we were on the phone, You're like, I can come

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Speaker 4: in ten minutes.

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Speaker 1: You really what if I didn't come? How much would

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Speaker 1: you talk to me about what you would do after that?

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Speaker 5: I think I would have took a deep breath.

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Speaker 2: Sure, now I said, hey, Taylor's not come and Chase

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Speaker 2: you could have his seat.

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Speaker 5: And we get started in that chair.

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Speaker 2: Yeah, would you would you be disappointing?

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Speaker 5: I'd just be disappointed I didn't get to see you.

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Speaker 1: Well, that's very sweet of you to say. It's very

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Speaker 1: nice for you to say. Last time was my heart

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Speaker 1: Actually right now, well, last.

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Speaker 6: Time was on a It was on the screens the TV.

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Speaker 2: Yeah, this zoom your house looked nice.

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Speaker 3: The house is coming along with and so I can

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Speaker 3: stop fucking with the house. Yeah, the house needs to

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Speaker 3: stop being fucked with, Like I need to just move

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Speaker 3: on from it's good.

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Speaker 1: It's like the Winchester Mansion or whatever. You see that

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Speaker 1: place in Santa Cruz. It's a haunted place where the

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Speaker 1: guy who started a Winchester he died, and then the

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Speaker 1: lady he was married to thought that all the people

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Speaker 1: who are killed by the gun was going to come

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Speaker 1: back and murder her or get to her, haunt her.

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Speaker 1: So the only someone came to in a voice. And

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Speaker 1: I might be butchering this, the whole idea was that

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Speaker 1: she had she had to keep on building on the house.

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Speaker 1: And the house is like in somewhere in California, but

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Speaker 1: you'll literally you can go on a tour of the.

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Speaker 2: House and you open doors and it'll be stairways to nothing.

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Speaker 1: But the woman always had the house under construction because

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Speaker 1: that was the only way in her mind that she

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Speaker 1: could be like free from the spirits getting to her

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Speaker 1: that were killed.

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Speaker 5: That's weird going on in my house.

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Speaker 2: If there's spirits in there, I don't care. You're welcome,

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Speaker 2: just I wouldn't say that. Do you believe in ghosts?

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Speaker 5: Yeah, sure probably. I don't know if.

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Speaker 1: You don't watch enough spooky movies, because if you're saying hey,

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Speaker 1: at their spirits.

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Speaker 4: I believe in the paranormal shit that means happen to

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Speaker 4: be right, there's too much weird shit that goes on.

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Speaker 2: Yeah, yes, But I also believe that they're not all bad.

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Speaker 1: No, yeah, I wouldn't wouldn't say that they're all bad.

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Speaker 1: It's like generalizing, you know what I'm saying. You can't

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Speaker 1: just generalize an entire group of things, especially shit.

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Speaker 6: That goes on spiritual stuff to people that's real bad.

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Speaker 2: Have you everd anything happened to you?

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Speaker 5: No, not really anything growing up.

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Speaker 1: Nah see, I've had a couple of hairy things happened

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Speaker 1: to me that were like, I'm just gonna ignore that

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Speaker 1: and pretend like it never happened.

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Speaker 2: Those types of things, you know, Yeah, we'll just bury

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Speaker 2: it deep down, very deep down.

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Speaker 1: It's scary the thought of because to me, and I

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Speaker 1: think I've said this before, like a murderer right on

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Speaker 1: my karate stands, if a murderer came to my house,

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Speaker 1: like I got a fighting chance. I can see you,

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Speaker 1: you can see me. Now we're playing the game of chess.

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Speaker 1: You know what I'm saying, Who's gonna get who first?

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Speaker 1: If I can't see you and you're pulling my wife's

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Speaker 1: hair around the room, and I can't see what the

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Speaker 1: fuck's going on. Hey, I'm out of there. I'm fucking

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Speaker 1: If my wife is getting slung around by her hair,

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Speaker 1: I am fucking eighty eight and out the gate. Dude,

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Speaker 1: I'm in my truck. I'm gone. I'm at their fucking ranch.

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Speaker 1: Of you saying keep building.

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Speaker 4: Because it's going on inspire me about Spooptobober.

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Speaker 2: So we say the whole October is Spooptober. It's a

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Speaker 2: great time, haunted houses, the leaves are falling, love fall.

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Speaker 2: It's amazing, right.

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Speaker 3: It was always like growing up playing football was like, okay,

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Speaker 3: now it's finally our time.

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Speaker 2: Yeah.

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Speaker 3: So like it's season, so I can lock myself down

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Speaker 3: with a girlfriend because I have nothing else to do

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Speaker 3: other than football and her.

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Speaker 2: And it's like break up throwing. The season's over break

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Speaker 2: over the season is wind state. Yep, we're done, but

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Speaker 2: I just love that part of a part of the year.

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Speaker 4: Yeah, you need to buy the weather breaks too. I'm

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Speaker 4: you watch you gotta watch it. You gotta watch a

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Speaker 4: spook every day. It's either a movie or TV show.

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Speaker 4: These are all Tailor's rules too. He introduced me when

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Speaker 4: I got here in eighteen, and I was fired up

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Speaker 4: about it.

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Speaker 2: You're welcome.

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Speaker 4: And then every weekend, yes, thank you. Every weekend you

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Speaker 4: go to a haunted house or something spooky. You know

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Speaker 4: what I'm saying, Like, Hey, let's go check out the

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Speaker 4: hay bales out with the biking.

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Speaker 1: Yeah, scary stuff like that. You got to do that,

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Speaker 1: you know, because you're not gonna hear a bigger dude,

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Speaker 1: You're not gonna get scared.

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Speaker 2: Of, like a haunted house.

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Speaker 5: I would love it.

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Speaker 2: But if you have a couple of drinks and really

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Speaker 2: just buy into it, you get a little scared. It's

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Speaker 2: the best time of the year, dude. You can get

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Speaker 2: a group of people too, Oh, a big group, but

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Speaker 2: you go in like separately. We should do a.

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Speaker 3: Spoop coover night at my farm and do all that

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Speaker 3: fun ship say less.

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Speaker 2: Oh that's a great idea, right.

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Speaker 6: I Just don't run into the fucking bison because they

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Speaker 6: don't care about spooking.

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Speaker 2: They don't care about spook to her. Yeah, last time

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Speaker 2: we were talking to you, you were about to get

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Speaker 2: the bison.

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Speaker 5: Now you got them, dude, I touched What is that?

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Speaker 5: What is that?

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Speaker 4: Like?

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Speaker 2: Ben?

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Speaker 3: For the first time. Bennington's my bull. I touched him

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Speaker 3: for the first time this morning because we worked them, which.

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Speaker 6: Means get them all in crowds. They're going fucking crazy.

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Speaker 3: They they want to kill you, and then you somehow

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Speaker 3: get them into the shoot and then you give them

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Speaker 3: their shots.

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Speaker 6: And we retagged them. So that's Bennington this morning.

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Speaker 2: Uh with the that's a hot new tags and seventy six.

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Speaker 6: Seventy six America.

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Speaker 5: Oh yeah, yeah, I was gonna say one more off

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Speaker 5: seventy seven.

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Speaker 2: I know one more from seventy seven, but you gotta

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Speaker 2: respect America too.

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Speaker 5: They got game.

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Speaker 6: Yeah, so this is me touching them this before we

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Speaker 6: change the tag. That's me touching him.

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Speaker 5: For the first time.

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Speaker 3: But he he can sling his head around and stab

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Speaker 3: my hand in a.

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Speaker 1: Second, so he So they're not nice. You can't like

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Speaker 1: they're not They're not like hamsters. Hamsters aren't nice either.

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Speaker 1: They're not like dogs. You know what I'm saying, a

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Speaker 1: little more scared of fuck within a buffalo. Honestly, they mean, fucking.

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Speaker 2: Man, These are not muffles.

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Speaker 6: They're pissed off at all times if you get near.

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Speaker 2: So why do you get him? So what is how

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Speaker 2: do you make money off me, met Yeah, take a while.

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Speaker 3: Like if you buy a farm to do it, you're

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Speaker 3: gonna take forever. But I already had the farm, so

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Speaker 3: I was like, Oh, let's.

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Speaker 2: Let's put buffalo. Put buffalo on that.

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Speaker 5: Yeah.

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Speaker 3: Yeah, this is a picture we got the Uh that's

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Speaker 3: when it snows Montana, you know, somedays them boys look happy?

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Speaker 1: So how long How old do they have to get

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Speaker 1: before you send them to the old graveyard?

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Speaker 2: Usually about three or four?

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Speaker 3: Do you want to get about eight hundred nine hundred

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Speaker 3: thousand pounds somewhere on there?

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Speaker 2: Eight hundred nine hundred thousand pounds somewhere between there?

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Speaker 1: Okay, eight hundred nine hundred two one thousand pounds thousand pounds.

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Speaker 2: That's a massive that's a lot for me to deal with.

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Speaker 2: It's a comprehendi of my mind. But obviously numbers are

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Speaker 2: hard to It's all about the meat. Yeah, so eight

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Speaker 2: hundred nine hundred punds and you have to get the

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Speaker 2: three or four? What is the bull dode? Are you

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Speaker 2: studying him out a little bit?

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Speaker 3: Bull stays, yeah, bull doesn't ever rooster. He's yeah, he's

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Speaker 3: just hanging out except for roosters. Like we got chickens.

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Speaker 2: Now, how that?

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Speaker 4: How's that you don't need a rooster for them to

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Speaker 4: have babies. I don't know how that works, but no,

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Speaker 4: you need to roost for them to have babies. They

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Speaker 4: have to eggs have to be fertilized. Thinking have eggs.

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Speaker 2: Hey, he's a former babies Got good point.

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Speaker 5: Okay, different pages, got a little.

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Speaker 2: I've been doing some homework on chickens. I'm gonna get

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Speaker 2: a few.

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Speaker 4: To have eggs though you don't need yes, But yeah, man,

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Speaker 4: it's uh, this is why I need to go back

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Speaker 4: on tour because I have chickens.

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Speaker 5: Now I'm about to get a dog.

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Speaker 1: And that's the fig of all the things you said.

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Speaker 1: It's the most responsibility exactly.

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Speaker 3: Yeah, that that's gonna be. I'm gonna take him on

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Speaker 3: the road though, like I'd tell you, he would be in.

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Speaker 4: This interview if I had really how old I'm getting puppy,

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Speaker 4: He's not gonna be in this interview.

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Speaker 2: Then he would be he would?

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Speaker 5: You know?

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Speaker 2: Nice this is We've got this on Amazon. Yeah, nice stuff.

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Speaker 1: I don't want to have to send you an invoice.

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Speaker 1: I feel like our friendships fragile.

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Speaker 2: I don't want to do that.

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Speaker 1: What I'm saying, I don't want to say invoice your

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Speaker 1: puppy and stuff like that.

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Speaker 2: So what so what did you do to piss off? Uh?

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Speaker 1: If you even want to talk about this, you did

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Speaker 1: a concert last year. Wait, hang on, before we got

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Speaker 1: mad about it.

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Speaker 5: I wanted to.

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Speaker 2: I want to know.

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Speaker 5: Is the bull like your breeder?

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Speaker 2: Yeah? He breeds. So I'm getting so.

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Speaker 4: Do you gotta like, do you gotta do all the

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Speaker 4: stuff that gets him, you know, gets a sperm and

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Speaker 4: ship like that.

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Speaker 2: They do it naturally. That baby's naturally. It's easy. The

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Speaker 2: only thing you gotta do is what we did this morning.

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Speaker 5: Twice a year.

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Speaker 6: You gotta work them, give them their shots, make sure

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Speaker 6: they're healthy.

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Speaker 5: Way, Yeah, I had to. I witnessed the cow get

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Speaker 5: like jerked off once.

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Speaker 2: Yeah.

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Speaker 5: Like I went in. Have I told you the story? No,

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Speaker 5: go ahead, but I was going.

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Speaker 4: In to do some like farm work or something like

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Speaker 4: that and make a little money in the summer. Sure,

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Speaker 4: go in money like jerking off exactly. Yeah, And so

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Speaker 4: you went in. They had it all set up and

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Speaker 4: they had like this, uh what do they call what

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Speaker 4: do they call the women cows?

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Speaker 2: Cats?

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Speaker 5: Cats?

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Speaker 2: I think they had.

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Speaker 4: Yeah, they had they had a he person in there

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Speaker 4: like ready to go, and they get the bull kind

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Speaker 4: of squared up behind her so he can jump up.

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Speaker 4: And right when he right when he jumps up, my

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Speaker 4: man is he's rocked at the giant they got, they

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Speaker 4: got the giants. They yeah that they slip on him

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Speaker 4: and they slip off. They last like not even too pumped,

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Speaker 4: but they slip on and off and they get all

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Speaker 4: the semen on them and they started. Yeah, they start

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Speaker 4: putting them in the little you know, the little tinctures

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Speaker 4: to sell them, and it feels like a baby bottle

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Speaker 4: all the way to the top. Yeah, I used to

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Speaker 4: We used to do that with horses.

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Speaker 5: Don't do that. This ship is a crazy sight.

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Speaker 1: I'm like standing there, I've held I've held the flash

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Speaker 1: light for the horses before you got to walk them

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Speaker 1: around the woman. And then he's all excited, start starts

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Speaker 1: slapping on his belly. That's him, like, that's basically him

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Speaker 1: jerking off. That's what they do.

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Speaker 2: And then he put him up.

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Speaker 1: Because horses will tear up a girl horse. Studsill tear

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Speaker 1: up a girl horse, I can you know, like with

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Speaker 1: their hooves, they'll fuck their ass up physically, like carve

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Speaker 1: into them, like start getting scrapes and hurt them like physically.

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Speaker 2: You could just like.

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Speaker 4: Washington last year, or a guy or two years ago,

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Speaker 4: or a guy got work worked by a horse and he.

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Speaker 2: Got worked by horse like a mister Hand situation.

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Speaker 4: Yeah, killed, you said a couple of years ago. I

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Speaker 4: thought I heard something about that when I was like

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Speaker 4: in high school too.

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Speaker 2: Yeah it was, But I did the show a couple

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Speaker 2: of years ago.

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Speaker 1: There was a video on it, right, Oh, yeah, you

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Speaker 1: go about the infamous mister Hands video.

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Speaker 5: I don't know about. I don't know. It's like some dude.

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Speaker 1: He was like some of college when you get all

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Speaker 1: the boys together, everyone's been drinking and you start looking

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Speaker 1: up really fucked up ship online. So like mister Hands,

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Speaker 1: it's a dude, it's a video of a horse having

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Speaker 1: sex with a man. Did it kill the guy and

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Speaker 1: cause internal bleeding and killed him? This might be the

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Speaker 1: guy because it happened in what Seattle, right Washington?

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Speaker 5: Right now?

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Speaker 1: Dude, he he lets at a grunt in that video

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Speaker 1: and you're like, oh, it's over for him.

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Speaker 2: The thing is like this bake damn you're coming out

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Speaker 2: of his mouth.

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Speaker 1: Yeah, it's wild anyway, you guys got any more Jack Daniel,

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Speaker 1: he's a little uncomfortable around.

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Speaker 5: They need a minute, so yeah.

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Speaker 2: Answer that, we don't do that to him. Yeah, Bennington's

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Speaker 2: all naturally.

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Speaker 1: I like his name, and so they did you like

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Speaker 1: upkeep on these You just gotta do it shots twice

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Speaker 1: a year and other than that you just kind of

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Speaker 1: let him be.

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Speaker 3: You'll rotate him back and forth, field field, stuff like that.

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Speaker 3: But there's they're pretty easy, really.

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Speaker 1: And the study, the stud stays with the women.

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Speaker 2: Yep, hangs out that. Now I'm getting ten more. So

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Speaker 2: I've had two die. We had one die a couple

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Speaker 2: of days ago when happened sick.

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Speaker 5: She's been sick.

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Speaker 2: She looked off. That's tough. Finally my far manager founder

383
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Speaker 2: in the pond. Yeah, so that sucked.

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Speaker 3: And then we had one die right the first week

385
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Speaker 3: we got them, she got gorged on on transport.

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Speaker 2: So I'm getting ten more.

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Speaker 3: So I'll have now I'll have nineteen and those are

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Speaker 3: from like the stud place, Diamond Tail Ranch in Colorado.

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Speaker 3: So I'm getting nine nine females and then one bull.

390
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Speaker 3: So she have two bulls now, Yeah, I'm really intrigued

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Speaker 3: to see how.

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Speaker 2: That's Yeah, yeah, I want to know what that dynamics

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Speaker 2: all about each other up. I don't want to I

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Speaker 2: don't want to die and watch them square up.

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Speaker 4: Oh yeah, I mean I just hope it is there,

396
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Speaker 4: and she would be yeah, but how do you end

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Speaker 4: it there?

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Speaker 6: You don't?

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Speaker 2: You just let them go, let them, let him figure

400
00:14:48,560 --> 00:14:50,680
Speaker 2: it out. I'm sure Peter will run in to break

401
00:14:50,720 --> 00:14:53,560
Speaker 2: them up. What's that he runs in there to break them? Hey, guys,

402
00:14:53,600 --> 00:14:56,440
Speaker 2: stop here, that's enough. Benny is all right, dad, you're

403
00:14:56,520 --> 00:14:58,680
Speaker 2: right close to him?

404
00:14:58,760 --> 00:15:00,280
Speaker 5: Is this morning? Obviously? I'm sitting there hutching.

405
00:15:00,320 --> 00:15:03,400
Speaker 3: I'm grabbing by the horns were I retagged their left

406
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Speaker 3: ears and it was cool.

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Speaker 6: Those things are fucking powerful.

408
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Speaker 2: And what made you want to get into that?

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Speaker 5: Well?

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Speaker 3: I had the land, so I always thought like it'd

411
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Speaker 3: be cool to look around and see I found arrowheads

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Speaker 3: on my farm and two bald eagles on there.

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Speaker 6: And I was like, man, bison would go right along

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Speaker 6: with all this.

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Speaker 4: Yeah, all right, boys and girls, it's time to get

416
00:15:25,640 --> 00:15:28,040
Speaker 4: a little serious for a second. Last year has been

417
00:15:28,080 --> 00:15:29,720
Speaker 4: hard on a lot of people, and that's why we're

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00:15:29,760 --> 00:15:32,960
Speaker 4: doing something new and partnering with our new sponsor, Better

419
00:15:33,080 --> 00:15:37,240
Speaker 4: Help Online therapy. There's a misunderstanding of what therapy is.

420
00:15:37,520 --> 00:15:39,440
Speaker 4: It can be whatever you want it to be. Honestly,

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00:15:39,720 --> 00:15:41,760
Speaker 4: it doesn't have to be sitting around a room talking

422
00:15:41,920 --> 00:15:45,120
Speaker 4: talking about your feelings, feeling like you're kind of trapped

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00:15:45,160 --> 00:15:47,080
Speaker 4: or you're kind of nervous to go in there. I

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Speaker 4: will tell you, like I'm doing premoral counseling now with

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Speaker 4: my fiance and I was, you know, to be transparent,

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Speaker 4: very nervous about walking in that room and talking about

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Speaker 4: some of the tough things. But what you know, couples

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00:15:59,040 --> 00:16:02,920
Speaker 4: go through and stuff that nature. But sitting down like

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00:16:03,160 --> 00:16:05,880
Speaker 4: since day one, like going in and kind of talking

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00:16:05,920 --> 00:16:08,400
Speaker 4: about your perspective on things like where it comes from,

431
00:16:08,440 --> 00:16:11,640
Speaker 4: learning about your partner, how they view things and everything else,

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00:16:11,880 --> 00:16:14,480
Speaker 4: and I just I know, just me like talking about

433
00:16:14,560 --> 00:16:17,600
Speaker 4: kind of just awareness in general and being in tune

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00:16:17,640 --> 00:16:19,400
Speaker 4: with how you're feeling and how you can express it

435
00:16:19,400 --> 00:16:21,400
Speaker 4: a little more because there's nowhere to run when you're

436
00:16:21,480 --> 00:16:23,880
Speaker 4: kind of doing therapy. When you're doing these sessions, you

437
00:16:23,960 --> 00:16:26,400
Speaker 4: kind of come to a dead end and the therapist helps

438
00:16:26,480 --> 00:16:29,240
Speaker 4: walk you through what you're feeling, whether it is choosing

439
00:16:29,240 --> 00:16:31,640
Speaker 4: a word on that little sheet that has a nice

440
00:16:31,640 --> 00:16:35,160
Speaker 4: little fun stereotype we mess with, but you start talking

441
00:16:35,200 --> 00:16:36,920
Speaker 4: about things and getting things out of the basement that

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00:16:37,000 --> 00:16:38,600
Speaker 4: you didn't even know you had. And I am just

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Speaker 4: a huge advocate for therapy. A lot of people battle

444
00:16:42,560 --> 00:16:46,160
Speaker 4: with temper stress sometimes it's too much to manage, or

445
00:16:46,200 --> 00:16:49,040
Speaker 4: they have depression anxiety PTSD. The list goes on and

446
00:16:49,080 --> 00:16:50,680
Speaker 4: you don't even have to have any of these things.

447
00:16:50,920 --> 00:16:52,800
Speaker 4: But if this is you, you can use therapy to

448
00:16:52,840 --> 00:16:56,080
Speaker 4: get some tools and make life a lot easier. Betterhelp

449
00:16:56,160 --> 00:16:59,000
Speaker 4: is customize online therapy that offers video, phone and even

450
00:16:59,040 --> 00:17:01,400
Speaker 4: life chat sessions your therapist, so you don't have to

451
00:17:01,400 --> 00:17:03,480
Speaker 4: see anyone on camera if you don't want to. It's

452
00:17:03,560 --> 00:17:05,679
Speaker 4: much more affordable than in person therapy, and you can

453
00:17:05,720 --> 00:17:08,479
Speaker 4: start communicating with your therapists in under forty eight hours,

454
00:17:08,800 --> 00:17:11,679
Speaker 4: join the millions of people who are seeing what therapy

455
00:17:11,760 --> 00:17:13,960
Speaker 4: is really about. It's always a good time to invest

456
00:17:14,000 --> 00:17:17,240
Speaker 4: in yourself, because you are your greatest asset. This podcast

457
00:17:17,280 --> 00:17:19,879
Speaker 4: is sponsored by Betterhelp and our listeners get ten percent

458
00:17:19,920 --> 00:17:22,879
Speaker 4: off their first month at betterhelp dot com slash bussing

459
00:17:23,200 --> 00:17:25,639
Speaker 4: that's b E T T E r h e l

460
00:17:25,720 --> 00:17:35,199
Speaker 4: P dot com slash bussing's.

461
00:17:31,359 --> 00:17:32,679
Speaker 2: See that's badass. I like that.

462
00:17:32,720 --> 00:17:35,240
Speaker 1: How much is a I mean we can always take

463
00:17:35,280 --> 00:17:36,920
Speaker 1: this out. This is more of like a personal question

464
00:17:36,960 --> 00:17:38,480
Speaker 1: for me. What do these things cost?

465
00:17:38,560 --> 00:17:38,920
Speaker 2: For one?

466
00:17:39,680 --> 00:17:43,879
Speaker 3: No, they're like a twelve hundred to two grand for

467
00:17:43,960 --> 00:17:49,440
Speaker 3: the havers and then the bull can go anywhere from

468
00:17:49,680 --> 00:17:52,560
Speaker 3: the one I got from out in Colorado dimetail.

469
00:17:52,600 --> 00:17:54,600
Speaker 6: I think that think was seventy five hundred bucks.

470
00:17:54,960 --> 00:17:57,480
Speaker 2: Oh so they're not like they're not overwhelmingly expensive.

471
00:17:57,720 --> 00:17:58,040
Speaker 4: Nay.

472
00:17:58,240 --> 00:18:00,199
Speaker 3: I mean you go out to uh south to cod

473
00:18:01,520 --> 00:18:04,880
Speaker 3: and I think it's called I can't remember what it's called,

474
00:18:04,920 --> 00:18:07,439
Speaker 3: but I mean they're one one last year for like

475
00:18:07,480 --> 00:18:10,840
Speaker 3: thirty grand. But I think that's just the guy's slinging

476
00:18:10,880 --> 00:18:13,240
Speaker 3: is right on the counter. Yeah, just trying to show

477
00:18:13,280 --> 00:18:15,320
Speaker 3: like I can afford a thirty thousand dollars bison, which

478
00:18:15,359 --> 00:18:15,960
Speaker 3: is just stupid.

479
00:18:16,000 --> 00:18:16,160
Speaker 2: Now.

480
00:18:16,280 --> 00:18:18,720
Speaker 4: Is it like bloodlines like it is with horses, Yeah,

481
00:18:18,760 --> 00:18:19,800
Speaker 4: a little bit of that going on.

482
00:18:20,040 --> 00:18:23,240
Speaker 2: Yeah, but there's no horses. You show horses, whether the

483
00:18:23,280 --> 00:18:26,360
Speaker 2: thirdbreds or quarter horses or pertruns like they.

484
00:18:26,320 --> 00:18:28,760
Speaker 1: Have their talent and however well they do it, that's

485
00:18:28,800 --> 00:18:30,560
Speaker 1: their bloodline and that's how you stud them and make

486
00:18:30,640 --> 00:18:33,280
Speaker 1: more money off their they're young.

487
00:18:33,160 --> 00:18:37,920
Speaker 2: Diamond say, oh nah, that he sent me all the everything, all.

488
00:18:37,880 --> 00:18:41,000
Speaker 3: Their genetics, what they what they gained weight on grain,

489
00:18:41,119 --> 00:18:44,439
Speaker 3: what they gained weight on grass, how their nuts, how

490
00:18:44,480 --> 00:18:45,359
Speaker 3: big their balls are?

491
00:18:45,640 --> 00:18:48,000
Speaker 5: Really it's important, I guess sure, all these numbers.

492
00:18:48,040 --> 00:18:49,639
Speaker 3: I don't know whether it's important to us too, right,

493
00:18:49,720 --> 00:18:53,280
Speaker 3: I was just literally looking through. Yeah, well, just like

494
00:18:53,320 --> 00:18:55,880
Speaker 3: this one looks awesome. He looks different than any other bowl,

495
00:18:55,880 --> 00:18:57,280
Speaker 3: and he has by far the.

496
00:18:57,240 --> 00:18:59,679
Speaker 2: Biggest we're talking about now.

497
00:18:59,760 --> 00:19:01,800
Speaker 1: This is the other bowl, is the one from Colorado. Well,

498
00:19:01,800 --> 00:19:04,520
Speaker 1: Benything's gonna have a hard time. His ego is gonna

499
00:19:04,520 --> 00:19:08,240
Speaker 1: get blasted with that, is what his ego. He's gonna

500
00:19:08,240 --> 00:19:09,040
Speaker 1: have a tough time with that.

501
00:19:09,359 --> 00:19:13,360
Speaker 2: Yeah, it's uh, he would although he could step up,

502
00:19:13,960 --> 00:19:16,560
Speaker 2: he could. I mean, balls don't make the man. That's

503
00:19:16,560 --> 00:19:17,359
Speaker 2: what my wife tells me.

504
00:19:17,920 --> 00:19:21,639
Speaker 3: You know my monitor guy Lee, he's he's got a

505
00:19:21,680 --> 00:19:23,440
Speaker 3: hot girlfriend and he shouldn't.

506
00:19:25,520 --> 00:19:27,520
Speaker 2: Shout out Lee and his hot girlfriend for you Lee.

507
00:19:27,680 --> 00:19:30,920
Speaker 3: He uh, yes, he's got he's got cohonas if they're

508
00:19:30,920 --> 00:19:32,359
Speaker 3: not down there, they're at least in his heart, in

509
00:19:32,400 --> 00:19:32,720
Speaker 3: his head.

510
00:19:32,840 --> 00:19:33,840
Speaker 5: Yeah, he won the bat.

511
00:19:33,600 --> 00:19:35,560
Speaker 1: It's probably pretty charming to you to have a hot girlfriend,

512
00:19:36,240 --> 00:19:38,360
Speaker 1: big Wall. It's something something of the sort, right, what.

513
00:19:38,359 --> 00:19:41,040
Speaker 5: He's doing, right, But I'm like, damn Lee, good for him.

514
00:19:41,160 --> 00:19:44,440
Speaker 2: You get her, right, Yeah, pull her up. What's her name?

515
00:19:44,440 --> 00:19:48,920
Speaker 1: We'll take it out. Uh, okay, we need a last name.

516
00:19:49,080 --> 00:19:51,560
Speaker 1: I we're going to cut all this out, says we laugh,

517
00:19:51,640 --> 00:19:53,200
Speaker 1: but we all find DM.

518
00:19:53,240 --> 00:19:56,000
Speaker 4: Taylor says that we all laugh. Taylor keeps a straight face.

519
00:19:56,040 --> 00:19:59,680
Speaker 4: He's like, oh, yeah, all right, cool.

520
00:20:01,560 --> 00:20:03,280
Speaker 1: You haven't been you and at all in a year.

521
00:20:03,320 --> 00:20:06,239
Speaker 1: You did one concert we did. Still you've been going

522
00:20:06,240 --> 00:20:08,440
Speaker 1: a little store crazy man.

523
00:20:09,200 --> 00:20:09,600
Speaker 2: Yeah.

524
00:20:09,680 --> 00:20:11,920
Speaker 3: Yeah, there's there's certain times like I was, I'll keep

525
00:20:11,920 --> 00:20:16,560
Speaker 3: myself busy going to like Montana for fishing or for snowboard,

526
00:20:16,560 --> 00:20:18,080
Speaker 3: and I did a lot of snowboard in this winter.

527
00:20:19,280 --> 00:20:20,160
Speaker 5: Started writing again.

528
00:20:20,280 --> 00:20:23,920
Speaker 3: But yeah, I've been going a little bit nuts. I

529
00:20:24,359 --> 00:20:26,520
Speaker 3: needed the year off for sure, one hundred percent. I

530
00:20:26,560 --> 00:20:29,640
Speaker 3: didn't realize, like what when you don't take a year off.

531
00:20:29,680 --> 00:20:32,080
Speaker 3: What I realized was I was torn. I wasn't living

532
00:20:32,080 --> 00:20:33,640
Speaker 3: in real life. I had nothing to write about. You'll

533
00:20:33,640 --> 00:20:34,800
Speaker 3: sit in and write the room be like all right, well,

534
00:20:34,800 --> 00:20:36,160
Speaker 3: you know what you guys want to write today.

535
00:20:36,280 --> 00:20:38,399
Speaker 2: Yeah, I got this title. Let's see, Well what does

536
00:20:38,480 --> 00:20:38,800
Speaker 2: that mean?

537
00:20:38,800 --> 00:20:39,080
Speaker 5: I don't know.

538
00:20:39,200 --> 00:20:42,959
Speaker 3: Let's just write it and that sucks. That's fun. I mean,

539
00:20:43,000 --> 00:20:45,919
Speaker 3: your song's end up being like shit. So now I

540
00:20:45,920 --> 00:20:47,400
Speaker 3: have something to write about. Like I'll just be sitting

541
00:20:47,440 --> 00:20:49,359
Speaker 3: and writing by myself in the mornings at my house.

542
00:20:50,080 --> 00:20:51,560
Speaker 3: And I wrote a song that's why I'm getting a

543
00:20:51,560 --> 00:20:53,440
Speaker 3: dog or a song called bench Seed about a dog

544
00:20:54,000 --> 00:20:56,040
Speaker 3: and it's about this dog saving this guy guy's life.

545
00:20:56,040 --> 00:20:57,639
Speaker 6: It's actually a true story about my one of my

546
00:20:57,640 --> 00:20:58,800
Speaker 6: best puddys from college.

547
00:20:59,080 --> 00:21:00,359
Speaker 5: Lee Lee.

548
00:21:01,200 --> 00:21:03,120
Speaker 6: Lee and I did not go to college. I don't

549
00:21:03,119 --> 00:21:04,320
Speaker 6: know if Lee went to college.

550
00:21:05,040 --> 00:21:09,080
Speaker 3: But the story is about this dog saving this guy's life,

551
00:21:09,080 --> 00:21:10,800
Speaker 3: but the guy saving the dog's life too. It's a

552
00:21:10,840 --> 00:21:12,560
Speaker 3: really cool song that's coming out later this year. So

553
00:21:12,600 --> 00:21:14,359
Speaker 3: that's why when we shoot the video, I'm gonna have

554
00:21:14,400 --> 00:21:16,679
Speaker 3: my own puppy. The puppy that's gonna be in that

555
00:21:16,720 --> 00:21:18,240
Speaker 3: video is gonna become my actual puppy.

556
00:21:18,280 --> 00:21:19,000
Speaker 2: Oh that's awesome.

557
00:21:19,040 --> 00:21:20,800
Speaker 5: And what should I name the puppy?

558
00:21:20,840 --> 00:21:25,440
Speaker 2: By the way, Yeah, I feel like Benson's a great name. Bennington.

559
00:21:25,480 --> 00:21:25,919
Speaker 5: Excuse me?

560
00:21:26,040 --> 00:21:27,560
Speaker 2: Is that the name of the bull?

561
00:21:27,680 --> 00:21:29,240
Speaker 1: The bull time is Benningson. I don't like keep calling

562
00:21:29,280 --> 00:21:31,720
Speaker 1: him Benton Benson, Benson. I forgot what I was even

563
00:21:31,720 --> 00:21:34,280
Speaker 1: calling it. Naming an animal is the most important thing

564
00:21:34,280 --> 00:21:36,880
Speaker 1: you can do, okay, because it sits there forever, right,

565
00:21:37,320 --> 00:21:37,960
Speaker 1: It's a big thing.

566
00:21:38,000 --> 00:21:40,359
Speaker 2: You can go with Ace Trapper. I've always liked for

567
00:21:40,400 --> 00:21:41,080
Speaker 2: a dog's name.

568
00:21:41,359 --> 00:21:43,560
Speaker 3: I kind of like human names for dogs, like just

569
00:21:43,920 --> 00:21:46,160
Speaker 3: like Jack, Yeah, hey Jack, get over here.

570
00:21:46,240 --> 00:21:46,760
Speaker 2: Yeah.

571
00:21:47,080 --> 00:21:50,520
Speaker 4: I wouldn't even Jonathan. I've thought about Tonka. Jonathan would

572
00:21:51,119 --> 00:21:51,760
Speaker 4: would be awesome.

573
00:21:51,920 --> 00:21:52,840
Speaker 6: Definitely human name.

574
00:21:52,960 --> 00:21:54,840
Speaker 2: Tanka's cool. You're talking about Tonka toys.

575
00:21:54,560 --> 00:21:57,480
Speaker 3: Though, Tonka trucks, but also Tatanka is the Native American

576
00:21:57,560 --> 00:21:58,320
Speaker 3: name for buffalo.

577
00:21:58,560 --> 00:22:01,920
Speaker 2: Nice, do you hey? You need to go with that one.

578
00:22:03,119 --> 00:22:05,160
Speaker 2: You could. Waffle is a great name for a dog.

579
00:22:05,200 --> 00:22:08,280
Speaker 2: I do like that name, even though the dogs.

580
00:22:08,119 --> 00:22:09,840
Speaker 5: About His name is Butters.

581
00:22:10,000 --> 00:22:12,880
Speaker 1: Butters, but I think I was one of my my

582
00:22:12,920 --> 00:22:13,840
Speaker 1: wife's friends.

583
00:22:14,280 --> 00:22:16,800
Speaker 2: He has a dog named pound Cake. It's like a pug.

584
00:22:17,440 --> 00:22:18,240
Speaker 2: I thought that was a.

585
00:22:18,760 --> 00:22:22,440
Speaker 3: Great name for you got dozer dozers. Ryan Johansen from

586
00:22:22,440 --> 00:22:25,480
Speaker 3: the Preds dog Yeah, and then the other one. James

587
00:22:25,480 --> 00:22:27,560
Speaker 3: Neil was around a lot last year with US he

588
00:22:27,600 --> 00:22:28,920
Speaker 3: had Nipsey Hustle.

589
00:22:29,320 --> 00:22:32,199
Speaker 1: Nipsey Hustle. I like it, dude, Yeah those are those

590
00:22:32,200 --> 00:22:34,240
Speaker 1: are cool. But making the decision, I can't give you

591
00:22:34,240 --> 00:22:34,920
Speaker 1: a name right now.

592
00:22:36,359 --> 00:22:39,040
Speaker 5: Round Tonka since it goes with the whole buffalo thing.

593
00:22:39,200 --> 00:22:39,400
Speaker 4: Yeah.

594
00:22:39,520 --> 00:22:41,320
Speaker 3: See, I was going to get a chocolate lab, but

595
00:22:41,359 --> 00:22:43,200
Speaker 3: I end up going I'm going black Lab because they're

596
00:22:43,240 --> 00:22:46,520
Speaker 3: way better bird dogs than so that doesn't make sense with.

597
00:22:46,480 --> 00:22:47,040
Speaker 5: The brown I did.

598
00:22:47,160 --> 00:22:49,280
Speaker 3: But I did want like a little mini buffalo running around,

599
00:22:49,320 --> 00:22:51,120
Speaker 3: and that would be Tonka. But he's gonna be black,

600
00:22:51,200 --> 00:22:52,200
Speaker 3: a little mini buffalo.

601
00:22:53,000 --> 00:22:54,120
Speaker 2: I like that. How was it?

602
00:22:54,160 --> 00:22:56,560
Speaker 4: How was it when you had your concert last year

603
00:22:56,560 --> 00:22:58,920
Speaker 4: and then obviously all the the media and stuff grabbed

604
00:22:58,920 --> 00:22:59,240
Speaker 4: your ship.

605
00:22:59,480 --> 00:23:02,520
Speaker 3: It was interesting because I still don't fully understand it.

606
00:23:02,560 --> 00:23:04,200
Speaker 3: I still think people are fucking crazy.

607
00:23:04,520 --> 00:23:05,400
Speaker 5: To be honestly, I'm like.

608
00:23:05,359 --> 00:23:07,800
Speaker 2: Which I think you would be right? Is wrong with people?

609
00:23:07,880 --> 00:23:10,639
Speaker 3: Yeah, nobody asked why I did it. Nobody asked what

610
00:23:10,680 --> 00:23:12,840
Speaker 3: I was doing. People are throwing around numbers of four

611
00:23:12,880 --> 00:23:14,240
Speaker 3: thousand people that I did a show.

612
00:23:14,280 --> 00:23:16,520
Speaker 6: People are thrown around. I'm I made this much money

613
00:23:16,480 --> 00:23:17,560
Speaker 6: off of I didn't make a dime.

614
00:23:18,040 --> 00:23:19,880
Speaker 3: I was able to continue to pay my band though,

615
00:23:19,880 --> 00:23:20,840
Speaker 3: and that's why I was doing it.

616
00:23:20,840 --> 00:23:21,840
Speaker 6: I didn't make any money.

617
00:23:23,760 --> 00:23:26,560
Speaker 3: But I wake up Sunday, I'm taking a nap because

618
00:23:26,560 --> 00:23:28,520
Speaker 3: I'm toast from the night before where we had a

619
00:23:28,600 --> 00:23:29,360
Speaker 3: blast the show.

620
00:23:29,359 --> 00:23:32,840
Speaker 2: It was awesome. And then I wake.

621
00:23:32,720 --> 00:23:36,080
Speaker 3: Up and there's all these texts, like one hundred texts

622
00:23:36,080 --> 00:23:38,120
Speaker 3: in my phone was what the fuck is going on?

623
00:23:39,000 --> 00:23:40,760
Speaker 3: And the first one I happened to read was from

624
00:23:40,840 --> 00:23:43,240
Speaker 3: Jaco and I'm scrolling through our read Jakes and he's like,

625
00:23:44,000 --> 00:23:46,360
Speaker 3: fuck you, man, you're the reason we can't do shows.

626
00:23:46,400 --> 00:23:49,240
Speaker 3: I hate you, YadA yadat haha, just kidding.

627
00:23:48,960 --> 00:23:49,840
Speaker 5: Buddy, You'll be all right.

628
00:23:50,040 --> 00:23:56,320
Speaker 2: And I'm like, come in, what are you don't remember?

629
00:23:56,960 --> 00:23:58,080
Speaker 2: Do you remember? The next day?

630
00:23:59,040 --> 00:24:01,040
Speaker 3: Oh yeah, that's when I started reading more texts and

631
00:24:01,600 --> 00:24:04,840
Speaker 3: holy shit, am I in trouble for this? And so

632
00:24:05,040 --> 00:24:07,320
Speaker 3: my publicists me off. She's like, okay, we're not going

633
00:24:07,400 --> 00:24:07,880
Speaker 3: to say anything.

634
00:24:07,880 --> 00:24:08,320
Speaker 2: It's all good.

635
00:24:08,320 --> 00:24:08,920
Speaker 5: It'll go away.

636
00:24:09,080 --> 00:24:11,119
Speaker 6: Didn't go away, Like two days later, people are hating me.

637
00:24:11,320 --> 00:24:15,040
Speaker 1: He's like, hey, it's still happening, Like this isn't give me,

638
00:24:15,240 --> 00:24:17,359
Speaker 1: give me some backstort. When what time was is that

639
00:24:17,400 --> 00:24:18,000
Speaker 1: you did this.

640
00:24:19,720 --> 00:24:20,080
Speaker 5: Early?

641
00:24:20,440 --> 00:24:21,280
Speaker 2: It was early on.

642
00:24:21,400 --> 00:24:22,160
Speaker 5: It was too early.

643
00:24:22,240 --> 00:24:23,720
Speaker 2: It was right. It was kind of a right after

644
00:24:23,920 --> 00:24:24,440
Speaker 2: our zoom.

645
00:24:24,480 --> 00:24:26,399
Speaker 4: I think, right a little bit after the zoom, I.

646
00:24:27,960 --> 00:24:29,679
Speaker 5: Like, it's such a blurloe marching.

647
00:24:29,720 --> 00:24:32,440
Speaker 3: Like I'll openly say, looking back, no, we shouldn't have

648
00:24:32,480 --> 00:24:34,879
Speaker 3: done a show. Sure, but it was way before anything

649
00:24:35,040 --> 00:24:38,199
Speaker 3: was concrete. Nobody knew what was happening, so we just

650
00:24:38,240 --> 00:24:40,040
Speaker 3: went and did the show. Completely went by all the

651
00:24:40,040 --> 00:24:43,760
Speaker 3: Where was the show? It was Brushy Mountain State Penitentiary

652
00:24:43,760 --> 00:24:44,639
Speaker 3: and written.

653
00:24:44,400 --> 00:24:47,040
Speaker 2: Near Knoxville, very very Johnny Cash, if you know it was,

654
00:24:47,119 --> 00:24:47,760
Speaker 2: that's awesome.

655
00:24:47,800 --> 00:24:49,720
Speaker 6: And that was the article Watch Chase Rice go from

656
00:24:49,720 --> 00:24:50,320
Speaker 6: Prison to Hell.

657
00:24:50,400 --> 00:24:53,879
Speaker 3: Whoever wrote that, you're just a shitty Reporterly, Yeah, I

658
00:24:53,880 --> 00:24:56,080
Speaker 3: don't disrespect you. I don't respect you like I just

659
00:24:56,119 --> 00:24:57,600
Speaker 3: think you're shitty at your joke.

660
00:24:57,680 --> 00:25:00,320
Speaker 1: So from Prison to Hell he was saying that because

661
00:25:00,320 --> 00:25:02,520
Speaker 1: you played this thing, you're gonna go go to hell because.

662
00:25:02,359 --> 00:25:03,000
Speaker 5: Of it, I guess.

663
00:25:03,440 --> 00:25:06,040
Speaker 1: Because let me just say some real quick that titles

664
00:25:06,080 --> 00:25:11,920
Speaker 1: fucking badass, Like whoever wrote that watch watch if it's

665
00:25:11,960 --> 00:25:14,600
Speaker 1: like some headlining the fact, I'm just saying the title

666
00:25:14,640 --> 00:25:14,800
Speaker 1: of it.

667
00:25:14,920 --> 00:25:18,120
Speaker 3: Actually at all, because people don't read like I even

668
00:25:18,119 --> 00:25:20,800
Speaker 3: realized from other people doing stuff last year, because last

669
00:25:20,840 --> 00:25:22,640
Speaker 3: year I think brought out a lot of a lot

670
00:25:22,640 --> 00:25:24,800
Speaker 3: of ship and a lot of people. Right, But I

671
00:25:24,840 --> 00:25:27,480
Speaker 3: read other articles and I'm like, this piece of ship,

672
00:25:27,560 --> 00:25:29,240
Speaker 3: how could they do that? And then I read the article,

673
00:25:29,240 --> 00:25:31,800
Speaker 3: I'm like, oh, well no, the headline just made me

674
00:25:31,800 --> 00:25:34,200
Speaker 3: hate them. But this one was like there was nine

675
00:25:34,280 --> 00:25:37,280
Speaker 3: hundred people, And then the articles saying there's four thousand,

676
00:25:37,359 --> 00:25:39,920
Speaker 3: YadA YadA, It's like, well, that's just not true.

677
00:25:41,160 --> 00:25:43,240
Speaker 2: Anyway, we did it too early.

678
00:25:43,920 --> 00:25:47,000
Speaker 3: But the problem that I'm having with even still the

679
00:25:47,440 --> 00:25:49,200
Speaker 3: other people are doing these days, it's like.

680
00:25:49,160 --> 00:25:53,760
Speaker 6: Y'all, here's somebody out every now and then. Stop reading headlines.

681
00:25:53,800 --> 00:25:54,200
Speaker 2: Red lines.

682
00:25:55,240 --> 00:25:58,280
Speaker 5: Our headlines are just flat out ignorant and wrong.

683
00:25:58,240 --> 00:26:00,480
Speaker 2: Because you're trying to get everybody's attention. That's what they

684
00:26:00,480 --> 00:26:01,200
Speaker 2: made them change it to.

685
00:26:01,320 --> 00:26:05,879
Speaker 3: Chase Rose's concert Penitentiary ignites debate over safety or live shows.

686
00:26:06,160 --> 00:26:08,159
Speaker 3: Anybody at that show, they were not one person of

687
00:26:08,200 --> 00:26:11,720
Speaker 3: that show. That's that's another thing about it. Would say

688
00:26:11,760 --> 00:26:14,760
Speaker 3: that they felt like they weren't harm Yeah, if they

689
00:26:14,840 --> 00:26:17,000
Speaker 3: went to I seated ten thousand people and there were

690
00:26:17,080 --> 00:26:22,639
Speaker 3: nine hundred, So anybody complained about it the other artists

691
00:26:22,680 --> 00:26:23,119
Speaker 3: stuff like that.

692
00:26:23,160 --> 00:26:26,480
Speaker 1: It's like, yeah, what other artists complained about it? You're

693
00:26:26,560 --> 00:26:30,080
Speaker 1: right there, I can't read that. There's one Kelsey Ballerini.

694
00:26:30,840 --> 00:26:31,840
Speaker 5: Yeah, the problem.

695
00:26:31,880 --> 00:26:33,359
Speaker 2: Why is she upset?

696
00:26:33,560 --> 00:26:34,800
Speaker 5: I don't know.

697
00:26:34,400 --> 00:26:36,879
Speaker 2: I mean, it's not like it's it's like you're being

698
00:26:36,880 --> 00:26:39,560
Speaker 2: selfish enough to put thousands of people health at risk,

699
00:26:39,960 --> 00:26:42,679
Speaker 2: not to mention the potential ripple effect and play a

700
00:26:43,000 --> 00:26:45,960
Speaker 2: normal country concert right now and it disappeared.

701
00:26:46,520 --> 00:26:50,840
Speaker 4: Okay, yeah, people's tweets and they put it in their articles.

702
00:26:51,240 --> 00:26:53,800
Speaker 1: We all want and needed tour. We just care about

703
00:26:53,840 --> 00:26:57,000
Speaker 1: our fans and their families enough to wait. I can

704
00:26:57,080 --> 00:26:58,000
Speaker 1: understand where she's coming.

705
00:26:58,160 --> 00:26:58,760
Speaker 2: I can.

706
00:26:58,920 --> 00:27:01,320
Speaker 1: I can understand what Kelsey trying to stay there I

707
00:27:01,320 --> 00:27:04,040
Speaker 1: get especially especially at the time that was going on.

708
00:27:04,640 --> 00:27:07,320
Speaker 1: I understand it. I think a lot of it from

709
00:27:07,320 --> 00:27:09,600
Speaker 1: what I've noticed. What I've noticed about country music is

710
00:27:09,600 --> 00:27:11,440
Speaker 1: like you kind of have to play a fine line.

711
00:27:11,480 --> 00:27:11,800
Speaker 2: I don't know.

712
00:27:11,840 --> 00:27:14,160
Speaker 1: Obviously, we know what her view is, but I think

713
00:27:14,160 --> 00:27:16,560
Speaker 1: when it comes to like how she resonates with her fans,

714
00:27:16,560 --> 00:27:18,679
Speaker 1: I'm sure whatever her platform is that I don't know

715
00:27:18,760 --> 00:27:21,439
Speaker 1: a lot about her. I'm sure she's trying to you know,

716
00:27:21,640 --> 00:27:23,240
Speaker 1: keep a large fan base with that.

717
00:27:23,280 --> 00:27:25,960
Speaker 2: Who knows what's that she's.

718
00:27:25,800 --> 00:27:28,520
Speaker 5: Scorn phone number.

719
00:27:28,560 --> 00:27:29,960
Speaker 2: If you've got a real problem that hit me up,

720
00:27:29,960 --> 00:27:33,000
Speaker 2: we'll talk about it, no question. Understand that people are.

721
00:27:32,840 --> 00:27:34,800
Speaker 3: Taking so much shit in to social media that it's

722
00:27:34,800 --> 00:27:36,760
Speaker 3: creating a vibe that doesn't need to be there, right.

723
00:27:36,800 --> 00:27:39,080
Speaker 3: It needs to create conversation, not a divide, And that's

724
00:27:39,119 --> 00:27:40,159
Speaker 3: not what's happening.

725
00:27:40,200 --> 00:27:42,600
Speaker 1: You say that because I'll see like friends of mine

726
00:27:42,640 --> 00:27:45,280
Speaker 1: like good things happen, guys sends a contract or you know,

727
00:27:45,720 --> 00:27:48,360
Speaker 1: country guy does an album number one, and I want

728
00:27:48,400 --> 00:27:49,840
Speaker 1: to tweet about it, but I'm like, well, if I

729
00:27:49,840 --> 00:27:51,119
Speaker 1: have the person's number, I'll.

730
00:27:51,000 --> 00:27:53,439
Speaker 2: Just text them because it's probably just better to do.

731
00:27:53,480 --> 00:27:55,840
Speaker 1: If you really want to congratulate somebody, you should send

732
00:27:55,840 --> 00:27:57,760
Speaker 1: a text out if you have the opportunity.

733
00:27:57,359 --> 00:27:59,800
Speaker 4: Like if you make the Pro Bowl, like I mean, obviously,

734
00:28:00,119 --> 00:28:02,240
Speaker 4: congratulations in person, but of course when I see it,

735
00:28:02,240 --> 00:28:04,280
Speaker 4: I'm gonna say, oh the boy maybe, oh yeah, sometimes

736
00:28:04,280 --> 00:28:06,800
Speaker 4: obviously you'll probably see me photoshopped in some Pro Bowl

737
00:28:06,840 --> 00:28:07,240
Speaker 4: that you made.

738
00:28:07,359 --> 00:28:09,680
Speaker 2: Have you have you been? Yeah? Yeah?

739
00:28:09,720 --> 00:28:11,920
Speaker 4: But like to like, I think another part where you're

740
00:28:11,960 --> 00:28:13,880
Speaker 4: coming from as well, is like you're sitting here like, yeah,

741
00:28:13,880 --> 00:28:16,359
Speaker 4: we did it too early, and also no one's given

742
00:28:16,400 --> 00:28:18,840
Speaker 4: you a chance to hear like, hey listen, okay, like

743
00:28:20,160 --> 00:28:23,200
Speaker 4: I might have messed up, but like you're already deciding

744
00:28:23,280 --> 00:28:25,600
Speaker 4: that I'm standing on one side of the line when

745
00:28:25,600 --> 00:28:28,399
Speaker 4: there's not even a line that it's being created.

746
00:28:28,400 --> 00:28:30,240
Speaker 2: It's being created on social media.

747
00:28:30,359 --> 00:28:32,640
Speaker 6: And to speak to that even more, which is that's

748
00:28:32,680 --> 00:28:33,400
Speaker 6: an awesome point.

749
00:28:33,440 --> 00:28:39,760
Speaker 3: But I am anybody that apologizes because they're supposed to apologize,

750
00:28:39,960 --> 00:28:43,960
Speaker 3: Fuck you, that's a fake apology. Yeah, I will apologize

751
00:28:44,000 --> 00:28:45,760
Speaker 3: if I look at something, And first of all, give

752
00:28:45,800 --> 00:28:46,400
Speaker 3: me a second.

753
00:28:46,440 --> 00:28:48,000
Speaker 5: I'm not gonna apologize in your.

754
00:28:47,880 --> 00:28:50,840
Speaker 4: Timeline right react to the story to tell I'm gonna

755
00:28:50,880 --> 00:28:52,840
Speaker 4: apologize when I've had a chance to sit back and

756
00:28:52,880 --> 00:28:55,720
Speaker 4: think about something that's happened, or I'm gonna decide not

757
00:28:55,760 --> 00:28:56,440
Speaker 4: to apologize.

758
00:28:56,440 --> 00:28:58,240
Speaker 2: It depends on whatever the situation is.

759
00:28:58,640 --> 00:29:02,080
Speaker 4: But stop apologize because people are telling you it'll apologize.

760
00:29:02,120 --> 00:29:04,000
Speaker 4: That's fucking fake and nobody wants to hear it.

761
00:29:04,800 --> 00:29:06,560
Speaker 1: You're trying to cross the tea dot ny so that

762
00:29:06,560 --> 00:29:08,960
Speaker 1: people will forget about something. Well he said sorry, well

763
00:29:09,000 --> 00:29:09,560
Speaker 1: she said sorry.

764
00:29:09,640 --> 00:29:10,360
Speaker 2: That type of thing, And.

765
00:29:10,280 --> 00:29:12,440
Speaker 4: We're starting to live in this like social media world

766
00:29:12,440 --> 00:29:15,120
Speaker 4: of like you have to say something immediately, like if

767
00:29:15,120 --> 00:29:17,920
Speaker 4: you're not saying something, like your silence is we hear

768
00:29:18,000 --> 00:29:19,800
Speaker 4: you from your silence, Like you haven't said nothing yet.

769
00:29:19,800 --> 00:29:21,360
Speaker 5: It's like you a chance to actually think about what

770
00:29:21,440 --> 00:29:22,160
Speaker 5: just happened.

771
00:29:21,920 --> 00:29:22,480
Speaker 2: Right right?

772
00:29:22,880 --> 00:29:25,440
Speaker 1: If you talk to Kelsey since since June twenty eighth,

773
00:29:25,440 --> 00:29:28,120
Speaker 1: whenever that came out, No, have you reached out to

774
00:29:28,160 --> 00:29:30,520
Speaker 1: her as she reached out to you.

775
00:29:30,600 --> 00:29:32,280
Speaker 5: No, honestly don't.

776
00:29:32,400 --> 00:29:34,680
Speaker 3: I don't have a problem with anything like yeah, no

777
00:29:34,680 --> 00:29:36,600
Speaker 3: matter who the artists are, if you come up to

778
00:29:36,600 --> 00:29:38,240
Speaker 3: me and we have a conversation about it, I bet

779
00:29:38,240 --> 00:29:39,640
Speaker 3: it's gonna be pretty chilling easy.

780
00:29:39,840 --> 00:29:41,200
Speaker 5: I don't have a problem with anybody.

781
00:29:41,400 --> 00:29:43,640
Speaker 3: What I do have a problem with is not having

782
00:29:43,680 --> 00:29:46,480
Speaker 3: conversations about things that need to Like I said, it

783
00:29:46,600 --> 00:29:49,040
Speaker 3: needs to be more conversation and less divide of just.

784
00:29:49,800 --> 00:29:52,200
Speaker 2: You did this, fuck you, you're wrong some one hundred and

785
00:29:52,240 --> 00:29:53,880
Speaker 2: forty characters just putting on Twitter.

786
00:29:53,920 --> 00:29:57,440
Speaker 4: That's that means that is so useless in our world,

787
00:29:57,720 --> 00:29:59,760
Speaker 4: and unfortunately it's what people do.

788
00:30:00,000 --> 00:30:00,640
Speaker 5: Lot of times.

789
00:30:01,360 --> 00:30:02,960
Speaker 1: Like I would go crazy with that if someone I

790
00:30:03,040 --> 00:30:04,800
Speaker 1: knew tweeted that about men and be like I was

791
00:30:04,800 --> 00:30:06,280
Speaker 1: ready to get ahold of that person immediately, like.

792
00:30:06,200 --> 00:30:07,560
Speaker 2: Hey, what's what's the deal?

793
00:30:07,840 --> 00:30:10,280
Speaker 1: Not try to like fight them or get an argument,

794
00:30:10,360 --> 00:30:12,440
Speaker 1: Like I want to know where you're coming from, especially

795
00:30:12,440 --> 00:30:14,640
Speaker 1: if this person has your number, if Kelsey has your number,

796
00:30:14,680 --> 00:30:18,680
Speaker 1: Like you guys probably have a relatively decent relationship leading

797
00:30:18,760 --> 00:30:20,840
Speaker 1: up to that point, and there hasn't been a conversation

798
00:30:20,960 --> 00:30:23,040
Speaker 1: up till then. That seems kind of weird. I feel

799
00:30:23,080 --> 00:30:24,400
Speaker 1: like the next time, I feel like the next time

800
00:30:24,440 --> 00:30:26,400
Speaker 1: you see it, it's going to be that would for

801
00:30:26,440 --> 00:30:27,280
Speaker 1: me be hard.

802
00:30:27,320 --> 00:30:28,320
Speaker 5: I ain't got a hold on the sun.

803
00:30:28,600 --> 00:30:30,520
Speaker 2: Yeah, I know, I hear you. Well, it sounds like

804
00:30:30,560 --> 00:30:31,840
Speaker 2: she went off pretty hard on you.

805
00:30:31,880 --> 00:30:34,000
Speaker 4: Well, I'm just saying, you gotta you gotta realize too,

806
00:30:34,200 --> 00:30:36,400
Speaker 4: like if you if you do something you're not like

807
00:30:36,480 --> 00:30:39,320
Speaker 4: fully like you haven't digestive realized what's actually happening. Like

808
00:30:39,360 --> 00:30:41,640
Speaker 4: you're just you're sitting back and you read something prison

809
00:30:41,720 --> 00:30:43,320
Speaker 4: going to hell, and then people.

810
00:30:43,080 --> 00:30:44,800
Speaker 5: Tweeting and you're just like, what the fuck is going on?

811
00:30:44,800 --> 00:30:46,920
Speaker 4: And then people are just piling on and you kind

812
00:30:46,920 --> 00:30:48,440
Speaker 4: of like you're just kind of in a corner with

813
00:30:48,480 --> 00:30:51,560
Speaker 4: your hands up, like ready to just be like, you know,

814
00:30:51,600 --> 00:30:54,480
Speaker 4: you're in that uh like self preservation because people are

815
00:30:54,480 --> 00:30:56,520
Speaker 4: just backing you kind of into a corner to speak up,

816
00:30:56,680 --> 00:30:59,000
Speaker 4: you're forced to do something. Oh he stands here, and

817
00:30:59,080 --> 00:31:00,920
Speaker 4: he's this and that and that. Now it is political

818
00:31:01,280 --> 00:31:03,360
Speaker 4: and really like you just have no time to digest

819
00:31:03,440 --> 00:31:06,200
Speaker 4: what you're one to do. But I assume that that's

820
00:31:06,200 --> 00:31:08,600
Speaker 4: had that that fucking sucked because even though we're like, yeah,

821
00:31:08,640 --> 00:31:13,200
Speaker 4: it's a badass like headline, because you think if you

822
00:31:13,200 --> 00:31:15,720
Speaker 4: see like Johnny Cash, watch Johnny Cash go from prison

823
00:31:15,720 --> 00:31:17,760
Speaker 4: to hell, I'm sure that's hanging up in somebody's wall

824
00:31:17,760 --> 00:31:20,720
Speaker 4: because it's like, oh, that's a badass Johnny. At the time,

825
00:31:20,800 --> 00:31:23,200
Speaker 4: when you're just seeing that, you're like what, then your

826
00:31:23,200 --> 00:31:24,880
Speaker 4: phone's going off and then this happened, and then you're

827
00:31:24,920 --> 00:31:27,400
Speaker 4: reading about people who have your number and they're tweeting

828
00:31:27,400 --> 00:31:28,280
Speaker 4: they're already decided.

829
00:31:29,200 --> 00:31:31,120
Speaker 2: I mean, obviously it's not it's tough to handle when

830
00:31:31,160 --> 00:31:32,320
Speaker 2: it's going yeah, fuck you.

831
00:31:32,640 --> 00:31:33,640
Speaker 5: A lot of times passed a.

832
00:31:33,680 --> 00:31:34,440
Speaker 2: Lot at all.

833
00:31:34,520 --> 00:31:36,880
Speaker 3: I was like, first of all, I wasn't gonna apologize

834
00:31:36,960 --> 00:31:39,600
Speaker 3: because I didn't feel like I had anything to apologize.

835
00:31:40,280 --> 00:31:42,560
Speaker 3: I didn't force anybody to come to that show. They

836
00:31:42,640 --> 00:31:44,440
Speaker 3: chose to come to that show. There's still a lot

837
00:31:44,480 --> 00:31:46,640
Speaker 3: of people. There were seventy five hundred people in Jacksonville,

838
00:31:46,680 --> 00:31:48,720
Speaker 3: Florida last Thursday that chose to come to a show.

839
00:31:48,840 --> 00:31:54,040
Speaker 4: Yeah, and just because now it's more acceptable, Like is

840
00:31:54,080 --> 00:31:56,880
Speaker 4: it really we don't want shit about this vaccine? Well,

841
00:31:56,920 --> 00:31:59,800
Speaker 4: based on some of the the data and stuff with

842
00:31:59,800 --> 00:32:01,560
Speaker 4: the end FLP is like some of the numbers and

843
00:32:01,600 --> 00:32:03,320
Speaker 4: percentages are still the same as they were in.

844
00:32:03,320 --> 00:32:05,200
Speaker 2: Last July, but now it's more acceptable.

845
00:32:05,240 --> 00:32:05,880
Speaker 5: I don't know why.

846
00:32:06,000 --> 00:32:08,720
Speaker 3: I don't fucking care either. What I do know is

847
00:32:08,760 --> 00:32:10,320
Speaker 3: the states are going to allow us to play.

848
00:32:11,040 --> 00:32:11,720
Speaker 5: I'm going to play.

849
00:32:11,800 --> 00:32:12,000
Speaker 2: Yeah.

850
00:32:12,000 --> 00:32:13,840
Speaker 3: You know, I want to employ. I want to give

851
00:32:13,880 --> 00:32:16,480
Speaker 3: my guys money. Yeah, I want to give them a

852
00:32:16,520 --> 00:32:17,640
Speaker 3: fucking job, no question.

853
00:32:17,680 --> 00:32:18,240
Speaker 2: Speak to that.

854
00:32:18,240 --> 00:32:21,760
Speaker 4: Too, like like especially in the artist world, Like you know,

855
00:32:21,800 --> 00:32:23,440
Speaker 4: I'm talking with a couple of different managers and they

856
00:32:23,440 --> 00:32:25,200
Speaker 4: had to get furlough because they're not able. They were

857
00:32:25,240 --> 00:32:27,480
Speaker 4: like somebody's tour manager, and now they got to get

858
00:32:27,480 --> 00:32:29,640
Speaker 4: furloughed because there's just no work. Like when you said

859
00:32:29,640 --> 00:32:31,960
Speaker 4: you didn't make a dime because you're trying to get

860
00:32:32,000 --> 00:32:34,040
Speaker 4: money on the table for your band and whoever your

861
00:32:34,040 --> 00:32:35,920
Speaker 4: team is like speak on our heart that's spent on

862
00:32:36,000 --> 00:32:36,720
Speaker 4: like your group.

863
00:32:36,880 --> 00:32:37,480
Speaker 5: It's brutal.

864
00:32:37,520 --> 00:32:40,000
Speaker 4: I mean, there was there was a long period of time,

865
00:32:41,560 --> 00:32:44,000
Speaker 4: probably a six to seven months is how long I

866
00:32:44,040 --> 00:32:45,000
Speaker 4: kept everybody.

867
00:32:44,720 --> 00:32:45,960
Speaker 2: On full payroll.

868
00:32:47,120 --> 00:32:48,840
Speaker 5: And that is a ton of money.

869
00:32:49,080 --> 00:32:50,440
Speaker 2: I don't care what you have.

870
00:32:50,680 --> 00:32:54,120
Speaker 4: If you're losing that much money every week without bringing

871
00:32:54,160 --> 00:32:55,840
Speaker 4: any end, you're going to be in trouble at some point.

872
00:32:56,000 --> 00:32:56,200
Speaker 5: Yeah.

873
00:32:56,240 --> 00:32:56,840
Speaker 2: So it was awful.

874
00:32:56,880 --> 00:33:00,760
Speaker 5: I mean, you see your your account going that all the.

875
00:33:00,760 --> 00:33:03,240
Speaker 2: Stuff you've worked for Gary oh ye place to be.

876
00:33:04,160 --> 00:33:05,320
Speaker 2: But at the same time.

877
00:33:07,440 --> 00:33:10,760
Speaker 3: That's happening, you're also knowing that these people that if

878
00:33:10,760 --> 00:33:13,040
Speaker 3: you don't have that happen, that these people that you've

879
00:33:13,040 --> 00:33:14,800
Speaker 3: been with for eight years, that you've built relationship with,

880
00:33:14,880 --> 00:33:16,440
Speaker 3: you've got to know their families are not going to

881
00:33:16,520 --> 00:33:17,000
Speaker 3: have a job.

882
00:33:17,520 --> 00:33:19,880
Speaker 6: And that sucks, Like I don't want that for them.

883
00:33:20,040 --> 00:33:21,040
Speaker 5: Yeah.

884
00:33:20,280 --> 00:33:21,720
Speaker 2: Yeah, And that's why I.

885
00:33:21,680 --> 00:33:23,640
Speaker 6: Held on so long for for my band and crew

886
00:33:23,680 --> 00:33:24,360
Speaker 6: of like paying them.

887
00:33:24,360 --> 00:33:26,920
Speaker 3: That's why I'm doing shows now to continue to get

888
00:33:26,960 --> 00:33:30,680
Speaker 3: these guys jobs, continue to.

889
00:33:29,480 --> 00:33:31,480
Speaker 6: Slowly work our way back into a normal life.

890
00:33:31,520 --> 00:33:33,520
Speaker 1: It's interesting that this is the first time I'm hearing

891
00:33:33,560 --> 00:33:35,680
Speaker 1: about that that you've chose to pay your ban for

892
00:33:35,720 --> 00:33:37,520
Speaker 1: sixty seven months, and I'm sure some people didn't.

893
00:33:37,960 --> 00:33:40,040
Speaker 2: How is that not an article? You know what I'm saying.

894
00:33:40,080 --> 00:33:44,280
Speaker 4: I don't know, but it's it, you know, nothing necessarily

895
00:33:44,280 --> 00:33:46,239
Speaker 4: like it needs to be an article. But there is

896
00:33:46,280 --> 00:33:48,680
Speaker 4: like stuff that, Yeah, you're just unaware, like the people

897
00:33:48,720 --> 00:33:50,400
Speaker 4: just aren't aware of it because it's not the hottest thing.

898
00:33:50,440 --> 00:33:51,760
Speaker 4: All this is gonna be, you know, this is gonna

899
00:33:51,760 --> 00:33:54,480
Speaker 4: be a great hot take, right yeah, well yeah.

900
00:33:54,320 --> 00:33:56,680
Speaker 1: And especially with you can't write an article going to hell.

901
00:33:57,160 --> 00:33:58,920
Speaker 1: The headline can't be going to hell with that, you

902
00:33:58,960 --> 00:33:59,640
Speaker 1: know what I'm saying.

903
00:33:59,440 --> 00:34:01,440
Speaker 2: I mean, help out the band, whatever reason.

904
00:34:01,480 --> 00:34:03,280
Speaker 3: People just want to hate people these days, and it's

905
00:34:03,320 --> 00:34:04,520
Speaker 3: the most confusing thing ever.

906
00:34:04,600 --> 00:34:07,200
Speaker 1: People people are becoming more and more reactive, and I

907
00:34:07,200 --> 00:34:10,719
Speaker 1: think people the more social media comes out and the

908
00:34:10,760 --> 00:34:13,279
Speaker 1: more there's so many new ways to engage with people,

909
00:34:13,280 --> 00:34:14,759
Speaker 1: and there's so many because of that, there's so many

910
00:34:14,760 --> 00:34:18,160
Speaker 1: new ways to make money. I think people want that

911
00:34:18,280 --> 00:34:20,360
Speaker 1: dream of that and then don't really know how to

912
00:34:20,360 --> 00:34:22,960
Speaker 1: go about it. And then they see people with success

913
00:34:23,040 --> 00:34:25,279
Speaker 1: doing things and they want to be reactive and get

914
00:34:25,320 --> 00:34:27,360
Speaker 1: a response. And they have Chase Rice, they have a

915
00:34:27,360 --> 00:34:29,359
Speaker 1: celebrity talk to them back because I can tell you

916
00:34:29,360 --> 00:34:31,880
Speaker 1: you're a piece of shit and you say fuck off, Like,

917
00:34:31,920 --> 00:34:33,120
Speaker 1: oh I got I did something.

918
00:34:33,160 --> 00:34:34,160
Speaker 2: Now, you know what I'm saying.

919
00:34:34,160 --> 00:34:36,640
Speaker 1: There's a there's a need to like that makes them

920
00:34:36,640 --> 00:34:39,560
Speaker 1: feel relevant in the situation. But I think jelly Roll,

921
00:34:39,640 --> 00:34:42,440
Speaker 1: he was on here two days ago, brought it up perfectly.

922
00:34:42,680 --> 00:34:46,799
Speaker 1: It was like, your emoji is a fucking a Pokemon. Yeah,

923
00:34:46,800 --> 00:34:51,600
Speaker 1: your profile, your profile poke you don't like, You're just

924
00:34:51,600 --> 00:34:53,919
Speaker 1: a fucking troll, And that's what most of these people are.

925
00:34:54,280 --> 00:34:56,719
Speaker 1: I'm I'm super intrigued by the Kelsey ball or anything

926
00:34:56,760 --> 00:34:58,239
Speaker 1: because I'm just like, do you think she?

927
00:34:58,320 --> 00:35:00,560
Speaker 2: Did you read the did you read the article? I

928
00:35:00,600 --> 00:35:03,759
Speaker 2: don't know that thing? To me, just I wonder where

929
00:35:04,520 --> 00:35:07,200
Speaker 2: we're hitting her heads at now that after.

930
00:35:07,000 --> 00:35:09,319
Speaker 6: A year, you know what I'm saying. Pool asked me like, so,

931
00:35:09,360 --> 00:35:10,000
Speaker 6: what do you think of her?

932
00:35:10,040 --> 00:35:12,040
Speaker 3: What do you think of Maren Morris also spoke out

933
00:35:12,040 --> 00:35:15,239
Speaker 3: on I don't I don't really have a thought. I

934
00:35:15,239 --> 00:35:16,759
Speaker 3: haven't talked to them, so I'm not gonna sit there

935
00:35:16,800 --> 00:35:19,480
Speaker 3: and speak into that. Do I hate their music now? No,

936
00:35:19,520 --> 00:35:22,799
Speaker 3: I think their music's sick. Yeah, especially think Maren's unbelievable.

937
00:35:23,320 --> 00:35:26,080
Speaker 3: But my biggest thing from all of it would be

938
00:35:26,280 --> 00:35:29,960
Speaker 3: y'all just be open to more conversations as opposed to

939
00:35:29,960 --> 00:35:31,600
Speaker 3: just fucking thrashing people on social media.

940
00:35:31,680 --> 00:35:34,280
Speaker 5: Yeah that it gets us nowhere, right, Yeah, absolutely nowhere.

941
00:35:34,320 --> 00:35:36,359
Speaker 1: And I think about the time it was June, like

942
00:35:36,719 --> 00:35:38,160
Speaker 1: we didn't know if we were gonna have football, then,

943
00:35:38,440 --> 00:35:39,840
Speaker 1: we didn't know what the hell was going on in

944
00:35:39,880 --> 00:35:40,400
Speaker 1: the world was.

945
00:35:40,400 --> 00:35:42,240
Speaker 2: Like, and that is like probably the peak of everything.

946
00:35:42,680 --> 00:35:45,160
Speaker 1: And I think, like you just said, numbers are the

947
00:35:45,200 --> 00:35:47,600
Speaker 1: same as they were in July right now, according to

948
00:35:47,640 --> 00:35:50,319
Speaker 1: the nflpa's argument versus O tas right now, that's the

949
00:35:50,320 --> 00:35:52,719
Speaker 1: whole thing going on with us, And it's like, uh,

950
00:35:53,000 --> 00:35:54,440
Speaker 1: I think the only thing that's changed is people have

951
00:35:54,480 --> 00:35:57,000
Speaker 1: become more impatient. Like they thought, Okay, this would be

952
00:35:57,000 --> 00:35:58,879
Speaker 1: a six month thing, all right, it's a year. Hey,

953
00:35:58,920 --> 00:36:01,239
Speaker 1: twenty twenty sucked, you know, twenty twenty one is gonna

954
00:36:01,280 --> 00:36:03,000
Speaker 1: be way better. And you sit there and we're getting

955
00:36:03,000 --> 00:36:04,600
Speaker 1: towards that halfway point of twenty twenty one.

956
00:36:04,640 --> 00:36:07,319
Speaker 2: We're going not a whole lot's fucking changed.

957
00:36:07,120 --> 00:36:07,319
Speaker 4: You know.

958
00:36:07,480 --> 00:36:10,839
Speaker 1: Yeah, And I think I think even people whatever side

959
00:36:10,840 --> 00:36:13,560
Speaker 1: of the fencer. I think people are getting impatient and

960
00:36:13,600 --> 00:36:14,879
Speaker 1: they're thinking I've always.

961
00:36:14,600 --> 00:36:16,480
Speaker 5: Thought, I well not always.

962
00:36:16,480 --> 00:36:18,600
Speaker 3: I remember thinking last year like, wait a minute, we're

963
00:36:18,640 --> 00:36:21,080
Speaker 3: not gonna tour till June, that we're gonna be out

964
00:36:21,120 --> 00:36:21,719
Speaker 3: way before that.

965
00:36:21,960 --> 00:36:24,439
Speaker 4: Yeah right, yeah, I knew the one show and it's like, okay,

966
00:36:24,520 --> 00:36:28,600
Speaker 4: never not, we're not gonna be out.

967
00:36:30,000 --> 00:36:32,480
Speaker 3: But then this year, I like my mindset was the opposite.

968
00:36:32,560 --> 00:36:35,279
Speaker 3: It's like, we're gonna have shows here and there, it's

969
00:36:35,280 --> 00:36:37,560
Speaker 3: gonna get going. Fall might be rocking a little bit,

970
00:36:37,560 --> 00:36:39,360
Speaker 3: but twenty twenty two gets your ass right, because I

971
00:36:39,360 --> 00:36:42,840
Speaker 3: do believe by twenty twenty two, I'm not putting up

972
00:36:42,840 --> 00:36:43,000
Speaker 3: with it.

973
00:36:43,280 --> 00:36:43,440
Speaker 5: Yeah.

974
00:36:43,880 --> 00:36:46,439
Speaker 2: My famous last words man famous.

975
00:36:51,200 --> 00:36:55,760
Speaker 4: Block folio. I have just downloaded this app last week

976
00:36:56,040 --> 00:37:00,560
Speaker 4: because I had huge fomo on this doge coin or

977
00:37:00,600 --> 00:37:03,200
Speaker 4: this meme coin that everybody's talking about I had. I

978
00:37:03,239 --> 00:37:04,800
Speaker 4: didn't have a rant on Twitter, but I just I

979
00:37:04,840 --> 00:37:06,839
Speaker 4: had absolutely foma because I felt like I was missing

980
00:37:06,880 --> 00:37:08,880
Speaker 4: out and everybody in the world was getting rich except me.

981
00:37:09,560 --> 00:37:10,279
Speaker 5: Uh, do you.

982
00:37:10,280 --> 00:37:11,360
Speaker 2: Boys have blockfolio?

983
00:37:11,520 --> 00:37:11,839
Speaker 5: You guys?

984
00:37:11,920 --> 00:37:12,840
Speaker 2: Are you guys in crypto?

985
00:37:13,440 --> 00:37:15,600
Speaker 6: Yeah, I'm in doze, You're in doze?

986
00:37:15,680 --> 00:37:17,120
Speaker 2: In doze I think Jackson Doze two.

987
00:37:17,960 --> 00:37:20,280
Speaker 5: What else are you in? Go ahead, grab the micro

988
00:37:20,360 --> 00:37:20,759
Speaker 5: I'm in a.

989
00:37:20,719 --> 00:37:24,880
Speaker 4: Percentage of light coin because I'm on a certain trading

990
00:37:24,920 --> 00:37:28,240
Speaker 4: website where you can do percentage splits, but doze coin mainly.

991
00:37:28,320 --> 00:37:31,760
Speaker 4: You're on Blockfolio, right, yeah, exactly, I love that. Download

992
00:37:31,760 --> 00:37:34,959
Speaker 4: the Blockfolio app. You can build your portfolio and follow

993
00:37:35,000 --> 00:37:38,239
Speaker 4: the pieces. That's that's why I really I butchered that

994
00:37:38,520 --> 00:37:41,400
Speaker 4: word right there. Build your portfolio and follow the prices

995
00:37:41,640 --> 00:37:44,920
Speaker 4: of more than ten thousand coins. Blockfolio is the world's

996
00:37:44,960 --> 00:37:49,160
Speaker 4: most popular mobile app for cryptocurrency tracking and trading. Get

997
00:37:49,239 --> 00:37:53,600
Speaker 4: phone notification updates directly from the projects you care about most.

998
00:37:54,000 --> 00:37:54,800
Speaker 5: Buy and sell.

999
00:37:54,680 --> 00:37:59,120
Speaker 2: Bitcoin ethereum, doge coin, that's the coin like it is it?

1000
00:37:59,200 --> 00:38:01,960
Speaker 4: Light coin or light a light coin, light coin, and

1001
00:38:02,080 --> 00:38:05,480
Speaker 4: other top tokens with absolutely zero fees, and get a

1002
00:38:05,520 --> 00:38:08,080
Speaker 4: free coin with every trade over ten dollars, you can

1003
00:38:08,120 --> 00:38:09,840
Speaker 4: get a you can get a lot of free coins.

1004
00:38:10,080 --> 00:38:11,840
Speaker 4: He's just throwing ten dollars. You're throwing ten dollars. You

1005
00:38:11,880 --> 00:38:14,360
Speaker 4: get your free coin. Visit the app store and download

1006
00:38:14,360 --> 00:38:17,839
Speaker 4: Blockfolio for free. Today. The NFL draft is coming up,

1007
00:38:17,880 --> 00:38:20,520
Speaker 4: and more and more NFL players continue to invest in crypto.

1008
00:38:20,719 --> 00:38:22,160
Speaker 4: I need to be one of money to get on

1009
00:38:22,200 --> 00:38:26,480
Speaker 4: this train because Panthers offensive lineman Russell Okung is a

1010
00:38:26,560 --> 00:38:28,840
Speaker 4: genius because he was the first NFL player to be

1011
00:38:28,880 --> 00:38:31,480
Speaker 4: paid in big cooin in this past season. For lack

1012
00:38:31,520 --> 00:38:33,600
Speaker 4: of a better phrase, I thought he was an idiot,

1013
00:38:33,760 --> 00:38:36,560
Speaker 4: but I stand corrected that dude is a genius because

1014
00:38:36,560 --> 00:38:38,360
Speaker 4: he is now in. He was in on this a

1015
00:38:38,360 --> 00:38:40,600
Speaker 4: long time ago, and now everyone's going nuts about it

1016
00:38:41,400 --> 00:38:43,560
Speaker 4: enough enough so that I've you know, I've had enough.

1017
00:38:43,560 --> 00:38:44,640
Speaker 5: I've downloaded blockfolio.

1018
00:38:44,760 --> 00:38:47,480
Speaker 4: I'm now getting in the game and I am investing

1019
00:38:47,520 --> 00:38:50,280
Speaker 4: for the crypto generation. Download blockfolio today.

1020
00:38:52,719 --> 00:38:53,600
Speaker 5: How good was it.

1021
00:38:53,680 --> 00:38:56,080
Speaker 2: Performing the first It was your first show last weekend?

1022
00:38:56,200 --> 00:38:57,960
Speaker 4: Yeah, it was Jacksonville. We had a full band show

1023
00:38:58,000 --> 00:39:00,880
Speaker 4: in Jacksonville. Then we had two acoustic shows in Atlanta.

1024
00:39:02,120 --> 00:39:03,480
Speaker 4: The Jacksonville was awesome.

1025
00:39:03,760 --> 00:39:05,880
Speaker 3: It was unbelievable, man, because it was it was not

1026
00:39:06,000 --> 00:39:09,240
Speaker 3: as rowdy as our standards I guess are way lower

1027
00:39:09,280 --> 00:39:11,319
Speaker 3: now would be for a normal show, because you don't

1028
00:39:11,360 --> 00:39:13,760
Speaker 3: go into it with like this is going to be epic.

1029
00:39:13,840 --> 00:39:16,640
Speaker 3: I went into thinking I don't know what's about to happen, right,

1030
00:39:16,960 --> 00:39:17,600
Speaker 3: and everything was.

1031
00:39:17,920 --> 00:39:19,120
Speaker 5: The front was a.

1032
00:39:19,000 --> 00:39:21,239
Speaker 3: Lot of space for people and then the back there

1033
00:39:21,320 --> 00:39:24,279
Speaker 3: was a you know, a little barrier and it was

1034
00:39:24,320 --> 00:39:25,480
Speaker 3: as far as you could see people.

1035
00:39:26,000 --> 00:39:27,759
Speaker 2: Oh ship, I don't know what it looked like.

1036
00:39:27,840 --> 00:39:30,560
Speaker 3: They did have pods set up, but it looked like

1037
00:39:30,600 --> 00:39:33,239
Speaker 3: a lot of people and it was but it was

1038
00:39:33,280 --> 00:39:33,920
Speaker 3: all positive.

1039
00:39:33,920 --> 00:39:35,520
Speaker 2: Everybody was happy, everybody had a blast.

1040
00:39:35,840 --> 00:39:36,319
Speaker 5: It was good.

1041
00:39:36,719 --> 00:39:40,880
Speaker 1: Florida and Texas have definitely taken the reins sand we're going, which.

1042
00:39:40,760 --> 00:39:50,080
Speaker 2: Was in it. Florida was I didn't even believe in covid. Yeah,

1043
00:39:50,200 --> 00:39:51,919
Speaker 2: that place fucking wild.

1044
00:39:52,360 --> 00:39:54,239
Speaker 4: Last year we went we were like, let's drive down

1045
00:39:54,280 --> 00:39:57,640
Speaker 4: to Destin. How that we went out with the biscuit. Yeah,

1046
00:39:57,680 --> 00:40:01,240
Speaker 4: Brad and you go out there and we were in Florida, like, oh,

1047
00:40:01,280 --> 00:40:04,120
Speaker 4: it doesn't necessarily exist, not actually didn't exist.

1048
00:40:04,120 --> 00:40:05,320
Speaker 5: It's a different world at Florida.

1049
00:40:05,480 --> 00:40:07,160
Speaker 2: It was a different fucking place. Yeah.

1050
00:40:07,160 --> 00:40:10,160
Speaker 1: So what made this concert? You're doing this concert right now, okay,

1051
00:40:10,160 --> 00:40:13,600
Speaker 1: compared to last year? How many more people did this concert?

1052
00:40:13,880 --> 00:40:14,080
Speaker 2: Oh?

1053
00:40:14,160 --> 00:40:16,600
Speaker 6: There were six sixty five hundred more people.

1054
00:40:16,960 --> 00:40:19,800
Speaker 4: But also, like I want to say, like between the

1055
00:40:19,880 --> 00:40:23,880
Speaker 4: vaccination stuff and like concert, whoever runs that side of

1056
00:40:23,920 --> 00:40:25,960
Speaker 4: the industry they like you were saying pods Like they

1057
00:40:25,960 --> 00:40:27,840
Speaker 4: were kind of talking about that towards the end of

1058
00:40:27,880 --> 00:40:31,280
Speaker 4: the year last year, about like how concerts might adapt

1059
00:40:31,440 --> 00:40:32,799
Speaker 4: in the future and shit like that.

1060
00:40:32,920 --> 00:40:35,080
Speaker 2: So yeah, they'll out of that won't stick.

1061
00:40:35,280 --> 00:40:37,640
Speaker 3: There might be sections where people can do it because

1062
00:40:37,680 --> 00:40:40,120
Speaker 3: not because of COVID but because oh that was kind

1063
00:40:40,120 --> 00:40:42,799
Speaker 3: of nice being able to have my own VIP section. Yeah,

1064
00:40:42,840 --> 00:40:44,840
Speaker 3: but no, it's going to go back to full on

1065
00:40:44,920 --> 00:40:48,920
Speaker 3: at some point because that's the only way that the artists.

1066
00:40:49,280 --> 00:40:52,200
Speaker 6: Can afford to do it full ban and pay everybody

1067
00:40:52,200 --> 00:40:54,760
Speaker 6: and pay their expenses and still make money themselves.

1068
00:40:54,800 --> 00:40:57,360
Speaker 1: I wonderful it'll turn into this like like in the

1069
00:40:57,440 --> 00:40:59,040
Speaker 1: nineties when you go to a restaurant and they'd be

1070
00:40:59,040 --> 00:40:59,839
Speaker 1: like smoking your.

1071
00:40:59,800 --> 00:41:03,840
Speaker 2: Non smoking smoking. So once that'll be COVID or non COVID.

1072
00:41:04,239 --> 00:41:06,640
Speaker 1: I you, oh you're from Florida, non COVID, and oh

1073
00:41:06,680 --> 00:41:08,360
Speaker 1: you okay, you're from California COVID.

1074
00:41:08,760 --> 00:41:11,840
Speaker 2: You know, vaccinate, yeah, vaccinated, non vaccination.

1075
00:41:12,360 --> 00:41:14,560
Speaker 3: My shoes sometimes will be left side versus the right side,

1076
00:41:14,680 --> 00:41:16,799
Speaker 3: and whatever side, say, the right side would be the

1077
00:41:16,840 --> 00:41:19,600
Speaker 3: non covidea and the left sides of the COVID people

1078
00:41:19,640 --> 00:41:23,680
Speaker 3: that are, I guess more cautious with it. That would

1079
00:41:23,719 --> 00:41:25,479
Speaker 3: be fun to see, because I guarantee the non COVID

1080
00:41:25,480 --> 00:41:29,640
Speaker 3: would be a once of fucking crazy people going over here.

1081
00:41:29,640 --> 00:41:30,800
Speaker 2: Everybody just sitting really.

1082
00:41:30,880 --> 00:41:33,279
Speaker 1: Reading newspaper, is smoking a corn cob pipe something, doing

1083
00:41:33,280 --> 00:41:34,440
Speaker 1: something elegant.

1084
00:41:34,120 --> 00:41:37,080
Speaker 4: Yeah, something really kind of looking over at the other side,

1085
00:41:37,800 --> 00:41:39,000
Speaker 4: these barbarians over here.

1086
00:41:39,120 --> 00:41:41,720
Speaker 1: Yeah, I can't wait for things to get back to normal.

1087
00:41:42,120 --> 00:41:43,560
Speaker 1: I mean I kind of stay out of the whole.

1088
00:41:43,640 --> 00:41:46,920
Speaker 1: Like vaccination non vaccinated. I'm neither fur nor against at

1089
00:41:46,920 --> 00:41:51,360
Speaker 1: this point. Like do you want you know, people for

1090
00:41:51,480 --> 00:41:54,080
Speaker 1: not getting it. Yeah, that's tough to hear because it

1091
00:41:54,120 --> 00:41:56,239
Speaker 1: goes back to people just want to fucking blast other

1092
00:41:56,320 --> 00:41:57,160
Speaker 1: people for no reason.

1093
00:41:57,239 --> 00:41:57,960
Speaker 2: No, you're not gonna know.

1094
00:41:57,960 --> 00:41:59,399
Speaker 3: You're not gonna tell me what to put my body,

1095
00:41:59,400 --> 00:42:00,759
Speaker 3: and I'm not gonna tell you would to put right.

1096
00:42:00,760 --> 00:42:02,120
Speaker 2: You don't get the vaccine, don't go get it.

1097
00:42:02,160 --> 00:42:03,799
Speaker 3: I don't care as long as it leads to me

1098
00:42:04,120 --> 00:42:06,320
Speaker 3: being on a stage singing to thousands of people.

1099
00:42:06,440 --> 00:42:08,360
Speaker 2: Yeah, fucking raging.

1100
00:42:08,400 --> 00:42:13,200
Speaker 4: It's the only the pace for the buffalo. Talk about

1101
00:42:13,200 --> 00:42:15,600
Speaker 4: your new single. You got a new single that's out.

1102
00:42:15,719 --> 00:42:20,400
Speaker 4: You just made a music video Yeah, that was ah.

1103
00:42:19,760 --> 00:42:21,440
Speaker 3: So drinking beer, talking god a man. I worked with

1104
00:42:21,560 --> 00:42:24,120
Speaker 3: FGL from the time I moved to town. We lived

1105
00:42:24,160 --> 00:42:27,000
Speaker 3: in a house on Benham Avenue and Green Hills and

1106
00:42:27,040 --> 00:42:30,520
Speaker 3: now the houses that are nice. The house we lived

1107
00:42:30,520 --> 00:42:31,879
Speaker 3: in was not much bigger than this.

1108
00:42:32,719 --> 00:42:34,720
Speaker 2: And it was it was very nice.

1109
00:42:34,760 --> 00:42:38,040
Speaker 3: It was extremely nice, extremely nice. Stickers on the ceiling,

1110
00:42:38,200 --> 00:42:41,520
Speaker 3: just and no. But we were just trying to figure

1111
00:42:41,520 --> 00:42:43,480
Speaker 3: it out. Nobody would write with us. Nobody wanted to

1112
00:42:43,560 --> 00:42:44,080
Speaker 3: have anything to.

1113
00:42:44,000 --> 00:42:46,400
Speaker 4: Do with us, because which is fair actually, because you

1114
00:42:46,400 --> 00:42:48,920
Speaker 4: got to earn your stripes. Why would they? Yeah, you

1115
00:42:49,000 --> 00:42:52,319
Speaker 4: know who we were. And then we wrote Cruise AFG.

1116
00:42:52,400 --> 00:42:55,520
Speaker 4: I already had something going with themselves for the publishing

1117
00:42:55,520 --> 00:42:56,479
Speaker 4: deal and all that, so.

1118
00:42:56,880 --> 00:42:57,640
Speaker 2: That was all cool.

1119
00:42:57,640 --> 00:42:59,840
Speaker 4: Then we split our separate ways. We just don't do

1120
00:42:59,880 --> 00:43:02,279
Speaker 4: our our own thing, which was used for me.

1121
00:43:02,719 --> 00:43:05,920
Speaker 3: It made me go right no with other people, made

1122
00:43:05,960 --> 00:43:07,600
Speaker 3: me go find another crew of people to write with,

1123
00:43:07,640 --> 00:43:08,680
Speaker 3: which made me a better writer.

1124
00:43:10,480 --> 00:43:11,759
Speaker 6: And then ten years later, here we are.

1125
00:43:11,800 --> 00:43:14,000
Speaker 3: I was actually going on stage at Brussey Mountain last

1126
00:43:14,040 --> 00:43:15,759
Speaker 3: year when Brian texted me. He was like, dude, I'll

1127
00:43:15,760 --> 00:43:19,360
Speaker 3: tell you how we make this song extra special. CRFGL

1128
00:43:19,400 --> 00:43:23,560
Speaker 3: collab Let's Go, and I was like, I'm in done,

1129
00:43:24,680 --> 00:43:28,759
Speaker 3: So yeah, I didn't know. Once again, going back to

1130
00:43:28,880 --> 00:43:30,840
Speaker 3: taking a year off, Lonely if You Are was my

1131
00:43:30,920 --> 00:43:33,000
Speaker 3: last single, and that died at eight got to the

1132
00:43:33,000 --> 00:43:37,360
Speaker 3: top ten and that became a massive hit, which I

1133
00:43:37,440 --> 00:43:39,640
Speaker 3: did not know that it was a massive hit until

1134
00:43:39,719 --> 00:43:41,600
Speaker 3: Thursday night in Jacksonville when all of a sudden I

1135
00:43:41,600 --> 00:43:44,399
Speaker 3: start playing it. They go nuts, same to drinking beer,

1136
00:43:44,440 --> 00:43:46,040
Speaker 3: talking God, that song is going to be nuts.

1137
00:43:46,080 --> 00:43:46,239
Speaker 2: Man.

1138
00:43:46,440 --> 00:43:50,160
Speaker 3: It's uh like we start playing and people just are

1139
00:43:50,200 --> 00:43:51,040
Speaker 3: already going nuts.

1140
00:43:51,040 --> 00:43:52,879
Speaker 4: And it's in the thirties or twenties right now. It's

1141
00:43:52,920 --> 00:43:55,120
Speaker 4: got a lot of life left. That's awesome. And you

1142
00:43:55,360 --> 00:43:56,759
Speaker 4: is that to what you made the music video on?

1143
00:43:57,680 --> 00:44:00,960
Speaker 3: Yeah, so that you're talking about that sitting around the fire? Yeah, yeah,

1144
00:44:01,000 --> 00:44:02,960
Speaker 3: so that was we We just wanted to keep it simple.

1145
00:44:02,960 --> 00:44:04,799
Speaker 3: That's what we used to do with Venom or the

1146
00:44:04,800 --> 00:44:08,000
Speaker 3: brew House. We lived that, and yeah it was I

1147
00:44:08,040 --> 00:44:09,520
Speaker 3: just wanted to be us sitting around a fire that

1148
00:44:09,600 --> 00:44:12,560
Speaker 3: a robot. It was nuts how they filmed it and everything,

1149
00:44:12,600 --> 00:44:14,640
Speaker 3: but I just wanted to be simple. I wanted to

1150
00:44:14,719 --> 00:44:15,800
Speaker 3: let the songs speak herself.

1151
00:44:15,880 --> 00:44:19,000
Speaker 4: What's it like making a music video. It can be

1152
00:44:19,080 --> 00:44:23,640
Speaker 4: hell or it can be easy. I was were lonely

1153
00:44:23,640 --> 00:44:25,000
Speaker 4: if you are. I was only in like two or

1154
00:44:25,040 --> 00:44:27,680
Speaker 4: three scenes, so it's easy. I was just hanging out

1155
00:44:27,680 --> 00:44:29,919
Speaker 4: the whole day, chilling, yeah, drinking, be tong god.

1156
00:44:29,960 --> 00:44:32,360
Speaker 3: I mean, we're going probably four o'clock in the afternoon

1157
00:44:32,440 --> 00:44:34,960
Speaker 3: until about three two three in the morning somewhere and there.

1158
00:44:35,719 --> 00:44:38,400
Speaker 3: It's it's a lot of work, but that one was

1159
00:44:38,400 --> 00:44:41,000
Speaker 3: fun because we literally were just we had a lot

1160
00:44:41,000 --> 00:44:45,520
Speaker 3: of beer, broke out some some whiskey, and then it

1161
00:44:45,640 --> 00:44:47,480
Speaker 3: was easy. Yeah, it's fun. We're just all we had

1162
00:44:47,480 --> 00:44:49,160
Speaker 3: to sit around the fire and sing. Yeah, so you're

1163
00:44:49,200 --> 00:44:51,560
Speaker 3: right ripped. Around two three o'clock, oh three am, I

1164
00:44:51,600 --> 00:44:53,480
Speaker 3: was hammering game over, yeah, which was awesome.

1165
00:44:53,560 --> 00:44:53,719
Speaker 5: Yeah.

1166
00:44:53,760 --> 00:44:55,799
Speaker 4: I love do you get like like the like the

1167
00:44:55,840 --> 00:44:58,080
Speaker 4: creative direction in that process, Like do you get like

1168
00:44:58,120 --> 00:44:59,759
Speaker 4: the input on how you wanted to look or do

1169
00:44:59,800 --> 00:45:02,320
Speaker 4: you producers and production kind of handle that stuff?

1170
00:45:02,360 --> 00:45:04,319
Speaker 3: For that one, I did it all before, Like me

1171
00:45:04,360 --> 00:45:07,400
Speaker 3: and TK had the talk. We you know, had conversations

1172
00:45:07,440 --> 00:45:09,320
Speaker 3: about what I like, what I didn't like. We figured

1173
00:45:09,320 --> 00:45:11,440
Speaker 3: out the treatment. Then I said t K, it's yours,

1174
00:45:11,520 --> 00:45:12,879
Speaker 3: go with it, because I didn't really have a full

1175
00:45:12,960 --> 00:45:16,040
Speaker 3: vision for it. For some other videos, I can go

1176
00:45:16,080 --> 00:45:18,200
Speaker 3: completely different, Like there's a video for the bench heat

1177
00:45:18,239 --> 00:45:19,880
Speaker 3: song about the dog that I'm gonna do that. I'm

1178
00:45:19,880 --> 00:45:21,600
Speaker 3: gonna be a huge part of directing because I know

1179
00:45:21,640 --> 00:45:24,080
Speaker 3: the story in my head and the way to show that.

1180
00:45:24,600 --> 00:45:24,799
Speaker 5: Yeah.

1181
00:45:25,760 --> 00:45:27,680
Speaker 2: Yeah, especial if it's about your buddy who you said

1182
00:45:27,680 --> 00:45:28,360
Speaker 2: he was in high school?

1183
00:45:28,400 --> 00:45:28,839
Speaker 5: Right? Yeah?

1184
00:45:29,320 --> 00:45:31,080
Speaker 6: College college. He was my college man.

1185
00:45:31,239 --> 00:45:32,279
Speaker 2: No doubt you might know him.

1186
00:45:32,280 --> 00:45:34,840
Speaker 6: He played in the NFL for a while, Garrett Garrett

1187
00:45:34,920 --> 00:45:36,600
Speaker 6: was his last name, Reynolds.

1188
00:45:37,000 --> 00:45:38,280
Speaker 2: Garrett Reynolds. What do you play?

1189
00:45:38,440 --> 00:45:42,160
Speaker 3: He was offensive lineman for the Falcons, Garrett Reynolds. I

1190
00:45:42,200 --> 00:45:45,000
Speaker 3: don't know if I do know him. When did you when?

1191
00:45:45,080 --> 00:45:46,720
Speaker 2: When did he? When did he play?

1192
00:45:46,960 --> 00:45:51,840
Speaker 5: He was probably nine eighteen somewhere. I mean we overlapped

1193
00:45:51,840 --> 00:45:52,080
Speaker 5: that a.

1194
00:45:52,120 --> 00:45:55,279
Speaker 2: Nice little career, ye career here ten right?

1195
00:45:55,400 --> 00:45:57,239
Speaker 4: Yeah, are you able to talk at all about like

1196
00:45:57,840 --> 00:45:59,279
Speaker 4: that story with him and the dog?

1197
00:45:59,400 --> 00:45:59,560
Speaker 2: Yeah?

1198
00:45:59,560 --> 00:46:00,160
Speaker 5: Absolutely?

1199
00:46:00,160 --> 00:46:03,120
Speaker 3: He uh so, he was just going through a lot

1200
00:46:03,120 --> 00:46:06,680
Speaker 3: of tough stuff. I mean, life's hard in general. Life

1201
00:46:06,719 --> 00:46:09,320
Speaker 3: getting hit in the head all the time is even harder.

1202
00:46:10,640 --> 00:46:11,960
Speaker 3: So he was just going through a bunch of stuff.

1203
00:46:11,960 --> 00:46:15,920
Speaker 3: He visited me about three years ago and just starts

1204
00:46:15,920 --> 00:46:18,640
Speaker 3: talking to me about all the depression and stuff that

1205
00:46:18,680 --> 00:46:22,960
Speaker 3: he was going through. And so I go up to

1206
00:46:23,000 --> 00:46:24,680
Speaker 3: the room. I flip on the light of my I's

1207
00:46:25,000 --> 00:46:26,759
Speaker 3: just kind of like, what oude, why are you here?

1208
00:46:26,840 --> 00:46:29,080
Speaker 3: Like what's going on? More than welcome, but what are

1209
00:46:29,080 --> 00:46:31,560
Speaker 3: you actually here for? He was doing some you know,

1210
00:46:31,640 --> 00:46:34,960
Speaker 3: just therapy and stuff, just getting his head right and

1211
00:46:35,160 --> 00:46:35,600
Speaker 3: getting his.

1212
00:46:35,600 --> 00:46:37,799
Speaker 2: Head right emotionally or getting his head right because of

1213
00:46:37,800 --> 00:46:38,640
Speaker 2: all the hitting.

1214
00:46:38,719 --> 00:46:43,040
Speaker 3: Both they were looking at both and so he was

1215
00:46:43,040 --> 00:46:45,160
Speaker 3: just in an awful place. I'd never seen him like

1216
00:46:45,200 --> 00:46:46,680
Speaker 3: that in my life. He wasn't the buddy that I

1217
00:46:46,719 --> 00:46:50,200
Speaker 3: grew up. Yeah, And so I said, all right, dude,

1218
00:46:50,239 --> 00:46:52,880
Speaker 3: well I'm here for you however you need it, like,

1219
00:46:53,000 --> 00:46:55,040
Speaker 3: let's go, let's get this ship right. And so he

1220
00:46:55,080 --> 00:46:59,840
Speaker 3: put all the work in. And then fast forward literally

1221
00:47:00,239 --> 00:47:03,799
Speaker 3: two or three years later, a few months ago, he

1222
00:47:03,840 --> 00:47:05,479
Speaker 3: was on my back porch. We were just sitting there

1223
00:47:06,080 --> 00:47:08,160
Speaker 3: having a blast. We're sitting there drinking around the fire,

1224
00:47:08,280 --> 00:47:10,680
Speaker 3: having a blast like we used to back in college.

1225
00:47:11,320 --> 00:47:15,080
Speaker 3: And he comes up with these song ideas every now

1226
00:47:15,120 --> 00:47:16,680
Speaker 3: and then he shoots him to me and he said,

1227
00:47:16,719 --> 00:47:18,440
Speaker 3: I think he said something about it you should do

1228
00:47:18,520 --> 00:47:21,200
Speaker 3: like a dog song about a guy in his truck

1229
00:47:21,320 --> 00:47:22,600
Speaker 3: or something. I was like, oh, yeah, I'll just do

1230
00:47:22,600 --> 00:47:25,040
Speaker 3: a song about a guy and a dog in this country.

1231
00:47:27,560 --> 00:47:31,799
Speaker 3: So we just started, we start going down that road

1232
00:47:32,000 --> 00:47:34,600
Speaker 3: and like I start mumbling this melody that's just an

1233
00:47:34,600 --> 00:47:38,000
Speaker 3: absolute joke and uh. And then I was like, dude,

1234
00:47:38,000 --> 00:47:40,400
Speaker 3: what if we actually did do a real song by

1235
00:47:40,480 --> 00:47:42,799
Speaker 3: a guy and his dog. But make it real, make

1236
00:47:42,840 --> 00:47:46,560
Speaker 3: it personal, make it kind of like our stories and

1237
00:47:46,600 --> 00:47:48,319
Speaker 3: the ups and the downs and how this dog can

1238
00:47:48,360 --> 00:47:49,680
Speaker 3: come and save your life. And while we're doing this,

1239
00:47:49,760 --> 00:47:52,360
Speaker 3: Butters is right on my lap, and Butters like person,

1240
00:47:52,560 --> 00:47:55,799
Speaker 3: it's all excited. And then about three days later I

1241
00:47:55,840 --> 00:47:58,520
Speaker 3: texted him. I just text him, like, dude, I wrote it,

1242
00:47:58,600 --> 00:48:00,399
Speaker 3: and it was it was a time I was doing

1243
00:48:00,400 --> 00:48:03,360
Speaker 3: my time with God in the morning in my breakfast

1244
00:48:03,480 --> 00:48:05,279
Speaker 3: room and I start pull out my guitar and I

1245
00:48:05,280 --> 00:48:05,759
Speaker 3: start picking.

1246
00:48:05,800 --> 00:48:07,839
Speaker 6: I'm like, oh shit, like it was one I had

1247
00:48:07,840 --> 00:48:08,600
Speaker 6: to buckle down for.

1248
00:48:08,840 --> 00:48:10,440
Speaker 3: Yeah, it's like, oh my god, I'm gonna be here

1249
00:48:10,480 --> 00:48:13,399
Speaker 3: the next eight hours and I gotta tell the story. Yeah,

1250
00:48:13,560 --> 00:48:15,719
Speaker 3: And so it's called Ben's Eat. It's literally there's gonna

1251
00:48:15,719 --> 00:48:19,240
Speaker 3: be three dogs in it. There's gonna be a puppy mine,

1252
00:48:19,320 --> 00:48:21,440
Speaker 3: which is gonna end up be in mind picking them

1253
00:48:21,480 --> 00:48:23,759
Speaker 3: up May sixteenth. And then there's gonna be a middle

1254
00:48:23,800 --> 00:48:25,719
Speaker 3: aged dog, which is I think it'll be my my

1255
00:48:25,800 --> 00:48:29,080
Speaker 3: guy's dad. And there's gonna be an older dog for

1256
00:48:29,160 --> 00:48:31,320
Speaker 3: the end of the video when that happens.

1257
00:48:31,360 --> 00:48:33,480
Speaker 1: So I'm not putting out the tell that end of

1258
00:48:33,480 --> 00:48:36,320
Speaker 1: the video happens that puppy goes positive.

1259
00:48:36,400 --> 00:48:40,560
Speaker 2: Okay, yeah, I can only do it. I watched Mary

1260
00:48:40,600 --> 00:48:44,799
Speaker 2: and Me, not even Marley and Me. If you've seen

1261
00:48:44,840 --> 00:48:46,719
Speaker 2: a dog's purpose, dog's purpose.

1262
00:48:48,280 --> 00:48:49,840
Speaker 4: And then then and then at the end too, is

1263
00:48:49,880 --> 00:48:53,480
Speaker 4: the dog's purpose when the racing is that the racing

1264
00:48:53,520 --> 00:48:54,560
Speaker 4: one's racing.

1265
00:48:54,800 --> 00:48:57,160
Speaker 1: It's like the dog which if the dog dies and

1266
00:48:57,239 --> 00:48:59,000
Speaker 1: comes back as a different dog, and then like saved

1267
00:48:59,000 --> 00:49:00,880
Speaker 1: a cops life and the movie guys.

1268
00:49:00,680 --> 00:49:01,680
Speaker 2: Again fucked up.

1269
00:49:03,480 --> 00:49:04,800
Speaker 5: I haven't watched a dog's purpose.

1270
00:49:05,880 --> 00:49:09,200
Speaker 1: How bad you carted her in that movie. It's okay,

1271
00:49:09,320 --> 00:49:09,800
Speaker 1: it's okay.

1272
00:49:10,960 --> 00:49:13,120
Speaker 2: I don't know if I actually did cry, yeah, yeah,

1273
00:49:13,960 --> 00:49:16,880
Speaker 2: the other day. Yeah you think I cry. I probably

1274
00:49:16,960 --> 00:49:19,120
Speaker 2: teared up a little because it hit me enough for

1275
00:49:19,239 --> 00:49:20,560
Speaker 2: me to.

1276
00:49:20,880 --> 00:49:23,040
Speaker 3: Want to go write this song called ben c and

1277
00:49:23,080 --> 00:49:26,879
Speaker 3: it's it's it's the best song I've all have ever done.

1278
00:49:26,920 --> 00:49:27,640
Speaker 2: But I don't want to pee.

1279
00:49:27,760 --> 00:49:30,480
Speaker 3: I don't want people to guess what ye doing the

1280
00:49:30,520 --> 00:49:32,080
Speaker 3: video at the same time as a song, because I

1281
00:49:32,080 --> 00:49:34,200
Speaker 3: wanted to be very clear what happens in this story?

1282
00:49:34,560 --> 00:49:36,719
Speaker 2: When does when does the video and song come out?

1283
00:49:37,160 --> 00:49:39,040
Speaker 3: Well, now that I got the dog lined up, I'm

1284
00:49:39,080 --> 00:49:41,279
Speaker 3: going to hit up the director and we're going to

1285
00:49:41,480 --> 00:49:43,480
Speaker 3: go through some dates and figure it out. We got

1286
00:49:43,480 --> 00:49:45,520
Speaker 3: to get a female I want to I want a

1287
00:49:45,520 --> 00:49:46,840
Speaker 3: girl who can be emotional.

1288
00:49:47,120 --> 00:49:48,799
Speaker 2: She's going to have to be real good. I don't

1289
00:49:48,840 --> 00:49:49,360
Speaker 2: want to model.

1290
00:49:49,400 --> 00:49:52,040
Speaker 3: I want somebody who can actually know who they are

1291
00:49:52,520 --> 00:49:56,880
Speaker 3: and be emotional. I'm gonna imagine, imagine like Bradley Cooper

1292
00:49:56,920 --> 00:49:59,760
Speaker 3: and a star is born, fucked up type of guy. Okay,

1293
00:50:00,800 --> 00:50:03,040
Speaker 3: we're gonna go for something like that with me, which

1294
00:50:03,080 --> 00:50:04,719
Speaker 3: is easy for me to do because I've lived that

1295
00:50:05,280 --> 00:50:06,239
Speaker 3: literally exact life.

1296
00:50:06,280 --> 00:50:08,520
Speaker 6: So it's like I'll just beat me, but there's gonna

1297
00:50:08,520 --> 00:50:09,440
Speaker 6: be a dog involved and.

1298
00:50:09,400 --> 00:50:10,280
Speaker 2: It's gonna be interesting.

1299
00:50:10,360 --> 00:50:12,080
Speaker 3: So now I'm gonna hit him up and get that

1300
00:50:12,120 --> 00:50:14,080
Speaker 3: dial done because now I got the dogs lined up.

1301
00:50:14,239 --> 00:50:15,360
Speaker 5: Are you gonna cry in the video?

1302
00:50:16,440 --> 00:50:17,240
Speaker 2: Uh?

1303
00:50:17,360 --> 00:50:17,799
Speaker 5: I don't know.

1304
00:50:17,880 --> 00:50:20,799
Speaker 3: I'm not gonna push that either way because I want

1305
00:50:20,840 --> 00:50:22,879
Speaker 3: it to be real. If it happens, I will say

1306
00:50:22,960 --> 00:50:24,960
Speaker 3: you asked that I cried during a Dog's Purpose.

1307
00:50:25,000 --> 00:50:25,680
Speaker 5: I don't remember.

1308
00:50:25,800 --> 00:50:30,320
Speaker 3: I don't, but during that song I'm sitting there balling

1309
00:50:30,360 --> 00:50:32,280
Speaker 3: my eyes out when I'm writing the song.

1310
00:50:32,200 --> 00:50:33,520
Speaker 5: Yeah, because it was so real.

1311
00:50:33,920 --> 00:50:36,040
Speaker 3: I cried in the work tape when I'm singing it

1312
00:50:36,040 --> 00:50:39,840
Speaker 3: because it was just like, there's there's so much bad

1313
00:50:39,920 --> 00:50:42,040
Speaker 3: shit that could have happened over with my life the

1314
00:50:42,080 --> 00:50:45,920
Speaker 3: last few years, but especially with Guarantee life and other people.

1315
00:50:46,080 --> 00:50:48,600
Speaker 5: It's like, man, it didn't happen.

1316
00:50:48,640 --> 00:50:51,120
Speaker 3: And that's why kind of why I was crying, because

1317
00:50:51,120 --> 00:50:53,840
Speaker 3: it was just like a, well, shit, I'm glad it didn't.

1318
00:50:53,560 --> 00:50:55,640
Speaker 5: Go that way. Yeah, damn.

1319
00:50:58,120 --> 00:50:59,840
Speaker 1: It's definitely one of those things of looking back on

1320
00:51:00,040 --> 00:51:01,960
Speaker 1: life and thinking all the roads that you had a

1321
00:51:02,000 --> 00:51:03,960
Speaker 1: crossroad in the one you took, and then you look

1322
00:51:04,040 --> 00:51:05,399
Speaker 1: back and say, well, what if I would have took

1323
00:51:05,440 --> 00:51:08,200
Speaker 1: that one? That's the ship that like, we'll make it

1324
00:51:08,239 --> 00:51:10,279
Speaker 1: tear up a little bit because it all you could

1325
00:51:10,280 --> 00:51:11,400
Speaker 1: have been a way different story.

1326
00:51:11,440 --> 00:51:13,279
Speaker 3: Well, then you think about all the positives and the

1327
00:51:13,360 --> 00:51:14,520
Speaker 3: good stuff that's happened in your life.

1328
00:51:14,520 --> 00:51:17,960
Speaker 1: Now, I'd be like, this would have never happened. Never, Yeah,

1329
00:51:18,000 --> 00:51:19,800
Speaker 1: you can't. I can't imagine my life being in the

1330
00:51:19,880 --> 00:51:20,279
Speaker 1: other way.

1331
00:51:20,520 --> 00:51:24,800
Speaker 2: But it's like I could have been just like that, yeah,

1332
00:51:25,280 --> 00:51:27,920
Speaker 2: and that wild we make and stuff like that and.

1333
00:51:28,360 --> 00:51:29,160
Speaker 5: Down before we start.

1334
00:51:30,480 --> 00:51:30,680
Speaker 2: Together.

1335
00:51:30,800 --> 00:51:32,520
Speaker 5: I'm excited for this song, this next record.

1336
00:51:32,520 --> 00:51:35,320
Speaker 3: I'm doing putting Part three out here in about a month,

1337
00:51:35,440 --> 00:51:38,600
Speaker 3: which is u you know, finalizing the album, and then

1338
00:51:38,600 --> 00:51:41,520
Speaker 3: part two, Part one last year, and I'm doing Part

1339
00:51:41,560 --> 00:51:45,120
Speaker 3: three finishing it up, and it's got four good songs

1340
00:51:45,120 --> 00:51:47,120
Speaker 3: on it, drinking Beer Tongue God being one of those,

1341
00:51:47,160 --> 00:51:49,759
Speaker 3: and then three other ones. And then I'm also got

1342
00:51:49,760 --> 00:51:51,440
Speaker 3: a full album coming out next year that's gonna be

1343
00:51:51,560 --> 00:51:54,080
Speaker 3: like it's gonna be the best music I've ever done.

1344
00:51:54,239 --> 00:52:00,560
Speaker 4: Really, really, this is the best shout out free fly apparel,

1345
00:52:01,080 --> 00:52:04,920
Speaker 4: no free shoutouts. Brands send us clothing all the time,

1346
00:52:05,640 --> 00:52:07,960
Speaker 4: and there are not many that I can actually say

1347
00:52:07,960 --> 00:52:10,000
Speaker 4: that I love enough to wear on a consistent basis,

1348
00:52:10,239 --> 00:52:12,160
Speaker 4: or even on the podcast like I'm doing right now.

1349
00:52:12,239 --> 00:52:13,239
Speaker 2: I'm a huge fan of this.

1350
00:52:13,239 --> 00:52:15,440
Speaker 4: Hat and I'm sure in this ad read I'll get

1351
00:52:15,480 --> 00:52:18,040
Speaker 4: to insert my favorite product. There is one brand that

1352
00:52:18,120 --> 00:52:21,040
Speaker 4: is so ridiculously comfortable and it's become my go to

1353
00:52:21,160 --> 00:52:22,959
Speaker 4: for the past couple of years. And I'll be honest,

1354
00:52:23,000 --> 00:52:25,040
Speaker 4: it's honestly just the past year because they only invite

1355
00:52:25,120 --> 00:52:27,960
Speaker 4: They only started sponsoring us last year. Free Fly makes

1356
00:52:28,040 --> 00:52:31,880
Speaker 4: performance clothing made from buttery soft bamboo, and it literally

1357
00:52:31,960 --> 00:52:37,120
Speaker 4: feels just like that buttery soft bamboo. If you can

1358
00:52:37,280 --> 00:52:42,640
Speaker 4: pretend by laying on bamboo bed sheets, just bamboo butter

1359
00:52:42,800 --> 00:52:45,839
Speaker 4: soft combine them together, that is exactly what this feels like.

1360
00:52:46,200 --> 00:52:48,680
Speaker 4: My favorite shirt. If you go on their website, it's

1361
00:52:48,719 --> 00:52:50,720
Speaker 4: FreeFly apparel dot com. If you go on the site

1362
00:52:50,880 --> 00:52:53,719
Speaker 4: and scroll and find this long sleep tea, it's camouflaged.

1363
00:52:54,280 --> 00:52:56,760
Speaker 4: That is my favorite shirt. It is the most comfortable

1364
00:52:56,800 --> 00:53:00,960
Speaker 4: shirt you can indoor outdoor lounging. Wear it for all

1365
00:53:01,040 --> 00:53:05,120
Speaker 4: of it. The stuff is phenomenal. On top of being

1366
00:53:05,120 --> 00:53:08,920
Speaker 4: super comfortable, free Flies bamboo clothing has upf SU protection,

1367
00:53:09,280 --> 00:53:11,400
Speaker 4: wis away moisture and doesn't hold odor.

1368
00:53:11,760 --> 00:53:12,560
Speaker 2: I stand by that.

1369
00:53:12,600 --> 00:53:15,040
Speaker 4: I did not know that that shirt blocked the sum protection,

1370
00:53:15,120 --> 00:53:17,440
Speaker 4: but it makes sense. It wakes away moisture. I'm a

1371
00:53:17,440 --> 00:53:19,920
Speaker 4: big sweat guy. I'm a big pit sweat guy, and

1372
00:53:20,000 --> 00:53:22,200
Speaker 4: it works its ass off to battle that pit sweat

1373
00:53:22,280 --> 00:53:24,600
Speaker 4: and like I said, it does not hold odor. You

1374
00:53:24,600 --> 00:53:26,760
Speaker 4: can get twenty percent off when you visit FreeFly apparel

1375
00:53:26,760 --> 00:53:31,959
Speaker 4: dot com slash busting again FreeFly apparel dot com slash Busting.

1376
00:53:34,920 --> 00:53:42,080
Speaker 5: Go ahead. I forgot what I was gonna ask now.

1377
00:53:42,400 --> 00:53:44,279
Speaker 2: I asked you to ship though that you just I

1378
00:53:44,320 --> 00:53:45,319
Speaker 2: know little there.

1379
00:53:46,719 --> 00:53:48,759
Speaker 4: I think I was gonna ask something about is the

1380
00:53:49,000 --> 00:53:50,960
Speaker 4: album that's coming out next year? Is that you said

1381
00:53:51,080 --> 00:53:53,719
Speaker 4: some of your best music, Is that you writing all

1382
00:53:53,760 --> 00:53:56,000
Speaker 4: of it? Is that you teaming up with different people

1383
00:53:56,000 --> 00:53:56,440
Speaker 4: to write it.

1384
00:53:56,600 --> 00:53:58,960
Speaker 3: There's three songs so far that I've written by myself

1385
00:53:59,120 --> 00:54:03,719
Speaker 3: with just mean its are And that's what's going back to, yeah,

1386
00:54:03,840 --> 00:54:06,360
Speaker 3: getting together to write. So you're not gonna have a

1387
00:54:06,360 --> 00:54:09,719
Speaker 3: track guy in the room making making the beats and

1388
00:54:09,760 --> 00:54:13,040
Speaker 3: whatever all the sound that you hear while the songs

1389
00:54:13,080 --> 00:54:13,439
Speaker 3: be written.

1390
00:54:13,440 --> 00:54:14,239
Speaker 5: You're not gonna have any of that.

1391
00:54:14,440 --> 00:54:17,640
Speaker 3: You just it's just you and a guitar, which you

1392
00:54:17,719 --> 00:54:21,480
Speaker 3: can't cover up the lyrics with all the other shit

1393
00:54:21,600 --> 00:54:21,920
Speaker 3: going on.

1394
00:54:21,960 --> 00:54:24,160
Speaker 6: When that happens, you have to write good lyrics.

1395
00:54:24,480 --> 00:54:28,560
Speaker 3: When that's the case, so that's what I've gone back to,

1396
00:54:28,600 --> 00:54:31,000
Speaker 3: and that's what twenty twenty caused, was me to go

1397
00:54:31,040 --> 00:54:33,319
Speaker 3: back to me just writing with an acoustic guitar and

1398
00:54:33,360 --> 00:54:35,720
Speaker 3: simplifying it and actually telling a good story as opposed

1399
00:54:35,719 --> 00:54:37,319
Speaker 3: to just trying to write a hit. I think there's

1400
00:54:37,320 --> 00:54:39,240
Speaker 3: a lot of hits out there that are fucking terrible,

1401
00:54:39,640 --> 00:54:40,640
Speaker 3: including some of mine.

1402
00:54:40,800 --> 00:54:43,200
Speaker 4: Sure, I look back on what's what's the song of

1403
00:54:43,239 --> 00:54:44,759
Speaker 4: yours that you're like, I can't believe that's a hit.

1404
00:54:45,400 --> 00:54:46,560
Speaker 5: Well, that's a hit.

1405
00:54:50,520 --> 00:54:52,960
Speaker 3: I think the ones that were hits they earned it.

1406
00:54:53,360 --> 00:54:55,840
Speaker 3: I'm just more for me. It's a lot of my

1407
00:54:57,080 --> 00:54:59,239
Speaker 3: other cuts. There's there's a song called Party Up that

1408
00:54:59,280 --> 00:55:01,040
Speaker 3: I put on a record, but I think it's trash.

1409
00:55:01,320 --> 00:55:02,560
Speaker 5: Yeah, I think it's awful.

1410
00:55:02,640 --> 00:55:04,440
Speaker 2: Did you know it was trash when you were singing it? No,

1411
00:55:04,480 --> 00:55:05,840
Speaker 2: I thought thought it was awesome.

1412
00:55:06,600 --> 00:55:10,520
Speaker 5: You look back at it when the still I said

1413
00:55:10,520 --> 00:55:12,120
Speaker 5: that to buddies and they're like, what are you talking about?

1414
00:55:12,120 --> 00:55:12,480
Speaker 5: It's great?

1415
00:55:12,480 --> 00:55:13,399
Speaker 2: I'm like, no, it's not great.

1416
00:55:13,760 --> 00:55:14,719
Speaker 5: Might sound cool, but.

1417
00:55:14,640 --> 00:55:16,279
Speaker 1: So when you hear the song now you're like kind

1418
00:55:16,280 --> 00:55:20,000
Speaker 1: of like, you listen to it, I know what that's like.

1419
00:55:20,760 --> 00:55:23,880
Speaker 5: Let's start playing it.

1420
00:55:24,160 --> 00:55:25,880
Speaker 3: There's a good list of songs that are like that

1421
00:55:25,920 --> 00:55:27,759
Speaker 3: for me that I'm like, if you could just take

1422
00:55:27,800 --> 00:55:30,440
Speaker 3: those away, then I'm happy with my career so far.

1423
00:55:30,480 --> 00:55:32,839
Speaker 2: But they're there and they'll never go. Can't take those away, man,

1424
00:55:32,960 --> 00:55:35,000
Speaker 2: makes it makes the good ones that much better. That

1425
00:55:35,120 --> 00:55:35,520
Speaker 2: is true.

1426
00:55:35,680 --> 00:55:36,160
Speaker 6: That is true.

1427
00:55:36,200 --> 00:55:37,200
Speaker 5: They can't all be You.

1428
00:55:37,160 --> 00:55:39,000
Speaker 1: Say, some hits though right now, are not it? Though

1429
00:55:40,040 --> 00:55:42,040
Speaker 1: I am some ship, I'm like, this is terrible. I'm

1430
00:55:42,040 --> 00:55:43,440
Speaker 1: not gonna obviously say who's and what.

1431
00:55:45,920 --> 00:55:47,399
Speaker 2: You just know a lot of money is behind it,

1432
00:55:47,640 --> 00:55:49,960
Speaker 2: you know what I mean. Well, especially with country music,

1433
00:55:50,600 --> 00:55:52,960
Speaker 2: like kind of joeyel was saying that was interesting. You

1434
00:55:53,040 --> 00:55:54,800
Speaker 2: can just take somebody and say.

1435
00:55:54,600 --> 00:55:56,239
Speaker 1: We're gonna put a million dollars into you and you're

1436
00:55:56,280 --> 00:55:59,759
Speaker 1: gonna have the number one song just like that. But

1437
00:55:59,800 --> 00:56:03,400
Speaker 1: it is that way, right, like work it a little bit.

1438
00:56:03,440 --> 00:56:04,600
Speaker 2: You had to work the ladder. Yeah.

1439
00:56:04,600 --> 00:56:06,880
Speaker 3: Then you got a guy like Chris Stapleton who nobody

1440
00:56:06,880 --> 00:56:09,000
Speaker 3: would run into. His career is over and we put

1441
00:56:09,040 --> 00:56:12,200
Speaker 3: out a traveler. He even said like, well, I guess

1442
00:56:12,239 --> 00:56:13,600
Speaker 3: my country career is over. And then all of a

1443
00:56:13,640 --> 00:56:16,200
Speaker 3: sudden he blows up because they give him the opportunity

1444
00:56:16,200 --> 00:56:18,719
Speaker 3: to show how good he is and that was just

1445
00:56:18,719 --> 00:56:19,480
Speaker 3: a small part of it.

1446
00:56:19,480 --> 00:56:23,200
Speaker 2: The steel Driver. He was in the steel Drivers before that. Right,

1447
00:56:23,960 --> 00:56:24,799
Speaker 2: That's what's crazy to.

1448
00:56:24,760 --> 00:56:26,440
Speaker 4: Me is knowing that he was part of like another

1449
00:56:26,480 --> 00:56:28,759
Speaker 4: band and ship beforehand. I'm like, damn, that is it

1450
00:56:28,920 --> 00:56:30,440
Speaker 4: just alouns how it all happens for people.

1451
00:56:30,440 --> 00:56:32,640
Speaker 3: But I think there's a lot of trash that needs

1452
00:56:32,680 --> 00:56:35,319
Speaker 3: to go away, and I for me, that is not

1453
00:56:35,440 --> 00:56:37,799
Speaker 3: my control at Also, all I'm thinking about is how

1454
00:56:37,840 --> 00:56:40,000
Speaker 3: do I how do I not become part of that

1455
00:56:40,000 --> 00:56:42,800
Speaker 3: trash because I want and I'm not knocking country music

1456
00:56:42,800 --> 00:56:44,560
Speaker 3: in general. I'm just saying we I think we need

1457
00:56:44,560 --> 00:56:47,360
Speaker 3: to get a little more real, and for me, I

1458
00:56:47,440 --> 00:56:49,000
Speaker 3: need to get more real because, like I said, I

1459
00:56:49,040 --> 00:56:50,960
Speaker 3: can't control what everybody else does, but I need to

1460
00:56:51,000 --> 00:56:53,560
Speaker 3: get more real because there's stories that need to be

1461
00:56:53,600 --> 00:56:56,280
Speaker 3: told and I'm they need to be told better.

1462
00:56:57,040 --> 00:56:58,560
Speaker 2: How do you put yourself in that position? Though?

1463
00:56:59,440 --> 00:57:01,200
Speaker 3: Well, I think times a lot of it just growing

1464
00:57:01,280 --> 00:57:04,040
Speaker 3: up in general, Like I was coming off of I'll

1465
00:57:04,120 --> 00:57:06,360
Speaker 3: say it, I was coming off a cruise. Then I

1466
00:57:06,400 --> 00:57:11,240
Speaker 3: had ready set role which is similar sounding, is pop sounding,

1467
00:57:11,520 --> 00:57:12,680
Speaker 3: which is awesome live.

1468
00:57:12,880 --> 00:57:13,719
Speaker 2: I'm not taking.

1469
00:57:13,480 --> 00:57:15,879
Speaker 5: Anyway yeah a song.

1470
00:57:16,080 --> 00:57:17,240
Speaker 6: Yeah, it was huge.

1471
00:57:17,520 --> 00:57:18,040
Speaker 2: And then.

1472
00:57:19,720 --> 00:57:20,560
Speaker 6: Where was I going with that?

1473
00:57:21,120 --> 00:57:22,480
Speaker 2: You were talking about how do you put yourself in

1474
00:57:22,480 --> 00:57:24,760
Speaker 2: a position to be h oh yeah, yeah yeah yeah.

1475
00:57:24,800 --> 00:57:26,720
Speaker 3: So I was coming off of those two songs back

1476
00:57:26,720 --> 00:57:29,480
Speaker 3: to back, So all I'm thinking is, shit, how do

1477
00:57:29,520 --> 00:57:32,720
Speaker 3: I keep doing that? Because that's working as opposed to Okay,

1478
00:57:32,720 --> 00:57:35,000
Speaker 3: that worked, But how do I just be great?

1479
00:57:35,040 --> 00:57:36,320
Speaker 5: How do I write great songs?

1480
00:57:36,360 --> 00:57:39,600
Speaker 3: How to write songs that matter that can actually affect

1481
00:57:39,640 --> 00:57:43,919
Speaker 3: people as opposed to just singing about who the fuck

1482
00:57:44,000 --> 00:57:47,479
Speaker 3: knows what you're singing about. I want songs that matter

1483
00:57:47,520 --> 00:57:49,320
Speaker 3: that you can look back on in thirty years and

1484
00:57:49,360 --> 00:57:51,360
Speaker 3: be like, damn, that song is still good.

1485
00:57:51,680 --> 00:57:51,919
Speaker 5: Yeah.

1486
00:57:52,080 --> 00:57:52,480
Speaker 2: Not to me.

1487
00:57:52,600 --> 00:57:54,800
Speaker 3: Creates longevity, and it takes time for you to get

1488
00:57:54,840 --> 00:57:56,640
Speaker 3: to that place in your mind, to grow up a

1489
00:57:56,680 --> 00:57:59,720
Speaker 3: little bit, to be mature enough to realize I don't

1490
00:57:59,760 --> 00:58:02,160
Speaker 3: want to chase what's popular, because that's going to come

1491
00:58:02,200 --> 00:58:05,720
Speaker 3: and go. But if I chase what I know i'm

1492
00:58:05,760 --> 00:58:08,680
Speaker 3: great at and and dial in on that, then I

1493
00:58:08,720 --> 00:58:10,160
Speaker 3: know two things. I know that I want to be

1494
00:58:10,200 --> 00:58:11,720
Speaker 3: the best version of me, and I'm going to sing

1495
00:58:11,720 --> 00:58:12,560
Speaker 3: the best songs.

1496
00:58:12,280 --> 00:58:12,960
Speaker 2: That I can sing.

1497
00:58:13,480 --> 00:58:16,200
Speaker 3: And I'm not going to be anybody else, which is

1498
00:58:16,560 --> 00:58:20,120
Speaker 3: huge because why would I try to be Chris Stapleton.

1499
00:58:20,320 --> 00:58:23,640
Speaker 3: He's way better than everybody. Yeah, so don't try to

1500
00:58:23,720 --> 00:58:24,360
Speaker 3: chase that is.

1501
00:58:24,360 --> 00:58:26,240
Speaker 2: Chris Tables the best in the game. To you right now,

1502
00:58:27,040 --> 00:58:28,960
Speaker 2: he's most talented for sure. Do you think so?

1503
00:58:29,120 --> 00:58:31,920
Speaker 5: Yeah? To me, I think Eric Church is unbelievable.

1504
00:58:31,880 --> 00:58:33,640
Speaker 2: I was going to bring him up as an example

1505
00:58:33,680 --> 00:58:34,880
Speaker 2: of somebody that's done their own thing.

1506
00:58:34,920 --> 00:58:38,440
Speaker 1: He's own it seems like he's I think like Chief

1507
00:58:38,480 --> 00:58:39,240
Speaker 1: and Centers like me.

1508
00:58:39,360 --> 00:58:41,840
Speaker 2: Those two albums. I don't know if he says an

1509
00:58:41,880 --> 00:58:43,880
Speaker 2: interview or someone that said this to me, but.

1510
00:58:43,840 --> 00:58:46,080
Speaker 1: Someone Bob like he was kind of doing what the

1511
00:58:46,120 --> 00:58:48,120
Speaker 1: production company kind of wanted to do, kind of the

1512
00:58:48,160 --> 00:58:52,000
Speaker 1: bad boy outlawing. And then his more recent albums have

1513
00:58:52,080 --> 00:58:54,440
Speaker 1: been more his kind of the way he views it

1514
00:58:54,440 --> 00:58:56,000
Speaker 1: and the way he wants to do, like from learning

1515
00:58:56,040 --> 00:58:56,800
Speaker 1: from a three year old.

1516
00:58:56,960 --> 00:58:57,880
Speaker 2: Those types of songs.

1517
00:58:58,040 --> 00:59:00,600
Speaker 4: I mean, it's great songs, it's great song ungs, but

1518
00:59:01,120 --> 00:59:02,200
Speaker 4: what are great songs?

1519
00:59:02,320 --> 00:59:03,880
Speaker 1: Because you can have the best lyrics in the world,

1520
00:59:03,920 --> 00:59:05,800
Speaker 1: but if it sounds like shit, no one's really gonna

1521
00:59:05,800 --> 00:59:06,000
Speaker 1: buy it.

1522
00:59:06,080 --> 00:59:06,200
Speaker 5: Right.

1523
00:59:06,240 --> 00:59:08,680
Speaker 1: You can have the best story, but if it, you know,

1524
00:59:09,080 --> 00:59:11,840
Speaker 1: and what is that noise? Because some people might think

1525
00:59:11,920 --> 00:59:14,680
Speaker 1: pop country is bullshit, and then other people think outlaw.

1526
00:59:14,360 --> 00:59:15,280
Speaker 2: Country is old.

1527
00:59:15,680 --> 00:59:18,000
Speaker 1: And then yet guys like Midland who have like this

1528
00:59:18,160 --> 00:59:20,800
Speaker 1: seventies like they're almost making fun of the seventies and eighties.

1529
00:59:20,960 --> 00:59:22,640
Speaker 1: That's how twenty they can get, you know what I'm saying.

1530
00:59:22,640 --> 00:59:25,200
Speaker 1: So it's like, there's so many ways to skin this cat.

1531
00:59:25,560 --> 00:59:27,160
Speaker 1: How does that cat look for you? Because you say

1532
00:59:27,200 --> 00:59:30,200
Speaker 1: you're not trying to chase what the most popular thing is,

1533
00:59:30,240 --> 00:59:33,520
Speaker 1: but in some ways you can put the realness of

1534
00:59:33,560 --> 00:59:36,920
Speaker 1: your lyrics with the popularity of some beats and stuff

1535
00:59:36,960 --> 00:59:39,520
Speaker 1: like that. Someone We'll do like ready setlet's roll and

1536
00:59:39,560 --> 00:59:41,880
Speaker 1: stuff like that. You can do those to kind of

1537
00:59:41,880 --> 00:59:44,200
Speaker 1: transition yourself into it. What Eric Church has been able

1538
00:59:44,240 --> 00:59:44,440
Speaker 1: to do.

1539
00:59:44,600 --> 00:59:48,960
Speaker 3: Yeah, Eric's I think I'm not part of his camper,

1540
00:59:49,320 --> 00:59:51,000
Speaker 3: so I can't fully speak into it, but I think

1541
00:59:51,040 --> 00:59:53,400
Speaker 3: a huge, huge thing for him has been Jay Joyce.

1542
00:59:53,520 --> 00:59:55,880
Speaker 6: J Joyce is an unbelievable producer.

1543
00:59:56,400 --> 00:59:58,919
Speaker 3: They started this thing together, they built it together, and

1544
00:59:59,120 --> 01:00:00,880
Speaker 3: they're both talented enough to make it great.

1545
01:00:00,960 --> 01:00:02,919
Speaker 2: And who else does she work with besides him?

1546
01:00:03,320 --> 01:00:03,960
Speaker 5: Jay's a guy.

1547
01:00:04,040 --> 01:00:09,280
Speaker 4: Jay Joyce is the producer for Eric Church does. I

1548
01:00:09,320 --> 01:00:13,280
Speaker 4: think he did.

1549
01:00:13,320 --> 01:00:14,960
Speaker 3: A little big time for a minute, but he was

1550
01:00:15,160 --> 01:00:17,480
Speaker 3: like Cage the Elephant, yeah, way back in the day.

1551
01:00:17,520 --> 01:00:18,360
Speaker 5: Like he was.

1552
01:00:18,480 --> 01:00:20,000
Speaker 2: He came from the rock world. No Rest for the

1553
01:00:20,000 --> 01:00:21,280
Speaker 2: Wicked Dude, what a great song.

1554
01:00:21,360 --> 01:00:24,040
Speaker 4: You can hear that in Eric's music a little bit. Yeah,

1555
01:00:23,600 --> 01:00:26,080
Speaker 4: But for me, I'm not going to chase that.

1556
01:00:26,080 --> 01:00:28,600
Speaker 2: That's that's his thing. What I am gonna.

1557
01:00:28,320 --> 01:00:29,919
Speaker 3: Do is I'm gonna write the songs that I want

1558
01:00:29,920 --> 01:00:31,720
Speaker 3: to write, no matter how they sound, but find the

1559
01:00:31,800 --> 01:00:33,600
Speaker 3: key in my voice and then take it into the

1560
01:00:33,680 --> 01:00:37,360
Speaker 3: studio and not just rely on one producer to make

1561
01:00:37,400 --> 01:00:40,720
Speaker 3: everything on a piano. That's what we did a lot

1562
01:00:40,760 --> 01:00:43,160
Speaker 3: with Rey center Roll like christ the Stefano, not knocking

1563
01:00:43,240 --> 01:00:45,040
Speaker 3: him at all, he's one of the most talented humans

1564
01:00:45,040 --> 01:00:48,000
Speaker 3: on the planet, but because he's so good, we got

1565
01:00:48,040 --> 01:00:50,320
Speaker 3: in there on a keyboard and he did the drums

1566
01:00:50,320 --> 01:00:50,640
Speaker 3: on that.

1567
01:00:50,760 --> 01:00:52,160
Speaker 5: He did all the electric guitars.

1568
01:00:52,200 --> 01:00:55,680
Speaker 3: There's no diversity in the music, and there's no live

1569
01:00:55,800 --> 01:00:58,360
Speaker 3: sound of going into room and being like, damn, I

1570
01:00:58,400 --> 01:01:00,760
Speaker 3: don't know what y'all just did, but you locked yeah, yeah,

1571
01:01:00,760 --> 01:01:02,320
Speaker 3: that's the take, and then building on that.

1572
01:01:02,320 --> 01:01:05,240
Speaker 1: I hear you the fuck I had I had a

1573
01:01:05,320 --> 01:01:08,600
Speaker 1: question for you. So when you explain to me, what

1574
01:01:08,600 --> 01:01:10,400
Speaker 1: do you mean by I'm not a part of Eric's camp?

1575
01:01:10,880 --> 01:01:14,440
Speaker 1: Like so obviously in the country world, like you know,

1576
01:01:14,560 --> 01:01:16,360
Speaker 1: you mess with FGL for a little bit and then

1577
01:01:16,400 --> 01:01:17,960
Speaker 1: you guys kind of did your own thing, but they're

1578
01:01:18,000 --> 01:01:19,760
Speaker 1: still like you can go to them and probably make

1579
01:01:19,800 --> 01:01:22,600
Speaker 1: whatever you want whenever you want, and then other.

1580
01:01:22,440 --> 01:01:23,600
Speaker 2: Groups do their things.

1581
01:01:24,040 --> 01:01:27,160
Speaker 1: Well why not go to Eric's camp and be like,

1582
01:01:27,760 --> 01:01:29,960
Speaker 1: let me bring what I bring to the table along

1583
01:01:30,000 --> 01:01:32,520
Speaker 1: with what Eric's able to do kind of his own thing,

1584
01:01:33,080 --> 01:01:35,120
Speaker 1: and and make that into something special because you with

1585
01:01:35,240 --> 01:01:37,600
Speaker 1: Eric stuff, obviously that's an original thing right there. Yeah,

1586
01:01:37,600 --> 01:01:39,000
Speaker 1: it would be you know, I would love to work

1587
01:01:39,040 --> 01:01:41,560
Speaker 1: with him one absolutely, And is that kind of his choice,

1588
01:01:41,880 --> 01:01:42,600
Speaker 1: that'd be his choice.

1589
01:01:42,640 --> 01:01:43,680
Speaker 5: Yeah, yeah, well ahead of the game.

1590
01:01:43,920 --> 01:01:46,480
Speaker 3: He's done music probably ten years longer than I have

1591
01:01:47,160 --> 01:01:50,000
Speaker 3: one day. That'd be freaking awesome. Yeah, but I don't.

1592
01:01:50,400 --> 01:01:52,520
Speaker 3: I don't work with his I don't know his manager.

1593
01:01:52,560 --> 01:01:54,720
Speaker 2: I don't. I don't. People are not who I work with.

1594
01:01:54,840 --> 01:01:57,480
Speaker 1: And that's just it doesn't seem like he's out in

1595
01:01:57,480 --> 01:01:59,240
Speaker 1: these streets like that either, Like Eric kind of like

1596
01:01:59,280 --> 01:02:00,320
Speaker 1: keeps himself.

1597
01:02:00,160 --> 01:02:01,080
Speaker 2: Very big family guy.

1598
01:02:01,760 --> 01:02:03,840
Speaker 1: Obviously from the outside looking at it, I don't know

1599
01:02:03,880 --> 01:02:04,720
Speaker 1: the gu I'm just a fan.

1600
01:02:07,400 --> 01:02:10,000
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1620
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Speaker 1: But when you how would that recording process go when

1621
01:03:20,480 --> 01:03:23,040
Speaker 1: you meet with a manager to meet with a producer,

1622
01:03:23,600 --> 01:03:25,680
Speaker 1: Like is it you guys meet up for drinks? Like

1623
01:03:25,840 --> 01:03:27,560
Speaker 1: you if you're trying to meet with this X, Y

1624
01:03:27,600 --> 01:03:29,240
Speaker 1: and Z producer who's like big time and you want

1625
01:03:29,280 --> 01:03:31,320
Speaker 1: to work with them? Would how does that process go

1626
01:03:31,480 --> 01:03:32,600
Speaker 1: for a songwriter or.

1627
01:03:32,600 --> 01:03:33,760
Speaker 2: Country music singer or anything.

1628
01:03:36,040 --> 01:03:38,360
Speaker 3: For me right now, it's I go in the studio.

1629
01:03:38,400 --> 01:03:40,520
Speaker 3: I had a day with Corey Crowder, who's producing some

1630
01:03:40,600 --> 01:03:43,600
Speaker 3: of my stuff. Now, I typically like to produce the

1631
01:03:43,640 --> 01:03:45,960
Speaker 3: song with who I write it with, if they do

1632
01:03:46,080 --> 01:03:46,680
Speaker 3: tracks at all.

1633
01:03:47,280 --> 01:03:49,800
Speaker 4: So like, if I write a song Christ Stefano, we'll

1634
01:03:49,840 --> 01:03:51,800
Speaker 4: go in and we'll meet. But this particular group.

1635
01:03:51,640 --> 01:03:55,240
Speaker 3: Of songs, I wrote a couple of them with Corey Crowder,

1636
01:03:55,400 --> 01:03:57,440
Speaker 3: and then a couple of them by myself, took them

1637
01:03:57,440 --> 01:03:59,280
Speaker 3: to him, played him about eight songs, send them to

1638
01:03:59,320 --> 01:03:59,920
Speaker 3: them the night before.

1639
01:04:00,640 --> 01:04:02,680
Speaker 2: So all right, dude, let's pick four. Go in the

1640
01:04:02,720 --> 01:04:03,480
Speaker 2: next day we're.

1641
01:04:03,320 --> 01:04:06,080
Speaker 3: Talking about the four we're talking about if I were

1642
01:04:06,160 --> 01:04:09,360
Speaker 3: rock and roll, which is one of the songs Sunday Best,

1643
01:04:09,360 --> 01:04:11,400
Speaker 3: which I am actually doing with kolbe Cala. That's gonna

1644
01:04:11,400 --> 01:04:14,720
Speaker 3: be a little bit more pop sounded. Yeah, and she's

1645
01:04:15,240 --> 01:04:18,600
Speaker 3: just unbelievable. Then I've got she's.

1646
01:04:18,400 --> 01:04:21,880
Speaker 1: Seen this on Bubbly. Yes, that's a little banger too,

1647
01:04:24,440 --> 01:04:27,640
Speaker 1: particular nose. That's a nice little little banger though.

1648
01:04:27,560 --> 01:04:29,240
Speaker 2: But dude, So him and I just talked it over

1649
01:04:29,280 --> 01:04:30,360
Speaker 2: and we picked the songs.

1650
01:04:30,120 --> 01:04:32,280
Speaker 6: And then we went in the studio and and like

1651
01:04:32,360 --> 01:04:33,880
Speaker 6: for if I were rock and roll, we were trying

1652
01:04:33,880 --> 01:04:35,120
Speaker 6: to make it sound like radio.

1653
01:04:35,200 --> 01:04:35,800
Speaker 2: I don't know why.

1654
01:04:35,840 --> 01:04:37,200
Speaker 6: In my head, I just wanted to. I was like,

1655
01:04:37,280 --> 01:04:38,680
Speaker 6: let's let's make this sound like radio.

1656
01:04:39,160 --> 01:04:40,640
Speaker 2: And what does it make this sound like radio?

1657
01:04:40,720 --> 01:04:44,400
Speaker 3: Like four radio radio sound? So yeah, got be good

1658
01:04:44,400 --> 01:04:46,400
Speaker 3: for radio. It has certain things that they just are

1659
01:04:46,440 --> 01:04:48,560
Speaker 3: gonna play no matter what. Yeah, and there's certain things

1660
01:04:48,640 --> 01:04:50,720
Speaker 3: there's no way and how they're gonna play. I was

1661
01:04:50,720 --> 01:04:53,480
Speaker 3: trying to make this song that is awesome that I

1662
01:04:53,520 --> 01:04:57,200
Speaker 3: wrote on a guitar by myself into a radio song,

1663
01:04:57,440 --> 01:04:58,640
Speaker 3: and it sucked.

1664
01:04:59,080 --> 01:04:59,920
Speaker 5: It was so bad.

1665
01:05:00,240 --> 01:05:01,800
Speaker 6: Yeah, And I just looked at Corey. I was like, man,

1666
01:05:01,840 --> 01:05:02,600
Speaker 6: I don't know what to tell you.

1667
01:05:02,720 --> 01:05:05,760
Speaker 3: I don't I'm pissed off right now because I don't

1668
01:05:05,800 --> 01:05:06,880
Speaker 3: know what how to.

1669
01:05:06,840 --> 01:05:09,600
Speaker 6: Explain to you what I'm hearing. It doesn't look like

1670
01:05:09,600 --> 01:05:10,400
Speaker 6: we're gonna get this song.

1671
01:05:10,520 --> 01:05:12,600
Speaker 2: That did. He feel the same way that the song

1672
01:05:12,680 --> 01:05:13,480
Speaker 2: was trash.

1673
01:05:13,560 --> 01:05:16,040
Speaker 3: He thought it was okay, but he didn't he didn't

1674
01:05:16,120 --> 01:05:17,560
Speaker 3: know it could be as great as what it was

1675
01:05:17,640 --> 01:05:18,120
Speaker 3: about to be.

1676
01:05:18,360 --> 01:05:20,200
Speaker 2: Yeah, and that was because we saw what we did.

1677
01:05:20,240 --> 01:05:22,800
Speaker 3: We decided to dial it back, not chase anything, and

1678
01:05:22,840 --> 01:05:25,840
Speaker 3: just be like, y'all just play and just keep vibing,

1679
01:05:26,000 --> 01:05:27,880
Speaker 3: keep keep playing back and forth. U, Let's.

1680
01:05:27,680 --> 01:05:29,000
Speaker 2: See what we can come up with. How's that?

1681
01:05:29,160 --> 01:05:32,120
Speaker 1: How That's gonna be a frustrating thing when you're frustrated

1682
01:05:32,160 --> 01:05:34,080
Speaker 1: with the song though, Like if you're like, fuck, this

1683
01:05:34,120 --> 01:05:36,000
Speaker 1: isn't sounding like the way I wanted to And if

1684
01:05:36,000 --> 01:05:38,200
Speaker 1: someone's sitting there going hey, hey, just just relax, like,

1685
01:05:38,280 --> 01:05:41,320
Speaker 1: just go and play with it vibefo, fuck, that'd be

1686
01:05:41,320 --> 01:05:42,440
Speaker 1: a hard thing to kind of get out of the

1687
01:05:42,480 --> 01:05:44,720
Speaker 1: c I for now set my ego off and be like,

1688
01:05:44,800 --> 01:05:47,240
Speaker 1: I can't know that this song sucks anymore.

1689
01:05:47,240 --> 01:05:48,600
Speaker 2: I feel like, go find a way for it to

1690
01:05:48,640 --> 01:05:49,080
Speaker 2: sound cool.

1691
01:05:49,160 --> 01:05:51,040
Speaker 3: Yeah, because I know the song's good, but the way

1692
01:05:51,040 --> 01:05:52,760
Speaker 3: it sounding makes me hate the song.

1693
01:05:52,880 --> 01:05:55,160
Speaker 2: Yeah, yeah, yeah, But then we dialed it back. Corey

1694
01:05:55,240 --> 01:05:56,040
Speaker 2: was positive about it.

1695
01:05:56,040 --> 01:05:58,240
Speaker 3: He did what you just said, like, let's just play

1696
01:05:58,280 --> 01:05:59,880
Speaker 3: with it five minutes and just see what happens.

1697
01:06:00,600 --> 01:06:02,320
Speaker 2: And they dialed it in.

1698
01:06:02,440 --> 01:06:03,120
Speaker 5: They locked it in.

1699
01:06:03,720 --> 01:06:06,920
Speaker 4: Added Choveld got on like a baritone guitar, electric guitar,

1700
01:06:07,080 --> 01:06:09,600
Speaker 4: and he's I think he plays for Jason or McGraw,

1701
01:06:10,080 --> 01:06:13,960
Speaker 4: maybe mcgral, And I was like, yes, whatever he's doing

1702
01:06:14,040 --> 01:06:15,640
Speaker 4: right there, let's face it all around that.

1703
01:06:15,840 --> 01:06:17,080
Speaker 2: Yeah, get the drums in there.

1704
01:06:17,160 --> 01:06:18,240
Speaker 5: We're not going big.

1705
01:06:18,120 --> 01:06:20,800
Speaker 3: Drums, We're just brushing right along. And it was by

1706
01:06:20,840 --> 01:06:22,480
Speaker 3: the end of the song, it's like, hell, yes.

1707
01:06:22,560 --> 01:06:23,040
Speaker 5: I like that.

1708
01:06:23,960 --> 01:06:26,439
Speaker 4: Yeah, dude, it's I was listening to the last part

1709
01:06:26,480 --> 01:06:27,640
Speaker 4: on the way over here and stuff, and it just

1710
01:06:27,640 --> 01:06:30,080
Speaker 4: seems like like last year at this time, you were

1711
01:06:30,080 --> 01:06:31,800
Speaker 4: talking about how you want to make your best music

1712
01:06:31,880 --> 01:06:33,720
Speaker 4: and you just don't want to settle, and you just

1713
01:06:33,720 --> 01:06:35,560
Speaker 4: seem to have like kind of that focus to kind

1714
01:06:35,600 --> 01:06:37,960
Speaker 4: of hone in and you were speaking earlier too, and

1715
01:06:38,120 --> 01:06:39,680
Speaker 4: I feel like it talks to kind of like having

1716
01:06:39,680 --> 01:06:42,200
Speaker 4: the awareness in the space too, like understanding what you

1717
01:06:42,240 --> 01:06:43,800
Speaker 4: don't like, what you don't want to chase kind of

1718
01:06:44,000 --> 01:06:46,080
Speaker 4: trying to block out certain noise so you can focus

1719
01:06:46,080 --> 01:06:48,080
Speaker 4: on I'm really good at this. And not only did

1720
01:06:48,080 --> 01:06:49,480
Speaker 4: you say I'm good at this, but you were like,

1721
01:06:49,720 --> 01:06:51,120
Speaker 4: and not only be good at that, but I need

1722
01:06:51,160 --> 01:06:53,200
Speaker 4: to figure out how I live and hey, this is

1723
01:06:53,240 --> 01:06:54,800
Speaker 4: the route I'm gonna go, and trying to like put

1724
01:06:54,840 --> 01:06:57,400
Speaker 4: yourself in that space and be like, the magic's gonna

1725
01:06:57,400 --> 01:06:58,960
Speaker 4: come the more I just kind of mess with it.

1726
01:06:59,040 --> 01:07:00,440
Speaker 4: And it seems like a lot of that happened for

1727
01:07:00,480 --> 01:07:02,480
Speaker 4: you in twenty twenty when you're just kind of sitting

1728
01:07:02,520 --> 01:07:04,280
Speaker 4: at home and you got to kind of just actually

1729
01:07:04,320 --> 01:07:06,280
Speaker 4: reflect on shit and kind of just like live in it,

1730
01:07:06,720 --> 01:07:08,720
Speaker 4: and you know, you seem stoked about the music that's

1731
01:07:08,720 --> 01:07:10,760
Speaker 4: to come. But I guess I'll have to say, like

1732
01:07:10,840 --> 01:07:13,160
Speaker 4: I kind of respect the focus. You seem like very

1733
01:07:13,160 --> 01:07:15,080
Speaker 4: focused about it. Yeah, I mean, I just cool.

1734
01:07:15,640 --> 01:07:15,880
Speaker 2: To me.

1735
01:07:16,000 --> 01:07:18,000
Speaker 3: It's I'm at a place now where I'm not I'm

1736
01:07:18,000 --> 01:07:19,680
Speaker 3: not gonna try to chase something. I'm not gonna try

1737
01:07:19,720 --> 01:07:22,280
Speaker 3: to chase whatever's popular, cool, good for whoever.

1738
01:07:22,440 --> 01:07:26,000
Speaker 2: But I just want to make music that I'm I even.

1739
01:07:25,800 --> 01:07:27,800
Speaker 3: Want to play where there's a lot of songs where

1740
01:07:27,800 --> 01:07:29,520
Speaker 3: I'm like, I said it last week. We have a

1741
01:07:30,600 --> 01:07:32,400
Speaker 3: we have a guy that's coaching kind of coaching us

1742
01:07:32,400 --> 01:07:34,920
Speaker 3: through our show at this point because I told him

1743
01:07:34,960 --> 01:07:36,520
Speaker 3: last year, I was like, we got to get better.

1744
01:07:36,640 --> 01:07:37,880
Speaker 2: Coaching through it in what way?

1745
01:07:38,000 --> 01:07:39,960
Speaker 1: Like like he comes to her sets, the kind of

1746
01:07:39,960 --> 01:07:43,120
Speaker 1: songs you're seeing win the transitions, transitions.

1747
01:07:42,400 --> 01:07:43,160
Speaker 2: He's big on that.

1748
01:07:43,240 --> 01:07:45,320
Speaker 3: He's big on order of songs, and we have an

1749
01:07:45,400 --> 01:07:47,880
Speaker 3: order that we know works we've done shows for eight years,

1750
01:07:48,360 --> 01:07:51,120
Speaker 3: but also open to the fact that, well it works,

1751
01:07:51,160 --> 01:07:52,440
Speaker 3: but it could work better.

1752
01:07:52,360 --> 01:07:54,680
Speaker 2: Right the flow of the whole thing. Is there a

1753
01:07:54,680 --> 01:07:57,360
Speaker 2: place for interaction with the fans? Like absolutely? Are you

1754
01:07:57,440 --> 01:07:57,920
Speaker 2: big on that?

1755
01:07:58,160 --> 01:07:59,640
Speaker 5: Oh yeah, I like that, love.

1756
01:07:59,480 --> 01:08:00,960
Speaker 2: It, but I don't but I don't want to talk

1757
01:08:01,000 --> 01:08:01,440
Speaker 2: a whole lot.

1758
01:08:01,480 --> 01:08:05,040
Speaker 3: I noticed last year we did an acoustic shows and

1759
01:08:05,120 --> 01:08:07,120
Speaker 3: I listened back to the Courdo I'm like, shut the

1760
01:08:07,240 --> 01:08:08,680
Speaker 3: fuck up and sing.

1761
01:08:08,320 --> 01:08:10,920
Speaker 2: Oh you were bro. Don't you fucking hate that?

1762
01:08:11,280 --> 01:08:14,040
Speaker 4: Sometimes I'll listen to the fucking pods and I'll listen

1763
01:08:14,120 --> 01:08:15,680
Speaker 4: to how much Tailor and I go back and forth

1764
01:08:15,720 --> 01:08:16,040
Speaker 4: and stuff.

1765
01:08:16,040 --> 01:08:18,120
Speaker 2: I'm like, we need to shut the fuck up.

1766
01:08:19,080 --> 01:08:19,760
Speaker 5: You know what I'm saying.

1767
01:08:20,560 --> 01:08:22,320
Speaker 2: Or I'm like saying something like, what the fuck am

1768
01:08:22,320 --> 01:08:23,200
Speaker 2: I saying right here?

1769
01:08:23,280 --> 01:08:24,160
Speaker 5: Let you shut up?

1770
01:08:24,320 --> 01:08:24,519
Speaker 4: Dude?

1771
01:08:25,600 --> 01:08:26,680
Speaker 2: Watching the film, I like that.

1772
01:08:26,800 --> 01:08:32,000
Speaker 3: Yeah yeah, yeah, but I listened to that and then

1773
01:08:32,040 --> 01:08:35,360
Speaker 3: I uh I told him that during rehearsals last week.

1774
01:08:35,360 --> 01:08:37,120
Speaker 3: I was like, Man, I just want I want it

1775
01:08:37,280 --> 01:08:39,840
Speaker 3: if I say something, if I talk to people, I

1776
01:08:39,920 --> 01:08:43,200
Speaker 3: want it to matter, Like if I'm talking the whole time, eventually,

1777
01:08:43,240 --> 01:08:44,519
Speaker 3: I don't even want to hear myself talking.

1778
01:08:44,560 --> 01:08:45,439
Speaker 5: Yeah. Probably definitely.

1779
01:08:45,439 --> 01:08:47,320
Speaker 1: You try to get on McConaughey, where everything is the

1780
01:08:47,320 --> 01:08:51,040
Speaker 1: most enlightening thing you've ever said.

1781
01:08:50,880 --> 01:08:52,599
Speaker 2: This thing. Go to the next song.

1782
01:08:52,720 --> 01:08:54,800
Speaker 1: Yeah, may I just take a deep breath, have a

1783
01:08:54,880 --> 01:08:56,800
Speaker 1: nice little pause. That always hits him too, like, oh

1784
01:08:56,800 --> 01:08:58,920
Speaker 1: he's about to put a banger on, right, Yeah, look

1785
01:08:58,960 --> 01:09:03,639
Speaker 1: at a guitar and slow and oh yeah, dude, panties

1786
01:09:03,640 --> 01:09:06,920
Speaker 1: started dropping that way one of my songs Ride.

1787
01:09:07,120 --> 01:09:10,160
Speaker 2: Yeah, crazy, that's what we do with my song Ride.

1788
01:09:10,400 --> 01:09:14,479
Speaker 2: You want panties to drop hit that thing like that.

1789
01:09:14,840 --> 01:09:16,479
Speaker 5: It's just girls go nuts over that.

1790
01:09:16,520 --> 01:09:18,639
Speaker 1: So we were talking to Riley Green about his d MS,

1791
01:09:18,680 --> 01:09:20,520
Speaker 1: and I'm sure it just gets outrageous.

1792
01:09:20,560 --> 01:09:23,559
Speaker 2: You put a couple of songs, dude, he's a good dude. Yeah,

1793
01:09:23,560 --> 01:09:26,639
Speaker 2: he's a boy for sure. Yeah.

1794
01:09:27,120 --> 01:09:29,160
Speaker 3: So for my da, I guess the world I used

1795
01:09:29,200 --> 01:09:31,360
Speaker 3: to live in NonStop you can get caught up in

1796
01:09:31,400 --> 01:09:31,960
Speaker 3: that thing.

1797
01:09:31,840 --> 01:09:33,240
Speaker 2: For ship that that could be it.

1798
01:09:33,920 --> 01:09:37,960
Speaker 3: Yeah, I've gotten completely off it. It's been the night

1799
01:09:38,000 --> 01:09:39,639
Speaker 3: I wrote if I were rock and roll, I got

1800
01:09:39,680 --> 01:09:43,240
Speaker 3: off socials. I sent it to Kaiser, who runs all

1801
01:09:43,240 --> 01:09:45,200
Speaker 3: my socials now and Eddie and I was like, you.

1802
01:09:45,240 --> 01:09:48,519
Speaker 2: Kayser Yer like the machine dude, shut out.

1803
01:09:48,439 --> 01:09:51,920
Speaker 4: The boy Kaiser he uh, But I told him. I

1804
01:09:51,920 --> 01:09:53,400
Speaker 4: was like, I'm done with the ship man. It was

1805
01:09:53,479 --> 01:09:56,080
Speaker 4: right after the concert stuff.

1806
01:09:56,280 --> 01:09:58,200
Speaker 1: Yeah, this is I run the ship for Chase. But

1807
01:09:58,520 --> 01:10:00,519
Speaker 1: he sends him a fast selfie. But if you're trying

1808
01:10:00,520 --> 01:10:02,680
Speaker 1: to get with this saw you let me see you

1809
01:10:02,800 --> 01:10:07,439
Speaker 1: guys that game bro, little mustache flinging off that lift, dude,

1810
01:10:07,439 --> 01:10:09,879
Speaker 1: I like that ship dude walking.

1811
01:10:09,680 --> 01:10:12,040
Speaker 3: Out there picking up game. I'll say this, like not

1812
01:10:12,160 --> 01:10:14,880
Speaker 3: focusing on that anymore. It's made the music better, for sure.

1813
01:10:15,320 --> 01:10:18,120
Speaker 3: It's a It's a It's an interesting world that we

1814
01:10:18,200 --> 01:10:21,600
Speaker 3: live in, because when have you ever been to a

1815
01:10:21,640 --> 01:10:24,040
Speaker 3: town where you're not only the life of the party

1816
01:10:24,080 --> 01:10:28,080
Speaker 3: in that town that night? Every single girl, for the

1817
01:10:28,120 --> 01:10:31,240
Speaker 3: most part, wants you. Whether they know you or not, Yeah,

1818
01:10:31,360 --> 01:10:33,799
Speaker 3: doesn't matter. They want you, and you can pick whoever

1819
01:10:33,840 --> 01:10:36,160
Speaker 3: you want. That's a fucking dangerous place to be. It's

1820
01:10:36,200 --> 01:10:37,880
Speaker 3: a dangerous dealers.

1821
01:10:38,040 --> 01:10:38,479
Speaker 2: I heard this.

1822
01:10:39,000 --> 01:10:41,320
Speaker 5: Stage knowing you're just fucking doing it too.

1823
01:10:42,000 --> 01:10:45,160
Speaker 2: Yeah. One of my teammates from college, one of my

1824
01:10:45,200 --> 01:10:46,240
Speaker 2: teams from college, had.

1825
01:10:46,120 --> 01:10:49,639
Speaker 1: A buddy who he was at a Drake concert and

1826
01:10:49,840 --> 01:10:51,519
Speaker 1: one of the one of the one of Drake's guys

1827
01:10:51,560 --> 01:10:53,920
Speaker 1: came up to his girlfriend was like, Hey, Drake wants

1828
01:10:53,960 --> 01:10:56,559
Speaker 1: to meet you. And she's like, oh, okay, Like y'all

1829
01:10:56,560 --> 01:10:58,880
Speaker 1: definitely meet him. And then the guy started to come

1830
01:10:58,920 --> 01:11:01,080
Speaker 1: with and they got the security. It's like, no, man,

1831
01:11:01,280 --> 01:11:03,640
Speaker 1: just her and he's like, hey, you better don't go

1832
01:11:03,800 --> 01:11:05,599
Speaker 1: don't don't go in there if you go there.

1833
01:11:05,520 --> 01:11:07,080
Speaker 2: And she's like, I don't. I just don't even I'm

1834
01:11:07,080 --> 01:11:09,000
Speaker 2: just gonna say hi, she's there for three hours.

1835
01:11:09,560 --> 01:11:09,880
Speaker 5: That is.

1836
01:11:11,320 --> 01:11:13,280
Speaker 2: I don't know what I getting hard on that. You

1837
01:11:13,320 --> 01:11:14,760
Speaker 2: know exactly what happened in that ring.

1838
01:11:15,120 --> 01:11:17,559
Speaker 3: I don't know the details, but I know if my

1839
01:11:17,640 --> 01:11:22,200
Speaker 3: girl does that, it's over. She better not even fucking try.

1840
01:11:22,320 --> 01:11:25,560
Speaker 5: Yeah, definitely got it. I just I don't know.

1841
01:11:25,880 --> 01:11:27,680
Speaker 2: I'm just gonna go Hi for five minutes, like, oh,

1842
01:11:27,720 --> 01:11:29,280
Speaker 2: should be right out, don't worry, Like just.

1843
01:11:29,200 --> 01:11:34,040
Speaker 4: Sitting there standing in ways they had they were getting

1844
01:11:34,040 --> 01:11:35,439
Speaker 4: picture he.

1845
01:11:37,800 --> 01:11:38,760
Speaker 2: Pour one out for him.

1846
01:11:38,800 --> 01:11:42,120
Speaker 5: Man, Christ, here's here's that guy.

1847
01:11:42,240 --> 01:11:45,760
Speaker 2: Yeah, okay, he should be. If he's not, I feel bad.

1848
01:11:45,840 --> 01:11:48,040
Speaker 4: Man. You're like she's like, oh, they were all taking pictures,

1849
01:11:48,080 --> 01:11:49,640
Speaker 4: like I just had to wait. It just He's like,

1850
01:11:49,720 --> 01:11:50,840
Speaker 4: it's been forty minutes.

1851
01:11:51,160 --> 01:11:51,639
Speaker 2: Still there.

1852
01:11:52,000 --> 01:11:55,360
Speaker 5: Yeah, tell hard you want to do a couple of

1853
01:11:55,600 --> 01:11:57,240
Speaker 5: look at a couple of fan questions.

1854
01:11:58,960 --> 01:11:59,840
Speaker 2: Episode ninety five.

1855
01:12:00,479 --> 01:12:01,679
Speaker 5: Dude, isn't that cral?

1856
01:12:01,960 --> 01:12:03,320
Speaker 2: We're about to be in a five weeks to bed

1857
01:12:03,320 --> 01:12:05,360
Speaker 2: one hundred? That's crazy?

1858
01:12:05,680 --> 01:12:06,720
Speaker 5: You guys do is? Yeah?

1859
01:12:06,800 --> 01:12:08,800
Speaker 2: You do one a week. Yeah, we did want a week.

1860
01:12:10,280 --> 01:12:11,840
Speaker 2: And we're blowing up. Man. I don't know if you've noticed.

1861
01:12:12,360 --> 01:12:12,960
Speaker 2: We're doing all right?

1862
01:12:13,640 --> 01:12:16,360
Speaker 4: Yeah yeah, with question with questions like this, what's your

1863
01:12:16,360 --> 01:12:17,799
Speaker 4: favorite steakhouse in Nashville?

1864
01:12:18,600 --> 01:12:18,760
Speaker 2: Was that?

1865
01:12:19,120 --> 01:12:21,120
Speaker 4: I said, yeah, we're blown up with questions like this,

1866
01:12:21,240 --> 01:12:22,879
Speaker 4: what's your favorite steakhouse in Nashville?

1867
01:12:22,960 --> 01:12:24,680
Speaker 2: With that one was a bost Hey we need to

1868
01:12:24,720 --> 01:12:26,160
Speaker 2: be there, Hey, we need to start.

1869
01:12:26,160 --> 01:12:28,080
Speaker 4: Writing out the so we can kind of like, you know,

1870
01:12:28,240 --> 01:12:30,560
Speaker 4: give the fan love for writing that question, like we

1871
01:12:30,600 --> 01:12:31,879
Speaker 4: asked a question like God, damn.

1872
01:12:31,880 --> 01:12:34,640
Speaker 5: I guess he's gonna take my question. Will there ever

1873
01:12:34,760 --> 01:12:36,439
Speaker 5: be a Chase Rice bar on Broadway?

1874
01:12:37,160 --> 01:12:38,080
Speaker 2: I'm sure I was, Dude.

1875
01:12:38,120 --> 01:12:40,439
Speaker 3: I was thinking about that earlier because I just did

1876
01:12:40,720 --> 01:12:42,400
Speaker 3: first of all, No, no, there won't be, not with

1877
01:12:42,520 --> 01:12:45,400
Speaker 3: my name, But I was thinking about earlier.

1878
01:12:45,400 --> 01:12:47,160
Speaker 6: I went down to Jason al Dean's earlier for lunch

1879
01:12:47,280 --> 01:12:49,680
Speaker 6: and another deal I was doing, and.

1880
01:12:49,760 --> 01:12:51,240
Speaker 3: It just doesn't have the same ring to it in

1881
01:12:51,360 --> 01:12:52,960
Speaker 3: my mind. I guess because it's my name, is your

1882
01:12:53,080 --> 01:12:55,280
Speaker 3: name or Chase Rice bar name ring? I don't know,

1883
01:12:55,680 --> 01:12:58,360
Speaker 3: But like when you you say you're going to FGL House,

1884
01:12:58,439 --> 01:12:59,880
Speaker 3: you're not. You're like, I'm going to f l and

1885
01:12:59,880 --> 01:13:02,479
Speaker 3: I or al Deans You're like, I'm going to al Dean's.

1886
01:13:02,800 --> 01:13:05,479
Speaker 3: Mine has an extra like thing on the it chased Rices.

1887
01:13:05,680 --> 01:13:08,479
Speaker 2: Are you going to Chase Rices? Like what is that?

1888
01:13:08,600 --> 01:13:08,720
Speaker 4: Is that?

1889
01:13:08,840 --> 01:13:10,240
Speaker 2: Like a sushi spot? Yeah?

1890
01:13:10,280 --> 01:13:10,479
Speaker 4: Yeah?

1891
01:13:11,479 --> 01:13:14,240
Speaker 2: At home? Yeah? Like a bro a broach? Yeah, you

1892
01:13:14,280 --> 01:13:16,000
Speaker 2: know we see like that half bar half like you

1893
01:13:16,360 --> 01:13:17,280
Speaker 2: guys were vipers.

1894
01:13:18,960 --> 01:13:21,920
Speaker 3: We are doing in Cleveland though, we're doing a bar

1895
01:13:22,160 --> 01:13:24,280
Speaker 3: called I don't know if I'm allowed to say this,

1896
01:13:24,400 --> 01:13:27,200
Speaker 3: but I'm gonna it's gonna call Walking to the Farm.

1897
01:13:27,600 --> 01:13:28,839
Speaker 5: These guys come down from Cleveland.

1898
01:13:28,840 --> 01:13:30,360
Speaker 2: They were like, they came to a show, and they

1899
01:13:30,400 --> 01:13:31,920
Speaker 2: were like, man, we really want to use your name

1900
01:13:32,000 --> 01:13:32,280
Speaker 2: for a bar.

1901
01:13:32,360 --> 01:13:34,080
Speaker 5: And I was like, I don't want you to use my.

1902
01:13:34,120 --> 01:13:34,599
Speaker 6: Name for a bar.

1903
01:13:34,760 --> 01:13:35,880
Speaker 2: Yeah, yeah, yeah, yeah yeah.

1904
01:13:36,120 --> 01:13:38,360
Speaker 3: And so we started talking about names and I was

1905
01:13:38,439 --> 01:13:40,240
Speaker 3: just like, yeah, you know, when these people coming to

1906
01:13:40,320 --> 01:13:42,000
Speaker 3: my place, I got a big old sign that we're

1907
01:13:42,000 --> 01:13:43,519
Speaker 3: about to put up called walking to the Farm.

1908
01:13:43,560 --> 01:13:46,760
Speaker 6: They roll through a twenty Eagles Creek farm and uh.

1909
01:13:46,920 --> 01:13:48,880
Speaker 2: The guy was like, what's wrong with that name right there?

1910
01:13:48,920 --> 01:13:49,720
Speaker 6: For for your bar?

1911
01:13:50,240 --> 01:13:51,960
Speaker 3: He said, why don't we come down to your farm.

1912
01:13:52,000 --> 01:13:54,479
Speaker 3: We'll hang for two days. We'll drink, we'll take pictures,

1913
01:13:54,520 --> 01:13:57,920
Speaker 3: we'll chill, and we'll turn your barn or your farm

1914
01:13:58,120 --> 01:14:01,000
Speaker 3: into a this bar that we're trying to build. It

1915
01:14:01,240 --> 01:14:04,680
Speaker 3: cool in Cleveland. And I think it's just gonna called

1916
01:14:04,720 --> 01:14:06,360
Speaker 3: walking to the Farm. It's called the farm whatever.

1917
01:14:06,439 --> 01:14:10,280
Speaker 2: But I like that. I mean, where's the old reds

1918
01:14:10,640 --> 01:14:13,559
Speaker 2: Olred was that that's a Shelton, old Sheltons, But it's

1919
01:14:13,600 --> 01:14:14,080
Speaker 2: not his name.

1920
01:14:14,120 --> 01:14:14,799
Speaker 5: What's I respect.

1921
01:14:15,040 --> 01:14:17,160
Speaker 2: I like that it's a great song. Everyone knows Old Red.

1922
01:14:17,439 --> 01:14:20,480
Speaker 5: I'll tell you what you name your dog Tonka, Like, hey, Tnka's.

1923
01:14:20,360 --> 01:14:23,240
Speaker 1: Tonka is a nice place, the small otld Tonka toys everywhere,

1924
01:14:24,360 --> 01:14:24,880
Speaker 1: the Tonka.

1925
01:14:25,360 --> 01:14:25,880
Speaker 2: I'm about that.

1926
01:14:26,920 --> 01:14:28,560
Speaker 5: Who's your favorite songwriter to work with?

1927
01:14:31,200 --> 01:14:31,400
Speaker 2: Oh?

1928
01:14:31,600 --> 01:14:34,120
Speaker 3: Man, there's a lot of good ones lately where I

1929
01:14:34,200 --> 01:14:35,759
Speaker 3: am right now, Casey Bethard.

1930
01:14:36,240 --> 01:14:38,640
Speaker 2: Everybody else you didn't make the cut the.

1931
01:14:42,600 --> 01:14:44,880
Speaker 5: Best, but Casey Bethard, Man when you go into a

1932
01:14:44,920 --> 01:14:45,360
Speaker 5: song with him.

1933
01:14:45,400 --> 01:14:47,000
Speaker 3: I got a song called get Me Fishing that I

1934
01:14:47,080 --> 01:14:50,880
Speaker 3: haven't written yet fully, and I like, I was on

1935
01:14:51,000 --> 01:14:53,439
Speaker 3: a doc and and uh came up with the idea.

1936
01:14:53,560 --> 01:14:55,760
Speaker 3: Was actually with Brian Kelly from FGL down to his place,

1937
01:14:55,800 --> 01:14:57,479
Speaker 3: and I looked at Brian even I was like, man,

1938
01:14:58,960 --> 01:15:01,280
Speaker 3: I'm gonna write this with K Like, I just have

1939
01:15:01,479 --> 01:15:03,080
Speaker 3: to write this song with him because I know what

1940
01:15:03,160 --> 01:15:03,599
Speaker 3: I want.

1941
01:15:03,479 --> 01:15:04,880
Speaker 5: It to be there.

1942
01:15:05,120 --> 01:15:06,639
Speaker 2: He was like, fuck, yeah, you should, dude.

1943
01:15:06,720 --> 01:15:08,240
Speaker 5: He's in a place where he's actually putting out his

1944
01:15:08,280 --> 01:15:08,719
Speaker 5: own record.

1945
01:15:08,760 --> 01:15:11,479
Speaker 4: They're still doing FGL, but he's putting out his own

1946
01:15:11,479 --> 01:15:12,680
Speaker 4: record and it's unbelievable.

1947
01:15:13,080 --> 01:15:15,200
Speaker 6: But he's playing me ship. I'm like, damn, Brian.

1948
01:15:15,680 --> 01:15:16,200
Speaker 2: Killing it like that.

1949
01:15:16,640 --> 01:15:17,120
Speaker 5: It's good.

1950
01:15:17,880 --> 01:15:19,560
Speaker 3: I have no idea what's gonna work. I don't know

1951
01:15:19,640 --> 01:15:22,000
Speaker 3: what connects with people from outside of what I do,

1952
01:15:22,160 --> 01:15:23,120
Speaker 3: but I hope it does.

1953
01:15:23,479 --> 01:15:25,280
Speaker 4: Is it tough being like like being around a song

1954
01:15:25,320 --> 01:15:26,560
Speaker 4: writ and be like I got to do it so

1955
01:15:26,680 --> 01:15:28,920
Speaker 4: and so like, you know, not with him because him

1956
01:15:28,960 --> 01:15:29,960
Speaker 4: and I always worked together.

1957
01:15:30,040 --> 01:15:32,000
Speaker 5: He was always about for me in my career. He

1958
01:15:32,080 --> 01:15:32,799
Speaker 5: was always about.

1959
01:15:32,600 --> 01:15:34,720
Speaker 3: What's best for you, man, go do it, which was

1960
01:15:34,720 --> 01:15:37,200
Speaker 3: a cool supportive got to be around. And and I'm

1961
01:15:37,240 --> 01:15:40,080
Speaker 3: the same way with him right now. I'm like, what's

1962
01:15:40,120 --> 01:15:41,960
Speaker 3: going on with FGL is none of my business? I

1963
01:15:42,040 --> 01:15:44,920
Speaker 3: don't know, doesn't matter to me. As long as you

1964
01:15:45,000 --> 01:15:47,400
Speaker 3: guys are cool and Tyler's cool with him doing his

1965
01:15:47,439 --> 01:15:50,720
Speaker 3: own record, Go do it, man, It's absolutely it's if

1966
01:15:50,760 --> 01:15:52,840
Speaker 3: you want to make fucking music, go make music as

1967
01:15:52,880 --> 01:15:55,640
Speaker 3: he should, which I'm supported as the hell is that like?

1968
01:15:55,720 --> 01:15:56,719
Speaker 5: Go and I hope it works.

1969
01:15:57,080 --> 01:15:59,320
Speaker 2: Yeah, Well, he says it sounds pretty good. You've heard

1970
01:15:59,320 --> 01:16:00,200
Speaker 2: a couple of songs on there.

1971
01:16:00,360 --> 01:16:02,640
Speaker 3: Yeah, he's got a I mean, he just put out

1972
01:16:02,680 --> 01:16:05,519
Speaker 3: his for his way Back, So it's four songs, Beach Cowboys,

1973
01:16:05,600 --> 01:16:07,000
Speaker 3: the one that's like He's that's.

1974
01:16:06,840 --> 01:16:11,599
Speaker 1: A cool title after Beach Cowboys, like the videos solid

1975
01:16:11,640 --> 01:16:11,800
Speaker 1: like that.

1976
01:16:12,200 --> 01:16:13,720
Speaker 2: I was like your Miami Vibe last year.

1977
01:16:14,479 --> 01:16:16,599
Speaker 6: Yeah, it's gonna be playing on beaches all over.

1978
01:16:16,920 --> 01:16:17,400
Speaker 5: I like that.

1979
01:16:17,560 --> 01:16:19,640
Speaker 2: I'm all about the beach five Beach Cowboys. That's a

1980
01:16:19,680 --> 01:16:23,920
Speaker 2: cool one. Yeah. Those guys are talented. Cawboy Little Sneak

1981
01:16:23,920 --> 01:16:27,280
Speaker 2: Pee go check it out. The talent. They are super talented. Uh.

1982
01:16:28,000 --> 01:16:30,200
Speaker 2: Tyler sent me like he's like spend like nine days

1983
01:16:30,240 --> 01:16:33,439
Speaker 2: and like like ten songs on his bus.

1984
01:16:33,600 --> 01:16:33,800
Speaker 4: Yeah.

1985
01:16:33,880 --> 01:16:35,800
Speaker 1: He just said like I sent him all like holy ship.

1986
01:16:35,920 --> 01:16:38,160
Speaker 1: Like they're like he just popped them off too. That's

1987
01:16:38,160 --> 01:16:38,679
Speaker 1: pretty solid.

1988
01:16:38,720 --> 01:16:39,120
Speaker 4: I wrote.

1989
01:16:40,560 --> 01:16:41,479
Speaker 2: Yeah with McGraw.

1990
01:16:41,960 --> 01:16:44,280
Speaker 3: McGraw and then Chris Locke, who was my who was

1991
01:16:44,400 --> 01:16:47,880
Speaker 3: my electric guitar player. Because of that, Chris Locke can

1992
01:16:47,960 --> 01:16:49,640
Speaker 3: make more on one song than I could pay him

1993
01:16:49,640 --> 01:16:50,559
Speaker 3: for two years on the road.

1994
01:16:50,600 --> 01:16:52,720
Speaker 5: So he's like he had a baby too.

1995
01:16:52,920 --> 01:16:55,760
Speaker 3: I was like, dude, He's like, man, I'm not sure

1996
01:16:55,800 --> 01:16:56,800
Speaker 3: if I'm coming back or not.

1997
01:16:56,960 --> 01:16:58,840
Speaker 6: I'm like, fuck you, Chris. If you do come back,

1998
01:16:58,840 --> 01:16:59,360
Speaker 6: you're stupid.

1999
01:16:59,560 --> 01:17:00,880
Speaker 2: Yeah, well good for him.

2000
01:17:00,960 --> 01:17:02,680
Speaker 1: Did that Undivided song. Yeah, I remember what he was

2001
01:17:02,720 --> 01:17:05,439
Speaker 1: telling talking about that. I was at a a feeding

2002
01:17:05,520 --> 01:17:07,680
Speaker 1: Nashville and he was like, I think mcgral wants this one.

2003
01:17:08,320 --> 01:17:10,439
Speaker 1: Macgral tyler.

2004
01:17:10,640 --> 01:17:14,120
Speaker 5: YEA, let's tell me that girl's awesome. He's done.

2005
01:17:16,960 --> 01:17:17,200
Speaker 2: Yes.

2006
01:17:17,960 --> 01:17:21,360
Speaker 4: This final ad read is brought to you by Bo's

2007
01:17:21,720 --> 01:17:26,960
Speaker 4: Quiet Comfort earbuds. I am a huge where the headphones at?

2008
01:17:27,080 --> 01:17:29,599
Speaker 4: Can you grab him back there? It's a box back there, Jack,

2009
01:17:29,640 --> 01:17:31,519
Speaker 4: If you and grab them, they're under that Uh they're

2010
01:17:31,600 --> 01:17:32,759
Speaker 4: under that Chevy pillow.

2011
01:17:33,640 --> 01:17:36,000
Speaker 5: So right here. I have not opened my new generation.

2012
01:17:36,120 --> 01:17:37,120
Speaker 5: I have the old generation.

2013
01:17:38,960 --> 01:17:42,160
Speaker 4: But Bose Quiet Comfort earbuds are the world's most effective

2014
01:17:42,240 --> 01:17:43,560
Speaker 4: noise canceling earbuds.

2015
01:17:43,960 --> 01:17:45,960
Speaker 2: I wear my earbuds damn near every day.

2016
01:17:45,960 --> 01:17:48,200
Speaker 4: When it's a running day, or conditioning or some long

2017
01:17:48,280 --> 01:17:50,479
Speaker 4: form workout where I need Joe Rogan inspiring me in

2018
01:17:50,520 --> 01:17:53,719
Speaker 4: his little motivational YouTube videos, I go to my Bow's

2019
01:17:53,800 --> 01:17:57,599
Speaker 4: Quiet Comfort earbuds. Bose Quiet Comfort ear buds deliver world

2020
01:17:57,640 --> 01:18:02,479
Speaker 4: class noise canceling, elevating focus. They provide crisp, clear sound

2021
01:18:02,560 --> 01:18:06,120
Speaker 4: wherever you are. They are super comfortable and touch controls

2022
01:18:06,160 --> 01:18:08,639
Speaker 4: that are easy to use. They are great for any

2023
01:18:08,680 --> 01:18:10,880
Speaker 4: phone calls you might need or zoom meetings you might

2024
01:18:10,960 --> 01:18:13,360
Speaker 4: be on. They don't slip out with sweat when you're

2025
01:18:13,360 --> 01:18:15,320
Speaker 4: working out or anything like that. They're very nice and

2026
01:18:15,400 --> 01:18:19,400
Speaker 4: snug and comfortable. Bo's has a ton of sponsored athletes

2027
01:18:19,439 --> 01:18:22,679
Speaker 4: in the draft wearing them, including the Boys like Trevor Lawrence,

2028
01:18:22,920 --> 01:18:27,280
Speaker 4: Justin Field, Zach Wilson, DeVonta Smith, Trey Lance, and Mac Jones.

2029
01:18:27,680 --> 01:18:28,479
Speaker 5: If you want to get.

2030
01:18:28,320 --> 01:18:30,760
Speaker 4: Yourself a pair of bows like we will have for

2031
01:18:30,840 --> 01:18:33,639
Speaker 4: the draft, or like a ton of first round players,

2032
01:18:33,800 --> 01:18:36,200
Speaker 4: or even like the Boys do, go to bos dot

2033
01:18:36,240 --> 01:18:39,240
Speaker 4: com slash barstool to rule the quiet with your own

2034
01:18:39,479 --> 01:18:43,799
Speaker 4: Bow's quiet comfortable earbuds. Back to finishing off this episode,

2035
01:18:44,080 --> 01:18:45,400
Speaker 4: Thank you so much for listening.

2036
01:18:48,200 --> 01:18:50,120
Speaker 2: He was out there at that the Ravens game. He

2037
01:18:50,240 --> 01:18:52,519
Speaker 2: was in the suite right next to me. Guys, got it.

2038
01:18:52,640 --> 01:18:53,200
Speaker 2: How old is he?

2039
01:18:53,800 --> 01:18:54,439
Speaker 6: Fifty something?

2040
01:18:54,560 --> 01:18:57,240
Speaker 2: Yeah? He didn't look anything like he's like, he looks

2041
01:18:57,240 --> 01:18:59,519
Speaker 2: like he's in his forties. Maybe you know what I'm saying.

2042
01:18:59,640 --> 01:19:03,000
Speaker 4: Yeah, he had a big phase, though, big phase, like

2043
01:19:03,080 --> 01:19:05,080
Speaker 4: what he was puffed up he was he was, Yeah,

2044
01:19:05,240 --> 01:19:06,479
Speaker 4: but I think it almost like it looks like a

2045
01:19:06,560 --> 01:19:07,559
Speaker 4: healthier looking vibe.

2046
01:19:07,600 --> 01:19:09,960
Speaker 2: He was here, real skinny there for a second too. Yeah,

2047
01:19:10,439 --> 01:19:11,960
Speaker 2: yeah he got real skin, real skin.

2048
01:19:12,040 --> 01:19:13,519
Speaker 1: I didn't say nothing to him because I just feel

2049
01:19:13,560 --> 01:19:18,240
Speaker 1: like the last thing people, Yeah he's cut up. Him

2050
01:19:18,240 --> 01:19:19,439
Speaker 1: and Kenny Chessing. I feel like I went through the

2051
01:19:19,479 --> 01:19:22,120
Speaker 1: same vibe. I like similar times. Yeah, they're both like

2052
01:19:22,720 --> 01:19:26,200
Speaker 1: that's true. Yeah, they came up together, so no doubt.

2053
01:19:26,680 --> 01:19:28,880
Speaker 1: What else we should be good?

2054
01:19:28,920 --> 01:19:29,640
Speaker 5: What time are we at?

2055
01:19:30,400 --> 01:19:30,760
Speaker 2: I don't know.

2056
01:19:30,920 --> 01:19:35,719
Speaker 4: Man, that's perfect, dude, Thanks for coming on. Man crushed

2057
01:19:35,760 --> 01:19:38,439
Speaker 4: it as always like you got. I'm always afraid these days,

2058
01:19:38,560 --> 01:19:39,280
Speaker 4: like what can you say?

2059
01:19:39,320 --> 01:19:40,439
Speaker 2: What can't you say? At the end of the day.

2060
01:19:40,520 --> 01:19:40,800
Speaker 2: Fuck it.

2061
01:19:42,520 --> 01:19:44,599
Speaker 1: We're doing We're doing good, but we're not making national

2062
01:19:44,680 --> 01:19:46,080
Speaker 1: news right now, so I think you'd be all right.

2063
01:19:47,040 --> 01:19:48,880
Speaker 2: This is a good little little side piece. Yeah.

2064
01:19:48,880 --> 01:19:51,120
Speaker 4: And anything that gets like to hardcore, you know, usually

2065
01:19:52,400 --> 01:19:55,720
Speaker 4: anything anything that somebody doesn't want in usually hit us up.

2066
01:19:56,439 --> 01:19:59,679
Speaker 2: Because I mean, Portnoy goes after people. Well Poornoy don't.

2067
01:19:59,720 --> 01:20:02,760
Speaker 2: It's it's there's no Yeah. Sex tape come out a

2068
01:20:02,800 --> 01:20:03,320
Speaker 2: week ago and.

2069
01:20:03,680 --> 01:20:04,760
Speaker 5: He's like, so what I fuck?

2070
01:20:04,920 --> 01:20:08,360
Speaker 2: I fuck I have sex? How crazy is that?

2071
01:20:08,520 --> 01:20:09,559
Speaker 5: And dude, the video is.

2072
01:20:09,560 --> 01:20:12,639
Speaker 4: Aggressive, Yeah, aggressive, he's like choking the broad and stuff.

2073
01:20:12,680 --> 01:20:14,160
Speaker 4: But he comes out he's he was like pissed that

2074
01:20:14,240 --> 01:20:15,880
Speaker 4: the pin stock was going down. He's like, my stock's

2075
01:20:15,880 --> 01:20:17,880
Speaker 4: going down because of my sex videos, Like, so what

2076
01:20:18,000 --> 01:20:19,080
Speaker 4: I have consensual sex?

2077
01:20:19,120 --> 01:20:20,519
Speaker 5: Like, I get a little weird. I've got a little

2078
01:20:20,520 --> 01:20:21,519
Speaker 5: older you guys, but I'm not mad.

2079
01:20:21,600 --> 01:20:23,000
Speaker 2: I showed that video of Tailing. I go, hey, what

2080
01:20:23,040 --> 01:20:28,040
Speaker 2: do you think about this? He's got a fucking belt

2081
01:20:28,080 --> 01:20:31,320
Speaker 2: around around it? Belt right now? Figure this ship out.

2082
01:20:32,000 --> 01:20:35,080
Speaker 1: Hell yeah, no, as long as the ship's consensual, you

2083
01:20:35,120 --> 01:20:36,040
Speaker 1: guys can do whatever you want.

2084
01:20:36,120 --> 01:20:38,320
Speaker 2: Dude, put candle wax on each other, kid, he can

2085
01:20:38,360 --> 01:20:40,360
Speaker 2: do whatever you wants. Yeah, exactly what you want.

2086
01:20:40,840 --> 01:20:42,600
Speaker 4: Go for Yeah, and you gotta know, like getting in

2087
01:20:42,640 --> 01:20:44,160
Speaker 4: a world with Dave too, Like you're just gonna have

2088
01:20:44,200 --> 01:20:46,920
Speaker 4: to know. Hey, whatever whatever happens, it could be. It

2089
01:20:46,960 --> 01:20:48,640
Speaker 4: could be media or any kind of news because he

2090
01:20:48,680 --> 01:20:52,479
Speaker 4: ain't gonna withhold doing anything because he owns his own ship.

2091
01:20:53,560 --> 01:21:03,719
Speaker 4: But all right, man, big shout out to you guys.

2092
01:21:04,160 --> 01:21:08,400
Speaker 4: If you enjoyed this episode and love and support Busting

2093
01:21:08,439 --> 01:21:11,920
Speaker 4: with the Boys, go to whatever podcast platform you're on

2094
01:21:12,200 --> 01:21:15,599
Speaker 4: and subscribe to us. Leave a review, rate five stars

2095
01:21:16,000 --> 01:21:20,120
Speaker 4: if you're already subscribed, unsubscribe and resubscribe again. It helps

2096
01:21:20,120 --> 01:21:23,760
Speaker 4: the boys climb the charts. And again, we wouldn't be

2097
01:21:23,840 --> 01:21:25,800
Speaker 4: doing this and can't do this without you, guys and

2098
01:21:25,920 --> 01:21:28,320
Speaker 4: all of your support. We also have a YouTube channel

2099
01:21:28,360 --> 01:21:30,840
Speaker 4: if you like. If you'd like to watch our show

2100
01:21:31,400 --> 01:21:33,800
Speaker 4: or these episodes, they are on YouTube at Busting with

2101
01:21:33,880 --> 01:21:36,639
Speaker 4: the Boys. We're also on social media at Busting WTB.

2102
01:21:36,800 --> 01:21:39,080
Speaker 4: You can follow us everywhere, go buy our merch You

2103
01:21:39,120 --> 01:21:41,559
Speaker 4: guys know that whole deal. But thank you so much.

2104
01:21:41,800 --> 01:21:44,599
Speaker 4: We are forever grateful for you. The biggest of hugs

2105
01:21:44,640 --> 01:21:47,920
Speaker 4: and tiniest of kisses for the boys always and forever,