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Speaker 1: I was performing for Janelle Jenne Maloney's birthday party.

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Speaker 2: In the dunk tank where I sit in the.

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Speaker 1: Yeah, approached, and I say something honest to them the

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Speaker 1: first endiary Yeah, yeah, yeah, sometimes about them. Also sometimes

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Speaker 1: about society, society and.

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Speaker 3: War and stuff like the war and get out of

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Speaker 3: that thing already.

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Speaker 1: Well or should we say, well, this is what I'm saying,

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Speaker 1: is like, and we at least decide yeah, And if

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Speaker 1: they start to get nervous and like have anxiety about it,

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Speaker 1: then they will dunk me. And that's when I know

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Speaker 1: that I've done a good job, Yes, that you've made

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Speaker 1: a name, And that's when I went. But some at

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Speaker 1: some point, I think by accident, somebody took like a

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Speaker 1: patio umbrella and leaned it against the dunk button.

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Speaker 3: So the seat is.

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Speaker 1: Down down and you can't out, and the sides are

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Speaker 1: very slippery, and the water is boiling. Yes, the water

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Speaker 1: is very hot, because I don't like, you know, like

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Speaker 1: this really cold water. But I'm also not expecting to

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Speaker 1: sit in it for a really long time, yes, exactly.

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Speaker 1: And it's getting hotter and hotter because as the day

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Speaker 1: goes on, the sun is the tank is kind of

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Speaker 1: like a big magnifying glass and so it's burning me

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Speaker 1: and I'm scrambling against the sides, yeah, getting yeah, tired

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Speaker 1: as I go. But then I realize I'm churning it.

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Speaker 1: I'm churning this this water which I've been in it

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Speaker 1: for so long. It is kind of like a buttery,

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Speaker 1: milky water.

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Speaker 3: Now and some of the fish are starting to be

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Speaker 3: uncomfortable as well.

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Speaker 1: Yeah, yes, I'm stepping on a lot of the fish

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Speaker 1: as I'm uh. As I'm turning my way out, all

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Speaker 1: of a sudden it solidifies and I'm I scrambled.

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Speaker 3: On the side too fast.

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Speaker 4: I go shooting out, shooting over the top into the cake.

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Speaker 3: Oh yeah, no, well I'll have us lie.

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Speaker 1: Hey, Welcome to Hollywood Handbook and Insiders. Guy to kicking button,

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Speaker 1: directing names in the red carpet, lying back. Always in

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Speaker 1: this industry, we call show the show. If you listen

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Speaker 1: to the show, you know that we've been on a mission, Yes,

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Speaker 1: a mission to get.

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Speaker 3: All of the character character all the character Pokey Man's

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Speaker 3: to us. And we love these things. We want to

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Speaker 3: be the being around town and well and we have

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Speaker 3: them fight each other and then but there but it's

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Speaker 3: fun and we I'm so happy that now we have three.

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Speaker 1: Yes we had Lauren Lapkis I think before the show.

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Speaker 3: Yes, yes, we've had her four times. And now we

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Speaker 3: have two more. Two more, and we've captured you and

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Speaker 3: it's Caberlin. Sorry, John Early, Hey bye, welcome.

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Speaker 2: What do you do you guys?

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Speaker 3: Uh?

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Speaker 1: What are tell me about what the other characters are doing?

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Speaker 1: What do you guys like still hang out and like

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Speaker 1: do stuff together?

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Speaker 2: Well, they've picked us up, I think for four more seasons.

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Speaker 3: It's just an issue kidding just know, I mean me neither, but.

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Speaker 2: There they just because I think it was the first

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Speaker 2: season was such a huge hit and it's such a

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Speaker 2: dent on the culture.

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Speaker 3: Are you guys just always laughing? Yes? I mean are

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Speaker 3: you just cracking up? Oh my god, these crazy characters

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Speaker 3: you know, to put you guys all together, I go, like,

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Speaker 3: that's explosive. And I'm surprised because when I watched the show,

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Speaker 3: a lot of times the characters are doing have a

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Speaker 3: very straight face. But I know John's in that and

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Speaker 3: Kate's in there, and you guys must be really laughing.

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Speaker 5: It is fun. We do we do, we do have to.

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Speaker 2: But I find that things are funniest when you commit. Yeah,

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Speaker 2: when it's siri, when it's serious and so so I

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Speaker 2: know when we're doing come, we don't really crack each

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Speaker 2: other up because.

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Speaker 5: We don't laugh. People think, oh, you two, you collaborate,

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Speaker 5: You must must be a ball at the time. We're

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Speaker 5: very serious. Yeah what we do, and we don't think

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Speaker 5: it is funny.

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Speaker 2: We met at the Gut three uh yeah, doing theater.

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Speaker 3: Oh okay, Barlow three huh machine kills fascist.

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Speaker 2: Got a guitar.

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Speaker 1: Three yeah.

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Speaker 3: You know, he's a big music guy.

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Speaker 5: H used to live on his block in New York City.

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Speaker 3: Really yeah, truly well, and and he was out in California.

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Speaker 3: He was out here and he'd play in the streets.

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Speaker 3: This machine kills fascists. His guitar would say wow, and

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Speaker 3: then he'd stop, and they were smashed them with it.

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Speaker 1: M yeah no, and you could break off the stalk

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Speaker 1: of it and kind of it could be al and.

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Speaker 3: The string and the guitar strings and choking machine. Yeah.

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Speaker 3: It's so, it's actually several machines that killed fascist. But

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Speaker 3: he didn't want to overstate it. I think so that

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Speaker 3: the ash just didn't know exactly how he was coming

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Speaker 3: in totally. But that's where you guys met was with Guthrie.

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Speaker 2: Uh yeah, no, we we met. I was doing the

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Speaker 2: step in Wolf, Laurie Metcalf, Tracy Let, Tracy Bug Yeah,

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Speaker 2: and he was.

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Speaker 3: Superior donuts. Yeah. Yeah, Well that's so cool that you

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Speaker 3: guys met. And I love what you're saying about committing

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Speaker 3: and not necessarily cracking up because I think laughter a

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Speaker 3: lot of times is a release and it's a release

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Speaker 3: of fear and I don't ever wanna I don't ever

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Speaker 3: want to be performing from a place of fear. I

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Speaker 3: want to be performing from a place of strength. Do

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Speaker 3: you guys know about that?

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Speaker 2: Yes, you take this one?

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Speaker 5: I think okay, yeah, I think that being strong, holding

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Speaker 5: that tension.

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Speaker 6: I know that's a place that where I work from

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Speaker 6: yea through that and it is scary performing as a

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Speaker 6: risk and go back to the characters or shoot like

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Speaker 6: that was draining.

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Speaker 2: Absolutely.

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Speaker 5: It was almost three days of shooting and day one

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Speaker 5: you're like, let's do this.

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Speaker 3: Camera how manna cameras under five and you're smash cutting.

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Speaker 5: We did. We did a lot of any camera editing.

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Speaker 3: Yeah.

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Speaker 2: Yeah, so it was a lot of everyone freeze, yeah, freeze.

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Speaker 5: The music and we had a boombox that we'd wheel

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Speaker 5: around and kind of do source music, and it was

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Speaker 5: it was a ragtag honky tonk set.

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Speaker 2: It was Dogma five, Kevin.

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Speaker 1: I think that movie came out in ninety nine.

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Speaker 2: Well, no, this time, I'm referring to the Lars von

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Speaker 2: Treyer dog.

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Speaker 1: No Dog No, yeah, dog that movie came out, and

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Speaker 1: I think.

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Speaker 3: Two found that movie follows those rules.

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Speaker 1: Yeah yeah, yeah, well you have to know dog Star

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Speaker 1: was a band in ninety five.

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Speaker 2: Ah, and it could be what you're saying.

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Speaker 5: Yeah, yeah, I mean I love those running gun gorilla

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Speaker 5: type filmmaking show me.

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Speaker 1: Yes, let's just go in there and do fuck it.

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Speaker 3: We'll do it live.

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Speaker 1: You know, and like, yeah, CVS is just going to

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Speaker 1: CVS and they don't.

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Speaker 3: Let's literally go into a CVS and just literally just

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Speaker 3: shoot the whole thing in the candle. And if we

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Speaker 3: get hungry, you know, here's craft services. Yeah right, yeah, yeah,

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Speaker 3: you know, it's life, savers and ship.

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Speaker 5: I love the immediacy of cinema me too.

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Speaker 2: I always I've always said that, you know that.

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Speaker 3: Yeah, yeah, that's why. Yeah, it's better than live theater

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Speaker 3: really in terms of just immediacy.

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Speaker 1: This is such a nice way to start talking about

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Speaker 1: the thing that we actually wanted to talk about. That

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Speaker 1: wasn't this uh huh, which is about communication for the

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Speaker 1: two of you. I know you, I know, wait a minute,

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Speaker 1: it's really important. And also and like talking about communication,

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Speaker 1: it's so funny because it's like talking is.

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Speaker 4: We're communicating about community already. It's like that such a

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Speaker 4: funny thing. It's kind of yes, yes, but.

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Speaker 1: You guys, you do a lot of stage performances, the

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Speaker 1: two of you, very fast, very lots of back and forth,

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Speaker 1: the two of you feeding off each other in this

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Speaker 1: very snappy way.

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Speaker 3: We can see as a part of a dynamic duo

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Speaker 3: of our own that you're giving each other these sort

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Speaker 3: of micro cues and sort of following them rapid fire

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Speaker 3: in real time.

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Speaker 1: And the audience can't say invisible to the audience.

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Speaker 2: But you guys can see as a duo yourself.

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Speaker 1: As another duo. We recognize a sort of physical shorthand

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Speaker 1: that you two have.

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Speaker 3: It's like being some kind of fucked up mirror, right

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Speaker 3: like that the.

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Speaker 5: Duo and me sees the duo in you.

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Speaker 1: Yeah, yeah, yes, And we wanted to talk explain to

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Speaker 1: people kind of how that works because I think a

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Speaker 1: lot of time they're watching and they're wondering, like, oh, how.

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Speaker 3: Does she know to say that move?

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Speaker 1: Then we're going to do I was going to be

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Speaker 1: in that exact place to catch her.

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Speaker 3: And sometimes people think it's rehearsed. Yeah, I know, but

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Speaker 3: let's pull back the curtain.

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Speaker 2: Yeah, well, I would say mostly people assume that what

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Speaker 2: we're doing is spontaneous, but it's actually very very choreographed.

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Speaker 3: Yeah, yes, I love this.

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Speaker 5: We don't write our stuff.

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Speaker 3: No oh wait, no, no, the dialogue, the language, never

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Speaker 3: language itself.

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Speaker 2: Yes, we have a team of writers, young writers, and yeah, yeah,

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Speaker 2: just kind of source.

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Speaker 5: We do a lot of rehearsals, and there is no

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Speaker 5: there's no spontaneity.

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Speaker 3: It's just how important is it to have a team

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Speaker 3: of young writers speak on that for a moment, if

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Speaker 3: you could.

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Speaker 5: I think it's so important because they are so in

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Speaker 5: touch with in a way that I just you know,

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Speaker 5: I had a dog, I fostered a dog. I was

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Speaker 5: out of culture. I didn't I didn't know.

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Speaker 2: Yeah, I had been teaching, and so it's it's you

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Speaker 2: really hold the trump.

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Speaker 3: I didn't know that, no exactly, Yeah, and so shocked.

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Speaker 2: Yes, exactly the culture.

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Speaker 5: I mean, we're walking on as it's.

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Speaker 1: Landmark careful like even saying that, I know.

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Speaker 3: They don't like that term. They don't like this. They

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Speaker 3: just want it to be called culture.

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Speaker 5: It's it's not media, it's eggshells, you know. And so

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Speaker 5: we were so the young writers we bring them.

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Speaker 3: In, they've really kept some references that they're able to

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Speaker 3: pull out this figing duct tails and back to the

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Speaker 3: future and some of these cool hip comedic references that

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Speaker 3: I'm seeing emerge now that I have no frame of reference. Yeah,

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Speaker 3: I literally am like, okay if you say so, but

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Speaker 3: it sounds pretty cool, some of this back to the future.

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Speaker 1: And yes they're singing the like SpongeBob song and yeah,

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Speaker 1: if you say so, Yeah, they seem to like it.

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Speaker 2: We've really been recently, we've really been into kind of

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Speaker 2: riffing on Mario Kart.

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Speaker 5: Oh my god, okay, and like what would Yoshi do

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Speaker 5: if Mario hadn't been there?

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Speaker 3: Whatever, and the turtle shells because of the different colors. Yeah,

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Speaker 3: so it's it is a little bit like society.

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Speaker 5: We'll go to a to a to a garage sale,

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Speaker 5: pick out some VHS's and say, well, that's the show,

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Speaker 5: and we'll just watch it and we'll go this is

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Speaker 5: the framework. It might be a tutorial about how to

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Speaker 5: build a table and that's.

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Speaker 3: All we need and that's it and just off to

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Speaker 3: the races. You guys coming. Audience laughs, you don't laugh. No, no, yeah,

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Speaker 3: that's good. Can you talk a little bit about anytime

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Speaker 3: there's a partnership, there's sort of a ying and yang

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Speaker 3: isn't there, and there's different roles. For instance, I am

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Speaker 3: naturally funny, Uh have just funny in my bones, but

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Speaker 3: it's not it's not repeatable. I don't know why I'm funny,

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Speaker 3: how I'm doing it. So it happens sporadically, not that often,

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Speaker 3: and then not again for a long time because I

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Speaker 3: don't study it. Hayes knows all the rules.

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Speaker 2: It's math to me.

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Speaker 3: That's what I've always do.

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Speaker 1: I'm in school right now, Like every time I'm on

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Speaker 1: the mic, I am going to school and I'm absorbing

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Speaker 1: information and I'm turning it into math problems.

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Speaker 3: No charis well whatsoever? But a student pattern.

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Speaker 1: Yes, it's rumbus listening to other people, the inflections that

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Speaker 1: other people are doing.

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Speaker 2: And two yeah, yeah.

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Speaker 1: I'm converting it into numbers and stuff in my head,

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Speaker 1: and I love getting back out.

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Speaker 5: I love to watch stand up specials with the sound

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Speaker 5: off yeah and just saying the mouth and just the

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Speaker 5: kind of hack and you can see the way and

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Speaker 5: that's what it is. It is dance. It's not.

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Speaker 1: Yeah, it's a mathematical dance.

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Speaker 5: It is not. So that's interesting. We also, I think I'm.

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Speaker 2: Yeah, yeah, yeah, yeah, I have a BF a formal training,

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Speaker 2: and so there's kind of where did you study?

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Speaker 1: Okay, yeah, I went to every second city and took

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Speaker 1: my courses there.

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Speaker 3: In every city that there was a second city.

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Speaker 2: You would find his.

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Speaker 1: Now I think there are four. I would sort of

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Speaker 1: wander around with uh sort of a second city kit

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Speaker 1: where I could like sort of show up in a

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Speaker 1: new city and like try and get it going with

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Speaker 1: Like I would sort of had this little like traveling

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Speaker 1: sort of like a medicine cart, you know. Yeah, yeah,

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Speaker 1: but this is for like real stuff that can actually

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Speaker 1: help people, which is a second city school.

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Speaker 3: And I sort of like put communication. I mean to

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Speaker 3: bring it all around. You can use it for at

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Speaker 3: your corporation exactly.

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Speaker 5: It's not even about being funny, it's about being pleased.

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Speaker 3: Please don't try to make it about being funny for

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Speaker 3: the joke.

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Speaker 5: That's the moment of failure. If I see them reaching

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Speaker 5: for the joke, You're out.

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Speaker 3: Sit down, Thank you for getting sit down, and just

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Speaker 3: watch for the next whole scene.

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Speaker 2: And that's something that Kate taught me. I would say

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Speaker 2: really early on.

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Speaker 5: In the prog It's not about being funny.

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Speaker 2: It's not about being funny.

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Speaker 5: It's about being open and supine and ready to take

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Speaker 5: in what the other person.

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Speaker 3: And just for people who forget what supine means, okay,

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Speaker 3: prone to yeah, prone, you're on the tummy zone supine

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Speaker 3: soups on.

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Speaker 5: Yes, supbine is often in a it's a corpse pose

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Speaker 5: and yoga or you're.

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Speaker 3: Very open and you're available, yeah, soups on. And you

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Speaker 3: remember that's face so that you don't want to spill

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Speaker 3: the soup. You don't want to put it. Prone, you're

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Speaker 3: in the belly zone.

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Speaker 2: What's prone?

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Speaker 1: I don't prone is in the belly zone. Just as

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Speaker 1: he's explaining it, just like a lot of times, I

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Speaker 1: know people are think of the next thing that they

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Speaker 1: can say.

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Speaker 2: Okay, but careful.

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Speaker 1: But but Sean did just explain it, and he said

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Speaker 1: in the belly and that should be enough times I think, right, no,

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Speaker 1: we got it, we got it.

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Speaker 3: I got it, but not right now. But yeah, it's

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Speaker 3: not about being funny, which has been so fortunate for

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Speaker 3: me because I'm not able to really recreate the funny

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Speaker 3: moments that but they do happen, and we've kind of

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Speaker 3: edit out the rest of the stuff.

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Speaker 5: I've always said. I know, John and I sometimes we'll

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Speaker 5: go off stage after doing an hour, you know, killing,

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Speaker 5: and we'll look at each other and we'll go, what

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Speaker 5: Because I was like, there's no memory.

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Speaker 1: We know, Leavery, remember when you did that thing that

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Speaker 1: was so funny.

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Speaker 2: You're honestly.

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Speaker 5: Because we I don't know if it's you know, possession

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Speaker 5: or I don't know what it is, but we don't know.

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Speaker 3: It feels like you're channeling something, right, like you become

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Speaker 3: sort of just a vessel or for the story for

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Speaker 3: Louis or for whoever, but specifically main Louis.

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Speaker 5: Yeah, for sure.

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Speaker 3: Yeah, Okay, what did you where did you study?

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Speaker 2: Well she's not trained.

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Speaker 3: Okay, well that's similar to me.

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Speaker 1: Yeah, okay, so you went to places but it just

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Speaker 1: didn't really take well.

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Speaker 5: I was rejected. I actually applied to Tish truly, and

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Speaker 5: I was rejected. I was wait listed at Emerson. I

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Speaker 5: delivered a gut wrenching Larmie Project monologue.

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Speaker 1: Yeah, mister Shepherd, No, I did Dylan Baker Ben Foster's character.

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Speaker 3: Who I actually played production.

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Speaker 5: I talked about it, so beautiful Shepherd.

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Speaker 3: Yeah wait wait wait yeah.

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Speaker 5: He found them.

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Speaker 2: Okay, then I didn't do that.

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Speaker 3: Who did you do?

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Speaker 2: You know what I'm thinking of Joshua Jackson's character. He's

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Speaker 2: like he came around here once in a while. He's

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Speaker 2: shining a glass. See I know.

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Speaker 5: I was Ben Foster.

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Speaker 2: Oh beautiful. I love that you did a boy.

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Speaker 5: Yeah, and I did the monologue. Rejected from Tish, I

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Speaker 5: got a steady wait list. I was rejected from Merrymount Manhattan.

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Speaker 3: Oh that's a great, great theater program.

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Speaker 5: And their rejection letter, I remember it so clearly. It

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Speaker 5: was so cruel. Truly. It wasn't just like, oh, we

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Speaker 5: we got to inform you, thank you for applying. It

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00:17:16,280 --> 00:17:19,200
Speaker 5: was like, you have not met our standards for excellence,

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Speaker 5: and for that reason, we are unable to make room

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Speaker 5: for you, Like we require a certain amount of technical ability.

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Speaker 3: It was like it mean, well, it's interesting isn't it

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Speaker 3: that initially your job is not to perform, it's to

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Speaker 3: be told no and to keep getting up every day,

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Speaker 3: putting one foot in front of the other.

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Speaker 5: Exactly.

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Speaker 1: We should talk about some of these second SETI programs

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Speaker 1: for you, Kate, because it's it's an amazing thing. Yeah no,

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Speaker 1: because well, the initial cost of doing these programs is

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Speaker 1: like five hundred thousand dollars, but you get the tools

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Speaker 1: to teach other people. So they give you a big

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Speaker 1: box of books and like the whole Kid and you

357
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Speaker 1: can go around now selling that to people and sort

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Speaker 1: of this like multi level marketing, I guess is kind

359
00:18:07,440 --> 00:18:11,440
Speaker 1: of and it's a way to get very rich with shakes,

360
00:18:12,000 --> 00:18:14,840
Speaker 1: nutritional shakes. Yeah, yeah, they have The Second City has

361
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Speaker 1: a line of those.

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Speaker 3: What I what I did is I didn't study any

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Speaker 3: comedy or any theater, but I went to Harvard with

364
00:18:24,040 --> 00:18:26,879
Speaker 3: a bunch of my rich pronies and then they just

365
00:18:26,960 --> 00:18:29,359
Speaker 3: basically hand me opportunities for the rest of my life.

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00:18:29,400 --> 00:18:32,240
Speaker 3: See that's amazing and never and it's this huge safety

367
00:18:32,320 --> 00:18:34,800
Speaker 3: net and it doesn't matter what I do. Uh, And

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00:18:34,840 --> 00:18:39,920
Speaker 3: it's all fake. And I studied history, which just it's

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Speaker 3: so scary to watch how it's sort of.

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Speaker 5: Yes, I wake up and I go, We've been here before.

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Speaker 5: This isn't new.

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Speaker 1: Because it's like and this is this war thing again.

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Speaker 1: I kind of remember this war from before, from when

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Speaker 1: I read about it in the book One Before.

375
00:18:57,280 --> 00:18:57,520
Speaker 2: Yeah.

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00:18:57,720 --> 00:19:05,880
Speaker 3: Yes, in the movies Deja Zoo, Dejon not new. Yeah, yeah,

377
00:19:05,920 --> 00:19:09,200
Speaker 3: but it heart's really nice. The Finals clubs are so cool,

378
00:19:09,400 --> 00:19:11,240
Speaker 3: whatever you want. I love that.

379
00:19:11,359 --> 00:19:14,639
Speaker 2: I love that Harvard approach to comedy. I've always been envious.

380
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Speaker 5: The lampoon for me is.

381
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Speaker 3: Act. I was always the lampoo. I held all the

382
00:19:23,320 --> 00:19:26,600
Speaker 3: money and there was a lot, and then we sort

383
00:19:26,600 --> 00:19:29,320
Speaker 3: of use it to have a celebrity come and like

384
00:19:29,400 --> 00:19:33,520
Speaker 3: do mushrooms with us. Oh wow, oh yeah, and then

385
00:19:33,560 --> 00:19:36,920
Speaker 3: we'd be like this is you know, our education or something.

386
00:19:36,920 --> 00:19:39,840
Speaker 3: It would be like fucking whoever, Like yeah what he

387
00:19:39,880 --> 00:19:42,120
Speaker 3: Harreldson come and do mushrooms. We go like, now you're

388
00:19:42,160 --> 00:19:46,480
Speaker 3: in the lampoo. That was like what we did. Yeah,

389
00:19:46,520 --> 00:19:49,280
Speaker 3: it ruled, and so I absorbed a little bit of

390
00:19:49,320 --> 00:19:52,000
Speaker 3: comedic stuff that way, but I can't remember much of it.

391
00:19:52,760 --> 00:19:59,359
Speaker 2: Yeah, right about time God laughed.

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00:20:00,040 --> 00:20:01,400
Speaker 5: Yeah I did show.

393
00:20:01,640 --> 00:20:04,120
Speaker 2: Yeah, yeah, I.

394
00:20:04,000 --> 00:20:06,960
Speaker 5: Got it at Dunton's in Brentwood, which was a wonderful

395
00:20:07,119 --> 00:20:09,600
Speaker 5: small bookstore that has since been leveled and replaced with

396
00:20:09,640 --> 00:20:14,000
Speaker 5: a CBS truly wise.

397
00:20:16,280 --> 00:20:19,960
Speaker 3: Yeah, yeah, and yeah, god, you guys are cool.

398
00:20:20,000 --> 00:20:22,320
Speaker 2: I mean this is this is I was thinking the

399
00:20:22,480 --> 00:20:24,200
Speaker 2: same thing about you guys.

400
00:20:24,840 --> 00:20:27,800
Speaker 3: I was just like, is it just yeah?

401
00:20:28,080 --> 00:20:28,760
Speaker 1: Is it just yere?

402
00:20:28,920 --> 00:20:30,600
Speaker 3: Is this vibe like we had Jar?

403
00:20:31,000 --> 00:20:31,240
Speaker 5: Yeah?

404
00:20:31,359 --> 00:20:33,600
Speaker 3: Do you guys want just like are? We had Charles

405
00:20:33,640 --> 00:20:35,119
Speaker 3: get the freaking Banana Kareem.

406
00:20:36,480 --> 00:20:39,840
Speaker 5: And we were doing thirty. We took a lot of

407
00:20:39,920 --> 00:20:42,720
Speaker 5: business dinners at Jar right around the time in.

408
00:20:42,760 --> 00:20:44,200
Speaker 1: The accident shooting.

409
00:20:44,400 --> 00:20:46,400
Speaker 3: Can I say yeah, Can I say, wait for Dina

410
00:20:46,640 --> 00:20:47,120
Speaker 3: to come around?

411
00:20:47,720 --> 00:20:48,159
Speaker 2: Excuse me?

412
00:20:48,280 --> 00:20:51,680
Speaker 3: Go back to Jar? But wait fornalla, Oh it doesn't

413
00:20:51,840 --> 00:20:54,359
Speaker 3: It doesn't take that long. And you can get all

414
00:20:54,440 --> 00:20:58,080
Speaker 3: the best stuff at Jar. It's not a huge expansive

415
00:20:58,119 --> 00:20:59,960
Speaker 3: menu were there's so many things that you're gonna want

416
00:21:00,080 --> 00:21:04,560
Speaker 3: trying to that prefix is gonna do? You right?

417
00:21:04,760 --> 00:21:05,000
Speaker 2: Tell me?

418
00:21:06,600 --> 00:21:12,200
Speaker 3: Oh god, well there's like a salad thing, Okay, Yeah,

419
00:21:12,440 --> 00:21:14,439
Speaker 3: there's like a freaking pot roast or something.

420
00:21:14,720 --> 00:21:16,920
Speaker 5: I've never had them guilty of that.

421
00:21:17,359 --> 00:21:21,000
Speaker 3: Yeah, I go for THEI need beef.

422
00:21:21,160 --> 00:21:25,080
Speaker 1: Yeah, you know you're using prone and like in a

423
00:21:25,119 --> 00:21:27,480
Speaker 1: way that makes you think because.

424
00:21:27,520 --> 00:21:30,720
Speaker 3: Which is not related to prone or whatever belly's on.

425
00:21:31,440 --> 00:21:34,840
Speaker 1: Yeah, I guess you think the belly zone, the belly

426
00:21:34,920 --> 00:21:37,119
Speaker 1: zone with like food stuff, so that you're thinking like,

427
00:21:37,240 --> 00:21:39,960
Speaker 1: this is a good time to use prone because we're food.

428
00:21:40,440 --> 00:21:42,480
Speaker 2: It's not that kind of bellies.

429
00:21:42,720 --> 00:21:45,840
Speaker 5: Back to the pilet. I do the green peppercorn sauce

430
00:21:45,880 --> 00:21:50,600
Speaker 5: because it's dairy free. But now I am engaging in dairy. Clearly.

431
00:21:51,840 --> 00:21:56,680
Speaker 1: I was gonna say that you're really given about emanating dairy.

432
00:21:57,320 --> 00:21:58,880
Speaker 2: Came to pick me up. I said, are you back

433
00:21:58,920 --> 00:21:59,359
Speaker 2: on dairy?

434
00:21:59,520 --> 00:22:00,600
Speaker 3: You're very realactic.

435
00:22:00,880 --> 00:22:01,080
Speaker 1: Yeah.

436
00:22:01,720 --> 00:22:04,240
Speaker 5: You can hear it in my throat, the way the

437
00:22:04,440 --> 00:22:05,040
Speaker 5: nodules are.

438
00:22:05,320 --> 00:22:09,480
Speaker 3: It's such a rich to me though it's Yeah, it

439
00:22:09,600 --> 00:22:11,960
Speaker 3: does give it a new quality that sort of makes

440
00:22:12,000 --> 00:22:16,360
Speaker 3: me feel like I'm gliding down a sort of well,

441
00:22:16,480 --> 00:22:18,320
Speaker 3: speaking of the reference that they're doing, do you remember

442
00:22:18,400 --> 00:22:22,240
Speaker 3: in Freaking Double Dare when they would slide down the

443
00:22:22,320 --> 00:22:26,360
Speaker 3: freaking booger nose and search for the flag Summers?

444
00:22:26,560 --> 00:22:31,000
Speaker 5: Is I love that guy and he's O C.

445
00:22:31,200 --> 00:22:34,239
Speaker 3: D and he hosted a sloppy show. Isn't that an

446
00:22:34,280 --> 00:22:37,680
Speaker 3: interesting fact we could bring up? Do you guys, remember

447
00:22:37,880 --> 00:22:41,600
Speaker 3: that because my young writers have been sending me all

448
00:22:41,720 --> 00:22:44,159
Speaker 3: kinds of double their materials and I'm loving it.

449
00:22:45,000 --> 00:22:47,520
Speaker 1: Your shorts, they're gonna tell us about this.

450
00:22:47,720 --> 00:22:50,960
Speaker 2: Hey dude, Hey, I was.

451
00:22:50,960 --> 00:22:53,359
Speaker 3: Actually I was actually raised by TV. Yeah me too,

452
00:22:53,560 --> 00:22:55,159
Speaker 3: me too, Yeah, I was raised by me too.

453
00:22:56,720 --> 00:22:57,080
Speaker 2: Do you guys?

454
00:22:57,280 --> 00:22:59,399
Speaker 1: I don't know if you this is weird likes, But

455
00:22:59,520 --> 00:23:02,080
Speaker 1: do you ever like go dance? Would you guys like

456
00:23:02,119 --> 00:23:04,879
Speaker 1: to like go dance after this? Because I'm just saying, like,

457
00:23:04,920 --> 00:23:07,160
Speaker 1: you guys are so cool, like we're like having such

458
00:23:07,160 --> 00:23:07,600
Speaker 1: a good time.

459
00:23:07,760 --> 00:23:10,560
Speaker 3: We were gonna sure we were going to go dance.

460
00:23:10,880 --> 00:23:12,480
Speaker 2: Yeah, just like I know it's like the middle of the.

461
00:23:12,520 --> 00:23:14,760
Speaker 5: Day, but like we do go dancing, and I actually

462
00:23:14,920 --> 00:23:16,480
Speaker 5: I know of those kinds of cool parties.

463
00:23:16,800 --> 00:23:17,080
Speaker 3: Truly.

464
00:23:17,119 --> 00:23:19,600
Speaker 5: We went down we dance this weekend. Yes, we left

465
00:23:19,640 --> 00:23:22,960
Speaker 5: one dance party and went to it was kidding. It

466
00:23:23,040 --> 00:23:25,120
Speaker 5: was two thirty a m. And I said, I'm not home.

467
00:23:25,200 --> 00:23:25,560
Speaker 2: Time to go.

468
00:23:26,000 --> 00:23:28,360
Speaker 5: They went to a dance district.

469
00:23:29,160 --> 00:23:31,520
Speaker 3: Hang on, because did you hear so this is what

470
00:23:32,040 --> 00:23:33,880
Speaker 3: he does where he memorizes these.

471
00:23:33,800 --> 00:23:35,000
Speaker 1: Because these books.

472
00:23:35,000 --> 00:23:36,960
Speaker 2: I read these books like funny stuff.

473
00:23:37,560 --> 00:23:39,600
Speaker 3: Yeah, snappy answers to stupid questions.

474
00:23:41,040 --> 00:23:43,680
Speaker 5: I don't decide to joke. I just yeah, it just

475
00:23:43,800 --> 00:23:44,280
Speaker 5: comes out.

476
00:23:44,480 --> 00:23:46,720
Speaker 3: And if you if you ask Hey sort of a

477
00:23:46,840 --> 00:23:49,760
Speaker 3: silly question, he'll have a very funny answer a lot

478
00:23:49,800 --> 00:23:50,399
Speaker 3: of the time, you.

479
00:23:50,400 --> 00:23:53,800
Speaker 2: Know, a snap, snappy, snappy answer. That's a little bit.

480
00:23:54,160 --> 00:23:58,040
Speaker 3: I have three of them. And so, oh boy, are

481
00:23:58,160 --> 00:23:59,160
Speaker 3: are those your muscles?

482
00:24:00,160 --> 00:24:00,280
Speaker 2: Uh?

483
00:24:00,480 --> 00:24:02,760
Speaker 3: No, they're uh these uh.

484
00:24:04,520 --> 00:24:08,040
Speaker 2: They're like uh my pet turtles or something.

485
00:24:08,920 --> 00:24:12,320
Speaker 1: No, it's like, no, somebody's building a sand castle on

486
00:24:12,480 --> 00:24:16,840
Speaker 1: my arm, and so like like you know, like even

487
00:24:17,000 --> 00:24:19,879
Speaker 1: snappier than they're like, I'm sorry because Kevin's here.

488
00:24:20,320 --> 00:24:22,560
Speaker 3: Normally no, Kevin came in in the middle of Yeah,

489
00:24:22,880 --> 00:24:23,320
Speaker 3: I get it.

490
00:24:23,560 --> 00:24:24,159
Speaker 2: And people don't know.

491
00:24:24,200 --> 00:24:26,040
Speaker 1: People are listening and thinking I just couldn't come up

492
00:24:26,040 --> 00:24:28,119
Speaker 1: with like a girl, But actually I have someone that

493
00:24:28,280 --> 00:24:29,520
Speaker 1: just walked in the room.

494
00:24:29,440 --> 00:24:31,639
Speaker 3: While I was talking, and so much of what you

495
00:24:31,760 --> 00:24:33,960
Speaker 3: do is physical, and so I don't think they can.

496
00:24:34,400 --> 00:24:36,160
Speaker 5: I Also, I've always said I have a great face

497
00:24:36,200 --> 00:24:39,720
Speaker 5: for radio, right because I am physical.

498
00:24:42,720 --> 00:24:43,960
Speaker 3: This is uh, this is Kevin.

499
00:24:44,000 --> 00:24:44,840
Speaker 2: You haven't see Kevin.

500
00:24:45,359 --> 00:24:47,920
Speaker 3: Kevin. You can get Hey Kevin to take it back

501
00:24:47,920 --> 00:24:49,879
Speaker 3: to dance parties for a minute. We do want to

502
00:24:49,920 --> 00:24:53,119
Speaker 3: go dancing, but nothing structured like a dance to It's.

503
00:24:53,000 --> 00:24:54,920
Speaker 1: Not like a dance party, but we just like go

504
00:24:55,240 --> 00:24:56,880
Speaker 1: we want to go dance, but we want to find

505
00:24:56,880 --> 00:24:58,640
Speaker 1: a place that people wouldn't expect us to dance.

506
00:25:00,160 --> 00:25:04,280
Speaker 2: And sort of like the videos where people are dancing

507
00:25:04,359 --> 00:25:05,480
Speaker 2: in spaces.

508
00:25:06,880 --> 00:25:11,080
Speaker 3: Freaking laundry, Matt, yes, faking and what I'm in the park.

509
00:25:11,280 --> 00:25:13,719
Speaker 3: Do we take it to a freaking funeral or something

510
00:25:14,440 --> 00:25:17,880
Speaker 3: and go, hey, let's not make it sad. Let's celebrate

511
00:25:17,960 --> 00:25:18,840
Speaker 3: this person's lives.

512
00:25:18,960 --> 00:25:21,480
Speaker 2: I have always said to Kate, because she's going to have,

513
00:25:22,440 --> 00:25:27,199
Speaker 2: you know, a huge We are literally beneficiary for our

514
00:25:27,240 --> 00:25:30,640
Speaker 2: commercial agent no longer.

515
00:25:33,400 --> 00:25:37,280
Speaker 5: I did a metro PCs audition about six years ago.

516
00:25:39,760 --> 00:25:41,800
Speaker 3: Okay, and where were you right here?

517
00:25:41,880 --> 00:25:45,000
Speaker 5: What's crazy? I was called back no, and I was like,

518
00:25:45,040 --> 00:25:46,320
Speaker 5: where you were? I'm not good. I got used to

519
00:25:46,440 --> 00:25:48,720
Speaker 5: this and then they said no.

520
00:25:49,000 --> 00:25:49,800
Speaker 4: And where were you? Repped?

521
00:25:50,359 --> 00:25:50,919
Speaker 1: T R two?

522
00:25:51,359 --> 00:25:51,639
Speaker 2: Okay?

523
00:25:51,880 --> 00:25:53,880
Speaker 3: And what do you get your commercial agent for the holidays?

524
00:25:56,920 --> 00:26:01,000
Speaker 3: And Olive oil A shape? I do a jar.

525
00:26:02,080 --> 00:26:04,840
Speaker 5: I do a thing where it's bostamaic and all boil one,

526
00:26:05,840 --> 00:26:09,720
Speaker 5: so if you can, yeah, the bottles in the middle

527
00:26:09,760 --> 00:26:11,719
Speaker 5: and that and the balstomics around it, so you can

528
00:26:11,760 --> 00:26:13,400
Speaker 5: make a quick vinaigrette and a pinch.

529
00:26:13,640 --> 00:26:15,960
Speaker 1: And it's beautiful to carry both biles.

530
00:26:16,480 --> 00:26:19,359
Speaker 2: You can just have the one and there's a different

531
00:26:19,400 --> 00:26:21,240
Speaker 2: infusion and chilies.

532
00:26:21,840 --> 00:26:23,440
Speaker 5: This year it's it's hatch chili.

533
00:26:27,359 --> 00:26:28,880
Speaker 2: You've been saying hatch chili.

534
00:26:29,040 --> 00:26:29,840
Speaker 5: So sometimes I.

535
00:26:29,840 --> 00:26:30,320
Speaker 2: Get a word.

536
00:26:30,560 --> 00:26:32,440
Speaker 5: It just says for about thirty days and then it

537
00:26:32,520 --> 00:26:33,120
Speaker 5: cycles out.

538
00:26:34,400 --> 00:26:37,959
Speaker 2: Wait, what were we talking about? I don't know, dancing, dancing,

539
00:26:39,440 --> 00:26:42,120
Speaker 2: I've always said to Kate, I've always educated that when

540
00:26:42,240 --> 00:26:45,120
Speaker 2: I first first, take me first.

541
00:26:45,200 --> 00:26:47,320
Speaker 3: Well, if I'm the first to.

542
00:26:47,359 --> 00:26:50,080
Speaker 5: Go, it's not crazy. You might be what will I do?

543
00:26:51,320 --> 00:26:52,320
Speaker 2: I honestly don't know.

544
00:26:54,359 --> 00:26:56,440
Speaker 3: You ever thought about the first.

545
00:26:56,520 --> 00:26:59,600
Speaker 5: Have you ever thought? I've thought about if I died,

546
00:26:59,680 --> 00:27:01,840
Speaker 5: your wheet would.

547
00:27:02,400 --> 00:27:07,000
Speaker 2: Please Artie and then yeah, yeah that's good.

548
00:27:07,119 --> 00:27:09,600
Speaker 1: Yeah, yeah, I think because that's when you truly die

549
00:27:09,640 --> 00:27:11,000
Speaker 1: as the last artist.

550
00:27:10,760 --> 00:27:12,919
Speaker 3: You might not have to tweet, because you guys are

551
00:27:13,040 --> 00:27:14,840
Speaker 3: known as being so close that a lot of people

552
00:27:14,960 --> 00:27:19,119
Speaker 3: might make it about you. People will come, yeah, that

553
00:27:19,280 --> 00:27:20,120
Speaker 3: might be the move.

554
00:27:20,400 --> 00:27:21,200
Speaker 2: We're lucky for that.

555
00:27:21,520 --> 00:27:22,760
Speaker 5: How your death would affect my.

556
00:27:22,840 --> 00:27:26,720
Speaker 2: Career, Well, I'm telling you now, it would not make.

557
00:27:26,920 --> 00:27:28,680
Speaker 5: No because they'd look at me and they go, where

558
00:27:28,760 --> 00:27:31,160
Speaker 5: do you go? They'd look at me and they would

559
00:27:31,280 --> 00:27:35,560
Speaker 5: would I'm so superstitious that I almost feel that by

560
00:27:35,640 --> 00:27:37,280
Speaker 5: talking about this, I'm willing the death.

561
00:27:37,920 --> 00:27:41,160
Speaker 2: Well, I do actually think for I think I will

562
00:27:41,240 --> 00:27:44,640
Speaker 2: actually be able to handle it better my death, yes,

563
00:27:45,080 --> 00:27:47,960
Speaker 2: meaning I'm not not well, but just better. So I

564
00:27:48,040 --> 00:27:49,240
Speaker 2: just feel like you should be the first to go.

565
00:27:50,640 --> 00:27:52,600
Speaker 3: But anyway back to what I and you seem so

566
00:27:52,960 --> 00:27:56,920
Speaker 3: strong right now and the same so sturdy that I

567
00:27:57,160 --> 00:27:59,880
Speaker 3: I do tend to believe Sean saying.

568
00:28:00,080 --> 00:28:02,160
Speaker 5: You think just because I'm a woman that it would

569
00:28:02,200 --> 00:28:02,800
Speaker 5: be harder for me?

570
00:28:03,000 --> 00:28:03,520
Speaker 2: Or what is that?

571
00:28:04,000 --> 00:28:04,159
Speaker 4: You know?

572
00:28:04,280 --> 00:28:06,920
Speaker 2: I think you're inherently because you're a woman.

573
00:28:07,000 --> 00:28:08,600
Speaker 3: I just think because do you think because she's a

574
00:28:08,640 --> 00:28:09,879
Speaker 3: woman who would be easier for you?

575
00:28:12,560 --> 00:28:13,000
Speaker 2: You know what I mean?

576
00:28:14,160 --> 00:28:14,320
Speaker 1: Right?

577
00:28:15,200 --> 00:28:17,240
Speaker 2: I think there's some truth in that. Yeah, Yeah, there's

578
00:28:17,280 --> 00:28:17,800
Speaker 2: some truth in that.

579
00:28:18,720 --> 00:28:20,919
Speaker 5: The old bitches get around.

580
00:28:21,520 --> 00:28:24,159
Speaker 1: Yeah, I will say Sean and I have had to

581
00:28:24,240 --> 00:28:26,639
Speaker 1: deal with this a lot because we had this period

582
00:28:26,720 --> 00:28:29,880
Speaker 1: where we were sort of trading an infection back and forth,

583
00:28:30,320 --> 00:28:31,199
Speaker 1: very bad infection.

584
00:28:32,400 --> 00:28:32,600
Speaker 3: Yeah.

585
00:28:32,640 --> 00:28:34,240
Speaker 2: I just like to spend a lot of time. We

586
00:28:34,280 --> 00:28:35,879
Speaker 2: share a lot of food and so.

587
00:28:36,520 --> 00:28:37,520
Speaker 3: It's like it's like.

588
00:28:39,240 --> 00:28:41,280
Speaker 1: Running through me for a while and I almost die

589
00:28:41,360 --> 00:28:46,880
Speaker 1: of it, and then it like and then this very

590
00:28:46,920 --> 00:28:49,640
Speaker 1: bad infection. And the way what I think we figured

591
00:28:49,680 --> 00:28:53,480
Speaker 1: out is that you would be more sad, but for

592
00:28:53,600 --> 00:28:54,400
Speaker 1: a shorter.

593
00:28:54,280 --> 00:28:57,880
Speaker 3: Time and that bounce back pretty quick and I would

594
00:28:57,960 --> 00:28:58,440
Speaker 3: just like.

595
00:28:59,200 --> 00:28:59,840
Speaker 2: Carry it with me.

596
00:29:00,040 --> 00:29:02,800
Speaker 3: But for a really yeah, he'd be a little sad

597
00:29:03,240 --> 00:29:04,240
Speaker 3: for years.

598
00:29:04,920 --> 00:29:07,360
Speaker 2: For a really one, I'd be so sad for.

599
00:29:07,400 --> 00:29:08,480
Speaker 3: About forty five minutes.

600
00:29:08,760 --> 00:29:13,840
Speaker 1: Yeah, but so sad crying cry literally almost cry the

601
00:29:13,920 --> 00:29:14,800
Speaker 1: same amount of sense.

602
00:29:14,800 --> 00:29:16,000
Speaker 3: And we have to think about you know, we're a

603
00:29:16,040 --> 00:29:18,120
Speaker 3: little older than you, guys. You have to think about

604
00:29:18,160 --> 00:29:18,560
Speaker 3: this stuff.

605
00:29:18,920 --> 00:29:25,200
Speaker 2: That's clear. I I'm I'm, I'm just you know, when

606
00:29:25,400 --> 00:29:25,760
Speaker 2: when you.

607
00:29:27,920 --> 00:29:30,080
Speaker 3: Get it out, okay mm hmm.

608
00:29:30,520 --> 00:29:33,160
Speaker 2: I love that love this kind when when someone leaves

609
00:29:33,160 --> 00:29:33,560
Speaker 2: your life.

610
00:29:33,720 --> 00:29:36,280
Speaker 4: Oh no, this is so big that we have this, Harsh,

611
00:29:36,400 --> 00:29:39,120
Speaker 4: I know, that's exact. That's so good that we have

612
00:29:39,200 --> 00:29:41,200
Speaker 4: a big moment like this, because we can't do this.

613
00:29:42,840 --> 00:29:44,120
Speaker 2: When someone leaves your life.

614
00:29:46,800 --> 00:29:49,200
Speaker 3: You have room, Sam, are you getting this ship?

615
00:29:50,000 --> 00:29:55,240
Speaker 4: Do its like a specialises those clips on the real

616
00:29:55,320 --> 00:30:01,160
Speaker 4: Earwolf account? Yeah, on the actual account, Harsh. Yeah, you know,

617
00:30:01,240 --> 00:30:03,840
Speaker 4: like once every six months they put up a clip

618
00:30:03,920 --> 00:30:09,720
Speaker 4: of our show, Wait and Someone Leaves Your Life, Sam

619
00:30:10,200 --> 00:30:12,120
Speaker 4: split Tider this weekend podcast. Do you have the guy

620
00:30:12,200 --> 00:30:14,840
Speaker 4: that does that? It might be good to tip them off.

621
00:30:15,520 --> 00:30:18,760
Speaker 4: Does Rebecca not do podcasts anymore? Because we haven't been

622
00:30:18,840 --> 00:30:20,840
Speaker 4: in that. We haven't been in a little while. But

623
00:30:21,080 --> 00:30:23,520
Speaker 4: it might be good that if there's like a preserent Rebecca,

624
00:30:23,720 --> 00:30:27,400
Speaker 4: just because this guide the thing people will really want

625
00:30:27,480 --> 00:30:28,080
Speaker 4: to talk about.

626
00:30:28,240 --> 00:30:29,400
Speaker 3: Does Cowedy Bank Banks.

627
00:30:29,280 --> 00:30:31,040
Speaker 4: Still have the use of a publicist?

628
00:30:32,720 --> 00:30:33,280
Speaker 2: You know what I mean?

629
00:30:33,440 --> 00:30:36,040
Speaker 4: And from the five hundred or after the five hundred episode,

630
00:30:36,040 --> 00:30:37,160
Speaker 4: did they kind of say Okay.

631
00:30:37,000 --> 00:30:38,719
Speaker 1: We're not going to be eating this morn a little one,

632
00:30:38,920 --> 00:30:40,120
Speaker 1: I mean, and then dried up?

633
00:30:40,200 --> 00:30:44,880
Speaker 2: I'm sorry dried up? Well get it? I really was

634
00:30:45,000 --> 00:30:45,880
Speaker 2: you saw I saw it.

635
00:30:46,840 --> 00:30:49,040
Speaker 3: I could prompt it. When someone leaves your life.

636
00:30:48,920 --> 00:30:51,840
Speaker 2: You leave your life. Yeah, oh you just make room

637
00:30:51,920 --> 00:30:53,360
Speaker 2: for maybe a better collaborator.

638
00:30:54,080 --> 00:30:57,160
Speaker 1: Oh no, oh this yes, this is like you made

639
00:30:57,200 --> 00:30:57,600
Speaker 1: it weird.

640
00:30:58,360 --> 00:31:01,560
Speaker 2: We missed the real you made it? Whoa you mad?

641
00:31:02,360 --> 00:31:04,840
Speaker 2: Have you guys that? Have you all known? You made

642
00:31:04,880 --> 00:31:05,160
Speaker 2: it weird?

643
00:31:05,360 --> 00:31:08,160
Speaker 1: Both of us and I've done about God?

644
00:31:08,800 --> 00:31:12,840
Speaker 3: What do you think can Apple or something. What's what's religion?

645
00:31:13,880 --> 00:31:16,520
Speaker 2: I don't know, man, I don't know, and I turned

646
00:31:16,880 --> 00:31:17,080
Speaker 2: on that.

647
00:31:17,160 --> 00:31:17,600
Speaker 3: I've tried.

648
00:31:17,640 --> 00:31:20,000
Speaker 2: I've listened to every single episode trying to find out

649
00:31:20,040 --> 00:31:22,760
Speaker 2: what it is. And I still don't know. And I

650
00:31:22,800 --> 00:31:26,160
Speaker 2: think that's a testament to pat mm hmm. Can I

651
00:31:26,240 --> 00:31:27,360
Speaker 2: hear the way you did?

652
00:31:27,520 --> 00:31:28,880
Speaker 3: No answers on you made it?

653
00:31:29,080 --> 00:31:30,600
Speaker 1: Can I hear the way you did the like are

654
00:31:30,640 --> 00:31:32,520
Speaker 1: we recording right now or have we already started? Can

655
00:31:32,560 --> 00:31:34,960
Speaker 1: I just how you handled that moment?

656
00:31:35,400 --> 00:31:37,280
Speaker 2: Well? I was it was again kind of one of

657
00:31:37,280 --> 00:31:40,080
Speaker 2: those things where I don't remember, okay because.

658
00:31:41,680 --> 00:31:48,920
Speaker 1: Yeah, yeah, we just go I didn't do that into

659
00:31:49,000 --> 00:31:49,680
Speaker 1: the mic enough.

660
00:31:51,480 --> 00:31:51,560
Speaker 3: Uh.

661
00:31:52,600 --> 00:31:55,000
Speaker 1: So you were saying you wanted something special for when

662
00:31:55,040 --> 00:31:57,440
Speaker 1: you die. I think this is what you were and

663
00:31:57,560 --> 00:31:58,720
Speaker 1: how I process your death.

664
00:31:59,560 --> 00:32:02,000
Speaker 2: Oh oh no, oh yes, yes, thank you guys.

665
00:32:02,200 --> 00:32:03,440
Speaker 1: I thought you were gonna say, you want one of

666
00:32:03,480 --> 00:32:10,040
Speaker 1: those like fun like Dancy funeral, you know, good food.

667
00:32:10,880 --> 00:32:13,240
Speaker 3: Yeah, one of these one of these funerals where it's

668
00:32:14,080 --> 00:32:20,640
Speaker 3: I'm a man down the street.

669
00:32:21,240 --> 00:32:24,640
Speaker 2: Yeah, yeah, yeah, totally. I just I do I say,

670
00:32:24,640 --> 00:32:26,520
Speaker 2: I always said a case and when I die. This

671
00:32:26,680 --> 00:32:29,520
Speaker 2: might not make sense you now, but I don't. I

672
00:32:29,920 --> 00:32:31,000
Speaker 2: want it to be a celebration.

673
00:32:31,760 --> 00:32:35,959
Speaker 5: Make it you because make it a party, good food, music.

674
00:32:36,800 --> 00:32:38,520
Speaker 1: I want one of these because that's the sum of

675
00:32:38,640 --> 00:32:39,880
Speaker 1: your one of these.

676
00:32:40,120 --> 00:32:43,640
Speaker 3: He always a book, dearly beloved, we are gathered here today.

677
00:32:48,560 --> 00:32:51,320
Speaker 2: Mood. Also also like you know, when you you will

678
00:32:51,320 --> 00:32:52,960
Speaker 2: have to give some sort of speech. Don't be afraid

679
00:32:52,960 --> 00:32:55,560
Speaker 2: to be dirty. Okay, you know what I mean? You

680
00:32:55,640 --> 00:32:56,240
Speaker 2: can go blue.

681
00:32:56,520 --> 00:32:58,760
Speaker 3: No, yeah, I want I definitely want them to talk.

682
00:32:59,600 --> 00:33:02,760
Speaker 5: Girls with me and my son and my husband. You

683
00:33:02,800 --> 00:33:04,480
Speaker 5: don't know that, and we'll kind of be like Uncle

684
00:33:04,560 --> 00:33:06,440
Speaker 5: John would have wanted. You know, you'd all be so

685
00:33:06,560 --> 00:33:07,920
Speaker 5: upset because our uncle John's gone.

686
00:33:08,080 --> 00:33:10,560
Speaker 1: Yeah, how will you explain that to your Do you

687
00:33:10,600 --> 00:33:12,640
Speaker 1: think about that? When John dies? How you will explain

688
00:33:12,680 --> 00:33:13,160
Speaker 1: that to your son?

689
00:33:13,320 --> 00:33:14,959
Speaker 5: My god, I just hope they're in college.

690
00:33:15,560 --> 00:33:18,880
Speaker 1: Yeah, so they had the structure, the time schedule that

691
00:33:19,920 --> 00:33:21,800
Speaker 1: would mean, and they get an A and all their classes.

692
00:33:22,800 --> 00:33:23,840
Speaker 3: Yeah, I hope they gets training.

693
00:33:23,920 --> 00:33:25,800
Speaker 2: It's like an urban legend, but it's true. Yeah.

694
00:33:26,280 --> 00:33:28,960
Speaker 3: Yeah, and you get free rooming. Well, I think we

695
00:33:29,040 --> 00:33:30,000
Speaker 3: should just switch room.

696
00:33:30,360 --> 00:33:31,600
Speaker 2: I think we are going to have kids at the

697
00:33:31,600 --> 00:33:32,000
Speaker 2: same time.

698
00:33:31,880 --> 00:33:34,360
Speaker 5: So we can do our college toward it together with

699
00:33:34,480 --> 00:33:34,840
Speaker 5: the kids.

700
00:33:34,880 --> 00:33:37,239
Speaker 2: Yeah, with the girls. Uh, just because we can then

701
00:33:37,280 --> 00:33:37,960
Speaker 2: save on travel.

702
00:33:38,040 --> 00:33:40,040
Speaker 1: Yeah yeah, yeah Hampshire College.

703
00:33:40,080 --> 00:33:41,120
Speaker 2: If you thought about that, you.

704
00:33:41,160 --> 00:33:44,560
Speaker 5: Know, I was objected from Hampshire. I applied to like

705
00:33:44,720 --> 00:33:45,720
Speaker 5: forty two schools.

706
00:33:47,200 --> 00:33:49,840
Speaker 3: By the way, did not get into any anywhere except

707
00:33:49,880 --> 00:33:50,920
Speaker 3: in w That's crazy.

708
00:33:51,000 --> 00:33:51,480
Speaker 2: I didn't get in.

709
00:33:51,600 --> 00:33:54,760
Speaker 5: I applied to so many schools. I was so late

710
00:33:54,840 --> 00:33:56,960
Speaker 5: with the applications that you had to make my parents

711
00:33:57,080 --> 00:33:59,880
Speaker 5: drive me to the to the post office at midnight

712
00:34:00,120 --> 00:34:03,600
Speaker 5: having me postmarked by that day. My mom just straight

713
00:34:03,680 --> 00:34:07,800
Speaker 5: up wrote one of my There was like this one

714
00:34:07,880 --> 00:34:09,160
Speaker 5: school that I did not want to go to, and

715
00:34:09,200 --> 00:34:11,160
Speaker 5: they were like, write a personal account of a day

716
00:34:11,160 --> 00:34:12,920
Speaker 5: in your life. I was like, I'm not applying to

717
00:34:12,960 --> 00:34:16,000
Speaker 5: buck now or whatever, and so she was like so

718
00:34:16,280 --> 00:34:19,040
Speaker 5: she I mean, she would be mortified. I'd be disowned

719
00:34:19,040 --> 00:34:22,239
Speaker 5: if she knows revealing this. No, she wrote my day

720
00:34:22,280 --> 00:34:23,840
Speaker 5: in the life and I was like, that sucks.

721
00:34:24,080 --> 00:34:26,399
Speaker 3: Does your mom listen to Tellywood Handbook? She might.

722
00:34:26,480 --> 00:34:31,200
Speaker 5: Actually she just starts subscribing to deadline emails, so she'll

723
00:34:31,239 --> 00:34:38,600
Speaker 5: be like CSI Miami just upgraded Lauren Jaminson from you know,

724
00:34:38,840 --> 00:34:40,280
Speaker 5: she knows everything.

725
00:34:41,960 --> 00:34:46,439
Speaker 2: Order my mom, I haven't told you this. My mom

726
00:34:46,680 --> 00:34:49,680
Speaker 2: sent me a split sider like review of search Party

727
00:34:50,200 --> 00:34:52,560
Speaker 2: in which they referred to us as comedy duo. Said

728
00:34:52,600 --> 00:34:55,000
Speaker 2: to me too, no way, Oh my gosh, she's like

729
00:34:55,160 --> 00:34:56,840
Speaker 2: and then such thing was like they refer to you

730
00:34:57,000 --> 00:35:01,480
Speaker 2: as a comedy to though, and then just put that's nice.

731
00:35:01,760 --> 00:35:02,680
Speaker 2: That's really nice.

732
00:35:02,800 --> 00:35:03,759
Speaker 3: Best way to be thought.

733
00:35:05,760 --> 00:35:10,320
Speaker 1: I got wasted, wait listed, wasted, uh, wait listed second originally,

734
00:35:10,480 --> 00:35:12,000
Speaker 1: and then I got a little wasted.

735
00:35:12,120 --> 00:35:13,319
Speaker 3: Website showed up there.

736
00:35:13,360 --> 00:35:14,759
Speaker 2: We have a lot of fun.

737
00:35:15,080 --> 00:35:16,200
Speaker 3: It's second city for him.

738
00:35:16,320 --> 00:35:18,920
Speaker 1: Yeah, there is a common application for all the different

739
00:35:18,960 --> 00:35:21,040
Speaker 1: second cities. So if you want to go to the

740
00:35:21,120 --> 00:35:24,480
Speaker 1: one in Denver or something, you you can just apply

741
00:35:24,680 --> 00:35:28,759
Speaker 1: to that one and the one in like Seattle, in Minneapolis.

742
00:35:30,400 --> 00:35:32,360
Speaker 3: I just went to Harvard because my dad's a professor.

743
00:35:32,520 --> 00:35:34,480
Speaker 1: You got into Harvard a bunch of times, right the

744
00:35:34,560 --> 00:35:35,040
Speaker 1: same year.

745
00:35:35,120 --> 00:35:38,200
Speaker 3: I just kept getting legacy. It was yeah, legacy, and

746
00:35:38,320 --> 00:35:40,920
Speaker 3: it was just really easy, and they let in.

747
00:35:41,000 --> 00:35:42,640
Speaker 1: And it was a joke to me, if your dad's

748
00:35:42,680 --> 00:35:44,719
Speaker 1: a professor in the same city, they let they let

749
00:35:44,760 --> 00:35:45,520
Speaker 1: you in, right.

750
00:35:46,040 --> 00:35:48,360
Speaker 3: Yeah, that's right. Yeah, they were like, he's a professor,

751
00:35:48,440 --> 00:35:50,560
Speaker 3: and they went where and I was like in Boston,

752
00:35:50,640 --> 00:35:53,960
Speaker 3: and they went, that's basically here Boston, Boston. Yeah yeah,

753
00:35:54,120 --> 00:35:57,120
Speaker 3: and then they probably thought professors, college park.

754
00:35:58,040 --> 00:36:02,680
Speaker 1: Yeah, the weather yeah yeah, yeah, well wait five minutes

755
00:36:02,680 --> 00:36:03,920
Speaker 1: and then then see.

756
00:36:05,320 --> 00:36:08,839
Speaker 3: But then wait five more yeah, because it's coming back, Yeah,

757
00:36:09,120 --> 00:36:10,080
Speaker 3: the one you liked.

758
00:36:10,960 --> 00:36:13,160
Speaker 1: You know, so it switches back and forth. You willn't

759
00:36:13,200 --> 00:36:13,440
Speaker 1: say that.

760
00:36:13,520 --> 00:36:15,239
Speaker 3: Wait ten minutes and it will be the same as

761
00:36:15,320 --> 00:36:15,880
Speaker 3: it is right now.

762
00:36:16,000 --> 00:36:16,200
Speaker 2: Yeah.

763
00:36:16,840 --> 00:36:21,080
Speaker 3: Yeah, and then at night it's totally different. It's so dark,

764
00:36:21,160 --> 00:36:23,959
Speaker 3: it's so dark, it gets really it's nuts.

765
00:36:24,040 --> 00:36:25,400
Speaker 2: And then also deep dish stuff.

766
00:36:26,360 --> 00:36:30,200
Speaker 3: Oh yeah, well, thank you for bringing it up. Yeah yeah, yeah,

767
00:36:30,440 --> 00:36:33,399
Speaker 3: I actually because I wasn't going to. I was nervous too, because,

768
00:36:33,440 --> 00:36:35,680
Speaker 3: as we said, we're walking on eggshells a little bit

769
00:36:35,760 --> 00:36:36,840
Speaker 3: lately with yeah.

770
00:36:38,320 --> 00:36:43,759
Speaker 5: Pizza tacos go fuck okay, okay, l oh you don't

771
00:36:43,800 --> 00:36:44,160
Speaker 5: get either.

772
00:36:45,600 --> 00:36:47,960
Speaker 2: Oh no, what I like to do is, yeah, not

773
00:36:48,080 --> 00:36:54,120
Speaker 2: pizza in half, make it a big taco. Yeah, like

774
00:36:54,960 --> 00:36:55,759
Speaker 2: red but.

775
00:36:58,080 --> 00:37:02,279
Speaker 3: Yeah, he came in front of my eyes, this whole

776
00:37:02,360 --> 00:37:05,040
Speaker 3: other this like pizza taco characters.

777
00:37:05,280 --> 00:37:06,680
Speaker 5: How long it takes to warm up though?

778
00:37:06,800 --> 00:37:09,680
Speaker 1: I really just because I'm so stiff, and this is

779
00:37:09,719 --> 00:37:11,520
Speaker 1: what's so great about the way Pete does it honestly,

780
00:37:11,680 --> 00:37:16,200
Speaker 1: is like you're warming up and now it's are we

781
00:37:16,239 --> 00:37:16,880
Speaker 1: actually recorded?

782
00:37:16,920 --> 00:37:21,440
Speaker 3: Suddenly you're cracked wide open and it's extremely raw and

783
00:37:21,520 --> 00:37:24,359
Speaker 3: you just get into, hey, okay, you want to trip

784
00:37:24,440 --> 00:37:24,880
Speaker 3: out on this?

785
00:37:26,600 --> 00:37:27,480
Speaker 2: What if God was.

786
00:37:27,520 --> 00:37:31,839
Speaker 3: Freaking I mean like a horse or something. And then

787
00:37:31,880 --> 00:37:33,799
Speaker 3: he goes like, I don't know, you know, we can't

788
00:37:33,880 --> 00:37:34,520
Speaker 3: say what it is.

789
00:37:34,600 --> 00:37:35,080
Speaker 2: We don't know.

790
00:37:36,040 --> 00:37:37,160
Speaker 3: He was raised religious?

791
00:37:37,920 --> 00:37:38,560
Speaker 5: Well John was.

792
00:37:39,160 --> 00:37:44,240
Speaker 2: It was also raised religious, but I was also gay.

793
00:37:44,719 --> 00:37:49,319
Speaker 1: Right, which such such, But he's basically the opposite. It's

794
00:37:49,320 --> 00:37:50,279
Speaker 1: sort of a hat on a head.

795
00:37:50,560 --> 00:37:52,880
Speaker 3: When did you know? When did you know?

796
00:37:53,320 --> 00:37:55,520
Speaker 2: Well, in a way I always knew.

797
00:37:57,600 --> 00:38:00,480
Speaker 3: So okay, Taco Pizza guy answered that.

798
00:38:00,600 --> 00:38:02,879
Speaker 1: And it was so cool to see him come back

799
00:38:03,160 --> 00:38:05,000
Speaker 1: and to hear a little of his backstory.

800
00:38:05,080 --> 00:38:08,200
Speaker 2: Well, it's mutable. He can be talking, pizza can be serious.

801
00:38:08,800 --> 00:38:10,680
Speaker 2: That's what we think exploring because.

802
00:38:10,440 --> 00:38:12,240
Speaker 5: When did I know? I was straight?

803
00:38:12,840 --> 00:38:13,000
Speaker 2: Right?

804
00:38:13,280 --> 00:38:15,680
Speaker 5: So why do we make gay people do that? Because

805
00:38:15,680 --> 00:38:16,200
Speaker 5: when did I.

806
00:38:16,360 --> 00:38:17,880
Speaker 2: Know exactly exactly?

807
00:38:18,320 --> 00:38:21,560
Speaker 1: I knew when I was like a little baby, yeah yeah,

808
00:38:21,640 --> 00:38:25,640
Speaker 1: yeah that you were? Yeah that I was that I was, Yeah,

809
00:38:25,840 --> 00:38:27,520
Speaker 1: I was. I was a very horny baby.

810
00:38:27,840 --> 00:38:30,879
Speaker 3: Literally came over and just told me wow, because he's

811
00:38:30,920 --> 00:38:32,400
Speaker 3: a little bit older to me, just by like a

812
00:38:32,440 --> 00:38:35,560
Speaker 3: week or so, and he came over and whispered, and

813
00:38:35,600 --> 00:38:37,680
Speaker 3: he was like, hey, man, I.

814
00:38:37,719 --> 00:38:40,760
Speaker 2: Think I I was jerking off to gay porn.

815
00:38:41,239 --> 00:38:42,560
Speaker 5: Yeah, I knew.

816
00:38:42,719 --> 00:38:45,160
Speaker 2: That's that's a huge that's a big You're just kind

817
00:38:45,160 --> 00:38:46,279
Speaker 2: of like, oh my god, I guess this.

818
00:38:47,400 --> 00:38:48,759
Speaker 5: Yeah, get this away from me.

819
00:38:49,120 --> 00:38:52,160
Speaker 2: But wow, Yeah, I was jerking off and it was

820
00:38:52,360 --> 00:38:53,600
Speaker 2: men having sex, and.

821
00:38:53,640 --> 00:38:58,919
Speaker 5: That's yeah, wait a minute, yeah, totally totally, totally cool

822
00:38:59,520 --> 00:39:01,400
Speaker 5: that that is when I The same moment for me

823
00:39:01,520 --> 00:39:02,640
Speaker 5: is when I knew I was straight.

824
00:39:02,760 --> 00:39:04,640
Speaker 1: I was a little kid and I was drinking the gay.

825
00:39:04,520 --> 00:39:06,440
Speaker 2: Point and I was just like, I don't like it.

826
00:39:07,360 --> 00:39:09,840
Speaker 1: I don't know if it was for me, you know,

827
00:39:10,280 --> 00:39:12,840
Speaker 1: I'm sorry, sort of going through the motions, you know,

828
00:39:13,200 --> 00:39:14,720
Speaker 1: like it wasn't Kate.

829
00:39:14,560 --> 00:39:15,920
Speaker 2: When did you know you were half Jewish?

830
00:39:16,800 --> 00:39:24,160
Speaker 5: Oh God, going to Hebrew school and going yeah, and

831
00:39:24,200 --> 00:39:27,960
Speaker 5: everyone else was nose deep in the Torah loving it,

832
00:39:28,880 --> 00:39:30,320
Speaker 5: and I was a little bit on the I was

833
00:39:30,400 --> 00:39:31,400
Speaker 5: hovering on the outskirts.

834
00:39:31,640 --> 00:39:34,160
Speaker 1: Yeah, you were just sort of a little bit and

835
00:39:34,520 --> 00:39:36,240
Speaker 1: I thought, what about Christmas?

836
00:39:36,600 --> 00:39:41,160
Speaker 3: Yeah, when I watched the pilot of Crashing Yea and

837
00:39:41,400 --> 00:39:44,680
Speaker 3: saw Pete having straight sex.

838
00:39:44,960 --> 00:39:45,160
Speaker 2: Yeah.

839
00:39:45,320 --> 00:39:49,719
Speaker 3: I remember thinking, again, I could do that. Hey, wait

840
00:39:49,760 --> 00:39:52,000
Speaker 3: a minute, if this guy could do it, I can

841
00:39:52,080 --> 00:39:52,640
Speaker 3: pull this off.

842
00:39:52,760 --> 00:39:52,960
Speaker 1: Yeah.

843
00:39:53,480 --> 00:39:56,480
Speaker 3: And so to me, that's probably when I knew for sure.

844
00:39:56,600 --> 00:39:59,239
Speaker 3: Hayes whispered to me early on, and I sort of just.

845
00:39:59,239 --> 00:39:59,879
Speaker 2: Went with the flow.

846
00:40:00,239 --> 00:40:03,160
Speaker 3: Yeah. And then when I started to watch that pilot,

847
00:40:03,200 --> 00:40:04,760
Speaker 3: I went, you know what, I think.

848
00:40:04,640 --> 00:40:05,480
Speaker 4: I got this thing.

849
00:40:05,640 --> 00:40:09,280
Speaker 2: Yeah, yeah, let's turn this mother out. You know that's amazing.

850
00:40:09,400 --> 00:40:12,640
Speaker 2: Have you huh? Have you had sex since then?

851
00:40:12,840 --> 00:40:15,480
Speaker 3: I'm so close with this one.

852
00:40:16,040 --> 00:40:19,000
Speaker 2: Yeah, oh yeah. She and the scene.

853
00:40:20,360 --> 00:40:27,880
Speaker 3: Depends what tennis player stuffie grabow one. Almost she's a

854
00:40:27,920 --> 00:40:30,520
Speaker 3: little bit she's a little down in the dumps because, uh,

855
00:40:30,840 --> 00:40:32,160
Speaker 3: you know, she kind of just had one of her

856
00:40:32,200 --> 00:40:35,759
Speaker 3: records broken. Yeah, and so she's sort of looking for

857
00:40:36,000 --> 00:40:37,040
Speaker 3: something to make her feel better.

858
00:40:37,000 --> 00:40:38,560
Speaker 5: As long as she's on the business. Was dating in

859
00:40:38,600 --> 00:40:39,040
Speaker 5: the business?

860
00:40:42,000 --> 00:40:42,799
Speaker 3: Danger zone?

861
00:40:43,360 --> 00:40:44,560
Speaker 5: Enter the danger zone?

862
00:40:46,480 --> 00:40:48,440
Speaker 2: No bad, don't drink it.

863
00:40:48,560 --> 00:40:51,840
Speaker 1: Poison it's a skull, yeah, because you know.

864
00:40:52,640 --> 00:40:55,640
Speaker 5: You know it's going to end up at some party.

865
00:40:56,880 --> 00:41:00,799
Speaker 3: Or even worse. I'm sex I grew for looking over.

866
00:41:00,800 --> 00:41:03,920
Speaker 5: My shoulder seeing a gaffer, I had to have them fired.

867
00:41:04,800 --> 00:41:10,800
Speaker 2: No what I want because you had what we've.

868
00:41:12,440 --> 00:41:14,120
Speaker 5: And so I couldn't. I couldn't perform.

869
00:41:14,480 --> 00:41:17,160
Speaker 3: I had close to four lines in the middle of

870
00:41:17,200 --> 00:41:19,719
Speaker 3: a smash cut to turn and realize.

871
00:41:20,239 --> 00:41:24,919
Speaker 5: And by the way the RF I was so confused.

872
00:41:25,360 --> 00:41:26,479
Speaker 5: It was so fun.

873
00:41:26,640 --> 00:41:29,160
Speaker 2: And this was this in camera editing or was this

874
00:41:29,280 --> 00:41:31,359
Speaker 2: something that was gonna do? This was actually as post.

875
00:41:31,920 --> 00:41:33,120
Speaker 5: They had the money for posts.

876
00:41:34,719 --> 00:41:36,400
Speaker 3: Well do you guys want to talk about being in

877
00:41:36,520 --> 00:41:38,000
Speaker 3: post take?

878
00:41:38,120 --> 00:41:38,400
Speaker 2: Why not?

879
00:41:38,840 --> 00:41:40,480
Speaker 5: I didn't stand post.

880
00:41:41,400 --> 00:41:42,880
Speaker 3: I love it John.

881
00:41:44,000 --> 00:41:49,239
Speaker 5: I call him edit bay b a E because he

882
00:41:50,160 --> 00:41:53,520
Speaker 5: loves it in there. And I'm going, when's lunch? I

883
00:41:53,640 --> 00:41:55,920
Speaker 5: gained six pounds. I go, when's lunch? When's my where's

884
00:41:55,960 --> 00:41:56,719
Speaker 5: my snack? Time?

885
00:41:58,200 --> 00:42:01,000
Speaker 2: That goes back to the bound. It's arguing in uring,

886
00:42:01,280 --> 00:42:05,280
Speaker 2: which is that you know I like to control where.

887
00:42:06,640 --> 00:42:08,560
Speaker 3: Feral cat? And then you leave for lunch and we

888
00:42:08,719 --> 00:42:11,080
Speaker 3: come back and it's a single on John, cut to

889
00:42:11,200 --> 00:42:15,040
Speaker 3: wide single on John. Now we're the master, Yeah close

890
00:42:15,080 --> 00:42:15,600
Speaker 3: on John?

891
00:42:16,800 --> 00:42:19,239
Speaker 2: Where's Kate? Yeah yeah yeah?

892
00:42:20,000 --> 00:42:21,440
Speaker 5: But when they hit, when they go, oh, so our

893
00:42:21,480 --> 00:42:26,840
Speaker 5: Martini shot before we know it, we're going to be

894
00:42:26,880 --> 00:42:30,879
Speaker 5: in post before you could snap a finger post.

895
00:42:31,600 --> 00:42:34,520
Speaker 2: I know, I know. And Kevin's just been here the whole.

896
00:42:34,360 --> 00:42:36,400
Speaker 3: Time, hasn't taken any photos, just been chilling.

897
00:42:36,560 --> 00:42:39,160
Speaker 1: Hey, guys, chef Kevin here, I've taken a couple of picks.

898
00:42:39,360 --> 00:42:42,160
Speaker 3: Uh, thanks for having me. Got any good ones?

899
00:42:42,760 --> 00:42:44,960
Speaker 1: I was going to take yours during the ad break

900
00:42:45,000 --> 00:42:46,640
Speaker 1: because you normally look right at the camera.

901
00:42:46,800 --> 00:42:49,319
Speaker 2: Yeah, there isn't time to get him now.

902
00:42:49,680 --> 00:42:51,040
Speaker 5: I didn't even know it was being photographed.

903
00:42:53,160 --> 00:42:56,279
Speaker 1: Those are the best photos the candidates. That's what Kevin says.

904
00:42:56,320 --> 00:42:57,160
Speaker 1: When people aren't paying it.

905
00:42:57,239 --> 00:42:58,480
Speaker 3: I try to give it straight to cam.

906
00:42:58,640 --> 00:43:03,239
Speaker 1: Yeah, Kevin, and I will say, like this guy, he

907
00:43:03,360 --> 00:43:05,799
Speaker 1: comes in here and just takes pictures of people every

908
00:43:06,160 --> 00:43:08,600
Speaker 1: every every show, but an.

909
00:43:08,600 --> 00:43:12,440
Speaker 5: Archive to bring them back to myself. But I've been

910
00:43:12,440 --> 00:43:13,760
Speaker 5: thinking about starting a podcast.

911
00:43:14,760 --> 00:43:16,920
Speaker 1: I've been thinking that would be on podcast.

912
00:43:18,680 --> 00:43:22,760
Speaker 3: This man is one of the best junior producer types.

913
00:43:23,680 --> 00:43:26,000
Speaker 5: We started bidding wars.

914
00:43:26,600 --> 00:43:29,560
Speaker 3: So place your bets now between ear Wolf and hand.

915
00:43:30,120 --> 00:43:30,920
Speaker 2: Who knows.

916
00:43:33,080 --> 00:43:34,640
Speaker 3: Investigated that, well, I don't.

917
00:43:34,760 --> 00:43:37,000
Speaker 5: Here's the thing. I'm so new with the podcast, and

918
00:43:37,120 --> 00:43:39,800
Speaker 5: I comment as a guest, but I'm now going to

919
00:43:39,880 --> 00:43:42,040
Speaker 5: just talk about how I want a podcast.

920
00:43:42,800 --> 00:43:44,160
Speaker 3: That's a good way to get buzzing.

921
00:43:46,520 --> 00:43:48,560
Speaker 5: I'm serious about this because you know who's.

922
00:43:48,320 --> 00:43:52,080
Speaker 3: Listening to these podcasts that you're guesting on podcasts.

923
00:43:52,200 --> 00:43:56,440
Speaker 5: Podcasts, Yeah, that's Katelin and junior producers.

924
00:43:56,520 --> 00:43:58,920
Speaker 2: Kevin listens to all kinds of podcasts.

925
00:43:58,800 --> 00:43:59,640
Speaker 3: All over the place.

926
00:44:00,400 --> 00:44:02,160
Speaker 1: Well, what's your podcast going to be about?

927
00:44:02,400 --> 00:44:04,719
Speaker 5: Or do you not know it's coming together? Sure, but

928
00:44:05,000 --> 00:44:06,400
Speaker 5: you know it's going to be something special.

929
00:44:06,480 --> 00:44:08,520
Speaker 2: Oh, it's going to be good because when Kate gets in.

930
00:44:08,520 --> 00:44:13,319
Speaker 1: Front of a mic, Yeah, when I put my yeah paper,

931
00:44:13,480 --> 00:44:15,920
Speaker 1: maybe some of the characters could be showing up.

932
00:44:16,239 --> 00:44:17,280
Speaker 5: Yeah, that could happen.

933
00:44:17,680 --> 00:44:20,719
Speaker 3: Oh, no, I was interviewing the character could be.

934
00:44:21,000 --> 00:44:23,879
Speaker 1: Wasn't it a mistake for Lauren Lapkis, her character from

935
00:44:24,840 --> 00:44:27,680
Speaker 1: Crashing was not in her character episode.

936
00:44:27,920 --> 00:44:31,920
Speaker 3: We talked to her about that, and I guess it's

937
00:44:31,960 --> 00:44:35,120
Speaker 3: like he's such a miss, huge miss.

938
00:44:35,239 --> 00:44:36,440
Speaker 1: And I think it's like, Oh, you don't want to

939
00:44:36,560 --> 00:44:39,279
Speaker 1: give people exactly like what they're expecting. I guess you

940
00:44:39,400 --> 00:44:41,239
Speaker 1: want to surprise them a little bit and not do

941
00:44:41,480 --> 00:44:42,320
Speaker 1: Peteze's wife.

942
00:44:42,880 --> 00:44:46,440
Speaker 3: That pissed me off as a guy who has been

943
00:44:46,560 --> 00:44:49,279
Speaker 3: rooting for her from day one and has invested a

944
00:44:49,320 --> 00:44:53,560
Speaker 3: lot of sweat equity in just watching her stuff, sort

945
00:44:53,600 --> 00:44:57,160
Speaker 3: of talking up. This is the next thing to tune

946
00:44:57,200 --> 00:45:00,239
Speaker 3: into that. Pilot realized I was straight early on, but

947
00:45:00,360 --> 00:45:03,759
Speaker 3: then also realized that she's not really doing one of

948
00:45:03,800 --> 00:45:04,480
Speaker 3: the characters.

949
00:45:04,960 --> 00:45:07,840
Speaker 1: I was fucking or vice versa. So none of the

950
00:45:07,960 --> 00:45:13,200
Speaker 1: characters are in crashing Pete ex wife is not in

951
00:45:13,360 --> 00:45:14,120
Speaker 1: the characters.

952
00:45:15,040 --> 00:45:18,160
Speaker 3: Oh yeah, No, I was pissed.

953
00:45:18,760 --> 00:45:19,760
Speaker 2: I was living.

954
00:45:20,480 --> 00:45:21,600
Speaker 3: I don't like to feel that way.

955
00:45:21,760 --> 00:45:24,640
Speaker 2: Yeah. When we were developing that, I remember we.

956
00:45:24,719 --> 00:45:29,719
Speaker 5: Were at the cellar, at the table, yes, and we

957
00:45:29,840 --> 00:45:34,239
Speaker 5: have both, and we were all joking around, tearing each other,

958
00:45:36,200 --> 00:45:39,680
Speaker 5: getting really and I have tough skin. I really can

959
00:45:39,800 --> 00:45:43,880
Speaker 5: deal it out. Yeah, like my appearance and my family,

960
00:45:46,400 --> 00:45:47,120
Speaker 5: I'll go there with.

961
00:45:47,239 --> 00:45:48,439
Speaker 1: You and I'll have fun.

962
00:45:48,520 --> 00:45:50,759
Speaker 5: And well, I now get the back and forth going.

963
00:45:50,880 --> 00:45:54,239
Speaker 3: I'm similar. Don't don't talk about my work, Yeah, don't

964
00:45:54,239 --> 00:45:57,120
Speaker 3: make fun of my role. Yeah, you know, that's sort

965
00:45:57,160 --> 00:45:58,920
Speaker 3: of got to be a safe space for me to experience.

966
00:45:58,920 --> 00:46:01,560
Speaker 5: I think it's more like what the almonded you order, Jesus,

967
00:46:01,840 --> 00:46:04,120
Speaker 5: you know, food stuff is great.

968
00:46:05,520 --> 00:46:09,720
Speaker 2: Because we're at a restaurant. It's like that there's plenty

969
00:46:09,840 --> 00:46:10,080
Speaker 2: to do.

970
00:46:10,280 --> 00:46:12,319
Speaker 3: That would kill me. I wouldn't be able to order

971
00:46:12,440 --> 00:46:16,920
Speaker 3: for like another month. They'd be like, because I'm so scared.

972
00:46:18,320 --> 00:46:21,480
Speaker 2: Yeah what what.

973
00:46:23,719 --> 00:46:24,160
Speaker 5: Bilburg?

974
00:46:26,320 --> 00:46:32,560
Speaker 2: You will not get ask him this when you see him. Yes,

975
00:46:35,719 --> 00:46:36,799
Speaker 2: but yeah, no eating with.

976
00:46:38,760 --> 00:46:42,279
Speaker 5: From traveling so much for work, I do double tree.

977
00:46:42,920 --> 00:46:43,720
Speaker 2: Well I'm looking.

978
00:46:44,600 --> 00:46:47,880
Speaker 5: Yeah, so I haven't the high loft me but anyway

979
00:46:47,960 --> 00:46:48,440
Speaker 5: from touring.

980
00:46:48,920 --> 00:46:52,759
Speaker 3: Yeah, so somebody orders the whole stuffed flounder. What do

981
00:46:52,840 --> 00:46:56,480
Speaker 3: you say? Does just give us a little you know

982
00:46:56,719 --> 00:46:58,359
Speaker 3: for the little tree?

983
00:46:58,480 --> 00:46:59,120
Speaker 2: Yeah, get in.

984
00:46:59,400 --> 00:47:05,239
Speaker 7: So I just don't said no wives were invited, and

985
00:47:05,400 --> 00:47:09,160
Speaker 7: that would be me. Yeah, and I'm taking that on

986
00:47:09,360 --> 00:47:09,919
Speaker 7: the chip.

987
00:47:11,360 --> 00:47:13,000
Speaker 2: My mouth open just.

988
00:47:14,680 --> 00:47:18,719
Speaker 3: And and my comebacks like more water, you know, because

989
00:47:18,760 --> 00:47:19,120
Speaker 3: I can't.

990
00:47:19,160 --> 00:47:20,239
Speaker 2: I have nothing, of.

991
00:47:20,239 --> 00:47:23,359
Speaker 1: Course, And I love that that Oh that's a high.

992
00:47:23,640 --> 00:47:26,160
Speaker 2: But that's that's another glimpse into the table. I love

993
00:47:26,239 --> 00:47:26,480
Speaker 2: the no.

994
00:47:26,560 --> 00:47:30,359
Speaker 1: Wives role at the at the table. Yeah, leave them out.

995
00:47:30,560 --> 00:47:34,120
Speaker 3: They can be around, but they should be on the wile.

996
00:47:34,120 --> 00:47:35,600
Speaker 3: They should be in there at the wives table.

997
00:47:36,040 --> 00:47:37,080
Speaker 5: Don't bring it down here.

998
00:47:37,440 --> 00:47:40,640
Speaker 3: No, they're not gonna like it. Honestly, they're not going

999
00:47:40,719 --> 00:47:41,560
Speaker 3: to like seeing that side of.

1000
00:47:41,520 --> 00:47:44,200
Speaker 2: The handle because it is work, you know what I mean?

1001
00:47:44,280 --> 00:47:45,880
Speaker 2: That part of the deep briefing.

1002
00:47:46,320 --> 00:47:49,200
Speaker 3: That's what I tell Yeah, it is playtime, and it's

1003
00:47:49,320 --> 00:47:50,839
Speaker 3: and when I'm in there and it's me and it's

1004
00:47:50,920 --> 00:47:53,520
Speaker 3: not Marrera and it's Jim Norton and it's Caprolana and

1005
00:47:54,040 --> 00:47:56,960
Speaker 3: it and it's just as well, thank you, and we're

1006
00:47:57,040 --> 00:48:01,439
Speaker 3: all sort of ordering and we're saying that order. Yeah,

1007
00:48:02,160 --> 00:48:08,960
Speaker 3: Small's there, Yeah, yeah, Finesse and everybody, you know, everyone's there.

1008
00:48:09,960 --> 00:48:10,160
Speaker 2: Yeah.

1009
00:48:10,600 --> 00:48:15,200
Speaker 3: Then then I start to go, oh, this is why

1010
00:48:15,280 --> 00:48:16,840
Speaker 3: I started this whole craepy.

1011
00:48:16,719 --> 00:48:22,279
Speaker 5: Absolutely because they know you like no more, because they've

1012
00:48:22,320 --> 00:48:23,480
Speaker 5: been there for the early bits.

1013
00:48:24,320 --> 00:48:25,520
Speaker 2: Yeah, they've seen you.

1014
00:48:25,760 --> 00:48:28,480
Speaker 5: John knows I can say summer of two thousand and seven,

1015
00:48:29,480 --> 00:48:32,440
Speaker 5: my closer that I did for the better part of

1016
00:48:32,480 --> 00:48:37,560
Speaker 5: six months killed and then crickets.

1017
00:48:37,200 --> 00:48:38,399
Speaker 3: There was a turn.

1018
00:48:38,520 --> 00:48:40,680
Speaker 5: Yeah, and he knows the bit I'm talking about. But yeah,

1019
00:48:40,719 --> 00:48:42,840
Speaker 5: that kind of encyclopaedic knowledge of my work is what

1020
00:48:42,920 --> 00:48:43,160
Speaker 5: I mean.

1021
00:48:43,160 --> 00:48:44,560
Speaker 3: And I don't know if I don't know if the

1022
00:48:44,640 --> 00:48:47,880
Speaker 3: world changes, or if we don't find it funny anymore.

1023
00:48:48,080 --> 00:48:49,080
Speaker 3: But sometimes it's.

1024
00:48:48,960 --> 00:48:49,759
Speaker 2: Time to hang it up.

1025
00:48:49,960 --> 00:48:52,439
Speaker 5: Sometimes I hang out with they love it, the crowd

1026
00:48:52,480 --> 00:48:53,720
Speaker 5: loves it. I don't love it anymore.

1027
00:48:54,040 --> 00:48:55,640
Speaker 3: So the best way to hang something up.

1028
00:48:56,760 --> 00:48:57,920
Speaker 2: Put it in a special I was.

1029
00:48:57,920 --> 00:49:00,680
Speaker 5: Gonna say, or do it or do it on a Yeah, Yeah,

1030
00:49:00,719 --> 00:49:02,239
Speaker 5: I'll do that. I'll rotate it. I'll do I've got

1031
00:49:02,320 --> 00:49:05,239
Speaker 5: a killer six minutes and I'm done with it, and

1032
00:49:05,360 --> 00:49:07,839
Speaker 5: I'll go on one of the late night shows. Yeah yeah,

1033
00:49:08,040 --> 00:49:11,080
Speaker 5: send it off, Send it off in style every night show.

1034
00:49:11,239 --> 00:49:14,720
Speaker 1: Put it like up as a pay what you want model.

1035
00:49:15,160 --> 00:49:18,160
Speaker 1: Oh that's yeah, like however you want, yeah to do

1036
00:49:18,239 --> 00:49:20,560
Speaker 1: it as a yeah, Patreon's.

1037
00:49:19,920 --> 00:49:21,840
Speaker 3: Patreon watch it as many times as you want.

1038
00:49:21,680 --> 00:49:22,919
Speaker 2: To pay every time. Yeah.

1039
00:49:23,000 --> 00:49:26,479
Speaker 1: See late Crown table crand a bunch of DVDs, mail

1040
00:49:26,520 --> 00:49:28,880
Speaker 1: them out and then it's out of your system.

1041
00:49:29,440 --> 00:49:31,800
Speaker 3: Every fourteen months, I break out my notebook and I

1042
00:49:31,840 --> 00:49:34,320
Speaker 3: say I need to have a new ice breaker. I

1043
00:49:34,400 --> 00:49:36,640
Speaker 3: need to have a new closer. Yeah, I need to

1044
00:49:36,680 --> 00:49:38,719
Speaker 3: have a new bit about whether or not people like

1045
00:49:38,800 --> 00:49:41,840
Speaker 3: the DJ at a given party. Yeah, you know, because

1046
00:49:41,880 --> 00:49:44,759
Speaker 3: that's going to come up. Yeah, absolutely, And I say

1047
00:49:44,800 --> 00:49:46,560
Speaker 3: I need to have a new order or Kate's going

1048
00:49:46,600 --> 00:49:50,360
Speaker 3: to freaking roast me on a scow Yeah. Yeah. Yeah.

1049
00:49:51,000 --> 00:49:53,560
Speaker 5: When I know you're act as well as my own,

1050
00:49:54,080 --> 00:49:56,680
Speaker 5: maybe it's time to retire the cheeto closer.

1051
00:49:57,239 --> 00:50:01,279
Speaker 2: Uh oh, Lily does a whole new hour every year.

1052
00:50:01,680 --> 00:50:05,080
Speaker 2: But here's what I know to see what he's going

1053
00:50:05,160 --> 00:50:05,360
Speaker 2: to do.

1054
00:50:05,440 --> 00:50:06,080
Speaker 3: Next next year.

1055
00:50:06,120 --> 00:50:09,040
Speaker 5: Here's when I knew he was daddy was when I

1056
00:50:09,280 --> 00:50:14,239
Speaker 5: heard I read this twice. He has his closer and

1057
00:50:14,280 --> 00:50:16,040
Speaker 5: then he goes, you know what I'm going to open

1058
00:50:16,120 --> 00:50:21,440
Speaker 5: with my closer flips the script competition with yourself, and that's.

1059
00:50:21,320 --> 00:50:21,719
Speaker 4: What he is.

1060
00:50:22,320 --> 00:50:24,520
Speaker 1: And people listening are like, well, they're both jokes, so like,

1061
00:50:24,560 --> 00:50:25,239
Speaker 1: who fucking cares?

1062
00:50:25,280 --> 00:50:27,560
Speaker 2: And it's like, you do not understand. You don't know.

1063
00:50:27,719 --> 00:50:29,120
Speaker 2: It's a completely different.

1064
00:50:30,760 --> 00:50:32,520
Speaker 3: Why would I be explaining this to you if it

1065
00:50:32,600 --> 00:50:35,759
Speaker 3: wasn't important. I always say, yeah, you know, I go,

1066
00:50:35,960 --> 00:50:40,239
Speaker 3: if I'm explaining how I build my acts, Yeah, maybe

1067
00:50:40,320 --> 00:50:43,120
Speaker 3: it's super important which order I do the jokes in

1068
00:50:43,320 --> 00:50:46,400
Speaker 3: to you, and maybe think about that while you're watching

1069
00:50:46,440 --> 00:50:50,040
Speaker 3: me do it, and don't just listen to the jokes jokes. Thanks. Yeah,

1070
00:50:50,080 --> 00:50:54,200
Speaker 3: because I'm doing a new act. I mean that pisses

1071
00:50:54,280 --> 00:50:57,719
Speaker 3: me off and I get worked up again, But it

1072
00:50:57,920 --> 00:51:03,719
Speaker 3: is honestly cool that Louie's daddy. I mean, we got

1073
00:51:03,840 --> 00:51:05,799
Speaker 3: to be pretty close to having to wrap it up.

1074
00:51:06,080 --> 00:51:09,520
Speaker 2: What's happening like you guys wanna like so much.

1075
00:51:09,520 --> 00:51:14,440
Speaker 5: I've got your agent calling me so funny about your agent?

1076
00:51:14,680 --> 00:51:14,840
Speaker 2: Is that?

1077
00:51:15,000 --> 00:51:15,360
Speaker 1: Who's that?

1078
00:51:16,800 --> 00:51:19,080
Speaker 2: And I've got a Google alert for the characters And

1079
00:51:19,160 --> 00:51:20,200
Speaker 2: I'm not kidding.

1080
00:51:20,080 --> 00:51:21,839
Speaker 3: It's John Buckwall's on the one.

1081
00:51:21,960 --> 00:51:24,000
Speaker 1: That must be a tough like a lot of stuff

1082
00:51:24,080 --> 00:51:26,640
Speaker 1: must be coming in for the phrase the characters.

1083
00:51:26,760 --> 00:51:27,800
Speaker 2: Maybe not all of it.

1084
00:51:28,120 --> 00:51:32,400
Speaker 1: Maybe eighty percent of it is about the show the characters,

1085
00:51:32,480 --> 00:51:34,080
Speaker 1: but it must be some other stuff.

1086
00:51:34,840 --> 00:51:39,360
Speaker 2: Mm hmm, it's not Yeah, it's not religious Netflix. Okay, okay,

1087
00:51:39,520 --> 00:51:40,839
Speaker 2: what is it? Anything else?

1088
00:51:41,600 --> 00:51:44,120
Speaker 5: Let's just say it's late night, it's got We've got

1089
00:51:44,160 --> 00:51:47,239
Speaker 5: a lot of stuff, got red carpets to figure out

1090
00:51:47,239 --> 00:51:49,240
Speaker 5: what looks to do? Anyway?

1091
00:51:50,520 --> 00:51:51,560
Speaker 2: Do we want to do?

1092
00:51:51,680 --> 00:51:53,719
Speaker 1: We want to push anything that's coming up?

1093
00:51:53,920 --> 00:51:54,239
Speaker 2: Do we have?

1094
00:51:54,400 --> 00:51:56,480
Speaker 5: I would say, you know, people a lot of times

1095
00:51:56,480 --> 00:52:00,360
Speaker 5: they haven't watched our Vimeoo series five five needed for

1096
00:52:00,400 --> 00:52:02,360
Speaker 5: Gotham Award for Best Original Web.

1097
00:52:04,400 --> 00:52:07,120
Speaker 2: We're going on Monday to the Gotham Wards in New

1098
00:52:07,239 --> 00:52:08,719
Speaker 2: York City. Oh my god?

1099
00:52:09,120 --> 00:52:10,640
Speaker 1: Are we are we a little scared?

1100
00:52:10,760 --> 00:52:10,960
Speaker 3: Yeah?

1101
00:52:11,040 --> 00:52:12,440
Speaker 1: Well that's what I was going to say, that the

1102
00:52:12,560 --> 00:52:16,040
Speaker 1: Joker might show up because for these like gala events

1103
00:52:16,200 --> 00:52:19,279
Speaker 1: like this black tie stuff. This is the exactly the.

1104
00:52:19,360 --> 00:52:19,839
Speaker 2: Kind of thing.

1105
00:52:20,200 --> 00:52:24,520
Speaker 3: Yes, that's the perfect place for him to introduce or

1106
00:52:25,480 --> 00:52:27,640
Speaker 3: for its own sake. Yeah, yeah, well that would be

1107
00:52:27,760 --> 00:52:32,959
Speaker 3: one thing. But the joker uh loves to find people

1108
00:52:33,000 --> 00:52:36,120
Speaker 3: who are taking themselves pretty seriously, you know, on the

1109
00:52:36,200 --> 00:52:38,520
Speaker 3: fancy where and.

1110
00:52:40,080 --> 00:52:42,719
Speaker 1: And what I will say going to this party, Uh,

1111
00:52:43,440 --> 00:52:46,560
Speaker 1: don't necessarily breathe in the green gas where the green

1112
00:52:46,640 --> 00:52:50,520
Speaker 1: gas is coming out. Maybe try to go to another

1113
00:52:50,680 --> 00:52:55,040
Speaker 1: room or something, because often often that green gas is jokers.

1114
00:52:55,400 --> 00:52:57,879
Speaker 3: At times it's not out gas or or it would

1115
00:52:57,920 --> 00:52:59,799
Speaker 3: make you laugh so hard you don't know where you are,

1116
00:53:00,200 --> 00:53:03,640
Speaker 3: and the joker can change your clothes or do anything else.

1117
00:53:04,080 --> 00:53:09,160
Speaker 5: Yeah that's crazy, but yeah, yeah, just keep on the

1118
00:53:09,239 --> 00:53:10,480
Speaker 5: lookout for the next stuff.

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Speaker 3: Bye. This has been an Earwolf production executive produced by

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Speaker 3: Scott Ackerman, Chris Bannon, and Colin Anderson. For more information

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Speaker 3: and content, visit earwolf dot com.